Skip header and navigation

11 records – page 1 of 1.

Other Name
CARDIGAN
Date Range From
1959
Date Range To
1961
Material Type
Artifact
Materials
WOOL, FELT, WOOD
Catalogue Number
P20000011012
  2 images  
Material Type
Artifact
Other Name
CARDIGAN
Date Range From
1959
Date Range To
1961
Materials
WOOL, FELT, WOOD
No. Pieces
1
Length
57.0
Description
OFFWHITE KNIT WOOL CARDIGAN. NECKLINE AND DOWN FRONT OF SWEATER ARE DONE IN GREEN AND YELLOW, IN LOOSE STITCH. THERE ARE THREE WOOD BUTTONS TOWARDS BUTTON OF FRONT. THERE ARE TWO PATCH POCKETS SEWN NEAR WAIST WITH GREEN AND YELLOW STRIPES ACROSS TOP (SAME STITCH AS NECKLINE). CUFFS ARE RIBBED AND FITTED. THERE IS A "C" CUT OUT OF GREEN AND YELLOW FELT ATTACHED TO LEFT BREAST. A TAG INSIDE NECKLINE READS "100% PURE WOOL PRIDE OF THE WEST VANCOUVER, B.C.".
Subjects
CLOTHING-OUTERWEAR
Historical Association
EDUCATION
History
BELONGED TO DONOR WHO ATTENDED LCI IN GRADES 10 & 11. IN GRADE 12 SHE MOVED TO CALGARY AND ATTENDED ST. MARY'S SCHOOL AT THE SACRED HEART CONVENT. SHE THEN RETURNED TO LETHBRIDGE AND TOOK ONE MORE CLASS AT LCI AS A SUPER SENIOR.
Catalogue Number
P20000011012
Acquisition Date
2004-06
Collection
Museum
Images
Less detail
Date Range From
1940
Date Range To
1950
Material Type
Artifact
Materials
POLYESTER, PLASTIC, RIBBON
Catalogue Number
P19940021001
  2 images  
Material Type
Artifact
Date Range From
1940
Date Range To
1950
Materials
POLYESTER, PLASTIC, RIBBON
No. Pieces
1
Length
110.5
Width
60
Description
TEAL POLYESTER SEMI-FORMAL DRESS HAS V-SHAPE NECK WITH CAP SLEEVES. KNIFE PLEAT ON THE SHOULDER SEAM. DRESS IS FITTED AT THE WAIST AND HAS A BELT OF THE SAME MATERIAL THROUGH TWO STRING BELT LOOPS AND FASTENS WITH A RECTANGULAR PLASTIC BUCKLE AND HOLES. THE SKIRT FALLS TO AROUND THE KNEE AND IS FAIRLY FITTED WITH ONLY TWO KNIFE PLEATS ON EITHER SIDE OF THE WAIST. THE REVERSE IS THE SAME EXCEPT THERE ARE TWO DARTS ON THE BUTTOCKS AND IT HAS A SEAM DOWN THE CENTER OF THE SKIRT WHICH ENDS IN A KICK PLEAT. THERE IS A ZIPPER ALONG THE SIDE OF THE TORSO. THE WAIST AND ZIPPER ARE LINED WITH A GREEN RIBBON ON THE INSIDE, AND THE HEM A BLUE RIBBON. THE MATERIAL IS SHINY WITH GREEN, BLUE, AND PURPLE CHECK DESIGN DEPENDING ON THE LIGHT.
Subjects
CLOTHING-OUTERWEAR
Historical Association
EDUCATION
History
THIS DRESS WAS WORN UNDER THE DOCTORAL ROBES DUE TO THE COMPLEMENTS OF COLOURS OF THE DRESS AND SATIN, AND THE DONOR FELT IT FILLED THE NECK IN WELL. DONOR DR. ISABEL WILKINS WAS BORN IN CALGARY IN 1907 AND GRADUATED HIGH SCHOOL THERE. AFTER HIGH SCHOOL SHE ATTENDED CALGARY NORMAL SCHOOL TO BECOME A TEACHER. AFTER TWO YEARS SHE HAD SAVED ENOUGH MONEY TO GO TO UNIVERSITY IN EDMONTON. IN 1930 SHE GRADUATED AS B.A. GOLD MEDALLIST AND THEN BEGAN WORK AT THE LETHBRIDGE COLLEGIATE INSTITUTE WHERE SHE STAYED TEACHING AN ESTIMATED 7,000-10,000 STUDENTS UNTIL HER RETIREMENT IN 1971. SHE MARRIED DR. FRANK WILKINS, A PIONEER LETHBRIDGE OPTOMETRIST. IN 1942 SHE OBTAINED AN M.A. THROUGH SUMMER SESSIONS AT MCGILL AND THE UNIVERSITY OF ALBERTA. HER THESIS WAS "A COMPARISON OF SIR WALTER SCOTT AND PROSPER MERIMEE IN THE FIELD OF THE HISTORIC NOVEL." IN 1947 THROUGH THE UNIVERSITY OF LAVAL SHE COMPLETED HER PH.D. "MAGNA CUM LAUDE". THIS THESIS WAS "AN IN-DEPTH STUDY OF CANADA DURING THE DOZEN YEARS PRIOR TO THE END OF THE FRENCH REGIME, BASED ON A RECENTLY-DISCOVERED SERIES OF PRIVATE LETTERS WRITTEN AT THAT TIME, IN THE FORM OF A DIARY ('LA CORRESPONDANCE DE MADAME BEGON')." SHE DID POST-DOCTORAL WORK AT SORBONNE FROM 1964-1965. SEE ATTACHED PICTURE OF DONOR, AND ATTACHED DOCUMENTATION FOR FURTHER PERSONAL AND ARTIFACT HISTORY. ALSO SEE BRUCE HAIG'S "WHO'S WHO IN SOUTHERN ALBERTA 1988-1989." P.849.
Catalogue Number
P19940021001
Acquisition Date
1994-06
Collection
Museum
Images
Less detail
Other Name
PROJECTIONIST SMOCK
Date Range From
1940
Date Range To
1950
Material Type
Artifact
Materials
COTTON
Catalogue Number
P19970071006
  2 images  
Material Type
Artifact
Other Name
PROJECTIONIST SMOCK
Date Range From
1940
Date Range To
1950
Materials
COTTON
No. Pieces
1
Length
110
Width
70
Description
GREY THIGH-LENGTH SMOCK WITH FRONT CLOSURE. LONG SLEEVES; TWO FRONT WAIST POCKETS AND ONE OUTER BREAST POCKET ON LEFT PROPER. VERTICAL SLOT OPENINGS AT SIDES FOR ACCESS TO PERSONAL GARMENTS. "H.B." EMBROIDERED IN RED ABOVE BREAST POCKET. FOUR GREY BUTTONS ALONG FRONT, WITH COTTER PIN BACKINGS. TAG IN GARMENT READS "WEAR THE BEST SUNNY SOUTH GARMENTS LETHBRIDGE ALTA." SLIT AT BOTTOM BACK; BAND AT BACK WAIST, WITH SLIGHT PLEATS IN THE FABRIC. MINOR REDDISH STAINS ON SLEEVES AND ON FRONT. SIZE 40.
Subjects
CLOTHING-OUTERWEAR
Historical Association
TRADES
History
WORN AS PROJECTIONIST SMOCK BY DONOR'S FATHER, HARRY BOYSE, WHO WORKED FOR THE SHACKLEFORD THEATRES FOR OVER 25 YEARS. FOR MORE HISTORY SEE P19970071001-GA *UPDATE* IN 2014 COLLECTIONS ASSISTANT JANE EDMUNDSON CONDUCTED A SURVEY OF ART OBJECTS, INCLUDING A PORTRAIT OF ALFRED WILLIAM SHACKLEFORD (P20060025001-GA), OWNER OF THE SHACKLEFORD THEATRES. THE FOLLOWING BIOGRAPHY OF MAYOR SHACKLEFORD WAS DEVELOPED WITH INFORMATION FROM ARCHIVES CANADA ONLINE AND A LETHBRIDGE HERALD TRIBUTE ARTICLE FROM MAY 31, 1992. A.W. SHACKLEFORD WAS BORN IN ESSEX, ENGLAND IN 1899 AND CAME TO CALGARY WITH HIS PARENTS IN 1909. AFTER HIGH SCHOOL HE TRAINED AS A DRAFTSMAN BUT WAS EMPLOYED BY THE FILM EXCHANGE AND FOX FILMS. IN 1921 HE WAS HIRED TO MANAGED THE KING'S THEATRE IN LETHBRIDGE AND BECAME ASSOCIATED WITH MARK ROGERS, A LETHBRIDGE BUSINESSMAN WHO OWNED THREE LOCAL MOVIE THEATRES. SHACKLEFORD ALSO BECAME PARTNER IN THE AMUSEMENT COMPANY THAT OPENED THE HENDERSON LAKE PAVILLION IN 1924. BY 1925 HE WAS PART-OWNER OF THE FORMER EMPRESS THEATRE ON 5TH AVENUE SOUTH, RENAMING IT THE ROXY. HE THEN TEAMED UP WITH THE FAMOUS PLAYERS COMPANY TO REMODEL THE FORMER PALACE THEATRE AND RENAME IT THE CAPITOL. SHACKLEFORD ALSO OPENED THE THEATRE IN THE FORMER COLLEGE MALL, BUILT THE 960-SEAT PARAMOUNT THEATRE ON 4TH AVENUE SOUTH, AND TOOK OVER OPERATION OF THE DIRVE-IN THEATRE AT THE SOUTH CITY LIMITS. SHACKLEFORD WAS HEAVILY INVOLVED IN CIVIC LIFE, ACTIVE IN GROUPS INCLUDING THE CANADIAN CANCER SOCIETY, THE GYRO CLUB, UNITED WAY, LETHBRIDGE & DISTRICT EXHIBITION BOARD, BOARD OF TRADE, ST. AUGUSTINE'S CHURCH, AND THE ALBERTA THEATRE OPERATORS ASSOCIATION. HE AND HIS WIFE ADA HAD TWO SONS, ROBERT AND DOUGLAS. AFTER SEVERAL TERMS AS ALDERMAN STARTING IN 1939, SHACKLEFORD FIRST SERVED AS MAYOR FROM 1944 - 1947, AND FOR TWO MORE TERMS FROM 1952 - 1955 AND 1957 - 1961. HE WORKED FOR 68 YEARS IN THE MOVIE BUSINESS, RETIRING AT AGE 90. W.A. SHACKLEFORD DIED IN LETHBRIDGE