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Other Name
WOMAN'S OUTFIT
Material Type
Artifact
Materials
WOOL, COTTON
Catalogue Number
P19840004000
  2 images  
Material Type
Artifact
Other Name
WOMAN'S OUTFIT
Date
1963
Materials
WOOL, COTTON
No. Pieces
2
Description
WOMEN'S SUIT. .1 SKIRT, SIZE 12-14. WOOL, COTTON. ROYAL BLUE. STRAIGHT LINE SKIRT. BACK KICK PLEAT. SIDE PLASTIC ZIPPER CLOSURE. BLACK COTTON FACING AT WAISTLINE. HANDWOVEN MATERIAL, MACHINE SEWN SUIT. .2 JACKET. SIZE 10. WOOL BOUCLE'. ROYAL BLUE, SKY BLUE. BOLERO STYLE. 3/4 LENGTH SLEEVES. JACKET FACING MADE FROM SAME MATERIAL AS SKIRT. HAND WOVEN MATERIAL. MACHINE SEWN JACKET. SMALL STAIN IN FRONT RIGHT HIP EVEN. YELLOWISH STAIN AT BACK OF NECK ON COLLAR.
Subjects
CLOTHING-OUTERWEAR
Historical Association
TRADES
History
DONOR BORN IN PILOT MOUNTAIN, MANITOBA IN 1897. GEORGE ELFORD DICKSON BORN ABOUT 1900 IN MANITOBA, DIED 1983. MARRIED IN CLARESHOLM IN 1925. EMPLOYED BY BANK OF COMMERCE IN MANY SOUTHERN ALBERTA LOCATIONS. THEY RETIRED TO CLARESHOLM ABOUT 1962. BOTH ACTIVE & COMPETENT IN WEAVING. BEGAN AS HOBBY IN 1930'S AFTER WATCHING A DISPLAY AT CALGARY STAMPEDE. THEY WOVE MATERIAL & SOLD YARDAGE. WOOL BOUGHT FROM THE CEREAL GRAIN COIN WINNIPEG. DONOR TRAINED AT BANFF SCHOOL OF FINE ARTS & TOOK A WEAVING COURSE AT OLDS SCHOOL OF AGRICULTURE. MRS. DICKSON WAS ONE OF THE ORIGINATORS & INSTRUCTORS AT THE CLARESHOLM CARE CENTRE, NOW A WELL KNOWN CRAFT CENTRE. MATERIAL FOR SUIT DONATION WOVEN BY DICKSONS & SEWN BY MRS. DICKSON. *UPDATE* IN 2017 COLLECTIONS ASSISTANT RUTHANN LABLANCE CONDUCTED A SURVEY OF CLOTHING, INCLUDING A SUIT AND SKIRT DONATED BY EVA A. DICKSON. THE FOLLOWING BIOGRAPHICAL INFORMATION WAS COMPILED USING ARTICLES FROM THE LETHBRIDGE HERALD. EVA ANN DICKSON (NEE MOFFATT) WAS THE YOUNGEST DAUGHTER OF WILLIAM MOFFAT, EX-MLA. SHE WAS MARRIED TO GEORGE ELFORD DICKSON, THE SON OF JAMES DICKSON, ON MAY 5, 1925. THE ANNOUNCEMENT FOR THEIR WEDDING GIVES THE FOLLOWING DETAILS: “THE MANY USEFUL AND COSTLY GIVES RECEIVED WERE A TESTITMONY OF THE VERY HIGH ESTEEM IN WHICH BOTH ARE HELD BY THEIR MANY FRIENDS IN AND AROUND CLARESHOLM, AND THEIR GREAT POPULARITY THROUGH OUT THE DISTRICT WHERE BOTH HAVE RESIDED FOR A NUMBER OF YEARS. THE GROOM IS A MEMBER OF THE STAFF OF THE INSPECTOR’S DEPARTMENT OF THE CANADIAN BANK OF COMMERCE AT CALGARY, BUT WAS FORMERLY ON THE STAFF OF THE LOCAL BRANCH OF THE BANK … THE BRIDGE, WHOSE PARENTS CAME HERE IN THE EARLIER DAYS OF THE TOWN AND DISTRICT, HAS GROWN UP IN THE COMMUNITY, AND HAS ENDEARED HERSELF TO A VERY LARGE CIRCLE OF FRIENDS IN CHURCH, SOCIAL, AND MUSICAL CIRCLES, AND HER PRESENCE WILL BE VERY GREATLY MISSED.” ON DECEMBER 2, 1946, AN ARTICLE ABOUT THE STAVELY UNITED CHURCH WOMEN’S ASSOCIATION APPEARED IN THE HERALD: “MRS. EVA DICKSON OF CLARESHOLM ATTENDED THE MEETING AND DISPLAYED ARTICLES SHE MAKES ON A LOOM. THESE INCLUDED LUNCHEON SETS, TOWELS, SCARVES, AND WOOLEN SUIT LENGTHS.” GEORGE ELFORD DICKSON PASSED AWAY AT THE AGE OF 83 ON JULY 1, 1983. EVA DICKSON PASSED AWAY IN 1991. SEE PERMANENT FILE FOR COPIES OF THE ARTICLES FROM THE LETHBRIDGE HERALD.
