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Other Name
WOMAN'S OUTFIT
Material Type
Artifact
Materials
WOOL, COTTON
Catalogue Number
P19840004000
  2 images  
Material Type
Artifact
Other Name
WOMAN'S OUTFIT
Date
1963
Materials
WOOL, COTTON
No. Pieces
2
Description
WOMEN'S SUIT. .1 SKIRT, SIZE 12-14. WOOL, COTTON. ROYAL BLUE. STRAIGHT LINE SKIRT. BACK KICK PLEAT. SIDE PLASTIC ZIPPER CLOSURE. BLACK COTTON FACING AT WAISTLINE. HANDWOVEN MATERIAL, MACHINE SEWN SUIT. .2 JACKET. SIZE 10. WOOL BOUCLE'. ROYAL BLUE, SKY BLUE. BOLERO STYLE. 3/4 LENGTH SLEEVES. JACKET FACING MADE FROM SAME MATERIAL AS SKIRT. HAND WOVEN MATERIAL. MACHINE SEWN JACKET. SMALL STAIN IN FRONT RIGHT HIP EVEN. YELLOWISH STAIN AT BACK OF NECK ON COLLAR.
Subjects
CLOTHING-OUTERWEAR
Historical Association
TRADES
History
DONOR BORN IN PILOT MOUNTAIN, MANITOBA IN 1897. GEORGE ELFORD DICKSON BORN ABOUT 1900 IN MANITOBA, DIED 1983. MARRIED IN CLARESHOLM IN 1925. EMPLOYED BY BANK OF COMMERCE IN MANY SOUTHERN ALBERTA LOCATIONS. THEY RETIRED TO CLARESHOLM ABOUT 1962. BOTH ACTIVE & COMPETENT IN WEAVING. BEGAN AS HOBBY IN 1930'S AFTER WATCHING A DISPLAY AT CALGARY STAMPEDE. THEY WOVE MATERIAL & SOLD YARDAGE. WOOL BOUGHT FROM THE CEREAL GRAIN COIN WINNIPEG. DONOR TRAINED AT BANFF SCHOOL OF FINE ARTS & TOOK A WEAVING COURSE AT OLDS SCHOOL OF AGRICULTURE. MRS. DICKSON WAS ONE OF THE ORIGINATORS & INSTRUCTORS AT THE CLARESHOLM CARE CENTRE, NOW A WELL KNOWN CRAFT CENTRE. MATERIAL FOR SUIT DONATION WOVEN BY DICKSONS & SEWN BY MRS. DICKSON. *UPDATE* IN 2017 COLLECTIONS ASSISTANT RUTHANN LABLANCE CONDUCTED A SURVEY OF CLOTHING, INCLUDING A SUIT AND SKIRT DONATED BY EVA A. DICKSON. THE FOLLOWING BIOGRAPHICAL INFORMATION WAS COMPILED USING ARTICLES FROM THE LETHBRIDGE HERALD. EVA ANN DICKSON (NEE MOFFATT) WAS THE YOUNGEST DAUGHTER OF WILLIAM MOFFAT, EX-MLA. SHE WAS MARRIED TO GEORGE ELFORD DICKSON, THE SON OF JAMES DICKSON, ON MAY 5, 1925. THE ANNOUNCEMENT FOR THEIR WEDDING GIVES THE FOLLOWING DETAILS: “THE MANY USEFUL AND COSTLY GIVES RECEIVED WERE A TESTITMONY OF THE VERY HIGH ESTEEM IN WHICH BOTH ARE HELD BY THEIR MANY FRIENDS IN AND AROUND CLARESHOLM, AND THEIR GREAT POPULARITY THROUGH OUT THE DISTRICT WHERE BOTH HAVE RESIDED FOR A NUMBER OF YEARS. THE GROOM IS A MEMBER OF THE STAFF OF THE INSPECTOR’S DEPARTMENT OF THE CANADIAN BANK OF COMMERCE AT CALGARY, BUT WAS FORMERLY ON THE STAFF OF THE LOCAL BRANCH OF THE BANK … THE BRIDGE, WHOSE PARENTS CAME HERE IN THE EARLIER DAYS OF THE TOWN AND DISTRICT, HAS GROWN UP IN THE COMMUNITY, AND HAS ENDEARED HERSELF TO A VERY LARGE CIRCLE OF FRIENDS IN CHURCH, SOCIAL, AND MUSICAL CIRCLES, AND HER PRESENCE WILL BE VERY GREATLY MISSED.” ON DECEMBER 2, 1946, AN ARTICLE ABOUT THE STAVELY UNITED CHURCH WOMEN’S ASSOCIATION APPEARED IN THE HERALD: “MRS. EVA DICKSON OF CLARESHOLM ATTENDED THE MEETING AND DISPLAYED ARTICLES SHE MAKES ON A LOOM. THESE INCLUDED LUNCHEON SETS, TOWELS, SCARVES, AND WOOLEN SUIT LENGTHS.” GEORGE ELFORD DICKSON PASSED AWAY AT THE AGE OF 83 ON JULY 1, 1983. EVA DICKSON PASSED AWAY IN 1991. SEE PERMANENT FILE FOR COPIES OF THE ARTICLES FROM THE LETHBRIDGE HERALD.
Catalogue Number
P19840004000
Acquisition Date
1984-03
Collection
Museum
Images
Less detail
Other Name
PROJECTIONIST SMOCK
Date Range From
1940
Date Range To
1950
Material Type
Artifact
Materials
COTTON
Catalogue Number
P19970071006
  2 images  
Material Type
Artifact
Other Name
PROJECTIONIST SMOCK
Date Range From
1940
Date Range To
1950
Materials
COTTON
No. Pieces
1
Length
110
Width
70
Description
GREY THIGH-LENGTH SMOCK WITH FRONT CLOSURE. LONG SLEEVES; TWO FRONT WAIST POCKETS AND ONE OUTER BREAST POCKET ON LEFT PROPER. VERTICAL SLOT OPENINGS AT SIDES FOR ACCESS TO PERSONAL GARMENTS. "H.B." EMBROIDERED IN RED ABOVE BREAST POCKET. FOUR GREY BUTTONS ALONG FRONT, WITH COTTER PIN BACKINGS. TAG IN GARMENT READS "WEAR THE BEST SUNNY SOUTH GARMENTS LETHBRIDGE ALTA." SLIT AT BOTTOM BACK; BAND AT BACK WAIST, WITH SLIGHT PLEATS IN THE FABRIC. MINOR REDDISH STAINS ON SLEEVES AND ON FRONT. SIZE 40.
Subjects
CLOTHING-OUTERWEAR
Historical Association
TRADES
History
WORN AS PROJECTIONIST SMOCK BY DONOR'S FATHER, HARRY BOYSE, WHO WORKED FOR THE SHACKLEFORD THEATRES FOR OVER 25 YEARS. FOR MORE HISTORY SEE P19970071001-GA *UPDATE* IN 2014 COLLECTIONS ASSISTANT JANE EDMUNDSON CONDUCTED A SURVEY OF ART OBJECTS, INCLUDING A PORTRAIT OF ALFRED WILLIAM SHACKLEFORD (P20060025001-GA), OWNER OF THE SHACKLEFORD THEATRES. THE FOLLOWING BIOGRAPHY OF MAYOR SHACKLEFORD WAS DEVELOPED WITH INFORMATION FROM ARCHIVES CANADA ONLINE AND A LETHBRIDGE HERALD TRIBUTE ARTICLE FROM MAY 31, 1992. A.W. SHACKLEFORD WAS BORN IN ESSEX, ENGLAND IN 1899 AND CAME TO CALGARY WITH HIS PARENTS IN 1909. AFTER HIGH SCHOOL HE TRAINED AS A DRAFTSMAN BUT WAS EMPLOYED BY THE FILM EXCHANGE AND FOX FILMS. IN 1921 HE WAS HIRED TO MANAGED THE KING'S THEATRE IN LETHBRIDGE AND BECAME ASSOCIATED WITH MARK ROGERS, A LETHBRIDGE BUSINESSMAN WHO OWNED THREE LOCAL MOVIE THEATRES. SHACKLEFORD ALSO BECAME PARTNER IN THE AMUSEMENT COMPANY THAT OPENED THE HENDERSON LAKE PAVILLION IN 1924. BY 1925 HE WAS PART-OWNER OF THE FORMER EMPRESS THEATRE ON 5TH AVENUE SOUTH, RENAMING IT THE ROXY. HE THEN TEAMED UP WITH THE FAMOUS PLAYERS COMPANY TO REMODEL THE FORMER PALACE THEATRE AND RENAME IT THE CAPITOL. SHACKLEFORD ALSO OPENED THE THEATRE IN THE FORMER COLLEGE MALL, BUILT THE 960-SEAT PARAMOUNT THEATRE ON 4TH AVENUE SOUTH, AND TOOK OVER OPERATION OF THE DIRVE-IN THEATRE AT THE SOUTH CITY LIMITS. SHACKLEFORD WAS HEAVILY INVOLVED IN CIVIC LIFE, ACTIVE IN GROUPS INCLUDING THE CANADIAN CANCER SOCIETY, THE GYRO CLUB, UNITED WAY, LETHBRIDGE & DISTRICT EXHIBITION BOARD, BOARD OF TRADE, ST. AUGUSTINE'S CHURCH, AND THE ALBERTA THEATRE OPERATORS ASSOCIATION. HE AND HIS WIFE ADA HAD TWO SONS, ROBERT AND DOUGLAS. AFTER SEVERAL TERMS AS ALDERMAN STARTING IN 1939, SHACKLEFORD FIRST SERVED AS MAYOR FROM 1944 - 1947, AND FOR TWO MORE TERMS FROM 1952 - 1955 AND 1957 - 1961. HE WORKED FOR 68 YEARS IN THE MOVIE BUSINESS, RETIRING AT AGE 90. W.A. SHACKLEFORD DIED IN LETHBRIDGE ON MAY 30, 1992. SEE PERMANENT FILE P20060025001 FOR HARDCOPIES OF SOURCE MATERIAL. *UPDATE* IN 2017 COLLECTIONS ASSISTANT RUTHANN LABLANCE CONDUCTED A SURVEY OF CLOTHING, INCLUDING A VEST DONATED BY KEN BOYSE. THE FOLLOWING BIOGRAPHICAL INFORMATION WAS COMPILED USING ARTICLES FROM THE LETHBRIDGE HERALD. KENNETH BOYES IS THE SON OF CHARLES HENRY “HARRY” BOYES AND IRENE BOYSE (NEE JOHNSON). HE WAS MARRIED IN MAY 1964 TO DOREEN ELIZABETH ROWE IN THAMESFORD, ON. FOLLOWING THEIR MARRIAGE, THE COUPLE LIVED AT THE RCAF STATION IN MONT