Skip header and navigation

4 records – page 1 of 1.

Date Range From
1950
Date Range To
2007
Material Type
Artifact
Materials
WOOD, STEEL, BRASS
Catalogue Number
P20070023004
Material Type
Artifact
Date Range From
1950
Date Range To
2007
Materials
WOOD, STEEL, BRASS
No. Pieces
2
Height
202.0
Length
75.8
Width
31.5
Description
SET OF TWO WOODEN DOORS, BOTH PAINTED GREY-PURPLE WITH SMALL WINDOW, METAL DOOR CLOSURE DEVICE MOUNTED AT TOP, HANDLES ON ONE SIDE WITH STEEL PLATES ON REVERSE, STEEL PLATES ALONG BOTTOM WIDTH OF DOORS, AND THREE BRASS HINGES ALONG SIDES. ONE DOOR WITH "J" SHAPED PIECE OF METAL HANGING FROM HANDLE. 2 PIECES, IDENTICAL SIZE.
Subjects
BUILDING COMPONENT
Historical Association
BUSINESS
History
DOOR SET IS ONE OF TWO ENTRANCE DOOR SETS TO PARAMOUNT THEATRE CINEMA ONE. DOOR SET WAS REMOVED FROM THEATRE AFTER ITS CLOSURE IN 2007. ACCORDING TO JOEY SHACKLEFORD (GRANDSON OF A.W. SHACKLEFORD) IN 2010, THE PANE OF GLASS ON THE DOOR ALLOWED MANAGEMENT TO SEE WHEN THE LIGHTS WERE COMING ON. THIS FACILITATED THE PROCESS OF SWITCHING FROM THE EARLY VIEWING TO THE LATE VIEWING. THE LOBBY WOULD BE ROPED OFF AND THE PATRONS WOULD EXIT OUT THE SIDE DOOR. NEW PATRONS WOULD WAIT IN THE LOBBY UNTIL THE ROPES WERE TAKEN DOWN BEFORE ENTERING THE THEATRE. FOR MORE INFORMATION, SEE P20070023001 AND PERMANENT RECORD. *UPDATE* IN 2014 COLLECTIONS ASSISTANT JANE EDMUNDSON CONDUCTED A SURVEY OF ART OBJECTS, INCLUDING A PORTRAIT OF ALFRED WILLIAM SHACKLEFORD (P20060025001-GA), OWNER OF THE SHACKLEFORD THEATRES. THE FOLLOWING BIOGRAPHY OF MAYOR SHACKLEFORD WAS DEVELOPED WITH INFORMATION FROM ARCHIVES CANADA ONLINE AND A LETHBRIDGE HERALD TRIBUTE ARTICLE FROM MAY 31, 1992. A.W. SHACKLEFORD WAS BORN IN ESSEX, ENGLAND IN 1899 AND CAME TO CALGARY WITH HIS PARENTS IN 1909. AFTER HIGH SCHOOL HE TRAINED AS A DRAFTSMAN BUT WAS EMPLOYED BY THE FILM EXCHANGE AND FOX FILMS. IN 1921 HE WAS HIRED TO MANAGED THE KING'S THEATRE IN LETHBRIDGE AND BECAME ASSOCIATED WITH MARK ROGERS, A LETHBRIDGE BUSINESSMAN WHO OWNED THREE LOCAL MOVIE THEATRES. SHACKLEFORD ALSO BECAME PARTNER IN THE AMUSEMENT COMPANY THAT OPENED THE HENDERSON LAKE PAVILLION IN 1924. BY 1925 HE WAS PART-OWNER OF THE FORMER EMPRESS THEATRE ON 5TH AVENUE SOUTH, RENAMING IT THE ROXY. HE THEN TEAMED UP WITH THE FAMOUS PLAYERS COMPANY TO REMODEL THE FORMER PALACE THEATRE AND RENAME IT THE CAPITOL. SHACKLEFORD ALSO OPENED THE THEATRE IN THE FORMER COLLEGE MALL, BUILT THE 960-SEAT PARAMOUNT THEATRE ON 4TH AVENUE SOUTH, AND TOOK OVER OPERATION OF THE DIRVE-IN THEATRE AT THE SOUTH CITY LIMITS. SHACKLEFORD WAS HEAVILY INVOLVED IN CIVIC LIFE, ACTIVE IN GROUPS INCLUDING THE CANADIAN CANCER SOCIETY, THE GYRO CLUB, UNITED WAY, LETHBRIDGE & DISTRICT EXHIBITION BOARD, BOARD OF TRADE, ST. AUGUSTINE'S CHURCH, AND THE ALBERTA THEATRE OPERATORS ASSOCIATION. HE AND HIS WIFE ADA HAD TWO SONS, ROBERT AND DOUGLAS. AFTER SEVERAL TERMS AS ALDERMAN STARTING IN 1939, SHACKLEFORD FIRST SERVED AS MAYOR FROM 1944 - 1947, AND FOR TWO MORE TERMS FROM 1952 - 1955 AND 1957 - 1961. HE WORKED FOR 68 YEARS IN THE MOVIE BUSINESS, RETIRING AT AGE 90. W.A. SHACKLEFORD DIED IN LETHBRIDGE ON MAY 30, 1992. SEE PERMANENT FILE P20060025001 FOR HARDCOPIES OF SOURCE MATERIAL.
