BUTTON, POLITICAL
https://collections.galtmuseum.com/link/artifact13532
- Material Type
- Artifact
- Other Name
- LGBTQ2S+ ACTIVISM
- Date Range From
- 2017
- Date Range To
- 2019
- Materials
- PLASTIC, METAL
- Catalogue Number
- P20190020039
- Material Type
- Artifact
- Other Name
- LGBTQ2S+ ACTIVISM
- Date Range From
- 2017
- Date Range To
- 2019
- Materials
- PLASTIC, METAL
- No. Pieces
- 1
- Diameter
- 3.75
- Description
- LGBTQ2S+ ACTIVISM BUTTON; FRONT SHOWS THE LGBTQ2S+ RAINBOW PRIDE FLAG WITH SIX STRIPES, FROM TOP TO BOTTOM: RED, ORANGE, YELLOW, GREEN, BLUE, VIOLET. FRONT HAS THE BLACK RAISED ACTIVISM FIST OR RESIST FIST OVER THE FLAG. BACK OF BUTTON IS WHITE PLASTIC WITH SILVER METAL C-CLASP. BUTTON EDGES ARE CRIMPED TO THE BACK; OVERALL EXCELLENT CONDITION.
- Subjects
- PERSONAL SYMBOL
- Historical Association
- COMMEMORATIVE
- PERSONAL CARE
- History
- ON JULY 25, 2019, GALT MUSEUM CURATOR AIMEE BENOIT AND COLLECTIONS TECHNICIAN KEVIN MACLEAN INTERVIEWED ELISABETH HEGERAT REGARDING HER DONATION OF PRIDE MATERIALS. ON THE BUTTONS COLLECTIONS, HEGERAT NOTED, “THIRTY NINE IS THE COUNTER PART TO THE TRANS POWER BUTTON, NUMBER TWENTY SIX, WITH THE RAINBOW PRIDE FLAG.” “[THE LETHBRIDGE PRIDE FEST SOCIETY] HAD A BUTTON MAKER AND WE WERE GOING TO MAKE SOME BUTTONS FOR MERCHANDISE. A FEW OF US THOUGHT WE SHOULD DO A VARIETY OF THE FLAGS REPRESENTING DIFFERENT IDENTITIES IN THE QUEER COMMUNITY, TO MAKE SURE AS MANY PEOPLE IN OUR COMMUNITY FELT REPRESENTED. ALSO, THERE [ARE] A BUNCH OF BAD PUNS AND THAT IS MY FAULT AND DERRICK ANTSON’S FAULT, BECAUSE THE TWO OF US EGGED EACH OTHER ON. THERE IS ALSO SOME HISTORICAL SYMBOLISM…AND SOME THAT REFLECT THINGS GOING ON IN THE WORLD AT THE TIME. THE FIRST BIG BATCH OF THEM ARE ALSO 2017, AND FOR PRIDE FEST IT HAS BEEN (LIKE WITH MANY OTHER PRIDES ACROSS AMERICA) TRYING TO MAKE SURE IT’S NOT JUST THE CIS-GENDERED, GAY, MALE AND PREDOMINATELY WHITE COMMUNITY REPRESENTED. IT IS ALWAYS A STRUGGLE AND SOMETHING TO STRIVE TOWARDS. [BUTTONS WERE] A REALLY EASY WAY TO MAKE SURE THAT PEOPLE FELT SEEN. I REMEMBER WHEN WE TOOK THE BUTTONS OUT TO EVENTS AND THE PEOPLE GOT REALLY EXCITED WHEN THEY FOUND THEIR FLAG, AND WE HAD SOME REQUESTS FOR OTHERS WHEN WE TOOK THEM OUT, AND WE WERE ABLE TO WHIP A FEW MORE OFF FOR PRIDE IN THE PARK.” “THERE [WAS] A BUNCH OF ZIP-LOCK BAGS AND A LITTLE SIGN HOLDER THAT [HAD] A SHEET WITH A LEGEND ON IT. SO, IT IS NOT AS WELL ORGANIZED AS IT COULD BE, LIKE MANY THINGS IN SIMILAR NON-PROFIT ORGANIZATIONS AND