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Other Name
LEGION BLAZER
Date Range From
1940
Date Range To
1950
Material Type
Artifact
Materials
WOOL, RAYON
Catalogue Number
P19970073015
  2 images  
Material Type
Artifact
Other Name
LEGION BLAZER
Date Range From
1940
Date Range To
1950
Materials
WOOL, RAYON
No. Pieces
4
Length
83
Width
58.2
Description
NAVY BLUE WOOL DOUBLE-BREASTED BLAZER, LINED WITH NAVY BLUE RAYON. EXTERIOR LEFT BREAST POCKET, AND TWO LOWER POCKETS. BREAST POCKET HAS BADGE EMBROIDERED WITH "BRITISH EMPIRE SERVICE LEAGUE CANADIAN LEGION". RED PLASTIC POPPY PINNED TO LEFT LAPEL (REMOVED AND STORED SEPARATELY). INTERIOR RIGHT BREAST POCKET HAS HUDSON'S BAY COMPANY TAG WITH LOGO. POCKET CONTAINS THREE FUNERAL SERVICE PAMPHLETS, INCLUDING: 1) PAMPHLET WITH IMAGE OF CHURCH TOWER ON COVER AND "IN REMEMBRANCE"; IN MEMORY OF "CLARENCE R. WARREN". 2) PAMPHLET WITH IMAGE OF PRAYING HANDS ON COVER; IN MEMORY OF "GORDON (RED) ROSS". 3) FOLDED PROGRAM FOR "LEGION SERVICE THURS., NOV. 11 AT THE CENOTAPH".
Subjects
CLOTHING-OUTERWEAR
Historical Association
ASSOCIATIONS
History
ITEM DONATED TO THE LEGION BY UNKNOWN DONOR, THEN TO MUSEUM BY LEGION. PRIOR HISTORY UNKNOWN. SEE P19970073001-GA. *NOTE* PROGRAM & BOTH PAMPHLETS TRANSFERRED TO ARCHIVES. REF: 20011034000 IN 1926 THE DOMINION EXECUTIVE COUNCIL OF THE NEWLY-FORMED CANADIAN LEGION, BRITISH EMPIRE SERVICE LEAGUE (BESL), SELECTED A DESIGN FOR AN OFFICIAL LEGION BADGE. THE DESIGN CONSISTED OF A MAPLE LEAF SURROUNDED BY THE LEGION NAME, AND TOPPED BY A CROWN. WORN ON A NAVY BLUE BLAZER AND BERET, THE BESL BADGE REMAINED IN USE UNTIL THE ORGANIZATION CHANGED ITS NAME IN 1960 TO THE ROYAL CANADIAN LEGION.
Catalogue Number
P19970073015
Acquisition Date
1997-08
Collection
Museum
Images
Less detail
Other Name
WEDDING DRESS
Date Range From
1945
Date Range To
1950
Material Type
Artifact
Materials
SATIN
Catalogue Number
P19970020003
  2 images  
Material Type
Artifact
Other Name
WEDDING DRESS
Date Range From
1945
Date Range To
1950
Materials
SATIN
No. Pieces
1
Length
146
Width
46
Description
IVORY SATIN FORMAL WEDDING DRESS WITH LONG SLEEVES AND A BUSTLE ON THE BACK. DRESS HAS SHEER FABRIC ABOVE THE SHOULDERS, AND A SATIN ROSE IN THE FRONT CENTRE WITH SATIN LEAVES IN A ROW ACROSS THE FRONT, AROUND THE SHOULDERS AND ACROSS THE BACK. WAIST HAS A BUSTLE ON EACH HIP, WHICH SWEEPS AROUND AND IS SEWN TO BACK UNDER ANOTHER BUSTLE. DRESS FASTENS UP THE BACK WITH MANY TINY SATIN COVERED BUTTONS. SKIRT IS PLAIN SATIN, AND HAVE A POINTED CUFF. LIKE NEW.
Subjects
CLOTHING-OUTERWEAR
Historical Association
COMMEMORATIVE
History
IN 1949 THE DONOR PURCHASED THE DRESS FOR HER MARRIAGE, AT THE MAYFAIR SHOP IN LETHBRIDGE FOR $39.95. ACCORDING TO DONOR IT WAS A WORKING CLASS GIRL'S DRESS AND ALSO WAS NEVER WORN AGAIN. *UPDATE* IN 2017 COLLECTIONS ASSISTANT RUTHANN LABLANCE CONDUCTED A SURVEY OF CLOTHING, INCLUDING A WEDDING DRESS DONATED BY JEAN KOSKOSKI. THE FOLLOWING BIOGRAPHICAL INFORMATION WAS COMPILED USING ARTICLES FROM THE LETHBRIDGE HERALD. JEAN JUDY KOSKOSKI (NEE FRANCESCHI) IS THE SECOND DAUGHTER OF CARL FRANCESCHI AND MARY FRANCESCHI (NEE LINTERIS). SHE WAS MARRIED TO WILLIAM “BILL” KOSKOSKI ON MAY 14, 1949 AT SOUTHMINSTER CHURCH, WITH THE RECEPTION AND DANCE BEING HELD AT THE MARQUIS HOTEL. JEAN AND BILL’S WEDDING ANNOUNCEMENT DESCRIBE THE FOLLOWING: “THE BRIDE, WHO ENTERED THE CHURCH ON THE ARM OF HER FATHER, CHOSE A GOWN OF WHITE SHIMMERING SATIN, WITH SHEER YOKE, LONG LILY POINT SLEEVES AND A FULL SKIRT WITH BUSTLE BACK AND SIDE PANNIERS.” WILLIAM “BILL” KOSKOSKI WAS BORN AND RAISED IN HARDIEVILLE, THE OLDEST SON OF NICK AND MARY KOSKOSKI (MAIDEN NAME UNKNOWN). HE WAS EMPLOYED BY THE CPR FROM 1942 UNTIL HIS RETIREMENT IN 1962. BILL PASSED AWAY AT THE AGE OF 68 ON MARCH 6, 1989. MARY FRANCESCHI WAS BORN IN ITALY AND MOVED TO ALBERTA AS AN INFANT. SHE PASSED AWAY ON NOVEMBER 15, 1986. HER HUSBAND CARL PASSED AWAY IN 1963. SEE PERMANENT FILE FOR COPIES OF THE ARTICLES FROM THE LETHBRIDGE HERALD.
