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Other Name
PIANO ORNAMENT
Date Range From
1930
Date Range To
1950
Material Type
Artifact
Materials
GLASS
Catalogue Number
P20020071009
Material Type
Artifact
Other Name
PIANO ORNAMENT
Date Range From
1930
Date Range To
1950
Materials
GLASS
No. Pieces
1
Height
7.0
Length
7.7
Width
4.3
Description
TRANSLUCENT GREEN GLASS MOLDED IN THE SHAPE OF AN UPRIGHT PIANO. THERE ARE SMALL LINES IMPRESSED INTO GLASS TO IMITATE KEYS. BACK OF ORNAMENT IS HOLLOW. THERE ARE MULTIPLE CHIPS ON CORNERS AND EDGES OF ORNAMENT. THERE ARE TWO LARGE SCRATCHES/CRACKS ON INSIDE OF PIECE. THERE ARE REMNANTS OF BROWN PAINT? AROUND EDGE ON BACK OF PIECE.
Subjects
ART
Historical Association
DOMESTIC
History
DONOR'S FATHER COLLECTED ORNAMENT FROM THE CAPITOL THEATRE IN LETHBRIDGE WHEN IT WAS DECORATED WITH FANCY PLASTER WORK AND PAINTED PLASTER CEILING SOMETIME IN THE 1930S. DONOR'S FATHER, HARRY HUGH BENNETT, WAS BORN IN MEDICINE HAT TO MICHAEL JOHN AND ALICE MAY BENNETT. THE FAMILY MOVED TO LETHBRIDGE ABOUT 1919. THEY THEN MOVED TO SHAUGHNESSY IN 1927 WHERE HARRY'S FATHER WORKED AS A CARPENTER. HARRY JOINED THE CANADIAN ARMED FORCES MEDICAL CORP FROM CALGARY, AND LATER TRANSFERRED TO A VEHICLE MAINTENANCE DIVISION. HE WAS DISCHARGED AT THE END OF WORLD WAR 2 HAVING ACHIEVED THE RANK OF PRIVATE. HARRY WORKED AS A CONDUCTOR ON THE FREIGHT TRAINS FOR THE CPR, AND WHEN HE RETIRED HE WAS A COMMISSIONAIRE IN LETHBRIDGE. DONOR'S PARENTS LIVED ON 13 ST. SOUTH IN LETHBRIDGE.
Catalogue Number
P20020071009
Acquisition Date
2003-05
Collection
Museum
Less detail
Other Name
KEY HOOK
Date Range From
1940
Date Range To
1950
Material Type
Artifact
Materials
PLASTER OF PARIS
Catalogue Number
P19990009033
Material Type
Artifact
Other Name
KEY HOOK
Date Range From
1940
Date Range To
1950
Materials
PLASTER OF PARIS
No. Pieces
1
Height
3.6
Length
19.8
Width
11.7
Description
CERAMIC WALL ORNAMENT. HOUSE W/ RED PEAKED ROOF; YELLOW & BLACK BIRD STANDING AT DOOR. YELLOW CHIMNEY. TWO HOOKS AT BOTTOM, FOR HANGING KEYS. REVERSE UNPAINTED; STICKER READS "GENUINE HAND PAINTED DEVON WARE BY KAHANE COPYRIGHT MADE IN CANADA". HOOK SET INTO CERAMIC AT TOP; WHITE STRING FOR HANGING. ORNAMENT HAS BEEN BROKEN INTO SEVERAL PIECES AND REPAIRED WITH GLUE.
Subjects
ART
Historical Association
DOMESTIC
History
LEFT IN ONE OF HOMES OWNED BY DONOR'S FATHER'S COMPANY. HUNG IN DONOR'S HOME, AND WAS DAMAGED WHILE IN POSSESSION OF FAMILY. FOR MORE HISTORY SEE P19990009001-GA. *UPDATE* IN 2018, COLLECTIONS ASSISTANT ELISE PUNDYK CONDUCTED AN ARTIFACT SURVEY, WHICH INCLUDED A NUMBER OF ARTIFACTS DONATED BY ARTHUR AND LOIS DUFF. CONTACT MADE WITH THE DONOR’S SON DID NOT YIELD FURTHER INFORMATION. ARCHIVAL RESEARCH INCLUDED LETHBRIDGE HERALD OBITUARIES FOR BOTH ARTHUR AND LOIS. ARTHUR DUFF WAS BORN AND RAISED IN STORMONT COUNTY, ONTARIO. HE MOVED WEST TO CRANBROOK IN 1907 BEFORE GOING OVERSEAS TO SERVE IN WORLD WAR I. UPON HIS RETURN, HE FARMED IN SANGUDO, ALBERTA BEFORE MOVING BACK TO CRANBROOK IN 1921. IN 1928, HE MOVED TO LETHBRIDGE, WHERE HE WAS EMPLOYED BY BECKER LUMBER COMPANY. HE WAS MARRIED TO LOIS JUNE DUFF (NEE CORNWALL). ACCORDING TO LOIS DUFF’S LETHBRIDGE HERALD OBITUARY, SHE WAS BORN IN MOINES, IOWA ON JUNE 26, 1904. THE FAMILY MOVED TO A FARM EAST OF MILK RIVER, ALBERTA IN 1908, THEN MOVING TO LETHBRIDGE 1919. SHE LIVED IN THE CITY FOR THE REST OF HER LIFE. THE CORNWALL FAMILY HISTORY SHE CONTRIBUTED IN THE PIONEER PEMMICAN CLUB ROUNDUP HISTORY BOOK (PUBLISHED IN 1984) STATES, “MY PARENTS, HERBERT AND ELLA CORNWALL AND THEIR FIVE CHILDREN – BERNICE, BEATRICE, BARTLEY, GERTRUDE, AND I (LOIS JUNE) CAME FROM DES MOINES TO WARNER IN NOVEMBER 1908. DAD AND BARTLEY FILED ON HOMESTEADS TEN MILES EAST OF MILK RIVER. THE FAMILY MOVED TO THE FARM IN THE SPRING OF 1910. I CAN REMEMBER SEEING BUFFALO BONES AND THOSE RANGE CATTLE SCATTERED OVER THE PRAIRIE.” THE NARRATIVE CONTINUED, “ON THE FARM WE HAD A LARGE TWO AND A HALF STOREY HOUSE WHICH SERVED AS A STOPPING PLACE FOR PEOPLE LIVING IN THE LUCKY STRIKE AND KIPPENVILLE AREAS BEFORE THE RAILROAD WAS BUILT TO FOREMOST AND MANYBERRIES. IT TOOK MEN FROM THOSE AREAS A DAY TO REACH OUR PLACE WITH A TEAM OF HORSES. THEY WOULD GO TO MILK RIVER AND BACK TO OUR PLACE THE SECOND DAY, THEN LEAVE FOR HOME THE THIRD DAY. WHAT A RELIEF IT WAS FOR THEM WHEN THE RAILROAD WAS BUILT!” “SLEEPY HOLLOW SCHOOL WAS BUILT IN 1912 AND, LIKE ALL SUCH STRUCTURES SERVED ALSO CHURCH SERVICES, MEETINGS AND ENTERTAINMENT. GRADES ONE TO TEN WERE TAUGHT IN THIS SCHOOL. IN THE FALL OF 1919 DAD, MOTHER AND I MOVED TO LETHBRIDGE SO THAT I COULD CONTINUE MY HIGH SCHOOL EDUCATION AND ATTEND GARBUTT BUSINESS COLLEGE. I WORKED IN THE OFFICES OF RYLAND’S LADIES WEAR AND THE BECKER LUMBER COMPANY… I MARRIED ARTHUR DUFF IN 1934. OUR SON GRANT WAS BORN IN 1936.” ARTHUR DUFF PASSED AWAY IN LETHBRIDGE ON SEPTEMBER 15, 1976 AT THE AGE OF 85 YEARS. LOIS DUFF PASSED AWAY ON MARCH 18, 2004 AT THE AGE OF 99 YEARS. PLEASE SEE PERMANENT FILE P19738475000 FOR MORE INFORMATION, INCLUDING THE COPIES OF ARCHIVAL RESEARCH.
Catalogue Number
P19990009033
Acquisition Date
1999-02
Collection
Museum
Less detail
Other Name
OUTDOOR CHRISTMAS DISPLAY
Date Range From
1950
Date Range To
1957
Material Type
Artifact
Materials
MASONITE, WOOD, PAINT
Catalogue Number
P20130025000
  2 images  
Material Type
Artifact
Other Name
OUTDOOR CHRISTMAS DISPLAY
Date Range From
1950
Date Range To
1957
Materials
MASONITE, WOOD, PAINT
No. Pieces
4
Height
145
Length
112
Width
5
Description
.1 - PIECE OF MASONITE BOARD CUT INTO THE SHAPE OF A HUMAN FIGURE. PAINTED IN RED, WHITE, BLACK AND GREEN TO DEPICT A SMILING MAN WITH A WHITE BEARD, WEARING A RED HAT AND SUIT WITH A BLACK BELT AND BOOTS. BACK OF BOARD IS REINFORCED WITH TWO VERTICAL SLATS OF WOOD. SOME SCRATCHES AND GENERAL GRIME ON THE PAINTED SIDE, WITH NAIL HEADS POKING OUT IN AREAS WHERE BACKING SLATS ARE FASTENED. END TIP OF HAT HAS BEEN PREVIOUSLY BROKEN OFF AND REPAIRED WITH GLUE AND REINFORCING PIECES OF WOOD ON BACK. .2 - PIECE OF MASONITE BOARD CUT INTO THE SHAPE OF A DEER. PAINTED IN GOLD, RED, BLACK AND WHITE TO DEPICT A REINDEER WITH A RED NOSE, WEARING A RED HARNESS WITH BELLS ON IT. BOARD IS REINFORCED AT BACK WITH PIECES OF 1X4 CUT TO SIZE. FIGURE IS MOUNTED TO A SECTION OF 2X2 AT ITS FEET, PAINTED WHITE. A PIECE OF 1X3 IS HINGED TO THE BACK OF THE FIGURE TO BE USED TO PROP THE OBJECT UPRIGHT. A BOW MADE OF RED DUCT TAPE IS FASTENED AT THE DEER'S THROAT. SCRATCHES AND GENERAL GRIME ON THE IMAGE SIDE; WOODEN PIECE REINFORCING TAIL AT BACK IS LOOSE. FRAGMENTS OF ROPE TIED TO TWO NAIL HEADS ON BACK. 93H X 33L X 7W .3 - PIECE OF MASONITE BOARD CUT INTO THE SHAPE OF A DEER WITH ANTLERS. PAINTED IN GOLD, RED, BLACK AND WHITE TO DEPICT A REINDEER WEARING A RED HARNESS WITH BELLS ON IT. BOARD IS REINFORCED AT BACK WITH PIECES OF 1X4 CUT TO SIZE. FIGURE IS MOUNTED TO A SECTION OF 2X2 AT ITS FEET, PAINTED WHITE. A PIECE OF 1X3 IS HINGED TO THE BACK OF THE FIGURE TO BE USED TO PROP THE OBJECT UPRIGHT. SCRATCHES AND MINIMAL WEAR ON THE IMAGE SIDE. LENGTH OF ROPE TIED TO NAIL HEAD ON BACK. 118.5H X 86L X 8W .4 - TWO SECTIONS OF WHITE ROPE, ONE BRAIDED AND ONE TWISTED, TIED TOGETHER TO FORM A SINGLE PIECE MEANT TO BE STRUNG AS REINS BETWEEN DEER FIGURES AND SANTA FIGURE. ENDS ARE KNOTTED OFF AND FRAYING. SIX METAL BELLS ARE TIED TO THE ROPE AT INTERVALS WITH BEIGE STRING. GENERAL GRIME AND DISCOLOURATION THROUGHOUT. 1054L X I.5DIA *NOTE* SLEIGH AND SEVEN OTHER REINDEER ACQUIRED AS EQUIPMENT.
