Skip header and navigation

10 records – page 1 of 1.

Other Name
VALENTINE
Date Range From
1980
Date Range To
1990
Material Type
Artifact
Materials
PAPER
Catalogue Number
P19960000037
  1 image  
Material Type
Artifact
Other Name
VALENTINE
Date Range From
1980
Date Range To
1990
Materials
PAPER
No. Pieces
1
Length
87
Width
81.2
Description
WHITE PAPER HEART-SHAPED VALENTINE WITH RED TISSUE PAPER STAPLED TO BORDER AS TRIM. 28 PAPER VALENTINES (CUT-OUT TYPE) GLUED TO HEART IN RANDOM ARRANGEMENT WITH ONE ELONGATED ONE IN CENTER (29 TOTAL). PAPER IS WRINKLED SLIGHTLY, WITH TEARS IN TISSUE THROUGHOUT BORDER. BACK OF VALENTINE IS PLAIN.
Subjects
DOCUMENTARY ARTIFACT
Historical Association
LEISURE
DECORATIVE ARTS
History
FOUND IN DRY LAB WITHOUT DOCUMENTATION OR KNOWN PROVENANCE. *UPDATE* IN 2015 COLLECTIONS ASSISTANT JANE EDMUNDSON CONDUCTED A SURVEY OF ART OBJECTS. NO NEW INFORMATION ABOUT THIS ARTIFACT WAS FOUND.
Catalogue Number
P19960000037
Acquisition Date
1996
Collection
Museum
Images
Less detail
Other Name
WEBLEY MK 1, SN '27'
Date Range From
1970
Date Range To
1990
Material Type
Artifact
Materials
STEEL, BRONZE
Catalogue Number
P20070016000
Material Type
Artifact
Other Name
WEBLEY MK 1, SN '27'
Date Range From
1970
Date Range To
1990
Materials
STEEL, BRONZE
No. Pieces
1
Height
17.0
Length
26.3
Width
4.5
Description
REVOLVER, 6 SHOT, .455 CALIBRE, SILVER FINISH ON STEEL (?), BRONZE GRIPS CAST IN A LEAF PATTERN, MARKED, “…1972” CYLINDER MARKED, “27” RIGHT SIDE OF GUN MARKED WITH A CROWN OVER “R, O” IN FRONT OF CYLINDER, METAL LANYARD LOOP AT BOTTOM OF GRIP. GRIPS NOT ORIGINAL TO REVOLVER.
Subjects
ARMAMENT-FIREARM
Historical Association
FINE ARTS
LEISURE
History
BARBARA MARTENS CONSULTED WITH HER HUSBAND, DONOR CORNIE MARTENS (WHO WAS THEN IN THE HOSPITAL) AT TIME OF DONATION. THE DONOR PURCHASED THE REVOLVER TO USE AS AN EXAMPLE FOR WESTERN SCULPTURES. HE PURCHASED IT FROM A GUN SHOP IN VANCOUVER IN THE EARLY 1970S. CORNIE MARTENS, A BRONZE SCULPTOR, COLLECTED ABOUT FIVE OR SIX GUNS IN ORDER TO USE THEM AS MODELS FOR HIS WESTERN SCULPTURES. WHILE HE HAD A SMALL COLLECTION OF FIREARMS, THIS WEBLEY MK1 REVOLVER WAS THE ONLY ONE HE EVER ALTERED. HE REPLACED THE GRIPS WITH ONES HE HAD SCULPTED SOME TIME IN THE LATE 1970S. ACCORDING TO HIS WIFE, HE SCULPTED THE GRIPS "JUST FOR INTEREST." THE DONOR WAS BORN IN THE UKRAINE AND MOVED TO SASKATCHEWAN AT A YOUNG AGE. NOT LONG AFTER THAT, HIS FAMILY RELOCATED TO COALDALE, WHERE MARTENS RESIDED FOR THE REMAINDER OF HIS LIFE. THE DONOR BECAME INTERESTED IN ART WHEN HE WAS A BOY. ALTHOUGH HE HAD NO FORMAL TRAINING, MUCH OF HIS ARTWORK WAS SCULPTURAL. HE WORKED IN BRONZE, WAX, PLASTICINE, ALUMINUM, TIN, CLAY, FIBREGLASS AND MORE. WESTERN MOTIFS AND THE RODEO WERE THEMES FOUND THROUGHOUT HIS ARTWORK. SOME OF HIS WORKS INCLUDE, A BRONZE MINER STATUE FOR THE "MINER'S LIBRARY", A STATUE OF JERRY POTTS (AWARDED TO OUTSTANDING CONTRIBUTORS TO SOUTHERN ALBERTA TOURISM) AND MORE. CORNIE MARTENS PASSED AWAY ON JULY 29, 2009. FOR MORE INFORMATION SEE PERMANENT FILE.
Catalogue Number
P20070016000
Acquisition Date
2009-03
Collection
Museum
Less detail
Other Name
CHRISTMAS CAROLS
Date Range From
1980
Date Range To
1999
Material Type
Artifact
Materials
PAPER
Catalogue Number
P19990061037
Material Type
Artifact
Other Name
CHRISTMAS CAROLS
Date Range From
1980
Date Range To
1999
Materials
PAPER
No. Pieces
2
Height
0.8
Length
27.3
Width
20.4
Description
RECTANGULAR. BOOK IS COVERED WITH A NAVY BLUE, PAPER BAG. BAG HAS FAINT WHITE WAVY LINES, THAT CROSS EACHOTHER, ON IT. PRINTED ON FRONT OF BAG, IN WHITE, IS "EATON'S OF CANADA". INSIDE FRONT COVER OF BOOK IS A COLOURED DRAWING OF CHILDREN SINGING AROUND A CHRISTMAS TREE. FIRST PAGE OF BOOK READS "CHRISTMAS CAROLS SELECTED AND ARRANGED BY KARL SCHULTE WITH ILLUSTRATIONS BY F.D. LOHMAN". BOOK HAS 35 PAGES OF SHEET MUSIC, WORDS AND ILLUSTRATIONS. BACK PAGE HAS AN INDEX. INSIDE OF BACK COVER IS TITLED "THE OLD, OLD CAROLS" AND IS FOLLOWED BY A HISTORY OF CHRISTMAS CAROLS.
