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Other Name
SAMPLE MATERIAL
Date Range From
1980
Date Range To
1990
Material Type
Artifact
Materials
NYLON
Catalogue Number
P19960112086
  2 images  
Material Type
Artifact
Other Name
SAMPLE MATERIAL
Date Range From
1980
Date Range To
1990
Materials
NYLON
No. Pieces
2
Height
1
Length
24.4
Width
16.5
Description
WHITE PAPER ENVELOPE WITH RED PRINT READING "SECOND CHANCE TESTING INSTRUCTIONS" WITH DESCRIPTION OF PRODUCT AND USE. CONTAINS STITCHED BUNCH OF YELLOW NYLON FABRIC OF DIFFERENT THICKNESSES OF WEAVE. EDGES FRAYED.
Subjects
ARTIFACT REMNANT
Historical Association
SAFETY SERVICES
History
*UPDATE* IN 2014 COLLECTIONS ASSISTANT JANE EDMUNDSON CONDUCTED A SURVEY OF ART OBJECTS, INCLUDING SOME DONATED BY THE CITY OF LETHBRIDGE POLICE SERVICES. FOR A BRIEF ACCOUNT OF THE LETHBRIDGE POLICE COLLECTION, SEE RECORD P19960112001. FOR FURTHER INFORMATION ABOUT THE CITY OF LETHBRIDGE POLICE SERVICES AND TRANSCRIPTS OF INTERVIEWS AND CORRESPONDENCE WITH CURRENT AND FORMER LETHBRIDGE POLICE, SEE PERMANENT FILE P19960112000.
Catalogue Number
P19960112086
Acquisition Date
1996-12
Collection
Museum
Images
Less detail
Other Name
EATON'S
Date Range From
1980
Date Range To
1999
Material Type
Artifact
Materials
PAPER
Catalogue Number
P19990061022
Material Type
Artifact
Other Name
EATON'S
Date Range From
1980
Date Range To
1999
Materials
PAPER
No. Pieces
1
Height
0.1
Length
55.9
Width
43.2
Description
RECTANGULAR, HEAVY CARD. HAS A BLUE BORDER. PRINTED WITHIN BORDER, AT BOTTOM IS "EATON'S GOODS SATISFACTORY OR MONEY REFUNDED", IN WHITE. WITHIN BORDER IS A WHITE RECTANGLE, WITH A RED LINE THAT RUNS JUST INSIDE EDGES OF RECTANGLE. PRINTED WITHIN WHITE RECTANGLE, IN BLUE AND RED, IS "EATON'S FIRST FOR QUALITY. FOR PRICE. COMPETITIVE PRICES ALL THE TIME". EACH CORNER OF POSTER HAS A SMALL PIN HOLE IN IT.
Subjects
ADVERTISING MEDIUM
Historical Association
RETAIL TRADE
History
MUSEUM OBTAINED ITEMS FROM LETHBRIDGE EATON'S STORE IN 1999. DUE TO COMPANY BANKRUPTCY, EATON'S STORES ACROSS CANADA WERE CLOSED, INCLUDING THE LETHBRIDGE LOCATION IN PARK PLACE MALL. *UPDATE* IN 2014 COLLECTIONS ASSISTANT JANE EDMUNDSON CONDUCTED A SURVEY OF ART OBJECTS, INCLUDING THOSE ASSOCIATED WITH THE T. EATON COMPANY STORES IN LETHBRIDGE. THE FOLLOWING BRIEF HISTORY OF LETHBRIDGE'S EATON'S STORE WAS DEVELOPED WITH INFORMATION FROM GALT ARCHIVES AND LETHBRIDGE HERALD ARTICLES FROM THE FALL OF 1988. THE T. EATON COMPANY WAS FOUNDED IN TORONTO IN 1869 BY TIMOTHY EATON. THE FIRST LETHBRIDGE EATON'S 'TECO' STORE WAS OPENED IN 1927 IN THE BASEMENT OF THE DOMINION BLOCK ON THE CORNER OF 4 AVENUE AND SIXTH STREET SOUTH. AFTER A FIRE, THE BUILDING WAS RENOVATED AND COMPLETELY TAKEN OVER BY THE EATON'S STORE, WHICH OPERATED IN THAT LOCATION UNDER PERIODIC RENOVATIONS FROM 1929 UNTIL THE OPENING OF THE PARK PLACE MALL IN 1988, IN WHICH EATON'S WAS AN ANCHOR RETAILER. IN 1989 A PORTION OF THE UNIVERSITY OF LETHBRIDGE ART COLLECTION WAS TEMPORARILY PUT ON DISPLAY IN THE VACANT EATON'S BUILDING, AND PROPOSALS WERE MADE TO MAKE THE INSTALLATION PERMANENT, BUT EVENTUALLY THE PROPERTY WAS SOLD AND DEMOLISHED TO MAKE WAY FOR THE CONSTRUCTION OF A BANK OF MONTREAL BRANCH. IN 1999 THE EATON'S STORE IN PARK PLACE MALL CLOSED JUST PRIOR TO THE ANNOUNCEMENT OF THE BANKRUPTCY OF THE LARGER T. EATON COMPANY LIMITED. SEE PERMANENT FILE P19930072001 FOR HARDCOPIES OF SOURCE MATERIAL.
