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Other Name
GIRL GUIDES UNIFORM
Date Range From
1980
Date Range To
1990
Material Type
Artifact
Materials
COTTON, ELASTIC, STEEL
Catalogue Number
P20000086002
  2 images  
Material Type
Artifact
Other Name
GIRL GUIDES UNIFORM
Date Range From
1980
Date Range To
1990
Materials
COTTON, ELASTIC, STEEL
No. Pieces
2
Length
86.0
Width
43.0
Description
1. DRESS. CHILD'S BLUE DRESS. DRESS HAS NO WAISTLINE. DRESS IS OPEN IN FRONT HALFWAY DOWN; CLOSES WITH BLUE PLASTIC BUTTONS; BUTTONS HAVE A THREE LEAF CLOVER IMPRESSED INTO THEM. HAS TWO FLAPPED, BREAST POCKETS THAT CLOSE WITH BUTTONS (AS ABOVE). FULL LENGTH SLEEVES; CUFFS CLOSE WITH BUTTONS (AS ABOVE). ON LEFT SHOULDER IS A WHITE PATCH WITH BLUE PRINT THAT READS "7TH LETHBRIDGE COMPANY". THERE ARE TWO SLIT POCKETS ON SIDES OF DRESS. INSIDE NECKLINE HAS TWO TAGS. ONE TAG READS "GIRL GUIDES OF CANADA GUIDES DU CANADA ALFRED SUNG", ALONG WITH A BLUE THREE-LEAF CLOVER. 2. BELT. DARK BLUE ELASTIC, WITH STEEL BUCKLE. BUCKLE HAS A THREE-LEAF CLOVER IMPRESSED INTO IT. THERE IS AN EMBOSSED LETTER WITHIN EACH LEAF OF CLOVER, "G G C". THERE IS A WHITE COTTON LANYARD ATTACHED TO BELT BY A STEEL HOOK. BELT HAS TWO STEEL PIECES WITH TEETH ON THEM FOR SIZING BELT.
Subjects
CLOTHING-OUTERWEAR
Historical Association
ASSOCIATIONS
History
"UNIFORM WAS PURCHASED BY MUSEUM STAFF FROM CATHOLIC CHARITIES 10-21-00. BELT WAS $1.00, DRESS WAS $3.00. UNKNOWN ORIGIN."
Catalogue Number
P20000086002
Acquisition Date
2001-07
Collection
Museum
Images
Less detail
Other Name
BOY SCOUT'S UNIFORM
Date Range From
1980
Date Range To
1990
Material Type
Artifact
Materials
SYNTHETIC FABRIC
Catalogue Number
P20000098047
  2 images  
Material Type
Artifact
Other Name
BOY SCOUT'S UNIFORM
Date Range From
1980
Date Range To
1990
Materials
SYNTHETIC FABRIC
No. Pieces
3
Length
68.0
Width
41.0
Description
1. SHIRT. GREY, DRESS SHIRT. LONG SLEEVES; EACH CUFF HAS A WHITE PLASTIC BUTTON. FRONT OPENING CLOSES WITH 4 WHITE, PLASTIC BUTTONS. SHIRT HAS TWO BREAST, PATCH POCKETS. ON LEFT BREAST POCKET IS AN EMBROIDERED BADGE. BADGE IS DIAMOND SHAPED; BACKGROUND COLOUR IS GREY. EMBROIDERED ON PATCH IS A WHITE FLEUR DE LIS, WITH SILVER STRANDS IN IT. BELOW THIS IS A BANNER WITH THE WORD "CANADA" ON IT. EDGES OF PATCH ARE FINISHED WITH LIGHT GREY THREAD. A TAG INSIDE BACK OF SHIRT READS "BOY SCOUTS OF CANADA OFFICIAL LADIES' SHIRT BY WIEGAND SIZE 16 NAME ______", IN RED. 2. SCARF. 0.2(H) x 126.0(L) x 61.5(W). TRIANGULAR BURGUNDY SCARF. TWO EDGES (LONGEST EDGE AND ONE SHORT EDGE) HAVE 0.7CM WIDE HEM. THE OTHER EDGE IS A RAW FACTORY EDGE. HAS A NUMBER OF HORIZONTAL CREASES IN IT AND SMALL PIN HOLES. 3. SHOULDER FLASH. 0.1(H) x 9.2(L) x 2.3(W). GREY BACKGROUND. EMBROIDERED ON PATCH, IN BURGUNDY, IS "SERVICE SCOUTER". EDGES OF PATCH ARE FINISHED WITH GREY THREAD. BACK OF PATCH IS LACQUERED.
Subjects
CLOTHING-OUTERWEAR
Historical Association
ASSOCIATIONS
History
SCARF AND SHOULDER FLASH CAME PINNED TO SHIRT (REMOVED BY CATALOGUER). SEE P20000098001-GA FOR HISTORY.
Catalogue Number
P20000098047
Acquisition Date
2001-07
Collection
Museum
Images
Less detail
Other Name
BROWNIE UNIFORM
Date Range From
1980
Date Range To
1990
Material Type
Artifact
Materials
COTTON, ELASTIC, METAL
Catalogue Number
P20000086001
  2 images  
Material Type
Artifact
Other Name
BROWNIE UNIFORM
Date Range From
1980
Date Range To
1990
Materials
COTTON, ELASTIC, METAL
No. Pieces
2
Length
74.0
Width
40.5
Description
1. DRESS. CHILD'S BROWN DRESS. HAS FULL LENGTH SLEEVES. HAS A STRAIGHT SKIRT WITH THREE PLEATS IN THE FRONT. THERE ARE TWO BREAST, PATCH POCKETS ON FRONT OF DRESS. LEFT POCKET HAS A BROWN, RECTANGULAR BADGE SEWN ON. BADGE HAS A GREEN, EMBROIDERED FIGURE ON IT. FRONT OF DRESS IS OPEN TO WAIST. HAS TWO BUTTONS (1 BRASS, 1 BLACK PLASTIC) FOR CLOSING (ONE BUTTON IS MISSING). THERE IS A SHOULDER PATCH SEWN ON TO LEFT SHOULDER; PATCH IS WHITE WITH "SIXTH LETHBRIDGE" PRINTED ON IN BROWN. INSIDE NECKLINE HAS TWO TAGS. ONE TAG READS "GIRL GUIDES OF CANADA", A BLUE THREE LEAF CLOVER, AND "GUIDES DU CANADA". THERE IS A SLANTED POCKET ON RIGHT SIDE OF SKIRT. WAISTLINE AT BACK OF DRESS IS GATHERED WITH ELASTIC; ALSO HAS TWO BELT LOOPS. 2. BELT. BROWN ELASTIC. HAS A METAL BUCKLE. BUCKLE IS RECTANGULAR, ETCHED WITH A THREE LEAF CLOVER. THERE IS A LETTER EMBOSSED WITHIN EACH LEAF OF CLOVER "G G C". BELOW LEAF IS A BLACK BANNER WITH THE WORDS "BE PREPARED" EMBOSSED WITHIN IT. BELT HAS SOME PULLED THREADS AS WELL AS SOME MINOR FRAYING.
Subjects
CLOTHING-OUTERWEAR
Historical Association
ASSOCIATIONS
History
PATCH ON BREAST POCKET IS A SPRITES PATROL EMBLEM BADGE.UNIFORM WAS PURCHASED BY MUSEUM STAFF FROM CATHOLIC CHARITIES 10-21-00. BELT WAS $0.50, DRESS WAS $2.50. UNKNOWN ORIGIN.
Catalogue Number
P20000086001
Acquisition Date
2001-07
Collection
Museum
Images
Less detail
Other Name
ROYAL CANADIAN LEGION BLAZER
Date Range From
1980
Date Range To
1998
Material Type
Artifact
Materials
WOOL, POLYESTER, BRASS
Catalogue Number
P19990063003
  2 images  
Material Type
Artifact
Other Name
ROYAL CANADIAN LEGION BLAZER
Date Range From
1980
Date Range To
1998
Materials
WOOL, POLYESTER, BRASS
No. Pieces
1
Length
87.5
Width
61.0
Description
NAVY BLUE, WOOL, BLAZER. HAS A POLYESTER LINING; LIGHT BLUE WITH A REPEATING SMALL NAVY BLUE AND SALMON COLOURED PATTERN. HAS TWO INSIDE POCKETS; BENEATH ONE OF THESE IS A BROWN TAG THAT READS "HENLEY BY/PAR TIP TOP". INSIDE POCKET ARE TWO WHITE TAGS THAT READ "52% WOOL/LAINE 48% POLYESTER DRY CLEAN ONLY NETTOYAGE A SEC CA 00261 ACCLAMATED CLOTHING AND TEXTILE WORKERS UNION" "46 31856 TALL M665 13837 817". ON OUTSIDE ARE TWO HIP POCKETS AND ONE BREAST POCKET. ON BREAST POCKET IS AN EMBROIDERED ROYAL CANADIAN LEGION BADGE. CONSISTS OF A YELLOW CIRCLE, WITH A CROWN ON TOP; WITHIN BORDER OF CIRCLE, IN GOLD IS "MEMORIAN FORUM RETINEBIMUS". IN CIRCLE IS A RED MAPLE LEAF, BELOW THIS IS A BLUE BANNER THAT READS "LEGION", AND BELOW THIS ARE THREE RED POPPIES. THE CUFFS AND FRONT CLOSURE EACH HAVE TWO GOLD BUTTONS WITH THE SAME LEGION EMBLEM EMBOSSED ON THEM.
Subjects
CLOTHING-OUTERWEAR
Historical Association
ASSOCIATIONS
History
BELONGED TO ART TURNER, WHO SERVED OVER THIRTY YEARS IN THE CANADIAN ARMY. TURNER ENLISTED IN CALGARY IN 1934, SERVING OVERSEAS DURING THE SECOND WORLD WAR WITH THE 2ND ANTI-TANK REGIMENT FROM LETHBRIDGE. HE REMAINED IN GERMANY WITH THE ARMY OF OCCUPATION FOR TWO YEARS AFTER THE WAR, RETIRING FROM SERVICE IN 1966. TURNER JOINED THE ROYAL CANADIAN LEGION IN 1960 AND, SHORTLY BEFORE HIS DEATH IN 1998, WAS AWARDED A LIFE MEMBERSHIP IN THE GENERAL STEWART BRANCH #4. SEE P19990063001-GA FOR MORE HISTORY. *UPDATE* IN 2017 COLLECTIONS ASSISTANT RUTHANN LABLANCE CONDUCTED A SURVEY OF CLOTHING, INCLUDING A JACKET DONATED BY ROSA TURNER. THE FOLLOWING BIOGRAPHICAL INFORMATION WAS COMPILED USING ARTICLES FROM THE LETHBRIDGE HERALD. ACCORDING TO HER OBITUARY, ROSA TURNER “WAS BORN AND RAISED IN ENGLAND. DURING THE WAR YEARS SHE JOINED THE CIVIL DEFENCE AND STUDIED FIRST AID, AMBULANCE WORK, AND GAS WARFARE, VOLUNTARY WORK WHICH EARNED HER A MEDAL. IN 1959 SHE MOVED TO CANADA AND MARRIED ANDY DUNIPACE. THEY RESIDED IN CHAMPTION UNTIL HIS PASSING IN 1977. IN 1978 SHE MARRIED ART TURNER AND MOVED TO LETHBRIDGE.” ROSA PASSED AWAY AT THE AGE OF 91 ON AUGUST 11, 2002. ARTHUR “ART” A. TURNER C.D. WAS BORN IN BOURNVILLE, ENGLAND AND MOVED TO CANADA AT THE AGE OF 15. HE SERVED IN THE CANADIAN ARMY FOR OVER THIRTY YEARS, INCLUDING OVERSEAS SERVICE DURING WWII IN FRANCE, BELGIUM, HOLLAND, AND GERMANY. HE WAS TWICE WOUNDED, INCLUDING THE LOSS OF HIS HEARING FROM BOMBINGS. HE ALSO SERVED IN GERMANY FOR TWO YEARS WITH THE ARMY OF OCCUPATION FOLLOWING THE WAR. UPON HIS RETURN TO CANADA, HE TRAINED MILITA AND ARMY CADETS THROUGHOUT MANITOBA, SASKATCHEWAN, ALBERTA, AND BRITISH COLUMBIA. HIS OBITUARY LISTS HIS TITLE AND NAME AS WARRANT OFFICER (RETIRED) ARTHUR “ART” A. TURNER, C.D. ART PASSED AWAY ON MAY 2, 1998. SEE PERMANENT FILE FOR COPIES OF THE ARTICLES FROM THE LETHBRIDGE HERALD.
Catalogue Number
P19990063003
Acquisition Date
1999-12
Collection
Museum
Images
Less detail
Other Name
SUIT JACKET AND PIN
Date Range From
1986
Date Range To
1995
Material Type
Artifact
Materials
POLYESTER, WOOL, BRASS
Catalogue Number
P20100021001
  1 image  
Material Type
Artifact
Other Name
SUIT JACKET AND PIN
Date Range From
1986
Date Range To
1995
Materials
POLYESTER, WOOL, BRASS
No. Pieces
2
Description
1. SUIT JACKET, LIGHT BLUE, POLYESTER/WOOL BLEND. LIGHT GREY LINING. THREE FRONT POCKETS AND THREE INSIDE POCKETS. OUTER LEFT BREAST POCKET HAS CREST WITH WHITE DESIGN ON BLACK CIRCLE. TEXT READS “MINERS – LIBRARY CLUB, LETHBRIDGE". INSIDE RIGHT BREAST POCKET HAS LABEL WITH, "BLACK’S MEN’S SHOP, LETHBRIDGE, ALBERTA". LEFT BREAST POCKET HAS LABEL WITH “55% POLYESTER 45% WOOL, DRY CLEAN ONLY, PRESS WITH COOL IRON ONLY, CA00750 ”. TWO BUTTONS AT FRONT CLOSURE; FOUR BUTTONS AT EACH CUFF. NOTCHED LAPELS; SINGLE-BREASTED. (67.5 CM WIDE, 76.5 CM LONG, 5.3 CM HEIGHT). 2. PIN, BRASS CREST. READS, "MINERS' LIBRARY CLUB, LETHBRIDGE" TEXT IS ON A PAINTED RED BACKGROUND. ATTACHED TO JACKET WITH A BRASS DISK THAT SCREWS ONTO THE THREADED METAL PIN. (1.2 CM WIDE, 1.4 CM LONG, O.8 CM HIGHT).
Subjects
CLOTHING-OUTERWEAR
Historical Association
ASSOCIATIONS
History
JACKET AND TIE WERE WORN BY LOCAL RESIDENT AND FORMER MINERS’ LIBRARY CLUB PRESIDENT ROBERT “BOBBIE” BROWN FROM APPROXIMATELY 1986 TO 1995. BOBBIE BROWN WAS ATTRACTED TO THE CLUB AS A 17 YEAR OLD ADOLESCENT AROUND 1948, BUT ACCORDING TO HIS WIFE MARLA BROWN, HE WAS TOO YOUNG TO DRINK AND CONSEQUENTLY WAS “ONLY ALLOWED TO GO DOWN INTO THE BASEMENT, WHERE HE MET FRIENDS AND PLAYED CARDS”. BY THEN, HIS FATHER JACK “JOHN” BROWN AND BROTHERS JIM AND ANDREW “BUCK” WERE ALL DEDICATED MEMBERS OF THE MINERS. MARLA FELT THAT HER HUSBAND’S DEVOTION TO THE CLUB AND ATTENDANCE AT SUCH A YOUNG AGE REFLECTED HIS COMMITMENT TO HIS FAMILY AND THE PLEASURE HE GOT FROM BEING AROUND HIS BROTHERS AND FATHER. ON 18 AUGUST 1950, BOBBIE ENLISTED IN THE ROYAL CANADIAN ARMY, SERVING IN KOREA AS A SAPPER WITH ENGINEERS. HE WAS HONORABLY DISCHARGED ON AUGUST 6, 1952 AND RETURNED HOME TO LETHBRIDGE. ONCE BACK, BOBBIE WAS OLD ENOUGH TO BE UPSTAIRS IN THE MINERS. IN JUNE 2010, HE RECALLED THAT THERE WERE NO WOMEN ALLOWED IN THE CLUB AND THAT A DRAFT BEER WAS 10 CENTS A GLASS. NO HARD LIQUOR WAS ALLOWED TO BE SERVED IN THE CLUB AT THE TIME. IF WOMEN WERE FINALLY ALLOWED TO VISIT THE CLUB, THEY WERE REQUIRED TO PATRONIZE A “SEPARATE SIDE” OF THE BAR. ACCORDING TO BOBBIE, “THE LIBRARY WAS VERY SPORTS-ORIENTED”. IT DONATED FUNDS TO MANY CHARITABLE ORGANIZATIONS AND ACCORDING TO MARLA, “BUILT QUITE A FEW PARKS IN LETHBRIDGE”. BOBBIE’S DEDICATION TO THE CLUB AND HIS APPRECIATION OF THE CLUB’S IMPACT ON THE COMMUNITY, LED HIM TO SERVE AS BOARD OF DIRECTORS IN 1986. AFTER A 3 YEAR TERM AS DIRECTOR, HE WAS ELECTED PRESIDENT, WHICH HE OCCUPIED UNTIL 1995. FOR HIS SERVICE, HE WAS AWARDED A LIFE MEMBERSHIP. IN 1995, HE DECIDED TO TRANSFER HIS ENERGIES TO THE ROYAL CANADIAN LEGION NO. 4 BRANCH AND ITS EXECUTIVE, A DECISION MADE FOLLOWING A SECOND, BUT UNSUCCESSFUL BID FOR THE MINERS’ PRESIDENCY. BOBBY WAS EQUALLY PASSIONATE ABOUT HIS SERVICE WITH THE LEGION, BUT ULTIMATELY HIS HEART REMAINED WITH THE MINERS WHICH CLOSED IN 2003. IN BOBBIE’S OPINION, THE CAMARADERIE IN THE MINERS WAS WITHOUT EQUAL. THE CLUB BLAZER WITH CREST WAS WORN BY BOBBIE TO EVERY BOARD OF DIRECTORS MEETING AND TO FUNCTIONS INCLUDING, BUT NOT LIMITED TO, CHEQUE PRESENTATION AND SPONSORED SPORTING EVENTS (AKA. SPORTS HALL OF FAME). HE OWNED NO BLAZER BUT THIS ONE PROVIDED TO HIM WITHOUT CHARGE BY THE CLUB IN 1986. BOBBIE’S FONDEST MEMORIES OF TIME SPENT AT THE MINERS INCLUDE HIS DAILY VISITS TO THE MINERS FOR BEER FOLLOWING THE COMPLETION OF HIS WORK DAY AS A CARRIER WITH CANADA POST. FROM EARLY AFTERNOON UNTIL 4:00 HE SHARED TIME WITH FRIENDS CORRIDO SANTONI AND WORK COLLEAGUES BILL HARCUZ AND ANDY PONECH – EACH ONE VOLUNTEERING IN SUCCESSION TO PAY FOR THE NEXT DAY’S ROUNDS. IN 2010 BOBBIE’S WIFE MARLA CLAIMED, “THAT WAS HIM AS A MEMBER (AFTERNOONS), BUT AS A BOARD OF DIRECTORS, HE SPENT HIS WHOLE LIFE AT THE MINERS”. FOR MORE INFORMATION, PLEASE SEE PERMANENT FILE
Catalogue Number
P20100021001
Acquisition Date
2010-06
Collection
Museum
Images
Less detail
Date Range From
1970
Date Range To
1980
Material Type
Artifact
Materials
COTTON, BRASS
Catalogue Number
P20000018021
  2 images  
Material Type
Artifact
Date Range From
1970
Date Range To
1980
Materials
COTTON, BRASS
No. Pieces
2
Length
72.0
Width
44.0
Description
GREEN, BLUE, YELLOW, PEACH, PLAID JACKET. HAS SOLID GREEN LINING. ON FRONT OF JACKET ARE 6 ROUND, BRASS BUTTONS, EACH WITH A MAPLE LEAF IN THE CENTER. HAS 4 BELT LOOPS OF SAME PLAID MATERIAL. BELT IS ALSO MADE OF SAME PLAID MATERIAL. IT HAS A SQUARE METAL BUCKLE, COVERED IN PLAID.
