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Date Range From
1910
Date Range To
1920
Material Type
Artifact
Materials
COPPER WIRE, STEEL
Catalogue Number
P19780131000
Material Type
Artifact
Date Range From
1910
Date Range To
1920
Materials
COPPER WIRE, STEEL
No. Pieces
1
Height
2.8
Length
10.2
Width
6.4
Description
CALL BOX. "CGE" EMBOSSED ON TOP. GREY-COLOURED. SMALL RECTANGULAR BOX ON TOP OF BASE. COPPER WIRE IN BOX - COMES OUT OF BOTTOM. TWO HOLES ON BASE FOR MOUNTING.
Subjects
TELECOMMUNICATION T&E
SOUND COMMUNICATION T&E
Historical Association
BUSINESS
History
REFER TO P19780129000 & P19780130000-GA FOR HISTORY.
Catalogue Number
P19780131000
Acquisition Date
1978-04
Collection
Museum
Less detail
Other Name
CODE-A-PHONE
Date Range From
1970
Date Range To
1980
Material Type
Artifact
Materials
CARDBOARD, STYROFOAM, PLASTIC
Catalogue Number
P20000014003
Material Type
Artifact
Other Name
CODE-A-PHONE
Date Range From
1970
Date Range To
1980
Materials
CARDBOARD, STYROFOAM, PLASTIC
No. Pieces
6
Height
14.1
Length
39
Width
14
Description
1. BOX. CARDBOARD. FRONT AND BACK HAVE PICTURES OF ANSWERING MACHINES ON THEM. ABOVE THE PICTURE READS "PHILIPS TELEPHONE ANSWERING SYSTEM FOR HOME & OFFICE USE GOVERNMENT OF CANADA DEPARTMENT OF COMMUNICATIONS D.O.C. CERTIFIED FOR DIRECT CONNECTION TO TELEPHONE NETWORK, WHERE APPLICABLE IN CANADA". THE SAME IS ON BACKSIDE, EXCEPT IN FRENCH. ALONG SIDE OF FRONT AND BACK PANEL IS A LIGHT BLUE STRIP, THAT READS "CODE-A-PHONE 1200". 2. PACKING. 2 STYROFOAM PIECES THAT FIT TOGETHER TO FORM A BOX SHAPE. MACHINE FITS INSIDE OF PIECES. ONE PIECE IS IMPRESSED WITH "614001 TOP" AND THE OTHER PIECE IS IMPRESSED WITH "614002 BOTTOM". 3. BOOKLET. BLACK AND WHITE. MOST PAGES OF BOOKLET HAVE A PICTURE OF THE ANSWERING MACHINE, ALONG WITH INSTRUCTIONS ON HOW TO USE IT. FRONT PAGE READS " "HOW TO MAKE ME DO YOUR TALKING FOR YOU." "AS TOLD BY THE CODE-A-PHONE TELEPHONE ANSWERING SYSTEM". ON BACK PAGE READS "9970248 2/79 SWW LITHO IN U.S.A.". 4. WARRANTY. SINGLE SLIP OF PAPER; ONE SIDE IS FRENCH OTHER IS ENGLISH. TOP OF ENGLISH SIDE READS "YOUR PHILIPS CODE-A-PHONE WARRANTY". AT BOTTOM READS "9970250 GD 5/79 3M". 5. ANSWERING MACHINE. BEIGE PLASTIC. PANEL ON TOP HAS MULTIPLE BUTTONS, SWITCHES, AND LIGHTS. AT TOP OF PANEL READS "CODE-A-PHONE 1200". THERE IS ALSO A STICKER ON TOP OF MACHINE THAT READS "CALL 911 IN CASE OF EMERGENCY COMPLIMENTS OF ANDY KENT RE/MAX REAL ESTATE - LETHBRIDGE". ON FRONT OF MACHINE IS A METAL LABEL THAT READS "PHILIPS"; BELOW THIS IS A BUTTON WITH THE WORDS "PUSH DOWN" ON IT; BESIDE BUTTON IS A WINDOW WITH THE NUMBER "0" VISIBLE THROUGH IT AND THE WORDS "CHANNEL INDEX" EMBOSSED ABOVE IT. ETCHED INTO A LABEL ON BOTTOM OF MACHINE IS "SERIAL NO./ NO DE SERIE 0128356". THERE IS A CORD ATTACHED TO BACK OF MACHINE, FOR HOOKING UP TO TELEPHONE.
Subjects
SOUND COMMUNICATION T&E
TELECOMMUNICATION T&E
Historical Association
DOMESTIC
History
DONOR PASSED AWAY AUGUST 3, 2001. BORN 10 MAY 1919 IN CARDIFF, ALBERTA, HE WAS RAISED IN THE FOOTHILLS WEST OF EDMONTON. IN 1945 HE MARRIED MOLLY AND MOVED TO LETHBRIDGE WHERE HE PRACTICED CIVIL ENGINEERING FOR 30 YEARS IN THE FIRM MEECH, MITCHELL, ROBINS AND WATSON. UPON RETIREMENT, HE PRACTICED CONSULTING, AND CONTINUED HIS COMMUNITY ACTIVITIES. HE AND HIS WIFE ENJOYED VACATIONING IN MONTANA AND ARIZONA, BUT MADE SOUTHERN ALBERTA THEIR HOME BECAUSE THEY LOVED IT. MAURICE'S WIFE MOLLY PASSED AWAY JUST PRIOR TO HIM. *UPDATE* IN 2018, COLLECTIONS ASSISTANT ELISE PUNDYK CONDUCTED A SURVEY OF BOXED TEXTILES AND ACCESSORIES, INCLUDING A TABLE PAD. ATTEMPTS TO CONTACT THE DONORS' NEXT-OF-KIN WERE UNSUCCESSFUL. LETHBRIDGE HERALD RESEARCH ADDS TO THE INITIAL DOCUMENTATION. MOLLY MITCHELL WAS BORN IN ENGLAND AND GREW UP IN EDMONTON, WHERE SHE MET HER HUSBAND MAURICE MITCHELL. THE COUPLE HAD THREE CHILDREN: MAURA, KURT, AND SCOTT. AFTER RAISING HER FAMILY IN LETHBRIDGE, MOLLY RETURNED TO WORK AS A SOCIAL WORKER. PLEASE SEE PERMANENT FILE FOR FURTHER INFORMATION, INCLUDING LETHBRIDGE HERALD ARTICLES.
