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Other Name
VESTMENT
Date Range From
1980
Date Range To
1990
Material Type
Artifact
Materials
NYLON
Catalogue Number
P19960052001
  2 images  
Material Type
Artifact
Other Name
VESTMENT
Date Range From
1980
Date Range To
1990
Materials
NYLON
No. Pieces
1
Height
106
Width
135.5
Description
CHASUBLE IS SINGLE PIECE FOLDED OVER AT SHOULDERS AND OPEN ALONG SIDES AND BOTTOM OF ARMS. WHEN FOLDED IT FORMS ROUNDED BATEAU COLLAR AND ELONGATED CAP SLEEVES WHICH ARE SEWN AT WRISTS. THE GARMENT IS MADE OF THICK CREAM COLORED NYLON WITH GOLD COLORED THIN NYLON LINING. THE BOTTOM HEM IS SQUARE CUT ON BOTH FRONT AND BACK. 7.8CM WIDE DECORATIVE BAND IS SEWN VERTICALLY AROUND SLEEVES NEAR WRIST AND DOWN FRONT AND BACK. THE BAND IS PURPLE BASE WITH GOLD AND GREEN EMBROIDERY. IT HAS GOLD BORDERS WITH GREEN AND GOLD LINKED RINGS BETWEEN SQUARES WITH SYMETRIC CELTIC CROSSES. AROUND NECKLINE IS THREE COLORED WOVEN CORD, GREEN, PINK AND GOLD. NYLON LABEL SEWN AT BACK OF NECK READS "L'ART SACRE BOITE P. NO II, PLACE D'ARMES, MONTREAL". CHASUBLE HAS A COUPLE SMALL STAINS.
Subjects
CLOTHING-OUTERWEAR
Historical Association
RELIGION
History
CHASUBLES WERE USED IN SERVICES AT ASSUMPTION PARISH IN LETHBRIDGE.
Catalogue Number
P19960052001
Acquisition Date
1996-06
Collection
Museum
Images
Less detail
Other Name
P19860029001-002-GA, P19860022000-0028000-GA, SKIRT AND APRON (SET) P19860034000-0036000-GA
Date Range From
1830
Date Range To
1860
Material Type
Artifact
Materials
COTTON, LINEN
Catalogue Number
P19860029000
  2 images  
Material Type
Artifact
Other Name
P19860029001-002-GA, P19860022000-0028000-GA, SKIRT AND APRON (SET) P19860034000-0036000-GA
Date Range From
1830
Date Range To
1860
Materials
COTTON, LINEN
No. Pieces
2
Description
.1 SKIRT. 100.5(L) X 36(W - WAIST) COTTON, LINEN. CREAM, RUST, MAUVE, BLUE, GOLD, BLACK. SIZE: MEDIUM. HAND SPUN AND WOVEN PLEATED SKIRT, PLEATS SEWN DOWN TO HIP LINE. BLACK WAISTBAND, BUTTONS ON LEFT SIDE WITH 1 BUTTON. GEOMETRIC DESIGNS RUN HORIZONTALLY AROUND SKIRT. BASIC COLOUR IS CREAM. .2 APRON. 72(L - W/O TIES) X 62(W- BOTTOM HEM) COTTON, WOOL. BURGUNDY, GREY, BLUE, WHITE, GREEN, RED AND YELLOW. HAND WOVEN, BURGUNDY BACKGROUND, 5 BLUE AND WHITE VERTICAL STRIPES. 5 VERTICAL ROWS OF WOOL EMBROIDERED FLOWERS, RED/WHITE, RED/YELLOW, GREEN LEAVES AND STEMS. ATTACHED TO GREY WAISTBAND WHICH BUTTON ON LEFT SIDE WITH AN AQUA BUTTON.
Subjects
CLOTHING-OUTERWEAR
Historical Association
ETHNOGRAPHIC
History
THE DONOR ESTIMATES THE COSTUME TO BE 150 YEARS OLD, IT WAS MADE BY HER ANCESTRAL MATERNAL GREAT-GRANDMOTHER (6 GENERATIONS BACK). THE COSTUME IS ENTIRELY HANDMADE AND EXEMPLIFIES FINE FOLK ART. THE ORNATELY DECORATED APRON IS CONSIDERED THE "HEART" OF LITHUANIA COSTUMES.
Catalogue Number
P19860029000
Acquisition Date
1985-07
Collection
Museum
Images
Less detail
Other Name
GIRL GUIDES UNIFORM
Date Range From
1980
Date Range To
1990
Material Type
Artifact
Materials
COTTON, ELASTIC, STEEL
Catalogue Number
P20000086002
  2 images  
Material Type
Artifact
Other Name
GIRL GUIDES UNIFORM
Date Range From
1980
Date Range To
1990
Materials
COTTON, ELASTIC, STEEL
No. Pieces
2
Length
86.0
Width
43.0
Description
1. DRESS. CHILD'S BLUE DRESS. DRESS HAS NO WAISTLINE. DRESS IS OPEN IN FRONT HALFWAY DOWN; CLOSES WITH BLUE PLASTIC BUTTONS; BUTTONS HAVE A THREE LEAF CLOVER IMPRESSED INTO THEM. HAS TWO FLAPPED, BREAST POCKETS THAT CLOSE WITH BUTTONS (AS ABOVE). FULL LENGTH SLEEVES; CUFFS CLOSE WITH BUTTONS (AS ABOVE). ON LEFT SHOULDER IS A WHITE PATCH WITH BLUE PRINT THAT READS "7TH LETHBRIDGE COMPANY". THERE ARE TWO SLIT POCKETS ON SIDES OF DRESS. INSIDE NECKLINE HAS TWO TAGS. ONE TAG READS "GIRL GUIDES OF CANADA GUIDES DU CANADA ALFRED SUNG", ALONG WITH A BLUE THREE-LEAF CLOVER. 2. BELT. DARK BLUE ELASTIC, WITH STEEL BUCKLE. BUCKLE HAS A THREE-LEAF CLOVER IMPRESSED INTO IT. THERE IS AN EMBOSSED LETTER WITHIN EACH LEAF OF CLOVER, "G G C". THERE IS A WHITE COTTON LANYARD ATTACHED TO BELT BY A STEEL HOOK. BELT HAS TWO STEEL PIECES WITH TEETH ON THEM FOR SIZING BELT.
Subjects
CLOTHING-OUTERWEAR
Historical Association
ASSOCIATIONS
History
"UNIFORM WAS PURCHASED BY MUSEUM STAFF FROM CATHOLIC CHARITIES 10-21-00. BELT WAS $1.00, DRESS WAS $3.00. UNKNOWN ORIGIN."
Catalogue Number
P20000086002
Acquisition Date
2001-07
Collection
Museum
Images
Less detail
Other Name
BOY SCOUT'S UNIFORM
Date Range From
1980
Date Range To
1990
Material Type
Artifact
Materials
SYNTHETIC FABRIC
Catalogue Number
P20000098047
  2 images  
Material Type
Artifact
Other Name
BOY SCOUT'S UNIFORM
Date Range From
1980
Date Range To
1990
Materials
SYNTHETIC FABRIC
No. Pieces
3
Length
68.0
Width
41.0
Description
1. SHIRT. GREY, DRESS SHIRT. LONG SLEEVES; EACH CUFF HAS A WHITE PLASTIC BUTTON. FRONT OPENING CLOSES WITH 4 WHITE, PLASTIC BUTTONS. SHIRT HAS TWO BREAST, PATCH POCKETS. ON LEFT BREAST POCKET IS AN EMBROIDERED BADGE. BADGE IS DIAMOND SHAPED; BACKGROUND COLOUR IS GREY. EMBROIDERED ON PATCH IS A WHITE FLEUR DE LIS, WITH SILVER STRANDS IN IT. BELOW THIS IS A BANNER WITH THE WORD "CANADA" ON IT. EDGES OF PATCH ARE FINISHED WITH LIGHT GREY THREAD. A TAG INSIDE BACK OF SHIRT READS "BOY SCOUTS OF CANADA OFFICIAL LADIES' SHIRT BY WIEGAND SIZE 16 NAME ______", IN RED. 2. SCARF. 0.2(H) x 126.0(L) x 61.5(W). TRIANGULAR BURGUNDY SCARF. TWO EDGES (LONGEST EDGE AND ONE SHORT EDGE) HAVE 0.7CM WIDE HEM. THE OTHER EDGE IS A RAW FACTORY EDGE. HAS A NUMBER OF HORIZONTAL CREASES IN IT AND SMALL PIN HOLES. 3. SHOULDER FLASH. 0.1(H) x 9.2(L) x 2.3(W). GREY BACKGROUND. EMBROIDERED ON PATCH, IN BURGUNDY, IS "SERVICE SCOUTER". EDGES OF PATCH ARE FINISHED WITH GREY THREAD. BACK OF PATCH IS LACQUERED.
Subjects
CLOTHING-OUTERWEAR
Historical Association
ASSOCIATIONS
History
SCARF AND SHOULDER FLASH CAME PINNED TO SHIRT (REMOVED BY CATALOGUER). SEE P20000098001-GA FOR HISTORY.
Catalogue Number
P20000098047
Acquisition Date
2001-07
Collection
Museum
Images
Less detail
Other Name
BROWNIE UNIFORM
Date Range From
1980
Date Range To
1990
Material Type
Artifact
Materials
COTTON, ELASTIC, METAL
Catalogue Number
P20000086001
  2 images  
Material Type
Artifact
Other Name
BROWNIE UNIFORM
Date Range From
1980
Date Range To
1990
Materials
COTTON, ELASTIC, METAL
No. Pieces
2
Length
74.0
Width
40.5
Description
1. DRESS. CHILD'S BROWN DRESS. HAS FULL LENGTH SLEEVES. HAS A STRAIGHT SKIRT WITH THREE PLEATS IN THE FRONT. THERE ARE TWO BREAST, PATCH POCKETS ON FRONT OF DRESS. LEFT POCKET HAS A BROWN, RECTANGULAR BADGE SEWN ON. BADGE HAS A GREEN, EMBROIDERED FIGURE ON IT. FRONT OF DRESS IS OPEN TO WAIST. HAS TWO BUTTONS (1 BRASS, 1 BLACK PLASTIC) FOR CLOSING (ONE BUTTON IS MISSING). THERE IS A SHOULDER PATCH SEWN ON TO LEFT SHOULDER; PATCH IS WHITE WITH "SIXTH LETHBRIDGE" PRINTED ON IN BROWN. INSIDE NECKLINE HAS TWO TAGS. ONE TAG READS "GIRL GUIDES OF CANADA", A BLUE THREE LEAF CLOVER, AND "GUIDES DU CANADA". THERE IS A SLANTED POCKET ON RIGHT SIDE OF SKIRT. WAISTLINE AT BACK OF DRESS IS GATHERED WITH ELASTIC; ALSO HAS TWO BELT LOOPS. 2. BELT. BROWN ELASTIC. HAS A METAL BUCKLE. BUCKLE IS RECTANGULAR, ETCHED WITH A THREE LEAF CLOVER. THERE IS A LETTER EMBOSSED WITHIN EACH LEAF OF CLOVER "G G C". BELOW LEAF IS A BLACK BANNER WITH THE WORDS "BE PREPARED" EMBOSSED WITHIN IT. BELT HAS SOME PULLED THREADS AS WELL AS SOME MINOR FRAYING.
Subjects
CLOTHING-OUTERWEAR
Historical Association
ASSOCIATIONS
History
PATCH ON BREAST POCKET IS A SPRITES PATROL EMBLEM BADGE.UNIFORM WAS PURCHASED BY MUSEUM STAFF FROM CATHOLIC CHARITIES 10-21-00. BELT WAS $0.50, DRESS WAS $2.50. UNKNOWN ORIGIN.
