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Other Name
VALENTINE
Date Range From
1980
Date Range To
1990
Material Type
Artifact
Materials
PAPER
Catalogue Number
P19960000037
  1 image  
Material Type
Artifact
Other Name
VALENTINE
Date Range From
1980
Date Range To
1990
Materials
PAPER
No. Pieces
1
Length
87
Width
81.2
Description
WHITE PAPER HEART-SHAPED VALENTINE WITH RED TISSUE PAPER STAPLED TO BORDER AS TRIM. 28 PAPER VALENTINES (CUT-OUT TYPE) GLUED TO HEART IN RANDOM ARRANGEMENT WITH ONE ELONGATED ONE IN CENTER (29 TOTAL). PAPER IS WRINKLED SLIGHTLY, WITH TEARS IN TISSUE THROUGHOUT BORDER. BACK OF VALENTINE IS PLAIN.
Subjects
DOCUMENTARY ARTIFACT
Historical Association
LEISURE
DECORATIVE ARTS
History
FOUND IN DRY LAB WITHOUT DOCUMENTATION OR KNOWN PROVENANCE. *UPDATE* IN 2015 COLLECTIONS ASSISTANT JANE EDMUNDSON CONDUCTED A SURVEY OF ART OBJECTS. NO NEW INFORMATION ABOUT THIS ARTIFACT WAS FOUND.
Catalogue Number
P19960000037
Acquisition Date
1996
Collection
Museum
Images
Less detail
Other Name
WEBLEY MK 1, SN '27'
Date Range From
1970
Date Range To
1990
Material Type
Artifact
Materials
STEEL, BRONZE
Catalogue Number
P20070016000
Material Type
Artifact
Other Name
WEBLEY MK 1, SN '27'
Date Range From
1970
Date Range To
1990
Materials
STEEL, BRONZE
No. Pieces
1
Height
17.0
Length
26.3
Width
4.5
Description
REVOLVER, 6 SHOT, .455 CALIBRE, SILVER FINISH ON STEEL (?), BRONZE GRIPS CAST IN A LEAF PATTERN, MARKED, “…1972” CYLINDER MARKED, “27” RIGHT SIDE OF GUN MARKED WITH A CROWN OVER “R, O” IN FRONT OF CYLINDER, METAL LANYARD LOOP AT BOTTOM OF GRIP. GRIPS NOT ORIGINAL TO REVOLVER.
Subjects
ARMAMENT-FIREARM
Historical Association
FINE ARTS
LEISURE
History
BARBARA MARTENS CONSULTED WITH HER HUSBAND, DONOR CORNIE MARTENS (WHO WAS THEN IN THE HOSPITAL) AT TIME OF DONATION. THE DONOR PURCHASED THE REVOLVER TO USE AS AN EXAMPLE FOR WESTERN SCULPTURES. HE PURCHASED IT FROM A GUN SHOP IN VANCOUVER IN THE EARLY 1970S. CORNIE MARTENS, A BRONZE SCULPTOR, COLLECTED ABOUT FIVE OR SIX GUNS IN ORDER TO USE THEM AS MODELS FOR HIS WESTERN SCULPTURES. WHILE HE HAD A SMALL COLLECTION OF FIREARMS, THIS WEBLEY MK1 REVOLVER WAS THE ONLY ONE HE EVER ALTERED. HE REPLACED THE GRIPS WITH ONES HE HAD SCULPTED SOME TIME IN THE LATE 1970S. ACCORDING TO HIS WIFE, HE SCULPTED THE GRIPS "JUST FOR INTEREST." THE DONOR WAS BORN IN THE UKRAINE AND MOVED TO SASKATCHEWAN AT A YOUNG AGE. NOT LONG AFTER THAT, HIS FAMILY RELOCATED TO COALDALE, WHERE MARTENS RESIDED FOR THE REMAINDER OF HIS LIFE. THE DONOR BECAME INTERESTED IN ART WHEN HE WAS A BOY. ALTHOUGH HE HAD NO FORMAL TRAINING, MUCH OF HIS ARTWORK WAS SCULPTURAL. HE WORKED IN BRONZE, WAX, PLASTICINE, ALUMINUM, TIN, CLAY, FIBREGLASS AND MORE. WESTERN MOTIFS AND THE RODEO WERE THEMES FOUND THROUGHOUT HIS ARTWORK. SOME OF HIS WORKS INCLUDE, A BRONZE MINER STATUE FOR THE "MINER'S LIBRARY", A STATUE OF JERRY POTTS (AWARDED TO OUTSTANDING CONTRIBUTORS TO SOUTHERN ALBERTA TOURISM) AND MORE. CORNIE MARTENS PASSED AWAY ON JULY 29, 2009. FOR MORE INFORMATION SEE PERMANENT FILE.
Catalogue Number
P20070016000
Acquisition Date
2009-03
Collection
Museum
Less detail
Other Name
CHRISTMAS CAROLS
Date Range From
1980
Date Range To
1999
Material Type
Artifact
Materials
PAPER
Catalogue Number
P19990061037
Material Type
Artifact
Other Name
CHRISTMAS CAROLS
Date Range From
1980
Date Range To
1999
Materials
PAPER
No. Pieces
2
Height
0.8
Length
27.3
Width
20.4
Description
RECTANGULAR. BOOK IS COVERED WITH A NAVY BLUE, PAPER BAG. BAG HAS FAINT WHITE WAVY LINES, THAT CROSS EACHOTHER, ON IT. PRINTED ON FRONT OF BAG, IN WHITE, IS "EATON'S OF CANADA". INSIDE FRONT COVER OF BOOK IS A COLOURED DRAWING OF CHILDREN SINGING AROUND A CHRISTMAS TREE. FIRST PAGE OF BOOK READS "CHRISTMAS CAROLS SELECTED AND ARRANGED BY KARL SCHULTE WITH ILLUSTRATIONS BY F.D. LOHMAN". BOOK HAS 35 PAGES OF SHEET MUSIC, WORDS AND ILLUSTRATIONS. BACK PAGE HAS AN INDEX. INSIDE OF BACK COVER IS TITLED "THE OLD, OLD CAROLS" AND IS FOLLOWED BY A HISTORY OF CHRISTMAS CAROLS.
Subjects
DOCUMENTARY ARTIFACT
Historical Association
RETAIL TRADE
LEISURE
History
UNSURE OF HOW THIS WAS USED IN EATON'S STORE. MUSEUM OBTAINED ITEMS FROM LETHBRIDGE EATON'S STORE IN 1999. DUE TO COMPANY BANKRUPTCY, EATON'S STORES ACROSS CANADA WERE CLOSED, INCLUDING THE LETHBRIDGE LOCATION IN PARK PLACE MALL. *UPDATE* IN 2014 COLLECTIONS ASSISTANT JANE EDMUNDSON CONDUCTED A SURVEY OF ART OBJECTS, INCLUDING THOSE ASSOCIATED WITH THE T. EATON COMPANY STORES IN LETHBRIDGE. THE FOLLOWING BRIEF HISTORY OF LETHBRIDGE'S EATON'S STORE WAS DEVELOPED WITH INFORMATION FROM GALT ARCHIVES AND LETHBRIDGE HERALD ARTICLES FROM THE FALL OF 1988. THE T. EATON COMPANY WAS FOUNDED IN TORONTO IN 1869 BY TIMOTHY EATON. THE FIRST LETHBRIDGE EATON'S 'TECO' STORE WAS OPENED IN 1927 IN THE BASEMENT OF THE DOMINION BLOCK ON THE CORNER OF 4 AVENUE AND SIXTH STREET SOUTH. AFTER A FIRE, THE BUILDING WAS RENOVATED AND COMPLETELY TAKEN OVER BY THE EATON'S STORE, WHICH OPERATED IN THAT LOCATION UNDER PERIODIC RENOVATIONS FROM 1929 UNTIL THE OPENING OF THE PARK PLACE MALL IN 1988, IN WHICH EATON'S WAS AN ANCHOR RETAILER. IN 1989 A PORTION OF THE UNIVERSITY OF LETHBRIDGE ART COLLECTION WAS TEMPORARILY PUT ON DISPLAY IN THE VACANT EATON'S BUILDING, AND PROPOSALS WERE MADE TO MAKE THE INSTALLATION PERMANENT, BUT EVENTUALLY THE PROPERTY WAS SOLD AND DEMOLISHED TO MAKE WAY FOR THE CONSTRUCTION OF A BANK OF MONTREAL BRANCH. IN 1999 THE EATON'S STORE IN PARK PLACE MALL CLOSED JUST PRIOR TO THE ANNOUNCEMENT OF THE BANKRUPTCY OF THE LARGER T. EATON COMPANY LIMITED. SEE PERMANENT FILE P19930072001 FOR HARDCOPIES OF SOURCE MATERIAL.
Catalogue Number
P19990061037
Acquisition Date
1999-10
Collection
Museum
Less detail
Other Name
COIN BANK
Date Range From
1970
Date Range To
1990
Material Type
Artifact
Materials
PLASTIC, CARDBOARD, CELLOPHANE
Catalogue Number
P19990061008
Material Type
Artifact
Other Name
COIN BANK
Date Range From
1970
Date Range To
1990
Materials
PLASTIC, CARDBOARD, CELLOPHANE
No. Pieces
3
Height
27.6
Length
17.2
Width
12.0
Description
GREEN CARDBOARD BOX, W/ FRONT CELLOPHANE WINDOW. ABOVE WINDOW READS "TIRELIRE TIMOTHY EATON COIN BANK", BELOW WINDOW READS "EATON RECOLLECTIONS". EACH SIDE OF BOX HAS A PICTURE OF A BRONZE STATUE AND AN EXPLANATION OF THE STATUE; ONE SIDE IN FRENCH, THE OTHER IN ENGLISH. INSIDE BOX IS A BRONZE COLOURED, PLASTIC STATUE. STATUE IS OF A MAN SITTING IN A CHAIR ON A PEDESTAL. THE MAN'S LEFT TOE IS GOLD COLOURED. ON BACK OF CHAIR IS A SLOT. ON FRONT OF PEDESTAL IS A CLEAR PLASTIC STICKER WITH BLACK PRINT THAT READS "TIMOTHY EATON BORN 1834 DIED 1907 FOUNDER OF THE T. EATON CO LIMITED", ETCETERA. ON BOTTOM OF STATUE IS A ROUND, GREEN, PLASTIC PLUG. ALSO IN BOX IS A FOLDED PIECE OF HEAVY PAPER THAT IS GREEN AND WHITE. THERE IS A HOLE IN ONE CORNER WITH A PIECE OF GOLD ELASTIC THROUGH IT. FRONT OF CARD READS "EATON RECOLLECTIONS"; INSIDE OF CARD GIVES EXPLANATION OF STATUE IN ENGLISH & FRENCH.