ON MAY 30, 1992. SEE PERMANENT FILE P20060025001 FOR HARDCOPIES OF SOURCE MATERIAL. *UPDATE* IN 2017 COLLECTIONS ASSISTANT RUTHANN LABLANCE CONDUCTED A SURVEY OF CLOTHING, INCLUDING A VEST DONATED BY KEN BOYSE. THE FOLLOWING BIOGRAPHICAL INFORMATION WAS COMPILED USING ARTICLES FROM THE LETHBRIDGE HERALD. KENNETH BOYES IS THE SON OF CHARLES HENRY “HARRY” BOYES AND IRENE BOYSE (NEE JOHNSON). HE WAS MARRIED IN MAY 1964 TO DOREEN ELIZABETH ROWE IN THAMESFORD, ON. FOLLOWING THEIR MARRIAGE, THE COUPLE LIVED AT THE RCAF STATION IN MONT APLCA, QC. CHARLES HENRY “HARRY” BOYES PASSED AWAY ON SEPTEMBER 1, 1980 AT THE AGE OF 83. HE MARRIED IRENE JOHNSTON IN 1936. HE WAS AN ACTIVE MEMBER OF THE LETHBRIDGE SHRINE CLUB, SERVING WITH THE CLUB FOR OVER 33 YEARS. HE WAS THE CLUB PRESIDENT IN 1952. HE WAS ALSO MADE AN HONOURARY LIFE MEMBER OF THE ALBERTA SUGAR BEET GROWERS ASSOCIATION FOR 31 YEARS OF SERVICE TO THE ORGANIZATION, WHERE HE SERVED AS LABOUR ADVISOR AND SECRETARY/MANAGER. HARRY ALSO SPENT OVER 40 YEARS WORKING AS A FILM PROJECTIONIST, HAVING WORKED IN VARIOUS THEATRES INCLUDING: IN LETHBRIDGE, THE ROXY, EMPRESS, CAPITOL, AND PARAMOUNT; IN BOW ISLAND, RED DEER, STETTLER, AND CALGARY. HARRY WAS ALSO AN ACTIVE MEMBER OF THE LIONS CLUB IN LETHBRIDGE. DURING WWII HARRY WAS THE CAPTAIN OF THE LION INFANTRY TEAM IN THE VICTORY LOAN CAMPAIGN. AN ARTICLE FROM JULY 6, 1943 RECOUNTS THAT HARRY WAS VERY SUCCESSFUL AT SELLING WAR BONDS: “MR BOYSE … TOOK OUT A ‘STAMP-O-GRAM’ CARD AND WITH 18 CALLS SOLD $103 WORTH OF WAR SAVINGS STAMPS. A ‘DEPTH CHARGE’ COSTS $90 AND MR. BOYSE FEELS THAT HE WILL PERSONALLY BE ABLE TO SELL FOUR ‘DEPTH CHARGES’ FOR THE CORVETTE LETHBRIDGE.” ANOTHER ARTICLE FROM JUNE 18, 1943 EXPLAINS THAT HARRY HAD JUST COMPLETED A SUCCESSFUL TERM AS PRESIDENT OF THE LIONS CLUB. THE ARTICLE CONTINUES SAYING: “’LIONS THROUGHOUT CANADA POINT WITH PRIDE TO THE $117,000 ALREADY SENT OVERSEAS FOR THIS CAUSE. THIS MONEY IS ENTRUSTED TO THE WAIFS AND STRAYS SOCIETY, WHICH ADMINISTERS HOMES FOR LITTLE BOYS AND GIRLS WHO HAVE BEEN EVACTUATED FROM TARGET AREAS, OR WHOSE PARENTS HAVE BEEN KILLED OR INJURED IN THE ‘BLITZ’’, [MR. BOYSE] SAID.” IRENE BOYSE (NEE JOHNSON) WAS BORN IN BANTRY, ND ON AUGUST 20, 1908 AND MOVED TO CANADA IN 1909. SHE WAS RAISED AND EDUCATED IN THE FOREMOST, AB AREA. SHE PASSED AWAY AT THE AGE OF 89 ON OCTOBER 16, 1997. SEE PERMANENT FILE FOR COPIES OF THE ARTICLES FROM THE LETHBRIDGE HERALD.
Catalogue Number
P19970071006
Acquisition Date
1997-07
Collection
Museum
Images
Less detail
Other Name
CARDIGAN
Date Range From
1959
Date Range To
1960
Material Type
Artifact
Materials
WOOL
Catalogue Number
P20000011013
  2 images  
Material Type
Artifact
Other Name
CARDIGAN
Date Range From
1959
Date Range To
1960
Materials
WOOL
No. Pieces
1
Length
59.0
Description
OFFWHITE KNIT WOOL SWEATER. HAS A ZIPPER DOWN THE FRONT. HAS 2 WELT POCKETS NEAR WAIST, WITH WIDE BLUE KNITTED WELT. POCKETS THEMSELVES ARE MADE OF WHITE COTTON. WAISTLINE OF SWEATER IS RIBBED AND HAS TWO HORIZONTAL STRIPES - ONE YELLOW, ONE BLUE. CUFFS ARE ALSO RIBBED WITH A YELLOW AND BLUE STRIPE. NECKLINE AND DOWN FRONT OF SWEATER ARE FORMED WITH A DIFFERENT STITCH THAN REST OF SWEATER. INSIDE NECKLINE IS A TAG THAT READS "CLOVERDALE KNITTING MILLS EDMONTON-ALBERTA WOOL - 10% NYLON".
Subjects
CLOTHING-OUTERWEAR
Historical Association
EDUCATION
ASSOCIATIONS
History
SIGMA OMEGA XI (SOX) SORORITY SWEATER WORN BY DONOR IN GRADES 10 & 11 WHILE ATTENDING LCI. THE SORORITY WAS MORMON BASED. EVEN THOUGH DONOR WAS NOT MORMON (OR RELIGIOUS SHE SAYS), MANY OF HER FRIENDS WERE. IN GRADE 12 SHE MOVED TO CALGARY TO ATTEND ST. MARY'S SCHOOL AT THE SACRED HEART CONVENT (EVEN THOUGH SHE WAS NOT ROMAN CATHOLIC EITHER). DONOR SAYS ALTHOUGH SHE IS NOT RELIGIOUS, SHE ENJOYS RELIGION AND LEARNING FROM IT. SHE THEN RETURNED TO LETHBRIDGE AND TOOK ONE MORE CLASS AT LCI AS A SUPER SENIOR.
Catalogue Number
P20000011013
Acquisition Date
2004-06
Collection
Museum
Images
Less detail
Other Name
"GSN" CREST
Date Range From
1956
Date Range To
1959
Material Type
Artifact
Materials
WOOL, MOTHER OF PEARL, ACRYLIC
Catalogue Number
P20090026000
  2 images  
Material Type
Artifact
Other Name
"GSN" CREST
Date Range From
1956
Date Range To
1959
Materials
WOOL, MOTHER OF PEARL, ACRYLIC
No. Pieces
1
Length
72.6
Width
65.1
Description
BLAZER, WOOL, DARK GREEN. TWO ROWS OF TWO MOTHER OF PEARL BUTTONS EACH. TWO PATCH POCKETS AT WAIST. BREAST POCKET HAS SHIELD SHAPED PATCH WITH NAVY BACKGROUND, GREEN BORDER AND “GSN” EMBROIDERED IN YELLOW.
Subjects
CLOTHING-OUTERWEAR
Historical Association
EDUCATION
HEALTH SERVICES
History
ACCORDING TO DONOR FERN HICKEN (NEE DAHL), AT THE TIME OF THE DONATION, SHE ACQUIRED THE BLAZER AS A STUDENT IN THE "GALT SCHOOL OF NURSING," (GSN). ACCORDING TO HICKEN, "BLAZERS WERE AVAILABLE FOR PURCHASE BY THE INDIVIDUAL STUDENTS... I DON'T REMEMBER THE PRICE... MY BLAZER... [WAS] WORN QUITE FREQUENTLY DURING TRAINING DAYS... FOR STUDENT NURSING EVENTS- ESPECIALLY GLEE CLUB." HICKEN DECIDED TO BECOME A NURSE BECAUSE SHE HAD FAMILY IN THE MEDICAL PROFESSIONS WHO ENCOURAGED HER TO ATTEND THE GSN. IN ADDITION, SHE HAD FRIENDS ENROLLED IN THE PROGRAM, ENJOYED WORKING WITH PEOPLE AND LIVED NEAR THE RESIDENCE AND HOSPITAL. SHE ATTENDED THE GSN FROM 1956-1959. THROUGHOUT HER TIME THERE, SHE RECALLS "SO MANY MEMORIES - SUNBATHING ON THE ROOF OF THE RESIDENCE;... DANCES AT HENDERSON LAKE PAVILLION; CARING FOR PATIENTS; THE 1957 FLU EPIDEMIC - WE WERE CONFINED TO OUR RESIDENCE ROOMS (SUPPOSEDLY); THE GALT TENDUTTS BASKETBALL TEAM WINNING THE CITY CHAMPIONSHIP," AND OTHER GOOD TIMES. FOLLOWING GRADUATION IN OCTOBER OF 1959, SHE WORKED IN A RURAL HOSPITAL UNTIL 1960, WHEN SHE WAS MARRIED. SHE THEN WORKED IN EDMONTON AT THE UNIVERSITY HOSPITAL IN PEDIATRIC SURGERY. SHE WORKED CASUALLY DURING HER CHILD BEARING YEARS. "IN 1979 I WAS HIRED AS A COMMUNITY HEALTH NURSE, WHICH NORMALLY REQUIRED ONE TO HAVE A BACHELOR'S DEGREE IN NURSING, SO I EMBARKED ON A COURSE OF STUDY AT THE UNIVERSITY OF LETHBRIDGE, WHICH ENABLED ME TO OBTAIN A BACHELOR OF NURSING IN FIVE YEARS BY ATTENDING NIGHT CLASSES AND SUMMER SCHOOL WHILE CONTINUING TO WORK FULL TIME. I CONTINUED IN THIS OCCUPATION UNTIL I RETIRED IN 1993." FOR MORE INFORMATION SEE PERMANENT FILE. THIS DONATION WAS PART OF A COMPOSITE UNIFORM DONATION FROM THE "GALT SCHOOL OF NURSING" CLASS OF 1959 AND 1961. IT INCLUDES A COMPLETE GRADUATION DRESS AND OTHER ACCESSORIES RELATED TO THE GSN. SEE ALSO P20090023001-15, P20090024000, AND P20090025000. FOR MORE INFORMATION ON THE CLASS OF 1959 SEE ARCHIVES 19705886000, 19752303429, 19941046008, AND 20001076001.
