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Other Name
STAMP PAD INK
Date Range From
1950
Date Range To
1970
Material Type
Artifact
Materials
GLASS, ALUMINUM, PAPER
Catalogue Number
P19990061005
Material Type
Artifact
Other Name
STAMP PAD INK
Date Range From
1950
Date Range To
1970
Materials
GLASS, ALUMINUM, PAPER
No. Pieces
2
Height
13.5
Diameter
5.7
Description
ROUND, GLASS BOTTLE. BOTTLE APPEARS A DARK, METALLIC GREEN. HAS A YELLOW PAPER LABEL ON FRONT. ON LEFT OF LABEL IS A RED CIRCLE WITH JAGGED EDGES. WITHIN THIS READS "RELIANCE INK THE INK YOU CAN RELY ON". THE REST OF LABEL READS "R[EL]IANCE VIOLET STAMP PAD INK RELIANCE, INK CO. LTD. WINNIPEG". EMBOSSED ON BOTTOM OF BOTTLE IS "8 02. 4 V-48 2". BOTTLE HAS A BLACK PAINTED METAL, SCREW-ON CAP. THERE IS SOME INK INSIDE BOTTLE.
Subjects
WRITTEN COMMUNICATION T&E
MERCHANDISING T&E
Historical Association
BUSINESS
RETAIL TRADE
History
MUSEUM OBTAINED ITEMS FROM LETHBRIDGE EATON'S STORE IN 1999. DUE TO COMPANY BANKRUPTCY, EATON'S STORES ACROSS CANADA WERE CLOSED, INCLUDING THE LETHBRIDGE LOCATION IN PARK PLACE MALL. *UPDATE* IN 2014 COLLECTIONS ASSISTANT JANE EDMUNDSON CONDUCTED A SURVEY OF ART OBJECTS, INCLUDING THOSE ASSOCIATED WITH THE T. EATON COMPANY STORES IN LETHBRIDGE. THE FOLLOWING BRIEF HISTORY OF LETHBRIDGE'S EATON'S STORE WAS DEVELOPED WITH INFORMATION FROM GALT ARCHIVES AND LETHBRIDGE HERALD ARTICLES FROM THE FALL OF 1988. THE T. EATON COMPANY WAS FOUNDED IN TORONTO IN 1869 BY TIMOTHY EATON. THE FIRST LETHBRIDGE EATON'S 'TECO' STORE WAS OPENED IN 1927 IN THE BASEMENT OF THE DOMINION BLOCK ON THE CORNER OF 4 AVENUE AND SIXTH STREET SOUTH. AFTER A FIRE, THE BUILDING WAS RENOVATED AND COMPLETELY TAKEN OVER BY THE EATON'S STORE, WHICH OPERATED IN THAT LOCATION UNDER PERIODIC RENOVATIONS FROM 1929 UNTIL THE OPENING OF THE PARK PLACE MALL IN 1988, IN WHICH EATON'S WAS AN ANCHOR RETAILER. IN 1989 A PORTION OF THE UNIVERSITY OF LETHBRIDGE ART COLLECTION WAS TEMPORARILY PUT ON DISPLAY IN THE VACANT EATON'S BUILDING, AND PROPOSALS WERE MADE TO MAKE THE INSTALLATION PERMANENT, BUT EVENTUALLY THE PROPERTY WAS SOLD AND DEMOLISHED TO MAKE WAY FOR THE CONSTRUCTION OF A BANK OF MONTREAL BRANCH. IN 1999 THE EATON'S STORE IN PARK PLACE MALL CLOSED JUST PRIOR TO THE ANNOUNCEMENT OF THE BANKRUPTCY OF THE LARGER T. EATON COMPANY LIMITED. SEE PERMANENT FILE P19930072001 FOR HARDCOPIES OF SOURCE MATERIAL.
Catalogue Number
P19990061005
Acquisition Date
1999-10
Collection
Museum
Less detail
Other Name
FOUNTAIN PEN INK
Date Range From
1950
Date Range To
1970
Material Type
Artifact
Materials
GLASS, TIN, PAPER
Catalogue Number
P19990061001
Material Type
Artifact
Other Name
FOUNTAIN PEN INK
Date Range From
1950
Date Range To
1970
Materials
GLASS, TIN, PAPER
No. Pieces
2
Height
30.5
Diameter
17.5
Description
ROUND, CLEAR GLASS JUG. ON FRONT OF JUG IS A PAPER LABEL. LABEL IS YELLOW WITH A BLUE BORDER AND RED AND BLACK PRINT. IT READS "RELIANCE FOUNTAIN PEN RED INK WRITES AND REMAINS A RICH RED COLOR RELIANCE INK CO. LIMITED WINNIPEG MANITOBA". EMBOSSED ON BOTTOM OF JUG IS "MADE IN CANADA" "7756-G" HAS WHITE PAINTED, METAL, SCREW-ON CAP. IS ALMOST FULL OF RED INK.
Subjects
WRITTEN COMMUNICATION T&E
MERCHANDISING T&E
Historical Association
BUSINESS
RETAIL TRADE
History
MUSEUM OBTAINED ITEMS FROM LETHBRIDGE EATON'S STORE IN 1999. DUE TO COMPANY BANKRUPTCY, EATON'S STORES ACROSS CANADA WERE CLOSED, INCLUDING THE LETHBRIDGE LOCATION IN PARK PLACE MALL. *UPDATE* IN 2014 COLLECTIONS ASSISTANT JANE EDMUNDSON CONDUCTED A SURVEY OF ART OBJECTS, INCLUDING THOSE ASSOCIATED WITH THE T. EATON COMPANY STORES IN LETHBRIDGE. THE FOLLOWING BRIEF HISTORY OF LETHBRIDGE'S EATON'S STORE WAS DEVELOPED WITH INFORMATION FROM GALT ARCHIVES AND LETHBRIDGE HERALD ARTICLES FROM THE FALL OF 1988. THE T. EATON COMPANY WAS FOUNDED IN TORONTO IN 1869 BY TIMOTHY EATON. THE FIRST LETHBRIDGE EATON'S 'TECO' STORE WAS OPENED IN 1927 IN THE BASEMENT OF THE DOMINION BLOCK ON THE CORNER OF 4 AVENUE AND SIXTH STREET SOUTH. AFTER A FIRE, THE BUILDING WAS RENOVATED AND COMPLETELY TAKEN OVER BY THE EATON'S STORE, WHICH OPERATED IN THAT LOCATION UNDER PERIODIC RENOVATIONS FROM 1929 UNTIL THE OPENING OF THE PARK PLACE MALL IN 1988, IN WHICH EATON'S WAS AN ANCHOR RETAILER. IN 1989 A PORTION OF THE UNIVERSITY OF LETHBRIDGE ART COLLECTION WAS TEMPORARILY PUT ON DISPLAY IN THE VACANT EATON'S BUILDING, AND PROPOSALS WERE MADE TO MAKE THE INSTALLATION PERMANENT, BUT EVENTUALLY THE PROPERTY WAS SOLD AND DEMOLISHED TO MAKE WAY FOR THE CONSTRUCTION OF A BANK OF MONTREAL BRANCH. IN 1999 THE EATON'S STORE IN PARK PLACE MALL CLOSED JUST PRIOR TO THE ANNOUNCEMENT OF THE BANKRUPTCY OF THE LARGER T. EATON COMPANY LIMITED. SEE PERMANENT FILE P19930072001 FOR HARDCOPIES OF SOURCE MATERIAL.
Catalogue Number
P19990061001
Acquisition Date
1999-10
Collection
Museum
Less detail
Date Range From
1970
Date Range To
1990
Material Type
Artifact
Materials
STEEL, ALUMINUM
Catalogue Number
P19990061026
Material Type
Artifact
Date Range From
1970
Date Range To
1990
Materials
STEEL, ALUMINUM
No. Pieces
1
Height
27.5
Length
27.2
Width
11.6
Description
BLACK PAINTED, STEEL. HAS A FLAT, RECTANGULAR BASE. A METAL LABEL ON BASE, TOWARDS THE FRONT, READS "MADE IN U.S.A.", AND HAS A RED OUTLINE. A BLACK AND SILVER, METAL LABEL ON BASE, TOWARDS BACK, READS "SINCE 1887 CUMMINS MODEL 15 SERIAL 7539 CUMMINS PERFORATOR COMPANY CHICAGO". BACK OF PERFORATOR EXTENDS UP FROM BASE AND BENDS IN AN ARCH TOWARDS THE FRONT. TOWARDS THE FRONT, THIS ARCH EXTENDS DOWNWARD INTO A RECTANGULAR SHAPE. ON TOP IS A LARGE SLIGHTLY CURVED HANDLE - HANDLE CAN BE PUSHED DOWN. ON FRONT END OF PERFORATOR IS A STEEL DRAWER WITH A CIRCULAR HANDLE.
Subjects
PRINTING T&E
DATA PROCESSING T&E
Historical Association
BUSINESS
History
MUSEUM OBTAINED ITEMS FROM LETHBRIDGE EATON'S STORE IN 1999. DUE TO COMPANY BANKRUPTCY, EATON'S STORES ACROSS CANADA WERE CLOSED, INCLUDING THE LETHBRIDGE LOCATION IN PARK PLACE MALL. *UPDATE* IN 2014 COLLECTIONS ASSISTANT JANE EDMUNDSON CONDUCTED A SURVEY OF ART OBJECTS, INCLUDING THOSE ASSOCIATED WITH THE T. EATON COMPANY STORES IN LETHBRIDGE. THE FOLLOWING BRIEF HISTORY OF LETHBRIDGE'S EATON'S STORE WAS DEVELOPED WITH INFORMATION FROM GALT ARCHIVES AND LETHBRIDGE HERALD ARTICLES FROM THE FALL OF 1988. THE T. EATON COMPANY WAS FOUNDED IN TORONTO IN 1869 BY TIMOTHY EATON. THE FIRST LETHBRIDGE EATON'S 'TECO' STORE WAS OPENED IN 1927 IN THE BASEMENT OF THE DOMINION BLOCK ON THE CORNER OF 4 AVENUE AND SIXTH STREET SOUTH. AFTER A FIRE, THE BUILDING WAS RENOVATED AND COMPLETELY TAKEN OVER BY THE EATON'S STORE, WHICH OPERATED IN THAT LOCATION UNDER PERIODIC RENOVATIONS FROM 1929 UNTIL THE OPENING OF THE PARK PLACE MALL IN 1988, IN WHICH EATON'S WAS AN ANCHOR RETAILER. IN 1989 A PORTION OF THE UNIVERSITY OF LETHBRIDGE ART COLLECTION WAS TEMPORARILY PUT ON DISPLAY IN THE VACANT EATON'S BUILDING, AND PROPOSALS WERE MADE TO MAKE THE INSTALLATION PERMANENT, BUT EVENTUALLY THE PROPERTY WAS SOLD AND DEMOLISHED TO MAKE WAY FOR THE CONSTRUCTION OF A BANK OF MONTREAL BRANCH. IN 1999 THE EATON'S STORE IN PARK PLACE MALL CLOSED JUST PRIOR TO THE ANNOUNCEMENT OF THE BANKRUPTCY OF THE LARGER T. EATON COMPANY LIMITED. SEE PERMANENT FILE P19930072001 FOR HARDCOPIES OF SOURCE MATERIAL.
Catalogue Number
P19990061026
Acquisition Date
1999-10
Collection
Museum
Less detail
Other Name
MARQUIS HOTEL
Date Range From
1927
Date Range To
1988
Material Type
Artifact
Materials
TIN
Catalogue Number
P20050003000
Material Type
Artifact
Other Name
MARQUIS HOTEL
Date Range From
1927
Date Range To
1988
Materials
TIN
No. Pieces
5
Length
63
Diameter
42
Description
CEILING LIGHT FIXTURE WITH FOUR WHT RIBBED GLOBES. FIXTURE IS BLK WITH GLD ACCENTS. LIGHT SOCKETS ARE WHT PORCELAIN EACH CONTAINING THREE SCREWS TO SECURE GLASS RIBBED GLOBES 21 (H) X 7.5 (D). CENTER OF FIXTURE DISPLAYS A ACORN. FIXTURE HANGS SUSPENDED BY A CHAIN WHICH IS ATTACHED TO A CIRCULAR BLK PLATE.
Subjects
LIGHTING DEVICE
Historical Association
BUSINESS
History
THE LIGHT FIXTURE WAS TAKEN OUT OF THE MARQUIS HOTEL BEFORE ITS DEMOLITION IN 1988. EMIL GUNDLOCK A MORTGAGE BROKER WORKED WITH THE HOTEL'S OWNERS ,JOANNE AND BOB CORBET, TO REFINANCE THE HOTEL FOR IMPROVEMENTS. GUNDLOCK SAID, HOWEVER, THAT THE ROYAL BANK WOULD NOT APPROVE THE REFINANCING AND, SUBSEQUENTLY, TOOK OVER THE HOTEL'S MANAGEMENT. DISCUSSING THE FUTURE OF THE HOTEL OVER A DRINK (WHILE THE BAR WAS STILL IN OPERATION), CORBET AND GUNDLOCK DECIDED IT WOULD BE A "SHAME" TO SEE THE HOTEL'S ARCHITECTURAL ELEMENTS DESTROYED AND LOST AND, THUS THEY DECIDED TO REMOVE SOME OF THE HOTEL'S FIXTURES, DOORS (ELEVATOR), ETC. GUNDLOCK CLAIMED IT WAS ENOUGH TO FILL A "TRUCKLOAD". RBC, HOWEVER, LEARNED OF THE SALVAGE OPERATION AND DEMANDED THAT THE ARCHITECTURAL ELEMENTS BE RETURNED. GUNDLOCK KNEW SOME OF THE MATERIAL WAS RETURNED, BUT SOME WAS ALSO RETAINED. GUNDLOCK BELIEVED THAT THE MATERIAL ENDED UP IN THE RBC BANK MANAGER'S HOUSE. GUNDLOCK RECOGNIZED THE LAMP AND BOX THAT IT WAS PACKAGED IN, WHEN HE VISITED THE GALT IN EARLY 2007. SOMEHOW, THE FIXTURE CAME INTO POSSESSION OF TED STILSON WHO LATER PASSED IT ON TO THE DONOR IN 2005. GUNDLOCK WAS CONFIDENT THAT THE STYLE OF THE LAMP, IF NOT THIS VERY LAMP, WAS INSTALLED IN THE ROOM ATTRIBUTED TO SENATOR GLADSTONE WHO WAS THE FIRST NATIVE SENATOR AND FROM THE BLOOD RESERVE. THE ART DECO HOTEL OPENED IN 1928. IN ADDITION TO BEING THE FIRST BUSINESS IN LETHBRIDGE TO UTILIZE NEON SIGNAGE, THE HOTEL BOASTED AN ORIGINAL SEVENTY-EIGHT BEDROOMS AND A BANQUET AREA CAPABLE OF SEATING 250 PERSONS.