Catalogue Number
P20000014003
Acquisition Date
2000-08
Collection
Museum
Less detail
Other Name
HOMEMADE SHORTWAVE RADIO, TUBES AND SPEAKER
Date Range From
1937
Date Range To
1950
Material Type
Artifact
Materials
METAL, GLASS, CLOTH
Catalogue Number
P20090031014
  1 image  
Material Type
Artifact
Other Name
HOMEMADE SHORTWAVE RADIO, TUBES AND SPEAKER
Date Range From
1937
Date Range To
1950
Materials
METAL, GLASS, CLOTH
No. Pieces
7
Height
18.0
Length
25.7
Width
45.7
Description
HANDMADE METAL RADIO WITH BROADCAST DIAL. ALSO INCLUDES SPEAKER, OSCILATOR COIL, BOXED WESTINGHOUSE TUBE AND BOXED ROGERS TUBE - 7 PIECES. 1. RADIO, HANDMADE. RECTANGULAR METAL BASE. TOP HAS FOUR PERFORATED METAL COLUMNS, FIVE UNPERFORATED METAL COLUMNS, ONE HOLLOW BROWN COLUMN WRAPPED IN COPPER WIRE, THREE MEDIUM SIZED GLASS TUBES AND A SQUARE BOX MARKED "HADLEY TRANSFORMERS, LOS ANGELES". THE FRONT OF THE BASE HAS ONE ROD STICKING OUT AND ONE LARGE DIAL WITH MARKED WITH NUMBERS "BROADCAST KILOCYCLES" AND DEPICTING A WORLD. THE DIAL IS ATTACHED TO A METAL BOX WITH AN OPEN TOP WHICH EXPOSES MULTIPLE SLATS. ALSO ATTACHED IS A ROWN CLOTH ELECTRICAL CORD WITH TWO-PRONG PLUG. 18.0 CM HIGH BY 25.7 CM LONG BY 45.7 CM HIGH. 2. OSCILATOR TUBE, WIRE, PAPER AND UNKNOWN MATERIALS. ONE END OF TUBE HAS A HOLE IN IT. TUB IS WRAPPED IN WIRE. SOME PAPER IS EXPOSED. TUBE IS LARGELY BLACK/BROWN IN COLOR EXCEPT FOR ONE END WHICH SHOWS AN UNKNOWN WHITE SUBSTANCE. 8.6 CM HIGH BY 4.8 CM IN DIAMETER. 3. SPEAKER, UNMOUNTED. FRONT OF SPEAKER IS CONCAVE, LINED WITH HEAVY, GREY PAPER. OUTSIDE IS SILVER COLORED METAL WITH A COLUMNAR SILVER COLORED BACKING PIECE HELD ON BY A SINGLE SCREW. ATTACHED TO THE BACK OF THE SPEAKER IS A SQUARE BOX FILLED WITH PAPER AND WIRES WHICH CONNECTS TO A BROWN CLOTH ELECTRICAL CORD WITH A FOUR-PRONGED PLUG. BLUE LABEL MARKED, "OXFORD... OXFORD TARTAK, RADIO CORP., MADE IN USA". 10.9 CM HIGH BY 21.0 CM IN DIAMETER. 4. BOXED TUBE. BLACK, GOLD AND WHITE, RECTANGULAR CARDBOARD BOX MARKED, "WESTINGHOUSE ELECTRONIC TUBE..." TUBE TYPE "6CA7/EL34". GLASS TUBE INSIDE MARKED "6CA7/EL34" AND "XF5, L2E" BOTTOM OF TUBE IS BROWN PLASTIC WITH SINGLE PLASTIC PRONG SURROUNDED BY EIGHT METAL PRONGS. 2 PIECES. 5.0 CM HIGH BY 13.0 CM LONG BY 5.0 CM WIDE. 5. BOXED TUBE. GREEN, YELLOW AND WHITE CARDBOARD BOX MARKED, "GUARANTEED, ROGERS, ELECTRONIC TUBE". TUBE TYPEE "12AF6". SMALL GLASS TUBE INSIDE HAS A POINTED TOP. GLASS MARKED, "12AF6, AUTOMATIC". BOTTOM OF TUBE HAS 7 METAL PRONGS. 2 PIECES. 2.5 CM HIGH BY 7.9 CM LONG BY 2.3 CM WIDE.
Subjects
TELECOMMUNICATION T&E
Historical Association
EDUCATION
TRADES
History
ACCORDING TO THE DONOR, WENDY AITKENS IN AN INTERVIEW CONDUCTED BY NICOLE HEMBROFF, COLLECTIONS ASSISTANT, IN JULY OF 2011, THE RADIO AND ITS COMPONENTS WERE LIKELY MADE BY HER FATHER, WALLY JAMIESON. SHE SAID, "WALLY STUDIED RADIO TECHNOLOGY AT THE NATIONAL SCHOOL IN LOS ANGELES, CALIFORNIA FROM 1937-1939. HE WAS FASCINATED BY RADIOS AND ALL THINGS ELECTRICAL. THIS RADIO MAY HAVE BEEN A SCHOOL PROJECT OR IT MAY HAVE BEEN SOMETHING HE MADE FOR THE PURE CHALLENGE OF BUILDING HIS OWN RADIO. I REMEMBER HIM MENTIONING HIS HOMEMADE RADIO WHEN HE WAS NEAR THE END OF HIS LIFE. IT IS WRAPPED IN LETHBRIDGE HERALDS AND EDMONTON JOURNALS FROM THE LATE 1940S." AITKENS SAID HER DAD'S INTEREST IN RADIOS STARTED WHEN HE WAS A BOY. WHEN HER FATHER WAS GROWING UP IN SYLVAN LAKE, AB HIS "UNCLE GOT HIM A CRYSTAL RADIO SET WHEN HE WAS ABOUT 12 YEARS OLD. HE'D BEGGED FOR IT. ONCE HE PUT IT TOGETHER HE WAS HOOKED. I HAVE DAD'S RADIO OPERATOR'S LICENSE [FOR THE PROVINCE OF] ALBERTA. IT'S NUMBER 7. IT DIRECTED THE REST OF HIS LIFE. HE HAD THE KNOWLEDGE OF AN ELECTRICAL ENGINEER. " ACCORDING TO THE DONOR, HER FATHER GAINED HIS KNOWLEDGE THROUGH EXPERIENCE - LIKE MANY MEMBERS OF THE FAMILY. WHILE SOME OF HER FAMILY HAD GONE TO NORMAL SCHOOL, HER GENERATION WAS THE FIRST TO ATTEND UNIVERSITY. FOR FAMILY HISTORY SEE P20090030001.
Catalogue Number
P20090031014
Acquisition Date
2009-09
Collection
Museum
Images
Less detail
Other Name
CODE KEY
Date Range From
1950
Date Range To
1963
Material Type
Artifact
Materials
WOOD, METAL, PLASTIC
Catalogue Number
P20180010003
  2 images  
Material Type
Artifact
Other Name
CODE KEY
Date Range From
1950
Date Range To
1963
Materials
WOOD, METAL, PLASTIC
No. Pieces
1
Height
5.5
Length
28.5
Width
10.1
Description
MORSE CODE KEY ATTACHED TO COMPRESSED WOOD BOARD; KEY CODE HAS SILVER UNFINISHED STEEL BODY WITH STEEL FITTINGS AND BAR ATTACHED BLACK METAL KEY. SILVER BAR ATTACHED TO BLACK KEY HAS ENGRAVED TEXT AT BASE “IOF/556”. WOOD BOARD HAS HOLE DRILLED THROUGH ALONG RIGHT EDGE. BOARD HAS HANDWRITTEN TEXT IN UPPER RIGHT CORNER IN PENCIL “E.K. REDEKOPP”. BOARD IS STRATCHED ON TOP AND HAS BLACK STAINING BELOW BLACK KEY; BACK OF BOARD HAS STAINING AND DISCOLORATION; OVERALL VERY GOOD CONDITION.