Subjects
DOCUMENTARY ARTIFACT
Historical Association
RETAIL TRADE
LEISURE
History
UNSURE OF HOW THIS WAS USED IN EATON'S STORE. MUSEUM OBTAINED ITEMS FROM LETHBRIDGE EATON'S STORE IN 1999. DUE TO COMPANY BANKRUPTCY, EATON'S STORES ACROSS CANADA WERE CLOSED, INCLUDING THE LETHBRIDGE LOCATION IN PARK PLACE MALL. *UPDATE* IN 2014 COLLECTIONS ASSISTANT JANE EDMUNDSON CONDUCTED A SURVEY OF ART OBJECTS, INCLUDING THOSE ASSOCIATED WITH THE T. EATON COMPANY STORES IN LETHBRIDGE. THE FOLLOWING BRIEF HISTORY OF LETHBRIDGE'S EATON'S STORE WAS DEVELOPED WITH INFORMATION FROM GALT ARCHIVES AND LETHBRIDGE HERALD ARTICLES FROM THE FALL OF 1988. THE T. EATON COMPANY WAS FOUNDED IN TORONTO IN 1869 BY TIMOTHY EATON. THE FIRST LETHBRIDGE EATON'S 'TECO' STORE WAS OPENED IN 1927 IN THE BASEMENT OF THE DOMINION BLOCK ON THE CORNER OF 4 AVENUE AND SIXTH STREET SOUTH. AFTER A FIRE, THE BUILDING WAS RENOVATED AND COMPLETELY TAKEN OVER BY THE EATON'S STORE, WHICH OPERATED IN THAT LOCATION UNDER PERIODIC RENOVATIONS FROM 1929 UNTIL THE OPENING OF THE PARK PLACE MALL IN 1988, IN WHICH EATON'S WAS AN ANCHOR RETAILER. IN 1989 A PORTION OF THE UNIVERSITY OF LETHBRIDGE ART COLLECTION WAS TEMPORARILY PUT ON DISPLAY IN THE VACANT EATON'S BUILDING, AND PROPOSALS WERE MADE TO MAKE THE INSTALLATION PERMANENT, BUT EVENTUALLY THE PROPERTY WAS SOLD AND DEMOLISHED TO MAKE WAY FOR THE CONSTRUCTION OF A BANK OF MONTREAL BRANCH. IN 1999 THE EATON'S STORE IN PARK PLACE MALL CLOSED JUST PRIOR TO THE ANNOUNCEMENT OF THE BANKRUPTCY OF THE LARGER T. EATON COMPANY LIMITED. SEE PERMANENT FILE P19930072001 FOR HARDCOPIES OF SOURCE MATERIAL.
Catalogue Number
P19990061037
Acquisition Date
1999-10
Collection
Museum
Less detail
Date Range From
1970
Date Range To
1990
Material Type
Artifact
Materials
STEEL, ALUMINUM
Catalogue Number
P19990061026
Material Type
Artifact
Date Range From
1970
Date Range To
1990
Materials
STEEL, ALUMINUM
No. Pieces
1
Height
27.5
Length
27.2
Width
11.6
Description
BLACK PAINTED, STEEL. HAS A FLAT, RECTANGULAR BASE. A METAL LABEL ON BASE, TOWARDS THE FRONT, READS "MADE IN U.S.A.", AND HAS A RED OUTLINE. A BLACK AND SILVER, METAL LABEL ON BASE, TOWARDS BACK, READS "SINCE 1887 CUMMINS MODEL 15 SERIAL 7539 CUMMINS PERFORATOR COMPANY CHICAGO". BACK OF PERFORATOR EXTENDS UP FROM BASE AND BENDS IN AN ARCH TOWARDS THE FRONT. TOWARDS THE FRONT, THIS ARCH EXTENDS DOWNWARD INTO A RECTANGULAR SHAPE. ON TOP IS A LARGE SLIGHTLY CURVED HANDLE - HANDLE CAN BE PUSHED DOWN. ON FRONT END OF PERFORATOR IS A STEEL DRAWER WITH A CIRCULAR HANDLE.
Subjects
PRINTING T&E
DATA PROCESSING T&E
Historical Association
BUSINESS
History
MUSEUM OBTAINED ITEMS FROM LETHBRIDGE EATON'S STORE IN 1999. DUE TO COMPANY BANKRUPTCY, EATON'S STORES ACROSS CANADA WERE CLOSED, INCLUDING THE LETHBRIDGE LOCATION IN PARK PLACE MALL. *UPDATE* IN 2014 COLLECTIONS ASSISTANT JANE EDMUNDSON CONDUCTED A SURVEY OF ART OBJECTS, INCLUDING THOSE ASSOCIATED WITH THE T. EATON COMPANY STORES IN LETHBRIDGE. THE FOLLOWING BRIEF HISTORY OF LETHBRIDGE'S EATON'S STORE WAS DEVELOPED WITH INFORMATION FROM GALT ARCHIVES AND LETHBRIDGE HERALD ARTICLES FROM THE FALL OF 1988. THE T. EATON COMPANY WAS FOUNDED IN TORONTO IN 1869 BY TIMOTHY EATON. THE FIRST LETHBRIDGE EATON'S 'TECO' STORE WAS OPENED IN 1927 IN THE BASEMENT OF THE DOMINION BLOCK ON THE CORNER OF 4 AVENUE AND SIXTH STREET SOUTH. AFTER A FIRE, THE BUILDING WAS RENOVATED AND COMPLETELY TAKEN OVER BY THE EATON'S STORE, WHICH OPERATED IN THAT LOCATION UNDER PERIODIC RENOVATIONS FROM 1929 UNTIL THE OPENING OF THE PARK PLACE MALL IN 1988, IN WHICH EATON'S WAS AN ANCHOR RETAILER. IN 1989 A PORTION OF THE UNIVERSITY OF LETHBRIDGE ART COLLECTION WAS TEMPORARILY PUT ON DISPLAY IN THE VACANT EATON'S BUILDING, AND PROPOSALS WERE MADE TO MAKE THE INSTALLATION PERMANENT, BUT EVENTUALLY THE PROPERTY WAS SOLD AND DEMOLISHED TO MAKE WAY FOR THE CONSTRUCTION OF A BANK OF MONTREAL BRANCH. IN 1999 THE EATON'S STORE IN PARK PLACE MALL CLOSED JUST PRIOR TO THE ANNOUNCEMENT OF THE BANKRUPTCY OF THE LARGER T. EATON COMPANY LIMITED. SEE PERMANENT FILE P19930072001 FOR HARDCOPIES OF SOURCE MATERIAL.
