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Other Name
BROCADE WARP CLOTH
Date Range From
1980
Date Range To
1998
Material Type
Artifact
Materials
CLOTH
Catalogue Number
P19980048039
Material Type
Artifact
Other Name
BROCADE WARP CLOTH
Date Range From
1980
Date Range To
1998
Materials
CLOTH
No. Pieces
6
Height
0.1
Length
50.0
Width
29.5
Description
MULTI-COLORED CLOTH THAT IS PREDOMINANTLY RED AND GREEN. THERE ARE MULTIPLE REPEATING PATTERNS OF LIONS AND BIRDS, BOTH DRAWN IN A STYLIZED FASHION INSIDE CIRCLES THAT HAVE AN ELABORATE PATTERN AROUND THEM AS WELL. THE TWO ENDS ARE FRAYED THAT ARE A MIXTURE OF GREEN, RED, BLUE, YELLOW, AND WHITE THREADS. THERE ARE NO MARKINGS OF ANY SORT THAT WOULD INDICATE WRITING. THE CLOTH IS CONTAINED INSIDE A GOLD AND SILVER BOX. GOLD BEING THE COVER WITH THE SILVER PART ACTUALLY CONTAINING THE CLOTH. THE COVER HAS A BRIGHT GOLD DESIGN AT THE BOTTOM RIGHT CORNER WITH THE WORD "TATSUMURA" IMPRINTED UNDERNEATH IT. THERE IS A BUSINESS CARD ATTACHED TO THE COVER WITH AN ADHESIVE TAPE. IT STATES "SHIGERU ISE CONSUL GENERAL OF JAPAN". THE BOTTOM IS PLAIN SILVER WITH NO MARKINGS OR ATTACHMENTS. INSIDE THE BOX THERE IS ALSO TWO CARDS, ONE WITH WRITING IN ENGLISH IDENTIFIES THE CLOTH AS "TIGER AND BIRD BROCADE" AND GOES ON TO DESCRIBE THE ARTIFACT IN DETAIL. THE SECOND CARD IS PURPLE AND HAS JAPANESE WRITING ON IT. THERE IS FINALLY A WHITE PIECE OF THIN PAPER WHICH IS USED TO PROTECT AND CUSHION THE CLOTH.
Subjects
CEREMONIAL ARTIFACT
Historical Association
DECORATIVE ARTS
POLITICS
History
A GIFT FROM JAPAN DURING THE 1996 STUDENT EXCHANGE. IT IS A POLITICAL CUSTOM IN S.E. ASIA TO GIVE A GIFT WHENEVER VISITING A FOREIGN REGION ON A POLITICAL MISSION. THIS IS SUCH A GIFT FORM THE JAPANESE CONSUL GENERAL IN CANADA. *UPDATE* IN 2014 COLLECTIONS ASSISTANT JANE EDMUNDSON CONDUCTED A SURVEY OF ART OBJECTS, INCLUDING THOSE INITIALLY GIVEN TO THE CITY OF LETHBRIDGE THROUGH VARIOUS EXCHANGES WITH CITIES IN JAPAN. LETHBRIDGE HERALD ARTICLES FROM 1992, 1997, AND 1998 DETAIL THREE SEPERATE EXCHANGE PROGRAMS WITH HIKARI, SEKI CITY, AND KUROHONE-MURA, JAPAN. LETHBRIDGE CITY COUNCIL DECLINED HIKARI'S OFFER OF AN OFFICIAL TWINNING ARRANGMENT IN 1992 DUE TO BUDGET LIMITATIONS AND BECAUSE OF PRIOR TWINNING WITH OTHER CITIES INCLUDING SAINT-LAURENT, QUEBEC, CULVER CITY, CALIFORNIA, AND HENGSHUI CITY, CHINA. ST. FRANCIS JUNIOR HIGH SCHOOL RAN A STUDENT EXCHANGE PROGRAM WITH SEKI CITY FROM 1993 TO 2003 AND LETHBRIDGE COMMUNITY COLLEGE HOSTED STUDENTS FROM THE VILLAGE OF KURHONE ANNUALLY FROM 1994 TO 2006. DURING THESE EXCHANGES, DELEGATES FROM THE JAPANESE CITIES REGULARLY MET WITH LETHBRIDGE MAYOR DAVID CARPENTER AND GAVE CEREMONIAL GIFTS, AS IS CUSTOM IN JAPAN. SEE PERMANENT FILE P19980048017 FOR HARDCOPIES OF SOURCE NEWSPAPER ARTICLES.
