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Other Name
TOO YOUNG TO FIGHT
Date Range From
1990
Date Range To
2000
Material Type
Artifact
Materials
COTTON
Catalogue Number
P19970041920
  1 image  
Material Type
Artifact
Other Name
TOO YOUNG TO FIGHT
Date Range From
1990
Date Range To
2000
Materials
COTTON
No. Pieces
1
Height
0.3
Length
74.5
Width
55.5
Description
WHITE COTTON T-SHIRT WITH SILK SCREEN IMAGE ON FRONT WITH A YOUNG GIRL TRYING ON A MILITARY WEDGE CAP. CAPTION READS "TOO YOUNG TO FIGHT: MEMORIES FROM OUR YOUTH DURING WORLD WAR II".
Subjects
CLOTHING-OUTERWEAR
Historical Association
COMMEMORATIVE
PROFESSIONS
History
T-SHIRT WAS GIVEN TO DONOR AT A CONFERENCE OPENING THE LAUNCH OF THE BOOK "TOO YOUNG TO FIGHT", WHICH IS A WORK OF COLLECTED ESSAYS BY CANADIAN AUTHORS RELATING THEIR CHILDHOOD EXPERIENCES OF THE SECOND WORLD WAR (DONOR CONTRIBUTED TO BOOK). THE NAKAYAMA FAMILY WAS ORIGINALLY FROM VANCOUVER BUT MOVED TO COALDALE FOLLOWING THE SECOND WORLD WAR WHEN THEY WERE INTERNED AT SLOCAN CITY IN THE INTERIOR OF BRITISH COLUMBIA BY THE CANADIAN GOVERNMENT. THE DONOR'S FATHER, REV. CANON G.G. NAKAYAMA, WAS AN ANGLICAN MINISTER IN VANCOUVER, AND THEN ESTABLISHED THE CHURCH OF THE ASCENSION IN COALDALE IN 1945 WHERE HE SERVED UNTIL 1970. SEE RECORD P19970041001 FOR EXPANDED BIOGRAPHICAL INFORMATION AND PERMANENT FILE FOR FURTHER HISTORY.
Catalogue Number
P19970041920
Acquisition Date
1997-01
Collection
Museum
Images
Less detail
Other Name
HIGHLAND COSTUME SET
Date Range From
1900
Date Range To
1910
Material Type
Artifact
Materials
WOOL, COTTON, LEATHER
Catalogue Number
P19705629000
  2 images  
Material Type
Artifact
Other Name
HIGHLAND COSTUME SET
Date Range From
1900
Date Range To
1910
Materials
WOOL, COTTON, LEATHER
No. Pieces
14
Description
.1 SCOTTISH CAPE OR PLAID. 10 CM. WTH., 26.6 CM LTH. GREEN, RED PLAID. FRINGED. .2 SCOTTISH KILT (SET). WOOL, COTTON. SIZE: 35 WAIST, 24 3/8 LENGTH. "J. STEWART" IN INDELIBLE INK IN WAISTBAND. SIX BUTTONS AT WAIST. LEATHER STRAP, FRONT CLOSING. GREEN AND RED PLAID. PARTIALLY LINED IN BACK WITH COTTON. .3 SCOTTISH MILITARY JACKET. WOOL, STEEL, COTTON. 3 PIECES. SIZE: 42 EIGHT STEEL BUTTON FRONT, THISTLE EMBOSSED ON FRONT. FOUR SETS OF DOUBLE FLAPS AT WAISTLINE WITH THREE BUTTONS ON EACH. GREEN EPAULETS (DETACHABLE) ATTACHED TO JACKET THROUGH SHOULDER TABS. BEIGE, GREEN AND BLUE PLAID WOOL LINING. SLEEVES LINED IN COTTON. .4 SCOTTISH SPORRAN (SET).15.2 CM WTH., 45.7 CM LTH. HORSE HAIR, LEATHER, STEEL. 2 PIECES. WHITE HORSE HAIR. BACKGROUND TWELVE BLACK HORSE HAIR TASSELS. BROWN LEATHER BACKING HAS POCKET. C/W BROWN LEATHER BELT. STEEL TOP EMBOSSED WITH THISTLE .5 "CAIRNGORM" OR CAPE PIN. 9.5 CM DIA. STEEL, AMBER STONE. AMBER COLOURED STONE, SET IN STEEL BACKGROUND WITH TASSELS EMBOSSED ON IT. PLEASE REFERENCE HISTORY FIELD FOR MORE INFORMATION ON CAIRNGORM'S CONDITION . .6 SCOTTISH LEGGINGS. 17 CM WTH., 34 CM LTH. HAND KNIT. TWEED AND ARGYLE PATTERN IN RED, GREEN AND NAVY. .7 IDENTICAL TO .6 .8 SCOTTISH OVERGAITERS. 27.6 CM HT. LEATHER, CANVAS, COTTON, PLASTIC. WHITE CANVAS GAITERS WITH WHITE COTTON LINING, LEATHER FOOT STRAPS. EIGHT BUTTON SIDE OPENINGS. FOUR ORIGINAL BUTTONS, TWO REPLACEMENTS. "JS" IN PURPLE FELT PEN INSIDE EACH. "7" "6 DUNN (?)" ON PT. 9. .9 IDENTICAL TO .8. HAS THREE ORIGINAL BUTTONS, ONE REPLACEMENT. .10 SCOTTISH GARTERS (SET). 15.8 CM WTH., 15.2 CM LTH. HANDMADE. DECORATION OF RED WOOL RIBBON GARTER OF INNER TUBE. .11 IDENTICAL TO .10
Subjects
CLOTHING-OUTERWEAR
Historical Association
ETHNOGRAPHIC
LEISURE
History
WORN BY JAMES STEWART, MEMBER OF THE CALEDONIAN PIPE BAND. AS A RESULT OF RESEARCH DONE IN CONJUNCTION WITH A SCOTTISH-THEMED EXHIBIT IN 2009, THE GALT CONDUCTED NEW RESEARCH INTO THE EXISTENCE AND ACTIVITIES OF THE CALEDONIAN PIPE BAND. THIS UNIFORM WAS WORN BY CALEDONIAN PIPE BAND MEMBER JAMES STEWART WHO LEFT SCOTLAND AND CAME TO CANADA WITH HIS WIFE GEORGINA AND FAMILY IN 1914. THE FAMILY SETTLED IN LETHBRIDGE IN APRIL 1914, WHERE THEY WOULD REMAIN FOR THE REST OF THEIR LIVES. STEWART WAS BORN IN EDINBURGH, SCOTLAND ON 23 JANUARY 1887. HE JOINED LETHBRIDGE'S 61ST OVERSEAS ARTILLERY BATTERY IN 1916 AND WAS PREVIOUSLY EMPLOYED IN LETHBRIDGE AS A MINER. FORMED IN APPROXIMATELY 1909, THE BAND WAS CLOSELY LINKED WITH LETHBRIDGE’S CALEDONIAN SOCIAL CLUB. IN ADDITION TO PROVIDING MUSICAL ENTERTAINMENT IN LOCAL HALLS OR AT SOMBER FUNERARY EVENTS, THE BAND TRAVELED THROUGHOUT SOUTHERN ALBERTA AND MONTANA TO PARTICIPATE IN OTHER COMMUNITIES’ COMPETITIONS AND ROBBIE BURNS’ EVENTS. THE BAND WAS EXTREMELY ACTIVE IN THE 20S, HOWEVER, INTEREST WANED BY THE DECADE’S END AND THE BAND IS SUSPECTED TO HAVE DISBANDED BY 1933. BASED ON THE UNIFORM’S SHOULDER DETAILS AND AVAILABLE PHOTOGRAPHS IN ARCHIVES, IT IS BELIEVED THAT THIS UNIFORM DATES TO THE 1920S. FOR MORE INFORMATION ON JAMES STEWART, PLEASE REFER TO THE DONATION'S PERMANENT FILE. CAIRNGORM DISCOVERED TO BE IN MULTIPLE PIECES, DAMAGED CONDITION BY COLLECTIONS STAFF IN THE MID 1990'S. UNKNOWN WHEN THE DAMAGE OCCURRED. ONE SECTION OF SETTING WAS MISSING AND ONE SECTION OF SETTING AND JEWEL WERE ACCOUNTED FOR BUT DETACHED (SEE PHOTOS IN PERMANENT FILE ). IN DECEMBER/JANUARY, 2010 THE GALT CONTACTED DAVE MERESKI OF THE LOCAL BUSINESS 'THE GOLDWORKS' TO REPAIR THE SETTING ON ACCOUNT OF A REQUEST BY ROY STEWART - A DESCENDANT OF JAMES STEWART. ADDITIONALLY, THE UNIFORM SET WAS ON REGULAR DISPLAY THROUGHOUT IN 2009 AND WAS SCHEDULED FOR EXHIBIT IN 2010. DAVE MERESKI RE-BUILT THE MISSING SECTION WITH SPECIALTY LASER EQUIPMENT, RETURNING THE JEWEL TO ITS ORIGINAL MOUNT.
Catalogue Number
P19705629000
Acquisition Date
1970-05
Collection
Museum
Images
Less detail
Other Name
LETHBRIDGE HANDI-BUS DRIVER'S UNIFORM SHIRT
Date Range From
1975
Date Range To
2007
Material Type
Artifact
Materials
COTTON, POLYESTER
Catalogue Number
P20160009003
  2 images  
Material Type
Artifact
Other Name
LETHBRIDGE HANDI-BUS DRIVER'S UNIFORM SHIRT
Date Range From
1975
Date Range To
2007
Materials
COTTON, POLYESTER
No. Pieces
1
Height
66
Length
69
Description
LIGHT BLUE COLLARED SHIRT. THERE ARE SEVEN WHITE, PEARLIZED BUTTONS DOWN THE FRONT OF THE SHIRT. THERE ARE TWO POCKETS, EACH WITH ONE BUTTON, ON EITHER SIDE OF THE CHEST. A LOGO IS EMBROIDERED ON THE LEFT CHEST WITH “LHB” IN WHITE. THE LOGO IS AN INVERTED MAROON TRIANGLE WITH A WHITE BORDER. THERE IS A PARTIAL HANDICAP SYMBOL IN THE CENTER, EMBROIDERED IN WHITE. THE INSIDE TAG ON THE BACK OF THE COLLAR READS, “MARK’S … XL”. THE TAG STATES IT IS A COTTON/POLYESTER SHIRT. THE SLEEVES ARE 61.5 CM LONG. VERY GOOD – EXCELLENT CONDITION. THERE IS A LOOSE THREAD AT THE TOP BUTTON, NEAR THE COLLAR AND ONE ON THE INSIDE TRIM AT THE FRONT BOTTOM LEFT SIDE.
Subjects
CLOTHING-OUTERWEAR
Historical Association
ASSOCIATIONS
TRANSPORTATION
History
THE LETHBRIDGE HANDI-BUS ASSOCIATION WAS A NOT-FOR-PROFIT ORGANIZATION THAT BEGAN IN 1975 WHEN THE KIWANIS CLUB DONATED THE FIRST VAN. ON AUGUST 1, 2007 – AFTER 32 YEARS OF SERVICE TO THE COMMUNITY – THE LETHBRIDGE HANDI-BUS ASSOCIATION WAS TRANSFERRED TO THE CITY OF LETHBRIDGE. AT THAT POINT, THE ASSOCIATION HAD A FLEET OF 20 BUSES – MANY OF WHICH WERE DONATED BY LOCAL SERVICE CLUBS – THAT WERE ALL TRANSFERRED TO THE CITY. THE NAME OF THE SERVICE BECAME ACCESS-A-RIDE UNDER THE CITY’S MANAGEMENT. THESE ARTIFACTS WERE DONATED BY A LETHBRIDGE HANDI-BUS ASSOCIATION BOARD MEMBER, LYNN SPRING. THE FOLLOWING INFORMATION HAS BEEN EXTRACTED FROM AN INTERVIEW CONDUCTED BY COLLECTIONS TECHNICIAN KEVIN MACLEAN ON APRIL 12, 2016 WITH SPRING. HE EXPLAINS, “I WAS A MEMBER OF THE LETHBRIDGE HANDI BUS BOARD OF DIRECTORS FOR HALF A DOZEN YEARS AT LEAST AND SOME OF THESE ITEMS WERE GIVEN TO ME BY THE DRIVERS. THE LETHBRIDGE HANDI BUS STARTED IN 1975 AND ABOUT SEVEN YEARS AGO, LETHBRIDGE HANDI BUS STOPPED THEIR CHARTER AS A NOT- FOR -PROFIT ORGANIZATION BECAUSE OF THE NATIONAL RULING IN TRANSPORTATION THAT MUNICIPALITIES WOULD BE RESPONSIBLE FOR ACCESSIBILITY RIDES, HANDICAP TRANSPORTATION. SO THE CITY TOOK OVER ALL OF THE BUSES, THEY PURCHASED THEM AND MOST OF THE DRIVERS WENT OVER TO THE CITY OF LETHBRIDGE BECAUSE WE HAD, I BELIEVE, TWENTY-SIX AT THAT TIME AND YOU JUST DON’T JUST DON’T FIND TWENTY-SIX DRIVERS. THAT WAS PART OF THE AGREEMENT ON SALE THAT THEY WOULD TAKE THE BUSES. WE TOOK OUR PLATES OFF AND THE NEXT DAY CITY PUT THEIR PLATES ON AND THEIR INSURANCE. THE DRIVERS WENT OVER EVENTUALLY. THEY WERE WEARING THE CITY TRANSIT, LETHBRIDGE CITY TRANSIT UNIFORMS.” OF HIS TIME AS A BOARD MEMBER, SPRING SAID, “I CAME TO LETHBRIDGE IN [2005]… THE MANAGER OF THE DAY, MURRAY CAMPBELL, WAS A LONGTIME FRIEND OF MINE AND HE ASKED ME [TO BE ON THE BOARD], AND I THOUGHT WELL IT IS A VERY WORTHWHILE ORGANIZATION. IT WAS A NOT-FOR -PROFIT ORGANIZATION AND DIDN’T INVOLVE A LOT OF HOURS.” SPRING WAS ON THE BOARD UNTIL 2011. SPRING REFERRED TO HIMSELF AS “A COLLECTOR AT HEART” AND AS A RESULT GATHERED THE DONATED ARTIFACTS DURING THE LAST DAYS OF THE LETHBRIDGE HANDI-BUS ASSOCIATION IN 2011. THEY WERE IN HIS POSSESSION FOR 5 TO 7 YEARS. HE EXPLAINS, “WELL I WAS ONE OF THREE THAT CLOSED DOWN AND CLOSED OUT HANDI BUS. WE HAD TO FILE WITH TAX CANADA AND OF COURSE, WORKERS COMP AND ALL THOSE THINGS SO FINALLY WE’RE AT THAT STAGE WHERE WE CAN GET RID OF A LOT OF THE PAPER RECORDS. IT PROMPTED THAT I SHOULD MAYBE DONATE THESE TO THE GALT MUSEUM FOR PROSPERITY… [T]HAT’S JUST MY NATURE, I GUESS, TO RETAIN THINGS AND SAY ‘WELL SOMEBODY WOULD BE INTERESTED IN THIS IN A FUTURE DATE.’” SPRING WOULD HAVE WORN THIS SHIRT AS A BOARD MEMBER: ”WE WOULD WEAR THAT AT FUNDRAISERS AND DIFFERENT OCCASIONS LIKE THAT. THE ODD TIME AT THE BOARD MEETINGS, BUT MAINLY THE FUNDRAISERS, OR WHEN WE HAD MEDIA PEOPLE OR, SOME RECORDING OF THAT NATURE.” IT IS IDENTICAL TO THE SHIRTS WORN BY THE HANDI-BUS DRIVERS. SPRING DESCRIBES THE SHIRT’S DESIGN, “IT’S A DENIM SHIRT, AND OF COURSE A LOT OF OUR MATERIAL WAS FROM MARK’S WORK WAREHOUSE AS YOU SEE ON THE LABEL. THAT’S SIMPLY DENIM AND THE DISTINCTION IS HAVING THE LHB LOGO ON IT… THE LOGO LHB IS IN MAROON AND GRAY COLOURS, THAT WAS THEIR COLOUR AND OF COURSE LHB FOR LETHBRIDGE HANDI BUS.” PLEASE SEE PERMANENT FILE FOR MORE INFORMATION INCLUDING FULL INTERVIEW TRANSCRIPTION AND LETHBRIDGE HERALD ARTICLES.