Catalogue Number
P19990061026
Acquisition Date
1999-10
Collection
Museum
Less detail
Other Name
BODY ARMOR SHIRT
Date Range From
1980
Date Range To
1990
Material Type
Artifact
Materials
ANTRON, SPANDEX, COTTON
Catalogue Number
P19960112073
  2 images  
Material Type
Artifact
Other Name
BODY ARMOR SHIRT
Date Range From
1980
Date Range To
1990
Materials
ANTRON, SPANDEX, COTTON
No. Pieces
2
Length
60.5
Width
45.5
Description
WHITE V-NECK T-SHIRT WITH A PANEL OF BALLISTIC PADS BODY ARMOR ON THE FRONT OF THE BODY. TAG ON THE INSIDE MARKED "DEEP COVER" "SECOND CHANCE BODY ARMOR INC. CENTRAL LAKE, MI" "LARGE" "CONTENTS 86% ANTRON 14% SPANDEX" "TRIM/SLEEVE 50/50 POLY COTTON". SURFACE SOILED IN VARIOUS LOCATIONS.
Subjects
ARMAMENT-BODY ARMOR
Historical Association
SAFETY SERVICES
History
WORN BY OFFICERS FOR PROTECTION. THE ARMOUR CAME INTO SERVICE IN THE EARLY 80S - FIRST WORN ON A VOLUNTARY BASIS - BUT, ULTIMATELY, IT BECAME SO POPULAR THAT MOST ALL OF THE POLICE WORE THEM UNDER THEIR SHIRTS. BETWEEN 2008 AND 2009, LETHBRIDGE REGIONAL POLICE SERVICES INSPECTOR BILL KAYE ADDED THAT THE FIRST MEMBERS TO WEAR THEM "PURCHASED THEIR OWN". *UPDATE* IN 2014 COLLECTIONS ASSISTANT JANE EDMUNDSON CONDUCTED A SURVEY OF ART OBJECTS, INCLUDING SOME DONATED BY THE CITY OF LETHBRIDGE POLICE SERVICES. FOR A BRIEF ACCOUNT OF THE LETHBRIDGE POLICE COLLECTION, SEE RECORD P19960112001. FOR FURTHER INFORMATION ABOUT THE CITY OF LETHBRIDGE POLICE SERVICES AND TRANSCRIPTS OF INTERVIEWS AND CORRESPONDENCE WITH CURRENT AND FORMER LETHBRIDGE POLICE, SEE PERMANENT FILE P19960112000.
Catalogue Number
P19960112073
Acquisition Date
1996-12
Collection
Museum
Images
Less detail
Other Name
FINGERPRINT KEYSEARCH KEY
Date Range From
1984
Date Range To
1990
Material Type
Artifact
Materials
STEEL, CHROME, PLASTIC
Catalogue Number
P19960112026
Material Type
Artifact
Other Name
FINGERPRINT KEYSEARCH KEY
Date Range From
1984
Date Range To
1990
Materials
STEEL, CHROME, PLASTIC
No. Pieces
2
Height
2.51
Length
30.8
Width
4.0
Description
2 IDENTICAL KEYS, CONSISTING OF THREE PIECES EACH. TEAL BLUE PLASTIC HANDLE WITH STEEL PIN/SHAFT. PIN IS THREADED THROUGH LENGTH OF HANDLE, WITH CHROME KNOB AT END FOR TIGHTENING IT IN PLACE. HANDLE IS TAPERED TOWARD PIN, WITH SLIGHT FLARE AT NECK.
Subjects
DATA PROCESSING T&E
Historical Association
SAFETY SERVICES
History
PART OF KEY/PUNCH FINGERPRINT SYSTEM; USED WITH ITEMS P19960112025,27-GA. FINGERPRINT CHARACTERISTICS WERE IDENTIFIED ON CARD BY PUNCHING TAB IN CODED BOXES AROUND CARD EDGE. KEY WAS SLOTTED THROUGH STACK OF CARDS, WHICH WAS SHAKEN OUT TO IDENTIFY MATCHING CHARACTERISTICS AMONG CARDS, WHICH COULD THEN BE FURTHER NARROWED BY REPEATING PROCESS. USED BY LETHBRIDGE POLICE BEGINNING IN 1984. HOLES PUNCHED ON THE EDGE OF THE CARDS IDENTIFIED THE MAIN FEATURES OF EACH PRINT. BY INSERTING THE RODS THROUGH STACKS OF CARDS AND SHAKING THE PILE, INVESTIGATORS ELIMINATED PRINTS UNTIL A MATCHING CLASSIFICATION WAS FOUND. RESULTS WERE THEN CONFIRMED BY A FINGERPRINT TECHNICIAN. NO TWO FINGERPRINTS HAVE EVER BEEN FOUND TO BE IDENTICAL IN EVERY DETAIL. FINGERPRINT EVIDENCE IS THEREFORE "THE MOST COMMON, MOST SOUGHT AFTER, POSITIVE AND VALUABLE OF ALL TYPES OF EVIDENCE ENCOUNTERED IN CRIMINAL INVESTIGATIONS" ACCORDING TO IDENT OFFICER GLEN MICHELSON. THE CARD SYSTEM WAS REPLACED BY THE AUTOMATIC FINGER IDENTIFICATION SYSTEM (AFIS), WHICH OFFERS LOCAL INVESTIGATORS ACCESS TO A COMPUTERIZED DATABASE IN CALGARY. FOR MORE INFORMATION ON MICHELSON'S IDENT CAREER, SEE P19960112027. *UPDATE* IN 2014 COLLECTIONS ASSISTANT JANE EDMUNDSON CONDUCTED A SURVEY OF ART OBJECTS, INCLUDING SOME DONATED BY THE CITY OF LETHBRIDGE POLICE SERVICES. FOR A BRIEF ACCOUNT OF THE LETHBRIDGE POLICE COLLECTION, SEE RECORD P19960112001. FOR FURTHER INFORMATION ABOUT THE CITY OF LETHBRIDGE POLICE SERVICES AND TRANSCRIPTS OF INTERVIEWS AND CORRESPONDENCE WITH CURRENT AND FORMER LETHBRIDGE POLICE, SEE PERMANENT FILE P19960112000.
Catalogue Number
P19960112026
Acquisition Date
1996-12
Collection
Museum
Less detail
Other Name
FINGERPRINT KEYSEARCH PUNCH
Date Range From
1984
Date Range To
1990
Material Type
Artifact
Materials
STEEL, NICKEL
Catalogue Number
P19960112025
Material Type
Artifact
Other Name
FINGERPRINT KEYSEARCH PUNCH
Date Range From
1984
Date Range To
1990
Materials
STEEL, NICKEL
No. Pieces
1
Height
1.21
Length
14
Width
8.2
Description
STEEL AND CHROME HAND-HELD SINGLE HOLE PUNCH. SPRING-OPERATED HANDLE; ALSO BLUE PLASTIC SPRING-OPERATED TAB AT HEAD OF PUNCH TO CATCH PAPER BITS. INSIDE ARM OF HANDLE HAS IN RELIEF "MCBEE MADE IN USA". CUTS TAB-SHAPED, NOT ROUND, HOLES.
