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8 records – page 1 of 1.

Other Name
KNITTING BAG
Date Range From
1870
Date Range To
1999
Material Type
Artifact
Materials
CANVAS, FABRIC, THREAD
Catalogue Number
P20160003005
  1 image  
Material Type
Artifact
Other Name
KNITTING BAG
Date Range From
1870
Date Range To
1999
Materials
CANVAS, FABRIC, THREAD
No. Pieces
1
Length
41
Width
36
Description
HANDMADE BAG MADE OF 3 SECTIONS OF STRIPS OF ABOUT 5 INCHES (APPROX. 13 CM) EACH. IT IS RED WITH BLUE, YELLOW, GREEN, AND RAW MATERIAL ACCENTS. THE TRIM AT THE TOP OF THE BAG IS BLUE WITH A HANDLE OF THE SAME FABRIC ON EITHER SIDE. THERE IS A STRIP OF RAW, NOT PATTERNED FABRIC AT THE BOTTOM OF THE BAG. BOTH SIDES OF THE BAG HAVE THE SAME ARRANGEMENT OF PATTERNED STRIPS. THERE IS ONE SEAM CONNECTING THE FRONT AND THE BACK OF THE BAG ON BOTH SIDES. THE INSIDE IS UNLINED. GOOD TO VERY GOOD CONDITION. THERE IS SOME STITCHING COMING LOOSE AT VARIOUS POINTS OF THE PATTERNING.
Subjects
CONTAINER
Historical Association
DOMESTIC
ETHNOGRAPHIC
History
THE KONKINS WERE A RUSSIAN-SPEAKING FAMILY FROM THE TOWN OF SHOULDICE, ALBERTA, NEAR CALGARY. THEY AND MANY OTHER RUSSIAN FAMILIES COMPOSED THAT TOWN’S DOUKHOBOR COLONY. IT WAS THERE WILLIAM KONKIN MARRIED ELIZABETH WISHLOW. IN 1928 THEIR DAUGHTER, ELSIE WAS BORN. THEY LATER MOVED TO A FARM IN VAUXHALL, ALBERTA. THE PRECEDING AND FOLLOWING INFORMATION HAS BEEN EXTRACTED FROM A TWO-PART INTERVIEW WITH DONOR ELSIE MORRIS, WHICH WAS CONDUCTED BY COLLECTIONS TECHNICIAN KEVIN MACLEAN ON FEBRUARY 17, 2016. ADDITIONAL INFORMATION COMES FROM FAMILY HISTORIES AND TEXTS PROVIDED BY THE DONOR. A FULL HISTORY OF THE KONKIN FAMILY CAN BE FOUND WITH THE RECORD P20160003001. A STATEMENT WRITTEN BY MORRIS ATTACHED TO THE BAG STATES THAT THE MATERIAL OF THE BAG ORIGINATES FROM THE 1870S. THE STATEMENT READS: “THIS BAG WAS HAND WOVEN IN STRIPS [THAT WERE USED] TO SEW ON THE BOTTOM OF PETTICOATS. THE GIRLS AT THAT TIME HAD TO HAVE A TROUSEUA [SIC] TO LAST A LIFETIME BECAUSE AFTER MARRIAGE THERE WOULD BE NO TIME TO MAKE CLOTHES SO WHAT THEY MADE WAS STURDY. THEY STARTED ON THEIR TROUSEUS [SIC] AS SOON AS THEY COULD HOLD A NEEDLE. WHEN IT WAS HAYING TIME THE GIRLS WENT OUT INTO THE FIELD TO RAKE THE HAY. THEY WORE PETTICOATS OF LINEN TO WHICH