Catalogue Number
P20000086001
Acquisition Date
2001-07
Collection
Museum
Images
Less detail
Other Name
SET, CHRISTENING DRESS & SLIP
Date Range From
1850
Date Range To
1890
Material Type
Artifact
Materials
COTTON, LINEN
Catalogue Number
P19920058008
  2 images  
Material Type
Artifact
Other Name
SET, CHRISTENING DRESS & SLIP
Date Range From
1850
Date Range To
1890
Materials
COTTON, LINEN
No. Pieces
2
Description
1. DRESS - 2.5CM(H) X 91.5CM (L) X 79.7CM (W). WHITE LINEN. NECK AND CUFFS TRIMMED WITH A LACEY FABRIC. EACH CUFF HAS A WHITE RIBBON TIED IN A BOW, BACK OF NECK ALSO HAS A WHITE RIBBON TIED IN A BOW. BACK OF DRESS CLOSES WITH THREE WHITE BUTTONS. FRONT OF BODICE HAS EMBROIDERED CRISS-CROSS DESIGNS ON IT. BACK OF BODICE AND SKIRT, HAVE SMALL, WHITE EMBROIDERED FLOWERS THROUGHOUT. BOTTOM OF SKIRT IS EMBROIDERED WITH CRISS-CROSS DESIGNS, AND BOTTOM EDGE IS MADE TO LOOK LIKE LACE (SAME AS ON CUFFS AND NECK). STAINED. 2. SLIP - 2.2CM(H) X 81.0CM(L) X 74.0CM(W). WHITE COTTON. BODICE HAS NO DISTINGUISHABLE NECKLINE. IT IS CUT STRAIGHT ACROSS THE FRONT; FABRIC IS CUT INTO A DOWNWARD CURVE ON EACH SIDE (FOR ARMS), AND BACK IS CUT STRAIGHT ACROSS. BACK IS HELD CLOSED BY SIX WHITE TIES; ONE OF THE TIES HAS FALLEN OFF ONE SIDE. WAIST IS GATHERED. MATERIAL IS PLAIN WHITE EXCEPT FOR HEM OF SKIRT, WHICH IS TRIMMED WITH A STRIP OF LACEY LIKE MATERIAL. SLIP IS STAINED
Subjects
CLOTHING-OUTERWEAR
Historical Association
RELIGION
History
DRESS AND SLIP WERE USED BY THE SHERLOCK OR MACLEOD FAMILIES. MARJ BELIEVED SHE WAS PERSONALLY BAPTIZED IN THE GOWN ON ACCOUNT THAT IT WAS THE OFFICIAL BAPTISMAL GOWN FOR THE ENTIRE FAMILY. MARJ WAS BAPTISED AT ST AUGUSTINE'S AROUND JUNE 7, 1929. IT IS UNKNOWN WHICH MATERNAL SIDE OF THE FAMILY THE GOWN WAS PASSED DOWN, BUT DONOR BELIEVES IT WAS SHERLOCK. SEE P19920058006-GA FOR MORE HISTORY. *UPDATE* IN 2015 COLLECTIONS ASSISTANT JANE EDMUNDSON CONDUCTED A SURVEY OF ART OBJECTS, INCLUDING ONE DONATED BY MARJORIE WELCH'S MOTHER, NORA EVERSON. FOR FURTHER INFORMATION ABOUT THE SHERLOCK/MACLEOD FAMILY, SEE RECORDS P19960108000 AND P19740093000.
Catalogue Number
P19920058008
Acquisition Date
1993-11
Collection
Museum
Images
Less detail
Other Name
ROYAL CANADIAN LEGION BLAZER
Date Range From
1980
Date Range To
1998
Material Type
Artifact
Materials
WOOL, POLYESTER, BRASS
Catalogue Number
P19990063003
  2 images  
Material Type
Artifact
Other Name
ROYAL CANADIAN LEGION BLAZER
Date Range From
1980
Date Range To
1998
Materials
WOOL, POLYESTER, BRASS
No. Pieces
1
Length
87.5
Width
61.0
Description
NAVY BLUE, WOOL, BLAZER. HAS A POLYESTER LINING; LIGHT BLUE WITH A REPEATING SMALL NAVY BLUE AND SALMON COLOURED PATTERN. HAS TWO INSIDE POCKETS; BENEATH ONE OF THESE IS A BROWN TAG THAT READS "HENLEY BY/PAR TIP TOP". INSIDE POCKET ARE TWO WHITE TAGS THAT READ "52% WOOL/LAINE 48% POLYESTER DRY CLEAN ONLY NETTOYAGE A SEC CA 00261 ACCLAMATED CLOTHING AND TEXTILE WORKERS UNION" "46 31856 TALL M665 13837 817". ON OUTSIDE ARE TWO HIP POCKETS AND ONE BREAST POCKET. ON BREAST POCKET IS AN EMBROIDERED ROYAL CANADIAN LEGION BADGE. CONSISTS OF A YELLOW CIRCLE, WITH A CROWN ON TOP; WITHIN BORDER OF CIRCLE, IN GOLD IS "MEMORIAN FORUM RETINEBIMUS". IN CIRCLE IS A RED MAPLE LEAF, BELOW THIS IS A BLUE BANNER THAT READS "LEGION", AND BELOW THIS ARE THREE RED POPPIES. THE CUFFS AND FRONT CLOSURE EACH HAVE TWO GOLD BUTTONS WITH THE SAME LEGION EMBLEM EMBOSSED ON THEM.
Subjects
CLOTHING-OUTERWEAR
Historical Association
ASSOCIATIONS
History
BELONGED TO ART TURNER, WHO SERVED OVER THIRTY YEARS IN THE CANADIAN ARMY. TURNER ENLISTED IN CALGARY IN 1934, SERVING OVERSEAS DURING THE SECOND WORLD WAR WITH THE 2ND ANTI-TANK REGIMENT FROM LETHBRIDGE. HE REMAINED IN GERMANY WITH THE ARMY OF OCCUPATION FOR TWO YEARS AFTER THE WAR, RETIRING FROM SERVICE IN 1966. TURNER JOINED THE ROYAL CANADIAN LEGION IN 1960 AND, SHORTLY BEFORE HIS DEATH IN 1998, WAS AWARDED A LIFE MEMBERSHIP IN THE GENERAL STEWART BRANCH #4. SEE P19990063001-GA FOR MORE HISTORY. *UPDATE* IN 2017 COLLECTIONS ASSISTANT RUTHANN LABLANCE CONDUCTED A SURVEY OF CLOTHING, INCLUDING A JACKET DONATED BY ROSA TURNER. THE FOLLOWING BIOGRAPHICAL INFORMATION WAS COMPILED USING ARTICLES FROM THE LETHBRIDGE HERALD. ACCORDING TO HER OBITUARY, ROSA TURNER “WAS BORN AND RAISED IN ENGLAND. DURING THE WAR YEARS SHE JOINED THE CIVIL DEFENCE AND STUDIED FIRST AID, AMBULANCE WORK, AND GAS WARFARE, VOLUNTARY WORK WHICH EARNED HER A MEDAL. IN 1959 SHE MOVED TO CANADA AND MARRIED ANDY DUNIPACE. THEY RESIDED IN CHAMPTION UNTIL HIS PASSING IN 1977. IN 1978 SHE MARRIED ART TURNER AND MOVED TO LETHBRIDGE.” ROSA PASSED AWAY AT THE AGE OF 91 ON AUGUST 11, 2002. ARTHUR “ART” A. TURNER C.D. WAS BORN IN BOURNVILLE, ENGLAND AND MOVED TO CANADA AT THE AGE OF 15. HE SERVED IN THE CANADIAN ARMY FOR OVER THIRTY YEARS, INCLUDING OVERSEAS SERVICE DURING WWII IN FRANCE, BELGIUM, HOLLAND, AND GERMANY. HE WAS TWICE WOUNDED, INCLUDING THE LOSS OF HIS HEARING FROM BOMBINGS. HE ALSO SERVED IN GERMANY FOR TWO YEARS WITH THE ARMY OF OCCUPATION FOLLOWING THE WAR. UPON HIS RETURN TO CANADA, HE TRAINED MILITA AND ARMY CADETS THROUGHOUT MANITOBA, SASKATCHEWAN, ALBERTA, AND BRITISH COLUMBIA. HIS OBITUARY LISTS HIS TITLE AND NAME AS WARRANT OFFICER (RETIRED) ARTHUR “ART” A. TURNER, C.D. ART PASSED AWAY ON MAY 2, 1998. SEE PERMANENT FILE FOR COPIES OF THE ARTICLES FROM THE LETHBRIDGE HERALD.
Catalogue Number
P19990063003
Acquisition Date
1999-12
Collection
Museum
Images
Less detail
Other Name
CHIGO COSTUME
Date Range From
1960
Date Range To
2006
Material Type
Artifact
Materials
SILK, COTTON, PAPER
Catalogue Number
P20070014000
Material Type
Artifact
Other Name
CHIGO COSTUME
Date Range From
1960
Date Range To
2006
Materials
SILK, COTTON, PAPER
No. Pieces
3
Description
1. WHITE PAPER PACKAGING THAT SECURES WITH STRING, HEIGHT 2.5, LENGTH 35.5, WIDTH 37.3. ON FRONT FLAP, PRINTED TEXT READS, "S. GIRL," IN BLUE AND BLACK PEN, "GIRLS (S)," IN PENCIL. JAPANESE TEXT LISTS BUDDHIST CLOTHING STORE IN TOKYO WHERE ARTICLES WERE PURCHASED. PAPER WRINKLED, WORN AND CORNERS BEND. CONDITION FAIR. 2. WHITE AND PURPLE PLEATED SKIRT, LENGTH 60.0, WIDTH 43.7. WHITE COTTON STRIPS ALONG WAIST EXTEND OUTWARDS, TYING AT EITHER SIDE OF THE SKIRT. SLIT EXTENDS ON EITHER SIDE OF SKIRT, FROM WAIST TO ABOUT HALFWAY DOWN THE LENGTH. FLORAL PATTERN ON SKIRT, COLOUR GRADIATES FROM WHITE TO PURPLE. CONDITION GOOD TO EXCELLENT 3. SHEER PINK TOP, LENGTH 62.0, WIDTH 93.0. SURAFCE DECORATED WITH GOLDEN FLOWERS AND BIRDS. SIDES AND FRONT OF TOP OPEN, WIDE SLEEVES WITH PURPLE AND WHITE TIES AT EITHER END. CONDITION GOOD TO EXCELLENT.
Subjects
CLOTHING-OUTERWEAR
Historical Association
RELIGION
History
THIS CHIGO COSTUME WAS WORN BY SMALL GIRLS WHO PARTICIPATED IN A BUDDHIST CELEBRATION. IN JAPANESE, CHIGO TRANSLATES TO, “YOUNG CHILDREN.” THE TOP, TERMED A “KARIGINU” IN JAPANESE, HAS WIDE SLEEVES THAT ARE ONLY PARTIALLY CONNECTED AT THE SHOULDER TO THE REST OF THE TOP. ACCORDING TO PHOTOGRAPHS, BOYS AND GIRLS WOULD WEAR THE KARIGINU SUCH THAT THE ARMS DID NOT GO THROUGH THE SLEEVES. THE SKIRT, TERMED A “HAKAMA” IN JAPANESE, IS WORN OVERTOP THE KARIGINU. THE HAKANA IS ARRANGED SUCH THAT THE TIES ARE SITUATED ON THE FRONT AND BACK OF THE CHILD. IN ADDITION TO THE KARIGINU AND HAKANA, CHILDREN WORE CROWNS, HELD ARTIFICIAL FLOWERS, AND WORE THE MAKE-UP OF THE NOBILITY. THIS MAKE-UP, TERMED “KUGEMAYU” IN JAPANESE, CONSISTED OF TWO BLACK DOTS ON THE LOWER MIDDLE FOREHEAD. DURING IMPORTANT CELEBRATIONS, AN O’CHIGO PARADE WAS OFTEN HELD. CHILDREN, TYPICALLY 4 TO 10 YEARS OLD, WORE CHIGO COSTUMES. EITHER INSIDE THE CHURCH AROUND THE SHRINE OR OUTSIDE ALONG A STREET, THE MINISTER WALKED A SHORT DISTANCE WHILE RECITING SUTRA. FOLLOWING THE MINISTER SOMEONE TOSSED PAPER FLOWER PETALS. THE CHILDREN WALKED WHERE THE FLOWER PETALS FELL. IN 1961, REVERED KAWAMURA SR. LED A TOUR OF 55 BUDDHISTS AND NON-BUDDHISTS TO CELEBRATE THE 700TH MEMORIAL ANNIVERSARY OF SHINRAN SHONIN, THE FOUNDER OF SHIN BUDDHISM, AT THE MOTHER TEMPLE IN KYOTO, JAPAN. 50 O'CHIGO COSTUMES FOR BOYS AND GIRLS WERE PURCHASED AND GIVEN COLLECTIVELY TO THE BUDDHIST CHURCHES IN SOUTHERN ALBERTA AS A GIFT. IT IS LIKELY THAT THIS COSTUME REPRESENTS ONE OF THE GIFTED O'CHIGO COSTUMES. THIS CHIGO COSTUME WAS LAST WORN AT THE CALGARY BUDDHIST TEMPLE IN 2006 FOR A 50TH ANNIVERSARY CELEBRATION. INFORMATION OBTAINED FROM MAKIO AND REYKO NISHIYAMA AND MEMBERS OF THE LETHBRIDGE BUDDHIST TEMPLE IN 2008, AND REVERED IZUMI IN 2009. FOR INFORMATION ON GIRL'S CROWN, SEE P20060018003. FOR INFORMATION ON BOY'S CHIGO COSTUME, SEE P20060018002. FOR IMAGES OF HOW A KIMONO SHOULD APPEAR UNDER THIS ARTIFACT, PLEASE SEE PERMANENT FILE. ON APRIL 26, 2009 THE BUDDHIST TEMPLE OF SOUTHERN ALBERTA, LOCATED IN LETHBRIDGE, WAS THE SITE OF AN O-CHIGO CHILDREN’S PARADE, HELD AS PART OF THE TEMPLE’S DEDICATION CEREMONY. VISUAL DOCUMENTATION OF O-CHIGO COSTUMES, REPRESENTING THE ONE DONATED, CAN BE FOUND IN THE GALT’S ARCHIVES, RELATED TO THE 2009 DEDICATION EVENT. ADDITIONALLY, O-CHIGO RELATED PHOTOS CAN BE FOUND RELATED TO THE HISTORY OF THE TABER BUDDHIST CHURCH IN THE GALT’S ARCHIVES. FINALLY, IT IS BELIEVED THAT THE ROYAL ALBERTA MUSEUM IS IN POSSESSION OF HISTORIC 40S ERA FOOTAGE OF TEMPLE EVENTS, RELATED TO THE RAM’S COLLECTION OF A SHRINE FROM PICTURE BUTTE.