Catalogue Number
P20050003000
Acquisition Date
2005-08
Collection
Museum
Less detail
Date Range From
1950
Date Range To
2007
Material Type
Artifact
Materials
WOOD, STEEL, BRASS
Catalogue Number
P20070023004
Material Type
Artifact
Date Range From
1950
Date Range To
2007
Materials
WOOD, STEEL, BRASS
No. Pieces
2
Height
202.0
Length
75.8
Width
31.5
Description
SET OF TWO WOODEN DOORS, BOTH PAINTED GREY-PURPLE WITH SMALL WINDOW, METAL DOOR CLOSURE DEVICE MOUNTED AT TOP, HANDLES ON ONE SIDE WITH STEEL PLATES ON REVERSE, STEEL PLATES ALONG BOTTOM WIDTH OF DOORS, AND THREE BRASS HINGES ALONG SIDES. ONE DOOR WITH "J" SHAPED PIECE OF METAL HANGING FROM HANDLE. 2 PIECES, IDENTICAL SIZE.
Subjects
BUILDING COMPONENT
Historical Association
BUSINESS
History
DOOR SET IS ONE OF TWO ENTRANCE DOOR SETS TO PARAMOUNT THEATRE CINEMA ONE. DOOR SET WAS REMOVED FROM THEATRE AFTER ITS CLOSURE IN 2007. ACCORDING TO JOEY SHACKLEFORD (GRANDSON OF A.W. SHACKLEFORD) IN 2010, THE PANE OF GLASS ON THE DOOR ALLOWED MANAGEMENT TO SEE WHEN THE LIGHTS WERE COMING ON. THIS FACILITATED THE PROCESS OF SWITCHING FROM THE EARLY VIEWING TO THE LATE VIEWING. THE LOBBY WOULD BE ROPED OFF AND THE PATRONS WOULD EXIT OUT THE SIDE DOOR. NEW PATRONS WOULD WAIT IN THE LOBBY UNTIL THE ROPES WERE TAKEN DOWN BEFORE ENTERING THE THEATRE. FOR MORE INFORMATION, SEE P20070023001 AND PERMANENT RECORD. *UPDATE* IN 2014 COLLECTIONS ASSISTANT JANE EDMUNDSON CONDUCTED A SURVEY OF ART OBJECTS, INCLUDING A PORTRAIT OF ALFRED WILLIAM SHACKLEFORD (P20060025001-GA), OWNER OF THE SHACKLEFORD THEATRES. THE FOLLOWING BIOGRAPHY OF MAYOR SHACKLEFORD WAS DEVELOPED WITH INFORMATION FROM ARCHIVES CANADA ONLINE AND A LETHBRIDGE HERALD TRIBUTE ARTICLE FROM MAY 31, 1992. A.W. SHACKLEFORD WAS BORN IN ESSEX, ENGLAND IN 1899 AND CAME TO CALGARY WITH HIS PARENTS IN 1909. AFTER HIGH SCHOOL HE TRAINED AS A DRAFTSMAN BUT WAS EMPLOYED BY THE FILM EXCHANGE AND FOX FILMS. IN 1921 HE WAS HIRED TO MANAGED THE KING'S THEATRE IN LETHBRIDGE AND BECAME ASSOCIATED WITH MARK ROGERS, A LETHBRIDGE BUSINESSMAN WHO OWNED THREE LOCAL MOVIE THEATRES. SHACKLEFORD ALSO BECAME PARTNER IN THE AMUSEMENT COMPANY THAT OPENED THE HENDERSON LAKE PAVILLION IN 1924. BY 1925 HE WAS PART-OWNER OF THE FORMER EMPRESS THEATRE ON 5TH AVENUE SOUTH, RENAMING IT THE ROXY. HE THEN TEAMED UP WITH THE FAMOUS PLAYERS COMPANY TO REMODEL THE FORMER PALACE THEATRE AND RENAME IT THE CAPITOL. SHACKLEFORD ALSO OPENED THE THEATRE IN THE FORMER COLLEGE MALL, BUILT THE 960-SEAT PARAMOUNT THEATRE ON 4TH AVENUE SOUTH, AND TOOK OVER OPERATION OF THE DIRVE-IN THEATRE AT THE SOUTH CITY LIMITS. SHACKLEFORD WAS HEAVILY INVOLVED IN CIVIC LIFE, ACTIVE IN GROUPS INCLUDING THE CANADIAN CANCER SOCIETY, THE GYRO CLUB, UNITED WAY, LETHBRIDGE & DISTRICT EXHIBITION BOARD, BOARD OF TRADE, ST. AUGUSTINE'S CHURCH, AND THE ALBERTA THEATRE OPERATORS ASSOCIATION. HE AND HIS WIFE ADA HAD TWO SONS, ROBERT AND DOUGLAS. AFTER SEVERAL TERMS AS ALDERMAN STARTING IN 1939, SHACKLEFORD FIRST SERVED AS MAYOR FROM 1944 - 1947, AND FOR TWO MORE TERMS FROM 1952 - 1955 AND 1957 - 1961. HE WORKED FOR 68 YEARS IN THE MOVIE BUSINESS, RETIRING AT AGE 90. W.A. SHACKLEFORD DIED IN LETHBRIDGE ON MAY 30, 1992. SEE PERMANENT FILE P20060025001 FOR HARDCOPIES OF SOURCE MATERIAL.
Catalogue Number
P20070023004
Acquisition Date
2008-08
Collection
Museum
Less detail
Other Name
PROJECTIONIST DOOR
Date Range From
1950
Date Range To
2007
Material Type
Artifact
Materials
STEEL
Catalogue Number
P20070023002
Material Type
Artifact
Other Name
PROJECTIONIST DOOR
Date Range From
1950
Date Range To
2007
Materials
STEEL
No. Pieces
1
Height
216.5
Length
91.0
Width
28.0
Description
STEEL DOOR, ONE SIDE PAINTED GREY-GREEN WITH BLACK SEMI-CIRCLE SURROUNDING METAL PUSH-PLATE AND KEYHOLE. BLACK METAL PROTECTIVE PLATE ALONG BOTTOM LENGTH OF DOOR. OTHER SIDE PAINTED WHITE, HAS METAL C-SHAPED HANDLE AND METAL DOOR CLOSURE DEVICE MOUNTED AT TOP. SIDE OF DOOR WITH DOOR LOCKING MECHANISM LABELLED, "SCHLAGE."
Subjects
BUILDING COMPONENT
Historical Association
BUSINESS
History
THE DOOR WAS REMOVED FROM THE PARAMOUNT THEATRE IN 2007. ACCORDING TO JOEY SHACKLEFORD (GRANDSON OF A.W. SHACKLEFORD) IN 2010, THE DOOR WAS FROM THE PROJECTION BOOTH. THE BOOTH WAS NEAR A PRIVATE VIEWING AREA ON THE UPPER FLOOR OF THE THEATRE. THE DOOR HAD A HALF CIRCLE WINDOW. HARRY BOYSE, AND RICHARD FURUKAWA WERE TWO OF THE PROJECTIONISTS AT THE PARAMOUNT THEATRE. WHILE SHACKLEFORD SAID MEMBERS OF HIS FAMILY WORKED ALMOST EVERY POSITION IN THE THEATRE THROUGHOUT THE COURSE OF THEIR LIVES, THE PROJECTIONIST JOB WAS THE “ONLY THING WE NEVER DID BECAUSE IT WAS A UNION POSITION. YOU HAD TO WRITE EXAMS AND PUT IN A CERTAIN AMOUNT OF HOURS BEFORE YOU WERE QUALIFIED.” FOR MORE INFORMATION, SEE P20070023001 AND PERMANENT RECORD. *UPDATE* IN 2014 COLLECTIONS ASSISTANT JANE EDMUNDSON CONDUCTED A SURVEY OF ART OBJECTS, INCLUDING A PORTRAIT OF ALFRED WILLIAM SHACKLEFORD (P20060025001-GA), OWNER OF THE SHACKLEFORD THEATRES. THE FOLLOWING BIOGRAPHY OF MAYOR SHACKLEFORD WAS DEVELOPED WITH INFORMATION FROM ARCHIVES CANADA ONLINE AND A LETHBRIDGE HERALD TRIBUTE ARTICLE FROM MAY 31, 1992. A.W. SHACKLEFORD WAS BORN IN ESSEX, ENGLAND IN 1899 AND CAME TO CALGARY WITH HIS PARENTS IN 1909. AFTER HIGH SCHOOL HE TRAINED AS A DRAFTSMAN BUT WAS EMPLOYED BY THE FILM EXCHANGE AND FOX FILMS. IN 1921 HE WAS HIRED TO MANAGED THE KING'S THEATRE IN LETHBRIDGE AND BECAME ASSOCIATED WITH MARK ROGERS, A LETHBRIDGE BUSINESSMAN WHO OWNED THREE LOCAL MOVIE THEATRES. SHACKLEFORD ALSO BECAME PARTNER IN THE AMUSEMENT COMPANY THAT OPENED THE HENDERSON LAKE PAVILLION IN 1924. BY 1925 HE WAS PART-OWNER OF THE FORMER EMPRESS THEATRE ON 5TH AVENUE SOUTH, RENAMING IT THE ROXY. HE THEN TEAMED UP WITH THE FAMOUS PLAYERS COMPANY TO REMODEL THE FORMER PALACE THEATRE AND RENAME IT THE CAPITOL. SHACKLEFORD ALSO OPENED THE THEATRE IN THE FORMER COLLEGE MALL, BUILT THE 960-SEAT PARAMOUNT THEATRE ON 4TH AVENUE SOUTH, AND TOOK OVER OPERATION OF THE DIRVE-IN THEATRE AT THE SOUTH CITY LIMITS. SHACKLEFORD WAS HEAVILY INVOLVED IN CIVIC LIFE, ACTIVE IN GROUPS INCLUDING THE CANADIAN CANCER SOCIETY, THE GYRO CLUB, UNITED WAY, LETHBRIDGE & DISTRICT EXHIBITION BOARD, BOARD OF TRADE, ST. AUGUSTINE'S CHURCH, AND THE ALBERTA THEATRE OPERATORS ASSOCIATION. HE AND HIS WIFE ADA HAD TWO SONS, ROBERT AND DOUGLAS. AFTER SEVERAL TERMS AS ALDERMAN STARTING IN 1939, SHACKLEFORD FIRST SERVED AS MAYOR FROM 1944 - 1947, AND FOR TWO MORE TERMS FROM 1952 - 1955 AND 1957 - 1961. HE WORKED FOR 68 YEARS IN THE MOVIE BUSINESS, RETIRING AT AGE 90. W.A. SHACKLEFORD DIED IN LETHBRIDGE ON MAY 30, 1992. SEE PERMANENT FILE P20060025001 FOR HARDCOPIES OF SOURCE MATERIAL.
Catalogue Number
P20070023002
Acquisition Date
2008-08
Collection
Museum
Less detail
Date Range From
1960
Date Range To
1970
Material Type
Artifact
Materials
POLYESTER
Catalogue Number
P19950073169
  1 image  
Material Type
Artifact
Date Range From
1960
Date Range To
1970
Materials
POLYESTER
No. Pieces
1
Length
149
Width
10.4
Description
BROWN TEXTURED POLYESTER TIE WITH WHITE AND ORANGE DIAMOND GRID PATTERN THROUGHOUT. HECTAGONAL DESIGNS AT GRID INTERSECTIONS. LINED WITH WHITE FABRIC. LABEL ON REVERSE READING "BELVEDERE STYLE BY JAYMORE MADE IN CANADA FABRIQUE AU CANADA". SMALLER LABEL AT END WITH "100% POLYESTER CA 01030".