THESE BANDS WERE SEWN. THE LONG SKIRTS WERE PICKED UP AT THE SIDES AND TUCKED INTO THE WAISTBANDS SO THAT THE BOTTOMS OF THE PETTICOATS WERE ON DISPLAY.” “THESE BANDS WERE ORIGINALLY MY GREAT GRANDMOTHER’S WHO CAME OUT OF RUSSIA WITH THE DOUKHOBOR SETTLEMENT IN 1899. THEY WERE PASSED ON TO MY MOTHER, ELIZABETH KONKIN, WHO MADE THEM INTO A BAG IN THE 1940S” THE STRIPS THAT MAKE UP THE BAG SERVED A UTILITARIAN PURPOSE WHEN SEWN TO THE BOTTOM OF THE PETTICOATS. IN THE INTERVIEW, MORRIS EXPLAINS: “… THESE STRIPS ARE VERY STRONG. THEY’RE LIKE CANVAS. THEY WERE SEWN ONTO THE BOTTOM OF THE LADY’S PETTICOATS AND THEY WORE A SKIRT ON TOP OF THE PETTICOATS. THESE STRIPS LASTED A LIFETIME, IN FACT MORE THAN ONE LIFETIME BECAUSE I’VE GOT THEM NOW. THEY WOULD TUCK THE SKIRTS INTO THEIR WAISTBAND ON THE SIDE SO THEIR PETTICOATS SHOWED AND THEY WERE TRYING TO PRESERVE THEIR SKIRTS NOT TO GET CAUGHT IN THE GRAIN. THE GIRLS LIKED TO WEAR THEM TO SHOW OFF BECAUSE THE BOYS WERE THERE AND THEY ALWAYS WORE THEIR VERY BEST SUNDAY CLOTHES WHEN THEY WENT CUTTING WHEAT OR GRAIN." “[THE FABRIC] CAME FROM RUSSIA. WITH THE AREA WHERE THEY CAME FROM IS NOW GEORGIA AND THEY LIVED ABOUT SEVEN MILES NORTH OF THE TURKISH BORDER, THE PRESENT DAY TURKISH BORDER… [THE DOUKHOBORS] CAME TO CANADA IN 1897 AND 1899.” MORRIS EXPLAINS THAT SURPLUS FABRIC WOULD HAVE BEEN BROUGHT TO CANADA FROM RUSSIA BY HER MATERNAL GRANDMOTHER FOR FUTURE USE AND TO AID THE GIRLS IN MAKING THEIR TROUSSEAUS: “THE TROUSSEAU THE GIRLS MADE HAD TO LAST THEM A LIFETIME BECAUSE THEY WOULDN’T HAVE TIME BUT RAISING CHILDREN TO SEWING THINGS. SEWING MACHINES WERE UNKNOWN THEN.” THE BANDS OF FABRIC THAT MAKE UP THE BAG WOULD HAVE BEEN REMAINS NEVER USED FROM ELIZABETH KONKIN’S TROUSSEAU. SHE HAND WOVE THE BAG WHILE SHE WAS LIVING IN SHOULDICE. THE BAG WAS USED BY MORRIS’ MOTHER TO STORE HER KNITTING SUPPLIES. WHEN MORRIS ACQUIRED THE BAG IN THE 1990S, IT MAINTAINED A SIMILAR PURPOSE: “WELL I USED TO CARRY MY STUFF FOR THE WEAVER’S GUILD BUT NOW I DON’T USE IT FOR ANYTHING. IT’S VERY HANDY YOU KNOW IT DOESN’T WEAR OUT.” THERE WAS ONLY ONE BAG MADE OUT OF THESE REMNANTS BY MORRIS’ MOTHER. PLEASE SEE THE PERMANENT FILE FOR MORE INFORMATION INCLUDING FULL INTERVIEW TRANSCRIPTION, OBITUARIES, PHOTOGRAPHS, AND FAMILY HISTORIES.