Subjects
CLOTHING-OUTERWEAR
Historical Association
LEISURE
History
OUTFIT WORN BY ANNE CAMPBELL SINGERS. ANNE CAMPBELL, 16 JUNE 1912-, WAS BORN IN SUTHERLAND, SASKATCHEWAN, NOW A PART OF SASKATOON. HER PARENTS WERE JOHN AND THOMASINA COWIE, SCOTTISH IMMIGRANTS. MRS. COWIE SANG IN ST PAUL’S UNITED CHURCH CHOIR AND MR. COWIE SANG AT HOME. ANNE BEGAN SINGING AT AGE EIGHT, AND BY AGE 14 SHE WAS CONDUCTING THE JUNIOR CHOIR OF ST. PAUL’S UNITED CHURCH IN SUTHERLAND. IN SASKATOON, ANNE STUDIED PIANO WITH LYLE GUSTIN AND VOICE WITH F.B. MORRISON. SHE ALSO STUDIED WITH DR. ERNEST VINCI OF TORONTO. MR. GUSTIN ENCOURAGED ANNE TO TAKE MUSIC COURSES AT ST. ANDREWS COLLEGE, UNIVERSITY OF SASKATCHEWAN. ANNE EVENTUALLY EARNED AN A.R.C.T. FROM THE TORONTO CONSERVATORY OF MUSIC, AS WELL AS AN A. MUS (ASSOCIATE IN MUSIC) AND L. MUS (LICENCIATE IN MUSIC), BOTH IN PIANO. IN 1939 ANNE MARRIED DON CAMPBELL AT WESTMINTSER UNITED CHURCH IN SASKATOON. AFTER THEY WERE MARRIED, THE CAMPBELLS MOVED TO CALGARY SO THAT DON COULD BEGIN A JOB AS A TRAVELING SALESMAN WITH MARSHALL WELLS HARDWARE. THEIR SONS MAC AND STEWART WERE BORN IN CALGARY, IN 1943 AND 1947 RESPECTIVELY. AFTER 1947 DON BECAME MANAGER OF THE HYDE AND SUNDAL HARDWARE STORE IN PICTURE BUTTE. DON EVENTUALLY BOUGHT THE STORE, CHANGED ITS NAME TO CAMPBELL HARDWARE AND WAS IN BUSINESS FOR 31½ YEARS. SOUTHMINSTER UNITED CHURCH ASKED ANNE TO FORM AN ALL GIRLS YOUTH CHOIR IN 1953, AND THE CAMPBELLS MOVED TO LETHBRIDGE. THE CHOIR ACCEPTED GIRLS FROM ALL OVER SOUTHERN ALBERTA. THE JUNIOR CHOIR SANG AT CHURCH SERVICES ONCE A MONTH, AND PERFORMED OPERETTAS IN THE SOUTHMINSTER CHURCH HALL. IN 1964 ANNE FORMED THE TEEN CLEFS, A 20 MEMBER CHAMBER CHOIR WITH GIRLS OF HIGH SCHOOL AGE. IN 1967 ANNE WAS INVITED TO TAKE THE GROUP TO MONTREAL FOR A PERFORMANCE AT EXPO 67. IN 1968 THE ANNE CAMPBELL SINGERS WERE FORMED. THE CHOIR WENT TO THE UNITED KINGDOM THAT YEAR TO COMPETE AT THE TEESIDE INTERNATIONAL EISTEDDFOD IN YORKSHIRE, ENGLAND AND THE LLANGOLLEN INTERNATIONAL MUSICAL EISTEDDFOD IN WALES. UNTIL THE EARLY 1990S THE CHOIR CONTINUED TO TRAVEL THROUGHOUT CANADA AND OVERSEAS, AND SUCCESSFULLY COMPETE IN MANY MUSIC FESTIVALS. THE UNITED KINGDOM, DENMARK, BELGIUM, AUSTRIA AND JAPAN WERE AMONG THE COUNTRIES VISITED BY THE ANNE CAMPBELL SINGERS. AS GIRLS FROM THE JUNIOR CHOIR AND ANNE CAMPBELL SINGERS GREW OLDER, ANNE FORMED THE LINNET SINGERS SO THAT THOSE WHO WISHED COULD CONTINUE IN A CHOIR. THE LINNET SINGERS ALSO TRAVELED AND COMPETED EXTENSIVELY. ANNE CREATED THE MINI CHOIR AS A TRAINING GROUP FOR GIRLS SIX TO EIGHT YEARS OLD. SOME FORMER MEMBERS OF ANNE’S CHOIRS HAVE ESTABLISHED SUCCESSFUL CAREERS IN MUSIC AS TEACHERS, CHOIR LEADERS AND OPERA SINGERS. ANNE CAMPBELL HAS RECEIVED MORE THAN A DOZEN AWARDS FOR HER CONTRIBUTIONS TO CHORAL MUSIC IN CANADA, INCLUDING THE ORDER OF CANADA IN 1977 AND HONOURARY DOCTOR OF LAWS DEGREE FROM THE UNIVERSITY OF LETHBRIDGE IN 1983. ANNE’S CHOIRS HAVE WON MORE THAN 20 AWARDS IN NATIONAL AND INTERNATIONAL COMPETITIONS. THE CHOIRS RECORDED 14 ALBUMS, AND WERE BROADCAST MANY TIMES BY THE CBC AND CKUA RADIO. THE GIRLS SANG MANY TYPES OF MUSIC: MADRIGALS, FOLK SONGS, SACRED MUSIC AND SHOW TUNES. THEY SANG AT VARIOUS TIMES IN ENGLISH, JAPANESE, GERMAN AND FRENCH. IN THE MID 1990S ANNE CAMPBELL RETIRED FROM ACTIVE INVOLVEMENT WITH THE CHOIRS. IN 1999 SHE MOVED TO COCHRANE, ALBERTA TO LIVE NEAR HER SON STEWART AND HIS FAMILY.
*UPDATE* ACCORDING TO HER LETHBRIDGE HERALD OBITUARY, ANNE CAMPBELL PASSED AWAY ON APRIL 13, 2011, AT THE AGE OF 98 YEARS. SEE PERMANENT FILE P20000018000 FOR A COPY OF A TRIBUTE ARTICLE FROM THE APRIL 18, 2011 ISSUE OF THE LETHBRIDGE HERALD.
Catalogue Number
P20000018021
Acquisition Date
2001-08
Collection
Museum
Images
Less detail
Date Range From
1980
Date Range To
1990
Material Type
Artifact
Materials
ACRYLIC WOOL
Catalogue Number
P20030051025
  2 images  
Material Type
Artifact
Date Range From
1980
Date Range To
1990
Materials
ACRYLIC WOOL
No. Pieces
1
Length
58.0
Description
KNIT BURGUNDY SWEATER. HAS A V-NECK. THERE IS AN EMBROIDERED MINERS' LIBRARY LOGO ON UPPER LEFT. LOGO CONSISTS OF A CIRCLE WITH A MINER'S CAP ON YELLOW BACKGROUND IN THE CENTER, AND "MINERS' LIBRARY CLUB" AROUND THE PERIMETER. ACROSS BOTTOM IS A BANNER WITH "LETHBRIDGE", BELOW WHICH IS AN OPEN BOOK. A BURGUNDY LABEL INSIDE NECKLINE OF SWEATER READS "CREST CAREERS MADE IN U.S.A." WITH A SMALLER LABEL THAT READS "M". A WORN LABEL SEWN INSIDE SIDE OF SWEATER READS "MALE 4859". THIS LABEL IS FALLING OFF. SWEATER IS STRETCHED OUT AND HAS ORANGE COLOURED ACCRETION ALONG BOTTOM. THERE ARE TWO HOLES IN SWEATER AT TOP NEAR LOGO.
Subjects
CLOTHING-OUTERWEAR
Historical Association
ASSOCIATIONS
History
RETRIEVED FROM THE MINERS' LIBRARY BUILDING ON 13TH STREET NORTH AFTER ITS CLOSURE. LIBRARY MATERIALS AND MINING MEMORABILIA WERE KEPT IN A DISPLAY CASE LOCATED IN THE SOUTH WEST CORNER OF THE MAIN FLOOR CLUB ROOM. THE ORIGIN OF THE LETHBRIDGE MINERS' LIBRARY BEGINS WITH THE ESTABLISHMENT OF A LIBRARY AND READING ROOM BY THE EMPLOYEES OF THE ALBERTA RAILWAY AND COAL CO., IN 1890. THE ESTABLISHMENT OF THE LIBRARY WAS FOLLOWING IN THE TRADITION OF THE MECHANICS' LIBRARIES, ALSO CALLED MECAHNICS' INSTITUTES, THAT SPRANG UP ACROSS EASTERN NORTH AMERICA IN THE MID 1800S. THEY WERE SELF-HELP INSTITUTES SET UP BY WORKING MEN TO PROVIDE EDUCATION FOR WORKING MEN SO THEY COULD BETTER THEMSELVES IN LIFE. THE MINERS' LIBRARY WAS VERY IMPORTANT TO THOSE WHO WANTED TO MOVE UP THE ECHELON IN THE COAL MINE. IT WAS ORIGINALLY HOUSED IN A SMALL BUILDING NEXT DOOR TO 108 5TH STREET SOUTH, AND MEMBERSHIP WAS NOT RESTRICTED TO MINERS. A YEAR LATER THE EMPLOYEES RENOVATED THE FORMER #1 BOARDING HOUSE, LOCATED ON THE NORTH SIDE OF MACLEOD ROAD, FOR RELOCATION OF THE LIBRARY AND WHEN THIS LARGER BUILDING OPENED IT IS SAID TO HAVE HAD 300 BOOKS. WITH THE REORGANIZATION OF THE GALT COMPANIES IN 1904, THE AR&C COMPANY'S EMPLOYEES' READING ROOM AND LIBRARY SOCIETY BECAME THE ALBERTA RAILWAY AND IRRIGATION COMPANY'S EMPLOYEE'S READING ROOM AND LIBRARY SOCIETY. THE LIBRARY CONTAINED 1500 BOOKS, PLUS MANY MAGAZINES AND NEWSPAPERS. IN 1908 THE SOCIETY WAS REFERRED TO AS THE GALT MINER'S LIBRARY, AND STILL IN THE #1 BOARDING HOUSE BUILDING, IT CONTAINED A BILLIARD ROOM AND GYMNASIUM. THE NEXT KNOWN MOVE OF THE LIBRARY WAS IN 1917 WHEN THE GALT MINES LIBRARY PURCHASED THE BAILEY ST. SCHOOL AND MOVED IT TO 733 13TH ST. NORTH - WHERE IT IS STILL PART OF THE MODERN BUILDING THAT USED TO BE THE MINER'S LIBRARY. AFTER THE ESTABLISHMENT OF A LIBRARY IN THE YMCA IN 1919 AND THE CONSTRUCTION OF THE CARNEGIE FUNDED LIBRARY IN GALT GARDENS, THE 'LIBRARY AND READING ROOM' ACTIVITIES BECAME OF LESSER IMPORTANCE. THE MINERS' LIBRARY BECAME MORE OF A SOCIAL CLUB WHICH HAS GIVEN GREAT FINANCIAL SUPPORT TO MANY ASPECTS OF THE LETHBRIDGE COMMUNITY. A BAR AREA IN THE CLUB'S BASEMENT PROVIDED A SPACE FOR PRIVATE FUNCTIONS SUCH AS WEDDINGS, OFFICE PARTIES, FUNERALS AND VARIOUS CLUB ACTIVITIES. THE UPSTAIRS BLACK NUGGET LOUNGE OFFERED MEALS, DRINKS, LIVE MUSIC, DARTS, POOL, CRIB AND VLTS. LONG TIME MEMBERS COULD BUY THEIR CHAIR AND HAVE THEIR NAME ON IT. A REGISTERED NON-PROFIT SOCIETY, THE CLUB MADE CONTRIBUTIONS TO THE FORMER ADAMS PARK BALL FIELD AND SPECTATOR STANDS, AND SUPPORTED MANY SPORTS AND SPORTS TEAMS THROUGH THE YEARS. THERE ARE ALSO SEVERAL PARKS THAT HAVE THEIR ROOTS IN FUNDS FROM THE LIBRARY. THE CLUB WAS INSTRUMENTAL IN BUILDING PAVAN PARK, AND VARIOUS SPORTS VENUES. AS MEMBERSHIP IN THE CLUB DWINDLED THE CLUB'S SALES COULD NOT COVER THE DAILY COSTS OF RUNNING THE OPERATION. IN 2000 FUNDRAISING EFFORTS WERE UNDERTAKEN, AND ALONG WITH AN AUCTION AND CRAFT AND BAKE SALES, THE CLUB SOLICITED DONATIONS FOR THE FIRST TIME IN ITS HISTORY. HOWEVER, BY 2003 THE CLUB HAD ONLY 300 MEMBERS (LESS THAN 1/3 OF THAT 3 YEARS PRIOR) AND AFTER 113 YEARS IT WAS FORCED TO CLOSE IT'S DOORS. AT THE TIME OF ITS CLOSURE THE LETHBRIDGE MINERS' LIBRARY CLUB WAS THE LONGEST STANDING MEN-ONLY CLUB, AND THE OLDEST CONTINUALLY RUNNING CLUB IN ALBERTA.
Catalogue Number
P20030051025
Acquisition Date
2004-04
Collection
Museum
Images
Less detail
Other Name
BASEBALL PANTS
Date Range From
1980
Date Range To
1990
Material Type
Artifact
Materials
POLYESTER
Catalogue Number
P19970073019
  2 images  
Material Type
Artifact
Other Name
BASEBALL PANTS
Date Range From
1980
Date Range To
1990
Materials
POLYESTER
No. Pieces
1
Length
70.2
Width
40.8
Description
WHITE POLYESTER/NYLON PANTS WITH BLUE VERTICAL STRIPES. ELASTICIZED HEMS ON LEGS; BACK OF WAISTBAND ALSO ELASTICIZED. FIVE LARGE BELT LOOPS AT WAIST; BUTTON AND ZIPPER AT FRONT. TAG IN BACK OF PANTS READING "PRIDE ATHLETIC UNIFORMS LARGE A MEDALIST COMPANY FOND DU LAC, WI. 54935"; WASHING DIRECTIONS BELOW. ONE REAR RIGHT POCKET. CHILD'S UNIFORM.
Subjects
CLOTHING-OUTERWEAR
Historical Association
SPORTS
ASSOCIATIONS
History
DONATED TO MUSEUM BY CANADIAN LEGION; PRIOR USE/HISTORY UNKNOWN. SEE P19970073018-20-GA FOR RELATED PIECES AND P19970073001-GA FOR MORE HISTORY.
Catalogue Number
P19970073019
Acquisition Date
1997-08
Collection
Museum
Images
Less detail
Other Name
BASEBALL SHIRT
Date Range From
1980
Date Range To
1998
Material Type
Artifact
Materials
POLYESTER
Catalogue Number
P19970073018
  2 images  
Material Type
Artifact
Other Name
BASEBALL SHIRT
Date Range From
1980
Date Range To
1998
Materials
POLYESTER
No. Pieces
1
Length
56.8
Width
66
Description
WHITE POLYESTER/NYLON SHORT-SLEEVED SHIRT WITH BLUE VERTICAL PINSTRIPES. LIGHT BLUE LETTER "N" STITCHED TO LEFT FRONT CHEST AREA. BADGE SEWN TO RIGHT SLEEVE, EMBROIDERED WITH "MEMORIAM EORUM RETINEBIMUS LEGION" WITH MAPLE LEAF AND CROWN. BACK OF SHIRT HAS LIGHT BLUE NUMBERS "1 5" STITCHED AT CENTRE. TAG INSIDE COLLAR READING "PRIDE ATHLETIC UNIFORMS LARGE A MEDALIST COMPANY FOND DU LAC, WI. 54935"; WASHING INSTRUCTIONS BELOW.
Subjects
CLOTHING-OUTERWEAR
Historical Association
SPORTS
ASSOCIATIONS
History
FOLLOWING THE SECOND WORLD WAR THE CANADIAN LEGION INITIATED A CITIZENSHIP PROGRAM FOR YOUNG PEOPLE. SPORTS INCLUDING HOCKEY, BASEBALL, AND SOCCER, BECAME THE LARGEST AREA OF SPONSORSHIP, FUNDED THROUGH REVENUE FROM THE POPPY CAMPAIGN. WHILE STILL SERVING ITS OWN MEMBERS, THE GENERAL STEWART BRANCH OF THE ROYAL CANADIAN LEGION NOW SUPPORTS A NUMBER OF AMATEUR SPORTS PROGRAMS IN THE BROADER COMMUNITY. DONATED TO MUSEUM BY CANADIAN LEGION; PRIOR USE/HISTORY UNKNOWN. SEE P19970073019-20-GA FOR RELATED PIECES AND P19970073001-GA FOR MORE HISTORY.
