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Other Name
.38 SPECIAL, “CST. LEE BRUNEAU”
Date Range From
1960
Date Range To
1990
Material Type
Artifact
Materials
STEEL, WOOD
Catalogue Number
P20130005001
  2 images  
Material Type
Artifact
Other Name
.38 SPECIAL, “CST. LEE BRUNEAU”
Date Range From
1960
Date Range To
1990
Materials
STEEL, WOOD
No. Pieces
1
Height
12
Length
22.5
Width
5
Description
SN#C808798, SMITH & WESSON .38 SPECIAL, MODEL 10-5. CARBON STEEL FRAME WITH WOOD GRIP. EMBOSSED AND GOLD-PLATED WITH CREST IMAGE AND TEXT READING “1964 – 1990” ON FRAME, “LETHBRIDGE POLICE” ALONG BARREL, AND “CST LEE BRUNEAU” ON UPPER GRIP. WOOD GRIP CARVED WITH CROSSHATCH TEXTURE ON BOTH SIDES, WITH SMITH & WESSON SYMBOL INSET IN METAL. MAKER’S INFORMATION AND PATENT DATE STAMPED ON FRAME BENEATH BARREL. OVERALL VERY GOOD CONDITION.
Subjects
ARMAMENT-FIREARM
Historical Association
SAFETY SERVICES
History
THIS REVOLVER WAS USED BY THE DONOR, CONSTABLE LEON BRUNEAU, DURING HIS CAREER WITH THE LETHBRIDGE POLICE FORCE. COLLECTIONS TECHNICIAN KEVIN MACLEAN INTERVIEWED BRUNEAU ABOUT HIS POLICE WORK AND THE WEAPON ON OCTOBER 8, 2009 AND APRIL 4, 2013. BRUNEAU SAID: “THERE WAS SOMETHING IN THE PAPER ABOUT [THE LETHBRIDGE AUXILIARY POLICE]. THIS INTERESTED ME BECAUSE… I HAD BEEN WORKING FOR A PRIVATE INVESTIGATION [BUREAU] AS A SECURITY GUARD UP IN CALGARY … [SO] I THOUGHT I’D TRY THIS AUXILIARY POLICE THING AND SEE WHAT COMES OUT OF IT… I DIDN’T KNOW [THE POLICE FORCE] WERE PLANNING TO TAKE RECRUITS OUT OF THE AUXILIARY… I WAS 29 YEARS OLD [WHEN I WAS] SWORN IN… THE FIRST GUN I WAS ISSUED… WAS AN OLD MILITARY 38 THAT HAD BEEN BORED OUT… TO ACCEPT .38 SPECIAL AMMUNITION, BUT THE .38 CALIBER HOLES ARE A LITTLE BIT BIGGER THAN THE .38 SPECIALS… SO IT RATTLED AROUND IN THERE AND IT WAS AN UNSAFE THING… AS SOON AS JIM TUTTLE QUIT [IN 1965/66] I WAS IN [SERGEANT] ALBERT HACKETT’S OFFICE LIKE A SHOT. [HIS] WAS A NEW GUN AND WAS THE ONLY .38 SPECIAL WITH A ROUND BUTT, AND I WANTED IT… [HACKETT] GOT IT FOR ME AND I CARRIED IT UNTIL I RETIRED… [IT’S] THE GUN I HAD IN ’82 WHEN WE HAD THE SHOOTOUT.” BRUNEAU CONTINUED: “THE REVOLVER ACTUALLY SAVED MY LIFE AT ONE TIME, BECAUSE IF I HADN’T FIRED IT, I MIGHT NOT BE HERE… IN JULY 1982… I WAS IN THE STATION [AT 5TH S AND 5TH AVE SOUTH] AND WE HEARD A COMMOTION, A SHOT, AND A SECOND SHOT… HOW [THE PRISONER] MIKE FRANK GOT A HOLD OF [OFFICER DARCY MURRAY’S] GUN, I DON’T KNOW. HAD WE HAD ANY WARNING ABOUT HOW VIOLENT THIS YOUNG MAN WAS, THERE PROBABLY WOULD HAVE BEEN MORE THAN ONE POLICEMAN DOWN THERE… [MURRAY WAS SHOT] THROUGH HIS ARM… WAYNE JOHNSON WAS ON THE DESK AND HE SAW THE COMMOTION ON THE CLOSED CIRCUIT TV AND WENT RUNNING DOWN THE STAIRS AND TOOK A BULLET RIGHT ABOVE HIS BODY ARMOUR [IN HIS NECK]… FRANK CAME RUNNING UP THE STAIRS… [SERGEANT] BUTCH LEE FIRED AT HIM [AND] HE RAN OUT THE FRONT DOOR… UP 5TH STREET TO 6TH AVENUE, AND WE CHASED HIM… AS HE WAS CROSSING [THE STREET] HE MADE A GRAB FOR A LITTLE OLD LADY… AND THEN HE FIRED A SHOT… BUTCH LEE AND I WERE THE FIRST ONES THERE… I THOUGHT ‘OK, WELL I’LL SHOOT HIS SHOULDER’ BUT I JUST GRAZED HIS SHOULDER, AND BUTCH FIRED FROM A DIFFERENT ANGLE AND MIKE FRANK WENT DOWN… [THEN] HE CAME UP SHOOTING… I FIGURED, ‘HE MISSED ME THIS TIME BUT HE MAY NOT MISS ME NEXT TIME, SO I BETTER SHOOT’. SO I DID. I WENT A COUPLE OF BUTTONS DOWN ON HIS SHIRT AND SQUEEZED OFF A SHOT AND HE WENT DOWN, AND THEN I HEARD A LOT OF GUNFIRE… AFTERWARDS WE FOUND OUT THERE WAS ELEVEN BULLET HOLES IN HIM… IN THAT NEWSPAPER PHOTOGRAPH [PUBLISHED IN THE JULY 10, 1982 ISSUE OF THE LETHBRIDGE HERALD] I WAS STANDING THERE TALKING ON THE RADIO AFTER IT, AND HE WAS STRETCHED OUT ON THE STREET.” BRUNEAU CONCLUDED: “IT WENT THROUGH MY HEAD, PRIOR TO THIS, ‘IF I WAS CONFRONTED WITH A SITUATION LIKE THIS, COULD I ACTUALLY SHOOT SOMEONE WITH THE INTENTION OF KILLING HIM?’ AND I FOUND OUT I COULD… THAT WAS ONLY THE SECOND TIME THAT I ACTUALLY HAD TO DRAW MY FIREARM… I DON’T THINK [THE INCIDENT] ACTUALLY CHANGED ANYTHING IN TERMS OF MY STATUS AS A POLICEMAN. I JUST KEPT ON DOING MY JOB… I BOUGHT THE GUN FOR $50 WHEN I RETIRED [IN 1990]. THE DEPARTMENT SENT IT AWAY TO VANCOUVER, HAD IT ALL REFURBISHED AND HAD MY ENLISTMENT DATE, MY NAME, EVERYTHING ENGRAVED AND FILLED IN WITH GOLD.” FOR FULL INTERVIEW TRANSCRIPTS, AND COPIES OF RELATED NEWSPAPER ARTICLES AND BRUNEAU’S DEPARTMENTAL COMMENDATION FOR HIS ACTIONS DURING THE SHOOTOUT, SEE PERMANENT FILE.