Catalogue Number
P20160009003
Acquisition Date
2016-04
Collection
Museum
Images
Less detail
Other Name
LETHBRIDGE HANDI-BUS DRIVER'S WINTER COAT
Date Range From
1975
Date Range To
2007
Material Type
Artifact
Materials
NYLON, POLYESTER, PLASTIC
Catalogue Number
P20160009004
  2 images  
Material Type
Artifact
Other Name
LETHBRIDGE HANDI-BUS DRIVER'S WINTER COAT
Date Range From
1975
Date Range To
2007
Materials
NYLON, POLYESTER, PLASTIC
No. Pieces
2
Length
78.5
Width
77
Description
A: DARK GREY WINTER JACKET. EMBROIDERED “LHB” LOGO ON THE PROPER LEFT SIDE OF THE CHEST (MAROON INVERTED TRIANGLE WITH LETTERS AND HANDICAP SYMBOL IN WHITE). THE JACKET HAS A HIGH COLLAR AND A GREY, PLASTIC ZIPPER DOWN THE FRONT. THERE ARE 5 METAL SNAP FASTENERS TO CLOSE THE JACKET IN ADDITION TO THE ZIPPER. THERE IS A POCKET ON EITHER SIDE OF THE CHEST, BOTH WITH VELCRO-ED FLAPS. THERE IS REFLECTIVE MATERIAL ATTACHED TO THESE POCKETS. THERE ARE TWO POCKETS AT THE LOWER SIDES OF THE JACKET WITH ZIPPERS TO CLOSE. THERE ARE TWO STUDS FROM SNAP FASTENERS ON THE OUTSIDE OF THE JACKET (FRONT, LOWER LEFT SIDE). THERE IS ELASTIC AROUND THE BOTTOM HEM AND VELCRO AROUND THE CUFFS OF THE SLEEVES. A 20 CM REFLECTIVE STRIPE IS ATTACHED TO THE CENTER BACK OF THE JACKET. THE SLEEVES ARE 58 CM LONG. THE TAG AT THE BACK COLLAR READS "MARK'S 3XL" AND "MADE IN KOREA". B: A REMOVABLE BLACK FLEECE LINING IS ATTACHED TO THE INSIDE OF THE JACKET WITH A ZIPPER. THE FLEECE LINING HAS AN LHB LOGO IDENTICAL TO THE JACKET'S ON THE PROPER LEFT SIDE OF THE CHEST. THE INSIDE TAG READS “MARK’S… 3XL”. GOOD CONDITION. THE COLOUR OF THE GREY IS FADING OVERALL. THE FLEECE ON THE INSIDE IS BALLING. THERE ARE LOOSE THREADS AT VARIOUS PLACES OF THE JACKET. THE LOGO IS DIRTY/DISCOLOURED. THE VELCRO IS SLIGHTLY DIRTY. THE LEFT CHEST POCKET IS WRINKLED/MISSHAPED AND STICKING TO THE VELCRO. THERE IS A WHITE NEAR THE ZIPPER ON THE UPPER, LEFT SIDE OF THE JACKET.
Subjects
CLOTHING-OUTERWEAR
Historical Association
ASSOCIATIONS
TRANSPORTATION
History
THE LETHBRIDGE HANDI-BUS ASSOCIATION WAS A NOT-FOR-PROFIT ORGANIZATION THAT BEGAN IN 1975 WHEN THE KIWANIS CLUB DONATED THE FIRST VAN. ON AUGUST 1, 2007 – AFTER 32 YEARS OF SERVICE TO THE COMMUNITY – THE LETHBRIDGE HANDI-BUS ASSOCIATION WAS TRANSFERRED TO THE CITY OF LETHBRIDGE. AT THAT POINT, THE ASSOCIATION HAD A FLEET OF 20 BUSES – MANY OF WHICH WERE DONATED BY LOCAL SERVICE CLUBS – THAT WERE ALL TRANSFERRED TO THE CITY. THE NAME OF THE SERVICE BECAME ACCESS-A-RIDE UNDER THE CITY’S MANAGEMENT. THESE ARTIFACTS WERE DONATED BY A LETHBRIDGE HANDI-BUS ASSOCIATION BOARD MEMBER, LYNN SPRING. THE FOLLOWING INFORMATION HAS BEEN EXTRACTED FROM AN INTERVIEW CONDUCTED BY COLLECTIONS TECHNICIAN KEVIN MACLEAN ON APRIL 12, 2016 WITH SPRING. HE EXPLAINS, “I WAS A MEMBER OF THE LETHBRIDGE HANDI BUS BOARD OF DIRECTORS FOR HALF A DOZEN YEARS AT LEAST AND SOME OF THESE ITEMS WERE GIVEN TO ME BY THE DRIVERS. THE LETHBRIDGE HANDI BUS STARTED IN 1975 AND ABOUT SEVEN YEARS AGO, LETHBRIDGE HANDI BUS STOPPED THEIR CHARTER AS A NOT- FOR -PROFIT ORGANIZATION BECAUSE OF THE NATIONAL RULING IN TRANSPORTATION THAT MUNICIPALITIES WOULD BE RESPONSIBLE FOR ACCESSIBILITY RIDES, HANDICAP TRANSPORTATION. SO THE CITY TOOK OVER ALL OF THE BUSES, THEY PURCHASED THEM AND MOST OF THE DRIVERS WENT OVER TO THE CITY OF LETHBRIDGE BECAUSE WE HAD, I BELIEVE, TWENTY-SIX AT THAT TIME AND YOU JUST DON’T JUST DON’T FIND TWENTY-SIX DRIVERS. THAT WAS PART OF THE AGREEMENT ON SALE THAT THEY WOULD TAKE THE BUSES. WE TOOK OUR PLATES OFF AND THE NEXT DAY CITY PUT THEIR PLATES ON AND THEIR INSURANCE. THE DRIVERS WENT OVER EVENTUALLY. THEY WERE WEARING THE CITY TRANSIT, LETHBRIDGE CITY TRANSIT UNIFORMS.” OF HIS TIME AS A BOARD MEMBER, SPRING SAID, “I CAME TO LETHBRIDGE IN [2005]… THE MANAGER OF THE DAY, MURRAY CAMPBELL, WAS A LONGTIME FRIEND OF MINE AND HE ASKED ME [TO BE ON THE BOARD], AND I THOUGHT WELL IT IS A VERY WORTHWHILE ORGANIZATION. IT WAS A NOT-FOR -PROFIT ORGANIZATION AND DIDN’T INVOLVE A LOT OF HOURS.” SPRING WAS ON THE BOARD UNTIL 2011. SPRING REFERRED TO HIMSELF AS “A COLLECTOR AT HEART” AND AS A RESULT GATHERED THE DONATED ARTIFACTS DURING THE LAST DAYS OF THE LETHBRIDGE HANDI-BUS ASSOCIATION IN 2011. THEY WERE IN HIS POSSESSION FOR 5 TO 7 YEARS. HE EXPLAINS, “WELL I WAS ONE OF THREE THAT CLOSED DOWN AND CLOSED OUT HANDI BUS. WE HAD TO FILE WITH TAX CANADA AND OF COURSE, WORKERS COMP AND ALL THOSE THINGS SO FINALLY WE’RE AT THAT STAGE WHERE WE CAN GET RID OF A LOT OF THE PAPER RECORDS. IT PROMPTED THAT I SHOULD MAYBE DONATE THESE TO THE GALT MUSEUM FOR PROSPERITY… [T]HAT’S JUST MY NATURE, I GUESS, TO RETAIN THINGS AND SAY ‘WELL SOMEBODY WOULD BE INTERESTED IN THIS IN A FUTURE DATE.’” THE WINTER JACKET WAS WORN BY A DRIVER NAMED WAYNE HALES WHO WAS ONE OF THE LHB EMPLOYEES WHO TRANSFERRED TO THE CITY WHEN THE ORGANIZATION WAS TAKEN OVER. WHEN SPRING WAS GATHERING ITEMS RELATED TO THE ASSOCIATION HE REACHED OUT TO HALES: “I SPOKE WITH WAYNE HALES, AND SAID I HAD SOME OTHER THINGS DID HE HAVE ANYTHING? AND HE SAID, ‘OH, I THINK I’VE GOT A COAT IN THE CLOSET’, SO HE DUG IT OUT AND I ADDED IT TO THESE OTHER ITEMS.” PLEASE SEE PERMANENT FILE FOR MORE INFORMATION INCLUDING FULL INTERVIEW TRANSCRIPTION AND LETHBRIDGE HERALD ARTICLES.
Catalogue Number
P20160009004
Acquisition Date
2016-04
Collection
Museum
Images
Less detail
Other Name
CHINOOK COUNTRY SHOOTERS CLUB
Date Range From
1987
Date Range To
2012
Material Type
Artifact
Materials
COTTON
Catalogue Number
P20120022000
  1 image  
Material Type
Artifact
Other Name
CHINOOK COUNTRY SHOOTERS CLUB
Date Range From
1987
Date Range To
2012
Materials
COTTON
No. Pieces
1
Height
80.7
Length
83.7
Width
7.8
Description
WHITE POLO STYLE SHIRT. BLACK COLLAR AND SHOULDER PANELS THAT TAPER DOWN THE FRONT. RED SLEEVES WITH BLACK CUFFS. WHITE STITCHING ALONG BOTTOM EDGE. FRONT UPPER LEFT SIDE HAS EMBROIDERED IN WHITE THREAD, “AL.” FRONT RIGHT BREAST HAS EMBROIDERED IN BLACK THREAD, “CHINOOK COUNTRY SHOOTERS CLUB” WITH LOGO THAT HAS THREE TARGETS CONNECTED BY A LINE THROUGH BULL’S-EYES. REVERSE HAS EMBROIDERED IN BLACK THREAD, “CHINOOK COUNTRY SHOOTERS CLUB LETHBRIDGE AB.” SMALL HOLE AT MID-RIGHT BACK. TAG INSIDE COLLAR AT BACK READS, “ASH CITY ® CA 15155, 100% COTTON, MADE IN CANADA BY ASH CITY, XL, MACHINE WASH SEPARATELY IN COLD WATER. ABSOLUTELY NO BLEACHING AGENTS AND IMMEDIATELY TUMBLE DRY ON LOW. DO NOT LAY FLAT TO DRY.”
Subjects
CLOTHING-OUTERWEAR
Historical Association
SPORTS
LEISURE
History
ON MARCH 20, 2012 GALT STAFF CONDUCTED AN INTERVIEW WITH ALLEN FRIESEN. THE FOLLOWING INFORMATION HAS BEEN EXTRACTED FROM A LONGER NARRATIVE. “I AM A TARGET SHOOTER AND THAT IS BASICALLY WHAT I DO FOR RECREATION, MORE SO. I DON’T REALLY COMPETE MUCH, NOW. I JUST BASICALLY DO IT FOR FUN MORE SO, AND ALSO DO SOME COACHING, AND I’VE DONE THAT FOR ABOUT 25 YEARS. YOU KNOW I JUST, IT’S JUST A LOT OF FUN TO DO, SHOOTING, AND IT IS A VERY ENJOYABLE SPORT. ONE OF THE ONES THAT WE DON’T HAVE IS THAT THERE IS NO REAL STRUCTURE FOR IT, THERE’S NO REAL NATIONAL ASSOCIATION FOR IT, LIKE IPSIC, WHICH IS A WORLDWIDE ASSOCIATION, BUT THERE IS NO REAL ASSOCIATION BUT OUR 3 GUN MATCHES. ON OUR RANGE THERE ARE THREE GUN MATCHES WHERE OUR COMPETITOR IN THE SAME STAGE USES RIFLE, HANDGUN AND SHOTGUN—AND THOSE ARE EXTREMELY ENJOYABLE. IT GETS YOUR BLOOD PUMPING, IT GETS VERY EXCITING AND AT THE END YOU’RE OUT OF BREATH, YOU BARELY DID ANYTHING, BUT YOU HAVE BEEN HOLDING YOUR BREATH WHEN YOU HAVE BEEN PRESSING THE TRIGGER, YOU HAVE BEEN RUNNING, YOU HAVE BEEN THINKING ABOUT WHAT YOU HAVE BEEN DOING, SO IT VERY MUCH ENGAGES YOU IN IT. SO IT’S A VERY ENGAGING SPORT, YOU CAN DO IT AT THE LEVEL THAT YOU WANT TO DO IT AT. PHYSICALLY IF YOU’RE NOT ABLE TO MOVE MUCH WELL THERE ARE SHOOTING SPORTS THAT YOU CAN DO, SET YOUR FIREARM ON THE TABLE AND DISCHARGE IT FROM THE TABLE AND YOU TRY AND SHOOT THE TIGHTEST GROUP POSSIBLE KIND OF THING. AND THAT’S GOOD, THAT’S A GREAT THING. OTHERS THAT ARE MORE ACTIVE CAN DO MORE, HAVE MORE OPTIONS IN TERMS OF THE SHOOTING SPORT. BUT THEY ARE LIFELONG SPORTS, THEY ARE THE SAFEST SPORT THERE IS AND I’M A BIG FAN. I THINK THAT IT IS GREAT. ” WHEN ASKED ABOUT HIS TRAINING TO BECOME A COACH, FRIESEN RESPONDED BY SAYING, “BASICALLY JUST TAKING THE COURSES REQUIRED TO BE ABLE TO COMPETE, AND THEN JUST LOTS OF PRACTICE AND LEARNING BY GOING TO LOTS OF MATCHES AND LEARNING FROM OTHER COMPETITORS. FOR SHOOTING SPORTS, IT IS REALLY INTERESTING IN THAT THE COMPETITORS ARE QUITE WILLING TO GIVE YOU TIPS AND SUGGESTIONS IN TERMS OF MAKING YOU A BETTER SHOOTER. IT’S NOT LIKE OTHER SPORTS WHERE THEY ARE HOLDING THEIR SECRET WEAPON BACK. THEY ARE GOING TO SAY, HEY HAVE YOU EVER TRIED THIS, YOU SHOULD GIVE THAT A GO. ANYWAY, IT’S A MUCH MORE OF AN OPEN TYPE OF SPORTY IN THAT REGARD.” WHEN ASKED HOW A COACH MIGHT MOTIVATE A COMPETITOR FRIESEN SAID, “YOU KNOW I’M NOT REALLY SO MUCH TRYING TO GET THEM TO ENTER A COMPETITION. MY BIG GOAL IS THAT THEY BE SAFE FIRST OF ALL. SO THEY ARE SAFE, THAT’S OUR PRIMARY CONCERN. ONCE THEY ARE DOING THINGS SAFELY, THEN I WANT THEM TO HAVE SOME FUN DOING IT. THEN, IF THEY WANT TO COMPETE, THEN I WILL ENCOURAGE THEM TO COMPETE AND ASSIST THEM WITH THAT. THAT’S OUR PRIORITY, SAFETY FIRST, THEN FUN, THEN COMPETE IF THEY WISH TO DO THAT. SOME PEOPLE, WITH THE SHOOTING SPORTS, IT’S AN ACTIVITY WHICH YOU DON’T HAVE TO BE INVOLVED OR GO TO COMPETITIONS IF YOU DON’T WISH TO. SO IT’S A LIFELONG TYPE OF ACTIVITY. IT’S THE SAFEST SPORT THERE IS, SO THOSE ARE THE THINGS THAT REALLY APPEAL TO ME ABOUT IT. SO, THE COMPETITIONS, IF THEY WISH TO THAT FINE, IF THEY DON’T, THEN I TEACH THEM THE FUNDAMENTALS, SO THAT THEY CAN BE SAFE AND HAVE FUN DOING IT, THEN I’M HAPPY WITH THAT. WE HAVE SOME BASIC TYPE OF INSTRUCTION THAT WE DO. WE HAVE A CHECKLIST THAT WE