Skip header and navigation

21 records – page 1 of 2.

Other Name
CARDIGAN
Date Range From
1959
Date Range To
1961
Material Type
Artifact
Materials
WOOL, FELT, WOOD
Catalogue Number
P20000011012
  2 images  
Material Type
Artifact
Other Name
CARDIGAN
Date Range From
1959
Date Range To
1961
Materials
WOOL, FELT, WOOD
No. Pieces
1
Length
57.0
Description
OFFWHITE KNIT WOOL CARDIGAN. NECKLINE AND DOWN FRONT OF SWEATER ARE DONE IN GREEN AND YELLOW, IN LOOSE STITCH. THERE ARE THREE WOOD BUTTONS TOWARDS BUTTON OF FRONT. THERE ARE TWO PATCH POCKETS SEWN NEAR WAIST WITH GREEN AND YELLOW STRIPES ACROSS TOP (SAME STITCH AS NECKLINE). CUFFS ARE RIBBED AND FITTED. THERE IS A "C" CUT OUT OF GREEN AND YELLOW FELT ATTACHED TO LEFT BREAST. A TAG INSIDE NECKLINE READS "100% PURE WOOL PRIDE OF THE WEST VANCOUVER, B.C.".
Subjects
CLOTHING-OUTERWEAR
Historical Association
EDUCATION
History
BELONGED TO DONOR WHO ATTENDED LCI IN GRADES 10 & 11. IN GRADE 12 SHE MOVED TO CALGARY AND ATTENDED ST. MARY'S SCHOOL AT THE SACRED HEART CONVENT. SHE THEN RETURNED TO LETHBRIDGE AND TOOK ONE MORE CLASS AT LCI AS A SUPER SENIOR.
Catalogue Number
P20000011012
Acquisition Date
2004-06
Collection
Museum
Images
Less detail
Date Range From
1940
Date Range To
1950
Material Type
Artifact
Materials
POLYESTER, PLASTIC, RIBBON
Catalogue Number
P19940021001
  2 images  
Material Type
Artifact
Date Range From
1940
Date Range To
1950
Materials
POLYESTER, PLASTIC, RIBBON
No. Pieces
1
Length
110.5
Width
60
Description
TEAL POLYESTER SEMI-FORMAL DRESS HAS V-SHAPE NECK WITH CAP SLEEVES. KNIFE PLEAT ON THE SHOULDER SEAM. DRESS IS FITTED AT THE WAIST AND HAS A BELT OF THE SAME MATERIAL THROUGH TWO STRING BELT LOOPS AND FASTENS WITH A RECTANGULAR PLASTIC BUCKLE AND HOLES. THE SKIRT FALLS TO AROUND THE KNEE AND IS FAIRLY FITTED WITH ONLY TWO KNIFE PLEATS ON EITHER SIDE OF THE WAIST. THE REVERSE IS THE SAME EXCEPT THERE ARE TWO DARTS ON THE BUTTOCKS AND IT HAS A SEAM DOWN THE CENTER OF THE SKIRT WHICH ENDS IN A KICK PLEAT. THERE IS A ZIPPER ALONG THE SIDE OF THE TORSO. THE WAIST AND ZIPPER ARE LINED WITH A GREEN RIBBON ON THE INSIDE, AND THE HEM A BLUE RIBBON. THE MATERIAL IS SHINY WITH GREEN, BLUE, AND PURPLE CHECK DESIGN DEPENDING ON THE LIGHT.
Subjects
CLOTHING-OUTERWEAR
Historical Association
EDUCATION
History
THIS DRESS WAS WORN UNDER THE DOCTORAL ROBES DUE TO THE COMPLEMENTS OF COLOURS OF THE DRESS AND SATIN, AND THE DONOR FELT IT FILLED THE NECK IN WELL. DONOR DR. ISABEL WILKINS WAS BORN IN CALGARY IN 1907 AND GRADUATED HIGH SCHOOL THERE. AFTER HIGH SCHOOL SHE ATTENDED CALGARY NORMAL SCHOOL TO BECOME A TEACHER. AFTER TWO YEARS SHE HAD SAVED ENOUGH MONEY TO GO TO UNIVERSITY IN EDMONTON. IN 1930 SHE GRADUATED AS B.A. GOLD MEDALLIST AND THEN BEGAN WORK AT THE LETHBRIDGE COLLEGIATE INSTITUTE WHERE SHE STAYED TEACHING AN ESTIMATED 7,000-10,000 STUDENTS UNTIL HER RETIREMENT IN 1971. SHE MARRIED DR. FRANK WILKINS, A PIONEER LETHBRIDGE OPTOMETRIST. IN 1942 SHE OBTAINED AN M.A. THROUGH SUMMER SESSIONS AT MCGILL AND THE UNIVERSITY OF ALBERTA. HER THESIS WAS "A COMPARISON OF SIR WALTER SCOTT AND PROSPER MERIMEE IN THE FIELD OF THE HISTORIC NOVEL." IN 1947 THROUGH THE UNIVERSITY OF LAVAL SHE COMPLETED HER PH.D. "MAGNA CUM LAUDE". THIS THESIS WAS "AN IN-DEPTH STUDY OF CANADA DURING THE DOZEN YEARS PRIOR TO THE END OF THE FRENCH REGIME, BASED ON A RECENTLY-DISCOVERED SERIES OF PRIVATE LETTERS WRITTEN AT THAT TIME, IN THE FORM OF A DIARY ('LA CORRESPONDANCE DE MADAME BEGON')." SHE DID POST-DOCTORAL WORK AT SORBONNE FROM 1964-1965. SEE ATTACHED PICTURE OF DONOR, AND ATTACHED DOCUMENTATION FOR FURTHER PERSONAL AND ARTIFACT HISTORY. ALSO SEE BRUCE HAIG'S "WHO'S WHO IN SOUTHERN ALBERTA 1988-1989." P.849.
Catalogue Number
P19940021001
Acquisition Date
1994-06
Collection
Museum
Images
Less detail
Other Name
DOCTORAL ROBES
Material Type
Artifact
Materials
SILK, SATIN
Catalogue Number
P19940021004
  2 images  
Material Type
Artifact
Other Name
DOCTORAL ROBES
Date
1953
Materials
SILK, SATIN
No. Pieces
1
Length
151.5
Width
156
Description
BLACK SILK DOCTORAL ROBE IS OPEN DOWN THE CENTER. A WIDE SEAM RUNS THE LENGTH OF THE ROBE AND THE REST OF THE MATERIAL IN THE FRONT GETS WIDER TOWARDS THE FLOOR. THE SLEEVE IS VERY WIDE AND TIGHTLY GATHERED ON THE BACK OF THE SHOULDER. THE SLEEVE FALLS TO ABOUT THE WRIST ON THE TOP OF THE ARM, AND PAST THE KNEES ON THE UNDERSIDE. IS LINED WITH PALE BLUE SATIN WHICH IS TURNED UP TO FORM A CUFF ON THE SHORTEST PART OF THE SLEEVE. THE FOLDED CORNER IS DIVIDED IN TO FOUR SECTIONS. THE MIDDLE TWO ARE FOLDED UP A CUMBERBUND, AND THE OUTER TWO ARE PLEATED. THERE ARE THREE VERTICAL STRIPS OF MATERIAL THAT HAVE SATIN BUTTONS ON THE TOP. ON THE TOP OF THE ROBE IS A METAL HOOK AND EYE, AND ON THE OUTSIDE OF THIS, ARE TWO BLACK SILK BUTTONS THAT HAVE PALE BLUE SATIN LANYARDS. THEY ARE TWISTED, AND THEN HAVE LARGE TASSELS AT THE END THAT HAVE BRAIDED SUPPORT WOUND AROUND THE TOP, AND CRIMPED STRANDS OF SATIN HANGING BELOW. THE BACK OF THE ROBE HAS A ROUND NECK WHICH HAS A FLAT SIMPLE YOKE, UNDERNEATH THIS THE SEAM IS TIGHTLY GATHERED, AND THE ROBE FALLS TO THE FLOOR. THE HOOD BEGINS AT THE FRONT OF THE SHOULDER, AND FALLS OVER THE SHOULDERS TO THE BACK OF THE LEGS. THE HOOD IS LINED WITH BLUE SATIN AND HAS TWO SECTIONS OF FOLDS, AND OVER THE SHOULDERS IT FALLS IN PLEATS. THE HOOD IS TRIMMED WITH A FAKE CREAM COLOURED FUR THAT HAS SECTIONS OF YELLOW AND BROWN FUR. THE OUTSIDE OF THE HOOD IS BLACK SILK. THE INSIDE OF THE ROBE HAS TWO TIES THAT FALL FROM THE NECK DOWN TO THE LEGS. INSIDE THE BACK IS EMBROIDERED IN YELLOW "MME DR. ISABEL LANDELS WILKINS" ON A BLACK SILK TAG WHICH IS STITCHED ON IN WHITE CHEVRON STITCHING. BELOW ANOTHER TAG IN SILVER STITCHING READS "COMPAGNIE PAQUET LIMITEE QUEBEC". SOME THREADS ARE LOOSE. THERE ARE SOME STAINS ON THE SATIN AND MINOR RUNS IN THE SILK.
Subjects
CLOTHING-OUTERWEAR
Historical Association
EDUCATION
History
ROBE WAS HANDMADE BY NUNS AT THE SEMINARY IN QUEBEC CITY. THE ROBE IS IN THE FRENCH TRADITION WITH THE LONG HOOD HANGING DOWN THE BACK AND TRIMMED WITH ARTIFICIAL FUR. THE USUAL ONES CONFERRED BY CANADIAN UNIVERSITIES HAVE MUCH SHORTER HOODS AT SHOULDER LENGTH. THIS ROBE IS FROM THE UNIVERSITY OF LAVAL, AND PRODUCTION BEGAN WHEN DONOR DR. ISABEL WILKINS WENT TO FRANCE IN 1953. SHE STOPPED IN QUEBEC CITY TO VISIT WITH FRIENDS AND HAVE HER MEASUREMENTS TAKEN ON THE WAY THERE, AND THREE MONTHS LATER ON HER WAY HOME SHE STOPPED AND PICKED UP THE ROBES, HER HUSBAND PAID FOR THEM FOR HER. FOR A PERSONAL HISTORY OF THE DONOR, SEE P19940021001-GA. SEE ATTACHED PHOTO OF DONOR WEARING DOCTORAL ROBES.
Catalogue Number
P19940021004
Acquisition Date
1994-06
Collection
Museum
Images
Less detail
Other Name
CARDIGAN
Date Range From
1959
Date Range To
1960
Material Type
Artifact
Materials
WOOL
Catalogue Number
P20000011013
  2 images  
Material Type
Artifact
Other Name
CARDIGAN
Date Range From
1959
Date Range To
1960
Materials
WOOL
No. Pieces
1
Length
59.0
Description
OFFWHITE KNIT WOOL SWEATER. HAS A ZIPPER DOWN THE FRONT. HAS 2 WELT POCKETS NEAR WAIST, WITH WIDE BLUE KNITTED WELT. POCKETS THEMSELVES ARE MADE OF WHITE COTTON. WAISTLINE OF SWEATER IS RIBBED AND HAS TWO HORIZONTAL STRIPES - ONE YELLOW, ONE BLUE. CUFFS ARE ALSO RIBBED WITH A YELLOW AND BLUE STRIPE. NECKLINE AND DOWN FRONT OF SWEATER ARE FORMED WITH A DIFFERENT STITCH THAN REST OF SWEATER. INSIDE NECKLINE IS A TAG THAT READS "CLOVERDALE KNITTING MILLS EDMONTON-ALBERTA WOOL - 10% NYLON".
Subjects
CLOTHING-OUTERWEAR
Historical Association
EDUCATION
ASSOCIATIONS
History
SIGMA OMEGA XI (SOX) SORORITY SWEATER WORN BY DONOR IN GRADES 10 & 11 WHILE ATTENDING LCI. THE SORORITY WAS MORMON BASED. EVEN THOUGH DONOR WAS NOT MORMON (OR RELIGIOUS SHE SAYS), MANY OF HER FRIENDS WERE. IN GRADE 12 SHE MOVED TO CALGARY TO ATTEND ST. MARY'S SCHOOL AT THE SACRED HEART CONVENT (EVEN THOUGH SHE WAS NOT ROMAN CATHOLIC EITHER). DONOR SAYS ALTHOUGH SHE IS NOT RELIGIOUS, SHE ENJOYS RELIGION AND LEARNING FROM IT. SHE THEN RETURNED TO LETHBRIDGE AND TOOK ONE MORE CLASS AT LCI AS A SUPER SENIOR.
Catalogue Number
P20000011013
Acquisition Date
2004-06
Collection
Museum
Images
Less detail
Other Name
TEMPLE BOARD MEMBER UNIFORM
Material Type
Artifact
Materials
COTTON, SILK, SYNTHETIC MATERIAL
Catalogue Number
P20010099020
  2 images  
Material Type
Artifact
Other Name
TEMPLE BOARD MEMBER UNIFORM
Date
1998
Materials
COTTON, SILK, SYNTHETIC MATERIAL
No. Pieces
3
Description
A PURPLE UNIFORM WITH A RED SASH AND LIGHT GREY UNDERCOAT. 1- 203.5 X 14.5. RED SASH HAS YELLOW CHINESE CHARACTERS WHICH EXTEND DOWN THE ENTIRE LENGTH OF THE SASH. THE FRONT OF THE SASH IS COMPLETELY RED WITH THE CHARACTERS AND A YELLOW BORDER BEING THE EXCEPTIONS. THE BACK OF THE SASH IS COMPLETELY YELLOW WITH RED STITCHING ALONG THE EDGES. AT EITHER END, THERE ARE GOLD / YELLOW TASSELS. 2- 87.1 X 61.7 CM PURPLE OVERCOAT WITH IDENTICAL DESIGNS, DARKER THAN THE SURROUNDING FABRIC APPROXIMATELY 9.5 CM IN DIAMETER SPREAD EVENLY OVER IT. WIDE SLEEVES. HAS STAND UP COLLAR; JACKET HAS VENTS AT THE SIDE AND ONE IN BACK. HAS FROG CLOSURE, FORMED OUT OF SAME MATERIAL AS JACKET DOWN FRONT. 3- 178.5 X 39.5. GREY GOWN TO BE WORN UNDER THE OVERCOAT. HAS A NARROW, STAND UP COLLAR. ENTIRE FRONT OF GOWN IS OPEN. LEFT SIDE HAS A LARGE FLAP THAT OVERLAPS RIGHT FRONT AND COAT DOES UP AT THE SIDE WITH 5 FROG CLOSURES MADE FROM SAME MATERIAL AS GOWN. THERE IS ALSO A FROG CLOSURE AT NECK AND NEAR RIGHT SHOULDER. GOWN HAS LARGE VENTS ON SIDES FROM HEMLINE TO ABOUT KNEE HEIGHT. GOWN HAS VERY LONG SLEEVES.
Subjects
CLOTHING-OUTERWEAR
Historical Association
RELIGION
POLITICS
History
THIS UNIFORM WAS SPECIFICALLY MADE FOR MAYOR CARPENTER (1986-2001) DURING HIS SECOND TRIP TO TAIWAN IN 1998 TO CELEBRATE THE 377TH ANNIVERSARY OF THE RETURN OF THE GODDESS OF THE SEA, MATSU. DURING THIS TRIP MAYOR CARPENTER WAS GIVEN THE HONORARY POSITION OF TEMPLE BOARD MEMBER, AND BECAUSE OF THIS POSITION WAS GRANTED THE HONOR OF LEADING THE CEREMONIAL PARADE, AS WELL AS THAT OF MOVING THE MATSU STATUE FROM THE TEMPLE TO THE PARADE VEHICLE. THIS HONOR WAS PREVIOUSLY ONLY GIVEN TO THE PRIME MINISTER OF GREAT BRITAIN, THE PRESIDENT OF TAIWAN, AND THE VICE PRESIDENT OF THE UNITED STATES. *UPDATE* IN 2017 COLLECTIONS ASSISTANT RUTHANN LABLANCE CONDUCTED A SURVEY OF CLOTHING, INCLUDING A UNIFORM DONATED BY DAVID CARPENTER. THE FOLLOWING BIOGRAPHICAL INFORMATION WAS COMPILED USING ARTICLES FROM THE LETHBRIDGE HERALD. AN ARTICLE FROM OCTOBER 25, 1977 PROVIDES SOME BACKGROUND INFORMATION ABOUT DAVID CARPENTER: “AFTER GRADUATING FROM LETHBRIDGE COLLEGIATE INSTITUTE, HE WENT STRAIGHT INTO ACCOUNTING, ARTICLING WITH A LOCAL FIRM. TAKING NIGHT CLASSES AND ATTENDING SUMMER SCHOOL IN CALGARY AND EDMONTON, CARPENTER GRADUATED AS A CHARTERED ACCOUNTANT AT 22. SIX MONTHS LATER AT 23 HE STARTED HIS OWN FIRM AND NOW HAS THREE PARTNERS.” AN ARTICLE PUBLISHED ON JANUARY 22, 1998 GIVES A FEW DETAILS ABOUT DAVID’S TRIP TO TAIWAN: “THE PARADE IS PART OF THE CEREMONIES MARKING THE ARRIVAL OF MATSU, GODDESS OF THE SEA.” HE VISITED TAIWAN FROM FEBRUARY 6-14, 1998. SEE PERMANENT FILE FOR COPIES OF THE ARTICLES FROM THE LETHBRIDGE HERALD. *UPDATE* IN 2018, COLLECTIONS ASSISTANT ELISE PUNDYK CONDUCTED A SURVEY OF BOXED TEXTILE ARTIFACTS AND ACCESSORIES, INCLUDING AN ALTER CLOTH AND A SASH DONATED BY DAVID CARPENTER. ON 8 MARCH 2018, PUNDYK INTERVIEWED CARPENTER REGARDING HIS DONATION OF 22 ARITFACTS RELATED TO HIS TRIPS TO TAIWAN AS THE MAYOR OF LETHBRIDGE. THE CITY OF LETHBRIDGE EMPLOYEE, WEI QUO, WHO ACTED AS TRANSLATOR DURING THESE TRIPS WAS ALSO A PART OF THE 8 MAY 2018 INTERVIEW. PLEASE SEE PERMANENT FILE FOR THE FULL INTERVIEW.
Catalogue Number
P20010099020
Acquisition Date
2002-03
Collection
Museum
Images
Less detail
Other Name
FLIGHT SUIT, “COMBAT FLYERS… SEPTEMBER 1992”
Material Type
Artifact
Materials
COTTON, METAL, PLASTIC
Catalogue Number
P20140043006
  1 image  
Material Type
Artifact
Other Name
FLIGHT SUIT, “COMBAT FLYERS… SEPTEMBER 1992”
Date
1992
Materials
COTTON, METAL, PLASTIC
No. Pieces
1
Length
146
Width
52
Description
BLUE COTTON COVERALLS WITH FRONT ZIPPER CLOSURE. ZIPPERED POCKETS AT CHEST, LEFT ARM, LEFT THIGH, AND BOTH CALVES. ANKLES HAVE ZIPPERED OPENINGS TO FACILITATE FOLDING UP OF THE PANT LEGS TO ATTACH TO BLACK PLASTIC CLIPS AT BOTH KNEES. VELCO CINCHING TABS AT WAIST. PRINTED LABEL INSIDE RIGHT CHEST READS “PGL CA 16276 - COVERALLS, COMBAT FLYERS BLUE – SALOPETLES D’AVIATEUR, BLEUES – 8415-21-907-9801 – 6742 – SEPTEMBER 1992”. OVERALL VERY GOOD CONDITION.