Catalogue Number
P20070023004
Acquisition Date
2008-08
Collection
Museum
Less detail
Other Name
PROJECTIONIST DOOR
Date Range From
1950
Date Range To
2007
Material Type
Artifact
Materials
STEEL
Catalogue Number
P20070023002
Material Type
Artifact
Other Name
PROJECTIONIST DOOR
Date Range From
1950
Date Range To
2007
Materials
STEEL
No. Pieces
1
Height
216.5
Length
91.0
Width
28.0
Description
STEEL DOOR, ONE SIDE PAINTED GREY-GREEN WITH BLACK SEMI-CIRCLE SURROUNDING METAL PUSH-PLATE AND KEYHOLE. BLACK METAL PROTECTIVE PLATE ALONG BOTTOM LENGTH OF DOOR. OTHER SIDE PAINTED WHITE, HAS METAL C-SHAPED HANDLE AND METAL DOOR CLOSURE DEVICE MOUNTED AT TOP. SIDE OF DOOR WITH DOOR LOCKING MECHANISM LABELLED, "SCHLAGE."
Subjects
BUILDING COMPONENT
Historical Association
BUSINESS
History
THE DOOR WAS REMOVED FROM THE PARAMOUNT THEATRE IN 2007. ACCORDING TO JOEY SHACKLEFORD (GRANDSON OF A.W. SHACKLEFORD) IN 2010, THE DOOR WAS FROM THE PROJECTION BOOTH. THE BOOTH WAS NEAR A PRIVATE VIEWING AREA ON THE UPPER FLOOR OF THE THEATRE. THE DOOR HAD A HALF CIRCLE WINDOW. HARRY BOYSE, AND RICHARD FURUKAWA WERE TWO OF THE PROJECTIONISTS AT THE PARAMOUNT THEATRE. WHILE SHACKLEFORD SAID MEMBERS OF HIS FAMILY WORKED ALMOST EVERY POSITION IN THE THEATRE THROUGHOUT THE COURSE OF THEIR LIVES, THE PROJECTIONIST JOB WAS THE “ONLY THING WE NEVER DID BECAUSE IT WAS A UNION POSITION. YOU HAD TO WRITE EXAMS AND PUT IN A CERTAIN AMOUNT OF HOURS BEFORE YOU WERE QUALIFIED.” FOR MORE INFORMATION, SEE P20070023001 AND PERMANENT RECORD. *UPDATE* IN 2014 COLLECTIONS ASSISTANT JANE EDMUNDSON CONDUCTED A SURVEY OF ART OBJECTS, INCLUDING A PORTRAIT OF ALFRED WILLIAM SHACKLEFORD (P20060025001-GA), OWNER OF THE SHACKLEFORD THEATRES. THE FOLLOWING BIOGRAPHY OF MAYOR SHACKLEFORD WAS DEVELOPED WITH INFORMATION FROM ARCHIVES CANADA ONLINE AND A LETHBRIDGE HERALD TRIBUTE ARTICLE FROM MAY 31, 1992. A.W. SHACKLEFORD WAS BORN IN ESSEX, ENGLAND IN 1899 AND CAME TO CALGARY WITH HIS PARENTS IN 1909. AFTER HIGH SCHOOL HE TRAINED AS A DRAFTSMAN BUT WAS EMPLOYED BY THE FILM EXCHANGE AND FOX FILMS. IN 1921 HE WAS HIRED TO MANAGED THE KING'S THEATRE IN LETHBRIDGE AND BECAME ASSOCIATED WITH MARK ROGERS, A LETHBRIDGE BUSINESSMAN WHO OWNED THREE LOCAL MOVIE THEATRES. SHACKLEFORD ALSO BECAME PARTNER IN THE AMUSEMENT COMPANY THAT OPENED THE HENDERSON LAKE PAVILLION IN 1924. BY 1925 HE WAS PART-OWNER OF THE FORMER EMPRESS THEATRE ON 5TH AVENUE SOUTH, RENAMING IT THE ROXY. HE THEN