FOLLOW, THAT THEY HAVE THE RIGHT ABILITIES AND SKILLS TO ENGAGE SAFELY. BUT AFTER THAT THERE IS A COURSE CALLED THE BLACK BADGE COURSE, AND THIS IS SPECIFICALLY FOR INTERNATIONAL PRACTICAL SHOOTING CONFEDERATION. SO THE BLACK BADGE COURSE IS ONE SPECIFICALLY FOR THAT SPORT. IT FOCUSES ON THE RULES OF THAT SPORT. IT’S A REQUIREMENT TO COMPLETE THAT COURSE AND SUCCESSFULLY COMPLETE A MATCH AFTER THAT COURSE IN ORDER TO PARTICIPATE IN MATCHES. YOU HAVE TO HAVE A BLACK BADGE IN ORDER TO COMPETE IN THEIR MATCHES. [THROUGH COACHING, I’VE HAD] A LOT OF OPPORTUNITIES TO WORK WITH A LOT OF YOUNG PEOPLE WHO ARE VERY MUCH ENTHUSED ABOUT DOING WHAT THEY ARE DOING AND THEIR PARENTS. THAT’S THE KIND OF A REQUIREMENT THAT WE HAVE. WE HAVE FOR OUR JUNIOR LEAGUE, THAT’S FOR OUR YOUTH, WE REQUIRE THAT THE ADULTS ALSO COME TO, AT LEAST THAT AN ADULT BE ON SITE WITH THEIR CHILDREN. SO IT’S JUST ENJOYABLE TO SHARE THE SPORT, TO LET OTHER PEOPLE KNOW ABOUT IT. ON FIRST BLUSH, IT LOOKS KIND OF UNUSUAL. I REMEMBER WHEN I WAS FIRST INTRODUCED TO SHOOTING SPORTS, I HAD A FRIEND WHO TOLD ME ABOUT IT AND I SAID ‘OH MAN, THAT SOUNDS LIKE A WHOLE BUNCH OF MACHO BULLSHIT, I DON’T THINK I’M INTERESTED, BUT I SAID O.K., I’LL COME OUT AND TRY IT. IT’S JUST VERY ENJOYABLE. I CAN’T UNDERSTAND WHY IT’S SO ENJOYABLE, BUT IT IS. THE WHOLE EXPERIENCE, IN TERMS OF RECOIL, THE SMOKE, AND THE NOISE, IT’S JUST A LOT OF FUN TO DO. [AS A VOLUNTEER COACH] I THINK THAT VOLUNTEERING IS EXTREMELY IMPORTANT. IT’S EXTREMELY GRATIFYING. I MEAN, YOU’RE MOTIVATION ISN’T TO DO IT BECAUSE YOU’RE GETTING PAID. I GET PAID DOING OTHER THINGS THAT’S A SATISFACTORY COMPENSATION FOR ME. I DON’T NEED MONEY FOR EVERYTHING THAT I DO, SO A CHUNK OF TIME THAT I HAVE AVAILABLE, I VOLUNTEER, AND I ENJOY DOING IT. [WORKING WITH PARENTS AND KIDS IN] THE SHOOTING SPORTS, [IS] DEFINITELY [ENJOYABLE]. YES IT IS, IT IS GOOD BECAUSE THE PARENTS, WE’RE ALL ON THE SAME PAGE. WE WANT THEIR CHILDREN TO DO IT SAFELY, AND THE PARENTS ARE CERTAINLY ON THE SAME SIDE IN TERMS OF THAT I MIGHT BE VERY ADAMANT WITH THE PARTICIPANT ABOUT KEEPING THEIR FINGER OFF THE TRIGGER FOR AN EXAMPLE, AND I MIGHT HEAR THE PARENT SAYING THE SAME THING ‘OH, HEY, KEEP YOUR FINGER OFF THAT TRIGGER’. I’LL SAY IT AND THE PARENT WILL JUMP IN AS WELL, SO THEY’RE ON THE SAME PAGE IN TERMS OF DOING IT. [THERE IS] CERTAINLY [A LOT OF RESPECT BETWEEN THE PARENTS AND THE COACH] AND THEY UNDERSTAND THE REASONS WHY THAT I MIGHT BE STRESSING POINTS BECAUSE THERE IS A SAFETY ISSUE. IF IT’S DONE SAFELY, IT’S A SPORT YOU CAN DO FOREVER, BUT IT HAS TO BE DONE SAFELY OR OF COURSE THERE IS SOME INHERENT DANGER IN IT.” WHEN ASKED ABOUT PRESSURES THAT MAY EXIST WITHIN THE SPORT, FRIESEN RELATED, “FOR THE COMPETITORS THERE IS FOR SURE IS. NO QUESTION. FOR ME, I’M COACHING, I TELL THEM THE RIGHT THINGS TO DO, AND IF THEY DO IT, THEN THAT’S O.K. AND IF THEY DO IT, THERE REALLY ISN’T MUCH PRESSURE, BUT THE PRESSURE CERTAINLY IS THERE. I MEAN ANY COMPETITION HAS PRESSURE INVOLVED WITH IT. THAT’S WHAT UPS THE ANTE ON IT, THAT’S WHAT MAKES IT IMPORTANT.” RESPONDING TO A QUESTION ABOUT WHAT HAS KEPT HIM INVOLVED FOR SO MANY YEARS, FRIESEN ANSWERED, “I ENJOY IT STILL, IT’S SOMETHING I CAN DO AND CAN ADD VALUE. IT’S STILL SOMETHING THAT IS AN EXCITING THING TO BE INVOLVED IN, SO YEAH. I’VE HAD SOME EXCEPTIONALLY GOOD DAYS WHERE I DID EXTREMELY WELL, AND ONE OF THOSE I WON THIS BIG HONKING ROBERT BATEMAN PRINT KIND OF A THING BECAUSE I WON MY CATEGORY AND THAT’S STILL SOMETHING THAT I HAVE AS A MEMENTO. AND I STILL HAVE SOME TARGETS THAT I FIRED THAT WERE EXTREMELY GOOD, YOU KNOW THEY’RE STICKING UP IN MY GARAGE AND I GIVE THOSE A LOOK ONCE IN AWHILE. AS AN ATHLETE, I GUESS, THOSE KINDS OF THINGS. AS A COACH, SOME GRATIFICATION WHEN YOU HAVE, SOME GENTLEMAN I JUST MENTIONED THAT IS A SPONSORED SHOOTER NOW, WELL THAT’S REALLY GRATIFYING. WE’VE HAD LOTS OF KIDS IN 4-H GROUPS, WELL THEY WEREN’T THERE FOR ANY COMPETITIVE PURPOSES, THEY WERE THERE TO LEARN THE SAFETY ASPECTS. AND SO NOW THEY COME BACK AND THEY ARE ADULTS NOW, AND THEY ARE SAYING “HOW CAN I, DO YOU NEED ME TO HELP, DO YOU NEED SOME VOLUNTEERS?” I MEAN THAT’S GREAT, THAT’S KEEPING IT MOVING KIND OF THING. THERE ARE PEOPLE WHO WERE MY MENTORS, MY COACHES, PEOPLE WHO HELPED ME WHEN I WAS YOUNGER. THOSE FOLKS ARE GOING ON TO HELP OTHER PEOPLE, SO IT’S A GREAT CYCLE.” RECALLING SOME OF THE CHALLENGES TO BEING A COACH AND SHOOTER, FRIESEN SAID, “SHOOTING SPORTS ARE VERY UNUSUAL IN THAT THE BASICS ARE VERY EASY TO MASTER, THEN ALL IT IS THAT YOU HAVE TO SHUT UP, STOP THINKING ABOUT IT AND JUST DO IT. IF YOU OVER THINK IT, THAT’S WHEN THINGS GO AWRY. SO, IF YOU KIND OF HAVE A PLAN, YOU KNOW THE BASICS, YOU KNOW WHAT YOU ARE GOING TO DO, AND THEN AFTER THAT, AT THE POINT WHEN YOU ARE ACTUALLY ENGAGED IN IT, WHEN THE BUZZER BLOWS AND YOU BEGIN TO ENGAGE IN THOSE TARGETS, YOU DON’T THINK ABOUT IT. YOU HAD THE PLAN BEFORE, YOU KEEP YOUR MIND QUIET AND DO WHAT YOU’VE GOT TO DO AND THAT KIND OF THING, AND IT WORKS REALLY WELL. WHERE IT’S CHALLENGING IS WHEN YOU START TALKING TO YOURSELF TOO MUCH WHEN YOU’RE SHOOTING, THEN THE WHEELS FALL OFF IN A HURRY. [S]HOOTING IS THE SAFEST SPORT THERE IS. I MEAN I CUT MY FINGER ONCE, MINOR THINGS LIKE THAT, BUT SHOOTING IS THE SAFEST SPORT THERE IS. WHEN ASKED TO DESCRIBE THE EXPERIENCE OF SHOOTING, FRIESEN RECALLED, “HERE’S ONE OF THE STAGES FROM A 3 GUN MATCH THAT WE HAD THAT I RECALL. BASICALLY YOU START IT OFF IN A LITTLE CARD WE HAD IT ON AN INCLINE, THEN ON THE BUZZER, THEY HAVE CHECKED YOU ALL OVER AND MADE SURE YOU ARE READY TO GO, AND YOU KNOW WHAT THE COURSE OF FIRE IS. SO THERE IS A RANGE OFFICER THAT IS WITH YOU AT ALL TIMES. AND THAT PERSON WOULD SAY ‘DO YOU KNOW THE COURSE OF FIRE AND IF YOU DO, LOAD AND MAKE READY’ SO YOU LOAD AND MAKE READY, AND YOU HAVE YOUR SHOTGUN ON THIS LITTLE CART THAT YOU ARE IN AND YOU HAVE YOUR PISTOL LOADED IN YOUR HOLSTER AND YOU HAVE YOUR RIFLE STAGE FURTHER DOWN RANGE. SO THEN IT WOULD BE ON THE BUZZER YOU HIT THIS RELEASE AND THE CART STARTS ROLLING DOWN THE RAMP AND AS AS IT DOES, THERE IS THESE CLAY PIGEONS THAT ARE ALL THE WAY DOWN THE SIDES AND YOU HAVE TO SHOOT AT THE CLAY PIGEONS ON EITHER SIDE AND GET OUT , EXIT THE CART, AND THEN THERE ARE SOME OTHER PIECES OF STEEL THAT YOU HAVE TO SHOOT WITH YOUR SHOTGUN AND THEN THE LAST ONE THAT YOU SHOOT TRIGGERS A BIRD THROWER, A CLAY PIGEON THROWER, AND IT FLINGS A BIRD UP IN THE AIR, AND YOU HAVE TO HIT THAT WHEN ITS GOING, AND THEN YOU HAVE TO UNLOAD AND SHOW THAT YOUR FIREARM IS CLEAR. THEN YOU MOVE TO THE NEXT STAGE WHERE YOU GRAB YOUR PISTOL THERE IS A BUNCH OF PAPER TARGETS, IT’S CALLED THE COOPER TUNNEL, A TUNNEL THAT YOU HAVE TO GO THROUGH SO YOU HAVE TO CROUCH DOWN OR GO ON YOUR KNEES AND YOU HAVE TO SHOOT THROUGH LITTLE PORTS THAT YOU HAVE TO SHOOT THROUGH, AND SHOOT THROUGH THERE, AND THIS SIDE YOU HAVE TO SHOOT THROUGH. SO YOU GO THROUGH THIS WHOLE PROCESS THAT WAY, THEN WHEN YOU EXIT THERE ARE STILL A COUPLE TARGETS STILL FOR PISTOL AT THE END. THEN YOU HAVE TO UNLOAD, LOCK THE ACTION OF YOUR PISTOL, SET YOUR PISTOL DOWN AND A RANGE OFFICER SEES THAT YOU ARE ALL CLEAR AND THEN YOU GO TO YOUR RIFLE THAT WAS STAGED THERE. AND THEN THERE ARE SOME TARGETS AND THOSE TARGETS, ACTUALLY WE HAD THEM ON A BIANCHE MOVER, THAT IS ACTUALLY A PLATFORM THAT IS ON A CHAIN DRIVE THAT MOVES THE TARGETS ACROSS. AS ITS MOVING YOU HAVE TO GO AND FIRE AT THEM WITH YOUR RIFLE TO HIT THESE PIECES OF PAPER AS THEY ARE MOVING ACROSS IN FRONT OF YOU. THAT DOESN’T SOUND LIKE A BUNCH OF PHYSICAL STUFF, BUT YOU ARE JUST PUFFING AT THE END. AND IF YOU DO IT WELL, IT TAKES 35 SECONDS, SOMETHING LIKE THAT. IT’S ALL MEASURED IN THE HITS AND THE TIME. THOSE ARE THE TWO THINGS. SOME PEOPLE, LIKE RYAN I WAS TALKING ABOUT WHO IS ON THIS NATIONAL TEAM, MAN HE’S LIKE HALF MY TIME, ALL THE TIME. IF I CAN EVEN DOUBLE HIS TIME, I’M PLEASED WITH THAT. SO THE ONLY THING I GET LUCKY WITH IS IF MY ACCURACY IS BETTER THAN HIS. BUT HE IS ACCURATE AND HE IS FAST AND THAT’S DIFFICULT. ANYWAY, THAT’S WHAT A 3-GUN STAGE IS LIKE. FUN STUFF. [G]OING OUT ON NORMAL PRACTICE IS A LITTLE BIT DIFFERENT, LIKE FOR THE SHOTGUN SHOOTERS, THEY’LL JUST HAVE A BIRD THROWER AND THEY WILL JUST KEEP FOLLOWING THE BIRD, PRESSING THE TRIGGER AND FOLLOWING THE BIRD. FOR THE RIFLE SHOOTERS, TYPICALLY, THEY JUST WANT TO SHOOT THE TIGHTEST GROUP POSSIBLE. THAT MEANS THAT BASICALLY WHEN YOU FIRE, THE PROJECTILES END UP IN A SMALL AREA ALTOGETHER, OR IF PREFERRED, TOUCHING. THE PEOPLE WHO DO IT, THEY’LL SHOOT TARGETS AT 100,200 AND 300 YARDS. SO NOW FOR ME, I’M NOT A BIG CENTRE FIRE RIFLE SHOOTER, BUT I’M NOT BAD AT IT, WITH GOOD EQUIPMENT, I CAN SHOOT MAYBE A 5-INCH GROUP AT MAYBE 100 YARDS. SO 5 SHOTS AT 300 YARDS ARE ALL WITHIN THAT 5-INCH DIAMETER. THE PEOPLE THAT ARE REALLY GOOD CAN SHOOT 5 SHOTS AT 300 YARDS AND CAN PUT THEM IN A MUCH TIGHTER AREA, SO THEY WOULD OBVIOUSLY WIN THAT COMPETITION OVER ME. IT’S VERY CONTROLLED, VERY METHODICAL. THEY WILL BE MONITORING THEIR BREATHING, THEY HAVE A SYSTEM FOR IT, THEY WILL DO LIKE “NOW I’LL TAKE 7 BREATHS AND AS I STOP, PRESS THE TRIGGER AND THEN GET PREPARED FOR THE NEXT ONE”. SOME OF THEM VERY MUCH HAVE A SYSTEM TOO THAT IS VERY METHODICAL AND OTHERS, HANDGUN SHOOTING—WHICH IS WHAT I DO MOSTLY, IT’S MOSTLY DRILLS- DRILLS IN TERMS OF DRAW, SHOOT, RELOAD. IT’S ALL IN TERMS OF FUNCTIONALITY AND RELOADING, AND BEING SAFE WITH THE DRAW AND GETTING THE HIT AS QUICK AS YOU CAN. THE PEOPLE THAT CAN DO IT DRAW AND HIT THE TARGET IN UNDER A SECOND. I’M PROBABLY 1.3 SECONDS, COMMONLY. THAT’S NOT MUCH DIFFERENCE, BIT IN ALL SPORTS IT’S LIKE THAT—A VERY SMALL TIME DIFFERENCE MAKES THE DIFFERENCE BETWEEN FIRST AND FIFTH PLACE.” FOR MORE INFORMATION, INCLUDING INTERVIEW TRANSCRIPTION, PLEASE SEE PERMANENT FILE.