Catalogue Number
P19980048039
Acquisition Date
2002-02
Collection
Museum
Less detail
Date Range From
1900
Date Range To
1910
Material Type
Artifact
Materials
WOOD
Catalogue Number
P19738300000
Material Type
Artifact
Date Range From
1900
Date Range To
1910
Materials
WOOD
No. Pieces
1
Length
5.1
Diameter
3.5
Description
BLACK, WHITE, RED, YELLOW, PINK, BLUE, ORANGE. TURNED ON A LATHE. SCREW HOLE IN ONE END. UKRAINIAN FLORAL PATTERN.
Subjects
CEREMONIAL ARTIFACT
Historical Association
DECORATIVE ARTS
ETHNOGRAPHIC
History
FROM OSHEWTSKI, BUKOVINA (UKRAINE) *UPDATE* IN 2015 COLLECTIONS ASSISTANT JANE EDMUNDSON CONDUCTED A SURVEY OF MUSICAL INSTRUMENTS, INCLUDING THREE DONATED BY THE UKRAINIAN ASSOCIATION OF LETHBRIDGE. THOUGH THE ASSOCIATION HAS DISBANDED, SHE WAS ABLE TO DETERMINE THAT IT IS LIKELY THAT THIS OBJECT AND 81 OTHERS DONATED BY THE ASSOCIATION IN 1973 WERE ORIGINALLY PART OF THE GALT MUSEUM'S 'UKRAINIAN ROOM' EXHIBIT. ACCORDING TO LETHBRIDGE HERALD ARTICLES FROM 1969 AND 1976, AND PHOTOGRAPHS IN THE GALT ARCHIVES (199110764419, 1991107612370, 199110764421, AND 199110764422) THE UKRAINIAN ROOM WAS INSTALLED IN 1966, WHEN THE MUSEUM WAS MOVED FROM THE BOWMAN CENTRE TO THE GALT HOSPITAL BUILDING. THE ROOM WAS FURNISHED WITH OBJECTS DONATED BY THE UKRAINIAN ASSOCIATION, AND THE GROUP HELD ANNUAL TEAS THERE. THOUGH THE CATALOGUE NUMBERS OF THE UKRAINIAN ASSOCIATION DONATION REFLECT A 1973 DONATION DATE, THE INITIAL ACQUISITION YEAR LISTED IN HARDCOPY FILES IS 1966, WHICH ALIGNS WITH THE OPENING DATE OF THE UKRAINIAN ROOM. IN ADDITION, ARCHIVAL PHOTOGRAPHS OF THE ROOM DEPICT OBJECTS THAT ARE NOW HELD IN COLLECTIONS (P19738277001-GA, P19738277002-GA, AND P19738277003-GA CAN BE CLEARLY IDENTIFIED, WITH OTHER OBJECTS IDENTIFIED SPECULATIVELY). IN 1984 THE MUSEUM DISMANTLED ALL ITS DISPLAYS IN PREPARATION FOR THE BUILDING'S RENOVATION AND EXPANSION, AND ACCORDING TO BRAD BROWN, GALT EXHIBIT DESIGNER, WHEN THE FACILITY REOPENED TO THE PUBLIC IN 1985 ALL THE EXHIBITS HAD BEEN REWORKED, AND THE UKRAINIAN ROOM NO LONGER EXISTED. SEE PERMANENT FILE FOR HARDCOPIES OF NEWSPAPER ARTICLES.
Catalogue Number
P19738300000
Acquisition Date
1966-02
Collection
Museum
Less detail
Date Range From
1900
Date Range To
1910
Material Type
Artifact
Materials
WOOD
Catalogue Number
P19738293000
Material Type
Artifact
Date Range From
1900
Date Range To
1910
Materials
WOOD
No. Pieces
1
Length
5.2
Diameter
4.2
Description
TURNED ON A LATHE. BLACK, WHITE, RED, YELLOW, PINK, BLUE, ORANGE. SCREW HOLE IN ONE END. UKRAINIAN PATTERN.