Catalogue Number
P19970020003
Acquisition Date
1997-03
Collection
Museum
Images
Less detail
Other Name
LIONS CLUB
Date Range From
1940
Date Range To
1950
Material Type
Artifact
Materials
COTTON, FELT
Catalogue Number
P19970071010
  2 images  
Material Type
Artifact
Other Name
LIONS CLUB
Date Range From
1940
Date Range To
1950
Materials
COTTON, FELT
No. Pieces
1
Length
54.3
Width
50.5
Description
RED COTTON VEST WITH PURPLE FELT TRIM ON FRONT AND BOTTOM BORDERS. PURPLE FELT TASSELS VERTICALLY ALONG UPPER PORTION OF FRONT. LIONS CLUB CREST ON RIGHT PROPER VEST; "LETHBRIDGE" EMBROIDERED ON LEFT PROPER. TWO PLASTIC RED BUTTONS ON FRONT, WITH LOOPED STRING FASTENERS. BACK OF VEST HAS GREEN FELT TREE IN CENTRE, OUTLINED IN WHITE, AND "PACIFIC NORTHWEST ALBERTA" PAINTED IN YELLOW ABOVE AND BELOW.
Subjects
CLOTHING-OUTERWEAR
Historical Association
ASSOCIATIONS
History
BELONGED TO DONOR'S FATHER, HARRY BOYSE, WHO WAS A MEMBER OF THE LIONS CLUB IN LETHBRIDGE. FOR MORE HISTORY SEE P19970071001-GA. *UPDATE* IN 2017 COLLECTIONS ASSISTANT RUTHANN LABLANCE CONDUCTED A SURVEY OF CLOTHING, INCLUDING A VEST DONATED BY KEN BOYSE. THE FOLLOWING BIOGRAPHICAL INFORMATION WAS COMPILED USING ARTICLES FROM THE LETHBRIDGE HERALD. KENNETH BOYES IS THE SON OF CHARLES HENRY “HARRY” BOYES AND IRENE BOYSE (NEE JOHNSON). HE WAS MARRIED IN MAY 1964 TO DOREEN ELIZABETH ROWE IN THAMESFORD, ON. FOLLOWING THEIR MARRIAGE, THE COUPLE LIVED AT THE RCAF STATION IN MONT APLCA, QC. CHARLES HENRY “HARRY” BOYES PASSED AWAY ON SEPTEMBER 1, 1980 AT THE AGE OF 83. HE MARRIED IRENE JOHNSTON IN 1936. HE WAS AN ACTIVE MEMBER OF THE LETHBRIDGE SHRINE CLUB, SERVING WITH THE CLUB FOR OVER 33 YEARS. HE WAS THE CLUB PRESIDENT IN 1952. HE WAS ALSO MADE AN HONOURARY LIFE MEMBER OF THE ALBERTA SUGAR BEET GROWERS ASSOCIATION FOR 31 YEARS OF SERVICE TO THE ORGANIZATION, WHERE HE SERVED AS LABOUR ADVISOR AND SECRETARY/MANAGER. HARRY ALSO SPENT OVER 40 YEARS WORKING AS A FILM PROJECTIONIST, HAVING WORKED IN VARIOUS THEATRES INCLUDING: IN LETHBRIDGE, THE ROXY, EMPRESS, CAPITOL, AND PARAMOUNT; IN BOW ISLAND, RED DEER, STETTLER, AND CALGARY. HARRY WAS ALSO AN ACTIVE MEMBER OF THE LIONS CLUB IN LETHBRIDGE. DURING WWII HARRY WAS THE CAPTAIN OF THE LION INFANTRY TEAM IN THE VICTORY LOAN CAMPAIGN. AN ARTICLE FROM JULY 6, 1943 RECOUNTS THAT HARRY WAS VERY SUCCESSFUL AT SELLING WAR BONDS: “MR BOYSE … TOOK OUT A ‘STAMP-O-GRAM’ CARD AND WITH 18 CALLS SOLD $103 WORTH OF WAR SAVINGS STAMPS. A ‘DEPTH CHARGE’ COSTS $90 AND MR. BOYSE FEELS THAT HE WILL PERSONALLY BE ABLE TO SELL FOUR ‘DEPTH CHARGES’ FOR THE CORVETTE LETHBRIDGE.” ANOTHER ARTICLE FROM JUNE 18, 1943 EXPLAINS THAT HARRY HAD JUST COMPLETED A SUCCESSFUL TERM AS PRESIDENT OF THE LIONS CLUB. THE ARTICLE CONTINUES SAYING: “’LIONS THROUGHOUT CANADA POINT WITH PRIDE TO THE $117,000 ALREADY SENT OVERSEAS FOR THIS CAUSE. THIS MONEY IS ENTRUSTED TO THE WAIFS AND STRAYS SOCIETY, WHICH ADMINISTERS HOMES FOR LITTLE BOYS AND GIRLS WHO HAVE BEEN EVACTUATED FROM TARGET AREAS, OR WHOSE PARENTS HAVE BEEN KILLED OR INJURED IN THE ‘BLITZ’’, [MR. BOYSE] SAID.” IRENE BOYSE (NEE JOHNSON) WAS BORN IN BANTRY, ND ON AUGUST 20, 1908 AND MOVED TO CANADA IN 1909. SHE WAS RAISED AND EDUCATED IN THE FOREMOST, AB AREA. SHE PASSED AWAY AT THE AGE OF 89 ON OCTOBER 16, 1997. SEE PERMANENT FILE FOR COPIES OF THE ARTICLES FROM THE LETHBRIDGE HERALD.
Catalogue Number
P19970071010
Acquisition Date
1997-07
Collection
Museum
Images
Less detail
Other Name
BOYS' TEMPLE COSTUME
Date Range From
1929
Date Range To
1979
Material Type
Artifact
Materials
SILK, COTTON, PAPER
Catalogue Number
P20060018002
  2 images  
Material Type
Artifact
Other Name
BOYS' TEMPLE COSTUME
Date Range From
1929
Date Range To
1979
Materials
SILK, COTTON, PAPER
No. Pieces
6
Description
BOYS' TEMPLE COSTUME. 1. (2 PCE)GLD PAPER CAP WITH PRPL WITH WHT CUSHION . 2. SHEER WHITE KIMONO, LENGTH 78.0, WIDTH 105.3. ADORNED WITH PRPL DYE AND STAMPED WITH GLD CELESTIAL BIRD DESIGN. LEFT SLEEVE HAD YLLW AND GRN THE RIGHT SLEEVE ALSO HAS A BIT OF YLLW. 3. PRPLE HAKAMA SKIRT, LENGTH 56.0, WIDTH 57.8. BATIK REPEATED PATTERN IN TWO ROWS ACROSS BOTTOM HALF OF PANT. SILK RIBBON ACCENTS BELT AREA OF SKIRT. SKIRT TIES ON BOTH SIDES FOR CLOSURE. 4. (2 PCE) BELT IS SHEER WITH GLD IMPRINT OF FLOWER, LENGTH 128.0, WIDTH 4.6.TEXT ON BACK READS, "WOMEN'S BUDDHIST ASS'N, NEW WESTMINSTER B.C."