Catalogue Number
P20120022000
Acquisition Date
2012-06
Collection
Museum
Images
Less detail
Other Name
TRADITIONAL CHINESE WEDDING OUTFIT
Date Range From
1900
Date Range To
1910
Material Type
Artifact
Materials
WOOL, SILK, COTTON
Catalogue Number
P19950073149
  3 images  
Material Type
Artifact
Other Name
TRADITIONAL CHINESE WEDDING OUTFIT
Date Range From
1900
Date Range To
1910
Materials
WOOL, SILK, COTTON
No. Pieces
4
Length
78.2
Width
137.2
Description
1. PURPLE WOOL MANDARIN JACKET. BLACK SILK WIDE CUFFS AND TRIM AROUND NECKLINE SIDE CLOSURE, WITH FIVE FROG FASTENERS AND BLACK SILK WIDE TRIM AT BORDER. STRAIGHT SLEEVES AND SLIGHTLY FLARED BODICE. UNLINED; INNER RIGHT BREAST POCKET; HIP LENGTH. FAINT SIGNS OF INSECT DAMAGE WHERE TOP LAYER OF WOOL 2.TROUSERS. 110.5CM L X 66CM W. TRADITIONAL WIDE LEG SILK PANTS. BURGUNDY WITH FLORAL-LEAF PATTERN WOVEN IN. BLACK GEOMETRIC APPLIQUED DESIGN NEAR BOTTOM, WITH WIDE BLACK SILK BAND AT BOTTOM OF LEGS. TRIMMED WITH THIN BLUE AND WHITE HORIZONTAL BANDS. LIGHT BLUE GLAZED COTTON WAISTBAND, WITH PALE BLUE SILK LINING. 3.SKIRT/APRON. 95.3CM L X 170CM W. TRADITIONAL CHINESE SILK WRAP-AROUND SKIRT. WHITE WITH FINE FLORAL PATTERN WOVEN IN. TRIMMED WITH BLACK SILK BORDER, EMBROIDERED WITH BLUE FLORAL PATTERN. BLUE FLOWERS ALSO EMBROIDERED ON WHITE PORTION OF SKIRT. HEAVILY PLEATED WITH FINE PLEATS, EXCEPT TWO PANELS ON SKIRT WHICH HAVE FINELY EMBROIDERED BUTTERFLY PATTERN IN SHADES OF BLUE, PINK, ORANGE, AND GREEN. FUCHSIA SILK LINING. WIDE PALE BLUE COTTON WAISTBAND WITH REMNANTS OF CRIMSON TIES AT ENDS, WHICH HAVE BEEN TORN OFF. HANDMADE. 4. SCARF. 49.2CM X 49.2CM. ROYAL BLUE COTTON SCARF WITH CIRCLE DESIGN WOVEN INTO FABRIC. BUTTON HOLE IN ONE CORNER.
Subjects
CLOTHING-OUTERWEAR
Historical Association
COMMEMORATIVE
PERSONAL CARE
History
PIECES OF TWO TRADITIONAL CHINESE WEDDING OUTFITS BELONGING TO THE ING FAMILY (ONE MAN'S, ONE WOMAN'S). *UPDATE* IN 2014 COLLECTIONS ASSISTANT JANE EDMUNDSON CONDUCTED A SURVEY OF ART OBJECTS, INCLUDING ONE DONATED AS PART OF THE ING ESTATE (P19950073023). SHE EXTRACTED THE FOLLOWING INFORMATION ON THE ING FAMILY FROM PERMANENT FILE P19950073001, WHICH CONTAINS A TRANSCRIPT OF THE INTERVIEW COLLECTIONS TECH KEVIN MACLEAN CONDUCTED WITH HAROLD ING JR., SON OF HAROLD AND MYRA, IN HIS ROOM AT THE LETHBRIDGE HOTEL IN SEPTEMBER 2005. MYRA WAS BORN IN GOLDEN B.C. TO SHIN-BOW AND CHOW TING RAH; HER FATHER ORGINALLY EMIGRATED TO CANADA TO WORK ON CANADIAN RAILWAY CONSTRUCTION AND LATER BECAME A RESTAURANTEUR, WHERE MYRA DEVELOPED HER ENGLISH SKILLS AS A WAITRESS. "IN 1906 MY DAD [HAROLD ING SR.] LEFT HONG KONG FOR VANCOUVER, HE COULDN'T SPEAK ENGLISH... HE'S GOT TO BE A WAITER, A BUSBOY... AND HE LEARNED ALL THE WAY UP, IN THE MEANTIME PICKING UP ENGLISH... WENT TO WINNIPEG. THIS IS BEFORE ME. BY THEN HE KNEW THE WHOLE SYSTEM OF RESTAURANTING." MYRA AND HAROLD SR. MARRIED AND ADOPTED HAROLD JR. WHEN HE WAS BORN INTO A POOR FAMILY OF ELEVEN IN 1944, IN VANCOUVER. "ME AND MY TWIN SISTER WERE SOLD BECAUSE THERE WERE JUST TOO MANY. SO DAD, MY MOM PICKED ME AND DAD SAID YES THAT'S GOOD... I DON'T KNOW WHERE MY SISTER IS... THERE'S NO WAY OF FINDING OUT." THE ING FAMILY SETTLED IN LETHBRIDGE IN THE LATE 1940S, AND HAROLD SR. OWNS AND OPERATES THE NEW MOON CAFE AND TWO GROCERIES, WHICH ARE RUN BY THE FAMILY AND NEW CHINESE IMMIGRANTS THAT HAROLD SR. SPONSORED. "AT APPROXIMATELY FIVE YEARS OLD [MY FATHER] INTRODUCED ME TO THE NEW MOON CAFE, AND I WAS A BUSBOY AT THE AGE OF FIVE... IN 1951 HE SHOWED ME MY FIRST HUNDRED DOLLAR BILL... BECAUSE HE WAS THE OWNER... HE'D WAKE UP AT FIVE IN THE MORNING TO GO TO THE CAFE, OFF AND ON TO THE GROCERY STORE AND MIGHT BE DONE AT EIGHT AT NIGHT, SUPPER AND IMMEDIATELY TO CHINATOWN [FOR] GAMBLING, PUTTING DOWN MAH JONG." HAROLD JR. ATTENDED WESTMINISTER ELEMENTARY SCHOOL DURING THE DAY, AND CHINESE SCHOOL AT THE CHINESE NATIONAL LEAGUE IN THE EVENINGS - HIS FATHER WAS THE PRESIDENT OF THE NATIONAL LEAGUE, AND THE ORGANIZATION RAN THE SCHOOL, CULTURAL CELEBRATIONS, FILM SCREENINGS, AND BANQUETS, FUNDED BY MEMBERSHIP FEES. HAROLD'S YOUNGER BROTHER, CALVIN, "GOT SENT TO A BOARDING SCHOOL SOMEWHERE. HE WAS GIFTED, BUT HE HAD A BYPASS SURGERY, HE HAD SOMETHING WRONG WITH HIS HEART. HE COULDN'T HANDLE PUBLIC SCHOOL, SO THEY SENT HIM TO B.C." AFTER HIGH SCHOOL AND A BRIEF STINT IN CALGARY, HAROLD JR. RAN ING'S GROCERY FOR HIS FATHER, AND IN THE LATE 1960S AND EARLY 70S ALSO WORKED AS A PHOTOGRAPHER FOR THE LETHBRIDGE HERALD AND A SALESMAN AT SEARS. BOTH HAROLD SR. AND MYRA ING PASSED AWAY IN THE 1990S, AND THE OBJECTS ENCOMPASSING DONATION P19950073001-231 WERE COLLECTED FROM THE FAMILY HOME. FOR A COMPLETE TRANSCRIPT OF THE INTERVIEW, COPIES OF PHOTOGRAPHS AND WRITTEN DETAILS ON THE CHINESE NATIONAL LEAGUE, SEE PERMANENT FILE.
Catalogue Number
P19950073149
Acquisition Date
1995-11
Collection
Museum
Images
Less detail
Date Range From
1980
Date Range To
2015
Material Type
Artifact
Materials
COTTON, PLASTIC
Catalogue Number
P20170007002
  2 images  
Material Type
Artifact
Date Range From
1980
Date Range To
2015
Materials
COTTON, PLASTIC
No. Pieces
1
Length
67
Width
44
Description
WHITE LINEN BLOUSE WITH SIX WHITE PLASTIC BUTTONS RUNNING DOWN FRONT, AND ONE AT EACH CUFF. BLOUSE HAS FLORAL-PATTERNED EMBROIDERED LINING OVER BUTTON HOLES DOWN FRONT, AND FLORAL-PATTERNED EMBROIDERY AT COLLAR. INSIDE COLLAR OF BLOUSE HAS WHITE TAG WITH YELLOW AND BLACK TEXT “ELITE, INTERNATIONAL, CA – 00034. INSIDE LEFT-WEARING SIDE OF BLOUSE IS WHITE TAG WITH BLACK TEXT “18” AND TWO WHITE PLASTIC BUTTONS. BLOUSE SHOWS LITTLE SIGNS OF WEAR; OVERALL EXCELLENT CONDITION.
Subjects
CLOTHING-OUTERWEAR
Historical Association
ASSOCIATIONS
PERSONAL CARE
History
ON FEBRUARY 22, 2017, COLLECTIONS TECHNICIAN KEVIN MACLEAN INTERVIEWED WILMA WOOD, DAUGHTER OF DOROTHY TAYLOR, ABOUT HER DONATION OF TAYLOR’S ORDER OF ROYAL PURPLE REGALIA. THE REGALIA REPRESENTED TAYLOR’S 50-YEAR INVOLVEMENT WITH THE ORDER OF ROYAL PURPLE FROM BRANDON, MANITOBA TO LETHBRIDGE, ALBERTA. WOOD DISCUSSED HER MOTHER’S TIME IN THE ORDER OF ROYAL PURPLE, STATING, “SHE CONSIDERS [THESE OBJECTS IN ACTIVE USE]. SHE IS VERY MUCH A PERSON WHO VALUES THAT SOCIETY. IT HELPED HER A NUMBER OF TIMES. AS YOU GROW OLDER, ALL OF A SUDDEN YOU DISCOVER THAT YOUR BRAIN ISN’T AS ACTIVE AS IT SHOULD BE AND THE MEMORY IS GOING. SHE WOULD PUT HERSELF INTO POSITIONS WITHIN THE ORGANIZATION INCLUDING BEING PRESIDENT, THREE OR FOUR TIMES. SHE HAD TO BE AN ORGANIZER, SHE HAD TO GET HER BRAIN AND KEEP HER BRAIN FUNCTIONING, WHICH I THOUGHT WAS VERY ADMIRABLE FOR A WOMAN HER AGE BECAUSE…SHE WAS IN HER EIGHTIES. SHE RECEIVED HER 50 YEAR PIN, I THINK IT WAS TWO YEARS AGO OR THREE.” “SHE JOINED [THE ORDER OF ROYAL PURPLE] IN BRANDON, MANITOBA WHERE [MY PARENTS] WERE LIVING AT THE TIME, AND MY DAD RETIRED THERE. THEY MOVED HERE TO LETHBRIDGE BECAUSE MY BROTHER LIVED HERE, AND MY UNCLE ART GOOD…HE LIVED HERE AND THEY WANTED TO BE CLOSER TO FAMILY. THEY MOVED TO LETHBRIDGE AND MY DAD DIED SHORTLY AFTER THAT.” “[SHE JOINED] BECAUSE OF HER FRIENDS. SHE HAD A FRIENDSHIP GROUP AND THEY BELONGED. THEY RECRUITED HER.” “WHEN SHE WAS VERY ACTIVE, SHE WAS A MAJOR RECRUITER. SHE WENT OUT AND FOUND YOUNG WOMEN BUT THEY FELL BY THE WAYSIDE BECAUSE OF LIFE. SHE WAS CERTAINLY VERY ACTIVE IN THEIR PROJECTS, ONE OF WHICH WAS FINDING FINANCES TO EDUCATE YOUNG PEOPLE. WHATEVER THEY WERE [DOING], SHE WAS INTO IT FULL TILT BECAUSE THAT’S THE KIND OF PERSON SHE IS…WHATEVER SHE DOES IS FULL BLAST, FULL BORE. SHE NEVER TOLD ME ANY DETAILS ABOUT THE SOCIETY BECAUSE IT’S ONE OF THOSE SECRET SISTERHOODS. SHE WAS ALWAYS VERY PROUD TO BE A MEMBER OF IT.” “THIS [CHAPTER] DID A LOT OF EDUCATIONAL SUPPORT…SHE TRAVELED WITH THEM BECAUSE IT WAS A CANADIAN ORGANIZATION, SO THEY HAD THEIR ANNUAL GENERAL MEETINGS ALL OVER CANADA. SHE CAME OUT TO VANCOUVER TO A MEETING AND I WENT OVER TO VANCOUVER TO MEET HER AND SAY “HOWDY”. SHE WENT OUT TO THE PREMIER’S, AT THAT TIME WAS VANDER ZALM, AND HE HAD THE BIG GARDENS OUT NEAR STEVESTON. SHE WENT OUT THERE AND SHE MET HIM.” “A YEAR AGO ABOUT THIS TIME, THAT’S WHEN [THE ORDER WAS] FOLDING. THE ALBERTA CLUBS WERE ALL IMPLODING, AND I THINK THERE’S ONLY ONE LEFT IN SOUTHERN ALBERTA. IT WAS THE ISSUE THAT THEY WERE ALL OLD PEOPLE AND YOUNG PEOPLE DID NOT WANT TO JOIN THESE KINDS OF ORGANIZATIONS ANY LONGER…[THIS HAPPENED BECAUSE] I THINK WE HAVE MORE LEGAL SUPPORT. THE GOVERNMENT HAS SET UP HEALTH CARE, COMMUNITIES HAVE SET UP ASSISTANCE FOR WOMEN WHO ARE ABUSED, THERE’S DRUG ASSISTANCE. THERE IS MUCH MORE ASSISTANCE AVAILABLE. IN THE EARLY DAYS ON THE PRAIRIES, IF YOU DIDN’T KNOW YOUR NEXT DOOR NEIGHBOR, WHO MIGHT BE TWENTY MILES AWAY, YOU WERE IN DEEP DOO-DOO IF YOU HAD A BIG PROBLEM. THAT’S WHAT THESE SOCIETIES CAME OUT OF WAS THAT NEED. THE NEED PRETTY WELL HAS BEEN TAKEN CARE OF, I THINK. THERE ARE STILL CLUBS BUT THEY’RE DIFFERENT KINDS OF CLUBS NOW.” WHEN ASKED ABOUT HER MOTIVATION FOR DONATING HER MOTHER’S REGALIA TO THE MUSEUM, WOOD NOTED, “MY MOTHER HAS TURNED 99 YEARS OLD IN JANUARY. SHE HAS DEMENTIA AND SO WE’VE HAD TO MOVE HER FROM HER SENIOR’S LODGE ROOM INTO A MORE SECURE ROOM. CONSEQUENTLY THE LAST OF THE THINGS THAT SHE TREASURED OR VALUED MUST BE DISPERSED. MY BROTHER AND I DECIDED THAT, SINCE THE ELKS AND THE ROYAL PURPLE MEANT SO MUCH TO HER, THAT [THESE WERE] THE [OBJECTS] WE WOULD LIKE TO DONATE TO THE MUSEUM. IT DEPICTS A PERIOD OF TIME WHEN THE WOMEN USED THESE ASSOCIATIONS AS A SUPPORT GROUP FOR THEMSELVES. IT WAS ANOTHER ONE OF THESE SECRET SOCIETIES, WHEN IN FACT THEY WERE SISTERHOODS. THEY WERE MEANT MAINLY FOR THEM TO HAVE PEOPLE TO SUPPORT EACH OTHER. SINCE THIS ORGANIZATION HAS BASICALLY COLLAPSED, I THOUGHT IT WAS SOMETHING THAT THE MUSEUM SHOULD HAVE BECAUSE IT DOES SHOW THAT PERIOD OF TIME IN THE SOCIAL HISTORY OF CANADA.” FOR MORE INFORMATION INCLUDING FULL INTERVIEW TRANSCRIPTIONS, PLEASE SEE THE PERMANENT FILE P20170007001-GA.