APLCA, QC. CHARLES HENRY “HARRY” BOYES PASSED AWAY ON SEPTEMBER 1, 1980 AT THE AGE OF 83. HE MARRIED IRENE JOHNSTON IN 1936. HE WAS AN ACTIVE MEMBER OF THE LETHBRIDGE SHRINE CLUB, SERVING WITH THE CLUB FOR OVER 33 YEARS. HE WAS THE CLUB PRESIDENT IN 1952. HE WAS ALSO MADE AN HONOURARY LIFE MEMBER OF THE ALBERTA SUGAR BEET GROWERS ASSOCIATION FOR 31 YEARS OF SERVICE TO THE ORGANIZATION, WHERE HE SERVED AS LABOUR ADVISOR AND SECRETARY/MANAGER. HARRY ALSO SPENT OVER 40 YEARS WORKING AS A FILM PROJECTIONIST, HAVING WORKED IN VARIOUS THEATRES INCLUDING: IN LETHBRIDGE, THE ROXY, EMPRESS, CAPITOL, AND PARAMOUNT; IN BOW ISLAND, RED DEER, STETTLER, AND CALGARY. HARRY WAS ALSO AN ACTIVE MEMBER OF THE LIONS CLUB IN LETHBRIDGE. DURING WWII HARRY WAS THE CAPTAIN OF THE LION INFANTRY TEAM IN THE VICTORY LOAN CAMPAIGN. AN ARTICLE FROM JULY 6, 1943 RECOUNTS THAT HARRY WAS VERY SUCCESSFUL AT SELLING WAR BONDS: “MR BOYSE … TOOK OUT A ‘STAMP-O-GRAM’ CARD AND WITH 18 CALLS SOLD $103 WORTH OF WAR SAVINGS STAMPS. A ‘DEPTH CHARGE’ COSTS $90 AND MR. BOYSE FEELS THAT HE WILL PERSONALLY BE ABLE TO SELL FOUR ‘DEPTH CHARGES’ FOR THE CORVETTE LETHBRIDGE.” ANOTHER ARTICLE FROM JUNE 18, 1943 EXPLAINS THAT HARRY HAD JUST COMPLETED A SUCCESSFUL TERM AS PRESIDENT OF THE LIONS CLUB. THE ARTICLE CONTINUES SAYING: “’LIONS THROUGHOUT CANADA POINT WITH PRIDE TO THE $117,000 ALREADY SENT OVERSEAS FOR THIS CAUSE. THIS MONEY IS ENTRUSTED TO THE WAIFS AND STRAYS SOCIETY, WHICH ADMINISTERS HOMES FOR LITTLE BOYS AND GIRLS WHO HAVE BEEN EVACTUATED FROM TARGET AREAS, OR WHOSE PARENTS HAVE BEEN KILLED OR INJURED IN THE ‘BLITZ’’, [MR. BOYSE] SAID.” IRENE BOYSE (NEE JOHNSON) WAS BORN IN BANTRY, ND ON AUGUST 20, 1908 AND MOVED TO CANADA IN 1909. SHE WAS RAISED AND EDUCATED IN THE FOREMOST, AB AREA. SHE PASSED AWAY AT THE AGE OF 89 ON OCTOBER 16, 1997. SEE PERMANENT FILE FOR COPIES OF THE ARTICLES FROM THE LETHBRIDGE HERALD.
Catalogue Number
P19970071006
Acquisition Date
1997-07
Collection
Museum
Images
Less detail
Other Name
TEMPLE BOARD MEMBER UNIFORM
Material Type
Artifact
Materials
COTTON, SILK, SYNTHETIC MATERIAL
Catalogue Number
P20010099020
  2 images  
Material Type
Artifact
Other Name
TEMPLE BOARD MEMBER UNIFORM
Date
1998
Materials
COTTON, SILK, SYNTHETIC MATERIAL
No. Pieces
3
Description
A PURPLE UNIFORM WITH A RED SASH AND LIGHT GREY UNDERCOAT. 1- 203.5 X 14.5. RED SASH HAS YELLOW CHINESE CHARACTERS WHICH EXTEND DOWN THE ENTIRE LENGTH OF THE SASH. THE FRONT OF THE SASH IS COMPLETELY RED WITH THE CHARACTERS AND A YELLOW BORDER BEING THE EXCEPTIONS. THE BACK OF THE SASH IS COMPLETELY YELLOW WITH RED STITCHING ALONG THE EDGES. AT EITHER END, THERE ARE GOLD / YELLOW TASSELS. 2- 87.1 X 61.7 CM PURPLE OVERCOAT WITH IDENTICAL DESIGNS, DARKER THAN THE SURROUNDING FABRIC APPROXIMATELY 9.5 CM IN DIAMETER SPREAD EVENLY OVER IT. WIDE SLEEVES. HAS STAND UP COLLAR; JACKET HAS VENTS AT THE SIDE AND ONE IN BACK. HAS FROG CLOSURE, FORMED OUT OF SAME MATERIAL AS JACKET DOWN FRONT. 3- 178.5 X 39.5. GREY GOWN TO BE WORN UNDER THE OVERCOAT. HAS A NARROW, STAND UP COLLAR. ENTIRE FRONT OF GOWN IS OPEN. LEFT SIDE HAS A LARGE FLAP THAT OVERLAPS RIGHT FRONT AND COAT DOES UP AT THE SIDE WITH 5 FROG CLOSURES MADE FROM SAME MATERIAL AS GOWN. THERE IS ALSO A FROG CLOSURE AT NECK AND NEAR RIGHT SHOULDER. GOWN HAS LARGE VENTS ON SIDES FROM HEMLINE TO ABOUT KNEE HEIGHT. GOWN HAS VERY LONG SLEEVES.
Subjects
CLOTHING-OUTERWEAR
Historical Association
RELIGION
POLITICS
History
THIS UNIFORM WAS SPECIFICALLY MADE FOR MAYOR CARPENTER (1986-2001) DURING HIS SECOND TRIP TO TAIWAN IN 1998 TO CELEBRATE THE 377TH ANNIVERSARY OF THE RETURN OF THE GODDESS OF THE SEA, MATSU. DURING THIS TRIP MAYOR CARPENTER WAS GIVEN THE HONORARY POSITION OF TEMPLE BOARD MEMBER, AND BECAUSE OF THIS POSITION WAS GRANTED THE HONOR OF LEADING THE CEREMONIAL PARADE, AS WELL AS THAT OF MOVING THE MATSU STATUE FROM THE TEMPLE TO THE PARADE VEHICLE. THIS HONOR WAS PREVIOUSLY ONLY GIVEN TO THE PRIME MINISTER OF GREAT BRITAIN, THE PRESIDENT OF TAIWAN, AND THE VICE PRESIDENT OF THE UNITED STATES. *UPDATE* IN 2017 COLLECTIONS ASSISTANT RUTHANN LABLANCE CONDUCTED A SURVEY OF CLOTHING, INCLUDING A UNIFORM DONATED BY DAVID CARPENTER. THE FOLLOWING BIOGRAPHICAL INFORMATION WAS COMPILED USING ARTICLES FROM THE LETHBRIDGE HERALD. AN ARTICLE FROM OCTOBER 25, 1977 PROVIDES SOME BACKGROUND INFORMATION ABOUT DAVID CARPENTER: “AFTER GRADUATING FROM LETHBRIDGE COLLEGIATE INSTITUTE, HE WENT STRAIGHT INTO ACCOUNTING, ARTICLING WITH A LOCAL FIRM. TAKING NIGHT CLASSES AND ATTENDING SUMMER SCHOOL IN CALGARY AND EDMONTON, CARPENTER GRADUATED AS A CHARTERED ACCOUNTANT AT 22. SIX MONTHS LATER AT 23 HE STARTED HIS OWN FIRM AND NOW HAS THREE PARTNERS.” AN ARTICLE PUBLISHED ON JANUARY 22, 1998 GIVES A FEW DETAILS ABOUT DAVID’S TRIP TO TAIWAN: “THE PARADE IS PART OF THE CEREMONIES MARKING THE ARRIVAL OF MATSU, GODDESS OF THE SEA.” HE VISITED TAIWAN FROM FEBRUARY 6-14, 1998. SEE PERMANENT FILE FOR COPIES OF THE ARTICLES FROM THE LETHBRIDGE HERALD. *UPDATE* IN 2018, COLLECTIONS ASSISTANT ELISE PUNDYK CONDUCTED A SURVEY OF BOXED TEXTILE ARTIFACTS AND ACCESSORIES, INCLUDING AN ALTER CLOTH AND A SASH DONATED BY DAVID CARPENTER. ON 8 MARCH 2018, PUNDYK INTERVIEWED CARPENTER REGARDING HIS DONATION OF 22 ARITFACTS RELATED TO HIS TRIPS TO TAIWAN AS THE MAYOR OF LETHBRIDGE. THE CITY OF LETHBRIDGE EMPLOYEE, WEI QUO, WHO ACTED AS TRANSLATOR DURING THESE TRIPS WAS ALSO A PART OF THE 8 MAY 2018 INTERVIEW. PLEASE SEE PERMANENT FILE FOR THE FULL INTERVIEW.
Catalogue Number
P20010099020
Acquisition Date
2002-03
Collection
Museum
Images
Less detail
Other Name
BEADED MAN'S
Date Range From
1900
Date Range To
1910
Material Type
Artifact
Materials
GLASS BEADS, BUCKSKIN
Catalogue Number
P19641155000
Material Type
Artifact
Other Name
BEADED MAN'S
Date Range From
1900
Date Range To
1910
Materials
GLASS BEADS, BUCKSKIN
No. Pieces
1
Description
SIZE 38 BEAD, BUCKSKIN, CLOTH LINED WITH COTTON, TRIMMED WITH BLACK VELVET AROUND EDGES, BACK FACED WITH BLACK VELVET COVERED WITH AN OPEN MESH DESIGN IN WHITE BEADS. GEOMETRIC PANELS IN BLUE, RED, GREEN, YELLOW BEADS ON BACK. FRONT PANELS COMPLETELY COVERED IN BEADWORK WITH GEOMETRIC & CURVO-LINEAR DESIGNS, FEATHERED HEAD-DRESS MALE PROFILE FIGURE ON EACH FRONT PANEL. FIGURE IS DONE IN RED, BLUE, WHITE, YELLOW, GREEN, PINK AND GILDED BEADS. BACKGROUND OF SOLID WHITE BEADS TRIMMED WITH GEOMETRIC DESIGN IN RED, GREEN AND GILDED BEADS. FLORAL DESIGN IN RED, BLUE AND GREEN ON EACH PANEL. SMALL PORTION OF BEADS MISSING AT BOTTOM FRONT ON LEFT SIDE AND UPPER LEFT BACK (SHOULDER AREA). CONSERVATION REPORT ON FILE.