Catalogue Number
P19990061022
Acquisition Date
1999-10
Collection
Museum
Less detail
Other Name
EATON'S
Date Range From
1980
Date Range To
1999
Material Type
Artifact
Materials
PAPER
Catalogue Number
P19990061023
Material Type
Artifact
Other Name
EATON'S
Date Range From
1980
Date Range To
1999
Materials
PAPER
No. Pieces
1
Height
0.1
Length
55.8
Width
43.0
Description
RECTANGULAR, HEAVY CARD. WHITE BACKGROUND. HALF OF A RED RECTANGLE SURROUND AN INNER BLUE RECTANGLE. PRINTED WITHIN RED RECTANGLE, IN WHITE, IS "THE EATON GUARANTEE:". WRITTEN WITHIN BLUE RECTANGLE, IN WHITE, IS "GOODS SATISFACTORY OR MONEY REFUNDED". BELOW BLUE RECTANGLE IS A WAVY, RED AND BLUE STRIPED BANNER. THERE IS ALSO A SIMILAR, SHORT BANNER AT TOP RIGHT OF RED RECTANGLE. AT THE BOTTOM OF POSTER, IN BLUE, IS "EATON'S". EACH CORNER OF POSTER HAS A SMALL PIN HOLE IN IT.
Subjects
ADVERTISING MEDIUM
Historical Association
RETAIL TRADE
History
MUSEUM OBTAINED ITEMS FROM LETHBRIDGE EATON'S STORE IN 1999. DUE TO COMPANY BANKRUPTCY, EATON'S STORES ACROSS CANADA WERE CLOSED, INCLUDING THE LETHBRIDGE LOCATION IN PARK PLACE MALL. *UPDATE* IN 2014 COLLECTIONS ASSISTANT JANE EDMUNDSON CONDUCTED A SURVEY OF ART OBJECTS, INCLUDING THOSE ASSOCIATED WITH THE T. EATON COMPANY STORES IN LETHBRIDGE. THE FOLLOWING BRIEF HISTORY OF LETHBRIDGE'S EATON'S STORE WAS DEVELOPED WITH INFORMATION FROM GALT ARCHIVES AND LETHBRIDGE HERALD ARTICLES FROM THE FALL OF 1988. THE T. EATON COMPANY WAS FOUNDED IN TORONTO IN 1869 BY TIMOTHY EATON. THE FIRST LETHBRIDGE EATON'S 'TECO' STORE WAS OPENED IN 1927 IN THE BASEMENT OF THE DOMINION BLOCK ON THE CORNER OF 4 AVENUE AND SIXTH STREET SOUTH. AFTER A FIRE, THE BUILDING WAS RENOVATED AND COMPLETELY TAKEN OVER BY THE EATON'S STORE, WHICH OPERATED IN THAT LOCATION UNDER PERIODIC RENOVATIONS FROM 1929 UNTIL THE OPENING OF THE PARK PLACE MALL IN 1988, IN WHICH EATON'S WAS AN ANCHOR RETAILER. IN 1989 A PORTION OF THE UNIVERSITY OF LETHBRIDGE ART COLLECTION WAS TEMPORARILY PUT ON DISPLAY IN THE VACANT EATON'S BUILDING, AND PROPOSALS WERE MADE TO MAKE THE INSTALLATION PERMANENT, BUT EVENTUALLY THE PROPERTY WAS SOLD AND DEMOLISHED TO MAKE WAY FOR THE CONSTRUCTION OF A BANK OF MONTREAL BRANCH. IN 1999 THE EATON'S STORE IN PARK PLACE MALL CLOSED JUST PRIOR TO THE ANNOUNCEMENT OF THE BANKRUPTCY OF THE LARGER T. EATON COMPANY LIMITED. SEE PERMANENT FILE P19930072001 FOR HARDCOPIES OF SOURCE MATERIAL.
Catalogue Number
P19990061023
Acquisition Date
1999-10
Collection
Museum
Less detail
Other Name
SET OF MARQUEE LETTERS
Date Range From
1980
Date Range To
1999
Material Type
Artifact
Materials
PLASTIC, PAPER
Catalogue Number
P19990061027
Material Type
Artifact
Other Name
SET OF MARQUEE LETTERS
Date Range From
1980
Date Range To
1999
Materials
PLASTIC, PAPER
No. Pieces
1
Height
2.3
Length
25.1
Width
22.5
Description
CLEAR PLASTIC BAG. BAG IS FOLDED OVER AT TOP, AND CLOSED WITH TWO STAPLES. HAS A WHITE PRICE TAG WITH "2.00" WRITTEN ON IT IN BLUE PEN. INSIDE BAG ARE MULTIPLE CLEAR PLASTIC RECTANGLES WITH BLUE LETTERS, NUMBERS, AND OTHER CHARACTERS ON THEM. THERE ARE SOME NUMBERS IN THE BAG THAT ARE RED. ONE LARGE PIECE HAS "HARDWARE" ON IT IN BLUE.