Subjects
DATA PROCESSING T&E
Historical Association
SAFETY SERVICES
History
PART OF KEY/PUNCH FINGERPRINT SYSTEM; USED WITH ITEMS P19960112026, 27-GA. FINGERPRINT CHARACTERISTICS WERE IDENTIFIED ON CARD BY PUNCHING TAB IN CODED BOXES AROUND CARD EDGE. KEY WAS SLOTTED THROUGH STACK OF CARDS, WHICH WAS SHAKEN OUT TO IDENTIFY MATCHING CHARACTERISTICS AMONG CARDS, WHICH COULD THEN BE FURTHER NARROWED BY REPEATING PROCESS. USED BY LETHBRIDGE POLICE BEGINNING IN 1984. HOLES PUNCHED ON THE EDGE OF THE CARDS IDENTIFIED THE MAIN FEATURES OF EACH PRINT. BY INSERTING THE RODS THROUGH STACKS OF CARDS AND SHAKING THE PILE, INVESTIGATORS ELIMINATED PRINTS UNTIL A MATCHING CLASSIFICATION WAS FOUND. RESULTS WERE THEN CONFIRMED BY A FINGERPRINT TECHNICIAN. NO TWO FINGERPRINTS HAVE EVER BEEN FOUND TO BE IDENTICAL IN EVERY DETAIL. FINGERPRINT EVIDENCE IS THEREFORE "THE MOST COMMON, MOST SOUGHT AFTER, POSITIVE AND VALUABLE OF ALL TYPES OF EVIDENCE ENCOUNTERED IN CRIMINAL INVESTIGATIONS" ACCORDING TO FORMER IDENT OFFICER GLEN MICHELSON. THE CARD SYSTEM WAS REPLACED BY THE AUTOMATIC FINGER IDENTIFICATION SYSTEM (AFIS), WHICH OFFERS LOCAL INVESTIGATORS ACCESS TO A COMPUTERIZED DATABASE IN CALGARY. FOR MORE INFORMATION ON MICHELSON'S IDENT CAREER, SEE P19960112027. *UPDATE* IN 2014 COLLECTIONS ASSISTANT JANE EDMUNDSON CONDUCTED A SURVEY OF ART OBJECTS, INCLUDING SOME DONATED BY THE CITY OF LETHBRIDGE POLICE SERVICES. FOR A BRIEF ACCOUNT OF THE LETHBRIDGE POLICE COLLECTION, SEE RECORD P19960112001. FOR FURTHER INFORMATION ABOUT THE CITY OF LETHBRIDGE POLICE SERVICES AND TRANSCRIPTS OF INTERVIEWS AND CORRESPONDENCE WITH CURRENT AND FORMER LETHBRIDGE POLICE, SEE PERMANENT FILE P19960112000.
Catalogue Number
P19960112025
Acquisition Date
1996-12
Collection
Museum
Less detail
Other Name
FINGERPRINT KEYSEARCH CARDS
Date Range From
1984
Date Range To
1990
Material Type
Artifact
Materials
PAPER
Catalogue Number
P19960112027
Material Type
Artifact
Other Name
FINGERPRINT KEYSEARCH CARDS
Date Range From
1984
Date Range To
1990
Materials
PAPER
No. Pieces
4
Length
20.6
Width
13
Description
FOUR CREAM-COLORED PAPER CARDS WITH BLUE TRIM, AND "LETHBRIDGE CITY POLICE FORCE KEYSEARCH LATENT FINGERPRINT FORM 1" PRINTED AT TOP. HOLES PERFORATED AROUND EDGES, ENCODED WITH VARIOUS FINGERPRINT CHARACTERISTICS. DETAILS: .1 FINGERPRINTS OF "TOPE BYRON DAVID"; DATED "85/05/29". REVERSE BLANK. .2 FINGERPRINTS OF "LABRECQUE, KENNETH WADE", PRINTED ON WHITE SHEETS ADHERE TO CARD. DATED "85-3-8". .3 PHOTO OF FINGERPRINTS FOUND ON OBJECT; TAPED TO CARD. PRINT IS CIRCLED IN PHOTO, AND SCALED BY RULED STICKER JUST ABOVE. NAME IDENTIFIED AS "CSIZMADIA"; DATED "85/4/9". REVERSE HAS HANDWRITTEN "KEYSEARCHED 85/4/10 85/4/19". .4 PHOTO OF FINGERPRINTS FOUND ON OJBECT; TAPED TO CARD. RULED STICKER ABOVE PRINT WITH "MOTOWN TOYOTA". "1984 - OTTAWA SUBMISSION - NEG." AT BOTTOM. DATED "84-6-24". REVERSE HAS SECOND PHOTO OF PRINTS FOUND ON OBJECT.
Subjects
DATA PROCESSING T&E
Historical Association
SAFETY SERVICES
History
PART OF KEY/PUNCH FINGERPRINT SYSTEM; USED WITH ITEMS P19960112025,26-GA TO COMPARE A PARTIAL FINGERPRINT FOUND AT A CRIME SCENE WITH AN ORIGINAL SET OF PRINTS PROVIDED BY THE ACCUSED. FINGERPRINT CHARACTERISTICS WERE IDENTIFIED ON CARD BY PUNCHING TAB IN CODED BOXES AROUND CARD EDGE. KEY WAS SLOTTED THROUGH STACK OF CARDS, WHICH WAS SHAKEN OUT TO IDENTIFY MATCHING CHARACTERISTICS AMONG CARDS, WHICH COULD THEN BE FURTHER NARROWED BY REPEATING PROCESS. USED BY LETHBRIDGE POLICE BEGINNING IN 1984. HOLES PUNCHED ON THE EDGE OF THE CARDS IDENTIFIED THE MAIN FEATURES OF EACH PRINT. BY INSERTING THE RODS THROUGH STACKS OF CARDS AND SHAKING THE PILE, INVESTIGATORS ELIMINATED PRINTS UNTIL A MATCHING CLASSIFICATION WAS FOUND. RESULTS WERE THEN CONFIRMED BY A FINGERPRINT TECHNICIAN. NO TWO FINGERPRINTS HAVE EVER BEEN FOUND TO BE IDENTICAL IN EVERY DETAIL. FINGERPRINT EVIDENCE IS THEREFORE "THE MOST COMMON, MOST SOUGHT AFTER, POSITIVE AND VALUABLE OF ALL TYPES OF EVIDENCE ENCOUNTERED IN CRIMINAL INVESTIGATIONS" ACCORDING TO IDENT OFFICER GLEN MICHELSON. THE CARD SYSTEM WAS REPLACED BY THE AUTOMATIC FINGER IDENTIFICATION SYSTEM (AFIS), WHICH OFFERS LOCAL INVESTIGATORS ACCESS TO A COMPUTERIZED DATABASE IN CALGARY. IT IS CLAIMED THAT THE CARDS WERE "SIGNED BY MEMBERS SUCH AS CST. TERRY TOWNSEND AND GORD SCHEURMAN". FOR MORE INFORMATION ON MICHELSON'S IDENT CAREER, SEE ARTIFACT'S PERMANENT FILE. *UPDATE* IN 2014 COLLECTIONS ASSISTANT JANE EDMUNDSON CONDUCTED A SURVEY OF ART OBJECTS, INCLUDING SOME DONATED BY THE CITY OF LETHBRIDGE POLICE SERVICES. FOR A BRIEF ACCOUNT OF THE LETHBRIDGE POLICE COLLECTION, SEE RECORD P19960112001. FOR FURTHER INFORMATION ABOUT THE CITY OF LETHBRIDGE POLICE SERVICES AND TRANSCRIPTS OF INTERVIEWS AND CORRESPONDENCE WITH CURRENT AND FORMER LETHBRIDGE POLICE, SEE PERMANENT FILE P19960112000.