Subjects
TELECOMMUNICATION T&E
SOUND COMMUNICATION T&E
Historical Association
LEISURE
History
ON MAY 10, 2018, COLLECTIONS TECHNICIAN KEVIN MACLEAN INTERVIEWED ED REDEKOPP REGARDING HIS DONATION OF AN AMATEUR TRANSMITTER RADIO AND ACCESSORIES. REDEKOPP BEGAN PURSUING HIS INTEREST IN RADIO TRANSMISSION IN THE 1950S. ON THE CODE KEY, REDEKOPP NOTED, “LATER ON, I JUST DROPPED [USING THIS] HAND KEY AND WENT TO [THE] DOW KEY.” “MORSE CODE, WE HAD TO LEARN. THAT WAS A MUST. IN AMATEUR RADIO, YOU STARTED WITH IT. YOU DIDN’T START WITH [THE MICROPHONE] AT ALL. IN FACT, IN SECOND CLASS YOU COULDN’T USE A MICROPHONE; YOU HAD TO USE THE KEY ONLY IN MORSE CODE. [THE DOW KEY] IS WHAT I USED BECAUSE MY AWKWARD HAND WOULD NOT HANDLE THAT [HAND KEY]. [IT] DIDN’T WORK VERY WELL FOR ME. I DON’T KNOW HOW ANYONE CAN SEND FIFTEEN WORDS A MINUTE WITH THAT THING AND THAT’S WHAT THEY USE.” REDEKOPP DISCUSSED HIS OWN INTEREST IN RADIO CONSTUCTION AND TRANSMISSION, AND HOW HE BEGAN WORKING WITH RADIOS, RECALLING, “I LIVED ON THE FARM IN VAUXHALL. MY DAD’S FARM. I WAS NEVER A FARMER; I’D HAVE STARVED TO DEATH IF I HAD FARMED. BUT, ANOTHER FARMER, WHO WAS TOTALLY ELECTRONICALLY ILLITERATE, HAD AN UNCLE, DORY MALENBERG, THE ASSISTANT ENGINEER AT CJOC. HE WANTED HIM TO GET ON AMATEUR RADIO SO THAT THEY COULD TALK BACK AND FORTH THAT WAY. THIS FARMER – GOT ME INTERESTED IN TALKING ABOUT AMATEUR RADIO WHICH I KNEW NOTHING ABOUT AT THE TIME. I WAS INTO ELECTRONICS BUT NOT AMATEUR RADIO; IT WAS RADIO SERVICING. HE SAYS, “YOU WANT TO GET ON THE AIR,” HE SAYS, “AND WE CAN TALK AND GET A TRANSMITTER GOING.” IT ALL SOUNDED VERY FASCINATING AND INTERESTING. BUT, I’M ON THE FARM, HERE. WE DON’T EVEN HAVE RURAL ELECTRIFICATION. I [SAID], “HOW CAN I EVER DO THAT?” THERE ARE METHODS AND WAYS…YOU TELL ME ABOUT IT. HE FINALLY CONVINCED ME. I [HAD TO] LOOK INTO IT. AND THAT’S WHAT I DID. HE WAS NO HELP BECAUSE HE KNEW NO ELECTRONICS AT ALL BUT I GOT INFORMATION THROUGH BOOKS…AND STARTED STUDYING THE SUBJECT OF AMATEUR RADIO AS A HOBBY. IT BECAME MORE AND MORE FASCINATING, AND MORE RIVETING THE MORE I READ ABOUT IT. [IT SOUNDED] LIKE SOMETHING I [WANTED] TO DO.” “I HAD PREVIOUS ELECTRONIC EXPERIENCE IN TAKING A COURSE WITH THE NATIONAL RADIO INSTITUTE TO BECOME A RADIO SERVICEMAN. I HAD THE BASICS, THE FUNDAMENTALS, AND I KNEW HOW TO DO IT. EVEN THE FIRST TRANSMITTER THAT I BUILT WAS PRETTY SIMPLE, AND THIS [TRANSMITTER] WAS MY FINAL. I HAVE THE MANUAL FOR IT…FROM THE W1AW, THE AMATEUR RADIO RELAY LEAGUE-–THE ENGINEER THAT DESIGNED IT-–AND I BUILT IT FROM THAT, FROM SCRATCH, GETTING ALL THE PARTS TOGETHER. IT WAS A CHALLENGE, VERY ENJOYABLE, BUT REWARDING IN THE END.” “I STARTED TO GET COMPONENTS AND PARTS TOGETHER TO BUILD MY FIRST TRANSMITTER AND MY FIRST RECEIVER. THE CRAZY THING WAS YOU COULD BUILD A POWER SUPPLY AND RUN IT OFF A SIX-VOLT CAR BATTERY. OR [A] TRACTOR BATTERY. THEY WERE ALL SIX-VOLT AT THE TIME; TWELVE VOLTS CAME LATER. I GOT MY VOLTAGES THAT I NEEDED THROUGH THE POWER SUPPLY OFF [THIS] BATTERY. THE NEXT THING I KNOW…I’M [GETTING] SOMEWHERE. THE NEXT THING I KNEW, I GOT INTO IT AND…NOW I GOT IT BUILT AND I CAN’T USE IT. I [HAVE TO] GET A LICENSE FIRST.” “ELMER JOHNSON, THE OTHER FARMER WHO GOT ME INTO IT, [SAID], “I’M GOING TO GO TO CALGARY [TO] WRITE MY EXAM.” SO HE [SAID], “DO YOU WANT TO COME ALONG?” I [SAID], “SURE, I’LL COME ALONG.” BUT, THE CODE…I CAN’T USE THE HAND KEY AT FIFTEEN WORDS A MINUTE AND I WANT TO GET MY FIRST CLASS, NOT MY SECOND CLASS, BECAUSE I COULDN’T USE THE [MICROPHONE]. I SAID, “WELL, I’LL GO WITH [YOU]. I’LL TAKE THE DOW KEY WITH ME, AND I’LL TAKE THE HAND KEY WITH ME, TOO, BUT I’M NOT GOING TO PASS WITH THAT.” I TOLD THE INSPECTOR, “LOOK, I’M HERE TO WRITE MY TEST, BUT I SEE THE REQUIREMENT IS FIFTEEN WORDS A MINUTE WITH THE HAND KEY.” I SAID, “MY CLUMSY HAND WON’T HANDLE THAT.” I [SAID], “AND IF I HAVE TO USE IT, I WON’T EVEN WRITE MY TEST,” I [SAID], “I’M FINISHED.” “WELL,” HE [SAID] TO ME, “I GUESS WE CAN MAKE AN EXCEPTION.” SO HE ALLOWED ME TO USE THE SEMI-AUTOMATIC KEY, WHICH WAS A PIECE OF CAKE. I WENT THROUGH THAT WITH FLYING COLOURS.” “THEN, HE QUESTIONED US ON TECHNOLOGY. HE STARTED WITH ELMER FIRST, UNFORTUNATELY. THE FIRST QUESTION HE ASKED HIM WAS ABOUT AS SIMPLE AN ELECTRONIC QUESTION AS YOU CAN ASK. I CAN’T REMEMBER THE QUESTION, AS A MATTER OF FACT; THAT’S THE BAD PART. BUT, HE COULDN’T ANSWER IT. THE INSPECTOR LOOKED AT HIM AND HE SAID, “YEAH, OKAY,” HE [SAID], “I UNDERSTAND.” HE NEVER GOT A SECOND [QUESTION]; HE FAILED RIGHT THERE. [ELMER] COULD PASS THE CODE, BUT THAT DIDN’T DO HIM ANY