Catalogue Number
P19840004000
Acquisition Date
1984-03
Collection
Museum
Images
Less detail
Other Name
PROJECTIONIST SMOCK
Date Range From
1940
Date Range To
1950
Material Type
Artifact
Materials
COTTON
Catalogue Number
P19970071006
  2 images  
Material Type
Artifact
Other Name
PROJECTIONIST SMOCK
Date Range From
1940
Date Range To
1950
Materials
COTTON
No. Pieces
1
Length
110
Width
70
Description
GREY THIGH-LENGTH SMOCK WITH FRONT CLOSURE. LONG SLEEVES; TWO FRONT WAIST POCKETS AND ONE OUTER BREAST POCKET ON LEFT PROPER. VERTICAL SLOT OPENINGS AT SIDES FOR ACCESS TO PERSONAL GARMENTS. "H.B." EMBROIDERED IN RED ABOVE BREAST POCKET. FOUR GREY BUTTONS ALONG FRONT, WITH COTTER PIN BACKINGS. TAG IN GARMENT READS "WEAR THE BEST SUNNY SOUTH GARMENTS LETHBRIDGE ALTA." SLIT AT BOTTOM BACK; BAND AT BACK WAIST, WITH SLIGHT PLEATS IN THE FABRIC. MINOR REDDISH STAINS ON SLEEVES AND ON FRONT. SIZE 40.
Subjects
CLOTHING-OUTERWEAR
Historical Association
TRADES
History
WORN AS PROJECTIONIST SMOCK BY DONOR'S FATHER, HARRY BOYSE, WHO WORKED FOR THE SHACKLEFORD THEATRES FOR OVER 25 YEARS. FOR MORE HISTORY SEE P19970071001-GA *UPDATE* IN 2014 COLLECTIONS ASSISTANT JANE EDMUNDSON CONDUCTED A SURVEY OF ART OBJECTS, INCLUDING A PORTRAIT OF ALFRED WILLIAM SHACKLEFORD (P20060025001-GA), OWNER OF THE SHACKLEFORD THEATRES. THE FOLLOWING BIOGRAPHY OF MAYOR SHACKLEFORD WAS DEVELOPED WITH INFORMATION FROM ARCHIVES CANADA ONLINE AND A LETHBRIDGE HERALD TRIBUTE ARTICLE FROM MAY 31, 1992. A.W. SHACKLEFORD WAS BORN IN ESSEX, ENGLAND IN 1899 AND CAME TO CALGARY WITH HIS PARENTS IN 1909. AFTER HIGH SCHOOL HE TRAINED AS A DRAFTSMAN BUT WAS EMPLOYED BY THE FILM EXCHANGE AND FOX FILMS. IN 1921 HE WAS HIRED TO MANAGED THE KING'S THEATRE IN LETHBRIDGE AND BECAME ASSOCIATED WITH MARK ROGERS, A LETHBRIDGE BUSINESSMAN WHO OWNED THREE LOCAL MOVIE THEATRES. SHACKLEFORD ALSO BECAME PARTNER IN THE AMUSEMENT COMPANY THAT OPENED THE HENDERSON LAKE PAVILLION IN 1924. BY 1925 HE WAS PART-OWNER OF THE FORMER EMPRESS THEATRE ON 5TH AVENUE SOUTH, RENAMING IT THE ROXY. HE THEN TEAMED UP WITH THE FAMOUS PLAYERS COMPANY TO REMODEL THE FORMER PALACE THEATRE AND RENAME IT THE CAPITOL. SHACKLEFORD ALSO OPENED THE THEATRE IN THE FORMER COLLEGE MALL, BUILT THE 960-SEAT PARAMOUNT THEATRE ON 4TH AVENUE SOUTH, AND TOOK OVER OPERATION OF THE DIRVE-IN THEATRE AT THE SOUTH CITY LIMITS. SHACKLEFORD WAS HEAVILY INVOLVED IN CIVIC LIFE, ACTIVE IN GROUPS INCLUDING THE CANADIAN CANCER SOCIETY, THE GYRO CLUB, UNITED WAY, LETHBRIDGE & DISTRICT EXHIBITION BOARD, BOARD OF TRADE, ST. AUGUSTINE'S CHURCH, AND THE ALBERTA THEATRE OPERATORS ASSOCIATION. HE AND HIS WIFE ADA HAD TWO SONS, ROBERT AND DOUGLAS. AFTER SEVERAL