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11 records – page 1 of 1.

Other Name
NAVAL JACKET
Date Range From
1945
Date Range To
1955
Material Type
Artifact
Materials
WOOL, PLASTIC, ALUMINUM
Catalogue Number
P19990053004
  1 image  
Material Type
Artifact
Other Name
NAVAL JACKET
Date Range From
1945
Date Range To
1955
Materials
WOOL, PLASTIC, ALUMINUM
No. Pieces
1
Height
3.0
Length
71.0
Width
46.5
Description
NAVY BLUE, WOOL. PULL OVER STYLE; HAS A SHORT GOLD ZIPPER ON TOP FRONT. HAS A WELT POCKET ON LEFT BREAST, WITH DECORATIVE STITCHING AT THE SIDES. CUFFS OF SLEEVES HAVE THREE WHITE STRIPES SEWN ON. EACH CUFF ALSO HAS TWO BLACK, PLASTIC BUTTONS, WITH ANCHORS IMPRESSED INTO THEM. TOP OF RIGHT ARM HAS A NAVY BLUE PATCH SEWN ON. EMBROIDERED AT TOP OF PATCH IS A WHITE EAGLE, WITH WINGS SPREAD; BELOW THIS IS A WHITE ANCHOR, OVERLAID BY A TORPEDO SHAPE, AND WINGS AT THE SIDE; BELOW THIS IS A RED V-SHAPED BAR. BACK OF JACKET HAS A TURNED DOWN RECTANGULAR FLAP, WITH THREE WHITE STRIPES SEWN AROUND THE PERIMETER (THAT GO AROUND TO THE FRONT ON INSIDE OF ZIPPER). EMBROIDERED ON BACK FLAP IS A WHITE STAR IN THE TWO LOWER CORNERS.
Subjects
CLOTHING-OUTERWEAR
Historical Association
FINE ARTS
MILITARY
History
A UNITED STATES NAVY SEAMAN'S TUNIC, PROBABLY USED AROUND THE SECOND WORLD WAR. DONOR IS A HIGH SCHOOL PHYS. ED. TEACHER. SHE DID DRAMA IN SCHOOLS AND LOCAL THEATRE, AND ENTIRE COLLECTION WAS GIVEN TO HER BY LOCAL PEOPLE. FOR MORE INFORMATION ON DONOR GAIL HOLLAND’S ACQUISITION, STEWARDSHIP AND GENERAL USE OF HER 1999-DONATED COLLECTION PLEASE REFER TO RECORD P19990053001. ***UPDATE: ARTIFACT INSIGHT BELOW SUBMITTED BY DONOR AND COLLECTIONS VOLUNTEER GAIL HOLLAND ON 19 APRIL 2011. “MILITARY NAVAL JACKET WAS NOT USED IN A THEATRE PRODUCTION, BUT SERVED AS A REFERENCE FOR REPRODUCTION PURPOSES, IF NEEDED.”
Catalogue Number
P19990053004
Acquisition Date
2000-12
Collection
Museum
Images
Less detail
Other Name
U.S. AIRBORNE JACKET
Material Type
Artifact
Materials
WOOL, SATIN, ALUMINUM
Catalogue Number
P19990053005
  1 image  
Material Type
Artifact
Other Name
U.S. AIRBORNE JACKET
Date
1944
Materials
WOOL, SATIN, ALUMINUM
No. Pieces
1
Height
8.0
Length
76.0
Width
46.0
Description
SHORT, NAVY GREEN. HAS TWO FLAPPED PATCH, BREAST POCKETS, WITH GOLD COLOURED METAL BUTTONS. BUTTONS ARE EMBOSSED WITH AN EAGLE, WITH SPREAD WINGS, OVERLAID WITH A CREST SHAPE. ONE FOOT OF EAGLE IS HOLDING A STEM OF LEAVES, THE OTHER IS HOLDING A BUNCH OF GRAIN. ABOVE EAGLE IS A BANNER THAT READS "EPLURIBUS UNUM", AND ABOVE THIS IS A CIRCLE WITH 12 STARS WITHIN IT; CIRCLE IS SURROUNDED BY A BORDER OF TINY SPHERES. THERE ARE THREE BUTTONS ON FRONT (SAME AS ABOVE, BUT BIGGER). THE BACK OF EACH BUTTON IS IMPRESSED WITH "WATERBURY BUTTON CO. * CONN. * ". JACKET HAS NOTCHED LAPELS. A STRAP AT BOTTOM OF JACKET OVERLAPS THE OTHER SIDE AND GOES THROUGH A GOLD COLOURED BUCKLE. THERE IS A GOLD BUTTON ON EACH SHOULDER (SAME AS ABOVE). THERE IS ONE KHAKI GREEN STRIPE AROUND EACH CUFF. LEFT ARM HAS A ROYAL BLUE PATCH SEWN ON. ON BOTTOM OF PATCH IS A WHITE STAR WITH A RED CENTRE. ABOVE THIS IS A WHITE PARACHUTE, OVERLAID WITH A WHITE AIRPLANE. ON EITHER SIDE OF THE PLANE IS A YELLOW WING. AT THE TOP OF PATCH READS "AIRBORNE TROOP CARRIER". SEWN ON INSIDE OF JACKET ARE FOUR KHAKI GREEN, PLASTIC BUTTONS. ON INSIDE LEFT IS A SIDEWAYS WELT POCKET. TAG INSIDE OF POCKET READS "CINCINATTI, OHIO SPECIALLY CUT AND MADE FOR YOU MR C.H. LANIER DATE 5-18-44 NO 12177". SEWN OUTSIDE OF POCKET IS A MONOGRAM MADE UP OF THREE SQUARES OF FABRIC, IT READS "CHL". THE LETTERS ARE WHITE, FANCY SCRIPT, ON A BLACK BACKGROUND. INSIDE OF JACKET IS LINED WITH GOLD SATIN. STAMPED ON INSIDE IS "L-2229".