Catalogue Number
P20070014000
Acquisition Date
2007-07
Collection
Museum
Less detail
Other Name
SUIT JACKET AND PIN
Date Range From
1986
Date Range To
1995
Material Type
Artifact
Materials
POLYESTER, WOOL, BRASS
Catalogue Number
P20100021001
  1 image  
Material Type
Artifact
Other Name
SUIT JACKET AND PIN
Date Range From
1986
Date Range To
1995
Materials
POLYESTER, WOOL, BRASS
No. Pieces
2
Description
1. SUIT JACKET, LIGHT BLUE, POLYESTER/WOOL BLEND. LIGHT GREY LINING. THREE FRONT POCKETS AND THREE INSIDE POCKETS. OUTER LEFT BREAST POCKET HAS CREST WITH WHITE DESIGN ON BLACK CIRCLE. TEXT READS “MINERS – LIBRARY CLUB, LETHBRIDGE". INSIDE RIGHT BREAST POCKET HAS LABEL WITH, "BLACK’S MEN’S SHOP, LETHBRIDGE, ALBERTA". LEFT BREAST POCKET HAS LABEL WITH “55% POLYESTER 45% WOOL, DRY CLEAN ONLY, PRESS WITH COOL IRON ONLY, CA00750 ”. TWO BUTTONS AT FRONT CLOSURE; FOUR BUTTONS AT EACH CUFF. NOTCHED LAPELS; SINGLE-BREASTED. (67.5 CM WIDE, 76.5 CM LONG, 5.3 CM HEIGHT). 2. PIN, BRASS CREST. READS, "MINERS' LIBRARY CLUB, LETHBRIDGE" TEXT IS ON A PAINTED RED BACKGROUND. ATTACHED TO JACKET WITH A BRASS DISK THAT SCREWS ONTO THE THREADED METAL PIN. (1.2 CM WIDE, 1.4 CM LONG, O.8 CM HIGHT).
Subjects
CLOTHING-OUTERWEAR
Historical Association
ASSOCIATIONS
History
JACKET AND TIE WERE WORN BY LOCAL RESIDENT AND FORMER MINERS’ LIBRARY CLUB PRESIDENT ROBERT “BOBBIE” BROWN FROM APPROXIMATELY 1986 TO 1995. BOBBIE BROWN WAS ATTRACTED TO THE CLUB AS A 17 YEAR OLD ADOLESCENT AROUND 1948, BUT ACCORDING TO HIS WIFE MARLA BROWN, HE WAS TOO YOUNG TO DRINK AND CONSEQUENTLY WAS “ONLY ALLOWED TO GO DOWN INTO THE BASEMENT, WHERE HE MET FRIENDS AND PLAYED CARDS”. BY THEN, HIS FATHER JACK “JOHN” BROWN AND BROTHERS JIM AND ANDREW “BUCK” WERE ALL DEDICATED MEMBERS OF THE MINERS. MARLA FELT THAT HER HUSBAND’S DEVOTION TO THE CLUB AND ATTENDANCE AT SUCH A YOUNG AGE REFLECTED HIS COMMITMENT TO HIS FAMILY AND THE PLEASURE HE GOT FROM BEING AROUND HIS BROTHERS AND FATHER. ON 18 AUGUST 1950, BOBBIE ENLISTED IN THE ROYAL CANADIAN ARMY, SERVING IN KOREA AS A SAPPER WITH ENGINEERS. HE WAS HONORABLY DISCHARGED ON AUGUST 6, 1952 AND RETURNED HOME TO LETHBRIDGE. ONCE BACK, BOBBIE WAS OLD ENOUGH TO BE UPSTAIRS IN THE MINERS. IN JUNE 2010, HE RECALLED THAT THERE WERE NO WOMEN ALLOWED IN THE CLUB AND THAT A DRAFT BEER WAS 10 CENTS A GLASS. NO HARD LIQUOR WAS ALLOWED TO BE SERVED IN THE CLUB AT THE TIME. IF WOMEN WERE FINALLY ALLOWED TO VISIT THE CLUB, THEY WERE REQUIRED TO PATRONIZE A “SEPARATE SIDE” OF THE BAR. ACCORDING TO BOBBIE, “THE LIBRARY WAS VERY SPORTS-ORIENTED”. IT DONATED FUNDS TO MANY CHARITABLE ORGANIZATIONS AND ACCORDING TO MARLA, “BUILT QUITE A FEW PARKS IN LETHBRIDGE”. BOBBIE’S DEDICATION TO THE CLUB AND HIS APPRECIATION OF THE CLUB’S IMPACT ON THE COMMUNITY, LED HIM TO SERVE AS BOARD OF DIRECTORS IN 1986. AFTER A 3 YEAR TERM AS DIRECTOR, HE WAS ELECTED PRESIDENT, WHICH HE OCCUPIED UNTIL 1995. FOR HIS SERVICE, HE WAS AWARDED A LIFE MEMBERSHIP. IN 1995, HE DECIDED TO TRANSFER HIS ENERGIES TO THE ROYAL CANADIAN LEGION NO. 4 BRANCH AND ITS EXECUTIVE, A DECISION MADE FOLLOWING A SECOND, BUT UNSUCCESSFUL BID FOR THE MINERS’ PRESIDENCY. BOBBY WAS EQUALLY PASSIONATE ABOUT HIS SERVICE WITH THE LEGION, BUT ULTIMATELY HIS HEART REMAINED WITH THE MINERS WHICH CLOSED IN 2003. IN BOBBIE’S OPINION, THE CAMARADERIE IN THE MINERS WAS WITHOUT EQUAL. THE CLUB BLAZER WITH CREST WAS WORN BY BOBBIE TO EVERY BOARD OF DIRECTORS MEETING AND TO FUNCTIONS INCLUDING, BUT NOT LIMITED TO, CHEQUE PRESENTATION AND SPONSORED SPORTING EVENTS (AKA. SPORTS HALL OF FAME). HE OWNED NO BLAZER BUT THIS ONE PROVIDED TO HIM WITHOUT CHARGE BY THE CLUB IN 1986. BOBBIE’S FONDEST MEMORIES OF TIME SPENT AT THE MINERS INCLUDE HIS DAILY VISITS TO THE MINERS FOR BEER FOLLOWING THE COMPLETION OF HIS WORK DAY AS A CARRIER WITH CANADA POST. FROM EARLY AFTERNOON UNTIL 4:00 HE SHARED TIME WITH FRIENDS CORRIDO SANTONI AND WORK COLLEAGUES BILL HARCUZ AND ANDY PONECH – EACH ONE VOLUNTEERING IN SUCCESSION TO PAY FOR THE NEXT DAY’S ROUNDS. IN 2010 BOBBIE’S WIFE MARLA CLAIMED, “THAT WAS HIM AS A MEMBER (AFTERNOONS), BUT AS A BOARD OF DIRECTORS, HE SPENT HIS WHOLE LIFE AT THE MINERS”. FOR MORE INFORMATION, PLEASE SEE PERMANENT FILE
Catalogue Number
P20100021001
Acquisition Date
2010-06
Collection
Museum
Images
Less detail
Date Range From
1980
Date Range To
1990
Material Type
Artifact
Materials
ACRYLIC WOOL
Catalogue Number
P20030051025
  2 images  
Material Type
Artifact
Date Range From
1980
Date Range To
1990
Materials
ACRYLIC WOOL
No. Pieces
1
Length
58.0
Description
KNIT BURGUNDY SWEATER. HAS A V-NECK. THERE IS AN EMBROIDERED MINERS' LIBRARY LOGO ON UPPER LEFT. LOGO CONSISTS OF A CIRCLE WITH A MINER'S CAP ON YELLOW BACKGROUND IN THE CENTER, AND "MINERS' LIBRARY CLUB" AROUND THE PERIMETER. ACROSS BOTTOM IS A BANNER WITH "LETHBRIDGE", BELOW WHICH IS AN OPEN BOOK. A BURGUNDY LABEL INSIDE NECKLINE OF SWEATER READS "CREST CAREERS MADE IN U.S.A." WITH A SMALLER LABEL THAT READS "M". A WORN LABEL SEWN INSIDE SIDE OF SWEATER READS "MALE 4859". THIS LABEL IS FALLING OFF. SWEATER IS STRETCHED OUT AND HAS ORANGE COLOURED ACCRETION ALONG BOTTOM. THERE ARE TWO HOLES IN SWEATER AT TOP NEAR LOGO.
Subjects
CLOTHING-OUTERWEAR
Historical Association
ASSOCIATIONS
History
RETRIEVED FROM THE MINERS' LIBRARY BUILDING ON 13TH STREET NORTH AFTER ITS CLOSURE. LIBRARY MATERIALS AND MINING MEMORABILIA WERE KEPT IN A DISPLAY CASE LOCATED IN THE SOUTH WEST CORNER OF THE MAIN FLOOR CLUB ROOM. THE ORIGIN OF THE LETHBRIDGE MINERS' LIBRARY BEGINS WITH THE ESTABLISHMENT OF A LIBRARY AND READING ROOM BY THE EMPLOYEES OF THE ALBERTA RAILWAY AND COAL CO., IN 1890. THE ESTABLISHMENT OF THE LIBRARY WAS FOLLOWING IN THE TRADITION OF THE MECHANICS' LIBRARIES, ALSO CALLED MECAHNICS' INSTITUTES, THAT SPRANG UP ACROSS EASTERN NORTH AMERICA IN THE MID 1800S. THEY WERE SELF-HELP INSTITUTES SET UP BY WORKING MEN TO PROVIDE EDUCATION FOR WORKING MEN SO THEY COULD BETTER THEMSELVES IN LIFE. THE MINERS' LIBRARY WAS VERY IMPORTANT TO THOSE WHO WANTED TO MOVE UP THE ECHELON IN THE COAL MINE. IT WAS ORIGINALLY HOUSED IN A SMALL BUILDING NEXT DOOR TO 108 5TH STREET SOUTH, AND MEMBERSHIP WAS NOT RESTRICTED TO MINERS. A YEAR LATER THE EMPLOYEES RENOVATED THE FORMER #1 BOARDING HOUSE, LOCATED ON THE NORTH SIDE OF MACLEOD ROAD, FOR RELOCATION OF THE LIBRARY AND WHEN THIS LARGER BUILDING OPENED IT IS SAID TO HAVE HAD 300 BOOKS. WITH THE REORGANIZATION OF THE GALT COMPANIES IN 1904, THE AR&C COMPANY'S EMPLOYEES' READING ROOM AND LIBRARY SOCIETY BECAME THE ALBERTA RAILWAY AND IRRIGATION COMPANY'S EMPLOYEE'S READING ROOM AND LIBRARY SOCIETY. THE LIBRARY CONTAINED 1500 BOOKS, PLUS MANY MAGAZINES AND NEWSPAPERS. IN 1908 THE SOCIETY WAS REFERRED TO AS THE GALT MINER'S LIBRARY, AND STILL IN THE #1 BOARDING HOUSE BUILDING, IT CONTAINED A BILLIARD ROOM AND GYMNASIUM. THE NEXT KNOWN MOVE OF THE LIBRARY WAS IN 1917 WHEN THE GALT MINES LIBRARY PURCHASED THE BAILEY ST. SCHOOL AND MOVED IT TO 733 13TH ST. NORTH - WHERE IT IS STILL PART OF THE MODERN BUILDING THAT USED TO BE THE MINER'S LIBRARY. AFTER THE ESTABLISHMENT OF A LIBRARY IN THE YMCA IN 1919 AND THE CONSTRUCTION OF THE CARNEGIE FUNDED LIBRARY IN GALT GARDENS, THE 'LIBRARY AND READING ROOM' ACTIVITIES BECAME OF LESSER IMPORTANCE. THE MINERS' LIBRARY BECAME MORE OF A SOCIAL CLUB WHICH HAS GIVEN GREAT FINANCIAL SUPPORT TO MANY ASPECTS OF THE LETHBRIDGE COMMUNITY. A BAR AREA IN THE CLUB'S BASEMENT PROVIDED A SPACE FOR PRIVATE FUNCTIONS SUCH AS WEDDINGS, OFFICE PARTIES, FUNERALS AND VARIOUS CLUB ACTIVITIES. THE UPSTAIRS BLACK NUGGET LOUNGE OFFERED MEALS, DRINKS, LIVE MUSIC, DARTS, POOL, CRIB AND VLTS. LONG TIME MEMBERS COULD BUY THEIR CHAIR AND HAVE THEIR NAME ON IT. A REGISTERED NON-PROFIT SOCIETY, THE CLUB MADE CONTRIBUTIONS TO THE FORMER ADAMS PARK BALL FIELD AND SPECTATOR STANDS, AND SUPPORTED MANY SPORTS AND SPORTS TEAMS THROUGH THE YEARS. THERE ARE ALSO SEVERAL PARKS THAT HAVE THEIR ROOTS IN FUNDS FROM THE LIBRARY. THE CLUB WAS INSTRUMENTAL IN BUILDING PAVAN PARK, AND VARIOUS SPORTS VENUES. AS MEMBERSHIP IN THE CLUB DWINDLED THE CLUB'S SALES COULD NOT COVER THE DAILY COSTS OF RUNNING THE OPERATION. IN 2000 FUNDRAISING EFFORTS WERE UNDERTAKEN, AND ALONG WITH AN AUCTION AND CRAFT AND BAKE SALES, THE CLUB SOLICITED DONATIONS FOR THE FIRST TIME IN ITS HISTORY. HOWEVER, BY 2003 THE CLUB HAD ONLY 300 MEMBERS (LESS THAN 1/3 OF THAT 3 YEARS PRIOR) AND AFTER 113 YEARS IT WAS FORCED TO CLOSE IT'S DOORS. AT THE TIME OF ITS CLOSURE THE LETHBRIDGE MINERS' LIBRARY CLUB WAS THE LONGEST STANDING MEN-ONLY CLUB, AND THE OLDEST CONTINUALLY RUNNING CLUB IN ALBERTA.