Subjects
CEREMONIAL ARTIFACT
Historical Association
DECORATIVE ARTS
ETHNOGRAPHIC
History
FROM OSHEWTSKI, BUKOVINA (UKRIANE) *UPDATE* IN 2015 COLLECTIONS ASSISTANT JANE EDMUNDSON CONDUCTED A SURVEY OF MUSICAL INSTRUMENTS, INCLUDING THREE DONATED BY THE UKRAINIAN ASSOCIATION OF LETHBRIDGE. THOUGH THE ASSOCIATION HAS DISBANDED, SHE WAS ABLE TO DETERMINE THAT IT IS LIKELY THAT THIS OBJECT AND 81 OTHERS DONATED BY THE ASSOCIATION IN 1973 WERE ORIGINALLY PART OF THE GALT MUSEUM'S 'UKRAINIAN ROOM' EXHIBIT. ACCORDING TO LETHBRIDGE HERALD ARTICLES FROM 1969 AND 1976, AND PHOTOGRAPHS IN THE GALT ARCHIVES (199110764419, 1991107612370, 199110764421, AND 199110764422) THE UKRAINIAN ROOM WAS INSTALLED IN 1966, WHEN THE MUSEUM WAS MOVED FROM THE BOWMAN CENTRE TO THE GALT HOSPITAL BUILDING. THE ROOM WAS FURNISHED WITH OBJECTS DONATED BY THE UKRAINIAN ASSOCIATION, AND THE GROUP HELD ANNUAL TEAS THERE. THOUGH THE CATALOGUE NUMBERS OF THE UKRAINIAN ASSOCIATION DONATION REFLECT A 1973 DONATION DATE, THE INITIAL ACQUISITION YEAR LISTED IN HARDCOPY FILES IS 1966, WHICH ALIGNS WITH THE OPENING DATE OF THE UKRAINIAN ROOM. IN ADDITION, ARCHIVAL PHOTOGRAPHS OF THE ROOM DEPICT OBJECTS THAT ARE NOW HELD IN COLLECTIONS (P19738277001-GA, P19738277002-GA, AND P19738277003-GA CAN BE CLEARLY IDENTIFIED, WITH OTHER OBJECTS IDENTIFIED SPECULATIVELY). IN 1984 THE MUSEUM DISMANTLED ALL ITS DISPLAYS IN PREPARATION FOR THE BUILDING'S RENOVATION AND EXPANSION, AND ACCORDING TO BRAD BROWN, GALT EXHIBIT DESIGNER, WHEN THE FACILITY REOPENED TO THE PUBLIC IN 1985 ALL THE EXHIBITS HAD BEEN REWORKED, AND THE UKRAINIAN ROOM NO LONGER EXISTED. SEE PERMANENT FILE FOR HARDCOPIES OF NEWSPAPER ARTICLES.
Catalogue Number
P19738293000
Acquisition Date
1966-02
Collection
Museum
Less detail
Date Range From
1900
Date Range To
1910
Material Type
Artifact
Materials
WOOD
Catalogue Number
P19738299000
Material Type
Artifact
Date Range From
1900
Date Range To
1910
Materials
WOOD
No. Pieces
1
Length
5.4
Width
3.8
Description
TURNED ON A LATHE. BLACK, WHITE, RED, YELLOW, PINK, BLUE, ORANGE. SCREW HOLE IN ONE END. UKRAINIAN FLORAL PATTERN.
Subjects
CEREMONIAL ARTIFACT
Historical Association
DECORATIVE ARTS
ETHNOGRAPHIC
History
FROM OSHEWTSKI, BUKOVINA (UKRAINE) *UPDATE* IN 2015 COLLECTIONS ASSISTANT JANE EDMUNDSON CONDUCTED A SURVEY OF MUSICAL INSTRUMENTS, INCLUDING THREE DONATED BY THE UKRAINIAN ASSOCIATION OF LETHBRIDGE. THOUGH THE ASSOCIATION HAS DISBANDED, SHE WAS ABLE TO DETERMINE THAT IT IS LIKELY THAT THIS OBJECT AND 81 OTHERS DONATED BY THE ASSOCIATION IN 1973 WERE ORIGINALLY PART OF THE GALT MUSEUM'S 'UKRAINIAN ROOM' EXHIBIT. ACCORDING TO LETHBRIDGE HERALD ARTICLES FROM 1969 AND 1976, AND PHOTOGRAPHS IN THE GALT ARCHIVES (199110764419, 1991107612370, 199110764421, AND 199110764422) THE UKRAINIAN ROOM WAS INSTALLED IN 1966, WHEN THE MUSEUM WAS MOVED FROM THE BOWMAN CENTRE TO THE GALT HOSPITAL BUILDING. THE ROOM WAS FURNISHED WITH OBJECTS DONATED BY THE UKRAINIAN ASSOCIATION, AND THE GROUP HELD ANNUAL TEAS THERE. THOUGH THE CATALOGUE NUMBERS OF THE UKRAINIAN ASSOCIATION DONATION REFLECT A 1973 DONATION DATE, THE INITIAL ACQUISITION YEAR LISTED IN HARDCOPY FILES IS 1966, WHICH ALIGNS WITH THE OPENING DATE OF THE UKRAINIAN ROOM. IN ADDITION, ARCHIVAL PHOTOGRAPHS OF THE ROOM DEPICT OBJECTS THAT ARE NOW HELD IN COLLECTIONS (P19738277001-GA, P19738277002-GA, AND P19738277003-GA CAN BE CLEARLY IDENTIFIED, WITH OTHER OBJECTS IDENTIFIED SPECULATIVELY). IN 1984 THE MUSEUM DISMANTLED ALL ITS DISPLAYS IN PREPARATION FOR THE BUILDING'S RENOVATION AND EXPANSION, AND ACCORDING TO BRAD BROWN, GALT EXHIBIT DESIGNER, WHEN THE FACILITY REOPENED TO THE PUBLIC IN 1985 ALL THE EXHIBITS HAD BEEN REWORKED, AND THE UKRAINIAN ROOM NO LONGER EXISTED. SEE PERMANENT FILE FOR HARDCOPIES OF NEWSPAPER ARTICLES.