Subjects
CLOTHING-OUTERWEAR
Historical Association
FINE ARTS
MILITARY
History
DONOR IS A HIGH SCHOOL PHYS. ED. TEACHER. SHE DID DRAMA IN SCHOOLS AND LOCAL THEATRE, AND ENTIRE COLLECTION WAS GIVEN TO HER BY LOCAL PEOPLE. FOR MORE INFORMATION ON DONOR GAIL HOLLAND’S ACQUISITION, STEWARDSHIP AND GENERAL USE OF HER 1999-DONATED COLLECTION PLEASE REFER TO RECORD P19990053001. ***UPDATE: ARTIFACT INSIGHT BELOW SUBMITTED BY DONOR AND COLLECTIONS VOLUNTEER GAIL HOLLAND ON 19 APRIL 2011. “US AIRBORNE JACKET USED IN 1988 PRODUCTION “SOUTH PACIFIC” BY LETHBRIDGE MUSICAL THEATRE AND WORN BY A CAST MEMBER PLAYING ONE OF THE OFFICERS.”
Catalogue Number
P19990053005
Acquisition Date
2000-12
Collection
Museum
Images
Less detail
Other Name
MAPLE LEAFS HOCKEY TEAM
Material Type
Artifact
Materials
WOOL BLEND, COTTON
Catalogue Number
P19910055001
  2 images  
Material Type
Artifact
Other Name
MAPLE LEAFS HOCKEY TEAM
Date
1950
Materials
WOOL BLEND, COTTON
No. Pieces
1
Length
73.5
Description
RED, WHITE & BLUE KNITTED LONG SLEEVE SWEATER WITH LACE-UP "V" NECK & ENLARGED (GUSSETTED) ELBOWS. COLORS ARE REPRESENTED IN STRIPES. FRONT WITH LARGE MAPLE LEAF CREST "LETHBRIDGE" ACROSS LEAF. REVERSE: "CANADA 19" CREST & LETTERS CUT FROM FELT. LACE NOT ORIGINAL & REPAIRS EVIDENT. SEE CONSERVATION REPORT.
Subjects
CLOTHING-OUTERWEAR
SPORTS EQUIPMENT
Historical Association
SPORTS
History
SWEATER USED BY GOAL KEEPER CARL SORKOSKI (DECEASED CA 1980) OF LETHBRIDGE MAPLE LEAFS HOCKEY TEAM. JERSEY GIVEN TO DONOR BY WIDOW OF ORIGINAL OWNER KARL SOROKOSKI. MCLEAN GIVEN JERSEY ON ACCOUNT OF HIS LONGSTANDING FRIENDSHIP WITH SOROKOSKI AND BECAUSE THEY WERE TEAMMATES. BOTH PLAYED MINOR HOCKEY TOGETHER AND BOTH JOINED THE LEAFS IN 1947 – MCLEAN AS A LEFT WINGER AND SOROKOSKI AS ONE OF TWO GOALIES. MCLEAN FELT SOROKOSKI WAS ONE OF THE BEST GOALKEEPERS HE’D EVER PLAYED WITH. DETROIT TRIED TO RECRUIT HIM, ENTICING HIM TO A SUMMER HOCKEY CAMP, BUT SOROKOSKI CHOSE TO RETURN TO LETHBRIDGE IN ORDER TO RUN THE FAMILY STORE RATHER THAN PURSUE A HOCKEY CAREER. MCLEAN CLAIMED THE JERSEY WAS USED THROUGHOUT THE LIFE OF THE LETHBRIDGE MAPLE LEAFS, BUT THAT ANOTHER (AWAY) JERSEY WAS WORN WHEN THEY REPRESENTED CANADA IN EUROPE. THE WORLD CUP JERSEY WAS NOT UNLIKE THE JERSEYS STILL WORN BY TEAM CANADA TODAY. THE BLUE JERSEYS WERE HELD IN HIGH ESTEEM AND WERE GIVEN TO PLAYERS WHO PLAYED ON THE LEAF’S TEAM. PLAYERS REALLY LIKED THE JERSEY AND WERE PROUD TO WEAR THEM. MCLEAN RECOUNTED PLAYING IN OUTDOOR ARENAS IN THE POURING RAIN WHILE THEY WERE IN EUROPE. THE TEAM, HE CLAIMED, RECEIVED VERY LITTLE FINANCIAL SUPPORT FROM THE CITY OR CANADA WHILE THEY WERE TRAVELING. THEY DID NOT EVEN RECEIVE ENOUGH MONEY TO COVER THE RENT FOR THEIR HOMES IN CANADA. THE MONEY WAS DIVIDED GIVING THE MARRIED MEN AND LITTLE BIT MORE THAN THE SINGLE MEN, AND MOST OF THE PLAYERS HAD TO GET FINANCIAL SUPPORT FROM THEIR FAMILIES AND THE FEW BUSINESS SPONSORS THEY COULD FIND. THE TEAM EVEN BOUGHT THEIR OWN WORLD CUP RINGS WHEN THEY RETURNED BECAUSE THE CITY OFFERED THEM NO FINANCIAL SUPPORT. DONOR’S OWN HOCKEY CAREER INCLUDED STINTS WITH THE BIG 6 LEAGUE IN CALGARY, TEAMS IN NELSON, NANAIMO AND LETHBRIDGE. DONOR WISHES DONATION TO BE ON BEHALF OF DECEASED TEAM MEMBERS.