TERMS AS ALDERMAN STARTING IN 1939, SHACKLEFORD FIRST SERVED AS MAYOR FROM 1944 - 1947, AND FOR TWO MORE TERMS FROM 1952 - 1955 AND 1957 - 1961. HE WORKED FOR 68 YEARS IN THE MOVIE BUSINESS, RETIRING AT AGE 90. W.A. SHACKLEFORD DIED IN LETHBRIDGE ON MAY 30, 1992. SEE PERMANENT FILE P20060025001 FOR HARDCOPIES OF SOURCE MATERIAL. *UPDATE* IN 2017 COLLECTIONS ASSISTANT RUTHANN LABLANCE CONDUCTED A SURVEY OF CLOTHING, INCLUDING A VEST DONATED BY KEN BOYSE. THE FOLLOWING BIOGRAPHICAL INFORMATION WAS COMPILED USING ARTICLES FROM THE LETHBRIDGE HERALD. KENNETH BOYES IS THE SON OF CHARLES HENRY “HARRY” BOYES AND IRENE BOYSE (NEE JOHNSON). HE WAS MARRIED IN MAY 1964 TO DOREEN ELIZABETH ROWE IN THAMESFORD, ON. FOLLOWING THEIR MARRIAGE, THE COUPLE LIVED AT THE RCAF STATION IN MONT APLCA, QC. CHARLES HENRY “HARRY” BOYES PASSED AWAY ON SEPTEMBER 1, 1980 AT THE AGE OF 83. HE MARRIED IRENE JOHNSTON IN 1936. HE WAS AN ACTIVE MEMBER OF THE LETHBRIDGE SHRINE CLUB, SERVING WITH THE CLUB FOR OVER 33 YEARS. HE WAS THE CLUB PRESIDENT IN 1952. HE WAS ALSO MADE AN HONOURARY LIFE MEMBER OF THE ALBERTA SUGAR BEET GROWERS ASSOCIATION FOR 31 YEARS OF SERVICE TO THE ORGANIZATION, WHERE HE SERVED AS LABOUR ADVISOR AND SECRETARY/MANAGER. HARRY ALSO SPENT OVER 40 YEARS WORKING AS A FILM PROJECTIONIST, HAVING WORKED IN VARIOUS THEATRES INCLUDING: IN LETHBRIDGE, THE ROXY, EMPRESS, CAPITOL, AND PARAMOUNT; IN BOW ISLAND, RED DEER, STETTLER, AND CALGARY. HARRY WAS ALSO AN ACTIVE MEMBER OF THE LIONS CLUB IN LETHBRIDGE. DURING WWII HARRY WAS THE CAPTAIN OF THE LION INFANTRY TEAM IN THE VICTORY LOAN CAMPAIGN. AN ARTICLE FROM JULY 6, 1943 RECOUNTS THAT HARRY WAS VERY SUCCESSFUL AT SELLING WAR BONDS: “MR BOYSE … TOOK OUT A ‘STAMP-O-GRAM’ CARD AND WITH 18 CALLS SOLD $103 WORTH OF WAR SAVINGS STAMPS. A ‘DEPTH CHARGE’ COSTS $90 AND MR. BOYSE FEELS THAT HE WILL PERSONALLY BE ABLE TO SELL FOUR ‘DEPTH CHARGES’ FOR THE CORVETTE LETHBRIDGE.” ANOTHER ARTICLE FROM JUNE 18, 1943 EXPLAINS THAT HARRY HAD JUST COMPLETED A SUCCESSFUL TERM AS PRESIDENT OF THE LIONS CLUB. THE ARTICLE CONTINUES SAYING: “’LIONS THROUGHOUT CANADA POINT WITH PRIDE TO THE $117,000 ALREADY SENT OVERSEAS FOR THIS CAUSE. THIS MONEY IS ENTRUSTED TO THE WAIFS AND STRAYS SOCIETY, WHICH ADMINISTERS HOMES FOR LITTLE BOYS AND GIRLS WHO HAVE BEEN EVACTUATED FROM TARGET AREAS, OR WHOSE PARENTS HAVE BEEN KILLED OR INJURED IN THE ‘BLITZ’’, [MR. BOYSE] SAID.” IRENE BOYSE (NEE JOHNSON) WAS BORN IN BANTRY, ND ON AUGUST 20, 1908 AND MOVED TO CANADA IN 1909. SHE WAS RAISED AND EDUCATED IN THE FOREMOST, AB AREA. SHE PASSED AWAY AT THE AGE OF 89 ON OCTOBER 16, 1997. SEE PERMANENT FILE FOR COPIES OF THE ARTICLES FROM THE LETHBRIDGE HERALD.