Subjects
ADVERTISING MEDIUM
VISUAL COMMUNICATION T&E
Historical Association
RETAIL TRADE
History
USED ON SIGNS IN LETHBRIDGE EATON'S STORE. MUSEUM OBTAINED ITEMS FROM LETHBRIDGE EATON'S STORE IN 1999. DUE TO COMPANY BANKRUPTCY, EATON'S STORES ACROSS CANADA WERE CLOSED, INCLUDING THE LETHBRIDGE LOCATION IN PARK PLACE MALL. *UPDATE* IN 2014 COLLECTIONS ASSISTANT JANE EDMUNDSON CONDUCTED A SURVEY OF ART OBJECTS, INCLUDING THOSE ASSOCIATED WITH THE T. EATON COMPANY STORES IN LETHBRIDGE. THE FOLLOWING BRIEF HISTORY OF LETHBRIDGE'S EATON'S STORE WAS DEVELOPED WITH INFORMATION FROM GALT ARCHIVES AND LETHBRIDGE HERALD ARTICLES FROM THE FALL OF 1988. THE T. EATON COMPANY WAS FOUNDED IN TORONTO IN 1869 BY TIMOTHY EATON. THE FIRST LETHBRIDGE EATON'S 'TECO' STORE WAS OPENED IN 1927 IN THE BASEMENT OF THE DOMINION BLOCK ON THE CORNER OF 4 AVENUE AND SIXTH STREET SOUTH. AFTER A FIRE, THE BUILDING WAS RENOVATED AND COMPLETELY TAKEN OVER BY THE EATON'S STORE, WHICH OPERATED IN THAT LOCATION UNDER PERIODIC RENOVATIONS FROM 1929 UNTIL THE OPENING OF THE PARK PLACE MALL IN 1988, IN WHICH EATON'S WAS AN ANCHOR RETAILER. IN 1989 A PORTION OF THE UNIVERSITY OF LETHBRIDGE ART COLLECTION WAS TEMPORARILY PUT ON DISPLAY IN THE VACANT EATON'S BUILDING, AND PROPOSALS WERE MADE TO MAKE THE INSTALLATION PERMANENT, BUT EVENTUALLY THE PROPERTY WAS SOLD AND DEMOLISHED TO MAKE WAY FOR THE CONSTRUCTION OF A BANK OF MONTREAL BRANCH. IN 1999 THE EATON'S STORE IN PARK PLACE MALL CLOSED JUST PRIOR TO THE ANNOUNCEMENT OF THE BANKRUPTCY OF THE LARGER T. EATON COMPANY LIMITED. SEE PERMANENT FILE P19930072001 FOR HARDCOPIES OF SOURCE MATERIAL.
Catalogue Number
P19990061027
Acquisition Date
1999-10
Collection
Museum
Less detail
Other Name
BUTTON
Date Range From
1980
Date Range To
1999
Material Type
Artifact
Materials
PLASTIC, TIN, CARDBOARD
Catalogue Number
P19990061011
Material Type
Artifact
Other Name
BUTTON
Date Range From
1980
Date Range To
1999
Materials
PLASTIC, TIN, CARDBOARD
No. Pieces
1
Height
0.8
Length
5.3
Width
5.3
Description
SQUARE, BLUE. IN GOLD PRINT, ON FRONT, READS "EATON'S WE'VE GOT THE PLAN.". BELOW THIS IS A LOWER CASE "E" WITHIN A CIRCLE, AND A SMALL "TM" TO THE LOWER RIGHT, ALL IN GOLD. IN THE BACKGROUND THERE IS THE TOP 3/4 OF A LOWER CASE "E" WITHIN A CIRCLE, IN LIGHT BLUE. PRINTED ON BACK EDGE OF BUTTON, IN WHITE, IS "MADE IN CANADA BY H.A.S. NOVELTIES LTD. TORONTO (416)593-1101". BACK OF BUTTON IS LINED WITH A PIECE OF CARDBOARD, AND HAS A SILVER PIN AND CATCH.
Subjects
ADVERTISING MEDIUM
Historical Association
RETAIL TRADE
History
MUSEUM OBTAINED ITEMS FROM LETHBRIDGE EATON'S STORE IN 1999. DUE TO COMPANY BANKRUPTCY, EATON'S STORES ACROSS CANADA WERE CLOSED, INCLUDING THE LETHBRIDGE LOCATION IN PARK PLACE MALL. *UPDATE* IN 2014 COLLECTIONS ASSISTANT JANE EDMUNDSON CONDUCTED A SURVEY OF ART OBJECTS, INCLUDING THOSE ASSOCIATED WITH THE T. EATON COMPANY STORES IN LETHBRIDGE. THE FOLLOWING BRIEF HISTORY OF LETHBRIDGE'S EATON'S STORE WAS DEVELOPED WITH INFORMATION FROM GALT ARCHIVES AND LETHBRIDGE HERALD ARTICLES FROM THE FALL OF 1988. THE T. EATON COMPANY WAS FOUNDED IN TORONTO IN 1869 BY TIMOTHY EATON. THE FIRST LETHBRIDGE EATON'S 'TECO' STORE WAS OPENED IN 1927 IN THE BASEMENT OF THE DOMINION BLOCK ON THE CORNER OF 4 AVENUE AND SIXTH STREET SOUTH. AFTER A FIRE, THE BUILDING WAS RENOVATED AND COMPLETELY TAKEN OVER BY THE EATON'S STORE, WHICH OPERATED IN THAT LOCATION UNDER PERIODIC RENOVATIONS FROM 1929 UNTIL THE OPENING OF THE PARK PLACE MALL IN 1988, IN WHICH EATON'S WAS AN ANCHOR RETAILER. IN 1989 A PORTION OF THE UNIVERSITY OF LETHBRIDGE ART COLLECTION WAS TEMPORARILY PUT ON DISPLAY IN THE VACANT EATON'S BUILDING, AND PROPOSALS WERE MADE TO MAKE THE INSTALLATION PERMANENT, BUT EVENTUALLY THE PROPERTY WAS SOLD AND DEMOLISHED TO MAKE WAY FOR THE CONSTRUCTION OF A BANK OF MONTREAL BRANCH. IN 1999 THE EATON'S STORE IN PARK PLACE MALL CLOSED JUST PRIOR TO THE ANNOUNCEMENT OF THE BANKRUPTCY OF THE LARGER T. EATON COMPANY LIMITED. SEE PERMANENT FILE P19930072001 FOR HARDCOPIES OF SOURCE MATERIAL.