Catalogue Number
P20030051025
Acquisition Date
2004-04
Collection
Museum
Images
Less detail
Date Range From
1977
Date Range To
2000
Material Type
Artifact
Materials
COTTON
Catalogue Number
P20150038002
  2 images  
Material Type
Artifact
Date Range From
1977
Date Range To
2000
Materials
COTTON
No. Pieces
5
Length
68.9
Width
106.5
Description
MEZOSEGI STYLE OF DRESS. .1: BLOUSE. MANUFACTURED. WHITE, THREE-QUARTER LENGTH SLEEVE, BUTTON-UP, TRIMMED IN LACE. BAND COLLAR, TRIMMED WITH A THIN BAND OF WHITE LACE. SLEEVES HEMMED WITH TWO RUFFLES OF WHITE LACE AND EACH BAND OF LACE IS 12.5 CM WIDE. BLOUSE CLOSES IN THE FRONT WITH 5 BUTTONS. PLACKET TRIMMED WITH THE SAME LACE FOUND AT THE COLLAR. REMNANTS OF A BLACK LABEL FOUND AT THE BACK OF NECK, INSIDE BLOUSE. L: 68.9CM W: 106.5CM OVERALL EXCELLENT CONDITION. .2: UNDERSKIRT. HANDMADE. IVORY COLOURED, APPROXIMATELY KNEE LENGTH, WITH MACHINE-MADE LACE DETAILING ALONG HEM. CLOSES AT WAIST WITH TWO VERY LONG IVORY COLOURED BIAS TAPE TIES, ONE OF WHICH IS 109.0 CM LONG, THE OTHER IS 136.0 CM LONG. TO INCREASE FULLNESS OF THE UNDERSKIRT, THERE IS A 27.5 CM WIDE RUFFLE ALONG THE BOTTOM OF THE SKIRT. THIS RUFFLE AND THE HEM LINE ARE BOTH TRIMMED IN A FLORAL PATTERNED LACE. L: 56.2CM W: 87.7CM OVERALL VERY GOOD CONDITION. LACE TRIM HAS COME UNDONE AT THE FRONT OF THE SKIRT, ON THE UPPER RUFFLE AND ESPECIALLY ON THE LOWER RUFFLE. .3: VEST. HANDMADE. PINK AND YELLOW FLOWERS WITH GREENERY ON MAROON BACKGROUND, CLOSES IN FRONT WITH BLACK VELCRO, CROPPED LENGTH. TRIMMED WITH PINK CREPE AROUND NECKLINE AND AROUND ARMS. BAND OF PINK CREPE AROUND EACH SHOULDER STRAP, CREATING A SLIGHT SWEETHEART NECKLINE. THE SAME PINK CREPE IS ON THE INSIDE OF THE VEST AT THE HEM. L: 46.0CM W: 48.2CM OVERALL EXCELLENT CONDITION. .4: OVERSKIRT. HANDMADE. PINK AND YELLOW FLOWERS WITH GREENERY ON MAROON BACKGROUND, SEVERAL STRIPS OF FABRIC OR RIBBON ALONG HEMLINE OF SKIRT. ACCORDION PLEATS MAKE FOR A VERY FULL SKIRT. CLOSES AT WAIST WITH WHITE VELCRO AND MAROON BIAS TAPE TIES, ONE OF WHICH IS 91.5 CM LONG, THE OTHER IS 92.5 CM LONG. STRIPES OF FABRIC OR RIBBON START 24.0 CM FROM BOTTOM OF SKIRT. THE FIRST STRIP IS MADE OF YELLOW SATIN FABRIC, THEN A THIN SECTION OF THE SKIRT FABRIC. NEXT IS A 10.7 CM WIDE STRIP OF PINK: A THIN SATIN RIBBON OF LIGHT PINK IS SEWN ONTO THE TOP AND BOTTOM OF A PIECE OF DARKER PINK CREPE, MUCH LIKE THAT FOUND ON THE TRIM OF THE VEST (P20150038002.3). BELOW THE TWO-TONED PINK STRIPE IS ANOTHER STRIP OF SKIRT FABRIC. THEN THERE IS A STRIP OF YELLOW SATIN RIBBON, BABY BLUE SATIN RIBBON, AND FINALLY AT THE VERY BOTTOM OF THE HEMLINE, A STRIP OF RED SATIN RIBBON. WIDTH OF SKIRT IS MEASURED ALONG HEM. THE SKIRT IS 69.0 CM WIDE WITH THE PLEATS PRESSED CLOSELY TOGETHER. SKIRT IS 287.5 CM WIDE WHEN THE PLEATS ARE FLATTENED. L: 65.0CM W: 287.5CM OVERALL EXCELLENT CONDITION. .5 APRON. HANDMADE. WHITE, EYELET LACE, COTTON, TWO VERTICAL RIBBON STRIPS ON FRONT. THREE PANEL CONSTRUCTION. FLORAL PATTERNED EYELET LACE, WITH MORE FLOWERS TOWARDS THE HEMLINE OF THE APRON. CENTRE PANEL IS SOLID FABRIC AT THE WAISTBAND. SIDE PANELS ARE EYELET LACE. SIDES AND BOTTOM OF APRON HAVE A SCALLOPED CUTOUT LACE EDGING. VERTICAL STRIPS ARE WHITE RIBBON WITH MACHINE EMBROIDERED RED ROSES. WAISTBAND TIES HAVE SAME EYELET LACE AND SCALLOPING. L:53.2CM W: 185.0CM OVERALL VERY GOOD CONDITION. YELLOW STAINING ON FRONT OF APRON BETWEEN THE TWO VERTICAL STRIPES, AS WELL AS ON THE WEARER’S LEFT SIDE, TOWARDS THE HEMLINE.
Subjects
CLOTHING-OUTERWEAR
Historical Association
ETHNOGRAPHIC
History
THE FOLLOWING INFORMATION COMES FROM A VARIETY OF LETHBRIDGE HERALD ARTICLES, AN INTERVIEW WITH THE DONOR, MARIA JOKUTY, CONDUCTED BY KEVIN MACLEAN IN DECEMBER 2015, AND A BOOKLET ENTITLED “REMEMBRANCES OF OUR JOURNEY.” A DESCRIPTION OF MARIA’S EMBROIDERY AND SEWING WORK, THE HISTORY OF THE HUNGARIAN CULTURAL SOCIETY OF SOUTHERN ALBERTA, AND THE JOKUTY’S JOURNEY TO CANADA CAN BE FOUND BELOW THE HISTORY OF THE ARTIFACTS. .1: BLOUSE. MARIA INDICATED THAT THIS ITEM OF CLOTHING IS THE ONLY ONE THAT SHE DIDN'T MAKE HERSELF. SHE DID ADD THE LACE RUFFLE TO THE SLEEVE. .4: OVER SKIRT. MARIA INDICATED IN HER INTERVIEW THAT THE PLEATING ALLOWED THE SKIRT TO FLARE WHEN THE DANCER SPINS: "THE SKIRT, WHEN YOU DANCE WITH THE SKIRT, WHEN YOU SPIN, THE GIRL SPINNING, YOU KNOW, IT’S SO BEAUTIFUL. BECAUSE THIS IS ALSO EVERYTHING HOMEMADE. I MADE IT, OKAY, AND SENT IT TO MONTREAL FOR SPECIAL PRESSING, YOU KNOW, BUT LOOK AT THAT.” MARIA BEGAN WORKING ON THIS OUTFIT (AND 15 OTHER DANCE OUTFITS) IN 1977 AND IT TOOK HER “THREE-FOUR YEARS TO DO IT. YOU KNOW, I DESIGNED THE FLOWERS, AND THEN YOU KNOW THE EMBROIDERY, AND TO PUT IT TOGETHER WAS A VERY HARD JOB.” MAKING THE DANCE COSTUMES WAS IMPORTANT TO MARIA “BECAUSE [SHE] WAS PROUD OF BEING HUNGARIAN AND [SHE] WANTED TO SHOW SOMETHING DIFFERENT.” SHE LEARNED TO EMBROIDER AT THE AGE OF 12/13 FROM A NEIGHBOUR NAMED MARISSA IN HUNGARY. MARIA THINKS THAT MARISSA WAS ABOUT 25/26 YEARS OLD WHEN SHE TAUGHT MARIA HOW TO EMBROIDER. MARIA GETS A GREAT DEAL OF ENJOYMENT SEEING HER CREATIONS ON DANCERS WHILE THEY COMPETE: “VERY IMPORTANT. YOU WOULDN’T BELIEVE ME. YOU PUT ALL ENERGY INTO IT TO BE ABLE TO FINISH IT AND THAT – BECAUSE HAPPINESS WAS WHEN THE GIRLS, THEY WAS DANCING ON A STAGE AND THEY’VE ALL GOT THE COSTUMES. YOU KNOW WHAT, WOW! YOU JUST CAN’T EX – I CAN’T EXPLAIN TO YOU.” MARIA GOT SOME OF HER PATTERNS FOR EMBROIDERY FROM THE EDMONTON HUNGARIAN CULTURAL SOCIETY AND LATER RETURNED TO HUNGARY TO IMPROVE HER SKILLS, AS WELL AS TO LEARN HOW TO DO MACHINE EMBROIDERY. MARIA AND HER HUSBAND, CHESTER, RETURNED TO HUNGARY ABOUT 3 TIMES, STAYING EACH TIME FOR ABOUT 2 MONTHS SO THAT MARIA COULD IMPROVE HER SKILLS. IN ADDITION TO CREATING THE COSTUMES, MARIA ALSO CARED FOR THEM, ENSURING THEY WERE AVAILABLE WHEN A DANCER WOULD NEED TO WEAR THEM: “YES, I WAS IN CHARGE. DRY CLEANING, WASHING, AND EVERYTHING. I DON’T KNOW HOW MANY YEARS, LONG YEARS UNTIL WE MOVED AND THEN WE DIDN’T HAVE NO ROOM, AND THEN SOMEBODY ELSE, YOU KNOW. AND THEN WE HAD A MEETING AND THE DANCERS, THEY WAS LOOKING