Subjects
INDIGENOUS
CLOTHING-OUTERWEAR
Historical Association
ETHNOGRAPHIC
History
NORTHERN PLAINS CULTURE - BLACKFOOT. HANDMADE BY MRS. E. BOYCHIEF. *UPDATE* IN 2015 COLLECTIONS ASSISTANT JANE EDMUNDSON ASKED TWO FORMER MEMBERS OF THE LETHBRIDGE JUNIOR CHAMBER OF COMMERCE, PHIL EDMUNDSON AND PAUL RUSZNAK, ABOUT THE FIRST NATIONS ARTIFACTS THAT THE GROUP DONATED TO THE GALT MUSEUM IN 1964, 1969, AND 1973. NEITHER RECALLED HOW THE JAYCEES CAME INTO OWNERSHIP OF THE ARTIFACTS, AS THEIR ACQUISITION PREDATED BOTH EDMUNDSON AND RUSZNAK’S MEMBERSHIP IN THE CHAMBER. RESEARCH CONDUCTED INTO LETHBRIDGE’S GURNEY MUSEUM FOUND A CONNECTION BETWEEN ITS PROPRIETOR, WALTER GURNEY, AND THE JAYCEES, WHO ACCORDING TO AN ARTICLE FROM THE APRIL 16, 1946 ISSUE OF THE LETHBRIDGE HERALD ADVOCATED ON GURNEY’S BEHALF FOR IMPROVEMENTS TO BE MADE TO THE FORMER BOARD OF TRADE BUILDING WHERE THE MUSEUM WAS HOUSED. AN ARTICLE FROM THE JULY 13, 1948 ISSUE OF THE HERALD DESCRIBES SOME OF THE FIRST NATIONS ARTIFACTS ON DISPLAY IN THE MUSEUM: “TOMAHAWKS, ARROW HEADS, PEACE PIPES, BEAD AND LEATHER WORK, CLOTHING AND WOODCRAFT”. UPON THE CLOSURE OF THE MUSEUM AND SALE OF GURNEY’S COLLECTION TO BELMORE SCHULTZ OF THE ALTAMONT MUSEUM IN COUTTS, MENTION WAS MADE IN A HERALD ARTICLE FROM MAY 16, 1961 OF “HISTORICAL INDIAN RELICS THAT BELONG TO THE JUNIOR CHAMBER OF COMMERCE HAVE BEEN RETAINED IN THE CITY AND WILL BE AVAILABLE WHEN PROPER DISPLAY FACILITIES ARE AVAILABLE”. IT IS POSSIBLE THAT THE ARTIFACTS WERE TRANSFERRED TO THE JAYCEES BY GURNEY DURING THE DISSOLUTION OF HIS MUSEUM, BUT NO FURTHER CONFIRMATION WAS FOUND. FOR FURTHER INFORMATION ABOUT THE GURNEY MUSEUM AND ITS COLLECTION, SEE RECORD P19890044001.
UPDATE 16 AUGUST 2017: ON 25 JULY 2017, MUSEUM CURATOR AIMEE BENOIT FOUND EVIDENCE TO CONNECT THE INDIGENOUS COLLECTION DONATED BY THE LETHBRIDGE JAYCEES (AKA. JUNIOR CHAMBER OF COMMERCE) WITH FORMER LETHBRIDGE RESIDENTS THE LATE FRED BOTSFORD AND HIS LATE DAUGHTER DOROTHY CLARK. NOTES MADE BY AIMEE ON THE DISCOVERY AS WELL AS RELEVANT CLIPPINGS FROM THE LETHBRIDGE HERALD CAN BE FOUND ATTACHED TO THE PERMANENT FILE OF P19641140000.
Catalogue Number
P19641155000
Acquisition Date
1964-07
Collection
Museum
Less detail
Other Name
FLIGHT SUIT, “COMBAT FLYERS… SEPTEMBER 1992”
Material Type
Artifact
Materials
COTTON, METAL, PLASTIC
Catalogue Number
P20140043006
  1 image  
Material Type
Artifact
Other Name
FLIGHT SUIT, “COMBAT FLYERS… SEPTEMBER 1992”
Date
1992
Materials
COTTON, METAL, PLASTIC
No. Pieces
1
Length
146
Width
52
Description
BLUE COTTON COVERALLS WITH FRONT ZIPPER CLOSURE. ZIPPERED POCKETS AT CHEST, LEFT ARM, LEFT THIGH, AND BOTH CALVES. ANKLES HAVE ZIPPERED OPENINGS TO FACILITATE FOLDING UP OF THE PANT LEGS TO ATTACH TO BLACK PLASTIC CLIPS AT BOTH KNEES. VELCO CINCHING TABS AT WAIST. PRINTED LABEL INSIDE RIGHT CHEST READS “PGL CA 16276 - COVERALLS, COMBAT FLYERS BLUE – SALOPETLES D’AVIATEUR, BLEUES – 8415-21-907-9801 – 6742 – SEPTEMBER 1992”. OVERALL VERY GOOD CONDITION.
Subjects
CLOTHING-OUTERWEAR
Historical Association
POLITICS
MILITARY
History
THIS FLIGHT SUIT WAS DONATED AS PART OF THE PERSONAL EFFECTS COLLECTED BY SENATOR JOYCE FAIRBAIRN (PC, CM) OVER HER NEARLY THREE DECADES AS A LIBERAL SENATOR FOR THE PROVINCE OF ALBERTA. ON SEPTEMBER 21, 2015 COLLECTIONS ASSISTANT JANE EDMUNDSON INTERVIEWED FAIRBAIRN'S FORMER ASSISTANT, GLENN MILLER, ABOUT THE SUIT AND THE SENATOR'S INVOLVEMENT WITH THE LETHBRIDGE AIR SHOW. MILLER SAID: "THE FLIGHT SUIT CAME FROM THE AIR FORCE... SHE WORE IT DURING HER ROLE AS THE HONORARY AIR MARSHAL AT THE LETHBRIDGE AIR SHOW... FOR APPROXIMATELY 15 YEARS... [AS AIR MARSHAL] SHE BROUGHT GREETINGS FROM THE SENATE OF CANADA, AND SHE WAS ALSO INVOLVED IN VISITING WITH ALL THE PERFORMERS, AND WELCOMING THEM TO THE CITY OF LETHBRIDGE... SHE WOULD DO WHATEVER SHE COULD TO ASSIST THE AIR SHOW COMMITTEE IN ACHIEVING A SUCCESSFUL AIR SHOW... ONE PARTICULAR YEAR, THERE WAS VERY LITTLE CANADIAN CONTENT SCHEDULED TO BE THERE, AND SHE HAD MANAGED TO TRACK DOWN THE MINISTER OF DEFENSE OVERSEAS, AND WITHIN 24 HOURS THERE WAS A HERCULES, REPRESENTING CANADA, AT THE AIR SHOW... SHE WAS ABLE TO INFLUENCE HAVING AN AIRCRAFT AT THE AIR SHOW WHEN JUST DAYS BEFORE THEY WERE TOLD DEFINITIVELY THAT NO, THERE'D BE NONE... SHE WORE [THE SUIT] WITH GREAT PRIDE, EVERY YEAR." THE FOLLOWING BIOGRAPHY OF FAIRBAIRN WAS DEVELOPED BY GALT ARCHIVES INTERN KARISSA PATTON FOR THE 2013 EXHIBIT ‘GALT BABY TO SENATOR’: JOYCE FAIRBAIRN WAS BORN AT THE GALT HOSPITAL ON NOVEMBER 6, 1939. SHE GREW UP IN LETHBRIDGE WHERE SHE GOT HER FIRST EXPERIENCE AS A JOURNALIST AT THE LETHBRIDGE HERALD WHILE SHE WAS STILL IN HIGH SCHOOL. FAIRBAIRN EARNED A BACHELOR’S DEGREE IN ENGLISH FROM THE UNIVERSITY OF ALBERTA IN 1960. FAIRBAIRN THEN LEFT LETHBRIDGE TO ATTEND CARLETON UNIVERSITY IN OTTAWA, ONTARIO WHERE SHE EARNED A BACHELOR OF JOURNALISM IN 1961. AFTER GRADUATION, FAIRBAIRN BEGAN WORKING FOR THE HERALD’S OTTAWA BUREAU, THE OTTAWA JOURNAL, AND UNITED PRESS INTERNATIONAL IN THE PARLIAMENTARY PRESS GALLERY. FAIRBAIRN WAS KNOWN AS ONE OF THE FIRST “FEMALE NEWSMEN.” SHE WORKED AS A JOURNALIST IN OTTAWA FROM 1961-1970 AND WAS THE FIRST JOURNALIST TO REPORT ON THE NEW CANADIAN FLAG SELECTION AS WELL AS COVERED JACKIE KENNEDY AND PRESIDENT KENNEDY’S VISIT TO OTTAWA IN 1961. THE LETHBRIDGE HERALD PROUDLY CONTINUED TO PUBLISH HER WORK FROM 1965-1969. IN 1970 FAIRBAIRN BECAME THE LEGISLATIVE ASSISTANT AND, LATER, THE COMMUNICATIONS COORDINATOR FOR PRIME MINISTER PIERRE TRUDEAU. FAIRBAIRN WORKED WITH TRUDEAU UNTIL 1984 WHEN SHE WAS APPOINTED TO THE SENATE. SENATOR FAIRBAIRN QUICKLY BECAME KNOWN FOR ATTENDING SOUTHERN ALBERTAN MILESTONES, OPENINGS, CELEBRATIONS, AND EVEN THE OCCASIONAL CAKE DECORATING CONTEST. SENATOR FAIRBAIRN BECAME WELL KNOWN THROUGHOUT SOUTHERN ALBERTA BECAUSE, AS ONE CONSTITUENT COMMENTED, “SHE CARED ENOUGH TO COME”. SENATOR FAIRBAIRN ALSO BECAME INVOLVED WITH MANY ORGANIZATIONS AND CAUSES SUCH AS, THE PARALYMPICS, THE CALGARY STAMPEDE, BOOKS FOR BABIES, AND THE ALBERTA BIRDS OF PREY CENTRE. FAIRBAIRN WAS PRESENT FOR CELEBRATIONS IN SOUTHERN ALBERTA SUCH AS, LETHBRIDGE’S CENTENNIAL CELEBRATION, WHOOP UP DAYS, AND MANY UNIVERSITY OF LETHBRIDGE CONVOCATIONS. SENATOR FAIRBAIRN WAS ALSO AN ACTIVE MEMBER OF THE LETHBRIDGE THERAPEUTIC RIDING ASSOCIATION WHERE SHE ADOPTED A HORSE NAMED “DOOLEY”. IN 2008 THE LETHBRIDGE THERAPEUTIC RIDING ASSOCIATION HONOURED SENATOR FAIRBAIRN WITH A LIFETIME MEMBERSHIP. SENATOR FAIRBAIRN’S DEVOTION TO CANADA AND THE SOUTHERN ALBERTAN COMMUNITY WAS ALSO RECOGNIZED BY MANY OTHER ORGANIZATIONS. IN 1990 SHE WAS INAUGURATED INTO THE KAINAI CHIEFTAINSHIP, WHERE SHE RECEIVED THE NAME CHIEF MORNING BIRD WOMAN. FAIRBAIRN WAS ALSO MADE AN HONOURARY LIEUTENANT-COLONEL OF THE 18TH AIR DEFENSE REGIMENT, RCA. SHE WAS ALSO MADE A HONOURARY AIR MARSHAL AND FREQUENTLY ATTENDED THE INTERNATIONAL AIR SHOW AT LETHBRIDGE, ALBERTA. IN ADDITION, SHE WAS AWARDED WITH A HONOURARY DOCTORATE OF LAWS BY THE UNIVERSITY OF LETHBRIDGE IN 2004. WHILE FAIRBAIRN WAS KNOWN FOR BEING PRESENT IN THE SOUTHERN ALBERTAN COMMUNITY SHE WAS ALSO KNOWN FOR HER MANY ACCOMPLISHMENTS IN PARLIAMENT. HER CAREER AS SENATOR BEGAN AS THE VICE-CHAIR OF THE NATIONAL LIBERAL CAUCUS AND THE WESTERN AND NORTHERN LIBERAL CAUCUS UNTIL 1991 WHEN SHE WAS APPOINTED CO-CHAIR OF THE NATIONAL CAMPAIGN COMMITTEE. BY 1993 SENATOR FAIRBAIRN WAS APPOINTED TO PRIVY COUNCIL AS THE FIRST WOMAN TO HOLD THE POSITION OF LEADER OF GOVERNMENT. SHE ALSO BECAME THE FIRST MINISTER WITH SPECIAL RESPONSIBILITY FOR LITERACY. IN 1997 SHE WAS APPOINTED THE SPECIAL ADVISOR ON LITERACY TO THE MINISTER OF HUMAN RESOURCES DEVELOPMENT CANADA. IN ADDITION, SENATOR FAIRBAIRN WAS THE DRIVING FORCE BEHIND MAKING THE FAMOUS FIVE HONOURARY SENATORS AND ERECTING A HONOURARY STATUE CELEBRATING THE FAMOUS FIVE ON PARLIAMENT HILL. SENATOR JOYCE FAIRBAIRN RETIRED FROM THE SENATE ON JANUARY 18, 2013. SEE PERMANENT FILE FOR FURTHER INFORMATION.