Subjects
CLOTHING-ACCESSORY
Historical Association
PERSONAL CARE
BUSINESS
History
BELONGED TO DONOR'S FATHER. *UPDATE* IN 2014 COLLECTIONS ASSISTANT JANE EDMUNDSON CONDUCTED A SURVEY OF ART OBJECTS, INCLUDING ONE DONATED AS PART OF THE ING ESTATE (P19950073023). SHE EXTRACTED THE FOLLOWING INFORMATION ON THE ING FAMILY FROM PERMANENT FILE P19950073001, WHICH CONTAINS A TRANSCRIPT OF THE INTERVIEW COLLECTIONS TECH KEVIN MACLEAN CONDUCTED WITH HAROLD ING JR., SON OF HAROLD AND MYRA, IN HIS ROOM AT THE LETHBRIDGE HOTEL IN SEPTEMBER 2005. MYRA WAS BORN IN GOLDEN B.C. TO SHIN-BOW AND CHOW TING RAH; HER FATHER ORGINALLY EMIGRATED TO CANADA TO WORK ON CANADIAN RAILWAY CONSTRUCTION AND LATER BECAME A RESTAURANTEUR, WHERE MYRA DEVELOPED HER ENGLISH SKILLS AS A WAITRESS. "IN 1906 MY DAD [HAROLD ING SR.] LEFT HONG KONG FOR VANCOUVER, HE COULDN'T SPEAK ENGLISH... HE'S GOT TO BE A WAITER, A BUSBOY... AND HE LEARNED ALL THE WAY UP, IN THE MEANTIME PICKING UP ENGLISH... WENT TO WINNIPEG. THIS IS BEFORE ME. BY THEN HE KNEW THE WHOLE SYSTEM OF RESTAURANTING." MYRA AND HAROLD SR. MARRIED AND ADOPTED HAROLD JR. WHEN HE WAS BORN INTO A POOR FAMILY OF ELEVEN IN 1944, IN VANCOUVER. "ME AND MY TWIN SISTER WERE SOLD BECAUSE THERE WERE JUST TOO MANY. SO DAD, MY MOM PICKED ME AND DAD SAID YES THAT'S GOOD... I DON'T KNOW WHERE MY SISTER IS... THERE'S NO WAY OF FINDING OUT." THE ING FAMILY SETTLED IN LETHBRIDGE IN THE LATE 1940S, AND HAROLD SR. OWNS AND OPERATES THE NEW MOON CAFE AND TWO GROCERIES, WHICH ARE RUN BY THE FAMILY AND NEW CHINESE IMMIGRANTS THAT HAROLD SR. SPONSORED. "AT APPROXIMATELY FIVE YEARS OLD [MY FATHER] INTRODUCED ME TO THE NEW MOON CAFE, AND I WAS A BUSBOY AT THE AGE OF FIVE... IN 1951 HE SHOWED ME MY FIRST HUNDRED DOLLAR BILL... BECAUSE HE WAS THE OWNER... HE'D WAKE UP AT FIVE IN THE MORNING TO GO TO THE CAFE, OFF AND ON TO THE GROCERY STORE AND MIGHT BE DONE AT EIGHT AT NIGHT, SUPPER AND IMMEDIATELY TO CHINATOWN [FOR] GAMBLING, PUTTING DOWN MAH JONG." HAROLD JR. ATTENDED WESTMINISTER ELEMENTARY SCHOOL DURING THE DAY, AND CHINESE SCHOOL AT THE CHINESE NATIONAL LEAGUE IN THE EVENINGS - HIS FATHER WAS THE PRESIDENT OF THE NATIONAL LEAGUE, AND THE ORGANIZATION RAN THE SCHOOL, CULTURAL CELEBRATIONS, FILM SCREENINGS, AND BANQUETS, FUNDED BY MEMBERSHIP FEES. HAROLD'S YOUNGER BROTHER, CALVIN, "GOT SENT TO A BOARDING SCHOOL SOMEWHERE. HE WAS GIFTED, BUT HE HAD A BYPASS SURGERY, HE HAD SOMETHING WRONG WITH HIS HEART. HE COULDN'T HANDLE PUBLIC SCHOOL, SO THEY SENT HIM TO B.C." AFTER HIGH SCHOOL AND A BRIEF STINT IN CALGARY, HAROLD JR. RAN ING'S GROCERY FOR HIS FATHER, AND IN THE LATE 1960S AND EARLY 70S ALSO WORKED AS A PHOTOGRAPHER FOR THE LETHBRIDGE HERALD AND A SALESMAN AT SEARS. BOTH HAROLD SR. AND MYRA ING PASSED AWAY IN THE 1990S, AND THE OBJECTS ENCOMPASSING DONATION P19950073001-231 WERE COLLECTED FROM THE FAMILY HOME. FOR A COMPLETE TRANSCRIPT OF THE INTERVIEW, COPIES OF PHOTOGRAPHS AND WRITTEN DETAILS ON THE CHINESE NATIONAL LEAGUE, SEE PERMANENT FILE.
Catalogue Number
P19950073169
Acquisition Date
1995-11
Collection
Museum
Images
Less detail
Date Range From
1960
Date Range To
1970
Material Type
Artifact
Materials
POLYESTER
Catalogue Number
P19950073170
  1 image  
Material Type
Artifact
Date Range From
1960
Date Range To
1970
Materials
POLYESTER
No. Pieces
1
Length
134.5
Width
10.7
Description
POLYESTER TIE, WOVEN INTO CHECKERED PATTERN. LIGHT AND DARK BROWN BASE WITH SLIGHTLY LARGER GOLD SQUARES THROUGHOUT. WHITE LINING. NO LABELS.
Subjects
CLOTHING-ACCESSORY
Historical Association
PERSONAL CARE
BUSINESS
History
BELONGED TO DONOR'S FATHER. *UPDATE* IN 2014 COLLECTIONS ASSISTANT JANE EDMUNDSON CONDUCTED A SURVEY OF ART OBJECTS, INCLUDING ONE DONATED AS PART OF THE ING ESTATE (P19950073023). SHE EXTRACTED THE FOLLOWING INFORMATION ON THE ING FAMILY FROM PERMANENT FILE P19950073001, WHICH CONTAINS A TRANSCRIPT OF THE INTERVIEW COLLECTIONS TECH KEVIN MACLEAN CONDUCTED WITH HAROLD ING JR., SON OF HAROLD AND MYRA, IN HIS ROOM AT THE LETHBRIDGE HOTEL IN SEPTEMBER 2005. MYRA WAS BORN IN GOLDEN B.C. TO SHIN-BOW AND CHOW TING RAH; HER FATHER ORGINALLY EMIGRATED TO CANADA TO WORK ON CANADIAN RAILWAY CONSTRUCTION AND LATER BECAME A RESTAURANTEUR, WHERE MYRA DEVELOPED HER ENGLISH SKILLS AS A WAITRESS. "IN 1906 MY DAD [HAROLD ING SR.] LEFT HONG KONG FOR VANCOUVER, HE COULDN'T SPEAK ENGLISH... HE'S GOT TO BE A WAITER, A BUSBOY... AND HE LEARNED ALL THE WAY UP, IN THE MEANTIME PICKING UP ENGLISH... WENT TO WINNIPEG. THIS IS BEFORE ME. BY THEN HE KNEW THE WHOLE SYSTEM OF RESTAURANTING." MYRA AND HAROLD SR. MARRIED AND ADOPTED HAROLD JR. WHEN HE WAS BORN INTO A POOR FAMILY OF ELEVEN IN 1944, IN VANCOUVER. "ME AND MY TWIN SISTER WERE SOLD BECAUSE THERE WERE JUST TOO MANY. SO DAD, MY MOM PICKED ME AND DAD SAID YES THAT'S GOOD... I DON'T KNOW WHERE MY SISTER IS... THERE'S NO WAY OF FINDING OUT." THE ING FAMILY SETTLED IN LETHBRIDGE IN THE LATE 1940S, AND HAROLD SR. OWNS AND OPERATES THE NEW MOON CAFE AND TWO GROCERIES, WHICH ARE RUN BY THE FAMILY AND NEW CHINESE IMMIGRANTS THAT HAROLD SR. SPONSORED. "AT APPROXIMATELY FIVE YEARS OLD [MY FATHER] INTRODUCED ME TO THE NEW MOON CAFE, AND I WAS A BUSBOY AT THE AGE OF FIVE... IN 1951 HE SHOWED ME MY FIRST HUNDRED DOLLAR BILL... BECAUSE HE WAS THE OWNER... HE'D WAKE UP AT FIVE IN THE MORNING TO GO TO THE CAFE, OFF AND ON TO THE GROCERY STORE AND MIGHT BE DONE AT EIGHT AT NIGHT, SUPPER AND IMMEDIATELY TO CHINATOWN [FOR] GAMBLING, PUTTING DOWN MAH JONG." HAROLD JR. ATTENDED WESTMINISTER ELEMENTARY SCHOOL DURING THE DAY, AND CHINESE SCHOOL AT THE CHINESE NATIONAL LEAGUE IN THE EVENINGS - HIS FATHER WAS THE PRESIDENT OF THE NATIONAL LEAGUE, AND THE ORGANIZATION RAN THE SCHOOL, CULTURAL CELEBRATIONS, FILM SCREENINGS, AND BANQUETS, FUNDED BY MEMBERSHIP FEES. HAROLD'S YOUNGER BROTHER, CALVIN, "GOT SENT TO A BOARDING SCHOOL SOMEWHERE. HE WAS GIFTED, BUT HE HAD A BYPASS SURGERY, HE HAD SOMETHING WRONG WITH HIS HEART. HE COULDN'T HANDLE PUBLIC SCHOOL, SO THEY SENT HIM TO B.C." AFTER HIGH SCHOOL AND A BRIEF STINT IN CALGARY, HAROLD JR. RAN ING'S GROCERY FOR HIS FATHER, AND IN THE LATE 1960S AND EARLY 70S ALSO WORKED AS A PHOTOGRAPHER FOR THE LETHBRIDGE HERALD AND A SALESMAN AT SEARS. BOTH HAROLD SR. AND MYRA ING PASSED AWAY IN THE 1990S, AND THE OBJECTS ENCOMPASSING DONATION P19950073001-231 WERE COLLECTED FROM THE FAMILY HOME. FOR A COMPLETE TRANSCRIPT OF THE INTERVIEW, COPIES OF PHOTOGRAPHS AND WRITTEN DETAILS ON THE CHINESE NATIONAL LEAGUE, SEE PERMANENT FILE.
Catalogue Number
P19950073170
Acquisition Date
1995-11
Collection
Museum
Images
Less detail
Date Range From
1960
Date Range To
1970
Material Type
Artifact
Materials
RAYON
Catalogue Number
P19950073171
  1 image  
Material Type
Artifact
Date Range From
1960
Date Range To
1970
Materials
RAYON
No. Pieces
1
Length
139.6
Width
8.2
Description
GOLD/TOPAZ COLORED RAYON TIE WITH FAINT GRID PATTERN THROUGHOUT. BLACK AND RED SQUARES ALONG LENGTH, WITH CROWN PATTERN IN CENTRES. LABEL ON REVERSE READING "A BLUESTONE TIE HAND TAILORED" WITH A CROWN EMBROIDERED ABOVE. TIE IS SLIGHTLY SOILED THROUGHOUT.
Subjects
CLOTHING-ACCESSORY
Historical Association
PERSONAL CARE
BUSINESS
History
BELONGED TO DONOR'S FATHER. *UPDATE* IN 2014 COLLECTIONS ASSISTANT JANE EDMUNDSON CONDUCTED A SURVEY OF ART OBJECTS, INCLUDING ONE DONATED AS PART OF THE ING ESTATE (P19950073023). SHE EXTRACTED THE FOLLOWING INFORMATION ON THE ING FAMILY FROM PERMANENT FILE P19950073001, WHICH CONTAINS A TRANSCRIPT OF THE INTERVIEW COLLECTIONS TECH KEVIN MACLEAN CONDUCTED WITH HAROLD ING JR., SON OF HAROLD AND MYRA, IN HIS ROOM AT THE LETHBRIDGE HOTEL IN SEPTEMBER 2005. MYRA WAS BORN IN GOLDEN B.C. TO SHIN-BOW AND CHOW TING RAH; HER FATHER ORGINALLY EMIGRATED TO CANADA TO WORK ON CANADIAN RAILWAY CONSTRUCTION AND LATER BECAME A RESTAURANTEUR, WHERE MYRA DEVELOPED HER ENGLISH SKILLS AS A WAITRESS. "IN 1906 MY DAD [HAROLD ING SR.] LEFT HONG KONG FOR VANCOUVER, HE COULDN'T SPEAK ENGLISH... HE'S GOT TO BE A WAITER, A BUSBOY... AND HE LEARNED ALL THE WAY UP, IN THE MEANTIME PICKING UP ENGLISH... WENT TO WINNIPEG. THIS IS BEFORE ME. BY THEN HE KNEW THE WHOLE SYSTEM OF RESTAURANTING." MYRA AND HAROLD SR. MARRIED AND ADOPTED HAROLD JR. WHEN HE WAS BORN INTO A POOR FAMILY OF ELEVEN IN 1944, IN VANCOUVER. "ME AND MY TWIN SISTER WERE SOLD BECAUSE THERE WERE JUST TOO MANY. SO DAD, MY MOM PICKED ME AND DAD SAID YES THAT'S GOOD... I DON'T KNOW WHERE MY SISTER IS... THERE'S NO WAY OF FINDING OUT." THE ING FAMILY SETTLED IN LETHBRIDGE IN THE LATE 1940S, AND HAROLD SR. OWNS AND OPERATES THE NEW MOON CAFE AND TWO GROCERIES, WHICH ARE RUN BY THE FAMILY AND NEW CHINESE IMMIGRANTS THAT HAROLD SR. SPONSORED. "AT APPROXIMATELY FIVE YEARS OLD [MY FATHER] INTRODUCED ME TO THE NEW MOON CAFE, AND I WAS A BUSBOY AT THE AGE OF FIVE... IN 1951 HE SHOWED ME MY FIRST HUNDRED DOLLAR BILL... BECAUSE HE WAS THE OWNER... HE'D WAKE UP AT FIVE IN THE MORNING TO GO TO THE CAFE, OFF AND ON TO THE GROCERY STORE AND MIGHT BE DONE AT EIGHT AT NIGHT, SUPPER AND IMMEDIATELY TO CHINATOWN [FOR] GAMBLING, PUTTING DOWN MAH JONG." HAROLD JR. ATTENDED WESTMINISTER ELEMENTARY SCHOOL DURING THE DAY, AND CHINESE SCHOOL AT THE CHINESE NATIONAL LEAGUE IN THE EVENINGS - HIS FATHER WAS THE PRESIDENT OF THE NATIONAL LEAGUE, AND THE ORGANIZATION RAN THE SCHOOL, CULTURAL CELEBRATIONS, FILM SCREENINGS, AND BANQUETS, FUNDED BY MEMBERSHIP FEES. HAROLD'S YOUNGER BROTHER, CALVIN, "GOT SENT TO A BOARDING SCHOOL SOMEWHERE. HE WAS GIFTED, BUT HE HAD A BYPASS SURGERY, HE HAD SOMETHING WRONG WITH HIS HEART. HE COULDN'T HANDLE PUBLIC SCHOOL, SO THEY SENT HIM TO B.C." AFTER HIGH SCHOOL AND A BRIEF STINT IN CALGARY, HAROLD JR. RAN ING'S GROCERY FOR HIS FATHER, AND IN THE LATE 1960S AND EARLY 70S ALSO WORKED AS A PHOTOGRAPHER FOR THE LETHBRIDGE HERALD AND A SALESMAN AT SEARS. BOTH HAROLD SR. AND MYRA ING PASSED AWAY IN THE 1990S, AND THE OBJECTS ENCOMPASSING DONATION P19950073001-231 WERE COLLECTED FROM THE FAMILY HOME. FOR A COMPLETE TRANSCRIPT OF THE INTERVIEW, COPIES OF PHOTOGRAPHS AND WRITTEN DETAILS ON THE CHINESE NATIONAL LEAGUE, SEE PERMANENT FILE.