Catalogue Number
P20090026000
Acquisition Date
2009-06
Collection
Museum
Images
Less detail
Other Name
NURSE'S, GALT HOSPITAL
Date Range From
1951
Date Range To
1953
Material Type
Artifact
Materials
WOOL, LINEN, PLASTIC
Catalogue Number
P20080024000
  2 images  
Material Type
Artifact
Other Name
NURSE'S, GALT HOSPITAL
Date Range From
1951
Date Range To
1953
Materials
WOOL, LINEN, PLASTIC
No. Pieces
4
Length
95.5
Width
111.0
Description
CAPE WITH TWO CLOSURES ON OUTSIDE OF CAPE, ONE ON INSIDE - 4 PIECES. NURSE’S CAPE, WOOL, NAVY BLUE. OUTSIDE IS PILLING. FOUR BUTTONS IN FRONT. SHIELD SHAPED PATCH ON PROPER LEFT SIDE WITH GREEN EMBROIDERED BORDER, NAVY BACKGROUND AND “GH” MARKED IN GOLD. COLLAR STANDS UP WITH A GAP IN THE MIDDLE. INSIDE OF CAPE IS RED, LABEL ON PROPER RIGHT MARKED “…BLAND…”, POCKET ON PROPER RIGHT HAND STITCHED “FUDGE.” CAPE FASTENED BY SET OF THREE CLOSURES, WOOL, NAVY BLUE, STUFFED, TWO BUTTON HOLES ON EACH END, ENDS OF BAND ARE POINTED. CLOSURES MEASURE 13.9 CM LONG BY 4.0 CM WIDE BY 0.9 CM DEEP.
Subjects
CLOTHING-OUTERWEAR
Historical Association
EDUCATION
HEALTH SERVICES
History
KEVIN MACLEAN, COLLECTIONS TECHNICIAN, CONDUCTED AN INTERVIEW WITH DONOR AKIKO KAMITAKAHARA (ANNIE/ANNE FUJIMAGARI OR "FUDGE") VIA TELEPHONE ON APRIL 23, 2010. ACCORDING TO AKIKO, SHE GOT THE CAPE IN HER SECOND OR THIRD YEAR. SHE SAID "I REMEMBER WEARING IT ON A GALT FLOAT IN THE MAY DAY PARADE... IT BECAME PART OF OUR UNIFORM WHENEVER WE ATTENDED FORMAL EVENTS." ADDITIONALLY, SHE WORE IT BETWEEN THE NURSE'S RESIDENCE AND THE HOSPITAL FACILITY ON COLD NIGHTS AS "A COAT," BUT IT WAS NEVER PART OF HER DAILY UNIFORM. WEARING THE CAPE, SHE "FELT LIKE A NURSE INSTEAD OF A 'PROBIE' OR A STUDENT." IT WAS "WORN WITH GREAT, GREAT PRIDE." FOLLOWING HER GRADUATION IT WAS STORED AWAY. LITTLE ELSE FROM HER STUDENT YEARS SURVIVED. KAMITAKAHARA ORIGINALLY WANTED TO BE A MUSICIAN OR A DANCER BUT THERE WERE NOT MANY OPPORTUNITIES FOR WOMEN OF THAT OCCUPATION. SHE WENT INTO THE "GALT SCHOOL OF NURSING" (GSN) BECAUSE "IT WAS AFFORDABLE... I LOVE CARE GIVING AND ELDERLY PEOPLE." COMING FROM A "CULTURAL BACKGROUND... WE TOOK CARE OF OUR ELDERLY AND MY INTEREST IN NURSING WAS AN EXTENSION OF THAT." KAMITAKAHARA RECALLED THAT THE FIRST JAPANESE CANADIAN (JC) STUDENT TO ENTER THE GSN WAS AIMEE SASAKI WHO GRADUATED IN 1951. SHE CREDITS SASAKI'S ADMISSION INTO THE PROGRAM TO THE LEADERSHIP OF CLAUDIA TENNANT, DIRECTOR OF NURSING (1949-1969), WHO, ACCORDING TO KAMITAKAHARA, WAS HER MENTOR. "SHE (TENNANT) LOOKED AT YOU AS A PERSON AND NOT THE COLOUR OF YOUR SKIN." AIMEE APPLIED AND WAS INTERVIEWED AND CLAUDIA, IN HER ASSESSMENT OF AIMEE, FELT THAT SHE WAS A GOOD FIT. "NOT EVEREYONE COULD GET PAST THAT PREJUDICE." SHE SAID. SASAKI WOULD GRADUATE AS THE VALEDICTORIAN OF HER CLASS. HER ADMISSION TO THE GSN OPENED THE DOOR FOR OTHER JAPANESE STUDENTS TO ENTER THE PROGRAM. WHILE SASAKI WAS THE FIRST JC TO BE ADMITTED TO THE GSN, THE MEDICINE HAT GENERAL HOSPITAL'S SCHOOL OF NURSING WAS THE FIRST SCHOOL TO ACCEPT JC'S. MAY SHIMBASHI (GRADUATED IN 1949) AND HELEN IKEBUCHI (GRAD DATE UNKNOWN) FOUND WORK AT THE GALT HOSPITAL IMMEDIATELY AFTER THEY SUCCESSFULLY COMPLETED THEIR NURSING SCHOOL. HAVING GRADUATED IN 1953, KAMITAKAHARA FOUND EMPLOYMENT AT THE "CAMPBELL MEDICAL CLINIC." SEE PERMANENT FILE FOR MORE INFORMATION. SEE ARCHIVES FOR MORE INFORMATION ON THE CLASS OF 1953 - 198000150000, 19841033000, 19941046008, 19981035083, 20001076001, 20011056001, AND 20011056002.
Catalogue Number
P20080024000
Acquisition Date
2008-10
Collection
Museum
Images
Less detail
Other Name
CUFFS, APRON, BIB, COLLAR
Date Range From
1956
Date Range To
1959
Material Type
Artifact
Materials
COTTON, PLASTIC
Catalogue Number
P20090024000
  2 images  
Material Type
Artifact
Other Name
CUFFS, APRON, BIB, COLLAR
Date Range From
1956
Date Range To
1959
Materials
COTTON, PLASTIC
No. Pieces
9
Description
ALL ITEMS LABELED AS COMPONENT PARTS (DESIGNATED BY LETTERS). A. CUFFS, PAIR. COTTON, WHITE, HEAVY STARCH. ONE BUTTON HOLE ON EITHER SIDE OF EACH CUFF. MARKED “PEARSON, TOOKE – MADE IN ENGLAND, MGH 7 1/2.” BOTH ARE SOILED (MINOR) THROUGHOUT, ESP. ON EDGES. IDENTICAL EXCEPT PLACEMENT OF MARKING “PIER,” ONE STAMPED ON EDGE, OTHER STAMPED APPX. 2 CM BELOW EDGE. 23.7 CM LONG BY 8.2 CM WIDE. LOCATED IN PA U40 S01 B. APRON WITH FOUR IDENTICAL BUTTONS - FIVE PIECES APRON, COTTON, WHITE, HEAVY STARCH. HAND MARKED, “PEARSON” ON INSIDE OF WAISTBAND. LONG HALF APRON, WRAP STYLE, EIGHT BUTTON HOLES, THICK WAISTBAND AND HEMLINE. APRON MEASURES 82.0 CM LONG BY 82.5 CM WIDE. APRON FASENTED BY BUTTONS, FOUR. PLASTIC, WHITE SLIGHTLY OPALESCENT COLOR. ONE LARGER CIRCLE ATTACHED TO A SECOND SMALLER CIRCLE WITH A PLASTIC ROD. BUTTONS MEASURE 2.5 CM IN DIAMETER BY 0.8 CM DEEP. LOCATED IN PA U40 S03. C. BIB, COTTON, WHITE, HEAVY STARCH. HAND MARKED, “PEARSON” AT BOTTOM, FRONT, ALSO STAMPED, “PIER” THREE TIMES, UPSIDE DOWN AT BOTTOM FRONT. BOTTOM IS NARROW AND GETS WIDER AS IT REACHES CHEST LEVEL, AT NECKLINE, BIB SPLITS SO THERE ARE TWO WIDE STRAPS HANGING DOWN THE BACK. SMALL PIN HOLES, ESP. AT WAIST, BOTTOM OF STRAPS, NECKLINE AND CHEST AREA. 42.2 CM WIDE BY 97.5 CM LONG. LOCATED IN PA U40 S03. D. COLLAR, COTTON, WHITE, HEAVY STARCH. MARKED “TOOKE, MADE IN ENGLAND, PEARSON, R.V.H. – I – TAB” ALSO MARKED “PI(?)R” AND “PEARS.” ONE BUTTON HOLE IN CENTER. ROUNDED TAB AT CENTER HAS SMALL TEAR WHERE IT MEETS UP WITH THE COLLAR, YELLOWING ALONG NECKLINE AND AROUND EDGES OF COLLAR, SEVERAL PINHOLES ON TABS ON EITHER SIDE OF COLLAR. 59.8 CM LONG BY 12.6CM WIDE. LOCATED IN PA U40 S01
Subjects
CLOTHING-OUTERWEAR
Historical Association
EDUCATION
HEALTH SERVICES
History