Catalogue Number
P19960112027
Acquisition Date
1996-12
Collection
Museum
Less detail
Date Range From
1960
Date Range To
1990
Material Type
Artifact
Materials
WOOD, CARDBOARD, NYLON
Catalogue Number
P19950073031
Material Type
Artifact
Date Range From
1960
Date Range To
1990
Materials
WOOD, CARDBOARD, NYLON
No. Pieces
2
Height
25.8
Length
8.3
Width
6.5
Description
STIFF NYLON ASIAN DOLL HAS BLACK HAIR IN ROLLED BUNS ON EACH SIDE OF THE HEAD WITH GOLD PIECES HOLDING THEM IN PLACE. IN BACK IS LONG PONYTAIL WITH POINTED END TIED BY RED RIBBON. HAS ON RED SHIRT WITH LARGE SLEEVES AND YELLOW CUFF TRIM, HAS YELLOW YOKE OVER NECK WITH MULTI-COLOUR TRIM. HAS BLUE BORDER BELT WITH DESIGNS IN MIDDLE. HAS PINK WRAP-AROUND APRON WITH SCALLOPED MULTI-COLOURED TRIM, COMES TOGETHER AT SIDE, NOT ALL THE WAY AROUND. HAS AQUA LONG SKIRT THAT FALLS IN PLEATS BELOW APRON AND FLARES OUT ON FLOOR WITH ORANGE RIBBON TRIM. TWO FINGERS OF EACH HAND ARE FOLDED IN AND IN HER RIGHT HAND SHE IS HOLDING A RED ROPE THAT HAS A WHITE PRINT PURSE WITH GOLD FRAME AND RED TASSELS WITH GREEN BEADS. IS ON A BLACK WOOD DISC STAND. IS STORED IN A RECTANGULAR CARDBOARD BOX. BOX IS HELD TOGETHER BY FOUR STAPLES AT BACK AND BOTH TOP AND BOTTOM OPEN AND HAVE A FOLDED FLAP TO INSERT IN BOX WHICH HOLDS IT IN PLACE.
Subjects
TOY
PERSONAL GEAR
Historical Association
LEISURE
History
*UPDATE* IN 2014 COLLECTIONS ASSISTANT JANE EDMUNDSON CONDUCTED A SURVEY OF ART OBJECTS, INCLUDING ONE DONATED AS PART OF THE ING ESTATE (P19950073023). SHE EXTRACTED THE FOLLOWING INFORMATION ON THE ING FAMILY FROM PERMANENT FILE P19950073001, WHICH CONTAINS A TRANSCRIPT OF THE INTERVIEW COLLECTIONS TECH KEVIN MACLEAN CONDUCTED WITH HAROLD ING JR., SON OF HAROLD AND MYRA, IN HIS ROOM AT THE LETHBRIDGE HOTEL IN SEPTEMBER 2005. MYRA WAS BORN IN GOLDEN B.C. TO SHIN-BOW AND CHOW TING RAH; HER FATHER ORGINALLY EMIGRATED TO CANADA TO WORK ON CANADIAN RAILWAY CONSTRUCTION AND LATER BECAME A RESTAURANTEUR, WHERE MYRA DEVELOPED HER ENGLISH SKILLS AS A WAITRESS. "IN 1906 MY DAD [HAROLD ING SR.] LEFT HONG KONG FOR VANCOUVER, HE COULDN'T SPEAK ENGLISH... HE'S GOT TO BE A WAITER, A BUSBOY... AND HE LEARNED ALL THE WAY UP, IN THE MEANTIME PICKING UP ENGLISH... WENT TO WINNIPEG. THIS IS BEFORE ME. BY THEN HE KNEW THE WHOLE SYSTEM OF RESTAURANTING." MYRA AND HAROLD SR. MARRIED AND ADOPTED HAROLD JR. WHEN HE WAS BORN INTO A POOR FAMILY OF ELEVEN IN 1944, IN VANCOUVER. "ME AND MY TWIN SISTER WERE SOLD BECAUSE THERE WERE JUST TOO MANY. SO DAD, MY MOM PICKED ME AND DAD SAID YES THAT'S GOOD... I DON'T KNOW WHERE MY SISTER IS... THERE'S NO WAY OF FINDING OUT." THE ING FAMILY SETTLED IN LETHBRIDGE IN THE LATE 1940S, AND HAROLD SR. OWNS AND OPERATES THE NEW MOON CAFE AND TWO GROCERIES, WHICH ARE RUN BY THE FAMILY AND NEW CHINESE IMMIGRANTS THAT HAROLD SR. SPONSORED. "AT APPROXIMATELY FIVE YEARS OLD [MY FATHER] INTRODUCED ME TO THE NEW MOON CAFE, AND I WAS A BUSBOY AT THE AGE OF FIVE... IN 1951 HE SHOWED ME MY FIRST HUNDRED DOLLAR BILL... BECAUSE HE WAS THE OWNER... HE'D WAKE UP AT FIVE IN THE MORNING TO GO TO THE CAFE, OFF AND ON TO THE GROCERY STORE AND MIGHT BE DONE AT EIGHT AT NIGHT, SUPPER AND IMMEDIATELY TO CHINATOWN [FOR] GAMBLING, PUTTING DOWN MAH JONG." HAROLD JR. ATTENDED WESTMINISTER ELEMENTARY SCHOOL DURING THE DAY, AND CHINESE SCHOOL AT THE CHINESE NATIONAL LEAGUE IN THE EVENINGS - HIS FATHER WAS THE PRESIDENT OF THE NATIONAL LEAGUE, AND THE ORGANIZATION RAN THE SCHOOL, CULTURAL CELEBRATIONS, FILM SCREENINGS, AND BANQUETS, FUNDED BY MEMBERSHIP FEES. HAROLD'S YOUNGER BROTHER, CALVIN, "GOT SENT TO A BOARDING SCHOOL SOMEWHERE. HE WAS GIFTED, BUT HE HAD A BYPASS SURGERY, HE HAD SOMETHING WRONG WITH HIS HEART. HE COULDN'T HANDLE PUBLIC SCHOOL, SO THEY SENT HIM TO B.C." AFTER HIGH SCHOOL AND A BRIEF STINT IN CALGARY, HAROLD JR. RAN ING'S GROCERY FOR HIS FATHER, AND IN THE LATE 1960S AND EARLY 70S ALSO WORKED AS A PHOTOGRAPHER FOR THE LETHBRIDGE HERALD AND A SALESMAN AT SEARS. BOTH HAROLD SR. AND MYRA ING PASSED AWAY IN THE 1990S, AND THE OBJECTS ENCOMPASSING DONATION P19950073001-231 WERE COLLECTED FROM THE FAMILY HOME. FOR A COMPLETE TRANSCRIPT OF THE INTERVIEW, COPIES OF PHOTOGRAPHS AND WRITTEN DETAILS ON THE CHINESE NATIONAL LEAGUE, SEE PERMANENT FILE.