Subjects
CLOTHING-OUTERWEAR
Historical Association
POLITICS
MILITARY
History
THIS FLIGHT SUIT WAS DONATED AS PART OF THE PERSONAL EFFECTS COLLECTED BY SENATOR JOYCE FAIRBAIRN (PC, CM) OVER HER NEARLY THREE DECADES AS A LIBERAL SENATOR FOR THE PROVINCE OF ALBERTA. ON SEPTEMBER 21, 2015 COLLECTIONS ASSISTANT JANE EDMUNDSON INTERVIEWED FAIRBAIRN'S FORMER ASSISTANT, GLENN MILLER, ABOUT THE SUIT AND THE SENATOR'S INVOLVEMENT WITH THE LETHBRIDGE AIR SHOW. MILLER SAID: "THE FLIGHT SUIT CAME FROM THE AIR FORCE... SHE WORE IT DURING HER ROLE AS THE HONORARY AIR MARSHAL AT THE LETHBRIDGE AIR SHOW... FOR APPROXIMATELY 15 YEARS... [AS AIR MARSHAL] SHE BROUGHT GREETINGS FROM THE SENATE OF CANADA, AND SHE WAS ALSO INVOLVED IN VISITING WITH ALL THE PERFORMERS, AND WELCOMING THEM TO THE CITY OF LETHBRIDGE... SHE WOULD DO WHATEVER SHE COULD TO ASSIST THE AIR SHOW COMMITTEE IN ACHIEVING A SUCCESSFUL AIR SHOW... ONE PARTICULAR YEAR, THERE WAS VERY LITTLE CANADIAN CONTENT SCHEDULED TO BE THERE, AND SHE HAD MANAGED TO TRACK DOWN THE MINISTER OF DEFENSE OVERSEAS, AND WITHIN 24 HOURS THERE WAS A HERCULES, REPRESENTING CANADA, AT THE AIR SHOW... SHE WAS ABLE TO INFLUENCE HAVING AN AIRCRAFT AT THE AIR SHOW WHEN JUST DAYS BEFORE THEY WERE TOLD DEFINITIVELY THAT NO, THERE'D BE NONE... SHE WORE [THE SUIT] WITH GREAT PRIDE, EVERY YEAR." THE FOLLOWING BIOGRAPHY OF FAIRBAIRN WAS DEVELOPED BY GALT ARCHIVES INTERN KARISSA PATTON FOR THE 2013 EXHIBIT ‘GALT BABY TO SENATOR’: JOYCE FAIRBAIRN WAS BORN AT THE GALT HOSPITAL ON NOVEMBER 6, 1939. SHE GREW UP IN LETHBRIDGE WHERE SHE GOT HER FIRST EXPERIENCE AS A JOURNALIST AT THE LETHBRIDGE HERALD WHILE SHE WAS STILL IN HIGH SCHOOL. FAIRBAIRN EARNED A BACHELOR’S DEGREE IN ENGLISH FROM THE UNIVERSITY OF ALBERTA IN 1960. FAIRBAIRN THEN LEFT LETHBRIDGE TO ATTEND CARLETON UNIVERSITY IN OTTAWA, ONTARIO WHERE SHE EARNED A BACHELOR OF JOURNALISM IN 1961. AFTER GRADUATION, FAIRBAIRN BEGAN WORKING FOR THE HERALD’S OTTAWA BUREAU, THE OTTAWA JOURNAL, AND UNITED PRESS INTERNATIONAL IN THE PARLIAMENTARY PRESS GALLERY. FAIRBAIRN WAS KNOWN AS ONE OF THE FIRST “FEMALE NEWSMEN.” SHE WORKED AS A JOURNALIST IN OTTAWA FROM 1961-1970 AND WAS THE FIRST JOURNALIST TO REPORT ON THE NEW CANADIAN FLAG SELECTION AS WELL AS COVERED JACKIE KENNEDY AND PRESIDENT KENNEDY’S VISIT TO OTTAWA IN 1961. THE LETHBRIDGE HERALD PROUDLY CONTINUED TO PUBLISH HER WORK FROM 1965-1969. IN 1970 FAIRBAIRN BECAME THE LEGISLATIVE ASSISTANT AND, LATER, THE COMMUNICATIONS COORDINATOR FOR PRIME MINISTER PIERRE TRUDEAU. FAIRBAIRN WORKED WITH TRUDEAU UNTIL 1984 WHEN SHE WAS APPOINTED TO THE SENATE. SENATOR FAIRBAIRN QUICKLY BECAME KNOWN FOR ATTENDING SOUTHERN ALBERTAN MILESTONES, OPENINGS, CELEBRATIONS, AND EVEN THE OCCASIONAL CAKE DECORATING CONTEST. SENATOR FAIRBAIRN BECAME WELL KNOWN THROUGHOUT SOUTHERN ALBERTA BECAUSE, AS ONE CONSTITUENT COMMENTED, “SHE CARED ENOUGH TO COME”. SENATOR FAIRBAIRN ALSO BECAME INVOLVED WITH MANY ORGANIZATIONS AND CAUSES SUCH AS, THE PARALYMPICS, THE CALGARY STAMPEDE, BOOKS FOR BABIES, AND THE ALBERTA BIRDS OF PREY CENTRE. FAIRBAIRN WAS PRESENT FOR CELEBRATIONS IN SOUTHERN ALBERTA SUCH AS, LETHBRIDGE’S CENTENNIAL CELEBRATION, WHOOP UP DAYS, AND MANY UNIVERSITY OF LETHBRIDGE CONVOCATIONS. SENATOR FAIRBAIRN WAS ALSO AN ACTIVE MEMBER OF THE LETHBRIDGE THERAPEUTIC RIDING ASSOCIATION WHERE SHE ADOPTED A HORSE NAMED “DOOLEY”. IN 2008 THE LETHBRIDGE THERAPEUTIC RIDING ASSOCIATION HONOURED SENATOR FAIRBAIRN WITH A LIFETIME MEMBERSHIP. SENATOR FAIRBAIRN’S DEVOTION TO CANADA AND THE SOUTHERN ALBERTAN COMMUNITY WAS ALSO RECOGNIZED BY MANY OTHER ORGANIZATIONS. IN 1990 SHE WAS INAUGURATED INTO THE KAINAI CHIEFTAINSHIP, WHERE SHE RECEIVED THE NAME CHIEF MORNING BIRD WOMAN. FAIRBAIRN WAS ALSO MADE AN HONOURARY LIEUTENANT-COLONEL OF THE 18TH AIR DEFENSE REGIMENT, RCA. SHE WAS ALSO MADE A HONOURARY AIR MARSHAL AND FREQUENTLY ATTENDED THE INTERNATIONAL AIR SHOW AT LETHBRIDGE, ALBERTA. IN ADDITION, SHE WAS AWARDED WITH A HONOURARY DOCTORATE OF LAWS BY THE UNIVERSITY OF LETHBRIDGE IN 2004. WHILE FAIRBAIRN WAS KNOWN FOR BEING PRESENT IN THE SOUTHERN ALBERTAN COMMUNITY SHE WAS ALSO KNOWN FOR HER MANY ACCOMPLISHMENTS IN PARLIAMENT. HER CAREER AS SENATOR BEGAN AS THE VICE-CHAIR OF THE NATIONAL LIBERAL CAUCUS AND THE WESTERN AND NORTHERN LIBERAL CAUCUS UNTIL 1991 WHEN SHE WAS APPOINTED CO-CHAIR OF THE NATIONAL CAMPAIGN COMMITTEE. BY 1993 SENATOR FAIRBAIRN WAS APPOINTED TO PRIVY COUNCIL AS THE FIRST WOMAN TO HOLD THE POSITION OF LEADER OF GOVERNMENT. SHE ALSO BECAME THE FIRST MINISTER WITH SPECIAL RESPONSIBILITY FOR LITERACY. IN 1997 SHE WAS APPOINTED THE SPECIAL ADVISOR ON LITERACY TO THE MINISTER OF HUMAN RESOURCES DEVELOPMENT CANADA. IN ADDITION, SENATOR FAIRBAIRN WAS THE DRIVING FORCE BEHIND MAKING THE FAMOUS FIVE HONOURARY SENATORS AND ERECTING A HONOURARY STATUE CELEBRATING THE FAMOUS FIVE ON PARLIAMENT HILL. SENATOR JOYCE FAIRBAIRN RETIRED FROM THE SENATE ON JANUARY 18, 2013. SEE PERMANENT FILE FOR FURTHER INFORMATION.
Catalogue Number
P20140043006
Acquisition Date
2014-10
Collection
Museum
Images
Less detail
Other Name
LCI RAMS VARSITY FOOTBALL JACKET
Material Type
Artifact
Materials
WOOL, LEATHER, STEEL
Catalogue Number
P20080001000
  2 images  
Material Type
Artifact
Other Name
LCI RAMS VARSITY FOOTBALL JACKET
Date
1960
Materials
WOOL, LEATHER, STEEL
No. Pieces
1
Length
80
Width
68
Description
GREEN WOOL-BODIED “LCI RAMS” LETTERMAN FOOTBALL JACKET. GOLD KNIT FABRIC BANDS DISPLAYED ON UPPER SLEEVES AND CUFFS. SLASH FRONT POCKETS EDGED IN GOLD LEATHER. SIX YELLOW-PAINTED SNAP CLOSURES. DIAMOND PATTERN INTERIOR LINING. LEFT SLEEVE PATCHES EMBROIDERED “67”,”KENDALL”. LEFT SLEEVE CUFF DISPLAYS WEAR AND HOLES. WHITE RESIDUE ON RIGHT SLEEVE AT CUFF SEAM. HOLE ALONG REVERSE SEAM OF LEFT GOLD KNIT BAND. FADED AND WORN OVERALL. PAINT WORN OFF OF SOME SNAP CLOSURES.
Subjects
CLOTHING-OUTERWEAR
Historical Association
SPORTS
EDUCATION
History
LETHBRIDGE COLLEGIATE INSTITUTE LETTERMAN/ VARSITY RAMS’ FOOTBALL JACKET PURCHASED BY THE GALT MUSEUM VIA EBAY ON 7 JANUARY 2008 FOR $164.00 US. THE JACKET’S KENNEWICK, WASHINGTON STATE SELLER, MARTY (LAST NAME UNKNOWN), CLAIMED HIS FATHER PURCHASED THE JACKET SIX TO SEVEN YEARS PRIOR AT A KENNEWICK-BASED SAINT VINCENT DEPAUL STORE. ACCORDING TO THE SCHOOL’S YEARBOOK “SPOTLITE”, THE “KENDALL” NAMED JACKET WAS WORN IN 1961 BY KENDALL RUSSELL WHO, WENT ON TO BE THE SCHOOL’S STUDENT VICE PRESIDENT AND THE FOOTBALL TEAM’S CAPTAIN IN HIS GRADUATING YEAR. RUSSELL WAS LOCATED BY THE GALT IN KENNEWICK, WA, WHERE HE RESIDED AT THE TIME OF THE DONATION. HE CLAIMED THAT HE LOST TRACK OF THE JACKET, WORN ONLY IN GRADE 10, IN THE EARLY 60S AND WAS UNSURE, AT THE TIME OF HIS 2008 GALT INTERVIEW, AS TO HOW IT WAS/WHEN DISPOSED OF. FURTHER, HE HAD NO KNOWLEDGE HOW IT CAME TO BE LOCATED IN KENNEWICK WASHINGTON – THE SAME COMMUNITY HE RESIDED IN AT THE TIME OF THE EBAY SALE. IN AN INTERVIEW IN 2008, HE SAID, “I HAVE NO IDEA WHAT HAPPENED TO THIS JACKET. I HAVE NO IDEA HOW THIS EVER ENDED UP IN KENNEWICK, WASH.” ADDITIONALLY, HIS WIFE OF FORTY YEARS HAD NEVER LAID EYES ON THE JACKET UNTIL SHE VISITED THE GALT WITH HER HUSBAND IN 2008. INFORMATION BELOW DERIVED FROM GALT INTERVIEW WITH KENDALL RUSSELL ON 12 OCTOBER 2008. RUSSELL WAS BORN AT ST. MICHAEL’S HOSPITAL IN 1944. IN THE MID 50S, HE RECALLED DRIVING BY THE CIVIC CENTER FIELD WITH HIS PARENTS, SEEING THE RAM’S FOOTBALL TEAM PLAYING IN THE FIELD. HIS PARENTS NEVER ENCOURAGED HIM TO PLAY NOR WAS HE INFLUENCED BY AN OLDER BROTHER (12 YEARS HIS SENIOR) WHO PLAYED THE GAME WHILE HE WAS A CHILD. DESCRIBING HIMSELF AS ATHLETIC IN HIS YOUTH, RUSSELL FREQUENTED THE LOCAL YMCA “HEAVILY”, PARTICIPATING IN THE INSTITUTION’S SWIMMING AND GYMNASTICS PROGRAMS. IN ORDER TO PLAY FOOTBALL, HE HAD TO WAIT UNTIL HE ATTENDED LCI ON ACCOUNT THAT NO JUNIOR FOOTBALL PROGRAM OR ORGANIZED TOUCH/FLAG FOOTBALL OPPORTUNITIES EXISTED. WHEN THE OPPORTUNITY FINALLY AROSE, HIS PARTICIPATION WAS, “THE THING TO DO, AN ACCOMPLISHMENT…A RIGHT OF PASSAGE”. RUSSELL CLAIMED THAT A NUMBER OF EARLY ORGANIZED LCI SPORTS, INCLUDING FOOTBALL, WERE THE RESULT OF RAMS’ COACH JIM WHITELAW. IN RUSSELL’S OPINION, WHITELAW HAD AN EXTRAORDINARY VISION FOR THE TIME, SAYING, “HE WAS INTERESTED IN SPORTS BUT HE WAS REALLY INTERESTED IN THE PEOPLE WHO PLAYED. IT WAS A TEAM; IT WASN’T AN INDIVIDUAL EFFORT”. RUSSELL’S POSITION ON THE TEAM WAS DETERMINED BY COACH JIM WHITELAW. WHEN HE FIRST JOINED THE TEAM, RUSSELL PLAYED RIGHT END AND SPENT A LOT OF TIME ON THE BENCH. IN GRADE ELEVEN HE WAS SWITCHED TO RIGHT TACKLE ON OFFENCE OR TACKLE ON DEFENSE. IN SOME CASES, HE SPENT SIXTY MINUTES OF EVERY GAME ON THE FIELD. “IF YOU WERE LARGE IN STATURE (YOU PLAYED) GUARD/TACKLE/CENTER. IF YOU WERE FAST AND TALL (YOU PLAYED) THE RECEIVING/PASSING POSITIONS. (AND) THAT’S HOW I PLAYED TACKLE. THE LAST YEAR I ALSO PLAYED CORNER LINEBACKER. WHERE HE NEEDED ME, THAT’S WHERE I PLAYED.” MOTIVATION TO PLAY FOOTBALL CAME FROM HIS ENJOYMENT OF THE GAME AND FRIENDSHIPS WITH OTHER TEAM MEMBERS. COMMENTED RUSSELL, “I JUST LIVED FOR FRIDAY NIGHTS OR SATURDAY, IT WASN’T DRUDGERY, IT WASN’T A TASK, (IT WAS) JUST PURE FUN.” DURING RUSSELL’S ERA THERE WERE VERY FEW TEAMS TO PLAY AGAINST. THE RAMS, HE SAID, TRAVELED TO PLAY AGAINST TEAMS FROM MEDICINE HAT, CARDSTON (GAME WAS AN ANNUAL HALLOWEEN HORROR EVENT), CUT BANK, MN, AND PICTURE BUTTE. AFTER HIGH SCHOOL AT LCI, HE PLANNED TO ATTEND BRIGHAM YOUNG UNIVERSITY TO PLAY COLLEGE BALL ON A SCHOLARSHIP, HOWEVER, HIS PARENTS URGED HIM TO PURSUE STUDIES AT THE UNIVERSITY OF ALBERTA WHICH, ENDED HIS FOOTBALL PURSUITS. DURING THE INTERVIEW, HE PRODUCED JACKET LETTERS AND PHOTOS OF HIMSELF IN HIS FOOTBALL UNIFORM. ALL MATERIALS WERE FOR DONATION TO THE GALT. THE LCI JACKET LETTERS – THE MOST IMPORTANT PART OF ANY JACKET - WERE NEVER WORN HE SAID, COMMENTING, “IF YOU HAD THE JACKET, IT WAS FAIRLY APPARENT THAT YOU HAD EARNED THE LETTER”. BEING AWARDED A LETTER MEANT THAT YOU HAD CONTRIBUTED TO THE OVERALL EFFORT OF THE TEAM. THIS JACKET (DONATED) WAS RECEIVED, “AT THE END OF THE FOOTBALL SEASON IN GRADE TEN (1960), AND IT WOULD HAVE BEEN PUT ON THE DAY IT CAME”. HIS PARENTS WOULD HAVE PAID FOR THE JACKET AND IT WAS WORN BY RUSSELL EVERY DAY UNTIL, IN GRADE ELEVEN; HE RECEIVED A NEW, FULL LEATHER-SLEEVED RAMS’ JACKET THE LOOSE LETTERS (DONATED) WERE ACQUIRED IN GRADES ELEVEN AND TWELVE AND WERE ASSOCIATED WITH HIS FULL LEATHER SLEEVED JACKET – ALBEIT NEVER DID SEW THEM ON. TO RECEIVE THE LETTERS, HE SAID, “YOU HAD TO DISPLAY A LEVEL OF COMPETENCE (AND) … HAD TO PLAY SO MUCH TIME ON THE FIELD.” THE LCI COACH DECIDED IF THE LETTER WAS TO BE AWARDED AND, IF GRANTED, IT WAS HANDED OUT BY HIM AT THE ANNUAL AWARDS ASSEMBLY. ONLY IN GRADE TEN, HE SAID, COULD YOU HAVE THE JACKET BUT NOT THE LETTER. IN GRADE ELEVEN YOU HAD TO GET THE LETTER TO GET THE JACKET. THE LOOSE LETTERS (P20080032001-2) WERE NEVER SEWN ON RUSSELL’S GRADE ELEVEN JACKET BECAUSE HE “VALUED THEM BEYOND THE VALUE OF THE JACKET”. THE LITTLE STAR REPRESENTS CAPTAIN AND THE TWO BARS MEANT HE HAD TWO LETTERS. “WHEN PEOPLE LOOK AT YOU, CAPTAIN OF THE FOOTBALL TEAM/TWO LETTERS, FOR WHATEVER THAT’S WORTH, IT’S IMPORTANT TO SOME PEOPLE”, HE SAID. FOR FULL INTERVIEW AND OTHER INFORMATION, PLEASE SEE PERMANENT FILE.
Catalogue Number
P20080001000
Acquisition Date
2008-01
Collection
Museum
Images
Less detail
Other Name
"GSN" CREST
Date Range From
1956
Date Range To
1959
Material Type
Artifact
Materials
WOOL, MOTHER OF PEARL, ACRYLIC
Catalogue Number
P20090026000
  2 images  
Material Type
Artifact
Other Name
"GSN" CREST
Date Range From
1956
Date Range To
1959
Materials
WOOL, MOTHER OF PEARL, ACRYLIC
No. Pieces
1
Length
72.6
Width
65.1
Description
BLAZER, WOOL, DARK GREEN. TWO ROWS OF TWO MOTHER OF PEARL BUTTONS EACH. TWO PATCH POCKETS AT WAIST. BREAST POCKET HAS SHIELD SHAPED PATCH WITH NAVY BACKGROUND, GREEN BORDER AND “GSN” EMBROIDERED IN YELLOW.
Subjects
CLOTHING-OUTERWEAR
Historical Association
EDUCATION
HEALTH SERVICES
History
ACCORDING TO DONOR FERN HICKEN (NEE DAHL), AT THE TIME OF THE DONATION, SHE ACQUIRED THE BLAZER AS A STUDENT IN THE "GALT SCHOOL OF NURSING," (GSN). ACCORDING TO HICKEN, "BLAZERS WERE AVAILABLE FOR PURCHASE BY THE INDIVIDUAL STUDENTS... I DON'T REMEMBER THE PRICE... MY BLAZER... [WAS] WORN QUITE FREQUENTLY DURING TRAINING DAYS... FOR STUDENT NURSING EVENTS- ESPECIALLY GLEE CLUB." HICKEN DECIDED TO BECOME A NURSE BECAUSE SHE HAD FAMILY IN THE MEDICAL PROFESSIONS WHO ENCOURAGED HER TO ATTEND THE GSN. IN ADDITION, SHE HAD FRIENDS ENROLLED IN THE PROGRAM, ENJOYED WORKING WITH PEOPLE AND LIVED NEAR THE RESIDENCE AND HOSPITAL. SHE ATTENDED THE GSN FROM 1956-1959. THROUGHOUT HER TIME THERE, SHE RECALLS "SO MANY MEMORIES - SUNBATHING ON THE ROOF OF THE RESIDENCE;... DANCES AT HENDERSON LAKE PAVILLION; CARING FOR PATIENTS; THE 1957 FLU EPIDEMIC - WE WERE CONFINED TO OUR RESIDENCE ROOMS (SUPPOSEDLY); THE GALT TENDUTTS BASKETBALL TEAM WINNING THE CITY CHAMPIONSHIP," AND OTHER GOOD TIMES. FOLLOWING GRADUATION IN OCTOBER OF 1959, SHE WORKED IN A RURAL HOSPITAL UNTIL 1960, WHEN SHE WAS MARRIED. SHE THEN WORKED IN EDMONTON AT THE UNIVERSITY HOSPITAL IN PEDIATRIC SURGERY. SHE WORKED CASUALLY DURING HER CHILD BEARING YEARS. "IN 1979 I WAS HIRED AS A COMMUNITY HEALTH NURSE, WHICH NORMALLY REQUIRED ONE TO HAVE A BACHELOR'S DEGREE IN NURSING, SO I EMBARKED ON A COURSE OF STUDY AT THE UNIVERSITY OF LETHBRIDGE, WHICH ENABLED ME TO OBTAIN A BACHELOR OF NURSING IN FIVE YEARS BY ATTENDING NIGHT CLASSES AND SUMMER SCHOOL WHILE CONTINUING TO WORK FULL TIME. I CONTINUED IN THIS OCCUPATION UNTIL I RETIRED IN 1993." FOR MORE INFORMATION SEE PERMANENT FILE. THIS DONATION WAS PART OF A COMPOSITE UNIFORM DONATION FROM THE "GALT SCHOOL OF NURSING" CLASS OF 1959 AND 1961. IT INCLUDES A COMPLETE GRADUATION DRESS AND OTHER ACCESSORIES RELATED TO THE GSN. SEE ALSO P20090023001-15, P20090024000, AND P20090025000. FOR MORE INFORMATION ON THE CLASS OF 1959 SEE ARCHIVES 19705886000, 19752303429, 19941046008, AND 20001076001.
Catalogue Number
P20090026000
Acquisition Date
2009-06
Collection
Museum
Images
Less detail
Other Name
NURSE'S, GALT HOSPITAL
Date Range From
1951
Date Range To
1953
Material Type
Artifact
Materials
WOOL, LINEN, PLASTIC
Catalogue Number
P20080024000
  2 images  
Material Type
Artifact
Other Name
NURSE'S, GALT HOSPITAL
Date Range From
1951
Date Range To
1953
Materials
WOOL, LINEN, PLASTIC
No. Pieces
4
Length
95.5
Width
111.0
Description
CAPE WITH TWO CLOSURES ON OUTSIDE OF CAPE, ONE ON INSIDE - 4 PIECES. NURSE’S CAPE, WOOL, NAVY BLUE. OUTSIDE IS PILLING. FOUR BUTTONS IN FRONT. SHIELD SHAPED PATCH ON PROPER LEFT SIDE WITH GREEN EMBROIDERED BORDER, NAVY BACKGROUND AND “GH” MARKED IN GOLD. COLLAR STANDS UP WITH A GAP IN THE MIDDLE. INSIDE OF CAPE IS RED, LABEL ON PROPER RIGHT MARKED “…BLAND…”, POCKET ON PROPER RIGHT HAND STITCHED “FUDGE.” CAPE FASTENED BY SET OF THREE CLOSURES, WOOL, NAVY BLUE, STUFFED, TWO BUTTON HOLES ON EACH END, ENDS OF BAND ARE POINTED. CLOSURES MEASURE 13.9 CM LONG BY 4.0 CM WIDE BY 0.9 CM DEEP.