Catalogue Number
P20130005001
Acquisition Date
2013-03
Collection
Museum
Images
Less detail
Other Name
OFFICE DESK
Date Range From
1910
Date Range To
1997
Material Type
Artifact
Materials
OAK, NEWSPAPER, MOTHER-OF-PEARL
Catalogue Number
P20110027000
  1 image  
Material Type
Artifact
Other Name
OFFICE DESK
Date Range From
1910
Date Range To
1997
Materials
OAK, NEWSPAPER, MOTHER-OF-PEARL
No. Pieces
1
Height
76.4
Length
167.8
Width
86.4
Description
DESK, OAK WITH MOTHER-OF-PEARL CALL BUTTONS ON TOP FRONT RIGHT CORNER. TOP SURFACE HAS: WORN FINISH, AREA OF DARK BLACK STAINING NEAR FRONT CENTER, AND WATER DAMAGE CAUSING WOOD TO SPLIT AT THREE PLACES ON RIGHT SIDE. SEVEN DRAWERS, WITH THREE ON LEFT, THREE ON RIGHT AND ONE AT CENTER. DRAWER FACES HAVE BEVELED EDGES AND WOODEN HANDLES. BOTTOM TWO DRAWERS ON RIGHT, BOTTOM DRAWER ON LEFT AND CENTER DRAWER HANDLES HAVE CHUNKS OF WOOD MISSING. LEFT SIDE OF CENTER DRAWER HAS WHITE PAINT. LOCKING MECHANISMS AT TOP RIGHT, CENTER AND LEFT DRAWERS. ABOVE DRAWERS AT LEFT AND RIGHT ARE PULL OUT BOARDS. SIDES AND REVERSE OF DESK HAVE PANELED WOOD. RIGHT SIDE HAS FRAGMENT OF CORD EXTENDING FROM THE EDGE OF CALL BUTTONS. TOP DRAWER ON RIGHT HAS THREE LOOSE WOODEN SEPARATORS, ONE IN RIGHT MIDDLE AND ONE IN LEFT MIDDLE. SPILLED INK HAS STAINED THE BOTTOM OF TOP LEFT DRAWER INSIDE. FRAGMENT OF NEWSPAPER ON THE UNDERSIDE OF TOP CENTER DRAWER HAS, “FRIDAY, MAY 23, 1913.”
Subjects
FURNITURE
Historical Association
SAFETY SERVICES
FURNISHINGS
PROFESSIONS
History
DESK BELONGED TO DONOR’S FATHER JERRY YAMAMOTO WHO PASSED AWAY ON OCTOBER 11, 1997. IN MAY 2012, COLLECTIONS TECHNICIAN KEVIN MACLEAN INTERVIEWED DONOR TERRY YAMAMOTO. THE FOLLOWING INFORMATION WAS EXTRACTED FROM THE INTERVIEW’S TRANSCRIPTION. WHEN ASKED ABOUT HIS FIRST MEMORY OF THE DESK, YAMAMOTO RESPONDED BY SAYING, “WELL… IT GOES BACK TO WHEN I WAS ABOUT ELEVEN YEARS OLD. MY DAD BUILT THE HOUSE, HE BUILT IT ON HIS OWN AND THE FIRST YEAR WE MOVED IN THERE I WAS ELEVEN LIKE WE LIVED IN THE BASEMENT WHILE HE BUILT THE UPSTAIRS. AS FAR AS I CAN REMEMBER THAT DESK HAS BEEN THERE SINCE THE TIME WE MOVED IN SO I WAS ELEVEN SO THAT WOULD BE 1963. IT WAS IN WHAT WE CALLED HIS RADIO ROOM. HE WAS A RADIO TECHNICIAN FOR THE RCMP AND HE JUST HAD IT SET IN THERE FOR HIS MUSIC AS A DESK. YEAH, HE DID YOU KNOW WELL HE FIXED RADIOS HE WAS A RADIO TECH FOR THE RCMP SO HE WOULD TINKER AROUND FIXING RADIOS AND THINGS LIKE THAT. HE WAS ALSO A HAM OPERATOR. [FOR] AS LONG AS I CAN REMEMBER HE WAS WITH THE RCMP. I WAS BORN IN ‘52, 1952 SO IT HAD TO BE AROUND THAT TIME OR AFTER THAT HE JOINED THE RCMP BECAUSE AS LONG AS I CAN REMEMBER HE ALWAYS WORKED WITH THEM. HE STARTED OUT AS OPERATING RADIOS THEN JUST WENT ON COURSES AND WHATEVER WITH THE RCMP AND THEN HE BECAME THE RADIO TECHNICIAN FOR SOUTHERN ALBERTA. [WHEN HE STARTED, HE WAS DOING] THE RADIO TRANSMISSION WITH EVERY COP IN THE CARS. AND BASICALLY THE RCMP SENT HIM BACK AND PUT HIM ON TRAINING FOR RADIO TECHNICIAN AND HE WAS WITH THEM UNTIL HE RETIRED. HE LIKED IT BECAUSE HE SERVICED NOT ONLY THE CAR RADIOS BUT ALL THE RADIO TOWERS FOR SOUTHERN ALBERTA. THE ONE THING HE REALLY ENJOYED WAS HE HAD RETIRED AND THEN WHEN THE OLYMPICS CAME, THE SKIING, THE WORLD CUP IN 1980, SECURITY OR WHATEVER. THE RCMP SENT HIM OUT TO OTTAWA ON A SPECIAL, BROUGHT HIM OUT OF RETIREMENT, SENT HIM TO OTTAWA FOR A SPECIAL COURSE AND THEN HE HAD TO HE WAS UP AT LAKE LOUISE AND BANFF AND THEY WERE DOING ALL THE SECURITY ON THE TOWERS AND EVERYTHING.” WHEN ASKED IF SHE REMEMBERED ANY OF THE HISTORY OF THE DESK BEFORE HIS FATHER’S USE, YAMAMOTO SAID, “ALL I REMEMBER IS HIM SAYING IS THAT IT CAME FROM THE FORT MACLEOD RCMP BARRACKS AND HIM AND JUDGE GORE-HICKMAN HAD COLLECTED WEIRD THINGS. BUT ANYWAYS IT HAD SOMETHING TO DO WITH JUDGE GORE-HICKMAN SO I DON’T IF HE ACTUALLY HAD IT IN THE BEGINNING AND GAVE IT MY DAD TOOK IT BUT IT DID ACTUALLY COME FROM THE FORT MACLEOD RCMP BARRACKS. [MY FATHER] AND JUDGE GORE-HICKMAN WERE FRIENDS OF A DIFFERENT KIND AND LIKE I SAY THEY COLLECTED WEIRD THINGS.” WHEN ASKED ABOUT THE DAMAGE ON THE TOP SURFACE OF THE DESK, YAMAMOTO EXPLAINED, “YEAH, THAT WAS PROBABLY MY FAULT, I WAS USING IT FOR MY BEDDING PLANTS AND IT GOT SPRAYED WITH WATER. YOU KNOW I HAD THEM SITTING THERE I HAD A BOARD OVER TOP FOR A WHILE THERE.” ACCORDING TO INFORMATION PROVIDED BY KIM GUNN AND FORWARDED BY TOM EDGAR IN AN E-MAIL AT THE TIME OF DONATION, “THE DESK IS AN OLD RCMP DESK THAT WAS STANDARD ISSUE TO RCMP OFFICES ACROSS CANADA. WHEN THE RCMP GOT NEW DESKS IT WAS GIVEN TO DR. GORE-HICKMAN’S DAD FOR USE IN HIS OFFICE AT THE OLD POLICE STATION ON 5TH STREET. GORDIE REMEMBERS JERRY Y. AND THE DESK BEING IN HIS DAD’S OFFICE. HE SAYS HIS DAD AND JERRY WERE GOOD FRIENDS. GORDIE SAYS THAT HIS DAD STARTED OUT AS A POLICE MAGISTRATE AND THAT IS WHY HIS OFFICE WAS AT THE POLICE STATION.” *UPDATE* AT THE TIME OF CATALOGUING IN AUGUST, 2013, COLLECTIONS ASSISTANT DAVID SMITH DISCOVERED SOME ARCHIVAL DOCUMENTS IN THE TOP CENTER DRAWER. UPON CONSULTATION WITH DONOR, THESE DOCUMENTS WERE TRANSFERRED TO GALT ARCHIVES. FOR MORE INFORMATION, PLEASE SEE PERMANENT FILE.