Catalogue Number
P19950073031
Acquisition Date
1995-11
Collection
Museum
Less detail
Other Name
CASSETTE TAPE
Date Range From
1985
Date Range To
1990
Material Type
Artifact
Materials
PLASTIC, PAPER
Catalogue Number
P20180029005
  2 images  
Material Type
Artifact
Other Name
CASSETTE TAPE
Date Range From
1985
Date Range To
1990
Materials
PLASTIC, PAPER
No. Pieces
3
Height
1.7
Length
11
Width
7
Description
A. CASSETTE TAPE CASE, 11 CM LONG X 7 CM WIDE X 1.7 CM TALL. CLEAR PLASTIC RECTANGULAR CASE WITH TWO PLASTIC PRONGS INSIDE. CASE FRONT HAS EMBOSSED STAMP IN LOWER RIGHT CORNER “TDK, MADE IN JAPAN”. RIGHT SIDE HAS INDENT FOR OPENING; CASE IS HINGED ON LEFT SIDE. CASE IS SCRATCHED AND SCUFFED, WITH BLACK STAINING ON FRONT, BACK, AND LEFT SIDE; OVERALL VERY GOOD CONDITION. B. CASSETTE TAPE, 10 CM LONG X 6.4 CM WIDE X 0.7 CM TALL. TAPE IS BLACK PLASTIC WITH TWO HOLES THROUGH CASSETTE; TAPE HAS CLEAR PLASTIC WINDOW BETWEEN HOLES SHOWING TAPE INSIDE; BOTTOM EDGE OF TAPE HAS FIVE SQUARE OPENINGS SHOWING BROWN TAPE. TAPE HAS WHITE TEXT ON FRONT AND BACK; FRONT TEXT “AC DC * BACK IN BLACK, HELLS BELLS/SHOOT TO THRILL/, WHAT DO YOU DO FOR MONEY HONEY, GIVE THE DOG A BONE/LET ME PUT MY LOVE IN YOU, CP 1, DOLBY SYSTEM, XCS 16018, ATLANTIC”, LOWER LABEL HAS WHITE TEXT BILUNGUAL [ENGLISH AND FRENCH] “MANUFACTURED & DISTRIBUTED BY WEA MUSIC OF CANADA LTD., 810 BIRCHMOUNT RD SCARBOROUGH ONTARIO, A WARNER COMMUNICATIONS COMPANY”. TOP EDGE OF TAPE HAS EMBOSSED TEXT “MADE IN CANADA”. BACK OF TAPE HAS WHITE TEXT “AC DC * BACK IN BLACK, BACK IN BLACK/YOU SHOOK ME ALL NIGHT LONG, HAVE A DRINK ON ME, SHAKE A LEG/ROCK AND ROLL AIN’T NOISE POLLUTION, CP 2, DOLBY SYSTEM, XCS 16018, ATLANTIC”, LOWER LABEL HAS WHITE TEXT BILINGUAL [ENGLISH AND FRENCH] “MANUFACTURED & DISTRIBUTED BY WEA MUSIC OF CANADA LTD., 810 BIRCHMOUNT RD SCARBOROUGH ONTARIO, A WARNER COMMUNICATIONS COMPANY”. TEXT ON TAPE IS WORN AND FADED; LOWER EDGE OF TAPE IS SCUFFED AND STAINED; OVERALL VERY GOOD CONDITION. C. PAPER INSERT FOR CASSETTE TAPE, 10.3 CM LONG X 6.6 CM WIDE X 1.4 CM TALL. PAPER BOOKLET WITH BLACK COVER AND WHITE TEXT; FRONT OF COVER HAS TEXT “AC DC, BACK IN BLACK, ATLANTIC, SUPER CASSETTE”; SIDE OF COVER HAS TEXT “AC/DC, BACK IN BLACK, DOLBY SYSTEM, XCS-16018, SUPER CASSETTE”; BACK OF COVER HAS TEXT INCLUDING TRACK LIST FOR “SIDE ONE/SIDE TWO” AND PHOTOGRAPH OF MAN PLAYING GUITAR, TEXT BELOW PHOTOGRAPH “1980 LEIDSPELEIN PRESSE B.V., UNAUTHORIZED REPRODUCTION OF THIS RECORDING IS PROHIBITED BY LAW AND SUBJECT TO CRIMINAL PROSECUTION”, TEXT BELOW IS BILINGUAL [ENGLISH AND FRENCH] “MANUFACTURED & DISTRIBUTED BY, WEA MUSIC OF CANADA LTD., 1810 BIRCHMOUNT RD. SCARBOROUGH, ONTARIO, A WARNER COMMUNICATIONS COMPANY”. INSIDE OF COVER WHITE WITH BLACK TEXT “ALL SONGS WRITTEN BY YOUNG, YOUNG AND JOHNSON, PRODUCED BY ROBERT JOHN “MUTT” LANGE, ENGINEERED BY TONY PLATT, ASSISTANT ENGINEERS: JACK NEWBER, BENJI ARMBRISTER, RECORDED AT COMPASS POINT STUDIOS, APRIL-MAY 1980, MIXING ENGINEER: BRAD SAMUELSON, ART DIRECTION: BOB DEFRIN, PHOTOS: ROBERT ELLIS”, WITH “THANKS” BELOW, TEXT BELOW “FOR MORE INFORMATION ON AC/DC’S FAN CLUB AND MERCHANDISING, PLEASE SEND A SELF-ADDRESSED ENVELOPE TO: AC/DC FAN CLUB, 18 WATSON CLOSE, BURY ST. EDMUNDS, SUFFOLK ENGLAND, ALBERT PRODUCTIONS”. BACK INSIDE INCLUDES TEXT ON “NEW LEVELS OF EXCELLENCE” IN ENGLISH AND FRENCH. BACK OF BOOKLET HAS TWO HOLES PUNCHED THROUGH; COVER IS WORN AND FADED; OVERALL VERY GOOD CONDITION.