Catalogue Number
P20170007002
Acquisition Date
2017-02
Collection
Museum
Images
Less detail
Date Range From
1980
Date Range To
2015
Material Type
Artifact
Materials
POLYESTER, COTTON
Catalogue Number
P20170007003
  1 image  
Material Type
Artifact
Date Range From
1980
Date Range To
2015
Materials
POLYESTER, COTTON
No. Pieces
1
Length
71.5
Width
40
Description
WHITE PLEATED SKIRT WITH ELASTIC WAIST; INSIDE BACK OF SKIRT HAS GREY TAG WITH BLACK TEXT “TRADITION, SEARS”. WHITE TAG UNDERNEATH HAS BLACK AND RED TEXT “100% POLYESTER, CA – 02945, MODELE/STYLE 207902, LOT, 2 ½, TAILLE/SIZE, 16, FABRIQUE AU/MADE IN CANADA, EXCLUSIVE OF TRIM”. FRONT OF SKIRT IS STAINED ON RIGHT-WEARING AND LEFT-WEARING SIDES; OVERALL VERY GOOD CONDITION.
Subjects
CLOTHING-OUTERWEAR
Historical Association
ASSOCIATIONS
PERSONAL CARE
History
ON FEBRUARY 22, 2017, COLLECTIONS TECHNICIAN KEVIN MACLEAN INTERVIEWED WILMA WOOD, DAUGHTER OF DOROTHY TAYLOR, ABOUT HER DONATION OF TAYLOR’S ORDER OF ROYAL PURPLE REGALIA. THE REGALIA REPRESENTED TAYLOR’S 50-YEAR INVOLVEMENT WITH THE ORDER OF ROYAL PURPLE FROM BRANDON, MANITOBA TO LETHBRIDGE, ALBERTA. WOOD DISCUSSED HER MOTHER’S TIME IN THE ORDER OF ROYAL PURPLE, STATING, “SHE CONSIDERS [THESE OBJECTS IN ACTIVE USE]. SHE IS VERY MUCH A PERSON WHO VALUES THAT SOCIETY. IT HELPED HER A NUMBER OF TIMES. AS YOU GROW OLDER, ALL OF A SUDDEN YOU DISCOVER THAT YOUR BRAIN ISN’T AS ACTIVE AS IT SHOULD BE AND THE MEMORY IS GOING. SHE WOULD PUT HERSELF INTO POSITIONS WITHIN THE ORGANIZATION INCLUDING BEING PRESIDENT, THREE OR FOUR TIMES. SHE HAD TO BE AN ORGANIZER, SHE HAD TO GET HER BRAIN AND KEEP HER BRAIN FUNCTIONING, WHICH I THOUGHT WAS VERY ADMIRABLE FOR A WOMAN HER AGE BECAUSE…SHE WAS IN HER EIGHTIES. SHE RECEIVED HER 50 YEAR PIN, I THINK IT WAS TWO YEARS AGO OR THREE.” “SHE JOINED [THE ORDER OF ROYAL PURPLE] IN BRANDON, MANITOBA WHERE [MY PARENTS] WERE LIVING AT THE TIME, AND MY DAD RETIRED THERE. THEY MOVED HERE TO LETHBRIDGE BECAUSE MY BROTHER LIVED HERE, AND MY UNCLE ART GOOD…HE LIVED HERE AND THEY WANTED TO BE CLOSER TO FAMILY. THEY MOVED TO LETHBRIDGE AND MY DAD DIED SHORTLY AFTER THAT.” “[SHE JOINED] BECAUSE OF HER FRIENDS. SHE HAD A FRIENDSHIP GROUP AND THEY BELONGED. THEY RECRUITED HER.” “WHEN SHE WAS VERY ACTIVE, SHE WAS A MAJOR RECRUITER. SHE WENT OUT AND FOUND YOUNG WOMEN BUT THEY FELL BY THE WAYSIDE BECAUSE OF LIFE. SHE WAS CERTAINLY VERY ACTIVE IN THEIR PROJECTS, ONE OF WHICH WAS FINDING FINANCES TO EDUCATE YOUNG PEOPLE. WHATEVER THEY WERE [DOING], SHE WAS INTO IT FULL TILT BECAUSE THAT’S THE KIND OF PERSON SHE IS…WHATEVER SHE DOES IS FULL BLAST, FULL BORE. SHE NEVER TOLD ME ANY DETAILS ABOUT THE SOCIETY BECAUSE IT’S ONE OF THOSE SECRET SISTERHOODS. SHE WAS ALWAYS VERY PROUD TO BE A MEMBER OF IT.” “THIS [CHAPTER] DID A LOT OF EDUCATIONAL SUPPORT…SHE TRAVELED WITH THEM BECAUSE IT WAS A CANADIAN ORGANIZATION, SO THEY HAD THEIR ANNUAL GENERAL MEETINGS ALL OVER CANADA. SHE CAME OUT TO VANCOUVER TO A MEETING AND I WENT OVER TO VANCOUVER TO MEET HER AND SAY “HOWDY”. SHE WENT OUT TO THE PREMIER’S, AT THAT TIME WAS VANDER ZALM, AND HE HAD THE BIG GARDENS OUT NEAR STEVESTON. SHE WENT OUT THERE AND SHE MET HIM.” “A YEAR AGO ABOUT THIS TIME, THAT’S WHEN [THE ORDER WAS] FOLDING. THE ALBERTA CLUBS WERE ALL IMPLODING, AND I THINK THERE’S ONLY ONE LEFT IN SOUTHERN ALBERTA. IT WAS THE ISSUE THAT THEY WERE ALL OLD PEOPLE AND YOUNG PEOPLE DID NOT WANT TO JOIN THESE KINDS OF ORGANIZATIONS ANY LONGER…[THIS HAPPENED BECAUSE] I THINK WE HAVE MORE LEGAL SUPPORT. THE GOVERNMENT HAS SET UP HEALTH CARE, COMMUNITIES HAVE SET UP ASSISTANCE FOR WOMEN WHO ARE ABUSED, THERE’S DRUG ASSISTANCE. THERE IS MUCH MORE ASSISTANCE AVAILABLE. IN THE EARLY DAYS ON THE PRAIRIES, IF YOU DIDN’T KNOW YOUR NEXT DOOR NEIGHBOR, WHO MIGHT BE TWENTY MILES AWAY, YOU WERE IN DEEP DOO-DOO IF YOU HAD A BIG PROBLEM. THAT’S WHAT THESE SOCIETIES CAME OUT OF WAS THAT NEED. THE NEED PRETTY WELL HAS BEEN TAKEN CARE OF, I THINK. THERE ARE STILL CLUBS BUT THEY’RE DIFFERENT KINDS OF CLUBS NOW.” WHEN ASKED ABOUT HER MOTIVATION FOR DONATING HER MOTHER’S REGALIA TO THE MUSEUM, WOOD NOTED, “MY MOTHER HAS TURNED 99 YEARS OLD IN JANUARY. SHE HAS DEMENTIA AND SO WE’VE HAD TO MOVE HER FROM HER SENIOR’S LODGE ROOM INTO A MORE SECURE ROOM. CONSEQUENTLY THE LAST OF THE THINGS THAT SHE TREASURED OR VALUED MUST BE DISPERSED. MY BROTHER AND I DECIDED THAT, SINCE THE ELKS AND THE ROYAL PURPLE MEANT SO MUCH TO HER, THAT [THESE WERE] THE [OBJECTS] WE WOULD LIKE TO DONATE TO THE MUSEUM. IT DEPICTS A PERIOD OF TIME WHEN THE WOMEN USED THESE ASSOCIATIONS AS A SUPPORT GROUP FOR THEMSELVES. IT WAS ANOTHER ONE OF THESE SECRET SOCIETIES, WHEN IN FACT THEY WERE SISTERHOODS. THEY WERE MEANT MAINLY FOR THEM TO HAVE PEOPLE TO SUPPORT EACH OTHER. SINCE THIS ORGANIZATION HAS BASICALLY COLLAPSED, I THOUGHT IT WAS SOMETHING THAT THE MUSEUM SHOULD HAVE BECAUSE IT DOES SHOW THAT PERIOD OF TIME IN THE SOCIAL HISTORY OF CANADA.” FOR MORE INFORMATION INCLUDING FULL INTERVIEW TRANSCRIPTIONS, PLEASE SEE THE PERMANENT FILE P20170007001-GA.
Catalogue Number
P20170007003
Acquisition Date
2017-02
Collection
Museum
Images
Less detail
Date Range From
1980
Date Range To
2015
Material Type
Artifact
Materials
POLYESTER, WOOL, METAL
Catalogue Number
P20170007001
  2 images  
Material Type
Artifact
Date Range From
1980
Date Range To
2015
Materials
POLYESTER, WOOL, METAL
No. Pieces
1
Length
74
Width
50
Description
PURPLE BLAZER JACKET WITH PURPLE LINING; FRONT LAPELS OF JACKET ARE DECORATED WITH PINS. FRONT LEFT AND RIGHT POCKETS LINED WITH GREY PATTERNED FABRIC; FRONT POCKETS HAVE WHITE AND PURPLE “LETHBRIDGE, NO. 32, OORP” AND “BRANDON, NO. 138, OORP” DIAMOND BADGES SEWN ON, WITH WHITE STAG IN CENTER OF TEXT. INSIDE OF BLAZER HAS BLACK TAG WITH WHITE STITCHED TEXT AT BACK OF COLLAR, “MADE IN / FABRIQUE EN CANADA”. TWO POCKETS SEWN INTO BLAZER LINING WITH WHITE CLOTH LINING; INSIDE RIGHT-WEARING INNER POCKET IS WHITE TAG WITH BILINGUAL (FRENCH AND ENGLISH) TEXT “MADE IN CANADA, CA – 00023, 55% POLYESTER, 45% WOOL DRY CLEAN ONLY”. OUTSIDE OF RIGHT-WEARING INNER POCKET HAS TAG SEWN ON; BLACK WITH WHITE TEXT “VETEMENTS, CLOTHES” AND GOLD-STITCHED TEXT BETWEEN WHITE READING “BILTMORE” AND GOLD AND WHITE LOGO IN UPPER LEFT CORNER “LP”. TWO GOLD CHECKERED BUTTONS DOWN FRONT OF BLAZER AND TWO AT EACH CUFF. BLAZER HAS FADING ON INSIDE OF CUFFS, AND STAINING ON FRONT LEFT-WEARING SIDE; OVERALL VERY GOOD CONDITION. ON FRONT RIGHT-WEARING LAPEL, PINS INCLUDE: GOLD-FINISHED PIN WITH RED AND WHITE CANADA FLAG AND BLUE AND WHITE CROSS FLAG; GOLD-FINISHED FLYING DOVE PIN; RED AND WHITE CANADA FLAG PIN; WHITE PLASTIC NAME TAG WITH SILVER ORDER OF ROYAL PURPLE SEAL AND BLACK TEXT “LETHBRIDGE LODGE NO. 32, DOROTHY TAYLOR”; GOLD-FINISHED PIN GREY, WHITE AND PEACH IMAGE OF WOMAN AND BLACK TEXT ABOVE IMAGE “DEAF DETECTION” AND BLACK TEXT BELOW IMAGE “PHOEBE MCCULLOUGH, 1896-1971”; GOLD-FINISHED PIN OF MAPLE LEAF WITH GOLD ORDER OF ROYAL PURPLE STAG ON A PURPLE BACKGROUND SURROUNDED BY GOLD LETTERS “OORP”; GOLD-FINISHED PIN WITH BAR SHAPED LIKE BOW AND HANGING SEAL OF THE ORDER OF ROYAL PURPLE; GOLD-FINISHED PIN WITH GOLD BORDER AROUND PURPLE AND YELLOW FLOWERS ON GREEN BACKGROUND, WITH ENGRAVED TEXT ON BORDER “MANITOBA ROYAL PURPLE ASSOCIATION”. ON LEFT-WEARING LAPEL IS PURPLE RIBBON WITH GOLD-FINISHED ATTACHMENT TO JACKET AND WHITE FRINGE, ON RIBBON GOLD-FINISHED PINS INCLUDE: TWO GOLD BARS ATTACHED WITH CHAIN AND HANGING ORNATE SEAL OF THE ORDER OF ROYAL PURPLE, TEXT ON TOP BAR READS “BRANDON LODGE NO. 138”, LOWER BAR TEXT READS “1998-1999”; BAR PIN WITH PURPLE TEXT “15 YRS” AND ORDER OF ROYAL PURPLE SEAL IN CENTER; BAR PIN WITH TWO TEXT BANNERS TO THE UPPER LEFT AND LOWER RIGHT OF ORDER OF ROYAL PURPLE SEAL, UPPER BANNER READS “20” AND LOWER BANNER READS “YRS”; OVAL PIN WITH ORDER OF ROYAL PURPLE SEAL IN CENTER AND BOTTOM BANNER READING “LIFE MEMBER”; FLOWER PIN WITH ORDER OF ROYAL PURPLE SEAL IN CENTER AND SIX HANGING BARS THAT READ “25 YEARS”, “30 YEARS”, “35 YEARS”, “40 YEARS”, “45 YEARS”, “50 YEARS”.