Subjects
CLOTHING-OUTERWEAR
Historical Association
EDUCATION
HEALTH SERVICES
History
KEVIN MACLEAN, COLLECTIONS TECHNICIAN, CONDUCTED AN INTERVIEW WITH DONOR AKIKO KAMITAKAHARA (ANNIE/ANNE FUJIMAGARI OR "FUDGE") VIA TELEPHONE ON APRIL 23, 2010. ACCORDING TO AKIKO, SHE GOT THE CAPE IN HER SECOND OR THIRD YEAR. SHE SAID "I REMEMBER WEARING IT ON A GALT FLOAT IN THE MAY DAY PARADE... IT BECAME PART OF OUR UNIFORM WHENEVER WE ATTENDED FORMAL EVENTS." ADDITIONALLY, SHE WORE IT BETWEEN THE NURSE'S RESIDENCE AND THE HOSPITAL FACILITY ON COLD NIGHTS AS "A COAT," BUT IT WAS NEVER PART OF HER DAILY UNIFORM. WEARING THE CAPE, SHE "FELT LIKE A NURSE INSTEAD OF A 'PROBIE' OR A STUDENT." IT WAS "WORN WITH GREAT, GREAT PRIDE." FOLLOWING HER GRADUATION IT WAS STORED AWAY. LITTLE ELSE FROM HER STUDENT YEARS SURVIVED. KAMITAKAHARA ORIGINALLY WANTED TO BE A MUSICIAN OR A DANCER BUT THERE WERE NOT MANY OPPORTUNITIES FOR WOMEN OF THAT OCCUPATION. SHE WENT INTO THE "GALT SCHOOL OF NURSING" (GSN) BECAUSE "IT WAS AFFORDABLE... I LOVE CARE GIVING AND ELDERLY PEOPLE." COMING FROM A "CULTURAL BACKGROUND... WE TOOK CARE OF OUR ELDERLY AND MY INTEREST IN NURSING WAS AN EXTENSION OF THAT." KAMITAKAHARA RECALLED THAT THE FIRST JAPANESE CANADIAN (JC) STUDENT TO ENTER THE GSN WAS AIMEE SASAKI WHO GRADUATED IN 1951. SHE CREDITS SASAKI'S ADMISSION INTO THE PROGRAM TO THE LEADERSHIP OF CLAUDIA TENNANT, DIRECTOR OF NURSING (1949-1969), WHO, ACCORDING TO KAMITAKAHARA, WAS HER MENTOR. "SHE (TENNANT) LOOKED AT YOU AS A PERSON AND NOT THE COLOUR OF YOUR SKIN." AIMEE APPLIED AND WAS INTERVIEWED AND CLAUDIA, IN HER ASSESSMENT OF AIMEE, FELT THAT SHE WAS A GOOD FIT. "NOT EVEREYONE COULD GET PAST THAT PREJUDICE." SHE SAID. SASAKI WOULD GRADUATE AS THE VALEDICTORIAN OF HER CLASS. HER ADMISSION TO THE GSN OPENED THE DOOR FOR OTHER JAPANESE STUDENTS TO ENTER THE PROGRAM. WHILE SASAKI WAS THE FIRST JC TO BE ADMITTED TO THE GSN, THE MEDICINE HAT GENERAL HOSPITAL'S SCHOOL OF NURSING WAS THE FIRST SCHOOL TO ACCEPT JC'S. MAY SHIMBASHI (GRADUATED IN 1949) AND HELEN IKEBUCHI (GRAD DATE UNKNOWN) FOUND WORK AT THE GALT HOSPITAL IMMEDIATELY AFTER THEY SUCCESSFULLY COMPLETED THEIR NURSING SCHOOL. HAVING GRADUATED IN 1953, KAMITAKAHARA FOUND EMPLOYMENT AT THE "CAMPBELL MEDICAL CLINIC." SEE PERMANENT FILE FOR MORE INFORMATION. SEE ARCHIVES FOR MORE INFORMATION ON THE CLASS OF 1953 - 198000150000, 19841033000, 19941046008, 19981035083, 20001076001, 20011056001, AND 20011056002.
Catalogue Number
P20080024000
Acquisition Date
2008-10
Collection
Museum
Images
Less detail
Other Name
GOWN
Date Range From
1930
Date Range To
1940
Material Type
Artifact
Materials
LACE, SILK, STEEL
Catalogue Number
P19940043002
  2 images  
Material Type
Artifact
Other Name
GOWN
Date Range From
1930
Date Range To
1940
Materials
LACE, SILK, STEEL
No. Pieces
2
Description
1. DRESS: 142CM (L) X 183CM (W). BLACK LACE DRESS HAS V-NECK AND IS SLEEVELESS. YOKE HAS BLACK SWIRL PATTERNED LACE TOP WHICH CROSSES IN MIDDLE AND IS SEWN IN PLACE AT YOKE SEAM AND TOP LINE. BELOW IS A CREAM SILK SLIP THAT FOLLOWS THE LINES OF THE DRESS, AND BECOMES BLACK WHERE THE "V" OF THE LACE IS. THE SLIP IS ATTACHED TO THE LACE TOP AT THE YOKE SEAM. ON LEFT OF DRESS THE SLIP IS OPEN FROM THE TOP TO SLIGHTLY BELOW THE YOKE SEAM. THIS FASTENS WITH THREE SNAPS AT THE TOP AND BOTTOM, AND FIVE HOOK AND EYES IN BETWEEN. A SMALLER SLIT OCCURS IN THE LACE ABOVE THE SLIP'S OPENING WHICH FASTENS WITH SIX SNAPS. THE LACE AND SLIP FALL WITH A TINY FLARE TO ABOUT MID-CALF AND END IN A SCALLOPED AND ZIG-ZAG PATTERN WHICH IS CONNECTED TO A LARGELY FLARED VELVET SKIRT BOTTOM. BACK IS IDENTICAL EXCEPT THE CREAM SILK TOP OF THE SLIP AND NECKLINE ARE LOWER. LACE IS TORN IN NUMEROUS SPOTS. APPEARS THAT THE SLIP STRAPS WERE ATTACHED TO THE LACE TOP STRAPS AT THE TOP OF THE SHOULDERS, BUT HAS SINCE COME UNDONE. HAS SOME FRAYING OF LACE AT THE EDGES. 2. TOP: 53CM (L) X 73CM (W). LACE COVER IS SAME PATTERN AS DRESS. HAS CAP SLEEVES AND AN OPEN FRONT WHICH TIES TOGETHER AT THE BOTTOM WITH TWO LACE STRAPS. BACK OF NECK IS ROUND AND HAS WIDE LACE PIECE WHICH ENDS IN ZIG-ZAGS TO A VELVET BACK. THE BACK OF THE SLEEVES ARE LACE, AND ALSO END IN ZIG-ZAGS TO VELVET. THE BOTTOM IS WAIST LENGTH AND THE VELVET COMES AROUND THE FRONT BOTTOM IN A SMALL NARROWING STRIP. LACE HAS SOME HOLES, AND SLEEVES ARE RIPPED ON ENDS.
Subjects
CLOTHING-OUTERWEAR
Historical Association
PERSONAL CARE
EDUCATION
History
SEE FILE P19940043001-GA. DRESS WORN AT DONOR'S GRADUATION. *UPDATE* IN 2016 COLLECTIONS ASSISTANT RUTHANN LABLANCE CONDUCTED A SURVEY OF CLOTHING, INCLUDING A COAT AND DRESS DONATED BY LENA HERBST . THE FOLLOWING BIOGRAPHICAL INFORMATION WAS COMPILED USING ARTICLES FROM THE LETHBRIDGE HERALD AND “ETZIKOM: PRAIRIE & PEOPLE”. LENA HERBST (NEE WOLLERSHEIM) WAS BORN ON JANUARY 11, 1913, THE FIFTEENTH CHILD OF PHILIP AND THERESA WOLLERSHEIM. SHE ATTENDED ELEMENTARY SCHOOL AT SEXTON CREEK AND KNEW FROM A YOUNG AGE THAT SHE WANTED TO BE A TEACHER. SHE COMPLETED GRADE NINE AT ST. PATRICK’S IN LETHBRIDGE, TOOK GRADES TEN AND ELEVEN AT ST. MARY’S IN CALGARY, AND FOR GRADE TWELVE LENA RETURNED TO ST. PATRICK’S. SHE THEN ATTENDED CALGARY NORMAL SCHOOL FOR EIGHT MONTHS. LENA WAS HIRED TO TEACH AT EHNES SCHOOL ON JULY 6, 1933 AND SHE BEGAN TEACHING ON SEPTEMBER 5 OF THAT YEAR. SHE LOVED TEACHING AND CONTINUED TO DO SO AFTER HER MARRIAGE TO NICKODEMUS “NICK” HERBST. HER ANNUAL SALARY WAS $750.00 WHICH SHE CALLED “A REAL GOLDMINE IN THOSE DEPRESSION DAYS.” UNFORTUNATELY LENA’S TEACHING CAREER WAS ENDED WHEN PREMIER ABERHART DECLARED THAT NO WOMAN MARRIED TO AN ABLE BODIED MAN COULD BE A TEACHER. NICK AND LENA WERE MARRIED ON JULY 3, 1936 AND WELCOMED THEIR FIRST CHILD IN JANUARY 1942. THEY REMAINED ON THE FARM UNTIL 1968 WHEN THEY MOVED TO LETHBRIDGE. AFTER NEARLY 30 YEARS AWAY FROM THE CLASSROOM, LENA WAS ABLE TO RESUME TEACHING AND DID SO UNTIL RETIREMENT AT AGE 65. LENA PASSED AWAY AT AGE 85 ON SEPTEMBER 9, 1998. NICK DIED AT 92 ON JANUARY 27, 2001. HE WAS BORN ON FEBRUARY 26, 1908 IN SEVASTOPOL, RUSSIA, TO MATHIAS AND MAGDELENA HERBST, AND THE FAMILY IMMIGRATED TO THE FAITH DISTRICT TO 1909. PHILIP WOLLERSHEIM PASSED AWAY IN MAY 1932 AND THERESA (MAIDEN NAME UNKNOWN) PASSED AWAY ON DECEMBER 12, 1949. SEE PERMANENT FILE FOR HARD COPIES OF THE LETHBRIDGE HERALD ARTICLES AND “ETZIKOM: PRAIRIE & PEOPLE”.
Catalogue Number
P19940043002
Acquisition Date
1994-06
Collection
Museum
Images
Less detail
Other Name
CUFFS, APRON, BIB, COLLAR
Date Range From
1956
Date Range To
1959
Material Type
Artifact
Materials
COTTON, PLASTIC
Catalogue Number
P20090024000
  2 images  
Material Type
Artifact
Other Name
CUFFS, APRON, BIB, COLLAR
Date Range From
1956
Date Range To
1959
Materials
COTTON, PLASTIC
No. Pieces
9
Description
ALL ITEMS LABELED AS COMPONENT PARTS (DESIGNATED BY LETTERS). A. CUFFS, PAIR. COTTON, WHITE, HEAVY STARCH. ONE BUTTON HOLE ON EITHER SIDE OF EACH CUFF. MARKED “PEARSON, TOOKE – MADE IN ENGLAND, MGH 7 1/2.” BOTH ARE SOILED (MINOR) THROUGHOUT, ESP. ON EDGES. IDENTICAL EXCEPT PLACEMENT OF MARKING “PIER,” ONE STAMPED ON EDGE, OTHER STAMPED APPX. 2 CM BELOW EDGE. 23.7 CM LONG BY 8.2 CM WIDE. LOCATED IN PA U40 S01 B. APRON WITH FOUR IDENTICAL BUTTONS - FIVE PIECES APRON, COTTON, WHITE, HEAVY STARCH. HAND MARKED, “PEARSON” ON INSIDE OF WAISTBAND. LONG HALF APRON, WRAP STYLE, EIGHT BUTTON HOLES, THICK WAISTBAND AND HEMLINE. APRON MEASURES 82.0 CM LONG BY 82.5 CM WIDE. APRON FASENTED BY BUTTONS, FOUR. PLASTIC, WHITE SLIGHTLY OPALESCENT COLOR. ONE LARGER CIRCLE ATTACHED TO A SECOND SMALLER CIRCLE WITH A PLASTIC ROD. BUTTONS MEASURE 2.5 CM IN DIAMETER BY 0.8 CM DEEP. LOCATED IN PA U40 S03. C. BIB, COTTON, WHITE, HEAVY STARCH. HAND MARKED, “PEARSON” AT BOTTOM, FRONT, ALSO STAMPED, “PIER” THREE TIMES, UPSIDE DOWN AT BOTTOM FRONT. BOTTOM IS NARROW AND GETS WIDER AS IT REACHES CHEST LEVEL, AT NECKLINE, BIB SPLITS SO THERE ARE TWO WIDE STRAPS HANGING DOWN THE BACK. SMALL PIN HOLES, ESP. AT WAIST, BOTTOM OF STRAPS, NECKLINE AND CHEST AREA. 42.2 CM WIDE BY 97.5 CM LONG. LOCATED IN PA U40 S03. D. COLLAR, COTTON, WHITE, HEAVY STARCH. MARKED “TOOKE, MADE IN ENGLAND, PEARSON, R.V.H. – I – TAB” ALSO MARKED “PI(?)R” AND “PEARS.” ONE BUTTON HOLE IN CENTER. ROUNDED TAB AT CENTER HAS SMALL TEAR WHERE IT MEETS UP WITH THE COLLAR, YELLOWING ALONG NECKLINE AND AROUND EDGES OF COLLAR, SEVERAL PINHOLES ON TABS ON EITHER SIDE OF COLLAR. 59.8 CM LONG BY 12.6CM WIDE. LOCATED IN PA U40 S01
Subjects
CLOTHING-OUTERWEAR
Historical Association
EDUCATION
HEALTH SERVICES
History
ACCORDING TO THE DONOR, AILEEN PATTON (NEE PEARSON), AT THE TIME OF DONATION, THE CUFFS, APRON, BIB AND COLLAR WERE WORN AS PART OF A GRADUATION UNIFORM. THEY WERE ISSUED TO HER BY THE "GALT SCHOOL OF NURSING" (GSN). THE APRON AND COLLAR WERE BOTH WORN AS PART OF THE BLUE DRESS WORN IN THE NURSE'S FIRST AND SECOND YEARS. THE BIB WAS ALSO WORN WITH THE BLUE DRESS BUT THE GIRLS DID NOT RECIEVE IT UNTIL AFTER THEY HAD PASSED THEIR PROBABTIONARY PERIOD. FINALLY, THE CUFFS WERE ONLY WORN WITH THE GRADUATION OUTFIT. THE GRAD CEREMONY WAS HELD IN THE "SOUTHMINISTER UNITED CHURCH" IN LETHBRIDGE, ALBERTA. PATTON SAID, "I WAS VERY PROUD TO WEAR THE GRADUATION UNIFORM AS IT MEANT I HAD OBTAINTED THE TITLE OF REGISTERED NURSE. IT WAS A VERY HAPPY AND EMOTIONAL DAY." WHILE SOME OF THE GRADUATES WORE THIER GRAD UNIFORMS AFTER THEY HAD GRADUATED, PATTON NEVER USED THE BIB, CUFFS, COLLAR OR APRON AGAIN. INSTEAD, SHE STORED THEM IN A TRUNK, "IT MOVED WITH ME WHEREVER I WENT." OF THE GSN, PATTON SAID, "I FEEL SO PRIVILEGED TO HAVE LIVED IN RESIDENCE WITH MY CLASSMATES FOR THREE YEARS. WHAT A WONDERFUL EXPERIENCE - WE SHARED SO MUCH OF OUR LIVES. WE LAUGHED AND WE CRIED TOGETHER. WE WERE NEVER LONELY. OUR INSTRUCTORS WERE EXCEPTIONAL AS WERE THE DOCTORS WHO TAUGHT US. WE OWED SO MUCH TO SENIOR NURSING STAFF WHO TAUGHT US SO MUCH AT THE BEDSIDE AND WERE OUR MENTORS." HAVING COMPLETED HER DEGREE, PATTON, "WORKED OBSTETRICS AT THE 'LETHBRIDGE MUNICIPAL HOSPITAL,' PUBLIC HEALTH NURSING AT THE 'CHINOOK HEALTH UNIT' IN FORT MACLEOD, ALSO WORKED IN BANFF, 'GRACE HOSPITAL' IN CALGARY, PEACE RIVER AND THEN FINALLY AT THE 'MISERICORDIA HOSPITAL' EDMONTON IN EMERGENCY AND BECAME NIGHT SUPERVISOR BEFORE RETIRING IN 1992 WHEN I BECAME SUBJECT OF HEALTH CUTS. MY NURSING TRAINING CERTAINLY PREPARED ME TO WORK IN ALL OF THESE HOSPITALS." SEE PERMANENT FILE FOR MORE INFORMATION. FOR MORE INFORMATION ON THE CLASS OF 1959 SEE ARCHIVES 19705886000, 19752303429, 19941046008, AND 20001076001. PART OF A COMPOSITE UNIFORM DONATION FROM THE GSN GRADUATING CLASSES OF 1959 AND 1961. SEE P20090023001-15, P20090025000, AND P20090026000. ________________________________________ UPDATE: THE RESEARCH BELOW WAS GENERATED IN CONSULTATION WITH GALT DONOR AND G.S.N. NURSE PAT SASSA AS PART OF A RECENT ACQUISITIONS EXHIBIT IN 2011. LAMPS WERE GIVEN TO THE SCHOOL’S NURSING STUDENTS AS PART OF ITS ANNUAL CANDLE LIGHTING CEREMONY. THE EVENT WAS HELD TO COMMEMORATE THE COMPLETION OF ITS FIRST YEAR STUDENTS’ PROBATIONARY PERIOD. IN ADDITION TO THE LAMP’S PRESENTATION, STUDENT NURSES EARNED THE RIGHT TO WEAR A CAP AND BIB AS PART OF THEIR UNIFORM UPON THE COMPLETION OF THEIR PROBATION.
Catalogue Number
P20090024000
Acquisition Date
2009-06
Collection
Museum
Images
Less detail
Other Name
DRESS, BLUE CHECKED
Date Range From
1913
Date Range To
1950
Material Type
Artifact
Materials
COTTON, PLASTIC
Catalogue Number
P20140006002
  2 images  
Material Type
Artifact
Other Name
DRESS, BLUE CHECKED
Date Range From
1913
Date Range To
1950
Materials
COTTON, PLASTIC
No. Pieces
1
Height
0.1
Length
130
Width
48
Description
FULL-LENGTH COTTON DRESS IN BLUE AND WHITE CHECKED PATTERN WITH WHITE COLLAR. FRONT CLOSURE WITH SIX WHITE PEARLIZED BUTTONS. SLEEVES EACH HAVE ONE BUTTON 1/3 UP FROM HEMMED WRIST. RUCHING ALONG WAIST SEAM. POCKET ON RIGHT SIDE OF SKIRT. MINOR WEAR ON INNER COLLAR; OVERALL VERY GOOD CONDITION.