GOOD IF HE COULDN’T DO THE TECHNICAL. THEN HE GOT ASKING ME, AND OF COURSE I HAD NO PROBLEM ’CAUSE I WAS CONVERSANT IN ELECTRONICS. I GOT MY FIRST CLASS TICKET USING THE DOW KEY.” “WHEN WE MOVED HERE [AND] BOUGHT THIS HOUSE, I HAD A FAMILY TO LOOK AFTER. I HAD A JOB DURING THE DAY, AND IT WAS TOO MUCH-–I SPENT TOO MUCH TIME ON THE AIR, ON THE RADIO. I’D BE UP SOMETIMES IN THE NIGHT, VERY RARELY, BUT UP TO FOUR IN THE MORNING SOMETIMES, TALKING TO AUSTRALIANS AND NEW ZEALANDERS. AS A WORKING STIFF…I HAD A FAMILY TO LOOK AFTER; THEY NEEDED ATTENTION. I COULDN’T SIMPLY TAKE THE TIME AND BE ON THE AIR ALL THE TIME WITH MY HOBBY. WHEN WE MOVED HERE MY WIFE [SAID], “NO, YOU’RE NOT GONNA GO BACK ON AGAIN.” I HAD A TOWER I WAS GOING TO SET UP, AND SHE [SAID], “NO, YOU’VE GOT A FAMILY TO LOOK AFTER.” AND I [SAID], “YES, YOU ARE CORRECT. I SHALL GIVE IT UP.” THAT’S WHAT I DID, FIFTY-FIVE YEARS AGO.” “BEING ABLE TO CONTACT ANYONE IN THE WORLD, THAT IS OTHER AMATEUR RADIO OPERATORS…WAS VERY INTRIGUING. YOU TALK TO VARIOUS PEOPLE WITH VARIOUS LANGUAGES. WE HAD A Q CODE…WHEN YOU DIDN’T UNDERSTAND THE LANGUAGE, YOU COULD USE THE Q CODE…IT WAS FASCINATING BECAUSE YOU CAN TALK TO PEOPLE IN GREENLAND. I TALK TO PEOPLE IN THE DEW LINE, ALL OVER THE WORLD. LATER ON I BUILT MY MODULATOR, AND THEN IT WAS BY PHONE, AND THOSE THAT SPOKE ENGLISH-–AND IN MOST CASES, I MUST SAY, MOST PEOPLE I CONTACTED, KNEW SOME ENGLISH--THAT’S THE AMAZING PART…YOU COULD UNDERSTAND THEM. BUT, IF YOU WERE ON CODE, YOU JUST USE THE MORSE CODE. IT WAS FASCINATING TO TALK TO DIFFERENT PEOPLE ALL OVER THE WORLD.” “I GOT MARRIED AND THEN WE MOVED TO LETHBRIDGE [IN 1953 TO 7 AVE. A.] AND OF COURSE THEN THAT OLD TRANSMITTER WAS OBSOLETE-–DIDN’T USE IT ON BATTERY ANYMORE [BECAUSE] WE [HAD] ELECTRICITY, SO I WENT ON A BIGGER ONE.” “I STARTED WORKING AT CJOC, BUT…I WAS IN THE STUDIO AND I DIDN’T LIKE THE STUDIO WORK. I WANTED TO GET INTO THE TRANSMITTER BUT THERE WAS NO OPENING. I WAS NOT PREPARED-–I WAS TAKING THE RADIO COURSE ON TRANSMITTERS AS WELL, [BECAUSE] I WANTED TO GET INTO THE STATION. THERE WAS NO OPENING, AND THERE WAS ONLY ONE STATION. TODAY I’M GLAD THAT I DIDN’T GET IN FOR A NUMBER OF REASONS.” “INITIALLY I DON’T THINK I WAS EVEN ON THE AIR. IT ALL TOOK TIME. YOU [HAVE TO] BUILD IT…BY THE TIME YOU GET THAT ALL DONE, THERE’S A LAPSE OF TIME WHERE YOU’RE NOT EVEN ON THE AIR. AS LONG AS YOU KEEP YOUR LICENSE UP…MY CERTIFICATE IS PERMANENT BUT MY STATION LICENSE HAD TO BE RENEWED EVERY YEAR, AT THAT TIME.” “THIS WAS [A] HOBBY, AND MY WIFE WOULD HAVE SAID IT WAS UNNECESSARY. IN A SENSE, SHE’S RIGHT. I [HAVE TO] ADMIT THAT…AND FOR GOOD REASON.” “KEEPING THE STATION LICENSE UP THERE, THAT WAS NOT A PROBLEM. YOU CAN KEEP YOUR STATION LICENSE UP, AND I DON’T THINK THEY WOULD CANCEL IT AS LONG AS YOU PAY THE FEE BECAUSE THAT WAS IMPORTANT TO THEM. BUT THEY HAD THEIR RULES, AND I KNOW THAT LATER ON YOU WOULD GET IT PERMANENTLY. WHETHER YOU WERE ON THE AIR OR NOT, I THINK YOU KEPT YOUR LICENSE.” WHEN ASKED HOW MANY PEOPLE IN THE CITY WORKED IN AMATEUR RADIO, REDEKOPP STATED,“TO TELL YOU THE TRUTH, TOO MANY OF THEM HAVE PASSED AWAY. I HAPPEN TO BE A LITTLE BIT OLDER THAN MOST OF THEM. [I’M] NINETY-THREE. THERE ARE STILL SOME AROUND. I HAVEN’T BEEN AT THE AMATEUR RADIO CLUB AT THE SENIORS’ CENTRE IN A NUMBER OF YEARS NOW. I USED TO GO THERE OCCASIONALLY.” “I THINK [THERE ARE] PROBABLY MORE [PEOPLE] THAN I WOULD REALIZE. THERE ARE TWO ENGINEERS THAT ARE RETIRED. THEY CAN FIX RADIOS.” ON DONATING HIS RADIO TO THE MUSEUM, REDEKOPP ELABORATED, “I’M GETTING TO BE OF AN AGE WHERE I WON’T BE AROUND MUCH LONGER. OF COURSE, I CAN’T DETERMINE MY DAYS BUT I’M NINETY-THREE YEARS OLD, AND I’VE GOT TO DISPOSE OF THIS BECAUSE NO ONE ELSE WILL EVER USE IT. IT WILL GO TO THE DUMP PROBABLY, OTHERWISE, AND THAT’S NO PLACE FOR A TRANSMITTER LIKE THIS. I’VE ENJOYED IT A LOT, AND HOPEFULLY SOMEONE ELSE CAN SEE SOME HISTORY OR PAST HISTORY OF AMATEUR RADIO AND THE TRANSMITTERS THAT WERE BUILT BY THE PEOPLE THAT USED IT. A LOT OF PEOPLE THAT WERE NOT CAPABLE OF BUILDING THEIR OWN PURCHASED COMMERCIAL EQUIPMENT, WHICH IS FINE AND IT WAS LEGAL, BUT AMATEUR RADIO WAS MEANT TO BE JUST THAT-–FOR AMATEURS, BUILDING THEIR OWN AND ENJOYING IT.” “I THOUGHT PERHAPS SOMEONE WOULD APPRECIATE SEEING SOMETHING SOMEONE BUILT HIMSELF, AND USED, AND COMMUNICATED WITH WORLD-WIDE, A TRANSMITTER. THAT IS WHAT IT WAS ALL ABOUT DURING THE YEARS THAT I WAS ACTIVE ON THE AIR.” FOR MORE INFORMATION INCLUDING THE FULL INTERVIEW TRANSCRIPTION AND PHOTOGRAPHS, PLEASE SEE THE PERMANENT FILE P20180010001-GA.