Subjects
CLOTHING-OUTERWEAR
Historical Association
RELIGION
COMMEMORATIVE
History
COSTUMES WERE WORN BY THE YOUNGEST MEMBERS OF THE BUDDHIST TEMPLE LOCATED IN RAYMOND, ALBERTA. FOR AT LEAST FIFTY YEARS, CHILDREN DRESSED UP IN THE ELABORATE GARMENTS AS PART OF RELIGION’S ‘CHIGO’ OR YOUNG-CHILDREN CEREMONY. THE PROCESSIONAL EVENT REQUIRED THAT THE CHILDREN DRESS AS HEAVENLY BEINGS. BOYS WORE A STIFF HAT OF LACQUERED GAUZE CALLED AN ‘EBOSHI’ WHILE GIRLS WORE THE CROWN OF THE PHOENIX BIRD KNOWN AS A ‘TENKAN’. THE CEREMONY WAS CONDUCTED AT THE RAYMOND BUDDHIST TEMPLE EVERY FIVE YEARS, COMMENCING ON THE DATE OF THE TEMPLE’S DEDICATION (1929) AND ENDING ON ITS FIFTIETH ANNIVERSARY IN 1979. IT IS BELIEVED THAT THE PAPER LOTUS FLOWERS WERE MADE LOCALLY AND THE GARMENTS WERE IMPORTED FROM JAPAN. FOR ALMOST EIGHTY YEARS, THE TEMPLE SERVED THE SPIRITUAL NEEDS OF MANY AMONG SOUTHERN ALBERTA’S JAPANESE COMMUNITY. IT ACTED AS A CENTRE FOR TRADITIONAL BUDDHIST TEACHING AND JAPANESE CULTURE UNTIL ITS CLOSING IN 2006. THESE COSTUMES, IN ADDITION TO OTHER SPIRITUAL OBJECTS INCLUDING THE TEMPLE’S SHRINE, WERE DONATED TO THE GALT AS PART OF THE TEMPLE’S CLOSING AND EVENTUAL SALE. CEREMONY WHERE THIS COSTUME WAS LAST WORN WAS PERFORMED FOR THE BUDDHIST TEMPLE'S FIFTIETH ANNIVERSARY IN 1979. PERFORMED FOR THE TEMPLE'S INAUGURATION, 10TH, 20TH, 25, 30, 35, 40...ETC EVERY 5TH YEAR. DONOR HAS PHOTOS OF COSTUMES BEING WORN DURING THE ANNIVERSARIES (SEE PERMANENT FILE). DONOR PRESUMES THAT THE MATERIAL DATES TO 1929 TO 1930. SEE P20070014000 FOR INFORMATION ON GIRLS CHIGO COSTUME AND P20030041001 FOR COMPLETE HISTORY ON BUDDHIST TEMPLE. ON APRIL 26, 2009 THE BUDDHIST TEMPLE OF SOUTHERN ALBERTA, LOCATED IN LETHBRIDGE, WAS THE SITE OF AN O-CHIGO CHILDREN’S PARADE, HELD AS PART OF THE TEMPLE’S DEDICATION CEREMONY. VISUAL DOCUMENTATION OF O-CHIGO COSTUMES, REPRESENTING THE ONE DONATED, CAN BE FOUND IN THE GALT’S ARCHIVES, RELATED TO THE 2009 DEDICATION EVENT. ADDITIONALLY, O-CHIGO RELATED PHOTOS CAN BE FOUND RELATED TO THE HISTORY OF THE TABER BUDDHIST CHURCH IN THE GALT’S ARCHIVES. FINALLY, IT IS BELIEVED THAT THE ROYAL ALBERTA MUSEUM IS IN POSSESSION OF HISTORIC 40S ERA FOOTAGE OF TEMPLE EVENTS, RELATED TO THE RAM’S COLLECTION OF A SHRINE FROM PICTURE BUTTE.
Catalogue Number
P20060018002
Acquisition Date
2006-08
Collection
Museum
Images
Less detail
Other Name
FELT NAVY JERKIN
Date Range From
1942
Date Range To
1945
Material Type
Artifact
Materials
FELT
Catalogue Number
P19990072002
  1 image  
Material Type
Artifact
Other Name
FELT NAVY JERKIN
Date Range From
1942
Date Range To
1945
Materials
FELT
No. Pieces
1
Length
57.5
Width
58.5
Description
FELT VEST. INSIDE AND TRIM OF VEST ARE BLUE. OUTSIDE OF VEST IS MADE UP OF VARIOUS SHAPED, SIZE, AND COLOURED REMNANTS OF FABRIC. THESE PIECES OF FELT ARE ALL TOP STITCHED. TOP STITCHING IS RATHER CRUDE (NOT IN STRAIGHT LINES, GOES OFF FABRIC IN SOME PLACES, NOTICEABLE REPAIRS, ETC.). VEST IS SLEEVELESS AND COLLARLESS.