Subjects
CLOTHING-OUTERWEAR
Historical Association
ASSOCIATIONS
PERSONAL CARE
History
ON FEBRUARY 22, 2017, COLLECTIONS TECHNICIAN KEVIN MACLEAN INTERVIEWED WILMA WOOD, DAUGHTER OF DOROTHY TAYLOR, ABOUT HER DONATION OF TAYLOR’S ORDER OF ROYAL PURPLE REGALIA. THE REGALIA REPRESENTED TAYLOR’S 50-YEAR INVOLVEMENT WITH THE ORDER OF ROYAL PURPLE FROM BRANDON, MANITOBA TO LETHBRIDGE, ALBERTA. WHEN ASKED ABOUT HER MOTHER’S BLAZER, WOOD RECALLED, “[MY MOTHER WAS WEARING THIS] WITHIN THE [PAST] TWO OR THREE YEARS, AS YOU CAN SEE, SHE HAD IT ON WHEN SHE RECEIVED HER 50 YEAR PIN. I THINK SHE WENT TO ONE MORE ACTIVITY BEFORE SHE COULDN’T ANYMORE BECAUSE SHE’S BEEN WHEELCHAIR BOUND FOR 15 YEARS. IT GOT MORE AND MORE DIFFICULT FOR HER TO GET OUT.” MACLEAN ADDITIONALLY INTERVIEWED ANN MARIE MCDONALD OF THE LETHBRIDGE ORDER OF ROYAL PURPLE ON JUNE 6, 2017. ON THE BLAZER, MCDONALD ELABORATED, “WHEN I JOINED IN ’89, THEY WERE MOVING INTO THE NEW JACKETS…WE USED TO PASS DOWN JACKETS. WE USED TO HAVE A CUPBOARD. IF A LADY PASSED AWAY, YOU’D DRY-CLEAN HER JACKET, AND PUT IT INTO THE CUPBOARD…PROBABLY ABOUT 1985 THEY STARTED REPLACING THE JACKETS. I KNOW [THIS WAS DOROTHY’S JACKET] ORIGINALLY, IT HAD PIPING ON IT, AND…IT HAD BRANDON. SHE WORE THE BRANDON [BADGE] ON IT – THEN, SHE OBVIOUSLY GOT THE NEW JACKET MADE, AND THEN PUT THE [PATCH] ON HER POCKETS. IN THOSE DAYS, BEFORE I JOINED ROYAL PURPLE, YOU HAD A PATCH. YOU ALWAYS WORE THE PATCH OF YOUR LODGE ON YOUR JACKET.” “YOU WEAR WHAT ARE CALLED YOUR JEWELS ON YOUR LEFT SIDE. THIS [RIBBON WITH HER YEARS] WOULD BE A JEWEL.” “SHE WAS HONORABLE ROYAL LADY IN BRANDON, IN, POSSIBLY, 1975-76, THAT’S WHEN SHE WOULD HAVE BEEN IN.” MCDONALD ELABORATED ON THE PINS ON TAYLOR’S BLAZER, NOTING, “EACH YEAR THAT YOU STAY IN LODGE, THEY GIVE YOU A BAR. I’M THINKING MAYBE SHE DIDN’T [A BAR PIN] FROM OUR LODGE, BECAUSE SHE WAS ALREADY AN HONORED ROYAL LADY IN BRANDON. SHE JUST TOOK THE BAR, AND HAD THE BAR PUT ON HER OLD PIN – HER BRANDON PIN.” “BARS WERE [GIVEN] IF, FOR EXAMPLE, YOU WERE ON THE DRILL TEAM. YOU WOULD GET A BAR EVERY YEAR THAT YOU’RE ON THE DRILL TEAM. IF YOU WERE OUR PIANIST, YOU GOT A BAR EVERY YEAR THAT YOU STAYED AS PIANIST. SHE WAS OBVIOUSLY ON THE DRILL TEAM FOR 3 YEARS HERE. EVERY YEAR THEY GIVE YOU 1, UP TO 10. EVERY 5 YEARS YOU GOT A BAR.” “[THE CLASP PIN] IS HER 15TH YEAR BAR, SO WHEN SHE WAS IN OUR LODGE 15 YEARS…ALTHOUGH I’M NOT SURE WITH DOROTHY, IF THEY COMBINED HERS OR NOT. I KNOW THEY COMBINED HERS FOR HER 50TH. YOU WOULD WEAR IT ON [THE] RIBBON. ON THE LEFT HAND SIDE. THE LEFT SIDE IS WHAT WE CONSIDER IS OVER YOUR HEART. YOU WEAR ALL YOUR JEWELS OVER YOUR HEART.” “[THE MAPLE LEAF] IS AN INSTALLATION PIN. WHEN YOU JOIN THE LODGE, THEY GIVE YOU AN INSTALLATION PIN. THEY WANT ACKNOWLEDGE [YOUR INSTALLATION], IT’S NOT SOMETHING YOU EARN. IT’S KIND OF “WELCOME TO THE LODGE”. SHE WOULD WEAR THIS…ON HER REGALIA [LEFT] SIDE.” “NOW [THE PINS ON THE RIGHT SIDE] I DON’T KNOW WHAT [THEY ALL] ARE. DEAF DETECTION…ARE PINS, IN OUR ORGANIZATION THEY PUT OUT TONS OF PINS AND THEN SELL THEM. THERE WAS SOME FUND-RAISER FOR DEAF DETECTION, AND SHE BOUGHT A PIN.” “[THE PURPLE FLORAL PIN] IS A MANITOBA ROYAL PURPLE ASSOCIATION. SHE WOULDN’T HAVE [WORN THIS ON HER REGALIA] BECAUSE…THEY SELL THE PINS AND THEY MAKE MONEY. HER PERFECT ATTENDANCE [PIN], 5 YEARS SHE COULD WEAR ON HER REGALIA PIN. THERE IS A KEEPSAKE [PIN] THAT THEY HAD WHEN THEY HAD THEIR YEAR 2000…[YOU] BOUGHT THE PIN TO SUPPORT THE LODGE. THERE IS A BRANDON PIN. SHE WOULDN’T WEAR IT WITH HER REGALIA THOUGH…IT’S PURCHASED FOR BRANDON. [THERE IS] THE 12TH COLLECTION EDITION OF ROYAL PURPLE. THE BIRD [HAS NO SIGNIFICANCE] WITH OUR LODGE. ON DOROTHY TAYLOR’S INVOLVEMENT IN THE ORDER OF ROYAL PURPLE, MCDONALD RECALLED, “SHE WOULD HAVE BEEN IN OUR LODGE BY [1989]. SHE WAS A DUAL MEMBER OF OUR LODGE. SHE PAID HER DUES TO BRANDON, AND SHE PAID TO US FOR MANY YEARS, BECAUSE SHE LOVED BRANDON, AND HER HEART WAS IN BRANDON. SHE HAD FRIENDS, TOO, LADIES IN BRANDON THAT SHE STAYED REALLY GOOD FRIENDS WITH…WHEN SHE WAS HONORABLE ROYAL LADY, [THE BAR PIN] WASN’T THERE. [THE REST] ARE ALL FUND-RAISERS…[THERE IS ONE FOR] FUND FOR CHILDREN, WHICH WAS OUR NATIONAL CHARITY.” WOOD DISCUSSED HER MOTHER’S TIME IN THE ORDER OF ROYAL PURPLE, STATING, “SHE CONSIDERS [THESE OBJECTS IN ACTIVE USE]. SHE IS VERY MUCH A PERSON WHO VALUES THAT SOCIETY. IT HELPED HER A NUMBER OF TIMES. AS YOU GROW OLDER, ALL OF A SUDDEN YOU DISCOVER THAT YOUR BRAIN ISN’T AS ACTIVE AS IT SHOULD BE AND THE MEMORY IS GOING. SHE WOULD PUT HERSELF INTO POSITIONS WITHIN THE ORGANIZATION INCLUDING BEING PRESIDENT, THREE OR FOUR TIMES. SHE HAD TO BE AN ORGANIZER, SHE HAD TO GET HER BRAIN AND KEEP HER BRAIN FUNCTIONING, WHICH I THOUGHT WAS VERY ADMIRABLE FOR A WOMAN HER AGE BECAUSE…SHE WAS IN HER EIGHTIES. SHE RECEIVED HER 50 YEAR PIN, I THINK IT WAS TWO YEARS AGO OR THREE.” “SHE JOINED [THE ORDER OF ROYAL PURPLE] IN BRANDON, MANITOBA WHERE [MY PARENTS] WERE LIVING AT THE TIME, AND MY DAD RETIRED THERE. THEY MOVED HERE TO LETHBRIDGE BECAUSE MY BROTHER LIVED HERE, AND MY UNCLE ART GOOD…HE LIVED HERE AND THEY WANTED TO BE CLOSER TO FAMILY. THEY MOVED TO LETHBRIDGE AND MY DAD DIED SHORTLY AFTER THAT.” “[SHE JOINED] BECAUSE OF HER FRIENDS. SHE HAD A FRIENDSHIP GROUP AND THEY BELONGED. THEY RECRUITED HER.” “WHEN SHE WAS VERY ACTIVE, SHE WAS A MAJOR RECRUITER. SHE WENT OUT AND FOUND YOUNG WOMEN BUT THEY FELL BY THE WAYSIDE BECAUSE OF LIFE. SHE WAS CERTAINLY VERY ACTIVE IN THEIR PROJECTS, ONE OF WHICH WAS FINDING FINANCES TO EDUCATE YOUNG PEOPLE. WHATEVER THEY WERE [DOING], SHE WAS INTO IT FULL TILT BECAUSE THAT’S THE KIND OF PERSON SHE IS…WHATEVER SHE DOES IS FULL BLAST, FULL BORE. SHE NEVER TOLD ME ANY DETAILS ABOUT THE SOCIETY BECAUSE IT’S ONE OF THOSE SECRET SISTERHOODS. SHE WAS ALWAYS VERY PROUD TO BE A MEMBER OF IT.” “THIS [CHAPTER] DID A LOT OF EDUCATIONAL SUPPORT…SHE TRAVELED WITH THEM BECAUSE IT WAS A CANADIAN ORGANIZATION, SO THEY HAD THEIR ANNUAL GENERAL MEETINGS ALL OVER CANADA. SHE CAME OUT TO VANCOUVER TO A MEETING AND I WENT OVER TO VANCOUVER TO MEET HER AND SAY “HOWDY”. SHE WENT OUT TO THE PREMIER’S, AT THAT TIME WAS VANDER ZALM, AND HE HAD THE BIG GARDENS OUT NEAR STEVESTON. SHE WENT OUT THERE AND SHE MET HIM.” “A YEAR AGO ABOUT THIS TIME, THAT’S WHEN [THE ORDER WAS] FOLDING. THE ALBERTA CLUBS WERE ALL IMPLODING, AND I THINK THERE’S ONLY ONE LEFT IN SOUTHERN ALBERTA. IT WAS THE ISSUE THAT THEY WERE ALL OLD PEOPLE AND YOUNG PEOPLE DID NOT WANT TO JOIN THESE KINDS OF ORGANIZATIONS ANY LONGER…[THIS HAPPENED BECAUSE] I THINK WE HAVE MORE LEGAL SUPPORT. THE GOVERNMENT HAS SET UP HEALTH CARE, COMMUNITIES HAVE SET UP ASSISTANCE FOR WOMEN WHO ARE ABUSED, THERE’S DRUG ASSISTANCE. THERE IS MUCH MORE ASSISTANCE AVAILABLE. IN THE EARLY DAYS ON THE PRAIRIES, IF YOU DIDN’T KNOW YOUR NEXT DOOR NEIGHBOR, WHO MIGHT BE TWENTY MILES AWAY, YOU WERE IN DEEP DOO-DOO IF YOU HAD A BIG PROBLEM. THAT’S WHAT THESE SOCIETIES CAME OUT OF WAS THAT NEED. THE NEED PRETTY WELL HAS BEEN TAKEN CARE OF, I THINK. THERE ARE STILL CLUBS BUT THEY’RE DIFFERENT KINDS OF CLUBS NOW.” WHEN ASKED ABOUT HER MOTIVATION FOR DONATING HER MOTHER’S REGALIA TO THE MUSEUM, WOOD NOTED, “MY MOTHER HAS TURNED 99 YEARS OLD IN JANUARY. SHE HAS DEMENTIA AND SO WE’VE HAD TO MOVE HER FROM HER SENIOR’S LODGE ROOM INTO A MORE SECURE ROOM. CONSEQUENTLY THE LAST OF THE THINGS THAT SHE TREASURED OR VALUED MUST BE DISPERSED. MY BROTHER AND I DECIDED THAT, SINCE THE ELKS AND THE ROYAL PURPLE MEANT SO MUCH TO HER, THAT [THESE WERE] THE [OBJECTS] WE WOULD LIKE TO DONATE TO THE MUSEUM. IT DEPICTS A PERIOD OF TIME WHEN THE WOMEN USED THESE ASSOCIATIONS AS A SUPPORT GROUP FOR THEMSELVES. IT WAS ANOTHER ONE OF THESE SECRET SOCIETIES, WHEN IN FACT THEY WERE SISTERHOODS. THEY WERE MEANT MAINLY FOR THEM TO HAVE PEOPLE TO SUPPORT EACH OTHER. SINCE THIS ORGANIZATION HAS BASICALLY COLLAPSED, I THOUGHT IT WAS SOMETHING THAT THE MUSEUM SHOULD HAVE BECAUSE IT DOES SHOW THAT PERIOD OF TIME IN THE SOCIAL HISTORY OF CANADA.” FOR MORE INFORMATION INCLUDING FULL INTERVIEW TRANSCRIPTIONS, PLEASE SEE THE PERMANENT FILE P20170007001-GA.
Catalogue Number
P20170007001
Acquisition Date
2017-02
Collection
Museum
Images
Less detail
Date Range From
2000
Date Range To
2017
Material Type
Artifact
Materials
NYLON, POLYESTER, PLASTIC
Catalogue Number
P20180006004
  2 images  
Material Type
Artifact
Date Range From
2000
Date Range To
2017
Materials
NYLON, POLYESTER, PLASTIC
No. Pieces
1
Length
78
Width
62.5
Description
VEST WITH WHITE FABRIC AT SHOULDERS AND MID-WAY DOWN CHEST; FRONT LOWER HALF OF CHEST IS RED, WITH RED PLASTIC ZIPPER RUNNING DOWN FRONT. COLLAR IS WHITE WITH RED MAPLE LEAVES PATTERN. BACK OF VEST HAS LARGE RED MAPLE LEAF PRINTED. INSIDE OF VEST IS LINED WHITE; INSIDE OF COLLAR HAS FABRIC TAG MACHINE-STITCHED TO VEST LINING WITH RED, BLACK, AND WHITE LOGO “FLAG WEAR”. SMALL PAPER TAG ATTACHED BELOW IS WHITE WITH BLACK TEXT “XL/TG”. FABRIC TAG BELOW IS WHITE WITH BLACK TEXT “FLAGWORKS INC., CA 24838, CALGARY, CANADA, 1 800 661 FLAG (3524), MADE IN CANADA, 100% NYLON SHELL, 100% POLYESTER LINING, FAIT AU CANADA” WITH WASHING INSTRUCTIONS ON BACK OF TAG. FRONT OF VEST HAS POCKETS ON BOTH SIDES LINED WITH RED NYLON. BOTTOM OF JACKET HAS BLACK DRAWSTRINGS INSIDE WITH BLACK PUSH-BUTTONS ON BOTH SIDES FOR ADJUSTNG DRAWSTRINGS; DRAWSTRING BLACK ELASTIC SEWN INTO HEM OF VEST. VEST HAS MINOR FRAYING TO THREADS AT HEM; OVERALL EXCELLENT CONDITION.