Catalogue Number
P20180010003
Acquisition Date
2018-05
Collection
Museum
Images
Less detail
Other Name
ANTENNA TUNER
Date Range From
1950
Date Range To
1963
Material Type
Artifact
Materials
STEEL, COPPER, CERAMIC
Catalogue Number
P20180010006
  2 images  
Material Type
Artifact
Other Name
ANTENNA TUNER
Date Range From
1950
Date Range To
1963
Materials
STEEL, COPPER, CERAMIC
No. Pieces
1
Height
17
Length
25.5
Width
15.3
Description
HOMEMADE ANTENNA TUNER; GREY, UNFINISHED STEEL BASE WITH TWO COPPER COILS ON TOP SECURED WIT SCREWS AND FOUR WHITE CERAMIC MOUNTS. COILS ARE JOINED TOGETER WITH METAL BAR AT SCREWS IN THE CENTER, AND JOINED BY CLOTH-COVERED WIRE AT SCREWS ON ENDS; CENTER METAL BAR JOINING COILS HAS BLUE PLASTIC COVER WRAPPED AROUND IT. COILS JOINED AT END SCREWS WITH CLOTH-COVERED WIRE TO WHITE METAL MOUNT WITH SILVER METAL DISCS. MOUNT HAS TWO SETS OF NINETEEN DISCS; DISCS ARE SHAPED LIKE HALF-CIRCLES; DISCS ARE JOINED AT TOPS WITH METAL ROD RUNNING THROUGH. TUNER SHOWS SIGNS OF WEAR, AND IS STAINED WITH SOILING; TUNER BASE HAS HOLES PUNCHED IN SIDES AND TOP; OVERALL VERY GOOD CONDITION.
Subjects
TELECOMMUNICATION T&E
SOUND COMMUNICATION T&E
Historical Association
LEISURE
History
ON MAY 10, 2018, COLLECTIONS TECHNICIAN KEVIN MACLEAN INTERVIEWED ED REDEKOPP REGARDING HIS DONATION OF AN AMATEUR TRANSMITTER RADIO AND ACCESSORIES. REDEKOPP BEGAN PURSUING HIS INTEREST IN RADIO TRANSMISSION IN THE 1950S. ON THE INSTRUCTION MANUAL, REDEKOPP NOTED, “THE ANTENNA IS ALMOST THE KEY TO A SUCCESSFUL STATION. THERE’S TWO THINGS: YOU CAN EITHER GET YOUR RADIO WAVES THROUGH THE ANTENNA, OR YOU CAN HEAT YOUR CONDUCTOR, YOUR TRANSMISSION LINE, IF IT DOESN’T MATCH, TOO.” “YOU HAVE TO HAVE YOUR ANTENNA TUNED. FREQUENCY AND WAVE LENGTH GO TOGETHER AND THEY ARE VERY IMPORTANT. YOU HAVE TO HAVE THIS TUNED TO THE CORRECT FREQUENCY SO IT WILL MATCH THE ANTENNA. IF IT DOESN’T MATCH, YOU’RE JUST [HEATING] YOUR CONDUCTOR AND YOU’RE NOT GETTING ANYWHERE FAR. THAT’S THE KEY. THERE’S WHAT THEY CALL A STANDING WAVE RATIO…IF IT’S TOO HIGH, IT’S JUST HEATING A WIRE AND YOU’RE NOT GETTING [A SIGNAL] OUT. THE NEARER TO ONE-TO-ONE THAT YOU CAN GET–THREE-TO-ONE IS GOOD…NOT IDEAL, BUT GOOD—FOUR-TO-ONE, FIVE-TO-ONE-–FORGET [IT]. YOU’RE JUST HEATING THE WIRE. ANTENNAS [ARE] AMAZING. AS A MATTER OF FACT, IT’S A SCIENCE. ANTENNAS [ARE] A SCIENCE.” REDEKOPP DISCUSSED HIS OWN INTEREST IN RADIO CONSTUCTION AND TRANSMISSION, AND HOW HE BEGAN WORKING WITH RADIOS, RECALLING, “I LIVED ON THE FARM IN VAUXHALL. MY DAD’S FARM. I WAS NEVER A FARMER; I’D HAVE STARVED TO DEATH IF I HAD FARMED. BUT, ANOTHER FARMER, WHO WAS TOTALLY ELECTRONICALLY ILLITERATE, HAD AN UNCLE, DORY MALENBERG, THE ASSISTANT ENGINEER AT CJOC. HE WANTED HIM TO GET ON AMATEUR RADIO SO THAT THEY COULD TALK BACK AND FORTH THAT WAY. THIS FARMER – GOT ME INTERESTED IN TALKING ABOUT AMATEUR RADIO WHICH I KNEW NOTHING ABOUT AT THE TIME. I WAS INTO ELECTRONICS BUT NOT AMATEUR RADIO; IT WAS RADIO SERVICING. HE SAYS, “YOU WANT TO GET ON THE AIR,” HE SAYS, “AND WE CAN TALK AND GET A TRANSMITTER GOING.” IT ALL SOUNDED VERY FASCINATING AND INTERESTING. BUT, I’M ON THE FARM, HERE. WE DON’T EVEN HAVE RURAL ELECTRIFICATION. I [SAID], “HOW CAN I EVER DO THAT?” THERE ARE METHODS AND WAYS…YOU TELL ME ABOUT IT. HE FINALLY CONVINCED ME. I [HAD TO] LOOK INTO IT. AND THAT’S WHAT I DID. HE WAS NO HELP BECAUSE HE KNEW NO ELECTRONICS AT ALL BUT I GOT INFORMATION THROUGH BOOKS…AND STARTED STUDYING THE SUBJECT OF AMATEUR RADIO AS A HOBBY. IT BECAME MORE AND MORE FASCINATING, AND MORE RIVETING THE MORE I READ ABOUT IT. [IT SOUNDED] LIKE SOMETHING I [WANTED] TO DO.” “I HAD PREVIOUS ELECTRONIC EXPERIENCE IN TAKING A COURSE WITH THE NATIONAL RADIO INSTITUTE TO BECOME A RADIO SERVICEMAN. I HAD THE BASICS, THE FUNDAMENTALS, AND I KNEW HOW TO DO IT. EVEN THE FIRST TRANSMITTER THAT I BUILT WAS PRETTY SIMPLE, AND THIS [TRANSMITTER] WAS MY FINAL. I HAVE THE MANUAL FOR IT…FROM THE W1AW, THE AMATEUR RADIO RELAY LEAGUE-–THE ENGINEER THAT DESIGNED IT-–AND I BUILT IT FROM THAT, FROM SCRATCH, GETTING ALL THE PARTS TOGETHER. IT WAS A CHALLENGE, VERY ENJOYABLE, BUT REWARDING IN THE END.” “I STARTED TO GET COMPONENTS AND PARTS TOGETHER TO BUILD MY FIRST TRANSMITTER AND MY FIRST RECEIVER. THE CRAZY THING WAS YOU COULD BUILD A POWER SUPPLY AND RUN IT OFF A SIX-VOLT CAR BATTERY. OR [A] TRACTOR BATTERY. THEY WERE ALL SIX-VOLT AT THE TIME; TWELVE VOLTS CAME LATER. I GOT MY VOLTAGES THAT I NEEDED THROUGH THE POWER SUPPLY OFF [THIS] BATTERY. THE NEXT THING