Catalogue Number
P19970071006
Acquisition Date
1997-07
Collection
Museum
Images
Less detail
Other Name
WHAT THE FRACK HAPPENED?
Material Type
Artifact
Materials
COTTON, POLYESTER, PLASTIC
Catalogue Number
P20160014000
  2 images  
Material Type
Artifact
Other Name
WHAT THE FRACK HAPPENED?
Date
2014
Materials
COTTON, POLYESTER, PLASTIC
No. Pieces
3
Length
77.7
Width
86.8
Description
.1: VEST. PATCHWORK OF VARIETY OF MATERIALS AND TEXTURES. CLOSES AT FRONT WITH A LARGE BLUE, CIRCULAR, CONVEX BUTTON, WITH THREE SMALL STONES IN THE CENTRE OF THE BUTTON. A PIECE OF VELVET TRIM LOOPS AROUND THE BUTTON TO CLOSE. A WHITE PAPER TAG (P20160014000.2) HANGS FROM THIS BUTTON. FRONT DEPICTS A NATURE SCENE. ALONG TOP OF VEST, FABRIC IS PINK AND PURPLE, POSSIBLY DEPICTING A SUNRISE OR SUNSET. ON WEARER’S LEFT THERE IS A NATURE SCENE OF A PINE TREE AND ROCKS, WHICH HAS BEEN APPLIQUED AND EMBROIDERED ONTO VEST. LIGHT BROWN YARN DEPICTS THE TREE’S ROOTS, WHICH GO DOWN FROM THE TREE INTO A GREEN SECTION ON THE VEST. THERE ARE SEVERAL BUTTONS AND SMALL ROCKS OF VARIOUS COLOURS SEWN ONTO THIS GREEN SECTION. BELOW THIS IS A BLUE STRIPE, THEN A SECTION OF MULTIPLE SHADES OF BROWN, INCLUDING ONE SECTION THAT IS VERY TEXTURED AND IS LIKELY PAINTED/DYED TYVEK. THE WEARER’S LEFT SIDE DEPICTS A FARMING SCENE WITH MOUNTAINS IN THE BACKGROUND. BELOW THAT IS A CONTINUATION OF THE BLUE STRIPE FROM THE RIGHT SIDE. THEN THERE IS A SECTION OF MULTIPLE SHADES OF BROWN AND PURPLE. THERE IS ALSO ANOTHER SECTION OF PAINTED/DYED TYVEK ON THIS SIDE, WHICH IS PURPLE IN COLOUR AND THERE ARE SEQUINS, BUTTONS, AND SMALL ROCKS SEWN INTO AND ONTO THIS PURPLE SECTION. BACK OF VEST DEPICTS CONSEQUENCES OF FRACKING. TOP OF VEST ON BACK IS A SHADE OF PURPLE/PINK, WITH BLACK NETTING OVER IT. THERE ARE TWO BRIDGE TRUSSES ON THE WEARER’S RIGHT SIDE AND TWO GAS RIGS ON THE WEARER’S LEFT SIDE. BELOW THIS IS A STRIPE OF GOLD RIBBON, WITH 5 GOLD COLOURED KEYS AND FIVE SQUARE WOODEN BUTTONS ATTACHED HORIZONTALLY ACROSS THE VEST. BELOW GOLD STRIPE IS A PATCHWORK OF A VARIETY OF MATERIALS AND TEXTURES AND COLOURS INCLUDE VARIOUS SHADES OF PURPLE, GREEN, BLUE, RED, PINK, YELLOW, AND BROWN. MOST OF THE DIFFERENT PIECES OF MATERIAL ARE BORDERED WITH A RED FRINGE TRIM. ON WEARER’S LEFT SIDE, BELOW ARM HOLE, IS A SMALL SECTION OF BLUE FABRIC WITH THREE SMALL SEA SHELLS SEWN ON. BOTTOM RIGHT HAND CORNER OF THE BACK OF VEST HAS A MEDIUM SIZED WHITE AND RED BUTTON (P20160014000.3). INSIDE OF VEST LINED WITH BLACK NETTING ON THE FRONT AND WITH GOLD, BLACK, AND RED NETTING ON THE BACK. .2: TAG. WHITE, HEAVY PAPER. HANDWRITTEN IN BLUE INK “CREATED BY CHERYL ATKINSON, BEV HALL, FRANCES SCHULTZ.” REVERSE HAS HANDWRITTEN IN BLUE INK “ART VEST. $200.XX” WITH 26-14 TYPED IN BLACK INK. 3.8CM LONG X 6.5CM WIDE .3: BUTTON: ROUND BUTTON, WHITE BACKGROUND. DEPICTS A GAS RIG WITH A RED DIAGONAL LINE ACROSS THE RIG. TEXT OF BUTTON READS: “WWW.NODRILLINGLETHBRIDGE.CA”. 6.5CM DIAMETER