TEAMED UP WITH THE FAMOUS PLAYERS COMPANY TO REMODEL THE FORMER PALACE THEATRE AND RENAME IT THE CAPITOL. SHACKLEFORD ALSO OPENED THE THEATRE IN THE FORMER COLLEGE MALL, BUILT THE 960-SEAT PARAMOUNT THEATRE ON 4TH AVENUE SOUTH, AND TOOK OVER OPERATION OF THE DIRVE-IN THEATRE AT THE SOUTH CITY LIMITS. SHACKLEFORD WAS HEAVILY INVOLVED IN CIVIC LIFE, ACTIVE IN GROUPS INCLUDING THE CANADIAN CANCER SOCIETY, THE GYRO CLUB, UNITED WAY, LETHBRIDGE & DISTRICT EXHIBITION BOARD, BOARD OF TRADE, ST. AUGUSTINE'S CHURCH, AND THE ALBERTA THEATRE OPERATORS ASSOCIATION. HE AND HIS WIFE ADA HAD TWO SONS, ROBERT AND DOUGLAS. AFTER SEVERAL TERMS AS ALDERMAN STARTING IN 1939, SHACKLEFORD FIRST SERVED AS MAYOR FROM 1944 - 1947, AND FOR TWO MORE TERMS FROM 1952 - 1955 AND 1957 - 1961. HE WORKED FOR 68 YEARS IN THE MOVIE BUSINESS, RETIRING AT AGE 90. W.A. SHACKLEFORD DIED IN LETHBRIDGE ON MAY 30, 1992. SEE PERMANENT FILE P20060025001 FOR HARDCOPIES OF SOURCE MATERIAL.
Catalogue Number
P20070023002
Acquisition Date
2008-08
Collection
Museum
Less detail
Date Range From
1950
Date Range To
2007
Material Type
Artifact
Materials
PLASTIC, WIRE
Catalogue Number
P20070023005
Material Type
Artifact
Date Range From
1950
Date Range To
2007
Materials
PLASTIC, WIRE
No. Pieces
1
Height
9.2
Length
24.0
Width
13.0 13.0
Description
PALE GREEN INTERCOM PHONE WITH SIX OFF-WHITE BUTTONS ON FRONT. BRAIDED PHONE CORD, SPEAKER AND RECEIVER OF PHONE OFF-WHITE COLOURED. LABELS NEXT TO BUTTONS READ, "MGR., LOBY, CONC., BOX. O., PROJ. 2." TEXT ON BACK READS, "MADE IN WESTERN GERMANY...". BROWN FOAM MATERIAL ON BACK OF PHONE DETERIORATING, SURFACE GRIME OVERALL, ESPECIALLY CONCENTRATED ON PHONE RECIEVER AND PHONE RESTING AREAS.
Subjects
SOUND COMMUNICATION T&E
Historical Association
BUSINESS
History
INTERCOM WAS INSTALLED IN THE PROJECTIONSIT ROOM OF CINEMA 1 AT THE PARAMOUNT THEATRE. IT ALLOWED THE USER TO STRATEGICALLY CONNECT WITH VARIOUS LOCATIONS IN THE THEATRE. INTERCOM WAS REMOVED FROM PARAMOUNT THEATRE AFTER ITS CLOSURE IN 2007. NICOLE HEMBROFF, COLLECTIONS ASSISTANT, CONDUCTED AN INTERVIEW WITH JOEY SHACKLEFORD (GRANDSON OF A. W. SHACKLEFORD) ON AUGUST 15, 2010, HE SAID THE INTERCOM SYSTEM WAS PRETTY BAREBONES. IT WAS USED FOR SEVERAL PURPOSES. FOR EXAMPLE, THE PROJECTIONIST'S ROOM WOULD RECEIVE A CALL TO START THE FILM. THIS WAS IMPORTANT BECAUSE THE MOVIES DIDN'T ALWAYS START ON TIME IN ORDER TO ALLOW BIG CROWDS TO COME IN. THE INTERCOM WAS ALSO USED