Catalogue Number
P20160003005
Acquisition Date
2016-02
Collection
Museum
Images
Less detail
Other Name
PARFLECHE
Date Range From
1860
Date Range To
1900
Material Type
Artifact
Materials
RAWHIDE
Catalogue Number
P19641151000
Material Type
Artifact
Other Name
PARFLECHE
Date Range From
1860
Date Range To
1900
Materials
RAWHIDE
No. Pieces
1
Length
55.3
Width
33.0
Description
PAINTED GEOMETRIC DESIGNS, BLUE, YELLOW, GREEN, RED. BRITTLE RAWHIDE. SEE CONSERVATION REPORT
Subjects
INDIGENOUS
CONTAINER
Historical Association
ETHNOGRAPHIC
History
NORTHERN PLAINS INDIGENOUS, PROBABLY OF BLACKFOOT ORIGIN. USED FOR STORAGE. *UPDATE* IN 2015 COLLECTIONS ASSISTANT JANE EDMUNDSON ASKED TWO FORMER MEMBERS OF THE LETHBRIDGE JUNIOR CHAMBER OF COMMERCE, PHIL EDMUNDSON AND PAUL RUSZNAK, ABOUT THE FIRST NATIONS ARTIFACTS THAT THE GROUP DONATED TO THE GALT MUSEUM IN 1964, 1969, AND 1973. NEITHER RECALLED HOW THE JAYCEES CAME INTO OWNERSHIP OF THE ARTIFACTS, AS THEIR ACQUISITION PREDATED BOTH EDMUNDSON AND RUSZNAK’S MEMBERSHIP IN THE CHAMBER. RESEARCH CONDUCTED INTO LETHBRIDGE’S GURNEY MUSEUM FOUND A CONNECTION BETWEEN ITS PROPRIETOR, WALTER GURNEY, AND THE JAYCEES, WHO ACCORDING TO AN ARTICLE FROM THE APRIL 16, 1946 ISSUE OF THE LETHBRIDGE HERALD ADVOCATED ON GURNEY’S BEHALF FOR IMPROVEMENTS TO BE MADE TO THE FORMER BOARD OF TRADE BUILDING WHERE THE MUSEUM WAS HOUSED. AN ARTICLE FROM THE JULY 13, 1948 ISSUE OF THE HERALD DESCRIBES SOME OF THE FIRST NATIONS ARTIFACTS ON DISPLAY IN THE MUSEUM: “TOMAHAWKS, ARROW HEADS, PEACE PIPES, BEAD AND LEATHER WORK, CLOTHING AND WOODCRAFT”. UPON THE CLOSURE OF THE MUSEUM AND SALE OF GURNEY’S COLLECTION TO BELMORE SCHULTZ OF THE ALTAMONT MUSEUM IN COUTTS, MENTION WAS MADE IN A HERALD ARTICLE FROM MAY 16, 1961 OF “HISTORICAL INDIAN RELICS THAT BELONG TO THE JUNIOR CHAMBER OF COMMERCE HAVE BEEN RETAINED IN THE CITY AND WILL BE AVAILABLE WHEN PROPER DISPLAY FACILITIES ARE AVAILABLE”. IT IS POSSIBLE THAT THE ARTIFACTS WERE TRANSFERRED TO THE JAYCEES BY GURNEY DURING THE DISSOLUTION OF HIS MUSEUM, BUT NO FURTHER CONFIRMATION WAS FOUND. FOR FURTHER INFORMATION ABOUT THE GURNEY MUSEUM AND ITS COLLECTION, SEE RECORD P19890044001.
UPDATE 16 AUGUST 2017: ON 25 JULY 2017, MUSEUM CURATOR AIMEE BENOIT FOUND EVIDENCE TO CONNECT THE INDIGENOUS COLLECTION DONATED BY THE LETHBRIDGE JAYCEES (AKA. JUNIOR CHAMBER OF COMMERCE) WITH FORMER LETHBRIDGE RESIDENTS THE LATE FRED BOTSFORD AND HIS LATE DAUGHTER DOROTHY CLARK. NOTES MADE BY AIMEE ON THE DISCOVERY AS WELL AS RELEVANT CLIPPINGS FROM THE LETHBRIDGE HERALD CAN BE FOUND ATTACHED TO THE PERMANENT FILE OF P19641140000.