Subjects
TOY
Historical Association
COMMEMORATIVE
CURRENCY/MAUNDY
History
BANK IS COMMEMORATIVE OF TWO STATUES THAT WERE ERECTED IN HONOR OF THE FOUNDER OF THE EATON COMPANY, TIMOTHY EATON, BY ITS EMPLOYEES ON THE 50TH ANNIVERSARY OF THE COMPANY IN 1919. MUSEUM OBTAINED ITEMS FROM LETHBRIDGE EATON'S STORE IN 1999. DUE TO COMPANY BANKRUPTCY, EATON'S STORES ACROSS CANADA WERE CLOSED, INCLUDING THE LETHBRIDGE LOCATION IN PARK PLACE MALL. *UPDATE* IN 2014 COLLECTIONS ASSISTANT JANE EDMUNDSON CONDUCTED A SURVEY OF ART OBJECTS, INCLUDING THOSE ASSOCIATED WITH THE T. EATON COMPANY STORES IN LETHBRIDGE. THE FOLLOWING BRIEF HISTORY OF LETHBRIDGE'S EATON'S STORE WAS DEVELOPED WITH INFORMATION FROM GALT ARCHIVES AND LETHBRIDGE HERALD ARTICLES FROM THE FALL OF 1988. THE T. EATON COMPANY WAS FOUNDED IN TORONTO IN 1869 BY TIMOTHY EATON. THE FIRST LETHBRIDGE EATON'S 'TECO' STORE WAS OPENED IN 1927 IN THE BASEMENT OF THE DOMINION BLOCK ON THE CORNER OF 4 AVENUE AND SIXTH STREET SOUTH. AFTER A FIRE, THE BUILDING WAS RENOVATED AND COMPLETELY TAKEN OVER BY THE EATON'S STORE, WHICH OPERATED IN THAT LOCATION UNDER PERIODIC RENOVATIONS FROM 1929 UNTIL THE OPENING OF THE PARK PLACE MALL IN 1988, IN WHICH EATON'S WAS AN ANCHOR RETAILER. IN 1989 A PORTION OF THE UNIVERSITY OF LETHBRIDGE ART COLLECTION WAS TEMPORARILY PUT ON DISPLAY IN THE VACANT EATON'S BUILDING, AND PROPOSALS WERE MADE TO MAKE THE INSTALLATION PERMANENT, BUT EVENTUALLY THE PROPERTY WAS SOLD AND DEMOLISHED TO MAKE WAY FOR THE CONSTRUCTION OF A BANK OF MONTREAL BRANCH. IN 1999 THE EATON'S STORE IN PARK PLACE MALL CLOSED JUST PRIOR TO THE ANNOUNCEMENT OF THE BANKRUPTCY OF THE LARGER T. EATON COMPANY LIMITED. SEE PERMANENT FILE P19930072001 FOR HARDCOPIES OF SOURCE MATERIAL.
Catalogue Number
P19990061008
Acquisition Date
1999-10
Collection
Museum
Less detail
Date Range From
1960
Date Range To
1990
Material Type
Artifact
Materials
WOOD, STRAW, STEEL, PAINT
Catalogue Number
P19950073021
Material Type
Artifact
Date Range From
1960
Date Range To
1990
Materials
WOOD, STRAW, STEEL, PAINT
No. Pieces
1
Height
3.3
Length
69.5
Width
13.8
Description
LONG WOOD TUBULAR HANDLE HAS ROUNDED END AND IS PAINTED RED. STRAW BRISTLES ARE GATHERED AT TOP. ARE WOUND TIGHTLY AROUND END OF HANDLE AND FASTENED IN PLACE WITH STEEL WIRE AND NAIL. YELLOW BRISTLES FLARE TOWARDS BOTTOM. WHEN IT BEGINS TO WIDEN STRAW IS HELD IN PLACE WITH RED KNOTTED ROPE. PAINT IS CHIPPING, STRAW IS WORN AND BEGINNING TO DISCOLOUR AND FUZZ OUT.
Subjects
MAINTENANCE T&E
TOY
Historical Association
DOMESTIC
History
*UPDATE* IN 2014 COLLECTIONS ASSISTANT JANE EDMUNDSON CONDUCTED A SURVEY OF ART OBJECTS, INCLUDING ONE DONATED AS PART OF THE ING ESTATE (P19950073023). SHE EXTRACTED THE FOLLOWING INFORMATION ON THE ING FAMILY FROM PERMANENT FILE P19950073001, WHICH CONTAINS A TRANSCRIPT OF THE INTERVIEW COLLECTIONS TECH KEVIN MACLEAN CONDUCTED WITH HAROLD ING JR., SON OF HAROLD AND MYRA, IN HIS ROOM AT THE LETHBRIDGE HOTEL IN SEPTEMBER 2005. MYRA WAS BORN IN GOLDEN B.C. TO SHIN-BOW AND CHOW TING RAH; HER FATHER ORGINALLY EMIGRATED TO CANADA TO WORK ON CANADIAN RAILWAY CONSTRUCTION AND LATER BECAME A RESTAURANTEUR, WHERE MYRA DEVELOPED HER ENGLISH SKILLS AS A WAITRESS. "IN 1906 MY DAD [HAROLD ING SR.] LEFT HONG KONG FOR VANCOUVER, HE COULDN'T SPEAK ENGLISH... HE'S GOT TO BE A WAITER, A BUSBOY... AND HE LEARNED ALL THE WAY UP, IN THE MEANTIME PICKING UP ENGLISH... WENT TO WINNIPEG. THIS IS BEFORE ME. BY THEN HE KNEW THE WHOLE SYSTEM OF RESTAURANTING." MYRA AND HAROLD SR. MARRIED AND ADOPTED HAROLD JR. WHEN HE WAS BORN INTO A POOR FAMILY OF ELEVEN IN 1944, IN VANCOUVER. "ME AND MY TWIN SISTER WERE SOLD BECAUSE THERE WERE JUST TOO MANY. SO DAD, MY MOM PICKED ME AND DAD SAID YES THAT'S GOOD... I DON'T KNOW WHERE MY SISTER IS... THERE'S NO WAY OF FINDING OUT." THE ING FAMILY SETTLED IN LETHBRIDGE IN THE LATE 1940S, AND HAROLD SR. OWNS AND OPERATES THE NEW MOON CAFE AND TWO GROCERIES, WHICH ARE RUN BY THE FAMILY AND NEW CHINESE IMMIGRANTS THAT HAROLD SR. SPONSORED. "AT APPROXIMATELY FIVE YEARS OLD [MY FATHER] INTRODUCED ME TO THE NEW MOON CAFE, AND I WAS A BUSBOY AT THE AGE OF FIVE... IN 1951 HE SHOWED ME MY FIRST HUNDRED DOLLAR BILL... BECAUSE HE WAS THE OWNER... HE'D WAKE UP AT FIVE IN THE MORNING TO GO TO THE CAFE, OFF AND ON TO THE GROCERY STORE AND MIGHT BE DONE AT EIGHT AT NIGHT, SUPPER AND IMMEDIATELY TO CHINATOWN [FOR] GAMBLING, PUTTING DOWN MAH JONG." HAROLD JR. ATTENDED WESTMINISTER ELEMENTARY SCHOOL DURING THE DAY, AND CHINESE SCHOOL AT THE CHINESE NATIONAL LEAGUE IN THE EVENINGS - HIS FATHER WAS THE PRESIDENT OF THE NATIONAL LEAGUE, AND THE ORGANIZATION RAN THE SCHOOL, CULTURAL CELEBRATIONS, FILM SCREENINGS, AND BANQUETS, FUNDED BY MEMBERSHIP FEES. HAROLD'S YOUNGER BROTHER, CALVIN, "GOT SENT TO A BOARDING SCHOOL SOMEWHERE. HE WAS GIFTED, BUT HE HAD A BYPASS SURGERY, HE HAD SOMETHING WRONG WITH HIS HEART. HE COULDN'T HANDLE PUBLIC SCHOOL, SO THEY SENT HIM TO B.C." AFTER HIGH SCHOOL AND A BRIEF STINT IN CALGARY, HAROLD JR. RAN ING'S GROCERY FOR HIS FATHER, AND IN THE LATE 1960S AND EARLY 70S ALSO WORKED AS A PHOTOGRAPHER FOR THE LETHBRIDGE HERALD AND A SALESMAN AT SEARS. BOTH HAROLD SR. AND MYRA ING PASSED AWAY IN THE 1990S, AND THE OBJECTS ENCOMPASSING DONATION P19950073001-231 WERE COLLECTED FROM THE FAMILY HOME. FOR A COMPLETE TRANSCRIPT OF THE INTERVIEW, COPIES OF PHOTOGRAPHS AND WRITTEN DETAILS ON THE CHINESE NATIONAL LEAGUE, SEE PERMANENT FILE.
Catalogue Number
P19950073021
Acquisition Date
1995-11
Collection
Museum
Less detail
Date Range From
1950
Date Range To
1980
Material Type
Artifact
Materials
GLASS
Catalogue Number
P19950073012
Material Type
Artifact
Date Range From
1950
Date Range To
1980
Materials
GLASS
No. Pieces
5
Height
15
Diameter
10.9
Description
5 CLEAR GLASSES HAVE FLAT BASE AND HEXAGON STEM THAT NARROWS AT TOP SLIGHTLY. HOLLOW GLASS BEGINS ABOVE STEM AND FLARES TOWARDS TOP, IS HEXAGON IN SHAPE WITH SIDES BEING SLIGHTLY CURVED. TOP HAS SCALLOPED EDGE WITH LIP THAT FLARES OUT, IS DIFFERENT SECTION THAN SIDES. SHAPE IS AN UP-SIDE-DOWN BELL. ALL HAVE SOME MINOR SOILING AND SCRATCHING OF GLASS.
Subjects
FOOD SERVICE T&E
Historical Association
DOMESTIC
LEISURE
History
*UPDATE* IN 2014 COLLECTIONS ASSISTANT JANE EDMUNDSON CONDUCTED A SURVEY OF ART OBJECTS, INCLUDING ONE DONATED AS PART OF THE ING ESTATE (P19950073023). SHE EXTRACTED THE FOLLOWING INFORMATION ON THE ING FAMILY FROM PERMANENT FILE P19950073001, WHICH CONTAINS A TRANSCRIPT OF THE INTERVIEW COLLECTIONS TECH KEVIN MACLEAN CONDUCTED WITH HAROLD ING JR., SON OF HAROLD AND MYRA, IN HIS ROOM AT THE LETHBRIDGE HOTEL IN SEPTEMBER 2005. MYRA WAS BORN IN GOLDEN B.C. TO SHIN-BOW AND CHOW TING RAH; HER FATHER ORGINALLY EMIGRATED TO CANADA TO WORK ON CANADIAN RAILWAY CONSTRUCTION AND LATER BECAME A RESTAURANTEUR, WHERE MYRA DEVELOPED HER ENGLISH SKILLS AS A WAITRESS. "IN 1906 MY DAD [HAROLD ING SR.] LEFT HONG KONG FOR VANCOUVER, HE COULDN'T SPEAK ENGLISH... HE'S GOT TO BE A WAITER, A BUSBOY... AND HE LEARNED ALL THE WAY UP, IN THE MEANTIME PICKING UP ENGLISH... WENT TO WINNIPEG. THIS IS BEFORE ME. BY THEN HE KNEW THE WHOLE SYSTEM OF RESTAURANTING." MYRA AND HAROLD SR. MARRIED AND ADOPTED HAROLD JR. WHEN HE WAS BORN INTO A POOR FAMILY OF ELEVEN IN 1944, IN VANCOUVER. "ME AND MY TWIN SISTER WERE SOLD BECAUSE THERE WERE JUST TOO MANY. SO DAD, MY MOM PICKED ME AND DAD SAID YES THAT'S GOOD... I DON'T KNOW WHERE MY SISTER IS... THERE'S NO WAY OF FINDING OUT." THE ING FAMILY SETTLED IN LETHBRIDGE IN THE LATE 1940S, AND HAROLD SR. OWNS AND OPERATES THE NEW MOON CAFE AND TWO GROCERIES, WHICH ARE RUN BY THE FAMILY AND NEW CHINESE IMMIGRANTS THAT HAROLD SR. SPONSORED. "AT APPROXIMATELY FIVE YEARS OLD [MY FATHER] INTRODUCED ME TO THE NEW MOON CAFE, AND I WAS A BUSBOY AT THE AGE OF FIVE... IN 1951 HE SHOWED ME MY FIRST HUNDRED DOLLAR BILL... BECAUSE HE WAS THE OWNER... HE'D WAKE UP AT FIVE IN THE MORNING TO GO TO THE CAFE, OFF AND ON TO THE GROCERY STORE AND MIGHT BE DONE AT EIGHT AT NIGHT, SUPPER AND IMMEDIATELY TO CHINATOWN [FOR] GAMBLING, PUTTING DOWN MAH JONG." HAROLD JR. ATTENDED WESTMINISTER ELEMENTARY SCHOOL DURING THE DAY, AND CHINESE SCHOOL AT THE CHINESE NATIONAL LEAGUE IN THE EVENINGS - HIS FATHER WAS THE PRESIDENT OF THE NATIONAL LEAGUE, AND THE ORGANIZATION RAN THE SCHOOL, CULTURAL CELEBRATIONS, FILM SCREENINGS, AND BANQUETS, FUNDED BY MEMBERSHIP FEES. HAROLD'S YOUNGER BROTHER, CALVIN, "GOT SENT TO A BOARDING SCHOOL SOMEWHERE. HE WAS GIFTED, BUT HE HAD A BYPASS SURGERY, HE HAD SOMETHING WRONG WITH HIS HEART. HE COULDN'T HANDLE PUBLIC SCHOOL, SO THEY SENT HIM TO B.C." AFTER HIGH SCHOOL AND A BRIEF STINT IN CALGARY, HAROLD JR. RAN ING'S GROCERY FOR HIS FATHER, AND IN THE LATE 1960S AND EARLY 70S ALSO WORKED AS A PHOTOGRAPHER FOR THE LETHBRIDGE HERALD AND A SALESMAN AT SEARS. BOTH HAROLD SR. AND MYRA ING PASSED AWAY IN THE 1990S, AND THE OBJECTS ENCOMPASSING DONATION P19950073001-231 WERE COLLECTED FROM THE FAMILY HOME. FOR A COMPLETE TRANSCRIPT OF THE INTERVIEW, COPIES OF PHOTOGRAPHS AND WRITTEN DETAILS ON THE CHINESE NATIONAL LEAGUE, SEE PERMANENT FILE.