Subjects
CLOTHING-OUTERWEAR
Historical Association
DECORATIVE ARTS
History
THE FOLLOWING INFORMATION COMES FROM AN INTERVIEW WITH THE DONOR, CHERYL ATKINSON, CONDUCTED BY KEVIN MACLEAN IN MAY 2016. THIS VEST WAS CREATED AS PART OF AN ART GARMENT CHALLENGE PUT FORWARD BY THE TEXTILE SURFACE DESIGN GUILD. CHERYL WAS BOTH A PARTICIPANT AND AN ORGANIZER OF THIS ART CHALLENGE. CHERYL INDICATED THAT “PART OF THE CHALLENGE WAS TO WORK WITH OTHER MEMBERS OF THE GROUP WHO, MAYBE YOU HADN’T SPENT TIME TRYING TO WORK COLLABORATIVELY WITH.” IN JANUARY 2014 THE GUILD GOT TOGETHER TO DETERMINE THE WORKING GROUPS AND THE THEMES THAT WOULD BE WORKED ON, BASED ON “WHAT THEIR INTERESTS WERE IN LIFE. SO, SOME PEOPLE CHOSE GARDENING, ANOTHER GROUP DID ART, LIKE PURE ART, AND OUR GROUP CHOSE THE ENVIRONMENT. AND, AT THE TIME, THE ENVIRONMENT IN LETHBRIDGE WAS UNDER THREAT, IN QUESTION BECAUSE THERE WAS A COMPANY THAT WAS PLANNING TO DO DIRECTIONAL DRILLING, FRACKING, IN WEST LETHBRIDGE, AND ONE OF THE MEMBERS WHO JOINED OUR GROUP WAS PARTICULARLY CONCERNED ABOUT IT, SO WE THOUGHT THAT WOULD BE A GOOD SOURCE OF INSPIRATION FOR OUR ART GARMENT.” PART OF THE REASON THE GUILD WANTED TO DO A COLLABORATIVE PROJECT LIKE THIS IS BECAUSE THE GROUP HAD GROWN CONSIDERABLY IN SIZE: “OUR GROUP HAS EXPANDED A LOT. IN THE LAST NUMBER OF YEARS WE WENT FROM A GROUP OF ABOUT FIFTEEN PEOPLE TO A GROUP OF ABOUT FORTY PEOPLE, SO IT’S HARD TO GET TO KNOW FORTY PEOPLE INTIMATELY, SO WE WERE TRYING TO FIND A WAY TO CONNECT WITH EACH OTHER, LEARN MORE ABOUT OUR INTERESTS. AND SO, WE JUST, LIKE, HAD A CONVERSATION AND PEOPLE WERE TALKING ABOUT THINGS THEY WERE INTERESTED IN, AND THEN WE STARTED, I THINK WE PASSED AROUND A LIST OF, JUST LIKE A SHEET THAT PEOPLE WOULD WRITE DOWN KIND OF TOPICS OF THEIR INTEREST, AND THEN WE JUST STARTED MATCHING THEM UP, AND THEN WE PUT, WE DIDN’T WANT TO HAVE LIKE TEN PEOPLE ON ONE PROJECT AND ONE ON ANOTHER, SO WE TRIED TO SORT OF SPLIT THEM UP IF PEOPLE PUT DOWN MORE THAN ONE AREA OF INTEREST. SO, ENVIRONMENT JUST TURNED OUT TO BE FRANCES [SCHULTZ], BEV [HALL] AND I SO.” CHERYL INDICATED THAT THE ENVIRONMENT WAS ESPECIALLY IMPORTANT TO GROUP MEMBER BEV HALL: “I THINK THAT THE ISSUE ABOUT THE FRACKING CAME UP AS WE DISCUSSED, LIKE, WHAT WE WERE GOING TO