Catalogue Number
P19910055001
Acquisition Date
1991-08
Collection
Museum
Images
Less detail
Other Name
BASEBALL UNIFORM, BUSSEI
Date Range From
1950
Date Range To
1955
Material Type
Artifact
Materials
WOOL
Catalogue Number
P20110030000
  2 images  
Material Type
Artifact
Other Name
BASEBALL UNIFORM, BUSSEI
Date Range From
1950
Date Range To
1955
Materials
WOOL
No. Pieces
2
Description
1. UNIFORM, BASEBALL. LABELLED “UNIQUE CRESTS… TORONTO”, TEAM NAMED ON FRONT OF SHIRT “BUSSEI”, NUMBERED ON SHIRT BACK “11”. (H-78.3 L-88 W-0.9) 2. PANTS OFF WHITE WITH RED PINSTRIPE DOWN LEG, PANT INSIDE WAISTBAND LABELLED “UNIQUE.. TORONTO”, “SIZE 32”. (H-94.5 L-39.2 W-3.4)
Subjects
CLOTHING-OUTERWEAR
SPORTS EQUIPMENT
Historical Association
SPORTS
History
UNIFORM WORN BY DONOR ROY SASSA DURING TIME SPENT PLAYING FOR THE, “BUSSEI” BASEBALL TEAM (RAYMOND) IN THE SUGAR BEET LEAGUE. SASSA PLAYED LEFT FIELDER FROM 1953-1955. UNIFORMS WERE DONATED BY THE RAYMOND BUDDHIST TEMPLE AND ARE 100% WOOL. FELLOW, “BUSSEI” TEAMMATE SHIG NAKAGAWA TOLD GALT STAFF IN 2011, “BUSSEI IS A SHORT FORM OF JAPANESE YOUNG BUDDHIST ASSOCIATION OR TO THAT EFFECT”. AS THE YOUNGEST PLAYER ON THE TEAM AT AGE 16, SASSA WAS INCLUDED BECAUSE THEY NEEDED MORE PLAYERS TO FORM A FULL TEAM. OTHER TEAMS IN THE LEAGUE INCLUDED TABER/BARNWELL, MAGRATH, PICTURE BUTTE, RAYMOND, LETHBRIDGE AND COALDALE. NAKAGAWA SAID, “OUR PARENTS WERE THE DRIVING FORCE BEHIND THIS TEAM. THEY WERE THE RIGOROUS SUPPORTERS. MIND YOU WE HAD TO WORK THE SUGAR BEETS TO GO OUT TO THIS. WE PUT OUR SHARE IN.” PLAYERS ON THE TEAM WOULD WORK DURING THE DAY IN THE SUGAR BEET FIELDS, AND GO TO PRACTICES AFTER WORK. SASSA SAID, “WELL IT WAS ONLY ON SUNDAYS THAT WE PLAYED [GAMES], AND IF WE HAD TO GO OUT OF TOWN, YOU’D HAVE TO LEAVE QUITE EARLY. YOU WOULD DO A FEW ROWS OF BEETS BEFORE YOU LEFT AND QUICKLY EAT, AND THEN GET CHANGED, AND MEET AT THE CHURCH AND AWAY WE’D GO.” THE TEAM NEVER TOOK A BUS [BUT] INSTEAD CARPOOLED. SASSA SAID, “A LOT OF THESE OLDER GUYS HAD FAMILY CARS THEY WERE ABLE TO DRIVE. LIKE MYSELF I WAS TOO YOUNG AND NEVER HAD A CAR, SO I WOULD ALWAYS GET A RIDE. IT WAS NO PROBLEM. THE PROBLEM WAS A SHORTAGE OF MONEY, AND I REMEMBER COMING HOME FROM PICTURE BUTTE, OR COALDALE, OR TABER AND IT’S EVENING AND IT’S TIME TO STOP FOR DINNER. THEY WOULD ALWAYS WANT TO STOP IN AT THE CHINESE RESTAURANT IN LETHBRIDGE. I WOULDN’T HAVE ANY MONEY, BUT THESE OLDER GUYS WOULD HAVE THE MONEY, AND THEY WOULD ALWAYS FORCE ME INTO GOING INTO THE RESTAURANT TO BUY ME SUPPER. AND I TELL YOU I’LL NEVER FORGET THE FELLAS THAT PAID MY LUNCHES AND SUPPERS AND THINGS LIKE THAT. IT WAS HARD. SO NOW, WHEN I TOOK MY BOYS OUT OF TOWN TO HOCKEY TOURNAMENTS AND HOCKEY GAMES, THERE’S ALWAYS SOME PEOPLE THAT DIDN’T SEND THEIR CHILDREN WITH MONEY AND IT DIDN’T BOTHER ME ONE BIT TO BUY THEM LUNCHES AND MEALS WHEREVER WE WENT. IT JUST DIDN’T BOTHER ME AT ALL.” SASSA SAID, “MY FATHER WAS A BALL PLAYER IN VANCOUVER AND HIM AND I, WE’D PLAY CATCH AND BAT THE BALL AROUND AND THAT’S HOW I GOT INTERESTED IN IT, AND I LIKED THE SPORT AND EVEN TO THIS DAY I ENJOY BASEBALL.” THE RAYMOND TEAM HAD A STRONG SENSE OF CAMARADERIE. WHEN ASKED ABOUT HIS STRONGEST MEMORY FROM THE TEAM, SASSA SAID, “THE BOND, FOR ME ANYWAYS, AND HOW I WAS TREATED. YEAH, THEY TREATED ME JUST… JUST LIKE A BROTHER I GUESS. THAT’S HOW I REMEMBER IT.” FOR MORE INFORMATION AND 2011 MUSEUM INTERVIEW WITH NAKAGAWA AND SASSA, PLEASE SEE PERMANENT FILE.
Catalogue Number
P20110030000
Acquisition Date
2011-11
Collection
Museum
Images
Less detail
Other Name
SUMMER DRESS
Date Range From
1910
Date Range To
1920
Material Type
Artifact
Materials
COTTON, BRASS
Catalogue Number
P19990053009
  2 images  
Material Type
Artifact
Other Name
SUMMER DRESS
Date Range From
1910
Date Range To
1920
Materials
COTTON, BRASS
No. Pieces
1
Height
6.0
Length
132.0
Width
49.0
Description
WHITE, COTTON. BODICE AND BOTTOM HALF OF SKIRT HAVE NUMEROUS INTRICATE CUTOUTS AND EMBROIDERY (AN OVERALL FLORAL PATTERN). WAISTBAND AND TOP HALF OF SKIRT HAVE WHITE EMBROIDERED FLOWERS ON THEM WITH TINY CUTOUTS. ABOVE AND BELOW WAISTBAND, DRESS HAS NARROW PLEATS. ELBOW LENGTH SLEEVES END WITH A SCALLOPED EDGE. BOTTOM OF SKIRT HAS A STRAIGHT SOLID BAND AROUND IT. NECKLINE HAS A CROCHETED TRIM AROUND IT. BACK OF DRESS IS OPEN FROM NECKLINE TO HALFWAY DOWN SKIRT; THIS CLOSES WITH NUMEROUS HOOKS AND EYES. TOP OF DRESS IS BEGINNING TO YELLOW. DRESS HAS NUMEROUS TEARS.