Catalogue Number
P20110027000
Acquisition Date
2011-07
Collection
Museum
Images
Less detail
Other Name
"VICTORY" SMITH AND WESSON
Date Range From
1955
Date Range To
1965
Material Type
Artifact
Materials
STEEL, WOOD, METAL
Catalogue Number
P20180013000
  2 images  
Material Type
Artifact
Other Name
"VICTORY" SMITH AND WESSON
Date Range From
1955
Date Range To
1965
Materials
STEEL, WOOD, METAL
No. Pieces
1
Length
20.5
Width
3.3
Diameter
1
Description
REVOLVER WITH BLACK STEEL SHORT BARREL, CYLINDER AND FRAME. BARREL HAS FRONT SIGHT PIN AT END; HANDLE IS BROWN WOOD WITH STEEL PLATE RUNNING DOWN THE SIDES AND ACROSS THE BASE. HANDLE HAS METAL PIN ON FRONT THAT RUNS THROUGH THE SIDES OF THE HANDLE. REVOLVER HAS INSCRIPTION STAMPED BESIDE CYLINDER ON RIGHT SIDE, “TRADEMARK S W, REG. U.S. PAT. OFF.”; INSCRIPTION STAMPED BELOW CYLINDER“MADE IN U.S.A.”; INSCRIPTION ON BASE OF HANDLE “611407”; INSCRIPTION ON RIGHT SIDE OF BARREL “.38 767 E.38 S&W CT6, 3.5 IONS”. REVOLVER HAS SILVER TRIGGER AND HAMMER; REVOLVER HAS STEEL CYLINDER RELEASE ON LEFT SIDE; REVOLVER HAS SIX CYLINDERS. STEEL BARREL AND CYLINDER HAVE MINOR WEAR TO FINISH; HANDLE HAS WEAR AROUND BASE; FRAME HAS MINOR SCRATCHES ON LEFT SIDE; OVERALL VERY GOOD CONDITION.
Subjects
ARMAMENT-FIREARM
Historical Association
PROFESSIONS
SAFETY SERVICES
History
ON MAY 29, 2018, COLLECTIONS TECHNICIAN KEVIN MACLEAN INTERVIEWED DUANE KING REGARDING HIS DONATION OF A REVOLVER. THE REVOLVER WAS USED BY POLICE OFFICERS IN PICTURE BUTTE, ALBERTA, AND WAS ACQUIRED BY KING FROM THE TOWN OF PICTURE BUTTE. ON THE REVOLVER, KING ELABORATED, “[THIS HANDGUN] BELONGED TO THE TOWN OF PICTURE BUTTE. I WAS HAVING COFFEE ONE DAY, IN FEBRUARY OF 1980, IN THE COFFEE SHOP IN PICTURE BUTTE, AND THE TOWN SECRETARY WAS THERE, AS USUAL, A WHOLE BUNCH OF US. HE SAID, “I HEAR YOU LIKE GUNS.” ONE THING LED TO ANOTHER, AND I PUT A BID IN [FOR THE HANDGUN], TO THE TOWN COUNCIL, AND THEY ACCEPTED IT. I ENDED UP WITH THE TWO GUNS. THE TOWN SECRETARY’S NAME WAS PIUS RIES. HE’S SINCE PASSED AWAY, BUT HE WAS A WELL-KNOWN MAN IN PICTURE BUTTE.” “THE [THE HANDGUN WAS ONE OF THE ONLY TWO GUNS] THAT THEY HAD. THEY ONLY HAD THE ONE POLICEMAN, AND I KNEW THE MAN WHEN I WAS A BOY GOING TO SCHOOL, GROWING UP. HIS NAME WAS BUCK GELDERT, AND, AS IT TURNS OUT, MY BROTHER-IN-LAW BOUGHT THE POLICE CAR, ONCE THEY GOT RID OF EVERYTHING. I BOUGHT THE GUNS MAINLY BECAUSE THEY WERE THE TOWN OF PICTURE BUTTE POLICE GUNS. NOT TOO MANY PEOPLE REALIZE THAT PICTURE BUTTE DID HAVE A POLICEMAN.” “[THE SMITH AND WESSON WAS A GUN] THAT POLICE FORCES WOULD HAVE USED. I WOULD IMAGINE THAT SMITH AND WESSON IS PROBABLY A VERY POPULAR POLICE GUN.” “THEY KNEW THAT I WAS INTERESTED IN GUNS. I HAD ALWAYS BEEN, SINCE A LITTLE BOY, HAD GUNS. [RIES] APPROACHED ME THAT DAY, AND I WENT TO LOOK AT THE GUNS. I MADE AN OFFER, TO TOWN COUNCIL, AND THEY ACCEPTED IT.” “I MADE A WRITTEN OFFER TO THE TOWN OF PICTURE BUTTE, AND THEY TOOK IT UP AT THEIR NEXT COUNCIL MEETING. THEN IT WAS ADVERTISED IN THE ‘SUNNY SOUTH NEWS’, THAT I HAD DONE THIS, THAT THEY HAD ACCEPTED MY OFFER, AND WHAT THE OFFER WAS. I WENT AND PICKED THE GUNS UP, GAVE THEM THEIR MONEY, AND I’VE HAD THEM EVER SINCE. I’VE NEVER SHOT THEM. THAT’S NOT WHY I BOUGHT THEM…I’VE JUST ALWAYS HAD THEM, AND LOVED THEM.” “[THE TOWN POLICE] MUST HAVE BEEN OUT OF THE TOWN HALL. I WENT TO SCHOOL WITH THE POLICEMAN’S SON, AND I KNEW HIS DAUGHTER. WE ALL WENT TO THE SAME SCHOOL, THE SAME CHURCH, THE SAME SUNDAY SCHOOL. I REMEMBER THE POLICEMAN, BUCK GELDERT. HE WAS A HUGE MAN, AND WHEN HE LEFT PICTURE BUTTE, HE WENT TO COALDALE, AND HE WORKED FOR THE COALDALE POLICE.” KING RECALLED GELDERT, NOTING, “HE HAD A UNIFORM, AND A POLICE CAR WITH A BIG RED SIREN, FLASHING LIGHT, ON THE ROOF…I DON’T REMEMBER HIM WALKING, BUT I REMEMBER HIM DRIVING AROUND TOWN, ESPECIALLY IN THE EVENINGS AND AT NIGHT. ONE NIGHT I WAS GOING HOME IN THE DARK, AND I HIT A HORSE, GRAVEL ROAD, AND I WRECKED THE TRUCK THAT I WAS DRIVING. [BUCK GELDERT] CAME AND HE GAVE ME A RIDE HOME. MY FOLKS WEREN’T ALL THAT HAPPY, BUT HE WAS THERE.” “I REMEMBER HIM PASSING OUT SPEEDING TICKETS. THEY HAD A COURTROOM, AND THEY HAD A JUSTICE OF THE PEACE, OR A MAGISTRATE. YOU WENT THERE TO PAY YOUR TRAFFIC TICKETS, BUT, OTHER THAN THAT, I DON’T REMEMBER ANY BIG