FOR SOMEBODY ELSE WHO WOULD TAKE CARE OF THEM, ‘CAUSE YOU SHOULD’VE SEEN THE GIRLS THEY WAS LIKE, YOU KNOW, “NO, MRS. JOKUTY, YOU TAKE GOOD CARE!” AND I DID.” ACCORDING TO CHESTER (GEZA) JOKUTY’S OBITUARY, CHESTER AND MARIA WERE MARRIED IN HUNGARY ON OCTOBER 3, 1949. CHESTER SERVED IN THE HUNGARIAN ARMY IN 1940, WAS TAKEN PRISONER BY THE RUSSIANS IN 1945, AND HELD PRISONER IN RUSSIA FOR THREE AND A HALF YEARS. IN THE BOOKLET “REMEMBRANCES OF OUR JOURNEY” MARIA INDICATES THAT CHESTER WAS NOT KEEN TO REMAIN IN HUNGARY FOLLOWING THE HUNGARIAN REVOLUTION, BECAUSE OF HIS TREATMENT AT THE HANDS OF THE RUSSIANS: CHESTER “SPENT THREE AND A HALF YEARS AS A P.O.W. IN ODESSA WHERE PRISONERS WERE USED AS SLAVE LABOUR. CHESTER WAS NOT A BIG MAN AND BECAUSE OF THE CONDITIONS, WAS EXTREMELY WEAK. DURING THIS TIME IF THE PRISONERS WERE NOT ABLE TO KEEP UP OR DO WHAT WAS REQUIRED OF THEM, THE RUSSIAN GUARDS SENT THEIR DOGS IN TO FORCE THE PRISONERS TO MOVE. HE HAD WITNESSED SO MUCH DEATH AND SUFFERING AND HAD SUFFERED SO BADLY IN THE COLD, AT THE HANDS OF THE RUSSIAN SOLDIERS, HE VOWED NEVER TO BE TAKEN BY THEM AGAIN.” MARIA CONTINUED IN THIS BOOKLET TO RECOUNT THEIR DECISION TO LEAVE HUNGARY: “SO, ON NOVEMBER 4TH [1956], WE DECIDED WE WOULD LEAVE … SO WE GATHERED OUR FAMILY AND MY MOTHER AND BEGAN WALKING AS FAST AS POSSIBLE TOWARDS AUSTRIA – ONLY ABOUT AN HOUR’S WALK FROM WHERE WE LIVED.” THE JOKUTY FAMILY REMAINED IN AUSTRIA FOR 6 MONTHS, WHERE MARIA RECALLS BEING WELL TREATED. THEY LEFT AUSTRIA AND ARRIVED IN ST. JOHN, NB AFTER A 12 DAY CROSSING, ON APRIL 22, 1957. AFTER A LONG TRAIN RIDE, THEY ARRIVED IN LETHBRIDGE. SHORTLY AFTER THEIR ARRIVAL THEY BEGAN WORK AS FARM LABOURERS IN THE SUGAR BEET FIELDS. AN ARTICLE PUBLISHED IN THE LETHBRIDGE HERALD ON OCTOBER 29, 1979 HAD THE FOLLOWING TO SAY ABOUT THE HUNGARIAN REVOLUTION: “DESCRIBED SIMPLY, THE REVOLUTION ESTABLISHED A GOVERNMENT THAT TRIED TO MOVE AWAY FROM THE SOVIET UNION’S INFLUENCE. THE SOVIET UNION, SUBSEQUENTLY, SENT ARMED TROOPS INTO HUNGARY TO REASSERT ITS INFLUENCE. IN THE AFTERMATH, MANY PEOPLE FLED, ABOUT 37,000 TO CANADA ACCORDING TO FEDERAL DEPARTMENT OF EMPLOYMENT AND IMMIGRATION STATISTICS … CHESTER JOKUTY OF THE ASSOCIATION SAID ABOUT 2,000 PERSONS OF HUNGARIAN ORIGINS LIVE IN LETHBRIDGE AND THE SURROUNDING AREA.” MARIA INDICATED SEVERAL TIMES THROUGH THE COURSE OF HER INTERVIEW THAT LIFE WAS VERY DIFFICULT FOR THE JOKUTY FAMILY WHEN THEY FIRST ARRIVED IN LETHBRIDGE. THE FAMILY’S FIRST ACCOMMODATIONS LEFT LITTLE TO BE DESIRED: “WE DIDN’T HAVE RUNNING WATER, TOILET, WE HAVE TO PULL THE WATER FROM THINGS, YOU KNOW, AND CHOP THE WOOD TO MAKE BREAKFAST. AND WINTERTIME, WE WAS SCARED TO DEATH THAT KIDS, WE’LL FREEZE TO DEATH. SOMETIMES I HAVE TO STAY UP, OR MY HUSBAND DID TO BE SURE THE WOOD, YOU KNOW THE STOVE IN THE KITCHEN – ONLY THING – THAT GIVE US A LITTLE BIT WARMTH. IT WAS VERY, VERY HARD.” MARIA RECALLS HAVING TO HITCH HIKE TO GET GROCERIES AND RELIED ON THE KINDNESS OF STRANGERS TO GET HOME AGAIN: “AND NO CAR. YOU KNOW WHAT I DID? WE WAS SO HUNGRY, SO I SAID I HAVE TO TAKE A CHANCE. MY HUSBAND WAS WORKING AND KIDS WAS IN MCNALLY SCHOOL AND THEN I WENT ON THE ROAD, PUT MY HAND UP, AND WHATEVER HAPPENED, HAPPENED. SO THEY DROP ME ON 5TH AVENUE SOMEWHERE, OR SAFEWAY, THEY DROP ME OVER THERE, BUT I HEARD THAT LOTS OF HUNGARIAN BACHELORS AND PEOPLE GO TO THE GARDEN HOTEL DRINKING BEER. SO WHEN I WENT OVER THERE, I COULDN’T SPEAK ENGLISH, SO THEN I LISTENED TO THE LANGUAGES WHERE I HEAR THE HUNGARIAN LANGUAGES. SO THEN I HEARD IT, AND I WENT AND I INTRODUCED MYSELF, WHO I AM, AND, “WE ARE ON THE SUGAR BEETS SOWING, WOULD YOU PLEASE HELP US? I NEED A GROCERY, WOULD YOU PLEASE HELP US …?” AND THEY FIND US SOMEBODY WHO WAS DRIVING, AND I DON’T KNOW WHAT THE NAME, WHAT THE NAME WAS, BECAUSE LONG TIME AGO, THEY GOT MY GROCERY IN THE CAR AND TOOK ME TO THE FARM FREE. CAN YOU IMAGINE? I WISH I COULD GIVE HIM A BIG HUG AND THANKFUL.” CHESTER’S OBITUARY INDICATES THAT HE “WAS A VERY PROUD HUNGARIAN AND A FOUNDING LIFETIME MEMBER OF THE HUNGARIAN CULTURAL SOCIETY OF SOUTHERN ALBERTA IN 1977 AND SERVED AS PRESIDENT FOR TEN YEARS. HE ALSO WAS A FOUNDING MEMBER OF THE SOUTHERN ALBERTA ETHNIC ASSOCIATION IN 1977.” IN A HERALD ARTICLE PUBLISHED ON NOVEMBER 14, 1989, MARGARET GUGYELKA (SECRETARY OF THE HUNGARIAN CULTURAL SOCIETY) INDICATED THAT THE SOCIETY STARTED IN 1977: “’THERE WAS AN OLDTIMERS’ GROUP BEFORE THAT, BUT IT WAS MORE LIKE A FRATERNITY … THE SOCIETY WAS STARTED BY A SMALL GROUP OF PEOPLE WHO WANTED TO CARRY ON HUNGARIAN TRADITIONS.’” AN ARTICLE PUBLISHED NOVEMBER 2, 1983 INDICATES THAT THE SOCIETY ALSO PARTICIPATED IN THE WESTERN CANADIAN HUNGARIAN FOLK DANCE FESTIVAL. IN THE ARTICLE, CHESTER SAID THAT THE “FESTIVAL IS NOT A COMPETITION BUT RATHER AN EVENT DESIGNED TO KEEP CULTURAL HERITAGE ALIVE AND DANCE GROUPS IN TOUCH … JOKUTY SAYS HUNGARIAN DANCING HAS PROVEN ‘VERY, VERY POPULAR’ BECAUSE OF THE VARIETY OF DANCES – 46 IN ALL OF AT THE 1982 FESTIVAL HELD IN LETHBRIDGE – AND THE COLOURFUL COSTUMES UNIQUE TO EACH PROVINCE. THE COSTUMES HAVE PROVEN TO BE A BIG EXPENSE FOR THE SOCIETY SINCE ONE OUTFIT CAN COST UP TO $600 TO MAKE. MADE TO MEASURE BOOTS FROM MONTREAL ARE AS MUCH AS $150.” MARIA LAMENTS THAT THE SOCIETY ISN’T WHAT IT USED TO BE. SHE EXPLAINED THAT THERE SIMPLY ISN’T THE VOLUNTEER LABOUR FORCE TO CONTINUE DOING ALL THAT THE SOCIETY USED TO: “WHEN WE USED TO MAKE – EVERY YEAR BEFORE CHRISTMAS WE USED TO MAKE FOUR THOUSAND, FIVE THOUSAND CABBAGE ROLLS AND WE ADVERTISE, WE LET THE PEOPLE KNOW YOU HAVE TO PUT THE NAME AHEAD AND YOU HAVE TO COME PICK. ALL DAY WE WAS WORKING, BUT FIVE O’CLOCK, SIX O’CLOCK PEOPLE CAME AND TAKE [THE CABBAGE ROLLS] BECAUSE WE USED TO HAVE IT IN A BILL KERGAN CENTER, AND OVER THERE IS WALK-IN COOLER.. BUT NOW, THIS YEAR [2015], NO CABBAGE ROLLS AND PEOPLE ARE DISAPPOINTED, BUT WE DON’T HAVE NO VOLUNTEERS. YOU KNOW, GOLDEN YEARS CATCH UP WITH PEOPLE.” SEE PERMANENT RECORD FOR COPIES OF LETHBRIDGE HERALD ARTICLES, THE BOOKLET ENTITLED “REMEMBRANCES OF OUR JOURNEY" AND FOR A TRANSCRIPT OF THE INTERVIEW.