Subjects
CEREMONIAL ARTIFACT
ART
Historical Association
DOMESTIC
DECORATIVE ARTS
History
THIS OUTDOOR CHRISTMAS DECORATION SET, INCLUDING SANTA CLAUS, RUDOPLH, EIGHT REINDEER AND SANTA'S SLEIGH, WAS BUILT BY STEVE LEONARD, THE FATHER OF THE DONOR DON LEONARD, FOR THE FAMILY’S YEARLY OUTDOOR CHRISTMAS DISPLAY AT THEIR LETHBRIDGE HOME AT 828 12 ST NORTH. IN OCTOBER 2013, GALT MUSEUM COLLECTIONS TECH KEVIN MACLEAN INTERVIEWED DON LEONARD ABOUT HIS FATHER’S DECORATIONS AND THEIR MEANING FOR HIS FAMILY. LEONARD SAID: “[THE SET] WAS MADE IN THE MIDDLE 50S I BELIEVE BY MY DAD. IT’S WON SEVERAL AWARDS FOR BEST CHRISTMAS DISPLAY, BEST LIGHT DISPLAYS IN LETHBRIDGE, AND IT WAS A LOT OF HEART AND LOVE PUTTING INTO THAT DISPLAY AND MY PARENTS LOVED TO DO THE CHRISTMAS DISPLAYS EVERY YEAR THEY COULD. THEY COULDN’T WAIT TO GET THEM UP AND THAT IT’S REALLY A PART OF ME AND I COULDN’T THROW IT OUT AND I DIDN’T KNOW WHAT I WAS GOING TO DO. I HAVE MY OWN DISPLAY… IN THE U.S. THAT THEY BUILT FOR ME, IDENTICAL TO IT, SO YOU CAN SEE THE LOVE THEY HAD IN MAKING THESE DISPLAYS… I CAN ACTUALLY REMEMBER MY DAD DRESSED UP AS SANTA CLAUS ONE YEAR AND I CAME HOME AND HE WAS SITTING IN THE SLEIGH… I WAS KIND OF SHOCKED WHEN I CAME HOME AND SANTA CLAUS WAS IN THERE STACKED UP WITH PRESENTS… [DAD] DID A LOT OF WOODWORKING. EVERYTHING IN THE HOUSE HERE PRETTY WELL HE BUILT… THE REST OF THE HOUSE WOULD BE DECORATED IN LIGHTS AND THEY ALWAYS LIKED TO DO TWO RED, TWO GREE, TWO RED TWO GREEN OVER THE WHOLE HOUSE. AND ALSO BEFORE THAT, LATER ON, THERE WAS A CANDY CANE MADE OUT OF A STOVEPIPE… I HELPED THEM PUT THE DISPLAYS OUT UNTIL I WENT TO COLLEGE, YEAH UNTIL ’68… IT WAS PROBABLY IN THE TOP TEN BEST DECORATED HOUSES IN THE CITY EVERY YEAR FOR PROBABLY FOR TWENTY/TWENTY-FIVE YEARS. IT WAS OUTSTANDING THEY ADDED SOMETHING NEW EVERY YEAR, MORE LIGHTS, CHANGED THE COLOURS, CHANGED HOW THEY DID IT. THE WHOLE HOUSE WAS DECORATED: EVERY WINDOW, THE ROOF, THE CARPORT, SOMETIMES THE BUSHES. I MEAN IT WAS BIG TIME DECORATION, THEY LOVED TO DO IT. THEY HAD A LOT OF FUN DOING IT… IT WAS A GREAT ATTRACTION. I CAN REMEMBER COUNTING HUNDREDS OF CARS COMING BY AT NIGHT, STOPPING AND LOOKING AND TAKING PICTURES, PARENTS TAKING THEIR KIDS OUT OF THE CAR AND PUTTING THEM IN THE SLEIGH AND TAKING PICTURES WITH THEM. MY PARENTS JUST LOVED SEEING THAT HAPPEN… MY DAD LIKED, AND MY MOTHER TOO, BUILDING STUFF. HE LIKED BUILDING DISPLAYS, HE HAD, DURING THE SUMMER, HE DID RABBITS AND SHEEP AND PUT THEM AROUND ALL THE PLANTS. AND THEY TOOK A LOT OF PRIDE, AS MUCH AS YOU COULD EVER TAKE IN YOUR YARD. THEY’RE WINNERS OF AWARDS FOR THE BEST YARD IN THE SUMMER, BEST FLOWERS. THEY JUST TOOK A LOT OF PRIDE IN HOW THE HOUSE LOOKED… YOU JUST THINK OF WHAT THEY DID FOR YOU, IT WAS HOW THEY BROUGHT YOU UP; IT WAS HOW THEY WERE GENEROUS TO OTHER PEOPLE AND HOW THEY LOVED EVERYBODY… IT IS JUST THE GENEROSITY THEY GAVE TO EVERYBODY AND WANTED TO HELP OTHER PEOPLE OUT AND HAVE THE FUN TIME ENJOYABLE. MORE THAN THE SANTA CLAUS IT WAS A RELIGIOUS HOLIDAY FOR THEM TOO… I AM JUST SO HAPPY KNOWING THAT SOMEBODY CAN HOPEFULLY ENJOY IT FOR MANY MORE YEARS… IT WOULD MAKE THEM UNBELIEVABLY HAPPY.” FOR FURTHER INFORMATION AND A TRANSCRIPT OF THE INTERVIEW, SEE PERMANENT FILE.
Catalogue Number
P20130025000
Acquisition Date
2013-10
Collection
Museum
Images
Less detail
Other Name
THREE SETS
Date Range From
1940
Date Range To
1950
Material Type
Artifact
Materials
PLASTER
Catalogue Number
P19990009073
Material Type
Artifact
Other Name
THREE SETS
Date Range From
1940
Date Range To
1950
Materials
PLASTER
No. Pieces
6
Description
1-2. SET SHAKERS; 2 PIECES. 8.6CM (H) X 7.5CM (L) X 3.5CM (W). SET OF TWO PLASTER DUCKS WITH HOLES IN BACKS FOR SALT AND PEPPER; CORKS IN BASE. ONE DUCK IS YELLOW, AND THE OTHER LIGHT BROWN; BLUE BEAKS AND FEET. DUCKS ARE STANDING ON SHORT LOG. BOTTOMS STAMPED "JAPAN"; HANDWRITTEN "85". 3-4. SET SHAKERS; 2 PIECES. 6.6CM (H) X 7.9CM (L) X 3.3CM (W). SET OF TWO PLASTER DUCKS WITH HOLES IN BACKS FOR SALT AND PEPPER. CORK IN ONE BASE; OTHER MISSING. DUCKS ARE RING-NECKED MALLARDS; GREEN HEADS AND GREY BODIES. STAMPED ON BOTTOMS IS "JAPAN". 5. ORNAMENT. 11.2CM (H) X 10.5CM (L) X 4.8CM (W). PLASTER ORNAMENT. RING-NECK MALLARD WITH GREEN HEAD AND GREY BODY; STANDING ON YELLOW BASE. HOLE IN BOTTOM; STAMPED "JAPAN". 6. ORNAMENT. 14.2CM (H) X 16.5CM (L) X 6.8CM (W). PLASTER ORNAMENT. BLACK DUCK WITH PALE YELLOW UNDERBELLY. STANDS ON YELLOW BASE WITH SMALL TREE STUMP AND CATTAIL. STICKER ON BOTTOM WITH "1.65".
Subjects
FOOD PROCESSING T&E
ART
Historical Association
DOMESTIC
LEISURE
History
SEE P19990009001-GA FOR HISTORY. ACCORDING TO GRANT, ONE OF LOIS'S COUSINS COLLECTED SALT & PEPPER SHAKERS AND DISTRIBUTED THE EXTRAS AS BIRTHDAY, ETC. PRESENTS. *UPDATE* IN 2018, COLLECTIONS ASSISTANT ELISE PUNDYK CONDUCTED AN ARTIFACT SURVEY, WHICH INCLUDED A NUMBER OF ARTIFACTS DONATED BY ARTHUR AND LOIS DUFF. CONTACT MADE WITH THE DONOR’S SON DID NOT YIELD FURTHER INFORMATION. ARCHIVAL RESEARCH INCLUDED LETHBRIDGE HERALD OBITUARIES FOR BOTH ARTHUR AND LOIS. ARTHUR DUFF WAS BORN AND RAISED IN STORMONT COUNTY, ONTARIO. HE MOVED WEST TO CRANBROOK IN 1907 BEFORE GOING OVERSEAS TO SERVE IN WORLD WAR I. UPON HIS RETURN, HE FARMED IN SANGUDO, ALBERTA BEFORE MOVING BACK TO CRANBROOK IN 1921. IN 1928, HE MOVED TO LETHBRIDGE, WHERE HE WAS EMPLOYED BY BECKER LUMBER COMPANY. HE WAS MARRIED TO LOIS JUNE DUFF (NEE CORNWALL). ACCORDING TO LOIS DUFF’S LETHBRIDGE HERALD OBITUARY, SHE WAS BORN IN MOINES, IOWA ON JUNE 26, 1904. THE FAMILY MOVED TO A FARM EAST OF MILK RIVER, ALBERTA IN 1908, THEN MOVING TO LETHBRIDGE 1919. SHE LIVED IN THE CITY FOR THE REST OF HER LIFE. THE CORNWALL FAMILY HISTORY SHE CONTRIBUTED IN THE PIONEER PEMMICAN CLUB ROUNDUP HISTORY BOOK (PUBLISHED IN 1984) STATES, “MY PARENTS, HERBERT AND ELLA CORNWALL AND THEIR FIVE CHILDREN – BERNICE, BEATRICE, BARTLEY, GERTRUDE, AND I (LOIS JUNE) CAME FROM DES MOINES TO WARNER IN NOVEMBER 1908. DAD AND BARTLEY FILED ON HOMESTEADS TEN MILES EAST OF MILK RIVER. THE FAMILY MOVED TO THE FARM IN THE SPRING OF 1910. I CAN REMEMBER SEEING BUFFALO BONES AND THOSE RANGE CATTLE SCATTERED OVER THE PRAIRIE.” THE NARRATIVE CONTINUED, “ON THE FARM WE HAD A LARGE TWO AND A HALF STOREY HOUSE WHICH SERVED AS A STOPPING PLACE FOR PEOPLE LIVING IN THE LUCKY STRIKE AND KIPPENVILLE AREAS BEFORE THE RAILROAD WAS BUILT TO FOREMOST AND MANYBERRIES. IT TOOK MEN FROM THOSE AREAS A DAY TO REACH OUR PLACE WITH A TEAM OF HORSES. THEY WOULD GO TO MILK RIVER AND BACK TO OUR PLACE THE SECOND DAY, THEN LEAVE FOR HOME THE THIRD DAY. WHAT A RELIEF IT WAS FOR THEM WHEN THE RAILROAD WAS BUILT!” “SLEEPY HOLLOW SCHOOL WAS BUILT IN 1912 AND, LIKE ALL SUCH STRUCTURES SERVED ALSO CHURCH SERVICES, MEETINGS AND ENTERTAINMENT. GRADES ONE TO TEN WERE TAUGHT IN THIS SCHOOL. IN THE FALL OF 1919 DAD, MOTHER AND I MOVED TO LETHBRIDGE SO THAT I COULD CONTINUE MY HIGH SCHOOL EDUCATION AND ATTEND GARBUTT BUSINESS COLLEGE. I WORKED IN THE OFFICES OF RYLAND’S LADIES WEAR AND THE BECKER LUMBER COMPANY… I MARRIED ARTHUR DUFF IN 1934. OUR SON GRANT WAS BORN IN 1936.” ARTHUR DUFF PASSED AWAY IN LETHBRIDGE ON SEPTEMBER 15, 1976 AT THE AGE OF 85 YEARS. LOIS DUFF PASSED AWAY ON MARCH 18, 2004 AT THE AGE OF 99 YEARS. PLEASE SEE PERMANENT FILE P19738475000 FOR MORE INFORMATION, INCLUDING THE COPIES OF ARCHIVAL RESEARCH.