Subjects
CLOTHING-OUTERWEAR
Historical Association
ASSOCIATIONS
MILITARY
History
THIS FELT JERKIN (VEST) WAS MADE DURING WORLD WAR TWO BY THE LATE MRS. NELLIE SEWARD OF FARM HILL (NORTH OF MAGRATH), ALBERTA. SEWARD PRODUCED THE JERKIN AS PART OF HER INVOLVEMENT WITH THE FARM HILL BRANCH OF THE ALBERTA WOMEN’S INSTITUTE. THE VOLUNTARY SERVICE ORGANIZATION AIMED TO IMPROVE THE CONDITION OF CANADIAN SOLDIERS AND VICTIMS OF WAR BY PRODUCING “HOME COMFORTS”, SUCH QUILTS, DRESSES, SOCKS AND “DITTY BAGS”. THE ITEMS, THEREAFTER, WERE SENT TO THE RED CROSS AND THE NAVY LEAGUE OF CANADA FOR DISTRIBUTION OVERSEAS. ON 14 FEBRUARY, 1942, THE LETHBRIDGE HERALD NOTED MRS. SEWARD’S KEY A.W.I. INVOLVEMENT WHEN IT REPORTED, “THE FARM HILL W.I. HAD ANOTHER QUILTING DAY AT MRS. EARL SEWARD’S HOME WEDNESDAY AFTERNOON, WHEN SEVEN MORE QUILTS WERE MADE. THIS MAKES 16 QUILTS MADE FOR THE RED CROSS SINCE THE FIRST OF THE YEAR”. THE DONOR, MRS. NELLIE SEWARD’S DAUGHTER, WAS AT HOME AS A 6/7 Y/O GIRL (B. 1936) WHEN WOMEN FROM NEARBY FARMS DESCENDED ON HER HOME TO, ALONG WITH HER MOTHER, DO THEIR BIT ON THE “HOME FRONT”. IN 2009, THE DONOR STATED, “I WAS IN THE MIDDLE OF ALL OF THIS … I REMEMBER THEM MAKING QUILTS AND ME CRAWLING UNDER THE QUILT FRAME (19990072001).” “WOMEN WERE IN ROWS ON EITHER SIDE” SHE SAID, “MANIPULATING NEEDLES” (TO THIS DAY SHE WONDERS IF THE QUILTS WERE TIED OR SEWN). THE ACTIVITY FASCINATED THE DONOR. SHE RECALLED THAT A CAT MANAGED ONE DAY TO GAIN ACCESS TO THE HOUSE DURING A BREAK IN THE QUILTING WORK AND FELL ASLEEP ON THE QUILT. SHE REMEMBERED THE WOMEN SCREAMING ON ACCOUNT THAT THERE WERE TO BE NO CATS IN THE HOUSE. REGARDING THE JERKIN, SHE RECALLED “VOLUMES OF FELT” AND SAID THAT “THE RED CROSS SENT PATTERNS AND THE JERKINS HAD TO BE MADE TO SPEC”. THE FELT PIECES FOR THE VESTS WERE CUT OUT IN THE KITCHEN AND TAKEN HOME BY THE LADIES TO BE CONSTRUCTED IN THEIR INDIVIDUAL HOMES. “SPEED AND QUANTITY COUNTED … QUALITY WAS NOT AN ISSUE. MOTHER WOULD NEVER SEW A GARMENT LIKE THIS ONE IS SEWN (JERKIN)… JUST GET IT TOGETHER”. IT IS BELIEVED THAT THE JERKIN WAS MADE FOR ISSUE TO A SAILOR IN THE ROYAL CANADIAN NAVY. IT IS UNKNOWN WHY MRS. SEWARD WAS STILL IN POSSESSION OF THE JERKIN AT THE END OF THE WAR. THE DONOR BELIEVES THAT THE FARM HILL LADIES WON AN AWARD FOR THE MOST NUMBER OF QUILTS PRODUCED BY ANY A.W.I. BRANCH DURING THE WAR. IN 1963, NELLIE SEWARD GAVE THE JERKIN TO HER DAUGHTER (DONOR), BEVERLY HAYES. THE DONOR VALUED THE JERKIN ON ACCOUNT THAT SHE KNEW HOW IMPORTANT THE INSTITUTE WAS TO HER MOTHER AND BECAUSE THE SHE WAS LITERALLY IN THE MIDST OF THE HOME FRONT WORK AS A CHILD. IN 2009, HAYES RECALLED THAT PRIOR TO 1963 THE JERKIN HUNG UNUSED IN A BAG ADJACENT A STAIRWELL IN HER MOTHER’S (DONOR’S CHILDHOOD) FARM HOME IN THE DISTRICT OF FARM HILL. AS FAR AS DONOR KNEW, THE VIRTUALLY NEW, UNWORN JERKIN WAS NOT TOUCHED FROM THE MID-40S THROUGH TO 1963. ACCORDING TO THE DONOR, IT WAS “THERE FOR YEARS” AND SHE HAS NO IDEA WHY IT NEVER MOVED. DURING WINTERS FROM 1967 TO 1969, THE DONOR WORE THE JERKIN ALONG WITH OVERALLS TO DO CHORES (EG. MILKING COWS) WITH HER HUSBAND IN SEVEN PERSONS, AB. IN 1987, THE JERKIN WAS LEFT BEHIND BY THIEVES AFTER THE DONOR’S LETHBRIDGE GARAGE WAS LEFT UNSECURED AND WAS ROBBED. FOR MORE INFORMATION, PLEASE SEE PERMANENT FILE AND CATHERINE C. COLE’S SUBMISSION TO THE BOOK FOR KING AND COUNTRY: ALBERTA IN THE SECOND WORLD WAR, ENTITLED EVERY KITCHEN IS AN ARSENAL.
Catalogue Number
P19990072002
Acquisition Date
2000-02
Collection
Museum
Images
Less detail
Other Name
NAVAL JACKET
Date Range From
1945
Date Range To
1955
Material Type
Artifact
Materials
WOOL, PLASTIC, ALUMINUM
Catalogue Number
P19990053004
  1 image  
Material Type
Artifact
Other Name
NAVAL JACKET
Date Range From
1945
Date Range To
1955
Materials
WOOL, PLASTIC, ALUMINUM
No. Pieces
1
Height
3.0
Length
71.0
Width
46.5
Description
NAVY BLUE, WOOL. PULL OVER STYLE; HAS A SHORT GOLD ZIPPER ON TOP FRONT. HAS A WELT POCKET ON LEFT BREAST, WITH DECORATIVE STITCHING AT THE SIDES. CUFFS OF SLEEVES HAVE THREE WHITE STRIPES SEWN ON. EACH CUFF ALSO HAS TWO BLACK, PLASTIC BUTTONS, WITH ANCHORS IMPRESSED INTO THEM. TOP OF RIGHT ARM HAS A NAVY BLUE PATCH SEWN ON. EMBROIDERED AT TOP OF PATCH IS A WHITE EAGLE, WITH WINGS SPREAD; BELOW THIS IS A WHITE ANCHOR, OVERLAID BY A TORPEDO SHAPE, AND WINGS AT THE SIDE; BELOW THIS IS A RED V-SHAPED BAR. BACK OF JACKET HAS A TURNED DOWN RECTANGULAR FLAP, WITH THREE WHITE STRIPES SEWN AROUND THE PERIMETER (THAT GO AROUND TO THE FRONT ON INSIDE OF ZIPPER). EMBROIDERED ON BACK FLAP IS A WHITE STAR IN THE TWO LOWER CORNERS.