Catalogue Number
P19970073018
Acquisition Date
1997-08
Collection
Museum
Images
Less detail
Other Name
CURLING SWEATER
Date Range From
1980
Date Range To
1990
Material Type
Artifact
Materials
WOOL, PLASTIC
Catalogue Number
P19990029013
  2 images  
Material Type
Artifact
Other Name
CURLING SWEATER
Date Range From
1980
Date Range To
1990
Materials
WOOL, PLASTIC
No. Pieces
1
Length
68.5
Description
KNIT SWEATER IS A LIGHT CREAM COLOUR. HAS STRIPES DOWN LENGTH OF ARMS AND AROUND COLLAR OF BLUE, BROWN AND GREY. ONE ARM HAS A PATCH OF AN ELK'S HEAD SEWN ON. THERE IS A PLASTIC ZIPPER IN FRONT OF SWEATER AND A TAG INSIDE NECKLINE. BACK OF SWEATER HAS 3 CRESTS. LEFT: LEGION CREST OVER TWO CROSSED CURLING BROOMS; READS "MIXED CHAMP 1982 ZONE NO 3". CENTER: 3 CONCENTRIC CIRCLES OF RED, WHITE AND BLUE, WITH A CURLING ROCK IN THE CENTER OVER TWO CROSSED CURLING BROOMS; READS "LEGION" "LETHBRIDGE". RIGHT: LEGION CREST OVER TWO CROSSED CURLING BROOMS; READS "MIXED CHAMP DIST. NO 6".
Subjects
CLOTHING-OUTERWEAR
Historical Association
SPORTS
ASSOCIATIONS
History
LEGION SPORTS HAVE BEEN DEVELOPED TO ENHANCE COMRADESHIP, SPORTSMANSHIP AND MEMBERSHIP. THE SPORTS PROGRAM IS COMPOSED OF TWO SEPARATE PROGRAMS - ONE FOR LEGION MEMBERS CALLED "MEMBER SPORTS" AND A PROGRAM FOR CANADIAN YOUTH CALLED "TRACK AND FIELD". THE DOMINION REGULAR CURLING CHAMPIONSHIP WAS INTRODUCED IN 1957 AND IS OPEN TO ELIGIBLE LEGION MEMBERS AS SPECIFIED IN THE ELIGIBILITY CRITERIA. THE DOMINION SENIOR CURLING CHAMPIONSHIP WAS INTRODUCED IN 1977 AND IS OPEN TO ELIGIBLE LEGION MEMBERS. ARTIFACTS PURCHASED BY DONOR AT VARIOUS ANTIQUE SHOPS, GARAGE SALES, ETC. FOR THE PURPOSE OF DONATING TO THE MUSEUM. THIS PARTIFCULAR ARTIFACT WAS PURCHASED FROM THE SALVATION ARMY THRIFT STORE FOR $4.99. ARTIFACTS WERE PURCHASED FROM 1999 TO 2002 WHILE DONOR WAS DIRECTOR OF THE GALT MUSEUM. SEE PREVIOUS DONATIONS.
Catalogue Number
P19990029013
Acquisition Date
2002-11
Collection
Museum
Images
Less detail
Date Range From
1970
Date Range To
1980
Material Type
Artifact
Materials
NYLON, POLYESTER, COTTON
Catalogue Number
P20160022000
  2 images  
Material Type
Artifact
Date Range From
1970
Date Range To
1980
Materials
NYLON, POLYESTER, COTTON
No. Pieces
1
Length
73
Width
53
Description
GREEN WINDBREAKER JACKET WITH EMBROIDERED BADGE ON THE CHEST READING “KOREA VETERANS ASSOCIATION CANADA” IN GOLD THREAD, WITH RED MAPLE LEAF DETAILING AND A RED LOGO IN THE CENTER OF THE SHIELD; BADGE ON THE LEFT SHOULDER SHOWS A SHIELD WITH GOLD THREAD EDGING ALONG A FELT SHIELD WITH A BRASS CROWN AND SILVER TEXT “COMMONWEALTH.” RIGHT SHOULDER HAS RED FELT BADGE WITH RED EMBROIDERED EDGING, WITH BRASS-COLOURED LAUREL LEAVES SURROUNDING A MAPLE LEAF INSIDE AND BRASS-COLOURED TEXT “CANADA.” FRONT LEFT BREAST OF JACKET HAS A RED FELT POPPY PINNED WITH A GREEN METAL CENTER. JACKET HAS TWO SILVER SNAPS COVERED IN GREEN PLASTIC AT THE COLLAR. ZIPPER RUNS LENGTH OF JACKET CHEST. SLEEVES AND WAIST ARE ELASTIC. JACKET HAS TWO POCKETS ON LEFT AND RIGHT SIDES AT WAIST LINED WITH WHITE COTTON. INSIDE OF JACKET IS BLACK. JACKET HAS WHITE TAGS INSIDE AT COLLAR IN RED, BLUE AND BLACK TEXT “CORPORATE CLOTHING BY AVON SPORTSWEAR TORONTO, XXL/M,” AND BILINGUAL ENGLISH/FRENCH COLLAR TAG IN BLACK TEXT “#30, OUTER SHELL 100% NYLON, EXCLUSIVE OF TRIMMING, CA 00368, MADE IN CANADA, DRY CLEAN ONLY,” AND TAG ON LOWER LEFT INSIDE WITH BLACK TEXT “C-36.” COLLAR AND INSIDE OF JACKET HAS DIRT STAINING AND SOILING. OVERALL VERY GOOD CONDITION.
Subjects
CLOTHING-OUTERWEAR
Historical Association
MILITARY
ASSOCIATIONS
History
ON OCTOBER 17, 2017, COLLECTIONS TECHNICIAN KEVIN MACLEAN INTERVIEWED ERIC MORRIS ABOUT HIS ASSOCIATION WITH THE KOREA VETERAN’S ASSOCIATION OF CANADA, PROMPTED BY THE DONATION OF A KOREA VETERAN’S ASSOCIATION MEMBER JACKET TO THE MUSEUM BY DWAYNE GOLDIE. THE JACKET ORIGINALLY BELONGED TO BILL RAMAGE OF LETHBRIDGE, ALBERTA. MACLEAN ASKED MORRIS ABOUT THE JACKET AND IF HE RECOGNIZED THE GARMENT, AND MORRIS RECALLED, “THIS IS THE GREEN DRESS JACKET THAT WE’RE ALL WEARING IN THE ASSOCIATION…EVERY DAY WEAR SORT OF THING.” “[THE BADGES ARE THE] PHANTOM AND THAT’S CANADA AS WELL. [EVERYONE WOULD HAVE THESE BADGES ON THEIR JACKETS] BASICALLY. BUT NOT THAT COLOUR. [YOU WOULDN’T BUY THE JACKET WITH THE BADGES ON IT] THERE IS A NATIONAL KIT SHOP [TO BUY BADGES]…YOU SHOULD BE ABLE TO GET THE BADGES FROM THEM BUT THEY’RE NOT THESE…THAT’S JUST GOT THE CREST. …HE GOT THEM [THE SHOULDER BADGES] IN KOREA. THEY’RE PROBABLY THE FIRST ONES THAT WERE MADE BECAUSE ALL THE REFLECTING IS CANADA.” “[THE] MEDALS ARE STILL AVAILABLE FROM THE KIT SHOP. NOT MUCH ELSE.” “NOT MANY [OF THE LETHBRIDGE GUYS HAD OUTER SHELL JACKETS LIKE THIS]. BASICALLY [JUST] THE BLAZER. WHEN ASKED ABOUT HIS MEMORIES OF BILL RAMAGE, MORRIS SHARED, “I DIDN’T SEE TOO MUCH OF HIM [BILL RAMAGE]…HE WAS A MEMBER OF OUR ORGANIZATION. [HE WAS] ACTIVE. SUPPORTIVE. GOOD GUY. I DIDN’T SEE TOO MUCH OF HIM. HE HAD A SENSE OF HUMOUR.” MORRIS SHARED HIS MEMORIES OF HIS OWN TIME IN THE KOREA VETERAN’S ASSOCIATION IN LETHBRIDGE, NOTING, “I WAS PRESIDENT, VICE-PRESIDENT AND SECRETARY FOR QUITE A FEW YEARS AND I’M A LIFETIME MEMBER OF KVA…THERE’S MANY KOREAN VETERANS IN THIS PART OF ALBERTA…WE HAD A MEDAL PRESENTATION LAST YEAR, THERE [WERE] ONE HUNDRED AND TEN FROM SOUTHERN ALBERTA WE INVITED TO IT. THAT’S ANYWHERE FROM SOUTHERN ALBERTA A LOT OF THEM ARE MEMBERS BUT NOT MEMBERS OF THE UNIT. THEY’RE MEMBERS OF THE NATIONAL SAME AS I AM NOW.” “WE WERE A FAIRLY ACTIVE UNIT…WE HAD OUR PARADES AND CEREMONIES. WE ALSO WORKED AT THE LOCAL BINGO HALL ONCE EVERY YEAR AND FROM THAT WE USED TO GET OVER THIRTY THOUSAND DOLLARS A YEAR, WHICH OF COURSE ALL WE GOT OUT OF IT WAS ABOUT FIVE THOUSAND. WE HAD TO DISTRIBUTE THE REMAINDER TO DESERVING ORGANIZATIONS WITHIN OUR IMMEDIATE AREA WHICH WE DID. THE OTHER MEMBERS ARE STILL YOU KNOW, GOING, NOT IN GOOD HEALTH MOST OF THEM BUT THEY’RE STILL GOING. “THE LEGION [IS WHERE WE MET]. EVERYTHING OPERATED OUT OF THERE. THE LEGION DOES SUPPORT THEM [KOREA VETERAN’S ASSOCIATIONS ACROSS CANADA], [AS] MEETING PLACES.” “WE PARADED THERE [CITY HALL] ON REMEMBRANCE DAY. THAT WAS OUR PRIMARY PARADE AND IT WAS SOMETHING SPECIAL TO ALL. [IT WAS] PRETTY HARD TO GET THESE OLD GUYS OUT TO PARADE…A LOT OF THOSE MEMBERS OF THE LOCAL SENIOR CITIZENS ORGANIZATIONS, WHICH WE FUNDED…THE KOREAN COMMUNITY HERE IS A FAIR SIZE, AND THEY SUPPORTED US…AFTER OUR PARADE FOR EXAMPLE, THEY WOULD INVITE US TO THE CHURCH FOR DINNER. OR WHEN WE HAD OUR MEDAL PRESENTATION THEY SET UP THE KITCHEN AND FED EVERYBODY…THEY WERE VERY SUPPORTIVE.” “[THE ORGANIZATION IS] VERY IMPORTANT [TO ME]. IT IS TO ALL THE MEMBERS OF ANY VETERAN’S ORGANIZATION…WHEN YOU SPEAK TO THE LEGION MEMBERS FOR EXAMPLE IT’S IMPORTANT TO THEM THAT YOU BELONG TO A COMRADESHIP…WE WERE STAUNCH MEMBERS OF THE COMMUNITY…BECAUSE WE VOLUNTEERED…OUR ORGANIZATION IS CLOSED DOWN, AND THE NEXT CLOSEST ONE IS IN CALGARY WHICH WE CAN GO TO ANYTIME. WE CAN GO TO ANY LEGION.” PLEASE SEE THE PERMANENT FILE P20160022000-GA FOR MORE INFORMATION INCLUDING A COPY OF THE FULL INTERVIEW TRANSCRIPTION.
Catalogue Number
P20160022000
Acquisition Date
2016-08
Collection
Museum
Images
Less detail
Other Name
LETHBRIDGE HANDI-BUS DRIVER'S UNIFORM SHIRT
Date Range From
1975
Date Range To
2007
Material Type
Artifact
Materials
COTTON, POLYESTER
Catalogue Number
P20160009003
  2 images  
Material Type
Artifact
Other Name
LETHBRIDGE HANDI-BUS DRIVER'S UNIFORM SHIRT
Date Range From
1975
Date Range To
2007
Materials
COTTON, POLYESTER
No. Pieces
1
Height
66
Length
69
Description
LIGHT BLUE COLLARED SHIRT. THERE ARE SEVEN WHITE, PEARLIZED BUTTONS DOWN THE FRONT OF THE SHIRT. THERE ARE TWO POCKETS, EACH WITH ONE BUTTON, ON EITHER SIDE OF THE CHEST. A LOGO IS EMBROIDERED ON THE LEFT CHEST WITH “LHB” IN WHITE. THE LOGO IS AN INVERTED MAROON TRIANGLE WITH A WHITE BORDER. THERE IS A PARTIAL HANDICAP SYMBOL IN THE CENTER, EMBROIDERED IN WHITE. THE INSIDE TAG ON THE BACK OF THE COLLAR READS, “MARK’S … XL”. THE TAG STATES IT IS A COTTON/POLYESTER SHIRT. THE SLEEVES ARE 61.5 CM LONG. VERY GOOD – EXCELLENT CONDITION. THERE IS A LOOSE THREAD AT THE TOP BUTTON, NEAR THE COLLAR AND ONE ON THE INSIDE TRIM AT THE FRONT BOTTOM LEFT SIDE.
Subjects
CLOTHING-OUTERWEAR
Historical Association
ASSOCIATIONS
TRANSPORTATION
History
THE LETHBRIDGE HANDI-BUS ASSOCIATION WAS A NOT-FOR-PROFIT ORGANIZATION THAT BEGAN IN 1975 WHEN THE KIWANIS CLUB DONATED THE FIRST VAN. ON AUGUST 1, 2007 – AFTER 32 YEARS OF SERVICE TO THE COMMUNITY – THE LETHBRIDGE HANDI-BUS ASSOCIATION WAS TRANSFERRED TO THE CITY OF LETHBRIDGE. AT THAT POINT, THE ASSOCIATION HAD A FLEET OF 20 BUSES – MANY OF WHICH WERE DONATED BY LOCAL SERVICE CLUBS – THAT WERE ALL TRANSFERRED TO THE CITY. THE NAME OF THE SERVICE BECAME ACCESS-A-RIDE UNDER THE CITY’S MANAGEMENT. THESE ARTIFACTS WERE DONATED BY A LETHBRIDGE HANDI-BUS ASSOCIATION BOARD MEMBER, LYNN SPRING. THE FOLLOWING INFORMATION HAS BEEN EXTRACTED FROM AN INTERVIEW CONDUCTED BY COLLECTIONS TECHNICIAN KEVIN MACLEAN ON APRIL 12, 2016 WITH SPRING. HE EXPLAINS, “I WAS A MEMBER OF THE LETHBRIDGE HANDI BUS BOARD OF DIRECTORS FOR HALF A DOZEN YEARS AT LEAST AND SOME OF THESE ITEMS WERE GIVEN TO ME BY THE DRIVERS. THE LETHBRIDGE HANDI BUS STARTED IN 1975 AND ABOUT SEVEN YEARS AGO, LETHBRIDGE HANDI BUS STOPPED THEIR CHARTER AS A NOT- FOR -PROFIT ORGANIZATION BECAUSE OF THE NATIONAL RULING IN TRANSPORTATION THAT MUNICIPALITIES WOULD BE RESPONSIBLE FOR ACCESSIBILITY RIDES, HANDICAP TRANSPORTATION. SO THE CITY TOOK OVER ALL OF THE BUSES, THEY PURCHASED THEM AND MOST OF THE DRIVERS WENT OVER TO THE CITY OF LETHBRIDGE BECAUSE WE HAD, I BELIEVE, TWENTY-SIX AT THAT TIME AND YOU JUST DON’T JUST DON’T FIND TWENTY-SIX DRIVERS. THAT WAS PART OF THE AGREEMENT ON SALE THAT THEY WOULD TAKE THE BUSES. WE TOOK OUR PLATES OFF AND THE NEXT DAY CITY PUT THEIR PLATES ON AND THEIR INSURANCE. THE DRIVERS WENT OVER EVENTUALLY. THEY WERE WEARING THE CITY TRANSIT, LETHBRIDGE CITY TRANSIT UNIFORMS.” OF HIS TIME AS A BOARD MEMBER, SPRING SAID, “I CAME TO LETHBRIDGE IN [2005]… THE MANAGER OF THE DAY, MURRAY CAMPBELL, WAS A LONGTIME FRIEND OF MINE AND HE ASKED ME [TO BE ON THE BOARD], AND I THOUGHT WELL IT IS A VERY WORTHWHILE ORGANIZATION. IT WAS A NOT-FOR -PROFIT ORGANIZATION AND DIDN’T INVOLVE A LOT OF HOURS.” SPRING WAS ON THE BOARD UNTIL 2011. SPRING REFERRED TO HIMSELF AS “A COLLECTOR AT HEART” AND AS A RESULT GATHERED THE DONATED ARTIFACTS DURING THE LAST DAYS OF THE LETHBRIDGE HANDI-BUS ASSOCIATION IN 2011. THEY WERE IN HIS POSSESSION FOR 5 TO 7 YEARS. HE EXPLAINS, “WELL I WAS ONE OF THREE THAT CLOSED DOWN AND CLOSED OUT HANDI BUS. WE HAD TO FILE WITH TAX CANADA AND OF COURSE, WORKERS COMP AND ALL THOSE THINGS SO FINALLY WE’RE AT THAT STAGE WHERE WE CAN GET RID OF A LOT OF THE PAPER RECORDS. IT PROMPTED THAT I SHOULD MAYBE DONATE THESE TO THE GALT MUSEUM FOR PROSPERITY… [T]HAT’S JUST MY NATURE, I GUESS, TO RETAIN THINGS AND SAY ‘WELL SOMEBODY WOULD BE INTERESTED IN THIS IN A FUTURE DATE.’” SPRING WOULD HAVE WORN THIS SHIRT AS A BOARD MEMBER: ”WE WOULD WEAR THAT AT FUNDRAISERS AND DIFFERENT OCCASIONS LIKE THAT. THE ODD TIME AT THE BOARD MEETINGS, BUT MAINLY THE FUNDRAISERS, OR WHEN WE HAD MEDIA PEOPLE OR, SOME RECORDING OF THAT NATURE.” IT IS IDENTICAL TO THE SHIRTS WORN BY THE HANDI-BUS DRIVERS. SPRING DESCRIBES THE SHIRT’S DESIGN, “IT’S A DENIM SHIRT, AND OF COURSE A LOT OF OUR MATERIAL WAS FROM MARK’S WORK WAREHOUSE AS YOU SEE ON THE LABEL. THAT’S SIMPLY DENIM AND THE DISTINCTION IS HAVING THE LHB LOGO ON IT… THE LOGO LHB IS IN MAROON AND GRAY COLOURS, THAT WAS THEIR COLOUR AND OF COURSE LHB FOR LETHBRIDGE HANDI BUS.” PLEASE SEE PERMANENT FILE FOR MORE INFORMATION INCLUDING FULL INTERVIEW TRANSCRIPTION AND LETHBRIDGE HERALD ARTICLES.