Catalogue Number
P20140043006
Acquisition Date
2014-10
Collection
Museum
Images
Less detail
Material Type
Artifact
Materials
WOOL TWEED
Catalogue Number
P19840005000
  1 image  
Material Type
Artifact
Date
1963
Materials
WOOL TWEED
No. Pieces
1
Length
65
Width
55.5 (BOTTOM HEM)
Description
SIZE 12-14. STRAIGHT LINE SKIRT. BACK KICK PLEAT. SIDE PLASTIC ZIPPER CLOSURE. HAND WOVEN MATERIAL, MACHINE SEWN SKIRT. BROWN COLOR. YELLOW LINING ON INSIDE IS LOSING STITCHING.
Subjects
CLOTHING-OUTERWEAR
Historical Association
TRADES
PERSONAL CARE
History
REF: P19840004000-GA FOR COMPLETE DONOR HISTORY. SKIRT MATERIAL WOVEN BY DICKSONS & SEWN BY MRS. DICKSON. *UPDATE* IN 2017 COLLECTIONS ASSISTANT RUTHANN LABLANCE CONDUCTED A SURVEY OF CLOTHING, INCLUDING A SUIT AND SKIRT DONATED BY EVA A. DICKSON. THE FOLLOWING BIOGRAPHICAL INFORMATION WAS COMPILED USING ARTICLES FROM THE LETHBRIDGE HERALD. EVA ANN DICKSON (NEE MOFFATT) WAS THE YOUNGEST DAUGHTER OF WILLIAM MOFFAT, EX-MLA. SHE WAS MARRIED TO GEORGE ELFORD DICKSON, THE SON OF JAMES DICKSON, ON MAY 5, 1925. THE ANNOUNCEMENT FOR THEIR WEDDING GIVES THE FOLLOWING DETAILS: “THE MANY USEFUL AND COSTLY GIVES RECEIVED WERE A TESTITMONY OF THE VERY HIGH ESTEEM IN WHICH BOTH ARE HELD BY THEIR MANY FRIENDS IN AND AROUND CLARESHOLM, AND THEIR GREAT POPULARITY THROUGH OUT THE DISTRICT WHERE BOTH HAVE RESIDED FOR A NUMBER OF YEARS. THE GROOM IS A MEMBER OF THE STAFF OF THE INSPECTOR’S DEPARTMENT OF THE CANADIAN BANK OF COMMERCE AT CALGARY, BUT WAS FORMERLY ON THE STAFF OF THE LOCAL BRANCH OF THE BANK … THE BRIDGE, WHOSE PARENTS CAME HERE IN THE EARLIER DAYS OF THE TOWN AND DISTRICT, HAS GROWN UP IN THE COMMUNITY, AND HAS ENDEARED HERSELF TO A VERY LARGE CIRCLE OF FRIENDS IN CHURCH, SOCIAL, AND MUSICAL CIRCLES, AND HER PRESENCE WILL BE VERY GREATLY MISSED.” ON DECEMBER 2, 1946, AN ARTICLE ABOUT THE STAVELY UNITED CHURCH WOMEN’S ASSOCIATION APPEARED IN THE HERALD: “MRS. EVA DICKSON OF CLARESHOLM ATTENDED THE MEETING AND DISPLAYED ARTICLES SHE MAKES ON A LOOM. THESE INCLUDED LUNCHEON SETS, TOWELS, SCARVES, AND WOOLEN SUIT LENGTHS.” GEORGE ELFORD DICKSON PASSED AWAY AT THE AGE OF 83 ON JULY 1, 1983. EVA DICKSON PASSED AWAY IN 1991. SEE PERMANENT FILE FOR COPIES OF THE ARTICLES FROM THE LETHBRIDGE HERALD.
Catalogue Number
P19840005000
Acquisition Date
1984-03
Collection
Museum
Images
Less detail
Date Range From
1912
Date Range To
1915
Material Type
Artifact
Materials
LEATHER, BEAD, COTTON
Catalogue Number
P19780209000
  1 image  
Material Type
Artifact
Date Range From
1912
Date Range To
1915
Materials
LEATHER, BEAD, COTTON
No. Pieces
1
Length
76.2
Width
50.8
Description
PONCHO OR CAPE. THE TOP COMPLETED BEADED IN AN INTRICATE GEOMETRIC PATTERN USING MANY DIFFERENT COLOURED BEADS. LEATHER THONG FRINGES ALONG EDGES. BOTTOM HAS BEIGE COTTON LINING (BROWN WITH AGE). HOLE IN THE CENTRE WITH BLACK CLOTH LINING. FRINGE SEPARATING FROM LEATHER BODY; DRYING. SMALL HOLE IN BEADING.
Subjects
INDIGENOUS
CLOTHING-OUTERWEAR
ADORNMENT
Historical Association
ETHNOGRAPHIC
History
ACQUIRED FROM JOE HEALY A BLOOD TRIBE MEMBER BY DONOR'S HUSBAND HERBERT HUSBAND ABOUT 1912. SEE P197800207000-GA FOR HISTORY. ON 26 JANUARY 2011, GALT CURATOR WENDY AITKENS PROFILED THIS CAPE (P19780209000) AS PART OF HER CURATOR PRESENTS’ FAKES AND FORGERIES PROGRAM. AITKENS WAS INFORMED BY COLLECTIONS STAFF THAT THE CAPE WAS FEATURED IN A GALT-SUBMITTED, LETHBRIDGE LIVING MAGAZINE ARTICLE (ON FILE), AUTHORED BY FORMER GALT STAFF MEMBER DR. JANAY NUGENT IN 1999. MRS. PAULINE DEMPSEY, GRANDDAUGHTER OF JOE HEALY, RECALLED IN FEBRUARY 2011 THAT SHE CONTACTED DR. NUGENT AFTER THE ARTICLE’S PUBLICATION TO INFORM HER HAT SHE QUESTIONED THE ARTICLE-CLAIMED MAKER(S) OF THE CAPE, FEELING IT WAS NOT OF BLACKFOOT DESIGN. JOE HEALY, ACCORDING TO DEMPSEY, TRAVELLED EXTENSIVELY AND SHE THOUGHT IT WAS MORE LIKELY THAT THE CAPE WAS GIVEN TO HIM WHEN HE VISITED OTHER TRIBES. BIOGRAPHICAL INFORMATION ON DONORS META AND HERBERT HUSBAND, AS PROVIDED BY KOOTENAI BROWN PIONEER VILLAGE CURATOR FARLEY WUTH ON 17 FEBRUARY 2011, CAN BE FOUND IN THE PERMANENT FILE. *UPDATE* IN 2014 LOUISE-MARIE CROP EARED WOLF, A MEMBER OF THE KAINAI (BLOOD TRIBE), AND A FOURTH YEAR NATIVE AMERICAN STUDIES MAJOR AT THE UNIVERSITY OF LETHBRIDGE COMPLETED AN APPLIED STUDIES PROJECT WITH THE COLLECTIONS DEPARTMENT AT THE GALT MUSEUM. SHE PHOTOGRAPHED ETHNOGRAPHIC ARTIFACTS ASSOCIATED WITH FIRST NATIONS CULTURES IN SOUTHERN ALBERTA AND WROTE THE FOLLOWING TEXT TO PRESENT HER FOCUSED RESEARCH ON FOUR SPECIFIC ARTIFACTS (P19641186000, P19780209000, P19780208000, AND P19790235000): “I WANT TO DISPLAY THE KAINAI WOMEN BEADED ITEMS FROM THE GALT MUSEUM COLLECTIONS FOR THEIR ARTISTIC MERIT AND NOT JUST FOR THEIR ETHNOLOGICAL VALUE. THE FOUR ARTIFACTS SELECTED ARE REPRESENTATIVE OF FOUR GENERATIONS OF BEADERS: GRANDMOTHERS, MOTHERS, SISTER, AND DAUGHTERS. THE COLOURS ARE MEANINGFUL AND THE TRADITIONAL SYMBOLS ARE USED THROUGHOUT. THE ADHERENCE TO THE TRADITION, HOWEVER, DOES NOT SUPPRESS ARTISTIC EXPRESSION; THE BEADERS USE A FAIR DEGREE OF CREATIVITY IN THEIR CHOICE OF MATERIALS, SYMBOLS AND COLORS. THE ART OF BEADING IS NOT A “DYING ART” – IT IS THE ARTISTS, ARTISTIC EXPRESSION AND IT IS A “LIVING ART”. FOR GENERATIONS, KAINAI WOMEN BEADERS AND CLOTHING DESIGNERS HAVE BEEN MAKING CLOTHING FOR THE ENTIRE COMMUNITY. THE BEADED CLOTHING HONOURS THE FAMILY FROM ONE GENERATION TO THE NEXT IN A CONTINUOUS CIRCLE OF HONOURING. THE BEADED