Catalogue Number
P19990061011
Acquisition Date
1999-10
Collection
Museum
Less detail
Other Name
EATON'S
Date Range From
1980
Date Range To
1999
Material Type
Artifact
Materials
PAPER, BRASS
Catalogue Number
P19990061030
Material Type
Artifact
Other Name
EATON'S
Date Range From
1980
Date Range To
1999
Materials
PAPER, BRASS
No. Pieces
1
Height
0.1
Length
243.0
Width
92.0
Description
PAPER; RECTANGULAR. FRONT OF BANNER HAS RED BACKGROUND, AND READS IN WHITE Z"TOGETHER, WE'RE MAKING IT BETTER". ON RIGHT SIDE, OF FRONT, IS THE PICTURE OF AN EATON'S CREDIT CARD. CARD IS WHITE WITH NAVY BLUE AND BURGUNDY STRIPES; ABOVE STRIPES READS "EATON'S", AND BELOW STRIPES READS "1234 5678 9012 TIMOTHY EATON". THERE ARE TWO HORIZONTAL BLUE LINES THAT RUN ACROSS FRONT OF BANNER. ON BOTTOM RIGHT OF FRONT ARE FOUR TRIANGLES, THAT ALTERNATE IN COLOUR FROM BLUE TO WHITE. TOP LEFT OF FRONT, HAS THREE TRIANGLES, THAT ARE BLUE, WHITE, AND BLUE. EACH CORNER OF BANNER, AND TOP CENTRE, HAS A HOLE WITH A BRASS GROMMET. EACH EDGE OF BANNER IS HEMMED. BACK IS PLAIN WHITE.
Subjects
ADVERTISING MEDIUM
Historical Association
RETAIL TRADE
History
MUSEUM OBTAINED ITEMS FROM LETHBRIDGE EATON'S STORE IN 1999. DUE TO COMPANY BANKRUPTCY, EATON'S STORES ACROSS CANADA WERE CLOSED, INCLUDING THE LETHBRIDGE LOCATION IN PARK PLACE MALL. *UPDATE* IN 2014 COLLECTIONS ASSISTANT JANE EDMUNDSON CONDUCTED A SURVEY OF ART OBJECTS, INCLUDING THOSE ASSOCIATED WITH THE T. EATON COMPANY STORES IN LETHBRIDGE. THE FOLLOWING BRIEF HISTORY OF LETHBRIDGE'S EATON'S STORE WAS DEVELOPED WITH INFORMATION FROM GALT ARCHIVES AND LETHBRIDGE HERALD ARTICLES FROM THE FALL OF 1988. THE T. EATON COMPANY WAS FOUNDED IN TORONTO IN 1869 BY TIMOTHY EATON. THE FIRST LETHBRIDGE EATON'S 'TECO' STORE WAS OPENED IN 1927 IN THE BASEMENT OF THE DOMINION BLOCK ON THE CORNER OF 4 AVENUE AND SIXTH STREET SOUTH. AFTER A FIRE, THE BUILDING WAS RENOVATED AND COMPLETELY TAKEN OVER BY THE EATON'S STORE, WHICH OPERATED IN THAT LOCATION UNDER PERIODIC RENOVATIONS FROM 1929 UNTIL THE OPENING OF THE PARK PLACE MALL IN 1988, IN WHICH EATON'S WAS AN ANCHOR RETAILER. IN 1989 A PORTION OF THE UNIVERSITY OF LETHBRIDGE ART COLLECTION WAS TEMPORARILY PUT ON DISPLAY IN THE VACANT EATON'S BUILDING, AND PROPOSALS WERE MADE TO MAKE THE INSTALLATION PERMANENT, BUT EVENTUALLY THE PROPERTY WAS SOLD AND DEMOLISHED TO MAKE WAY FOR THE CONSTRUCTION OF A BANK OF MONTREAL BRANCH. IN 1999 THE EATON'S STORE IN PARK PLACE MALL CLOSED JUST PRIOR TO THE ANNOUNCEMENT OF THE BANKRUPTCY OF THE LARGER T. EATON COMPANY LIMITED. SEE PERMANENT FILE P19930072001 FOR HARDCOPIES OF SOURCE MATERIAL.
Catalogue Number
P19990061030
Acquisition Date
1999-10
Collection
Museum
Less detail
Other Name
PM-540 ELECTRONIC FLASH WITH BATTERY RECHARGER
Date Range From
1970
Date Range To
1980
Material Type
Artifact
Materials
PLASTIC, ALUMINUM
Catalogue Number
P19950073046
Material Type
Artifact
Other Name
PM-540 ELECTRONIC FLASH WITH BATTERY RECHARGER
Date Range From
1970
Date Range To
1980
Materials
PLASTIC, ALUMINUM
No. Pieces
2
Height
7.6
Length
18.5
Width
7
Description
1. GREY PLASTIC CYLINDRICAL BODY WITH DARKER GREY FLASH HEAD. CLEAR PLASTIC GROOVED FACE ON HEAD, WITH OUTLET FOR ELECTRICAL CORD BELOW. GROOVED ALUMINUM FERRULE AT JOINT OF HEAD AND SHANK, WITH TWO SMALLER BANDS BELOW, HOLDING SLIDE CLIP FOR ATTACHING TO CAMERA. CLEAR PLASTIC DIAL BENEATH CLIP. BOTTOM OF SHANK READS "PM PRODUCT 117V. 4W. 60C. TOKYO JAPAN". FERRULE ENGRAVED WITH "PM 540 MADE IN JAPAN". DIAL AT BACK OF HEAD FOR ADJUSTING FLASH SPEED. INCLUDES REMOVABLE TWO-PRONG BLACK ELECTRICAL CORD, WITH "MADE IN JAPAN" ON PLUG. 2. 3.8CM (H) X 13.2CM (L) X 9.7CM (W). GREY PLASTIC RECTANGULAR CASE WITH DARKER GREY REMOVABLE LID. CLASP AT ONE END, WITH SHORT MALLEABLE PLASTIC STRAP AT BACK AND ON/OFF SWITCH AT SIDE. COILED BLACK ELECTRICAL CORD INCLUDED WITH SINGLE PRONG. INSIDE HAS FIXTURES FOR HOLDING FOUR BATTERIES, WITH PAPER LABEL ON BOTTOM. READS "INSERT FOUR BATTER..." WITH INSTRUCTIONS FOR TYPE TO BE USED. PAPER IS BURNT SLIGHTLY AND TORN. ALUMINUM PARTITION BESIDE BATTERY CASING HAS BEEN PARTIALLY EATEN AWAY BY ACID.