Subjects
CLOTHING-OUTERWEAR
Historical Association
HEALTH SERVICES
EDUCATION
History
AT THE TIME OF DONATION, GALT SCHOOL OF NURSING ALUMNAE ASSOCIATION PAST ARCHIVIST ELAINE HAMILTON IDENTIFIED THIS DRESS AS PART OF THE “OLD UNIFORM”, SAYING THE DRESS WOULD HAVE HAD “LONG CUFFS THAT BUTTONED ON”. THIS GARMENT, ALONG WITH P20140006001, P20140006003, P20140006004, AND P20140006005, WAS USED TO DRESS THE ALUMNAE’S MANNEQUIN THAT WAS ON DISPLAY IN THE ATRIUM AT THE LETHBRIDGE REGIONAL HOSPITAL. IN SUMMER 2014, COLLECTIONS TECHNICIAN KEVIN MACLEAN INTERVIEWED THE PAST ARCHIVISTS OF THE GALT SCHOOL OF NURSING COLLECTION, SHIRLEY HIGA, ELAINE HAMILTON, AND SUE KYLLO, ABOUT THEIR INVOLVEMENT WITH THE GSN ALUMNAE ASSOCIATION AND THE HISTORY OF THE COLLECTED ARTIFACTS. HIGA, THE EARLIEST GSN COLLECTION ARCHIVIST, SAID: “I TRAINED MOSTLY AT THE GALT. THE STUDENTS, WE ALL KNEW EACH OTHER, HELPED EACH OTHER BECAUSE THERE WERE MOSTLY STUDENTS THERE: ONE REGISTERED NURSE FROM 7AM TO 7PM. THE REST WERE ALL US STUDENTS THAT RAN THE HOSPITAL SO, BUT WE WERE REALLY GOOD FRIENDS AND WE HELPED EACH OTHER… WE HAD SUCH GOOD RAPPORT BETWEEN THE STUDENTS IN MY CLASS… I JOINED [THE ALUMNAE] WHEN I GRADUATED IN 1955… I WAS INTERESTED IN HOW EVERYBODY TURNED OUT, AND THE ALUMNAE SORT OF KEPT IN CONTACT WITH THEM, AND IT WAS QUITE IMPORTANT TO ME. I FELT QUITE HAPPY TO HEAR ABOUT ALL THE OTHER [NURSES]… IT’S NICE WHEN THEY CAME FOR THE REUNIONS. YOU SEE ALL THESE GIRLS YOU WORKED WITH, MAYBE ONLY FOR A LITTLE WHILE, BUT YOU REMEMBER THEM… I REALLY DIDN’T WANT TO BE THE ARCHIVIST, BUT WE DON’T HAVE TOO MANY PEOPLE THAT OFFER TO DO THINGS… I WAS INTERESTED IN ALL THE HISTORY AND ALL THE THINGS THAT THE GIRLS THOUGHT ABOUT IT… [THE ARCHIVIST WAS TO] KEEP TRACK OF ALL THE HISTORY AND THE PEOPLE THAT WERE INVOLVED, AND KEEP TRACK OF THE STUFF WE COLLECT[ED]… [THE COLLECTION IS IMPORTANT TO ME BECAUSE] I LIKE EVERYBODY TO KNOW ABOUT THE GALT AND HOW WE TRAINED AND HOW IT PROGRESSED… AS YOU GET OLDER YOU KIND OF HAVE MEMORIES THAT YOU WOULD LIKE TO KEEP, AND YOU KNOW YOU THINK ABOUT THOSE THINGS… [WHEN] YOU LOOK AT [THE OBJECTS] YOU REMEMBER.” ELAINE HAMILTON BECAME THE GSN COLLECTION ARCHIVIST IN THE LATE 1980S AFTER SHIRLEY HIGA STEPPED DOWN. OF THE ALUMNAE ASSOCIATION, HAMILTON SAID: “I THINK THE RETIRED NURSES DECIDED THAT THEY SHOULD FORM A GROUP TO HELP THE STUDENTS… I WASN’T THERE BUT IT WAS ’45 WHEN THEY FORMED, AND THEY DID THINGS FOR THE NURSES STUDENTS LIKE, THEY BOUGHT FURNITURE [FOR STUDENT RESIDENCES]… THEY DID A WHOLE BUNCH OF BAKE SALES AND CRAFT SALES; THEY WORKED AT THE BULL SALE OUT AT THE EXHIBITION GROUNDS. THEY DID A LOT OF THINGS LIKE THAT TO RAISE MONEY FOR LITTLE THINGS THAT COULDN’T BE BOUGHT OTHERWISE, LIKE THE PATIENT COMFORT, LIKE PATIENTS WOULD COME IN WITHOUT TOOTHBRUSHES AND COMBS… THEY HAD A BANQUET [FOR NURSING STUDENTS], AND THEY HAD A TEA WITH OUR PARENTS TOO, FOR US IN THE RESIDENCE… FOR ME, THE MOST IMPORTANT THING WAS THE BANQUETS, AND HAVING MY CLASSMATES COME EVERY FIVE YEARS, BECAUSE THEY ARE LIKE SISTERS TO ME… OF COURSE I LIKE HISTORY AND ARCHIVES TOO SO [THE COLLECTION] IS KIND OF IMPORTANT TO ME TOO… WE LIVED TOGETHER, AND ATE TOGETHER, AND CRIED TOGETHER AND DID EVERYTHING TOGETHER FOR THREE YEARS, BECAUSE WE LIVED RIGHT IN A RESIDENCE. SO, WE BECAME VERY CLOSE… AND IF YOU WORK IN THE ALUMNI, YOU BECOME KIND OF LIKE A LITTLE FAMILY TOO BECAUSE THERE’S NOT THAT MANY OF US THAT GO TO OUR MEETINGS, SO WHEN WE GET TOGETHER, IT’S KIND OF NICE TO SHARE WHAT’S BEEN GOING ON… IT’S A FELLOWSHIP.” OF THE GSN COLLECTION, HAMILTON SAID: “IT’S AN ACCUMULATION OF ARTIFACTS FROM THE HOSPITALS AND FROM OUR TRAINING DAYS. AND, IT’S PART OF THE HISTORY OF LETHBRIDGE IN A WAY, BECAUSE THE SCHOOL WAS HERE FOR QUITE A WHILE… I’M A CARE GIVER AND I LIKE TO LOOK AFTER STUFF. SO, IT WAS IMPORTANT TO ME THAT IT GOT CARED FOR… I THINK WITH THE CLOSING [OF THE GALT SCHOOL OF NURSING, IN 1979] WE GOT ALL THE CHARTS, AND WE ALREADY HAD THINGS FROM THE GALT HOSPITAL IN OUR STUFF THAT PROBABLY SOMEBODY [BEFORE HIGA] ACCEPTED… WHEN WE WENT INTO THE MUNICIPAL HOSPITAL [IN 1955] IT WAS ALL BRAND NEW, STAINLESS STEEL, SO THERE WAS NONE OF THE ENAMEL STUFF, AND THEN WHEN THE MUNICIPAL CLOSED [IN 1988], THE OPERATING ROOM GAVE US A LOT OF THINGS. THERE WERE A LOT OF DONATIONS THEN FROM DIFFERENT SPOTS BECAUSE THEY DIDN’T WANT TO MOVE STUFF SINCE IT WAS OLD… WE GOT A PLACE [FOR STORING THE COLLECTION IN THE REGIONAL HOSPITAL], ACTUALLY ABOVE THE WASHERS IN THE LAUNDRY FIRST. BUT IT WAS PRETTY MOIST UP THERE. AND THEN THEY GAVE US A ROOM IN THE SEWING ROOM, WHICH WAS VERY NICE, OUR OWN SEPARATE LITTLE ROOM THERE FOR OUR STORAGE… WE HAD THINGS UP ON A SHELF AND WE HAD A TRUNK IN THERE, AND… WE HAD ALL THE LETTERS FROM THE RESIDENCE… WE HAD A DISPLAY CASE THAT THEY BUILT AT THE REGIONAL [IN THE HOSPITAL ATRIUM] AND WE HAD STUFF IN THERE, AND WE’D MOVE IT AROUND… HAVING THE DISPLAY CASE WAS IMPORTANT TO ME, AND CHANGING THE UNIFORM ON [THE DISPLAY MANNEQUIN] EVERY ONCE IN A WHILE, AND HAVING HER IN DIFFERENT OUTFITS… I ALWAYS HAD IT ALL TIDY FOR A REUNION… I WOULD CHANGE THE UNIFORM FOR THEM, DEPENDING ON WHAT CLASS WAS HAVING THEIR REUNION.” SUE KYLLO BECAME THE GSN COLLECTION ARCHIVIST IN 2010 AFTER ELAINE HAMILTON STEPPED DOWN. OF THE ALUMNAE ASSOCIATION, KYLLO SAID: “[I ATTENDED THE GALT SCHOOL OF NURSING] FROM ’66 TO ’69, AND I JOINED IN 1976 AFTER I CAME BACK TO LETHBRIDGE. I HAD TWO LITTLE KIDS AND I WANTED TO GET OUT AND MEET PEOPLE AND THE ALUMNI GAVE ME THAT… I WANTED TO STAY IN TOUCH WITH MY NURSING FRIENDS AND SEE IF I CAN HELP OUT IN SOME WAY… THE ALUMNI IS THE WAY TO GO TO KEEP OUR NURSING MEMORIES ALIVE AND I WANT TO DO THAT. SO NOW IT’S IMPORTANT TO ME WAY MORE THAN WHEN I WAS A YOUNG MOTHER THAT WANTED TO GET OUT… IT MEANS COMPANIONSHIP [AND] TO HELP EACH OTHER.” OF THE GSN COLLECTION, KYLLO SAID: “I DON’T KNOW HOW IT GOT STARTED. I WOULD THINK THAT MRS. BOYCHUCK WOULD HAVE A LOT TO DO WITH IT BECAUSE [SHE] WAS VERY ACTIVE IN THE ALUMNI AT THE BEGINNING, AND I WOULD THINK THAT IF ANYBODY, IT WOULD BE HER THAT STARTED COLLECTING THE ODD LITTLE THING, AND THEN IT WENT TO SHIRLEY. I DON’T KNOW THAT THERE WAS ANYBODY BEFORE SHIRLEY… OUR ALUMNI ONLY STARTED IN [1945], SO THERE WERE THOSE PERIODS WHERE I DON’T THINK ANYBODY CARED ABOUT ANY OF THIS STUFF… TO ME, IT MEANS AN AWFUL LOT. IT MEANS THAT WE EXISTED REALLY… IF WE DIDN’T HAVE ALL THIS STUFF, WELL WHAT WERE WE? A NURSE, WHAT DOES A NURSE DO? WITH THIS WE CAN SHOW THEM THAT WE DIDN’T JUST GIVE BEDPANS. WE DID A LOT OF THINGS, AND I’M REALLY PROUD THAT WE HAVE WHAT WE’VE GOT.” OF THE SITUATION LEADING UP TO THE DONATION OF THE GSN COLLECTION TO THE GALT MUSEUM, KYLLO SAID: “WE HAD A DISPLAY AT THE NORTH END OF THE HOSPITAL [THAT] WAS GOING TO STAY THERE [AND ADDITIONAL COLLECTION STORAGE] AND WE DIDN’T HAVE A PROBLEM... WE WERE ALWAYS UNDER THE IMPRESSION OF ALL THE PAST ADMINISTRATIONS THAT WE ALWAYS HAD A PLACE IN THAT HOSPITAL… NOW THAT ALL THE OLD GUYS HAVE GONE, THEY JUST UP AND MOVED [THE COLLECTION, IN FALL 2012] AND DIDN’T CARE. THEY WERE BUILDING A NEW WING AND ‘TO HECK WITH YOUR GUYS’ STUFF’… NOBODY WANTED TO EVEN TALK TO US ABOUT IT. I FINALLY GOT AHOLD OF THE GUY IN CHARGE OF MAINTENANCE, [HE] SAID, “WELL IT’S UPSTAIRS IN THE PENTHOUSE.” WELL, WE KNEW WHAT THE PENTHOUSE WAS LIKE, BECAUSE IT WAS VERY HOT AND YOU DON’T WANT [THESE ARTIFACTS] IN SOMEPLACE REALLY HOT, SO I WANTED IT OUT OF THERE… SO THAT’S WHEN IT WENT OUT INTO A STORAGE LOCKER. AND IN THE STORAGE LOCKER… IT WAS JUST NOT CLEAN ENOUGH TO BE IN THERE… WE WERE VERY DISAPPOINTED.” HAMILTON ADDED: “WE DIDN’T HAVE ANYWHERE FOR [THE COLLECTION], AND IT’S IN PEOPLE’S GARAGES AND BASEMENTS AND LIVING ROOMS… [THE MUSEUM IS HOUSED IN] THE GALT HOSPITAL. AND A LOT OF OUR MEMBERS TRAINED HERE. SO IT’S PRETTY SPECIAL TO THEM, AND THEY WOULD LIKE TO LEAVE SOMETHING HERE TO BE REMEMBERED BY… IT’S VERY IMPORTANT TO US TO LEAVE SOMETHING BEHIND.” SEE PERMANENT FILE FOR HARDCOPIES OF FULL INTERVIEW TRANSCRIPTS AND NEWSPAPER ARTICLES.
Catalogue Number
P20140006002
Acquisition Date
2014-03
Collection
Museum
Images
Less detail
Other Name
COLLAR, “GSN”
Date Range From
1910
Date Range To
1930
Material Type
Artifact
Materials
COTTON
Catalogue Number
P20140006004
  1 image  
Material Type
Artifact
Other Name
COLLAR, “GSN”
Date Range From
1910
Date Range To
1930
Materials
COTTON
No. Pieces
1
Height
0.1
Length
50
Width
19
Description
CURVED STRIP OF WHITE, STARCHED COTTON SEWN TO SHORTER, WIDER STRIP OF WHITE, STARCHED COTTON WITH ROUNDED EDGES. HANDWRITTEN TEXT IN BLACK INK ON UNDERSIDE OF LONGER STRIP READS “GSN”. SLIGHT WEAR ALONG EDGES; OVERALL VERY GOOD CONDITION.
Subjects
CLOTHING-OUTERWEAR
Historical Association
HEALTH SERVICES
EDUCATION
History
AT THE TIME OF DONATION, GALT SCHOOL OF NURSING ALUMNAE ASSOCIATION PAST ARCHIVIST ELAINE HAMILTON IDENTIFIED THIS COLLAR AS BEING PART OF THE “OLDEST UNIFORM” HELD IN THE ALUMNAE’S COLLECTION. THIS COLLAR, ALONG WITH P20140006001, P20140006002, P20140006003, AND P20140006005, WAS USED TO DRESS THE ALUMNAE’S MANNEQUIN THAT WAS ON DISPLAY IN THE ATRIUM AT THE LETHBRIDGE REGIONAL HOSPITAL. IN SUMMER 2014, COLLECTIONS TECHNICIAN KEVIN MACLEAN INTERVIEWED THE PAST ARCHIVISTS OF THE GALT SCHOOL OF NURSING COLLECTION, SHIRLEY HIGA, ELAINE HAMILTON, AND SUE KYLLO, ABOUT THEIR INVOLVEMENT WITH THE GSN ALUMNAE ASSOCIATION AND THE HISTORY OF THE COLLECTED ARTIFACTS. HIGA, THE EARLIEST GSN COLLECTION ARCHIVIST, SAID: “I TRAINED MOSTLY AT THE GALT. THE STUDENTS, WE ALL KNEW EACH OTHER, HELPED EACH OTHER BECAUSE THERE WERE MOSTLY STUDENTS THERE: ONE REGISTERED NURSE FROM 7AM TO 7PM. THE REST WERE ALL US STUDENTS THAT RAN THE HOSPITAL SO, BUT WE WERE REALLY GOOD FRIENDS AND WE HELPED EACH OTHER… WE HAD SUCH GOOD RAPPORT BETWEEN THE STUDENTS IN MY CLASS… I JOINED [THE ALUMNAE] WHEN I GRADUATED IN 1955… I WAS INTERESTED IN HOW EVERYBODY TURNED OUT, AND THE ALUMNAE SORT OF KEPT IN CONTACT WITH THEM, AND IT WAS QUITE IMPORTANT TO ME. I FELT QUITE HAPPY TO HEAR ABOUT ALL THE OTHER [NURSES]… IT’S NICE WHEN THEY CAME FOR THE REUNIONS. YOU SEE ALL THESE GIRLS YOU WORKED WITH, MAYBE ONLY FOR A LITTLE WHILE, BUT YOU REMEMBER THEM… I REALLY DIDN’T WANT TO BE THE ARCHIVIST, BUT WE DON’T HAVE TOO MANY PEOPLE THAT OFFER TO DO THINGS… I WAS INTERESTED IN ALL THE HISTORY AND ALL THE THINGS THAT THE GIRLS THOUGHT ABOUT IT… [THE ARCHIVIST WAS TO] KEEP TRACK OF ALL THE HISTORY AND THE PEOPLE THAT WERE INVOLVED, AND KEEP TRACK OF THE STUFF WE COLLECT[ED]… [THE COLLECTION IS IMPORTANT TO ME BECAUSE] I LIKE EVERYBODY TO KNOW ABOUT THE GALT AND HOW WE TRAINED AND HOW IT PROGRESSED… AS YOU GET OLDER YOU KIND OF HAVE MEMORIES THAT YOU WOULD LIKE TO KEEP, AND YOU KNOW YOU THINK ABOUT THOSE THINGS… [WHEN] YOU LOOK AT [THE OBJECTS] YOU REMEMBER.” ELAINE HAMILTON BECAME THE GSN COLLECTION ARCHIVIST IN THE LATE 1980S AFTER SHIRLEY HIGA STEPPED DOWN. OF THE ALUMNAE ASSOCIATION, HAMILTON SAID: “I THINK THE RETIRED NURSES DECIDED THAT THEY SHOULD FORM A GROUP TO HELP THE STUDENTS… I WASN’T THERE BUT IT WAS ’45 WHEN THEY FORMED, AND THEY DID THINGS FOR THE NURSES STUDENTS LIKE, THEY BOUGHT FURNITURE [FOR STUDENT RESIDENCES]… THEY DID A WHOLE BUNCH OF BAKE SALES AND CRAFT SALES; THEY WORKED AT THE BULL SALE OUT AT THE EXHIBITION GROUNDS. THEY DID A LOT OF THINGS LIKE THAT TO RAISE MONEY FOR LITTLE THINGS THAT COULDN’T BE BOUGHT OTHERWISE, LIKE THE PATIENT COMFORT, LIKE PATIENTS WOULD COME IN WITHOUT TOOTHBRUSHES AND COMBS… THEY HAD A BANQUET [FOR NURSING STUDENTS], AND THEY HAD A TEA WITH OUR PARENTS TOO, FOR US IN THE RESIDENCE… FOR ME, THE MOST IMPORTANT THING WAS THE BANQUETS, AND HAVING MY CLASSMATES COME EVERY FIVE YEARS, BECAUSE THEY ARE LIKE SISTERS TO ME… OF COURSE I LIKE HISTORY AND ARCHIVES TOO SO [THE COLLECTION] IS KIND OF IMPORTANT TO ME TOO… WE LIVED TOGETHER, AND ATE TOGETHER, AND CRIED TOGETHER AND DID EVERYTHING TOGETHER FOR THREE YEARS, BECAUSE WE LIVED RIGHT IN A RESIDENCE. SO, WE BECAME VERY CLOSE… AND IF YOU WORK IN THE ALUMNI, YOU BECOME KIND OF LIKE A LITTLE FAMILY TOO BECAUSE THERE’S NOT THAT MANY OF US THAT GO TO OUR MEETINGS, SO WHEN WE GET TOGETHER, IT’S KIND OF NICE TO SHARE WHAT’S BEEN GOING ON… IT’S A FELLOWSHIP.” OF THE GSN COLLECTION, HAMILTON SAID: “IT’S AN ACCUMULATION OF ARTIFACTS FROM THE HOSPITALS AND FROM OUR TRAINING DAYS. AND, IT’S PART OF THE HISTORY OF LETHBRIDGE IN A WAY, BECAUSE THE SCHOOL WAS HERE FOR QUITE A WHILE… I’M A CARE GIVER AND I LIKE TO LOOK AFTER STUFF. SO, IT WAS IMPORTANT TO ME THAT IT GOT CARED FOR… I THINK WITH THE CLOSING [OF THE GALT SCHOOL OF NURSING, IN 1979] WE GOT ALL THE CHARTS, AND WE ALREADY HAD THINGS FROM THE GALT HOSPITAL IN OUR STUFF THAT PROBABLY SOMEBODY [BEFORE HIGA] ACCEPTED… WHEN WE WENT INTO THE MUNICIPAL HOSPITAL [IN 1955] IT WAS ALL BRAND NEW, STAINLESS STEEL, SO THERE WAS NONE OF THE ENAMEL STUFF, AND THEN WHEN THE MUNICIPAL CLOSED [IN 1988], THE OPERATING ROOM GAVE US A LOT OF THINGS. THERE WERE A LOT OF DONATIONS THEN FROM DIFFERENT SPOTS BECAUSE THEY DIDN’T WANT TO MOVE STUFF SINCE IT WAS OLD… WE GOT A PLACE [FOR STORING THE COLLECTION IN THE REGIONAL HOSPITAL], ACTUALLY ABOVE THE WASHERS IN THE LAUNDRY FIRST. BUT IT WAS PRETTY MOIST UP THERE. AND THEN THEY GAVE US A ROOM IN THE SEWING ROOM, WHICH WAS VERY NICE, OUR OWN SEPARATE LITTLE ROOM THERE FOR OUR STORAGE… WE HAD THINGS UP ON A SHELF AND WE HAD A TRUNK IN THERE, AND… WE HAD ALL THE LETTERS FROM THE RESIDENCE… WE HAD A DISPLAY CASE THAT THEY BUILT AT THE REGIONAL [IN THE HOSPITAL ATRIUM] AND WE HAD STUFF IN THERE, AND WE’D MOVE IT AROUND… HAVING THE DISPLAY CASE WAS IMPORTANT TO ME, AND CHANGING THE UNIFORM ON [THE DISPLAY MANNEQUIN] EVERY ONCE IN A WHILE, AND HAVING HER IN DIFFERENT OUTFITS… I ALWAYS HAD IT ALL TIDY FOR A REUNION… I WOULD CHANGE THE UNIFORM FOR THEM, DEPENDING ON WHAT CLASS WAS HAVING THEIR REUNION.” SUE KYLLO BECAME THE GSN COLLECTION ARCHIVIST IN 2010 AFTER ELAINE HAMILTON STEPPED DOWN. OF THE ALUMNAE ASSOCIATION, KYLLO SAID: “[I ATTENDED THE GALT SCHOOL OF NURSING] FROM ’66 TO ’69, AND I JOINED IN 1976 AFTER I CAME BACK TO LETHBRIDGE. I HAD TWO LITTLE KIDS AND I WANTED TO GET OUT AND MEET PEOPLE AND THE ALUMNI GAVE ME THAT… I WANTED TO STAY IN TOUCH WITH MY NURSING FRIENDS AND SEE IF I CAN HELP OUT IN SOME WAY… THE ALUMNI IS THE WAY TO GO TO KEEP OUR NURSING MEMORIES ALIVE AND I WANT TO DO THAT. SO NOW IT’S IMPORTANT TO ME WAY MORE THAN WHEN I WAS A YOUNG MOTHER THAT WANTED TO GET OUT… IT MEANS COMPANIONSHIP [AND] TO HELP EACH OTHER.” OF THE GSN COLLECTION, KYLLO SAID: “I DON’T KNOW HOW IT GOT STARTED. I WOULD THINK THAT MRS. BOYCHUCK WOULD HAVE A LOT TO DO WITH IT BECAUSE [SHE] WAS VERY ACTIVE IN THE ALUMNI AT THE BEGINNING, AND I WOULD THINK THAT IF ANYBODY, IT WOULD BE HER THAT STARTED COLLECTING THE ODD LITTLE THING, AND THEN IT WENT TO SHIRLEY. I DON’T KNOW THAT THERE WAS ANYBODY BEFORE SHIRLEY… OUR ALUMNI ONLY STARTED IN [1945], SO THERE WERE THOSE PERIODS WHERE I DON’T THINK ANYBODY CARED ABOUT ANY OF THIS STUFF… TO ME, IT MEANS AN AWFUL LOT. IT MEANS THAT WE EXISTED REALLY… IF WE DIDN’T HAVE ALL THIS STUFF, WELL WHAT WERE WE? A NURSE, WHAT DOES A NURSE DO? WITH THIS WE CAN SHOW THEM THAT WE DIDN’T JUST GIVE BEDPANS. WE DID A LOT OF THINGS, AND I’M REALLY PROUD THAT WE HAVE WHAT WE’VE GOT.” OF THE SITUATION LEADING UP TO THE DONATION OF THE GSN COLLECTION TO THE GALT MUSEUM, KYLLO SAID: “WE HAD A DISPLAY AT THE NORTH END OF THE HOSPITAL [THAT] WAS GOING TO STAY THERE [AND ADDITIONAL COLLECTION STORAGE] AND WE DIDN’T HAVE A PROBLEM... WE WERE ALWAYS UNDER THE IMPRESSION OF ALL THE PAST ADMINISTRATIONS THAT WE ALWAYS HAD A PLACE IN THAT HOSPITAL… NOW THAT ALL THE OLD GUYS HAVE GONE, THEY JUST UP AND MOVED [THE COLLECTION, IN FALL 2012] AND DIDN’T CARE. THEY WERE BUILDING A NEW WING AND ‘TO HECK WITH YOUR GUYS’ STUFF’… NOBODY WANTED TO EVEN TALK TO US ABOUT IT. I FINALLY GOT AHOLD OF THE GUY IN CHARGE OF MAINTENANCE, [HE] SAID, “WELL IT’S UPSTAIRS IN THE PENTHOUSE.” WELL, WE KNEW WHAT THE PENTHOUSE WAS LIKE, BECAUSE IT WAS VERY HOT AND YOU DON’T WANT [THESE ARTIFACTS] IN SOMEPLACE REALLY HOT, SO I WANTED IT OUT OF THERE… SO THAT’S WHEN IT WENT OUT INTO A STORAGE LOCKER. AND IN THE STORAGE LOCKER… IT WAS JUST NOT CLEAN ENOUGH TO BE IN THERE… WE WERE VERY DISAPPOINTED.” HAMILTON ADDED: “WE DIDN’T HAVE ANYWHERE FOR [THE COLLECTION], AND IT’S IN PEOPLE’S GARAGES AND BASEMENTS AND LIVING ROOMS… [THE MUSEUM IS HOUSED IN] THE GALT HOSPITAL. AND A LOT OF OUR MEMBERS TRAINED HERE. SO IT’S PRETTY SPECIAL TO THEM, AND THEY WOULD LIKE TO LEAVE SOMETHING HERE TO BE REMEMBERED BY… IT’S VERY IMPORTANT TO US TO LEAVE SOMETHING BEHIND.” SEE PERMANENT FILE FOR HARDCOPIES OF FULL INTERVIEW TRANSCRIPTS AND NEWSPAPER ARTICLES.