Catalogue Number
P19990009073
Acquisition Date
1999-02
Collection
Museum
Less detail
Other Name
NEEDLE CASKET
Date Range From
1830
Date Range To
1953
Material Type
Artifact
Materials
TORTISESHELL, IVORY, SILVER
Catalogue Number
P20090016033
  1 image  
Material Type
Artifact
Other Name
NEEDLE CASKET
Date Range From
1830
Date Range To
1953
Materials
TORTISESHELL, IVORY, SILVER
No. Pieces
2
Height
3.1
Length
6.0
Width
3.5
Description
1. CHEST, TORTOISESHELL VENEER. ROUND SILVER BUTTON CAN BE PUSHED IN ORDER TO OPEN CHEST. THREE, ROUND IVORY FEET ON BOTTOM, ONE MISSING. SILVER BANNER ON TOP OF CHEST MARKED, “FM” IN CURSIVE. BACK, PROPER LEFT, BOTTOM CORNER, FRONT, PROPER RIGHT CORNER AND BACK PROPER RIGHT TOP CORNER ARE CHIPPED. INSIDE OF CHEST LINED WITH BLUE, FLORAL DAMASK. 3.1 CM HIGH BY 6.0 CM LONG BY 3.5 CM WIDE. 2. CHARM. AGATE HEART,TRANPARENT BROWN, BLACK, AND WHITE STRIPED. AGATE ANCHOR MISSING ONE ARM, TRANSPARENT ORANGE AND RED SWIRLS. CHARMS CONNECTED BY THREE METAL LOOPS. 0.5 CM HIGH BY 3.6 CM LONG BY 2.1 CM WIDE.
Subjects
PERSONAL GEAR
Historical Association
DOMESTIC
DECORATIVE ARTS
History
ACCORDING TO DAVE MERESKI, A LOCAL GOLDSMITH, THE METHOD OF DRILLING HOLES AND LINKING THE CHARM TOGETHER WOULD DATE IT SOME TIME AFTER 1920. FOR MORE INFORMATION SEE P20090016001 AND PERMANENT FILE.
Catalogue Number
P20090016033
Acquisition Date
2009-05
Collection
Museum
Images
Less detail
Other Name
FRAMED EMBROIDERED TEXTILE
Date Range From
1948
Date Range To
1997
Material Type
Artifact
Materials
COTTON, WOOD, GLASS
Catalogue Number
P20100011000
Material Type
Artifact
Other Name
FRAMED EMBROIDERED TEXTILE
Date Range From
1948
Date Range To
1997
Materials
COTTON, WOOD, GLASS
No. Pieces
1
Height
2.1
Length
21.5
Width
31.7
Description
TEXTILE, WALL HANGING – WOODEN FRAME WITH TWO ROD SHAPED HANDLES ON CENTRE OF SHORTER SIDES OF FRAME, CREAM COLORED COTTON FOUNDATION FABRIC EMBROIDERED WITH THREE BANDS OF GEOMETRIC DESIGNS IN ORANGE, RED, BLACK AND WHITE.
Subjects
HOUSEHOLD ACCESSORY
Historical Association
DECORATIVE ARTS
DOMESTIC
History
ACCORDING TO DONOR FRANK BARTOSEK IN AN INTERVIEW WITH NICOLE HEMBROFF, COLLECTIONS ASSISTANT, ON JUNE 24, 2010, THE HANGING WAS A GIFT FROM HIS SISTER MARIA CHUDIK. BARTOSEK RECEIVED IT FROM HER WHEN HE AND HIS WIFE WENT BACK TO CZECHOSLOVAKIA IN 1997 TO SEE WHERE HE WAS BORN AND TO VISIT HIS SISTER (CHUDIK). CHUDIK GAVE THE HANGING TO BARTOSEK JUST AS HE WAS LEAVING, THUS HE DID NOT HAVE TIME TO ASK QUESTIONS WITH REGARD TO THE TEXTILE. DONOR DID NOT KNOW WHO HAD MADE THE PIECE. HE DID NOT KNOW IF THE DESIGN HELD A SPECIFIC MEANING. BARTOSEK SAID HIS "PARENTS' GENERATION WASN'T TOO FREE WITH INFORMATION. THEY HAD IT AND SAID THIS IS WHAT WE USED TO DO AND THAT WAS IT." ACCORDING TO BARTOSEK, THE DESIGN IS SIMILAR TO HOW THEY DECORATED EASTER EGGS. UPON RETURNING HOME, BARTOSEK PUT IT INTO A DISPLAY CABINET. IT WAS ALWAYS THERE. DONOR DECIDED TO GIVE THIS HANGING TO THE GALT BECAUSE HE IS "AT AN AGE WHERE WE HAVE TO CUT DOWN WHAT WE HAVE. NONE OF THE CHILDREN WANTED IT." BARTOSEK WAS BORN IN 1921 IN CZECHOSOLOVAKIA. IN 1925- 1926 HIS FAMILY IMMIGRATED TO CANADA. AT THE TIME, BARTOSEK WAS 4 1/2 YEARS OLD. HIS FATHER (FRANK BARTOSEK SR.) CAME TO RAYMOND ALONG WITH FOUR FRIENDS. THEY WORKED IN THE BEET FACTORY. THEY MOVED BECAUSE LAND WAS BECOMING SCARCE IN CZECHOSLOVAKIA. IN 1926, BARTOSEK, ALONG WITH HIS MOTHER AND SOME OF HIS SIBLINGS, JOINED HIS FATHER IN CANADA. HIS SISTER (MARIA CHUDIK) STAYED IN CZECHOSLOVAKIA IN ORDER TO HELP HER GRANDMOTHER AND GRANDFATHER. FOR MORE INFORMATION SEE PERMANENT FILE.
Catalogue Number
P20100011000
Acquisition Date
2010-01
Collection
Museum
Less detail
Other Name
CERAMIC FRUIT
Date Range From
1950
Date Range To
1960
Material Type
Artifact
Materials
CERAMIC
Catalogue Number
P19930014024
Material Type
Artifact
Other Name
CERAMIC FRUIT
Date Range From
1950
Date Range To
1960
Materials
CERAMIC
No. Pieces
5
Description
VARIOUS SIZES; APPROXIMATELY LIFE SIZE. CERAMIC PIECES DESIGNED TO APPROXIMATE APPEARANCE OF COMMON FRUITS INCLUDING: APPLE (2), BANANA, PEAR, PEACH. STICK ON LABEL ON 4 PIECES. STICKERS READ "ENESCO IMPORTS JAPAN".
Subjects
HOUSEHOLD ACCESSORY
Historical Association
DOMESTIC
DECORATIVE ARTS
History
USED AS DECORATION OR TABLE ORNAMENTATION AS A FRUIT BOWL. *UPDATE* IN 2015 COLLECTIONS ASSISTANT JANE EDMUNDSON CONDUCTED A SURVEY OF MUSICAL INSTRUMENTS AND EQUIPMENT, INCLUDING THOSE DONATED BY MARY MOORE, WHO ALSO DONATED THIS OBJECT. THE FOLLOWING BIOGRAPHICAL INFORMATION ABOUT MOORE WAS COMPILED FROM HER LETHBRIDGE HERALD OBITUARY AND NOTES MADE AT THE TIME OF DONATION. MARY WHELAN MOORE WAS BORN IN SCOTLAND IN 1898, AND IMMIGRATED TO CANADA IN 1907 WITH HER PARENTS AND SISTERS LOUISA AND MARGARET. HER FATHER WORKED AS A MINER IN GALT MINES, AND ACQUIRED THREE CITY LOTS IN 1912 TO BUILD A HOUSE AT 1731 6 AVENUE NORTH. MARY LIVED IN THE HOUSE FROM THE TIME OF ITS COMPLETION IN 1918 UNTIL SIX MONTHS BEFORE HER DEATH. SHE TRAINED AT THE NORMAL SCHOOL IN CALGARY, AND WAS A SCHOOL TEACHER FOR 47 YEARS, TEACHING PRIMARY GRADES AT HARDIEVILLE SCHOOL AND ST. BASIL'S. SHE WAS AN ACTIVE MEMBER OF ST. BASIL'S CATHOLIC CHURCH AND PAST PRESIDENT OF THE CATHOLIC WOMEN'S LEAGUE. MARY MOORE DIED ON JULY 18, 1993. SEE PERMANENT FILE FOR HARDCOPY OF OBITUARY.
Catalogue Number
P19930014024
Acquisition Date
1993-04
Collection
Museum
Less detail
Other Name
TRANSFER PATTERN
Date Range From
1940
Date Range To
1950
Material Type
Artifact
Materials
PAPER, INK
Catalogue Number
P20170022000
  2 images  
Material Type
Artifact
Other Name
TRANSFER PATTERN
Date Range From
1940
Date Range To
1950
Materials
PAPER, INK
No. Pieces
2
Length
43
Width
71.3
Description
A.WHITE ENVELOPE, 11.6CM LONG X 20CM WIDE; ENVELOPE PRINTED WITH BLACK IMAGE OF A WOMAN EMBROIDERING BESIDE TABLE AND LAMP AND BLACK TEXT “THE HERALD, HOUSEHOLD ARTS DEPT., LETHBRIDGE, ALBERTA, RETURN POSTAGE GUARANTEED, ALICE BROOKS DESIGN, YOU HAVE ORDERED TWO OR MORE PATTERNS, PLEASE BE ADVISED THAT THEY MAY [WORD TORN] ARRIVE AT THE SAME TIME BECAUSE [WORD TORN] ARE MAILED IN SEPARATE ENVELOPES”. FRONT OF ENVELOPE HAS WHITE LABEL WITH PRINTED TYPED BLACK TEXT “LH DEC. 3/47, MRS. OLE HUSTAD, 336 TALISMAN AVE., VANCOUVER, B.C., 7457”. FRONT OF ENVELOPE HAS BLACK HANDWRITTEN TEXT “EMBROIDERY” AND RED POSTAL SEAL “TORONTO, ONTARIO, DEC. 5, 1947”. BACK OF ENVELOPE HAS BROWN LONG STAIN ON LEFT SIDE; ENVELOPE IS TORN OPEN AT FRONT LEFT SIDE; ENVELOPE IS CREASED ALONG TOP AND RIGHT EDGES. OVERALL GOOD CONDITION. B. TRANSFER PATTERN PRINTED IN DARK GREEN ON PAPER, 43CM LONG X 71.3CM WIDE. PAPER IS FOLDED INTO FOUR SECTIONS LENGTH-WAYS AND WIDTH-WAYS; FIRST SECTION HAS PRINTED BLUE TEXT “ALICE BROOKS DESIGNS, T.M. REG. U.S. PAT. OFF., TRANSFER PATTERN, NO. 7457” AND TEXT WITH INSTRUCTIONS “MATERIAL REQUIREMENTS”, “PLACING MOTIFS”, “TRANSFERRING PATTERN”, “EMBROIDERY”, “COLOR SUGGESTIONS”, AND IMAGES OF FIVE TYPES OF STITCHES. PATTERN IS PRINTED OF: A PUPPY IN A CORNER WITH DARK FOOTPRINTS LEADING TO PUPPY; A PUPPY IN A WASHBIN WITH KETTLE POURING WATER ON IT; A CHICK CHASING A PUPPY; A PUPPY HIDING FROM A CHICK BEHIND A DOGHOUSE LABELLED WITH REVERSED TEXT “BEWARE!”, A PUPPY WITH A BONE IN GRASS LOOKING AT BUTTERFLY; A PUPPY OUTSIDE A WASHBIN WITH KETTLE AND SCRUB BRUSH, AND DARK FOOTPRINTS; A CHICK WITH LABELLED WITH REVERSED TEXT “TRIAL”. BOTTOM RIGHT CORNER HAS REVERSED NUMBERS “7457”. PAPER IS YELLOWED AND TORN IN CENTER; PAPER IS CREASED FROM FOLDS INTO SIXTEEN SECTIONS; TOP LEFT CORNER IS CREASED ALONG EDGE; OVERALL GOOD CONDITION.