ACCORDING TO THE DONOR, AILEEN PATTON (NEE PEARSON), AT THE TIME OF DONATION, THE CUFFS, APRON, BIB AND COLLAR WERE WORN AS PART OF A GRADUATION UNIFORM. THEY WERE ISSUED TO HER BY THE "GALT SCHOOL OF NURSING" (GSN). THE APRON AND COLLAR WERE BOTH WORN AS PART OF THE BLUE DRESS WORN IN THE NURSE'S FIRST AND SECOND YEARS. THE BIB WAS ALSO WORN WITH THE BLUE DRESS BUT THE GIRLS DID NOT RECIEVE IT UNTIL AFTER THEY HAD PASSED THEIR PROBABTIONARY PERIOD. FINALLY, THE CUFFS WERE ONLY WORN WITH THE GRADUATION OUTFIT. THE GRAD CEREMONY WAS HELD IN THE "SOUTHMINISTER UNITED CHURCH" IN LETHBRIDGE, ALBERTA. PATTON SAID, "I WAS VERY PROUD TO WEAR THE GRADUATION UNIFORM AS IT MEANT I HAD OBTAINTED THE TITLE OF REGISTERED NURSE. IT WAS A VERY HAPPY AND EMOTIONAL DAY." WHILE SOME OF THE GRADUATES WORE THIER GRAD UNIFORMS AFTER THEY HAD GRADUATED, PATTON NEVER USED THE BIB, CUFFS, COLLAR OR APRON AGAIN. INSTEAD, SHE STORED THEM IN A TRUNK, "IT MOVED WITH ME WHEREVER I WENT." OF THE GSN, PATTON SAID, "I FEEL SO PRIVILEGED TO HAVE LIVED IN RESIDENCE WITH MY CLASSMATES FOR THREE YEARS. WHAT A WONDERFUL EXPERIENCE - WE SHARED SO MUCH OF OUR LIVES. WE LAUGHED AND WE CRIED TOGETHER. WE WERE NEVER LONELY. OUR INSTRUCTORS WERE EXCEPTIONAL AS WERE THE DOCTORS WHO TAUGHT US. WE OWED SO MUCH TO SENIOR NURSING STAFF WHO TAUGHT US SO MUCH AT THE BEDSIDE AND WERE OUR MENTORS." HAVING COMPLETED HER DEGREE, PATTON, "WORKED OBSTETRICS AT THE 'LETHBRIDGE MUNICIPAL HOSPITAL,' PUBLIC HEALTH NURSING AT THE 'CHINOOK HEALTH UNIT' IN FORT MACLEOD, ALSO WORKED IN BANFF, 'GRACE HOSPITAL' IN CALGARY, PEACE RIVER AND THEN FINALLY AT THE 'MISERICORDIA HOSPITAL' EDMONTON IN EMERGENCY AND BECAME NIGHT SUPERVISOR BEFORE RETIRING IN 1992 WHEN I BECAME SUBJECT OF HEALTH CUTS. MY NURSING TRAINING CERTAINLY PREPARED ME TO WORK IN ALL OF THESE HOSPITALS." SEE PERMANENT FILE FOR MORE INFORMATION. FOR MORE INFORMATION ON THE CLASS OF 1959 SEE ARCHIVES 19705886000, 19752303429, 19941046008, AND 20001076001. PART OF A COMPOSITE UNIFORM DONATION FROM THE GSN GRADUATING CLASSES OF 1959 AND 1961. SEE P20090023001-15, P20090025000, AND P20090026000. ________________________________________ UPDATE: THE RESEARCH BELOW WAS GENERATED IN CONSULTATION WITH GALT DONOR AND G.S.N. NURSE PAT SASSA AS PART OF A RECENT ACQUISITIONS EXHIBIT IN 2011. LAMPS WERE GIVEN TO THE SCHOOL’S NURSING STUDENTS AS PART OF ITS ANNUAL CANDLE LIGHTING CEREMONY. THE EVENT WAS HELD TO COMMEMORATE THE COMPLETION OF ITS FIRST YEAR STUDENTS’ PROBATIONARY PERIOD. IN ADDITION TO THE LAMP’S PRESENTATION, STUDENT NURSES EARNED THE RIGHT TO WEAR A CAP AND BIB AS PART OF THEIR UNIFORM UPON THE COMPLETION OF THEIR PROBATION.
Catalogue Number
P20090024000
Acquisition Date
2009-06
Collection
Museum
Images
Less detail
Other Name
DRESS, BLUE CHECKED
Date Range From
1913
Date Range To
1950
Material Type
Artifact
Materials
COTTON, PLASTIC
Catalogue Number
P20140006002
  2 images  
Material Type
Artifact
Other Name
DRESS, BLUE CHECKED
Date Range From
1913
Date Range To
1950
Materials
COTTON, PLASTIC
No. Pieces
1
Height
0.1
Length
130
Width
48
Description
FULL-LENGTH COTTON DRESS IN BLUE AND WHITE CHECKED PATTERN WITH WHITE COLLAR. FRONT CLOSURE WITH SIX WHITE PEARLIZED BUTTONS. SLEEVES EACH HAVE ONE BUTTON 1/3 UP FROM HEMMED WRIST. RUCHING ALONG WAIST SEAM. POCKET ON RIGHT SIDE OF SKIRT. MINOR WEAR ON INNER COLLAR; OVERALL VERY GOOD CONDITION.
Subjects
CLOTHING-OUTERWEAR
Historical Association
HEALTH SERVICES
EDUCATION
History
AT THE TIME OF DONATION, GALT SCHOOL OF NURSING ALUMNAE ASSOCIATION PAST ARCHIVIST ELAINE HAMILTON IDENTIFIED THIS DRESS AS PART OF THE “OLD UNIFORM”, SAYING THE DRESS WOULD HAVE HAD “LONG CUFFS THAT BUTTONED ON”. THIS GARMENT, ALONG WITH P20140006001, P20140006003, P20140006004, AND P20140006005, WAS USED TO DRESS THE ALUMNAE’S MANNEQUIN THAT WAS ON DISPLAY IN THE ATRIUM AT THE LETHBRIDGE REGIONAL HOSPITAL. IN SUMMER 2014, COLLECTIONS TECHNICIAN KEVIN MACLEAN INTERVIEWED THE PAST ARCHIVISTS OF THE GALT SCHOOL OF NURSING COLLECTION, SHIRLEY HIGA, ELAINE HAMILTON, AND SUE KYLLO, ABOUT THEIR INVOLVEMENT WITH THE GSN ALUMNAE ASSOCIATION AND THE HISTORY OF THE COLLECTED ARTIFACTS. HIGA, THE EARLIEST GSN COLLECTION ARCHIVIST, SAID: “I TRAINED MOSTLY AT THE GALT. THE STUDENTS, WE ALL KNEW EACH OTHER, HELPED EACH OTHER BECAUSE THERE WERE MOSTLY STUDENTS THERE: ONE REGISTERED NURSE FROM 7AM TO 7PM. THE REST WERE ALL US STUDENTS THAT RAN THE HOSPITAL SO, BUT WE WERE REALLY GOOD FRIENDS AND WE HELPED EACH OTHER… WE HAD SUCH GOOD RAPPORT BETWEEN THE STUDENTS IN MY CLASS… I JOINED [THE ALUMNAE] WHEN I GRADUATED IN 1955… I WAS INTERESTED IN HOW EVERYBODY TURNED OUT, AND THE ALUMNAE SORT OF KEPT IN CONTACT WITH THEM, AND IT WAS QUITE IMPORTANT TO ME. I FELT QUITE HAPPY TO HEAR ABOUT ALL THE OTHER [NURSES]… IT’S NICE WHEN THEY CAME FOR THE REUNIONS. YOU SEE ALL THESE GIRLS YOU WORKED WITH, MAYBE ONLY FOR A LITTLE WHILE, BUT YOU REMEMBER THEM… I REALLY DIDN’T WANT TO BE THE ARCHIVIST, BUT WE DON’T HAVE TOO MANY PEOPLE THAT OFFER TO DO THINGS… I WAS INTERESTED IN ALL THE HISTORY AND ALL THE THINGS THAT THE GIRLS THOUGHT ABOUT IT… [THE ARCHIVIST WAS TO] KEEP TRACK OF ALL THE HISTORY AND THE PEOPLE THAT WERE INVOLVED, AND KEEP TRACK OF THE STUFF WE COLLECT[ED]… [THE COLLECTION IS IMPORTANT TO ME BECAUSE] I LIKE EVERYBODY TO KNOW ABOUT THE GALT AND HOW WE TRAINED AND HOW IT PROGRESSED… AS YOU GET OLDER YOU KIND OF HAVE MEMORIES THAT YOU WOULD LIKE TO KEEP, AND YOU KNOW YOU THINK ABOUT THOSE THINGS… [WHEN] YOU LOOK AT [THE OBJECTS] YOU REMEMBER.” ELAINE HAMILTON BECAME THE GSN COLLECTION ARCHIVIST IN THE LATE 1980S AFTER SHIRLEY HIGA STEPPED DOWN. OF THE ALUMNAE ASSOCIATION, HAMILTON SAID: “I THINK THE RETIRED NURSES DECIDED THAT THEY SHOULD FORM A GROUP TO HELP THE STUDENTS… I WASN’T THERE BUT IT WAS ’45 WHEN THEY FORMED, AND THEY DID THINGS FOR THE NURSES STUDENTS LIKE, THEY BOUGHT FURNITURE [FOR STUDENT RESIDENCES]… THEY DID A WHOLE BUNCH OF BAKE SALES AND CRAFT SALES; THEY WORKED AT THE BULL SALE OUT AT THE EXHIBITION GROUNDS. THEY DID A LOT OF THINGS LIKE THAT TO RAISE MONEY FOR LITTLE THINGS THAT COULDN’T BE BOUGHT OTHERWISE, LIKE THE PATIENT COMFORT, LIKE PATIENTS WOULD COME IN WITHOUT TOOTHBRUSHES AND COMBS… THEY HAD A BANQUET [FOR NURSING STUDENTS], AND THEY HAD A TEA WITH OUR PARENTS