Subjects
CLOTHING-OUTERWEAR
Historical Association
FINE ARTS
PERSONAL CARE
History
DONOR IS A HIGH SCHOOL PHYS. ED. TEACHER. SHE DID DRAMA IN SCHOOLS AND LOCAL THEATRE, AND ENTIRE COLLECTION WAS GIVEN TO HER BY LOCAL PEOPLE. FOR MORE INFORMATION ON DONOR GAIL HOLLAND’S ACQUISITION, STEWARDSHIP AND GENERAL USE OF HER 1999-DONATED COLLECTION PLEASE REFER TO RECORD P19990053001. ***UPDATE: ARTIFACT INSIGHT BELOW SUBMITTED BY DONOR AND COLLECTIONS VOLUNTEER GAIL HOLLAND ON 19 APRIL 2011. “WHITE COTTON EYELET DRESS NOT USED IN A THEATRE PRODUCTION, BUT SERVED AS A REFERENCE FOR POSSIBLE PERIOD COSTUME REPRODUCTION OF CIRCA 1910.”
Catalogue Number
P19990053009
Acquisition Date
2000-12
Collection
Museum
Images
Less detail
Date Range From
1930
Date Range To
1940
Material Type
Artifact
Materials
VELVET, CHIFFON, POLYESTER
Catalogue Number
P19990053007
  2 images  
Material Type
Artifact
Date Range From
1930
Date Range To
1940
Materials
VELVET, CHIFFON, POLYESTER
No. Pieces
2
Height
7.0
Length
125.0
Width
47.5
Description
BLACK VELVET. HAS A HIGH, STRAIGHT CUT NECKLINE (BOAT NECKLINE). NECKLINE IS GATHERED IN THE FRONT AT THE SHOULDERS. SKIRT IS SLIGHTLY FLARED. HAS 3/4 LENGTH SLEEVES MADE OF A SHEER BLACK FABRIC WITH BLACK VELVET DESIGNS ON IT. CUFFS ARE CUT IN A V-SHAPE, SO TOPSIDE IS LONGER THAN BOTTOM SIDE. CUFFS CLOSE WITH A SMALL, METAL SNAP. BACK OF DRESS HAS A SLIT FROM NECKLINE TO CENTER BACK; SLIT CLOSES AT NECKLINE WITH A PLASTIC, SILVER BUTTON SHAPED LIKE A FLOWER. BUTTON HAS A CLEAR GEM IN THE CENTER. DRESS HAS A LOOP OF THREAD ON EACH SIDE, THROUGH WHICH IS A BELT. BELT IS A STRIP OF BLACK POLYESTER?, WITH PEACH COLOURED ENDS. ONE END OF BELT IS FRAYED. DRESS HAS LOOSE THREADS THROUGHOUT. A RIP IN SKIRT HAS BEEN LOOSELY REPAIRED. DRESS IS CUT ON THE BIAS.
Subjects
CLOTHING-OUTERWEAR
Historical Association
PERSONAL CARE
FINE ARTS
History
DONOR IS A HIGH SCHOOL PHYS. ED. TEACHER. SHE DID DRAMA IN SCHOOLS AND LOCAL THEATRE, AND ENTIRE COLLECTION WAS GIVEN TO HER BY LOCAL PEOPLE. FOR MORE INFORMATION ON DONOR GAIL HOLLAND’S ACQUISITION, STEWARDSHIP AND GENERAL USE OF HER 1999-DONATED COLLECTION PLEASE REFER TO RECORD P19990053001. ***UPDATE: ARTIFACT INSIGHT BELOW SUBMITTED BY DONOR AND COLLECTIONS VOLUNTEER GAIL HOLLAND ON 19 APRIL 2011. “BLACK VELVET DRESS NOT USED IN A THEATRE PRODUCTION, BUT SERVED AS A REFERENCE FOR POSSIBLE COSTUME REPRODUCTION DETAILS OF 1930S CLOTHING.”
Catalogue Number
P19990053007
Acquisition Date
2000-12
Collection
Museum
Images
Less detail
Date Range From
1900
Date Range To
1920
Material Type
Artifact
Materials
WOOL, SILK, STEEL
Catalogue Number
P19990053003
  2 images  
Material Type
Artifact
Date Range From
1900
Date Range To
1920
Materials
WOOL, SILK, STEEL
No. Pieces
1
Height
10.0
Length
98.0
Width
56.5
Description
MEN'S FROCK COAT. BLACK WOOL. DOUBLE BREASTED; BUTTONS ARE STEEL, OVERLAID WITH BLACK THREAD IN A WEAVE PATTERN. IMPRESSED INTO BACK OF EACH BUTTON IS "CARANTIE * 32 * ". COAT HAS NOTCHED LAPELS, THAT END IN A V-SHAPE. COLLAR IS SLIGHTLY NARROWER THAN LAPELS. THERE ARE TWO BUTTON HOLES ON LAPEL, ONE OF WHICH IS SEWN UP. BELOW WAIST LINE JACKET IS SLIGHTLY FULLER. THERE ARE NO OUTSIDE POCKETS, BUT A WELT POCKET ON EACH INSIDE BREAST. INSIDE OF JACKET IS LINED WITH BLACK SILK, EXCEPT FOR SLEEVES WHICH ARE LINED WITH A WHITE AND BLACK STRIPED COTTON. LINING ON RIGHT ARM IS LOOSE, AND APPEARS TO HAVE BEEN REPAIRED. THERE ARE THREE SMALLER BUTTONS SAME AS ABOVE, ON EACH CUFF, WITH MOCK BUTTONHOLES. BACK OF JACKET, HAS A VENT, ABOVE WHICH ARE 2 BUTTONS (SAME AS ABOVE). EACH 'TAIL' OF VENT HAS A HIDDEN SLIT POCKET ON INSIDE.
Subjects
CLOTHING-OUTERWEAR
Historical Association
FINE ARTS
PERSONAL CARE
History
ORIGIN DATE OF THIS COAT IS UNKNOWN, BUT FROCK COATS WERE WORN BY MEN FROM THE END OF THE 18TH CENTURY THROUGH THE 19TH CENTURY. COULD HAVE BEEN REPLICATED LATER TO COPY AN EARLIER STYLE. DONOR IS A HIGH SCHOOL PHYS. ED. TEACHER. SHE DID DRAMA IN SCHOOLS AND LOCAL THEATRE, AND ENTIRE COLLECTION WAS GIVEN TO HER BY LOCAL PEOPLE. FOR MORE INFORMATION ON DONOR GAIL HOLLAND’S ACQUISITION, STEWARDSHIP AND GENERAL USE OF HER 1999-DONATED COLLECTION PLEASE REFER TO RECORD P19990053001. ***UPDATE: ARTIFACT INSIGHT BELOW SUBMITTED BY DONOR AND COLLECTIONS VOLUNTEER GAIL HOLLAND ON 19 APRIL 2011. “FROCK COAT WAS USED AS A COSTUME PIECE IN “OLIVER” LETHBRIDGE MUSICAL THEATRE IN 1975 AND WAS WORN BY THE CHARACTER PLAYING OLIVER’S GRANDFATHER.”