Subjects
TEXTILEWORKING T&E
Historical Association
DECORATIVE ARTS
DOMESTIC
History
ON JUNE 22, 2017, COLLECTIONS TECHNICIAN KEVIN MACLEAN INTERVIEWED PAT DEBOER REGARDING THE DONATION OF A NEEDLEWORK TRANSFER PATTERN. THE TRANSFER PATTERN WAS SOLD TO PAT’S MOTHER, MARGARET HUSTAD, IN 1947 THROUGH THE LETHBRIDGE HERALD. WHEN ASKED ABOUT THE PATTERN AND HOW SHE CAME TO ACQUIRE IT, DEBOER ELABORATED, “MY MOTHER [MARGARET HUSTAD] NEVER THREW ANYTHING OUT…AND I DON’T THROW ANYTHING OUT. SHE HAD THIS GREAT BIG SEWING BOX PLUS A GREAT BIG BOX OF PATTERNS…WHEN SHE DIED IT JUST GOT MOVED TO MY HOUSE. I STARTED TO GO THROUGH IT AND I’VE GIVEN…A LOT OF THE PATTERNS I TO THE DRAMA DEPARTMENT IN THE UNIVERSITY BECAUSE THEY WENT BACK TO ABOUT 1945.” “THIS PATTERN…CAME FROM LETHBRIDGE, SHE ORDERED THEM THROUGH THE LETHBRIDGE HERALD…THAT’S HOW SHE COULD HAVE ORDERED THEM. [IT’S A] TRANSFER…THEY’RE LITTLE PUPPY DOGS AND A DOG HOUSE…I THINK SHE BOUGHT IT TO USE IN THINGS IN MY ROOM.” “IT’S IMPORTANT FOR PEOPLE TO UNDERSTAND THAT…WE DIDN’T HAVE MASS [PRODUCED GOODS]. MOM DIDN’T HAVE MASS PRODUCED STUFF LIKE THEY DO NOW. SHE WAS AN EXPERIENCED SEAMSTRESS AND SHE MADE ALL MY CLOTHES, SHE ALTERED ALL HER CLOTHES AND SHE HAD SO MUCH [SEWING] STUFF. I THOUGHT WELL…I DON’T THINK IT WOULD HURT TO GIVE SOME OF THIS TO THE GALT SO THAT IF YOU EVER WANT TO DO A DIORAMA…THAT EXPLAINS WHAT WIVES AND FARM WIVES AND WOMEN DID YEARS AGO.” DEBOER SPOKE TO HER MEMORIES OF HER MOTHER’S SEWING, RECALLING, “I DON’T KNOW WHERE [MY MOTHER] LEARNED HOW TO SEW, OTHER THAN I THINK WOMEN ALWAYS SEWED. IT WAS A NECESSITY, DURING THE DIRTY ‘30S WHEN PEOPLE COULDN’T GET THINGS. WOMEN WOULD COME INTO TOWN HERE, THEY WOULD SEND THEIR HUSBANDS TO ELLISON’S AND GET FLOUR SACKS. THEY WOULD MAKE TEAS TOWELS AND PILLOW SLIPS, AND IT WAS SIMPLY BECAUSE THAT WAS WHAT THEY HAD, THAT’S WHAT THEY COULD GET. MOM WAS GOOD AT IT. DURING THE ‘30S, MOM AND HER FAMILY WERE LITERALLY LIVING HAND TO MOUTH AND MOM WAS MARRIED TO A GENTLEMEN FROM BARONS FOR FOUR OR FIVE YEARS AND SHE WAS RIGHT DURING THE MIDDLE OF THE ‘30S. [SHE] AND LLOYD HAD NO MONEY, BUT PEOPLE WOULD GIVE MOTHER THINGS. THEY WOULD GIVE HER OLD DRESSES AND THEY’D GIVE HER OLD COATS, AND SHE WOULD ALTER THEM SO THAT SHE COULD WEAR THEM, OR LLOYD COULD WEAR THEM. OTHERWISE SHE WOULDN’T [HAVE] HAD ANY CLOTHES TO WEAR.” “[MY LOVE OF SEWING] COMES FROM MY MOTHER…SHE ALWAYS WAS SEWING…THE SEWING MACHINE SAT IN THE KITCHEN, RIGHT WHERE SHE COULD GET AT IT. SHE TAUGHT ME TO SEW WHEN I WAS ABOUT TWELVE MAYBE, A SINGER SEWING MACHINE AND I DID IT. I COULD’VE USED A TREADLE SEWING MACHINE TOO BECAUSE MY AUNT THAT LIVED IN VULCAN…SHE HAD A TREADLE SEWING MACHINE, SO I’D USE THAT. MY MOM TAUGHT ME TO SEW ON AN ELECTRIC SEWING MACHINE AND SHE TAUGHT ME TO MAKE MY OWN DOLL CLOTHES. THAT’S HOW IT STARTED. I HAD AN AFFINITY FOR IT. IT WAS SOMETHING I FELT I LIKE I WAS GOING TO BE GOOD AT…YOU COULD PRODUCE SOMETHING THAT SOMEBODY ELSE COULD USE OR ENJOY. WHEN MY GIRLS WERE LITTLE I MADE ALL THEIR OWN CLOTHES. I SEWED EVERYTHING.” “MY MOTHER WAS THIRTY-EIGHT WHEN I WAS BORN…I CAME LATER IN LIFE. MY DAD [MOTHER’S SECOND HUSBAND] WAS SIXTY-SEVEN WHEN I WAS BORN. I’M MY DAD’S SECOND FAMILY. MOTHER ALWAYS SEWED, SHE SEWED FOR HER[SELF], SHE HAD A SISTER WHO HAD EIGHT CHILDREN AND FOUR GIRLS AND FOUR BOYS, AND MOM SEWED FOR THEM. THEY LIVED JUST OUTSIDE OF VULCAN…THE OTHER LADIES SEWED, BUT NOT TO THE EXTENT MY MOTHER DID. MY MOTHER REALLY WAS AN EXPERT SEAMSTRESS. SOME OF THE NEIGHBOURS WOULD BRING THINGS UP TO HAVE MOTHER FIX THEM, OR [SHE WOULD] SHOW THEM HOW TO FIX THEM. MOTHER WAS ALSO VERY GOOD AT MAKING DINING ROOM AND LIVING ROOM DRAPES. THE NEIGHBOURS WOULD SHOW UP WITH THESE BOLTS OF CLOTH AND SAY, “HERE MARGARET WE NEED DRAPES”…IT WAS A BIT UNUSUAL. THE OTHER LADIES IN THE NEIGHBOURHOOD DIDN’T DO IT LIKE SHE DID…I THINK THAT WAS PART OF THE REASON WHY I TOOK TO SEWING.” “MOM A GREAT BIG KITCHEN, AND HER IRONING BOARD WAS IN THE KITCHEN AND…THE SEWING MACHINE WOULD GET MOVED OUT TO THE KITCHEN, EVERY SO OFTEN IT WOULD GET PUT AWAY…AT CHRISTMAS WHEN SHE WAS CLEANING THE HOUSE UP FOR COMPANY. IT WOULD GET PUT AWAY. MOST OF THE TIME IT WAS IN THE KITCHEN. MOM WAS SEWING AND I APPARENTLY EXPRESSED AN INTEREST, AND SO SHE SAID “OKAY IF THIS WHAT YOU’D LIKE TO DO” THEN…SHE BOUGHT PATTERNS FOR DOLL CLOTHES THAT WOULD FIT MY DOLLS AND STARTED TEACHING ME. WE’D BE IN THE KITCHEN, AND IT WAS JUST SOMETHING THAT WAS DONE, BETWEEN THE TWO OF US…IT WAS A PROGRESSION OF HER EXPERTISE AND LOVE OF DOING IT.” “I DON’T THINK SHE EVER CHARGED [FOR HER SEWING]. IT WAS THEY ASKED HER AND SHE SAID OKAY AND THAT WAS THE WAY IT WAS. I CAN NEVER REMEMBER MY MOTHER CHARGING FOR HER SEWING.” “PART OF [SEWING] WAS BONDING WITH MY MOM. I WAS AN ONLY CHILD BEING RAISED BY PARENTS WHO WERE OLD. THERE [WERE] A LOT OF TIMES WHERE I WAS BY MYSELF BECAUSE OF THE PEOPLE MOM AND DAD ASSOCIATED WITH WERE OLDER…SO [SEWING] WAS SOMETHING THAT I COULD DO THAT WOULD KEEP ME OCCUPIED…WHILE MOM AND DAD WERE VISITING…IT WAS A GENERATIONAL THING, BECAUSE MOM AND DAD WERE ESSENTIALLY A GENERATION ABOVE THE PARENTS OF ALL MY FRIENDS. I SPENT A LOT OF TIME AS A YOUNG CHILD ALONE, SO I READ OR SEWED.” “[MY PARENTS] LIVED IN VANCOUVER [AFTER RETIRING]…THEY LIVED IN VANCOUVER FROM 1945 TO 1949.” “IN 1949 THEY MOVED, THEY DIDN’T COME TO LETHBRIDGE RIGHT AWAY. I WAS RAISED IN PENTICTON. MY DAD HAD BRONCHITIS AND WHEN THEY MOVED OUT TO VANCOUVER HE FOUND THE DAMP AIR WAS TOO HARD ON HIS LUNGS. HE DIDN’T WANT TO COME BACK TO GRANUM, SO HE WENT LOOKING FOR SOME PLACE TO MOVE TO THAT WAS DRIER SO HE FOUND PENTICTON.” “IN 1961 I MARRIED A BOY FROM BARONS BY THE NAME OF RONALD DEBOER. I HAD A CHILD, AND AS I’M AN ONLY CHILD, AND DAD AND MOM DECIDED IF THEY WERE GOING TO HAVE GRANDCHILDREN, THEY WANTED TO BE CLOSE TO THEIR GRANDCHILDREN AND MOVED BACK.” “SHE KEPT SEWING. SHE MADE CLOTHES FOR HER GRANDDAUGHTER…MOM WAS ALWAYS SEWING SOMETHING. I DON’T THINK SHE MADE TOO MANY THINGS FOR ME AFTER THEY MOVED BACK TO LETHBRIDGE HERE, BUT SHE CERTAINLY DID FOR [MY DAUGHTERS]. THERE WERE SIX YEARS BETWEEN BOTH MY TWO GIRLS, MY FIRST HUSBAND WAS KILLED A YEAR AND FOUR MONTHS AFTER WE WERE MARRIED IN A FARMING ACCIDENT. I WAS SINGLE FOR TWO YEARS…THE FACT THAT MOM AND DAD WERE HERE IN LETHBRIDGE WAS MY SAVING GRACE BECAUSE I WAS OUT ON THE FARM.” “I SEWED ALL THE TIME. THE LAST FEW YEARS IS ABOUT THE ONLY TIME I HAVEN’T SEWED. THIS LAST…TEN OR FOURTEEN YEARS THAT I HAVEN’T SEWED ON A REGULAR BASIS [WAS] BECAUSE I HAD TO GO BACK TO WORK FULLTIME. BUT PREVIOUS TO THAT I SEWED ALL THE TIME. MY MACHINE WAS NEVER PUT AWAY. IT WAS DOWN IN THE BEDROOM, IT WAS JUST NEVER PUT AWAY.” “[I ALWAYS SEWED] GENERALLY SPEAKING CLOTHES. I WAS EITHER ALTERING CLOTHES…MY HUSBAND’S GOT REALLY SHORT LEGS, TWENTY-EIGHT (28) INCH LEG, YOU CAN’T GET A PANT THAT’S GOT TWENTY-EIGHT INCH LEGS, SO I WAS SHORTENING HIS JEANS. ON THE FARM YOUR WORK CLOTHES GET RIPPED AND THE SEAMS COME APART AND I DID ALL THAT.” “[I LIKED SEWING FOR] THE FACT THAT I COULD SHUT EVERYTHING ELSE OUT, AND IT WAS MY TIME. I COULD FOCUS…IF I WAS IN THE MIDDLE OF A PROJECT, YOU HAD TO KNOW WHERE THE GROCERIES WERE BECAUSE I NEVER STOPPED. [MY HUSBAND] WOULD COME IN AND SAY “YOU KNOW, IT IS SUPPER TIME”, AND I’D SAY, “YEAH, MHMM”. IT WAS A WAY FOR ME TO FOCUS, AND IT WAS MY TIME. IT WAS JUST TIME THAT WAS MINE. I WAS BEING CREATIVE, AND FELT LIKE I REALLY BEING USEFUL…IT FELT GOOD.” WHEN ASKED ABOUT HER MOTIVATION TO DONATE THE PATTERN, DEBOER NOTED, “I HAVEN’T BEEN DOING ANY SEWING FOR A LONG TIME AND I DECIDED BECAUSE I HAVEN’T DONE ANY SEWING FOR A LONG TIME MAYBE I SHOULD GET GOING AND START DOING SOME SEWING. WHEN I STARTED SEWING, I STARTED GOING THROUGH ALL THIS STUFF, AND I THOUGHT THERE’S A LOT OF OLD INTERESTING STUFF IN HERE. THIS IS JUST A VERY BRIEF SAMPLE OF WHAT I HAVE AT HOME. I THOUGHT MAYBE I SHOULD GET A HOLD OF [THE MUSEUM] AND SEE IF THEY’D LIKE SOMETHING THAT THEY COULD USE TO DEMONSTRATE AT SOME POINT IN TIME THROUGH THE MUSEUM OF WHAT WOMEN USED TO DO…WHAT THEY WERE EXPECTED TO DO.” FOR MORE INFORMATION INCLUDING THE FULL INTERVIEW TRANSCRIPTS, PLEASE SEE THE PERMANENT FILE P20170022000-GA.