Subjects
CLOTHING-OUTERWEAR
Historical Association
FINE ARTS
MILITARY
History
A UNITED STATES NAVY SEAMAN'S TUNIC, PROBABLY USED AROUND THE SECOND WORLD WAR. DONOR IS A HIGH SCHOOL PHYS. ED. TEACHER. SHE DID DRAMA IN SCHOOLS AND LOCAL THEATRE, AND ENTIRE COLLECTION WAS GIVEN TO HER BY LOCAL PEOPLE. FOR MORE INFORMATION ON DONOR GAIL HOLLAND’S ACQUISITION, STEWARDSHIP AND GENERAL USE OF HER 1999-DONATED COLLECTION PLEASE REFER TO RECORD P19990053001. ***UPDATE: ARTIFACT INSIGHT BELOW SUBMITTED BY DONOR AND COLLECTIONS VOLUNTEER GAIL HOLLAND ON 19 APRIL 2011. “MILITARY NAVAL JACKET WAS NOT USED IN A THEATRE PRODUCTION, BUT SERVED AS A REFERENCE FOR REPRODUCTION PURPOSES, IF NEEDED.”
Catalogue Number
P19990053004
Acquisition Date
2000-12
Collection
Museum
Images
Less detail
Other Name
TRADITIONAL CHINESE WEDDING OUTFIT
Date Range From
1900
Date Range To
1910
Material Type
Artifact
Materials
WOOL, SILK, COTTON
Catalogue Number
P19950073149
  3 images  
Material Type
Artifact
Other Name
TRADITIONAL CHINESE WEDDING OUTFIT
Date Range From
1900
Date Range To
1910
Materials
WOOL, SILK, COTTON
No. Pieces
4
Length
78.2
Width
137.2
Description
1. PURPLE WOOL MANDARIN JACKET. BLACK SILK WIDE CUFFS AND TRIM AROUND NECKLINE SIDE CLOSURE, WITH FIVE FROG FASTENERS AND BLACK SILK WIDE TRIM AT BORDER. STRAIGHT SLEEVES AND SLIGHTLY FLARED BODICE. UNLINED; INNER RIGHT BREAST POCKET; HIP LENGTH. FAINT SIGNS OF INSECT DAMAGE WHERE TOP LAYER OF WOOL 2.TROUSERS. 110.5CM L X 66CM W. TRADITIONAL WIDE LEG SILK PANTS. BURGUNDY WITH FLORAL-LEAF PATTERN WOVEN IN. BLACK GEOMETRIC APPLIQUED DESIGN NEAR BOTTOM, WITH WIDE BLACK SILK BAND AT BOTTOM OF LEGS. TRIMMED WITH THIN BLUE AND WHITE HORIZONTAL BANDS. LIGHT BLUE GLAZED COTTON WAISTBAND, WITH PALE BLUE SILK LINING. 3.SKIRT/APRON. 95.3CM L X 170CM W. TRADITIONAL CHINESE SILK WRAP-AROUND SKIRT. WHITE WITH FINE FLORAL PATTERN WOVEN IN. TRIMMED WITH BLACK SILK BORDER, EMBROIDERED WITH BLUE FLORAL PATTERN. BLUE FLOWERS ALSO EMBROIDERED ON WHITE PORTION OF SKIRT. HEAVILY PLEATED WITH FINE PLEATS, EXCEPT TWO PANELS ON SKIRT WHICH HAVE FINELY EMBROIDERED BUTTERFLY PATTERN IN SHADES OF BLUE, PINK, ORANGE, AND GREEN. FUCHSIA SILK LINING. WIDE PALE BLUE COTTON WAISTBAND WITH REMNANTS OF CRIMSON TIES AT ENDS, WHICH HAVE BEEN TORN OFF. HANDMADE. 4. SCARF. 49.2CM X 49.2CM. ROYAL BLUE COTTON SCARF WITH CIRCLE DESIGN WOVEN INTO FABRIC. BUTTON HOLE IN ONE CORNER.
Subjects
CLOTHING-OUTERWEAR
Historical Association
COMMEMORATIVE
PERSONAL CARE
History
PIECES OF TWO TRADITIONAL CHINESE WEDDING OUTFITS BELONGING TO THE ING FAMILY (ONE MAN'S, ONE WOMAN'S). *UPDATE* IN 2014 COLLECTIONS ASSISTANT JANE EDMUNDSON CONDUCTED A SURVEY OF ART OBJECTS, INCLUDING ONE DONATED AS PART OF THE ING ESTATE (P19950073023). SHE EXTRACTED THE FOLLOWING INFORMATION ON THE ING FAMILY FROM PERMANENT FILE P19950073001, WHICH CONTAINS A TRANSCRIPT OF THE INTERVIEW COLLECTIONS TECH KEVIN MACLEAN CONDUCTED WITH HAROLD ING JR., SON OF HAROLD AND MYRA, IN HIS ROOM AT THE LETHBRIDGE HOTEL IN SEPTEMBER 2005. MYRA WAS BORN IN GOLDEN B.C. TO SHIN-BOW AND CHOW TING RAH; HER FATHER ORGINALLY EMIGRATED TO CANADA TO WORK ON CANADIAN RAILWAY CONSTRUCTION AND LATER BECAME A RESTAURANTEUR, WHERE MYRA DEVELOPED HER ENGLISH SKILLS AS A WAITRESS. "IN 1906 MY DAD [HAROLD ING SR.] LEFT HONG KONG FOR VANCOUVER, HE COULDN'T SPEAK ENGLISH... HE'S GOT TO BE A WAITER, A BUSBOY... AND HE LEARNED ALL THE WAY UP, IN THE MEANTIME PICKING UP ENGLISH... WENT TO WINNIPEG. THIS IS BEFORE ME. BY THEN HE KNEW THE WHOLE SYSTEM OF RESTAURANTING." MYRA