Catalogue Number
P20140006004
Acquisition Date
2014-03
Collection
Museum
Images
Less detail
Other Name
APRON, “HATCH”
Date Range From
1910
Date Range To
1913
Material Type
Artifact
Materials
COTTON
Catalogue Number
P20140006001
  1 image  
Material Type
Artifact
Other Name
APRON, “HATCH”
Date Range From
1910
Date Range To
1913
Materials
COTTON
No. Pieces
1
Height
0.2
Length
94
Width
104
Description
WHITE, STARCHED COTTON APRON SKIRT, WITH OPEN BACK SEAM AND THREE SETS OF GRADUATED BUTTONHOLE CLOSURES ON WAISTBAND. FOUR WHITE PEARLIZED BUTTONS SEWN TO WAISTBAND. STAMP IN BLACK INK ON INSIDE OF WAISTBAND READS “E1040” AND HANDWRITTEN TEXT READS “HATCH”. GENERAL WEAR, PRIMARILY ALONG WAISTBAND, WHERE REPAIRS AND REINFORCING STITCHES ARE VISIBLE. OVERALL GOOD CONDITION.
Subjects
CLOTHING-OUTERWEAR
Historical Association
HEALTH SERVICES
EDUCATION
History
AT THE TIME OF DONATION, GALT SCHOOL OF NURSING ALUMNAE ASSOCIATION PAST ARCHIVIST ELAINE HAMILTON IDENTIFIED THIS APRON AS BELONGING TO GALT NURSE LUCY HATCH MCINNIS. ACCORDING TO LETHBRIDGE HERALD ARTICLES FROM THE 1960S AND 70S AND GALT ARCHIVES RECORD 19760225055, LUCY HATCH WAS BORN IN TIMBER, MONTANA IN 1890 AND MOVED TO LETHBRIDGE IN 1910 TO BEGIN NURSES TRAINING. SHE WAS ONE OF THREE FIRST GRADUATES OF THE GSN IN DECEMBER 1913, ALONG WITH LILLIAN DONALDSON AND ELIZABETH PATTESON. HATCH NURSED IN THE GALT HOSPITAL FOR EIGHT YEARS, BRIEFLY MOVED TO NEW YORK, AND RETURNED TO SOUTHERN ALBERTA TO WORK IN THE COALHURST HOSPITAL. HATCH MARRIED JAMES MCINNIS IN 1922 AND REJOINED THE GALT HOSPITAL THAT YEAR AS FLOOR SUPERVISOR. SHE WENT ON TO FOUND THE GALT SCHOOL OF NURSING ALUMNAE ASSOCIATION IN 1945, SERVING AS ITS HONOURARY PRESIDENT UNTIL HER DEATH IN 1955. IN SUMMER 2014, COLLECTIONS TECHNICIAN KEVIN MACLEAN INTERVIEWED THE PAST ARCHIVISTS OF THE GALT SCHOOL OF NURSING COLLECTION, SHIRLEY HIGA, ELAINE HAMILTON, AND SUE KYLLO, ABOUT THEIR INVOLVEMENT WITH THE GSN ALUMNAE ASSOCIATION AND THE HISTORY OF THE COLLECTED ARTIFACTS. HIGA, THE EARLIEST GSN COLLECTION ARCHIVIST, SAID: “I TRAINED MOSTLY AT THE GALT. THE STUDENTS, WE ALL KNEW EACH OTHER, HELPED EACH OTHER BECAUSE THERE WERE MOSTLY STUDENTS THERE: ONE REGISTERED NURSE FROM 7AM TO 7PM. THE REST WERE ALL US STUDENTS THAT RAN THE HOSPITAL SO, BUT WE WERE REALLY GOOD FRIENDS AND WE HELPED EACH OTHER… WE HAD SUCH GOOD RAPPORT BETWEEN THE STUDENTS IN MY CLASS… I JOINED [THE ALUMNAE] WHEN I GRADUATED IN 1955… I WAS INTERESTED IN HOW EVERYBODY TURNED OUT, AND THE ALUMNAE SORT OF KEPT IN CONTACT WITH THEM, AND IT WAS QUITE IMPORTANT TO ME. I FELT QUITE HAPPY TO HEAR ABOUT ALL THE OTHER [NURSES]… IT’S NICE WHEN THEY CAME FOR THE REUNIONS. YOU SEE ALL THESE GIRLS YOU WORKED WITH, MAYBE ONLY FOR A LITTLE WHILE, BUT YOU REMEMBER THEM… I REALLY DIDN’T WANT TO BE THE ARCHIVIST, BUT WE DON’T HAVE TOO MANY PEOPLE THAT OFFER TO DO THINGS… I WAS INTERESTED IN ALL THE HISTORY AND ALL THE THINGS THAT THE GIRLS THOUGHT ABOUT IT… [THE ARCHIVIST WAS TO] KEEP TRACK OF ALL THE HISTORY AND THE PEOPLE THAT WERE INVOLVED, AND KEEP TRACK OF THE STUFF WE COLLECT[ED]… [THE COLLECTION IS IMPORTANT TO ME BECAUSE] I LIKE EVERYBODY TO KNOW ABOUT THE GALT AND HOW WE TRAINED AND HOW IT PROGRESSED… AS YOU GET OLDER YOU KIND OF HAVE MEMORIES THAT YOU WOULD LIKE TO KEEP, AND YOU KNOW YOU THINK ABOUT THOSE THINGS… [WHEN] YOU LOOK AT [THE OBJECTS] YOU REMEMBER.” ELAINE HAMILTON BECAME THE GSN COLLECTION ARCHIVIST IN THE LATE 1980S AFTER SHIRLEY HIGA STEPPED DOWN. OF THE ALUMNAE ASSOCIATION, HAMILTON SAID: “I THINK THE RETIRED NURSES DECIDED THAT THEY SHOULD FORM A GROUP TO HELP THE STUDENTS… I WASN’T THERE BUT IT WAS ’45 WHEN THEY FORMED, AND THEY DID THINGS FOR THE NURSES STUDENTS LIKE, THEY BOUGHT FURNITURE [FOR STUDENT RESIDENCES]… THEY DID A WHOLE BUNCH OF BAKE SALES AND CRAFT SALES; THEY WORKED AT THE BULL SALE OUT AT THE EXHIBITION GROUNDS. THEY DID A LOT OF THINGS LIKE THAT TO RAISE MONEY FOR LITTLE THINGS THAT COULDN’T BE BOUGHT OTHERWISE, LIKE THE PATIENT COMFORT, LIKE PATIENTS WOULD COME IN WITHOUT TOOTHBRUSHES AND COMBS… THEY HAD A BANQUET [FOR NURSING STUDENTS], AND THEY HAD A TEA WITH OUR PARENTS TOO, FOR US IN THE RESIDENCE… FOR ME, THE MOST IMPORTANT THING WAS THE BANQUETS, AND HAVING MY CLASSMATES COME EVERY FIVE YEARS, BECAUSE THEY ARE LIKE SISTERS TO ME… OF COURSE I LIKE HISTORY AND ARCHIVES TOO SO [THE COLLECTION] IS KIND OF IMPORTANT TO ME TOO… WE LIVED TOGETHER, AND ATE TOGETHER, AND CRIED TOGETHER AND DID EVERYTHING TOGETHER FOR THREE YEARS, BECAUSE WE LIVED RIGHT IN A RESIDENCE. SO, WE BECAME VERY CLOSE… AND IF YOU WORK IN THE ALUMNI, YOU BECOME KIND OF LIKE A LITTLE FAMILY TOO BECAUSE THERE’S NOT THAT MANY OF US THAT GO TO OUR MEETINGS, SO WHEN WE GET TOGETHER, IT’S KIND OF NICE TO SHARE WHAT’S BEEN GOING ON… IT’S A FELLOWSHIP.” OF THE GSN COLLECTION, HAMILTON SAID: “IT’S AN ACCUMULATION OF ARTIFACTS FROM THE HOSPITALS AND FROM OUR TRAINING DAYS. AND, IT’S PART OF THE HISTORY OF LETHBRIDGE IN A WAY, BECAUSE THE SCHOOL WAS HERE FOR QUITE A WHILE… I’M A CARE GIVER AND I LIKE TO LOOK AFTER STUFF. SO, IT WAS IMPORTANT TO ME THAT IT GOT CARED FOR… I THINK WITH THE CLOSING [OF THE GALT SCHOOL OF NURSING, IN 1979] WE GOT ALL THE CHARTS, AND WE ALREADY HAD THINGS FROM THE GALT HOSPITAL IN OUR STUFF THAT PROBABLY SOMEBODY [BEFORE HIGA] ACCEPTED… WHEN WE WENT INTO THE MUNICIPAL HOSPITAL [IN 1955] IT WAS ALL BRAND NEW, STAINLESS STEEL, SO THERE WAS NONE OF THE ENAMEL STUFF, AND THEN WHEN THE MUNICIPAL CLOSED [IN 1988], THE OPERATING ROOM GAVE US A LOT OF THINGS. THERE WERE A LOT OF DONATIONS THEN FROM DIFFERENT SPOTS BECAUSE THEY DIDN’T WANT TO MOVE STUFF SINCE IT WAS OLD… WE GOT A PLACE [FOR STORING THE COLLECTION IN THE REGIONAL HOSPITAL], ACTUALLY ABOVE THE WASHERS IN THE LAUNDRY FIRST. BUT IT WAS PRETTY MOIST UP THERE. AND THEN THEY GAVE US A ROOM IN THE SEWING ROOM, WHICH WAS VERY NICE, OUR OWN SEPARATE LITTLE ROOM THERE FOR OUR STORAGE… WE HAD THINGS UP ON A SHELF AND WE HAD A TRUNK IN THERE, AND… WE HAD ALL THE LETTERS FROM THE RESIDENCE… WE HAD A DISPLAY CASE THAT THEY BUILT AT THE REGIONAL [IN THE HOSPITAL ATRIUM] AND WE HAD STUFF IN THERE, AND WE’D MOVE IT AROUND… HAVING THE DISPLAY CASE WAS IMPORTANT TO ME, AND CHANGING THE UNIFORM ON [THE DISPLAY MANNEQUIN] EVERY ONCE IN A WHILE, AND HAVING HER IN DIFFERENT OUTFITS… I ALWAYS HAD IT ALL TIDY FOR A REUNION… I WOULD CHANGE THE UNIFORM FOR THEM, DEPENDING ON WHAT CLASS WAS HAVING THEIR REUNION.” SUE KYLLO BECAME THE GSN COLLECTION ARCHIVIST IN 2010 AFTER ELAINE HAMILTON STEPPED DOWN. OF THE ALUMNAE ASSOCIATION, KYLLO SAID: “[I ATTENDED THE GALT SCHOOL OF NURSING] FROM ’66 TO ’69, AND I JOINED IN 1976 AFTER I CAME BACK TO LETHBRIDGE. I HAD TWO LITTLE KIDS AND I WANTED TO GET OUT AND MEET PEOPLE AND THE ALUMNI GAVE ME THAT… I WANTED TO STAY IN TOUCH WITH MY NURSING FRIENDS AND SEE IF I CAN HELP OUT IN SOME WAY… THE ALUMNI IS THE WAY TO GO TO KEEP OUR NURSING MEMORIES ALIVE AND I WANT TO DO THAT. SO NOW IT’S IMPORTANT TO ME WAY MORE THAN WHEN I WAS A YOUNG MOTHER THAT WANTED TO GET OUT… IT MEANS COMPANIONSHIP [AND] TO HELP EACH OTHER.” OF THE GSN COLLECTION, KYLLO SAID: “I DON’T KNOW HOW IT GOT STARTED. I WOULD THINK THAT MRS. BOYCHUCK WOULD HAVE A LOT TO DO WITH IT BECAUSE [SHE] WAS VERY ACTIVE IN THE ALUMNI AT THE BEGINNING, AND I WOULD THINK THAT IF ANYBODY, IT WOULD BE HER THAT STARTED COLLECTING THE ODD LITTLE THING, AND THEN IT WENT TO SHIRLEY. I DON’T KNOW THAT THERE WAS ANYBODY BEFORE SHIRLEY… OUR ALUMNI ONLY STARTED IN [1945], SO THERE WERE THOSE PERIODS WHERE I DON’T THINK ANYBODY CARED ABOUT ANY OF THIS STUFF… TO ME, IT MEANS AN AWFUL LOT. IT MEANS THAT WE EXISTED REALLY… IF WE DIDN’T HAVE ALL THIS STUFF, WELL WHAT WERE WE? A NURSE, WHAT DOES A NURSE DO? WITH THIS WE CAN SHOW THEM THAT WE DIDN’T JUST GIVE BEDPANS. WE DID A LOT OF THINGS, AND I’M REALLY PROUD THAT WE HAVE WHAT WE’VE GOT.” OF THE SITUATION LEADING UP TO THE DONATION OF THE GSN COLLECTION TO THE GALT MUSEUM, KYLLO SAID: “WE HAD A DISPLAY AT THE NORTH END OF THE HOSPITAL [THAT] WAS GOING TO STAY THERE [AND ADDITIONAL COLLECTION STORAGE] AND WE DIDN’T HAVE A PROBLEM... WE WERE ALWAYS UNDER THE IMPRESSION OF ALL THE PAST ADMINISTRATIONS THAT WE ALWAYS HAD A PLACE IN THAT HOSPITAL… NOW THAT ALL THE OLD GUYS HAVE GONE, THEY JUST UP AND MOVED [THE COLLECTION, IN FALL 2012] AND DIDN’T CARE. THEY WERE BUILDING A NEW WING AND ‘TO HECK WITH YOUR GUYS’ STUFF’… NOBODY WANTED TO EVEN TALK TO US ABOUT IT. I FINALLY GOT AHOLD OF THE GUY IN CHARGE OF MAINTENANCE, [HE] SAID, “WELL IT’S UPSTAIRS IN THE PENTHOUSE.” WELL, WE KNEW WHAT THE PENTHOUSE WAS LIKE, BECAUSE IT WAS VERY HOT AND YOU DON’T WANT [THESE ARTIFACTS] IN SOMEPLACE REALLY HOT, SO I WANTED IT OUT OF THERE… SO THAT’S WHEN IT WENT OUT INTO A STORAGE LOCKER. AND IN THE STORAGE LOCKER… IT WAS JUST NOT CLEAN ENOUGH TO BE IN THERE… WE WERE VERY DISAPPOINTED.” HAMILTON ADDED: “WE DIDN’T HAVE ANYWHERE FOR [THE COLLECTION], AND IT’S IN PEOPLE’S GARAGES AND BASEMENTS AND LIVING ROOMS… [THE MUSEUM IS HOUSED IN] THE GALT HOSPITAL. AND A LOT OF OUR MEMBERS TRAINED HERE. SO IT’S PRETTY SPECIAL TO THEM, AND THEY WOULD LIKE TO LEAVE SOMETHING HERE TO BE REMEMBERED BY… IT’S VERY IMPORTANT TO US TO LEAVE SOMETHING BEHIND.” SEE PERMANENT FILE FOR HARDCOPIES OF FULL INTERVIEW TRANSCRIPTS AND NEWSPAPER ARTICLES.
Catalogue Number
P20140006001
Acquisition Date
2014-03
Collection
Museum
Images
Less detail
Other Name
BIB, “B. KIPP”
Date Range From
1928
Date Range To
1950
Material Type
Artifact
Materials
COTTON
Catalogue Number
P20140006003
  2 images  
Material Type
Artifact
Other Name
BIB, “B. KIPP”
Date Range From
1928
Date Range To
1950
Materials
COTTON
No. Pieces
1
Height
0.2
Length
116
Width
38.5
Description
WHITE, STARCHED COTTON APRON BIB, V-NECKED WITH TWO WIDE SHOULDER STRAPS. WAISTBAND AND ENDS OF STRAPS ARE ADDITIONAL PIECES OF FABRIC SEWN TO LARGER BIB PIECE. BACK OF WAISTBAND IS STAMPED WITH ILLEGIBLE TEXT AND THE NUMBER “07013” IN BLACK INK, AND HANDWRITTEN TEXT READING “B. KIPP”. FABRIC IS CREASED FROM PRIOR STORAGE AND FRONT OF WAISTBAND HAS TWO BLACK STAINS FROM INK ON BACK SIDE. OVERALL VERY GOOD CONDITION.