BETWEEN THE MANAGER'S OFFICE AND THE CANDY BAR. THE PEOPLE WORKING AT THE CONCESSION COULD CALL THE MANAGER'S OFFICE TO OBTAIN MORE CANDY OR SUPPLIES. FINALLY, IT WAS COMMON FOR THE BOX OFFICE TO CALL THE MANAGER'S OFFICE IN ORDER TO GET MORE CHANGE OR TO GET MONEY TAKEN OUT. THIS WAS ESPECIALLY IMPORTANT BECAUSE THE BOX OFFICE WAS EXPOSED TO THE PEOPLE. BY TAKING MONEY TO THE MANAGER'S OFFICE ON A REGULAR BASIS, ONE COULD ENSURE THAT IF THE BOX OFFICE WAS ROBBED, NOT TOO MUCH MONEY WOULD BE LOST. FOR MORE INFORMATION, SEE P20070023001 AND PERMANENT RECORD. *UPDATE* IN 2014 COLLECTIONS ASSISTANT JANE EDMUNDSON CONDUCTED A SURVEY OF ART OBJECTS, INCLUDING A PORTRAIT OF ALFRED WILLIAM SHACKLEFORD (P20060025001-GA), OWNER OF THE SHACKLEFORD THEATRES. THE FOLLOWING BIOGRAPHY OF MAYOR SHACKLEFORD WAS DEVELOPED WITH INFORMATION FROM ARCHIVES CANADA ONLINE AND A LETHBRIDGE HERALD TRIBUTE ARTICLE FROM MAY 31, 1992. A.W. SHACKLEFORD WAS BORN IN ESSEX, ENGLAND IN 1899 AND CAME TO CALGARY WITH HIS PARENTS IN 1909. AFTER HIGH SCHOOL HE TRAINED AS A DRAFTSMAN BUT WAS EMPLOYED BY THE FILM EXCHANGE AND FOX FILMS. IN 1921 HE WAS HIRED TO MANAGED THE KING'S THEATRE IN LETHBRIDGE AND BECAME ASSOCIATED WITH MARK ROGERS, A LETHBRIDGE BUSINESSMAN WHO OWNED THREE LOCAL MOVIE THEATRES. SHACKLEFORD ALSO BECAME PARTNER IN THE AMUSEMENT COMPANY THAT OPENED THE HENDERSON LAKE PAVILLION IN 1924. BY 1925 HE WAS PART-OWNER OF THE FORMER EMPRESS THEATRE ON 5TH AVENUE SOUTH, RENAMING IT THE ROXY. HE THEN TEAMED UP WITH THE FAMOUS PLAYERS COMPANY TO REMODEL THE FORMER PALACE THEATRE AND RENAME IT THE CAPITOL. SHACKLEFORD ALSO OPENED THE THEATRE IN THE FORMER COLLEGE MALL, BUILT THE 960-SEAT PARAMOUNT THEATRE ON 4TH AVENUE SOUTH, AND TOOK OVER OPERATION OF THE DIRVE-IN THEATRE AT THE SOUTH CITY LIMITS. SHACKLEFORD WAS HEAVILY INVOLVED IN CIVIC LIFE, ACTIVE IN GROUPS INCLUDING THE CANADIAN CANCER SOCIETY, THE GYRO CLUB, UNITED WAY, LETHBRIDGE & DISTRICT EXHIBITION BOARD, BOARD OF TRADE, ST. AUGUSTINE'S CHURCH, AND THE ALBERTA THEATRE OPERATORS ASSOCIATION. HE AND HIS WIFE ADA HAD TWO SONS, ROBERT AND DOUGLAS. AFTER SEVERAL TERMS AS ALDERMAN STARTING IN 1939, SHACKLEFORD FIRST SERVED AS MAYOR FROM 1944 - 1947, AND FOR TWO MORE TERMS FROM 1952 - 1955 AND 1957 - 1961. HE WORKED FOR 68 YEARS IN THE MOVIE BUSINESS, RETIRING AT AGE 90. W.A. SHACKLEFORD DIED IN LETHBRIDGE ON MAY 30, 1992. SEE PERMANENT FILE P20060025001 FOR HARDCOPIES OF SOURCE MATERIAL.