Subjects
PHOTOGRAPHIC T&E
Historical Association
LEISURE
History
*UPDATE* IN 2014 COLLECTIONS ASSISTANT JANE EDMUNDSON CONDUCTED A SURVEY OF ART OBJECTS, INCLUDING ONE DONATED AS PART OF THE ING ESTATE (P19950073023). SHE EXTRACTED THE FOLLOWING INFORMATION ON THE ING FAMILY FROM PERMANENT FILE P19950073001, WHICH CONTAINS A TRANSCRIPT OF THE INTERVIEW COLLECTIONS TECH KEVIN MACLEAN CONDUCTED WITH HAROLD ING JR., SON OF HAROLD AND MYRA, IN HIS ROOM AT THE LETHBRIDGE HOTEL IN SEPTEMBER 2005. MYRA WAS BORN IN GOLDEN B.C. TO SHIN-BOW AND CHOW TING RAH; HER FATHER ORGINALLY EMIGRATED TO CANADA TO WORK ON CANADIAN RAILWAY CONSTRUCTION AND LATER BECAME A RESTAURANTEUR, WHERE MYRA DEVELOPED HER ENGLISH SKILLS AS A WAITRESS. "IN 1906 MY DAD [HAROLD ING SR.] LEFT HONG KONG FOR VANCOUVER, HE COULDN'T SPEAK ENGLISH... HE'S GOT TO BE A WAITER, A BUSBOY... AND HE LEARNED ALL THE WAY UP, IN THE MEANTIME PICKING UP ENGLISH... WENT TO WINNIPEG. THIS IS BEFORE ME. BY THEN HE KNEW THE WHOLE SYSTEM OF RESTAURANTING." MYRA AND HAROLD SR. MARRIED AND ADOPTED HAROLD JR. WHEN HE WAS BORN INTO A POOR FAMILY OF ELEVEN IN 1944, IN VANCOUVER. "ME AND MY TWIN SISTER WERE SOLD BECAUSE THERE WERE JUST TOO MANY. SO DAD, MY MOM PICKED ME AND DAD SAID YES THAT'S GOOD... I DON'T KNOW WHERE MY SISTER IS... THERE'S NO WAY OF FINDING OUT." THE ING FAMILY SETTLED IN LETHBRIDGE IN THE LATE 1940S, AND HAROLD SR. OWNS AND OPERATES THE NEW MOON CAFE AND TWO GROCERIES, WHICH ARE RUN BY THE FAMILY AND NEW CHINESE IMMIGRANTS THAT HAROLD SR. SPONSORED. "AT APPROXIMATELY FIVE YEARS OLD [MY FATHER] INTRODUCED ME TO THE NEW MOON CAFE, AND I WAS A BUSBOY AT THE AGE OF FIVE... IN 1951 HE SHOWED ME MY FIRST HUNDRED DOLLAR BILL... BECAUSE HE WAS THE OWNER... HE'D WAKE UP AT FIVE IN THE MORNING TO GO TO THE CAFE, OFF AND ON TO THE GROCERY STORE AND MIGHT BE DONE AT EIGHT AT NIGHT, SUPPER AND IMMEDIATELY TO CHINATOWN [FOR] GAMBLING, PUTTING DOWN MAH JONG." HAROLD JR. ATTENDED WESTMINISTER ELEMENTARY SCHOOL DURING THE DAY, AND CHINESE SCHOOL AT THE CHINESE NATIONAL LEAGUE IN THE EVENINGS - HIS FATHER WAS THE PRESIDENT OF THE NATIONAL LEAGUE, AND THE ORGANIZATION RAN THE SCHOOL, CULTURAL CELEBRATIONS, FILM SCREENINGS, AND BANQUETS, FUNDED BY MEMBERSHIP FEES. HAROLD'S YOUNGER BROTHER, CALVIN, "GOT SENT TO A BOARDING SCHOOL SOMEWHERE. HE WAS GIFTED, BUT HE HAD A BYPASS SURGERY, HE HAD SOMETHING WRONG WITH HIS HEART. HE COULDN'T HANDLE PUBLIC SCHOOL, SO THEY SENT HIM TO B.C." AFTER HIGH SCHOOL AND A BRIEF STINT IN CALGARY, HAROLD JR. RAN ING'S GROCERY FOR HIS FATHER, AND IN THE LATE 1960S AND EARLY 70S ALSO WORKED AS A PHOTOGRAPHER FOR THE LETHBRIDGE HERALD AND A SALESMAN AT SEARS. BOTH HAROLD SR. AND MYRA ING PASSED AWAY IN THE 1990S, AND THE OBJECTS ENCOMPASSING DONATION P19950073001-231 WERE COLLECTED FROM THE FAMILY HOME. FOR A COMPLETE TRANSCRIPT OF THE INTERVIEW, COPIES OF PHOTOGRAPHS AND WRITTEN DETAILS ON THE CHINESE NATIONAL LEAGUE, SEE PERMANENT FILE.