I KNOW…I’M [GETTING] SOMEWHERE. THE NEXT THING I KNEW, I GOT INTO IT AND…NOW I GOT IT BUILT AND I CAN’T USE IT. I [HAVE TO] GET A LICENSE FIRST.” “ELMER JOHNSON, THE OTHER FARMER WHO GOT ME INTO IT, [SAID], “I’M GOING TO GO TO CALGARY [TO] WRITE MY EXAM.” SO HE [SAID], “DO YOU WANT TO COME ALONG?” I [SAID], “SURE, I’LL COME ALONG.” BUT, THE CODE…I CAN’T USE THE HAND KEY AT FIFTEEN WORDS A MINUTE AND I WANT TO GET MY FIRST CLASS, NOT MY SECOND CLASS, BECAUSE I COULDN’T USE THE [MICROPHONE]. I SAID, “WELL, I’LL GO WITH [YOU]. I’LL TAKE THE DOW KEY WITH ME, AND I’LL TAKE THE HAND KEY WITH ME, TOO, BUT I’M NOT GOING TO PASS WITH THAT.” I TOLD THE INSPECTOR, “LOOK, I’M HERE TO WRITE MY TEST, BUT I SEE THE REQUIREMENT IS FIFTEEN WORDS A MINUTE WITH THE HAND KEY.” I SAID, “MY CLUMSY HAND WON’T HANDLE THAT.” I [SAID], “AND IF I HAVE TO USE IT, I WON’T EVEN WRITE MY TEST,” I [SAID], “I’M FINISHED.” “WELL,” HE [SAID] TO ME, “I GUESS WE CAN MAKE AN EXCEPTION.” SO HE ALLOWED ME TO USE THE SEMI-AUTOMATIC KEY, WHICH WAS A PIECE OF CAKE. I WENT THROUGH THAT WITH FLYING COLOURS.” “THEN, HE QUESTIONED US ON TECHNOLOGY. HE STARTED WITH ELMER FIRST, UNFORTUNATELY. THE FIRST QUESTION HE ASKED HIM WAS ABOUT AS SIMPLE AN ELECTRONIC QUESTION AS YOU CAN ASK. I CAN’T REMEMBER THE QUESTION, AS A MATTER OF FACT; THAT’S THE BAD PART. BUT, HE COULDN’T ANSWER IT. THE INSPECTOR LOOKED AT HIM AND HE SAID, “YEAH, OKAY,” HE [SAID], “I UNDERSTAND.” HE NEVER GOT A SECOND [QUESTION]; HE FAILED RIGHT THERE. [ELMER] COULD PASS THE CODE, BUT THAT DIDN’T DO HIM ANY GOOD IF HE COULDN’T DO THE TECHNICAL. THEN HE GOT ASKING ME, AND OF COURSE I HAD NO PROBLEM ’CAUSE I WAS CONVERSANT IN ELECTRONICS. I GOT MY FIRST CLASS TICKET USING THE DOW KEY.” “WHEN WE MOVED HERE [AND] BOUGHT THIS HOUSE, I HAD A FAMILY TO LOOK AFTER. I HAD A JOB DURING THE DAY, AND IT WAS TOO MUCH-–I SPENT TOO MUCH TIME ON THE AIR, ON THE RADIO. I’D BE UP SOMETIMES IN THE NIGHT, VERY RARELY, BUT UP TO FOUR IN THE MORNING SOMETIMES, TALKING TO AUSTRALIANS AND NEW ZEALANDERS. AS A WORKING STIFF…I HAD A FAMILY TO LOOK AFTER; THEY NEEDED ATTENTION. I COULDN’T SIMPLY TAKE THE TIME AND BE ON THE AIR ALL THE TIME WITH MY HOBBY. WHEN WE MOVED HERE MY WIFE [SAID], “NO, YOU’RE NOT GONNA GO BACK ON AGAIN.” I HAD A TOWER I WAS GOING TO SET UP, AND SHE [SAID], “NO, YOU’VE GOT A FAMILY TO LOOK AFTER.” AND I [SAID], “YES, YOU ARE CORRECT. I SHALL GIVE IT UP.” THAT’S WHAT I DID, FIFTY-FIVE YEARS AGO.” “BEING ABLE TO CONTACT ANYONE IN THE WORLD, THAT IS OTHER AMATEUR RADIO OPERATORS…WAS VERY INTRIGUING. YOU TALK TO VARIOUS PEOPLE WITH VARIOUS LANGUAGES. WE HAD A Q CODE…WHEN YOU DIDN’T UNDERSTAND THE LANGUAGE, YOU COULD USE THE Q CODE…IT WAS FASCINATING BECAUSE YOU CAN TALK TO PEOPLE IN GREENLAND. I TALK TO PEOPLE IN THE DEW LINE, ALL OVER THE WORLD. LATER ON I BUILT MY MODULATOR, AND THEN IT WAS BY PHONE, AND THOSE THAT SPOKE ENGLISH-–AND IN MOST CASES, I MUST SAY, MOST PEOPLE I CONTACTED, KNEW SOME ENGLISH--THAT’S THE AMAZING PART…YOU COULD UNDERSTAND THEM. BUT, IF YOU WERE ON CODE, YOU JUST USE THE MORSE CODE. IT WAS FASCINATING TO TALK TO DIFFERENT PEOPLE ALL OVER THE WORLD.” “I GOT MARRIED AND THEN WE MOVED TO LETHBRIDGE [IN 1953 TO 7 AVE. A.] AND OF COURSE THEN THAT OLD TRANSMITTER WAS OBSOLETE-–DIDN’T USE IT ON BATTERY ANYMORE [BECAUSE] WE [HAD] ELECTRICITY, SO I WENT ON A BIGGER ONE.” “I STARTED WORKING AT CJOC, BUT…I WAS IN THE STUDIO AND I DIDN’T LIKE THE STUDIO WORK. I WANTED TO GET INTO THE TRANSMITTER BUT THERE WAS NO OPENING. I WAS NOT PREPARED-–I WAS TAKING THE RADIO COURSE ON TRANSMITTERS AS WELL, [BECAUSE] I WANTED TO GET INTO THE STATION. THERE WAS NO OPENING, AND THERE WAS ONLY ONE STATION. TODAY I’M GLAD THAT I DIDN’T GET IN FOR A NUMBER OF REASONS.” “INITIALLY I DON’T THINK I WAS EVEN ON THE AIR. IT ALL TOOK TIME. YOU [HAVE TO] BUILD IT…BY THE TIME YOU GET THAT ALL DONE, THERE’S A LAPSE OF TIME WHERE YOU’RE NOT EVEN ON THE AIR. AS LONG AS YOU KEEP YOUR LICENSE UP…MY CERTIFICATE IS PERMANENT BUT MY STATION LICENSE HAD TO BE RENEWED EVERY YEAR, AT THAT TIME.” “THIS WAS [A] HOBBY, AND MY WIFE WOULD HAVE SAID IT WAS UNNECESSARY. IN A SENSE, SHE’S RIGHT. I [HAVE TO] ADMIT THAT…AND FOR GOOD REASON.” “KEEPING THE STATION LICENSE UP THERE, THAT WAS NOT A PROBLEM. YOU CAN KEEP YOUR STATION LICENSE UP, AND I DON’T THINK THEY WOULD CANCEL IT AS LONG AS YOU PAY THE FEE BECAUSE THAT WAS IMPORTANT TO THEM. BUT THEY HAD THEIR RULES, AND I KNOW THAT LATER ON YOU WOULD GET IT PERMANENTLY. WHETHER YOU WERE ON THE AIR