Catalogue Number
P20170022000
Acquisition Date
2017-06
Collection
Museum
Images
Less detail
Other Name
DIP PEN
Date Range From
1830
Date Range To
1953
Material Type
Artifact
Materials
MOTHER OF PEARL, METAL, CARDBOARD
Catalogue Number
P20090016027
  1 image  
Material Type
Artifact
Other Name
DIP PEN
Date Range From
1830
Date Range To
1953
Materials
MOTHER OF PEARL, METAL, CARDBOARD
No. Pieces
6
Height
1.6
Length
20.5
Width
1.7
Description
CARDBOARD BOXED PEN WITH METAL NIB LYING ON COTTON BATTING – 6 PIECES. 1. LID, WHITE CARDBOARD, RECTANGULAR. MARKED “A.R. JUSTICE & CO., 718 CHESTNUT ST., PHILADELPHIA.” IN PURPLE TEXT IN CENTRE. SOILED THROUHOUT. INTERMITTENT WEAR ON EDGES. 1.4 CM HIGH BY 20.5 CM LONG BY 1.7 CM WIDE. 2. COTTON BATTING. CREAM COLORED. ORANGE STAIN ON ONE SIDE. 0.9 CM HIGH BY 11.4 CM LONG BY 1.3 CM WIDE. 3. COTTON BATTING. CREAM COLORED. 1.0 CM HIGH BY 7.1 CM LONG BY 1.5 CM WIDE. 4. BASE, WHITE CARDBOARD, RECTANGULAR. SOILED ON BOTTOM. BOTTOM EDGES WORN. 1.4 CM HIGH BY 19.6 CM LONG BY 1.4 CM WIDE. 5. COTTON BATTING. CREAM COLORED. ONE END IS CURLED UNDER. CENTRE OF BATTING HAS BEEN STRETCHED THIN. 1.9 CM HIGH BY 20.3 CM LONG BY 1.8 CM WIDE. 6. PEN. TWISTED MOTHER OF PEARL AND COPPER HANDLE. COPPER WORK DECORATED WITH EMBOSSED SWIRLS. GOLDPLATED NIB MARKED, “E.T., PEARCE, & CO., PROV. RI”. 16.5 CM LONG BY 0.5 CM IN DIAMETER.
Subjects
WRITTEN COMMUNICATION T&E
Historical Association
DOMESTIC
FINE ARTS
History
FOR MORE INFORMATION SEE P20090016001 AND PERMANENT FILE.
Catalogue Number
P20090016027
Acquisition Date
2009-05
Collection
Museum
Images
Less detail
Date Range From
1830
Date Range To
1953
Material Type
Artifact
Materials
STEEL
Catalogue Number
P20090016040
  1 image  
Material Type
Artifact
Date Range From
1830
Date Range To
1953
Materials
STEEL
No. Pieces
5
Length
3.8
Width
1.2
Description
(5) GLAZIER'S POINTS, STEEL, PARALLELOGRAM SHAPED. TARNISHED THROUGHOUT. DULL EDGES.
Subjects
GLASS, PLASTICS, CLAYWORKING T&E
Historical Association
FINE ARTS
DOMESTIC
History
FOR MORE INFORMATION SEE P20090016001 AND PERMANENT FILE.
Catalogue Number
P20090016040
Acquisition Date
2009-05
Collection
Museum
Images
Less detail
Other Name
"EDITH F. KIRK"
Date Range From
1856
Date Range To
1953
Material Type
Artifact
Materials
WOOD, RUBBER, BRASS
Catalogue Number
P20090016035
  1 image  
Material Type
Artifact
Other Name
"EDITH F. KIRK"
Date Range From
1856
Date Range To
1953
Materials
WOOD, RUBBER, BRASS
No. Pieces
1
Height
5.5
Length
4.2
Width
2.7
Description
STAMP, RUBBER, RECTANGULAR SHAPED WITH WOODEN HANDLE. MARKED, “EDITH F. KIRK.” IN CURSIVE. REMNANTS OF BLUE INK THROUGHOUT. SMALL HOLE DRILLED IN TOP OF HANDLE.
Subjects
WRITTEN COMMUNICATION T&E
Historical Association
DOMESTIC
History
FOR MORE INFORMATION SEE P20090016001 AND PERMANENT FILE. FOR PAPERS WRITTEN AND PRESENTED BY MISS EDITH KIRK TO MEMBERS OF THE MATHESIS CLUB OF LETHBRIDGE BETWEEN 1933 AND 1937, SEE ARCHIVAL DONATION P19951042000. THE PAPERS DISCUSS THE EVOLUTION OF ART, MODERN ART, HOW ARTISTS DEVELOP PAINTINGS AND ART APPRECIATION. *UPDATE* IN 2014 COLLECTIONS ASSISTANT JANE EDMUNDSON CONDUCTED A SURVEY OF ART OBJECTS. THE FOLLOWING BIOGRAPHICAL INFORMATION ON THE ARTIST EDITH KIRK WAS DEVELOPED BY GALT CURATOR WENDY AITKENS IN PREPARATION FOR THE 2015 KIRK EXHIBIT AT THE GALT MUSEUM: "FOR 35 YEARS, LETHBRIDGE WAS THE HOME OF AN ACCOMPLISHED AND WELL KNOWN ARTIST AND ART TEACHER. EDITH FANNY KIRK, OR MISS KIRK AS MOST PEOPLE CALLED HER, CREATED WATER COLOUR LANDSCAPES OF ENGLAND, VANCOUVER, LETHBRIDGE, WATERTON, BANFF, AND JASPER. SHE TAUGHT MANY CHILDREN AND ADULTS THE SKILLS OF PAINTING. SHE ALSO SPOKE AT THE MATHESIS CLUB PERSENTING PAPERS ON THE DEVELOPMENT OF MODERN ART, THE EVOLUTION OF ART AND ART APPRECIATION. JOAN STEBBINS, PAST CURATOR AT THE SAAG, CREDITS THE INFLUENCE OF MISS KIRK FOR THE DEVELOPMENT OF THE LETHBRIDGE SKETCH (NOW ARTISTS') CLUB IN THE 1930S. WHEN MISS KIRK ARRIVED IN LETHBRIDGE IN 1918, SHE WAS 60 YEARS OLD. SHE WAS BORN IN 1858 AND WAS RAISED IN YORKSHIRE, ENGLAND. HER MOTHER, FANNY (NEE MAUGHAM) PASSED AWAY WHEN EDITH WAS A YOUNG GIRL AND HER FATHER REMARRIED. THE STORY, FROM SECOND HAND SOURCES, WAS THAT SHE AND HER STEP MOTHER DID NOT LIKE ONE ANOTHER. THIS PROVIDED TO BE A BLESSING IN DISGUISE BECAUSE EDITH WAS SENT AWAY TO STUDY ART. EDITH STUDIED IN SOUTH KENSINGTON, LONDON AND PARIS. DURING HER SUMMERS SHE JOINED ARTIST'S COLONIES IN CORNWALL, WALES AND YORKSHIRE. SHE WROTE OF IMPRESSIONIST PAUL CEZANNE BEING HER "MODEL AND INSPIRATION" AND SHE GREATLY ADMIRED ROMANTIC ARTIST JOHN SELL COTMAN. KIRK NEVER MARRIED AND, FOR SOME REASON, SHE DECIDED TO IMMIGRATE TO CANADA AT THE AGE OF 46. SHE ARRIVED IN HALIFAX ABOARD THE HMS CANADA IN APRIL 1905. THE PASSENGER LIST INDICATED SHE WAS TRAVELING ON TO VANCOUVER AND HER OCCUPATION WAS LISTED AS A GOVERNESS. IT SEEMS SHE DIDN'T STAY LONG IN VANCOUVER BUT SOON TRAVELLED TO ATLIN, B.C. TO GET TO ATLIN, KIRK WOULD HAVE TAKEN A SHIP TO SKAGWAY, THE WHITE PASS RAILWAY TO CARCROSS AND THEN AN OVERLAND AND BOAT TRIP TO ATLIN. IT IS A MYSTERY WHY SHE CHOSE TO GO TO A REMOTE GOLD RUSH TOWN IN NORTH WESTERN BRITISH COLUMBIA. NEXT WE FIND KIRK, IN 1911, BOARDING WITH THE WOODS FAMILY IN LILLOOET, NORTHWEST OF KAMLOOPS, B.C. THERE SHE IS A PUBLIC SCHOOL TEACHER. SEVEN YEARS LATER EDITH KIRK IS IN LETHBRIDGE. IT SEEMS SHE KNEW PEOPLE LIVING IN TABER, DR. ALFRED HAMMAN AND HIS SISTER MRS. SYLVIA GIDMAN, WHO CAME FROM HER HOMELAND IN ENGLAND SO CHOSE VISIT. THE CHARM OF THE PRAIRIE AND MOUNTAIN LANDSCAPES OF SOUTHERN ALBERTA ENTICED HER TO STAY. MISS KIRK LIVED IN THE VICTORIA MANSION AND THE TRAVELLER'S AID SOCIETY BUILDING AND SHE TAUGHT ART CLASSES AT THE YMCA FOR A FEW DOLLARS A MONTH." EDITH KIRK PASSED AWAY IN LETHBRIDGE IN 1953. FOR ADDITIONAL INFORMATION, PLEASE SEE OTHER KIRK DONATIONS, INCLUDING: P19820004000, P19960095000, P20090016*, P20140012*, P20140020*, P20140021000, P20150008000, P20150019000, P20150024000, P20150029000, AND P20150030000. SEE ALSO, "A LEGACY OF ADVENTURE AND ART: THE LIFE OF MISS EDITH FANNY KIRCK" BY WENDY AITKENS. ALSO SEE PERMANENT FILE.