Catalogue Number
P19950073046
Acquisition Date
1995-11
Collection
Museum
Less detail
Date Range From
1970
Date Range To
1980
Material Type
Artifact
Materials
METAL, PLASTIC, STEEL
Catalogue Number
P20120038005
  2 images  
Material Type
Artifact
Date Range From
1970
Date Range To
1980
Materials
METAL, PLASTIC, STEEL
No. Pieces
2
Height
15.7
Length
18.6
Width
21
Description
A. SILVER FILM SPLICER WITH BLACK HANDLE; HANDLE LOWERS TO PRESS ON TABLE WITH SPLICERS; SILVER AND BLUE LABEL ON HANDLE READS, “GENERAL SOUND AND THEATRE EQUIPMENT LIMITED”. SPLICER HAS TAPE DISPENSER BELOW HANDLE WITH DISCOLOURED/YELLOWED CLEAR TAPE; BLUE TEXT BENEATH TAPE REPEATS “GENERAL SOUND” WITH A BLACK DIAL BESIDE THE TAPE ROLL FOR TURNING TAPE ON DISPENSER. TEXT ON TOP OF SPLICER AT UPPER LEFT CORNER READS “COSTRUZIONE INCOLLATRICI RAPIDE – ROMA”; TEXT ON TOP OF SPLICER AT UPPER RIGHT CORNER READS “M.2 – 35M/M, MADE IN ITALY, PATENTED”. SPLICER HAS A DOUBLE KNIFE ON RIGHT SIDE, WITH ONE STRAIGHT CUT AND ONE DIAGONAL CUT FOR FILM. SILVER LABEL ON INSIDE OF SPLICER READS “RENTED FROM, CANADIAN MOTION PICTURE EQUIPMENT RENTALS LTD., 33 GRANBY ST., TORONTO M5B 1H8, 977-7113”. SILVER LABEL ON BOTTOM OF SPLICER READS “MADE IN ITALY, OFFICINE MECCANICHE, DR. LEO CATOZZO, 00050 SANTA SEVERA (ROMA), TEL 0766 /740008-740181”. TEXT EMBOSSED ON BOTTOM OF SPLICER READS “USA PATENTS N.3075572, N.4002522, COSTRUZIONE INCOLLATRICI RAPIDE ROMA, 2575”. SPLICER HANDLE IS WORN AT EDGES; SPLICER HAS DIRT AND RUST UNDER HANDLE. SPLICER IS IN OVERALL VERY GOOD CONDITION AND SHOWS MINOR SIGNS OF WEAR. B. ROLL OF YELLOW TAPE, 4.5CM DIAMETER X 3.7CM TALL. YELLOW PLASTIC TAPE WOUND ON WHITE PLASTIC SPOOL; TAPE HAS ORANGE TAB AT END OF ROLL; TAPE HAS GLOSS FINISH. TAPE IS UNUSED; OVERALL EXCELLENT CONDITION.
Subjects
PHOTOGRAPHIC T&E
Historical Association
BUSINESS
LEISURE
History
ON APRIL 11, 2018, COLLECTIONS TECHNICIAN KEVIN MACLEAN INTERVIEWED LARRY AND ANDREA BECKER, OWNERS OF THE FORMER WATERTON THEATRE IN SOUTHERN ALBERTA WHERE THE PROJECTION EQUIPMENT WAS USED. DURING THE INTERVIEW, THE BECKERS ELABORATED ON HOW THEIR THEATRE CLOSED, HOW THE EQUIPMENT WAS USED IN THEIR THEATRE, AND HOW AL ANCTIL CAME INTO POSSESSION OF THE THEATRE PROJECTION EQUIPMENT. LARRY BECKER SPOKE TO HOW ANCTIL BECAME THE OWNER AND DONOR OF THE EQUIPMENT, STATING, “THIS EQUIPMENT IS BUILT AND DESIGNED TO EXHIBIT 35 MM MOTION PICTURE FILM. IN 2011, WHEN WE DISPOSED OF THE EQUIPMENT, FILM WAS BECOMING OBSOLETE. IT WAS NO LONGER AVAILABLE TO US AS AN EXHIBITION MEDIUM, SO WE WERE FACED WITH THE CHALLENGE OF CONVERTING TO A DIGITAL PROJECTION, IF WE WANTED TO CONTINUE SHOWING MOTION PICTURES. WE HAD TO GET RID OF THIS, AND AL [ANCTIL] THOUGHT HE HAD A USE FOR IT. AT THE TIME, HE WAS SELLING US COFFEE. WE WERE RUNNING A COFFEE SHOP IN THE THEATRE, SO WE HAD THAT RELATIONSHIP WITH AL; AND I’M NOT SURE WHY AL WANTED IT…I DON’T KNOW IF HE EVER INTENDED TO USE IT. I THINK, UNDER CERTAIN CIRCUMSTANCES, IT MIGHT BE USEFUL, IF SOMEBODY COULD ACCESS SOME 35 MM FILM TO RUN THROUGH IT. WHEN WE HEARD THAT AL WANTED IT, WE SAID “SURE, YOU CAN HAVE IT AL. WE NO LONGER HAVE ANY USE FOR IT.”” “IT WAS THE COST OF THE CONVERSION [THAT INFLUENCED OUR DECISION TO CLOSE]. INITIALLY, WHEN ALL OF THE THEATRES WERE FACED WITH THE CONVERSION, WITHIN A VERY SHORT WINDOW, THE DEMAND FOR THE EQUIPMENT WAS VERY HIGH; COSTS WERE VERY