DO ABOUT THE VEST … BEV FOR INSTANCE, LOVES TO HIKE IN THE MOUNTAINS AND THAT SHE FEELS CONNECTED TO THE NATURAL ENVIRONMENT IN SOUTHERN ALBERTA. AND I AM INTERESTED IN THINGS LIKE HERITAGE PLANTS AND NATIVE SPECIES AND THINGS LIKE THAT. I DON’T THINK ANY OF US HAD ANY, LIKE, WE’RE NOT TRAINED ENVIRONMENTALISTS IN ANY WAY. IT JUST SEEMED THAT THAT WAS AN AREA OF INTEREST THAT WE COULD USE AS A FOCUS FOR ART.” TO CREATE THE VEST, THE THREE WOMEN DIVIDED UP THE WORK: “WE DECIDED THAT TOGETHER WE WOULD MAKE A PATTERN AND CREATE THE SHAPE OF THE GARMENT. AND THEN, WE HAD A VERY TIGHT TIME PRESSURE, WE HAD SIX WEEKS TO FINISH IT … SO, WE DECIDED TO PARCEL IT OUT INTO PIECES. SO, FRANCES DID THE BACK, BEV DID THE SHOULDER AREA AT THE FRONT, AND I DID THE LOWER AREA AT THE FRONT. AND THEN BEV SEWED IT TOGETHER, AND THEN I EMBELLISHED IT AT THE END.” TO MAKE THE VEST, THE WOMEN USED FABRIC FROM THEIR COLLECTIONS: “WE KIND OF LOOKED AT THE MATERIALS THAT WE HAD, AND WE HAD QUITE A SELECTION! … AND TRIED TO DECIDE WHAT KINDS OF COLOURS OR TEXTURES, THINGS THAT WE COULD DRAW FROM ON OUR OWN PIECES, AND SOMETIMES WE SHARED THEM WITH THE OTHER PEOPLE THAT WERE – YOU KNOW, IF A PIECE OF MY FABRIC FIT BETTER IN BEV’S AREA, THEN I JUST GAVE HER, AND SHE COULD DECIDE WHETHER SHE’D USE IT OR NOT. AND THEN WE EACH TOOK OUR BITS HOME. BEV DID HER PART FIRST, AND THEN I ADDED MINE TO IT, SO SHE STARTED ON THE FRONT AND THEN I ADDED LATER, AND FRANCES DID THE BACK INDEPENDENTLY OF EACH OTHER. SO WE REALLY DIDN’T KNOW WHAT THE WHOLE PIECE WAS GOING TO LOOK LIKE UNTIL IT CAME TOGETHER AS ONE. AND THEN, ONCE THE PIECE WAS TOGETHER, IT WAS MEANT TO BE SHOWED AT THE TEXTILE GUILD MEETING IN MARCH, AND WE HAD A LITTLE FASHION SHOW, AND WE SHOWED IT OFF, AND RESULTING FROM THE PIECES THAT CAME TOGETHER AT THAT TIME, WE HAD A, WE WERE INVITED TO SHOW THE ARTWORK IN THE DISPLAY CASES AT CASA FOR SIX WEEKS.” CHERYL DESCRIBES THE PIECE: “SO THE IMAGERY IN THE PIECE, AT THE FRONT, WE HAVE THE NATURAL ENVIRONMENT OF SOUTHERN ALBERTA REPRESENTED ON THE TOP, THE SHOULDER AREAS. SO, THE MOUNTAINS, THE COULEES, THE TREES, THE VALLEY, THE WATER. AND THEN IT GOES DOWN TO THE LOWER, WHAT WE WOULD IMAGINE THE UNDERGROUND LAYERS LOOK LIKE IN THE EARTH, THE GEOLOGY, THE WATER TRAVELLING UNDERGROUND, THE ROCKS THE SOIL, THINGS LIKE THAT. AND THEN ON THE BACK SIDE OF THE VEST, WE SEE ALL OF THAT DISRUPTED DURING THE FRACKING PROCESS. WE SEE FRACTURING HAPPENING. THE WATER AND THE EARTH ARE GETTING ALL MIXED TOGETHER AND DAMAGED AND, THE BIG EMBELLISHMENT ACROSS THE BACK, THERE IS A SERIES OF GOLD KEYS RIGHT ACROSS