TOO, FOR US IN THE RESIDENCE… FOR ME, THE MOST IMPORTANT THING WAS THE BANQUETS, AND HAVING MY CLASSMATES COME EVERY FIVE YEARS, BECAUSE THEY ARE LIKE SISTERS TO ME… OF COURSE I LIKE HISTORY AND ARCHIVES TOO SO [THE COLLECTION] IS KIND OF IMPORTANT TO ME TOO… WE LIVED TOGETHER, AND ATE TOGETHER, AND CRIED TOGETHER AND DID EVERYTHING TOGETHER FOR THREE YEARS, BECAUSE WE LIVED RIGHT IN A RESIDENCE. SO, WE BECAME VERY CLOSE… AND IF YOU WORK IN THE ALUMNI, YOU BECOME KIND OF LIKE A LITTLE FAMILY TOO BECAUSE THERE’S NOT THAT MANY OF US THAT GO TO OUR MEETINGS, SO WHEN WE GET TOGETHER, IT’S KIND OF NICE TO SHARE WHAT’S BEEN GOING ON… IT’S A FELLOWSHIP.” OF THE GSN COLLECTION, HAMILTON SAID: “IT’S AN ACCUMULATION OF ARTIFACTS FROM THE HOSPITALS AND FROM OUR TRAINING DAYS. AND, IT’S PART OF THE HISTORY OF LETHBRIDGE IN A WAY, BECAUSE THE SCHOOL WAS HERE FOR QUITE A WHILE… I’M A CARE GIVER AND I LIKE TO LOOK AFTER STUFF. SO, IT WAS IMPORTANT TO ME THAT IT GOT CARED FOR… I THINK WITH THE CLOSING [OF THE GALT SCHOOL OF NURSING, IN 1979] WE GOT ALL THE CHARTS, AND WE ALREADY HAD THINGS FROM THE GALT HOSPITAL IN OUR STUFF THAT PROBABLY SOMEBODY [BEFORE HIGA] ACCEPTED… WHEN WE WENT INTO THE MUNICIPAL HOSPITAL [IN 1955] IT WAS ALL BRAND NEW, STAINLESS STEEL, SO THERE WAS NONE OF THE ENAMEL STUFF, AND THEN WHEN THE MUNICIPAL CLOSED [IN 1988], THE OPERATING ROOM GAVE US A LOT OF THINGS. THERE WERE A LOT OF DONATIONS THEN FROM DIFFERENT SPOTS BECAUSE THEY DIDN’T WANT TO MOVE STUFF SINCE IT WAS OLD… WE GOT A PLACE [FOR STORING THE COLLECTION IN THE REGIONAL HOSPITAL], ACTUALLY ABOVE THE WASHERS IN THE LAUNDRY FIRST. BUT IT WAS PRETTY MOIST UP THERE. AND THEN THEY GAVE US A ROOM IN THE SEWING ROOM, WHICH WAS VERY NICE, OUR OWN SEPARATE LITTLE ROOM THERE FOR OUR STORAGE… WE HAD THINGS UP ON A SHELF AND WE HAD A TRUNK IN THERE, AND… WE HAD ALL THE LETTERS FROM THE RESIDENCE… WE HAD A DISPLAY CASE THAT THEY BUILT AT THE REGIONAL [IN THE HOSPITAL ATRIUM] AND WE HAD STUFF IN THERE, AND WE’D MOVE IT AROUND… HAVING THE DISPLAY CASE WAS IMPORTANT TO ME, AND CHANGING THE UNIFORM ON [THE DISPLAY MANNEQUIN] EVERY ONCE IN A WHILE, AND HAVING HER IN DIFFERENT OUTFITS… I ALWAYS HAD IT ALL TIDY FOR A REUNION… I WOULD CHANGE THE UNIFORM FOR THEM, DEPENDING ON WHAT CLASS WAS HAVING THEIR REUNION.” SUE KYLLO BECAME THE GSN COLLECTION ARCHIVIST IN 2010 AFTER ELAINE HAMILTON STEPPED DOWN. OF THE ALUMNAE ASSOCIATION, KYLLO SAID: “[I ATTENDED THE GALT SCHOOL OF NURSING] FROM ’66 TO ’69, AND I JOINED IN 1976 AFTER I CAME BACK TO LETHBRIDGE. I HAD TWO LITTLE KIDS AND I WANTED TO GET OUT AND MEET PEOPLE AND THE ALUMNI GAVE ME THAT… I WANTED TO STAY IN TOUCH WITH MY NURSING FRIENDS AND SEE IF I CAN HELP OUT IN SOME WAY… THE ALUMNI IS THE WAY TO GO TO KEEP OUR NURSING MEMORIES ALIVE AND I WANT TO DO THAT. SO NOW IT’S IMPORTANT TO ME WAY MORE THAN WHEN I WAS A YOUNG MOTHER THAT WANTED TO GET OUT… IT MEANS COMPANIONSHIP [AND] TO HELP EACH OTHER.” OF THE GSN COLLECTION, KYLLO SAID: “I DON’T KNOW HOW IT GOT STARTED. I WOULD THINK THAT MRS. BOYCHUCK WOULD HAVE A LOT TO DO WITH IT BECAUSE [SHE] WAS VERY ACTIVE IN THE ALUMNI AT THE BEGINNING, AND I WOULD THINK THAT IF ANYBODY, IT WOULD BE HER THAT STARTED COLLECTING THE ODD LITTLE THING, AND THEN IT WENT TO SHIRLEY. I DON’T KNOW THAT THERE WAS ANYBODY BEFORE SHIRLEY… OUR ALUMNI ONLY STARTED IN [1945], SO THERE WERE THOSE PERIODS WHERE I DON’T THINK ANYBODY CARED ABOUT ANY OF THIS STUFF… TO ME, IT MEANS AN AWFUL LOT. IT MEANS THAT WE EXISTED REALLY… IF WE DIDN’T HAVE ALL THIS STUFF, WELL WHAT WERE WE? A NURSE, WHAT DOES A NURSE DO? WITH THIS WE CAN SHOW THEM THAT WE DIDN’T JUST GIVE BEDPANS. WE DID A LOT OF THINGS, AND I’M REALLY PROUD THAT WE HAVE WHAT WE’VE GOT.” OF THE SITUATION LEADING UP TO THE DONATION OF THE GSN COLLECTION TO THE GALT MUSEUM, KYLLO SAID: “WE HAD A DISPLAY AT THE NORTH END OF THE HOSPITAL [THAT] WAS GOING TO STAY THERE [AND ADDITIONAL COLLECTION STORAGE] AND WE DIDN’T HAVE A PROBLEM... WE WERE ALWAYS UNDER THE IMPRESSION OF ALL THE PAST ADMINISTRATIONS THAT WE ALWAYS HAD A PLACE IN THAT HOSPITAL… NOW THAT ALL THE OLD GUYS HAVE GONE, THEY JUST UP AND MOVED [THE COLLECTION, IN FALL 2012] AND DIDN’T CARE. THEY WERE BUILDING A NEW WING AND ‘TO HECK WITH YOUR GUYS’ STUFF’… NOBODY WANTED TO EVEN TALK TO US ABOUT IT. I FINALLY GOT AHOLD OF THE GUY IN CHARGE OF MAINTENANCE, [HE] SAID, “WELL IT’S UPSTAIRS IN THE PENTHOUSE.” WELL, WE KNEW WHAT THE PENTHOUSE WAS LIKE, BECAUSE IT WAS VERY HOT AND YOU DON’T WANT [THESE ARTIFACTS] IN SOMEPLACE REALLY HOT, SO I WANTED IT OUT OF THERE… SO THAT’S WHEN IT WENT OUT INTO A STORAGE LOCKER. AND IN THE STORAGE LOCKER… IT WAS JUST NOT CLEAN ENOUGH TO BE IN THERE… WE WERE VERY DISAPPOINTED.” HAMILTON ADDED: “WE DIDN’T HAVE ANYWHERE FOR [THE COLLECTION], AND IT’S IN PEOPLE’S GARAGES AND BASEMENTS AND LIVING ROOMS… [THE MUSEUM IS HOUSED IN] THE GALT HOSPITAL. AND A LOT OF OUR MEMBERS TRAINED HERE. SO IT’S PRETTY SPECIAL TO THEM, AND THEY WOULD LIKE TO LEAVE SOMETHING HERE TO BE REMEMBERED BY… IT’S VERY IMPORTANT TO US TO LEAVE SOMETHING BEHIND.” SEE PERMANENT FILE FOR HARDCOPIES OF FULL INTERVIEW TRANSCRIPTS AND NEWSPAPER ARTICLES.
Catalogue Number
P20140006002
Acquisition Date
2014-03
Collection
Museum
Images
Less detail
Other Name
BIB, “B. KIPP”
Date Range From
1928
Date Range To
1950
Material Type
Artifact
Materials
COTTON
Catalogue Number
P20140006003
  2 images  
Material Type
Artifact
Other Name
BIB, “B. KIPP”
Date Range From
1928
Date Range To
1950
Materials
COTTON
No. Pieces
1
Height
0.2
Length
116
Width
38.5
Description
WHITE, STARCHED COTTON APRON BIB, V-NECKED WITH TWO WIDE SHOULDER STRAPS. WAISTBAND AND ENDS OF STRAPS ARE ADDITIONAL PIECES OF FABRIC SEWN TO LARGER BIB PIECE. BACK OF WAISTBAND IS STAMPED WITH ILLEGIBLE TEXT AND THE NUMBER “07013” IN BLACK INK, AND HANDWRITTEN TEXT READING “B. KIPP”. FABRIC IS CREASED FROM PRIOR STORAGE AND FRONT OF WAISTBAND HAS TWO BLACK STAINS FROM INK ON BACK SIDE. OVERALL VERY GOOD CONDITION.