Catalogue Number
P19990053003
Acquisition Date
2000-12
Collection
Museum
Images
Less detail
Other Name
COCKTAIL DRESS
Date Range From
1950
Date Range To
1960
Material Type
Artifact
Materials
CHIFFON, NYLON, STEEL
Catalogue Number
P19990053006
  2 images  
Material Type
Artifact
Other Name
COCKTAIL DRESS
Date Range From
1950
Date Range To
1960
Materials
CHIFFON, NYLON, STEEL
No. Pieces
1
Length
106.5
Width
56.5
Description
INNER BODICE AND SKIRT ARE PEACH. SKIRT IS MADE UP OF 2 LAYERS OF CHIFFON, AND IS FLARED. INNER BODICE IS MADE OF PEACH NYLON, COVERED BY A LAYER OF PEACH CHIFFON. INNER BODICE IS STRAPLESS AND SLEEVELESS; HAS CUPS FORMED INTO BODICE AT BREAST. INNER BODICE IS ATTACHED TO OUTER SKIRT AT WAIST LINE; HAS AN IVORY ZIPPER DOWN THE BACK WITH "TALON" ON IT. BODICE HAS STAYS SEWN INTO THE INSIDE, TO HELP KEEP IT STIFF. OUTER DRESS IS MADE OF ONE LAYER OF BLACK, TRANSPARENT, CHIFFON. DRESS IS MADE UP OF ALTERNATING HORIZONTAL STRIPS OF PLAIN FABRIC AND STRIPS WITH VERTICAL LINES, SEPARATED BY ROWS OF BLACK LACE. HAS SHORT SLEEVES AND FLARED SKIRT. HAS A BLACK ZIPPER AT CENTER BACK "TALON". ABOVE THIS THE DRESS IS OPEN, BUT HOOKS WITH AN EYE AT THE BACK OF NECKLINE. THERE IS ABOUT A 1 INCH HOLE ON BACK OF DRESS, AT THE SEAM WHERE TWO HORIZONTAL STRIPS MEET.
Subjects
CLOTHING-OUTERWEAR
Historical Association
PERSONAL CARE
FINE ARTS
History
THIS TYPE OF DRESS WAS POPULARIZED IN THE 1950S AND WAS SUITABLE FOR FORMAL LATE AFTERNOON PARTIES. DONOR IS A HIGH SCHOOL PHYS. ED. TEACHER. SHE DID DRAMA IN SCHOOLS AND LOCAL THEATRE, AND ENTIRE COLLECTION WAS GIVEN TO HER BY LOCAL PEOPLE. FOR MORE INFORMATION ON DONOR GAIL HOLLAND’S ACQUISITION, STEWARDSHIP AND GENERAL USE OF HER 1999-DONATED COLLECTION PLEASE REFER TO RECORD P19990053001. ***UPDATE: ARTIFACT INSIGHT BELOW SUBMITTED BY DONOR AND COLLECTIONS VOLUNTEER GAIL HOLLAND ON 19 APRIL 2011. “COCKTAIL DRESS NOT USED IN A THEATRE PRODUCTION, BUT SERVED AS A REFERENCE ITEM FOR POSSIBLE COSTUME REPRODUCTION PURPOSES.”
Catalogue Number
P19990053006
Acquisition Date
2000-12
Collection
Museum
Images
Less detail
Other Name
TUXEDO JACKET
Material Type
Artifact
Materials
WOOL, SILK, WOOD
Catalogue Number
P19990053002
  2 images  
Material Type
Artifact
Other Name
TUXEDO JACKET
Date
1936
Materials
WOOL, SILK, WOOD
No. Pieces
1
Height
108.5
Length
55.5
Width
8.0
Description
CUTAWAY STYLE TUXEDO JACKET. OUTSIDE IS BLACK WOOL. MOCK DOUBLE BREASTED: HAS 6 BLACK WOOD BUTTONS, THAT COME TO A POINT IN THE CENTRES, AND FOUR LINES OF STITCHING TO LOOK LIKE BUTTON HOLES (BUT ARE NOT) HAS NOTCHED LAPELS THAT END IN A V-SHAPE, COLLAR IS NARROWER THAN LAPELS. LAPELS ARE LINED WITH A DIFFERENT FABRIC THAN COLLAR . THERE IS A WELT POCKET ON OUTSIDE LEFT BREAST. THERE IS ANOTHER WELT POCKET ON INSIDE RIGHT BREAST. A TAG INSIDE THIS POCKET READS "RIDPATH CASH TAILOR LETHBRIDGE, ALTA. MR. T. BURNET DATE OCT 1936". INSIDE OF JACKET IS LINED WITH BLACK SILK?, EXCEPT SLEEVES WHICH ARE LINED WITH SILVER SILK. CUFFS OF SLEEVES HAVE THREE SMALLER BUTTONS BUT SAME STYLE AS ABOVE. BUTTONS ON CUFFS DO NOT UNDO. FRONT OF JACKET IS SHORT AND V-SHAPED, AND BACK OF JACKET HAS LONG TAILS. BACK OF JACKET IS SPLIT FROM THE WAIST DOWN. ENDS OF TAILS ARE ROUNDED. THERE ARE TWO BUTTONS SAME AS ABOVE, ON BACK WAIST OF JACKET; BELOW EACH IS A NARROW PLEAT THAT RUN THE ENTIRE LENGTH OF THE TAIL. THERE IS A SMALL HOLE IN RIGHT SHOULDER.