THE BACK OF THE VEST, AND THEY ARE, ACTUALLY, WE HAD JUST MOVED OUT OF THE BOWMAN ARTS CENTRE AT THAT PERIOD IN TIME, AND WE HAD A LOT OF STUDIO KEYS LEFT OVER THAT WE DIDN’T KNOW WHAT TO DO WITH, SO WE JUST SEWED THEM ON THERE, AND THEY REPRESENT THE DRILLING COMPANY THAT WAS PROPOSING TO DO THE FRACKING IN WEST LETHBRIDGE. SO, IT’S SUBTLE, BUT THERE IS KIND OF A MESSAGE THERE. AND THERE’S ALSO A BUTTON ON THE BACK FROM THE ANTI-FRACKING CAMPAIGN.” CHERYL WAS MADE CUSTODIAN OF THE VEST BECAUSE SHE WAS “SORT OF THE PROJECT LEADER … IT WAS ALSO MEANT TO FIT ME, SO I THINK THAT’S ALSO WHY I AM THE ONE THAT HAS CUSTODY OF IT.” SHE IS PROUD OF HOW THE GROUP COLLABORATION TURNED OUT AND FINDS IT A LITTLE DIFFICULT TO PART WITH THE VEST: “IT IS HARD TO PART WITH IT, BUT I CAN’T, I MEAN IT’S SORT OF A SNAPSHOT IN TIME. I MEAN IT WAS SOMETHING THAT WAS VERY CURRENT AND IMPORTANT, AND I THINK WE ADDED SOMETHING TO THE CONVERSATION BY HAVING THIS ON DISPLAY AT THE TIME WHERE DECISION MAKING WAS HAPPENING. BUT I DON’T REALLY KNOW, LIKE I’M NOT GOING TO WEAR IT TO CHURCH ON SUNDAY OR SOMETHING, (LAUGHS) SO, I DON’T REALLY KNOW WHAT ELSE TO DO WITH IT SO.” INCLUDED IN THE DONATION PAPER WORK IS A SMALL DESCRIPTION OF THE VEST, FROM WHEN IT WAS DISPLAYED. THE TEXT READS AS FOLLOWS: “WHAT THE FRACK HAPPENED? CHERYL ATKINSON, BEV HALL, FRANCES SCHULTZ OUR WORLD IS A FRAGILE HOME. HOW WE EXPLOIT IT CAN HAVE DRASTIC EFFECTS FAR INTO THE FUTURE. THIS GARMENT IS AN ARTISTIC RESPONSE TO THE CURRENT, MAJOR ISSUE FACING THE CITY OF LETHBRIDGE. THE FRONT DEPICTS THE NATURAL GEO-LANDSCAPE OF THE CITY – PRISTINE SCENERY ABOVE GROUND AND THE MANY DIFFERENT GEOLOGIC LAYERS UNDERGROUND. THE BACK ATTEMPTS TO DEPICT WHAT FRACKING MIGHT DO TO THESE GEOLOGIC LAYERS, AS WELL AS THE THREAT TO THE SURFACE. HOUSES AND THE UNIVERSITY SIT AMONG OIL WELLS WITH THE GOLDEN KEYS SYMBOLIC OF THE SOURCE OF THE THREAT. MANY SURFACE DESIGN TECHNIQUES HAVE BEEN USED. THESE INCLUDE INDIGO DYEING, SHIBORI DYEING AND DISCHARGING, VEGETABLE PRINTING, TYVEK PAINTING WITH HEAT MOLDING, WAX BATIK, DYE PRINTING, BEADING, EMBROIDERY, COUCHING, MARBLING, ETC.” IN THE TEXTILE SURFACE DESIGN GUILD SPRING 2014 NEWSLETTER THE EXHIBIT IS DESCRIBED: “VESTED INTERESTS IS A COLLECTION OF ART GARMENTS CREATED COLLABORATIVELY BY TSDG MEMBERS. EACH VEST LOBBIES PASSIONATELY FOR A PERSONAL INTEREST HELD BY THE CREATIVE TEAM BEHIND ITS DESIGN. ON DISPLAY IN THE 2ND FLOOR SHOWCASE AT CASA UNTIL APRIL 26.” SEE PERMANENT FILE FOR COPY OF INTERVIEW TRANSCRIPT, THE EXHIBIT DISPLAY TEXT, AND THE TEXTILE SURFACE DESIGN GUILD SPRING 2014 NEWSLETTER.