Catalogue Number
P20070023005
Acquisition Date
2008-08
Collection
Museum
Less detail
Other Name
COMMERCIAL, “F. DICK”
Date Range From
1955
Date Range To
2010
Material Type
Artifact
Materials
CAST IRON, ALUMINIUM, WOOD
Catalogue Number
P20150007000
  1 image  
Material Type
Artifact
Other Name
COMMERCIAL, “F. DICK”
Date Range From
1955
Date Range To
2010
Materials
CAST IRON, ALUMINIUM, WOOD
No. Pieces
2
Height
84
Length
41.5
Width
28
Description
CAST IRON RECTANGULAR BASE WITH HOLLOW ALUMINIUM CYLINDER FIXED UPRIGHT AT CENTRE. ROUND METAL PLUNGER INSIDE CYLINDER MOVES UP AND DOWN ON A TOOTHED METAL COLUMN THAT IS CRANK DRIVEN BY REMOVABLE METAL HANDLE. HANDLE HAS WOOD GRIP. SPIGOT MOUTH AT BASE OF CYLINDER. CAST IRON COMPONENTS ARE PAINTED RED, BUT PAINT IS WORN AND ONLY TRACES REMAIN ON BASE. TEXT READING "F. DICK" IS STAMPED INTO THE OUTER CASE OF CRANK MECHANISM. OVERALL GOOD CONDITION.
Subjects
FOOD PROCESSING T&E
Historical Association
PROFESSIONS
History
THIS SAUSAGE STUFFER WAS USED BY FOUR GENERATIONS OF MEAT CUTTERS IN THE GURR FAMILY AT THE SAME LOCATION OF 538 13 STREET SOUTH, WHICH SUCCESSIVELY HOUSED HOEFER & WOOD GROCERY, VALUE VILLAGE, AND AT THE TIME OF DONATION, LONDON ROAD MARKET. ON FEBRUARY 3, 2015 COLLECTIONS TECHNICIAN KEVIN MACLEAN INTERVIEWED DUANE GURR AND HIS SON, THE DONOR, DAVID GURR, ABOUT THEIR FAMILY HISTORY WITH THE GROCERY STORES, MEAT CUTTING IN LETHBRIDGE, AND THE SAUSAGE STUFFER. DUANE SAID: “MY GRANDFATHER [ALF GURR] CAME [TO CANADA] AS A FOURTEEN YEAR OLD BOY… MEAT CUTTING [HAD BEEN] HIS TRADE IN ENGLAND… WHEN HE CAME HERE HE HAD A NUMBER OF JOBS… HE RAN BURNS’ MEAT MARKET… EVENTUALLY HE LEFT BURNS AND STARTED HIS OWN MEAT MARKET ON 3RD AVENUE SOUTH WITH HIS SONS, MY UNCLE AND MY DAD [CALLED] PALACE MEAT MARKET. [THEN] HE WAS THE MEAT MANAGER AT [HOEFER & WOOD GROCERY] FROM 1954 TO 1957… IN THOSE DAYS IT WAS QUITE UNIQUE TO HAVE A STORE THAT SOLD GROCERIES AND HAD A MEAT DEPARTMENT IN IT, AND A PRODUCE DEPARTMENT AND A BAKERY… IT WOULD HAVE BEEN FAIRLY NEW TO HAVE EVERTYHING UNDER ONE ROOF… [GRANDFATHER] HAD TO LEAVE HIS JOB BECAUSE HE LOST HIS EYESIGHT AND THE FELLOW THAT WAS BROUGHT IN… FRED SIEMEN, ACTUALLY TAUGHT ME HOW TO CUT MEAT AND TO MAKE SAUSAGE IN 1978 [AFTER] I WENT TO WORK FOR VALUE VILLAGE… THE FELLOW THAT HIRED ME IN 1973, [GERARD] WESTWOOD, [HAD WORKED] CLEANING THE MEAT DEPARTMENT AFTER SCHOOL FOR MY GRANDFATHER… HE SAID ‘YOU’RE ALF GURR’S GRANDSON’, AND I HAD THE JOB JUST LIKE THAT… IT WAS ACTUALLY [GERARD] THAT SAID IN 1978, ‘I THINK YOU SHOULD LEARN HOW TO BE A MEAT CUTTER BECAUSE IT’S IN YOUR BLOOD.’” DUANE CONTINUED: “MY DAD WAS ALSO TRAINED [IN MEAT CUTTING] BUT WORKED FOR THE CPR… HE ALWAYS [CUT MEAT] IN HIS BASEMENT… HE ACTUALLY USED TO MAKE SAUSAGE WITH ME TWICE A WEEK [AT THE STORE]… WE DIDN’T