Catalogue Number
P19950073012
Acquisition Date
1995-11
Collection
Museum
Less detail
Other Name
STEIN
Date Range From
1950
Date Range To
1980
Material Type
Artifact
Materials
GLASS, STEEL, WOOD
Catalogue Number
P19950073013
Material Type
Artifact
Other Name
STEIN
Date Range From
1950
Date Range To
1980
Materials
GLASS, STEEL, WOOD
No. Pieces
1
Height
12.7
Diameter
6.8
Description
CLEAR GLASS IS TINTED BROWN. BOTTOM HAS SLIGHT INDENTED CIRCLE. HAS GROOVES NEAR TOP AND BOTTOM. FROM TOP GROOVE GLASS SLOPES IN SLIGHTLY AND TOP HAS SMALL LIP. AROUND GROOVES ARE STEEL BANDS THAT HAVE CLASPS WHICH ARE SCREWED INTO WOOD HANDLE. HANDLE IS ODD SHAPED HALF OVAL. AROUND SIDE OPPOSITE TO HANDLE IS WRITING TITLED "HERE'S TO YOUR HEALTH AROUND THE WORLD". THEN HAS 16 SAYINGS FROM DIFFERENT COUNTRIES. ON BOTTOM IS GOLD STICKER THAT READS "MADE IN TAIWAN". ETCHING ON BOTTOM READS THE SAME. MINOR SCRATCHING. HAS REMNANTS OF GREEN STICKER ON SIDE.
Subjects
FOOD SERVICE T&E
Historical Association
DOMESTIC
LEISURE
History
*UPDATE* IN 2014 COLLECTIONS ASSISTANT JANE EDMUNDSON CONDUCTED A SURVEY OF ART OBJECTS, INCLUDING ONE DONATED AS PART OF THE ING ESTATE (P19950073023). SHE EXTRACTED THE FOLLOWING INFORMATION ON THE ING FAMILY FROM PERMANENT FILE P19950073001, WHICH CONTAINS A TRANSCRIPT OF THE INTERVIEW COLLECTIONS TECH KEVIN MACLEAN CONDUCTED WITH HAROLD ING JR., SON OF HAROLD AND MYRA, IN HIS ROOM AT THE LETHBRIDGE HOTEL IN SEPTEMBER 2005. MYRA WAS BORN IN GOLDEN B.C. TO SHIN-BOW AND CHOW TING RAH; HER FATHER ORGINALLY EMIGRATED TO CANADA TO WORK ON CANADIAN RAILWAY CONSTRUCTION AND LATER BECAME A RESTAURANTEUR, WHERE MYRA DEVELOPED HER ENGLISH SKILLS AS A WAITRESS. "IN 1906 MY DAD [HAROLD ING SR.] LEFT HONG KONG FOR VANCOUVER, HE COULDN'T SPEAK ENGLISH... HE'S GOT TO BE A WAITER, A BUSBOY... AND HE LEARNED ALL THE WAY UP, IN THE MEANTIME PICKING UP ENGLISH... WENT TO WINNIPEG. THIS IS BEFORE ME. BY THEN HE KNEW THE WHOLE SYSTEM OF RESTAURANTING." MYRA AND HAROLD SR. MARRIED AND ADOPTED HAROLD JR. WHEN HE WAS BORN INTO A POOR FAMILY OF ELEVEN IN 1944, IN VANCOUVER. "ME AND MY TWIN SISTER WERE SOLD BECAUSE THERE WERE JUST TOO MANY. SO DAD, MY MOM PICKED ME AND DAD SAID YES THAT'S GOOD... I DON'T KNOW WHERE MY SISTER IS... THERE'S NO WAY OF FINDING OUT." THE ING FAMILY SETTLED IN LETHBRIDGE IN THE LATE 1940S, AND HAROLD SR. OWNS AND OPERATES THE NEW MOON CAFE AND TWO GROCERIES, WHICH ARE RUN BY THE FAMILY AND NEW CHINESE IMMIGRANTS THAT HAROLD SR. SPONSORED. "AT APPROXIMATELY FIVE YEARS OLD [MY FATHER] INTRODUCED ME TO THE NEW MOON CAFE, AND I WAS A BUSBOY AT THE AGE OF FIVE... IN 1951 HE SHOWED ME MY FIRST HUNDRED DOLLAR BILL... BECAUSE HE WAS THE OWNER... HE'D WAKE UP AT FIVE IN THE MORNING TO GO TO THE CAFE, OFF AND ON TO THE GROCERY STORE AND MIGHT BE DONE AT EIGHT AT NIGHT, SUPPER AND IMMEDIATELY TO CHINATOWN [FOR] GAMBLING, PUTTING DOWN MAH JONG." HAROLD JR. ATTENDED WESTMINISTER ELEMENTARY SCHOOL DURING THE DAY, AND CHINESE SCHOOL AT THE CHINESE NATIONAL LEAGUE IN THE EVENINGS - HIS FATHER WAS THE PRESIDENT OF THE NATIONAL LEAGUE, AND THE ORGANIZATION RAN THE SCHOOL, CULTURAL CELEBRATIONS, FILM SCREENINGS, AND BANQUETS, FUNDED BY MEMBERSHIP FEES. HAROLD'S YOUNGER BROTHER, CALVIN, "GOT SENT TO A BOARDING SCHOOL SOMEWHERE. HE WAS GIFTED, BUT HE HAD A BYPASS SURGERY, HE HAD SOMETHING WRONG WITH HIS HEART. HE COULDN'T HANDLE PUBLIC SCHOOL, SO THEY SENT HIM TO B.C." AFTER HIGH SCHOOL AND A BRIEF STINT IN CALGARY, HAROLD JR. RAN ING'S GROCERY FOR HIS FATHER, AND IN THE LATE 1960S AND EARLY 70S ALSO WORKED AS A PHOTOGRAPHER FOR THE LETHBRIDGE HERALD AND A SALESMAN AT SEARS. BOTH HAROLD SR. AND MYRA ING PASSED AWAY IN THE 1990S, AND THE OBJECTS ENCOMPASSING DONATION P19950073001-231 WERE COLLECTED FROM THE FAMILY HOME. FOR A COMPLETE TRANSCRIPT OF THE INTERVIEW, COPIES OF PHOTOGRAPHS AND WRITTEN DETAILS ON THE CHINESE NATIONAL LEAGUE, SEE PERMANENT FILE.
Catalogue Number
P19950073013
Acquisition Date
1995-11
Collection
Museum
Less detail
Other Name
TRANSISTOR RADIO
Date Range From
1970
Date Range To
1980
Material Type
Artifact
Materials
PLASTIC, CHROME
Catalogue Number
P19950073019
Material Type
Artifact
Other Name
TRANSISTOR RADIO
Date Range From
1970
Date Range To
1980
Materials
PLASTIC, CHROME
No. Pieces
1
Height
5.8
Length
17
Width
11.5
Description
BLACK PLASTIC TEXTURED CASING WITH CHROME TRIM. TOP OF RADIO HAS BLACK PERFORATED PANEL FOR SPEAKER, WITH TWO DIALS ON THE TOP LEFT SIDE LABELLED "VOLUME" AND "SELECTOR", AND ONE ON THE RIGHT FOR TUNING. SELECTOR BAND ACROSS TOP, WITH CLEAR PLASTIC PANEL. "3 BAND 10 TRANSISTOR LLOYD'S" PRINTED BELOW SPEAKER. ANTENNA EXTENDS FROM TOP LEFT SIDE, WITH SHORT HANDLE WHICH CAN ALSO BE EXTENDED FROM MAIN CASE. BACK HAS SMALL PLATE READING "MODEL NO. TR-103 MB IS DESIGNED AND MANUFACTURED EXCLUSIVELY FOR LLOYD'S". BATTERY COMPARTMENT AT BOTTOM OF BACK, WITH BATTERY HOLDER CONNECTED ONLY BY WIRING. PAPER LABEL WITHIN, READING "SERIAL NUMBER 12647" WITH "INSPECTED AS ANO" STAMPED IN ORANGE. BACK OF CASE EMBOSSED WITH "LLOYD'S", "EXT. ANT.", "EAR.", "AC ADP.", AND "JAPAN". SMALL CRACK IN BOTTOM RIGHT HAND CORNER OF CASE.