Subjects
CLOTHING-OUTERWEAR
Historical Association
COMMEMORATIVE
PERSONAL CARE
History
ON MARCH 29, 2018, COLLECTIONS TECHNICIAN KEVIN MACLEAN INTERVIEWED LORI HARASEM AND JENNIE SUDO REGARDING THE CITY OF LETHBRIDGE DONATION OF CANADA 150 MEMORABILIA. HARASEM AND SUDO WERE INVOLVED WITH ORGANIZING THE JULY 1, 2017 EVENTS FOR CANADA 150, WITH SUDO ACTING AS CHAIR FOR THE LETHBRIDGE CANADA DAY COMMITTEE WITH THE CITY OF LETHBRIDGE AND HARASEM AS A MEMBER OF THE COMMITTEE. ON THE VEST, HARASEM ELABORATED, “WE HAD ACTUALLY QUITE A FEW OF THESE BUT EDEN, OUR SUMMER STUDENT WHO DID THE PASSPORT, AND I PROUDLY WORE THESE AROUND CITY HALL DURING THE CANADA 150 PAVILION WEEK AND LEADING UP TO IT TO TRY TO GET SOME EXCITEMENT AROUND THE PAVILION. THEN WE WORE THEM, ALONG WITH ANY VOLUNTEERS OR STAFF WHO HELPED US, AT THE CANADA 150 PAVILION WHEN YOU FIRST WALKED IN, ‘CAUSE WE WERE A 'GREETER DESK.' TO ME, IT KIND OF GAVE THAT CANADA 150 LOOK SO PEOPLE KNEW THEY WERE WALKING INTO THE RIGHT PLACE IF THEY WERE LOOKING FOR THE PAVILION.” “THESE WERE OWNED BY CHINOOK COUNTRY TOURIST ASSOCIATION FOR MANY YEARS AND THEIR CANADA DAY COMMITTEE, WHICH WAS THE CANADA DAY COMMITTEE BEFORE IT CAME TO WHERE IT IS NOW. [THE VESTS] USED TO BE THEIR OFFICIAL CANADA DAY COMMITTEE CLOTHES AND THEY WOULD ALSO WEAR THEM TO A LOT OF TOURISM EVENTS THAT CHINOOK COUNTRY WOULD GO TO PROMOTE LETHBRIDGE AT. THEY HAD DONATED THEM TO THE CITY A NUMBER OF YEARS AGO WHEN THEY STOPPED USING THEM. WE HAD THEM AROUND FOR A WHILE. WE KEPT ONE FOR THE GALT MUSEUM COLLECTION, BUT THE REST OF THEM HAVE GONE TO IMMIGRANT SERVICES TO SEE IF ANY OF THE NEWCOMERS TO CANADA ARE REALLY PROUD AND REALLY WANT TO SHOW OFF THEIR RED AND WHITE. WE HAVE NO IDEA WHERE THEY’RE [GOING TO] SHOW UP IN THE FUTURE, BUT THIS IS THE ONE THAT I WORE FOR A COUPLE OF WEEKS IN AUGUST.” HARASEM AND SUDO RECALLED THEIR TIME PLANNING AND ORGANIZING THE 2017 EVENTS, WITH SUDO NOTING ABOUT THE PLANNING COMMITTEE, “THE LETHBRIDGE CANADA-DAY COMMITTEE IS A COMMITTEE THAT’S MADE UP OF CITY OF LETHBRIDGE EMPLOYEES IN PART WITH COMMUNITY VOLUNTEERS. MY POSITION AS THE COORDINATOR OF RECREATION AND CULTURE, I AM AUTOMATICALLY VOLUNTEERED FOR THIS COMMITTEE ALONG WITH OUR RECREATION AND CULTURE TEAM. THE CHAIRING RESPONSIBILITIES FOR THAT COMMITTEE GET ROTATED BETWEEN OUR TEAM MEMBERS EVERY TWO YEARS AND MY YEAR JUST SO HAPPENED TO FALL ON THIS VERY IMPORTANT, NOSTALGIC YEAR FOR CANADA’S 150.” “[THE COMMITTEE IS] ALWAYS IN EXISTENCE. I THINK [THERE] WAS A LOT OF PRESSURE, BUT REALLY GREAT PRESSURE. I WAS VERY PROUD TO BE ABLE TO BE PART OF THE COMMITTEE. AND BEING ABLE TO LEAD THE TEAM FOR MY VERY FIRST TURN AT CHAIRING THE COMMITTEE. I FELT A LOT OF PRIDE TO BE ABLE TO SHOW THAT OUR COMMUNITY CAN COME TOGETHER AND CELEBRATE CANADA’S 150.” “[THE] COMMITTEE [WAS] COMPRISED OF THE RECREATION AND CULTURE TEAM, WHICH WAS TWO MANAGERS, LORI HARASEM AND JASON FREUND, MYSELF AS THE CHAIR FOR [2017]. WE ALSO [HAD] MARLENE LAPOINTE, SARAH BURTON, SCOTT CARPENTER AND ONE OF OUR TEMPORARY EMPLOYEES, ERIC SHARP, [AS] PART OF THE COMMITTEE AS FAR AS THE CITY OF LETHBRIDGE SIDE GOES. WE ALSO HAD THREE PUBLIC VOLUNTEERS FROM THE COMMUNITY. WE HAD ADELLE HARRINGTON, BOBBY MCCALLUM AND DAVID FRITZ WHO ALSO PLAYED A HUGE ROLE IN HELPING COORDINATE SOME OF THE ACTIVITIES THERE.” “AS SOON AS CANADA DAY 2016 ENDED, WE WERE ALREADY THINKING ABOUT WHAT WE WERE GOING TO BRING BACK, WHAT KIND OF BUDGET WE WERE GOING TO NEED, WHAT KIND OF ACTIVITIES WE WERE GOING TO HAVE, HOW WE WERE GOING TO MAKE IT SPECIAL, AND MAKE IT STAND OUT THE NEXT YEAR…FOR THE REST OF THE CANADA DAY [EVENTS], THE ONES THAT AREN’T CANADA 150 OR STAND-OUT, WE WOULD PROBABLY ONLY START [PLANNING] ABOUT SIX MONTHS IN ADVANCE. BUT, THE PLANNING PROCESS FOR CANADA DAY, PERIOD, IS QUITE LONG AND STRENUOUS. WE HAVE TO THINK ABOUT SOME PRETTY TIGHT TIMELINES WHEN WE’RE TALKING ABOUT PLANNING AN EVENT THAT BIG. WE DEFINITELY NEEDED THE FULL YEAR TO PLAN CANADA 150.” “CURRENTLY, THE ONLY SPECIAL EVENT THAT THE CITY OF LETHBRIDGE REALLY HOSTS, AS A CORPORATION, IS THE CANADA DAY EVENT. WE RELY ON OUR COMMUNITY GROUPS TO DO MOST OF OUR OTHER SPECIAL EVENTS." ON THE EVENTS PLANNED, HARASEM RECALLED, “IN ALL HONESTY, FOR THE CANADA DAY ACTIVITIES ITSELF, THOUGH I’M ON THE COMMITTEE, I’M NOT AS INVOLVED WITH THAT AS OTHER THINGS THAT I OVERSAW THAT LASTED FROM JANUARY 1ST TO DECEMBER 31ST. SEEING JENNIE AND THE TEAM AND HOW MUCH THEY WORKED…THEY EVEN CHANGED THE LAYOUT AT HENDERSON LAKE THAT HAD BEEN THE SAME WAY FOREVER AND WE HAD TO GO TO SENIOR LEADERS OF THE CITY AND ASK FOR EXTRA MONEY BECAUSE THE BUDGET FOR CANADA DAY HASN’T CHANGED FOR TWELVE OR FIFTEEN YEARS. TO PUT ON SOMETHING THAT WE KNEW THE PUBLIC EXPECTED A LOT [FROM]…[WAS] MY BIGGEST ROLE WITH THE CANADA DAY. IT WAS A HUGE AMOUNT OF WORK AND IT WAS SO SUCCESSFUL, ESPECIALLY ON THE SOCIAL MEDIA SIDE. AT THE CITY, WE’RE USED TO SEEING A LOT OF NEGATIVE COMMENTS. OUR COMMUNICATIONS TEAM HAS SAID THAT THE MOST POSITIVE COMMENTS THEY’VE EVER HAD ON ANYTHING THAT THEY’VE EVER POSTED ON THEIR FACEBOOK WAS AFTER THE CANADA DAY. I THINK THAT THEIR TEAM, JENNIE’S TEAM, DID AMAZING AT MEETING THE EXPECTATIONS OF THE PUBLIC WHICH WERE VERY HIGH.” “I CAME IN [WITH THE COMMUNITY GROUPS ORGANIZING]. WE HAD A GRANT, ‘CANADA 150’. WE HAD EXTRA FUNDING INJECTED INTO OUR BUDGET FOR 2017 [AT] OUR REQUEST, SO THAT WE COULD HELP LOCAL GROUPS THAT WERE ALREADY DOING EVENTS TO THEME IT AROUND CANADA 150. NORMALLY, THE CITY’S RULES IS YOU CAN ONLY GET ONE GRANT FOR ANY EVENT, EVEN THOUGH THERE’S MULTIPLE GRANTS AVAILABLE. BUT, FOR CANADA 150, WE ALLOWED GROUPS TO GET THEIR NORMAL GRANT, AND WE ALLOWED THEM TO ASK FOR UP TO $750 EXTRA, AND THAT WOULD ALLOW THEM TO THEN THEME THEIR EVENT. WE DIDN’T CARE HOW THEY DID THAT. IF THEY WANTED TO USE $750 TO BUY RED AND WHITE CUPCAKES AND BALLOONS [THEY COULD]. WE HAD [AT THE] JAPANESE GARDEN A HUNDRED AND FIFTY JAPANESE DANCERS PERFORMING AND THEY BOUGHT SPECIAL RED MATCHING JACKETS WITH THE MONEY THEY GOT. IT WAS OUR WAY OF ENCOURAGING THE COMMUNITY TO CELEBRATE CANADA 150 ALL YEAR-ROUND. BECAUSE ALL WE DO IS CANADA DAY, WE HAD TO FIND A WAY TO HELP THE COMMUNITY CELEBRATE CANADA 150 AND TO PUT IT IN THE PUBLIC’S EYES ALL YEAR-ROUND IN ANY WAY WE COULD. WE HAD A LOT OF GROUPS AND A LOT OF EVENTS. THERE WAS THIRTY-EIGHT EVENTS THAT RECEIVED FUNDING OVER THE COURSE OF THE YEAR, SO THERE WAS SOMETHING EVERY MONTH OF THE YEAR.” “DURING 'PRETTY, WITTY AND GAY', WHICH IS AN EVENT THE LGBTQ COMMUNITY PUTS ON IN FEBRUARY/MARCH, THEY USED THEIR FUNDING TO [HAVE] A BIG BULLETIN BOARD WHERE PEOPLE [COULD] WRITE DOWN THEIR THOUGHTS ABOUT WHAT IT WAS LIKE TO BE GAY IN CANADA. AND TO SHARE THEIR FEELINGS ON [BEING GAY IN CANADA] TO CONNECT BECAUSE, OBVIOUSLY, WE’RE A MORE OPEN-MINDED COUNTRY AROUND THAT THAN MOST OF THE WORLD. THAT, TO ME, WAS A REALLY UNIQUE WAY TO CELEBRATE CANADA’S 150TH.” “WE ALSO HAD A SMALL THEATRE GROUP COME TOGETHER, A COLLECTIVE THAT HAD NEVER EXISTED BEFORE. THEY PUT ON A VERY CONTROVERSIAL PLAY ABOUT FORMER PRIME MINISTER STEPHEN HARPER WHICH I WENT TO SEE AND IT WAS PRETTY SMALL. IT WASN’T THIS HUGE PLAY WHICH IS DONE IN CASA IN THE BLACK BOX [THE COMMUNITY ATB ROOM] BUT IT WAS FUNNY. IT WAS VERY CONTROVERSIAL AND WE DID PUT SOME MONEY BEHIND THAT.” “[THERE WAS] UPPER VICTORIA PARK NEIGHBOURS. I HAD SO MANY NEIGHBOUR DAYS. BUT WITH NEIGHBOUR DAY BEING A VERY POPULAR EVENT IN JUNE, AND WE’VE GOT MORE NEIGHBOURHOOD ASSOCIATIONS FORMING, WE REALLY ENCOURAGED THE NEIGHBOURHOODS TO APPLY FOR THE GRANT. MOST OF THE NEIGHBOURHOOD ASSOCIATIONS, AT THIS POINT, THEIR NEIGHBOUR DAY EVENTS ARE PRETTY SMALL, UNDER A HUNDRED PEOPLE. BUT IT’S THE PERFECT PLACE TO CELEBRATE CANADA DAY AND CELEBRATE YOUR NEIGHBOURS. OF COURSE, UPPER VICTORIA PARK IS THE ‘GO BIG OR GO HOME’ NEIGHBOURHOOD ASSOCIATION FOR NEIGHBOUR DAY. IT’S EXCITING WHENEVER WE’RE ABLE TO SUPPORT THE THEME OF THE EVENT IN ANY WAY BECAUSE WE KNOW THAT PEOPLE FROM EVEN OUTSIDE LETHBRIDGE ATTEND THAT EVENT. WE’RE NOT JUST SUPPORTING THE MEMBERS OF UPPER VICTORIA PARK NEIGHBOURHOOD ASSOCIATION WHEN WE SUPPORT SOMETHING, SO IT WAS NEAT TO BE ABLE TO PUT SOME MONEY THERE.” “OF COURSE, WINTER LIGHTS FESTIVAL AT JAPANESE GARDEN IS A VERY NEW EVENT. THIS WAS ONLY ITS SECOND YEAR, EVER. THOUGH IT IS A TRADITIONAL, JAPANESE, CULTURAL WINTER EVENT, WE WERE ABLE TO GIVE THEM SOME FUNDING, TOO, BECAUSE THEY ACTUALLY [HAD] THE FIRST EVENT IN 2017 BECAUSE THEY START IN EARLY DECEMBER AND GO TILL FEBRUARY. THEY WERE THE LAST EVENT, ‘CAUSE THEY WERE ON NEW YEAR’S EVE IN 2017. THAT FESTIVAL, THE FIRST TWO YEARS OF IT, KICKED OFF THE BEGINNING OF CANADA 150 AND ENDED CANADA 150 FOR US. IT WAS NEAT TO HAVE SUCH AN IMPORTANT CULTURAL GROUP AND ATTRACTION IN LETHBRIDGE…BE THE FOCUS OF THAT. THERE WERE EVENTS OF ALL SIZES. WE EVEN HAD THE DOGS THAT [ON] THE LAST DAY OF OPERATIONS [AT WESTMINSTER POOL] IS JUST FOR DOGS. EVEN THE HUMANE SOCIETY GOT MONEY TO [HAVE] DOG CANDIES THAT WERE RED AND WHITE…DOG TREATS DECORATED WITH RED AND WHITE BALLOONS AND RIBBONS. I WENT TO IT AND IT WAS HILARIOUS. THE DOGS [TOOK] OVER THE POOL AND THEY’RE SO HAPPY, IN CELEBRATION OF CANADA’S 150TH.” “WE ALSO HAD FREE SWIMMING AND SKATING THROUGHOUT THE YEAR THAT THE CITY SPONSORED AS A CELEBRATION. THAT WAS BECAUSE WE OBVIOUSLY WANT PEOPLE TO BE ACTIVE AND WE WANT PEOPLE TO USE OUR FACILITIES, AND WE KNOW THAT COSTS CAN BE A BARRIER. EVERY MONTH WE HAD AT LEAST ONE FREE SWIMMING WHERE THE FIRST HUNDRED AND FIFTY PEOPLE WERE FREE. IN THE SUMMER THAT INCLUDED BOTH OF THE OUTDOOR POOLS, HENDERSON AND WESTMINSTER. HENDERSON WAS REALLY POPULAR ‘CAUSE IT’S ONLY SECOND YEAR OF OPERATIONS…IT’S STILL [A] VERY POPULAR PLACE TO GO. THEN, WE HAD FREE SKATING AT ALL OUR ARENAS, INCLUDING THE NEW ATB CENTRE AND WE HAD THOSE AT LEAST [ONCE] A WEEK THROUGHOUT THE WHOLE YEAR. THOUSANDS OF PEOPLE IN LETHBRIDGE GOT TO PARTICIPATE IN SWIMMING OR SKATING FOR FREE AS [PART OF THE] CELEBRATION. AT SOME OF THOSE, WE HANDED OUT LITTLE CANADA FLAGS OR CANADA TATTOOS OR HAD BALLOONS.” ON THE DONATION OF CANADA 150 MATERIALS TO THE MUSEUM, HARASEM NOTED, “I BELIEVE THAT THIS IS IMPORTANT TO GO TO THE GALT BECAUSE I KNOW THAT WHEN WE FIRST REALIZED WE NEEDED TO DO SOMETHING TO CELEBRATE THE 150TH, THE FIRST THING WE DID WAS LOOK BACK TO SEE WHAT HAPPENED AT THE 100TH AND WHAT WE HAD IN THE MUSEUM AND ELSEWHERE IN LETHBRIDGE FOR CELEBRATIONS THAT OCCURRED AT THAT TIME. [WE WERE LOOKING TO] SEE IF THERE WERE THINGS THAT WE COULD MIMIC OR SHOULD KNOW ABOUT. WE USED A LOT OF PHOTOS THROUGH OUR REC AND CULTURE GUIDE FOR THAT YEAR TO REMIND PEOPLE THAT, FIFTY YEARS AGO WAS THE BIG CENTENNIAL. WE THOUGHT THAT WHEN THE 200TH COMES, THAT PEOPLE WOULD PROBABLY BE WANTING TO LOOK BACK TO 2017 TO SEE WHAT HAD HAPPENED.” SUDO ADDED, “I THINK CANADA’S SESQUICENTENNIAL [150TH ANNIVERSARY] WAS VERY IMPORTANT TO REMEMBER BECAUSE FIFTY YEARS IS A LONG TIME AND A LOT HAPPENS IN FIFTY YEARS. IT’S GREAT TO BE ABLE TO LOOK BACK AT ALL OF THE THINGS THAT WE DID FOR CANADA’S SESQUICENTENNIAL AND REMEMBER ALL OF THE HARD WORK, AND THE COMMUNITY COMING TOGETHER AND SHOWING THEIR CANADIAN PRIDE.” FOR MORE INFORMATION INCLUDING THE FULL INTERVIEW TRANSCRIPTION, PLEASE SEE THE PERMANENT FILE P20180006007-GA.