Subjects
CLOTHING-OUTERWEAR
Historical Association
FINE ARTS
PERSONAL CARE
History
JACKET IS NOT IN EXACT STYLE OF THE TRADITIONAL CUTAWAY COAT, BUT BASIC SHAPE IS THE SAME. DONOR IS A HIGH SCHOOL PHYS. ED. TEACHER. SHE DID DRAMA IN SCHOOLS AND LOCAL THEATRE, AND ENTIRE COLLECTION WAS GIVEN TO HER BY LOCAL PEOPLE. FOR MORE INFORMATION ON DONOR GAIL HOLLAND’S ACQUISITION, STEWARDSHIP AND GENERAL USE OF HER 1999-DONATED COLLECTION PLEASE REFER TO RECORD P19990053001. ***UPDATE: ARTIFACT INSIGHT BELOW SUBMITTED BY DONOR AND COLLECTIONS VOLUNTEER GAIL HOLLAND ON 19 APRIL 2011. “TUXEDO OR CUTAWAY REMAINED IN COLLECTION, THOUGH NOT USED IN A PRODUCTION SERVED AS A REFERENCE ITEM, IF NEEDED. NOTE THAT SIZES OF CLOTHING MADE IN EARLIER YEARS, WERE SMALLER AND SOMETIMES DID NOT FIT CURRENT ACTORS SIZES.”
Catalogue Number
P19990053002
Acquisition Date
2000-12
Collection
Museum
Images
Less detail
Date Range From
1940
Date Range To
1955
Material Type
Artifact
Materials
WOOL, SATIN?, PLASTIC
Catalogue Number
P19990053001
  2 images  
Material Type
Artifact
Date Range From
1940
Date Range To
1955
Materials
WOOL, SATIN?, PLASTIC
No. Pieces
1
Height
120.3
Length
62.5
Width
7.0
Description
CHESTERFIELD STYLE OVERCOAT. BLACK WOOL, WITH A FAINT PINSTRIPE PATTERN ON OUTSIDE. HAS NOTCHED LAPELS; LAPELS END IN A V-SHAPE; COLLAR IS NOT AS WIDE AS LAPEL. JACKET IS DOUBLE BREASTED; BUTTONS ARE BLACK PLASTIC. HAS 1 FLAPPED WELT POCKET ON OUTSIDE RIGHT, AND TWO FLAPPED WELT POCKETS ON OUTSIDE, LEFT. INSIDE OF JACKET HAS TWO WELT POCKETS, ONE ON RIGHT BREAST, AND ONE ON LEFT WAIST. A TAG INSIDE RIGHT BREAST POCKET READS "14708 15/6 G.2X 372 PASSED NO 76". THERE ARE ALSO THREE BUTTONS SEWN ONTO INSIDE OF JACKET, TWO SMALL AND ONE LARGE. INSIDE OF JACKET HAS A BLACK SATIN? LINING. CUFFS OF SLEEVES EACH HAVE 4 MOCK PLASTIC BUTTONS. AT BACK OF COAT, BOTTOM IS SPLIT. THERE IS A WHITISH SPOT ON BACK OF COAT.
Subjects
CLOTHING-OUTERWEAR
Historical Association
PERSONAL CARE
FINE ARTS
History
THE CHESTERFIELD COAT TRADITIONALLY HAD A VELVET COLLAR, WHICH THIS COAT DOES NOT, BUT OTHERWISE IS THE SAME STYLE. THE CHESTERFIELD COAT WAS POPULAR IN THE LATE 1920S THROUGH 1940, BUT THE PLASTIC BUTTONS ON THIS COAT INDICATE THAT THE COAT WAS MADE AFTER WORLD WAR II. POSSIBLY MADE TO REPRODUCE AN EARLIER POPULAR STYLE. DONOR IS A HIGH SCHOOL PHYS. ED. TEACHER. SHE DID DRAMA IN SCHOOLS AND LOCAL THEATRE, AND ENTIRE COLLECTION WAS GIVEN TO HER BY LOCAL PEOPLE. **** NARRATIVE AND OVERCOAT INSIGHT BELOW SUBMITTED BY DONOR AND COLLECTIONS VOLUNTEER GAIL HOLLAND ON 19 APRIL 2011. “DONOR IS A TEACHER, PRIMARILY JUNIOR AND SENIOR HIGH SCIENCES, AND GIFTED PROGRAM. SHE HAS BEEN INVOLVED IN ASPECTS OF LOCAL THEATRE WORK FOR MANY YEARS, INCLUDING SCHOOL DRAMA PRODUCTIONS AND COMMUNITY THEATRICAL PRODUCTIONS, NAMELY LETHBRIDGE MUSICAL THEATRE AND PLAYGOERS OF LETHBRIDGE. WITH AN INTEREST IN PERIOD TYPE FASHIONS AND DRESS, AND THEATRICAL COSTUMING, OVER THE YEARS SHE HAD GATHERED A SMALL COLLECTION, OF SUCH COSTUME PIECES OR GARMENTS. THESE ITEMS WERE ACQUIRED FROM LOCAL AND AREA PEOPLE WHO HAD BECOME AWARE OF THESE INTERESTS AND PASSED THEM ALONG TO HER. THEY WERE STORED IN HER HOME IN ORDER TO MORE EFFECTIVELY PRESERVE THEM. SOME PIECES WERE USED IN PRODUCTIONS, SOME SERVED AS REFERENCES FOR CONSTRUCTION DETAILS AND METHODS-USEFUL IN REPRODUCTION OF PERIOD DRESS, WHILE OTHERS-THOUGHT NOT USED, CONTINUED TO BE STORED FOR POSSIBLE USE OR REFERENCE .SOME PIECES WERE MADE OF DELICATE FABRICS OR MATERIALS AND WOULD BE DIFFICULT TO USE IN ANY RIGOROUS STAGE MOVEMENTS. SOME GARMENTS WERE OF SMALL SIZES THAT WOULD NOT FIT THE CURRENT SIZES IN GENERAL OF CAST MEMBERS.” “THIS OVERCOAT WAS USED AS A COSTUME PIECE IN THE PRODUCTION OF PLAYGOER’S “LIFE WITH FATHER” IN 1977, WORN BY FRANK FEATHERSTONE PLAYING CLARENCE DAY” ***ON 20 DECEMBER, 2011, GAIL INFORMED COLLECTIONS