Catalogue Number
P20160009003
Acquisition Date
2016-04
Collection
Museum
Images
Less detail
Other Name
LETHBRIDGE HANDI-BUS DRIVER'S WINTER COAT
Date Range From
1975
Date Range To
2007
Material Type
Artifact
Materials
NYLON, POLYESTER, PLASTIC
Catalogue Number
P20160009004
  2 images  
Material Type
Artifact
Other Name
LETHBRIDGE HANDI-BUS DRIVER'S WINTER COAT
Date Range From
1975
Date Range To
2007
Materials
NYLON, POLYESTER, PLASTIC
No. Pieces
2
Length
78.5
Width
77
Description
A: DARK GREY WINTER JACKET. EMBROIDERED “LHB” LOGO ON THE PROPER LEFT SIDE OF THE CHEST (MAROON INVERTED TRIANGLE WITH LETTERS AND HANDICAP SYMBOL IN WHITE). THE JACKET HAS A HIGH COLLAR AND A GREY, PLASTIC ZIPPER DOWN THE FRONT. THERE ARE 5 METAL SNAP FASTENERS TO CLOSE THE JACKET IN ADDITION TO THE ZIPPER. THERE IS A POCKET ON EITHER SIDE OF THE CHEST, BOTH WITH VELCRO-ED FLAPS. THERE IS REFLECTIVE MATERIAL ATTACHED TO THESE POCKETS. THERE ARE TWO POCKETS AT THE LOWER SIDES OF THE JACKET WITH ZIPPERS TO CLOSE. THERE ARE TWO STUDS FROM SNAP FASTENERS ON THE OUTSIDE OF THE JACKET (FRONT, LOWER LEFT SIDE). THERE IS ELASTIC AROUND THE BOTTOM HEM AND VELCRO AROUND THE CUFFS OF THE SLEEVES. A 20 CM REFLECTIVE STRIPE IS ATTACHED TO THE CENTER BACK OF THE JACKET. THE SLEEVES ARE 58 CM LONG. THE TAG AT THE BACK COLLAR READS "MARK'S 3XL" AND "MADE IN KOREA". B: A REMOVABLE BLACK FLEECE LINING IS ATTACHED TO THE INSIDE OF THE JACKET WITH A ZIPPER. THE FLEECE LINING HAS AN LHB LOGO IDENTICAL TO THE JACKET'S ON THE PROPER LEFT SIDE OF THE CHEST. THE INSIDE TAG READS “MARK’S… 3XL”. GOOD CONDITION. THE COLOUR OF THE GREY IS FADING OVERALL. THE FLEECE ON THE INSIDE IS BALLING. THERE ARE LOOSE THREADS AT VARIOUS PLACES OF THE JACKET. THE LOGO IS DIRTY/DISCOLOURED. THE VELCRO IS SLIGHTLY DIRTY. THE LEFT CHEST POCKET IS WRINKLED/MISSHAPED AND STICKING TO THE VELCRO. THERE IS A WHITE NEAR THE ZIPPER ON THE UPPER, LEFT SIDE OF THE JACKET.
Subjects
CLOTHING-OUTERWEAR
Historical Association
ASSOCIATIONS
TRANSPORTATION
History
THE LETHBRIDGE HANDI-BUS ASSOCIATION WAS A NOT-FOR-PROFIT ORGANIZATION THAT BEGAN IN 1975 WHEN THE KIWANIS CLUB DONATED THE FIRST VAN. ON AUGUST 1, 2007 – AFTER 32 YEARS OF SERVICE TO THE COMMUNITY – THE LETHBRIDGE HANDI-BUS ASSOCIATION WAS TRANSFERRED TO THE CITY OF LETHBRIDGE. AT THAT POINT, THE ASSOCIATION HAD A FLEET OF 20 BUSES – MANY OF WHICH WERE DONATED BY LOCAL SERVICE CLUBS – THAT WERE ALL TRANSFERRED TO THE CITY. THE NAME OF THE SERVICE BECAME ACCESS-A-RIDE UNDER THE CITY’S MANAGEMENT. THESE ARTIFACTS WERE DONATED BY A LETHBRIDGE HANDI-BUS ASSOCIATION BOARD MEMBER, LYNN SPRING. THE FOLLOWING INFORMATION HAS BEEN EXTRACTED FROM AN INTERVIEW CONDUCTED BY COLLECTIONS TECHNICIAN KEVIN MACLEAN ON APRIL 12, 2016 WITH SPRING. HE EXPLAINS, “I WAS A MEMBER OF THE LETHBRIDGE HANDI BUS BOARD OF DIRECTORS FOR HALF A DOZEN YEARS AT LEAST AND SOME OF THESE ITEMS WERE GIVEN TO ME BY THE DRIVERS. THE LETHBRIDGE HANDI BUS STARTED IN 1975 AND ABOUT SEVEN YEARS AGO, LETHBRIDGE HANDI BUS STOPPED THEIR CHARTER AS A NOT- FOR -PROFIT ORGANIZATION BECAUSE OF THE NATIONAL RULING IN TRANSPORTATION THAT MUNICIPALITIES WOULD BE RESPONSIBLE FOR ACCESSIBILITY RIDES, HANDICAP TRANSPORTATION. SO THE CITY TOOK OVER ALL OF THE BUSES, THEY PURCHASED THEM AND MOST OF THE DRIVERS WENT OVER TO THE CITY OF LETHBRIDGE BECAUSE WE HAD, I BELIEVE, TWENTY-SIX AT THAT TIME AND YOU JUST DON’T JUST DON’T FIND TWENTY-SIX DRIVERS. THAT WAS PART OF THE AGREEMENT ON SALE THAT THEY WOULD TAKE THE BUSES. WE TOOK OUR PLATES OFF AND THE NEXT DAY CITY PUT THEIR PLATES ON AND THEIR INSURANCE. THE DRIVERS WENT OVER EVENTUALLY. THEY WERE WEARING THE CITY TRANSIT, LETHBRIDGE CITY TRANSIT UNIFORMS.” OF HIS TIME AS A BOARD MEMBER, SPRING SAID, “I CAME TO LETHBRIDGE IN [2005]… THE MANAGER OF THE DAY, MURRAY CAMPBELL, WAS A LONGTIME FRIEND OF MINE AND HE ASKED ME [TO BE ON THE BOARD], AND I THOUGHT WELL IT IS A VERY WORTHWHILE ORGANIZATION. IT WAS A NOT-FOR -PROFIT ORGANIZATION AND DIDN’T INVOLVE A LOT OF HOURS.” SPRING WAS ON THE BOARD UNTIL 2011. SPRING REFERRED TO HIMSELF AS “A COLLECTOR AT HEART” AND AS A RESULT GATHERED THE DONATED ARTIFACTS DURING THE LAST DAYS OF THE LETHBRIDGE HANDI-BUS ASSOCIATION IN 2011. THEY WERE IN HIS POSSESSION FOR 5 TO 7 YEARS. HE EXPLAINS, “WELL I WAS ONE OF THREE THAT CLOSED DOWN AND CLOSED OUT HANDI BUS. WE HAD TO FILE WITH TAX CANADA AND OF COURSE, WORKERS COMP AND ALL THOSE THINGS SO FINALLY WE’RE AT THAT STAGE WHERE WE CAN GET RID OF A LOT OF THE PAPER RECORDS. IT PROMPTED THAT I SHOULD MAYBE DONATE THESE TO THE GALT MUSEUM FOR PROSPERITY… [T]HAT’S JUST MY NATURE, I GUESS, TO RETAIN THINGS AND SAY ‘WELL SOMEBODY WOULD BE INTERESTED IN THIS IN A FUTURE DATE.’” THE WINTER JACKET WAS WORN BY A DRIVER NAMED WAYNE HALES WHO WAS ONE OF THE LHB EMPLOYEES WHO TRANSFERRED TO THE CITY WHEN THE ORGANIZATION WAS TAKEN OVER. WHEN SPRING WAS GATHERING ITEMS RELATED TO THE ASSOCIATION HE REACHED OUT TO HALES: “I SPOKE WITH WAYNE HALES, AND SAID I HAD SOME OTHER THINGS DID HE HAVE ANYTHING? AND HE SAID, ‘OH, I THINK I’VE GOT A COAT IN THE CLOSET’, SO HE DUG IT OUT AND I ADDED IT TO THESE OTHER ITEMS.” PLEASE SEE PERMANENT FILE FOR MORE INFORMATION INCLUDING FULL INTERVIEW TRANSCRIPTION AND LETHBRIDGE HERALD ARTICLES.
Catalogue Number
P20160009004
Acquisition Date
2016-04
Collection
Museum
Images
Less detail
Other Name
LETHBRIDGE BREWERY
Date Range From
1981
Date Range To
1990
Material Type
Artifact
Materials
ACRYLIC
Catalogue Number
P20120028003
  1 image  
Material Type
Artifact
Other Name
LETHBRIDGE BREWERY
Date Range From
1981
Date Range To
1990
Materials
ACRYLIC
No. Pieces
1
Height
77
Length
52
Width
7.5
Description
HUNTER GREEN SWEATER WITH LONG SLEEVES AND V-NECK. GOLDEN EMBROIDERY ON RIGHT BREAST SAYS, “LETHBRIDGE BREWERY.” TAG AT BACK OF COLLAR SAYS, “CORPORATE WEAR, LARGE GRAND, MADE IN/FAIT AU CANADA, CA 04948, ASTRO SPORTSWEAR TORONTO, 100% ACRYLIC.” CUFFS ARE FOLDED OVER.
Subjects
CLOTHING-OUTERWEAR
Historical Association
ASSOCIATIONS
BUSINESS
History
AT THE TIME OF DONATION, GALT STAFF CONDUCTED AN INTERVIEW WITH DONOR LINDA LIPTAK. WHEN ASKED ABOUT HOW SHE CAME INTO POSSESSION OF THE SWEATER, LIPTAK RESPONDED BY SAYING, “I WORKED IN THE BREWERY HOSPITALITY ROOM FOR 9 YEARS, AND, WHAT I BELIEVE THIS IS A SWEATER THAT CAME IN AS A PROMOTIONAL [IN THE MID 90S] (LIPTAK MISSPOKE WHEN SHE STATED MID-1990S ON ACCOUNT THAT LETHBRIDGE BREWERY WAS CLOSED AND DEMOLISHED BY 1991). YOU KNOW, WE GOT THINGS FOR BONSPIELS FOR PROMOTIONAL THINGS, AND I BELIEVE THIS WAS ONE OF THEM. NOW I’M NOT POSITIVE ABOUT THAT. THE OTHER ALTERNATIVE WOULD BE THAT THE BREWERY HAD THESE AND GAVE THEM TO EMPLOYEES…. THE BREWERY ITSELF. THE HOSPITALITY ROOM, MY BOSS, MY BOSS’ BOSS, WAS OUT OF CALGARY. WE BASICALLY WORKED OUT OF THE CALGARY OFFICE. THE LETHBRIDGE BREWERY…..WE WERE LOCATED IN THE LETHBRIDGE BREWERY BUT NOT REALLY PART OF IT. I WAS ALWAYS INCLUDED AND THE BREWERY DID THINGS LIKE THIS AND, SO THIS COULD HAVE BEEN A SWEATER THAT THE BREWERY ITSELF IN LETHBRIDGE HAD MADE UP. I KIND OF THINK THAT IS WHAT IT WAS BECAUSE IT’S LETHBRIDGE BREWERY. IF IT HAD COME OUT OF CALGARY, IT WOULD HAVE BEEN MOLSON BUT THEY HAD THESE MADE UP FOR EMPLOYEES AND AGAIN FOR PROMOTIONAL THINGS. MY HUSBAND WORE THIS; I GOT IT FOR MY HUSBAND, AND SO I REMEMBER THE HOUSE OF LETHBRIDGE…..THE LOGO ON IT. AND…..HE WORE IT A FEW TIMES; DIDN’T WEAR IT A WHOLE LOT.” WHEN ASKED ABOUT HOW SHE CAME TO HAVE HER POSITION AT THE BREWERY, LIPTAK SAID, “WHAT HAPPENED WAS THAT I HAD BEEN LOOKING FOR A PART-TIME JOB BECAUSE MY KIDS WERE IN SCHOOL. I HAD QUIT WORK AND STAYED HOME, MY KIDS WERE IN SCHOOL, AND I WAS LOOKING FOR A PART-TIME JOB. AND MY HUSBAND WAS IN HUMAN RESOURCES, AND ONE OF HIS FRIENDS SAID, THE BREWERY WAS LOOKING FOR SOMEONE, SO I APPLIED FOR IT, HAD AN INTERVIEW AND GOT IT. I WAS IN THE HOSPITALITY ROOM THE WHOLE TIME; IT WAS A PART-TIME JOB, BUT IT WAS MOSTLY EVENINGS; IT WAS HOSTING THINGS IN THE HOSPITALITY ROOM. WE HOSTED THE SHIRTSLEEVE BONSPIEL; WE HOSTED THE LADIES ANNUAL BONSPIEL; WE HOSTED THE BRONCOS, THE PREDECESSOR OF THE HURRICANES; WE HOSTED, THERE WERE UNION MEETINGS THAT WE WOULD HOST. ONE THING I REALLY REMEMBER THAT WAS QUITE NICE WAS, AT CHRISTMAS WE WOULD HAVE A CHRISTMAS SOCIAL, AND INVITE FRIENDS OF THE BREWERY. ERICKSON’S WOULD ALWAYS CATER FOR US AND THEY ALWAYS HAD GREAT BIG JUMBO SHRIMP IN A BIG BOWL. IT WAS AN AFTERNOON WHERE CUSTOMERS AND FRIENDS OF THE BREWERY, WOULD COME DOWN AND SPEND THE AFTERNOON. I REMEMBER, AT ONE POINT, MY BOSS, OUT OF CALGARY, GEORGE REED, SAID “YOU’RE USING ERICKSON’S TOO MUCH. WE SELL BEER THROUGHOUT LETHBRIDGE. YOU NEED TO USE OTHER PEOPLE.” AND I SAID, ‘OH, BUT ERICKSON’S IS SO GOOD AND THEY KNOW US SO WELL.” BUT, ANYWAY, I TRIED ANOTHER OUTFIT, AND WAS NOT HAPPY WITH THEM. THEIR FOOD WAS O.K. BUT IT WASN’T ERICKSON’S. AND ERICKSON’S, THEY HAD EXCELLENT FOOD. THEY ALWAYS HAD EXTRA FOOD BACK AT THE RESTAURANT IF WE RAN OUT. THEY KNEW US. WHEN WE ORDERED SANDWICHES FOR LUNCH, MOST PLACES WOULD GIVE YOU 1 SANDWICH PER PERSON; THEY WOULD ALWAYS GIVE US 1 ½ SANDWICHES PER PERSON BECAUSE IT WAS ALL MEN LOTS OF TIMES. ANYWAY, I JUST REALLY LIKED THEM, BUT ANYWAY, I USED THIS OTHER ONE, AND WE RAN OUT OF FOOD; SO I WENT BACK TO HIM AND SAID, “I’M SORRY, GEORGE, BUT I’M GOING BACK TO ERICKSON’S. THIS IS WHAT HAPPENED WHEN I USED ANOTHER ONE.” AND, SO HE WAS O.K. WITH THAT. BUT, I STILL SEE PEOPLE WHO CATERED TO OUR HOSPITALITY ROOM [SNAKE ROOM] FROM ERICKSON’S, AND IT WAS WONDERFUL. …WHEN I WAS, AS I WORKED THERE LONGER, I WOULD TAKE CARE OF SOME OF THE COMPLAINTS, OR I WOULD RESPOND TO WRITTEN COMPLAINTS ABOUT BEER, SO I WAS IN THE OFFICE A LITTLE BIT MORE AND DOING MORE THINGS LIKE THAT. IT WAS INTERESTING, MY BOSS, THE TWO FELLOWS THAT I WORK WITH IN THE MARKETING PART, THEY ALWAYS SAID WHEN PEOPLE BRING BEER IN, THERE WOULD BE A FOREIGN OBJECT OF SOME KIND IN IT. AND THEY WOULD SAY, IF IT’S OPENED, PROVE THAT YOU DIDN’T PUT IT IN THERE. YOU CAN’T PROVE THAT IT WAS IN THERE IF IT’S CLOSED ITS NOT HURTING YOU ANYWAY. BUT THEY ALWAYS GOT A CASE OF BEER IF THEY BROUGHT IT IN AND BROUGHT A COMPLAINT.” WHEN ASKED ABOUT HER MEMORIES PERTAINING TO THE BREWERY, LIPTAK SAID, “I’M LDS, I DO NOT DRINK BEER, AND I DO NOT LIKE BEER. I HAD A FELLOW FROM MAGRATH WHERE I GREW UP COME IN ONE DAY AND HE SAYS ‘LINDA! WHAT ARE YOU DOING IN HERE?’ I SAID ‘THEY’VE GOT TO HAVE SOMEBODY SOBER TO SERVE IT!’ THERE WERE SOME PEOPLE WHO WERE SURPRISED THAT I WAS THERE, THERE WERE SOME PEOPLE WHO WERE SURPRISED THAT I WORKED THERE BUT I HAD A REALLY GOOD RELATIONSHIP WITH EVERYBODY AND MY HUSBAND LOVED IT. I GOT TWO CASES OF FREE BEER EVERY WEEK I THINK IT WAS OR EVERY MONTH. WE COULD GO AND BUY IT AND HAND OUR RECEIPTS IN. SO MY HUSBAND LOVED IT BECAUSE HE LOVED BEER! LIPTAK RELAYED HER FEELINGS ON FINDING OUT THAT MOLSON’S WAS CLOSING THE BREWERY BY SAYING, “I WAS REALLY DISAPPOINTED. I SAID “THIS IS MY PERFECT JOB! I WAS GOING TO STAY HERE AND RETIRE HERE.” BECAUSE IT WAS A PART TIME JOB, THAT’S ALL I WANTED AND I WAS REALLY SADDENED BUT THERE WASN’T A WHOLE LOT YOU COULD DO. IN THE MEANTIME, THEY GAVE US LOTS OF NOTICE. LIKE THERE WAS NO PAYOUT AT THE END BECAUSE THEY GAVE US WHATEVER NOTICE WE HAD TO HAVE. THEY TREATED THE FULL TIME EMPLOYEES REALLY WELL. BUT THEY DIDN’T EVEN CONSIDER ME PERMANENT PART-TIME. I WAS JUST CASUAL AND SO I DIDN’T GET THE BENEFITS THAT THEY DID. A LOT OF THEM ACTUALLY WENT TO SCHOOL AND THE BREWERY PAID FOR THEM TO GO BACK TO SCHOOL. SOME OF THEM RELOCATED TO CALGARY. A COUPLE OF THEM MAY HAVE RELOCATED TO EDMONTON, I’M NOT SURE BUT THEY WERE VERY FAIR WITH THE EMPLOYEES. I DIDN’T THINK THEY WERE FAIR TO ME BECAUSE I HAD BEEN THERE FOR NINE YEARS AND I WAS STILL CONSIDERED CASUAL BUT THEY GAVE US…I HAD ALL KINDS OF BENEFITS WITH MERCHANDISE YOU KNOW. IT WAS…I THOUGHT IT WAS A PERFECT JOB BECAUSE MY HUSBAND COULD BABYSIT.” WHEN ASKED ABOUT THE PHYSICAL LOCATION OF THE HOSPITALITY ROOM, WHEN IT WAS BUILT AND HOW TO GET THERE, LIPTAK RESPONDED BY SAYING, “I WOULD GUESS IT WAS [BUILT] WHEN THE OFFICE BUILDING OR SHORTLY AFTER THE OFFICE BUILDING WAS BUILT. IT WAS ON THE EAST, YES AND IT WAS SOUTH OF THE RECEIVING. [I]F YOU WANTED TO GO TO THE SNAKE ROOM AND THE OFFICE YOU WOULD GO RIGHT BEFORE YOU GOT TO THE BEER STORE. THE HOSPITALITY ROOM WAS NOT PART OF THE BREWERY. IT WAS A SEPARATE OFFICE BUILDING, AND THE HOSPITALITY ROOM WAS DOWNSTAIRS IN THIS OFFICE BUILDING. IT HAD A BACK ENTRY DOOR AND YOU JUST WENT DOWN THE STAIRS AND THAT’S WHERE THE SNAKE ROOM WAS, THE HOSPITALITY ROOM, AND HE REMEMBERS GOING OVER THERE AFTER WORK. IF YOU REMEMBER, WHEN THERE WAS DRUNK DRIVING; THERE WAS A HORRIFIC ACCIDENT, AND I THINK SOMEONE CAME OUT OF ONE OF THESE SNAKE ROOMS…..IT WASN’T IN LETHBRIDGE; BUT I REMEMBER THE GOVERNMENT REALLY STEPPING DOWN ON THESE AND SAYING “THIS IS NOT A PUBLIC ROOM. IT IS NOT AVAILABLE FOR PEOPLE.” AND SO THAT IS WHEN LINDA GODLINGTON WAS THERE…..LINDA LARSON WAS HER NAME….SHE WORKED THERE, AND SHE QUIT, AND I WENT IN. AND, SO SHE WAS THERE FOR 4-5 YEARS, AND THEN I WAS THERE FOR 9 YEARS. AND THEN IT CLOSED. THEN IT BECAME PART-TIME, AND IT BECAME ON INVITATION. I WAS TELLING YOU ABOUT THE GLASSES WE ALWAYS HAD THERE. WE HAD KEGS FOR SPECIAL EVENTS, BUT WE ALWAYS HAD BOTTLED BEER DOWN THERE, BUT, WHEN IT WAS THE BONSPIELS, WE WOULD USUALLY, THEY WOULD USUALLY BRING A KEG OVER FROM THE BREWERY, AND THAT WAS WHAT I WOULD SERVE THEM; AND EVEN IN BOTTLES, WE WOULD PUT IT IN GLASSES. I REMEMBER WHEN WE HAD THE WOMEN THERE…WHEN THE MEN WERE THERE THEY WOULD SAY “THESE ARE NICE GLASSES, CAN I TAKE ONE HOME?” AND WE ALWAYS SAID, “SURE”, BECAUSE IT’S NOT A BIG DEAL. IT WAS PROMOTION. THE WOMEN WOULD COME IN….. AND THEY WOULD, SOME OF THEM WOULD COME WITH BIG PURSES, BECAUSE THE YEAR BEFORE, THEY HAD TAKEN 4 GLASSES, AND THIS YEAR THEY HAD TO HAVE AT LEAST 2 MORE TO MAKE THEIR SET UP. AND, THEY DIDN’T ASK ….THEY WOULD JUST COLLECT THE GLASSES OFF THE TABLES AND TAKE THEM HOME. AND, OF COURSE, WE DIDN’T SAY ANYTHING BECAUSE WE’RE HOSTING THEM, AND IT WASN’T REALLY A BIG DEAL. AND BEING A WOMAN THERE, MOST OF THE EVENTS WERE MALES; THE NOON LUNCHEONS WOULD SOMETIMES HAVE A FEW FEMALES, BUT THE MEN’S BONSPIEL, THE HOCKEY, MOST OF IT WAS MEN. I WAS QUITE COMFORTABLE WITH THAT; I DIDN’T HAVE A PROBLEM WITH THAT, BUT, I DO REMEMBER THAT THE COARSEST LANGUAGE WAS WHEN THE WOMEN’S BONSPIEL WAS THERE. WHEN ASKED IF SHE COULD DESCRIBE THE HOSPITALITY ROOM ALSO KNOWN AS THE SNAKE ROOM, LIPTAK REPLIED, “FROM THE DOWNSTAIRS YOU TURN TO YOUR LEFT AND YOU WENT IN THE MAIN ROOM. DIRECTLY ON YOUR RIGHT WOULD BE THE BAR, A SMALL BAR THERE WAS A FRIDGE THERE AND A SMALL SINK AND A DRAINER THERE. IF YOU WENT TO THE LEFT YOU WOULD GO INTO THE STORAGE ROOM SO THAT WAS ALONG THERE. THERE WAS, WHAT WAS ON THAT WALL..I DON’T KNOW BUT WE HAD TABLES AND THEY WERE LOW TABLES, BIG ROUND LOW TABLES WITH CHAIRS ALONG THERE AND THEN …IF YOU WENT A LITTLE FURTHER THERE WAS A JUT TO THE LEFT AND THERE WAS A ROOM THERE WITH ANOTHER BIG TABLE THERE. THE KITCHEN WAS OPPOSITE, IF YOU KEPT GOING FROM THE BAR THE KITCHEN AREA WAS DOWN THERE AND IT HAD A BIG LONG SERVING. IT WAS A U-TYPE THING. FROM THE KITCHEN THERE WERE STAIRS THAT WENT UP AND YOU WOULD COME INTO THE FRONT ENTRY WAY OFF THE BREWERY OFFICE UPSTAIRS. BETWEEN THAT ENTRY AND THE BAR THERE WAS TWO STAIRS THAT WENT DOWNSTAIRS, WENT DOWN, AND THAT WAS A BIG ROOM LIKE THIS AND IT HAD A BIG LONG TABLE AND IT HAD CHAIRS AROUND IT. IT HAD A TV UP IN THE CORNER MOST OF THE TIME I BELIEVE, AND THERE WERE PICTURES OF YOU KNOW HISTORICAL PICTURES IN THAT ROOM. THERE WERE IT SEEMS LIKE THERE COULD HAVE BEEN PICTURES OF CELEBRITIES WHO HAD BEEN THERE BECAUSE VERY OFTEN PEOPLE THAT CAME TO TOWN BECAUSE THEY, BEFORE I WAS INVOLVED WITH THEM THEY HAD A SPORTSMAN’S BANQUETS AND THEY ALWAYS HAD A FUNCTION DOWN THERE WITH THE CELEBRITIES. THAT WAS PRIOR TO MY TIME. SO THEY HAD PICTURES OF THESE CELEBRITY SIGNED PICTURES. WHEN WE DID CELEBRATE THE 200TH ANNIVERSARY, AND THAT WAS A REALLY BIG SPLASH IN LETHBRIDGE, FOR THE 200TH ANNIVERSARY OF MOLSON. WE ORDERED, WE HAD ALL KINDS OF TRAYS AND GLASSES AND CLOTHES AND JUST MANY MANY THINGS.” IN REGARDS TO TOURS ENDING IN THE HOSPITALITY ROOM, LIPTAK SAID, “THEY DID NOT HAVE SCHEDULED TOURS OF THE BREWERY. IT WASN’T SET UP, I HAD BEEN, MY HUSBAND WAS A BEER DRINKER, WHENEVER WE WENT ON HOLIDAYS WE WOULD STOP AT BREWERIES, AND I HAVE SEEN BREWERIES WHERE THEY ARE SETUP TO SHOW PEOPLE. THE LETHBRIDGE BREWERY WAS NOT SET UP TO HAVE TOURS. I GOT TO GO THROUGH IT TWO OR THREE TIMES, JUST BECAUSE I NEEDED TO KNOW, PEOPLE WOULD ASK QUESTIONS, SO THEY WANTED ME TO BE ABLE TO ANSWER THE QUESTIONS. THEY WOULD TAKE INDIVIDUAL PEOPLE THROUGH OR A VERY SMALL GROUP ONCE IN A WHILE, BUT YES, AFTER THE BREWERY, AFTER THE TOUR THEY WOULD COME DOWN. PEOPLE WHO WOULD KIND OF ASK ME FOR A TOUR, WE WOULD USUALLY TAKE THEM DOWN INTO THE SNAKE ROOM AND EXPLAIN HOW WE BREWED OUR BEER, AND THEN THEY WOULD HAVE A SAMPLE. A BOTTLE, OR TWO OF THE YOU KNOW, WHATEVER BRAND THEY WOULD LIKE. IN THE PLANT ITSELF, IN THE LUNCH ROOM THERE WAS ALWAYS BEER IN THE LUNCH ROOM THAT THE GUYS COULD HAVE. THEY HAD TO; I MEAN THEY MONITORED WHAT THEY DRANK. THE BEER WAS AVAILABLE THERE. WHEN ASKED ABOUT HER HUSBAND’S USE OF THE SWEATER, LIPTAK RESPONDED BY SAYING, “HE [AL LIPTAK] DIDN’T GET DRESSED UP A WHOLE LOT. HE RODE A MOTORCYCLE HIS WHOLE LIFE THAT’S WHY I RIDE NOW. SO BLUE JEANS AND A T-SHIRT WERE HIS APPAREL, YES. SO HE DID, I REMEMBER, LIKE IF WE WOULD GO OUT TO A SOCIAL, HE WOULD WEAR THIS, LIKE I SAID TO A BREWERY SOCIAL HE WOULD WEAR IT. BUT ONCE HE GOT INTO HARLEY’S, HE WOULD RATHER WEAR HIS HARLEY APPAREL THAN THE BREWERY. …HE DIED FIVE YEARS AGO AND WHEN I WENT THROUGH EVERYTHING, I LOOKED AT THIS AND I THOUGHT WELL MAYBE THAT I WOULD WEAR THIS SOMETIME BECAUSE HE WASN’T THAT MUCH BIGGER THAN ME. AND SO I KEPT IT. WELL, I’M MOVING TO RED DEER IN NOVEMBER AND DOWNSIZING AGAIN. FOR MORE INFORMATION, INCLUDING TRANSCRIBED INTERVIEW WITH LINDA LIPTAK, PLEASE SEE PERMANENT FILE. *UPDATE* IN 2014 COLLECTIONS ASSISTANT JANE EDMUNDSON CONDUCTED A SURVEY OF ART OBJECTS, INCLUDING SOME THAT ORIGINALLY HUNG IN THE "SNAKE ROOM" AT THE LETHBRIDGE BREWERY. SHE ALSO CORRELATED THIS ARTIFACT'S HISTORY WITH ANOTHER INTERVIEW CONDUCTED BY COLLECTIONS TECH KEVIN MACLEAN WITH GUNTER HORN, FORMER BREWMASTER, ABOUT HIS MEMORIES OF THE SNAKE ROOM; SEE RECORD P20100013007 FOR FURTHER INFORMATION.
Catalogue Number
P20120028003
Acquisition Date
2012-08
Collection
Museum
Images
Less detail
Other Name
CHINOOK COUNTRY SHOOTERS CLUB
Date Range From
1987
Date Range To
2012
Material Type
Artifact
Materials
COTTON
Catalogue Number
P20120022000
  1 image  
Material Type
Artifact
Other Name
CHINOOK COUNTRY SHOOTERS CLUB
Date Range From
1987
Date Range To
2012
Materials
COTTON
No. Pieces
1
Height
80.7
Length
83.7
Width
7.8
Description
WHITE POLO STYLE SHIRT. BLACK COLLAR AND SHOULDER PANELS THAT TAPER DOWN THE FRONT. RED SLEEVES WITH BLACK CUFFS. WHITE STITCHING ALONG BOTTOM EDGE. FRONT UPPER LEFT SIDE HAS EMBROIDERED IN WHITE THREAD, “AL.” FRONT RIGHT BREAST HAS EMBROIDERED IN BLACK THREAD, “CHINOOK COUNTRY SHOOTERS CLUB” WITH LOGO THAT HAS THREE TARGETS CONNECTED BY A LINE THROUGH BULL’S-EYES. REVERSE HAS EMBROIDERED IN BLACK THREAD, “CHINOOK COUNTRY SHOOTERS CLUB LETHBRIDGE AB.” SMALL HOLE AT MID-RIGHT BACK. TAG INSIDE COLLAR AT BACK READS, “ASH CITY ® CA 15155, 100% COTTON, MADE IN CANADA BY ASH CITY, XL, MACHINE WASH SEPARATELY IN COLD WATER. ABSOLUTELY NO BLEACHING AGENTS AND IMMEDIATELY TUMBLE DRY ON LOW. DO NOT LAY FLAT TO DRY.”