CLOTHING AND ACCESSORIES SUCH AS MOCCASINS, LEGGINGS, AND BELTS, COMMUNICATE THE IMPORTANCE OF THE FAMILY AND ILLUSTRATE HOW TRADITIONS ARE PASSED DOWN THROUGH GENERATIONS. THE BEADED WORK CONNECTS A BEADING ARTIST TO HER ANCESTORS. EVERY MOTIF, DESIGN, COLOUR OF SEED BEADS, STANDS FOR SOMETHING IMPORTANT TO THE ARTIST’S FAMILY, REFLECTING THE ARTIST’S SURROUNDINGS AND REINFORCING HER CULTURAL VALUES. LEARNING BY OBSERVATION, AN ARTIST PAYS RESPECT TO THE PAST, PRESENT, AND FUTURE KAINAI WOMEN BEADERS. THIS CAPE IS FULLY BEADED AND IS WORN OVER ELKS HIDE; DEER HIDE DRESS, OR CLOTH DRESS. TRADITIONAL GEOMETRIC AND NATURALISTIC MOTIFS ARE COMBINED INTO A DISTINCTIVE AND PERSONAL CREATIVE EXPRESSION. THIS TYPE OF CAPE IS WORN BY YOUNG GIRLS; THE PATTERNS AND SYMBOLS TELL STORIES THAT HONOUR HER COMMUNITY, HER FAMILY, AND HER ANCESTORS. THE END RESULT IS BOTH A CREATION OF UTILITARIAN AND AESTHETIC VALUE. THE BREAK IN PATTERN ON THE NAPE AREA IS DELIBERATE – THE UNIQUE SIGNATURE OF THE ARTIST WHO CREATED THE PIECE. THIS METHOD OF ‘AUTHENTICATING’ IS COMMONLY USED BY KAINAI BEADERS." *UPDATE* IN 2014 COLLECTIONS ASSISTANT JANE EDMUNDSON CONDUCTED A SURVEY OF ART OBJECTS, INCLUDING A PORTRAIT OF JOE HEALY, WHO WAS PURPORTEDLY THE ORIGINAL OWNER OF THIS CAPE. THE FOLLOWING BIOGRAPHY ON JOE HEALY WAS DEVELOPED WITH INFORMATION FROM THE GALT ARCHIVES AND 'THE AMAZING DEATH OF CALFSHIRT: THREE HUNDRED YEARS OF BLACKFOOT HISTORY' BY HUGH DEMPSEY: POTAI'NA "FLYING CHIEF' JOE HEALY (LATER CALLED WOLF MOCCASIN) WAS BORN IN 1854 ON THE MONTANA BLACKFEET RESERVATION, TO THE LEADER OF THE BLOOD TRIBE, MANY BRAIDS. MANY BRAIDS HAD BECOME FRIENDLY WITH JOHN J. HEALY, CO-OPERATOR OF THE SUN RIVER CROSSING TRADING POST WITH ALFRED B. HAMILTON. DURING A ROUTINE VISIT TO THE TRADING POST, THE BLOODS' CAMP WAS RAIDED AT NIGHT BY A BAND OF PEND D'OREILLE WARRIORS. MANY BRAIDS, HIS WIFE, BABY AND TEENAGE DAUGHTER WERE KILLED IN THE CONFLICT, WHICH WAS WITNESSED BY JOHN HEALY. BEFORE HE DIED, MANY BRAIDS ASKED JOHN HEALY TO TAKE CARE OF HIS SON, FLYING CHIEF, THE ONLY SURVIVING MEMBER OF THE FAMILY. JOHN HEALY GAVE THE EIGHT YEAR OLD BOY THE NAME JOE HEALY, AND KEPT HIM AT THE TRADING POST UNTIL THE SUMMER, WHEN HE WAS ENROLLED IN THE SCHOOL AT NEARBY FORT SHAW. THERE JOE DEVELOPED HIS KNOWLEDGE OF ENGLISH. IN 1869, WHILE JOE WAS IN SCHOOL, HEALY AND HAMILTON WENT NORTH AND OPENED A TRADING POST AT THE CONFLUENCE OF THE OLDMAN AND ST. MARY RIVERS; THIS POST WOULD BECOME KNOWN AS FORT WHOOP-UP AND WAS INFAMOUS FOR ITS CONTRIBUTIONS TO THE WHISKEY TRADE AND VIOLENCE IN THE AREA UNTIL THE ARRIVAL OF THE NORTH-WEST MOUNTED POLICE IN 1874. THREE YEARS LATER, DUE TO A DECLINE IN THE BUFFALO POPULATIONS AND THUS THE ROBE MARKET, HEALY CLOSED THE SUN RIVER CROSSING POST AND MOVED TO FORT BENTON. JOE WAS NOW SIXTEEN AND WAS COMPELLED TO RETURN TO HIS RELATIVES AMONG THE BLOODS. HE FOLLOWED THE LAST BUFFALO HERDS WITH BULL SHIELD, AND JOINED IN RELIGIOUS AND WARFARE ACTIVITIES OF THE TRIBE. WHEN THE BLOODS SETLLED ON THEIR RESERVE IN 1881, JOE WAS THE ONLY MEMBER OF THE TRIBE WHO WAS FLUENT IN BLACKFOOT AND ENGLISH. HE WAS AN OUTSPOKEN SUPPORTER OF RELIGIOUS TRADITIONS AND DEFIED ATTEMPTS BY THE GOVERNMENT TO SUPRESS DANCES AND FESTIVALS. HE MARRIED WIDE NOSTRILS, THE DAUGHTER OF IRON PIPE, AND THEY HAD SIX DAUGHTERS AND FOUR SONS. JOE WORKED AS AN OFFICIAL INTERPRETER FOR THE GOVERNMENT WHEN A NEW TREATY WAS MADE IN 1883, AND AS A SCOUT FOR THE RNWMP. IN LATER YEARS HE CO-ORDINATED FIRST NATIONS' PARTICIPATION IN THE LETHBRIDGE EXHIBITION AND STAMPEDE. JOE HEALY DIED AT ST. PAUL'S MISSION ON THE BLOOD RESERVE IN 1936 AS ONE OF THE MOST RESPECTED PATRIARCHS OF THE BLOOD TRIBE.
Catalogue Number
P19780209000
Acquisition Date
1978-07
Collection
Museum
Images
Less detail
Material Type
Artifact
Materials
WOOL, NYLON, COTTON
Catalogue Number
P20170027000
  2 images  
Material Type
Artifact
Date
1971
Materials
WOOL, NYLON, COTTON
No. Pieces
1
Length
98
Width
59
Description
RED WOOL COAT WITH BROWN EDGING AT CUFFS AND ON TWO FRONT POCKETS; COAT HAS RED ZIPPER RUNNING DOWN FRONT; COAT HAS BROWN STITCHED DETAILING ON FRONT WITH A FLOWER WITH STEM ON BOTH SIDES OF ZIPPER, AND SINGLE BROWN HUMMINGBIRDS ON BOTH FRONT POCKETS. POCKETS HAVE WHITE COTTON LINING INSIDE. COAT HOOD HAS BLACK-TIPPED, BROWN FUR TRIM. INSIDE COAT SLEEVES IS WHITE ELASTIC LINING. INSIDE COAT IS RED LINING. BACK OF JACKET HAS THREE PANELS WITH BROWN STITCHED DETAILING, ON FIRST AND THIRD PANELS ARE SINGLE BEAVERS AND ON SECOND PANEL IS TREE STUMP. SEWN INSIDE COAT ON BACK IS BLACK TAG WITH YELLOW EBROIDERED TEXT “ORIGINAL CREE INDIAN GARMENT HANDCRAFTED BY THE BEAVER LAKE INDIAN BAND OF ALBERTA, AMISK”, WHITE TAG WITH BLACK BILUNGUAL ENGLISH/FRENCH TEXT “BEAVER LAKE FASHIONS & SPORTSWEAR, BOX 1207 LAC LA BICHE, ALBERTA, T0A 2C0, STYLE 2053, SIZE L, SHELL 100% PRIME NEW ZEALAND PURE VIRGIN WOOL, LINING, FACE: NYLON, QUILL: NEW FORTEL, MADE IN CANADA, DRY CLEAN ONLY”, AND WHITE TAG WITH BLACK TEXT UNDER FIRST WHITE TAG “NOT TO BE REMOVED UNTIL SOLD BY RETAIL AND DELIVERED, THIS LABEL IS AFFIXED IN COMPLIANCE WITH THE REGULATIONS UNDER THE PUBLIC HEALTH ACT OF CANADA, THIS ARTICLE CONTAINS NEW MATERIALS ONLY”. COAT HAS FRAYING THREADS INSIDE SLEEVES, INSIDE LOWER TRIM, AND INSIDE AT COLLAR; ZIPPER PULL HAS PAINT CHIPPED SHOWING SILVER METAL UNDER RED; COAT HAS LINING SEPARATED FROM OUTER SHELL ON THE INSIDE; OVERALL VERY GOOD CONDITION.
