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Safeguarding your collection in travel

https://collections.galtmuseum.com/en/permalink/library1397
Author
Keck, Caroline K
Publisher
American Association for State and Local History
Material Type
Book
Material Type
Book
Author
Keck, Caroline K
Place
Nashville, Tennessee
Publisher
American Association for State and Local History
Publication Date
1970
Subjects
Art objects - Packing
Call Number
Prof N 8585 K25 1970
Collection
Library
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A glossary of terms useful in conservation

https://collections.galtmuseum.com/en/permalink/library1396
Author
Phillmore, Elizabeth
Publisher
Canadian Museums Assoc.
Material Type
Book
Material Type
Book
Author
Phillmore, Elizabeth
Publisher
Canadian Museums Assoc.
Publication Date
1976
Subjects
Art objects - Conservation and restoration - Terminology
Call Number
Prof N 8560 P55 1976
Collection
Library
Less detail
Other Name
CASED HALF-SET COMPASS & ATTACHMENTS
Date Range From
1940
Date Range To
1950
Material Type
Artifact
Materials
LEATHERETTE, FLANNEL, STEEL
Catalogue Number
P19960053292
Material Type
Artifact
Other Name
CASED HALF-SET COMPASS & ATTACHMENTS
Date Range From
1940
Date Range To
1950
Materials
LEATHERETTE, FLANNEL, STEEL
No. Pieces
5
Height
1.5
Length
14.4
Width
5.9
Description
BLACK RECTANGULAR CASE WITH LEATHERETTE COVERING. HINGED AT BACK, WITH PULL-OUT PIN AT FRONT RIGHT TO SECURE CASE. INTERIOR LINED WITH BLACK FLANNEL; BASE PARTITIONED TO HOLD CONTENTS. INCLUDES: (1) STEEL HALF-SET COMPASS WITH SCREW ON ONE LEG TO SECURE INTERCHANGEABLE WRITING ATTACHMENTS. STAMPED NEAR TOP "GRAMERCY IMPORT COMPANY GERMANY"; (1) COMPASS POINT WITH FOUNTAIN-STYLE NIB. INCLUDES ALUMINUM SHAFT, STAMPED "GERMANY CCO"; AND (2) FOUNTAIN-STYLE NIB COMPASS ATTACHMENTS. THREADED DISC STAMPED "GRAMERCY IMPORT COMPANY GERMANY". CASE IS QUITE WORN, WITH SPOTS OF VARNISH AND UNKNOWN RESIDUE ON SURFACE. PIN ON CLOSURE OF CASE IS BENT.
Subjects
DRAFTING T&E
Historical Association
FINE ARTS
History
*UPDATE* IN 2014 COLLECTIONS ASSISTANT JANE EDMUNDSON CONDUCTED A SURVEY OF ART OBJECTS, INCLUDING THE VARIOUS DONATIONS PERTAINING TO EDWARD FREDERICK HAGELL. SEE RECORD P19960053001 FOR AN EXTENDED BIOGRAPHY OF THE ARTIST; SEE PERMANENT FILES P19960053001, P20040009001, P20060027001, P20070008001, AND P20070012001 FOR NEWSPAPER CLIPPINGS, DETAILS ON PAST GALT DIRECTOR/CURATOR WILMA WOOD'S BOOK ON THE ARTIST, AND CORRESPONDENCE WITH THE HAGELL FAMILY.
Catalogue Number
P19960053292
Acquisition Date
1996-05
Collection
Museum
Less detail
Other Name
WEBLEY MK 1, SN '27'
Date Range From
1970
Date Range To
1990
Material Type
Artifact
Materials
STEEL, BRONZE
Catalogue Number
P20070016000
Material Type
Artifact
Other Name
WEBLEY MK 1, SN '27'
Date Range From
1970
Date Range To
1990
Materials
STEEL, BRONZE
No. Pieces
1
Height
17.0
Length
26.3
Width
4.5
Description
REVOLVER, 6 SHOT, .455 CALIBRE, SILVER FINISH ON STEEL (?), BRONZE GRIPS CAST IN A LEAF PATTERN, MARKED, “…1972” CYLINDER MARKED, “27” RIGHT SIDE OF GUN MARKED WITH A CROWN OVER “R, O” IN FRONT OF CYLINDER, METAL LANYARD LOOP AT BOTTOM OF GRIP. GRIPS NOT ORIGINAL TO REVOLVER.