Catalogue Number
P20150038002
Acquisition Date
2015-12
Collection
Museum
Images
Less detail
Date Range From
1977
Date Range To
2000
Material Type
Artifact
Materials
COTTON, SILK, LEATHER
Catalogue Number
P20150038001
  2 images  
Material Type
Artifact
Date Range From
1977
Date Range To
2000
Materials
COTTON, SILK, LEATHER
No. Pieces
8
Length
61.0
Width
87.5
Description
KALOCSA/KALOCSAI STYLE OF HUNGARIAN DRESS. .1: BLOUSE. IVORY COLOURED, SHORT SLEEVED, SLIGHTLY SQUARE NECKLINE, EMBROIDERED, WITH CROCHETED LACE DETAILS. BLOUSE CLOSES WITH FOUR METAL SNAPS AT SHOULDER, TWO SNAPS ON EITHER SIDE OF NECKLINE. SLIGHT A-LINE SHAPE TO BLOUSE. FLOWER SHAPED CROCHETED LACE DETAILING AT CUFFS AND AROUND NECKLINE. EACH OF THE LACE FLOWERS HAS FIVE PETALS ALONG SLEEVE CUFF. CROCHET LACE DETAILING AT NECKLINE IS SMALLER AND FLOWERS ONLY HAVE FOUR PETALS. COLOURFUL FLORAL EMBROIDERY AT FRONT OF NECKLINE AND JUST ABOVE SLEEVE CUFFS. FLOWERS INCLUDE LARGE TWO TONE RED ROSES, TWO TONED PURPLE VIOLETS, AS WELL AS BLUE FLOWERS WITH YELLOW CENTRES, TWO TONED PINK FLOWERS, AND TWO TONED YELLOW FLOWERS. LOTS OF GREEN LEAVES THROUGHOUT. COLOURS INCLUDE MEDIUM AND DARK RED, MEDIUM BLUE, MEDIUM AND DARK GREEN, PINK, ORANGE, YELLOW, AND MEDIUM AND DARK PURPLE. L: 61.0CM W: 87.5CM OVERALL VERY GOOD CONDITION. SLIGHT YELLOWING AROUND NECKLINE AND AT ARMPITS. SEAM HAS LET LOOSE UNDER WEARER’S RIGHT ARM. VERY SMALL DARK BROWN STAIN ON BACK, BELOW WEARER’S RIGHT ARM. .2: UNDER SKIRT. IVORY COLOURED, APPROXIMATELY KNEE LENGTH, WITH MACHINE-MADE LACE DETAILING ALONG HEM. CLOSES AT WAIST WITH TWO VERY LONG IVORY COLOURED TWILL TAPE TIES. GATHERED AT WAIST BAND, CREATING A FULL SKIRT. TWO PIECE SKIRT WITH SEAMS AT FRONT AND BACK. TIES ARE EACH APPROXIMATELY 137.0 CM LONG. L: 60.8CM W: 145.0CM (AT HEM) OVERALL VERY GOOD CONDITION. DARK GREY LINE APPROXIMATELY 21.5 CM DOWN FROM WAISTBAND CIRCLES THE ENTIRE SKIRT. .3: OVER SKIRT. BURGUNDY, HEAVY, SILKY MATERIAL WITH A REPEATING SQUARE PATTERN WOVEN INTO THE FABRIC (PATTERN CONSISTS OF FOUR VERY SMALL SQUARES, WHICH MAKE UP A SLIGHTLY LARGE SQUARE, REPEATED IN A VERTICLE STRIPE). ACCORDION PLEATS MAKE FOR A VERY FULL SKIRT. THERE IS A 9.5 CM STRIP OF MACHINE-MADE, IVORY LACE APPROXIMATELY 18.7 CM UP FROM THE HEM. INSIDE OF SKIRT IS LINED WITH A PINK FLORAL PATTERNED SILKY FABRIC, APPROXIMATELY 18.0 CM UP FROM THE HEM. THIS PINK FLORAL PATTERNED MATERIAL IS ALSO VISIBLE FOR 2.4 CM ON THE OUTSIDE OF THE SKIRT AT THE HEM. SKIRT CLOSES AT WAIST WITH LONG BURGUNDY BIAS TAPE TIES, ONE OF WHICH IS 120.1 CM LONG, THE SECOND IS 135.5 CM LONG. WIDTH OF SKIRT IS MEASURED ALONG HEM. THE SKIRT IS 46.0 CM WIDE WITH THE PLEATS PRESSED CLOSELY TOGETHER. SKIRT IS 203.0 CM WIDE WHEN THE PLEATS ARE FLATTENED. L: 65.5CM W: 203.0CM OVERALL VERY GOOD CONDITION. LACE HAS YELLOWED CONSIDERABLY. .4: VEST. IVORY COLOURED, CROPPED VEST, EMBROIDERED, WITH CROCHETED LACE DETAILS CLOSES AT FRONT WITH 6 SILVER COLOURED METAL SNAPS. FLOWER SHAPED CROCHET LACE DETAILING AROUND THE WHOLE VEST, EXCEPT AT THE CLOSURE, WHERE THERE IS DETAILING ON THE WEARER’S RIGHT SIDE ONLY. EACH OF THE LACE FLOWERS HAS FIVE PETALS. LARGE COLOURFUL FLORAL EMBROIDERY ALL OVER VEST. FLOWERS INCLUDE LARGE TWO TONE RED ROSES, TWO TONED PURPLE VIOLETS, AS WELL AS BLUE FLOWERS WITH YELLOW CENTRES, TWO TONED PINK FLOWERS, AND TWO TONED YELLOW FLOWERS. LOTS OF GREEN LEAVES THROUGHOUT. COLOURS INCLUDE MEDIUM AND DARK RED, MEDIUM BLUE, MEDIUM AND DARK GREEN, PINK, ORANGE, YELLOW, AND MEDIUM AND DARK PURPLE. VEST MAY HAVE BEEN MADE BIGGER AT ONE POINT: THERE IS A STRIP OF WHITER MATERIAL UNDER BOTH ARMS, EACH STRIP IS APPROXIMATELY 3.0CM WIDE, AT THE SIDE SEAMS. L: 47.5CM W: 57.5CM OVERALL EXCELLENT CONDITION. .5: APRON. IVORY COLOURED, EMBROIDERED, WITH CROCHETED LACE AND CUTWORK LACE DETAILING AROUND EDGE. SIDES AND BOTTOM OF APRON HAVE BOTH CUTWORK AND CROCHETED LACE DETAILING. THE CUTWORK LACE DETAILING IS COMPOSED OF TWO DIFFERENT FLOWERS, IN A REPEATING PATTERN. EACH OF THESE LARGE FLOWERS IS APPROXIMATELY 7.0 CM IN DIAMETER. BETWEEN THE LARGE FLOWERS ARE SQUARE SHAPED SECTIONS OF CROCHETED LACE. JUST INSIDE THE LACE DETAILING ARE 10 SECTIONS OF EMBROIDERED FLOWERS, MADE UP OF FIVE PAIRS OF FLOWERS. THE MAIN PORTION OF THE APRON IS ALSO EMBROIDERED, SHOWING FLOWERS INCLUDING TWO-TONED RED ROSES, TWO-TONED PURPLE VIOLETS, BLUE FLOWERS WITH YELLOW CENTRES, TWO-TONED PINK FLOWERS, AND TWO-TONED YELLOW FLOWERS. THERE ARE ALSO GROUPS OF PEPPERS OR POSSIBLY CARROTS (THEY ARE RED AND ORANGE). LOTS OF GREEN LEAVES THROUGHOUT. COLOURS INCLUDE MEDIUM AND DARK RED, MEDIUM BLUE, MEDIUM AND DARK GREEN, PINK, ORANGE, YELLOW, AND MEDIUM AND DARK PURPLE. WAIST TIES EACH HAVE A SMALL SECTION OF EMBROIDERY AND CROCHETED LACE. L: 56.0CM W: 119.5CM OVERALL EXCELLENT CONDITION. .6: CAP. IVORY COLOURED, EMBROIDERED. BRIMLESS. SCALLOPED EDGE ALONG WEARER’S FOREHEAD. GATHERED IN BACK WITH ELASTIC AT THE BASE OF THE NECK. COLOURFUL FLORAL EMBROIDERY ALL OVER CAP. FLOWERS INCLUDE LARGE TWO TONE RED ROSES, TWO TONED PURPLE VIOLETS, AS WELL AS BLUE FLOWERS WITH YELLOW CENTRES, TWO TONED PINK FLOWERS, AND TWO TONED YELLOW FLOWERS. LOTS OF GREEN LEAVES THROUGHOUT. COLOURS INCLUDE MEDIUM AND DARK RED, MEDIUM BLUE, MEDIUM AND DARK GREEN, PINK, ORANGE, YELLOW, AND MEDIUM AND DARK PURPLE. THERE ARE ALSO TWO SECTIONS OF BABY BLUE RIBBON: ONE NEAR THE FRONT OF THE HAT IS LONGER AND THE SECOND SECTION OF RIBBON MAKES A HORSESHOE SHAPE AT THE BACK OF THE HEAD. L: 24.0CM W: 28.2CM OVERALL IN EXCELLENT CONDITION. .7 SHOE. MANUFACTURED. LEFT SHOE. RED CORDUROY, SLIP ON, KITTEN HEEL, EMBROIDERED, MULE-STYLE SHOE, WITH ENCLOSED TOES. RED TOE PORTION OF SHOE HAS A BLUE FLOWER, WITH YELLOW CENTRE, EMBROIDERED. NEXT TO EMBROIDERY IS A WHITE POM-POM. INSOLE OF SHOE IS TAN COLOURED LEATHER, STAMPED AT THE HEEL WITH A GOLD STAMP: “MADE IN HUNGARY SZOMBATHELY.” EMBOSSED ON SOLE OF SHOE “270.” SOLE OF HEEL IS BLACK RUBBER AND SOLE OF TOE PORTION IS LEATHER. H: 7.0CM L: 27.7CM W: 8.7CM OVERALL GOOD CONDITION. SOLE IS WORN AT TOE, ESPECIALLY, WHERE THE LEATHER HAS WORN AWAY. GOLD STAMP ON INSOLE IS ALSO WORN AWAY. .8 SHOE. MANUFACTURED. RIGHT SHOE. RED CORDUROY, SLIP ON, KITTEN HEEL, EMBROIDERED, MULE-STYLE SHOE, WITH ENCLOSED TOES. RED TOE PORTION OF SHOE HAS AN EMBROIDERED BLUE FLOWER, WITH YELLOW CENTRE. NEXT TO EMBROIDERY IS A WHITE POM-POM. INSOLE OF SHOE IS TAN COLOURED LEATHER, STAMPED AT THE HEEL WITH A GOLD STAMP: “MADE IN HUNGARY SZOMBATHELY.” EMBOSSED ON SOLE OF SHOE “270.” SOLE OF HEEL IS BLACK RUBBER AND SOLE OF TOE PORTION IS LEATHER. H: 7.0CM L: 27.7CM W: 8.7CM OVERALL GOOD CONDITION. SOLE IS WORN AT TOE, ESPECIALLY, WHERE THE LEATHER HAS WORN AWAY. GOLD STAMP ON INSOLE IS ALSO WORN AWAY.