Subjects
CLOTHING-OUTERWEAR
Historical Association
HEALTH SERVICES
EDUCATION
History
AT THE TIME OF DONATION, GALT SCHOOL OF NURSING ALUMNAE ASSOCIATION PAST ARCHIVIST ELAINE HAMILTON IDENTIFIED THIS BIB AS BELONGING TO GALT NURSE BERTHA KIPP. ACCORDING TO HER LETHBRIDGE HERALD OBITUARY AND GALT ARCHIVES RECORD 19911050001, BERTHA KIPP WAS BORN IN 1907, AND MOVED TO LETHBRIDGE FROM FORT MACLEOD IN 1925 TO PURSUE HER NURSING CAREER. SHE GRADUATED FROM THE GALT SCHOOL OF NURSING IN 1928, AND NURSED IN THE GALT HOSPITAL, TAUGHT STUDENTS AT ST. MICHAEL’S SCHOOL OF NURSING, AND SERVED AS THE SUPERINTENDENT OF NURSING AT THE GALT. SHE RETIRED IN 1973 AND WAS A LIFE MEMBER OF THE GALT SCHOOL OF NURSING ALUMNAE ASSOCIATION AND AN HONOURARY LIFE MEMBER OF THE ALBERTA ASSOCIATION OF REGISTERED NURSES. KIPP SERVED ON THE LETHBRIDGE PUBLIC SCHOOL BOARD, LETHBRIDGE COMMUNITY COLLEGE BOARD, AND UNIVERSITY OF LETHBRIDGE SENATE. SHE WAS ALSO AN HISTORIAN OF EARLY NURSING IN SOUTHERN ALBERTA. BERTHA KIPP DIED IN DECEMBER 1989. IN SUMMER 2014, COLLECTIONS TECHNICIAN KEVIN MACLEAN INTERVIEWED THE PAST ARCHIVISTS OF THE GALT SCHOOL OF NURSING COLLECTION, SHIRLEY HIGA, ELAINE HAMILTON, AND SUE KYLLO, ABOUT THEIR INVOLVEMENT WITH THE GSN ALUMNAE ASSOCIATION AND THE HISTORY OF THE COLLECTED ARTIFACTS. HIGA, THE EARLIEST GSN COLLECTION ARCHIVIST, SAID: “I TRAINED MOSTLY AT THE GALT. THE STUDENTS, WE ALL KNEW EACH OTHER, HELPED EACH OTHER BECAUSE THERE WERE MOSTLY STUDENTS THERE: ONE REGISTERED NURSE FROM 7AM TO 7PM. THE REST WERE ALL US STUDENTS THAT RAN THE HOSPITAL SO, BUT WE WERE REALLY GOOD FRIENDS AND WE HELPED EACH OTHER… WE HAD SUCH GOOD RAPPORT BETWEEN THE STUDENTS IN MY CLASS… I JOINED [THE ALUMNAE] WHEN I GRADUATED IN 1955… I WAS INTERESTED IN HOW EVERYBODY TURNED OUT, AND THE ALUMNAE SORT OF KEPT IN CONTACT WITH THEM, AND IT WAS QUITE IMPORTANT TO ME. I FELT QUITE HAPPY TO HEAR ABOUT ALL THE OTHER [NURSES]… IT’S NICE WHEN THEY CAME FOR THE REUNIONS. YOU SEE ALL THESE GIRLS YOU WORKED WITH, MAYBE ONLY FOR A LITTLE WHILE, BUT YOU REMEMBER THEM… I REALLY DIDN’T WANT TO BE THE ARCHIVIST, BUT WE DON’T HAVE TOO MANY PEOPLE THAT OFFER TO DO THINGS… I WAS INTERESTED IN ALL THE HISTORY AND ALL THE THINGS THAT THE GIRLS THOUGHT ABOUT IT… [THE ARCHIVIST WAS TO] KEEP TRACK OF ALL THE HISTORY AND THE PEOPLE THAT WERE INVOLVED, AND KEEP TRACK OF THE STUFF WE COLLECT[ED]… [THE COLLECTION IS IMPORTANT TO ME BECAUSE] I LIKE EVERYBODY TO KNOW ABOUT THE GALT AND HOW WE TRAINED AND HOW IT PROGRESSED… AS YOU GET OLDER YOU KIND OF HAVE MEMORIES THAT YOU WOULD LIKE TO KEEP, AND YOU KNOW YOU THINK ABOUT THOSE THINGS… [WHEN] YOU LOOK AT [THE OBJECTS] YOU REMEMBER.” ELAINE HAMILTON BECAME THE GSN COLLECTION ARCHIVIST IN THE LATE 1980S AFTER SHIRLEY HIGA STEPPED DOWN. OF THE ALUMNAE ASSOCIATION, HAMILTON SAID: “I THINK THE RETIRED NURSES DECIDED THAT THEY SHOULD FORM A GROUP TO HELP THE STUDENTS… I WASN’T THERE BUT IT WAS ’45 WHEN THEY FORMED, AND THEY DID THINGS FOR THE NURSES STUDENTS LIKE, THEY BOUGHT FURNITURE [FOR STUDENT RESIDENCES]… THEY DID A WHOLE BUNCH OF BAKE SALES AND CRAFT SALES; THEY WORKED AT THE BULL SALE OUT AT THE EXHIBITION GROUNDS. THEY DID A LOT OF THINGS LIKE THAT TO RAISE MONEY FOR LITTLE THINGS THAT COULDN’T BE BOUGHT OTHERWISE, LIKE THE PATIENT COMFORT, LIKE PATIENTS WOULD COME IN WITHOUT TOOTHBRUSHES AND COMBS… THEY HAD A BANQUET [FOR NURSING STUDENTS], AND THEY HAD A TEA WITH OUR PARENTS TOO, FOR US IN THE RESIDENCE… FOR ME, THE MOST IMPORTANT THING WAS THE BANQUETS, AND HAVING MY CLASSMATES COME EVERY FIVE YEARS, BECAUSE THEY ARE LIKE SISTERS TO ME… OF COURSE I LIKE HISTORY AND ARCHIVES TOO SO [THE COLLECTION] IS KIND OF IMPORTANT TO ME TOO… WE LIVED TOGETHER, AND ATE TOGETHER, AND CRIED TOGETHER AND DID EVERYTHING TOGETHER FOR THREE YEARS, BECAUSE WE LIVED RIGHT IN A RESIDENCE. SO, WE BECAME VERY CLOSE… AND IF YOU WORK IN THE ALUMNI, YOU BECOME KIND OF LIKE A LITTLE FAMILY TOO BECAUSE THERE’S NOT THAT MANY OF US THAT GO TO OUR MEETINGS, SO WHEN WE GET TOGETHER, IT’S KIND OF NICE TO SHARE WHAT’S BEEN GOING ON… IT’S A FELLOWSHIP.” OF THE GSN COLLECTION, HAMILTON SAID: “IT’S AN ACCUMULATION OF ARTIFACTS FROM THE HOSPITALS AND FROM OUR TRAINING DAYS. AND, IT’S PART OF THE HISTORY OF LETHBRIDGE IN A WAY, BECAUSE THE SCHOOL WAS HERE FOR QUITE A WHILE… I’M A CARE GIVER AND I LIKE TO LOOK AFTER STUFF. SO, IT WAS IMPORTANT TO ME THAT IT GOT CARED FOR… I THINK WITH THE CLOSING [OF THE GALT SCHOOL OF NURSING, IN 1979] WE GOT ALL THE CHARTS, AND WE ALREADY HAD THINGS FROM THE GALT HOSPITAL IN OUR STUFF THAT PROBABLY SOMEBODY [BEFORE HIGA] ACCEPTED… WHEN WE WENT INTO THE MUNICIPAL HOSPITAL [IN 1955] IT WAS ALL BRAND NEW, STAINLESS STEEL, SO THERE WAS NONE OF THE ENAMEL STUFF, AND THEN WHEN THE MUNICIPAL CLOSED [IN 1988], THE OPERATING ROOM GAVE US A LOT OF THINGS. THERE WERE A LOT OF DONATIONS THEN FROM DIFFERENT SPOTS BECAUSE THEY DIDN’T WANT TO MOVE STUFF SINCE IT WAS OLD… WE GOT A PLACE [FOR STORING THE COLLECTION IN THE REGIONAL HOSPITAL], ACTUALLY ABOVE THE WASHERS IN THE LAUNDRY FIRST. BUT IT WAS PRETTY MOIST UP THERE. AND THEN THEY GAVE US A ROOM IN THE SEWING ROOM, WHICH WAS VERY NICE, OUR OWN SEPARATE LITTLE ROOM THERE FOR OUR STORAGE… WE HAD THINGS UP ON A SHELF AND WE HAD A TRUNK IN THERE, AND… WE HAD ALL THE LETTERS FROM THE RESIDENCE… WE HAD A DISPLAY CASE THAT THEY BUILT AT THE REGIONAL [IN THE HOSPITAL ATRIUM] AND WE HAD STUFF IN THERE, AND WE’D MOVE IT AROUND… HAVING THE DISPLAY CASE WAS IMPORTANT TO ME, AND CHANGING THE UNIFORM ON [THE DISPLAY MANNEQUIN] EVERY ONCE IN A WHILE, AND HAVING HER IN DIFFERENT OUTFITS… I ALWAYS HAD IT ALL TIDY FOR A REUNION… I WOULD CHANGE THE UNIFORM FOR THEM, DEPENDING ON WHAT CLASS WAS HAVING THEIR REUNION.” SUE KYLLO BECAME THE GSN COLLECTION ARCHIVIST IN 2010 AFTER ELAINE HAMILTON STEPPED DOWN. OF THE ALUMNAE ASSOCIATION, KYLLO SAID: “[I ATTENDED THE GALT SCHOOL OF NURSING] FROM ’66 TO ’69, AND I JOINED IN 1976 AFTER I CAME BACK TO LETHBRIDGE. I HAD TWO LITTLE KIDS AND I WANTED TO GET OUT AND MEET PEOPLE AND THE ALUMNI GAVE ME THAT… I WANTED TO STAY IN TOUCH WITH MY NURSING FRIENDS AND SEE IF I CAN HELP OUT IN SOME WAY… THE ALUMNI IS THE WAY TO GO TO KEEP OUR NURSING MEMORIES ALIVE AND I WANT TO DO THAT. SO NOW IT’S IMPORTANT TO ME WAY MORE THAN WHEN I WAS A YOUNG MOTHER THAT WANTED TO GET OUT… IT MEANS COMPANIONSHIP [AND] TO HELP EACH OTHER.” OF THE GSN COLLECTION, KYLLO SAID: “I DON’T KNOW HOW IT GOT STARTED. I WOULD THINK THAT MRS. BOYCHUCK WOULD HAVE A LOT TO DO WITH IT BECAUSE [SHE] WAS VERY ACTIVE IN THE ALUMNI AT THE BEGINNING, AND I WOULD THINK THAT IF ANYBODY, IT WOULD BE HER THAT STARTED COLLECTING THE ODD LITTLE THING, AND THEN IT WENT TO SHIRLEY. I DON’T KNOW THAT THERE WAS ANYBODY BEFORE SHIRLEY… OUR ALUMNI ONLY STARTED IN [1945], SO THERE WERE THOSE PERIODS WHERE I DON’T THINK ANYBODY CARED ABOUT ANY OF THIS STUFF… TO ME, IT MEANS AN AWFUL LOT. IT MEANS THAT WE EXISTED REALLY… IF WE DIDN’T HAVE ALL THIS STUFF, WELL WHAT WERE WE? A NURSE, WHAT DOES A NURSE DO? WITH THIS WE CAN SHOW THEM THAT WE DIDN’T JUST GIVE BEDPANS. WE DID A LOT OF THINGS, AND I’M REALLY PROUD THAT WE HAVE WHAT WE’VE GOT.” OF THE SITUATION LEADING UP TO THE DONATION OF THE GSN COLLECTION TO THE GALT MUSEUM, KYLLO SAID: “WE HAD A DISPLAY AT THE NORTH END OF THE HOSPITAL [THAT] WAS GOING TO STAY THERE [AND ADDITIONAL COLLECTION STORAGE] AND WE DIDN’T HAVE A PROBLEM... WE WERE ALWAYS UNDER THE IMPRESSION OF ALL THE PAST ADMINISTRATIONS THAT WE ALWAYS HAD A PLACE IN THAT HOSPITAL… NOW THAT ALL THE OLD GUYS HAVE GONE, THEY JUST UP AND MOVED [THE COLLECTION, IN FALL 2012] AND DIDN’T CARE. THEY WERE BUILDING A NEW WING AND ‘TO HECK WITH YOUR GUYS’ STUFF’… NOBODY WANTED TO EVEN TALK TO US ABOUT IT. I FINALLY GOT AHOLD OF THE GUY IN CHARGE OF MAINTENANCE, [HE] SAID, “WELL IT’S UPSTAIRS IN THE PENTHOUSE.” WELL, WE KNEW WHAT THE PENTHOUSE WAS LIKE, BECAUSE IT WAS VERY HOT AND YOU DON’T WANT [THESE ARTIFACTS] IN SOMEPLACE REALLY HOT, SO I WANTED IT OUT OF THERE… SO THAT’S WHEN IT WENT OUT INTO A STORAGE LOCKER. AND IN THE STORAGE LOCKER… IT WAS JUST NOT CLEAN ENOUGH TO BE IN THERE… WE WERE VERY DISAPPOINTED.” HAMILTON ADDED: “WE DIDN’T HAVE ANYWHERE FOR [THE COLLECTION], AND IT’S IN PEOPLE’S GARAGES AND BASEMENTS AND LIVING ROOMS… [THE MUSEUM IS HOUSED IN] THE GALT HOSPITAL. AND A LOT OF OUR MEMBERS TRAINED HERE. SO IT’S PRETTY SPECIAL TO THEM, AND THEY WOULD LIKE TO LEAVE SOMETHING HERE TO BE REMEMBERED BY… IT’S VERY IMPORTANT TO US TO LEAVE SOMETHING BEHIND.” SEE PERMANENT FILE FOR HARDCOPIES OF FULL INTERVIEW TRANSCRIPTS AND NEWSPAPER ARTICLES.
Catalogue Number
P20140006003
Acquisition Date
2014-03
Collection
Museum
Images
Less detail
Other Name
CAP, “GSN”
Date Range From
1910
Date Range To
1930
Material Type
Artifact
Materials
COTTON, PLASTIC
Catalogue Number
P20140006005
  1 image  
Material Type
Artifact
Other Name
CAP, “GSN”
Date Range From
1910
Date Range To
1930
Materials
COTTON, PLASTIC
No. Pieces
3
Height
0.1
Length
60
Width
30
Description
.A - TRIANGULAR PIECE OF WHITE, STARCHED COTTON WITH WIDE HEM ALONG BOTTOM EDGE AND CONCAVE CURVES ALONG EACH UPPER SIDE. TOP IS HEMMED AND HAS TWO HORIZONTAL BUTTONHOLE ALONG EDGE. A SMALLER PIECE OF WHITE COTTON IS SEWN ONTO THE BACK OF THE TOP HEM, AND MARKED WITH HANDWRITING IN BLACK INK READING “GSN”. MINOR WEAR ALONG EDGES, BROWN STAINED DOT NEAR BOTTOM CENTRE; OVERALL VERY GOOD CONDITION. 0.1 X 60 X 30 .B & .C – WHITE ROUND PEARLIZED BUTTONS, ATTACHED NEAR CENTRE OF TRIANGULAR PIECE OF FABRIC AT EDGES OF CONCAVE CURVES. PINNED TO .A WITH METAL SAFETY PINS. OVERALL VERY GOOD CONDITION. 0.1 X 1.4 X 1.4
Subjects
CLOTHING-OUTERWEAR
Historical Association
HEALTH SERVICES
EDUCATION
History
AT THE TIME OF DONATION, GALT SCHOOL OF NURSING ALUMNAE ASSOCIATION PAST ARCHIVIST ELAINE HAMILTON IDENTIFIED THIS CAP AS BEING PART OF THE “OLDEST UNIFORM” HELD IN THE ALUMNAE’S COLLECTION. THIS CAP, ALONG WITH P20140006001, P20140006002, P20140006003, AND P20140006004, WAS USED TO DRESS THE ALUMNAE’S MANNEQUIN THAT WAS ON DISPLAY IN THE ATRIUM AT THE LETHBRIDGE REGIONAL HOSPITAL. IN SUMMER 2014, COLLECTIONS TECHNICIAN KEVIN MACLEAN INTERVIEWED THE PAST ARCHIVISTS OF THE GALT SCHOOL OF NURSING COLLECTION, SHIRLEY HIGA, ELAINE HAMILTON, AND SUE KYLLO, ABOUT THEIR INVOLVEMENT WITH THE GSN ALUMNAE ASSOCIATION AND THE HISTORY OF THE COLLECTED ARTIFACTS. HIGA, THE EARLIEST GSN COLLECTION ARCHIVIST, SAID: “I TRAINED MOSTLY AT THE GALT. THE STUDENTS, WE ALL KNEW EACH OTHER, HELPED EACH OTHER BECAUSE THERE WERE MOSTLY STUDENTS THERE: ONE REGISTERED NURSE FROM 7AM TO 7PM. THE REST WERE ALL US STUDENTS THAT RAN THE HOSPITAL SO, BUT WE WERE REALLY GOOD FRIENDS AND WE HELPED EACH OTHER… WE HAD SUCH GOOD RAPPORT BETWEEN THE STUDENTS IN MY CLASS… I JOINED [THE ALUMNAE] WHEN I GRADUATED IN 1955… I WAS INTERESTED IN HOW EVERYBODY TURNED OUT, AND THE ALUMNAE SORT OF KEPT IN CONTACT WITH THEM, AND IT WAS QUITE IMPORTANT TO ME. I FELT QUITE HAPPY TO HEAR ABOUT ALL THE OTHER [NURSES]… IT’S NICE WHEN THEY CAME FOR THE REUNIONS. YOU SEE ALL THESE GIRLS YOU WORKED WITH, MAYBE ONLY FOR A LITTLE WHILE, BUT YOU REMEMBER THEM… I REALLY DIDN’T WANT TO BE THE ARCHIVIST, BUT WE DON’T HAVE TOO MANY PEOPLE THAT OFFER TO DO THINGS… I WAS INTERESTED IN ALL THE HISTORY AND ALL THE THINGS THAT THE GIRLS THOUGHT ABOUT IT… [THE ARCHIVIST WAS TO] KEEP TRACK OF ALL THE HISTORY AND THE PEOPLE THAT WERE INVOLVED, AND KEEP TRACK OF THE STUFF WE COLLECT[ED]… [THE COLLECTION IS IMPORTANT TO ME BECAUSE] I LIKE EVERYBODY TO KNOW ABOUT THE GALT AND HOW WE TRAINED AND HOW IT PROGRESSED… AS YOU GET OLDER YOU KIND OF HAVE MEMORIES THAT YOU WOULD LIKE TO KEEP, AND YOU KNOW YOU THINK ABOUT THOSE THINGS… [WHEN] YOU LOOK AT [THE OBJECTS] YOU REMEMBER.” ELAINE HAMILTON BECAME THE GSN COLLECTION ARCHIVIST IN THE LATE 1980S AFTER SHIRLEY HIGA STEPPED DOWN. OF THE ALUMNAE ASSOCIATION, HAMILTON SAID: “I THINK THE RETIRED NURSES DECIDED THAT THEY SHOULD FORM A GROUP TO HELP THE STUDENTS… I WASN’T THERE BUT IT WAS ’45 WHEN THEY FORMED, AND THEY DID THINGS FOR THE NURSES STUDENTS LIKE, THEY BOUGHT FURNITURE [FOR STUDENT RESIDENCES]… THEY DID A WHOLE BUNCH OF BAKE SALES AND CRAFT SALES; THEY WORKED AT THE BULL SALE OUT AT THE EXHIBITION GROUNDS. THEY DID A LOT OF THINGS LIKE THAT TO RAISE MONEY FOR LITTLE THINGS THAT COULDN’T BE BOUGHT OTHERWISE, LIKE THE PATIENT COMFORT, LIKE PATIENTS WOULD COME IN WITHOUT TOOTHBRUSHES AND COMBS… THEY HAD A BANQUET [FOR NURSING STUDENTS], AND THEY HAD A TEA WITH OUR PARENTS TOO, FOR US IN THE RESIDENCE… FOR ME, THE MOST IMPORTANT THING WAS THE BANQUETS, AND HAVING MY CLASSMATES COME EVERY FIVE YEARS, BECAUSE THEY ARE LIKE SISTERS TO ME… OF COURSE I LIKE HISTORY AND ARCHIVES TOO SO [THE COLLECTION] IS KIND OF IMPORTANT TO ME TOO… WE LIVED TOGETHER, AND ATE TOGETHER, AND CRIED TOGETHER AND DID EVERYTHING TOGETHER FOR THREE YEARS, BECAUSE WE LIVED RIGHT IN A RESIDENCE. SO, WE BECAME VERY CLOSE… AND IF YOU WORK IN THE ALUMNI, YOU BECOME KIND OF LIKE A LITTLE FAMILY TOO BECAUSE THERE’S NOT THAT MANY OF US THAT GO TO OUR MEETINGS, SO WHEN WE GET TOGETHER, IT’S KIND OF NICE TO SHARE WHAT’S BEEN GOING ON… IT’S A FELLOWSHIP.” OF THE GSN COLLECTION, HAMILTON SAID: “IT’S AN ACCUMULATION OF ARTIFACTS FROM THE HOSPITALS AND FROM OUR TRAINING DAYS. AND, IT’S PART OF THE HISTORY OF LETHBRIDGE IN A WAY, BECAUSE THE SCHOOL WAS HERE FOR QUITE A WHILE… I’M A CARE GIVER AND I LIKE TO LOOK AFTER STUFF. SO, IT WAS IMPORTANT TO ME THAT IT GOT CARED FOR… I THINK WITH THE CLOSING [OF THE GALT SCHOOL OF NURSING, IN 1979] WE GOT ALL THE CHARTS, AND WE ALREADY HAD THINGS FROM THE GALT HOSPITAL IN OUR STUFF THAT PROBABLY SOMEBODY [BEFORE HIGA] ACCEPTED… WHEN WE WENT INTO THE MUNICIPAL HOSPITAL [IN 1955] IT WAS ALL BRAND NEW, STAINLESS STEEL, SO THERE WAS NONE OF THE ENAMEL STUFF, AND THEN WHEN THE MUNICIPAL CLOSED [IN 1988], THE OPERATING ROOM GAVE US A LOT OF THINGS. THERE WERE A LOT OF DONATIONS THEN FROM DIFFERENT SPOTS BECAUSE THEY DIDN’T WANT TO MOVE STUFF SINCE IT WAS OLD… WE GOT A PLACE [FOR STORING THE COLLECTION IN THE REGIONAL HOSPITAL], ACTUALLY ABOVE THE WASHERS IN THE LAUNDRY FIRST. BUT IT WAS PRETTY MOIST UP THERE. AND THEN THEY GAVE US A ROOM IN THE SEWING ROOM, WHICH WAS VERY NICE, OUR OWN SEPARATE LITTLE ROOM THERE FOR OUR STORAGE… WE HAD THINGS UP ON A SHELF AND WE HAD A TRUNK IN THERE, AND… WE HAD ALL THE LETTERS FROM THE RESIDENCE… WE HAD A DISPLAY CASE THAT THEY BUILT AT THE REGIONAL [IN THE HOSPITAL ATRIUM] AND WE HAD STUFF IN THERE, AND WE’D MOVE IT AROUND… HAVING THE DISPLAY CASE WAS IMPORTANT TO ME, AND CHANGING THE UNIFORM ON [THE DISPLAY MANNEQUIN] EVERY ONCE IN A WHILE, AND HAVING HER IN DIFFERENT OUTFITS… I ALWAYS HAD IT ALL TIDY FOR A REUNION… I WOULD CHANGE THE UNIFORM FOR THEM, DEPENDING ON WHAT CLASS WAS HAVING THEIR REUNION.” SUE KYLLO BECAME THE GSN COLLECTION ARCHIVIST IN 2010 AFTER ELAINE HAMILTON STEPPED DOWN. OF THE ALUMNAE ASSOCIATION, KYLLO SAID: “[I ATTENDED THE GALT SCHOOL OF NURSING] FROM ’66 TO ’69, AND I JOINED IN 1976 AFTER I CAME BACK TO LETHBRIDGE. I HAD TWO LITTLE KIDS AND I WANTED TO GET OUT AND MEET PEOPLE AND THE ALUMNI GAVE ME THAT… I WANTED TO STAY IN TOUCH WITH MY NURSING FRIENDS AND SEE IF I CAN HELP OUT IN SOME WAY… THE ALUMNI IS THE WAY TO GO TO KEEP OUR NURSING MEMORIES ALIVE AND I WANT TO DO THAT. SO NOW IT’S IMPORTANT TO ME WAY MORE THAN WHEN I WAS A YOUNG MOTHER THAT WANTED TO GET OUT… IT MEANS COMPANIONSHIP [AND] TO HELP EACH OTHER.” OF THE GSN COLLECTION, KYLLO SAID: “I DON’T KNOW HOW IT GOT STARTED. I WOULD THINK THAT MRS. BOYCHUCK WOULD HAVE A LOT TO DO WITH IT BECAUSE [SHE] WAS VERY ACTIVE IN THE ALUMNI AT THE BEGINNING, AND I WOULD THINK THAT IF ANYBODY, IT WOULD BE HER THAT STARTED COLLECTING THE ODD LITTLE THING, AND THEN IT WENT TO SHIRLEY. I DON’T KNOW THAT THERE WAS ANYBODY BEFORE SHIRLEY… OUR ALUMNI ONLY STARTED IN [1945], SO THERE WERE THOSE PERIODS WHERE I DON’T THINK ANYBODY CARED ABOUT ANY OF THIS STUFF… TO ME, IT MEANS AN AWFUL LOT. IT MEANS THAT WE EXISTED REALLY… IF WE DIDN’T HAVE ALL THIS STUFF, WELL WHAT WERE WE? A NURSE, WHAT DOES A NURSE DO? WITH THIS WE CAN SHOW THEM THAT WE DIDN’T JUST GIVE BEDPANS. WE DID A LOT OF THINGS, AND I’M REALLY PROUD THAT WE HAVE WHAT WE’VE GOT.” OF THE SITUATION LEADING UP TO THE DONATION OF THE GSN COLLECTION TO THE GALT MUSEUM, KYLLO SAID: “WE HAD A DISPLAY AT THE NORTH END OF THE HOSPITAL [THAT] WAS GOING TO STAY THERE [AND ADDITIONAL COLLECTION STORAGE] AND WE DIDN’T HAVE A PROBLEM... WE WERE ALWAYS UNDER THE IMPRESSION OF ALL THE PAST ADMINISTRATIONS THAT WE ALWAYS HAD A PLACE IN THAT HOSPITAL… NOW THAT ALL THE OLD GUYS HAVE GONE, THEY JUST UP AND MOVED [THE COLLECTION, IN FALL 2012] AND DIDN’T CARE. THEY WERE BUILDING A NEW WING AND ‘TO HECK WITH YOUR GUYS’ STUFF’… NOBODY WANTED TO EVEN TALK TO US ABOUT IT. I FINALLY GOT AHOLD OF THE GUY IN CHARGE OF MAINTENANCE, [HE] SAID, “WELL IT’S UPSTAIRS IN THE PENTHOUSE.” WELL, WE KNEW WHAT THE PENTHOUSE WAS LIKE, BECAUSE IT WAS VERY HOT AND YOU DON’T WANT [THESE ARTIFACTS] IN SOMEPLACE REALLY HOT, SO I WANTED IT OUT OF THERE… SO THAT’S WHEN IT WENT OUT INTO A STORAGE LOCKER. AND IN THE STORAGE LOCKER… IT WAS JUST NOT CLEAN ENOUGH TO BE IN THERE… WE WERE VERY DISAPPOINTED.” HAMILTON ADDED: “WE DIDN’T HAVE ANYWHERE FOR [THE COLLECTION], AND IT’S IN PEOPLE’S GARAGES AND BASEMENTS AND LIVING ROOMS… [THE MUSEUM IS HOUSED IN] THE GALT HOSPITAL. AND A LOT OF OUR MEMBERS TRAINED HERE. SO IT’S PRETTY SPECIAL TO THEM, AND THEY WOULD LIKE TO LEAVE SOMETHING HERE TO BE REMEMBERED BY… IT’S VERY IMPORTANT TO US TO LEAVE SOMETHING BEHIND.” SEE PERMANENT FILE FOR HARDCOPIES OF FULL INTERVIEW TRANSCRIPTS AND NEWSPAPER ARTICLES.