Subjects
CLOTHING-OUTERWEAR
Historical Association
HEALTH SERVICES
EDUCATION
History
AT THE TIME OF DONATION, GALT SCHOOL OF NURSING ALUMNAE ASSOCIATION PAST ARCHIVIST ELAINE HAMILTON IDENTIFIED THIS BIB AS BELONGING TO GALT NURSE BERTHA KIPP. ACCORDING TO HER LETHBRIDGE HERALD OBITUARY AND GALT ARCHIVES RECORD 19911050001, BERTHA KIPP WAS BORN IN 1907, AND MOVED TO LETHBRIDGE FROM FORT MACLEOD IN 1925 TO PURSUE HER NURSING CAREER. SHE GRADUATED FROM THE GALT SCHOOL OF NURSING IN 1928, AND NURSED IN THE GALT HOSPITAL, TAUGHT STUDENTS AT ST. MICHAEL’S SCHOOL OF NURSING, AND SERVED AS THE SUPERINTENDENT OF NURSING AT THE GALT. SHE RETIRED IN 1973 AND WAS A LIFE MEMBER OF THE GALT SCHOOL OF NURSING ALUMNAE ASSOCIATION AND AN HONOURARY LIFE MEMBER OF THE ALBERTA ASSOCIATION OF REGISTERED NURSES. KIPP SERVED ON THE LETHBRIDGE PUBLIC SCHOOL BOARD, LETHBRIDGE COMMUNITY COLLEGE BOARD, AND UNIVERSITY OF LETHBRIDGE SENATE. SHE WAS ALSO AN HISTORIAN OF EARLY NURSING IN SOUTHERN ALBERTA. BERTHA KIPP DIED IN DECEMBER 1989. IN SUMMER 2014, COLLECTIONS TECHNICIAN KEVIN MACLEAN INTERVIEWED THE PAST ARCHIVISTS OF THE GALT SCHOOL OF NURSING COLLECTION, SHIRLEY HIGA, ELAINE HAMILTON, AND SUE KYLLO, ABOUT THEIR INVOLVEMENT WITH THE GSN ALUMNAE ASSOCIATION AND THE HISTORY OF THE COLLECTED ARTIFACTS. HIGA, THE EARLIEST GSN COLLECTION ARCHIVIST, SAID: “I TRAINED MOSTLY AT THE GALT. THE STUDENTS, WE ALL KNEW EACH OTHER, HELPED EACH OTHER BECAUSE THERE WERE MOSTLY STUDENTS THERE: ONE REGISTERED NURSE FROM 7AM TO 7PM. THE REST WERE ALL US STUDENTS THAT RAN THE HOSPITAL SO, BUT WE WERE REALLY GOOD FRIENDS AND WE HELPED EACH OTHER… WE HAD SUCH GOOD RAPPORT BETWEEN THE STUDENTS IN MY CLASS… I JOINED [THE ALUMNAE] WHEN I GRADUATED IN 1955… I WAS INTERESTED IN HOW EVERYBODY TURNED OUT, AND THE ALUMNAE SORT OF KEPT IN CONTACT WITH THEM, AND IT WAS QUITE IMPORTANT TO ME. I FELT QUITE HAPPY TO HEAR ABOUT ALL THE OTHER [NURSES]… IT’S NICE WHEN THEY CAME FOR THE REUNIONS. YOU SEE ALL THESE GIRLS YOU WORKED WITH, MAYBE ONLY FOR A LITTLE WHILE, BUT YOU REMEMBER THEM… I REALLY DIDN’T WANT TO BE THE ARCHIVIST, BUT WE DON’T HAVE TOO MANY PEOPLE THAT OFFER TO DO THINGS… I WAS INTERESTED IN ALL THE HISTORY AND ALL THE THINGS THAT THE GIRLS THOUGHT ABOUT IT… [THE ARCHIVIST WAS TO] KEEP TRACK OF ALL THE HISTORY AND THE PEOPLE THAT WERE INVOLVED, AND KEEP TRACK OF THE STUFF WE COLLECT[ED]… [THE COLLECTION IS IMPORTANT TO ME BECAUSE] I LIKE EVERYBODY TO KNOW ABOUT THE GALT AND HOW WE TRAINED AND HOW IT PROGRESSED… AS YOU GET OLDER YOU KIND OF HAVE MEMORIES THAT YOU WOULD LIKE TO KEEP, AND YOU KNOW YOU THINK ABOUT THOSE THINGS… [WHEN] YOU LOOK AT [THE OBJECTS] YOU REMEMBER.” ELAINE HAMILTON BECAME THE GSN COLLECTION ARCHIVIST IN THE LATE 1980S AFTER SHIRLEY HIGA STEPPED DOWN. OF THE ALUMNAE ASSOCIATION, HAMILTON SAID: “I THINK THE RETIRED NURSES DECIDED THAT THEY SHOULD FORM A GROUP TO HELP THE STUDENTS… I WASN’T THERE BUT IT WAS ’45 WHEN THEY FORMED, AND THEY DID THINGS FOR THE NURSES STUDENTS LIKE, THEY BOUGHT FURNITURE [FOR STUDENT RESIDENCES]… THEY DID A WHOLE BUNCH OF BAKE SALES AND CRAFT SALES; THEY WORKED AT THE BULL SALE OUT AT THE EXHIBITION GROUNDS. THEY DID A LOT OF THINGS LIKE THAT TO RAISE MONEY FOR LITTLE THINGS THAT COULDN’T BE BOUGHT OTHERWISE, LIKE THE PATIENT COMFORT, LIKE PATIENTS WOULD COME IN WITHOUT TOOTHBRUSHES AND COMBS… THEY HAD A BANQUET [FOR NURSING STUDENTS], AND THEY HAD A TEA WITH OUR PARENTS TOO, FOR US IN THE RESIDENCE… FOR ME, THE MOST IMPORTANT THING WAS THE BANQUETS, AND HAVING MY CLASSMATES COME EVERY FIVE YEARS, BECAUSE THEY ARE LIKE SISTERS TO ME… OF COURSE I LIKE HISTORY AND ARCHIVES TOO SO [THE COLLECTION] IS KIND OF IMPORTANT TO ME TOO… WE LIVED TOGETHER, AND ATE TOGETHER, AND CRIED TOGETHER AND DID EVERYTHING TOGETHER FOR THREE YEARS, BECAUSE WE LIVED RIGHT IN A RESIDENCE. SO, WE BECAME VERY CLOSE… AND IF YOU WORK IN THE ALUMNI, YOU BECOME KIND OF LIKE A LITTLE FAMILY TOO BECAUSE THERE’S NOT THAT MANY OF US THAT GO TO OUR MEETINGS, SO WHEN WE GET TOGETHER, IT’S KIND OF NICE TO SHARE WHAT’S BEEN GOING ON… IT’S A FELLOWSHIP.” OF THE GSN COLLECTION, HAMILTON SAID: “IT’S AN ACCUMULATION OF ARTIFACTS FROM THE HOSPITALS AND FROM OUR TRAINING DAYS. AND, IT’S PART OF THE HISTORY OF LETHBRIDGE IN A WAY, BECAUSE THE SCHOOL WAS HERE FOR QUITE A WHILE… I’M A CARE GIVER AND I LIKE TO LOOK AFTER STUFF. SO, IT WAS IMPORTANT TO ME THAT IT GOT CARED FOR… I THINK WITH THE CLOSING [OF THE GALT SCHOOL OF NURSING, IN 1979] WE GOT ALL THE CHARTS, AND WE ALREADY HAD THINGS FROM THE GALT HOSPITAL IN OUR STUFF THAT PROBABLY SOMEBODY [BEFORE HIGA] ACCEPTED… WHEN WE WENT INTO THE MUNICIPAL HOSPITAL [IN 1955] IT WAS ALL BRAND NEW, STAINLESS STEEL, SO THERE WAS NONE OF THE ENAMEL STUFF, AND THEN WHEN THE MUNICIPAL CLOSED [IN 1988], THE OPERATING ROOM GAVE US A LOT OF THINGS. THERE WERE A LOT OF DONATIONS THEN FROM DIFFERENT SPOTS BECAUSE THEY DIDN’T WANT TO MOVE STUFF SINCE IT WAS OLD… WE GOT A PLACE [FOR STORING THE COLLECTION IN THE REGIONAL HOSPITAL], ACTUALLY ABOVE THE WASHERS IN THE LAUNDRY FIRST. BUT IT WAS PRETTY MOIST UP THERE. AND THEN THEY GAVE US A ROOM IN THE SEWING ROOM, WHICH WAS VERY NICE, OUR OWN SEPARATE LITTLE ROOM THERE FOR OUR STORAGE… WE HAD THINGS UP ON A SHELF AND WE HAD A TRUNK IN THERE, AND… WE HAD ALL THE LETTERS FROM THE RESIDENCE… WE HAD A DISPLAY CASE THAT THEY BUILT AT THE REGIONAL [IN THE HOSPITAL ATRIUM] AND WE HAD STUFF IN THERE, AND WE’D MOVE IT AROUND… HAVING THE DISPLAY CASE WAS IMPORTANT TO ME, AND CHANGING THE UNIFORM ON [THE DISPLAY MANNEQUIN] EVERY ONCE IN A WHILE, AND HAVING HER IN DIFFERENT OUTFITS… I ALWAYS HAD IT ALL TIDY FOR A REUNION… I WOULD CHANGE THE UNIFORM FOR THEM, DEPENDING ON WHAT CLASS WAS HAVING THEIR REUNION.” SUE KYLLO BECAME THE GSN COLLECTION ARCHIVIST IN 2010 AFTER ELAINE HAMILTON STEPPED DOWN. OF THE ALUMNAE ASSOCIATION, KYLLO SAID: “[I ATTENDED THE GALT SCHOOL OF NURSING] FROM ’66 TO ’69, AND I JOINED IN 1976 AFTER I CAME BACK TO LETHBRIDGE. I HAD TWO LITTLE KIDS AND I WANTED TO GET OUT AND MEET PEOPLE AND THE ALUMNI GAVE ME THAT… I WANTED TO STAY IN TOUCH WITH MY NURSING FRIENDS AND SEE IF I CAN HELP OUT IN SOME WAY… THE ALUMNI IS THE WAY TO GO TO KEEP OUR NURSING MEMORIES ALIVE AND I WANT TO DO THAT. SO NOW IT’S IMPORTANT TO ME WAY MORE THAN WHEN I WAS A YOUNG MOTHER THAT WANTED TO GET OUT… IT MEANS COMPANIONSHIP [AND] TO