Subjects
TELECOMMUNICATION T&E
Historical Association
LEISURE
History
*UPDATE* IN 2014 COLLECTIONS ASSISTANT JANE EDMUNDSON CONDUCTED A SURVEY OF ART OBJECTS, INCLUDING ONE DONATED AS PART OF THE ING ESTATE (P19950073023). SHE EXTRACTED THE FOLLOWING INFORMATION ON THE ING FAMILY FROM PERMANENT FILE P19950073001, WHICH CONTAINS A TRANSCRIPT OF THE INTERVIEW COLLECTIONS TECH KEVIN MACLEAN CONDUCTED WITH HAROLD ING JR., SON OF HAROLD AND MYRA, IN HIS ROOM AT THE LETHBRIDGE HOTEL IN SEPTEMBER 2005. MYRA WAS BORN IN GOLDEN B.C. TO SHIN-BOW AND CHOW TING RAH; HER FATHER ORGINALLY EMIGRATED TO CANADA TO WORK ON CANADIAN RAILWAY CONSTRUCTION AND LATER BECAME A RESTAURANTEUR, WHERE MYRA DEVELOPED HER ENGLISH SKILLS AS A WAITRESS. "IN 1906 MY DAD [HAROLD ING SR.] LEFT HONG KONG FOR VANCOUVER, HE COULDN'T SPEAK ENGLISH... HE'S GOT TO BE A WAITER, A BUSBOY... AND HE LEARNED ALL THE WAY UP, IN THE MEANTIME PICKING UP ENGLISH... WENT TO WINNIPEG. THIS IS BEFORE ME. BY THEN HE KNEW THE WHOLE SYSTEM OF RESTAURANTING." MYRA AND HAROLD SR. MARRIED AND ADOPTED HAROLD JR. WHEN HE WAS BORN INTO A POOR FAMILY OF ELEVEN IN 1944, IN VANCOUVER. "ME AND MY TWIN SISTER WERE SOLD BECAUSE THERE WERE JUST TOO MANY. SO DAD, MY MOM PICKED ME AND DAD SAID YES THAT'S GOOD... I DON'T KNOW WHERE MY SISTER IS... THERE'S NO WAY OF FINDING OUT." THE ING FAMILY SETTLED IN LETHBRIDGE IN THE LATE 1940S, AND HAROLD SR. OWNS AND OPERATES THE NEW MOON CAFE AND TWO GROCERIES, WHICH ARE RUN BY THE FAMILY AND NEW CHINESE IMMIGRANTS THAT HAROLD SR. SPONSORED. "AT APPROXIMATELY FIVE YEARS OLD [MY FATHER] INTRODUCED ME TO THE NEW MOON CAFE, AND I WAS A BUSBOY AT THE AGE OF FIVE... IN 1951 HE SHOWED ME MY FIRST HUNDRED DOLLAR BILL... BECAUSE HE WAS THE OWNER... HE'D WAKE UP AT FIVE IN THE MORNING TO GO TO THE CAFE, OFF AND ON TO THE GROCERY STORE AND MIGHT BE DONE AT EIGHT AT NIGHT, SUPPER AND IMMEDIATELY TO CHINATOWN [FOR] GAMBLING, PUTTING DOWN MAH JONG." HAROLD JR. ATTENDED WESTMINISTER ELEMENTARY SCHOOL DURING THE DAY, AND CHINESE SCHOOL AT THE CHINESE NATIONAL LEAGUE IN THE EVENINGS - HIS FATHER WAS THE PRESIDENT OF THE NATIONAL LEAGUE, AND THE ORGANIZATION RAN THE SCHOOL, CULTURAL CELEBRATIONS, FILM SCREENINGS, AND BANQUETS, FUNDED BY MEMBERSHIP FEES. HAROLD'S YOUNGER BROTHER, CALVIN, "GOT SENT TO A BOARDING SCHOOL SOMEWHERE. HE WAS GIFTED, BUT HE HAD A BYPASS SURGERY, HE HAD SOMETHING WRONG WITH HIS HEART. HE COULDN'T HANDLE PUBLIC SCHOOL, SO THEY SENT HIM TO B.C." AFTER HIGH SCHOOL AND A BRIEF STINT IN CALGARY, HAROLD JR. RAN ING'S GROCERY FOR HIS FATHER, AND IN THE LATE 1960S AND EARLY 70S ALSO WORKED AS A PHOTOGRAPHER FOR THE LETHBRIDGE HERALD AND A SALESMAN AT SEARS. BOTH HAROLD SR. AND MYRA ING PASSED AWAY IN THE 1990S, AND THE OBJECTS ENCOMPASSING DONATION P19950073001-231 WERE COLLECTED FROM THE FAMILY HOME. FOR A COMPLETE TRANSCRIPT OF THE INTERVIEW, COPIES OF PHOTOGRAPHS AND WRITTEN DETAILS ON THE CHINESE NATIONAL LEAGUE, SEE PERMANENT FILE.
Catalogue Number
P19950073019
Acquisition Date
1995-11
Collection
Museum
Less detail
Other Name
PM-540 ELECTRONIC FLASH WITH BATTERY RECHARGER
Date Range From
1970
Date Range To
1980
Material Type
Artifact
Materials
PLASTIC, ALUMINUM
Catalogue Number
P19950073046
Material Type
Artifact
Other Name
PM-540 ELECTRONIC FLASH WITH BATTERY RECHARGER
Date Range From
1970
Date Range To
1980
Materials
PLASTIC, ALUMINUM
No. Pieces
2
Height
7.6
Length
18.5
Width
7
Description
1. GREY PLASTIC CYLINDRICAL BODY WITH DARKER GREY FLASH HEAD. CLEAR PLASTIC GROOVED FACE ON HEAD, WITH OUTLET FOR ELECTRICAL CORD BELOW. GROOVED ALUMINUM FERRULE AT JOINT OF HEAD AND SHANK, WITH TWO SMALLER BANDS BELOW, HOLDING SLIDE CLIP FOR ATTACHING TO CAMERA. CLEAR PLASTIC DIAL BENEATH CLIP. BOTTOM OF SHANK READS "PM PRODUCT 117V. 4W. 60C. TOKYO JAPAN". FERRULE ENGRAVED WITH "PM 540 MADE IN JAPAN". DIAL AT BACK OF HEAD FOR ADJUSTING FLASH SPEED. INCLUDES REMOVABLE TWO-PRONG BLACK ELECTRICAL CORD, WITH "MADE IN JAPAN" ON PLUG. 2. 3.8CM (H) X 13.2CM (L) X 9.7CM (W). GREY PLASTIC RECTANGULAR CASE WITH DARKER GREY REMOVABLE LID. CLASP AT ONE END, WITH SHORT MALLEABLE PLASTIC STRAP AT BACK AND ON/OFF SWITCH AT SIDE. COILED BLACK ELECTRICAL CORD INCLUDED WITH SINGLE PRONG. INSIDE HAS FIXTURES FOR HOLDING FOUR BATTERIES, WITH PAPER LABEL ON BOTTOM. READS "INSERT FOUR BATTER..." WITH INSTRUCTIONS FOR TYPE TO BE USED. PAPER IS BURNT SLIGHTLY AND TORN. ALUMINUM PARTITION BESIDE BATTERY CASING HAS BEEN PARTIALLY EATEN AWAY BY ACID.
Subjects
PHOTOGRAPHIC T&E
Historical Association
LEISURE
History
*UPDATE* IN 2014 COLLECTIONS ASSISTANT JANE EDMUNDSON CONDUCTED A SURVEY OF ART OBJECTS, INCLUDING ONE DONATED AS PART OF THE ING ESTATE (P19950073023). SHE EXTRACTED THE FOLLOWING INFORMATION ON THE ING FAMILY FROM PERMANENT FILE P19950073001, WHICH CONTAINS A TRANSCRIPT OF THE INTERVIEW COLLECTIONS TECH KEVIN MACLEAN CONDUCTED WITH HAROLD ING JR., SON OF HAROLD AND MYRA, IN HIS ROOM AT THE LETHBRIDGE HOTEL IN SEPTEMBER 2005. MYRA WAS BORN IN GOLDEN B.C. TO SHIN-BOW AND CHOW TING RAH; HER FATHER ORGINALLY EMIGRATED TO CANADA TO WORK ON CANADIAN RAILWAY CONSTRUCTION AND LATER BECAME A RESTAURANTEUR, WHERE MYRA DEVELOPED HER ENGLISH SKILLS AS A WAITRESS. "IN 1906 MY DAD [HAROLD ING SR.] LEFT HONG KONG FOR VANCOUVER, HE COULDN'T SPEAK ENGLISH... HE'S GOT TO BE A WAITER, A BUSBOY... AND HE LEARNED ALL THE WAY UP, IN THE MEANTIME PICKING UP ENGLISH... WENT TO WINNIPEG. THIS IS BEFORE ME. BY THEN HE KNEW THE WHOLE SYSTEM OF RESTAURANTING." MYRA AND HAROLD SR. MARRIED AND ADOPTED HAROLD JR. WHEN HE WAS BORN INTO A POOR FAMILY OF ELEVEN IN 1944, IN VANCOUVER. "ME AND MY TWIN SISTER WERE SOLD BECAUSE THERE WERE JUST TOO MANY. SO DAD, MY MOM PICKED ME AND DAD SAID YES THAT'S GOOD... I DON'T KNOW WHERE MY SISTER IS... THERE'S NO WAY OF FINDING OUT." THE ING FAMILY SETTLED IN LETHBRIDGE IN THE LATE 1940S, AND HAROLD SR. OWNS AND OPERATES THE NEW MOON CAFE AND TWO GROCERIES, WHICH ARE RUN BY THE FAMILY AND NEW CHINESE IMMIGRANTS THAT HAROLD SR. SPONSORED. "AT APPROXIMATELY FIVE YEARS OLD [MY FATHER] INTRODUCED ME TO THE NEW MOON CAFE, AND I WAS A BUSBOY AT THE AGE OF FIVE... IN 1951 HE SHOWED ME MY FIRST HUNDRED DOLLAR BILL... BECAUSE HE WAS THE OWNER... HE'D WAKE UP AT FIVE IN THE MORNING TO GO TO THE CAFE, OFF AND ON TO THE GROCERY STORE AND MIGHT BE DONE AT EIGHT AT NIGHT, SUPPER AND IMMEDIATELY TO CHINATOWN [FOR] GAMBLING, PUTTING DOWN MAH JONG." HAROLD JR. ATTENDED WESTMINISTER ELEMENTARY SCHOOL DURING THE DAY, AND CHINESE SCHOOL AT THE CHINESE NATIONAL LEAGUE IN THE EVENINGS - HIS FATHER WAS THE PRESIDENT OF THE NATIONAL LEAGUE, AND THE ORGANIZATION RAN THE SCHOOL, CULTURAL CELEBRATIONS, FILM SCREENINGS, AND BANQUETS, FUNDED BY MEMBERSHIP FEES. HAROLD'S YOUNGER BROTHER, CALVIN, "GOT SENT TO A BOARDING SCHOOL SOMEWHERE. HE WAS GIFTED, BUT HE HAD A BYPASS SURGERY, HE HAD SOMETHING WRONG WITH HIS HEART. HE COULDN'T HANDLE PUBLIC SCHOOL, SO THEY SENT HIM TO B.C." AFTER HIGH SCHOOL AND A BRIEF STINT IN CALGARY, HAROLD JR. RAN ING'S GROCERY FOR HIS FATHER, AND IN THE LATE 1960S AND EARLY 70S ALSO WORKED AS A PHOTOGRAPHER FOR THE LETHBRIDGE HERALD AND A SALESMAN AT SEARS. BOTH HAROLD SR. AND MYRA ING PASSED AWAY IN THE 1990S, AND THE OBJECTS ENCOMPASSING DONATION P19950073001-231 WERE COLLECTED FROM THE FAMILY HOME. FOR A COMPLETE TRANSCRIPT OF THE INTERVIEW, COPIES OF PHOTOGRAPHS AND WRITTEN DETAILS ON THE CHINESE NATIONAL LEAGUE, SEE PERMANENT FILE.
Catalogue Number
P19950073046
Acquisition Date
1995-11
Collection
Museum
Less detail
Date Range From
1960
Date Range To
1990
Material Type
Artifact
Materials
WOOD, CARDBOARD, NYLON
Catalogue Number
P19950073031
Material Type
Artifact
Date Range From
1960
Date Range To
1990
Materials
WOOD, CARDBOARD, NYLON
No. Pieces
2
Height
25.8
Length
8.3
Width
6.5
Description
STIFF NYLON ASIAN DOLL HAS BLACK HAIR IN ROLLED BUNS ON EACH SIDE OF THE HEAD WITH GOLD PIECES HOLDING THEM IN PLACE. IN BACK IS LONG PONYTAIL WITH POINTED END TIED BY RED RIBBON. HAS ON RED SHIRT WITH LARGE SLEEVES AND YELLOW CUFF TRIM, HAS YELLOW YOKE OVER NECK WITH MULTI-COLOUR TRIM. HAS BLUE BORDER BELT WITH DESIGNS IN MIDDLE. HAS PINK WRAP-AROUND APRON WITH SCALLOPED MULTI-COLOURED TRIM, COMES TOGETHER AT SIDE, NOT ALL THE WAY AROUND. HAS AQUA LONG SKIRT THAT FALLS IN PLEATS BELOW APRON AND FLARES OUT ON FLOOR WITH ORANGE RIBBON TRIM. TWO FINGERS OF EACH HAND ARE FOLDED IN AND IN HER RIGHT HAND SHE IS HOLDING A RED ROPE THAT HAS A WHITE PRINT PURSE WITH GOLD FRAME AND RED TASSELS WITH GREEN BEADS. IS ON A BLACK WOOD DISC STAND. IS STORED IN A RECTANGULAR CARDBOARD BOX. BOX IS HELD TOGETHER BY FOUR STAPLES AT BACK AND BOTH TOP AND BOTTOM OPEN AND HAVE A FOLDED FLAP TO INSERT IN BOX WHICH HOLDS IT IN PLACE.