Catalogue Number
P19950073171
Acquisition Date
1995-11
Collection
Museum
Images
Less detail
Date Range From
1960
Date Range To
1970
Material Type
Artifact
Materials
POLYESTER
Catalogue Number
P19950073172
  1 image  
Material Type
Artifact
Date Range From
1960
Date Range To
1970
Materials
POLYESTER
No. Pieces
1
Length
139.6
Width
8.2
Description
BLACK TEXTURED POLYESTER TIE WITH WHITE POLKA-DOTS. CORAL PINK NYLON LINING. LABEL ON REVERSE READING "GENTRY WEMBLEY DELUXE WEMLON 100% POLYESTER LAVABLE-WASHABLE CA 00516".
Subjects
CLOTHING-ACCESSORY
Historical Association
PERSONAL CARE
BUSINESS
History
BELONGED TO DONOR'S FATHER. *UPDATE* IN 2014 COLLECTIONS ASSISTANT JANE EDMUNDSON CONDUCTED A SURVEY OF ART OBJECTS, INCLUDING ONE DONATED AS PART OF THE ING ESTATE (P19950073023). SHE EXTRACTED THE FOLLOWING INFORMATION ON THE ING FAMILY FROM PERMANENT FILE P19950073001, WHICH CONTAINS A TRANSCRIPT OF THE INTERVIEW COLLECTIONS TECH KEVIN MACLEAN CONDUCTED WITH HAROLD ING JR., SON OF HAROLD AND MYRA, IN HIS ROOM AT THE LETHBRIDGE HOTEL IN SEPTEMBER 2005. MYRA WAS BORN IN GOLDEN B.C. TO SHIN-BOW AND CHOW TING RAH; HER FATHER ORGINALLY EMIGRATED TO CANADA TO WORK ON CANADIAN RAILWAY CONSTRUCTION AND LATER BECAME A RESTAURANTEUR, WHERE MYRA DEVELOPED HER ENGLISH SKILLS AS A WAITRESS. "IN 1906 MY DAD [HAROLD ING SR.] LEFT HONG KONG FOR VANCOUVER, HE COULDN'T SPEAK ENGLISH... HE'S GOT TO BE A WAITER, A BUSBOY... AND HE LEARNED ALL THE WAY UP, IN THE MEANTIME PICKING UP ENGLISH... WENT TO WINNIPEG. THIS IS BEFORE ME. BY THEN HE KNEW THE WHOLE SYSTEM OF RESTAURANTING." MYRA AND HAROLD SR. MARRIED AND ADOPTED HAROLD JR. WHEN HE WAS BORN INTO A POOR FAMILY OF ELEVEN IN 1944, IN VANCOUVER. "ME AND MY TWIN SISTER WERE SOLD BECAUSE THERE WERE JUST TOO MANY. SO DAD, MY MOM PICKED ME AND DAD SAID YES THAT'S GOOD... I DON'T KNOW WHERE MY SISTER IS... THERE'S NO WAY OF FINDING OUT." THE ING FAMILY SETTLED IN LETHBRIDGE IN THE LATE 1940S, AND HAROLD SR. OWNS AND OPERATES THE NEW MOON CAFE AND TWO GROCERIES, WHICH ARE RUN BY THE FAMILY AND NEW CHINESE IMMIGRANTS THAT HAROLD SR. SPONSORED. "AT APPROXIMATELY FIVE YEARS OLD [MY FATHER] INTRODUCED ME TO THE NEW MOON CAFE, AND I WAS A BUSBOY AT THE AGE OF FIVE... IN 1951 HE SHOWED ME MY FIRST HUNDRED DOLLAR BILL... BECAUSE HE WAS THE OWNER... HE'D WAKE UP AT FIVE IN THE MORNING TO GO TO THE CAFE, OFF AND ON TO THE GROCERY STORE AND MIGHT BE DONE AT EIGHT AT NIGHT, SUPPER AND IMMEDIATELY TO CHINATOWN [FOR] GAMBLING, PUTTING DOWN MAH JONG." HAROLD JR. ATTENDED WESTMINISTER ELEMENTARY SCHOOL DURING THE DAY, AND CHINESE SCHOOL AT THE CHINESE NATIONAL LEAGUE IN THE EVENINGS - HIS FATHER WAS THE PRESIDENT OF THE NATIONAL LEAGUE, AND THE ORGANIZATION RAN THE SCHOOL, CULTURAL CELEBRATIONS, FILM SCREENINGS, AND BANQUETS, FUNDED BY MEMBERSHIP FEES. HAROLD'S YOUNGER BROTHER, CALVIN, "GOT SENT TO A BOARDING SCHOOL SOMEWHERE. HE WAS GIFTED, BUT HE HAD A BYPASS SURGERY, HE HAD SOMETHING WRONG WITH HIS HEART. HE COULDN'T HANDLE PUBLIC SCHOOL, SO THEY SENT HIM TO B.C." AFTER HIGH SCHOOL AND A BRIEF STINT IN CALGARY, HAROLD JR. RAN ING'S GROCERY FOR HIS FATHER, AND IN THE LATE 1960S AND EARLY 70S ALSO WORKED AS A PHOTOGRAPHER FOR THE LETHBRIDGE HERALD AND A SALESMAN AT SEARS. BOTH HAROLD SR. AND MYRA ING PASSED AWAY IN THE 1990S, AND THE OBJECTS ENCOMPASSING DONATION P19950073001-231 WERE COLLECTED FROM THE FAMILY HOME. FOR A COMPLETE TRANSCRIPT OF THE INTERVIEW, COPIES OF PHOTOGRAPHS AND WRITTEN DETAILS ON THE CHINESE NATIONAL LEAGUE, SEE PERMANENT FILE.
Catalogue Number
P19950073172
Acquisition Date
1995-11
Collection
Museum
Images
Less detail
Other Name
PARAMOUNT THEATRE SALVAGE
Date Range From
1950
Date Range To
2007
Material Type
Artifact
Materials
CLOTH
Catalogue Number
P20070023001
Material Type
Artifact
Other Name
PARAMOUNT THEATRE SALVAGE
Date Range From
1950
Date Range To
2007
Materials
CLOTH
No. Pieces
1
Height
1.6
Length
146.5
Width
91.2
Description
SWATCH OF CARPET, RED BACKGROUND WITH FILIGREE PATTERN IN BLACK, GREEN, OCHRE, AND TAN COLOURS. SEAM ALONG LENGTH OF CARPET. CARPET HEAVILY WORN IN TWO PLACES. LOOSE THREADS AROUND EDGES AND STAINED THROUGHOUT.
Subjects
FLOOR COVERING
Historical Association
BUSINESS
History
SWATCH OF CARPET REMOVED FROM STAIRWELL OF PARAMOUNT THEATRE AFTER ITS CLOSURE IN 2007. CARPET APPEARS TO HAVE BEEN ORIGINAL TO THE BUILDING (SEE 19752201444 AND 19752201445 IN ARCHIVES FOR EARLY IMAGES OF THEATRE. PHOTOS TAKEN AT GRAND OPENING OF THEATRE). THE SAME PATTERN REMAINED IN USE IN THE THEATRE'S LOBBY UNTIL AT LEAST 1968 (SEE199110764140 IN ARCHIVES). NICOLE HEMBROFF, COLLECTIONS ASSISTANT, CONDUCTED AN INTERVIEW WITH JOEY SHACKLEFORD (GRANDSON OF A.W. SHACKLEFORD) IN 2010 AND HE SAID THE RUG SAW A LOT OF TRAFFIC. THE SEAMS WOULD FALL APART AND GET FIXED UNTIL THEY COULDN'T BE FIXED ANYMORE. WHEN NEW CARPETS WERE PURCHASED THEY TRIED TO PICK OUT DARK PATTERNS THAT WERE SIMILAR TO THE OLD ONES. THEY WANTED THE RUGS TO WEAR WELL. ACCORDING TO SHACKLEFORD, THE LOBBY, BACK OF THE THEATRES AND AISLES WOULD HAVE BEEN CARPETED. IN JANUARY OF 1946, MAJESTIC THEATRES, OWNED BY A. W. SHACKLEFORD AND FAMOUS PLAYERS, PURCHASED A SITE AT THE CORNER OF EIGHTH STREET AND FOURTH AVENUE FOR THE FUTURE PARAMOUNT THEATRE. THE 950-SEAT PARAMOUNT THEATRE COST $250,000 TO CONSTRUCT AND OPENED ITS DOORS ON OCTOBER 9, 1950. DURING IT’S 61 YEAR HISTORY (IT CLOSED IN 2007), SMOKEY AND THE BANDIT AND THE SOUND OF MUSIC WERE THE TWO OF THE TOP SHOWS, GRACING SCREENS FOR 13 AND 11 WEEKS, RESPECTIVELY. EVEN MORE IMPRESSIVELY, IN 1997 AND 1998 "THE TITANIC" RAN FOP 24 WEEKS. ROBERT SHACKLEFORD, CAPITOL’S HOUSE MANAGER AND A. W. SHACKLEFORD’S YOUNGEST SON, SAID, “THE PARAMOUNT BECAME A LANDMARK IN THIS CITY… IT WAS CONSIDERED THE FINEST THEATRE OF ITS TIME, NOT JUST IN LETHBRIDGE, BUT ANYWHERE.” IN ADDITION TO THE THEATRE, THREE OTHER BUSINESSES WERE HOUSED IN THE PARAMOUNT’S BUILDING, ALL OPENING OCTOBER 4TH, 1950: DON’S FLOWER AND GIFT SHOP, MARGOT’S LADIES WEAR, AND BROWN’S MUSIC SUPPLIES. THE PARAMOUNT DINER OPENED ITS DOORS ON OCTOBER 9, 1950, AND CLOSED IN 2005. DOUGLAS SHACKLEFORD, A. W. SHACKLEFORD’S ELDEST SON, MANAGED PARAMOUNT THEATRE FOR ITS FIRST YEAR, WHEN ASKED ABOUT THE NEW PARAMOUNT THEATRE, DOUGLAS SHACKLEFORD RESPONDED, “[IT’S] THE BEST IN THE WEST.” IN 1951, THE PARAMOUNT THEATRE RECEIVED THE LARGE MERIT AWARD, THE HIGHEST HONOUR AWARDED BY THE MOTION PICTURE THEATRE INDUSTRY. AN ACCOMPANYING PLAQUE STATED, “SELECTED BY THE SKILLED TECHNICAL EDITORS OF EXHIBITOR AND THEATRE CATALOG TO RECEIVE THE “LARGE MERIT AWARD” INTERNATIONAL RECOGNITION AS ONE OF THE MOST MODERN AND WELL APPOINTED OF ALL CURRENT THEATRES IN 1951.” THE THEATRE BOASTED STATE-OF-THE-ART SOUND AND PROJECTOR EQUIPMENT. THE PROJECTORS WERE THE FIRST OF THEIR KIND TO BE INSTALLED IN WESTERN CANADA. IN AN INTERVIEW WITH LETHBRIDGE HERALD IN OCT 1950, HARRY BOYSE, HEAD PROJECTIONIST, SAID, “THE PARAMOUNT’S PROJECTION SUITE IS ULTRA MODERN. IT IS EQUIPPED WITH THE LATEST PROJECTORS AND HAS SOUND EQUIPMENT THAT LEAVES ABSOLUTELY NOTHING TO BE DESIRED.” ANOTHER MODERN FEATURE OF THE THEATRE WAS THE ONE-WAY GLASS LOCATED BETWEEN THE MANAGER’S OFFICE AND THE AUDITORIUM AND FOYER. MANY DESIGN FEATURES OF THE PARAMOUNT STRESSED COMFORT. KROEHLER SLIDE-BACK CUSHIONED SEATS ALLOWED FOR CUSTOMERS TO REMAIN SEATED WHILE ALLOWING OTHERS TO PASS. LIGHTING SYSTEMS WERE DESIGNED TO GRADUALLY DECREASE AND INCREASE IN BRIGHTNESS SO THAT CUSTOMERS COULD ACCLIMATIZE. ADDITIONAL COMFORTS INCLUDE A WAITING LOUNGE, A WATER FOUNTAIN GUARANTEEING COLD WATER, A PRIVATE VIEWING ROOM FOR THOSE ON CALL, PRIVATE PARTIES, OR SMALL CHILDREN, AND A HEATING SYSTEM THAT EVENLY DISTRIBUTED HEAT. THROUGHOUT ITS OPERATIONS THE PARAMOUNT CINEMA UNDERWENT MANY RENOVATIONS AND FREQUENTLY UPDATED ITS TECHNOLOGY TO MEET MODERN STANDARDS. IN 1968, PARAMOUNT THEATRES ADDED A SECOND THEATRE, WHICH HELD 580 SEATS, MAKING IT THE FIRST MULTI-SCREEN THEATRE COMPLEX IN LETHBRIDGE. HENCEFORTH, IT WAS KNOWN AS PARAMOUNT CINEMA. IN 1985, SEAT WIDTH AND LEG ROOM WAS INCREASED, AND THE “CADILLAC” OF THEATRE SEATS WERE INSTALLED. IN 1988, 18 SURROUND SPEAKERS AND A DOLBY STEREO AMPLIFIER SYSTEM WERE INSTALLED. AT SOME POINT, THE PARAMOUNT RECEIVED A NEW CINEMASCOPE SCREEN. ACCORDING TO ROBERT