HELP EACH OTHER.” OF THE GSN COLLECTION, KYLLO SAID: “I DON’T KNOW HOW IT GOT STARTED. I WOULD THINK THAT MRS. BOYCHUCK WOULD HAVE A LOT TO DO WITH IT BECAUSE [SHE] WAS VERY ACTIVE IN THE ALUMNI AT THE BEGINNING, AND I WOULD THINK THAT IF ANYBODY, IT WOULD BE HER THAT STARTED COLLECTING THE ODD LITTLE THING, AND THEN IT WENT TO SHIRLEY. I DON’T KNOW THAT THERE WAS ANYBODY BEFORE SHIRLEY… OUR ALUMNI ONLY STARTED IN [1945], SO THERE WERE THOSE PERIODS WHERE I DON’T THINK ANYBODY CARED ABOUT ANY OF THIS STUFF… TO ME, IT MEANS AN AWFUL LOT. IT MEANS THAT WE EXISTED REALLY… IF WE DIDN’T HAVE ALL THIS STUFF, WELL WHAT WERE WE? A NURSE, WHAT DOES A NURSE DO? WITH THIS WE CAN SHOW THEM THAT WE DIDN’T JUST GIVE BEDPANS. WE DID A LOT OF THINGS, AND I’M REALLY PROUD THAT WE HAVE WHAT WE’VE GOT.” OF THE SITUATION LEADING UP TO THE DONATION OF THE GSN COLLECTION TO THE GALT MUSEUM, KYLLO SAID: “WE HAD A DISPLAY AT THE NORTH END OF THE HOSPITAL [THAT] WAS GOING TO STAY THERE [AND ADDITIONAL COLLECTION STORAGE] AND WE DIDN’T HAVE A PROBLEM... WE WERE ALWAYS UNDER THE IMPRESSION OF ALL THE PAST ADMINISTRATIONS THAT WE ALWAYS HAD A PLACE IN THAT HOSPITAL… NOW THAT ALL THE OLD GUYS HAVE GONE, THEY JUST UP AND MOVED [THE COLLECTION, IN FALL 2012] AND DIDN’T CARE. THEY WERE BUILDING A NEW WING AND ‘TO HECK WITH YOUR GUYS’ STUFF’… NOBODY WANTED TO EVEN TALK TO US ABOUT IT. I FINALLY GOT AHOLD OF THE GUY IN CHARGE OF MAINTENANCE, [HE] SAID, “WELL IT’S UPSTAIRS IN THE PENTHOUSE.” WELL, WE KNEW WHAT THE PENTHOUSE WAS LIKE, BECAUSE IT WAS VERY HOT AND YOU DON’T WANT [THESE ARTIFACTS] IN SOMEPLACE REALLY HOT, SO I WANTED IT OUT OF THERE… SO THAT’S WHEN IT WENT OUT INTO A STORAGE LOCKER. AND IN THE STORAGE LOCKER… IT WAS JUST NOT CLEAN ENOUGH TO BE IN THERE… WE WERE VERY DISAPPOINTED.” HAMILTON ADDED: “WE DIDN’T HAVE ANYWHERE FOR [THE COLLECTION], AND IT’S IN PEOPLE’S GARAGES AND BASEMENTS AND LIVING ROOMS… [THE MUSEUM IS HOUSED IN] THE GALT HOSPITAL. AND A LOT OF OUR MEMBERS TRAINED HERE. SO IT’S PRETTY SPECIAL TO THEM, AND THEY WOULD LIKE TO LEAVE SOMETHING HERE TO BE REMEMBERED BY… IT’S VERY IMPORTANT TO US TO LEAVE SOMETHING BEHIND.” SEE PERMANENT FILE FOR HARDCOPIES OF FULL INTERVIEW TRANSCRIPTS AND NEWSPAPER ARTICLES.
Catalogue Number
P20140006003
Acquisition Date
2014-03
Collection
Museum
Images
Less detail
Other Name
JUDICIAL ROBE OR CHORAL GOWN
Date Range From
1950
Date Range To
1970
Material Type
Artifact
Catalogue Number
P19990053034
  2 images  
Material Type
Artifact
Other Name
JUDICIAL ROBE OR CHORAL GOWN
Date Range From
1950
Date Range To
1970
No. Pieces
1
Height
5.0
Length
116.0
Width
49.0
Description
BACHELOR'S GOWN. BLACK, COLLARLESS. HAS AN OPENING IN THE FRONT WITH TWO WIDE BOX PLEATS EXTENDING TO THE HEM. HAS LARGE FLOWING, ANGEL SLEEVES ENDING IN POINTS. BACK AND SLEEVES ARE SET INTO A SQUARE YOKE WITH CARTRIDGE PLEATS. FRONT OF SQUARE YOKE CLOSES WITH A HOOK AND EYE. ON BACK INSIDE OF NECK IS STITCHING IN A RECTANGLE SHAPE WHERE TAG USED TO BE (TAG IS MISSING).
Subjects
PERSONAL SYMBOL
CLOTHING-OUTERWEAR
Historical Association
EDUCATION
RELIGION
History
MAY HAVE BEEN EITHER AN ACADEMIC OR CHORAL GOWN. DONOR USED AS A JUDICIAL ROBE FOR DRAMATIC PURPOSES. DONOR IS A HIGH SCHOOL PHYS. ED. TEACHER. SHE DID DRAMA IN SCHOOLS AND LOCAL THEATRE, AND ENTIRE COLLECTION WAS GIVEN TO HER BY LOCAL PEOPLE. FOR MORE INFORMATION ON DONOR GAIL HOLLAND’S ACQUISITION, STEWARDSHIP AND GENERAL USE OF HER 1999-DONATED COLLECTION PLEASE REFER TO RECORD P19990053001. ***UPDATE: ARTIFACT INSIGHT BELOW SUBMITTED BY DONOR AND COLLECTIONS VOLUNTEER GAIL HOLLAND ON 19 APRIL 2011. “ACADEMIC GOWN/ JUDICIAL ROBE WORN BY THE CHARACTER PLAYING THE JUDGE IN LETHBRIDGE MUSICAL THEATRE’S PRODUCTION OF “HELLO DOLLY” 1986.”
Catalogue Number
P19990053034
Acquisition Date
2000-12
Collection
Museum
Images
Less detail
Other Name
PNEUMONIA VEST, “GALT SCHOOL OF NURSING”
Date Range From
1930
Date Range To
1960
Material Type
Artifact
Materials
FLANNEL
Catalogue Number
P20140006033
  2 images  
Material Type
Artifact
Other Name
PNEUMONIA VEST, “GALT SCHOOL OF NURSING”
Date Range From
1930
Date Range To
1960
Materials
FLANNEL
No. Pieces
1
Height
1.5
Length
42
Width
48.5
Description
WHITE COTTON FLANNEL VEST, OPEN AT LEFT SIDE AND LEFT SHOULDER. WHITE COTTON TWILL TIES AT OPEN SIDE AND SHOULDER FOR CLOSURE. BOTTOM HEMMED WITH BLUE THREAD. STAMP AT BOTTOM LEFT CORNER READS “GALT SCHOOL OF NURSING” IN BLACK INK. MINOR STAINING AND YELLOWING ALONG UNDERARM SEAMS; OVERALL VERY GOOD CONDITION.
Subjects
CLOTHING-OUTERWEAR
MEDICAL & DENTAL T&E
Historical Association
HEALTH SERVICES
EDUCATION
History
AT THE TIME OF DONATION, GALT SCHOOL OF NURSING ALUMNAE ASSOCIATION PAST ARCHIVIST ELAINE HAMILTON IDENTIFIED THIS VEST AS A “PNEUMONIA VEST USED WHEN PATIENT WENT TO THE O.R. [OPERATING ROOM]. PATIENT ALSO WORE A GOWN OVER THIS AND FLANNEL BOOTS THAT TIED AT OR ABOVE THE KNEE. [THIS VEST WAS] POSSIBLY USED AT THE GALT [HOSPITAL]. IN 1955 WHEN I ENTERED TRAINING AT THE MUNICIPAL HOSPITAL WE DRESSED PATIENTS THIS WAY TO GO TO THE O.R.” IN SUMMER 2014, COLLECTIONS TECHNICIAN KEVIN MACLEAN INTERVIEWED THE PAST ARCHIVISTS OF THE GALT SCHOOL OF NURSING COLLECTION, SHIRLEY HIGA, ELAINE HAMILTON, AND SUE KYLLO, ABOUT THEIR INVOLVEMENT WITH THE GSN ALUMNAE ASSOCIATION AND THE HISTORY OF THE COLLECTED ARTIFACTS. HIGA, THE EARLIEST GSN COLLECTION ARCHIVIST, SAID: “I TRAINED MOSTLY AT THE GALT. THE STUDENTS, WE ALL KNEW EACH OTHER, HELPED EACH OTHER BECAUSE THERE WERE MOSTLY STUDENTS THERE: ONE REGISTERED NURSE FROM 7AM TO 7PM. THE REST WERE ALL US STUDENTS THAT RAN THE HOSPITAL SO, BUT WE WERE REALLY GOOD FRIENDS AND WE HELPED EACH OTHER… WE HAD SUCH GOOD RAPPORT BETWEEN THE STUDENTS IN MY CLASS… I JOINED [THE ALUMNAE] WHEN I GRADUATED IN 1955… I WAS INTERESTED IN HOW EVERYBODY TURNED OUT, AND THE ALUMNAE SORT OF KEPT IN CONTACT WITH THEM, AND IT WAS QUITE IMPORTANT TO ME. I FELT QUITE HAPPY TO HEAR ABOUT ALL THE OTHER [NURSES]… IT’S NICE WHEN THEY CAME FOR THE REUNIONS. YOU SEE ALL THESE GIRLS YOU WORKED WITH, MAYBE ONLY FOR A LITTLE WHILE, BUT YOU REMEMBER THEM… I REALLY DIDN’T WANT TO BE THE ARCHIVIST, BUT WE DON’T HAVE TOO MANY PEOPLE THAT OFFER TO DO THINGS… I WAS INTERESTED IN ALL THE HISTORY AND ALL THE THINGS THAT THE GIRLS THOUGHT ABOUT IT… [THE ARCHIVIST WAS TO] KEEP TRACK OF ALL THE HISTORY AND THE PEOPLE THAT WERE