Catalogue Number
P20140006005
Acquisition Date
2014-03
Collection
Museum
Images
Less detail
Date Range From
1912
Date Range To
1915
Material Type
Artifact
Materials
LEATHER, BEAD, COTTON
Catalogue Number
P19780209000
  1 image  
Material Type
Artifact
Date Range From
1912
Date Range To
1915
Materials
LEATHER, BEAD, COTTON
No. Pieces
1
Length
76.2
Width
50.8
Description
PONCHO OR CAPE. THE TOP COMPLETED BEADED IN AN INTRICATE GEOMETRIC PATTERN USING MANY DIFFERENT COLOURED BEADS. LEATHER THONG FRINGES ALONG EDGES. BOTTOM HAS BEIGE COTTON LINING (BROWN WITH AGE). HOLE IN THE CENTRE WITH BLACK CLOTH LINING. FRINGE SEPARATING FROM LEATHER BODY; DRYING. SMALL HOLE IN BEADING.
Subjects
INDIGENOUS
CLOTHING-OUTERWEAR
ADORNMENT
Historical Association
ETHNOGRAPHIC
History
ACQUIRED FROM JOE HEALY A BLOOD TRIBE MEMBER BY DONOR'S HUSBAND HERBERT HUSBAND ABOUT 1912. SEE P197800207000-GA FOR HISTORY. ON 26 JANUARY 2011, GALT CURATOR WENDY AITKENS PROFILED THIS CAPE (P19780209000) AS PART OF HER CURATOR PRESENTS’ FAKES AND FORGERIES PROGRAM. AITKENS WAS INFORMED BY COLLECTIONS STAFF THAT THE CAPE WAS FEATURED IN A GALT-SUBMITTED, LETHBRIDGE LIVING MAGAZINE ARTICLE (ON FILE), AUTHORED BY FORMER GALT STAFF MEMBER DR. JANAY NUGENT IN 1999. MRS. PAULINE DEMPSEY, GRANDDAUGHTER OF JOE HEALY, RECALLED IN FEBRUARY 2011 THAT SHE CONTACTED DR. NUGENT AFTER THE ARTICLE’S PUBLICATION TO INFORM HER HAT SHE QUESTIONED THE ARTICLE-CLAIMED MAKER(S) OF THE CAPE, FEELING IT WAS NOT OF BLACKFOOT DESIGN. JOE HEALY, ACCORDING TO DEMPSEY, TRAVELLED EXTENSIVELY AND SHE THOUGHT IT WAS MORE LIKELY THAT THE CAPE WAS GIVEN TO HIM WHEN HE VISITED OTHER TRIBES. BIOGRAPHICAL INFORMATION ON DONORS META AND HERBERT HUSBAND, AS PROVIDED BY KOOTENAI BROWN PIONEER VILLAGE CURATOR FARLEY WUTH ON 17 FEBRUARY 2011, CAN BE FOUND IN THE PERMANENT FILE. *UPDATE* IN 2014 LOUISE-MARIE CROP EARED WOLF, A MEMBER OF THE KAINAI (BLOOD TRIBE), AND A FOURTH YEAR NATIVE AMERICAN STUDIES MAJOR AT THE UNIVERSITY OF LETHBRIDGE COMPLETED AN APPLIED STUDIES PROJECT WITH THE COLLECTIONS DEPARTMENT AT THE GALT MUSEUM. SHE PHOTOGRAPHED ETHNOGRAPHIC ARTIFACTS ASSOCIATED WITH FIRST NATIONS CULTURES IN SOUTHERN ALBERTA AND WROTE THE FOLLOWING TEXT TO PRESENT HER FOCUSED RESEARCH ON FOUR SPECIFIC ARTIFACTS (P19641186000, P19780209000, P19780208000, AND P19790235000): “I WANT TO DISPLAY THE KAINAI WOMEN BEADED ITEMS FROM THE GALT MUSEUM COLLECTIONS FOR THEIR ARTISTIC MERIT AND NOT JUST FOR THEIR ETHNOLOGICAL VALUE. THE FOUR ARTIFACTS SELECTED ARE REPRESENTATIVE OF FOUR GENERATIONS OF BEADERS: GRANDMOTHERS, MOTHERS, SISTER, AND DAUGHTERS. THE COLOURS ARE MEANINGFUL AND THE TRADITIONAL SYMBOLS ARE USED THROUGHOUT. THE ADHERENCE TO THE TRADITION, HOWEVER, DOES NOT SUPPRESS ARTISTIC EXPRESSION; THE BEADERS USE A FAIR DEGREE OF CREATIVITY IN THEIR CHOICE OF MATERIALS, SYMBOLS AND COLORS. THE ART OF BEADING IS NOT A “DYING ART” – IT IS THE ARTISTS, ARTISTIC EXPRESSION AND IT IS A “LIVING ART”. FOR GENERATIONS, KAINAI WOMEN BEADERS AND CLOTHING DESIGNERS HAVE BEEN MAKING CLOTHING FOR THE ENTIRE COMMUNITY. THE BEADED CLOTHING HONOURS THE FAMILY FROM ONE GENERATION TO THE NEXT IN A CONTINUOUS CIRCLE OF HONOURING. THE BEADED CLOTHING AND ACCESSORIES SUCH AS MOCCASINS, LEGGINGS, AND BELTS, COMMUNICATE THE IMPORTANCE OF THE FAMILY AND ILLUSTRATE HOW TRADITIONS ARE PASSED DOWN THROUGH GENERATIONS. THE BEADED WORK CONNECTS A BEADING ARTIST TO HER ANCESTORS. EVERY MOTIF, DESIGN, COLOUR OF SEED BEADS, STANDS FOR SOMETHING IMPORTANT TO THE ARTIST’S FAMILY, REFLECTING THE ARTIST’S SURROUNDINGS AND REINFORCING HER CULTURAL VALUES. LEARNING BY OBSERVATION, AN ARTIST PAYS RESPECT TO THE PAST, PRESENT, AND FUTURE KAINAI WOMEN BEADERS. THIS CAPE IS FULLY BEADED AND IS WORN OVER ELKS HIDE; DEER HIDE DRESS, OR CLOTH DRESS. TRADITIONAL GEOMETRIC AND NATURALISTIC MOTIFS ARE COMBINED INTO A DISTINCTIVE AND PERSONAL CREATIVE EXPRESSION. THIS TYPE OF CAPE IS WORN BY YOUNG GIRLS; THE PATTERNS AND SYMBOLS TELL STORIES THAT HONOUR HER COMMUNITY, HER FAMILY, AND HER ANCESTORS. THE END RESULT IS BOTH A CREATION OF UTILITARIAN AND AESTHETIC VALUE. THE BREAK IN PATTERN ON THE NAPE AREA IS DELIBERATE – THE UNIQUE SIGNATURE OF THE ARTIST WHO CREATED THE PIECE. THIS METHOD OF ‘AUTHENTICATING’ IS COMMONLY USED BY KAINAI BEADERS." *UPDATE* IN 2014 COLLECTIONS ASSISTANT JANE EDMUNDSON CONDUCTED A SURVEY OF ART OBJECTS, INCLUDING A PORTRAIT OF JOE HEALY, WHO WAS PURPORTEDLY THE ORIGINAL OWNER OF THIS CAPE. THE FOLLOWING BIOGRAPHY ON JOE HEALY WAS DEVELOPED WITH INFORMATION FROM THE GALT ARCHIVES AND 'THE AMAZING DEATH OF CALFSHIRT: THREE HUNDRED YEARS OF BLACKFOOT HISTORY' BY HUGH DEMPSEY: POTAI'NA "FLYING CHIEF' JOE HEALY (LATER CALLED WOLF MOCCASIN) WAS BORN IN 1854 ON THE MONTANA BLACKFEET RESERVATION, TO THE LEADER OF THE BLOOD TRIBE, MANY BRAIDS. MANY BRAIDS HAD BECOME FRIENDLY WITH JOHN J. HEALY, CO-OPERATOR OF THE SUN RIVER CROSSING TRADING POST WITH ALFRED B. HAMILTON. DURING A ROUTINE VISIT TO THE TRADING POST, THE BLOODS' CAMP WAS RAIDED AT NIGHT BY A BAND OF PEND D'OREILLE WARRIORS. MANY BRAIDS, HIS WIFE, BABY AND TEENAGE DAUGHTER WERE KILLED IN THE CONFLICT, WHICH WAS WITNESSED BY JOHN HEALY. BEFORE HE DIED, MANY BRAIDS ASKED JOHN HEALY TO TAKE CARE OF HIS SON, FLYING CHIEF, THE ONLY SURVIVING MEMBER OF THE FAMILY. JOHN HEALY GAVE THE EIGHT YEAR OLD BOY THE NAME JOE HEALY, AND KEPT HIM AT THE TRADING POST UNTIL THE SUMMER, WHEN HE WAS ENROLLED IN THE SCHOOL AT NEARBY FORT SHAW. THERE JOE DEVELOPED HIS KNOWLEDGE OF ENGLISH. IN 1869, WHILE JOE WAS IN SCHOOL, HEALY AND HAMILTON WENT NORTH AND OPENED A TRADING POST AT THE CONFLUENCE OF THE OLDMAN AND ST. MARY RIVERS; THIS POST WOULD BECOME KNOWN AS FORT WHOOP-UP AND WAS INFAMOUS FOR ITS CONTRIBUTIONS TO THE WHISKEY TRADE AND VIOLENCE IN THE AREA UNTIL THE ARRIVAL OF THE NORTH-WEST MOUNTED POLICE IN 1874. THREE YEARS LATER, DUE TO A DECLINE IN THE BUFFALO POPULATIONS AND THUS THE ROBE MARKET, HEALY CLOSED THE SUN RIVER CROSSING POST AND MOVED TO FORT BENTON. JOE WAS NOW SIXTEEN AND WAS COMPELLED TO RETURN TO HIS RELATIVES AMONG THE BLOODS. HE FOLLOWED THE LAST BUFFALO HERDS WITH BULL SHIELD, AND JOINED IN RELIGIOUS AND WARFARE ACTIVITIES OF THE TRIBE. WHEN THE BLOODS SETLLED ON THEIR RESERVE IN 1881, JOE WAS THE ONLY MEMBER OF THE TRIBE WHO WAS FLUENT IN BLACKFOOT AND ENGLISH. HE WAS AN OUTSPOKEN SUPPORTER OF RELIGIOUS TRADITIONS AND DEFIED ATTEMPTS BY THE GOVERNMENT TO SUPRESS DANCES AND FESTIVALS. HE MARRIED WIDE NOSTRILS, THE DAUGHTER OF IRON PIPE, AND THEY HAD SIX DAUGHTERS AND FOUR SONS. JOE WORKED AS AN OFFICIAL INTERPRETER FOR THE GOVERNMENT WHEN A NEW TREATY WAS MADE IN 1883, AND AS A SCOUT FOR THE RNWMP. IN LATER YEARS HE CO-ORDINATED FIRST NATIONS' PARTICIPATION IN THE LETHBRIDGE EXHIBITION AND STAMPEDE. JOE HEALY DIED AT ST. PAUL'S MISSION ON THE BLOOD RESERVE IN 1936 AS ONE OF THE MOST RESPECTED PATRIARCHS OF THE BLOOD TRIBE.
Catalogue Number
P19780209000
Acquisition Date
1978-07
Collection
Museum
Images
Less detail
Material Type
Artifact
Materials
WOOL, NYLON, COTTON
Catalogue Number
P20170027000
  2 images  
Material Type
Artifact
Date
1971
Materials
WOOL, NYLON, COTTON
No. Pieces
1
Length
98
Width
59
Description
RED WOOL COAT WITH BROWN EDGING AT CUFFS AND ON TWO FRONT POCKETS; COAT HAS RED ZIPPER RUNNING DOWN FRONT; COAT HAS BROWN STITCHED DETAILING ON FRONT WITH A FLOWER WITH STEM ON BOTH SIDES OF ZIPPER, AND SINGLE BROWN HUMMINGBIRDS ON BOTH FRONT POCKETS. POCKETS HAVE WHITE COTTON LINING INSIDE. COAT HOOD HAS BLACK-TIPPED, BROWN FUR TRIM. INSIDE COAT SLEEVES IS WHITE ELASTIC LINING. INSIDE COAT IS RED LINING. BACK OF JACKET HAS THREE PANELS WITH BROWN STITCHED DETAILING, ON FIRST AND THIRD PANELS ARE SINGLE BEAVERS AND ON SECOND PANEL IS TREE STUMP. SEWN INSIDE COAT ON BACK IS BLACK TAG WITH YELLOW EBROIDERED TEXT “ORIGINAL CREE INDIAN GARMENT HANDCRAFTED BY THE BEAVER LAKE INDIAN BAND OF ALBERTA, AMISK”, WHITE TAG WITH BLACK BILUNGUAL ENGLISH/FRENCH TEXT “BEAVER LAKE FASHIONS & SPORTSWEAR, BOX 1207 LAC LA BICHE, ALBERTA, T0A 2C0, STYLE 2053, SIZE L, SHELL 100% PRIME NEW ZEALAND PURE VIRGIN WOOL, LINING, FACE: NYLON, QUILL: NEW FORTEL, MADE IN CANADA, DRY CLEAN ONLY”, AND WHITE TAG WITH BLACK TEXT UNDER FIRST WHITE TAG “NOT TO BE REMOVED UNTIL SOLD BY RETAIL AND DELIVERED, THIS LABEL IS AFFIXED IN COMPLIANCE WITH THE REGULATIONS UNDER THE PUBLIC HEALTH ACT OF CANADA, THIS ARTICLE CONTAINS NEW MATERIALS ONLY”. COAT HAS FRAYING THREADS INSIDE SLEEVES, INSIDE LOWER TRIM, AND INSIDE AT COLLAR; ZIPPER PULL HAS PAINT CHIPPED SHOWING SILVER METAL UNDER RED; COAT HAS LINING SEPARATED FROM OUTER SHELL ON THE INSIDE; OVERALL VERY GOOD CONDITION.
Subjects
CLOTHING-OUTERWEAR
INDIGENOUS
Historical Association
PERSONAL CARE
History
ON AUGUST 22, 2017, COLLECTIONS TECHNICIAN KEVIN MACLEAN INTERVIEWED RAYMOND AND INGRID SPEAKER REGARDING THEIR DONATION OF A CREE-MADE WOOL COAT. SPEAKER WAS RAISED IN SOUTHERN ALBERTA AND WAS ELECTED A MINISTER IN THE ALBERTA GOVERNMENT IN 1963 WITH THE SOCIAL CREDIT PARTY. SPEAKER WAS INVOLVED WITH THE FORMATION OF THE WHITE PAPER ON HUMAN RESOURCE DEVELOPMENT IN 1967. RAYMOND SPEAKER PROVIDED BACKGROUND ON THE COAT IN HIS POSSESSION, NOTING, “ONE OF [THE] PROJECTS [I WORKED ON AS A MINISTER] WAS TO HAVE A NATIVE PROJECT THAT PRODUCED THESE JACKETS…AFTER THAT, I BOUGHT ONE FOR MY WIFE, AND ONE FOR MYSELF FOR, I THINK, $100.00 EACH [IN 1971].” “I‘D HAVE TO SAY WE DIDN’T [WEAR THE COATS ANNUALLY], AND NOT BECAUSE OF ANY REASON. JUST BECAUSE YOU HAD ONE JACKET THAT YOU USUALLY PICKED UP OUT OF THE CLOSET AND, ON THE FARM, YOU HAVE THIS ONE THAT YOU GO OUTSIDE, AND MUCK AROUND IN, AND GET DIRTY. IF THEY HAD BEEN HANGING IN THE RIGHT PLACE [WE MIGHT HAVE WORN THEM MORE]…WE KEPT THEM IN THE CAR” INGRID STATED, “THEY ARE VERY WARM. YOU ALMOST NEED 20- 30 BELOW WEATHER, SO WHEN WE WERE TRAVELING, MANY A TIME, WE TOOK THEM WITH US, KNOWING THEY WOULD SEE US THROUGH VERY COLD WEATHER…THEY ARE ALSO A BIT HEAVY, SO FOR SHOPPING YOU’D PROBABLY HAVE SOMETHING ELSE WITH YOU. THEY’RE VERY WARM.” “WE WORE THEM [TO GREY CUP GAMES] AND JUST ABOUT FROZE. WHEN IT WAS BITTERLY COLD, AT THAT GREY CUP GAME, WE WORE THEM. WE WORE THEM TO A HOCKEY GAME IN CALGARY. WHENEVER YOU WERE TOUGH TRAVELING, KNOWING THERE WAS A TWO HOUR TRIP TO THE FARM, YOU ALWAYS FELT SAFE WITH THIS.” RAYMOND ADDED, “A FELLOW BY THE NAME OF NEIL GILLIETTE BROUGHT THEM TO MY OFFICE IN EDMONTON, WHEN I WAS THE MINISTER, SO I PAID HIM THE CHEQUE BECAUSE I HAD SEEN THEM WHEN I HAD TRAVELED INTO THE NORTH. I HAD SEEN THEM AT THAT TIME, AND I SAID, 'OH, MAN, I’D SURE LIKE TO HAVE THOSE COATS.'…WE DIDN’T BUY THEM DIRECTLY…FROM THE FACTORY.” “THE REASON I HAD IT…WAS THAT I FELT THAT, IF SOMEBODY CHALLENGED ME ABOUT SOME OF THE NATIVE PROJECTS WE DID, I COULD SAY, 'LOOK, HERE’S A PROJECT THAT HAPPENED, THAT WORKED. WE DID IT.' WE TRIED TO MEET ALL THE OBJECTIVES OF SELF-DETERMINATION, SELF-MANAGEMENT, FULLY-FUNDED PROJECT THAT SHOULD HAVE WORKED. IT WORKED FOR A WHILE, BUT, ALL-OF-A-SUDDEN, IT DIDN’T.” THE DONOR ELABORATED ON HIS TIME AS AN ALBERTA GOVERNMENT MINISTER AND THE PROJECTS THAT LED TO THE CREATION OF THE COAT, “I WAS ASSOCIATED WITH PRESTON MANNING, WHO WAS THE SON OF THE PREMIER OF THE PROVINCE. AT THE TIME, HE AND I WERE AT UNIVERSITY TOGETHER, AND TALKED A LOT ABOUT GOVERNMENT AND WHAT FORMATS GOVERNMENT SHOULD TAKE, NOT ONLY PROVINCIALLY BUT FEDERALLY. IN 1967, BETWEEN PRESTON, HIS DAD, AND MYSELF, AND ONE OTHER RESEARCHER, ERIC SCHMIDT, WE DECIDED THAT THE SOCIAL CREDIT GOVERNMENT SHOULD HAVE A NEW OBJECTIVE, AND BE DEFINED IN A BETTER AND CLEARER WAY THAN IT WAS. [THE PARTY] NEEDED TO BE RE-VITALIZED IN TERMS OF ITS OBJECTIVE. WORKING TOGETHER WITH THESE FOUR PARTICIPANTS, WE CAME UP WITH A WHITE PAPER, CALLED THE WHITE PAPER ON HUMAN RESOURCE DEVELOPMENT, IN MARCH OF 1967, AND PRESENTED IT TO THE ALBERTA LEGISLATURE. THERE WAS ECONOMIC GROWTH IN THE PROVINCE. AT THE SAME TIME, THE PEOPLE OF THE PROVINCE NEEDED A CERTAIN AMOUNT OF ATTENTION IN TERMS OF SOCIAL GROWTH, AND SO WE SAID TO OURSELVES, THERE MUST BE SOME WAY OF INTEGRATING ECONOMIC GROWTH WITH SOCIAL DEVELOPMENT. THE WHITE PAPER DOES THAT. IT TALKS ABOUT IF YOU CAN GROW THE ECONOMY OF THE PROVINCE, YOU SHOULD ALSO PARALLEL THAT WITH SOCIAL DEVELOPMENT GROWTH. IN THE WHITE PAPER, WE SET OUT THAT OBJECTIVE, IN 1967. AFTER THE LEGISLATURE ACCEPTED THE PAPER, THEN WE HAD TO DEVELOP IT. I WAS APPOINTED, SHORTLY AFTER THAT, THE MINISTER OF SOCIAL DEVELOPMENT, AND ONE OF MY RESPONSIBILITIES WAS TO DEVELOP THE CONCEPTS OF THE WHITE PAPER. IN ORDER TO BRING TOGETHER ECONOMIC DEVELOPMENT AND SOCIAL DEVELOPMENT, WE SET UP A BODY CALLED THE HUMAN RESOURCE DEVELOPMENT AUTHORITY, AND IT HAD HUGE POWERS TO CHANGE THE FUNCTIONS OF THE DIFFERENT DEPARTMENTS OF GOVERNMENT, REORGANIZE THE BUDGETING OF THE GOVERNMENT, AS A WHOLE, TO FOCUS ON THIS NEW OBJECTIVE. I WAS THE CHAIRMAN OF THAT HUMAN RESOURCE DEVELOPMENT AUTHORITY.” “THE FIRST ASSIGNMENT, WHEN I GOT ELECTED IN 1963, [WAS] I MET WITH MR. MANNING, AND HE SAID, ‘I NEED HELP – SOMEBODY TO DO NORTHERN DEVELOPMENT – HELP WITH THE METIS SETTLEMENTS, WITH THE ABORIGINAL SETTLEMENTS, AND WITH THE NEW FARMERS. THERE’S A WHOLE AREA. WE’VE PUT HOMESTEADERS INTO NEW AREAS, AND THEY’RE ALL HAVING TROUBLE. WHAT I’D LIKE YOU TO DO IS GO OUT AND SEE WHAT YOU CAN DO –GO OUT AND VISIT THESE COMMUNITIES.'” “HERE WAS A FARM KID – NEVER HAD THAT EXPERIENCE BEFORE – HAD NO IDEA WHAT WAS NORTH OF EDMONTON. I THOUGHT IT WAS ALL BUSH…ALL OF A SUDDEN, I WAS MEETING ALL THESE GREAT PEOPLE THAT HAD NEEDS, AND WERE