CRIME.” “I DON’T KNOW HOW LONG HE WAS THERE IN PICTURE BUTTE. I HAVE NO WAY OF KNOWING THAT. I ONLY REMEMBER HIM BEING IN CHURCH ON SUNDAYS…I REMEMBER HIM BEING IN COALDALE, AND I DON’T KNOW WHEN THAT WAS, BUT IT HAD TO BE AROUND 1960.” KING ELABORATED ON HIS MOTIVATION FOR DONATING THE REVOLVER, STATING, “BECAUSE I’M GETTING OLDER, I WANT [THE REVOLVER] TO BE PRESERVED, AND THERE’S NO BETTER PLACE THAN A MUSEUM. I LIKE THE GALT, SO THAT’S WHY I CHOSE TO DO THIS RIGHT NOW. I JUST WANT THEM PRESERVED. THEY’RE IMPORTANT TO ME, AND I THINK THEY ARE IMPORTANT TO SOUTHERN ALBERTA.” “I WAS BORN, AND GREW UP [IN PICTURE BUTTE]; LIVED AND FARMED. MY FAMILY CAME TO PICTURE BUTTE IN 1929, AND I STILL HAVE FAMILY IN PICTURE BUTTE. PICTURE BUTTE IS WHY THEY ARE SO IMPORTANT TO ME.” “I HAD A LOT OF HANDGUNS [WHEN I LIVED ON THE FARM] AND I’VE GOTTEN RID OF MOST OF THEM…ONCE I MOVED TO THE CITY, I DIDN’T FEEL SAFE WITH THEM IN THE HOUSE. YOU GET BROKE INTO, SOMEBODY STEALS YOUR GUNS AND COMMITS A CRIME, AND IT GOES FROM THERE. I’M GETTING RID OF THE THINGS THAT I WORRY ABOUT, AND [THE] HANDGUN [IS] PART OF THAT. FOR [THIS REVOLVER] TO GO WHERE [IT’S] GOING IS VERY IMPORTANT TO ME.” ACCORDING TO LETHBRIDGE HERALD ARTICLES, WARREN “BUCK” GELDERT BEGAN HIS CAREER IN POLICING WITH THE R.C.M.P. AT THE AGE OF 19. GELDERT SERVED WITH THE LETHBRIDGE POLICE SERVICE BEFORE BEING NAMED CHIEF CONSTABLE FOR THE TOWN OF PICTURE BUTTE IN 1955. GELDERT REMAINED CHIEF CONSTABLE UNTIL 1967, WHEN HE ACCEPTED A POSITION AS RECREATION DIRECTOR IN COALDALE, ALBERTA. KING PURCHASED THE SMITH AND WESSON REVOLVER, AND A .38 COLT IN FEBRUARY, 1980 FROM THE TOWN OF PICTURE BUTTE FOR $175, AND HAD BOTH REVOLVERS REGISTERED IN 1980. FOR MORE INFORMATION INCLUDING THE FULL INTERVIEW TRANSCRIPTION AND LETHBRIDGE HERALD ARTICLES, PLEASE SEE THE PERMANENT FILE P20180013000-GA.
Catalogue Number
P20180013000
Acquisition Date
2018-05
Collection
Museum
Images
Less detail
Other Name
POLES AND CANVAS
Date Range From
1960
Date Range To
1985
Material Type
Artifact
Materials
CANVAS, NYLON
Catalogue Number
P20140019001
  2 images  
Material Type
Artifact
Other Name
POLES AND CANVAS
Date Range From
1960
Date Range To
1985
Materials
CANVAS, NYLON
No. Pieces
1
Length
212
Width
67
Description
RECTANGULAR PIECE OF OFF-WHITE CANVAS, WITH TWO RED NYLON STRAPS SEWN AT EACH VERTICAL EDGE. CANVAS IS FOLDED OVER AND SEWN ALONG BOTH HORIZONTAL EDGES, CREATING TWO LENGTHWISE CHANNELS. ALL SEAMS ARE REINFORCED WITH DOUBLE-STITCHING. FRONT OF CANVAS HAS REPEATING CIRCULAR WATER STAINS ALONG THE CENTRE AND VARIOUS SPOTS OF DISCOLOURATION THROUGHOUT. TEXT AT THE LOWER RIGHT CORNER READS “L F D” IN BLACK MARKER. BACK OF CANVAS HAS SIMILAR WATER STAINING, AND TEXT ACROSS THE CENTRE READING “DISCARD” IN BLACK MARKER. A STAMP AT THE RIGHT SIDE DEPICTS A CIRCULAR CREST AND READS “CITY OF LETHBRIDGE FIRE DEPT” IN BLUE INK. OVERALL GOOD CONDITION.
Subjects
LAND TRANSPORTATION-HUMAN-POWERED
Historical Association
SAFETY SERVICES
HEALTH SERVICES
History
THIS CANVAS STRETCHER, ALONG WITH TWO WOODEN POLES, WAS USED BY THE LETHBRIDGE FIRE DEPARTMENT DURING MEDICAL EMERGENCIES, PRIOR TO THE INCORPORATION OF PARAMEDIC STAFF IN THE DEPARTMENT IN THE MID 1980S. AMONG DEPARTMENT PERSONNEL, IT IS REFERRED TO AS “POLES AND CANVAS”. ON SEPTEMBER 9, 2015 COLLECTIONS TECHNICIAN MACLEAN INTERVIEWED LAWRENCE DZUREN, RETIRED FIRE CHIEF, WHO SERVED WITH THE LETHBRIDGE FIRE DEPARTMENT FROM 1959 TO 1992. OF THE POLES AND CANVAS, DZUREN SAID: “[THIS] WOULD BE IN THE AMBULANCE AND THERE’S TWO BIG WOODEN POLES, NICELY SANDED DOWN. WHEN YOU GOT THE PATIENT YOU WOULD ROLL HIM TO THE SIDE, TUCK THAT UNDER, ROLL HIM BACK ONTO [THE CANVAS], PUT THE POLES IN, AND PICK HIM UP, ONE [FIREMAN] ON EACH END… THAT’S THE WAY WE CARRIED PATIENTS OUT OF WHEREVER WE HAD TO CARRY THEM… I RECALL GOING TO ONE, THERE WAS A BLIZZARD GOING ON, WE GOT THIS BIG FELLA… HE WAS ABOUT 6’5”, AND WE HAD TO GET HIM OUT OF THE BASEMENT … WITH POLES LIKE THIS… YOU THINK YOU CAN MANIPULATE, AND WE USUALLY DID SUCCEED IN GETTING THEM OUT OF THERE, BUT IT WAS WITH A LOT OF BACK BREAKING STUFF TO GET HIM UP THE STAIRS… BECAUSE ONE GUY IS UP THERE TO LIFT THIS WAY, AND THE OTHER GUY IS BENDING DOWN… [POLES AND CANVAS] CAME OUT OF SERVICE WHEN WE STARTED GETTING