INVOLVED, AND KEEP TRACK OF THE STUFF WE COLLECT[ED]… [THE COLLECTION IS IMPORTANT TO ME BECAUSE] I LIKE EVERYBODY TO KNOW ABOUT THE GALT AND HOW WE TRAINED AND HOW IT PROGRESSED… AS YOU GET OLDER YOU KIND OF HAVE MEMORIES THAT YOU WOULD LIKE TO KEEP, AND YOU KNOW YOU THINK ABOUT THOSE THINGS… [WHEN] YOU LOOK AT [THE OBJECTS] YOU REMEMBER.” ELAINE HAMILTON BECAME THE GSN COLLECTION ARCHIVIST IN THE LATE 1980S AFTER SHIRLEY HIGA STEPPED DOWN. OF THE ALUMNAE ASSOCIATION, HAMILTON SAID: “I THINK THE RETIRED NURSES DECIDED THAT THEY SHOULD FORM A GROUP TO HELP THE STUDENTS… I WASN’T THERE BUT IT WAS ’45 WHEN THEY FORMED, AND THEY DID THINGS FOR THE NURSES STUDENTS LIKE, THEY BOUGHT FURNITURE [FOR STUDENT RESIDENCES]… THEY DID A WHOLE BUNCH OF BAKE SALES AND CRAFT SALES; THEY WORKED AT THE BULL SALE OUT AT THE EXHIBITION GROUNDS. THEY DID A LOT OF THINGS LIKE THAT TO RAISE MONEY FOR LITTLE THINGS THAT COULDN’T BE BOUGHT OTHERWISE, LIKE THE PATIENT COMFORT, LIKE PATIENTS WOULD COME IN WITHOUT TOOTHBRUSHES AND COMBS… THEY HAD A BANQUET [FOR NURSING STUDENTS], AND THEY HAD A TEA WITH OUR PARENTS TOO, FOR US IN THE RESIDENCE… FOR ME, THE MOST IMPORTANT THING WAS THE BANQUETS, AND HAVING MY CLASSMATES COME EVERY FIVE YEARS, BECAUSE THEY ARE LIKE SISTERS TO ME… OF COURSE I LIKE HISTORY AND ARCHIVES TOO SO [THE COLLECTION] IS KIND OF IMPORTANT TO ME TOO… WE LIVED TOGETHER, AND ATE TOGETHER, AND CRIED TOGETHER AND DID EVERYTHING TOGETHER FOR THREE YEARS, BECAUSE WE LIVED RIGHT IN A RESIDENCE. SO, WE BECAME VERY CLOSE… AND IF YOU WORK IN THE ALUMNI, YOU BECOME KIND OF LIKE A LITTLE FAMILY TOO BECAUSE THERE’S NOT THAT MANY OF US THAT GO TO OUR MEETINGS, SO WHEN WE GET TOGETHER, IT’S KIND OF NICE TO SHARE WHAT’S BEEN GOING ON… IT’S A FELLOWSHIP.” OF THE GSN COLLECTION, HAMILTON SAID: “IT’S AN ACCUMULATION OF ARTIFACTS FROM THE HOSPITALS AND FROM OUR TRAINING DAYS. AND, IT’S PART OF THE HISTORY OF LETHBRIDGE IN A WAY, BECAUSE THE SCHOOL WAS HERE FOR QUITE A WHILE… I’M A CARE GIVER AND I LIKE TO LOOK AFTER STUFF. SO, IT WAS IMPORTANT TO ME THAT IT GOT CARED FOR… I THINK WITH THE CLOSING [OF THE GALT SCHOOL OF NURSING, IN 1979] WE GOT ALL THE CHARTS, AND WE ALREADY HAD THINGS FROM THE GALT HOSPITAL IN OUR STUFF THAT PROBABLY SOMEBODY [BEFORE HIGA] ACCEPTED… WHEN WE WENT INTO THE MUNICIPAL HOSPITAL [IN 1955] IT WAS ALL BRAND NEW, STAINLESS STEEL, SO THERE WAS NONE OF THE ENAMEL STUFF, AND THEN WHEN THE MUNICIPAL CLOSED [IN 1988], THE OPERATING ROOM GAVE US A LOT OF THINGS. THERE WERE A LOT OF DONATIONS THEN FROM DIFFERENT SPOTS BECAUSE THEY DIDN’T WANT TO MOVE STUFF SINCE IT WAS OLD… WE GOT A PLACE [FOR STORING THE COLLECTION IN THE REGIONAL HOSPITAL], ACTUALLY ABOVE THE WASHERS IN THE LAUNDRY FIRST. BUT IT WAS PRETTY MOIST UP THERE. AND THEN THEY GAVE US A ROOM IN THE SEWING ROOM, WHICH WAS VERY NICE, OUR OWN SEPARATE LITTLE ROOM THERE FOR OUR STORAGE… WE HAD THINGS UP ON A SHELF AND WE HAD A TRUNK IN THERE, AND… WE HAD ALL THE LETTERS FROM THE RESIDENCE… WE HAD A DISPLAY CASE THAT THEY BUILT AT THE REGIONAL [IN THE HOSPITAL ATRIUM] AND WE HAD STUFF IN THERE, AND WE’D MOVE IT AROUND… HAVING THE DISPLAY CASE WAS IMPORTANT TO ME, AND CHANGING THE UNIFORM ON [THE DISPLAY MANNEQUIN] EVERY ONCE IN A WHILE, AND HAVING HER IN DIFFERENT OUTFITS… I ALWAYS HAD IT ALL TIDY FOR A REUNION… I WOULD CHANGE THE UNIFORM FOR THEM, DEPENDING ON WHAT CLASS WAS HAVING THEIR REUNION.” SUE KYLLO BECAME THE GSN COLLECTION ARCHIVIST IN 2010 AFTER ELAINE HAMILTON STEPPED DOWN. OF THE ALUMNAE ASSOCIATION, KYLLO SAID: “[I ATTENDED THE GALT SCHOOL OF NURSING] FROM ’66 TO ’69, AND I JOINED IN 1976 AFTER I CAME BACK TO LETHBRIDGE. I HAD TWO LITTLE KIDS AND I WANTED TO GET OUT AND MEET PEOPLE AND THE ALUMNI GAVE ME THAT… I WANTED TO STAY IN TOUCH WITH MY NURSING FRIENDS AND SEE IF I CAN HELP OUT IN SOME WAY… THE ALUMNI IS THE WAY TO GO TO KEEP OUR NURSING MEMORIES ALIVE AND I WANT TO DO THAT. SO NOW IT’S IMPORTANT TO ME WAY MORE THAN WHEN I WAS A YOUNG MOTHER THAT WANTED TO GET OUT… IT MEANS COMPANIONSHIP [AND] TO HELP EACH OTHER.” OF THE GSN COLLECTION, KYLLO SAID: “I DON’T KNOW HOW IT GOT STARTED. I WOULD THINK THAT MRS. BOYCHUCK WOULD HAVE A LOT TO DO WITH IT BECAUSE [SHE] WAS VERY ACTIVE IN THE ALUMNI AT THE BEGINNING, AND I WOULD THINK THAT IF ANYBODY, IT WOULD BE HER THAT STARTED COLLECTING THE ODD LITTLE THING, AND THEN IT WENT TO SHIRLEY. I DON’T KNOW THAT THERE WAS ANYBODY BEFORE SHIRLEY… OUR ALUMNI ONLY STARTED IN [1945], SO THERE WERE THOSE PERIODS WHERE I DON’T THINK ANYBODY CARED ABOUT ANY OF THIS STUFF… TO ME, IT MEANS AN AWFUL LOT. IT MEANS THAT WE EXISTED REALLY… IF WE DIDN’T HAVE ALL THIS STUFF, WELL WHAT WERE WE? A NURSE, WHAT DOES A NURSE DO? WITH THIS WE CAN SHOW THEM THAT WE DIDN’T JUST GIVE BEDPANS. WE DID A LOT OF THINGS, AND I’M REALLY PROUD THAT WE HAVE WHAT WE’VE GOT.” OF THE SITUATION LEADING UP TO THE DONATION OF THE GSN COLLECTION TO THE GALT MUSEUM, KYLLO SAID: “WE HAD A DISPLAY AT THE NORTH END OF THE HOSPITAL [THAT] WAS GOING TO STAY THERE [AND ADDITIONAL COLLECTION STORAGE] AND WE DIDN’T HAVE A PROBLEM... WE WERE ALWAYS UNDER THE IMPRESSION OF ALL THE PAST ADMINISTRATIONS THAT WE ALWAYS HAD A PLACE IN THAT HOSPITAL… NOW THAT ALL THE OLD GUYS HAVE GONE, THEY JUST UP AND MOVED [THE COLLECTION, IN FALL 2012] AND DIDN’T CARE. THEY WERE BUILDING A NEW WING AND ‘TO HECK WITH YOUR GUYS’ STUFF’… NOBODY WANTED TO EVEN TALK TO US ABOUT IT. I FINALLY GOT AHOLD OF THE GUY IN CHARGE OF MAINTENANCE, [HE] SAID, “WELL IT’S UPSTAIRS IN THE PENTHOUSE.” WELL, WE KNEW WHAT THE PENTHOUSE WAS LIKE, BECAUSE IT WAS VERY HOT AND YOU DON’T WANT [THESE ARTIFACTS] IN SOMEPLACE REALLY HOT, SO I WANTED IT OUT OF THERE… SO THAT’S WHEN IT WENT OUT INTO A STORAGE LOCKER. AND IN THE STORAGE LOCKER… IT WAS JUST NOT CLEAN ENOUGH TO BE IN THERE… WE WERE VERY DISAPPOINTED.” HAMILTON ADDED: “WE DIDN’T HAVE ANYWHERE FOR [THE COLLECTION], AND IT’S IN PEOPLE’S GARAGES AND BASEMENTS AND LIVING ROOMS… [THE MUSEUM IS HOUSED IN] THE GALT HOSPITAL. AND A LOT OF OUR MEMBERS TRAINED HERE. SO IT’S PRETTY SPECIAL TO THEM, AND THEY WOULD LIKE TO LEAVE SOMETHING HERE TO BE REMEMBERED BY… IT’S VERY IMPORTANT TO US TO LEAVE SOMETHING BEHIND.” SEE PERMANENT FILE FOR HARDCOPIES OF FULL INTERVIEW TRANSCRIPTS.
Catalogue Number
P20140006033
Acquisition Date
2014-03
Collection
Museum
Images
Less detail

11 records – page 1 of 1.