STAFF THAT SHE VOLUNTEERED WITH LETHBRIDGE’S PLAYGOERS BEGINNING IN 1975. SHE HAD “A GENERAL INTEREST IN ASPECTS OF THEATRE PRODUCTION WORK” AND WAS INTRIGUED BY HOW STORIES WERE BROUGHT TO LIFE HOW SHE COULD “GIVE THEM FORM AND SUBSTANCE ON A THEATRE STAGE”. HOLLAND BEGAN WORKING IN COSTUME CONSTRUCTION INITIALLY FOR PLAYGOERS AND, SOME YEARS LATER, WORKED AS A COSTUME DESIGNER FOR LETHBRIDGE MUSICAL THEATRE (LMT) FOR MANY PRODUCTIONS. “DESIGN WORK, ESPECIALLY PERIOD PIECES, OR SETTINGS” SAID HOLLAND IN 2010, “OFTEN REQUIRED A GREAT DEAL OF EXTENSIVE AND DETAILED RESEARCH AS PART OF PREPARATION FOR A PRODUCTION, SO AS TO BRING SOME ASPECTS OF AUTHENTICITY TO WHAT WAS BEING CREATED.” IN 1981, HOLLAND RECEIVED A “LEMMY AWARD” (LETHBRIDGE EMMY) FOR COSTUME WORK SHE DID FOR THE “THE KING AND I” AND IN RECOGNITION OF WORK SHE DID IN PREVIOUS PRODUCTIONS. HOLLAND HERSELF PARTICIPATED ON STAGE IN THE PLAYGOERS PRODUCTION OF “THE ODD COUPLE” FEMALE VERSION IN 1987. THE LAST PRODUCTION WORKED ON BY HOLLAND FOR PLAYGOERS WAS IN 2006’S “A BEDFULL OF FOREIGNERS”. IN 2008 SHE ASSISTED LMT WITH ITS PRODUCTION OF “ANNIE”. FOR HOLLAND, THERE IS A DEEP “CARE AND CONCERN FOR PRESERVATION AND CONSERVATION OF CLOTHING.” HAVING CARRIED OUT MUCH RESEARCH HERSELF, “IT SEEMED APPROPRIATE” SHE SAID, “TO PLACE (HER COLLECTION) WHERE [IT] COULD BE MADE AVAILABLE TO OTHERS, FOR REFERENCE OR FOR CONSTRUCTION METHODS THAT MIGHT BE USEFUL TO OTHERS IN CREATING REPRODUCTION.”
Catalogue Number
P19990053001
Acquisition Date
2000-12
Collection
Museum
Images
Less detail
Other Name
SET, “ROLLERBLADE”
Date Range From
1999
Date Range To
2010
Material Type
Artifact
Materials
PLASTIC, NYLON, FOAM
Catalogue Number
P20100050001
  1 image  
Material Type
Artifact
Other Name
SET, “ROLLERBLADE”
Date Range From
1999
Date Range To
2010
Materials
PLASTIC, NYLON, FOAM
No. Pieces
2
Height
8
Length
25.5
Width
97
Description
PAIR OF BLACK ROUND PLASTIC SHIELDS MOUNTED TO BLACK PADDED COTTON SLEEVES. BACKING OF SLEEVES IS ELASTICIZED. STRIPS OF VELCRO ARE SEWN TO THE FRONT OF SLEEVES ABOVE AND BELOW PLASTIC SHIELDS. EACH SLEEVE HAS TWO BLACK WOVEN ELASTICIZED STRAPS WITH GREY STRIPES, ATTACHED AT TOP AND BOTTOM. ENDS OF STRAPS HAVE WHITE LABELS READING “ROLLERBLADE”, AND VELCRO SEWN TO OPPOSITE SIDES. SCUFFS AND GENERAL WEAR ON THE PLASTIC SHIELDS, AND WEAR ALONG EDGES OF FABRIC AND VELCRO. OVERALL VERY GOOD CONDITION.
Subjects
SPORTS EQUIPMENT
CLOTHING-OUTERWEAR
Historical Association
SAFETY SERVICES
History
THESE KNEE PADS WERE USED BY SERGEANT GEORGE CARSCADDEN DURING HIS SERVICE WITH THE LETHBRIDGE REGIONAL POLICE TACTICAL UNIT FROM 1999 TO 2012. CARSCADDEN JOINED THE LETHBRIDGE POLICE IN 1997, AFTER WORKING WITH THE PEEL REGIONAL POLICE SERVICES IN THE GREATER TORONTO AREA FROM 1988 TO 1997. DURING HIS CAREER IN PEEL, CARSCADDEN RECEIVED SPECIAL TRAINING, INCLUDING COMPLETING THE FBI’S OBSERVER/SNIPER COURSE, WHICH INFORMED HIS APPLICATION AND ACCEPTANCE TO THE TACTICAL UNIT IN LETHBRIDGE. CARSCADDEN DESCRIBED HIS USE OF THESE KNEE PADS AS SUCH: “I PUT THEM ON AND I WEAR THEM UNDERNEATH MY PANTS… THEY PROTECT YOUR KNEES. IF YOU’RE ON AN UNSTABLE PLATFORM, YOU NEED YOUR KNEES. AND THE MORE PROTECTION WE CAN MAKE FOR OURSELVES, THE LONGER YOU CAN LAST IN DIFFERENT ENVIRONMENTS… THESE ONES I BOUGHT AT THE SKATEBOARD SHOP… NOW, THEY HAVE [PROPER] TACTICAL KNEEPADS. THAT’S THE CHANGE THAT I’VE SEEN WITH GEAR AND EQUIPMENT. IT’S GOT MORE SPECIALIZED AND PURPOSEFUL FOR THE OFFICER.” ON JULY 28, 2015 COLLECTIONS TECHNICIAN KEVIN MACLEAN INTERVIEWED SGT. CARSCADDEN ABOUT HIS SERVICE WITH THE LRPS TACTICAL UNIT. CARSCADDEN SAID: “FIRST OF ALL, I JUST WENT AS A QUARRY… ALL DIFFERENT SPECIALTY UNITS THAT HAVE SOME KIND OF TACTICAL SCENARIO LIKE TO HAVE QUARRIES TO [HELP TRAIN THEM] TO DO THEIR JOB BETTER, SO I THOUGHT ‘I’LL GO WORK AS A QUARRY TO SHOW THEM I’M