Subjects
TOY
PERSONAL GEAR
Historical Association
LEISURE
History
*UPDATE* IN 2014 COLLECTIONS ASSISTANT JANE EDMUNDSON CONDUCTED A SURVEY OF ART OBJECTS, INCLUDING ONE DONATED AS PART OF THE ING ESTATE (P19950073023). SHE EXTRACTED THE FOLLOWING INFORMATION ON THE ING FAMILY FROM PERMANENT FILE P19950073001, WHICH CONTAINS A TRANSCRIPT OF THE INTERVIEW COLLECTIONS TECH KEVIN MACLEAN CONDUCTED WITH HAROLD ING JR., SON OF HAROLD AND MYRA, IN HIS ROOM AT THE LETHBRIDGE HOTEL IN SEPTEMBER 2005. MYRA WAS BORN IN GOLDEN B.C. TO SHIN-BOW AND CHOW TING RAH; HER FATHER ORGINALLY EMIGRATED TO CANADA TO WORK ON CANADIAN RAILWAY CONSTRUCTION AND LATER BECAME A RESTAURANTEUR, WHERE MYRA DEVELOPED HER ENGLISH SKILLS AS A WAITRESS. "IN 1906 MY DAD [HAROLD ING SR.] LEFT HONG KONG FOR VANCOUVER, HE COULDN'T SPEAK ENGLISH... HE'S GOT TO BE A WAITER, A BUSBOY... AND HE LEARNED ALL THE WAY UP, IN THE MEANTIME PICKING UP ENGLISH... WENT TO WINNIPEG. THIS IS BEFORE ME. BY THEN HE KNEW THE WHOLE SYSTEM OF RESTAURANTING." MYRA AND HAROLD SR. MARRIED AND ADOPTED HAROLD JR. WHEN HE WAS BORN INTO A POOR FAMILY OF ELEVEN IN 1944, IN VANCOUVER. "ME AND MY TWIN SISTER WERE SOLD BECAUSE THERE WERE JUST TOO MANY. SO DAD, MY MOM PICKED ME AND DAD SAID YES THAT'S GOOD... I DON'T KNOW WHERE MY SISTER IS... THERE'S NO WAY OF FINDING OUT." THE ING FAMILY SETTLED IN LETHBRIDGE IN THE LATE 1940S, AND HAROLD SR. OWNS AND OPERATES THE NEW MOON CAFE AND TWO GROCERIES, WHICH ARE RUN BY THE FAMILY AND NEW CHINESE IMMIGRANTS THAT HAROLD SR. SPONSORED. "AT APPROXIMATELY FIVE YEARS OLD [MY FATHER] INTRODUCED ME TO THE NEW MOON CAFE, AND I WAS A BUSBOY AT THE AGE OF FIVE... IN 1951 HE SHOWED ME MY FIRST HUNDRED DOLLAR BILL... BECAUSE HE WAS THE OWNER... HE'D WAKE UP AT FIVE IN THE MORNING TO GO TO THE CAFE, OFF AND ON TO THE GROCERY STORE AND MIGHT BE DONE AT EIGHT AT NIGHT, SUPPER AND IMMEDIATELY TO CHINATOWN [FOR] GAMBLING, PUTTING DOWN MAH JONG." HAROLD JR. ATTENDED WESTMINISTER ELEMENTARY SCHOOL DURING THE DAY, AND CHINESE SCHOOL AT THE CHINESE NATIONAL LEAGUE IN THE EVENINGS - HIS FATHER WAS THE PRESIDENT OF THE NATIONAL LEAGUE, AND THE ORGANIZATION RAN THE SCHOOL, CULTURAL CELEBRATIONS, FILM SCREENINGS, AND BANQUETS, FUNDED BY MEMBERSHIP FEES. HAROLD'S YOUNGER BROTHER, CALVIN, "GOT SENT TO A BOARDING SCHOOL SOMEWHERE. HE WAS GIFTED, BUT HE HAD A BYPASS SURGERY, HE HAD SOMETHING WRONG WITH HIS HEART. HE COULDN'T HANDLE PUBLIC SCHOOL, SO THEY SENT HIM TO B.C." AFTER HIGH SCHOOL AND A BRIEF STINT IN CALGARY, HAROLD JR. RAN ING'S GROCERY FOR HIS FATHER, AND IN THE LATE 1960S AND EARLY 70S ALSO WORKED AS A PHOTOGRAPHER FOR THE LETHBRIDGE HERALD AND A SALESMAN AT SEARS. BOTH HAROLD SR. AND MYRA ING PASSED AWAY IN THE 1990S, AND THE OBJECTS ENCOMPASSING DONATION P19950073001-231 WERE COLLECTED FROM THE FAMILY HOME. FOR A COMPLETE TRANSCRIPT OF THE INTERVIEW, COPIES OF PHOTOGRAPHS AND WRITTEN DETAILS ON THE CHINESE NATIONAL LEAGUE, SEE PERMANENT FILE.
Catalogue Number
P19950073031
Acquisition Date
1995-11
Collection
Museum
Less detail
Other Name
DRIVE-IN THEATRE SPEAKER
Date Range From
1949
Date Range To
1983
Material Type
Artifact
Materials
IRON, RUBBER, PLASTIC
Catalogue Number
P19930048006
Material Type
Artifact
Other Name
DRIVE-IN THEATRE SPEAKER
Date Range From
1949
Date Range To
1983
Materials
IRON, RUBBER, PLASTIC
No. Pieces
1
Height
18
Length
12
Width
12
Description
IRON SPEAKER WITH RED BUTTON AND COILED BLACK CORD. RECTANGULAR METAL BOX WITH SLATTED FRONT AND ROUNDED CORNERS. BOX HAS OPENING IN FRONT WITH 9 SLATS COVERING SPEAKER INSIDE. AT BOTTOM OF BOX IS RED KNOB THAT TURNS- USED TO CONTROL VOLUME. AT TOP BACK OF SPEAKER IS FLAT EXTENSION 5CM (L) X 6.5CM (W) WITH LIP FOR ATTACHING SPEAKER TO VEHICLE. ON EITHER SIDE OF EXTENSION IS SINGLE HOLE FOR ACCESS TO SCREWS. EXTENDING FROM HOLE AT END OF EXTENSION IS 65CM BLACK COILED CORD. CORD IS COVERED WITH RUBBER AND HAS TWO CONNECTING WIRES AT ITS END. STAMPED IN WHITE ON WIRE IS "18-2 TYPE SVO E-3462 LL7874". RAISED FROM BACK OF SPEAKER IS "HAMMOND GUELPH CANADA 5200". A THIRD HOLE FOR ACCESS TO SCREW IS AT BOTTOM BACK OF SPEAKER. SPEAKER IS PAINTED GREY AND PAINT IS CHIPPED AND SCRATCHED.
Subjects
SOUND COMMUNICATION T&E
Historical Association
LEISURE
History
SEE P19930048001-GA FOR DONOR HISTORY. POSSIBLY USED AT THE GREEN ACRES DRIVE-IN THEATRE, (LETHBRIDGE), OPENED IN 1950 BY WESTERN DRIVE-IN THEATRES AND SHORTLY AFTER BOUGHT OUT BY THE SHACKLEFORDS, IN ORDER TO MAINTAIN THEIR MONOPOLY. ***** SPEAKER FEATURED AS PART OF LETHBRIDGE LIVING MAGAZINE’S WHAT’S IT FEATURE IN JUNE 2011. NARRITIVE SUBMITTED BY THE GALT TO THE MAGAZINE FOLLOWS BELOW. PLEASE SEE ARTIFACT’S PERMANENT FILE TO SEE COMPLIMENTARY LETHBRIDGE HERALD CLIPPINGS RELATED TO THEATRE AND ITS SOUND SYSTEM. IN 1949, CALGARY-BASED WESTERN DRIVE-IN THEATRE LTD. ERECTED AN OPEN AIR THEATRE IN LETHBRIDGE ON THE SOUTHEAST CORNER OF MAYOR MAGRATH AND SCENIC DRIVES SOUTH. AT THE TIME OF ITS CLOSURE, THE 13-ACRE SITE HAD THE ABILITY TO ACCOMMODATE 575 CARS. LETHBRIDGE’S MAJESTIC THEATRES LTD. PURCHASED THE CITY’S GREEN ACRES DRIVE-IN IN 1952. IN ITS EARLY DECADES, THE THEATRE PROVED TO BE A SUCCESSFUL VENTURE, ENTICING THE PARENTS OF YOUNG CHILDREN AS PRIMARY MOVIEGOERS. CHILDREN WERE BROUGHT TO THE SHOW IN THEIR PAJAMAS AND FELL ASLEEP IN THEIR PARENTS’ CAR, ALLOWING MOM AND DAD TO ENJOY THE MAIN FEATURE IN RELATIVE SILENCE. IN 1983, MAJESTIC THEATRES UPGRADED THE SOUND SYSTEM AT THE DRIVE-IN, WITHDRAWING THE WINDOW-BASED SPEAKER (FEATURED) IN EXCHANGE FOR A MOVIE SOUND-SIGNAL THAT WAS RECEIVED BY THE CUSTOMER’S AM CAR RADIO. THE INTRODUCTION OF DAYLIGHT SAVINGS TIME IN 1972 AND HOME VIDEO SALES IN THE EARLY 80S PROVED, ACCORDING TO MAJESTIC THEATRES’ OWNER A.W. SHACKLEFORD, TO BE ALBERTA’S DRIVE-IN THEATRE DOWNFALL. DAYLIGHT SAVINGS TIME IN JULY AND AUGUST MEANT THAT SHOWS COULD NOT BEGIN UNTIL AFTER 10:00 P.M., DISCOURAGING THE ONGOING PATRONAGE OF PARENTS. ON THE THEATRE’S 1986 CLOSING WEEKEND, THE DRIVE-IN PLAYED HOST TO BETWEEN 61 AND 125 CARS. *UPDATE* IN 2014 COLLECTIONS ASSISTANT JANE EDMUNDSON CONDUCTED A SURVEY OF ART OBJECTS, INCLUDING A PORTRAIT OF THE FINAL OWNER OF THE LETHBRIDGE DRIVE-IN THEATRE, ALFRED WILLIAM SHACKLEFORD (P20060025001-GA). THE FOLLOWING BIOGRAPHY OF MAYOR SHACKLEFORD WAS DEVELOPED WITH INFORMATION FROM ARCHIVES CANADA ONLINE AND A LETHBRIDGE HERALD TRIBUTE ARTICLE FROM MAY 31, 1992. A.W. SHACKLEFORD WAS BORN IN ESSEX, ENGLAND IN 1899 AND CAME TO CALGARY WITH HIS PARENTS IN 1909. AFTER HIGH SCHOOL HE TRAINED AS A DRAFTSMAN BUT WAS EMPLOYED BY THE FILM EXCHANGE AND FOX FILMS. IN 1921 HE WAS HIRED TO MANAGED THE KING'S THEATRE IN LETHBRIDGE AND BECAME ASSOCIATED WITH MARK ROGERS, A LETHBRIDGE BUSINESSMAN WHO OWNED THREE LOCAL MOVIE THEATRES. SHACKLEFORD ALSO BECAME PARTNER IN THE AMUSEMENT COMPANY THAT OPENED THE HENDERSON LAKE PAVILLION IN 1924. BY 1925 HE WAS PART-OWNER OF THE FORMER EMPRESS THEATRE ON 5TH AVENUE SOUTH, RENAMING IT THE ROXY. HE THEN TEAMED UP WITH THE FAMOUS PLAYERS COMPANY TO REMODEL THE FORMER PALACE THEATRE AND RENAME IT THE CAPITOL. SHACKLEFORD ALSO OPENED THE THEATRE IN THE FORMER COLLEGE MALL, BUILT THE 960-SEAT PARAMOUNT THEATRE ON 4TH AVENUE SOUTH, AND TOOK OVER OPERATION OF THE DIRVE-IN THEATRE AT THE SOUTH CITY LIMITS. SHACKLEFORD WAS HEAVILY INVOLVED IN CIVIC LIFE, ACTIVE IN GROUPS INCLUDING THE CANADIAN CANCER SOCIETY, THE GYRO CLUB, UNITED WAY, LETHBRIDGE & DISTRICT EXHIBITION BOARD, BOARD OF TRADE, ST. AUGUSTINE'S CHURCH, AND THE ALBERTA THEATRE OPERATORS ASSOCIATION. HE AND HIS WIFE ADA HAD TWO SONS, ROBERT AND DOUGLAS. AFTER SEVERAL TERMS AS ALDERMAN STARTING IN 1939, SHACKLEFORD FIRST SERVED AS MAYOR FROM 1944 - 1947, AND FOR TWO MORE TERMS FROM 1952 - 1955 AND 1957 - 1961. HE WORKED FOR 68 YEARS IN THE MOVIE BUSINESS, RETIRING AT AGE 90. W.A. SHACKLEFORD DIED IN LETHBRIDGE ON MAY 30, 1992. SEE PERMANENT FILE P20060025001 FOR HARDCOPIES OF SOURCE MATERIAL.