HIGH, AND IT JUST WASN’T FINANCIALLY VIABLE IN A SEASONAL OPERATION, SO WE DECIDED NOT TO PROCEED, AT THAT TIME, WITH THE DIGITAL UPGRADING/CONVERSION. WE WERE WORKING QUITE HARD, BECAUSE WE WERE RUNNING A COFFEE SHOP, AN ICE CREAM STORE, AND A MOVIE THEATRE. THE MOVIE THEATRE WAS THE FUN PART OF IT.” “WE WERE AT THE END OF OUR LAST SEASON IN 2011, AND WE HAD WORKED OUT AN ARRANGEMENT WITH THE TENANT, TO TAKE IT OVER, TO RUN IT AS A ‘STAGE AND GRILL’ KIND OF OPERATION. THEY WERE GOING TO PUT A KITCHEN IN, AND SERVE MEALS, AND PRESENT MUSIC ACTS ON STAGE.” LARRY BECKER DISCUSSED THE PURPOSE OF THE SPLICER IN THE THEATRE, STATING, “WHEN I STARTED WORKING WITH [THE SPLICER], WHEN WE WERE USING THE ACETATE FILM, THIS SPLICER WAS USED PRIMARILY TO SPLICE THE MYLAR FILM STOCKS. THE ACETATE FILM STOCKS THAT I LEARNED TO SPLICE ON, YOU ACTUALLY GLUED THE SPLICES TOGETHER.” “A FILM FRAME HAS 4 PERFORATIONS ON IT SO, TO MAKE A GLUE SPLICE, YOU WOULD CUT A ‘PIE’ PERFORATION PIECE, AND OVERLAP ONE [PERFORATION] AND ACTUALLY PUT IT TOGETHER. THAT WAS A BIT OF AN ART. “I USED THAT SPLICER, SINCE PROBABLY ABOUT 1980. THE…SPLICER WOULD HAVE BEEN OBSOLETE, SHORTLY AFTER I STARTED WORKING, BUT WE USED TO DO ALL THE CURLERS ON IT.” THE BECKERS SPOKE ABOUT THEIR ARRIVAL IN WATERTON AND THEIR HISTORY WORKING IN THEATRES, WITH LARRY BEGINNING HIS CAREER WORKING IN THE PALACE THEATRE IN CALGARY, ALBERTA. IN 1975, THE BECKERS BECAME INTERESTED IN PURCHASING THE THEATRE IN WATERTON, AND BY 1976 THEY WERE RUNNING THE WATERTON THEATRE. LARRY NOTED HOW THE BECKERS BECAME INVOLVED WITH THE WATERTON THEATRE “I WAS TRAVELING TO WATERTON. I HAD NEVER BEEN TO WATERTON. I HAD AN OCCASION TO GO TO GREAT FALLS. IT WAS ON…A BUSINESS TRIP, AND IT WAS OVER A WEEKEND. I LOOKED AT THE MAP, AND I THOUGHT, “IF WE LEAVE AROUND DINNERTIME ON FRIDAY, WE CAN SPEND A NIGHT IN WATERTON…AND THEN WE CAN CONTINUE TO GREAT FALLS THE NEXT DAY.” GOT INTO WATERTON, AND, BY THIS TIME, THE SUN HAD SET, AND I STILL DIDN’T REALIZE I WAS IN THE MOUNTAINS. I SORT OF LOOKED AROUND. I DIDN’T HAVE A ROOM BOOKED, AND GOT A ROOM IN ALLEN’S LAKESHORE BUNGALOWS, WHICH WERE ON THE SHORE OF WATERTON LAKE, AT THAT TIME, AND WHEN I GOT UP IN THE MORNING, AND LOOKED AROUND, I COULDN’T BELIEVE WHERE I WAS. I MEAN, IT WAS JUST THE MOST BEAUTIFUL THING…IT WAS STUNNINGLY, GORGEOUS! THEN I THOUGHT, “I’LL TAKE A STROLL AROUND TOWN”, AND THERE WAS A MOVIE THEATRE. OF COURSE, BEING IN THE BUSINESS, I’VE GOT TO STOP AND YOU…FIND OUT WHAT’S GOING ON THERE. I CHATTED WITH A YOUNG FAMILY THAT WERE LOOKING AFTER THE PLACE FOR LOTTIE BREWERTON. LOTTIE, AND HER HUSBAND, GORDON, HAD BUILT IT BACK IN ’35. LOTTIE WAS GORDON’S WIDOW. SHE WASN’T INVOLVED IN THE OPERATION, BUT SHE HAD SOME YOUNG FAMILY THAT WERE HELPING HER OUT, SO, IN THE CONVERSATION, THEY SAID, “YOU KNOW, I THINK LOTTIE WANTS TO SELL.” I WENT BACK TO CALGARY, AND NEVER REALLY THOUGHT TOO MUCH ABOUT IT UNTIL SEVERAL MONTHS LATER, AND IT WAS SORT OF ON MY MIND, AND I THOUGHT, “WELL, I’M GOING TO GET AHOLD OF LOTTIE AND SEE WHAT THE DEAL IS HERE?” “IT NEEDED WORK. IT’S NOT A BIG MONEY-MAKING OPERATION IN WATERTON, SO IT WAS…HARD TO DO THE THINGS THAT NEEDED TO BE DONE. OVER THE YEARS, WE KIND OF KEPT IT GOING…BUT IT WAS ALWAYS…AN EXPERIENTIAL THING. IT WAS KIND OF AN ANTIQUE IN ITSELF. IT WAS NEVER INTENDED TO BE LIKE THE CITY THEATRES – IT’S A MUCH MORE CASUAL