INTERESTED’. A QUARRY IS GENERALLY A BAD GUY – YOU PRETEND YOU’RE HIDING, OR MOVING OR YELLING OR RUNNING AWAY AND TRYING TO EVADE THEM, AND THEY ARE TRYING TO CAPTURE YOU… IT TOOK A COUPLE OF YEARS, BUT I WAS FORTUNATE ENOUGH… IN THE MOVEMENT OF THE TEAM THAT THERE WERE [POSITIONS OPEN]… THERE IS A PHYSICAL, AND INTERVIEW, SOME TESTS… I WENT THROUGH AND STUDIED, AND DID THE BEST THAT I COULD… MAKING SURE YOU ARE IN GOOD PHYSICAL SHAPE BECAUSE YOU ARE CARRYING AN EXTRA 50 POUNDS OF GEAR… THAT’S JUST THE GEAR THAT YOU ARE CARRYING ON YOURSELF, NOT A RAM OR DIFFERENT TYPE OF EQUIPMENT THAT YOU MIGHT BE MOVING INTO PLACE FOR DIFFERENT TACTICS… I WAS AROUND 35 [YEARS OLD]. I WAS AN OLDER GUY APPLYING FOR THIS POSITION, BUT I WAS IN GOOD SHAPE AND HAD SOME GOOD EXPERIENCES THAT MADE ME COMPETITIVE, SO I DON’T THINK YOUR AGE TAKES YOU OUT OF THE EQUATION IF YOU ARE REALLY DETERMINED.” CARSCADDEN CONTINUED: “I’VE HAD THE OPPORTUNITY TO BE IN A LOT OF DIFFERENT POSITIONS WITHIN [THE TACTICAL] UNIT… I STARTED OFF AS AN ASSAULTER… THE PERSON WHO CARRIES ALL THE GEAR, SO YOU’RE IN THE BACK… THE LAST PERSON THAT COMES IN. IT’S A GOOD POSITION TO START OFF WITH. IT MAKES IT SAFER FOR WHEN YOU’RE GOING INTO THESE HIGH-RISK ENVIRONMENTS… FROM THERE I WAS GIVEN THE OPPORTUNITY TO BE OBSERVER, THEN A SNIPER, THEN FROM THERE… A BREECHER. SO YOU ARE BREECHING DOORS AND WINDOWS. [THEN] I WENT TO THE FRONT OF THE TACTICAL LINE-UP, WHICH IS THE SCOUT… THEN THE LAST SIX YEARS THAT I WAS ON THE TACTICAL TEAM, I WAS THE PERSON IN CHARGE, THE TEAM LEADER… AND I WAS RUNNING OPERATIONS IN CONJUNCTION WITH OUR CANINE UNIT AND OUR EXPLOSIVES DISPOSAL UNIT… THE TRAINING IS REALLY GOOD. [THE TEAM] TRAINS EVERY TWO WEEKS, AND DO LOTS OF MOVEMENTS AND SHOOTING AND TACTICS. IT’S A PERISHABLE SKILL, THAT IF YOU DON’T REPEAT AND PRACTICE IT ALL THE TIME, IT DIMINISHES… PRACTICE IS IMPORTANT. IT ALLOWS YOU TO BE BETTER AT YOUR GAME... YOU NEED TO HAVE A MINDSET [OF] BEING NOT ONLY PHYSICALLY TOUGH, BUT MENTALLY TOUGH, WHEN YOU DEAL WITH THINGS IN A HIGH-RISK ENVIRONMENT… YOU’VE GOT TO HAVE A LITTLE BIT OF DRIVE TO GET YOU THROUGH THINGS.” CARSCADDEN CONCLUDED: “ONE OF THE THINGS I’M PROUD OF ON THE TACTICAL SIDE IS THAT I WAS THE OFFICER WHO WAS INSTRUMENTAL IN BRINGING LESS LETHAL CAPABILITY TO THE TEAM… [WE] MAKE THE DIFFERENCE IN SAVING SOMEBODY’S LIFE. WE HELP THEM THROUGH THAT TIME OF NEED… WE HAVE ESTABLISHED WHERE, IN THE PAST IF THAT PERSON COULD HAVE ACTUALLY BEEN SHOT AND INJURED, IF NOT FATALLY SHOT, THAT PERSON NOW CAN BE DEALT WITH A LESS LETHAL MEANS… WE ARE ABLE TO RESTRAIN, ARREST, WITH THESE LESS LETHAL CAPABILITIES. THAT MAKES THE DIFFERENCE FOR THEM… THE EXPERIENCES THAT I HAD IN PEEL [SHOWED ME LESS LETHAL CAPABILITIES] IN OPERATION AND HOW IT WORKED… THEY WERE ONE OF THE FIRST SERVICES IN CANADA TO HAVE THE RUBBER BULLET… WHEN YOU’RE LOOKING AT DIFFERENT TACTICS AND HOW YOU CAN DO IT BETTER, THAT WAS ONE OF THE THINGS THAT I RECOGNIZED, THAT [LETHBRIDGE] COULD BRING THIS ON. IT WOULD BE BETTER FOR OUR TEAM AND OUR COMMUNITY: AS OPPOSED TO SHOOTING SOMEBODY AND STOPPING THEM THAT WAY, WE COULD USE THE [RUBBER BULLET] OR BEANBAG ROUND AND THAT WOULD BE ABLE TO HELP STOP THESE PEOPLE [BUT] SAVE THEIR LIVES… IT REALLY OPENS PEOPLE’S EYES WHEN THEY SEE THAT THERE’S A LOT OF OTHER RESOURCES AVAILABLE TO PUT IN PLACE FOR DIFFERENT TACTICS. AND WHEN PEOPLE SEE THERE’S ANOTHER WAY OF DOING BUSINESS, IT’S HELPFUL FOR US TO PROGRESS AND PUSH FORWARD… THESE PIECES OF EQUIPMENT ARE HERE TO ALLOW US TO KEEP THINGS CONTROLLED AND TO MAKE US DO OUR JOB BETTER… I HAD THE OPPORTUNITY TO BE INVOLVED WITH A VERY SPECIALIZED UNIT AND I’M VERY PROUD OF IT.” SEE PERMANENT FILE FOR FULL INTERVIEW TRANSCRIPT.
Catalogue Number
P20100050001
Acquisition Date
2010-05
Collection
Museum
Images
Less detail

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