Subjects
CLOTHING-OUTERWEAR
INDIGENOUS
Historical Association
PERSONAL CARE
History
ON AUGUST 22, 2017, COLLECTIONS TECHNICIAN KEVIN MACLEAN INTERVIEWED RAYMOND AND INGRID SPEAKER REGARDING THEIR DONATION OF A CREE-MADE WOOL COAT. SPEAKER WAS RAISED IN SOUTHERN ALBERTA AND WAS ELECTED A MINISTER IN THE ALBERTA GOVERNMENT IN 1963 WITH THE SOCIAL CREDIT PARTY. SPEAKER WAS INVOLVED WITH THE FORMATION OF THE WHITE PAPER ON HUMAN RESOURCE DEVELOPMENT IN 1967. RAYMOND SPEAKER PROVIDED BACKGROUND ON THE COAT IN HIS POSSESSION, NOTING, “ONE OF [THE] PROJECTS [I WORKED ON AS A MINISTER] WAS TO HAVE A NATIVE PROJECT THAT PRODUCED THESE JACKETS…AFTER THAT, I BOUGHT ONE FOR MY WIFE, AND ONE FOR MYSELF FOR, I THINK, $100.00 EACH [IN 1971].” “I‘D HAVE TO SAY WE DIDN’T [WEAR THE COATS ANNUALLY], AND NOT BECAUSE OF ANY REASON. JUST BECAUSE YOU HAD ONE JACKET THAT YOU USUALLY PICKED UP OUT OF THE CLOSET AND, ON THE FARM, YOU HAVE THIS ONE THAT YOU GO OUTSIDE, AND MUCK AROUND IN, AND GET DIRTY. IF THEY HAD BEEN HANGING IN THE RIGHT PLACE [WE MIGHT HAVE WORN THEM MORE]…WE KEPT THEM IN THE CAR” INGRID STATED, “THEY ARE VERY WARM. YOU ALMOST NEED 20- 30 BELOW WEATHER, SO WHEN WE WERE TRAVELING, MANY A TIME, WE TOOK THEM WITH US, KNOWING THEY WOULD SEE US THROUGH VERY COLD WEATHER…THEY ARE ALSO A BIT HEAVY, SO FOR SHOPPING YOU’D PROBABLY HAVE SOMETHING ELSE WITH YOU. THEY’RE VERY WARM.” “WE WORE THEM [TO GREY CUP GAMES] AND JUST ABOUT FROZE. WHEN IT WAS BITTERLY COLD, AT THAT GREY CUP GAME, WE WORE THEM. WE WORE THEM TO A HOCKEY GAME IN CALGARY. WHENEVER YOU WERE TOUGH TRAVELING, KNOWING THERE WAS A TWO HOUR TRIP TO THE FARM, YOU ALWAYS FELT SAFE WITH THIS.” RAYMOND ADDED, “A FELLOW BY THE NAME OF NEIL GILLIETTE BROUGHT THEM TO MY OFFICE IN EDMONTON, WHEN I WAS THE MINISTER, SO I PAID HIM THE CHEQUE BECAUSE I HAD SEEN THEM WHEN I HAD TRAVELED INTO THE NORTH. I HAD SEEN THEM AT THAT TIME, AND I SAID, “OH, MAN, I’D SURE LIKE TO HAVE THOSE COATS.”…WE DIDN’T BUY THEM DIRECTLY…FROM THE FACTORY.” “THE REASON I HAD IT…WAS THAT I FELT THAT, IF SOMEBODY CHALLENGED ME ABOUT SOME OF THE NATIVE PROJECTS WE DID, I COULD SAY, “LOOK, HERE’S A PROJECT THAT HAPPENED, THAT WORKED. WE DID IT. WE TRIED TO MEET ALL THE OBJECTIVES OF SELF-DETERMINATION, SELF-MANAGEMENT, FULLY-FUNDED PROJECT THAT SHOULD HAVE WORKED. IT WORKED FOR A WHILE, BUT, ALL-OF-A-SUDDEN, IT DIDN’T.” RAYMOND SPEAKER ELABORATED ON HIS TIME AS AN ALBERTA GOVERNMENT MINISTER AND THE PROJECTS THAT LED TO THE CREATION OF THE COAT, “I WAS ASSOCIATED WITH PRESTON MANNING, WHO WAS THE SON OF THE PREMIER OF THE PROVINCE. AT THE TIME, HE AND I WERE AT UNIVERSITY TOGETHER, AND TALKED A LOT ABOUT GOVERNMENT AND WHAT FORMATS GOVERNMENT SHOULD TAKE, NOT ONLY PROVINCIALLY BUT FEDERALLY. IN 1967, BETWEEN PRESTON, HIS DAD, AND MYSELF, AND ONE OTHER RESEARCHER, ERIC SCHMIDT, WE DECIDED THAT THE SOCIAL CREDIT GOVERNMENT SHOULD HAVE A NEW OBJECTIVE, AND BE DEFINED IN A BETTER AND CLEARER WAY THAN IT WAS. [THE PARTY] NEEDED TO BE RE-VITALIZED IN TERMS OF ITS OBJECTIVE. WORKING TOGETHER WITH THESE FOUR PARTICIPANTS, WE CAME UP WITH A WHITE PAPER, CALLED THE WHITE PAPER ON HUMAN RESOURCE DEVELOPMENT, IN MARCH OF 1967, AND PRESENTED IT TO THE ALBERTA LEGISLATURE. THERE WAS ECONOMIC GROWTH IN THE PROVINCE. AT THE SAME TIME, THE PEOPLE OF THE PROVINCE NEEDED A CERTAIN AMOUNT OF ATTENTION IN TERMS OF SOCIAL GROWTH, AND SO WE SAID TO OURSELVES, THERE MUST BE SOME WAY OF INTEGRATING ECONOMIC GROWTH WITH SOCIAL DEVELOPMENT. THE WHITE PAPER DOES THAT. IT TALKS ABOUT IF YOU CAN GROW THE ECONOMY OF THE PROVINCE, YOU SHOULD ALSO PARALLEL THAT WITH SOCIAL DEVELOPMENT GROWTH. IN THE WHITE PAPER, WE SET OUT THAT OBJECTIVE, IN 1967. AFTER THE LEGISLATURE ACCEPTED THE PAPER, THEN WE HAD TO DEVELOP IT. I WAS APPOINTED, SHORTLY AFTER THAT, THE MINISTER OF SOCIAL DEVELOPMENT, AND ONE OF MY RESPONSIBILITIES WAS TO DEVELOP THE CONCEPTS OF THE WHITE PAPER. IN ORDER TO BRING TOGETHER ECONOMIC DEVELOPMENT AND SOCIAL DEVELOPMENT, WE SET UP A BODY CALLED THE HUMAN RESOURCE DEVELOPMENT AUTHORITY, AND IT HAD HUGE POWERS TO CHANGE THE FUNCTIONS OF THE DIFFERENT DEPARTMENTS OF GOVERNMENT, REORGANIZE THE BUDGETING OF THE GOVERNMENT, AS A WHOLE, TO FOCUS ON THIS NEW OBJECTIVE. I WAS THE CHAIRMAN OF THAT HUMAN RESOURCE DEVELOPMENT AUTHORITY.” “ONE OF THE PROGRAMS THAT WE ESTABLISHED…WAS TO WORK AND COOPERATE WITH THE FEDERAL GOVERNMENT. THE FEDERAL GOVERNMENT HAD SET UP WHAT WAS CALLED SPECIAL AREAS ACROSS CANADA THAT THEY FELT NEEDED EXTRA FOCUS, FOR SOCIAL AND ECONOMIC DEVELOPMENT. ALBERTA, BECAUSE IT HAD ECONOMIC GROWTH AT THE TIME, WAS JUST ABOUT LEFT OUT OF THE FORMULA. THE BLOOD RESERVE WAS A BENEFACTOR OF THAT SPECIAL AREAS.” “THE OTHER PROGRAM WAS SOCIAL AND ECONOMIC DEVELOPMENT IN NORTHERN ALBERTA. THERE [WERE] A LOT OF METIS SETTLEMENTS, ABORIGINAL SETTLEMENTS – ALSO SOME NEW HOMESTEAD SETTLEMENTS – THAT NEEDED SPECIAL ATTENTION. WHAT I DID, AS THE CHAIRMAN OF THE HUMAN RESOURCE DEVELOPMENT AUTHORITY, ESTABLISHED COMMUNITY DEVELOPMENT OFFICERS, TO GO INTO THESE DIFFERENT AREAS. ONE OF THESE AREAS THAT HAD A COMMUNITY DEVELOPMENT OFFICER WAS THE COMMUNITY OF SLAVE LAKE…THESE COMMUNITY DEVELOPMENT OFFICERS WERE TO TRY AND FOCUS THIS SOCIAL AND ECONOMIC DEVELOPMENT OF THE WHITE PAPER THAT WE HAD PRESENTED.” “I HAD HEARD THAT THE [FEDERAL] MINISTER, THE HONORABLE MR. MARCHAND, MIGHT BE OPEN TO A LITTLE SPECIAL AREA IN NORTHERN ALBERTA. WE HALF-SUGGESTED TO HIM, VERBALLY, ON THE PHONE, “WHAT DO YOU THINK ABOUT SLAVE LAKE?” HE THOUGHT IT WAS NOT A BAD IDEA. I SAID TO MY STAFF IN SLAVE LAKE, “LET’S PUT TOGETHER A PROPOSAL, AND GO TO OTTAWA, AND PRESENT IT TO MR. MARCHAND.” WE PUT THE PROPOSAL TOGETHER, BUT WE ALSO FOUND OUT THAT [MANCHARD’S] DEPUTY MINISTER…WAS ANTI-ALBERTA. HE’D WORKED IN ALBERTA; HE DIDN’T LIKE ALBERTA VERY MUCH, AND HE WASN’T IN FAVOR OF ANY SPECIAL AREA FOR THE