AND HAROLD SR. MARRIED AND ADOPTED HAROLD JR. WHEN HE WAS BORN INTO A POOR FAMILY OF ELEVEN IN 1944, IN VANCOUVER. "ME AND MY TWIN SISTER WERE SOLD BECAUSE THERE WERE JUST TOO MANY. SO DAD, MY MOM PICKED ME AND DAD SAID YES THAT'S GOOD... I DON'T KNOW WHERE MY SISTER IS... THERE'S NO WAY OF FINDING OUT." THE ING FAMILY SETTLED IN LETHBRIDGE IN THE LATE 1940S, AND HAROLD SR. OWNS AND OPERATES THE NEW MOON CAFE AND TWO GROCERIES, WHICH ARE RUN BY THE FAMILY AND NEW CHINESE IMMIGRANTS THAT HAROLD SR. SPONSORED. "AT APPROXIMATELY FIVE YEARS OLD [MY FATHER] INTRODUCED ME TO THE NEW MOON CAFE, AND I WAS A BUSBOY AT THE AGE OF FIVE... IN 1951 HE SHOWED ME MY FIRST HUNDRED DOLLAR BILL... BECAUSE HE WAS THE OWNER... HE'D WAKE UP AT FIVE IN THE MORNING TO GO TO THE CAFE, OFF AND ON TO THE GROCERY STORE AND MIGHT BE DONE AT EIGHT AT NIGHT, SUPPER AND IMMEDIATELY TO CHINATOWN [FOR] GAMBLING, PUTTING DOWN MAH JONG." HAROLD JR. ATTENDED WESTMINISTER ELEMENTARY SCHOOL DURING THE DAY, AND CHINESE SCHOOL AT THE CHINESE NATIONAL LEAGUE IN THE EVENINGS - HIS FATHER WAS THE PRESIDENT OF THE NATIONAL LEAGUE, AND THE ORGANIZATION RAN THE SCHOOL, CULTURAL CELEBRATIONS, FILM SCREENINGS, AND BANQUETS, FUNDED BY MEMBERSHIP FEES. HAROLD'S YOUNGER BROTHER, CALVIN, "GOT SENT TO A BOARDING SCHOOL SOMEWHERE. HE WAS GIFTED, BUT HE HAD A BYPASS SURGERY, HE HAD SOMETHING WRONG WITH HIS HEART. HE COULDN'T HANDLE PUBLIC SCHOOL, SO THEY SENT HIM TO B.C." AFTER HIGH SCHOOL AND A BRIEF STINT IN CALGARY, HAROLD JR. RAN ING'S GROCERY FOR HIS FATHER, AND IN THE LATE 1960S AND EARLY 70S ALSO WORKED AS A PHOTOGRAPHER FOR THE LETHBRIDGE HERALD AND A SALESMAN AT SEARS. BOTH HAROLD SR. AND MYRA ING PASSED AWAY IN THE 1990S, AND THE OBJECTS ENCOMPASSING DONATION P19950073001-231 WERE COLLECTED FROM THE FAMILY HOME. FOR A COMPLETE TRANSCRIPT OF THE INTERVIEW, COPIES OF PHOTOGRAPHS AND WRITTEN DETAILS ON THE CHINESE NATIONAL LEAGUE, SEE PERMANENT FILE.
Catalogue Number
P19950073149
Acquisition Date
1995-11
Collection
Museum
Images
Less detail
Other Name
SUMMER DRESS
Date Range From
1910
Date Range To
1920
Material Type
Artifact
Materials
COTTON, BRASS
Catalogue Number
P19990053009
  2 images  
Material Type
Artifact
Other Name
SUMMER DRESS
Date Range From
1910
Date Range To
1920
Materials
COTTON, BRASS
No. Pieces
1
Height
6.0
Length
132.0
Width
49.0
Description
WHITE, COTTON. BODICE AND BOTTOM HALF OF SKIRT HAVE NUMEROUS INTRICATE CUTOUTS AND EMBROIDERY (AN OVERALL FLORAL PATTERN). WAISTBAND AND TOP HALF OF SKIRT HAVE WHITE EMBROIDERED FLOWERS ON THEM WITH TINY CUTOUTS. ABOVE AND BELOW WAISTBAND, DRESS HAS NARROW PLEATS. ELBOW LENGTH SLEEVES END WITH A SCALLOPED EDGE. BOTTOM OF SKIRT HAS A STRAIGHT SOLID BAND AROUND IT. NECKLINE HAS A CROCHETED TRIM AROUND IT. BACK OF DRESS IS OPEN FROM NECKLINE TO HALFWAY DOWN SKIRT; THIS CLOSES WITH NUMEROUS HOOKS AND EYES. TOP OF DRESS IS BEGINNING TO YELLOW. DRESS HAS NUMEROUS TEARS.
Subjects
CLOTHING-OUTERWEAR
Historical Association
FINE ARTS
PERSONAL CARE
History
DONOR IS A HIGH SCHOOL PHYS. ED. TEACHER. SHE DID DRAMA IN SCHOOLS AND LOCAL THEATRE, AND ENTIRE COLLECTION WAS GIVEN TO HER BY LOCAL PEOPLE. FOR MORE INFORMATION ON DONOR GAIL HOLLAND’S ACQUISITION, STEWARDSHIP AND GENERAL USE OF HER 1999-DONATED COLLECTION PLEASE REFER TO RECORD P19990053001. ***UPDATE: ARTIFACT INSIGHT BELOW SUBMITTED BY DONOR AND COLLECTIONS VOLUNTEER GAIL HOLLAND ON 19 APRIL 2011. “WHITE COTTON EYELET DRESS NOT USED IN A THEATRE PRODUCTION, BUT SERVED AS A REFERENCE FOR POSSIBLE PERIOD COSTUME REPRODUCTION OF CIRCA 1910.”