Subjects
CLOTHING-OUTERWEAR
Historical Association
SPORTS
LEISURE
History
ON MARCH 20, 2012 GALT STAFF CONDUCTED AN INTERVIEW WITH ALLEN FRIESEN. THE FOLLOWING INFORMATION HAS BEEN EXTRACTED FROM A LONGER NARRATIVE. “I AM A TARGET SHOOTER AND THAT IS BASICALLY WHAT I DO FOR RECREATION, MORE SO. I DON’T REALLY COMPETE MUCH, NOW. I JUST BASICALLY DO IT FOR FUN MORE SO, AND ALSO DO SOME COACHING, AND I’VE DONE THAT FOR ABOUT 25 YEARS. YOU KNOW I JUST, IT’S JUST A LOT OF FUN TO DO, SHOOTING, AND IT IS A VERY ENJOYABLE SPORT. ONE OF THE ONES THAT WE DON’T HAVE IS THAT THERE IS NO REAL STRUCTURE FOR IT, THERE’S NO REAL NATIONAL ASSOCIATION FOR IT, LIKE IPSIC, WHICH IS A WORLDWIDE ASSOCIATION, BUT THERE IS NO REAL ASSOCIATION BUT OUR 3 GUN MATCHES. ON OUR RANGE THERE ARE THREE GUN MATCHES WHERE OUR COMPETITOR IN THE SAME STAGE USES RIFLE, HANDGUN AND SHOTGUN—AND THOSE ARE EXTREMELY ENJOYABLE. IT GETS YOUR BLOOD PUMPING, IT GETS VERY EXCITING AND AT THE END YOU’RE OUT OF BREATH, YOU BARELY DID ANYTHING, BUT YOU HAVE BEEN HOLDING YOUR BREATH WHEN YOU HAVE BEEN PRESSING THE TRIGGER, YOU HAVE BEEN RUNNING, YOU HAVE BEEN THINKING ABOUT WHAT YOU HAVE BEEN DOING, SO IT VERY MUCH ENGAGES YOU IN IT. SO IT’S A VERY ENGAGING SPORT, YOU CAN DO IT AT THE LEVEL THAT YOU WANT TO DO IT AT. PHYSICALLY IF YOU’RE NOT ABLE TO MOVE MUCH WELL THERE ARE SHOOTING SPORTS THAT YOU CAN DO, SET YOUR FIREARM ON THE TABLE AND DISCHARGE IT FROM THE TABLE AND YOU TRY AND SHOOT THE TIGHTEST GROUP POSSIBLE KIND OF THING. AND THAT’S GOOD, THAT’S A GREAT THING. OTHERS THAT ARE MORE ACTIVE CAN DO MORE, HAVE MORE OPTIONS IN TERMS OF THE SHOOTING SPORT. BUT THEY ARE LIFELONG SPORTS, THEY ARE THE SAFEST SPORT THERE IS AND I’M A BIG FAN. I THINK THAT IT IS GREAT. ” WHEN ASKED ABOUT HIS TRAINING TO BECOME A COACH, FRIESEN RESPONDED BY SAYING, “BASICALLY JUST TAKING THE COURSES REQUIRED TO BE ABLE TO COMPETE, AND THEN JUST LOTS OF PRACTICE AND LEARNING BY GOING TO LOTS OF MATCHES AND LEARNING FROM OTHER COMPETITORS. FOR SHOOTING SPORTS, IT IS REALLY INTERESTING IN THAT THE COMPETITORS ARE QUITE WILLING TO GIVE YOU TIPS AND SUGGESTIONS IN TERMS OF MAKING YOU A BETTER SHOOTER. IT’S NOT LIKE OTHER SPORTS WHERE THEY ARE HOLDING THEIR SECRET WEAPON BACK. THEY ARE GOING TO SAY, HEY HAVE YOU EVER TRIED THIS, YOU SHOULD GIVE THAT A GO. ANYWAY, IT’S A MUCH MORE OF AN OPEN TYPE OF SPORTY IN THAT REGARD.” WHEN ASKED HOW A COACH MIGHT MOTIVATE A COMPETITOR FRIESEN SAID, “YOU KNOW I’M NOT REALLY SO MUCH TRYING TO GET THEM TO ENTER A COMPETITION. MY BIG GOAL IS THAT THEY BE SAFE FIRST OF ALL. SO THEY ARE SAFE, THAT’S OUR PRIMARY CONCERN. ONCE THEY ARE DOING THINGS SAFELY, THEN I WANT THEM TO HAVE SOME FUN DOING IT. THEN, IF THEY WANT TO COMPETE, THEN I WILL ENCOURAGE THEM TO COMPETE AND ASSIST THEM WITH THAT. THAT’S OUR PRIORITY, SAFETY FIRST, THEN FUN, THEN COMPETE IF THEY WISH TO DO THAT. SOME PEOPLE, WITH THE SHOOTING SPORTS, IT’S AN ACTIVITY WHICH YOU DON’T HAVE TO BE INVOLVED OR GO TO COMPETITIONS IF YOU DON’T WISH TO. SO IT’S A LIFELONG TYPE OF ACTIVITY. IT’S THE SAFEST SPORT THERE IS, SO THOSE ARE THE THINGS THAT REALLY APPEAL TO ME ABOUT IT. SO, THE COMPETITIONS, IF THEY WISH TO THAT FINE, IF THEY DON’T, THEN I TEACH THEM THE FUNDAMENTALS, SO THAT THEY CAN BE SAFE AND HAVE FUN DOING IT, THEN I’M HAPPY WITH THAT. WE HAVE SOME BASIC TYPE OF INSTRUCTION THAT WE DO. WE HAVE A CHECKLIST THAT WE FOLLOW, THAT THEY HAVE THE RIGHT ABILITIES AND SKILLS TO ENGAGE SAFELY. BUT AFTER THAT THERE IS A COURSE CALLED THE BLACK BADGE COURSE, AND THIS IS SPECIFICALLY FOR INTERNATIONAL PRACTICAL SHOOTING CONFEDERATION. SO THE BLACK BADGE COURSE IS ONE SPECIFICALLY FOR THAT SPORT. IT FOCUSES ON THE RULES OF THAT SPORT. IT’S A REQUIREMENT TO COMPLETE THAT COURSE AND SUCCESSFULLY COMPLETE A MATCH AFTER THAT COURSE IN ORDER TO PARTICIPATE IN MATCHES. YOU HAVE TO HAVE A BLACK BADGE IN ORDER TO COMPETE IN THEIR MATCHES. [THROUGH COACHING, I’VE HAD] A LOT OF OPPORTUNITIES TO WORK WITH A LOT OF YOUNG PEOPLE WHO ARE VERY MUCH ENTHUSED ABOUT DOING WHAT THEY ARE DOING AND THEIR PARENTS. THAT’S THE KIND OF A REQUIREMENT THAT WE HAVE. WE HAVE FOR OUR JUNIOR LEAGUE, THAT’S FOR OUR YOUTH, WE REQUIRE THAT THE ADULTS ALSO COME TO, AT LEAST THAT AN ADULT BE ON SITE WITH THEIR CHILDREN. SO IT’S JUST ENJOYABLE TO SHARE THE SPORT, TO LET OTHER PEOPLE KNOW ABOUT IT. ON FIRST BLUSH, IT LOOKS KIND OF UNUSUAL. I REMEMBER WHEN I WAS FIRST INTRODUCED TO SHOOTING SPORTS, I HAD A FRIEND WHO TOLD ME ABOUT IT AND I SAID ‘OH MAN, THAT SOUNDS LIKE A WHOLE BUNCH OF MACHO BULLSHIT, I DON’T THINK I’M INTERESTED, BUT I SAID O.K., I’LL COME OUT AND TRY IT. IT’S JUST VERY ENJOYABLE. I CAN’T UNDERSTAND WHY IT’S SO ENJOYABLE, BUT IT IS. THE WHOLE EXPERIENCE, IN TERMS OF RECOIL, THE SMOKE, AND THE NOISE, IT’S JUST A LOT OF FUN TO DO. [AS A VOLUNTEER COACH] I THINK THAT VOLUNTEERING IS EXTREMELY IMPORTANT. IT’S EXTREMELY GRATIFYING. I MEAN, YOU’RE MOTIVATION ISN’T TO DO IT BECAUSE YOU’RE GETTING PAID. I GET PAID DOING OTHER THINGS THAT’S A SATISFACTORY COMPENSATION FOR ME. I DON’T NEED MONEY FOR EVERYTHING THAT I DO, SO A CHUNK OF TIME THAT I HAVE AVAILABLE, I VOLUNTEER, AND I ENJOY DOING IT. [WORKING WITH PARENTS AND KIDS IN] THE SHOOTING SPORTS, [IS] DEFINITELY [ENJOYABLE]. YES IT IS, IT IS GOOD BECAUSE THE PARENTS, WE’RE ALL ON THE SAME PAGE. WE WANT THEIR CHILDREN TO DO IT SAFELY, AND THE PARENTS ARE CERTAINLY ON THE SAME SIDE IN TERMS OF THAT I MIGHT BE VERY ADAMANT WITH THE PARTICIPANT ABOUT KEEPING THEIR FINGER OFF THE TRIGGER FOR AN EXAMPLE, AND I MIGHT HEAR THE PARENT SAYING THE SAME THING ‘OH, HEY, KEEP YOUR FINGER OFF THAT TRIGGER’. I’LL SAY IT AND THE PARENT WILL JUMP IN AS WELL, SO THEY’RE ON THE SAME PAGE IN TERMS OF DOING IT. [THERE IS] CERTAINLY [A LOT OF RESPECT BETWEEN THE PARENTS AND THE COACH] AND THEY UNDERSTAND THE REASONS WHY THAT I MIGHT BE STRESSING POINTS BECAUSE THERE IS A SAFETY ISSUE. IF IT’S DONE SAFELY, IT’S A SPORT YOU CAN DO FOREVER, BUT IT HAS TO BE DONE SAFELY OR OF COURSE THERE IS SOME INHERENT DANGER IN IT.” WHEN ASKED ABOUT PRESSURES THAT MAY EXIST WITHIN THE SPORT, FRIESEN RELATED, “FOR THE COMPETITORS THERE IS FOR SURE IS. NO QUESTION. FOR ME, I’M COACHING, I TELL THEM THE RIGHT THINGS TO DO, AND IF THEY DO IT, THEN THAT’S O.K. AND IF THEY DO IT, THERE REALLY ISN’T MUCH PRESSURE, BUT THE PRESSURE CERTAINLY IS THERE. I MEAN ANY COMPETITION HAS PRESSURE INVOLVED WITH IT. THAT’S WHAT UPS THE ANTE ON IT, THAT’S WHAT MAKES IT IMPORTANT.” RESPONDING TO A QUESTION ABOUT WHAT HAS KEPT HIM INVOLVED FOR SO MANY YEARS, FRIESEN ANSWERED, “I ENJOY IT STILL, IT’S SOMETHING I CAN DO AND CAN ADD VALUE. IT’S STILL SOMETHING THAT IS AN EXCITING THING TO BE INVOLVED IN, SO YEAH. I’VE HAD SOME EXCEPTIONALLY GOOD DAYS WHERE I DID EXTREMELY WELL, AND ONE OF THOSE I WON THIS BIG HONKING ROBERT BATEMAN PRINT KIND OF A THING BECAUSE I WON MY CATEGORY AND THAT’S STILL SOMETHING THAT I HAVE AS A MEMENTO. AND I STILL HAVE SOME TARGETS THAT I FIRED THAT WERE EXTREMELY GOOD, YOU KNOW THEY’RE STICKING UP IN MY GARAGE AND I GIVE THOSE A LOOK ONCE IN AWHILE. AS AN ATHLETE, I GUESS, THOSE KINDS OF THINGS. AS A COACH, SOME GRATIFICATION WHEN YOU HAVE, SOME GENTLEMAN I JUST MENTIONED THAT IS A SPONSORED SHOOTER NOW, WELL THAT’S REALLY GRATIFYING. WE’VE HAD LOTS OF KIDS IN 4-H GROUPS, WELL THEY WEREN’T THERE FOR ANY COMPETITIVE PURPOSES, THEY WERE THERE TO LEARN THE SAFETY ASPECTS. AND SO NOW THEY COME BACK AND THEY ARE ADULTS NOW, AND THEY ARE SAYING “HOW CAN I, DO YOU NEED ME TO HELP, DO YOU NEED SOME VOLUNTEERS?” I MEAN THAT’S GREAT, THAT’S KEEPING IT MOVING KIND OF THING. THERE ARE PEOPLE WHO WERE MY MENTORS, MY COACHES, PEOPLE WHO HELPED ME WHEN I WAS YOUNGER. THOSE FOLKS ARE GOING ON TO HELP OTHER PEOPLE, SO IT’S A GREAT CYCLE.” RECALLING SOME OF THE CHALLENGES TO BEING A COACH AND SHOOTER, FRIESEN SAID, “SHOOTING SPORTS ARE VERY UNUSUAL IN THAT THE BASICS ARE VERY EASY TO MASTER, THEN ALL IT IS THAT YOU HAVE TO SHUT UP, STOP THINKING ABOUT IT AND JUST DO IT. IF YOU OVER THINK IT, THAT’S WHEN THINGS GO AWRY. SO, IF YOU KIND OF HAVE A PLAN, YOU KNOW THE BASICS, YOU KNOW WHAT YOU ARE GOING TO DO, AND THEN AFTER THAT, AT THE POINT WHEN YOU ARE ACTUALLY ENGAGED IN IT, WHEN THE BUZZER BLOWS AND YOU BEGIN TO ENGAGE IN THOSE TARGETS, YOU DON’T THINK ABOUT IT. YOU HAD THE PLAN BEFORE, YOU KEEP YOUR MIND QUIET AND DO WHAT YOU’VE GOT TO DO AND THAT KIND OF THING, AND IT WORKS REALLY WELL. WHERE IT’S CHALLENGING IS WHEN YOU START TALKING TO YOURSELF TOO MUCH WHEN YOU’RE SHOOTING, THEN THE WHEELS FALL OFF IN A HURRY. [S]HOOTING IS THE SAFEST SPORT THERE IS. I MEAN I CUT MY FINGER ONCE, MINOR THINGS LIKE THAT, BUT SHOOTING IS THE SAFEST SPORT THERE IS. WHEN ASKED TO DESCRIBE THE EXPERIENCE OF SHOOTING, FRIESEN RECALLED, “HERE’S ONE OF THE STAGES FROM A 3 GUN MATCH THAT WE HAD THAT I RECALL. BASICALLY YOU START IT OFF IN A LITTLE CARD WE HAD IT ON AN INCLINE, THEN ON THE BUZZER, THEY HAVE CHECKED YOU ALL OVER AND MADE SURE YOU ARE READY TO GO, AND YOU KNOW WHAT THE COURSE OF FIRE IS. SO THERE IS A RANGE OFFICER THAT IS WITH YOU AT ALL TIMES. AND THAT PERSON WOULD SAY ‘DO YOU KNOW THE COURSE OF FIRE AND IF YOU DO, LOAD AND MAKE READY’ SO YOU LOAD AND MAKE READY, AND YOU HAVE YOUR SHOTGUN ON THIS LITTLE CART THAT YOU ARE IN AND YOU HAVE YOUR PISTOL LOADED IN YOUR HOLSTER AND YOU HAVE YOUR RIFLE STAGE FURTHER DOWN RANGE. SO THEN IT WOULD BE ON THE BUZZER YOU HIT THIS RELEASE AND THE CART STARTS ROLLING DOWN THE RAMP AND AS AS IT DOES, THERE IS THESE CLAY PIGEONS THAT ARE ALL THE WAY DOWN THE SIDES AND YOU HAVE TO SHOOT AT THE CLAY PIGEONS ON EITHER SIDE AND GET OUT , EXIT THE CART, AND THEN THERE ARE SOME OTHER PIECES OF STEEL THAT YOU HAVE TO SHOOT WITH YOUR SHOTGUN AND THEN THE LAST ONE THAT YOU SHOOT TRIGGERS A BIRD THROWER, A CLAY PIGEON THROWER, AND IT FLINGS A BIRD UP IN THE AIR, AND YOU HAVE TO HIT THAT WHEN ITS GOING, AND THEN YOU HAVE TO UNLOAD AND SHOW THAT YOUR FIREARM IS CLEAR. THEN YOU MOVE TO THE NEXT STAGE WHERE YOU GRAB YOUR PISTOL THERE IS A BUNCH OF PAPER TARGETS, IT’S CALLED THE COOPER TUNNEL, A TUNNEL THAT YOU HAVE TO GO THROUGH SO YOU HAVE TO CROUCH DOWN OR GO ON YOUR KNEES AND YOU HAVE TO SHOOT THROUGH LITTLE PORTS THAT YOU HAVE TO SHOOT THROUGH, AND SHOOT THROUGH THERE, AND THIS SIDE YOU HAVE TO SHOOT THROUGH. SO YOU GO THROUGH THIS WHOLE PROCESS THAT WAY, THEN WHEN YOU EXIT THERE ARE STILL A COUPLE TARGETS STILL FOR PISTOL AT THE END. THEN YOU HAVE TO UNLOAD, LOCK THE ACTION OF YOUR PISTOL, SET YOUR PISTOL DOWN AND A RANGE OFFICER SEES THAT YOU ARE ALL CLEAR AND THEN YOU GO TO YOUR RIFLE THAT WAS STAGED THERE. AND THEN THERE ARE SOME TARGETS AND THOSE TARGETS, ACTUALLY WE HAD THEM ON A BIANCHE MOVER, THAT IS ACTUALLY A PLATFORM THAT IS ON A CHAIN DRIVE THAT MOVES THE TARGETS ACROSS. AS ITS MOVING YOU HAVE TO GO AND FIRE AT THEM WITH YOUR RIFLE TO HIT THESE PIECES OF PAPER AS THEY ARE MOVING ACROSS IN FRONT OF YOU. THAT DOESN’T SOUND LIKE A BUNCH OF PHYSICAL STUFF, BUT YOU ARE JUST PUFFING AT THE END. AND IF YOU DO IT WELL, IT TAKES 35 SECONDS, SOMETHING LIKE THAT. IT’S ALL MEASURED IN THE HITS AND THE TIME. THOSE ARE THE TWO THINGS. SOME PEOPLE, LIKE RYAN I WAS TALKING ABOUT WHO IS ON THIS NATIONAL TEAM, MAN HE’S LIKE HALF MY TIME, ALL THE TIME. IF I CAN EVEN DOUBLE HIS TIME, I’M PLEASED WITH THAT. SO THE ONLY THING I GET LUCKY WITH IS IF MY ACCURACY IS BETTER THAN HIS. BUT HE IS ACCURATE AND HE IS FAST AND THAT’S DIFFICULT. ANYWAY, THAT’S WHAT A 3-GUN STAGE IS LIKE. FUN STUFF. [G]OING OUT ON NORMAL PRACTICE IS A LITTLE BIT DIFFERENT, LIKE FOR THE SHOTGUN SHOOTERS, THEY’LL JUST HAVE A BIRD THROWER AND THEY WILL JUST KEEP FOLLOWING THE BIRD, PRESSING THE TRIGGER AND FOLLOWING THE BIRD. FOR THE RIFLE SHOOTERS, TYPICALLY, THEY JUST WANT TO SHOOT THE TIGHTEST GROUP POSSIBLE. THAT MEANS THAT BASICALLY WHEN YOU FIRE, THE PROJECTILES END UP IN A SMALL AREA ALTOGETHER, OR IF PREFERRED, TOUCHING. THE PEOPLE WHO DO IT, THEY’LL SHOOT TARGETS AT 100,200 AND 300 YARDS. SO NOW FOR ME, I’M NOT A BIG CENTRE FIRE RIFLE SHOOTER, BUT I’M NOT BAD AT IT, WITH GOOD EQUIPMENT, I CAN SHOOT MAYBE A 5-INCH GROUP AT MAYBE 100 YARDS. SO 5 SHOTS AT 300 YARDS ARE ALL WITHIN THAT 5-INCH DIAMETER. THE PEOPLE THAT ARE REALLY GOOD CAN SHOOT 5 SHOTS AT 300 YARDS AND CAN PUT THEM IN A MUCH TIGHTER AREA, SO THEY WOULD OBVIOUSLY WIN THAT COMPETITION OVER ME. IT’S VERY CONTROLLED, VERY METHODICAL. THEY WILL BE MONITORING THEIR BREATHING, THEY HAVE A SYSTEM FOR IT, THEY WILL DO LIKE “NOW I’LL TAKE 7 BREATHS AND AS I STOP, PRESS THE TRIGGER AND THEN GET PREPARED FOR THE NEXT ONE”. SOME OF THEM VERY MUCH HAVE A SYSTEM TOO THAT IS VERY METHODICAL AND OTHERS, HANDGUN SHOOTING—WHICH IS WHAT I DO MOSTLY, IT’S MOSTLY DRILLS- DRILLS IN TERMS OF DRAW, SHOOT, RELOAD. IT’S ALL IN TERMS OF FUNCTIONALITY AND RELOADING, AND BEING SAFE WITH THE DRAW AND GETTING THE HIT AS QUICK AS YOU CAN. THE PEOPLE THAT CAN DO IT DRAW AND HIT THE TARGET IN UNDER A SECOND. I’M PROBABLY 1.3 SECONDS, COMMONLY. THAT’S NOT MUCH DIFFERENCE, BIT IN ALL SPORTS IT’S LIKE THAT—A VERY SMALL TIME DIFFERENCE MAKES THE DIFFERENCE BETWEEN FIRST AND FIFTH PLACE.” FOR MORE INFORMATION, INCLUDING INTERVIEW TRANSCRIPTION, PLEASE SEE PERMANENT FILE.