Catalogue Number
P20090016035
Acquisition Date
2009-05
Collection
Museum
Images
Less detail
Other Name
WORK BOX
Date Range From
1830
Date Range To
1953
Material Type
Artifact
Materials
WOOD, MOTHER OF PEARL, PAPER.
Catalogue Number
P20090016001
  1 image  
Material Type
Artifact
Other Name
WORK BOX
Date Range From
1830
Date Range To
1953
Materials
WOOD, MOTHER OF PEARL, PAPER.
No. Pieces
14
Height
12.8
Length
19.9 19.9
Width
27.7
Description
WOODEN NEEDLEWORK BOX, TRAY, LIDS, NEEDLE HOLDERS, VENEER FRAGMENTS AND KEY – 14 PIECES. PLEASE REFER TO PERMANENT FILE FOR DIAGRAM OF BOX WITH LABELED COMPARTMENTS. 1. NEEDLEWORK BOX, DARK WOOD VENEER, RECTANGULAR SHAPE. TOP OF BOX DECORATED WITH TWO TONE DIAMOND SHAPED MOTHER OF PEARL INLAY, BORDER IS CREAM COLORED, MIDDLE BAND IS MARBELIZED, CENTRE IS CREAM WITH INITIALS "F.M" CARVED INTO THE SURFACE. SIMILAR TWO TONE DIAMOND SHAPED MOTHER OF PEARL INLAY LOCATED AROUND KEYHOLE ON FRONT OF BOX. PROPER LEFT SIDE OF LID MISSING STRIP OF VENEER GOING ENTIRE LENGTH OF BOX. VENEER ALSO MISSING ON BACK PROPER RIGHT CORNER AND FRONT PROPER LEFT CORNER. INSIDE OF BOX DECORATED WITH PINK SILK, AND CURVY STRIPED GREY AND CREAM PAPER. UNDERSIDE OF LID IS CREAM SILK PIN CUSION WITH METAL CLOSURE, PEARLESCENT BUTTON WITH MOTHER OF PEARL INLAY AND BLACK AND GOLD, FOLIAGE PATTERNED BORDER. PIN CUSHION PULLS OUT TO REVEAL EXPANDABLE PAPER FOLDER. BOX CONTAINS MULTI COMPARTMENT TRAY WHICH LIFTS OUT TO REVEAL LARGE STORAGE SPACE UNDERNEATH. 12.8 CM HIGH BY 19.9 CM LONG BY 27.7 CM WIDE. 2. TRAY WITH SIXTEEN COMPARTMENTS OF VARYING SIZES. WOODEN TRAY COVERED IN GREY AND CREAM CURVY STRIPED PAPER. FOUR COMPARMENTS COVERED WITH PINK SILK. PAPER PEELING ALONG FRONT, BOTTOM EDGE OF TRAY. 4.5 CM HIGH BY 17.3 CM LONG BY 25.2 CM WIDE. 3. LID, RECTANGULAR SHAPED. MOTHER OF PEARL FLOWER SHAPED HANDLE IN CENTER. TOP OF LID COVERED WITH PINK SILK, BOTTOM COVERED WITH GREY AND CREAM CURVY STRIPED PAPER. LID SOILED AND DISCOLORED THROUGHOUT. 0.8 CM HIGH BY 6.7 CM LONG BY 5.9 CM WIDE. 4. LID, RECTANGULAR SHAPED. PINK SILK COVERS TOP, GREY AND CREAM CURVY STRIPED FABRIC COVERS BOTTOM. PINK FABRIC LOOP ATTACHED TO PROPER LEFT SIDE OF LID. PINK SILK BAND WITH FOUR SEWN COMPARTMENTS RUNS THROUGH THE TOP CENTRE OF THE LID. APPEARS THAT THE BAND WOULD HAVE HELD TOOLS OF SOME SORT. SILK AND PAPER ARE SOILED AND DISCOLORED THROUGHOUT. EDGES OF SILK LOOP ARE FRAYING. 1.3 CM HIGH BY 6.9 CM LONG BY 12.8 CM WIDE. 5. LID, RECTANGULAR SHAPED. MOTHER OF PEARL FLOWER SHAPED HANDLE IN CENTRE. TOP OF LID COVERED WITH PINK SILK, BOTTOM COVERED WITH GREY AND CREAM CURVY STRIPED PAPER. LID SOILED AND DISCOLORED THROUGHOUT. 0.9 CM HIGH BY 6.7 CM LONG BY 6.0 CM WIDE 6. LID, RECTUANGULAR SHAPED. MOTHER OF PEARL FLOWER SHAPED HANDLE IN CENTRE. TOP OF LID COVERED WITH PINK SILK, BOTTOM COVERED WITH GREY AND CREAM CURVY STRIPED PAPER. LID SOILED AND DISCOLORED THROUGHOUT. 0.7 CM HIGH BY 3.6 CM LONG BY 11.5 CM WIDE. 7. COMPARTMENT DIVIDER, RECTANGULAR SHAPED. WOOD COVERED IN GREY AND CREAM CURVY STRIPED PAPER. PAPER SOILED AND DISCOLORED THROUGHOUT. PAPER ABSENT ON THREE OUT OF FOUR EDGES OF DIVIDER. 0.3 CM HIGH BY 3.0 CM LONG BY 2.5 CM WIDE. 8. (2) NEEDLE HOLDER BOOKS. OUTSIDE OF HOLDER COVERED IN PINK SILK, INSIDE COVERED IN GREY AND CREAM CURVY STRIPED PAPER. ATTACHED TO INSIDE OF HOLDER IS PIECE OF COTTON FABRIC WITH PINKED EDGES. EACH HOLDS ONE NEEDLE (SEE BELOW FOR DESCRIPTION). HOLDER SOILED AND DISCOLORED THROUGHOUT. 0.8 CM HIGH BY 4.8 CM LONG BY 2.5 CM WIDE. 9. NEEDLE, FINE, STAINLESS STEEL. SMALL EYE MEASURES A LITTLE LESS THAN 0.1 CM. 3.1 CM LONG BY LESS THAN 0.1 CM IN DIAMETER. 10. NEEDLE, STAINLESS STEEL. SMALL EYE MEASURES LESS THAN 0.1 CM. 3.9 CM LONG BY 0.1 CM IN DIAMETER. 11. VENEER, DARK COLORED WOOD. IRREGULAR EDGES. 19.1 CM LONG BY 1.1 CM WIDE. 12. VENEER, DARK COLORED WOOD. IRREGULAR EDGES. 11.8 CM LONG BY 1.3 CM WIDE. 13. KEY, SILVER. OVAL LOOP AT TOP, HOLLOW STEM WITH SMALL NODULE ON END. FOUR CIRCULAR INDENTED BANDS WHERE KEY LOOP MEETS KEY STEM. 0.4 CM HIGH BY 3.0 CM LONG BY 2.0 CM WIDE.
Subjects
TEXTILEWORKING T&E
Historical Association
DOMESTIC
History
ACCORDING TO THE DONOR, KATHERINE IVES TWISS, SHE GOT THE BOX FROM EDITH KIRK. SHE SAID, "IT WAS HER MOTHER'S BOX. MISS KIRK GAVE IT TO MY MOTHER [ETTA HENDERSON IVES] TO GIVE TO ME." TWISS WAS GIVEN THE BOX BECAUSE SHE WAS A "STUDENT AND FRIEND" OF KIRK. THE DONATION WAS BROUGHT IN BY TWISS'S DAUGHTER, K.A. STEEL, IN HER LETTER SHE WRITES, "WHEN MISS KIRK PASSED AWAY SHE LEFT AN ANTIQUE JEWELLERY-TYPE BOX... TO TWISS.... MISS KIRK SAYS THAT THE BOX BELONGED TO HER MOTHER AND WAS OVER 100 YEARS OLD. MOST OF ITS CONTENTS WERE VERY OLD AND BROKEN DOWN, BUT VERY INTERESTING. THIS BOX WAS THE ONLY POSSESSION THAT MISS KIRK HAD, AND SHE MUST HAVE LOVED IT DEARLY. IT WOULD HAVE BEEN ALL THAT SHE HAD OF HER MOTHER. SHE BROUGHT IT ALL THE WAY FROM ENGLAND, AND KEPT IT SAFE ALL THROUGHOUT HER LIFE... [WHEN SHE CAME TO LETHBRIDGE] SHE MET MRS. MARGARET (ETTA) HENDERSON IVES, WHO HAD BEEN BORN IN LETHBRIDGE IN 1890, AND THEY BECAME FRIENDS. MISS KIRK GOT SET UP IN A SMALL APARTMENT AND TAUGHT ART LESSONS. MRS. ETTA IVES HAD BOTH OF HER DAUGHTERS, MARGARET AND KATHARINE, TAKE ART LESSONS FROM MISS KIRK. MRS. IVES ALSO BOUGHT A NUMBER OF PAINTINGS FROM MISS KIRK. MISS KIRK WAS A LOVELY, DECENT WOMAN. MARGARET TOOK LESSONS BUT DIDN'T LOVE ART. KATHARINE LOVED ART AND WAS GIVEN MANY, MANY LESSONS. WHEN SHE LOOKS BACK SHE THINKS SHE WAS GIVEN SO MANY LESSONS NOT ONLY TO LEARN TO PAINT, BUT ALSO TO HELP MISS KIRK MAKE A LIVING. MISS KIRK HAD A TINY APARTMENT WHERE KATHARINE TOOK HER LESSONS. KATHARINE REMEMBERS THAT MISS KIRK ONLY HAD A HOT PLATE TO COOK HER MEALS ON. SHE REMEMBERS THAT MISS KIRK ALWAYS SEEMED TO BE COOKING AN EGG FOR HER MEAL. KATHARINE AND MISS KIRK ALSO SPENT A GREAT DEAL OF TIME TOGETHER IN THE COUNTRYSIDE SKETCHING... KATHARINE JUST LIKED MISS KIRK VERY MUCH AND REALLY LIKED THE ART LESSONS. SHE SAID THAT MISS KIRK REALLY KNEW HER COLOURS. MISS KIRK KNEW HOW TO MIX THE PAINTS TO GET JUST THE RIGHT COLOUR... AN ART LESSON COST 25 CENTS PER LESSON. ART SUPPLIES WERE EXPENSIVE AND GETTING ONE NEW COLOUR OF PAINT WAS AN EXCITING ADVENTURE. IT MUST HAVE BEEN HARD FOR MISS KIRK TO PURCASE ALL THE MATERIALS SHE NEEDED FOR HER PAINTINGS... KATHARINE GREW UP, MOVED AWAY... AND THEN MARRIED. MISS KIRK WANTED TO GIVE KATHARINE ONE OF HER PAINTINGS AS A WEDDING GIFT. MISS KIRK WROTE A LETTER TELLING KATHARINE TO COME AND PICK WHICHEVER PAINTING SHE LIKED THE BEST FOR HER WEDDING GIFT. KATHARINE DID PICK A PAINTING AND THAT PAINTING HAS BEEN ON HER WALL ALL OF THESE YEARS... " GALT CURATOR, WENDY AITKENS, DID SOME RESEARCH ON KIRK AND CONTINUES TO SEARCH FOR MORE ANSWERS ABOUT THE LIFE OF THIS WOMAN. SEE BELOW, "FOR 35 YEARS, LETHBRIDGE WAS THE HOME OF AN ACCOMPLISHED AND WELL KNOWN ARTIST AND ART TEACHER. EDITH FANNY KIRK, OR MISS KIRK AS MOST PEOPLE