Catalogue Number
P20160014000
Acquisition Date
2016-05
Collection
Museum
Images
Less detail
Material Type
Artifact
Materials
WOOL TWEED
Catalogue Number
P19840005000
  1 image  
Material Type
Artifact
Date
1963
Materials
WOOL TWEED
No. Pieces
1
Length
65
Width
55.5 (BOTTOM HEM)
Description
SIZE 12-14. STRAIGHT LINE SKIRT. BACK KICK PLEAT. SIDE PLASTIC ZIPPER CLOSURE. HAND WOVEN MATERIAL, MACHINE SEWN SKIRT. BROWN COLOR. YELLOW LINING ON INSIDE IS LOSING STITCHING.
Subjects
CLOTHING-OUTERWEAR
Historical Association
TRADES
PERSONAL CARE
History
REF: P19840004000-GA FOR COMPLETE DONOR HISTORY. SKIRT MATERIAL WOVEN BY DICKSONS & SEWN BY MRS. DICKSON. *UPDATE* IN 2017 COLLECTIONS ASSISTANT RUTHANN LABLANCE CONDUCTED A SURVEY OF CLOTHING, INCLUDING A SUIT AND SKIRT DONATED BY EVA A. DICKSON. THE FOLLOWING BIOGRAPHICAL INFORMATION WAS COMPILED USING ARTICLES FROM THE LETHBRIDGE HERALD. EVA ANN DICKSON (NEE MOFFATT) WAS THE YOUNGEST DAUGHTER OF WILLIAM MOFFAT, EX-MLA. SHE WAS MARRIED TO GEORGE ELFORD DICKSON, THE SON OF JAMES DICKSON, ON MAY 5, 1925. THE ANNOUNCEMENT FOR THEIR WEDDING GIVES THE FOLLOWING DETAILS: “THE MANY USEFUL AND COSTLY GIVES RECEIVED WERE A TESTITMONY OF THE VERY HIGH ESTEEM IN WHICH BOTH ARE HELD BY THEIR MANY FRIENDS IN AND AROUND CLARESHOLM, AND THEIR GREAT POPULARITY THROUGH OUT THE DISTRICT WHERE BOTH HAVE RESIDED FOR A NUMBER OF YEARS. THE GROOM IS A MEMBER OF THE STAFF OF THE INSPECTOR’S DEPARTMENT OF THE CANADIAN BANK OF COMMERCE AT CALGARY, BUT WAS FORMERLY ON THE STAFF OF THE LOCAL BRANCH OF THE BANK … THE BRIDGE, WHOSE PARENTS CAME HERE IN THE EARLIER DAYS OF THE TOWN AND DISTRICT, HAS GROWN UP IN THE COMMUNITY, AND HAS ENDEARED HERSELF TO A VERY LARGE CIRCLE OF FRIENDS IN CHURCH, SOCIAL, AND MUSICAL CIRCLES, AND HER PRESENCE WILL BE VERY GREATLY MISSED.” ON DECEMBER 2, 1946, AN ARTICLE ABOUT THE STAVELY UNITED CHURCH WOMEN’S ASSOCIATION APPEARED IN THE HERALD: “MRS. EVA DICKSON OF CLARESHOLM ATTENDED THE MEETING AND DISPLAYED ARTICLES SHE MAKES ON A LOOM. THESE INCLUDED LUNCHEON SETS, TOWELS, SCARVES, AND WOOLEN SUIT LENGTHS.” GEORGE ELFORD DICKSON PASSED AWAY AT THE AGE OF 83 ON JULY 1, 1983. EVA DICKSON PASSED AWAY IN 1991. SEE PERMANENT FILE FOR COPIES OF THE ARTICLES FROM THE LETHBRIDGE HERALD.
Catalogue Number
P19840005000
Acquisition Date
1984-03
Collection
Museum
Images
Less detail