SHACKLEFORD, THE GENERAL MANAGER OF LETHBRIDGE THEATRES LTD., “YOU RENOVATE OR STAGNATE… THAT’S BEEN MY POLICY ALL MY LIFE.” IN ADDITION TO PROVIDING ENTERTAINMENT, PARAMOUNT THEATRE SERVED THE COMMUNITY BY ALLOWING VARIOUS EVENTS TO TAKE PLACE INSIDE. IN JANUARY OF 1953, THE FIRST BAPTIST CHURCH BURNED DOWN, AND SUNDAY SERVICES WERE HELD AT THE PARAMOUNT THEATRE UNTIL A NEW CHURCH WAS BUILT. THE ST. MICHAEL’S SCHOOL OF NURSING HELD ITS GRADUATION CEREMONIES AT THE THEATRE DURING THE 1960S. THE PARAMOUNT HOSTED MANY CONCERTS, INCLUDING THE LETHBRIDGE SYMPHONY ORCHESTRA AND THE KIWANIS MUSIC FESTIVAL. AFTER UPDATING SCREEN TECHNOLOGY TO CINEMASCOPE, THE FRONT THREE ROWS WERE REMOVED. SHACKLEFORD SAID, “THAT’S WHEN WE DECIDED THE FRONT ROWS WERE TOO CLOSE FOR THE GIANT SCREEN AND WE EXPANDED THE STAGE TO ACCOMMODATE THE SYMPHONY…” IN 1978, THE SHACKLEFORD FAMILY ALONG WITH PARAMOUNT CINEMA HOSTED A WEEKEND-LONG EVENT TO CELEBRATE 50 YEARS OF FILM. THEY SCREENED OLD CLASSIC FILMS, AND OFFERED TICKETS, POPCORN, ICE CREAM AND DRINKS FOR $0.50 AND $0.10, RESPECTIVELY, REFLECTIVE OF 1928 PRICES. FAMOUS PLAYERS BOUGHT OUT THE SHACKLEFORD FAMILY AROUND 1990. IN THE FOLLOWING YEARS, THE PUBLIC COMPLAINED ABOUT DETERIORATING CONDITIONS OF THE THEATRE. SUCH COMPLAINTS WERE IGNORED BY FAMOUS PLAYERS. A LETTER IN THE LETHBRIDGE HERALD IN OCT 2004 ENCOURAGED THE PUBLIC TO WRITE TO THE VICE-PRESIDENT OF CORPORATE AFFAIRS TO VOICE THEIR DISAPPROVAL FOR THE STATE OF THE PARAMOUNT. FOR MORE INFORMATION, SEE PERMANENT RECORD, DVD WALKTHROUGH AFTER CLOSURE AND ARCHIVES 19752201444, 19752201445, 199110764140. *UPDATE* IN 2014 COLLECTIONS ASSISTANT JANE EDMUNDSON CONDUCTED A SURVEY OF ART OBJECTS, INCLUDING A PORTRAIT OF ALFRED WILLIAM SHACKLEFORD (P20060025001-GA), OWNER OF THE SHACKLEFORD THEATRES. THE FOLLOWING BIOGRAPHY OF MAYOR SHACKLEFORD WAS DEVELOPED WITH INFORMATION FROM ARCHIVES CANADA ONLINE AND A LETHBRIDGE HERALD TRIBUTE ARTICLE FROM MAY 31, 1992. A.W. SHACKLEFORD WAS BORN IN ESSEX, ENGLAND IN 1899 AND CAME TO CALGARY WITH HIS PARENTS IN 1909. AFTER HIGH SCHOOL HE TRAINED AS A DRAFTSMAN BUT WAS EMPLOYED BY THE FILM EXCHANGE AND FOX FILMS. IN 1921 HE WAS HIRED TO MANAGED THE KING'S THEATRE IN LETHBRIDGE AND BECAME ASSOCIATED WITH MARK ROGERS, A LETHBRIDGE BUSINESSMAN WHO OWNED THREE LOCAL MOVIE THEATRES. SHACKLEFORD ALSO BECAME PARTNER IN THE AMUSEMENT COMPANY THAT OPENED THE HENDERSON LAKE PAVILLION IN 1924. BY 1925 HE WAS PART-OWNER OF THE FORMER EMPRESS THEATRE ON 5TH AVENUE SOUTH, RENAMING IT THE ROXY. HE THEN TEAMED UP WITH THE FAMOUS PLAYERS COMPANY TO REMODEL THE FORMER PALACE THEATRE AND RENAME IT THE CAPITOL. SHACKLEFORD ALSO OPENED THE THEATRE IN THE FORMER COLLEGE MALL, BUILT THE 960-SEAT PARAMOUNT THEATRE ON 4TH AVENUE SOUTH, AND TOOK OVER OPERATION OF THE DIRVE-IN THEATRE AT THE SOUTH CITY LIMITS. SHACKLEFORD WAS HEAVILY INVOLVED IN CIVIC LIFE, ACTIVE IN GROUPS INCLUDING THE CANADIAN CANCER SOCIETY, THE GYRO CLUB, UNITED WAY, LETHBRIDGE & DISTRICT EXHIBITION BOARD, BOARD OF TRADE, ST. AUGUSTINE'S CHURCH, AND THE ALBERTA THEATRE OPERATORS ASSOCIATION. HE AND HIS WIFE ADA HAD TWO SONS, ROBERT AND DOUGLAS. AFTER SEVERAL TERMS AS ALDERMAN STARTING IN 1939, SHACKLEFORD FIRST SERVED AS MAYOR FROM 1944 - 1947, AND FOR TWO MORE TERMS FROM 1952 - 1955 AND 1957 - 1961. HE WORKED FOR 68 YEARS IN THE MOVIE BUSINESS, RETIRING AT AGE 90. W.A. SHACKLEFORD DIED IN LETHBRIDGE ON MAY 30, 1992. SEE PERMANENT FILE P20060025001 FOR HARDCOPIES OF SOURCE MATERIAL.
Catalogue Number
P20070023001
Acquisition Date
2008-08
Collection
Museum
Less detail
Date Range From
1950
Date Range To
2007
Material Type
Artifact
Materials
PLASTIC, WIRE
Catalogue Number
P20070023005
Material Type
Artifact
Date Range From
1950
Date Range To
2007
Materials
PLASTIC, WIRE
No. Pieces
1
Height
9.2
Length
24.0
Width
13.0 13.0
Description
PALE GREEN INTERCOM PHONE WITH SIX OFF-WHITE BUTTONS ON FRONT. BRAIDED PHONE CORD, SPEAKER AND RECEIVER OF PHONE OFF-WHITE COLOURED. LABELS NEXT TO BUTTONS READ, "MGR., LOBY, CONC., BOX. O., PROJ. 2." TEXT ON BACK READS, "MADE IN WESTERN GERMANY...". BROWN FOAM MATERIAL ON BACK OF PHONE DETERIORATING, SURFACE GRIME OVERALL, ESPECIALLY CONCENTRATED ON PHONE RECIEVER AND PHONE RESTING AREAS.
Subjects
SOUND COMMUNICATION T&E
Historical Association
BUSINESS
History
INTERCOM WAS INSTALLED IN THE PROJECTIONSIT ROOM OF CINEMA 1 AT THE PARAMOUNT THEATRE. IT ALLOWED THE USER TO STRATEGICALLY CONNECT WITH VARIOUS LOCATIONS IN THE THEATRE. INTERCOM WAS REMOVED FROM PARAMOUNT THEATRE AFTER ITS CLOSURE IN 2007. NICOLE HEMBROFF, COLLECTIONS ASSISTANT, CONDUCTED AN INTERVIEW WITH JOEY SHACKLEFORD (GRANDSON OF A. W. SHACKLEFORD) ON AUGUST 15, 2010, HE SAID THE INTERCOM SYSTEM WAS PRETTY BAREBONES. IT WAS USED FOR SEVERAL PURPOSES. FOR EXAMPLE, THE PROJECTIONIST'S ROOM WOULD RECEIVE A CALL TO START THE FILM. THIS WAS IMPORTANT BECAUSE THE MOVIES DIDN'T ALWAYS START ON TIME IN ORDER TO ALLOW BIG CROWDS TO COME IN. THE INTERCOM WAS ALSO USED BETWEEN THE MANAGER'S OFFICE AND THE CANDY BAR. THE PEOPLE WORKING AT THE CONCESSION COULD CALL THE MANAGER'S OFFICE TO OBTAIN MORE CANDY OR SUPPLIES. FINALLY, IT WAS COMMON FOR THE BOX OFFICE TO CALL THE MANAGER'S OFFICE IN ORDER TO GET MORE CHANGE OR TO GET MONEY TAKEN OUT. THIS WAS ESPECIALLY IMPORTANT BECAUSE THE BOX OFFICE WAS EXPOSED TO THE PEOPLE. BY TAKING MONEY TO THE MANAGER'S OFFICE ON A REGULAR BASIS, ONE COULD ENSURE THAT IF THE BOX OFFICE WAS ROBBED, NOT TOO MUCH MONEY WOULD BE LOST. FOR MORE INFORMATION, SEE P20070023001 AND PERMANENT RECORD. *UPDATE* IN 2014 COLLECTIONS ASSISTANT JANE EDMUNDSON CONDUCTED A SURVEY OF ART OBJECTS, INCLUDING A PORTRAIT OF ALFRED WILLIAM SHACKLEFORD (P20060025001-GA), OWNER OF THE SHACKLEFORD THEATRES. THE FOLLOWING BIOGRAPHY OF MAYOR SHACKLEFORD WAS DEVELOPED WITH INFORMATION FROM ARCHIVES CANADA ONLINE AND A LETHBRIDGE HERALD TRIBUTE ARTICLE FROM MAY 31, 1992. A.W. SHACKLEFORD WAS BORN IN ESSEX, ENGLAND IN 1899 AND CAME TO CALGARY WITH HIS PARENTS IN 1909. AFTER HIGH SCHOOL HE TRAINED AS A DRAFTSMAN BUT WAS EMPLOYED BY THE FILM EXCHANGE AND FOX FILMS. IN 1921 HE WAS HIRED TO MANAGED THE KING'S THEATRE IN LETHBRIDGE AND BECAME ASSOCIATED WITH MARK ROGERS, A LETHBRIDGE BUSINESSMAN WHO OWNED THREE LOCAL MOVIE THEATRES. SHACKLEFORD ALSO BECAME PARTNER IN THE AMUSEMENT COMPANY THAT OPENED THE HENDERSON LAKE PAVILLION IN 1924. BY 1925 HE WAS PART-OWNER OF THE FORMER EMPRESS THEATRE ON 5TH AVENUE SOUTH, RENAMING IT THE ROXY. HE THEN TEAMED UP WITH THE FAMOUS PLAYERS COMPANY TO REMODEL THE FORMER PALACE THEATRE AND RENAME IT THE CAPITOL. SHACKLEFORD ALSO OPENED THE THEATRE IN THE FORMER COLLEGE MALL, BUILT THE 960-SEAT PARAMOUNT THEATRE ON 4TH AVENUE SOUTH, AND TOOK OVER OPERATION OF THE DIRVE-IN THEATRE AT THE SOUTH CITY LIMITS. SHACKLEFORD WAS HEAVILY INVOLVED IN CIVIC LIFE, ACTIVE IN GROUPS INCLUDING THE CANADIAN CANCER SOCIETY, THE GYRO CLUB, UNITED WAY, LETHBRIDGE & DISTRICT EXHIBITION BOARD, BOARD OF TRADE, ST. AUGUSTINE'S CHURCH, AND THE ALBERTA THEATRE OPERATORS ASSOCIATION. HE AND HIS WIFE ADA HAD TWO SONS, ROBERT AND DOUGLAS. AFTER SEVERAL TERMS AS ALDERMAN STARTING IN 1939, SHACKLEFORD FIRST SERVED AS MAYOR FROM 1944 - 1947, AND FOR TWO MORE TERMS FROM 1952 - 1955 AND 1957 - 1961. HE WORKED FOR 68 YEARS IN THE MOVIE BUSINESS, RETIRING AT AGE 90. W.A. SHACKLEFORD DIED IN LETHBRIDGE ON MAY 30, 1992. SEE PERMANENT FILE P20060025001 FOR HARDCOPIES OF SOURCE MATERIAL.
Catalogue Number
P20070023005
Acquisition Date
2008-08
Collection
Museum
Less detail
Date Range From
1960
Date Range To
1970
Material Type
Artifact
Materials
PAPER
Catalogue Number
P19950073065
Material Type
Artifact
Date Range From
1960
Date Range To
1970
Materials
PAPER
No. Pieces
1
Length
168
Width
74.5
Description
CARDBOARD POSTER WITH COLOUR PRINT OF SANTA CLAUSE STANDING ON A LADDER IN FRONT OF A CHRISTMAS TREE, WITH A LITTLE GIRL. HE HOLDS IN HIS RIGHT HAND A BOTTLE OF COCA-COLA AND IN THE OTHER A COLLECTION OF CHRISTMAS ORNAMENTS. TOP OF POSTER READS "FREE DECORATIONS IN CARTONS OF COKE TRADE MARK REG." IN SMALL PRINT AT BOTTOM IS "LITHOGRAPHED IN CANADA CODE SP67-336 COCA-COLA LTD.". POSTER HAS FOLD-OUT BACKING WHICH SUPPORTS ENTIRE ADVERTISEMENT IN UPRIGHT POSITION. POSTER HAS LARGE CREASE ACROSS CENTRE WHERE IT FOLDS.