ENVIRONMENT.” “I LIKE THE STYLE OF THE BUILDING. IT’S A GORGEOUS OLD BUILDING – TUDOR-REVIVAL. IT’S GOT AN INTERESTING HISTORY. BACK IN THE MID-‘30S, PARKS CANADA WAS ENCOURAGING DEVELOPMENT IN WATERTON, AND WAS GIVING OUT THE COMMERCIAL LEASES, BUT THEY ALSO WANTED SORT OF AN ARCHITECTURAL THEME TO THE TOWNSITE. THEY HAD AN ARCHITECTURAL DIVISION, AND THEY HAD ARCHITECTS ON STAFF, AND IT WAS THAT BRANCH OF PARKS CANADA, THAT DESIGNED THAT BUILDING, AND MANY OF THE OTHER BUILDINGS IN WATERTON. IT’S GOT SOME CHARM. IT’S NICE THAT WAY.” ANDREA BECKER ADDED, “IT’S…A PRIVILEGE TO BE A WATERTON BUSINESS OWNER. IT’S A VERY SMALL COMMUNITY, AND IT’S A LIFESTYLE KIND OF ENVIRONMENT, AS WELL, FOR THE BUSINESS PEOPLE THERE. WE…FEEL THAT IT IS A SPECIAL THING TO DO…” LARRY BECKER SPOKE TO HIS TRAINING WORKING IN THEATRES AND HIS EARLY START IN THE WATERTON THEATRE, “WHEN I STARTED DOING PROJECTION WORK, IT WAS A LICENSED TRADE IN THE PROVINCE OF ALBERTA, AND, IN THE EARLY DAYS OF MOTION PICTURE EXHIBITION, THE FILM STOCK WAS A SILVER NITRATE FILM STOCK WHICH WAS, LITERALLY, EXPLOSIVE. PROJECTION ROOMS, INCLUDING THE ONE IN WATERTON, WERE BUILT LIKE A BUNKER. THEY WERE CEMENT ROOMS, WITH FIRE SHUTTERS, THAT WOULD SLAM SHUT IF SOMETHING WENT WRONG IN THE PROJECTION ROOM. THE APPRENTICESHIP PROGRAM TO BECOME A PROJECTIONIST WAS A 3 YEAR PROGRAM, AND THERE WAS DIFFERENT CATEGORIES OF LICENSING. WHEN I STARTED IN [1977] I OWNED THE THEATRE IN FORT MACLEOD AND I HAD TO DO AN APPRENTICESHIP, IN MY OWN THEATRE, BEFORE I WAS ALLOWED TO OPERATE THE EQUIPMENT. I BECAME A CERTIFIED PROJECTIONIST. I MENTION THE EARLY DAYS WITH THE SILVER NITRATE FILM, WHICH WAS HIGHLY FLAMMABLE, AND DANGEROUS. THAT HAD BEEN REPLACED BY ACETATE FILM, LONG BEFORE I BECAME INVOLVED, AND SO THE FILM STOCK WAS NO LONGER…COMBUSTIBLE, AND SO IT WAS A MUCH SAFER ENVIRONMENT. NONETHELESS, SOME OF THE OLD REGULATIONS SORT OF CARRIED FORWARD, AND SLOWLY CHANGED.” “ONE OF THE THINGS THAT WAS INTERESTING ABOUT THE THEATRE WHEN I TOOK IT OVER IS THAT, FOR LIGHT SOURCES IN THE PROJECTION ROOM, THE LAMPS THAT ILLUMINATED THE SCREEN WERE BURNING CARBON ARCS. CARBON ARCS CAME IN A BOX; YOU INSTALLED THEM IN THE LAMP HOUSE. WHEN YOU STARTED THE MOVIE, YOU’D STRIKE THEM TOGETHER, AND THEY WOULD CREATE AN ARC AND FLAME BETWEEN THESE CARBON RODS. THAT WAS WHAT PRODUCED THE LIGHT. IT WAS MAGNIFIED BY A MIRROR DOWN THROUGH THE LENS, AND WITH THE SCREEN. WITH THAT KIND OF A LIGHT SOURCE, YOU HAD TO BE IN THE PROJECTION ROOM…ALL THE TIME. YOU COULDN’T LEAVE THE PROJECTION ROOM WHILE THE MOVIE WAS RUNNING. AS A MATTER OF FACT, PROJECTION ROOMS HAD TOILETS IN THEM DURING THAT PERIOD. CHANGING THAT OUT WAS ONE OF THE FIRST THINGS THAT I DID, BECAUSE IT MADE IT A LOT EASIER TO GET OUT OF THE PROJECTION ROOM. THE OTHER THING – THE FILM WAS RUN OFF OF 18 20-MINUTE REELS AT THAT TIME, SO THERE WERE 2 PROJECTORS. WE WERE CONSTANTLY CHANGING BACK AND FORTH, FROM ONE PROJECTOR TO THE OTHER. GETTING RID OF THE CARBON ARC LAMP HOUSES, AND INSTALLING A PLATTER SYSTEM, WHICH ALLOWED…THE PROGRAM TO BE SPLICED TOGETHER ON THE SINGLE REELS.” FOR MORE INFORMATION INCLUDING FULL INTERVIEW TRANSCRIPT AND HISTORIES OF THE WATERTON THEATRE, PLEASE SEE THE PERMANENT FILE P20120038001-GA.
Catalogue Number
P20120038005
Acquisition Date
2012-10
Collection
Museum
Images
Less detail

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