Catalogue Number
P19641151000
Acquisition Date
1964-07
Collection
Museum
Less detail
Other Name
PARFLECHE
Date Range From
1860
Date Range To
1900
Material Type
Artifact
Materials
RAWHIDE
Catalogue Number
P19641150000
Material Type
Artifact
Other Name
PARFLECHE
Date Range From
1860
Date Range To
1900
Materials
RAWHIDE
No. Pieces
1
Length
55.9
Width
35.6
Description
PAINTED GEOMETRIC DESIGNS - RED, YELLOW, GREEN, BLACK. TORN ON BOTTOM & 3 TEARS ON FLAP. BRITTLE. SEE CONSERVATION REPORT.
Subjects
INDIGENOUS
CONTAINER
Historical Association
ETHNOGRAPHIC
History
NORTHERN PLAINS ATTRIBUTED TO BLACKFOOT. PARFLECHES ARE MADE FROM RAWHIDE, WHICH IS SOAKED IN WATER TO REMOVE HAIR. USED FOR STORAGE. *UPDATE* IN 2015 COLLECTIONS ASSISTANT JANE EDMUNDSON ASKED TWO FORMER MEMBERS OF THE LETHBRIDGE JUNIOR CHAMBER OF COMMERCE, PHIL EDMUNDSON AND PAUL RUSZNAK, ABOUT THE FIRST NATIONS ARTIFACTS THAT THE GROUP DONATED TO THE GALT MUSEUM IN 1964, 1969, AND 1973. NEITHER RECALLED HOW THE JAYCEES CAME INTO OWNERSHIP OF THE ARTIFACTS, AS THEIR ACQUISITION PREDATED BOTH EDMUNDSON AND RUSZNAK’S MEMBERSHIP IN THE CHAMBER. RESEARCH CONDUCTED INTO LETHBRIDGE’S GURNEY MUSEUM FOUND A CONNECTION BETWEEN ITS PROPRIETOR, WALTER GURNEY, AND THE JAYCEES, WHO ACCORDING TO AN ARTICLE FROM THE APRIL 16, 1946 ISSUE OF THE LETHBRIDGE HERALD ADVOCATED ON GURNEY’S BEHALF FOR IMPROVEMENTS TO BE MADE TO THE FORMER BOARD OF TRADE BUILDING WHERE THE MUSEUM WAS HOUSED. AN ARTICLE FROM THE JULY 13, 1948 ISSUE OF THE HERALD DESCRIBES SOME OF THE FIRST NATIONS ARTIFACTS ON DISPLAY IN THE MUSEUM: “TOMAHAWKS, ARROW HEADS, PEACE PIPES, BEAD AND LEATHER WORK, CLOTHING AND WOODCRAFT”. UPON THE CLOSURE OF THE MUSEUM AND SALE OF GURNEY’S COLLECTION TO BELMORE SCHULTZ OF THE ALTAMONT MUSEUM IN COUTTS, MENTION WAS MADE IN A HERALD ARTICLE FROM MAY 16, 1961 OF “HISTORICAL INDIAN RELICS THAT BELONG TO THE JUNIOR CHAMBER OF COMMERCE HAVE BEEN RETAINED IN THE CITY AND WILL BE AVAILABLE WHEN PROPER DISPLAY FACILITIES ARE AVAILABLE”. IT IS POSSIBLE THAT THE ARTIFACTS WERE TRANSFERRED TO THE JAYCEES BY GURNEY DURING THE DISSOLUTION OF HIS MUSEUM, BUT NO FURTHER CONFIRMATION WAS FOUND. FOR FURTHER INFORMATION ABOUT THE GURNEY MUSEUM AND ITS COLLECTION, SEE RECORD P19890044001.