PARAMEDICS [IN THE MID TO LATE 1980S]. THEY DID AWAY WITH IT, WHICH I WAS KIND OF SURPRISED, BECAUSE WE FOUND IT SUCH AN EASY WAY OF DOING IT. BECAUSE NOW… THE PARAMEDICS AND NURSES PICK THEM UP AND MANUALLY SET THEM ONTO THE BED, WHERE WITH THIS… WE COULD JUST PICK THEM UP, PUT THEM ON [THE BED] AND AWAY WE WENT. BUT THEY FOUND [A METHOD] THAT’S MAYBE MORE EFFICIENT, OR EASIER ON THE PATIENT.” ON SEPTEMBER 15, 2015 MACLEAN INTERVIEWED CLIFF ‘CHARLIE’ BROWN, RETIRED PLATOON CHIEF, WHO SERVED WITH FIRE AND EMERGENCY SERVICES FROM 1966 TO 2004. OF THE POLES AND CANVAS, BROWN SAID: “THAT’S WHAT I WAS TRAINED ON… THAT WAS OUR ‘SCOOP AND RUN’. WHEN WE WENT TO ANY KIND OF EMERGENCY, WE TOOK THE CANVAS WITH US… VERY LITTLE FIRST AID AT THE SCENE, LIKE NEXT TO NONE, UNLESS THERE WAS BLEEDING… IT WAS MOSTLY SCOOP AND RUN… GET THEM TO THE HOSPITAL AS QUICK AS WE COULD… RATHER THAN CARRY [A STRETCHER WITH A METAL FRAME] UP THE STAIRS, WE’D GO UPSTAIRS AND PUT THE PATIENT ON THE POLES… THE [FIREMAN] ON THE BOTTOM, IF [THE PATIENT] WAS STARTING TO SLIDE OFF, THEY’D END UP WITH THEIR LEGS AROUND THE [FIREMAN’S] NECK, AND THERE WAS NOTHING YOU COULD DO… YOU HAD TO GET DOWN, AND IT WASN’T THE PERSON’S FAULT BECAUSE THEY DIDN’T HAVE THE STRENGTH ON THE SLIPPERY CANVAS TO HANG ON.” ON SEPTEMBER 10, 2015 MACLEAN INTERVIEWED TREVOR LAZENBY, LIEUTENANT WITH LETHBRIDGE FIRE AND EMERGENCY SERVICES, WHO TRAINED AS A PARAMEDIC AND STARTED HIS CAREER IN LETHBRIDGE WORKING AS A DISPATCHER IN 1994. OF THE POLES AND CANVAS, LAZENBY SAID: “I NEVER USED THESE, BUT I HAVE HEARD A THOUSAND STORIES ABOUT POLES AND CANVAS – SOME GOOD, WHERE THEY WORKED INCREDIBLY WELL, AND SOME NOT SO GOOD, WHERE IT WAS ALMOST COMICAL THE WAY THINGS UNFOLD. FOR EXAMPLE, YOU GO UP A TWO-STOREY OR THREE-STOREY WALKUP WITH NO ELEVATOR, AND IF YOU’VE GOT [FIREMEN] WHO ARE HEIGHT MISMATCHED… WHEN YOU STARTED GOING DOWN STAIRS, THERE WERE REALLY NO STRAPS ON THESE THINGS TO HOLD PEOPLE – THEY WERE LIKE A MILITARY LITTER. SO AS THE ONE [FIREMAN] IS GOING DOWN THE STAIRS, THE PATIENT STARTS TO SLIDE. THERE WERE STORIES WHERE GUYS WERE TRYING TO HOLD THE POLES UP AS HIGH AS THEY POSSIBLY COULD SO THE [PATIENT] WOULDN’T SLIDE DOWN… PRETTY SOON HIS LEGS ARE HANGING OVER YOUR SHOULDERS!... BUT WHEN I WAS NEW [IN THE MID-1990S], I DON’T KNOW HOW MANY TIMES I GOT TOLD ‘OH THE POLES AND CANVAS ARE WAY BETTER THAN THOSE STRETCHERS YOU GUYS ARE USING TODAY BECAUSE OF THIS AND THIS’ [AND] I AM SURE THAT IN SOME WAYS THEY WERE; I NEVER DISCOUNTED IT.” SEE PERMANENT FILE P20150010001-GA FOR FULL TRANSCRIPTS OF REFERENCED INTERVIEWS ALONG WITH OTHERS WITH FIRE/EMS MEMBERS AND ADDITIONAL RELATED RESEARCH.
Catalogue Number
P20140019001
Acquisition Date
2014-06
Collection
Museum
Images
Less detail
Date Range From
1950
Date Range To
1960
Material Type
Artifact
Materials
WOOD, METAL
Catalogue Number
P20160008001
  2 images  
Material Type
Artifact
Date Range From
1950
Date Range To
1960
Materials
WOOD, METAL
No. Pieces
1
Height
38.3
Length
121.5
Width
4.6
Description
SIGN. WOOD AND METAL. BORDER OF SIGN IS PAINTED MEDIUM/DARK BROWN. MAIN PORTION OF SIGN IS GOLDEN ROD YELLOW, WITH BLACK LETTERING. TEXT READS: “A SAFE WORKER IS A VALUABLE EMPLOYEE”. TWO METAL BRACKETS FOR HANGING ATTACH TO BACK OF SIGN. EACH BRACKET ATTACHES TO THE BACK WITH TWO FLAT HEADED BOLTS, WHICH ARE VISIBLE ON THE YELLOW SIDE OF THE SIGN. NUTS HOLD THE BOLTS ON THE BACK. HANDWRITTEN IN BLUE INK ON BOTTOM LEFT SIDE “317-9353”. REVERSE OF SIGN IS UNFINISHED DARK, ROUGH PINE BORDER. OVERALL IN GOOD TO VERY GOOD CONDITION. SIGN IS VERY DIRTY. SOME OF BROWN PAINT AROUND BORDER HAS SCRATCHED OFF, REVEALING BLACK PAINT UNDERNEATH.
Subjects
VISUAL COMMUNICATION T&E
Historical Association
INDUSTRY
SAFETY SERVICES
TRANSPORTATION
History