Subjects
CLOTHING-OUTERWEAR
Historical Association
ETHNOGRAPHIC
History
THE FOLLOWING INFORMATION COMES FROM A VARIETY OF LETHBRIDGE HERALD ARTICLES, AN INTERVIEW WITH THE DONOR, MARIA JOKUTY, AND A BOOKLET ENTITLED “REMEMBRANCES OF OUR JOURNEY.” A DESCRIPTION OF MARIA’S EMBROIDERY AND SEWING WORK, THE HISTORY OF THE HUNGARIAN CULTURAL SOCIETY OF SOUTHERN ALBERTA, AND THE JOKUTY’S JOURNEY TO CANADA CAN BE FOUND BELOW THE HISTORY OF THE ARTIFACTS. MARIA MADE THIS COSTUME FOR HERSELF AND IS DONE IN THE STYLE OF THE KALOSCAI PROVINCE. IN AN INTERIVEW CONDUCTED BY KEVIN MACLEAN IN DECEMBER 2015, MARIA SAID THAT THIS DRESS WAS BETTER THAN THE OTHERS “BECAUSE THEY DON’T HAVE THIS PART (POINTING TO MACHINE EMBROIDERY).” MARIA WOULD WEAR HER EMBROIDERED DRESS AT SPECIAL EVENTS: “WHEN WE HAD SPECIAL – EVEN WHEN WE HAD HERITAGE DAY – I DRESS UP. CANADA DAY. AND THEN WE USED TO HAVE [CELEBRATIONS] IN THE GALT GARDEN, YOU KNOW, MUSIC, DANCE, BUT I WEAR IT. BUT NOT DANCING OKAY, JUST PUT IT ON. AND MANY, MANY TIMES I DID. AND WE HAD DINNER AND DANCE – I PUT IT ON.” .2 UNDER SKIRT: MARIA SAID THAT THIS UNDER SKIRT GAVE FULLNESS TO THE OUTFIT: "YOU HAVE TO HAVE A FULLNESS. BECAUSE THAT WOULD BE JUST TOO PLAIN. BUT WHEN YOU HAVE THIS SKIRT, IT’S KIND OF FULL, YOU CAN SEE, AND IT’S 100% COTTON, AND THAT GIVES YOU KIND OF MORE FULLNESS AND YOU CAN SEE THE BEAUTY OF THE PLEATED SKIRT." .6 CAP: MARIA SAID ONLY MARRIED WOMEN WOULD WEAR THIS TYPE OF CAP: "SO THE GIRLS WHEN THEY ARE YOUNG, THEY WEARING THIS OUTFIT, OKAY. BUT THEN THE WOMEN, IF THEY GOT MARRIED, THEY HAVE TO WEAR A CAP! SO WHOEVER SEE YOU, 'OH, SHE’S MARRIED.' AND, BUT DON’T YOU THINK SHE’S BEAUTIFUL?” .7 & .8: SHOES: MARIA INDICATED THAT THE SHOES WERE PURCHASED IN HUNGARY AND THAT SHE DID NOT DO THE EMBROIDERY ON THE TOE: "THAT’S HOW WE BOUGHT IN HUNGARY. THEY MADE IT OVER THERE. WE WENT IN HUNGARY WITH MY HUSBAND I DON’T KNOW HOW MANY PAIRS WE BOUGHT TO THE GIRLS. AND THE GIRLS, WHEN THEY WERE DANCING THEY HAVE ALL THE SAME PAIR OF DIFFERENT SIZES." MARIA BEGAN WORKING ON 16 DANCE OUTFITS IN 1977 AND IT TOOK HER “THREE-FOUR YEARS TO DO IT. BECAUSE YOU KNOW, I DESIGNED THE FLOWERS, AND THEN YOU KNOW THE EMBROIDERY, AND TO PUT IT TOGETHER WAS A VERY HARD JOB.” MAKING THE DANCE COSTUMES WAS IMPORTANT TO MARIA “BECAUSE [SHE] WAS PROUD OF BEING HUNGARIAN AND [SHE] WANTED TO SHOW SOMETHING DIFFERENT.” SHE LEARNED TO EMBROIDER AT THE AGE OF 12/13 FROM A NEIGHBOUR NAMED MARISSA IN HUNGARY. MARIA THINKS THAT MARISSA WAS ABOUT 25/26 YEARS OLD WHEN SHE TAUGHT MARIA HOW TO EMBROIDER. MARIA GETS A GREAT DEAL OF ENJOYMENT SEEING HER CREATIONS ON DANCERS WHILE THEY COMPETE: “VERY IMPORTANT. YOU WOULDN’T BELIEVE ME. YOU PUT ALL ENERGY INTO IT TO BE ABLE TO FINISH IT AND THAT – BECAUSE HAPPINESS WAS WHEN THE GIRLS, THEY WAS DANCING ON A STAGE AND THEY’VE ALL GOT THE COSTUMES. YOU KNOW WHAT, WOW! YOU JUST CAN’T EX – I CAN’T EXPLAIN TO YOU.” MARIA GOT SOME OF HER PATTERNS FOR EMBROIDERY FROM THE EDMONTON HUNGARIAN CULTURAL SOCIETY AND LATER RETURNED TO HUNGARY TO IMPROVE HER SKILLS, AS WELL AS TO LEARN HOW TO DO MACHINE EMBROIDERY. MARIA AND, AND HER HUSBAND, CHESTER, RETURNED TO HUNGARY ABOUT 3 TIMES, STAYING EACH TIME FOR ABOUT 2 MONTHS SO THAT MARIA COULD IMPROVE HER SKILLS. IN ADDITION TO CREATING THE COSTUMES, MARIA ALSO CARED FOR THEM, ENSURING THEY WERE AVAILABLE WHEN A DANCER WOULD NEED TO WEAR THEM: “YES, I WAS IN CHARGE. DRY CLEANING, WASHING, AND EVERYTHING. I DON’T KNOW HOW MANY YEARS, LONG YEARS UNTIL WE MOVED AND THEN WE DIDN’T HAVE NO ROOM, AND THEN SOMEBODY ELSE, YOU KNOW. AND THEN WE HAD A MEETING AND THE DANCERS, THEY WAS LOOKING FOR SOMEBODY ELSE WHO WOULD TAKE CARE OF THEM, ‘CAUSE YOU SHOULD’VE SEEN THE GIRLS THEY WAS LIKE, YOU KNOW, “NO, MRS. JOKUTY, YOU TAKE GOOD CARE!” AND I DID.” ACCORDING TO CHESTER (GEZA) JOKUTY’S OBITUARY, CHESTER AND MARIA WERE MARRIED IN HUNGARY ON OCTOBER 3, 1949. CHESTER SERVED IN THE HUNGARIAN ARMY IN 1940, WAS TAKEN PRISONER BY THE RUSSIANS IN 1945, AND HELD PRISONER IN RUSSIA FOR THREE AND A HALF YEARS. IN THE BOOKLET “REMEMBRANCES OF OUR JOURNEY” MARIA INDICATES THAT CHESTER WAS NOT KEEN TO REMAIN IN HUNGARY FOLLOWING THE HUNGARIAN REVOLUTION, BECAUSE OF HIS TREATMENT AT THE HANDS OF THE RUSSIANS: CHESTER “SPENT THREE AND A HALF YEARS AS A P.O.W. IN ODESSA WHERE PRISONERS WERE USED AS SLAVE LABOUR. CHESTER WAS NOT A BIG MAN AND BECAUSE OF THE CONDITIONS, WAS EXTREMELY WEAK. DURING THIS TIME IF THE PRISONERS WERE NOT ABLE TO KEEP UP OR DO WHAT WAS REQUIRED OF THEM, THE RUSSIAN GUARDS SENT THEIR DOGS IN TO FORCE THE PRISONERS TO MOVE. HE HAD WITNESSED SO MUCH DEATH AND SUFFERING AND HAD SUFFERED SO BADLY IN THE COLD, AT THE HANDS OF THE RUSSIAN SOLDIERS, HE VOWED NEVER TO BE TAKEN BY THEM AGAIN.” MARIA CONTINUED IN THIS BOOKLET TO RECOUNT THEIR DECISION TO LEAVE HUNGARY: “SO, ON NOVEMBER 4TH [1956], WE DECIDED WE WOULD LEAVE … SO WE GATHERED OUR FAMILY AND MY MOTHER AND BEGAN WALKING AS FAST AS POSSIBLE TOWARDS AUSTRIA – ONLY ABOUT AN HOUR’S WALK FROM WHERE WE LIVED.” THE JOKUTY FAMILY REMAINED IN AUSTRIA FOR 6 MONTHS, WHERE MARIA RECALLS BEING WELL TREATED. THEY LEFT AUSTRIA AND ARRIVED IN ST. JOHN, NB AFTER A 12 DAY CROSSING, ON APRIL 22, 1957. AFTER A LONG TRAIN RIDE, THEY ARRIVED IN LETHBRIDGE. SHORTLY AFTER THEIR ARRIVAL THEY BEGAN WORK AS FARM LABOURERS IN THE SUGAR BEET FIELDS. AN ARTICLE PUBLISHED IN THE LETHBRIDGE HERALD ON OCTOBER 29, 1979 HAD THE FOLLOWING TO SAY ABOUT THE HUNGARIAN REVOLUTION: “DESCRIBED SIMPLY, THE REVOLUTION ESTABLISHED A GOVERNMENT THAT TRIED TO MOVE AWAY FROM THE SOVIET UNION’S INFLUENCE. THE SOVIET UNION, SUBSEQUENTLY, SENT ARMED TROOPS INTO HUNGARY TO REASSERT ITS INFLUENCE. IN THE AFTERMATH, MANY PEOPLE FLED, ABOUT 37,000 TO CANADA ACCORDING TO FEDERAL DEPARTMENT OF EMPLOYMENT AND IMMIGRATION STATISTICS … CHESTER JOKUTY OF THE ASSOCIATION SAID ABOUT 2,000 PERSONS OF HUNGARIAN ORIGINS LIVE IN LETHBRIDGE AND THE SURROUNDING AREA.” MARIA INDICATED SEVERAL TIMES THROUGH THE COURSE OF HER INTERVIEW THAT LIFE WAS VERY DIFFICULT FOR THE JOKUTY FAMILY WHEN THEY FIRST ARRIVED IN LETHBRIDGE. THE FAMILY’S FIRST ACCOMMODATIONS LEFT LITTLE TO BE DESIRED: “WE DIDN’T HAVE RUNNING WATER, TOILET, WE HAVE TO PULL THE WATER FROM THINGS, YOU KNOW, AND CHOP THE WOOD TO MAKE BREAKFAST. AND WINTERTIME, WE WAS SCARED TO DEATH THAT KIDS, WE’LL FREEZE TO DEATH. SOMETIMES I HAVE TO STAY UP, OR MY HUSBAND DID TO BE SURE THE WOOD, YOU KNOW THE STOVE IN THE KITCHEN – ONLY THING – THAT GIVE US A LITTLE BIT WARMTH. IT WAS VERY, VERY HARD.” MARIA RECALLS HAVING TO HITCH HIKE TO GET GROCERIES AND RELIED ON THE KINDNESS OF STRANGERS TO GET HOME AGAIN: “AND NO CAR. YOU KNOW WHAT I DID? WE WAS SO HUNGRY, SO I SAID I HAVE TO TAKE A CHANCE. MY HUSBAND WAS WORKING AND KIDS WAS IN MCNALLY SCHOOL AND THEN I WENT ON THE ROAD, PUT MY HAND UP, AND WHATEVER HAPPENED, HAPPENED ... THEY DROP ME ON 5TH AVENUE SOMEWHERE, OR SAFEWAY, THEY DROP ME OVER THERE, BUT I HEARD THAT LOTS OF HUNGARIAN BACHELORS AND PEOPLE GO TO THE GARDEN HOTEL DRINKING BEER. SO WHEN I WENT OVER THERE, I COULDN’T SPEAK ENGLISH, SO THEN I LISTENED TO THE LANGUAGES WHERE I HEAR THE HUNGARIAN LANGUAGES. SO THEN I HEARD IT, AND I WENT AND I INTRODUCED MYSELF, WHO I AM, AND, “WE ARE ON THE SUGAR BEETS SOWING, WOULD YOU PLEASE HELP US? I NEED A GROCERY, WOULD YOU PLEASE HELP US …?” AND THEY FIND US SOMEBODY WHO WAS DRIVING, AND I DON’T KNOW WHAT THE NAME, WHAT THE NAME WAS, BECAUSE LONG TIME AGO, THEY GOT MY GROCERY IN THE CAR AND TOOK ME TO THE FARM FREE. CAN YOU IMAGINE? I WISH I COULD GIVE HIM A BIG HUG AND THANKFUL.” CHESTER’S OBITUARY INDICATES THAT HE “WAS A VERY PROUD HUNGARIAN AND A FOUNDING LIFETIME MEMBER OF THE HUNGARIAN CULTURAL SOCIETY OF SOUTHERN ALBERTA IN 1977 AND SERVED AS PRESIDENT FOR TEN YEARS. HE ALSO WAS A FOUNDING MEMBER OF THE SOUTHERN ALBERTA ETHNIC ASSOCIATION IN 1977.” IN A HERALD ARTICLE PUBLISHED ON NOVEMBER 14, 1989, MARGARET GUGYELKA (SECRETARY OF THE HUNGARIAN CULTURAL SOCIETY) INDICATED THAT THE SOCIETY STARTED IN 1977: “’THERE WAS AN OLDTIMERS’ GROUP BEFORE THAT, BUT IT WAS MORE LIKE A FRATERNITY … THE SOCIETY WAS STARTED BY A SMALL GROUP OF PEOPLE WHO WANTED TO CARRY ON HUNGARIAN TRADITIONS.’” AN ARTICLE PUBLISHED NOVEMBER 2, 1983 INDICATES THAT THE SOCIETY ALSO PARTICIPATED IN THE WESTERN CANADIAN HUNGARIAN FOLK DANCE FESTIVAL. IN THE ARTICLE, CHESTER SAID THAT THE “FESTIVAL IS NOT A COMPETITION BUT RATHER AN EVENT DESIGNED TO KEEP CULTURAL HERITAGE ALIVE AND DANCE GROUPS IN TOUCH … JOKUTY SAYS HUNGARIAN DANCING HAS PROVEN ‘VERY, VERY POPULAR’ BECAUSE OF THE VARIETY OF DANCES – 46 IN ALL OF AT THE 1982 FESTIVAL HELD IN LETHBRIDGE – AND THE COLOURFUL COSTUMES UNIQUE TO EACH PROVINCE. THE COSTUMES HAVE PROVEN TO BE A BIG EXPENSE FOR THE SOCIETY SINCE ONE OUTFIT CAN COST UP TO $600 TO MAKE. MADE TO MEASURE BOOTS FROM MONTREAL ARE AS MUCH AS $150.” MARIA LAMENTS THAT THE SOCIETY ISN’T WHAT IT USED TO BE. SHE EXPLAINED THAT THERE SIMPLY ISN’T THE VOLUNTEER LABOUR FORCE TO CONTINUE DOING ALL THAT THE SOCIETY USED TO: “WHEN WE USED TO MAKE – EVERY YEAR BEFORE CHRISTMAS WE USED TO MAKE FOUR THOUSAND, FIVE THOUSAND CABBAGE ROLLS AND WE ADVERTISE, WE LET THE PEOPLE KNOW YOU HAVE TO PUT THE NAME AHEAD AND YOU HAVE TO COME PICK. ALL DAY WE WAS WORKING, BUT FIVE O’CLOCK, SIX O’CLOCK PEOPLE CAME AND TAKE [THE CABBAGE ROLLS] BECAUSE WE USED TO HAVE IT IN A BILL KERGAN CENTER, AND OVER THERE IS WALK-IN COLDER. BUT NOW, THIS YEAR [2015], NO CABBAGE ROLLS AND PEOPLE ARE DISAPPOINTED, BUT WE DON’T HAVE NO VOLUNTEERS. YOU KNOW, GOLDEN YEARS CATCH UP WITH PEOPLE.” SEE PERMANENT RECORD FOR COPIES OF LETHBRIDGE HERALD ARTICLES, THE BOOKLET ENTITLED “REMEMBRANCES OF OUR JOURNEY" AND FOR A TRANSCRIPT OF THE INTERVIEW.