Catalogue Number
P19930048006
Acquisition Date
1996-08
Collection
Museum
Less detail
Date Range From
1970
Date Range To
1980
Material Type
Artifact
Materials
METAL, PLASTIC, STEEL
Catalogue Number
P20120038005
  2 images  
Material Type
Artifact
Date Range From
1970
Date Range To
1980
Materials
METAL, PLASTIC, STEEL
No. Pieces
2
Height
15.7
Length
18.6
Width
21
Description
A. SILVER FILM SPLICER WITH BLACK HANDLE; HANDLE LOWERS TO PRESS ON TABLE WITH SPLICERS; SILVER AND BLUE LABEL ON HANDLE READS, “GENERAL SOUND AND THEATRE EQUIPMENT LIMITED”. SPLICER HAS TAPE DISPENSER BELOW HANDLE WITH DISCOLOURED/YELLOWED CLEAR TAPE; BLUE TEXT BENEATH TAPE REPEATS “GENERAL SOUND” WITH A BLACK DIAL BESIDE THE TAPE ROLL FOR TURNING TAPE ON DISPENSER. TEXT ON TOP OF SPLICER AT UPPER LEFT CORNER READS “COSTRUZIONE INCOLLATRICI RAPIDE – ROMA”; TEXT ON TOP OF SPLICER AT UPPER RIGHT CORNER READS “M.2 – 35M/M, MADE IN ITALY, PATENTED”. SPLICER HAS A DOUBLE KNIFE ON RIGHT SIDE, WITH ONE STRAIGHT CUT AND ONE DIAGONAL CUT FOR FILM. SILVER LABEL ON INSIDE OF SPLICER READS “RENTED FROM, CANADIAN MOTION PICTURE EQUIPMENT RENTALS LTD., 33 GRANBY ST., TORONTO M5B 1H8, 977-7113”. SILVER LABEL ON BOTTOM OF SPLICER READS “MADE IN ITALY, OFFICINE MECCANICHE, DR. LEO CATOZZO, 00050 SANTA SEVERA (ROMA), TEL 0766 /740008-740181”. TEXT EMBOSSED ON BOTTOM OF SPLICER READS “USA PATENTS N.3075572, N.4002522, COSTRUZIONE INCOLLATRICI RAPIDE ROMA, 2575”. SPLICER HANDLE IS WORN AT EDGES; SPLICER HAS DIRT AND RUST UNDER HANDLE. SPLICER IS IN OVERALL VERY GOOD CONDITION AND SHOWS MINOR SIGNS OF WEAR. B. ROLL OF YELLOW TAPE, 4.5CM DIAMETER X 3.7CM TALL. YELLOW PLASTIC TAPE WOUND ON WHITE PLASTIC SPOOL; TAPE HAS ORANGE TAB AT END OF ROLL; TAPE HAS GLOSS FINISH. TAPE IS UNUSED; OVERALL EXCELLENT CONDITION.
Subjects
PHOTOGRAPHIC T&E
Historical Association
BUSINESS
LEISURE
History
ON APRIL 11, 2018, COLLECTIONS TECHNICIAN KEVIN MACLEAN INTERVIEWED LARRY AND ANDREA BECKER, OWNERS OF THE FORMER WATERTON THEATRE IN SOUTHERN ALBERTA WHERE THE PROJECTION EQUIPMENT WAS USED. DURING THE INTERVIEW, THE BECKERS ELABORATED ON HOW THEIR THEATRE CLOSED, HOW THE EQUIPMENT WAS USED IN THEIR THEATRE, AND HOW AL ANCTIL CAME INTO POSSESSION OF THE THEATRE PROJECTION EQUIPMENT. LARRY BECKER SPOKE TO HOW ANCTIL BECAME THE OWNER AND DONOR OF THE EQUIPMENT, STATING, “THIS EQUIPMENT IS BUILT AND DESIGNED TO EXHIBIT 35 MM MOTION PICTURE FILM. IN 2011, WHEN WE DISPOSED OF THE EQUIPMENT, FILM WAS BECOMING OBSOLETE. IT WAS NO LONGER AVAILABLE TO US AS AN EXHIBITION MEDIUM, SO WE WERE FACED WITH THE CHALLENGE OF CONVERTING TO A DIGITAL PROJECTION, IF WE WANTED TO CONTINUE SHOWING MOTION PICTURES. WE HAD TO GET RID OF THIS, AND AL [ANCTIL] THOUGHT HE HAD A USE FOR IT. AT THE TIME, HE WAS SELLING US COFFEE. WE WERE RUNNING A COFFEE SHOP IN THE THEATRE, SO WE HAD THAT RELATIONSHIP WITH AL; AND I’M NOT SURE WHY AL WANTED IT…I DON’T KNOW IF HE EVER INTENDED TO USE IT. I THINK, UNDER CERTAIN CIRCUMSTANCES, IT MIGHT BE USEFUL, IF SOMEBODY COULD ACCESS SOME 35 MM FILM TO RUN THROUGH IT. WHEN WE HEARD THAT AL WANTED IT, WE SAID “SURE, YOU CAN HAVE IT AL. WE NO LONGER HAVE ANY USE FOR IT.”” “IT WAS THE COST OF THE CONVERSION [THAT INFLUENCED OUR DECISION TO CLOSE]. INITIALLY, WHEN ALL OF THE THEATRES WERE FACED WITH THE CONVERSION, WITHIN A VERY SHORT WINDOW, THE DEMAND FOR THE EQUIPMENT WAS VERY HIGH; COSTS WERE VERY HIGH, AND IT JUST WASN’T FINANCIALLY VIABLE IN A SEASONAL OPERATION, SO WE DECIDED NOT TO PROCEED, AT THAT TIME, WITH THE DIGITAL UPGRADING/CONVERSION. WE WERE WORKING QUITE HARD, BECAUSE WE WERE RUNNING A COFFEE SHOP, AN ICE CREAM STORE, AND A MOVIE THEATRE. THE MOVIE THEATRE WAS THE FUN PART OF IT.” “WE WERE AT THE END OF OUR LAST SEASON IN 2011, AND WE HAD WORKED OUT AN ARRANGEMENT WITH THE TENANT, TO TAKE IT OVER, TO RUN IT AS A ‘STAGE AND GRILL’ KIND OF OPERATION. THEY WERE GOING TO PUT A KITCHEN IN, AND SERVE MEALS, AND PRESENT MUSIC ACTS ON STAGE.” LARRY BECKER DISCUSSED THE PURPOSE OF THE SPLICER IN THE THEATRE, STATING, “WHEN I STARTED WORKING WITH [THE SPLICER], WHEN WE WERE USING THE ACETATE FILM, THIS SPLICER WAS USED PRIMARILY TO SPLICE THE MYLAR FILM STOCKS. THE ACETATE FILM STOCKS THAT I LEARNED TO SPLICE ON, YOU ACTUALLY GLUED THE SPLICES TOGETHER.” “A FILM FRAME HAS 4 PERFORATIONS ON IT SO, TO MAKE A GLUE SPLICE, YOU WOULD CUT A ‘PIE’ PERFORATION PIECE, AND OVERLAP ONE [PERFORATION] AND ACTUALLY PUT IT TOGETHER. THAT WAS A BIT OF AN ART. “I USED THAT SPLICER, SINCE PROBABLY ABOUT 1980. THE…SPLICER WOULD HAVE BEEN OBSOLETE, SHORTLY AFTER I STARTED WORKING, BUT WE USED TO DO ALL THE CURLERS ON IT.” THE BECKERS SPOKE ABOUT THEIR ARRIVAL IN WATERTON AND THEIR HISTORY WORKING IN THEATRES, WITH LARRY BEGINNING HIS CAREER WORKING IN THE PALACE THEATRE IN CALGARY, ALBERTA. IN 1975, THE BECKERS BECAME INTERESTED IN PURCHASING THE THEATRE IN WATERTON, AND BY 1976 THEY WERE RUNNING THE WATERTON THEATRE. LARRY NOTED HOW THE BECKERS BECAME INVOLVED WITH THE WATERTON THEATRE “I WAS TRAVELING TO WATERTON. I HAD NEVER BEEN TO WATERTON. I HAD AN OCCASION TO GO TO GREAT FALLS. IT WAS ON…A BUSINESS TRIP, AND IT WAS OVER A WEEKEND. I LOOKED AT THE MAP, AND I THOUGHT, “IF WE LEAVE AROUND DINNERTIME ON FRIDAY, WE CAN SPEND A NIGHT IN WATERTON…AND THEN WE CAN CONTINUE TO GREAT FALLS THE NEXT DAY.” GOT INTO WATERTON, AND, BY THIS TIME, THE SUN HAD SET, AND I STILL DIDN’T REALIZE I WAS IN THE MOUNTAINS. I SORT OF LOOKED AROUND. I DIDN’T HAVE A ROOM BOOKED, AND GOT A ROOM IN ALLEN’S LAKESHORE BUNGALOWS, WHICH WERE ON THE SHORE OF WATERTON LAKE, AT THAT TIME, AND WHEN I GOT UP IN THE MORNING, AND LOOKED AROUND, I COULDN’T BELIEVE WHERE I WAS. I MEAN, IT WAS JUST THE MOST BEAUTIFUL THING…IT WAS STUNNINGLY, GORGEOUS! THEN I THOUGHT, “I’LL TAKE A STROLL AROUND TOWN”, AND THERE WAS A MOVIE THEATRE. OF COURSE, BEING IN THE BUSINESS, I’VE GOT TO STOP AND YOU…FIND OUT WHAT’S GOING ON THERE. I CHATTED WITH A YOUNG FAMILY THAT WERE LOOKING AFTER THE PLACE FOR LOTTIE BREWERTON. LOTTIE, AND HER HUSBAND, GORDON, HAD BUILT IT BACK IN ’35. LOTTIE WAS GORDON’S WIDOW. SHE WASN’T INVOLVED IN THE OPERATION, BUT SHE HAD SOME YOUNG FAMILY THAT WERE HELPING HER OUT, SO, IN THE CONVERSATION, THEY SAID, “YOU KNOW, I THINK LOTTIE WANTS TO SELL.” I WENT BACK TO CALGARY, AND NEVER REALLY THOUGHT TOO MUCH ABOUT IT UNTIL SEVERAL MONTHS LATER, AND IT WAS SORT OF ON MY MIND, AND I THOUGHT, “WELL, I’M GOING TO GET AHOLD OF LOTTIE AND SEE WHAT THE DEAL IS HERE?” “IT NEEDED WORK. IT’S NOT A BIG MONEY-MAKING OPERATION IN WATERTON, SO IT WAS…HARD TO DO THE THINGS THAT NEEDED TO BE DONE. OVER THE YEARS, WE KIND OF KEPT IT GOING…BUT IT WAS ALWAYS…AN EXPERIENTIAL THING. IT WAS KIND OF AN ANTIQUE IN ITSELF. IT WAS NEVER INTENDED TO BE LIKE THE CITY