EVENTS, BUT SOME OF US ARE INTENDING TO MAKE MORE THIS YEAR AND WE SHOULD GET OURSELVES A LITTLE MORE ORGANIZED. AT ONE POINT THE SIGN CAME ALONG WITH A DUO TANG THAT HAD EXPLANATIONS OF WHAT THEY ALL WERE, BUT IT HAS BEEN LOST TO THE AGES. WE ALSO FOUND THAT PEOPLE DIDN’T WANT TO STAND THERE AND FLIP THROUGH A THING, THEY JUST WANTED TO POINT AND SAY, ‘WHAT’S THAT ONE?’” “[IT WAS A] FUNDRAISER/STEALTH COMMUNITY ENGAGEMENT I GUESS. THE FIRST YEAR WE HAD THE WHOLE SELECTION A COUPLE OF OTHER PEOPLE AND I DRAGGED THEM OUT TO ALMOST EVERY PRIDE FEST EVENT WHERE IT IS CONDUCIVE TO SELL MERCHANDISE AND SET THEM UP.” “WE [MADE FIVE HUNDRED DOLLARS FROM BUTTON SALES] THE FIRST YEAR…I THINK THAT WAS ALL IN. JUST ME COUNTING THE CASH AT THE END OF THE NIGHT, NOT COUNTING THE SUPPLIES. [THE PROFIT] GOES TOWARDS ALL THE VARIOUS PROGRAMS PRIDE FEST OFFERS. SOME OF IT MIGHT GO TOWARDS BUYING MERCHANDISE FOR NEXT YEAR, BUT WE DON’T PUT THE BUTTON MONEY STRAIGHT BACK INTO MAKING BUTTONS. IT ALL GOES INTO A GENERAL REVENUE.” “[WE SOLD BUTTONS FOR] TWO DOLLARS EACH AND THREE FOR FIVE. PRIDE FEST AT THE TIME BOUGHT, I WILL KINDLY SAY, THE MOST ECONOMICAL BUTTON MAKER AVAILABLE TO THEM. I’M LOBBYING TO GET A NEW ONE BECAUSE…IF YOU LOOK AT THE BACK OF SOME OF THE BUTTONS YOU CAN SEE THERE IS PLASTIC INSTEAD OF METAL. THE BUTTON MAKER IS A GIANT PAIN, YOU HAVE TO GET IT EXACTLY RIGHT. THE BETTER ONES ACTUALLY COME FROM THE LIBRARY BECAUSE THE COMMUNITY QSA KIDS HELPED OUT WITH SOME BUTTON MAKING, AND THEY USED THE BUTTON MAKER IN THE LIBRARY TO MAKE A BUNCH. IT MEANT THAT THEY PICKED OUT THE ONES THEY LIKED BEST AND MADE ALL OF THOSE.” “A LOT OF PEOPLE WOULD PICK THROUGH AND END UP WITH A WHOLE HAND FULL AND GO, ‘OH I HAVE TO PUT ONE BACK,’ OR , ‘I NEED TO GET ONE MORE,’ JUST TO GET THAT THREE FOR FIVE. BUT WE SAW, ESPECIALLY WITH YOUNGER MEMBERS OF THE COMMUNITY WHO WERE COMING TO MORE THAN ONE EVENT, THAT THEY WOULD COME BACK AND SAY, ‘OKAY I BROUGHT MORE MONEY THIS TIME,’ AND BUY MORE BUTTONS. IT IS AN INEXPENSIVE REALLY EASY WAY TO CLAIM AN IDENTITY; VISIBLY CLAIM AN IDENTITY.” “I HAVE SEEN SOME OF [THE BUTTONS] OUT IN THE WILD. I HAVE SEEN A COUPLE ON CO-WORKERS, AND WE HAVE SEEN SOME OF THEM POP UP THE NEXT YEAR OF PRIDE. AND PEOPLE HAVE COME BACK HERE YEAR TO YEAR, ‘OH I NEED ANOTHER ONE,’ OR, ‘OH I WANTED TO GET THAT ONE LAST YEAR.’ IT HAS BECOME A THING.” “I THINK [THE BUTTONS] ARE IMPORTANT TO HAVE OUT THERE BECAUSE OF THAT COMMUNITY ENGAGEMENT PIECE AND BECAUSE THEY ARE INEXPENSIVE. ESPECIALLY…TO SOME OF THE YOUNGER MEMBERS OF THE COMMUNITY, OR ANYBODY ELSE WHERE COST MIGHT BE A BARRIER. THE BUTTONS IN GENERAL DO HAVE A HISTORICAL ROLE IN TERMS OF ACTIVISM AND VISIBILITY, BOTH WITHIN THE QUEER COMMUNITY AND BEYOND. THE OTHER THING ABOUT THE BUTTONS TOO IS THAT WE CAN MAKE OUR OWN AND CUSTOMIZE THEM…WE DON’T HAVE TO RELY ON SOMEBODY ELSE TO BE MASS PRODUCING THAT MERCHANDISE. WE CAN USUALLY WHIP SOMETHING UP IN RELATIVELY SHORT ORDER IF WE HAVE DISCOVERED WE HAVE MISSED SOMETHING IMPORTANT, OR SOMETHING WE OVER LOOKED.” HEGERAT ELABORATED ON THE BUTTON DESIGNS, SHARING, “IN MOST CASES, IT IS NOT LIKE THERE IS AN OFFICIAL SOURCE FOR THESE FLAGS. THEY ARE GRASSROOTS, COMMUNITY DRIVEN AND IN SOME CASES WE FIND MORE THAN ONE VARIATION. I JUST, LIBRARIAN TO THE CORE, POKED AROUND ON THE INTERNET AND FOUND ONES THAT SEEM TO BE MORE COMMONLY USED OR THAT AN ORGANIZATION WAS USING.” “DERRICK [ANTSON] MIGHT HAVE CREATED SOME OF THE GRAPHICS, BUT I SEARCHED FOR OPEN SOURCE, CREATIVE COMMONS IMAGES WE COULD USE WITHOUT COPYRIGHT. I JUST LOOKED IN A COUPLE OF PLACES AND MUCKED AROUND WITH MY INCREDIBLY RUDIMENTARY GRAPHIC SKILLS TO PUT THEM TOGETHER, AND THEN DERRICK MADE A BUNCH OF THEM PRETTIER…WE TRIED NOT TO PICK ANYTHING WHERE THERE WERE CONTRADICTING OPINIONS ABOUT THE SYMBOL, BECAUSE WE TRIED TO PICK THE ONES THAT WERE RELATIVELY UNIVERSAL.” “I WAS LEFT UNSUPERVISED WITH THE BUTTONS AND I ENDED UP SORTING A BUNCH INTO THEME PACKS TOO, AND I THINK THOSE WERE LIKE, TEN FOR TWELVE. [EACH THEME PACK HAD A TITLE] THERE WAS TRANS ACTIVIST, QUEER HISTORY, THERE WAS A SNARK FEST ONE [MORE SARCASTIC PUNS]. THERE WAS A LESBIAN BUTTON THAT SAID, ‘YES WE’RE, NO YOU CAN’T WATCH,’ I THINK IT WAS ON A BLACK BACKGROUND, OR, 'LET’S GET ONE THING STRAIGHT. I’M NOT,' SO SOME OF THE ONES LIKE THAT WENT INTO THE SNARK FEST ONE. BOY MEETS BOY, GIRL MEETS GIRL. THERE WAS A FRIENDS AND FAMILY ONE TOO, THAT ONE HAD A RAINBOW BUTTON THAT SAID, ‘ALLY,’ AND THAT ONE WENT INTO THAT PACK WITH SOME OTHER STUFF LIKE, ‘THE GSA’S ARE A’ OKAY,’ AND A COUPLE OF OTHERS.” ACCORDING TO THE WIKIPEDIA ENTRY, “RAINBOW FLAG (LGBT)” [HTTPS://EN.WIKIPEDIA.ORG/WIKI/RAINBOW_FLAG_(LGBT)], “THE RAINBOW FLAG (ALSO KNOWN AS THE GAY PRIDE FLAG OR LGBT PRIDE FLAG) IS A SYMBOL OF LESBIAN, GAY, BISEXUAL, TRANSGENDER, AND QUEER (LGBTQ) PRIDE AND LGBTQ SOCIAL MOVEMENTS. OTHER OLDER USES OF RAINBOW FLAGS INCLUDE A SYMBOL OF PEACE. THE COLORS REFLECT THE DIVERSITY OF THE LGBTQ COMMUNITY, AS THE FLAG IS OFTEN USED