CALLED HER, CREATED WATER COLOUR LANDSCAPES OF ENGLAND, VANCOUVER, LETHBRIDGE, WATERTON, BANFF, AND JASPER. SHE TAUGHT MANY CHILDREN AND ADULTS THE SKILLS OF PAINTING. SHE ALSO SPOKE AT THE MATHESIS CLUB PERSENTING PAPERS ON THE DEVELOPMENT OF MODERN ART, THE EVOLUTION OF ART AND ART APPRECIATION. JOAN STEBBINS, PAST CURATOR AT THE SAAG, CREDITS THE INFLUENCE OF MISS KIRK FOR THE DEVELOPMENT OF THE LETHBRIDGE SKETCH (NOW ARTISTS') CLUB IN THE 1930S. WHEN MISS KIRK ARRIVED IN LETHBRIDGE IN 1918, SHE WAS 60 YEARS OLD. SHE WAS BORN IN 1858 AND WAS RAISED IN YORKSHIRE, ENGLAND. HER MOTHER, FANNY (NEE MAUGHAM) PASSED AWAY WHEN EDITH WAS A YOUNG GIRL AND HER FATHER REMARRIED. THE STORY, FROM SECOND HAND SOURCES, WAS THAT SHE AND HER STEP MOTHER DID NOT LIKE ONE ANOTHER. THIS PROVIDED TO BE A BLESSING IN DISGUISE BECAUSE EDITH WAS SENT AWAY TO STUDY ART. EDITH STUDIED IN SOUTH KENSINGTON, LONDON AND PARIS. DURING HER SUMMERS SHE JOINED ARTIST'S COLONIES IN CORNWALL, WALES AND YORKSHIRE. SHE WROTE OF IMPRESSIONIST PAUL CEZANNE BEING HER "MODEL AND INSPIRATION" AND SHE GREATLY ADMIRED ROMANTIC ARTIST JOHN SELL COTMAN. KIRK NEVER MARRIED AND, FOR SOME REASON, SHE DECIDED TO IMMIGRATE TO CANADA AT THE AGE OF 46. SHE ARRIVED IN HALIFAX ABOARD THE HMS CANADA IN APRIL 1905. THE PASSENGER LIST INDICATED SHE WAS TRAVELING ON TO VANCOUVER AND HER OCCUPATION WAS LISTED AS A GOVERNESS. IT SEEMS SHE DIDN'T STAY LONG IN VANCOUVER BUT SOON TRAVELLED TO ATLIN, B.C. TO GET TO ATLIN, KIRK WOULD HAVE TAKEN A SHIP TO SKAGWAY, THE WHITE PASS RAILWAY TO CARCROSS AND THEN AN OVERLAND AND BOAT TRIP TO ATLIN. IT IS A MYSTERY WHY SHE CHOSE TO GO TO A REMOTE GOLD RUSH TOWN IN NORTH WESTERN BRITISH COLUMBIA. NEXT WE FIND KIRK, IN 1911, BOARDING WITH THE WOODS FAMILY IN LILLOOET, NORTHWEST OF KAMLOOPS, B.C. THERE SHE IS A PUBLIC SCHOOL TEACHER. SEVEN YEARS LATER EDITH KIRK IS IN LETHBRIDGE. IT SEEMS SHE KNEW PEOPLE LIVING IN TABER, DR. ALFRED HAMMAN AND HIS SISTER MRS. SYLVIA GIDMAN, WHO CAME FROM HER HOMELAND IN ENGLAND SO CHOSE VISIT. THE CHARM OF THE PRAIRIE AND MOUNTAIN LANDSCAPES OF SOUTHERN ALBERTA ENTICED HER TO STAY. MISS KIRK LIVED IN THE VICTORIA MANSION AND THE TRAVELLER'S AID SOCIETY BUILDING AND SHE TAUGHT ART CLASSES AT THE YMCA FOR A FEW DOLLARS A MONTH." FOR PAPERS WRITTEN AND PRESENTED BY MISS EDITH KIRK TO MEMBERS OF THE MATHESIS CLUB OF LETHBRIDGE BETWEEN 1933 AND 1937, SEE ARCHIVAL DONATION P19951042000. THE PAPERS DISCUSS THE EVOLUTION OF ART, MODERN ART, HOW ARTISTS DEVELOP PAINTINGS AND ART APPRECIATION. FOR ADDITIONAL INFORMATION, PLEASE SEE OTHER KIRK DONATIONS, INCLUDING: P19820004000, P19960095000, P20090016*, P20140012*, P20140020*, P20140021000, P20150008000, P20150019000, P20150024000, P20150029000, AND P20150030000. SEE ALSO THE BOOK, "A LEGACY OF ADVENTURE AND ART: THE LIFE OF MISS EDITH FANNY KIRCK," BY WENDY AITKENS PUBLISHED IN 2015. ALSO SEE PERMANENT FILE.
Catalogue Number
P20090016001
Acquisition Date
2009-05
Collection
Museum
Images
Less detail
Date Range From
1950
Date Range To
1960
Material Type
Artifact
Materials
PORCELAIN, STEEL
Catalogue Number
P19930073000
Material Type
Artifact
Date Range From
1950
Date Range To
1960
Materials
PORCELAIN, STEEL
No. Pieces
1
Height
45.5
Length
49
Width
43.2
Description
STANDARD PORCELAIN BATHROOM SINK, PAINTED GREEN. STEEL DRAIN AND PLUG, STAMPED WITH "ENCO..". STEEL FAUCETS ALSO INCLUDED, WITH "H" MISSING FROM TOP OF HOT WATER TAP. SPOUT ENGRAVED WITH "BUBBLES-STREAM COODRIE......251-0395 6. & PAT PEND." PORTION OF PIPE EXTENDS FROM BOTTOM OF SINK, WITH FIXTURES FOR RAISING AND LOWERING DRAIN TRAP. INCLUDED IS U-PIPE FOR BELOW TRAP, AND STRAIGHT PORTION OF DRAINAGE PIPE, 30.5CM IN LENGTH. THREADED WASHER, FITS U-PIPE. ALL PIECES OF PIPE HAVE CONSIDERABLE RESIDUE BUILD-UP AND CORROSION OVER INSIDE SURFACES. CALCIUM RESIDUE ALSO AROUND TAPS AND BOWL OF SINK.
Subjects
PLUMBING FIXTURE
Historical Association
DOMESTIC
History
REMOVED FROM HOUSE, BUILT IN LATE 1950'S BY ART BATTY CONTRUCTION. DONOR PURCHASED HOUSE IN 1968.
Catalogue Number
P19930073000
Acquisition Date
1993-11
Collection
Museum
Less detail
Other Name
BOX OF SPICE
Date Range From
1950
Date Range To
1970
Material Type
Artifact
Materials
CARDBOARD
Catalogue Number
P19990093007
Material Type
Artifact
Other Name
BOX OF SPICE
Date Range From
1950
Date Range To
1970
Materials
CARDBOARD
No. Pieces
1
Height
6.7
Length
5.7
Width
3.2
Description
RECTANGULAR CARDBOARD BOX. ON FRONT IS "WHOLE CLOVES" IN RED. BELOW THIS IS "NABOB" IN WHITE, ON A DARK GREEN BACKGROUND. BESIDE THIS IS A JOLLY MAN WITH A WHITE TURBAN AND AN ORANGE AND YELLOW OUTFIT. THE SIDES READ "NET WT. 1 1/2 OUNCES WHEN PACKED WHOLE CLOVES", IN RED, AND "NABOB FOODS VANCOUVER CANADA" IN GREEN. ALL SIDES HAVE "NABOB" IN WHITE, ON A DARK GREEN BACKGROUND.
Subjects
MERCHANDISING T&E
CONTAINER
Historical Association
DOMESTIC
History
SEE P19990093001-GA FOR HISTORY. *UPDATE* IN 2015 COLLECTIONS ASSISTANT JANE EDMUNDSON CONDUCTED A SURVEY OF ART OBJECTS, INCLUDING THOSE DONATED BY LLOYD TRONE. THE FOLLOWING INFORMATION ABOUT THE DONOR WAS FOUND IN HIS OBITUARY, PUBLISHED IN THE JUNE 1, 2010 ISSUE OF THE CROWSNEST PASS HERALD. LLOYD TRONE WAS BORN IN 1928 IN MEDICINE HAT, AND MOVED WITH HIS FAMILY TO LETHBRIDGE IN 1930. HE WORKED FOR CANADA PACKERS FOR 25 YEARS AND RETIRED TO THE CROWSNEST PASS, WHERE HE PASSED AWAY IN MAY 2010. SEE PERMANENT FILE P19990049001-GA FOR HARDCOPY OF DONOR'S OBITUARY.
Catalogue Number
P19990093007
Acquisition Date
2000-03
Collection
Museum
Less detail
Other Name
LINGERIE STRAP GUARD
Date Range From
1950
Date Range To
1960
Material Type
Artifact
Materials
PAPER, STEEL, NYLON
Catalogue Number
P19960068001
Material Type
Artifact
Other Name
LINGERIE STRAP GUARD
Date Range From
1950
Date Range To
1960
Materials
PAPER, STEEL, NYLON
No. Pieces
1
Length
8.9
Width
9.2
Description
SQUARE BRIGHT PINK CARDBOARD CARD HOLDING 2 SHOULDER STRAP GUARDS, MADE UP OF 2 SMALL BRASS SAFETY PINS ATTACHED TO A WHITE STRIPE OF NYLON WITH A SNAP ON THE END. CARD IS LABELED "NEWEY CAME-CATCH LINGERIE GUARD ART. CC. 38 FOR INSTRUCTIONS SEE REVERSE", "NO MORE UNSIGHTLY STRAPS", "NO MORE SLIPPING SHOULDER STRAPS", "SIMPLY PIN INSIDE SHOULDER SEAM & FASTEN ROUND STRAPS", "MADE IN ENGLAND BY NEWEY BROS. LTD". ON BACK IS "HOW TO USE THE NEWEY LINGERIE GUARD", "PIN INSIDE OF DRESS AT SHOULDER SEAM", "SIMPLY FASTEN ROUND YOUR STRAPS", "A NEWEY PRODUCT". CONDITION LIKE NEW.
Subjects
CLOTHING-ACCESSORY
Historical Association
PERSONAL CARE
History
ITEMS BELONGED TO DONOR'S MOTHER, MARY WAGNESS. FOR MORE INFORMATION PLEASE SEE P19970007001-GA, AND THE ARCHIVES RECORD ON THE WAGNESS FAMILY. *UPDATE* IN 2018, COLLECTIONS ASSISTANT ELISE PUNDYK CONDUCTED A SURVEY OF THE BOXED TEXTILE COLLECTION. ON 8 MARCH 2018, PUNDYK INTERVIEWED SISTERS SHIRLEY TUCKER AND JEAN SCMITT ABOUT THE ARTIFACTS DONATED BY TUCKER. PLEASE SEE PERMANENT FILE FOR COMPLETE INTERVIEW.