Catalogue Number
P20120022000
Acquisition Date
2012-06
Collection
Museum
Images
Less detail
Date Range From
1970
Date Range To
1980
Material Type
Artifact
Materials
WOOL, PLASTIC
Catalogue Number
P20000018036
  2 images  
Material Type
Artifact
Date Range From
1970
Date Range To
1980
Materials
WOOL, PLASTIC
No. Pieces
1
Length
66.0
Width
46.0
Description
DARK GREEN KNIT SWEATER. HAS TWO WELT POCKETS ON FRONT. HAS 5 GREEN PLASTIC BUTTONS ON FRONT. EMBROIDERED ON LEFT BREAST IS "ANNE CAMPBELL SINGERS LETHBRIDGE, ALBERTA CANADA" IN YELLOW. A PIECE OF MASKING TAPE INSIDE BACK OF NECK READS "JULIE KEMPENAAR".
Subjects
CLOTHING-OUTERWEAR
Historical Association
PERSONAL CARE
LEISURE
History
ANNE CAMPBELL, 16 JUNE 1912-, WAS BORN IN SUTHERLAND, SASKATCHEWAN, NOW A PART OF SASKATOON. HER PARENTS WERE JOHN AND THOMASINA COWIE, SCOTTISH IMMIGRANTS. MRS. COWIE SANG IN ST PAUL’S UNITED CHURCH CHOIR AND MR. COWIE SANG AT HOME. ANNE BEGAN SINGING AT AGE EIGHT, AND BY AGE 14 SHE WAS CONDUCTING THE JUNIOR CHOIR OF ST. PAUL’S UNITED CHURCH IN SUTHERLAND. IN SASKATOON, ANNE STUDIED PIANO WITH LYLE GUSTIN AND VOICE WITH F.B. MORRISON. SHE ALSO STUDIED WITH DR. ERNEST VINCI OF TORONTO. MR. GUSTIN ENCOURAGED ANNE TO TAKE MUSIC COURSES AT ST. ANDREWS COLLEGE, UNIVERSITY OF SASKATCHEWAN. ANNE EVENTUALLY EARNED AN A.R.C.T. FROM THE TORONTO CONSERVATORY OF MUSIC, AS WELL AS AN A. MUS (ASSOCIATE IN MUSIC) AND L. MUS (LICENCIATE IN MUSIC), BOTH IN PIANO. IN 1939 ANNE MARRIED DON CAMPBELL AT WESTMINTSER UNITED CHURCH IN SASKATOON. AFTER THEY WERE MARRIED, THE CAMPBELLS MOVED TO CALGARY SO THAT DON COULD BEGIN A JOB AS A TRAVELING SALESMAN WITH MARSHALL WELLS HARDWARE. THEIR SONS MAC AND STEWART WERE BORN IN CALGARY, IN 1943 AND 1947 RESPECTIVELY. AFTER 1947 DON BECAME MANAGER OF THE HYDE AND SUNDAL HARDWARE STORE IN PICTURE BUTTE. DON EVENTUALLY BOUGHT THE STORE, CHANGED ITS NAME TO CAMPBELL HARDWARE AND WAS IN BUSINESS FOR 31½ YEARS. SOUTHMINSTER UNITED CHURCH ASKED ANNE TO FORM AN ALL GIRLS YOUTH CHOIR IN 1953, AND THE CAMPBELLS MOVED TO LETHBRIDGE. THE CHOIR ACCEPTED GIRLS FROM ALL OVER SOUTHERN ALBERTA. THE JUNIOR CHOIR SANG AT CHURCH SERVICES ONCE A MONTH, AND PERFORMED OPERETTAS IN THE SOUTHMINSTER CHURCH HALL. IN 1964 ANNE FORMED THE TEEN CLEFS, A 20 MEMBER CHAMBER CHOIR WITH GIRLS OF HIGH SCHOOL AGE. IN 1967 ANNE WAS INVITED TO TAKE THE GROUP TO MONTREAL FOR A PERFORMANCE AT EXPO 67. IN 1968 THE ANNE CAMPBELL SINGERS WERE FORMED. THE CHOIR WENT TO THE UNITED KINGDOM THAT YEAR TO COMPETE AT THE TEESIDE INTERNATIONAL EISTEDDFOD IN YORKSHIRE, ENGLAND AND THE LLANGOLLEN INTERNATIONAL MUSICAL EISTEDDFOD IN WALES. UNTIL THE EARLY 1990S THE CHOIR CONTINUED TO TRAVEL THROUGHOUT CANADA AND OVERSEAS, AND SUCCESSFULLY COMPETE IN MANY MUSIC FESTIVALS. THE UNITED KINGDOM, DENMARK, BELGIUM, AUSTRIA AND JAPAN WERE AMONG THE COUNTRIES VISITED BY THE ANNE CAMPBELL SINGERS. AS GIRLS FROM THE JUNIOR CHOIR AND ANNE CAMPBELL SINGERS GREW OLDER, ANNE FORMED THE LINNET SINGERS SO THAT THOSE WHO WISHED COULD CONTINUE IN A CHOIR. THE LINNET SINGERS ALSO TRAVELED AND COMPETED EXTENSIVELY. ANNE CREATED THE MINI CHOIR AS A TRAINING GROUP FOR GIRLS SIX TO EIGHT YEARS OLD. SOME FORMER MEMBERS OF ANNE’S CHOIRS HAVE ESTABLISHED SUCCESSFUL CAREERS IN MUSIC AS TEACHERS, CHOIR LEADERS AND OPERA SINGERS. ANNE CAMPBELL HAS RECEIVED MORE THAN A DOZEN AWARDS FOR HER CONTRIBUTIONS TO CHORAL MUSIC IN CANADA, INCLUDING THE ORDER OF CANADA IN 1977 AND HONOURARY DOCTOR OF LAWS DEGREE FROM THE UNIVERSITY OF LETHBRIDGE IN 1983. ANNE’S CHOIRS HAVE WON MORE THAN 20 AWARDS IN NATIONAL AND INTERNATIONAL COMPETITIONS. THE CHOIRS RECORDED 14 ALBUMS, AND WERE BROADCAST MANY TIMES BY THE CBC AND CKUA RADIO. THE GIRLS SANG MANY TYPES OF MUSIC: MADRIGALS, FOLK SONGS, SACRED MUSIC AND SHOW TUNES. THEY SANG AT VARIOUS TIMES IN ENGLISH, JAPANESE, GERMAN AND FRENCH. IN THE MID 1990S ANNE CAMPBELL RETIRED FROM ACTIVE INVOLVEMENT WITH THE CHOIRS. IN 1999 SHE MOVED TO COCHRANE, ALBERTA TO LIVE NEAR HER SON STEWART AND HIS FAMILY.
*UPDATE* ACCORDING TO HER LETHBRIDGE HERALD OBITUARY, ANNE CAMPBELL PASSED AWAY ON APRIL 13, 2011, AT THE AGE OF 98 YEARS. SEE PERMANENT FILE P20000018000 FOR A COPY OF A TRIBUTE ARTICLE FROM THE APRIL 18, 2011 ISSUE OF THE LETHBRIDGE HERALD.
Catalogue Number
P20000018036
Acquisition Date
2001-08
Collection
Museum
Images
Less detail
Other Name
CHILD'S BLOUSE
Date Range From
1970
Date Range To
1980
Material Type
Artifact
Materials
POLYESTER/COTTON, PLASTIC
Catalogue Number
P20000018035
  2 images  
Material Type
Artifact
Other Name
CHILD'S BLOUSE
Date Range From
1970
Date Range To
1980
Materials
POLYESTER/COTTON, PLASTIC
No. Pieces
1
Length
46.0
Width
41.5
Description
WHITE BLOUSE. HAS A PETER PAN COLLAR, TRIMMED WITH LACE. SLEEVES ARE GATHERED AT THE WRISTS AND CUFFS ARE TRIMMED WITH SAME LACE AS ABOVE. FRONT OPENING HAS 5 WHITE PLASTIC BUTTONS. SLEEVES ARE SLIGHTLY GATHERED AT SHOULDER SEAM. A TAG ON INSIDE BACK OF NECK READS "CHUCKLES". BENEATH THIS IS ANOTHER TAG WITH CARE INSTRUCTION, MATERIALS, ETC. ON IT. A TAG ADHERED TO INSIDE BACK OF SHIRT READS "LISA M.".
Subjects
CLOTHING-OUTERWEAR
Historical Association
PERSONAL CARE
LEISURE
History
GOES WITH P20000018032 & 33. OUTFIT WORN BY ANNE CAMPBELL SINGERS. ANNE CAMPBELL, 16 JUNE 1912-, WAS BORN IN SUTHERLAND, SASKATCHEWAN, NOW A PART OF SASKATOON. HER PARENTS WERE JOHN AND THOMASINA COWIE, SCOTTISH IMMIGRANTS. MRS. COWIE SANG IN ST PAUL’S UNITED CHURCH CHOIR AND MR. COWIE SANG AT HOME. ANNE BEGAN SINGING AT AGE EIGHT, AND BY AGE 14 SHE WAS CONDUCTING THE JUNIOR CHOIR OF ST. PAUL’S UNITED CHURCH IN SUTHERLAND. IN SASKATOON, ANNE STUDIED PIANO WITH LYLE GUSTIN AND VOICE WITH F.B. MORRISON. SHE ALSO STUDIED WITH DR. ERNEST VINCI OF TORONTO. MR. GUSTIN ENCOURAGED ANNE TO TAKE MUSIC COURSES AT ST. ANDREWS COLLEGE, UNIVERSITY OF SASKATCHEWAN. ANNE EVENTUALLY EARNED AN A.R.C.T. FROM THE TORONTO CONSERVATORY OF MUSIC, AS WELL AS AN A. MUS (ASSOCIATE IN MUSIC) AND L. MUS (LICENCIATE IN MUSIC), BOTH IN PIANO. IN 1939 ANNE MARRIED DON CAMPBELL AT WESTMINTSER UNITED CHURCH IN SASKATOON. AFTER THEY WERE MARRIED, THE CAMPBELLS MOVED TO CALGARY SO THAT DON COULD BEGIN A JOB AS A TRAVELING SALESMAN WITH MARSHALL WELLS HARDWARE. THEIR SONS MAC AND STEWART WERE BORN IN CALGARY, IN 1943 AND 1947 RESPECTIVELY. AFTER 1947 DON BECAME MANAGER OF THE HYDE AND SUNDAL HARDWARE STORE IN PICTURE BUTTE. DON EVENTUALLY BOUGHT THE STORE, CHANGED ITS NAME TO CAMPBELL HARDWARE AND WAS IN BUSINESS FOR 31½ YEARS. SOUTHMINSTER UNITED CHURCH ASKED ANNE TO FORM AN ALL GIRLS YOUTH CHOIR IN 1953, AND THE CAMPBELLS MOVED TO LETHBRIDGE. THE CHOIR ACCEPTED GIRLS FROM ALL OVER SOUTHERN ALBERTA. THE JUNIOR CHOIR SANG AT CHURCH SERVICES ONCE A MONTH, AND PERFORMED OPERETTAS IN THE SOUTHMINSTER CHURCH HALL. IN 1964 ANNE FORMED THE TEEN CLEFS, A 20 MEMBER CHAMBER CHOIR WITH GIRLS OF HIGH SCHOOL AGE. IN 1967 ANNE WAS INVITED TO TAKE THE GROUP TO MONTREAL FOR A PERFORMANCE AT EXPO 67. IN 1968 THE ANNE CAMPBELL SINGERS WERE FORMED. THE CHOIR WENT TO THE UNITED KINGDOM THAT YEAR TO COMPETE AT THE TEESIDE INTERNATIONAL EISTEDDFOD IN YORKSHIRE, ENGLAND AND THE LLANGOLLEN INTERNATIONAL MUSICAL EISTEDDFOD IN WALES. UNTIL THE EARLY 1990S THE CHOIR CONTINUED TO TRAVEL THROUGHOUT CANADA AND OVERSEAS, AND SUCCESSFULLY COMPETE IN MANY MUSIC FESTIVALS. THE UNITED KINGDOM, DENMARK, BELGIUM, AUSTRIA AND JAPAN WERE AMONG THE COUNTRIES VISITED BY THE ANNE CAMPBELL SINGERS. AS GIRLS FROM THE JUNIOR CHOIR AND ANNE CAMPBELL SINGERS GREW OLDER, ANNE FORMED THE LINNET SINGERS SO THAT THOSE WHO WISHED COULD CONTINUE IN A CHOIR. THE LINNET SINGERS ALSO TRAVELED AND COMPETED EXTENSIVELY. ANNE CREATED THE MINI CHOIR AS A TRAINING GROUP FOR GIRLS SIX TO EIGHT YEARS OLD. SOME FORMER MEMBERS OF ANNE’S CHOIRS HAVE ESTABLISHED SUCCESSFUL CAREERS IN MUSIC AS TEACHERS, CHOIR LEADERS AND OPERA SINGERS. ANNE CAMPBELL HAS RECEIVED MORE THAN A DOZEN AWARDS FOR HER CONTRIBUTIONS TO CHORAL MUSIC IN CANADA, INCLUDING THE ORDER OF CANADA IN 1977 AND HONOURARY DOCTOR OF LAWS DEGREE FROM THE UNIVERSITY OF LETHBRIDGE IN 1983. ANNE’S CHOIRS HAVE WON MORE THAN 20 AWARDS IN NATIONAL AND INTERNATIONAL COMPETITIONS. THE CHOIRS RECORDED 14 ALBUMS, AND WERE BROADCAST MANY TIMES BY THE CBC AND CKUA RADIO. THE GIRLS SANG MANY TYPES OF MUSIC: MADRIGALS, FOLK SONGS, SACRED MUSIC AND SHOW TUNES. THEY SANG AT VARIOUS TIMES IN ENGLISH, JAPANESE, GERMAN AND FRENCH. IN THE MID 1990S ANNE CAMPBELL RETIRED FROM ACTIVE INVOLVEMENT WITH THE CHOIRS. IN 1999 SHE MOVED TO COCHRANE, ALBERTA TO LIVE NEAR HER SON STEWART AND HIS FAMILY.
*UPDATE* ACCORDING TO HER LETHBRIDGE HERALD OBITUARY, ANNE CAMPBELL PASSED AWAY ON APRIL 13, 2011, AT THE AGE OF 98 YEARS. SEE PERMANENT FILE P20000018000 FOR A COPY OF A TRIBUTE ARTICLE FROM THE APRIL 18, 2011 ISSUE OF THE LETHBRIDGE HERALD.
Catalogue Number
P20000018035
Acquisition Date
2001-08
Collection
Museum
Images
Less detail
Other Name
SHIRT
Date Range From
1980
Date Range To
1990
Material Type
Artifact
Materials
POLYESTER/COTTON, PLASTIC
Catalogue Number
P20000018037
  2 images  
Material Type
Artifact
Other Name
SHIRT
Date Range From
1980
Date Range To
1990
Materials
POLYESTER/COTTON, PLASTIC
No. Pieces
1
Length
67.0
Width
43.0
Description
YELLOW BLOUSE. HAS A PATCH POCKET ON LEFT BREAST. HAS 5 WHITE, PLASTIC BUTTONS DOWN FRONT OPENING. HAS A BUTTON-DOWN COLLAR, ALSO WITH WHITE PLASTIC BUTTONS. SHIRT HAS HALF SLEEVES; SLEEVES WERE FOLDED UNDER AND SEWN TO FORM A 4 1/4" CUFF. THE SEAM ON THE CUFF OF THE LEFT SLEEVE HAS COME UNDONE. BACK OF SHIRT IS SLIGHTLY LONGER THAN THE FRONT. A TAG INSIDE NECKLINE READS "KERRYBROOKE PERMA-REST". A TAG ADHERED TO INSIDE BACK OF COLLAR READS "A. CAMPBELL B.C.C.".