NORTHERN PART OF OUR PROVINCE. I THOUGHT WE’VE GOT TO GET AROUND [HIM]…HAVE A MEETING WITH THE MINISTER, WITHOUT THE DEPUTY MINISTER. I ARRANGED FOR THE MEETING AT 9 O’CLOCK IN OTTAWA. I GOT ON THE PLANE AT MIDNIGHT, FLEW DOWN [TO OTTAWA] WITH TWO OF MY STAFF, WALKED OFF THE AIRPLANE, [AND] DRAGGED ME INTO HIS OFFICE. I SAID TO HIM, "WE’RE HERE. WE WANT TO TALK ABOUT A SPECIAL AREA, ESPECIALLY SLAVE LAKE. WOULD YOU BE INTERESTED?” “[HE SAID] “OH, RAY, I WOULD LOVE TO DO THAT.” I SAID, “IF WE HAD A PROPOSAL, WOULD YOU ACCEPT IT, AND COULD WE MOVE ON IT, AND WOULD YOU BE BEHIND IT?” [MANCHARD SAID] “RAY, I’D ENDORSE IT RIGHT NOW, IF YOU HAD A PROPOSAL.” I OPENED MY BRIEFCASE, AND PUT IT ON THE TABLE. I SAID, “HERE’S THE FIRST ONE.” IT WAS FOR $4,000,000, SO THEN WE STARTED COMMUNITY DEVELOPMENT, SOCIAL DEVELOPMENT, ECONOMIC DEVELOPMENT IN THE SLAVE LAKE AREA, WITH THIS $4,000,000 PROJECT. ONE OF THE ITEMS WAS METIS/ABORIGINAL…ASSISTING THEM IN DEVELOPING A BUSINESS CLIMATE TOWARD SELF-SUFFICIENCY.” “WE WERE MOST LIKELY ONE OF THE FIRST PROJECTS THAT WERE IMPLEMENTED IN CANADA. WE HAD THE AUTHORITY TO SPEND THE MONEY AS WE SAW FIT. THERE WAS VERY LITTLE INTERVENTION FROM THE FEDERAL GOVERNMENT. THEY LET US DO WHAT WE WANTED TO DO, SO ONE OF THE RESULTS OF THAT WAS THIS MANUFACTURING OF JACKETS BY ABORIGINAL LADIES.” “THE OTHER PART OF [THIS PROGRAM]…THERE WAS A SPECIAL AREA HERE IN THE SOUTHERN PART OF THE PROVINCE. THE OTHER PROJECT WE PUT TOGETHER WITH JEAN CHRETIEN WAS A PROJECT ON THE BLOOD RESERVE. WE SET UP KAINAI INDUSTRIES. THIS WAS THE BUILDING OF HOMES, AND WE BUILT A WHOLE BUNCH OF HOMES. WE HAD TRUDEAU, THE OLDER FATHER, COME OUT AND CUT THE RIBBON, AND WE BUILT THE FACTORY. THE FEDERAL [GOVERNMENT PUT IN] ONLY ABOUT $100,000 INTO IT, BUT THE FEDERAL GOVERNMENT BUILT THE FACTORY. THEY PUT A SUM OF MONEY IN THE BANK TO OPERATE IT, AND DID ON-SITE TRAINING FOR THE NATIVE PEOPLE TO RUN THE THING. WE HAD THE FOX BROTHERS RUN IT TO BEGIN WITH…THAT WAS ONE OF THE OTHER SPIN-OFFS OF THIS SPECIAL AREA OF CANADA THAT I WAS INVOLVED IN. IT WAS ANOTHER WAY THAT WE FELT WE COULD DO SOCIAL DEVELOPMENT WITH THE ABORIGINAL PEOPLE.” “THERE WAS A MARKET PLACE FOR THE JACKETS. THERE WAS A MARKET PLACE FOR PRE-BUILT HOMES. KAINAI INDUSTRIES SOLD THOUSANDS OF HOMES IN SOUTHERN ALBERTA. THEY WERE GOOD CONSTRUCTION, GOOD QUALITY HOMES.” “THE FIRST ASSIGNMENT, WHEN I GOT ELECTED IN 1963, [WAS] I MET WITH MR. MANNING, AND HE SAID, ‘I NEED HELP – SOMEBODY TO DO NORTHERN DEVELOPMENT – HELP WITH THE METIS SETTLEMENTS, WITH THE ABORIGINAL SETTLEMENTS, AND WITH THE NEW FARMERS. THERE’S A WHOLE AREA. WE’VE PUT HOMESTEADERS INTO NEW AREAS, AND THEY’RE ALL HAVING TROUBLE. WHAT I’D LIKE YOU TO DO IS GO OUT AND SEE WHAT YOU CAN DO –GO OUT AND VISIT THESE COMMUNITIES.”” “HERE WAS A FARM KID – NEVER HAD THAT EXPERIENCE BEFORE – HAD NO IDEA WHAT WAS NORTH OF EDMONTON. I THOUGHT IT WAS ALL BUSH…ALL OF A SUDDEN, I WAS MEETING ALL THESE GREAT PEOPLE THAT HAD NEEDS, AND WERE TRYING TO ACHIEVE, IN VERY DIFFICULT CIRCUMSTANCES. BECAUSE I…HAD MET PEOPLE ON ALL OF THE METIS SETTLEMENTS, GOT TO KNOW PEOPLE BECAUSE OF THAT, MET A BUNCH OF ABORIGINAL PEOPLE AND GOT TO KNOW THE COMMUNITIES OF THE NORTH, THEN WHEN I WAS APPOINTED MINISTER OF SOCIAL DEVELOPMENT, AND THE CHAIRMAN OF THE HUMAN RESOURCE DEVELOPMENT AUTHORITY, I HAD BACKGROUND. I AUTOMATICALLY FELL INTO IT. RATHER THAN DOING SOUTHERN ALBERTA DEVELOPMENT, I WAS DOING NORTHERN ALBERTA DEVELOPMENT, AND ENJOYED IT VERY MUCH. IT WAS A GREAT EXPERIENCE, WONDERFUL PEOPLE…WITH GREAT AMBITIONS, AND THEY NEEDED OUR HELP. THAT’S WHY I GOT INVOLVED IN IT.” WHEN ASKED ABOUT THE MOTIVATION FOR DONATING THE COAT, RAYMOND SPEAKER STATED, “WE’RE MAKING A MAJOR MOVE FROM OUR HOMESTEAD FARM…[IT] WAS HOMESTEADED BY MY GRANDFATHER IN 1908…MY FATHER TOOK OVER THE FARM IN 1925, AND I TOOK OVER THE FARM IN 1975. NOW WE’RE MOVING TO LETHBRIDGE – BUILDING A HOME IN CHINOOK HEIGHTS IN LETHBRIDGE, SO WE’RE TRYING TO DEAL WITH ISSUES AND STORAGE THINGS THAT WE HAVE ON THE FARM, THAT HAVE ACCUMULATED OVER THE LAST 50 SOME YEARS. THE JACKETS ARE PART OF THAT ACCUMULATION.” “WE’RE AT THE STAGE WHERE WE’VE GOT TO CUT SOME TIES. WE’RE SAYING, “HOW DO YOU LEAVE THE FARM? AND HERITAGE? AND WALK AWAY FROM IT. YOUR KIDS ARE BUSY IN CALGARY; BUSY IN GRANDE PRAIRIE. WHAT HAPPENS TO IT?” WE’RE AT THAT AGE WHEN YOU’VE GOT TO START CUTTING THE TIES, AND THE HISTORICAL THINGS….I’VE LOOKED OVER [AND] I BROUGHT HOME ABOUT 40 OR 50 BOXES OF THINGS, DURING THIS PERIOD OF TIME, THAT WE STORED IN OUR HOME…AND I’M DOWN TO 5 BOXES. I BURNED THE REST, AND I LOOKED AT IT YESTERDAY, AND I THOUGHT THAT, EVERY TIME I LOOK AT A PIECE OF PAPER, OR LOOK AT SOMETHING, EVERY ONE’S GOT A STORY – EVERY PIECE OF PAPER, OF THINGS THAT HAPPENED, AND PEOPLE THAT DID IT. WE THINK NOW, I GUESS IT’S OVER – IT’S FORGOTTEN – WHO CARES? IT’S NICE THAT YOU CARE, SO THAT’S WHY WE’RE HERE. SOMEBODY CARES A LITTLE BIT ABOUT IT.” FOR MORE INFORMATION INCLUDING FULL INTERVIEW TRANSCRIPTION AND LETHBRIDGE HERALD ARTICLES, PLEASE SEE THE PERMANENT FILE P20170027000-GA.
Catalogue Number
P20170027000
Acquisition Date
2017-08
Collection
Museum
Images
Less detail
Other Name
PNEUMONIA VEST, “GALT SCHOOL OF NURSING”
Date Range From
1930
Date Range To
1960
Material Type
Artifact
Materials
FLANNEL
Catalogue Number
P20140006033
  2 images  
Material Type
Artifact
Other Name
PNEUMONIA VEST, “GALT SCHOOL OF NURSING”
Date Range From
1930
Date Range To
1960
Materials
FLANNEL
No. Pieces
1
Height
1.5
Length
42
Width
48.5
Description
WHITE COTTON FLANNEL VEST, OPEN AT LEFT SIDE AND LEFT SHOULDER. WHITE COTTON TWILL TIES AT OPEN SIDE AND SHOULDER FOR CLOSURE. BOTTOM HEMMED WITH BLUE THREAD. STAMP AT BOTTOM LEFT CORNER READS “GALT SCHOOL OF NURSING” IN BLACK INK. MINOR STAINING AND YELLOWING ALONG UNDERARM SEAMS; OVERALL VERY GOOD CONDITION.