OR NOT, I THINK YOU KEPT YOUR LICENSE.” WHEN ASKED HOW MANY PEOPLE IN THE CITY WORKED IN AMATEUR RADIO, REDEKOPP STATED,“TO TELL YOU THE TRUTH, TOO MANY OF THEM HAVE PASSED AWAY. I HAPPEN TO BE A LITTLE BIT OLDER THAN MOST OF THEM. [I’M] NINETY-THREE. THERE ARE STILL SOME AROUND. I HAVEN’T BEEN AT THE AMATEUR RADIO CLUB AT THE SENIORS’ CENTRE IN A NUMBER OF YEARS NOW. I USED TO GO THERE OCCASIONALLY.” “I THINK [THERE ARE] PROBABLY MORE [PEOPLE] THAN I WOULD REALIZE. THERE ARE TWO ENGINEERS THAT ARE RETIRED. THEY CAN FIX RADIOS.” ON DONATING HIS RADIO TO THE MUSEUM, REDEKOPP ELABORATED, “I’M GETTING TO BE OF AN AGE WHERE I WON’T BE AROUND MUCH LONGER. OF COURSE, I CAN’T DETERMINE MY DAYS BUT I’M NINETY-THREE YEARS OLD, AND I’VE GOT TO DISPOSE OF THIS BECAUSE NO ONE ELSE WILL EVER USE IT. IT WILL GO TO THE DUMP PROBABLY, OTHERWISE, AND THAT’S NO PLACE FOR A TRANSMITTER LIKE THIS. I’VE ENJOYED IT A LOT, AND HOPEFULLY SOMEONE ELSE CAN SEE SOME HISTORY OR PAST HISTORY OF AMATEUR RADIO AND THE TRANSMITTERS THAT WERE BUILT BY THE PEOPLE THAT USED IT. A LOT OF PEOPLE THAT WERE NOT CAPABLE OF BUILDING THEIR OWN PURCHASED COMMERCIAL EQUIPMENT, WHICH IS FINE AND IT WAS LEGAL, BUT AMATEUR RADIO WAS MEANT TO BE JUST THAT-–FOR AMATEURS, BUILDING THEIR OWN AND ENJOYING IT.” “I THOUGHT PERHAPS SOMEONE WOULD APPRECIATE SEEING SOMETHING SOMEONE BUILT HIMSELF, AND USED, AND COMMUNICATED WITH WORLD-WIDE, A TRANSMITTER. THAT IS WHAT IT WAS ALL ABOUT DURING THE YEARS THAT I WAS ACTIVE ON THE AIR.” FOR MORE INFORMATION INCLUDING THE FULL INTERVIEW TRANSCRIPTION AND PHOTOGRAPHS, PLEASE SEE THE PERMANENT FILE P20180010001-GA.
Catalogue Number
P20180010006
Acquisition Date
2018-05
Collection
Museum
Images
Less detail
Other Name
RADIO/8 TRACK PLAYER
Date Range From
1965
Date Range To
1975
Material Type
Artifact
Materials
PLASTIC, METAL
Catalogue Number
P19910004004
Material Type
Artifact
Other Name
RADIO/8 TRACK PLAYER
Date Range From
1965
Date Range To
1975
Materials
PLASTIC, METAL
No. Pieces
1
Height
24
Length
31.3
Width
9.1
Description
PLASTIC CASE & PARTS EXCEPT STEEL AERIAL. CONTROLS TOP & RT SIDE, FOR TONE, VOLUME, TUNING, MODE SELECTION AM/FM OR TAPE PLAY. ALSO INCLUDES SELECTOR FOR TRACK TO BE PLAYED (TAPE) & JACKS FOR MICROPHONE OR EARPHONE (FACE). INCLUDES CARRYING STRAP. OPERATES ON AC OR DC POWER. MISSING COVER FOR BATTERY COMPARTMENT. IN WORKING CONDITION.
Subjects
SOUND COMMUNICATION T&E
TELECOMMUNICATION T&E
Historical Association
HOME ENTERTAINMENT
History
DONOR ACQUIRED RADIO ABOUT 1970. "GENERAL ELECTRIC 8 TRACK PROGRAM POWER SOUND" 8 TRACK TAPE PLAYER SYSTEMS 1ST MARKETED IN 1960'S WERE OBSOLETE BY THE LATE 1970'S. NAME 8 TRACK REFERS TO TAPE WITH 4 TRACKS ON EACH SIDE. TAPE WAS CONTAINED ON A SINGLE WHEEL INSIDE A PLASTIC CASE OR CARTRIDGE.
Catalogue Number
P19910004004
Acquisition Date
91-09
Collection
Museum
Less detail
Date Range From
1925
Date Range To
1930
Material Type
Artifact
Materials
WOOD, BRASS, VELOUR
Catalogue Number
P19694116000
Material Type
Artifact
Date Range From
1925
Date Range To
1930
Materials
WOOD, BRASS, VELOUR
No. Pieces
1
Height
128.0
Length
65.8
Width
42.5
Description
OAK CABINET, CARVED TOP. VELOUR AND WOOD SPEAKER PANEL. BRASS FITTINGS AND SWITCHES. PAPER LABEL ON BACK. "CAUTION DISCONNECT ELECTRICALPLUG BEFORE REMOVING CABINET BACK". STILL FUNCTIONAL. "WESTINGHOUSE 99".
Subjects
TELECOMMUNICATION T&E
Historical Association
HOME ENTERTAINMENT
EDUCATION
History
HISTORY UNKNOWN-DONATED TO SCHOOL FOR TEACHING PURPOSES. *UPDATE* IN 2010 NICOLE HEMBROFF, COLLECTIONS ASSISTANT, CONDUCTED A SURVEY OF PALLET RACKING. SHE WAS UNABLE TO FIND CONTACT INFORMATION FOR DONOR OR NEXT OF KIN.
Catalogue Number
P19694116000
Acquisition Date
1969-06
Collection
Museum
Less detail
Date Range From
1920
Date Range To
1930
Material Type
Artifact
Materials
WOOD, STEEL, GLASS, ELECTRIC CORD,RAYON
Catalogue Number
P19672749000
Material Type
Artifact
Date Range From
1920
Date Range To
1930
Materials
WOOD, STEEL, GLASS, ELECTRIC CORD,RAYON
No. Pieces
1
Height
44.4
Length
31.8
Width
26.6
Description
PART OF CABINET VARNISHED. PART PAINTED BLACK. "STROMBERG-CARLSON" ON FRONT. NAMEPLATE ON BACK "STROMBERG-CARLSON CHASIS P.N24239 AC VOLTS 105-125 CYCLES 60 MAX. WATTS 90 H.E.P.C. APPROVAL 1681" STICKER ON BACK. "APPROVED HYDRO ELECTRIC POWER COMMISSION CREST 283 ONTARIO POWER OPERATED RADIO". FUNCTIONAL. CLOTH COVERED SPEAKER ON FRONT; FRAYED IN ONE CORNER AND STAINED. VARNISH ON TOP IS SCALING. REMAINS OF WARNING LABEL ON RIGHT SIDE OF RADIO.