AS A SYMBOL OF GAY PRIDE DURING LGBTQ RIGHTS MARCHES. WHILE THIS USE OF THE RAINBOW FLAG ORIGINATED IN SAN FRANCISCO, IT IS NOW USED WORLDWIDE.” “ORIGINALLY DEVISED BY ARTIST GILBERT BAKER, THE DESIGN HAS UNDERGONE SEVERAL REVISIONS SINCE ITS DEBUT IN 1978, FIRST TO REMOVE COLORS THEN RESTORE THEM BASED ON AVAILABILITY OF FABRICS. THE TRADITIONAL AND STILL MOST COMMON VARIANT CONSISTS OF SIX STRIPES: RED, ORANGE, YELLOW, GREEN, BLUE, AND VIOLET. THE FLAG IS TYPICALLY FLOWN HORIZONTALLY, WITH THE RED STRIPE ON TOP, AS IT WOULD BE IN A NATURAL RAINBOW.” “LGBTQ INDIVIDUALS AND ALLIES CURRENTLY USE RAINBOW FLAGS AND MANY RAINBOW-THEMED ITEMS AND COLOR SCHEMES AS AN OUTWARD SYMBOL OF THEIR IDENTITY OR SUPPORT. THE RAINBOW FLAG IS ALSO COMMONLY USED AS A GENERAL SYMBOL OF SOCIAL EQUALITY AND INDIVIDUALITY. IN ADDITION TO THE RAINBOW, MANY OTHER FLAGS AND SYMBOLS ARE USED TO COMMUNICATE SPECIFIC IDENTITIES WITHIN THE LGBTQ+ COMMUNITY.” “THE ORIGINAL GAY PRIDE FLAG FLEW AT THE SAN FRANCISCO GAY FREEDOM DAY PARADE CELEBRATION ON JUNE 25, 1978. BEFORE THIS PRIDE, THE PINK TRIANGLE WAS USED AS A SYMBOL FOR THE LGBT MOVEMENT BUT IT REPRESENTED A DARK CHAPTER IN THE HISTORY OF SAME-SEX RIGHTS…AFTER THE ASSASSINATION OF GAY SAN FRANCISCO CITY SUPERVISOR HARVEY MILK ON NOVEMBER 27, 1978, DEMAND FOR THE RAINBOW FLAG GREATLY INCREASED. TO MEET DEMAND, THE PARAMOUNT FLAG COMPANY BEGAN SELLING A VERSION OF THE FLAG USING STOCK RAINBOW FABRIC WITH SEVEN STRIPES USING THE COLORS RED, ORANGE, YELLOW, GREEN, TURQUOISE, BLUE, AND VIOLET. AS BAKER RAMPED UP PRODUCTION OF HIS VERSION OF THE FLAG, HE TOO DROPPED THE HOT PINK STRIPE BECAUSE OF THE UNAVAILABILITY OF HOT-PINK FABRIC. SAN FRANCISCO-BASED PARAMOUNT FLAG CO. ALSO BEGAN SELLING A SURPLUS STOCK OF RAINBOW GIRLS FLAGS FROM ITS RETAIL STORE ON THE SOUTHWEST CORNER OF POLK AND POST, AT WHICH GILBERT BAKER WAS AN EMPLOYEE.” “IN 1979, THE FLAG WAS MODIFIED AGAIN. THE ORGANIZERS OF THE 1979 SAN FRANCISCO PARADE DECIDED TO SPLIT THE FLAG INTO TWO IN ORDER TO DECORATE THE TWO SIDES OF THE PARADE ROUTE. TO ACHIEVE THIS, THEY NEEDED AN EVEN NUMBER OF STRIPES, SO THE TURQUOISE STRIPE WAS DROPPED, WHICH RESULTED IN A SIX STRIPE VERSION OF THE FLAG — RED, ORANGE, YELLOW, GREEN, BLUE, AND VIOLET.” FOR MORE INFORMATION INCLUDING THE FULL INTERVIEW TRANSCRIPTION, PLEASE SEE THE PERMANENENT FILE P20190020001-GA.
- Catalogue Number
- P20190020039
- Acquisition Date
- 2019-01
- Collection
- Museum
Images
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