Subjects
ADVERTISING MEDIUM
Historical Association
BUSINESS
History
USED IN "ING'S GROCETERIA", WHICH WAS LOCATED AT 902 9TH STREET SOUTH, AND OWNED BY DONOR'S PARENTS. *UPDATE* IN 2014 COLLECTIONS ASSISTANT JANE EDMUNDSON CONDUCTED A SURVEY OF ART OBJECTS, INCLUDING ONE DONATED AS PART OF THE ING ESTATE (P19950073023). SHE EXTRACTED THE FOLLOWING INFORMATION ON THE ING FAMILY FROM PERMANENT FILE P19950073001, WHICH CONTAINS A TRANSCRIPT OF THE INTERVIEW COLLECTIONS TECH KEVIN MACLEAN CONDUCTED WITH HAROLD ING JR., SON OF HAROLD AND MYRA, IN HIS ROOM AT THE LETHBRIDGE HOTEL IN SEPTEMBER 2005. MYRA WAS BORN IN GOLDEN B.C. TO SHIN-BOW AND CHOW TING RAH; HER FATHER ORGINALLY EMIGRATED TO CANADA TO WORK ON CANADIAN RAILWAY CONSTRUCTION AND LATER BECAME A RESTAURANTEUR, WHERE MYRA DEVELOPED HER ENGLISH SKILLS AS A WAITRESS. "IN 1906 MY DAD [HAROLD ING SR.] LEFT HONG KONG FOR VANCOUVER, HE COULDN'T SPEAK ENGLISH... HE'S GOT TO BE A WAITER, A BUSBOY... AND HE LEARNED ALL THE WAY UP, IN THE MEANTIME PICKING UP ENGLISH... WENT TO WINNIPEG. THIS IS BEFORE ME. BY THEN HE KNEW THE WHOLE SYSTEM OF RESTAURANTING." MYRA AND HAROLD SR. MARRIED AND ADOPTED HAROLD JR. WHEN HE WAS BORN INTO A POOR FAMILY OF ELEVEN IN 1944, IN VANCOUVER. "ME AND MY TWIN SISTER WERE SOLD BECAUSE THERE WERE JUST TOO MANY. SO DAD, MY MOM PICKED ME AND DAD SAID YES THAT'S GOOD... I DON'T KNOW WHERE MY SISTER IS... THERE'S NO WAY OF FINDING OUT." THE ING FAMILY SETTLED IN LETHBRIDGE IN THE LATE 1940S, AND HAROLD SR. OWNS AND OPERATES THE NEW MOON CAFE AND TWO GROCERIES, WHICH ARE RUN BY THE FAMILY AND NEW CHINESE IMMIGRANTS THAT HAROLD SR. SPONSORED. "AT APPROXIMATELY FIVE YEARS OLD [MY FATHER] INTRODUCED ME TO THE NEW MOON CAFE, AND I WAS A BUSBOY AT THE AGE OF FIVE... IN 1951 HE SHOWED ME MY FIRST HUNDRED DOLLAR BILL... BECAUSE HE WAS THE OWNER... HE'D WAKE UP AT FIVE IN THE MORNING TO GO TO THE CAFE, OFF AND ON TO THE GROCERY STORE AND MIGHT BE DONE AT EIGHT AT NIGHT, SUPPER AND IMMEDIATELY TO CHINATOWN [FOR] GAMBLING, PUTTING DOWN MAH JONG." HAROLD JR. ATTENDED WESTMINISTER ELEMENTARY SCHOOL DURING THE DAY, AND CHINESE SCHOOL AT THE CHINESE NATIONAL LEAGUE IN THE EVENINGS - HIS FATHER WAS THE PRESIDENT OF THE NATIONAL LEAGUE, AND THE ORGANIZATION RAN THE SCHOOL, CULTURAL CELEBRATIONS, FILM SCREENINGS, AND BANQUETS, FUNDED BY MEMBERSHIP FEES. HAROLD'S YOUNGER BROTHER, CALVIN, "GOT SENT TO A BOARDING SCHOOL SOMEWHERE. HE WAS GIFTED, BUT HE HAD A BYPASS SURGERY, HE HAD SOMETHING WRONG WITH HIS HEART. HE COULDN'T HANDLE PUBLIC SCHOOL, SO THEY SENT HIM TO B.C." AFTER HIGH SCHOOL AND A BRIEF STINT IN CALGARY, HAROLD JR. RAN ING'S GROCERY FOR HIS FATHER, AND IN THE LATE 1960S AND EARLY 70S ALSO WORKED AS A PHOTOGRAPHER FOR THE LETHBRIDGE HERALD AND A SALESMAN AT SEARS. BOTH HAROLD SR. AND MYRA ING PASSED AWAY IN THE 1990S, AND THE OBJECTS ENCOMPASSING DONATION P19950073001-231 WERE COLLECTED FROM THE FAMILY HOME. FOR A COMPLETE TRANSCRIPT OF THE INTERVIEW, COPIES OF PHOTOGRAPHS AND WRITTEN DETAILS ON THE CHINESE NATIONAL LEAGUE, SEE PERMANENT FILE.
Catalogue Number
P19950073065
Acquisition Date
1995-11
Collection
Museum
Less detail
Other Name
COMPLIMENTS OF SICK'S SIGN
Date Range From
1950
Date Range To
1975
Material Type
Artifact
Materials
WOOD, PAINT
Catalogue Number
P20100013007
  1 image  
Material Type
Artifact
Other Name
COMPLIMENTS OF SICK'S SIGN
Date Range From
1950
Date Range To
1975
Materials
WOOD, PAINT
No. Pieces
1
Height
0.6
Length
30.3
Width
45.8
Description
SIGN, YELLOW/BROWN PAINT ON PLYWOOD. WRITING IN RED AND GREEN PAINT READS, “COMPLIMENTS OF SICKS’, HOUSE OF LETHBRIDGE”. TWO GREEN SILHOUETTES ON EITHER SIDE OF THE “SICKS’”. HAND PAINTED. BACK OF SIGN HAS A MENU WRITTEN IN PERMANENT MARKER READS, “MILK, BUTTERMILK, TOMATO JUICE, APPLE JUICE 10¢, SOUP 25¢, PIE 20¢, CAKE 10¢, SANDWICHES 25¢. BACK OF SIGN IS UNFINISHED WOOD WITH VARNISH AROUND THE EDGES THAT WRAPS AROUND FROM THE FRONT.
Subjects
VISUAL COMMUNICATION T&E
ADVERTISING MEDIUM
Historical Association
BUSINESS
History
DONOR GÜNTER HORN CAME INTO POSSESSION OF THE DONATED OBJECTS WHEN THE LETHBRIDGE BREWERY SHUT DOWN IN 1990. AT THE TIME OF DONATION HORN SAID, “I WAS ONE OF TWO PEOPLE SELECTED BY MOLSON’S TO GET RID OF THE ASSETS, TO DEAL WITH CONTRACTORS AND COMMITTEES, YOU KNOW, DISPOSE OF THE ITEMS. THERE WAS A THIRD PERSON AND HE WAS LOCATED IN SASKATOON, ALSO WORKING FOR MOLSON’S. THAT WAS BASICALLY THE ROLE. I WAS, PRIOR TO THAT, I WAS A BREW MASTER, THE BREWING MANAGER. I WAS FAMILIAR WITH THE PLANT LAYOUT AND EQUIPMENT THAT WAS AVAILABLE; SOME THAT WAS SENT TO OTHER MOLSON’S PLANTS LIKE CALGARY, EDMONTON, BARRIE, REGINA TO GET ENOUGH ITEMS. AND WHAT WAS NOT REQUIRED OR REQUESTED BY MOLSON’S BREWERIES, LIKE OTHER PLANTS, IT WAS MADE AVAILABLE FOR SALE TO PROSPECTIVE BUYERS FOR TANKS AND SOME OF THE MACHINERY. THAT IS BASICALLY IT - THE TEAM OF CONTRACTORS WITH POTENTIAL BUYERS GO TO THE PLANT, SEE WHAT EQUIPMENT THEY WERE INTERESTED IN, OR ALSO WHAT WAS AVAILABLE, AND WE HAD, IN CONJUNCTION WITH A THIRD PERSON IN SASKATOON, PRICES THAT WERE SET FOR DIFFERENT ITEMS AND WE HAD TO MAKE SURE THAT THE RIGHT EQUIPMENT WAS TAKEN OUT AND ALSO THAT THEY ARE PAYING THE SAME QUANTITY FOR THE PRICE THAT WAS SET BY MOLSON’S. WE DIDN’T SET ANY - IT WAS NOT MY FUNCTION TO SET PRICES. THAT WAS MOST LIKELY IN GENERAL WITH THE MEN FROM OTHER PLANTS CLOSURES.” THIS SIGN WAS ORIGINALLY USED IN THE ‘SNAKE ROOM’ AT THE BREWERY. HORN SAID, “THE RECEPTION AREA OR “SNAKE ROOM” IT WAS CALLED WAS STILL THERE WHEN I CAME IN ‘74. WE HAD THE WALL IN THE “SNAKE ROOM” AND IT WAS COVERED WITH, IS IT A 1/3 KEG OR ¼ KEG? THE WHOLE WALL WAS COVERED WITH WOODEN BARRELS, HALF CUT. [THE FUNCTION OF THE SNAKE ROOM WAS] JUST TO HOST PARTIES. ANYBODY COULD BOOK THE “SNAKE ROOM” FOR THEIR FUNCTION. ANYONE, PEOPLE WHO NEEDED A MEETING AND KNEW THE BREWERY WOULD ALWAYS BE OPEN. IT WAS OPEN, NOT JUST TO CERTAIN GROUPS, TO DIFFERENT GROUPS. WE USED TO HAVE THE MASTER BREWERS DOWN THERE. LETHBRIDGE WAS PART OF THE MASTER BREWERS ASSOCIATION THAT MET IN LETHBRIDGE, MET IN CALGARY OR EDMONTON. THIS [SIGN] IS FROM THE SNAKE ROOM AND ON THE BACK [OF THE SIGN] THERE ARE SOME PRICES. [IT DATES FROM] BEFORE MY TIME. IT WAS DISPLAYED SOMEWHERE. MOST LIKELY IT WAS REMOVED PRIOR TO. AGAIN, IN THE OFFICE YOU HAD A ROOM WHERE THEY HAD SOME SUPPLIES AND THEY HAD SOME THINGS THAT WERE TAKEN OUT OF SERVICE AND THIS WOULD BE ONE OF THEM. I DON’T THINK IT WAS THERE AT THE VERY END.” FOR MORE INFORMATION, PLEASE SEE PERMANENT FILE. *UPDATE* IN 2014 COLLECTIONS ASSISTANT JANE EDMUNDSON CONDUCTED A SURVEY OF ART OBJECTS, AND CORRELATED THIS ARTIFACT'S ORIGINAL LOCATION (THE "SNAKE ROOM" AT THE LETHBRIDGE BREWERY) WITH ARTIFACT P20120028003 AND THE ASSOCIATED INTERVIEW WITH DONOR LINDA LIPTAK, WHO WORKED THE BAR AND FOOD SERVICE THERE. SEE RECORD AND PERMANENT FILE P20120028003 FOR MORE INFORMATION AND A TRANSCRIPT OF LIPTAK'S INTERVIEW.
Catalogue Number
P20100013007
Acquisition Date
2010-03
Collection
Museum
Images
Less detail
Date Range From
1960
Date Range To
1970
Material Type
Artifact
Materials
PAPER
Catalogue Number
P19950073066
Material Type
Artifact
Date Range From
1960
Date Range To
1970
Materials
PAPER
No. Pieces
1
Length
144
Width
70
Description
CARDBOARD POSTER PRINTED ON BOTH SIDES WITH COCA-COLA ADVERTISEMENTS. ONE SIDE DISPLAYS TRAYS FILLED WITH HORS-D'OEUVRES AND BOTTLES OF COKE, WITH "SPARKLING HOSPITALITY" PRINTED AT TOP. RED CIRCLE BELOW PRINTED WITH "SERVE COCA-COLA". REVERSE IS YELLOW, WITH PICTURE OF YOUNG BOY LOOKING AT LARGE BOTTLE OF COKE. TO THE LEFT OF BOTTLE IS RED CIRCLE READING "DRINK COCA-COLA". AT TOP IS PRINTED "ME, TOO!". IN SMALL PRINT AT BOTTOM IS "COCA-COLA LIMITED", "DISPLAY THIS DESIGN IN SPRING AND SUMMER", AND "LITHOGRAPHED IN CANADA". POSTER SHOWS SLIGHT SIGNS OF WATER DAMAGE AND SURFACE SOILING. WORN AT EDGES.
Subjects
ADVERTISING MEDIUM
Historical Association
BUSINESS
History
HUNG AT "ING'S GROCETERIA" WHICH WAS LOCATED AT 902 9TH STREET SOUTH AND OWNED BY DONOR'S PARENTS. FOR MORE HISTORY SEE P19950073001-GA. *UPDATE* NICOLE HEMBROFF, COLLECTIONS ASSISTANT, CONDUCTED A SURVEY OF PALLET RACKING IN 2010. SHE INTERVIEWED HAROLD ING (CALVIN ING'S BROTHER) WITH REGARD TO THE POSTER. SEE BELOW. ACCORDING TO HAROLD ING, "ING'S GROCETERIA" WAS THE SECOND GROCERY STORE HIS FATHER OWNED. THE FIRST GROCERY STORE THEY OWNED WAS THE "VICTORIA." THEN IT WAS SOLD AND THE FAMILY BOUGHT "ING'S." IT WAS RUN BY ING'S MOM MYRA AND HIS FATHER HAROLD. LATER ING RAN IT (1967-69). *UPDATE* IN 2014 COLLECTIONS ASSISTANT JANE EDMUNDSON CONDUCTED A SURVEY OF ART OBJECTS, INCLUDING ONE DONATED AS PART OF THE ING ESTATE (P19950073023). SHE EXTRACTED THE FOLLOWING INFORMATION ON THE ING FAMILY FROM PERMANENT FILE P19950073001, WHICH CONTAINS A TRANSCRIPT OF THE INTERVIEW COLLECTIONS TECH KEVIN MACLEAN CONDUCTED WITH HAROLD ING JR., SON OF HAROLD AND MYRA, IN HIS ROOM AT THE LETHBRIDGE HOTEL IN SEPTEMBER 2005. MYRA WAS BORN IN GOLDEN B.C. TO SHIN-BOW AND CHOW TING RAH; HER FATHER ORGINALLY EMIGRATED TO CANADA TO WORK ON CANADIAN RAILWAY CONSTRUCTION AND LATER BECAME A RESTAURANTEUR, WHERE MYRA DEVELOPED HER ENGLISH SKILLS AS A WAITRESS. "IN 1906 MY DAD [HAROLD ING SR.] LEFT HONG KONG FOR VANCOUVER, HE COULDN'T SPEAK ENGLISH... HE'S GOT TO BE A WAITER, A BUSBOY... AND HE LEARNED ALL THE WAY UP, IN THE MEANTIME PICKING UP ENGLISH... WENT TO WINNIPEG. THIS IS BEFORE ME. BY THEN HE KNEW THE WHOLE SYSTEM OF RESTAURANTING." MYRA AND HAROLD SR. MARRIED AND ADOPTED HAROLD JR. WHEN HE WAS BORN INTO A POOR FAMILY OF ELEVEN IN 1944, IN VANCOUVER. "ME AND MY TWIN SISTER WERE SOLD BECAUSE THERE WERE JUST TOO MANY. SO DAD, MY MOM PICKED ME AND DAD SAID YES THAT'S GOOD... I DON'T KNOW WHERE MY SISTER IS... THERE'S NO WAY OF FINDING OUT." THE ING FAMILY SETTLED IN LETHBRIDGE IN THE LATE 1940S, AND HAROLD SR. OWNS AND OPERATES THE NEW MOON CAFE AND TWO GROCERIES, WHICH ARE RUN BY THE FAMILY AND NEW CHINESE IMMIGRANTS THAT HAROLD SR. SPONSORED. "AT APPROXIMATELY FIVE YEARS OLD [MY FATHER] INTRODUCED ME TO THE NEW MOON CAFE, AND I WAS A BUSBOY AT THE AGE OF FIVE... IN 1951 HE SHOWED ME MY FIRST HUNDRED DOLLAR BILL... BECAUSE HE WAS THE OWNER... HE'D WAKE UP AT FIVE IN THE MORNING TO GO TO THE CAFE, OFF AND ON TO THE GROCERY STORE AND MIGHT BE DONE AT EIGHT AT NIGHT, SUPPER AND IMMEDIATELY TO CHINATOWN [FOR] GAMBLING, PUTTING DOWN MAH JONG." HAROLD JR. ATTENDED WESTMINISTER ELEMENTARY SCHOOL DURING THE DAY, AND CHINESE SCHOOL AT THE CHINESE NATIONAL LEAGUE IN THE EVENINGS - HIS FATHER WAS THE PRESIDENT OF THE NATIONAL LEAGUE, AND THE ORGANIZATION RAN THE SCHOOL, CULTURAL CELEBRATIONS, FILM SCREENINGS, AND BANQUETS, FUNDED BY MEMBERSHIP FEES. HAROLD'S YOUNGER BROTHER, CALVIN, "GOT SENT TO A BOARDING SCHOOL SOMEWHERE. HE WAS GIFTED, BUT HE HAD A BYPASS SURGERY, HE HAD SOMETHING WRONG WITH HIS HEART. HE COULDN'T HANDLE PUBLIC SCHOOL, SO THEY SENT HIM TO B.C." AFTER HIGH SCHOOL AND A BRIEF STINT IN CALGARY, HAROLD JR. RAN ING'S GROCERY FOR HIS FATHER, AND IN THE LATE 1960S AND EARLY 70S ALSO WORKED AS A PHOTOGRAPHER FOR THE LETHBRIDGE HERALD AND A SALESMAN AT SEARS. BOTH HAROLD SR. AND MYRA ING PASSED AWAY IN THE 1990S, AND THE OBJECTS ENCOMPASSING DONATION P19950073001-231 WERE COLLECTED FROM THE FAMILY HOME. FOR A COMPLETE TRANSCRIPT OF THE INTERVIEW, COPIES OF PHOTOGRAPHS AND WRITTEN DETAILS ON THE CHINESE NATIONAL LEAGUE, SEE PERMANENT FILE.