Catalogue Number
P20150038001
Acquisition Date
2015-12
Collection
Museum
Images
Less detail
Date Range From
1840
Date Range To
1880
Material Type
Artifact
Materials
LACE
Catalogue Number
P19920058025
Material Type
Artifact
Date Range From
1840
Date Range To
1880
Materials
LACE
No. Pieces
1
Height
0.1
Length
286.0
Width
50.0
Description
RECTANGULAR; VERY LONG; BLACK LACE. ALL EDGES ARE SCALLOPED AND HAVE TINY LOOPS OF THREAD AS FRINGE. LACE HAS A LARGE FLORAL PATTERN THROUGHOUT. HAS FEW LOOSE THREADS, BUT OTHERWISE IN EXCELLENT CONDITION.
Subjects
CLOTHING-OUTERWEAR
Historical Association
PERSONAL CARE
History
SEE P19920058006-GA FOR HISTORY. *UPDATE* IN 2015 COLLECTIONS ASSISTANT JANE EDMUNDSON CONDUCTED A SURVEY OF ART OBJECTS, INCLUDING ONE DONATED BY MARJORIE WELCH'S MOTHER, NORA EVERSON. FOR FURTHER INFORMATION ABOUT THE SHERLOCK/MACLEOD FAMILY, SEE RECORDS P19960108000 AND P19740093000.
Catalogue Number
P19920058025
Acquisition Date
1993-11
Collection
Museum
Less detail
Other Name
BASEBALL PANTS
Date Range From
1980
Date Range To
1990
Material Type
Artifact
Materials
POLYESTER
Catalogue Number
P19970073019
  2 images  
Material Type
Artifact
Other Name
BASEBALL PANTS
Date Range From
1980
Date Range To
1990
Materials
POLYESTER
No. Pieces
1
Length
70.2
Width
40.8
Description
WHITE POLYESTER/NYLON PANTS WITH BLUE VERTICAL STRIPES. ELASTICIZED HEMS ON LEGS; BACK OF WAISTBAND ALSO ELASTICIZED. FIVE LARGE BELT LOOPS AT WAIST; BUTTON AND ZIPPER AT FRONT. TAG IN BACK OF PANTS READING "PRIDE ATHLETIC UNIFORMS LARGE A MEDALIST COMPANY FOND DU LAC, WI. 54935"; WASHING DIRECTIONS BELOW. ONE REAR RIGHT POCKET. CHILD'S UNIFORM.
Subjects
CLOTHING-OUTERWEAR
Historical Association
SPORTS
ASSOCIATIONS
History
DONATED TO MUSEUM BY CANADIAN LEGION; PRIOR USE/HISTORY UNKNOWN. SEE P19970073018-20-GA FOR RELATED PIECES AND P19970073001-GA FOR MORE HISTORY.
Catalogue Number
P19970073019
Acquisition Date
1997-08
Collection
Museum
Images
Less detail
Date Range From
1970
Date Range To
1990
Material Type
Artifact
Materials
WOOL, PLASTIC, ALUMINUM
Catalogue Number
P19990063004
  1 image  
Material Type
Artifact
Date Range From
1970
Date Range To
1990
Materials
WOOL, PLASTIC, ALUMINUM
No. Pieces
1
Length
111.0
Width
60.0
Description
GREY, WOOL TROUSERS. HAS TWO SIDE POCKETS AND TWO BACK WELT POCKETS; LEFT BACK POCKET HAS A BUTTON CLOSURE. INSIDE WAISTBAND OF PANTS IS A BROWN AND WHITE TAG THAT READS "TIP TOP". BESIDE THIS IS A WHITE TAG THAT READS "1 PURE LAINE VIERGE PURE VIRGIN WOOL CA00577 FABRIQUE AU MADE IN CANADA NETTOYER A SEC DRY CLEAN ONLY". PANTS HAVE A FRONT CLOSURE, CONSISTING OF A HIDDEN ZIPPER AND HOOK AND EYE. ELASTIC AROUND INSIDE OF WAISTBAND IS VERY BRITTLE.
Subjects
CLOTHING-OUTERWEAR
Historical Association
PERSONAL CARE
History
SEE P19990063001-GA FOR HISTORY.
Catalogue Number
P19990063004
Acquisition Date
1999-12
Collection
Museum
Images
Less detail
Other Name
CHILD'S NIGHTSHIRT
Date Range From
1850
Date Range To
1890
Material Type
Artifact
Materials
LINEN
Catalogue Number
P19920058009
  2 images  
Material Type
Artifact
Other Name
CHILD'S NIGHTSHIRT
Date Range From
1850
Date Range To
1890
Materials
LINEN
No. Pieces
1
Length
112.0
Width
92.5
Description
WHITE, LINEN. HAS A SQUARE CUT NECKLINE. FABRIC IS GATHERED IN TINY PLEATS JUST UNDER NECKLINE. SLEEVES ARE SHORT. THE UNDERSIDE OF EACH SLEEVE IS SPLIT, FROM CUFF TO HALFWAY DOWN SLEEVE. WRITTEN ON BACK NECKLINE IS "M H SHERLOCK". SHIRT IS YELLOWING; HAS SOME STAINS ON IT. HAS A FEW MINOR HOLES HAS SIGNS OF WEAR. SHIRT IS OTHERWISE PLAIN.
Subjects
CLOTHING-OUTERWEAR
Historical Association
PERSONAL CARE
History
BELONGED TO M.H. SHERLOCK. SEE P19920058006-GA FOR HISTORY. *UPDATE* IN 2015 COLLECTIONS ASSISTANT JANE EDMUNDSON CONDUCTED A SURVEY OF ART OBJECTS, INCLUDING ONE DONATED BY MARJORIE WELCH'S MOTHER, NORA EVERSON. FOR FURTHER INFORMATION ABOUT THE SHERLOCK/MACLEOD FAMILY, SEE RECORDS P19960108000 AND P19740093000.
Catalogue Number
P19920058009
Acquisition Date
1993-11
Collection
Museum
Images
Less detail
Other Name
MAN'S NIGHT SHIRT
Date Range From
1850
Date Range To
1890
Material Type
Artifact
Materials
LINEN
Catalogue Number
P19920058013
  2 images  
Material Type
Artifact
Other Name
MAN'S NIGHT SHIRT
Date Range From
1850
Date Range To
1890
Materials
LINEN
No. Pieces
1
Length
118.0
Width
100.0
Description
WHITE, LINEN. HAS A WIDE NECKLINE. HAS WHITE, TRANSLUCENT RUFFLES TRIMMING NECKLINE AND ARMS. ARMS ARE SHORT SLEEVED; THERE IS A TRIANGULAR SHAPED PIECE OF MATERIAL ATTACHED TO UNDERSIDE OF ARMS AND SIDE OF SHIRT. HAS A RECTANGULAR FLAP ON BACK OF NECK. STAMPED ONTO HIGH BACK OF SHIRT, IN RED, IS "SC 12". HAS MULTIPLE BROWN STAINS THROUGHOUT.
Subjects
CLOTHING-OUTERWEAR
Historical Association
PERSONAL CARE
History
SEE P19920058006-GA FOR HISTORY. *UPDATE* IN 2015 COLLECTIONS ASSISTANT JANE EDMUNDSON CONDUCTED A SURVEY OF ART OBJECTS, INCLUDING ONE DONATED BY MARJORIE WELCH'S MOTHER, NORA EVERSON. FOR FURTHER INFORMATION ABOUT THE SHERLOCK/MACLEOD FAMILY, SEE RECORDS P19960108000 AND P19740093000.
Catalogue Number
P19920058013
Acquisition Date
1993-11
Collection
Museum
Images
Less detail
Other Name
LETHBRIDGE POLICE
Date Range From
1980
Date Range To
1990
Material Type
Artifact
Materials
COTTON
Catalogue Number
P19960112114
  1 image  
Material Type
Artifact
Other Name
LETHBRIDGE POLICE
Date Range From
1980
Date Range To
1990
Materials
COTTON
No. Pieces
1
Length
86.2
Width
46.3
Description
WHITE POLYESTER/COTTON SHORT SLEEVED DRESS SHIRT. TWO EXTERIOR BREAST POCKETS. CUFFS ON SLEEVES UPTURNED. TAG INSIDE COLLAR READS "RANGE 600" WITH WASHING INSTRUCTIONS. STAMPED ABOVE IS "S609 15 1/2 20534". SHIRT HAS NO BADGES OR INSIGNIA.
Subjects
CLOTHING-OUTERWEAR
Historical Association
SAFETY SERVICES
History
*UPDATE* IN 2014 COLLECTIONS ASSISTANT JANE EDMUNDSON CONDUCTED A SURVEY OF ART OBJECTS, INCLUDING SOME DONATED BY THE CITY OF LETHBRIDGE POLICE SERVICES. FOR A BRIEF ACCOUNT OF THE LETHBRIDGE POLICE COLLECTION, SEE RECORD P19960112001. FOR FURTHER INFORMATION ABOUT THE CITY OF LETHBRIDGE POLICE SERVICES AND TRANSCRIPTS OF INTERVIEWS AND CORRESPONDENCE WITH CURRENT AND FORMER LETHBRIDGE POLICE, SEE PERMANENT FILE P19960112000.
Catalogue Number
P19960112114
Acquisition Date
1996-12
Collection
Museum
Images
Less detail
Date Range From
1840
Date Range To
1880
Material Type
Artifact
Materials
LACE
Catalogue Number
P19920058023
  1 image  
Material Type
Artifact
Date Range From
1840
Date Range To
1880
Materials
LACE
No. Pieces
1
Height
0.1
Length
144.8
Width
49.6
Description
KIND OF CRESCENT MOON SHAPED, WITH SCALLOPED EDGES. TOP OF SHAWL IS CUT INTO AN INWARD CURVE (TO FIT AROUND NECK). SHAWL IS A SINGLE PIECE OF BLACK LACE. LACE IS EMBROIDERED WITH BLACK FLOWERS THROUGHOUT. ALL EDGES ARE ALSO EMBROIDERED WITH A BORDER. EDGES ARE FRAYING, AND COMING APART IN SOME PLACES. THERE ARE HOLES IN THE LACE, TOWARDS THE ENDS OF SHAWL. ALSO HAS LOOSE THREADS.
Subjects
CLOTHING-OUTERWEAR
Historical Association
PERSONAL CARE
History
SEE P19920058006-GA FOR HISTORY. *UPDATE* IN 2015 COLLECTIONS ASSISTANT JANE EDMUNDSON CONDUCTED A SURVEY OF ART OBJECTS, INCLUDING ONE DONATED BY MARJORIE WELCH'S MOTHER, NORA EVERSON. FOR FURTHER INFORMATION ABOUT THE SHERLOCK/MACLEOD FAMILY, SEE RECORDS P19960108000 AND P19740093000.
Catalogue Number
P19920058023
Acquisition Date
1993-11
Collection
Museum
Images
Less detail
Date Range From
1980
Date Range To
1990
Material Type
Artifact
Materials
SATIN
Catalogue Number
P19970041933
  2 images  
Material Type
Artifact
Date Range From
1980
Date Range To
1990
Materials
SATIN
No. Pieces
1
Height
0.5
Length
108.5
Width
42
Description
PEACH COLOURED SATIN NIGHT GOWN HAS STRAIGHT CUT BODY, SPAGHETTI SHOULDER STRAPS AND V-NECK. CLOTH TAG ON INSIDE READS "NADINE SOMJEN".
Subjects
CLOTHING-OUTERWEAR
Historical Association
PERSONAL CARE
History
DONOR RELATES THAT THIS NIGHTGOWN AND MATCHING BATHROBE WERE GIVEN TO HER BY BEN FIBER, A TORONTO JOURNALIST. THE NAKAYAMA FAMILY WAS ORIGINALLY FROM VANCOUVER BUT MOVED TO COALDALE FOLLOWING THE SECOND WORLD WAR WHEN THEY WERE INTERNED AT SLOCAN CITY IN THE INTERIOR OF BRITISH COLUMBIA BY THE CANADIAN GOVERNMENT. THE DONOR'S FATHER, REV. CANON G.G. NAKAYAMA, WAS AN ANGLICAN MINISTER IN VANCOUVER, AND THEN ESTABLISHED THE CHURCH OF THE ASCENSION IN COALDALE IN 1945 WHERE HE SERVED UNTIL 1970. SEE RECORD P19970041001 FOR EXPANDED BIOGRAPHICAL INFORMATION AND PERMANENT FILE FOR FURTHER HISTORY.
Catalogue Number
P19970041933
Acquisition Date
1997-01
Collection
Museum
Images
Less detail

78 records – page 1 of 4.