UPDATE 16 AUGUST 2017: ON 25 JULY 2017, MUSEUM CURATOR AIMEE BENOIT FOUND EVIDENCE TO CONNECT THE INDIGENOUS COLLECTION DONATED BY THE LETHBRIDGE JAYCEES (AKA. JUNIOR CHAMBER OF COMMERCE) WITH FORMER LETHBRIDGE RESIDENTS THE LATE FRED BOTSFORD AND HIS LATE DAUGHTER DOROTHY CLARK. NOTES MADE BY AIMEE ON THE DISCOVERY AS WELL AS RELEVANT CLIPPINGS FROM THE LETHBRIDGE HERALD CAN BE FOUND ATTACHED TO THE PERMANENT FILE OF P19641140000.
Catalogue Number
P19641150000
Acquisition Date
1964-07
Collection
Museum
Less detail
Other Name
SHOPPING
Date Range From
1950
Date Range To
1960
Material Type
Artifact
Materials
WOOL, COTTON
Catalogue Number
P19672961000
  1 image  
Material Type
Artifact
Other Name
SHOPPING
Date Range From
1950
Date Range To
1960
Materials
WOOL, COTTON
No. Pieces
1
Length
43.2
Width
4.4
Description
HAND-WOVEN WOOL, WOVEN COTTON STRAP. COLORS ARE RED, GREEN, BLUE, YELLOW, BLACK, WHITE PURPOSE. STRAP IS YELLOW, RED AND BLACK.
Subjects
CONTAINER
Historical Association
DOMESTIC
ETHNOGRAPHIC
History
CANADA - UKRAINIAN HERITAGE SEE FILE P19738196000GA. *UPDATE* IN 2014 COLLECTIONS ASSISTANT JANE EDMUNDSON CONDUCTED A SURVEY OF ART OBJECTS, INCLUDING THOSE ASSOCIATED WITH THE DONORS. THE FOLLOWING DETAILS ABOUT THE DONORS, NICK AND ANN BORDENIUK, AND THE ORIGIN OF THE OBJECTS INCLUDED IN THEIR 1977 DONATION WERE FOUND IN A HANDWRITTEN NOTE FROM THE DONORS IN THE PERMANENT FILE. NICK BORDENIUK WAS BORN IN CZERNIWICI, UKRAINE ON MAY 20, 1895. HE FIRST CAME TO QUEBEC IN 1913, WORKING AS A MINER AND ON VARIOUS CONSTRUCTION SITES INCLUDING THAT OF THE ST. LAWRENCE BRIDGE IN 1916. IN 1922 HE ARRIVED IN LETHBRIDGE AND WORKED AT THE NO. 6 MINE. IN 1940 HE MOVED TO FERNIE, B.C. AND WORKED IN COAL CREEK UNTIL HIS RETIREMENT IN 1958. ANN BORDENIUK WAS BORN IN LWOW, UKRAINE AND MOVED TO HILLCREST, ALBERTA IN 1936. SHE ALSO MOVED TO FERNIE AND MARRIED NICK THEIR IN 1955. IN 1976 THE BORDENIUKS MOVED FROM THEIR HOME INTO TOM UPHILL MANOR IN FERNIE, AND DONATED THEIR COLLECTION OF UKRAINIAN OBJECTS TO THE GALT MUSEUM. ALL OF THE OBJECTS WERE HANDMADE IN THE MOUNTAINOUS REGION OF KARPYTIAN IN WESTERN UKRAINE. SEE PERMANENT FILE FOR HANDWRITTEN NOTE ON THE BIOGRAPHY OF THE DONORS.
Catalogue Number
P19672961000
Acquisition Date
1967-12
Collection
Museum
Images
Less detail
Other Name
BASKET & EASTER EGG SET
Date Range From
1960
Date Range To
1970
Material Type
Artifact
Materials
WICKER
Catalogue Number
P19738277001
Material Type
Artifact
Other Name
BASKET & EASTER EGG SET
Date Range From
1960
Date Range To
1970
Materials
WICKER
No. Pieces
1
Height
13.3
Length
17.8
Width
12.1
Description
WICKER BASKET C/W 1/2 HOOP OR LOOP HANDLE.