PARTICULARLY GET ALONG THAT WELL [BUT] IN THAT INSTANCE, WE GOT ALONG VERY WELL… WE DIDN’T DO A LOT OF TALKING WHEN WE DID IT. WE JUST HELPED EACH OTHER, AND HE TAUGHT ME HOW TO DO IT, AND IT WAS ACTUALLY A PRETTY FUN TIME… IT WAS A FAMILY THING… I ALWAYS ENJOYED IT, AND NOW DAVID IS MAKING SAUSAGES AND DOING A GREAT JOB… IT’S A BIT OF A LOST ART… THERE’S NOT A LOT OF GUYS THAT CAN MAKE SAUSAGE AND LINK IT ANYMORE.” ON THE SAUSAGE-MAKING PROCESS, DAVID SAID: “YOU START WITH YOUR MEAT… YOU GRIND THAT THROUGH ONCE, AND THEN ADD YOUR SEASONINGS [AND] MIX THAT TOGETHER… [THE MIXTURE] ALWAYS HAS TO BE COLD TO KEEP THE CONSISTENCY, AND TO KEEP IT OFF YOUR HANDS.” DUANE SAID: “THE COLDER THE BETTER; IT DIDN’T STICK TO YOUR HANDS AND WENT INTO THE CASINGS EASIER, AND THE WARMER IT GETS, THE HARDER IT IS TO WORK… WHEN YOU’RE DOING IT BY HAND, THE COLD [GOES] RIGHT UP TO YOUR BRAIN.” DAVID SAID: “YOU PULL THE ALUMINIUM CANISTER OUT, AND THEN THERE IS A NOZZLE ON THE FRONT OF THE CANISTER THAT YOU PUT THE SAUSAGE NOZZLE ON… WHEN YOU START CRANKING IT IN LOW GEAR SO THAT IT’S EASIER TO CRANK, IT START PRESSING IT THROUGH… YOU CAN EITHER PUT HOG CASINGS ON, THAT’S YOUR TRADITIONAL, OR THE NEW SYNTHETIC ONES ARE COLLAGEN.” DUANE SAID: “WE ALWAYS WORKED WITH NATURAL CASINGS, WHICH WERE HOG OR LAMB.” DAVID SAID: “THE SYNTHETIC CASINGS DON’T HAVE A LOT OF GIVE TO THEM, SO YOU HAVE TO BE VERY CAREFUL… WHAT’S NICE [ABOUT THIS TYPE OF STUFFER] IS YOU CAN HANDLE IT… YOU CAN CONTROL THE FEED YOURSELF SO IF YOU’RE GOING A LITTLE TOO QUICK YOU EASE UP ON IT… AFTER THAT YOU LINK THEM, SMOKE THEM, HOPEFULLY SELL THEM.” ON THE USE OF THIS SPECIFIC MACHINE, DAVID SAID: “WE HAD A SAUSAGE PROGRAM [IN 2008/09]… IT’S TOUGH TO GET IT GOING AND I WAS FAIRLY NEW AT CUTTING MEAT. THE FIRST TIME WORKING ON THAT, IT WAS JUST A NIGHTMARE BECAUSE NOTHING WAS RIGHT. I DIDN’T HAVE THE CASINGS ON HERE PROPERLY; I DIDN’T HAVE THE RIGHT CONSISTENCY WITH THE MEAT; I WAS IN THE HIGH GEAR… IT WAS A THROWAWAY BATCH BECAUSE THERE WAS JUST NOTHING RIGHT ABOUT IT. THAT’S HOW YOU LEARN… MAKING SAUSAGES IS FUN… I THINK ABOUT TODAY WHEN I’M WORKING IN THERE WITH THE PEOPLE WE HAVE AND WE REALLY DON’T SAY MUCH… ONE’S MIXING, ONE’S STUFFING, ONE’S LINKING… IT’S A PROCESS AND EVERYBODY’S WORKING… WHEN YOU THINK BACK AND SAY, ‘OH, MY GREAT-GRANDFATHER WAS DOING THE EXACT SAME THING WITH THE EXACT SAME MACHINE 60 YEARS AGO.’ THAT’S PRETTY SPECIAL.” DUANE SAID: “IT WOULD BE NICE TO KEEP IT BUT IT’S JUST NOT SANITARY ANYMORE. IT’S SOMETHING THAT MADE A LOT OF SAUSAGE AND WHEN YOU LEARN SOMETHING LIKE SAUSAGE MAKING AND YOU MASTER IT, IT’S PRETTY SPECIAL… IT LINKS ME TO MY OWN FAMILY…” SEE PERMANENT FILE FOR FULL INTERVIEW TRANSCRIPT.
Catalogue Number
P20150007000
Acquisition Date
2015-02
Collection
Museum
Images
Less detail