Subjects
CLOTHING-OUTERWEAR
Historical Association
PERSONAL CARE
LEISURE
History
ANNE CAMPBELL, 16 JUNE 1912-, WAS BORN IN SUTHERLAND, SASKATCHEWAN, NOW A PART OF SASKATOON. HER PARENTS WERE JOHN AND THOMASINA COWIE, SCOTTISH IMMIGRANTS. MRS. COWIE SANG IN ST PAUL’S UNITED CHURCH CHOIR AND MR. COWIE SANG AT HOME. ANNE BEGAN SINGING AT AGE EIGHT, AND BY AGE 14 SHE WAS CONDUCTING THE JUNIOR CHOIR OF ST. PAUL’S UNITED CHURCH IN SUTHERLAND. IN SASKATOON, ANNE STUDIED PIANO WITH LYLE GUSTIN AND VOICE WITH F.B. MORRISON. SHE ALSO STUDIED WITH DR. ERNEST VINCI OF TORONTO. MR. GUSTIN ENCOURAGED ANNE TO TAKE MUSIC COURSES AT ST. ANDREWS COLLEGE, UNIVERSITY OF SASKATCHEWAN. ANNE EVENTUALLY EARNED AN A.R.C.T. FROM THE TORONTO CONSERVATORY OF MUSIC, AS WELL AS AN A. MUS (ASSOCIATE IN MUSIC) AND L. MUS (LICENCIATE IN MUSIC), BOTH IN PIANO. IN 1939 ANNE MARRIED DON CAMPBELL AT WESTMINTSER UNITED CHURCH IN SASKATOON. AFTER THEY WERE MARRIED, THE CAMPBELLS MOVED TO CALGARY SO THAT DON COULD BEGIN A JOB AS A TRAVELING SALESMAN WITH MARSHALL WELLS HARDWARE. THEIR SONS MAC AND STEWART WERE BORN IN CALGARY, IN 1943 AND 1947 RESPECTIVELY. AFTER 1947 DON BECAME MANAGER OF THE HYDE AND SUNDAL HARDWARE STORE IN PICTURE BUTTE. DON EVENTUALLY BOUGHT THE STORE, CHANGED ITS NAME TO CAMPBELL HARDWARE AND WAS IN BUSINESS FOR 31½ YEARS. SOUTHMINSTER UNITED CHURCH ASKED ANNE TO FORM AN ALL GIRLS YOUTH CHOIR IN 1953, AND THE CAMPBELLS MOVED TO LETHBRIDGE. THE CHOIR ACCEPTED GIRLS FROM ALL OVER SOUTHERN ALBERTA. THE JUNIOR CHOIR SANG AT CHURCH SERVICES ONCE A MONTH, AND PERFORMED OPERETTAS IN THE SOUTHMINSTER CHURCH HALL. IN 1964 ANNE FORMED THE TEEN CLEFS, A 20 MEMBER CHAMBER CHOIR WITH GIRLS OF HIGH SCHOOL AGE. IN 1967 ANNE WAS INVITED TO TAKE THE GROUP TO MONTREAL FOR A PERFORMANCE AT EXPO 67. IN 1968 THE ANNE CAMPBELL SINGERS WERE FORMED. THE CHOIR WENT TO THE UNITED KINGDOM THAT YEAR TO COMPETE AT THE TEESIDE INTERNATIONAL EISTEDDFOD IN YORKSHIRE, ENGLAND AND THE LLANGOLLEN INTERNATIONAL MUSICAL EISTEDDFOD IN WALES. UNTIL THE EARLY 1990S THE CHOIR CONTINUED TO TRAVEL THROUGHOUT CANADA AND OVERSEAS, AND SUCCESSFULLY COMPETE IN MANY MUSIC FESTIVALS. THE UNITED KINGDOM, DENMARK, BELGIUM, AUSTRIA AND JAPAN WERE AMONG THE COUNTRIES VISITED BY THE ANNE CAMPBELL SINGERS. AS GIRLS FROM THE JUNIOR CHOIR AND ANNE CAMPBELL SINGERS GREW OLDER, ANNE FORMED THE LINNET SINGERS SO THAT THOSE WHO WISHED COULD CONTINUE IN A CHOIR. THE LINNET SINGERS ALSO TRAVELED AND COMPETED EXTENSIVELY. ANNE CREATED THE MINI CHOIR AS A TRAINING GROUP FOR GIRLS SIX TO EIGHT YEARS OLD. SOME FORMER MEMBERS OF ANNE’S CHOIRS HAVE ESTABLISHED SUCCESSFUL CAREERS IN MUSIC AS TEACHERS, CHOIR LEADERS AND OPERA SINGERS. ANNE CAMPBELL HAS RECEIVED MORE THAN A DOZEN AWARDS FOR HER CONTRIBUTIONS TO CHORAL MUSIC IN CANADA, INCLUDING THE ORDER OF CANADA IN 1977 AND HONOURARY DOCTOR OF LAWS DEGREE FROM THE UNIVERSITY OF LETHBRIDGE IN 1983. ANNE’S CHOIRS HAVE WON MORE THAN 20 AWARDS IN NATIONAL AND INTERNATIONAL COMPETITIONS. THE CHOIRS RECORDED 14 ALBUMS, AND WERE BROADCAST MANY TIMES BY THE CBC AND CKUA RADIO. THE GIRLS SANG MANY TYPES OF MUSIC: MADRIGALS, FOLK SONGS, SACRED MUSIC AND SHOW TUNES. THEY SANG AT VARIOUS TIMES IN ENGLISH, JAPANESE, GERMAN AND FRENCH. IN THE MID 1990S ANNE CAMPBELL RETIRED FROM ACTIVE INVOLVEMENT WITH THE CHOIRS. IN 1999 SHE MOVED TO COCHRANE, ALBERTA TO LIVE NEAR HER SON STEWART AND HIS FAMILY.
*UPDATE* ACCORDING TO HER LETHBRIDGE HERALD OBITUARY, ANNE CAMPBELL PASSED AWAY ON APRIL 13, 2011, AT THE AGE OF 98 YEARS. SEE PERMANENT FILE P20000018000 FOR A COPY OF A TRIBUTE ARTICLE FROM THE APRIL 18, 2011 ISSUE OF THE LETHBRIDGE HERALD.
Catalogue Number
P20000018037
Acquisition Date
2001-08
Collection
Museum
Images
Less detail
Other Name
TOURING JACKET
Date Range From
1970
Date Range To
1980
Material Type
Artifact
Materials
POLYESTER/COTTON
Catalogue Number
P20000018025
  2 images  
Material Type
Artifact
Other Name
TOURING JACKET
Date Range From
1970
Date Range To
1980
Materials
POLYESTER/COTTON
No. Pieces
1
Length
63.0
Width
42.5
Description
NAVY BLUE JACKET. HAS DRAWSTRING WAIST AND NECK (DRAWSTRINGS ARE WHITE). HAS A NAVY BLUE ZIPPER CLOSURE. ON FRONT ARE TWO PATCH POCKETS, EACH WITH A STEEL SNAP. ON LEFT SLEEVE IS AN OVAL, WHITE AND RED PATCH. IT READS "ANNE CAMPBELL SINGERS LETHBRIDGE ALBERTA" WITH A RED MAPLE LEAF IN THE CENTRE. TAG ON INSIDE NECK OF JACKET READS "CLUB IMPROMPTU". ANOTHER TAG GIVES CARE INFORMATION, MATERIALS, ETCETERA.
Subjects
CLOTHING-OUTERWEAR
Historical Association
PERSONAL CARE
LEISURE
History
ANNE CAMPBELL, 16 JUNE 1912-, WAS BORN IN SUTHERLAND, SASKATCHEWAN, NOW A PART OF SASKATOON. HER PARENTS WERE JOHN AND THOMASINA COWIE, SCOTTISH IMMIGRANTS. MRS. COWIE SANG IN ST PAUL’S UNITED CHURCH CHOIR AND MR. COWIE SANG AT HOME. ANNE BEGAN SINGING AT AGE EIGHT, AND BY AGE 14 SHE WAS CONDUCTING THE JUNIOR CHOIR OF ST. PAUL’S UNITED CHURCH IN SUTHERLAND. IN SASKATOON, ANNE STUDIED PIANO WITH LYLE GUSTIN AND VOICE WITH F.B. MORRISON. SHE ALSO STUDIED WITH DR. ERNEST VINCI OF TORONTO. MR. GUSTIN ENCOURAGED ANNE TO TAKE MUSIC COURSES AT ST. ANDREWS COLLEGE, UNIVERSITY OF SASKATCHEWAN. ANNE EVENTUALLY EARNED AN A.R.C.T. FROM THE TORONTO CONSERVATORY OF MUSIC, AS WELL AS AN A. MUS (ASSOCIATE IN MUSIC) AND L. MUS (LICENCIATE IN MUSIC), BOTH IN PIANO. IN 1939 ANNE MARRIED DON CAMPBELL AT WESTMINTSER UNITED CHURCH IN SASKATOON. AFTER THEY WERE MARRIED, THE CAMPBELLS MOVED TO CALGARY SO THAT DON COULD BEGIN A JOB AS A TRAVELING SALESMAN WITH MARSHALL WELLS HARDWARE. THEIR SONS MAC AND STEWART WERE BORN IN CALGARY, IN 1943 AND 1947 RESPECTIVELY. AFTER 1947 DON BECAME MANAGER OF THE HYDE AND SUNDAL HARDWARE STORE IN PICTURE BUTTE. DON EVENTUALLY BOUGHT THE STORE, CHANGED ITS NAME TO CAMPBELL HARDWARE AND WAS IN BUSINESS FOR 31½ YEARS. SOUTHMINSTER UNITED CHURCH ASKED ANNE TO FORM AN ALL GIRLS YOUTH CHOIR IN 1953, AND THE CAMPBELLS MOVED TO LETHBRIDGE. THE CHOIR ACCEPTED GIRLS FROM ALL OVER SOUTHERN ALBERTA. THE JUNIOR CHOIR SANG AT CHURCH SERVICES ONCE A MONTH, AND PERFORMED OPERETTAS IN THE SOUTHMINSTER CHURCH HALL. IN 1964 ANNE FORMED THE TEEN CLEFS, A 20 MEMBER CHAMBER CHOIR WITH GIRLS OF HIGH SCHOOL AGE. IN 1967 ANNE WAS INVITED TO TAKE THE GROUP TO MONTREAL FOR A PERFORMANCE AT EXPO 67. IN 1968 THE ANNE CAMPBELL SINGERS WERE FORMED. THE CHOIR WENT TO THE UNITED KINGDOM THAT YEAR TO COMPETE AT THE TEESIDE INTERNATIONAL EISTEDDFOD IN YORKSHIRE, ENGLAND AND THE LLANGOLLEN INTERNATIONAL MUSICAL EISTEDDFOD IN WALES. UNTIL THE EARLY 1990S THE CHOIR CONTINUED TO TRAVEL THROUGHOUT CANADA AND OVERSEAS, AND SUCCESSFULLY COMPETE IN MANY MUSIC FESTIVALS. THE UNITED KINGDOM, DENMARK, BELGIUM, AUSTRIA AND JAPAN WERE AMONG THE COUNTRIES VISITED BY THE ANNE CAMPBELL SINGERS. AS GIRLS FROM THE JUNIOR CHOIR AND ANNE CAMPBELL SINGERS GREW OLDER, ANNE FORMED THE LINNET SINGERS SO THAT THOSE WHO WISHED COULD CONTINUE IN A CHOIR. THE LINNET SINGERS ALSO TRAVELED AND COMPETED EXTENSIVELY. ANNE CREATED THE MINI CHOIR AS A TRAINING GROUP FOR GIRLS SIX TO EIGHT YEARS OLD. SOME FORMER MEMBERS OF ANNE’S CHOIRS HAVE ESTABLISHED SUCCESSFUL CAREERS IN MUSIC AS TEACHERS, CHOIR LEADERS AND OPERA SINGERS. ANNE CAMPBELL HAS RECEIVED MORE THAN A DOZEN AWARDS FOR HER CONTRIBUTIONS TO CHORAL MUSIC IN CANADA, INCLUDING THE ORDER OF CANADA IN 1977 AND HONOURARY DOCTOR OF LAWS DEGREE FROM THE UNIVERSITY OF LETHBRIDGE IN 1983. ANNE’S CHOIRS HAVE WON MORE THAN 20 AWARDS IN NATIONAL AND INTERNATIONAL COMPETITIONS. THE CHOIRS RECORDED 14 ALBUMS, AND WERE BROADCAST MANY TIMES BY THE CBC AND CKUA RADIO. THE GIRLS SANG MANY TYPES OF MUSIC: MADRIGALS, FOLK SONGS, SACRED MUSIC AND SHOW TUNES. THEY SANG AT VARIOUS TIMES IN ENGLISH, JAPANESE, GERMAN AND FRENCH. IN THE MID 1990S ANNE CAMPBELL RETIRED FROM ACTIVE INVOLVEMENT WITH THE CHOIRS. IN 1999 SHE MOVED TO COCHRANE, ALBERTA TO LIVE NEAR HER SON STEWART AND HIS FAMILY.
*UPDATE* ACCORDING TO HER LETHBRIDGE HERALD OBITUARY, ANNE CAMPBELL PASSED AWAY ON APRIL 13, 2011, AT THE AGE OF 98 YEARS. SEE PERMANENT FILE P20000018000 FOR A COPY OF A TRIBUTE ARTICLE FROM THE APRIL 18, 2011 ISSUE OF THE LETHBRIDGE HERALD.
Catalogue Number
P20000018025
Acquisition Date
2001-08
Collection
Museum
Images
Less detail
Other Name
TOURING JACKET
Date Range From
1970
Date Range To
1980
Material Type
Artifact
Materials
NYLON, ACRYLIC
Catalogue Number
P20000018026
  2 images  
Material Type
Artifact
Other Name
TOURING JACKET
Date Range From
1970
Date Range To
1980
Materials
NYLON, ACRYLIC
No. Pieces
1
Length
71.0
Width
41.0
Description
EXTERIOR OF JACKET IS LIGHT BLUE NYLON. INTERIOR IS WHITE. ABOUT HALFWAY DOWN JACKET IS A LINE OF PIPING THAT GOES AROUND HORIZONTALLY (SLEEVES ALSO HAVE PIPING). FRONT OF JACKET HAS TWO SLANT POCKETS, WITH LIGHT BLUE ZIPPERS. CUFFS OF JACKET HAVE STEEL SNAPS. ON FRONT LEFT BREAST IS A RED AND WHITE OVAL PATCH THAT READS "ANNE CAMPBELL SINGERS LETHBRIDGE ALBERTA" WITH A MAPLE LEAF IN THE CENTER. INSIDE BACK OF NECK IS A DARK BLUE TAG THAT READS "ALLEN TOLLY ESTABLISHED 1744 CAULFEILD". THERE IS ALSO A TAG WITH CARE INSTRUCTIONS, MATERIALS, ETC.
Subjects
CLOTHING-OUTERWEAR
Historical Association
PERSONAL CARE
LEISURE
History
ANNE CAMPBELL, 16 JUNE 1912-, WAS BORN IN SUTHERLAND, SASKATCHEWAN, NOW A PART OF SASKATOON. HER PARENTS WERE JOHN AND THOMASINA COWIE, SCOTTISH IMMIGRANTS. MRS. COWIE SANG IN ST PAUL’S UNITED CHURCH CHOIR AND MR. COWIE SANG AT HOME. ANNE BEGAN SINGING AT AGE EIGHT, AND BY AGE 14 SHE WAS CONDUCTING THE JUNIOR CHOIR OF ST. PAUL’S UNITED CHURCH IN SUTHERLAND. IN SASKATOON, ANNE STUDIED PIANO WITH LYLE GUSTIN AND VOICE WITH F.B. MORRISON. SHE ALSO STUDIED WITH DR. ERNEST VINCI OF TORONTO. MR. GUSTIN ENCOURAGED ANNE TO TAKE MUSIC COURSES AT ST. ANDREWS COLLEGE, UNIVERSITY OF SASKATCHEWAN. ANNE EVENTUALLY EARNED AN A.R.C.T. FROM THE TORONTO CONSERVATORY OF MUSIC, AS WELL AS AN A. MUS (ASSOCIATE IN MUSIC) AND L. MUS (LICENCIATE IN MUSIC), BOTH IN PIANO. IN 1939 ANNE MARRIED DON CAMPBELL AT WESTMINTSER UNITED CHURCH IN SASKATOON. AFTER THEY WERE MARRIED, THE CAMPBELLS MOVED TO CALGARY SO THAT DON COULD BEGIN A JOB AS A TRAVELING SALESMAN WITH MARSHALL WELLS HARDWARE. THEIR SONS MAC AND STEWART WERE BORN IN CALGARY, IN 1943 AND 1947 RESPECTIVELY. AFTER 1947 DON BECAME MANAGER OF THE HYDE AND SUNDAL HARDWARE STORE IN PICTURE BUTTE. DON EVENTUALLY BOUGHT THE STORE, CHANGED ITS NAME TO CAMPBELL HARDWARE AND WAS IN BUSINESS FOR 31½ YEARS. SOUTHMINSTER UNITED CHURCH ASKED ANNE TO FORM AN ALL GIRLS YOUTH CHOIR IN 1953, AND THE CAMPBELLS MOVED TO LETHBRIDGE. THE CHOIR ACCEPTED GIRLS FROM ALL OVER SOUTHERN ALBERTA. THE JUNIOR CHOIR SANG AT CHURCH SERVICES ONCE A MONTH, AND PERFORMED OPERETTAS IN THE SOUTHMINSTER CHURCH HALL. IN 1964 ANNE FORMED THE TEEN CLEFS, A 20 MEMBER CHAMBER CHOIR WITH GIRLS OF HIGH SCHOOL AGE. IN 1967 ANNE WAS INVITED TO TAKE THE GROUP TO MONTREAL FOR A PERFORMANCE AT EXPO 67. IN 1968 THE ANNE CAMPBELL SINGERS WERE FORMED. THE CHOIR WENT TO THE UNITED KINGDOM THAT YEAR TO COMPETE AT THE TEESIDE INTERNATIONAL EISTEDDFOD IN YORKSHIRE, ENGLAND AND THE LLANGOLLEN INTERNATIONAL MUSICAL EISTEDDFOD IN WALES. UNTIL THE EARLY 1990S THE CHOIR CONTINUED TO TRAVEL THROUGHOUT CANADA AND OVERSEAS, AND SUCCESSFULLY COMPETE IN MANY MUSIC FESTIVALS. THE UNITED KINGDOM, DENMARK, BELGIUM, AUSTRIA AND JAPAN WERE AMONG THE COUNTRIES VISITED BY THE ANNE CAMPBELL SINGERS. AS GIRLS FROM THE JUNIOR CHOIR AND ANNE CAMPBELL SINGERS GREW OLDER, ANNE FORMED THE LINNET SINGERS SO THAT THOSE WHO WISHED COULD CONTINUE IN A CHOIR. THE LINNET SINGERS ALSO TRAVELED AND COMPETED EXTENSIVELY. ANNE CREATED THE MINI CHOIR AS A TRAINING GROUP FOR GIRLS SIX TO EIGHT YEARS OLD. SOME FORMER MEMBERS OF ANNE’S CHOIRS HAVE ESTABLISHED SUCCESSFUL CAREERS IN MUSIC AS TEACHERS, CHOIR LEADERS AND OPERA SINGERS. ANNE CAMPBELL HAS RECEIVED MORE THAN A DOZEN AWARDS FOR HER CONTRIBUTIONS TO CHORAL MUSIC IN CANADA, INCLUDING THE ORDER OF CANADA IN 1977 AND HONOURARY DOCTOR OF LAWS DEGREE FROM THE UNIVERSITY OF LETHBRIDGE IN 1983. ANNE’S CHOIRS HAVE WON MORE THAN 20 AWARDS IN NATIONAL AND INTERNATIONAL COMPETITIONS. THE CHOIRS RECORDED 14 ALBUMS, AND WERE BROADCAST MANY TIMES BY THE CBC AND CKUA RADIO. THE GIRLS SANG MANY TYPES OF MUSIC: MADRIGALS, FOLK SONGS, SACRED MUSIC AND SHOW TUNES. THEY SANG AT VARIOUS TIMES IN ENGLISH, JAPANESE, GERMAN AND FRENCH. IN THE MID 1990S ANNE CAMPBELL RETIRED FROM ACTIVE INVOLVEMENT WITH THE CHOIRS. IN 1999 SHE MOVED TO COCHRANE, ALBERTA TO LIVE NEAR HER SON STEWART AND HIS FAMILY.
*UPDATE* ACCORDING TO HER LETHBRIDGE HERALD OBITUARY, ANNE CAMPBELL PASSED AWAY ON APRIL 13, 2011, AT THE AGE OF 98 YEARS. SEE PERMANENT FILE P20000018000 FOR A COPY OF A TRIBUTE ARTICLE FROM THE APRIL 18, 2011 ISSUE OF THE LETHBRIDGE HERALD.
Catalogue Number
P20000018026
Acquisition Date
2001-08
Collection
Museum
Images
Less detail

30 records – page 1 of 2.