Catalogue Number
P20180006004
Acquisition Date
2018-03
Collection
Museum
Images
Less detail
Date Range From
1900
Date Range To
1920
Material Type
Artifact
Materials
WOOL, SILK, STEEL
Catalogue Number
P19990053003
  2 images  
Material Type
Artifact
Date Range From
1900
Date Range To
1920
Materials
WOOL, SILK, STEEL
No. Pieces
1
Height
10.0
Length
98.0
Width
56.5
Description
MEN'S FROCK COAT. BLACK WOOL. DOUBLE BREASTED; BUTTONS ARE STEEL, OVERLAID WITH BLACK THREAD IN A WEAVE PATTERN. IMPRESSED INTO BACK OF EACH BUTTON IS "CARANTIE * 32 * ". COAT HAS NOTCHED LAPELS, THAT END IN A V-SHAPE. COLLAR IS SLIGHTLY NARROWER THAN LAPELS. THERE ARE TWO BUTTON HOLES ON LAPEL, ONE OF WHICH IS SEWN UP. BELOW WAIST LINE JACKET IS SLIGHTLY FULLER. THERE ARE NO OUTSIDE POCKETS, BUT A WELT POCKET ON EACH INSIDE BREAST. INSIDE OF JACKET IS LINED WITH BLACK SILK, EXCEPT FOR SLEEVES WHICH ARE LINED WITH A WHITE AND BLACK STRIPED COTTON. LINING ON RIGHT ARM IS LOOSE, AND APPEARS TO HAVE BEEN REPAIRED. THERE ARE THREE SMALLER BUTTONS SAME AS ABOVE, ON EACH CUFF, WITH MOCK BUTTONHOLES. BACK OF JACKET, HAS A VENT, ABOVE WHICH ARE 2 BUTTONS (SAME AS ABOVE). EACH 'TAIL' OF VENT HAS A HIDDEN SLIT POCKET ON INSIDE.
Subjects
CLOTHING-OUTERWEAR
Historical Association
FINE ARTS
PERSONAL CARE
History
ORIGIN DATE OF THIS COAT IS UNKNOWN, BUT FROCK COATS WERE WORN BY MEN FROM THE END OF THE 18TH CENTURY THROUGH THE 19TH CENTURY. COULD HAVE BEEN REPLICATED LATER TO COPY AN EARLIER STYLE. DONOR IS A HIGH SCHOOL PHYS. ED. TEACHER. SHE DID DRAMA IN SCHOOLS AND LOCAL THEATRE, AND ENTIRE COLLECTION WAS GIVEN TO HER BY LOCAL PEOPLE. FOR MORE INFORMATION ON DONOR GAIL HOLLAND’S ACQUISITION, STEWARDSHIP AND GENERAL USE OF HER 1999-DONATED COLLECTION PLEASE REFER TO RECORD P19990053001. ***UPDATE: ARTIFACT INSIGHT BELOW SUBMITTED BY DONOR AND COLLECTIONS VOLUNTEER GAIL HOLLAND ON 19 APRIL 2011. “FROCK COAT WAS USED AS A COSTUME PIECE IN “OLIVER” LETHBRIDGE MUSICAL THEATRE IN 1975 AND WAS WORN BY THE CHARACTER PLAYING OLIVER’S GRANDFATHER.”
Catalogue Number
P19990053003
Acquisition Date
2000-12
Collection
Museum
Images
Less detail
Other Name
DUTCH CANADIAN CLUB FOLK COSTUME
Date Range From
1988
Date Range To
2004
Material Type
Artifact
Materials
LINEN, VELVET, PLASTIC
Catalogue Number
P20150005000
  2 images  
Material Type
Artifact
Other Name
DUTCH CANADIAN CLUB FOLK COSTUME
Date Range From
1988
Date Range To
2004
Materials
LINEN, VELVET, PLASTIC
No. Pieces
4
Length
75
Width
46
Description
.A – LONG-SLEEVED SHIRT MADE OF BLUE AND WHITE STRIPED LINEN, WITH RED COLLAR. COLLAR HAS CUFFLINK-STYLE CLOSURE WITH METAL BUTTONS THAT DEPICT A CREST AND TEXT READING “… TONANTI…”. SIX CLEAR PLASTIC BUTTONS DOWN FRONT AND ONE AT EACH CUFF. CHEST POCKET ON LEFT SIDE. OVERALL VERY GOOD CONDITION. 75 X 46 .B – RED LINEN LONG-SLEEVED JACKET. OPEN FRONT, WITH TWO RED BUTTON CLOSURES AT WAIST LINE HEM. OVERALL VERY GOOD CONDITION. 71 X 46 .C – BLACK LINEN PANTS WITH PLEATED WAIST AND WIDE LEGS. FRONT WAIST CLOSURE HAS TWO METAL BUTTONS WITH IMAGE OF BIRD AND TEXT READING “SPES NOSTRA ES DEVS”. BACK WAIST CLOSURE HAS TWO HOLES ON EITHER SIDE OF WAISTBAND. OVERALL VERY GOOD CONDITION. 101.5 X 49 .D – BLACK VELVET CAP, MADE FROM A STRIP OF FABRIC THAT TIES AT BACK WITH SIX GREEN RIBBONS THAT ARE SEWN INTO SEAM. INNER CAP IS BLACK VELVET AND LINEN SEWN TO BOTTOM SEAM OF OUTER EDGE. LENGTH OF GREEN YARN ATTACHED TO RIBBON WITH METAL SAFETY PIN. BOTTOM RIBBON IS FRAYED. OVERALL VERY GOOD CONDITION. 13.5 X 21
Subjects
CLOTHING-OUTERWEAR
Historical Association
ASSOCIATIONS
PERSONAL CARE
ETHNOGRAPHIC
History
THIS COSTUME WAS WORN BY WIM VONKEMAN DURING HIS PARTICIPATION IN THE EVENTS AND ACTIVITIES OF THE DUTCH CANADIAN CLUB OF LETHBRIDGE. BORN IN THE NETHERLANDS IN 1929, VONKEMAN IMMIGRATED TO CANADA IN 1981 WITH HIS WIFE TRUDY AND THEIR THREE CHILDREN, ANINE, ALWIN, AND HERWIN, SETTLING IN THE PICTURE BUTTE AREA. VONKEMAN WAS INSTRUMENTAL IN THE ESTABLISHMENT OF THE DUTCH CANADIAN CLUB, AND WAS ACTIVE WITH THE GROUP UNTIL HIS DEATH IN 2004. ON JANUARY 21, 2015 COLLECTIONS TECHNICIAN KEVIN MACLEAN INTERVIEWED THE DONOR, TRUDY VONKEMAN, ABOUT THIS COSTUME AND HER HUSBAND WIM’S INVOLVEMENT WITH THE DUTCH CANADIAN CLUB OF LETHBRIDGE. SHE SAID: “MY HUSBAND’S FAMILY WENT [TO CANADA] IN 1952 – HE WAS THE ELDEST SON AND HAD A NICE JOB IN HOLLAND SO HE STAYED BEHIND. THEN WE MET AND MARRIED AND HAD KIDS, AND IN 1979 WE WENT ON HOLIDAYS [IN CANADA] WITH THE KIDS FOR FOUR WEEKS… THEY ENJOYED IT VERY MUCH AND WHEN WE WERE BACK IN HOLLAND I HEARD MY TWO SONS [SAYING] ‘AFTER SCHOOL WE GO TO CANADA’… I SAID TO MY HUSBAND, ‘LET’S GO THEN AS A FAMILY, I DON’T WENT TO SPLIT THE FAMILY LATER’… THERE WAS A BIG FAMILY WAITING [IN CANADA] AND MY PARENTS DIED [IN 1979 AND 1980] SO THERE WAS NO REASON NOT TO DO IT [WHILE] WE WERE STILL YOUNG ENOUGH. I WAS 47 AND MY HUSBAND WAS 51, BUT STILL WE MADE IT. THE WHOLE FAMILY LOOKED AFTER US [AND] THERE WAS A JOB ON THE FARM [OUTSIDE PICTURE BUTTE]... WE DIDN’T NEED TO IMMIGRATE BECAUSE IT WAS EVEN BETTER IN HOLLAND THAN WHEN WE CAME HERE. STILL, ONE OF THE LAST THINGS MY HUSBAND SAID TO ME [WAS] ‘WE HAD LESS MONEY HERE IN CANADA BUT I’M GLAD WE WENT.’” VONKEMAN CONTINUED: “IN HOLLAND, THE CHURCH WHERE I BELONGED TO, THE WOMEN WERE PASTORS. HERE, NOT. AND I STOPPED GOING WHEN… THERE WAS SOMETHING THE MEN HAD TO DECIDE AND THE WOMEN COULD [ONLY] GO TO THE KITCHEN AND MAKE COFFEE. I WAS SO MAD [I DECIDED] I’M NOT GOING ANYMORE… [BUT WIM], HIS BACKGROUND, WE DUTCH PEOPLE DO SOMETHING TOGETHER… HE WANTED TO BE ACTIVE TO SHOW SOMETHING ABOUT WHERE HE COMES FROM… HE MET SOME OTHER DUTCH PEOPLE [AND] SET UP THE DUTCH CANADIAN CLUB… HE STARTED WITH DICK VAN GROOTHEEST AND HERMAN SIEMENS AND HE TOOK THE INITIATIVE… HE WANTED TO ORGANIZE AND DO STUFF. HE WAS NOT ONE TO SIT AROUND AND READ A BOOK… HE WAS ALWAYS BUSY AND TRYING TO FIND NEW THINGS [FOR THE CLUB] TO DO… I WAS IN THE BACKGROUND, HELPING WITH THE ORGANIZING AND HELPING HIM THINK ABOUT THINGS… WIM STARTED [THE CLUB’S] MAGAZINE, ‘VAN DE HAK OP DE TAK’ [ROUGHLY TRANSLATES TO ‘DOWN THE GRAPE VINE’]… THE CLUB HAD A FOLK DANCE GROUP AND THEY HAD THIS SUIT FOR IT. [THE DESIGN] IS FROM A CERTAIN PART OF HOLLAND [CALLED] VOLENDAM… A LITTLE FISHER TOWN WHERE ALL THE MEN WORE THIS IN THE PAST… [THE CLUB’S DANCE GROUP] WENT AROUND AND DANCED IN OLD FOLKS HOMES… AND THEY HAD A CHOIR TOO, ALL DRESSED UP IN VOLENDAM COSTUMES, SINGING ON DIFFERENT EVENINGS… YOU HAVE EVENINGS WHERE YOU DANCE AND YOU HAVE A MEAL, AND DRINK A GLASS OF WINE, AND HAVE FUN.” ON JUNE 24, 2015 COLLECTIONS TECHNICIAN KEVIN MACLEAN INTERVIEWED WIM VONKEMAN’S DAUGHTER, ANINE. SHE SAID: “AFTER MY DAD PASSED AWAY, WE HAD [THE COSTUME] DRY-CLEANED… AND I COULDN’T GET RID OF IT. IT HAD TO GO BACK TO THE DUTCH CANADIAN CLUB, TO THE DANCERS, SO THAT SOMEONE ELSE COULD WEAR IT. MY DAD WAS PRETTY SHORT, AND IT WAS A SPECIFIC SIZE FOR HIM [AND] IT WAS PART OF HIM, SO I JUST COULDN’T GET RID OF IT… WHEN I KEPT IT, I KNEW THAT I WAS NOT GOING TO KEEP IT MYSELF FOREVER, AND THAT IT SHOULD GO INTO THE MUSEUM… BECAUSE MY DAD HELPED ESTABLISH THE DUTCH CANADIAN CLUB… IT SUCH A BIG PART OF THE WHOLE LETHBRIDGE STORY… HE SET UP THE ASSOCIATION IN CONJUNCTION WITH OTHER PEOPLE, IN AN EFFORT TO MAINTAIN A CONNECTION BETWEEN DUTCH CANADIANS, AND KEEP SOME TRADITIONS GOING, OR BRING SOME NEW TALENTS. AND HE DID A LOT OF STUFF CROSS-CULTURALLY WITH CANADIANS AND DUTCH PEOPLE, BRINGING CHOIRS AND DANCERS OVER FROM HOLLAND, DOING STUFF IN THE STATES WITH OTHER DUTCH ASSOCIATIONS, AND JUST TRYING TO CONNECT PEOPLE… THERE ARE MANY RURAL DUTCH-CANADIANS – FARMERS, FARMERS’ FAMILIES – BUT THERE’S ALSO LOTS OF PEOPLE IN LETHBRIDGE AND SMALLER COMMUNITIES. BUT THEY ASSOCIATE THROUGH CHURCHES, I THINK… AND MY MOM AND DAD LEFT THE CHURCH [SO] THAT COMMUNITY, FOR THEM, WAS NOT THERE. MY DAD LIKED SINGING IN THE CHOIR IN THE CHURCH, SO PERHAPS HE WAS FILLING A BUNCH OF HIS OWN NEEDS BY SETTING [THE DUTCH CANADIAN CLUB] UP, AND ALSO FOR OTHERS IN THE COMMUNITY.” SEE PERMANENT FILE FOR FULL INTERVIEW TRANSCRIPTS AND INFORMATION ON THE DUTCH CANADIAN CLUB OF LETHBRIDGE. FOR PHOTOGRAPHS SHOWING WIM VONKEMAN WEARING THE COSTUME, SEE GALT ARCHIVES 20150075. FOR MORE INFORMATION ON THE VONKEMAN FAMILY, SEE P20150022000.
Catalogue Number
P20150005000
Acquisition Date
2015-01
Collection
Museum
Images
Less detail

12 records – page 1 of 1.