THEATRES – IT’S A MUCH MORE CASUAL ENVIRONMENT.” “I LIKE THE STYLE OF THE BUILDING. IT’S A GORGEOUS OLD BUILDING – TUDOR-REVIVAL. IT’S GOT AN INTERESTING HISTORY. BACK IN THE MID-‘30S, PARKS CANADA WAS ENCOURAGING DEVELOPMENT IN WATERTON, AND WAS GIVING OUT THE COMMERCIAL LEASES, BUT THEY ALSO WANTED SORT OF AN ARCHITECTURAL THEME TO THE TOWNSITE. THEY HAD AN ARCHITECTURAL DIVISION, AND THEY HAD ARCHITECTS ON STAFF, AND IT WAS THAT BRANCH OF PARKS CANADA, THAT DESIGNED THAT BUILDING, AND MANY OF THE OTHER BUILDINGS IN WATERTON. IT’S GOT SOME CHARM. IT’S NICE THAT WAY.” ANDREA BECKER ADDED, “IT’S…A PRIVILEGE TO BE A WATERTON BUSINESS OWNER. IT’S A VERY SMALL COMMUNITY, AND IT’S A LIFESTYLE KIND OF ENVIRONMENT, AS WELL, FOR THE BUSINESS PEOPLE THERE. WE…FEEL THAT IT IS A SPECIAL THING TO DO…” LARRY BECKER SPOKE TO HIS TRAINING WORKING IN THEATRES AND HIS EARLY START IN THE WATERTON THEATRE, “WHEN I STARTED DOING PROJECTION WORK, IT WAS A LICENSED TRADE IN THE PROVINCE OF ALBERTA, AND, IN THE EARLY DAYS OF MOTION PICTURE EXHIBITION, THE FILM STOCK WAS A SILVER NITRATE FILM STOCK WHICH WAS, LITERALLY, EXPLOSIVE. PROJECTION ROOMS, INCLUDING THE ONE IN WATERTON, WERE BUILT LIKE A BUNKER. THEY WERE CEMENT ROOMS, WITH FIRE SHUTTERS, THAT WOULD SLAM SHUT IF SOMETHING WENT WRONG IN THE PROJECTION ROOM. THE APPRENTICESHIP PROGRAM TO BECOME A PROJECTIONIST WAS A 3 YEAR PROGRAM, AND THERE WAS DIFFERENT CATEGORIES OF LICENSING. WHEN I STARTED IN [1977] I OWNED THE THEATRE IN FORT MACLEOD AND I HAD TO DO AN APPRENTICESHIP, IN MY OWN THEATRE, BEFORE I WAS ALLOWED TO OPERATE THE EQUIPMENT. I BECAME A CERTIFIED PROJECTIONIST. I MENTION THE EARLY DAYS WITH THE SILVER NITRATE FILM, WHICH WAS HIGHLY FLAMMABLE, AND DANGEROUS. THAT HAD BEEN REPLACED BY ACETATE FILM, LONG BEFORE I BECAME INVOLVED, AND SO THE FILM STOCK WAS NO LONGER…COMBUSTIBLE, AND SO IT WAS A MUCH SAFER ENVIRONMENT. NONETHELESS, SOME OF THE OLD REGULATIONS SORT OF CARRIED FORWARD, AND SLOWLY CHANGED.” “ONE OF THE THINGS THAT WAS INTERESTING ABOUT THE THEATRE WHEN I TOOK IT OVER IS THAT, FOR LIGHT SOURCES IN THE PROJECTION ROOM, THE LAMPS THAT ILLUMINATED THE SCREEN WERE BURNING CARBON ARCS. CARBON ARCS CAME IN A BOX; YOU INSTALLED THEM IN THE LAMP HOUSE. WHEN YOU STARTED THE MOVIE, YOU’D STRIKE THEM TOGETHER, AND THEY WOULD CREATE AN ARC AND FLAME BETWEEN THESE CARBON RODS. THAT WAS WHAT PRODUCED THE LIGHT. IT WAS MAGNIFIED BY A MIRROR DOWN THROUGH THE LENS, AND WITH THE SCREEN. WITH THAT KIND OF A LIGHT SOURCE, YOU HAD TO BE IN THE PROJECTION ROOM…ALL THE TIME. YOU COULDN’T LEAVE THE PROJECTION ROOM WHILE THE MOVIE WAS RUNNING. AS A MATTER OF FACT, PROJECTION ROOMS HAD TOILETS IN THEM DURING THAT PERIOD. CHANGING THAT OUT WAS ONE OF THE FIRST THINGS THAT I DID, BECAUSE IT MADE IT A LOT EASIER TO GET OUT OF THE PROJECTION ROOM. THE OTHER THING – THE FILM WAS RUN OFF OF 18 20-MINUTE REELS AT THAT TIME, SO THERE WERE 2 PROJECTORS. WE WERE CONSTANTLY CHANGING BACK AND FORTH, FROM ONE PROJECTOR TO THE OTHER. GETTING RID OF THE CARBON ARC LAMP HOUSES, AND INSTALLING A PLATTER SYSTEM, WHICH ALLOWED…THE PROGRAM TO BE SPLICED TOGETHER ON THE SINGLE REELS.” FOR MORE INFORMATION INCLUDING FULL INTERVIEW TRANSCRIPT AND HISTORIES OF THE WATERTON THEATRE, PLEASE SEE THE PERMANENT FILE P20120038001-GA.
Catalogue Number
P20120038005
Acquisition Date
2012-10
Collection
Museum
Images
Less detail
Other Name
CASSETTE TAPE
Date Range From
1985
Date Range To
1990
Material Type
Artifact
Materials
PLASTIC, PAPER
Catalogue Number
P20180029005
  2 images  
Material Type
Artifact
Other Name
CASSETTE TAPE
Date Range From
1985
Date Range To
1990
Materials
PLASTIC, PAPER
No. Pieces
3
Height
1.7
Length
11
Width
7
Description
A. CASSETTE TAPE CASE, 11 CM LONG X 7 CM WIDE X 1.7 CM TALL. CLEAR PLASTIC RECTANGULAR CASE WITH TWO PLASTIC PRONGS INSIDE. CASE FRONT HAS EMBOSSED STAMP IN LOWER RIGHT CORNER “TDK, MADE IN JAPAN”. RIGHT SIDE HAS INDENT FOR OPENING; CASE IS HINGED ON LEFT SIDE. CASE IS SCRATCHED AND SCUFFED, WITH BLACK STAINING ON FRONT, BACK, AND LEFT SIDE; OVERALL VERY GOOD CONDITION. B. CASSETTE TAPE, 10 CM LONG X 6.4 CM WIDE X 0.7 CM TALL. TAPE IS BLACK PLASTIC WITH TWO HOLES THROUGH CASSETTE; TAPE HAS CLEAR PLASTIC WINDOW BETWEEN HOLES SHOWING TAPE INSIDE; BOTTOM EDGE OF TAPE HAS FIVE SQUARE OPENINGS SHOWING BROWN TAPE. TAPE HAS WHITE TEXT ON FRONT AND BACK; FRONT TEXT “AC DC * BACK IN BLACK, HELLS BELLS/SHOOT TO THRILL/, WHAT DO YOU DO FOR MONEY HONEY, GIVE THE DOG A BONE/LET ME PUT MY LOVE IN YOU, CP 1, DOLBY SYSTEM, XCS 16018, ATLANTIC”, LOWER LABEL HAS WHITE TEXT BILUNGUAL [ENGLISH AND FRENCH] “MANUFACTURED & DISTRIBUTED BY WEA MUSIC OF CANADA LTD., 810 BIRCHMOUNT RD SCARBOROUGH ONTARIO, A WARNER COMMUNICATIONS COMPANY”. TOP EDGE OF TAPE HAS EMBOSSED TEXT “MADE IN CANADA”. BACK OF TAPE HAS WHITE TEXT “AC DC * BACK IN BLACK, BACK IN BLACK/YOU SHOOK ME ALL NIGHT LONG, HAVE A DRINK ON ME, SHAKE A LEG/ROCK AND ROLL AIN’T NOISE POLLUTION, CP 2, DOLBY SYSTEM, XCS 16018, ATLANTIC”, LOWER LABEL HAS WHITE TEXT BILINGUAL [ENGLISH AND FRENCH] “MANUFACTURED & DISTRIBUTED BY WEA MUSIC OF CANADA LTD., 810 BIRCHMOUNT RD SCARBOROUGH ONTARIO, A WARNER COMMUNICATIONS COMPANY”. TEXT ON TAPE IS WORN AND FADED; LOWER EDGE OF TAPE IS SCUFFED AND STAINED; OVERALL VERY GOOD CONDITION. C. PAPER INSERT FOR CASSETTE TAPE, 10.3 CM LONG X 6.6 CM WIDE X 1.4 CM TALL. PAPER BOOKLET WITH BLACK COVER AND WHITE TEXT; FRONT OF COVER HAS TEXT “AC DC, BACK IN BLACK, ATLANTIC, SUPER CASSETTE”; SIDE OF COVER HAS TEXT “AC/DC, BACK IN BLACK, DOLBY SYSTEM, XCS-16018, SUPER CASSETTE”; BACK OF COVER HAS TEXT INCLUDING TRACK LIST FOR “SIDE ONE/SIDE TWO” AND PHOTOGRAPH OF MAN PLAYING GUITAR, TEXT BELOW PHOTOGRAPH “1980 LEIDSPELEIN PRESSE B.V., UNAUTHORIZED REPRODUCTION OF THIS RECORDING IS PROHIBITED BY LAW AND SUBJECT TO CRIMINAL PROSECUTION”, TEXT BELOW IS BILINGUAL [ENGLISH AND FRENCH] “MANUFACTURED & DISTRIBUTED BY, WEA MUSIC OF CANADA LTD., 1810 BIRCHMOUNT RD. SCARBOROUGH, ONTARIO, A WARNER COMMUNICATIONS COMPANY”. INSIDE OF COVER WHITE WITH BLACK TEXT “ALL SONGS WRITTEN BY YOUNG, YOUNG AND JOHNSON, PRODUCED BY ROBERT JOHN “MUTT” LANGE, ENGINEERED BY TONY PLATT, ASSISTANT ENGINEERS: JACK NEWBER, BENJI ARMBRISTER, RECORDED AT COMPASS POINT STUDIOS, APRIL-MAY 1980, MIXING ENGINEER: BRAD SAMUELSON, ART DIRECTION: BOB DEFRIN, PHOTOS: ROBERT ELLIS”, WITH “THANKS” BELOW, TEXT BELOW “FOR MORE INFORMATION ON AC/DC’S FAN CLUB AND MERCHANDISING, PLEASE SEND A SELF-ADDRESSED ENVELOPE TO: AC/DC FAN CLUB, 18 WATSON CLOSE, BURY ST. EDMUNDS, SUFFOLK ENGLAND, ALBERT PRODUCTIONS”. BACK INSIDE INCLUDES TEXT ON “NEW LEVELS OF EXCELLENCE” IN ENGLISH AND FRENCH. BACK OF BOOKLET HAS TWO HOLES PUNCHED THROUGH; COVER IS WORN AND FADED; OVERALL VERY GOOD CONDITION.