Subjects
TELECOMMUNICATION T&E
SOUND COMMUNICATION T&E
Historical Association
DOMESTIC
History
FROM THE W. HENDERSON HOME SON OF FORMER MAYOR WILLIAM HENDERSON. *UPDATE* IN 2014 COLLECTIONS ASSISTANT JANE EDMUNDSON DEVELOPED THE FOLLOWING BRIEF HISTORY OF THE HENDERSON FAMILY WITH INFORMATION FROM THE BOOK ‘PIONEER PEMMICAN CLUB ROUND-UP, 1885 – 1985’ BY A.P. BAINES, AND THE GALT ARCHIVES. WILLIAM HENDERSON CAME TO CANADA FROM EDINBURGH, SCOTLAND IN 1879, WHEN HE WAS 22. A CARPENTER BY TRADE, HENDERSON MADE HIS WAY WESTWARD, BUILDING THE FIRST HOUSE IN MEDICINE HAT IN 1881, THE BARRACKS OF THE NORTH-WEST MOUNTED POLICE AND THE HUDSON BAY COMPANY STORE IN FORT MACLEOD, AND ENDING UP IN LETHBRIDGE IN 1885 WHERE HE WORKED FOR THE NORTH WEST COAL & NAVIGATION COMPANY. HE WORKED ON THE CONSTRUCTION OF LETHBRIDGE’S FIRST SCHOOL, THE COMPANY HOSPITAL AND COTTAGES, AND LETHBRIDGE HOUSE (LATER KNOWN AS THE LETHBRIDGE HOTEL), WHERE HE REMAINED AS PROPRIETOR. IN 1887 HE MARRIED MARGARET THOMPSON LUNDY, A SCOTTISH WOMAN WHO HAD PREVIOUSLY BEEN WIDOWED IN DUNMORE, NWT. THE CEREMONY TOOK PLACE AT THE HOME OF WILLIAM STAFFORD AND WAS PERFORMED BY REVEREND CHARLES MCKILLOP. HENDERSON WAS VERY ACTIVE IN THE GROWING COMMUNITY OF LETHBRIDGE – HE WAS A MEMBER OF THE FIRST TOWN COUNCIL, THE MASONS AND ODDFELLOWS, A FOUNDER OF THE PEMMICAN CLUB, AND MEMBER OF KNOX PRESBYTERIAN CHURCH. IN 1897 HE BUILT A BRICK DUPLEX AT THE CORNER OF 7 AVE AND 5 ST SOUTH AND THOUGH THE STRUCTURE HAS UNDERGONE RENOVATIONS, IT STILL STANDS IN 2014. WILLIAM AND MARGARET HAD SIX CHILDREN – HAROLD, ETTA, EDNA, WILLIAM, ADELINE AND FRED. ALL SIX RECEIVED THEIR EARLY EDUCATION IN LETHBRIDGE, BUT WERE LATER SENT TO BOARDING SCHOOLS – THE BOYS TO UPPER CANADA COLLEGE IN TORONTO, THE GIRLS TO HAVERGAL COLLEGE IN WINNIPEG. IN 1908 HENDERSON SR. WAS ELECTED MAYOR OF LETHBRIDGE, BUT DIED OF PNEUMONIA IN DECEMBER 1909 WHILE STILL IN OFFICE. HIS THREE SONS ALL SERVED IN WORLD WAR I, AND HAROLD WAS KILLED IN ACTION IN 1917. THE REMAINING SONS AND DAUGHTERS WERE ALL MARRIED AND RAISED FAMILIES. ETTA MARRIED LOCAL FARMER ALBERT ELI IVES, AND HAD THREE CHILDREN, MARGARET, KATHARINE, AND THADDEUS. ADELINE MARRIED JACK KANE AND LIVED IN BARONS. EDNA OBTAINED HER NURSING DEGREE AT QUEEN’S UNIVERSITY, MARRIED DR. ATKINSON, AND SETTLED IN MASSACHUSETTS. MARGARET HENDERSON SR. LIVED IN THE FAMILY HOME BUILT BY HER HUSBAND FOR NEARLY 30 YEARS AFTER HIS DEATH, AND WAS ACTIVE IN THE PEMMICAN CLUB AND I.O.D.E. UNTIL HER DEATH IN 1933. SEE PERMANENT FILE P20140012002 FOR THE OBITUARIES OF WILLIAM AND MARGARET HENDERSON, AND HENDERSON FAMILY HISTORY EXCERPT FROM BAINES’ BOOK.
Catalogue Number
P19672749000
Acquisition Date
1967-07
Collection
Museum
Less detail
Date Range From
1900
Date Range To
1925
Material Type
Artifact
Materials
OAK, PLASTIC, TIN, STEEL
Catalogue Number
P19683246000
Material Type
Artifact
Date Range From
1900
Date Range To
1925
Materials
OAK, PLASTIC, TIN, STEEL
No. Pieces
1
Height
20.6
Length
39.4
Width
24.1
Description
TWO DIALS NO. 1 TO 100 IN FRONT. CRACKED AND CHIPPED CABINET. WOOD BODY WITH HINGED LID AT TOP. FRONT DISPLAYS BROWN BAKELITE DIALS (2) MARKED "1" TO "100" IN ADDITION TO TWO CONTACTS, 1 JACK, AND 3 POINTERS. FRONT BOTTOM CRACKED. APPEARS THAT LABEL WAS REMOVED FROM ONE SIDE.
Subjects
TELECOMMUNICATION T&E
Historical Association
EDUCATION
Catalogue Number
P19683246000
Acquisition Date
1968-05
Collection
Museum
Less detail
Other Name
HORN TYPE FOR W.W. GRANT RADIO
Material Type
Artifact
Materials
STEEL, BRASS
Catalogue Number
P19800069002
Material Type
Artifact
Other Name
HORN TYPE FOR W.W. GRANT RADIO
Date
1926
Materials
STEEL, BRASS
No. Pieces
1
Height
54.0
Diameter
35.0
Description
ALUMINIUM HEAD WITH MAHOGANY WOOD GRAIN IMPRESSED ON BOTH INSIDE & OUT. PAINT IS CHIPPED IN MANY PLACES ALONG EDGES. STEM IS MOST LIKELY MADE OF BRASS. ORNAMENTED STEEL BASE. ON INSIDE EDGE OF FLARED END OF HORN, "TOWER MEISTER-SINGE" WITH HARP LOGO. A PAIR OF WIRES EXTEND FROM BASE FOR CONNECTION TO RECEIVER.
Subjects
TELECOMMUNICATION T&E
SOUND COMMUNICATION T&E
Historical Association
PROFESSIONS
History
SPEAKER HORN FOR W.W. GRANT PEANUT TUBE RADIO PURCHASED IN 1926 BY DONOR. SEE P19800069001-GA FOR DONOR INFO. & RADIO HISTORY.
Catalogue Number
P19800069002
Acquisition Date
1980-05
Collection
Museum
Less detail

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