THE FOLLOWING INFORMATION COMES FROM A SERIES OF LETHBRIDGE HERALD NEWSPAPER ARTICLES AND AN INTERVIEW WITH THE DONOR CONDUCTED BY KEVIN MACLEAN. FROM JOHN’S INTERVIEW: JOHN STARTED WORKING AT THE FROG SHOP IN KIPP, AB IN 1992. HE DESCRIBED HOW IT WAS THAT HE CAME TO WORK THERE: “I WAS WORKING AS A SEASONAL MACHINE OPERATOR ON THE PACIFIC REGION, WHICH MEANT THAT IN THE SPRINGTIME EVERY YEAR, I GENERALLY START OUT SOMEWHERE NEAR THE FRASER CANYON AND OVER THE COURSE OF THE YEAR I’D WORK ANYWHERE FROM THERE TO SWIFT CURRENT AND FROM THE U.S. BORDER AS FAR NORTH AS [THE CPR HAD TRACKS, TO ROUGHLY ST. PAUL, AB]. THE LENGTH OF MY YEAR’S EMPLOYMENT WOULD BE DETERMINED IN MY SENIORITY AND THE AMOUNT OF WORK THAT WAS AVAILABLE. I WAS REAL TIRED OF BEING ON THE ROAD. THE YEAR PREVIOUSLY, THERE’D BEEN A TEMPORARY JOB – A COUPLE OF TEMPORARY JOBS THAT WERE BULLETINED AT THE FROG SHOP IN THE FALL, PROCESSING SOME SCRAP MATERIAL THAT WAS THERE. A FRIEND AND MINE BID THOSE JOBS AND GOT THEM. THAT MEANT WE WERE ON THE SHOP’S SENIORITY LIST AND WHEN THE OPPORTUNITY AROSE, THERE WAS A POSITION THERE BULLETINED – ACTUALLY A COUPLE OF POSITIONS BULLETINED THERE – MY FRIEND AND I BID THEM TO BE ABLE TO BE AT HOME AND HAVE A YEAR ROUND JOB. MIGHT NOT HAVE BEEN THE BEST IDEA EVER, BUT IT WAS GOOD TO BE HOME AND SLEEP IN MY OWN BED AT NIGHT AND WAKE UP AND SEE MY HORSES IN THE MORNING.” JOHN REMOVED THIS SIGN FROM HIS WORKPLACE WHEN THE CANADIAN PACIFIC RAILWAY ELECTED TO CLOSE THE FROG SHOP IN KIPP IN THE SPRING OF 2002. JOHN’S SUPERVISOR, GUY MITCHELL, KNEW THAT HE HAD AN INTEREST IN HISTORY AND OLD THINGS AND ALLOWED JOHN TO TAKE SOME ITEMS HOME. JOHN RECOUNTED THE EXPERIENCE: “WHEN I ASKED [GUY] WHAT WAS TO BECOME OF THE [SAFE WORKER] SIGN HE SAID, ‘YOU CAN HAVE IT, JOHN. THEY’LL JUST THROW IT AWAY. IT’S JUST JUNK AS FAR AS ANYONE ELSE CONCERNED.’ I ASKED HIM, ‘GEE, COULD I HAVE THE LITTLE PLAQUE OFF THE DOOR?’ AND HE SAID, ‘OF COURSE, YEAH, TAKE IT. IT’S GOING TO GET – SOMEONE ELSE WILL KNOCK IT OFF AND IT’LL GET BROKEN. SO MUCH THE BETTER. YOU WANNA SEE IT HANG IN THERE, GO FOR IT. IT’S ALL YOURS.’” JOHN EXPLAINED THAT THIS SIGN HUNG ON THE WALL: “IT WAS HANGING ON THE WALL WELL ABOVE THE DOORWAY, AND [I] PUT A LADDER UP AND TOOK THE TWO BIG SCREWS OUT OF THE WALL THAT HELD IT IN PLACE, AND TOOK THE TWO LITTLE TINY SCREWS OUT OF THE DOORWAY THAT HELD THE FROG SHOP SIGN IN PLACE. THAT WAS ONE OF THE LAST DAY – I THINK IT MIGHT HAVE BEEN EVEN THE LAST DAY THAT WE WERE THERE – AS I RECALL THAT’S THE CASE.” JOHN EXPLAINED WHY HE WAS SO INTERESTED IN THIS PARTICULAR SIGN: “BUT THE SIGN WAS SIGNIFICANT TO ME IN IT OF ITSELF GIVEN THAT WE SOMETIMES JOKED THAT THAT WAS THE ENTIRETY FOR A LONG TIME OF THE RAILWAY’S SAFETY PROGRAM – WAS A SIGN LIKE THIS. ON ALL THE MIRRORS IN ALL OF THE EMPLOYEES’ BATHROOMS, GOING BACK AT LEAST WHEN I FIRST WORKED FOR THE RAILWAY THE SUMMER OUT OF THE UNIVERSITY IN 1975, THE MIRRORS WERE ALL PAINTED WITH A SIGN ABOVE - AT THE TOP AND THE BOTTOM OF THE MIRROR THAT SAID, “YOU’RE LOOKING AT THE MAN MOST RESPONSIBLE YOUR SAFETY.” THOSE WERE QUITE OFTEN CHANGED BY EMPLOYEES TO SAY SOMETHING QUITE DIFFERENT, BUT YEAH, IT WAS SOMETHING OF A JOKE.” HE WENT ON FURTHER, SAYING THAT IN 1978 HE AND A FRIEND LOOKED INTO THE OLD ROUNDHOUSE AT THE RAIL YARD IN LETHBRIDGE AND “WAS MORTIFIED” TO SEE THE WORKING CONDITIONS: “WE PULLED UP BEHIND THE OLD ROUNDHOUSE IN THE OLD YARD HERE IN LETHBRIDGE, AND LOOKED IN THE DOORWAY. THAT’S AS MUCH AS I KNOW OF THE OLD ROUNDHOUSE, AND I WAS MORTIFIED TO SEE MEN WORKING IN A POORLY VENTILATED, ANCIENT, REALLY FALLING APART BUILDING. MORE PIGEONS THAN PEOPLE INSIDE, IN A CLOUD OF DUST AND WELDING SMOKE THAT YOU COULD NOT SEE THROUGH. THAT’S WHERE THIS SIGN CAME FROM.” IN COMPARISON, THE WORKING CONDITIONS IN THE KIPP FROG SHOP WERE MUCH BETTER, BUT JOHN EXPLAINS THAT THERE WERE STILL PROBLEMS: “WHEN I WENT TO WORK AT THE FROG SHOP IN KIPP IN EARLY ’92, A GREAT NUMBER OF PEOPLE WORKING THERE, AND THEN THERE WERE ONLY 12 EMPLOYEES THERE AND A SUPERVISOR, HAD WORKED THERE. CONSEQUENTLY, THAT FACILITY WAS LIGHT YEARS BEYOND WHERE THEY WORKED PREVIOUSLY, AND THEY’RE PRETTY COMFORTABLE IN THEIR ENVIRONMENT. THEY FELT THAT, YOU KNOW, THEY WERE DOING PRETTY WELL. THERE WERE A NUMBER OF US OVER THE COURSE OF THE NEXT COUPLE OF YEARS THAT CAME TO WORK THERE THAT HAD PREVIOUSLY WORKED ON THE SEASONAL WORK CREWS, AS MACHINE OPERATORS, WERE HAPPY TO HAVE A FULL TIME, YEAR-ROUND JOB. IT WASN’T A VERY PLEASANT PLACE TO WORK. IT WAS VERY DUSTY, VERY NOISY, AND DESPITE A RELATIVELY DECENT WELDING FUME VENTILATION SYSTEM, IT WASN’T A GOOD PLACE TO BE. AND WE LOOKED AT THE SIGN EVERY DAY AS YOU WALKED OUT. IN THE COURSE OF READING THE MSDS ON THE WELDING WIRE AND THE WELDING ROD WE USED, AFTER I WORKED THERE FOR