Catalogue Number
P19960068001
Acquisition Date
1996-12
Collection
Museum
Less detail
Date Range From
1950
Date Range To
1960
Material Type
Artifact
Materials
LEATHER, CHROME, BRASS
Catalogue Number
P19960112008
  2 images  
Material Type
Artifact
Date Range From
1950
Date Range To
1960
Materials
LEATHER, CHROME, BRASS
No. Pieces
2
Height
0.5
Length
121
Width
7.26
Description
BLACK LEATHER BELT WITH CROSS-STRAP. BELT IS DOUBLE-THICKNESS AT ONE END; PERFORATED WITH 7 HOLES ALONG CENTRE AND 7 SETS OF DOUBLE HOLES, AT OTHER END. CHROME-PLATE BUCKLE INSERTED INTO BELT BY TWO PRONGS; FASTENS INTO TWO BRASS CLIPS AT OTHER END. CHROME KNOB FITS INTO HOLES IN BELT TO SECURE. TWO BANDS ACROSS WIDTH, WITH SEMI-CIRCULAR RINGS LOOPED THROUGH. BACK OF BELT CRACKED AND WORN. STAMPED "38" IN LEATHER NEAR BRASS DEVICE. CROSS-STRAP IS ALSO BLACK. REMOVABLE END PIECE ATTACHES BY CHROME BUCKLE AND KNOB, THROUGH HOLE PERFORATED IN BELT. OPPOSITE END HAS LOOP, STITCHED TO REVERSE OF STRAP AND FASTENED BY SNAP AT FRONT. CROSS-STRAP APPEARS NEWER THAN BELT.
Subjects
CLOTHING-ACCESSORY
Historical Association
SAFETY SERVICES
History
*UPDATE* IN 2014 COLLECTIONS ASSISTANT JANE EDMUNDSON CONDUCTED A SURVEY OF ART OBJECTS, INCLUDING SOME DONATED BY THE CITY OF LETHBRIDGE POLICE SERVICES. FOR A BRIEF ACCOUNT OF THE LETHBRIDGE POLICE COLLECTION, SEE RECORD P19960112001. FOR FURTHER INFORMATION ABOUT THE CITY OF LETHBRIDGE POLICE SERVICES AND TRANSCRIPTS OF INTERVIEWS AND CORRESPONDENCE WITH CURRENT AND FORMER LETHBRIDGE POLICE, SEE PERMANENT FILE P19960112000.
Catalogue Number
P19960112008
Acquisition Date
1996-12
Collection
Museum
Images
Less detail
Other Name
BOX OF SPICE
Date Range From
1950
Date Range To
1970
Material Type
Artifact
Materials
CARDBOARD, PAPER
Catalogue Number
P19990093005
Material Type
Artifact
Other Name
BOX OF SPICE
Date Range From
1950
Date Range To
1970
Materials
CARDBOARD, PAPER
No. Pieces
2
Height
6.6
Length
5.8
Width
3.2
Description
RECTANGULAR, CARDBOARD BOX. ON FRONT IS "MUSTARD SEED" IN RED. AT THE BOTTOM OF FRONT IS "NABOB" IN WHITE ON A DARK GREEN BACKGROUND. BESIDE THIS IS A JOLLY MAN IN WHITE TURBAN AND ORANGE AND YELLOW OUTFIT. ON THE BACK OF BOX IS A RECIPE FOR "SPICY BARBECUE SAUCE". THE TWO SIDES READ "NET WT. 2 OUNCES WHEN PACKED" "MUSTARD SEED", IN RED, AND "NABOB FOODS VANCOUVER CANADA" IN GREEN. ALL SIDES HAVE "NABOB" IN WHITE, ON A DARK GREEN BACKGROUND. INSIDE BOX IS AN EMPTY PAPER ENVELOPE.
Subjects
MERCHANDISING T&E
Historical Association
DOMESTIC
History
SEE P19990093001-GA FOR HISTORY. *UPDATE* IN 2015 COLLECTIONS ASSISTANT JANE EDMUNDSON CONDUCTED A SURVEY OF ART OBJECTS, INCLUDING THOSE DONATED BY LLOYD TRONE. THE FOLLOWING INFORMATION ABOUT THE DONOR WAS FOUND IN HIS OBITUARY, PUBLISHED IN THE JUNE 1, 2010 ISSUE OF THE CROWSNEST PASS HERALD. LLOYD TRONE WAS BORN IN 1928 IN MEDICINE HAT, AND MOVED WITH HIS FAMILY TO LETHBRIDGE IN 1930. HE WORKED FOR CANADA PACKERS FOR 25 YEARS AND RETIRED TO THE CROWSNEST PASS, WHERE HE PASSED AWAY IN MAY 2010. SEE PERMANENT FILE P19990049001-GA FOR HARDCOPY OF DONOR'S OBITUARY.
Catalogue Number
P19990093005
Acquisition Date
2000-03
Collection
Museum
Less detail
Other Name
BOX OF SPICE
Date Range From
1950
Date Range To
1970
Material Type
Artifact
Materials
CARDBOARD
Catalogue Number
P19990093006
Material Type
Artifact
Other Name
BOX OF SPICE
Date Range From
1950
Date Range To
1970
Materials
CARDBOARD
No. Pieces
1
Height
6.7
Length
5.9
Width
3.3
Description
RECTANGULAR, CARDBOARD BOX. ON FRONT IS "CASSIA BUDS" IN RED. AT THE BOTTOM OF FRONT IS "NABOB" IN WHITE ON A GREEN BACKGROUND. BESIDE THIS IS A JOLLY MAN IN A WHITE TURBAN AND ORANGE AND YELLOW OUTFIT. THE SIDES READ "NET WT. 1 3/4 OUNCES WHEN PACKED CASSIA BUDS" IN RED, AND "NABOB FOODS VANCOUVER CANADA" IN GREEN. ALL SIDES HAVE "NABOB" IN WHITE ON A DARK GREEN BACKGROUND. "18" IS WRITTEN ON TOP FLAP IN BLACK FELT MARKER. WHITE PARTS OF BOX HAVE YELLOWED.
Subjects
MERCHANDISING T&E
CONTAINER
Historical Association
DOMESTIC
History
SEE P19990093001-GA FOR HISTORY. *UPDATE* IN 2015 COLLECTIONS ASSISTANT JANE EDMUNDSON CONDUCTED A SURVEY OF ART OBJECTS, INCLUDING THOSE DONATED BY LLOYD TRONE. THE FOLLOWING INFORMATION ABOUT THE DONOR WAS FOUND IN HIS OBITUARY, PUBLISHED IN THE JUNE 1, 2010 ISSUE OF THE CROWSNEST PASS HERALD. LLOYD TRONE WAS BORN IN 1928 IN MEDICINE HAT, AND MOVED WITH HIS FAMILY TO LETHBRIDGE IN 1930. HE WORKED FOR CANADA PACKERS FOR 25 YEARS AND RETIRED TO THE CROWSNEST PASS, WHERE HE PASSED AWAY IN MAY 2010. SEE PERMANENT FILE P19990049001-GA FOR HARDCOPY OF DONOR'S OBITUARY.
Catalogue Number
P19990093006
Acquisition Date
2000-03
Collection
Museum
Less detail
Other Name
BOX OF SPICE
Date Range From
1950
Date Range To
1970
Material Type
Artifact
Materials
CARDBOARD
Catalogue Number
P19990093009
Material Type
Artifact
Other Name
BOX OF SPICE
Date Range From
1950
Date Range To
1970
Materials
CARDBOARD
No. Pieces
1
Height
6.6
Length
5.8
Width
3.4
Description
RECTANGULAR, CARDBOARD BOX. ON FRONT IS "WHOLE ALLSPICE" IN RED. BELOW THIS IS "NABOB" IN WHITE ON A DARK GREEN BACKGROUND. BESIDE THIS IS A JOLLY MAN IN A WHITE TURBAN WITH A YELLOW AND ORANGE OUTFIT. THE SIDES READ "NET WT. 1 1/2 OUNCES WHEN PACKED WHOLE ALLSPICE" IN RED, AND "NABOB FOODS VANCOUVER CANADA" IN GREEN. ALL SIDES HAVE "NABOB" IN WHITE ON A DARK GREEN BACKGROUND. "19" IS WRITTEN ON TOP FLAP IN BLACK FELT PEN. WHITE PARTS OF BOX HAVE YELLOWED CONSIDERABLY.
Subjects
MERCHANDISING T&E
CONTAINER
Historical Association
DOMESTIC
History
SEE P19990093001-GA FOR HISTORY. *UPDATE* IN 2015 COLLECTIONS ASSISTANT JANE EDMUNDSON CONDUCTED A SURVEY OF ART OBJECTS, INCLUDING THOSE DONATED BY LLOYD TRONE. THE FOLLOWING INFORMATION ABOUT THE DONOR WAS FOUND IN HIS OBITUARY, PUBLISHED IN THE JUNE 1, 2010 ISSUE OF THE CROWSNEST PASS HERALD. LLOYD TRONE WAS BORN IN 1928 IN MEDICINE HAT, AND MOVED WITH HIS FAMILY TO LETHBRIDGE IN 1930. HE WORKED FOR CANADA PACKERS FOR 25 YEARS AND RETIRED TO THE CROWSNEST PASS, WHERE HE PASSED AWAY IN MAY 2010. SEE PERMANENT FILE P19990049001-GA FOR HARDCOPY OF DONOR'S OBITUARY.
Catalogue Number
P19990093009
Acquisition Date
2000-03
Collection
Museum
Less detail
Other Name
BOX OF SPICE
Date Range From
1950
Date Range To
1970
Material Type
Artifact
Materials
CARDBOARD, PAPER
Catalogue Number
P19990093021
Material Type
Artifact
Other Name
BOX OF SPICE
Date Range From
1950
Date Range To
1970
Materials
CARDBOARD, PAPER
No. Pieces
1
Height
8.2
Length
4.5
Width
4.5
Description
RECTANGULAR, CARDBOARD BOX. WHITE BACKGROUND. TWO SIDES READ "WHOLE SELECT SPICES PACKED BY BLUE RIBBON LIMITED WINNIPEG, VANCOUVER, TORONTO" IN BLUE. THE OTHER TWO SIDES READ "BLUE RIBBON" IN RED, AND "WHOLE CELERY SEED" IN BLUE. ALL SIDES HAVE A BLUE BOW AT THE TOP, AND "TRADE MARK" UNDERNEATH. THERE IS ALSO A RED LINE BORDERING EACH SIDE. PRINTED ON BOTTOM OF BOX IN BLUE IS "2 OZS. NET". TOP OF BOX IS MISSING. A SQUARE PIECE OF CARDBOARD RESTS INSIDE BOX.
Subjects
MERCHANDISING T&E
CONTAINER
Historical Association
DOMESTIC
History
SEE P19990093001-GA FOR HISTORY. *UPDATE* IN 2015 COLLECTIONS ASSISTANT JANE EDMUNDSON CONDUCTED A SURVEY OF ART OBJECTS, INCLUDING THOSE DONATED BY LLOYD TRONE. THE FOLLOWING INFORMATION ABOUT THE DONOR WAS FOUND IN HIS OBITUARY, PUBLISHED IN THE JUNE 1, 2010 ISSUE OF THE CROWSNEST PASS HERALD. LLOYD TRONE WAS BORN IN 1928 IN MEDICINE HAT, AND MOVED WITH HIS FAMILY TO LETHBRIDGE IN 1930. HE WORKED FOR CANADA PACKERS FOR 25 YEARS AND RETIRED TO THE CROWSNEST PASS, WHERE HE PASSED AWAY IN MAY 2010. SEE PERMANENT FILE P19990049001-GA FOR HARDCOPY OF DONOR'S OBITUARY.
Catalogue Number
P19990093021
Acquisition Date
2000-03
Collection
Museum
Less detail

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