Catalogue Number
P19950073066
Acquisition Date
1995-11
Collection
Museum
Less detail
Other Name
REEL TO REEL TAPE RECORDER
Date Range From
1960
Date Range To
1970
Material Type
Artifact
Catalogue Number
P19950073067
Material Type
Artifact
Other Name
REEL TO REEL TAPE RECORDER
Date Range From
1960
Date Range To
1970
No. Pieces
5
Height
23.5
Length
44.9
Width
35.9
Description
1. COVER: RECTANGULAR WOOD COVER HAS SLOPED FRONT EDGE AND STEEL FASTENING PIECES. CASE IS COVERED WITH LIGHT GREEN AND DARK GRAY MAC TACK PAPER WITH HORIZONTAL AND VERTICAL RAISED EDGING. FRONT HAS TWO STEEL BRACKETS WITH CLASP HUBS RIVETED NEAR EACH END. AT BACK OF COVER ARE TWO STEEL BRACKETS WITH HINGE LIPS AT BOTTOM. JUST ABOVE HINGE BRACKETS ARE SEMI-SPHERICAL STEEL FEET INSIDE OF COVER HAS DARK GRAY MAC TACK COVERING AS WELL. 2.5CM WIDE POCKET HAS BEEN BUILT INTO INSIDE. POCKET HAS V-SHAPED TOP LINE AND WOOD DIVIDER. ON INSIDE FRONT ARE TWO PAPER STICKERS. ONE IS RECTANGULAR WHITE PAPER WITH THIN BLACK BORDER. IT READS "SIMPSON-SEARS LTD. STOCK NUMBER 19 430 E8345". THE OTHER IS SMALL ROUND RED STICKER WITH "C" AND "SA" AND "B 2539". PAPER COVERING IS WEARING ALONG EDGES AND CORNERS. 2. RECORDER: RECORDER IS SET IN RECTANGULAR WOOD BOX WITH MACK TACK PAPER IDENTICAL TO COVER. BOTTOM HAS FOUR WHITE PLASTIC FEET. BACK HAS 21.5CM X 5.1CM OPENING WITH WIRE MESH COVERING IT ON INSIDE. RIGHT SIDE ALSO HAS 12.9CM X 7.9CM SPEAKER OPENING WITH COTTON CLOTH COVERING WITH BLACK AND SILVER HIGHLIGHTS. CLOTH HAS GOLD COLORED STAIN. BACK OF CASE HAS TWO SEMI-SPHERICAL FEET AT BOTTOM AND TWO STEEL HINGE BRACKETS ALONG TOP EDGE. RIVETED TO FRONT OF CASE ARE TWO STEEL LATCH CLASPS AND WHITE PLASTIC CARRYING HANDLE. TOP FRONT EDGE IS TAPERED WITH CONTROL PANEL AND SQUARE COMPARTMENT AT RIGHT END. CONTROL PANEL HAS SILVERY-GREY BASE PLATE WITH FOUR EQUIPMENT JACKS AND FOUR BLACK PLASTIC KNOBS. THE JACKS ARE FOR "EXT. SPKR", "EXT. AMP.", "MIC." AND RADIO. THE KNOBS CONTROL "RADIO", "MICROPHONE", "MONITOR" AND "OFF-TONE-ON" IN COMPARTMENT AT RIGHT SIDE IS 2M LONG BROWN ELECTRICAL CORD WITH PLUG AT END. ON TOP OF RECORDER IS REEL TO REEL MECHANISM. IT HAS FOUR WHITE AND ONE RED BUTTON FOR OPERATING MACHINE AND OPEN HOLE ON RIGHT SIDE FOR KNOB WHICH CONTROLS TAPE SPEED. KNOB IS MISSING. RAISED ON PLASTIC AROUND HOLE IS "SPEED CHANGE 1 7/8 7 1/2 3 3/4". ON FRONT OF CONTROL PANEL IS SILVER PLASTE WHICH READS "SILVERTONE". CONTROL COMMANDS ARE RAISED AND PAINTED GOLD. AT MIDDLE OF TOP ARE TWO ROTATING HUBS WHICH REELS FIT OVER. EACH HUB HAS CIRCULAR WHITE DISC AS CAP WHICH HAS THREADED CENTER AND FLUTED EDGE GRIP. 3. REEL: 17.3CM (D) X 1.2CM CLEAR PLASTIC REEL. HAS TWO SIDES WITH OPEN HOLES IN THEM. CENTER IS DISC WITH FOUR HOLES IN IT, THE CENTER ON TO GO OVER HUB. RAISED ON REEL SIDES ARE "SCOTCH BRAND" AND "SIDE 1" AND "SIDE 2". RAISED AT CENTER OF SIDE 1 IS "DES.PAT NOS. 173010-200936", "MADE IN U.S.A. BY 3M COMPANY" AND "ST. PAUL MINN.". 4. SPEAKER: 5CM (D) X 1CM BLACK BAKELITE DISC WITH FOUR HOLES IN FRONT. SOLDERED TO BACK IS BLACK AND GREEN WIRE 92.5CM LONG WITH STEEL JACK POST SOLDERED AT END. POST HAS NO PLASTIC COVERING. 5. JACK POST: STEEL JACK POST WITH POINTED NOSE. GREEN AND RED WIRE APROX. 150CM LONG IS ATTACHED TO END OF POST. CYLINDRICAL BLACK PLASTIC COVER IS OVER BOTTOM END OF POST.
Subjects
SOUND COMMUNICATION T&E
Historical Association
BUSINESS
History
*UPDATE* IN 2014 COLLECTIONS ASSISTANT JANE EDMUNDSON CONDUCTED A SURVEY OF ART OBJECTS, INCLUDING ONE DONATED AS PART OF THE ING ESTATE (P19950073023). SHE EXTRACTED THE FOLLOWING INFORMATION ON THE ING FAMILY FROM PERMANENT FILE P19950073001, WHICH CONTAINS A TRANSCRIPT OF THE INTERVIEW COLLECTIONS TECH KEVIN MACLEAN CONDUCTED WITH HAROLD ING JR., SON OF HAROLD AND MYRA, IN HIS ROOM AT THE LETHBRIDGE HOTEL IN SEPTEMBER 2005. MYRA WAS BORN IN GOLDEN B.C. TO SHIN-BOW AND CHOW TING RAH; HER FATHER ORGINALLY EMIGRATED TO CANADA TO WORK ON CANADIAN RAILWAY CONSTRUCTION AND LATER BECAME A RESTAURANTEUR, WHERE MYRA DEVELOPED HER ENGLISH SKILLS AS A WAITRESS. "IN 1906 MY DAD [HAROLD ING SR.] LEFT HONG KONG FOR VANCOUVER, HE COULDN'T SPEAK ENGLISH... HE'S GOT TO BE A WAITER, A BUSBOY... AND HE LEARNED ALL THE WAY UP, IN THE MEANTIME PICKING UP ENGLISH... WENT TO WINNIPEG. THIS IS BEFORE ME. BY THEN HE KNEW THE WHOLE SYSTEM OF RESTAURANTING." MYRA AND HAROLD SR. MARRIED AND ADOPTED HAROLD JR. WHEN HE WAS BORN INTO A POOR FAMILY OF ELEVEN IN 1944, IN VANCOUVER. "ME AND MY TWIN SISTER WERE SOLD BECAUSE THERE WERE JUST TOO MANY. SO DAD, MY MOM PICKED ME AND DAD SAID YES THAT'S GOOD... I DON'T KNOW WHERE MY SISTER IS... THERE'S NO WAY OF FINDING OUT." THE ING FAMILY SETTLED IN LETHBRIDGE IN THE LATE 1940S, AND HAROLD SR. OWNS AND OPERATES THE NEW MOON CAFE AND TWO GROCERIES, WHICH ARE RUN BY THE FAMILY AND NEW CHINESE IMMIGRANTS THAT HAROLD SR. SPONSORED. "AT APPROXIMATELY FIVE YEARS OLD [MY FATHER] INTRODUCED ME TO THE NEW MOON CAFE, AND I WAS A BUSBOY AT THE AGE OF FIVE... IN 1951 HE SHOWED ME MY FIRST HUNDRED DOLLAR BILL... BECAUSE HE WAS THE OWNER... HE'D WAKE UP AT FIVE IN THE MORNING TO GO TO THE CAFE, OFF AND ON TO THE GROCERY STORE AND MIGHT BE DONE AT EIGHT AT NIGHT, SUPPER AND IMMEDIATELY TO CHINATOWN [FOR] GAMBLING, PUTTING DOWN MAH JONG." HAROLD JR. ATTENDED WESTMINISTER ELEMENTARY SCHOOL DURING THE DAY, AND CHINESE SCHOOL AT THE CHINESE NATIONAL LEAGUE IN THE EVENINGS - HIS FATHER WAS THE PRESIDENT OF THE NATIONAL LEAGUE, AND THE ORGANIZATION RAN THE SCHOOL, CULTURAL CELEBRATIONS, FILM SCREENINGS, AND BANQUETS, FUNDED BY MEMBERSHIP FEES. HAROLD'S YOUNGER BROTHER, CALVIN, "GOT SENT TO A BOARDING SCHOOL SOMEWHERE. HE WAS GIFTED, BUT HE HAD A BYPASS SURGERY, HE HAD SOMETHING WRONG WITH HIS HEART. HE COULDN'T HANDLE PUBLIC SCHOOL, SO THEY SENT HIM TO B.C." AFTER HIGH SCHOOL AND A BRIEF STINT IN CALGARY, HAROLD JR. RAN ING'S GROCERY FOR HIS FATHER, AND IN THE LATE 1960S AND EARLY 70S ALSO WORKED AS A PHOTOGRAPHER FOR THE LETHBRIDGE HERALD AND A SALESMAN AT SEARS. BOTH HAROLD SR. AND MYRA ING PASSED AWAY IN THE 1990S, AND THE OBJECTS ENCOMPASSING DONATION P19950073001-231 WERE COLLECTED FROM THE FAMILY HOME. FOR A COMPLETE TRANSCRIPT OF THE INTERVIEW, COPIES OF PHOTOGRAPHS AND WRITTEN DETAILS ON THE CHINESE NATIONAL LEAGUE, SEE PERMANENT FILE.
Catalogue Number
P19950073067
Acquisition Date
1995-11
Collection
Museum
Less detail
Date Range From
1970
Date Range To
1980
Material Type
Artifact
Materials
METAL, PLASTIC, STEEL
Catalogue Number
P20120038005
  2 images  
Material Type
Artifact
Date Range From
1970
Date Range To
1980
Materials
METAL, PLASTIC, STEEL
No. Pieces
2
Height
15.7
Length
18.6
Width
21
Description
A. SILVER FILM SPLICER WITH BLACK HANDLE; HANDLE LOWERS TO PRESS ON TABLE WITH SPLICERS; SILVER AND BLUE LABEL ON HANDLE READS, “GENERAL SOUND AND THEATRE EQUIPMENT LIMITED”. SPLICER HAS TAPE DISPENSER BELOW HANDLE WITH DISCOLOURED/YELLOWED CLEAR TAPE; BLUE TEXT BENEATH TAPE REPEATS “GENERAL SOUND” WITH A BLACK DIAL BESIDE THE TAPE ROLL FOR TURNING TAPE ON DISPENSER. TEXT ON TOP OF SPLICER AT UPPER LEFT CORNER READS “COSTRUZIONE INCOLLATRICI RAPIDE – ROMA”; TEXT ON TOP OF SPLICER AT UPPER RIGHT CORNER READS “M.2 – 35M/M, MADE IN ITALY, PATENTED”. SPLICER HAS A DOUBLE KNIFE ON RIGHT SIDE, WITH ONE STRAIGHT CUT AND ONE DIAGONAL CUT FOR FILM. SILVER LABEL ON INSIDE OF SPLICER READS “RENTED FROM, CANADIAN MOTION PICTURE EQUIPMENT RENTALS LTD., 33 GRANBY ST., TORONTO M5B 1H8, 977-7113”. SILVER LABEL ON BOTTOM OF SPLICER READS “MADE IN ITALY, OFFICINE MECCANICHE, DR. LEO CATOZZO, 00050 SANTA SEVERA (ROMA), TEL 0766 /740008-740181”. TEXT EMBOSSED ON BOTTOM OF SPLICER READS “USA PATENTS N.3075572, N.4002522, COSTRUZIONE INCOLLATRICI RAPIDE ROMA, 2575”. SPLICER HANDLE IS WORN AT EDGES; SPLICER HAS DIRT AND RUST UNDER HANDLE. SPLICER IS IN OVERALL VERY GOOD CONDITION AND SHOWS MINOR SIGNS OF WEAR. B. ROLL OF YELLOW TAPE, 4.5CM DIAMETER X 3.7CM TALL. YELLOW PLASTIC TAPE WOUND ON WHITE PLASTIC SPOOL; TAPE HAS ORANGE TAB AT END OF ROLL; TAPE HAS GLOSS FINISH. TAPE IS UNUSED; OVERALL EXCELLENT CONDITION.