Catalogue Number
P19990053009
Acquisition Date
2000-12
Collection
Museum
Images
Less detail
Date Range From
1930
Date Range To
1940
Material Type
Artifact
Materials
VELVET, CHIFFON, POLYESTER
Catalogue Number
P19990053007
  2 images  
Material Type
Artifact
Date Range From
1930
Date Range To
1940
Materials
VELVET, CHIFFON, POLYESTER
No. Pieces
2
Height
7.0
Length
125.0
Width
47.5
Description
BLACK VELVET. HAS A HIGH, STRAIGHT CUT NECKLINE (BOAT NECKLINE). NECKLINE IS GATHERED IN THE FRONT AT THE SHOULDERS. SKIRT IS SLIGHTLY FLARED. HAS 3/4 LENGTH SLEEVES MADE OF A SHEER BLACK FABRIC WITH BLACK VELVET DESIGNS ON IT. CUFFS ARE CUT IN A V-SHAPE, SO TOPSIDE IS LONGER THAN BOTTOM SIDE. CUFFS CLOSE WITH A SMALL, METAL SNAP. BACK OF DRESS HAS A SLIT FROM NECKLINE TO CENTER BACK; SLIT CLOSES AT NECKLINE WITH A PLASTIC, SILVER BUTTON SHAPED LIKE A FLOWER. BUTTON HAS A CLEAR GEM IN THE CENTER. DRESS HAS A LOOP OF THREAD ON EACH SIDE, THROUGH WHICH IS A BELT. BELT IS A STRIP OF BLACK POLYESTER?, WITH PEACH COLOURED ENDS. ONE END OF BELT IS FRAYED. DRESS HAS LOOSE THREADS THROUGHOUT. A RIP IN SKIRT HAS BEEN LOOSELY REPAIRED. DRESS IS CUT ON THE BIAS.
Subjects
CLOTHING-OUTERWEAR
Historical Association
PERSONAL CARE
FINE ARTS
History
DONOR IS A HIGH SCHOOL PHYS. ED. TEACHER. SHE DID DRAMA IN SCHOOLS AND LOCAL THEATRE, AND ENTIRE COLLECTION WAS GIVEN TO HER BY LOCAL PEOPLE. FOR MORE INFORMATION ON DONOR GAIL HOLLAND’S ACQUISITION, STEWARDSHIP AND GENERAL USE OF HER 1999-DONATED COLLECTION PLEASE REFER TO RECORD P19990053001. ***UPDATE: ARTIFACT INSIGHT BELOW SUBMITTED BY DONOR AND COLLECTIONS VOLUNTEER GAIL HOLLAND ON 19 APRIL 2011. “BLACK VELVET DRESS NOT USED IN A THEATRE PRODUCTION, BUT SERVED AS A REFERENCE FOR POSSIBLE COSTUME REPRODUCTION DETAILS OF 1930S CLOTHING.”
Catalogue Number
P19990053007
Acquisition Date
2000-12
Collection
Museum
Images
Less detail
Date Range From
1900
Date Range To
1920
Material Type
Artifact
Materials
WOOL, SILK, STEEL
Catalogue Number
P19990053003
  2 images  
Material Type
Artifact
Date Range From
1900
Date Range To
1920
Materials
WOOL, SILK, STEEL
No. Pieces
1
Height
10.0
Length
98.0
Width
56.5
Description
MEN'S FROCK COAT. BLACK WOOL. DOUBLE BREASTED; BUTTONS ARE STEEL, OVERLAID WITH BLACK THREAD IN A WEAVE PATTERN. IMPRESSED INTO BACK OF EACH BUTTON IS "CARANTIE * 32 * ". COAT HAS NOTCHED LAPELS, THAT END IN A V-SHAPE. COLLAR IS SLIGHTLY NARROWER THAN LAPELS. THERE ARE TWO BUTTON HOLES ON LAPEL, ONE OF WHICH IS SEWN UP. BELOW WAIST LINE JACKET IS SLIGHTLY FULLER. THERE ARE NO OUTSIDE POCKETS, BUT A WELT POCKET ON EACH INSIDE BREAST. INSIDE OF JACKET IS LINED WITH BLACK SILK, EXCEPT FOR SLEEVES WHICH ARE LINED WITH A WHITE AND BLACK STRIPED COTTON. LINING ON RIGHT ARM IS LOOSE, AND APPEARS TO HAVE BEEN REPAIRED. THERE ARE THREE SMALLER BUTTONS SAME AS ABOVE, ON EACH CUFF, WITH MOCK BUTTONHOLES. BACK OF JACKET, HAS A VENT, ABOVE WHICH ARE 2 BUTTONS (SAME AS ABOVE). EACH 'TAIL' OF VENT HAS A HIDDEN SLIT POCKET ON INSIDE.
Subjects
CLOTHING-OUTERWEAR
Historical Association
FINE ARTS
PERSONAL CARE
History
ORIGIN DATE OF THIS COAT IS UNKNOWN, BUT FROCK COATS WERE WORN BY MEN FROM THE END OF THE 18TH CENTURY THROUGH THE 19TH CENTURY. COULD HAVE BEEN REPLICATED LATER TO COPY AN EARLIER STYLE. DONOR IS A HIGH SCHOOL PHYS. ED. TEACHER. SHE DID DRAMA IN SCHOOLS AND LOCAL THEATRE, AND ENTIRE COLLECTION WAS GIVEN TO HER BY LOCAL PEOPLE. FOR MORE INFORMATION ON DONOR GAIL HOLLAND’S ACQUISITION, STEWARDSHIP AND GENERAL USE OF HER 1999-DONATED COLLECTION PLEASE REFER TO RECORD P19990053001. ***UPDATE: ARTIFACT INSIGHT BELOW SUBMITTED BY DONOR AND COLLECTIONS VOLUNTEER GAIL HOLLAND ON 19 APRIL 2011. “FROCK COAT WAS USED AS A COSTUME PIECE IN “OLIVER” LETHBRIDGE MUSICAL THEATRE IN 1975 AND WAS WORN BY THE CHARACTER PLAYING OLIVER’S GRANDFATHER.”
Catalogue Number
P19990053003
Acquisition Date
2000-12
Collection
Museum
Images
Less detail
Date Range From
1940
Date Range To
1955
Material Type
Artifact
Materials
WOOL, SATIN?, PLASTIC
Catalogue Number
P19990053001
  2 images  
Material Type
Artifact
Date Range From
1940
Date Range To
1955
Materials
WOOL, SATIN?, PLASTIC
No. Pieces
1
Height
120.3
Length
62.5
Width
7.0
Description
CHESTERFIELD STYLE OVERCOAT. BLACK WOOL, WITH A FAINT PINSTRIPE PATTERN ON OUTSIDE. HAS NOTCHED LAPELS; LAPELS END IN A V-SHAPE; COLLAR IS NOT AS WIDE AS LAPEL. JACKET IS DOUBLE BREASTED; BUTTONS ARE BLACK PLASTIC. HAS 1 FLAPPED WELT POCKET ON OUTSIDE RIGHT, AND TWO FLAPPED WELT POCKETS ON OUTSIDE, LEFT. INSIDE OF JACKET HAS TWO WELT POCKETS, ONE ON RIGHT BREAST, AND ONE ON LEFT WAIST. A TAG INSIDE RIGHT BREAST POCKET READS "14708 15/6 G.2X 372 PASSED NO 76". THERE ARE ALSO THREE BUTTONS SEWN ONTO INSIDE OF JACKET, TWO SMALL AND ONE LARGE. INSIDE OF JACKET HAS A BLACK SATIN? LINING. CUFFS OF SLEEVES EACH HAVE 4 MOCK PLASTIC BUTTONS. AT BACK OF COAT, BOTTOM IS SPLIT. THERE IS A WHITISH SPOT ON BACK OF COAT.