MAYBE A YEAR OR SO – MAYBE A COUPLE YEARS – I SAW THAT THE WELDING WIRE MANUFACTURER – WELL THE WELDING ROD MANUFACTURER – SUGGESTED THAT PEOPLE HAVE AT LEAST ANNUAL BLOOD TESTS TO DETERMINE THEIR BLOOD LEVELS OF HEAVY METALS, IN PARTICULAR MANGANESE.” JOHN EXPLAINED THAT TOO MUCH MAGNESIUM IN THE HUMAN BODY CAN MIMIC PARKINSON’S DISEASE, A CONDITION CALLED PARKINSONISM. SUMPTION PUSHED FOR BLOOD TESTING TO BE DONE IN THE 1990S: “THAT STARTED US DOWN THE ROAD THAT RESULTED IN A STUDY BEING DONE BY A GROUP OF INDUSTRIAL MEDICINE SPECIALISTS FROM THE UNIVERSITY OF CALGARY, INCLUDING OF THE FOREMOST – THE WORLD’S MOST FOREMOST – MOVEMENT DISORDER SPECIALIST … . CONSEQUENTLY, WE ALL SPENT TWO DAYS IN CALGARY, GOT MRI, GOT BLOOD TESTS, AND THEREAFTER WERE REGULARLY SUBJECTED TO URINE TESTS.” THE RESULTS OF ALL OF THIS TESTING: “CONSEQUENTLY, THE VENTILATION SYSTEM WAS IMPROVED, THE DUST CAPTURE SYSTEM WAS IMPROVED FOR THE GRINDING PROCEDURES, AND ALL EMPLOYEES WORE POWER PURIFIED AIR RESPIRATORS THEREAFTER. SO WE HAD A MUCH SAFER WORK ENVIRONMENT.” JOHN NEVER SAW THIS SIGN HANGING IN THE ROUNDHOUSE AND HAD THE FOLLOWING TO SAY: “IT’S FAR TOO OLD TO HAVE BEEN MADE FOR THE FROG SHOP IN 1982. WHEN YOU LOOK AT THESE … BOLTS – HAVEN’T SEEN THEM DO LIKE THAT IN AN AWFUL LONG TIME. THIS IS HAND-PUNCHED – THIS IS HAND-CUT AND HAND-PUNCHED. LOOT AT THE WIDTH OF THE PINE PLANK THAT IT’S ON. IT’S NOT REGULAR, OLD CPR RED. THEY DIDN’T BUY THINGS. THEY ARE NOTORIOUSLY CHEAP. I REMEMBER THIS YELLOW PAINT. THIS IS THE SAME YELLOW PAINT THAT THEY PAINTED THEIR MOTOR CARS WITH – THE LITTLE, FREEZE-YOUR-ASS-OFF TRACK MOBILES WE USED TO TRAVEL ON WHEN WE’RE WORKING ON THE TRACK. YEAH, I WAS TOLD THAT. BUT I KNOW THEY WOULDN’T HAVE A SIGN PAINTED. I KNOW THEY WOULDN’T BUY ONE FROM ANYONE. AND THAT WAS WHAT I WAS TOLD BY ALL THE PEOPLE THAT I WORKED WITH THERE; SOME OF WHOM HAD A GREAT MANY YEARS. AND THERE WERE A COUPLE OLD GUYS THAT I WORKED WITH THAT RETIRED AT 35 YEARS, SHORTLY AFTER I ARRIVED IN THE FROG SHOP THERE IN ’92.” JOHN DESCRIBED WHERE THE SIGN HUNG IN THE FROG SHOP IN KIPP: “IT HUNG IN THE DOORWAY THAT LEAD OUT OF THE SHOP INTO THE HALLWAY INTO OUR CHANGE ROOM. I LOOKED AT IT EVERY DAY, AT LUNCHTIME, COFFEE TIME.” JOHN ADDED THE FOLLOWING ABOUT WORKER SAFETY: “I JUST THINK THAT THIS IS TO ME ILLUSTRATIVE OF HOW FAR WE’VE COME WHEN IT COMES TO WORKERS’ SAFETY. AND WHEN YOU TAKE A LOOK AROUND TODAY OF HOW HORRIFYINGLY FAR WE HAVE TO GO. TO THINK THAT THERE ARE PEOPLE, WHAT LESS THAN TWO WEEKS AGO, STANDING IN FRONT OF THE LEGISLATURE IN EDMONTON FIGHTING THE NOTION THAT FARM WORKERS IN ALBERTA SHOULD HAVE THE SAME PROTECTION THAT THEY DO EVERYWHERE ELSE IN THE COUNTRY AND HAVE FOR YEARS AND YEARS. TOO MANY PEOPLE DIE GOING TO WORK. IT’S TOO EASY TO HAPPEN AND IT’S EVEN EASIER NOW. IT’S SCARY TO THINK OF YOUNG PEOPLE. I’VE WORKED WITH LOTS OF YOUNG PEOPLE AS THE YEARS HAVE GONE ON. I’M OLD. I KNOW OLD PEOPLE - OLDER PEOPLE - LOOKED OUT FOR ME AND HELPED ME; AND I’M REALLY FORTUNATE FOR THAT. BUT IN THIS HURRY-UP WORLD, NOW AND PARTICULARLY AS YOU SEE UNION MEMBERSHIP DECLINING AND IT BECOMING MORE AND MORE DIFFICULT TO OBTAIN A UNION CONTRACT, TO RATIFY A UNION VOTE, GEE I DON’T WANT TO SEE ANYONE - ANYBODY ELSE GET HURT. AND I HOPE THAT THAT GETS BETTER. BECAUSE I’VE SEEN REALLY BAD THINGS HAPPEN TO PEOPLE AND IT WASN’T BECAUSE THEY WERE DUMB AND IT WASN’T BECAUSE THEY WERE CARELESS. FAR TOO OFTEN IT WAS BECAUSE THEY JUST DIDN’T KNOW AND SOMEBODY WHO SHOULD KNOW BETTER DIDN’T GET IN LINE.” RELOCATING THE RAIL YARDS TO KIPP IS COVERED IN DETAIL IN SEVERAL LETHBRIDGE HERALD NEWSPAPER ARTICLES, ESPECIALLY IN THE PERIOD OF 1980 TO 1982. THESE ARTICLES TEND TO FOCUS ON THE BENEFIT FOR THE CITY OF LETHBRIDGE AND THE ABILITY TO REDEVELOP THE YARDS. FOR EXAMPLE, AN OCTOBER 10, 1980 ARTICLE DISCUSSES REDEVELOPMENT OPPORTUNITIES: “THERE MUST BE A GOOD CORRIDOR WITH A DIVIDED HIGHWAY THROUGH THE CITY TO ACCOMMODATE BOTH TRAFFIC THAT DOESN’T WANT TO STOP AND TRAFFIC THAT WANTS TO GET OFF AT DOWNTOWN LETHBRIDGE. RAILWAY RELOCATION GIVES ROOM FOR SUCH A CORRIDOR FROM THE RAILWAY BRIDGE THROUGH TO 13TH ST.” FOR MORE DETAILS, PLEASE SEE PERMANENT FILE. FOR COPIES OF NEWSPAPER ARTICLES AND FOR A TRANSCRIPT OF THE INTERVIEW, PLEASE SEE PERMANENT FILE.