Subjects
SOUND COMMUNICATION T&E
Historical Association
LEISURE
HOME ENTERTAINMENT
History
ON DECEMBER 21, 2018, GALT MUSEUM CURATOR AIMEE BENOIT INTERVIEWED KEVIN MACLEAN REAGARDING HIS DONATION OF PERSONAL OBJECTS. ON THE CASSETTE TAPE, MACLEAN ELABORATED, “I WOULD THINK IT’S…IN THE WINTER OF GRADE 10 THAT I FOUND AC/DC AND THE SONG WAS, “FOR THOSE ABOUT TO ROCK”. I REMEMBER LISTENING TO IT WITH A BUDDY IN KALISPELL AND PLAYING ARCADE GAMES IN THE HOTEL AND THINKING, “OH, MY GOD, THIS IS THE COOLEST.”” “[BECAUSE] I’M A CATHOLIC KID…WE WERE PRETTY INNOCENT KIDS, AND [LISTENING TO BANDS LIKE AC/DC AND IRON MAIDEN] WOULD BE LIKE, “OH, I’M NOT GONNA GO THERE.” IT’S JUST TOO GRAPHIC…I THOUGHT IT DIDN’T REPRESENT ANYTHING GOOD. AC/DC CAME FIRST [FOR ME].” “THE OTHER THING THAT ATTRACTED ME TO AC/DC…THIS IS 1985, SO PART OF [MY INTEREST] IS THAT THEY’RE QUITE BLUE COLLAR…THE GLAM-ROCK THING…NEVER DID AS MUCH FOR ME. BUT THESE GUYS LOOK LIKE ORDINARY, WORKING-CLASS GUYS WHICH…IN TERMS OF WANTING TO FIT IN AND NOT HAVE A LOOK THAT STANDS OUT THEN, THERE WAS SOME APPEAL TO THESE GUYS, TOO.” “THIS, “BACK IN BLACK”, I’M CARRYING IN MY JEAN JACKET IN THE LEFT BREAST POCKET. WHEN I GO TO PARTIES, EVERY SINGLE WEEKEND, I HAD THIS TAPE BECAUSE IF PEOPLE DIDN’T HAVE “BACK IN BLACK” IN THEIR HOUSE, THEN I HAD IT. THEY COULD PLAY IT WHILE WE WERE PARTYING.” MACLEAN RECALLED HIS INTEREST IN MUSIC IN THE 1980S, NOTING, “[MY] DAD LISTENED TO COUNTRY MUSIC, CHARLEY PRIDE AND WILLIE NELSON, WHICH I WASN’T REALLY GETTING ANYTHING OUT OF. MY MOM, THOUGH, HAS ALWAYS BEEN INTERESTED IN CONTEMPORARY STUFF, WHATEVER THAT WORLD MIGHT BE. SHE IS THE ONE IN THE FAMILY WHO’S PROBABLY BUYING MOST OF THE RECORDS AND WHO IS LISTENING TO MUSIC LOTS, IN THE HOUSEHOLD. SHE DID JAZZERCISE STUFF SO SHE TAUGHT CLASSES. THERE’S LOTS OF VINYL IN THE HOUSE WHEN I’M GROWING UP. AT SOME POINT IN TIME, I DON’T KNOW HOW IT HAPPENED, BUT THERE WAS A RECORD PLAYER THAT WENT INTO MY BEDROOM AND INITIALLY, [BECAUSE] IT’S PROBABLY THE ONLY TIME I LISTENED TO VINYL, IT WAS MOM AND DAD’S KENNY ROGERS RECORD. I THINK I LIKED IT [BECAUSE] I COULD SING TO IT.” “IN ABOUT 1983, I WOULD HAVE AN ALLOWANCE. I START BUYING MUSIC AND THAT’S ALL I WANTED MONEY FOR; TO BUY MUSIC AND TO BUY A TAPE BACK THEN BECAUSE TAPES [WERE] COMPETING WITH VINYL RECORDS. WHERE I HAVE FRIENDS WHO ARE YOUNGER THAN ME OR WHO ARE THE SAME AGE AS ME WHO ARE BUYING VINYL, IT’S GENERALLY, I WOULD SAY, BECAUSE THEY HAVE SIBLINGS WHO ARE ALSO BUYING VINYL. THEY’RE DOING THE RECORD PLAYER THING BUT I WENT RIGHT TO CASSETTE.” “WHEN I FIRST STARTED BUYING MUSIC, THE FIRST [CASSETTE] I BOUGHT WAS MICHAEL JACKSON “THRILLER”; THAT WAS THE FIRST ONE. ALMOST AT THE EXACT SAME TIME, I BOUGHT DURAN DURAN “RIO” AND I THINK MY THIRD TAPE WAS EDDY GRANT; IT WAS A SONG CALLED “ELECTRIC AVENUE”. WHEN I’M BUYING MUSIC, I’M COMING INTO LETHBRIDGE. I REMEMBER THERE WAS A MUSIC STORE—THERE [WAS] NO PARK PLACE MALL—IN THE LETHBRIDGE CENTRE MALL.” “MY COUSIN, WHO’S LIVING WITH US—REG—IS SIX YEARS OLDER THAN ME. HE [HAS] A TAPE CASE BEFORE I BUY MY FIRST TAPE CASE. HIS MUSIC IS PREDOMINANTLY CANADIAN ROCK FROM THE EARLY ‘80S. SO, BANDS THAT WERE ALL COMING OUT AT THE SAME TIME LIKE STREETHEART, TORONTO, CHILLIWACK, HEADPINS, PRISM, THE STUFF THAT RON SAKAMOTO, THE PROMOTER, WAS BRINGING INTO THE SPORTSPLEX. BUT I WAS NOT INTERESTED IN ROCK. I WANTED POP MUSIC AND I REMEMBER SHARING MY LOVE OF MY POP MUSIC WITH MY FRIENDS. I REMEMBER WHEN I GOT DURAN DURAN “RIO”, I WOULD CALL UP MY FRIEND ON THE ROTARY DIAL PHONE AND WITH MY VIKING CASSETTE RECORDER/TAPE PLAYER PUSH ‘PLAY’ AND HOLD