Subjects
ARMAMENT-FIREARM
Historical Association
FINE ARTS
LEISURE
History
BARBARA MARTENS CONSULTED WITH HER HUSBAND, DONOR CORNIE MARTENS (WHO WAS THEN IN THE HOSPITAL) AT TIME OF DONATION. THE DONOR PURCHASED THE REVOLVER TO USE AS AN EXAMPLE FOR WESTERN SCULPTURES. HE PURCHASED IT FROM A GUN SHOP IN VANCOUVER IN THE EARLY 1970S. CORNIE MARTENS, A BRONZE SCULPTOR, COLLECTED ABOUT FIVE OR SIX GUNS IN ORDER TO USE THEM AS MODELS FOR HIS WESTERN SCULPTURES. WHILE HE HAD A SMALL COLLECTION OF FIREARMS, THIS WEBLEY MK1 REVOLVER WAS THE ONLY ONE HE EVER ALTERED. HE REPLACED THE GRIPS WITH ONES HE HAD SCULPTED SOME TIME IN THE LATE 1970S. ACCORDING TO HIS WIFE, HE SCULPTED THE GRIPS "JUST FOR INTEREST." THE DONOR WAS BORN IN THE UKRAINE AND MOVED TO SASKATCHEWAN AT A YOUNG AGE. NOT LONG AFTER THAT, HIS FAMILY RELOCATED TO COALDALE, WHERE MARTENS RESIDED FOR THE REMAINDER OF HIS LIFE. THE DONOR BECAME INTERESTED IN ART WHEN HE WAS A BOY. ALTHOUGH HE HAD NO FORMAL TRAINING, MUCH OF HIS ARTWORK WAS SCULPTURAL. HE WORKED IN BRONZE, WAX, PLASTICINE, ALUMINUM, TIN, CLAY, FIBREGLASS AND MORE. WESTERN MOTIFS AND THE RODEO WERE THEMES FOUND THROUGHOUT HIS ARTWORK. SOME OF HIS WORKS INCLUDE, A BRONZE MINER STATUE FOR THE "MINER'S LIBRARY", A STATUE OF JERRY POTTS (AWARDED TO OUTSTANDING CONTRIBUTORS TO SOUTHERN ALBERTA TOURISM) AND MORE. CORNIE MARTENS PASSED AWAY ON JULY 29, 2009. FOR MORE INFORMATION SEE PERMANENT FILE.
Catalogue Number
P20070016000
Acquisition Date
2009-03
Collection
Museum
Less detail
Other Name
JAPANESE LETTERING BRUSH
Date Range From
1920
Date Range To
1930
Material Type
Artifact
Materials
WOOD, COTTON, HAIR
Catalogue Number
P19970041413
Material Type
Artifact
Other Name
JAPANESE LETTERING BRUSH
Date Range From
1920
Date Range To
1930
Materials
WOOD, COTTON, HAIR
No. Pieces
1
Length
19.8
Width
0.7
Description
CYLINDRICAL SHAFT OF DARK STAINED WOOD WITH HORSE HAIR BRUSH AT END AND COILED RED STRING AROUND GRIP END. JAPANESE CHARACTERS ARE CARVED DOWN LENGTH OF HANDLE WHICH IS SPLIT FROM END TO END.
Subjects
WRITTEN COMMUNICATION T&E
DRAFTING T&E
Historical Association
BUSINESS
History
BRUSH WAS USED BY DONOR'S FATHER, REV. G.G. NAKAYAMA, WHO CORRESPONDED REGULARLY WITH PARISHIONERS, MISSIONARIES AND OTHERS AROUND THE WORLD HE HAD MET. HE ALSO PUBLISHED NEWSLETTERS AND NEWSPAPERS FOR THE JAPANESE CANADIAN COMMUNITY. THIS IS ONE OF MANY ITEMS HE POSSESSED TO PERFORM THESE TASKS. THE NAKAYAMA FAMILY WAS ORIGINALLY FROM VANCOUVER BUT MOVED TO COALDALE FOLLOWING THE SECOND WORLD WAR WHEN THEY WERE INTERNED AT SLOCAN CITY IN THE INTERIOR OF BRITISH COLUMBIA BY THE CANADIAN GOVERNMENT. THE DONOR'S FATHER, REV. CANON G.G. NAKAYAMA, WAS AN ANGLICAN MINISTER IN VANCOUVER, AND THEN ESTABLISHED THE CHURCH OF THE ASCENSION IN COALDALE IN 1945 WHERE HE SERVED UNTIL 1970. SEE RECORD P19970041001 FOR EXPANDED BIOGRAPHICAL INFORMATION AND PERMANENT FILE FOR FURTHER HISTORY. THE FOLLOWING MEMORIES WERE PROVIDED BY REVEREND TIM NAKAYAMA IN A LETTER TO THE GALT ON 16 AUGUST, 2007. HE WROTE: “JAPANESE CALLIGRAPHY IS A MANUAL ART IN WHICH JAPANESE IDEOGRAPHS ARE EXECUTED BY THE USE OF A “FUDE” BRUSH. THE INK IS PREPARED ON A BLACK RECESSED SMOOTH STONE ON WHICH BLACK “SUMI” (A SPECIAL CHARCOAL SUBSTANCE) IS RUBBED AND MIXED WITH A SMALL QUANTITY OF WATER. THE BRUSH IS DIPPED IN THE PREPARED “SUMI” AND THE IDEOGRAPHS ARE ARTISTICALLY “PAINTED” ON JAPANESE “WASHI” PAPER IF AVAILABLE. IT’S ABSORBENCY TAKES THE BRUSH STROKES THAT ARE BOLDLY MADE IN A GIVEN REGULAR SEQUENCE AND ORDER FOR EACH IDEOGRAPH.”
Catalogue Number
P19970041413
Acquisition Date
1997-01
Collection
Museum
Less detail