Subjects
CEREMONIAL ARTIFACT
CONTAINER
Historical Association
DECORATIVE ARTS
ETHNOGRAPHIC
History
PART OF SET WHICH INCLUDES, THREE DECORATED EGGS PYSKANKY (EASTER) & A DOILY. UKRAINIAN CANADIAN HERITAGE. *UPDATE* IN 2015 COLLECTIONS ASSISTANT JANE EDMUNDSON CONDUCTED A SURVEY OF MUSICAL INSTRUMENTS, INCLUDING THREE DONATED BY THE UKRAINIAN ASSOCIATION OF LETHBRIDGE. THOUGH THE ASSOCIATION HAS DISBANDED, SHE WAS ABLE TO DETERMINE THAT IT IS LIKELY THAT THIS OBJECT AND 81 OTHERS DONATED BY THE ASSOCIATION IN 1973 WERE ORIGINALLY PART OF THE GALT MUSEUM'S 'UKRAINIAN ROOM' EXHIBIT. ACCORDING TO LETHBRIDGE HERALD ARTICLES FROM 1969 AND 1976, AND PHOTOGRAPHS IN THE GALT ARCHIVES (199110764419, 1991107612370, 199110764421, AND 199110764422) THE UKRAINIAN ROOM WAS INSTALLED IN 1966, WHEN THE MUSEUM WAS MOVED FROM THE BOWMAN CENTRE TO THE GALT HOSPITAL BUILDING. THE ROOM WAS FURNISHED WITH OBJECTS DONATED BY THE UKRAINIAN ASSOCIATION, AND THE GROUP HELD ANNUAL TEAS THERE. THOUGH THE CATALOGUE NUMBERS OF THE UKRAINIAN ASSOCIATION DONATION REFLECT A 1973 DONATION DATE, THE INITIAL ACQUISITION YEAR LISTED IN HARDCOPY FILES IS 1966, WHICH ALIGNS WITH THE OPENING DATE OF THE UKRAINIAN ROOM. IN ADDITION, ARCHIVAL PHOTOGRAPHS OF THE ROOM DEPICT OBJECTS THAT ARE NOW HELD IN COLLECTIONS (P19738277001-GA, P19738277002-GA, AND P19738277003-GA CAN BE CLEARLY IDENTIFIED, WITH OTHER OBJECTS IDENTIFIED SPECULATIVELY). IN 1984 THE MUSEUM DISMANTLED ALL ITS DISPLAYS IN PREPARATION FOR THE BUILDING'S RENOVATION AND EXPANSION, AND ACCORDING TO BRAD BROWN, GALT EXHIBIT DESIGNER, WHEN THE FACILITY REOPENED TO THE PUBLIC IN 1985 ALL THE EXHIBITS HAD BEEN REWORKED, AND THE UKRAINIAN ROOM NO LONGER EXISTED. SEE PERMANENT FILE FOR HARDCOPIES OF NEWSPAPER ARTICLES.
Catalogue Number
P19738277001
Acquisition Date
1966-04
Collection
Museum
Less detail
Other Name
SOUTHWEST NATIVE CULTURE
Date Range From
1800
Date Range To
1810
Material Type
Artifact
Materials
CLAY, SAND TEMPER
Catalogue Number
P19672890000
  1 image  
Material Type
Artifact
Other Name
SOUTHWEST NATIVE CULTURE
Date Range From
1800
Date Range To
1810
Materials
CLAY, SAND TEMPER
No. Pieces
1
Height
19.8
Diameter
19.8
Description
1.5 CM LIP X 1.0 CM SHOULDER TO LIP. FIRED IN OPEN OXIDATION HEARTH. 1 CHIP AND 1 CRACK IN THE LIP.
Subjects
FOOD PROCESSING T&E
INDIGENOUS
CONTAINER
Historical Association
ETHNOGRAPHIC
History
PAPAGO. DONOR CLAIMS POT IS OF PAPAGO ORIGIN OF SOUTH-WESTERN ARIZONA, NORTHERN MEXICO.