Subjects
SOUND COMMUNICATION T&E
Historical Association
LEISURE
HOME ENTERTAINMENT
History
ON DECEMBER 21, 2018, GALT MUSEUM CURATOR AIMEE BENOIT INTERVIEWED KEVIN MACLEAN REAGARDING HIS DONATION OF PERSONAL OBJECTS. ON THE CASSETTE TAPE, MACLEAN ELABORATED, “I WOULD THINK IT’S…IN THE WINTER OF GRADE 10 THAT I FOUND AC/DC AND THE SONG WAS, “FOR THOSE ABOUT TO ROCK”. I REMEMBER LISTENING TO IT WITH A BUDDY IN KALISPELL AND PLAYING ARCADE GAMES IN THE HOTEL AND THINKING, “OH, MY GOD, THIS IS THE COOLEST.”” “[BECAUSE] I’M A CATHOLIC KID…WE WERE PRETTY INNOCENT KIDS, AND [LISTENING TO BANDS LIKE AC/DC AND IRON MAIDEN] WOULD BE LIKE, “OH, I’M NOT GONNA GO THERE.” IT’S JUST TOO GRAPHIC…I THOUGHT IT DIDN’T REPRESENT ANYTHING GOOD. AC/DC CAME FIRST [FOR ME].” “THE OTHER THING THAT ATTRACTED ME TO AC/DC…THIS IS 1985, SO PART OF [MY INTEREST] IS THAT THEY’RE QUITE BLUE COLLAR…THE GLAM-ROCK THING…NEVER DID AS MUCH FOR ME. BUT THESE GUYS LOOK LIKE ORDINARY, WORKING-CLASS GUYS WHICH…IN TERMS OF WANTING TO FIT IN AND NOT HAVE A LOOK THAT STANDS OUT THEN, THERE WAS SOME APPEAL TO THESE GUYS, TOO.” “THIS, “BACK IN BLACK”, I’M CARRYING IN MY JEAN JACKET IN THE LEFT BREAST POCKET. WHEN I GO TO PARTIES, EVERY SINGLE WEEKEND, I HAD THIS TAPE BECAUSE IF PEOPLE DIDN’T HAVE “BACK IN BLACK” IN THEIR HOUSE, THEN I HAD IT. THEY COULD PLAY IT WHILE WE WERE PARTYING.” MACLEAN RECALLED HIS INTEREST IN MUSIC IN THE 1980S, NOTING, “[MY] DAD LISTENED TO COUNTRY MUSIC, CHARLEY PRIDE AND WILLIE NELSON, WHICH I WASN’T REALLY GETTING ANYTHING OUT OF. MY MOM, THOUGH, HAS ALWAYS BEEN INTERESTED IN CONTEMPORARY STUFF, WHATEVER THAT WORLD MIGHT BE. SHE IS THE ONE IN THE FAMILY WHO’S PROBABLY BUYING MOST OF THE RECORDS AND WHO IS LISTENING TO MUSIC LOTS, IN THE HOUSEHOLD. SHE DID JAZZERCISE STUFF SO SHE TAUGHT CLASSES. THERE’S LOTS OF VINYL IN THE HOUSE WHEN I’M GROWING UP. AT SOME POINT IN TIME, I DON’T KNOW HOW IT HAPPENED, BUT THERE WAS A RECORD PLAYER THAT WENT INTO MY BEDROOM AND INITIALLY, [BECAUSE] IT’S PROBABLY THE ONLY TIME I LISTENED TO VINYL, IT WAS MOM AND DAD’S KENNY ROGERS RECORD. I THINK I LIKED IT [BECAUSE] I COULD SING TO IT.” “IN ABOUT 1983, I WOULD HAVE AN ALLOWANCE. I START BUYING MUSIC AND THAT’S ALL I WANTED MONEY FOR; TO BUY MUSIC AND TO BUY A TAPE BACK THEN BECAUSE TAPES [WERE] COMPETING WITH VINYL RECORDS. WHERE I HAVE FRIENDS WHO ARE YOUNGER THAN ME OR WHO ARE THE SAME AGE AS ME WHO ARE BUYING VINYL, IT’S GENERALLY, I WOULD SAY, BECAUSE THEY HAVE SIBLINGS WHO ARE ALSO BUYING VINYL. THEY’RE DOING THE RECORD PLAYER THING BUT I WENT RIGHT TO CASSETTE.” “WHEN I FIRST STARTED BUYING MUSIC, THE FIRST [CASSETTE] I BOUGHT WAS MICHAEL JACKSON “THRILLER”; THAT WAS THE FIRST ONE. ALMOST AT THE EXACT SAME TIME, I BOUGHT DURAN DURAN “RIO” AND I THINK MY THIRD TAPE WAS EDDY GRANT; IT WAS A SONG CALLED “ELECTRIC AVENUE”. WHEN I’M BUYING MUSIC, I’M COMING INTO LETHBRIDGE. I REMEMBER THERE WAS A MUSIC STORE—THERE [WAS] NO PARK PLACE MALL—IN THE LETHBRIDGE CENTRE MALL.” “MY COUSIN, WHO’S LIVING WITH US—REG—IS SIX YEARS OLDER THAN ME. HE [HAS] A TAPE CASE BEFORE I BUY MY FIRST TAPE CASE. HIS MUSIC IS PREDOMINANTLY CANADIAN ROCK FROM THE EARLY ‘80S. SO, BANDS THAT WERE ALL COMING OUT AT THE SAME TIME LIKE STREETHEART, TORONTO, CHILLIWACK, HEADPINS, PRISM, THE STUFF THAT RON SAKAMOTO, THE PROMOTER, WAS BRINGING INTO THE SPORTSPLEX. BUT I WAS NOT INTERESTED IN ROCK. I WANTED POP MUSIC AND I REMEMBER SHARING MY LOVE OF MY POP MUSIC WITH MY FRIENDS. I REMEMBER WHEN I GOT DURAN DURAN “RIO”, I WOULD CALL UP MY FRIEND ON THE ROTARY DIAL PHONE AND WITH MY VIKING CASSETTE RECORDER/TAPE PLAYER PUSH ‘PLAY’ AND HOLD THE RECEIVER OVER SO THAT HE COULD HEAR THIS MUSIC THAT I WAS SO EXCITED TO SHARE.” “WHEN I BUY, WHEN I TELL MY NEIGHBOUR FRIEND, [I ASK], “IS THIS OKAY? IS THIS A GOOD ONE?” AND THE ONE TIME, I REMEMBER HIM GOING, “YEAH, THAT’S A GOOD CHOICE.” IT WAS A BAND CALLED, THE TUBES. THAT WOULD BE GRADE 8 AND PROBABLY INTO GRADE 9 AND MY TAPE CASE WOULD BE FULL OF STUFF THAT WOULD BE POP, DURAN DURAN AND MICHAEL JACKSON.” “[IN] GRADE 9, RIGHT BEFORE HIGH SCHOOL, I FIND TWISTED SISTER…THIS WOULD BE BY THE SUMMER OF ’84. [THEIR] VIDEO WAS GETTING TO BE A BIG DEAL…THERE WAS, “WE’RE NOT GONNA TAKE IT” WHICH IS REBELLION FROM YOUR PARENTS AND THE DAD IS LIKE A DRILL SERGEANT. THEN [THE KIDS] ALL TURN INTO TWISTED SISTER. I LOVED THIS TAPE. I PLAYED IT OVER AND OVER AGAIN. [IT WAS] MY FIRST ROCK TAPE AND IT WAS LIFE-CHANGING BECAUSE THEN, ALL THIS POP THAT HAD BEEN IN MY TAPE CASE…I SOLD TO JACK PEACOCK BY GRADE 10. I GOT RID OF ALL MY POP, SO WHERE THAT POP HAD BEEN DEFINING…ALL OF A SUDDEN IT’S LIKE, “I’M NOT THAT, ANYMORE.” IT WAS LIKE A LIGHT SWITCH WENT ON…IN GRADE 10.” “I WAS WEARING A JEAN JACKET IN GRADE 11…WHICH IS ABOUT AS MUCH AS, IN TERMS OF ME AND MY DRESS, HOW I’M REFLECTING [MY IDENTITY]. THIS IS A BIG DEAL BECAUSE WHERE MAYBE YOU DON’T WANT, IN YOUR OWN PARTICULAR DRESS, TO BE WEARING CAMOUFLAGE, YOU COULD THEN OPEN UP A TAPE CASE AND, BY PEOPLE SEEING WHAT’S IN YOUR TAPE CASE, THAT IS SPEAKING TO WHO YOU ARE.” “LISTENING TO MUSIC HASN’T NECESSARILY BEEN CONSISTENT BECAUSE THERE WERE YEARS WHEN WE WERE [AT HOME] THAT WE DIDN’T HAVE A STEREO SYSTEM BECAUSE IT JUST DIDN’T FEEL LIKE IT WAS THE RIGHT THING TO DO AT THE TIME. I WOULD HAVE BEEN LISTENING TO [TAPES] MORE IN MY VEHICLE. WHEN WE GOT OUR…SYSTEM BACK, THEN ALL OF A SUDDEN I’M LISTENING TO IT A LOT, AGAIN. BUT, THERE’S NO QUESTION, IT’S BEEN A MAINSTAY.” “MAYBE IT’S BECAUSE MY EYES ARE SO CRAPPY, [I ASK] IF YOU HAD TO CHOOSE BETWEEN YOUR EYESIGHT AND YOUR HEARING, WHAT WOULD YOU CHOOSE? DO I REALLY WANT TO LOSE MY HEARING? I WANT MONEY TO BUY MUSIC. THAT’S ALL I WANT MONEY FOR. NOTHING ELSE…THE FUNNY PART WITH THAT, TOO, THAT I LEARNED WAS THAT YOU NEVER WANTED TO BUY TOO MUCH MUSIC AT THE SAME TIME. IF YOU DID, YOU DIDN’T LISTEN TO A TAPE AS INTENSELY BECAUSE YOU HAD TWO OR THREE TAPES, SO YOU WOULDN’T APPRECIATE THEM EQUALLY. I LEARNED EARLY, YOU SHOULD ONLY BUY ONE RECORD OR ONE TAPE AT A TIME AND LISTEN TO IT OVER AND OVER AND OVER AGAIN.” “I SWITCHED OVER TO CD’S IN THE SUMMER OF ’89. MY TAPE LISTENING WOULD BE A VERY SHORT TIME. TAPES DON’T LAST VERY LONG. CASSETTE TAPES DON’T LAST. WHEN YOU THINK OF CD’S, WHICH YOU CAN STILL GO AND BUY AND THEY WERE BEING SOLD BY, AT LEAST LOCALLY, FOR SURE, BY 1987, AND THEY’RE STILL BEING SOLD, CASSETTE TAPES [DIDN’T LAST LONG]. FOR ME, [I’M BUYING CASSETTE TAPES FROM] ’83 TO ’88. SIX YEARS.” “IT’S FUNNY, BECAUSE [MY TAPE CASE] WOULD HAVE BEEN FULL AND, FOR SOME REASON, I CHOSE TO GET RID OF THE OTHER TAPES. PROBABLY BECAUSE I WASN’T LISTENING TO THEM AND I THOUGHT, ‘OH, I CAN TAKE THEM TO A USED PLACE,’ BUT I SHOULDN’T HAVE DONE THAT. I SHOULD HAVE ACTUALLY KEPT IT FULL. I WISH I HAD [BECAUSE] I HAD ALL THE AC/DC’S. BUT YOU CAN TELL BY WHAT I KEPT, I OBVIOUSLY KNEW THAT THIS WAS A REALLY IMPORTANT TAPE; TWISTED SISTER [AND] “BACK IN BLACK”. THOSE ARE THE MOST IMPORTANT…” FOR MORE INFORMATION INCLUDING ARTICLES FROM THE LETHBRIDGE HERALD, BRANDON SUN, MEDICINE HAT NEWS, AND THE FULL INTERVIEW TRANSCRIPTION, PLEASE SEE THE PERMANENT FILE P20180029001-GA.
Catalogue Number
P20180029005
Acquisition Date
2018-12
Collection
Museum
Images
Less detail

13 records – page 1 of 1.