Subjects
CLOTHING-OUTERWEAR
MEDICAL & DENTAL T&E
Historical Association
HEALTH SERVICES
EDUCATION
History
AT THE TIME OF DONATION, GALT SCHOOL OF NURSING ALUMNAE ASSOCIATION PAST ARCHIVIST ELAINE HAMILTON IDENTIFIED THIS VEST AS A “PNEUMONIA VEST USED WHEN PATIENT WENT TO THE O.R. [OPERATING ROOM]. PATIENT ALSO WORE A GOWN OVER THIS AND FLANNEL BOOTS THAT TIED AT OR ABOVE THE KNEE. [THIS VEST WAS] POSSIBLY USED AT THE GALT [HOSPITAL]. IN 1955 WHEN I ENTERED TRAINING AT THE MUNICIPAL HOSPITAL WE DRESSED PATIENTS THIS WAY TO GO TO THE O.R.” IN SUMMER 2014, COLLECTIONS TECHNICIAN KEVIN MACLEAN INTERVIEWED THE PAST ARCHIVISTS OF THE GALT SCHOOL OF NURSING COLLECTION, SHIRLEY HIGA, ELAINE HAMILTON, AND SUE KYLLO, ABOUT THEIR INVOLVEMENT WITH THE GSN ALUMNAE ASSOCIATION AND THE HISTORY OF THE COLLECTED ARTIFACTS. HIGA, THE EARLIEST GSN COLLECTION ARCHIVIST, SAID: “I TRAINED MOSTLY AT THE GALT. THE STUDENTS, WE ALL KNEW EACH OTHER, HELPED EACH OTHER BECAUSE THERE WERE MOSTLY STUDENTS THERE: ONE REGISTERED NURSE FROM 7AM TO 7PM. THE REST WERE ALL US STUDENTS THAT RAN THE HOSPITAL SO, BUT WE WERE REALLY GOOD FRIENDS AND WE HELPED EACH OTHER… WE HAD SUCH GOOD RAPPORT BETWEEN THE STUDENTS IN MY CLASS… I JOINED [THE ALUMNAE] WHEN I GRADUATED IN 1955… I WAS INTERESTED IN HOW EVERYBODY TURNED OUT, AND THE ALUMNAE SORT OF KEPT IN CONTACT WITH THEM, AND IT WAS QUITE IMPORTANT TO ME. I FELT QUITE HAPPY TO HEAR ABOUT ALL THE OTHER [NURSES]… IT’S NICE WHEN THEY CAME FOR THE REUNIONS. YOU SEE ALL THESE GIRLS YOU WORKED WITH, MAYBE ONLY FOR A LITTLE WHILE, BUT YOU REMEMBER THEM… I REALLY DIDN’T WANT TO BE THE ARCHIVIST, BUT WE DON’T HAVE TOO MANY PEOPLE THAT OFFER TO DO THINGS… I WAS INTERESTED IN ALL THE HISTORY AND ALL THE THINGS THAT THE GIRLS THOUGHT ABOUT IT… [THE ARCHIVIST WAS TO] KEEP TRACK OF ALL THE HISTORY AND THE PEOPLE THAT WERE INVOLVED, AND KEEP TRACK OF THE STUFF WE COLLECT[ED]… [THE COLLECTION IS IMPORTANT TO ME BECAUSE] I LIKE EVERYBODY TO KNOW ABOUT THE GALT AND HOW WE TRAINED AND HOW IT PROGRESSED… AS YOU GET OLDER YOU KIND OF HAVE MEMORIES THAT YOU WOULD LIKE TO KEEP, AND YOU KNOW YOU THINK ABOUT THOSE THINGS… [WHEN] YOU LOOK AT [THE OBJECTS] YOU REMEMBER.” ELAINE HAMILTON BECAME THE GSN COLLECTION ARCHIVIST IN THE LATE 1980S AFTER SHIRLEY HIGA STEPPED DOWN. OF THE ALUMNAE ASSOCIATION, HAMILTON SAID: “I THINK THE RETIRED NURSES DECIDED THAT THEY SHOULD FORM A GROUP TO HELP THE STUDENTS… I WASN’T THERE BUT IT WAS ’45 WHEN THEY FORMED, AND THEY DID THINGS FOR THE NURSES STUDENTS LIKE, THEY BOUGHT FURNITURE [FOR STUDENT RESIDENCES]… THEY DID A WHOLE BUNCH OF BAKE SALES AND CRAFT SALES; THEY WORKED AT THE BULL SALE OUT AT THE EXHIBITION GROUNDS. THEY DID A LOT OF THINGS LIKE THAT TO RAISE MONEY FOR LITTLE THINGS THAT COULDN’T BE BOUGHT OTHERWISE, LIKE THE PATIENT COMFORT, LIKE PATIENTS WOULD COME IN WITHOUT TOOTHBRUSHES AND COMBS… THEY HAD A BANQUET [FOR NURSING STUDENTS], AND THEY HAD A TEA WITH OUR PARENTS TOO, FOR US IN THE RESIDENCE… FOR ME, THE MOST IMPORTANT THING WAS THE BANQUETS, AND HAVING MY CLASSMATES COME EVERY FIVE YEARS, BECAUSE THEY ARE LIKE SISTERS TO ME… OF COURSE I LIKE HISTORY AND ARCHIVES TOO SO [THE COLLECTION] IS KIND OF IMPORTANT TO ME TOO… WE LIVED TOGETHER, AND ATE TOGETHER, AND CRIED TOGETHER AND DID EVERYTHING TOGETHER FOR THREE YEARS, BECAUSE WE LIVED RIGHT IN A RESIDENCE. SO, WE BECAME VERY CLOSE… AND IF YOU WORK IN THE ALUMNI, YOU BECOME KIND OF LIKE A LITTLE FAMILY TOO BECAUSE THERE’S NOT THAT MANY OF US THAT GO TO OUR MEETINGS, SO WHEN WE GET TOGETHER, IT’S KIND OF NICE TO SHARE WHAT’S BEEN GOING ON… IT’S A FELLOWSHIP.” OF THE GSN COLLECTION, HAMILTON SAID: “IT’S AN ACCUMULATION OF ARTIFACTS FROM THE HOSPITALS AND FROM OUR TRAINING DAYS. AND, IT’S PART OF THE HISTORY OF LETHBRIDGE IN A WAY, BECAUSE THE SCHOOL WAS HERE FOR QUITE A WHILE… I’M A CARE GIVER AND I LIKE TO LOOK AFTER STUFF. SO, IT WAS IMPORTANT TO ME THAT IT GOT CARED FOR… I THINK WITH THE CLOSING [OF THE GALT SCHOOL OF NURSING, IN 1979] WE GOT ALL THE CHARTS, AND WE ALREADY HAD THINGS FROM THE GALT HOSPITAL IN OUR STUFF THAT PROBABLY SOMEBODY [BEFORE HIGA] ACCEPTED… WHEN WE WENT INTO THE MUNICIPAL HOSPITAL [IN 1955] IT WAS ALL BRAND NEW, STAINLESS STEEL, SO THERE WAS NONE OF THE ENAMEL STUFF, AND THEN WHEN THE MUNICIPAL CLOSED [IN 1988], THE OPERATING ROOM GAVE US A LOT OF THINGS. THERE WERE A LOT OF DONATIONS THEN FROM DIFFERENT SPOTS BECAUSE THEY DIDN’T WANT TO MOVE STUFF SINCE IT WAS OLD… WE GOT A PLACE [FOR STORING THE COLLECTION IN THE REGIONAL HOSPITAL], ACTUALLY ABOVE THE WASHERS IN THE LAUNDRY FIRST. BUT IT WAS PRETTY MOIST UP THERE. AND THEN THEY GAVE US A ROOM IN THE SEWING ROOM, WHICH WAS VERY NICE, OUR OWN SEPARATE LITTLE ROOM THERE FOR OUR STORAGE… WE HAD THINGS UP ON A SHELF AND WE HAD A TRUNK IN THERE, AND… WE HAD ALL THE LETTERS FROM THE RESIDENCE… WE HAD A DISPLAY CASE THAT THEY BUILT AT THE REGIONAL [IN THE HOSPITAL ATRIUM] AND WE HAD STUFF IN THERE, AND WE’D MOVE IT AROUND… HAVING THE DISPLAY CASE WAS IMPORTANT TO ME, AND CHANGING THE UNIFORM ON [THE DISPLAY MANNEQUIN] EVERY ONCE IN A WHILE, AND HAVING HER IN DIFFERENT OUTFITS… I ALWAYS HAD IT ALL TIDY FOR A REUNION… I WOULD CHANGE THE UNIFORM FOR THEM, DEPENDING ON WHAT CLASS WAS HAVING THEIR REUNION.” SUE KYLLO BECAME THE GSN COLLECTION ARCHIVIST IN 2010 AFTER ELAINE HAMILTON STEPPED DOWN. OF THE ALUMNAE ASSOCIATION, KYLLO SAID: “[I ATTENDED THE GALT SCHOOL OF NURSING] FROM ’66 TO ’69, AND I JOINED IN 1976 AFTER I CAME BACK TO LETHBRIDGE. I HAD TWO LITTLE KIDS AND I WANTED TO GET OUT AND MEET PEOPLE AND THE ALUMNI GAVE ME THAT… I WANTED TO STAY IN TOUCH WITH MY NURSING FRIENDS AND SEE IF I CAN HELP OUT IN SOME WAY… THE ALUMNI IS THE WAY TO GO TO KEEP OUR NURSING MEMORIES ALIVE AND I WANT TO DO THAT. SO NOW IT’S IMPORTANT TO ME WAY MORE THAN WHEN I WAS A YOUNG MOTHER THAT WANTED TO GET OUT… IT MEANS COMPANIONSHIP [AND] TO HELP EACH OTHER.” OF THE GSN COLLECTION, KYLLO SAID: “I DON’T KNOW HOW IT GOT STARTED. I WOULD THINK THAT MRS. BOYCHUCK WOULD HAVE A LOT TO DO WITH IT BECAUSE [SHE] WAS VERY ACTIVE IN THE ALUMNI AT THE BEGINNING, AND I WOULD THINK THAT IF ANYBODY, IT WOULD BE HER THAT STARTED COLLECTING THE ODD LITTLE THING, AND THEN IT WENT TO SHIRLEY. I DON’T KNOW THAT THERE WAS ANYBODY BEFORE SHIRLEY… OUR ALUMNI ONLY STARTED IN [1945], SO THERE WERE THOSE PERIODS WHERE I DON’T THINK ANYBODY CARED ABOUT ANY OF THIS STUFF… TO ME, IT MEANS AN AWFUL LOT. IT MEANS THAT WE EXISTED REALLY… IF WE DIDN’T HAVE ALL THIS STUFF, WELL WHAT WERE WE? A NURSE, WHAT DOES A NURSE DO? WITH THIS WE CAN SHOW THEM THAT WE DIDN’T JUST GIVE BEDPANS. WE DID A LOT OF THINGS, AND I’M REALLY PROUD THAT WE HAVE WHAT WE’VE GOT.” OF THE SITUATION LEADING UP TO THE DONATION OF THE GSN COLLECTION TO THE GALT MUSEUM, KYLLO SAID: “WE HAD A DISPLAY AT THE NORTH END OF THE HOSPITAL [THAT] WAS GOING TO STAY THERE [AND ADDITIONAL COLLECTION STORAGE] AND WE DIDN’T HAVE A PROBLEM... WE WERE ALWAYS UNDER THE IMPRESSION OF ALL THE PAST ADMINISTRATIONS THAT WE ALWAYS HAD A PLACE IN THAT HOSPITAL… NOW THAT ALL THE OLD GUYS HAVE GONE, THEY JUST UP AND MOVED [THE COLLECTION, IN FALL 2012] AND DIDN’T CARE. THEY WERE BUILDING A NEW WING AND ‘TO HECK WITH YOUR GUYS’ STUFF’… NOBODY WANTED TO EVEN TALK TO US ABOUT IT. I FINALLY GOT AHOLD OF THE GUY IN CHARGE OF MAINTENANCE, [HE] SAID, “WELL IT’S UPSTAIRS IN THE PENTHOUSE.” WELL, WE KNEW WHAT THE PENTHOUSE WAS LIKE, BECAUSE IT WAS VERY HOT AND YOU DON’T WANT [THESE ARTIFACTS] IN SOMEPLACE REALLY HOT, SO I WANTED IT OUT OF THERE… SO THAT’S WHEN IT WENT OUT INTO A STORAGE LOCKER. AND IN THE STORAGE LOCKER… IT WAS JUST NOT CLEAN ENOUGH TO BE IN THERE… WE WERE VERY DISAPPOINTED.” HAMILTON ADDED: “WE DIDN’T HAVE ANYWHERE FOR [THE COLLECTION], AND IT’S IN PEOPLE’S GARAGES AND BASEMENTS AND LIVING ROOMS… [THE MUSEUM IS HOUSED IN] THE GALT HOSPITAL. AND A LOT OF OUR MEMBERS TRAINED HERE. SO IT’S PRETTY SPECIAL TO THEM, AND THEY WOULD LIKE TO LEAVE SOMETHING HERE TO BE REMEMBERED BY… IT’S VERY IMPORTANT TO US TO LEAVE SOMETHING BEHIND.” SEE PERMANENT FILE FOR HARDCOPIES OF FULL INTERVIEW TRANSCRIPTS.
Catalogue Number
P20140006033
Acquisition Date
2014-03
Collection
Museum
Images
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9 records – page 1 of 1.