TRYING TO ACHIEVE, IN VERY DIFFICULT CIRCUMSTANCES. BECAUSE I…HAD MET PEOPLE ON ALL OF THE METIS SETTLEMENTS, GOT TO KNOW PEOPLE BECAUSE OF THAT, MET A BUNCH OF ABORIGINAL PEOPLE AND GOT TO KNOW THE COMMUNITIES OF THE NORTH, THEN WHEN I WAS APPOINTED MINISTER OF SOCIAL DEVELOPMENT, AND THE CHAIRMAN OF THE HUMAN RESOURCE DEVELOPMENT AUTHORITY, I HAD BACKGROUND. I AUTOMATICALLY FELL INTO IT. RATHER THAN DOING SOUTHERN ALBERTA DEVELOPMENT, I WAS DOING NORTHERN ALBERTA DEVELOPMENT, AND ENJOYED IT VERY MUCH. IT WAS A GREAT EXPERIENCE, WONDERFUL PEOPLE…WITH GREAT AMBITIONS, AND THEY NEEDED OUR HELP. THAT’S WHY I GOT INVOLVED IN IT.” “ONE OF THE PROGRAMS THAT WE ESTABLISHED…WAS TO WORK AND COOPERATE WITH THE FEDERAL GOVERNMENT. THE FEDERAL GOVERNMENT HAD SET UP WHAT WAS CALLED SPECIAL AREAS ACROSS CANADA THAT THEY FELT NEEDED EXTRA FOCUS, FOR SOCIAL AND ECONOMIC DEVELOPMENT. ALBERTA, BECAUSE IT HAD ECONOMIC GROWTH AT THE TIME, WAS JUST ABOUT LEFT OUT OF THE FORMULA. THE BLOOD RESERVE WAS A BENEFACTOR OF THAT SPECIAL AREAS.” “THE OTHER PROGRAM WAS SOCIAL AND ECONOMIC DEVELOPMENT IN NORTHERN ALBERTA. THERE [WERE] A LOT OF METIS SETTLEMENTS, ABORIGINAL SETTLEMENTS – ALSO SOME NEW HOMESTEAD SETTLEMENTS – THAT NEEDED SPECIAL ATTENTION. WHAT I DID, AS THE CHAIRMAN OF THE HUMAN RESOURCE DEVELOPMENT AUTHORITY, ESTABLISHED COMMUNITY DEVELOPMENT OFFICERS, TO GO INTO THESE DIFFERENT AREAS. ONE OF THESE AREAS THAT HAD A COMMUNITY DEVELOPMENT OFFICER WAS THE COMMUNITY OF SLAVE LAKE…THESE COMMUNITY DEVELOPMENT OFFICERS WERE TO TRY AND FOCUS THIS SOCIAL AND ECONOMIC DEVELOPMENT OF THE WHITE PAPER THAT WE HAD PRESENTED.” “I HAD HEARD THAT THE [FEDERAL] MINISTER, THE HONORABLE MR. MARCHAND, MIGHT BE OPEN TO A LITTLE SPECIAL AREA IN NORTHERN ALBERTA. WE HALF-SUGGESTED TO HIM, VERBALLY, ON THE PHONE, 'WHAT DO YOU THINK ABOUT SLAVE LAKE?' HE THOUGHT IT WAS NOT A BAD IDEA. I SAID TO MY STAFF IN SLAVE LAKE, 'LET’S PUT TOGETHER A PROPOSAL, AND GO TO OTTAWA, AND PRESENT IT TO MR. MARCHAND.' WE PUT THE PROPOSAL TOGETHER, BUT WE ALSO FOUND OUT THAT [MANCHARD’S] DEPUTY MINISTER…WAS ANTI-ALBERTA. HE’D WORKED IN ALBERTA; HE DIDN’T LIKE ALBERTA VERY MUCH, AND HE WASN’T IN FAVOR OF ANY SPECIAL AREA FOR THE NORTHERN PART OF OUR PROVINCE. I THOUGHT WE’VE GOT TO GET AROUND [HIM]…HAVE A MEETING WITH THE MINISTER, WITHOUT THE DEPUTY MINISTER. I ARRANGED FOR THE MEETING AT 9 O’CLOCK IN OTTAWA. I GOT ON THE PLANE AT MIDNIGHT, FLEW DOWN [TO OTTAWA] WITH TWO OF MY STAFF, WALKED OFF THE AIRPLANE, [AND] DRAGGED ME INTO HIS OFFICE. I SAID TO HIM, 'WE’RE HERE. WE WANT TO TALK ABOUT A SPECIAL AREA, ESPECIALLY SLAVE LAKE. WOULD YOU BE INTERESTED?'” “[HE SAID] 'OH, RAY, I WOULD LOVE TO DO THAT.' I SAID, 'IF WE HAD A PROPOSAL, WOULD YOU ACCEPT IT, AND COULD WE MOVE ON IT, AND WOULD YOU BE BEHIND IT?' [MANCHARD SAID] 'RAY, I’D ENDORSE IT RIGHT NOW, IF YOU HAD A PROPOSAL.' I OPENED MY BRIEFCASE, AND PUT IT ON THE TABLE. I SAID, 'HERE’S THE FIRST ONE.' IT WAS FOR $4,000,000, SO THEN WE STARTED COMMUNITY DEVELOPMENT, SOCIAL DEVELOPMENT, ECONOMIC DEVELOPMENT IN THE SLAVE LAKE AREA, WITH THIS $4,000,000 PROJECT. ONE OF THE ITEMS WAS METIS/ABORIGINAL…ASSISTING THEM IN DEVELOPING A BUSINESS CLIMATE TOWARD SELF-SUFFICIENCY.” “WE WERE MOST LIKELY ONE OF THE FIRST PROJECTS THAT WERE IMPLEMENTED IN CANADA. WE HAD THE AUTHORITY TO SPEND THE MONEY AS WE SAW FIT. THERE WAS VERY LITTLE INTERVENTION FROM THE FEDERAL GOVERNMENT. THEY LET US DO WHAT WE WANTED TO DO, SO ONE OF THE RESULTS OF THAT WAS THIS MANUFACTURING OF JACKETS BY ABORIGINAL LADIES.” “THE OTHER PART OF [THIS PROGRAM]…THERE WAS A SPECIAL AREA HERE IN THE SOUTHERN PART OF THE PROVINCE. THE OTHER PROJECT WE PUT TOGETHER WITH JEAN CHRETIEN WAS A PROJECT ON THE BLOOD RESERVE. WE SET UP KAINAI INDUSTRIES. THIS WAS THE BUILDING OF HOMES, AND WE BUILT A WHOLE BUNCH OF HOMES. WE HAD TRUDEAU, THE OLDER FATHER, COME OUT AND CUT THE RIBBON, AND WE BUILT THE FACTORY. THE FEDERAL [GOVERNMENT PUT IN] ONLY ABOUT $100,000 INTO IT, BUT THE FEDERAL GOVERNMENT BUILT THE FACTORY. THEY PUT A SUM OF MONEY IN THE BANK TO OPERATE IT, AND DID ON-SITE TRAINING FOR THE NATIVE PEOPLE TO RUN THE THING. WE HAD THE FOX BROTHERS RUN IT TO BEGIN WITH…THAT WAS ONE OF THE OTHER SPIN-OFFS OF THIS SPECIAL AREA OF CANADA THAT I WAS INVOLVED IN. IT WAS ANOTHER WAY THAT WE FELT WE COULD DO SOCIAL DEVELOPMENT WITH THE ABORIGINAL PEOPLE.” “THERE WAS A MARKET PLACE FOR THE JACKETS. THERE WAS A MARKET PLACE FOR PRE-BUILT HOMES. KAINAI INDUSTRIES SOLD THOUSANDS OF HOMES IN SOUTHERN ALBERTA. THEY WERE GOOD CONSTRUCTION, GOOD QUALITY HOMES.” WHEN ASKED ABOUT THE MOTIVATION FOR DONATING THE COAT, RAYMOND SPEAKER STATED, “WE’RE MAKING A MAJOR MOVE FROM OUR HOMESTEAD FARM…[IT] WAS HOMESTEADED BY MY GRANDFATHER IN 1908…MY FATHER TOOK OVER THE FARM IN 1925, AND I TOOK OVER THE FARM IN 1975. NOW WE’RE MOVING TO LETHBRIDGE...WE’RE TRYING TO DEAL WITH ISSUES AND STORAGE THINGS...THE JACKETS ARE PART OF THAT ACCUMULATION.” FOR MORE INFORMATION INCLUDING FULL INTERVIEW TRANSCRIPTION AND LETHBRIDGE HERALD ARTICLES, PLEASE SEE THE PERMANENT FILE P20170027000-GA.
Catalogue Number
P20170027000
Acquisition Date
2017-08
Collection
Museum
Images
Less detail
Other Name
COAT AND BOOTIES
Date Range From
1940
Date Range To
1945
Material Type
Artifact
Materials
WOOL
Catalogue Number
P20010070022
  2 images  
Material Type
Artifact
Other Name
COAT AND BOOTIES
Date Range From
1940
Date Range To
1945
Materials
WOOL
No. Pieces
3
Length
22.7
Width
43.0
Description
1. CLOAK. ABOVE DIMENSIONS. CROCHETED BABY'S SWEATER. OFF WHITE WITH LIGHT BLUE TRIM. BOTTOM EDGE OF COAT HAS A JAGGED EDGE. SLEEVES ARE SORT OF PUFFY AT CUFFS. 2. BOOTIES. 8.5 X 5.3. CROCHETED BABY BOOTIES. OFF WHITE WITH LIGHT BLUE TRIM. TOP OF BOOTIES ARE FOLDED OVER. ONE BOOTEE HAS A BLUE PIECE OF YARN AROUND LEG WITH POM POMS ATTACHED TO THE ENDS. OTHER BOOTEE ALSO A PIECE OF YARN AROUND LEG, BUT POM POMS ARE MISSING. THIS BOOTEE HAS A SMALL ORANGEY STAIN ON ONE SIDE.
Subjects
CLOTHING-OUTERWEAR
CLOTHING-FOOTWEAR
Historical Association
PERSONAL CARE
History
MADE BY DONOR'S MOTHER DAGMAR DOYLE SIMPSON. THE GARMENTS WERE NEVER USED. DONOR SUSPECTS HER MOTHER MADE THE ITEMS IN HOPES OF ONE DAY HAVING A BABY BOY, BUT WAS UNABLE TO DO SO. DAGMAR OLSEN WAS BORN DECEMBER 28, 1914, RAISED ON A FAMILY FARM, AND SCHOOLED IN STAVLEY, ALBERTA. HER PARENTS, HILDA AND JOHN OLSEN, WERE IMMIGRANT PIONEERS FROM NORWAY. HER MOTHER HILDA, GOT DAGMAR HER FIRST JOB AS A TELEPHONE OPERATOR WITH THE STAVELY AGENCY AT THE AGE OF 15 YEARS. AFTER LIVING AT HOME WORKING SEVEN YEARS IN STAVELY, DAGMAR MOVED TO LETHBRIDGE AND WORKED FOR AGT UNTIL SHE MARRIED LAWRENCE DOYLE, ALSO FROM STAVELY AND PRINCE EDWARD ISLAND. DAGMAR AND LAWRENCE HAD ONE DAUGHTER, BARBARA. DAGMAR LATER RETURNED TO AGT AS AN OPERATOR UNTIL HER RETIREMENT AT AGE 60, WHEN SHE MARRIED CLARE SIMPSON. CLARE AND DAGMAR LIVED IN LETHBRIDGE, SOCIALIZED, AND TRAVELED EXTENSIVELY UNTIL HIS DEATH IN 1985. DAGMAR OLSEN DOYLE SIMPSON DIED MARCH 14, 2001. SHE WAS RUMORED TO BE ONE OF THE MOST BEAUTIFUL WOMEN IN LETHBRIDGE. DONOR, BARBARA DOYLE, WAS BORN AND SCHOOLED IN LETHBRIDGE. SHE TRAINED AT ST. MICHAEL'S HOSPITAL AS A LABORATORY TECHNOLOGIST; GRADUATED 1962. SHE WORKED IN THE LAB AT ST. MICHAEL'S FOR 5 YEARS; MARRIED AND HAD 2 SONS. GRADUATED FROM THE UNIVERSITY OF CALGARY WITH A BACHELOR OF ARTS, THEN A MASTERS OF ARTS IN ENGLISH, IN 1987. SHE TAUGHT AT UNIVERSITYS OF CALGARY AND LETHBRIDGE, THEN MOVED TO MONTREAL FROM 1990-1996. SHE RETURNED TO LETHBRIDGE TO RETIRE. *UPDATE* IN 2016 COLLECTIONS ASSISTANT RUTHANN LABLANCE CONDUCTED A SURVEY OF CLOTHING, INCLUDING CLOTHING ITEMS DONATED BY BARBARA DOYLE. THE FOLLOWING BIOGRAPHICAL INFORMATION WAS COMPILED USING ARTICLES FROM THE LETHBRIDGE HERALD. DAGMAR CHRISTINA SIMPSON (NEE OLSEN) PASSED AWAY ON MARCH 14, 2001 AT THE AGE OF 88. SHE MARRIED LAWRENCE PATRICK (LARRY) DOYLE ON DECEMBER 4, 1940. LAWRENCE WAS BORN IN PEI IN 1910. HE MOVED TO VULCAN IN 1920, STAVELY IN 1924, AND TO LETHBRIDGE IN 1937. HE PASSED AWAY AT THE AGE OF 58 ON MARCH 28, 1969. LAWRENCE WAS THE SON OF GEORGE FRANKLIN AND MINNIE MAGDALEN DOYLE. DAGMAR WAS REMARRIED ON MARCH 29, 1975 TO CLARE C. SIMPSON. CLARE WAS BORN AND RAISED IN BELLEVILE, ON AND MOVED TO LETHBRIDGE IN 1930 TO WORK FOR AGT. HE ENLISTED IN 1939 AND WAS A POW FOR 3.5 YEARS FOLLOWING DIEPPE. HE PASSED AWAY AT THE AGE OF 75 ON FEBRUARY 18, 1983. THE DONOR, BARBARA DOYLE, IS THE DAUGHTER OF DAGMAR AND LAWRENCE. IN 1969, BARBARA WAS MARRIED TO PAUL TURNER AND IN 1983, SHE WAS THE WIFE OF MR. B.F. MCFADDEN. SEE PERMANENT FILE FOR COPIES OF THE ARTICLES FROM THE LETHBRIDGE HERALD. *UPDATE* IN 2018 COLLECTIONS ASSISTANT ELISE PUNDYK CONDUCTED A SURVEY OF THE COLLECTION, INCLUDING A NUMBER OF ARTIFACTS DONATED BY BARBARA DOYLE. ON SEPTEMBER 7, 2018, PUNDYK SAT DOWN WITH DOYLE FOR AN INTERVIEW REGARDING THAT DONATION. THE FOLLOWING INFORMATION HAS BEEN EXTRACTED FROM THAT INTERVIEW: DOYLE EXPLAINED THAT HER MOTHER DAGMAR OLSEN – THE ORIGINAL OWNER OF THE ARTIFACTS – WAS BORN IN STAVLEY AND WAS THE THIRD OF FOUR SISTERS. GROWING UP IN A HOUSE OF DAUGHTERS PLAYED A SIGNIFICANT ROLE IN OLSEN’S LIFE. DOYLE DESCRIBED THE SISTERS BY SAYING, “BESSIE WAS THE OLDEST, AND NORAH WAS THE SECOND OLDEST, AND THEN MY MOTHER, AND THEN VICKI. AUNT VICKI WENT BIG [BY MOVING] TO TORONTO. SHE WANTED TO GET OUT OF TOWN. SHE WAS BORED. SHE WAS BORN IN STAVELY AND THERE WAS NO WAY SHE WAS GOING TO STAY THERE. SHE WAS THE YOUNGEST, SO SHE GOT THINGS THAT THE OTHERS DIDN’T GET IN THEIR LIFE. NORAH TOOK TO CALGARY. SHE WENT UP THERE AND SHE WORKED FOR A WHILE AT PACKING COOKIES OR SOMETHING LIKE THAT. BESSIE WAS [WORKING] WITH MRS. JOURNEK AND THEN IN CALGARY THAT WAY TOO.” MOVING ON TO DESCRIBE HER MOTHER, DOYLE ILLUMINATED, “SHE WORKED [AS A TELEPHONE OPERATOR] FROM WHEN SHE WAS 15 IN STAVELY FOR ABOUT 7 YEARS. SHE WAS THERE FOR THE FIRST TELEPHONES COMING IN. THEN SHE MOVED TO LETHBRIDGE. SHE KNEW MY DAD FROM STAVELY, AND THEN HE MOVED TO LETHBRIDGE AS WELL AND THEY LIVED SEPARATELY IN A BOARDING HOUSE UNTIL THEY GOT MARRIED…SHE HAD BREAKS [IN BETWEEN WHEN SHE FIRST STARTED WORKING AND HER RETIREMENT] WHEN SHE COULDN’T WORK BECAUSE OF THE WAR. [ADDITIONALLY,] I WAS BORN IN ’42, AND ONCE YOU HAD A CHILD, YOU COULDN’T GO TO WORK. EVEN WHEN THE WAR WAS OVER, THE WOMEN COULD NOT GO TO WORK BECAUSE THEY WERE MAKING WAY FOR THE PEOPLE COMING BACK FROM THE WAR FOR THE JOBS. THAT WAS REALLY HARD ON MY MOTHER. SHE WAS SO INDEPENDENT AND TO NOT BE ABLE TO HAVE HER OWN MONEY AND EVERYTHING [WAS DIFFICULT].” “[MY MOTHER] KNITTED [THIS BABY SWEATER] BEFORE [LEAVING WORK TO HAVE CHILDREN]. I DON’T KNOW AT THAT TIME IF IT WAS BLUE FOR BOYS STRICTLY, AND GIRLS FOR PINK. AND I DON’T KNOW WHETHER I EVER WORE IT. [THIS IS FROM] MY MOTHER’S HANDIWORK AND SHE WASN’T ONE THAT CROCHETED VERY MUCH. WHEN SHE WAS WORKING [SHE WOULDN’T HAD A LOT OF EXTRA TIME]. AND I GUESS AT THAT TIME AFTER SHE HAD ME, SHE WASN’T WORKING, BUT OUR OLD WASHERS THAT HAD THE RINGERS AND STUFF LIKE THAT [WERE TIME-CONSUMING]. SHE HAD TO WORK HARDER AROUND THE HOUSE AND EVERYTHING TOO,” DOYLE EXPLAINED. “I WAS BORN IN LETHBRIDGE,” DOYLE CONTINUED, “[I LEFT MY PARENTS’ HOUSE] WHEN I WAS 18 BECAUSE I WAS IN RESIDENCE WHEN I WAS DOING MY LABORATORY STUFF. I WAS A LAB TECHNICIAN FIRST. AFTER I GOT MARRIED IN ’64, WE LIVED FIVE YEARS HERE BEFORE WE STARTED MOVING AROUND. IT WAS ’71 [WHEN] WE LEFT AND WENT TO SASKATCHEWAN, REGINA.” “[I RECEIVED THESE ITEMS FROM MY MOTHER] AFTER SHE PASSED AWAY. [THEY WERE] IN THE HOUSE,” DOYLE STATED, "ALL OF THIS STUFF WAS IN THE HOUSE ON THE SOUTH SIDE. I FEEL LIKE MY MOTHER IS STILL IN THE HOUSE. I HAD REALLY GOOD PARENTS. WE WEREN’T POOR, BUT WE WEREN’T RICH EITHER, YOU KNOW. WE WERE JUST COMFORTABLE, BUT THEY WORKED VERY HARD FOR IT. THEY BOTH WORKED VERY HARD.” PLEASE SEE PERMANENT FILE P20010070001 FOR MORE INFORMATION, INCLUDING FULL INTERVIEW TRANSCRIPT.
Catalogue Number
P20010070022
Acquisition Date
2001-12
Collection
Museum
Images
Less detail
Other Name
JUDICIAL ROBE OR CHORAL GOWN
Date Range From
1950
Date Range To
1970
Material Type
Artifact
Catalogue Number
P19990053034
  2 images  
Material Type
Artifact
Other Name
JUDICIAL ROBE OR CHORAL GOWN
Date Range From
1950
Date Range To
1970
No. Pieces
1
Height
5.0
Length
116.0
Width
49.0
Description
BACHELOR'S GOWN. BLACK, COLLARLESS. HAS AN OPENING IN THE FRONT WITH TWO WIDE BOX PLEATS EXTENDING TO THE HEM. HAS LARGE FLOWING, ANGEL SLEEVES ENDING IN POINTS. BACK AND SLEEVES ARE SET INTO A SQUARE YOKE WITH CARTRIDGE PLEATS. FRONT OF SQUARE YOKE CLOSES WITH A HOOK AND EYE. ON BACK INSIDE OF NECK IS STITCHING IN A RECTANGLE SHAPE WHERE TAG USED TO BE (TAG IS MISSING).
Subjects
PERSONAL SYMBOL
CLOTHING-OUTERWEAR
Historical Association
EDUCATION
RELIGION
History
MAY HAVE BEEN EITHER AN ACADEMIC OR CHORAL GOWN. DONOR USED AS A JUDICIAL ROBE FOR DRAMATIC PURPOSES. DONOR IS A HIGH SCHOOL PHYS. ED. TEACHER. SHE DID DRAMA IN SCHOOLS AND LOCAL THEATRE, AND ENTIRE COLLECTION WAS GIVEN TO HER BY LOCAL PEOPLE. FOR MORE INFORMATION ON DONOR GAIL HOLLAND’S ACQUISITION, STEWARDSHIP AND GENERAL USE OF HER 1999-DONATED COLLECTION PLEASE REFER TO RECORD P19990053001. ***UPDATE: ARTIFACT INSIGHT BELOW SUBMITTED BY DONOR AND COLLECTIONS VOLUNTEER GAIL HOLLAND ON 19 APRIL 2011. “ACADEMIC GOWN/ JUDICIAL ROBE WORN BY THE CHARACTER PLAYING THE JUDGE IN LETHBRIDGE MUSICAL THEATRE’S PRODUCTION OF “HELLO DOLLY” 1986.”
Catalogue Number
P19990053034
Acquisition Date
2000-12
Collection
Museum
Images
Less detail

21 records – page 1 of 2.