Catalogue Number
P20160008001
Acquisition Date
2016-03
Collection
Museum
Images
Less detail

DEVICE, BLOOD PRESSURE

https://collections.galtmuseum.com/en/permalink/artifact13220
Other Name
OSCILLONTONOMETER
Date Range From
1958
Date Range To
1988
Material Type
Artifact
Materials
CARDBOARD, VINYL, METAL
Catalogue Number
P20140049003
  2 images  
Material Type
Artifact
Other Name
OSCILLONTONOMETER
Date Range From
1958
Date Range To
1988
Materials
CARDBOARD, VINYL, METAL
No. Pieces
11
Height
24
Length
31.8
Width
9
Description
1: AN ORANGE-BROWN CASE WITH BRONZE COLOURED HINGES, CLASPS, AND FEET. THERE IS A SINGLE HANDLE AT THE TOP MADE OF THE SAME FAUX LEATHER MATERIAL AS THE CASE ON TWO METAL HINGES. IT SITS ABOVE A GOLD PUSH CLASP. THERE ARE TWO BRONZE COLOURED HINGES THAT THE CASE SWINGS OPEN ON. THE CASE HAS EIGHT BRONZE-COLOURED DOMED FEET, FOUR OF WHICH SIT AT THE BOTTOM WITH THE HINGES AND FOUR OF WHICH ARE ON THE SIDE OF THE CASE. ON THE SAME SIDE SIX SILVER STUDS SIT IRREGULARLY IN THE BODY OF THE CASE. THE INSIDE OF THE CASE HAS A BUILT IN POUCH, ON WHICH A STICKER STATES “LETHBRIDGE MUNICIPAL HOSPITAL 3402041” AND A PIECE OF PAPER READING “OSCOLLOTONOMETER USE FOR BLOOD PRESSURE” IS TAPED ON. AT THE BOTTOM OF THE CASE, BOLTED TO THE CASE WITH SILVER STUDS SITS THE MEASURING MECHANISM OF THE OSCILLONOMETER. THE SILVER CASED MECHANISM HAS A BLACK RUBBER HAND PUMP ATTACHED, ALONG WITH MULTIPLE ATTACHMENT POINTS FOR THE TUBES OF THE PRESSURE CUFFS. TWO DIALS SIT ON ITS FACE, ONE RANGING FROM 7-0-18 AND READING “COMPARATIF”, THE SECOND RANGING FROM 0-300MMHG AND READING “MANOMETER”. NEXT TO IT IS A SILVER COLOURED PLATE HOLDING FOUR SILVER SCREW-IN KNOBS. 2: A CIRCULAR PAPER TAG RIMMED IN A METAL FRAME AND HELD WITH A SAFETY PIN TO THE HANDLE OF THE CASE. ON ONE SIDE THE TAG READS “C.S.R OSCILLOTONOMETER “CAMPARAT”” . THE TAG IS CRUMPLED AND SOME OF THE TEXT IS WORN OFF. H: 0.1 CM, D: 4.7 CM 3: A PIECE OF THE INSIDE LINING OF THE CASE THAT HAS PEELED OFF FROM THE SIDE. ONE SIDE IF THE FAUX LEATHER, THE OTHER A CARDBOARD PAPER COATED IN HARDENED GLUE. H: 0.1 CM, L: 23 CM, W: 5 CM 4: A GREY PRESSURE CUFF ATTACHED TO TWO TUBES, RED, AND BLACK. THE INFLATABLE PART OF THE CUFF MEASURES 46 CM BY 14 CM, WITH THE WRAP AROUND STRAP MEASURING 76 CM BY 4 CM. THE TWO RED AND BLACK TUBES MEASURE 63 CM LONG AND 0.5 CM AROUND. H: 76.5 CM, L: 122.5 CM, W: 14 CM 5: RED TUBING BROKEN OFF FROM ONE OF THE PRESSURE CUFFS. THE TUBING IS CRIMPED AND SNAPPED OFF INTERNALLY NEAR THE BROKEN EDGE OF THE TUBING. L: 47 CM, D: 0.5 CM 6: A GREY PRESSURE CUFF ATTACHED TO TWO TUBES, RED, AND BLACK. THE INFLATABLE PART OF THE CUFF MEASURES 46 CM BY 14 CM, WITH THE WRAP AROUND STRAP MEASURING 76 CM BY 4 CM. THE BLACK TUBE MEASURES 63 CM LONG AND 0.5 CM AROUND. THE RED TUBE MEASURES 18 CM, BROKEN IN HALF. H: 76.5 CM, L: 122.5 CM, W: 14 CM 7: A TYPED NOTE READING “RE OSCILLOMETER. IF ANYONE WISHES TO USE THIS AND IS NOT FAMILIAR WITH THIS MODEL, DR. KING-BROWN HAS SAID THAT HE WOULD HELP. THANK YOU. MIB.” THERE IS ALSO AN “MIB” SIGNED IN BLUE PEN. L: 15.4 CM, W: 10.1 CM 8: A SINGLE PAGE BOOKLET TITLED “SERVICE INSTRUCTIONS FOR THE OSCILLOMETER COMPARATIF”. THE PAPER IS SLIGHTLY WRINKLED WITH A TORN CORNER AND A SLIGHT TEAR IN THE MIDDLE EDGE OF THE PAGES. L: 30 CM, W: 11.7 CM 9: A SINGLE PAGE BOOKLET TITLED “OSCILLOTONOMETERS “COMPARAT” AND “COMPARATIF”” FRONT COVER ALSO HAS AN IMAGE OF A DOCTOR USING THE MACHINE TO MEASURE BLOOD PRESSURE FROM A PATIENT'S ANKLES. THE BACK COVER SHOWCASES AN IMAGE OF THE COMPARATIF AND A DIAGRAM OF BLOOD PRESSURE TUBE CONNECTORS. THE PAGES ARE SLIGHTLY DIMPLED AROUND THE EDGES. L: 30 CM, W: 12.2 CM 10: AN EXAMPLE OF THE FILL-IN FORMS PRINTED WITH FILL-IN EXAMPLES AND GRAPHS IN BLACK INK. WRITTEN IN GERMAN. L: 15 CM, W: 24.7 CM 11: A PAD OF ORANGE INKED FILL-IN FORMS COMPLETE WITH GRAPHING GRIDS. THE FORMS ARE WRITTEN IN GERMAN. THE PAD IS MISSING ONLY A FEW PAGES, WITH SLIGHTLY DIMPLED EDGES AND CURVING CORNERS. H: 0.7 CM, L: 15 CM, W: 24.7 CM
Subjects
MEDICAL & DENTAL T&E
Historical Association
HEALTH SERVICES
ASSOCIATIONS
History
UPON DONATION TO THE MUSEUM, COLLECTIONS TECHNICIAN KEVIN MACLEAN ASKED MEMBERS OF THE GALT SCHOOL OF NURSING (GSN) ALUMNAE TO PROVIDE WRITTEN ANSWERS ON QUESTIONS PERTAINING TO EACH ARTIFACT DONATED IN THE COLLECTION. THE FOLLOWING INFORMATION HAS COME FROM THOSE RESPONSES CORRESPONDING TO EACH INDIVIDUAL ARTIFACT. THIS ARTIFACT IS CALLED AN OSCILLOTONOMETER AND IT WAS USED TO MEASURE THE BLOOD PRESSURE OF THE LEGS. THE OSCILLOTONOMETER WAS USED IN THE OPERATING ROOM (OR), WHERE IT WAS USED BY THE OR STAFF. IT CAME INTO THE POSSESSION OF THE GALT SCHOOL OF NURSING ALUMNAE IN 1988 AFTER ITS USE IN THE OR. THE ALUMNI BELIEVE THAT THIS ARTIFACT IS OF IMPORTANCE BECAME IT IS “SOMETHING NOT SEEN OFTEN BY FLOOR STAFF.” THIS ARTIFACT IS AMONG A COLLECTION DONATED NEAR THE END OF 2014, BEING THE SECOND WAVE OF GSN ARTIFACTS ACQUIRED BY THE MUSEUM THAT YEAR. WITH THE FIRST WAVE OF GSN ARTIFACTS COLLECTED IN SUMMER 2014, MACLEAN INTERVIEWED THE PAST ARCHIVISTS OF THE GALT SCHOOL OF NURSING COLLECTION, SHIRLEY HIGA, ELAINE HAMILTON, AND SUE KYLLO, ABOUT THEIR INVOLVEMENT WITH THE GSN ALUMNAE ASSOCIATION AND THE HISTORY OF ARTIFACTS DONATED. FOR THAT INFORMATION, PLEASE REFER TO P20140006001. ON 12 JULY 2018, COLLECTIONS ASSISTANT ELISE PUNDYK MET WITH THREE MEMBERS OF GALT SCHOOL OF NURSING ALUMNI ASSOCIATION – SHARON DEJONG, DONNA KARL, AND SUE KYLLO – TO ESTABLISH FURTHER DETAILS ABOUT VARIOUS ARTIFACTS IN THIS WAVE OF GSN ACQUISITIONS. ABOUT THIS ARTIFACT, THE ALUMNI STATED THAT THIS WOULD HAVE BEEN USED FROM 1958 TO 1988 (BASED ON THEIR PERSONAL EXPERIENCES DURING THEIR CAREER AND THE CLOSING YEAR OF THE MUNICIPAL HOSPITAL). THEY ALSO ADDED THAT THIS INSTRUMENT WAS NOT OFTEN SEEN BY THE FLOOR STAFF. PLEASE SEE THE PERMANENT FILE FOR MORE INFORMATION.
Catalogue Number
P20140049003
Acquisition Date
2014-11
Collection
Museum
Images
Less detail

6 records – page 1 of 1.