Catalogue Number
P19672890000
Acquisition Date
1967-11
Collection
Museum
Images
Less detail
Other Name
SOUTHWEST NATIVE CULTURE
Date Range From
1800
Date Range To
1850
Material Type
Artifact
Materials
CLAY
Catalogue Number
P19739144000
  1 image  
Material Type
Artifact
Other Name
SOUTHWEST NATIVE CULTURE
Date Range From
1800
Date Range To
1850
Materials
CLAY
Height
26.5
Diameter
23.0
Description
10 MM (LIP) 50 MM (SHOULDER TO LIP). FIRED IN OPEN OXIDATION HEARTH. 4 CHIPS REMOVED FROM RIM. SLIGHT CRACKING IN NECK AREA (DENDRITIC CRACKING).
Subjects
INDIGENOUS
FOOD PROCESSING T&E
CONTAINER
Historical Association
ETHNOGRAPHIC
History
DONOR BELIEVES POT IS FROM PAPAGO (SOUTHWEST NATIVE CULTURE) TRIBE OF NORTHERN MEXICO-ARIZONA.
Catalogue Number
P19739144000
Acquisition Date
1967-11
Collection
Museum
Images
Less detail
Other Name
NATIVE LEATHER POUCH
Date Range From
1950
Date Range To
1960
Material Type
Artifact
Materials
LEATHER, PLASTIC
Catalogue Number
P19970041910
  1 image  
Material Type
Artifact
Other Name
NATIVE LEATHER POUCH
Date Range From
1950
Date Range To
1960
Materials
LEATHER, PLASTIC
No. Pieces
1
Height
1.7
Length
24.5
Width
20.3
Description
WHITE LEATHER POUCH IS RECTANGULAR IN SHAPE WITH WHITE LEATHER TASSELS AROUND EDGE. TOP EDGE HAS ALTERNATING GREEN AND RED BEAD PATTERN. ONE SIDE HAS CIRCLE EMBLEM WHICH IS BLUE, RED AND YELLOW BEADS WITH RED BEADDED FLOWER PATTERN DOWN EDGE ON EITHER SIDE. REVERSE OF POUCH HAS DIAMOND SHAPED PATTERN MADE UP OF SMALLER RED, YELLOW, BLUE AND GREEN DIAMOND SHAPE. LEATHER IS SLIGHTLY DIRTY.
Subjects
PERSONAL GEAR
CONTAINER
Historical Association
DECORATIVE ARTS
ETHNOGRAPHIC
History
DONOR RELATES THAT THIS POUCH WAS MADE BY A NATIVE PERSON WHO LIVED IN COALDALE AND GIVEN TO HER FATHER, REV. G.G. NAKAYAMA. THE NAKAYAMA FAMILY WAS ORIGINALLY FROM VANCOUVER BUT MOVEDTO COALDALE FOLLOWING THE SECOND WORLD WAR WHEN THEY WERE INTERNED AT SLOCAN CITY IN THE INTERIOR OF BRITISH COLUMBIA BY THE CANADIAN GOVERNMENT. THE DONOR'S FATHER, REV. CANON G.G. NAKAYAMA, WAS AN ANGLICAN MINISTER IN VANCOUVER, AND THEN ESTABLISHED THE CHURCH OF THE ASCENSION IN COALDALE IN 1945 WHERE HE SERVED UNTIL 1970. SEE RECORD P19970041001 FOR EXPANDED BIOGRAPHICAL INFORMATION AND PERMANENT FILE FOR FURTHER HISTORY.
Catalogue Number
P19970041910
Acquisition Date
1997-01
Collection
Museum
Images
Less detail

8 records – page 1 of 1.