THE RECEIVER OVER SO THAT HE COULD HEAR THIS MUSIC THAT I WAS SO EXCITED TO SHARE.” “WHEN I BUY, WHEN I TELL MY NEIGHBOUR FRIEND, [I ASK], “IS THIS OKAY? IS THIS A GOOD ONE?” AND THE ONE TIME, I REMEMBER HIM GOING, “YEAH, THAT’S A GOOD CHOICE.” IT WAS A BAND CALLED, THE TUBES. THAT WOULD BE GRADE 8 AND PROBABLY INTO GRADE 9 AND MY TAPE CASE WOULD BE FULL OF STUFF THAT WOULD BE POP, DURAN DURAN AND MICHAEL JACKSON.” “[IN] GRADE 9, RIGHT BEFORE HIGH SCHOOL, I FIND TWISTED SISTER…THIS WOULD BE BY THE SUMMER OF ’84. [THEIR] VIDEO WAS GETTING TO BE A BIG DEAL…THERE WAS, “WE’RE NOT GONNA TAKE IT” WHICH IS REBELLION FROM YOUR PARENTS AND THE DAD IS LIKE A DRILL SERGEANT. THEN [THE KIDS] ALL TURN INTO TWISTED SISTER. I LOVED THIS TAPE. I PLAYED IT OVER AND OVER AGAIN. [IT WAS] MY FIRST ROCK TAPE AND IT WAS LIFE-CHANGING BECAUSE THEN, ALL THIS POP THAT HAD BEEN IN MY TAPE CASE…I SOLD TO JACK PEACOCK BY GRADE 10. I GOT RID OF ALL MY POP, SO WHERE THAT POP HAD BEEN DEFINING…ALL OF A SUDDEN IT’S LIKE, “I’M NOT THAT, ANYMORE.” IT WAS LIKE A LIGHT SWITCH WENT ON…IN GRADE 10.” “I WAS WEARING A JEAN JACKET IN GRADE 11…WHICH IS ABOUT AS MUCH AS, IN TERMS OF ME AND MY DRESS, HOW I’M REFLECTING [MY IDENTITY]. THIS IS A BIG DEAL BECAUSE WHERE MAYBE YOU DON’T WANT, IN YOUR OWN PARTICULAR DRESS, TO BE WEARING CAMOUFLAGE, YOU COULD THEN OPEN UP A TAPE CASE AND, BY PEOPLE SEEING WHAT’S IN YOUR TAPE CASE, THAT IS SPEAKING TO WHO YOU ARE.” “LISTENING TO MUSIC HASN’T NECESSARILY BEEN CONSISTENT BECAUSE THERE WERE YEARS WHEN WE WERE [AT HOME] THAT WE DIDN’T HAVE A STEREO SYSTEM BECAUSE IT JUST DIDN’T FEEL LIKE IT WAS THE RIGHT THING TO DO AT THE TIME. I WOULD HAVE BEEN LISTENING TO [TAPES] MORE IN MY VEHICLE. WHEN WE GOT OUR…SYSTEM BACK, THEN ALL OF A SUDDEN I’M LISTENING TO IT A LOT, AGAIN. BUT, THERE’S NO QUESTION, IT’S BEEN A MAINSTAY.” “MAYBE IT’S BECAUSE MY EYES ARE SO CRAPPY, [I ASK] IF YOU HAD TO CHOOSE BETWEEN YOUR EYESIGHT AND YOUR HEARING, WHAT WOULD YOU CHOOSE? DO I REALLY WANT TO LOSE MY HEARING? I WANT MONEY TO BUY MUSIC. THAT’S ALL I WANT MONEY FOR. NOTHING ELSE…THE FUNNY PART WITH THAT, TOO, THAT I LEARNED WAS THAT YOU NEVER WANTED TO BUY TOO MUCH MUSIC AT THE SAME TIME. IF YOU DID, YOU DIDN’T LISTEN TO A TAPE AS INTENSELY BECAUSE YOU HAD TWO OR THREE TAPES, SO YOU WOULDN’T APPRECIATE THEM EQUALLY. I LEARNED EARLY, YOU SHOULD ONLY BUY ONE RECORD OR ONE TAPE AT A TIME AND LISTEN TO IT OVER AND OVER AND OVER AGAIN.” “I SWITCHED OVER TO CD’S IN THE SUMMER OF ’89. MY TAPE LISTENING WOULD BE A VERY SHORT TIME. TAPES DON’T LAST VERY LONG. CASSETTE TAPES DON’T LAST. WHEN YOU THINK OF CD’S, WHICH YOU CAN STILL GO AND BUY AND THEY WERE BEING SOLD BY, AT LEAST LOCALLY, FOR SURE, BY 1987, AND THEY’RE STILL BEING SOLD, CASSETTE TAPES [DIDN’T LAST LONG]. FOR ME, [I’M BUYING CASSETTE TAPES FROM] ’83 TO ’88. SIX YEARS.” “IT’S FUNNY, BECAUSE [MY TAPE CASE] WOULD HAVE BEEN FULL AND, FOR SOME REASON, I CHOSE TO GET RID OF THE OTHER TAPES. PROBABLY BECAUSE I WASN’T LISTENING TO THEM AND I THOUGHT, ‘OH, I CAN TAKE THEM TO A USED PLACE,’ BUT I SHOULDN’T HAVE DONE THAT. I SHOULD HAVE ACTUALLY KEPT IT FULL. I WISH I HAD [BECAUSE] I HAD ALL THE AC/DC’S. BUT YOU CAN TELL BY WHAT I KEPT, I OBVIOUSLY KNEW THAT THIS WAS A REALLY IMPORTANT TAPE; TWISTED SISTER [AND] “BACK IN BLACK”. THOSE ARE THE MOST IMPORTANT…” FOR MORE INFORMATION INCLUDING ARTICLES FROM THE LETHBRIDGE HERALD, BRANDON SUN, MEDICINE HAT NEWS, AND THE FULL INTERVIEW TRANSCRIPTION, PLEASE SEE THE PERMANENT FILE P20180029001-GA.
Catalogue Number
P20180029005
Acquisition Date
2018-12
Collection
Museum
Images
Less detail

10 records – page 1 of 1.