Subjects
CLOTHING-OUTERWEAR
Historical Association
PERSONAL CARE
FINE ARTS
History
THE CHESTERFIELD COAT TRADITIONALLY HAD A VELVET COLLAR, WHICH THIS COAT DOES NOT, BUT OTHERWISE IS THE SAME STYLE. THE CHESTERFIELD COAT WAS POPULAR IN THE LATE 1920S THROUGH 1940, BUT THE PLASTIC BUTTONS ON THIS COAT INDICATE THAT THE COAT WAS MADE AFTER WORLD WAR II. POSSIBLY MADE TO REPRODUCE AN EARLIER POPULAR STYLE. DONOR IS A HIGH SCHOOL PHYS. ED. TEACHER. SHE DID DRAMA IN SCHOOLS AND LOCAL THEATRE, AND ENTIRE COLLECTION WAS GIVEN TO HER BY LOCAL PEOPLE. **** NARRATIVE AND OVERCOAT INSIGHT BELOW SUBMITTED BY DONOR AND COLLECTIONS VOLUNTEER GAIL HOLLAND ON 19 APRIL 2011. “DONOR IS A TEACHER, PRIMARILY JUNIOR AND SENIOR HIGH SCIENCES, AND GIFTED PROGRAM. SHE HAS BEEN INVOLVED IN ASPECTS OF LOCAL THEATRE WORK FOR MANY YEARS, INCLUDING SCHOOL DRAMA PRODUCTIONS AND COMMUNITY THEATRICAL PRODUCTIONS, NAMELY LETHBRIDGE MUSICAL THEATRE AND PLAYGOERS OF LETHBRIDGE. WITH AN INTEREST IN PERIOD TYPE FASHIONS AND DRESS, AND THEATRICAL COSTUMING, OVER THE YEARS SHE HAD GATHERED A SMALL COLLECTION, OF SUCH COSTUME PIECES OR GARMENTS. THESE ITEMS WERE ACQUIRED FROM LOCAL AND AREA PEOPLE WHO HAD BECOME AWARE OF THESE INTERESTS AND PASSED THEM ALONG TO HER. THEY WERE STORED IN HER HOME IN ORDER TO MORE EFFECTIVELY PRESERVE THEM. SOME PIECES WERE USED IN PRODUCTIONS, SOME SERVED AS REFERENCES FOR CONSTRUCTION DETAILS AND METHODS-USEFUL IN REPRODUCTION OF PERIOD DRESS, WHILE OTHERS-THOUGHT NOT USED, CONTINUED TO BE STORED FOR POSSIBLE USE OR REFERENCE .SOME PIECES WERE MADE OF DELICATE FABRICS OR MATERIALS AND WOULD BE DIFFICULT TO USE IN ANY RIGOROUS STAGE MOVEMENTS. SOME GARMENTS WERE OF SMALL SIZES THAT WOULD NOT FIT THE CURRENT SIZES IN GENERAL OF CAST MEMBERS.” “THIS OVERCOAT WAS USED AS A COSTUME PIECE IN THE PRODUCTION OF PLAYGOER’S “LIFE WITH FATHER” IN 1977, WORN BY FRANK FEATHERSTONE PLAYING CLARENCE DAY” ***ON 20 DECEMBER, 2011, GAIL INFORMED COLLECTIONS STAFF THAT SHE VOLUNTEERED WITH LETHBRIDGE’S PLAYGOERS BEGINNING IN 1975. SHE HAD “A GENERAL INTEREST IN ASPECTS OF THEATRE PRODUCTION WORK” AND WAS INTRIGUED BY HOW STORIES WERE BROUGHT TO LIFE HOW SHE COULD “GIVE THEM FORM AND SUBSTANCE ON A THEATRE STAGE”. HOLLAND BEGAN WORKING IN COSTUME CONSTRUCTION INITIALLY FOR PLAYGOERS AND, SOME YEARS LATER, WORKED AS A COSTUME DESIGNER FOR LETHBRIDGE MUSICAL THEATRE (LMT) FOR MANY PRODUCTIONS. “DESIGN WORK, ESPECIALLY PERIOD PIECES, OR SETTINGS” SAID HOLLAND IN 2010, “OFTEN REQUIRED A GREAT DEAL OF EXTENSIVE AND DETAILED RESEARCH AS PART OF PREPARATION FOR A PRODUCTION, SO AS TO BRING SOME ASPECTS OF AUTHENTICITY TO WHAT WAS BEING CREATED.” IN 1981, HOLLAND RECEIVED A “LEMMY AWARD” (LETHBRIDGE EMMY) FOR COSTUME WORK SHE DID FOR THE “THE KING AND I” AND IN RECOGNITION OF WORK SHE DID IN PREVIOUS PRODUCTIONS. HOLLAND HERSELF PARTICIPATED ON STAGE IN THE PLAYGOERS PRODUCTION OF “THE ODD COUPLE” FEMALE VERSION IN 1987. THE LAST PRODUCTION WORKED ON BY HOLLAND FOR PLAYGOERS WAS IN 2006’S “A BEDFULL OF FOREIGNERS”. IN 2008 SHE ASSISTED LMT WITH ITS PRODUCTION OF “ANNIE”. FOR HOLLAND, THERE IS A DEEP “CARE AND CONCERN FOR PRESERVATION AND CONSERVATION OF CLOTHING.” HAVING CARRIED OUT MUCH RESEARCH HERSELF, “IT SEEMED APPROPRIATE” SHE SAID, “TO PLACE (HER COLLECTION) WHERE [IT] COULD BE MADE AVAILABLE TO OTHERS, FOR REFERENCE OR FOR CONSTRUCTION METHODS THAT MIGHT BE USEFUL TO OTHERS IN CREATING REPRODUCTION.”
Catalogue Number
P19990053001
Acquisition Date
2000-12
Collection
Museum
Images
Less detail

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