Subjects
PHOTOGRAPHIC T&E
Historical Association
BUSINESS
LEISURE
History
ON APRIL 11, 2018, COLLECTIONS TECHNICIAN KEVIN MACLEAN INTERVIEWED LARRY AND ANDREA BECKER, OWNERS OF THE FORMER WATERTON THEATRE IN SOUTHERN ALBERTA WHERE THE PROJECTION EQUIPMENT WAS USED. DURING THE INTERVIEW, THE BECKERS ELABORATED ON HOW THEIR THEATRE CLOSED, HOW THE EQUIPMENT WAS USED IN THEIR THEATRE, AND HOW AL ANCTIL CAME INTO POSSESSION OF THE THEATRE PROJECTION EQUIPMENT. LARRY BECKER SPOKE TO HOW ANCTIL BECAME THE OWNER AND DONOR OF THE EQUIPMENT, STATING, “THIS EQUIPMENT IS BUILT AND DESIGNED TO EXHIBIT 35 MM MOTION PICTURE FILM. IN 2011, WHEN WE DISPOSED OF THE EQUIPMENT, FILM WAS BECOMING OBSOLETE. IT WAS NO LONGER AVAILABLE TO US AS AN EXHIBITION MEDIUM, SO WE WERE FACED WITH THE CHALLENGE OF CONVERTING TO A DIGITAL PROJECTION, IF WE WANTED TO CONTINUE SHOWING MOTION PICTURES. WE HAD TO GET RID OF THIS, AND AL [ANCTIL] THOUGHT HE HAD A USE FOR IT. AT THE TIME, HE WAS SELLING US COFFEE. WE WERE RUNNING A COFFEE SHOP IN THE THEATRE, SO WE HAD THAT RELATIONSHIP WITH AL; AND I’M NOT SURE WHY AL WANTED IT…I DON’T KNOW IF HE EVER INTENDED TO USE IT. I THINK, UNDER CERTAIN CIRCUMSTANCES, IT MIGHT BE USEFUL, IF SOMEBODY COULD ACCESS SOME 35 MM FILM TO RUN THROUGH IT. WHEN WE HEARD THAT AL WANTED IT, WE SAID “SURE, YOU CAN HAVE IT AL. WE NO LONGER HAVE ANY USE FOR IT.”” “IT WAS THE COST OF THE CONVERSION [THAT INFLUENCED OUR DECISION TO CLOSE]. INITIALLY, WHEN ALL OF THE THEATRES WERE FACED WITH THE CONVERSION, WITHIN A VERY SHORT WINDOW, THE DEMAND FOR THE EQUIPMENT WAS VERY HIGH; COSTS WERE VERY HIGH, AND IT JUST WASN’T FINANCIALLY VIABLE IN A SEASONAL OPERATION, SO WE DECIDED NOT TO PROCEED, AT THAT TIME, WITH THE DIGITAL UPGRADING/CONVERSION. WE WERE WORKING QUITE HARD, BECAUSE WE WERE RUNNING A COFFEE SHOP, AN ICE CREAM STORE, AND A MOVIE THEATRE. THE MOVIE THEATRE WAS THE FUN PART OF IT.” “WE WERE AT THE END OF OUR LAST SEASON IN 2011, AND WE HAD WORKED OUT AN ARRANGEMENT WITH THE TENANT, TO TAKE IT OVER, TO RUN IT AS A ‘STAGE AND GRILL’ KIND OF OPERATION. THEY WERE GOING TO PUT A KITCHEN IN, AND SERVE MEALS, AND PRESENT MUSIC ACTS ON STAGE.” LARRY BECKER DISCUSSED THE PURPOSE OF THE SPLICER IN THE THEATRE, STATING, “WHEN I STARTED WORKING WITH [THE SPLICER], WHEN WE WERE USING THE ACETATE FILM, THIS SPLICER WAS USED PRIMARILY TO SPLICE THE MYLAR FILM STOCKS. THE ACETATE FILM STOCKS THAT I LEARNED TO SPLICE ON, YOU ACTUALLY GLUED THE SPLICES TOGETHER.” “A FILM FRAME HAS 4 PERFORATIONS ON IT SO, TO MAKE A GLUE SPLICE, YOU WOULD CUT A ‘PIE’ PERFORATION PIECE, AND OVERLAP ONE [PERFORATION] AND ACTUALLY PUT IT TOGETHER. THAT WAS A BIT OF AN ART. “I USED THAT SPLICER, SINCE PROBABLY ABOUT 1980. THE…SPLICER WOULD HAVE BEEN OBSOLETE, SHORTLY AFTER I STARTED WORKING, BUT WE USED TO DO ALL THE CURLERS ON IT.” THE BECKERS SPOKE ABOUT THEIR ARRIVAL IN WATERTON AND THEIR HISTORY WORKING IN THEATRES, WITH LARRY BEGINNING HIS CAREER WORKING IN THE PALACE THEATRE IN CALGARY, ALBERTA. IN 1975, THE BECKERS BECAME INTERESTED IN PURCHASING THE THEATRE IN WATERTON, AND BY 1976 THEY WERE RUNNING THE WATERTON THEATRE. LARRY NOTED HOW THE BECKERS BECAME INVOLVED WITH THE WATERTON THEATRE “I WAS TRAVELING TO WATERTON. I HAD NEVER BEEN TO WATERTON. I HAD AN OCCASION TO GO TO GREAT FALLS. IT WAS ON…A BUSINESS TRIP, AND IT WAS OVER A WEEKEND. I LOOKED AT THE MAP, AND I THOUGHT, “IF WE LEAVE AROUND DINNERTIME ON FRIDAY, WE CAN SPEND A NIGHT IN WATERTON…AND THEN WE CAN CONTINUE TO GREAT FALLS THE NEXT DAY.” GOT INTO WATERTON, AND, BY THIS TIME, THE SUN HAD SET, AND I STILL DIDN’T REALIZE I WAS IN THE MOUNTAINS. I SORT OF LOOKED AROUND. I DIDN’T HAVE A ROOM BOOKED, AND GOT A ROOM IN ALLEN’S LAKESHORE BUNGALOWS, WHICH WERE ON THE SHORE OF WATERTON LAKE, AT THAT TIME, AND WHEN I GOT UP IN THE MORNING, AND LOOKED AROUND, I COULDN’T BELIEVE WHERE I WAS. I MEAN, IT WAS JUST THE MOST BEAUTIFUL THING…IT WAS STUNNINGLY, GORGEOUS! THEN I THOUGHT, “I’LL TAKE A STROLL AROUND TOWN”, AND THERE WAS A MOVIE THEATRE. OF COURSE, BEING IN THE BUSINESS, I’VE GOT TO STOP AND YOU…FIND OUT WHAT’S GOING ON THERE. I CHATTED WITH A YOUNG FAMILY THAT WERE LOOKING AFTER THE PLACE FOR LOTTIE BREWERTON. LOTTIE, AND HER HUSBAND, GORDON, HAD BUILT IT BACK IN ’35. LOTTIE WAS GORDON’S WIDOW. SHE WASN’T INVOLVED IN THE OPERATION, BUT SHE HAD SOME YOUNG FAMILY THAT WERE HELPING HER OUT, SO, IN THE CONVERSATION, THEY SAID, “YOU KNOW, I THINK LOTTIE WANTS TO SELL.” I WENT BACK TO CALGARY, AND NEVER REALLY THOUGHT TOO MUCH ABOUT IT UNTIL SEVERAL MONTHS LATER, AND IT WAS SORT OF ON MY MIND, AND I THOUGHT, “WELL, I’M GOING TO GET AHOLD OF LOTTIE AND SEE WHAT THE DEAL IS HERE?” “IT NEEDED WORK. IT’S NOT A BIG MONEY-MAKING OPERATION IN WATERTON, SO IT WAS…HARD TO DO THE THINGS THAT NEEDED TO BE DONE. OVER THE YEARS, WE KIND OF KEPT IT GOING…BUT IT WAS ALWAYS…AN EXPERIENTIAL THING. IT WAS KIND OF AN ANTIQUE IN ITSELF. IT WAS NEVER INTENDED TO BE LIKE THE CITY THEATRES – IT’S A MUCH MORE CASUAL ENVIRONMENT.” “I LIKE THE STYLE OF THE BUILDING. IT’S A GORGEOUS OLD BUILDING – TUDOR-REVIVAL. IT’S GOT AN INTERESTING HISTORY. BACK IN THE MID-‘30S, PARKS CANADA WAS ENCOURAGING DEVELOPMENT IN WATERTON, AND WAS GIVING OUT THE COMMERCIAL LEASES, BUT THEY ALSO WANTED SORT OF AN ARCHITECTURAL THEME TO THE TOWNSITE. THEY HAD AN ARCHITECTURAL DIVISION, AND THEY HAD ARCHITECTS ON STAFF, AND IT WAS THAT BRANCH OF PARKS CANADA, THAT DESIGNED THAT BUILDING, AND MANY OF THE OTHER BUILDINGS IN WATERTON. IT’S GOT SOME CHARM. IT’S NICE THAT WAY.” ANDREA BECKER ADDED, “IT’S…A PRIVILEGE TO BE A WATERTON BUSINESS OWNER. IT’S A VERY SMALL COMMUNITY, AND IT’S A LIFESTYLE KIND OF ENVIRONMENT, AS WELL, FOR THE BUSINESS PEOPLE THERE. WE…FEEL THAT IT IS A SPECIAL THING TO DO…” LARRY BECKER SPOKE TO HIS TRAINING WORKING IN THEATRES AND HIS EARLY START IN THE WATERTON THEATRE, “WHEN I STARTED DOING PROJECTION WORK, IT WAS A LICENSED TRADE IN THE PROVINCE OF ALBERTA, AND, IN THE EARLY DAYS OF MOTION PICTURE EXHIBITION, THE FILM STOCK WAS A SILVER NITRATE FILM STOCK WHICH WAS, LITERALLY, EXPLOSIVE. PROJECTION ROOMS, INCLUDING THE ONE IN WATERTON, WERE BUILT LIKE A BUNKER. THEY WERE CEMENT ROOMS, WITH FIRE SHUTTERS, THAT WOULD SLAM SHUT IF SOMETHING WENT WRONG IN THE PROJECTION ROOM. THE APPRENTICESHIP PROGRAM TO BECOME A PROJECTIONIST WAS A 3 YEAR PROGRAM, AND THERE WAS DIFFERENT CATEGORIES OF LICENSING. WHEN I STARTED IN [1977] I OWNED THE THEATRE IN FORT MACLEOD AND I HAD TO DO AN APPRENTICESHIP, IN MY OWN THEATRE, BEFORE I WAS ALLOWED TO OPERATE THE EQUIPMENT. I BECAME A CERTIFIED PROJECTIONIST. I MENTION THE EARLY DAYS WITH THE SILVER NITRATE FILM, WHICH WAS HIGHLY FLAMMABLE, AND DANGEROUS. THAT HAD BEEN REPLACED BY ACETATE FILM, LONG BEFORE I BECAME INVOLVED, AND SO THE FILM STOCK WAS NO LONGER…COMBUSTIBLE, AND SO IT WAS A MUCH SAFER ENVIRONMENT. NONETHELESS, SOME OF THE OLD REGULATIONS SORT OF CARRIED FORWARD, AND SLOWLY CHANGED.” “ONE OF THE THINGS THAT WAS INTERESTING ABOUT THE THEATRE WHEN I TOOK IT OVER IS THAT, FOR LIGHT SOURCES IN THE PROJECTION ROOM, THE LAMPS THAT ILLUMINATED THE SCREEN WERE BURNING CARBON ARCS. CARBON ARCS CAME IN A BOX; YOU INSTALLED THEM IN THE LAMP HOUSE. WHEN YOU STARTED THE MOVIE, YOU’D STRIKE THEM TOGETHER, AND THEY WOULD CREATE AN ARC AND FLAME BETWEEN THESE CARBON RODS. THAT WAS WHAT PRODUCED THE LIGHT. IT WAS MAGNIFIED BY A MIRROR DOWN THROUGH THE LENS, AND WITH THE SCREEN. WITH THAT KIND OF A LIGHT SOURCE, YOU HAD TO BE IN THE PROJECTION ROOM…ALL THE TIME. YOU COULDN’T LEAVE THE PROJECTION ROOM WHILE THE MOVIE WAS RUNNING. AS A MATTER OF FACT, PROJECTION ROOMS HAD TOILETS IN THEM DURING THAT PERIOD. CHANGING THAT OUT WAS ONE OF THE FIRST THINGS THAT I DID, BECAUSE IT MADE IT A LOT EASIER TO GET OUT OF THE PROJECTION ROOM. THE OTHER THING – THE FILM WAS RUN OFF OF 18 20-MINUTE REELS AT THAT TIME, SO THERE WERE 2 PROJECTORS. WE WERE CONSTANTLY CHANGING BACK AND FORTH, FROM ONE PROJECTOR TO THE OTHER. GETTING RID OF THE CARBON ARC LAMP HOUSES, AND INSTALLING A PLATTER SYSTEM, WHICH ALLOWED…THE PROGRAM TO BE SPLICED TOGETHER ON THE SINGLE REELS.” FOR MORE INFORMATION INCLUDING FULL INTERVIEW TRANSCRIPT AND HISTORIES OF THE WATERTON THEATRE, PLEASE SEE THE PERMANENT FILE P20120038001-GA.
Catalogue Number
P20120038005
Acquisition Date
2012-10
Collection
Museum
Images
Less detail

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