Catalogue Number
P19738299000
Acquisition Date
1966-02
Collection
Museum
Less detail
Other Name
SAMPLE MATERIAL
Date Range From
1980
Date Range To
1990
Material Type
Artifact
Materials
NYLON
Catalogue Number
P19960112086
  2 images  
Material Type
Artifact
Other Name
SAMPLE MATERIAL
Date Range From
1980
Date Range To
1990
Materials
NYLON
No. Pieces
2
Height
1
Length
24.4
Width
16.5
Description
WHITE PAPER ENVELOPE WITH RED PRINT READING "SECOND CHANCE TESTING INSTRUCTIONS" WITH DESCRIPTION OF PRODUCT AND USE. CONTAINS STITCHED BUNCH OF YELLOW NYLON FABRIC OF DIFFERENT THICKNESSES OF WEAVE. EDGES FRAYED.
Subjects
ARTIFACT REMNANT
Historical Association
SAFETY SERVICES
History
*UPDATE* IN 2014 COLLECTIONS ASSISTANT JANE EDMUNDSON CONDUCTED A SURVEY OF ART OBJECTS, INCLUDING SOME DONATED BY THE CITY OF LETHBRIDGE POLICE SERVICES. FOR A BRIEF ACCOUNT OF THE LETHBRIDGE POLICE COLLECTION, SEE RECORD P19960112001. FOR FURTHER INFORMATION ABOUT THE CITY OF LETHBRIDGE POLICE SERVICES AND TRANSCRIPTS OF INTERVIEWS AND CORRESPONDENCE WITH CURRENT AND FORMER LETHBRIDGE POLICE, SEE PERMANENT FILE P19960112000.
Catalogue Number
P19960112086
Acquisition Date
1996-12
Collection
Museum
Images
Less detail
Other Name
EATON'S
Date Range From
1980
Date Range To
1999
Material Type
Artifact
Materials
PAPER
Catalogue Number
P19990061022
Material Type
Artifact
Other Name
EATON'S
Date Range From
1980
Date Range To
1999
Materials
PAPER
No. Pieces
1
Height
0.1
Length
55.9
Width
43.2
Description
RECTANGULAR, HEAVY CARD. HAS A BLUE BORDER. PRINTED WITHIN BORDER, AT BOTTOM IS "EATON'S GOODS SATISFACTORY OR MONEY REFUNDED", IN WHITE. WITHIN BORDER IS A WHITE RECTANGLE, WITH A RED LINE THAT RUNS JUST INSIDE EDGES OF RECTANGLE. PRINTED WITHIN WHITE RECTANGLE, IN BLUE AND RED, IS "EATON'S FIRST FOR QUALITY. FOR PRICE. COMPETITIVE PRICES ALL THE TIME". EACH CORNER OF POSTER HAS A SMALL PIN HOLE IN IT.
Subjects
ADVERTISING MEDIUM
Historical Association
RETAIL TRADE
History
MUSEUM OBTAINED ITEMS FROM LETHBRIDGE EATON'S STORE IN 1999. DUE TO COMPANY BANKRUPTCY, EATON'S STORES ACROSS CANADA WERE CLOSED, INCLUDING THE LETHBRIDGE LOCATION IN PARK PLACE MALL. *UPDATE* IN 2014 COLLECTIONS ASSISTANT JANE EDMUNDSON CONDUCTED A SURVEY OF ART OBJECTS, INCLUDING THOSE ASSOCIATED WITH THE T. EATON COMPANY STORES IN LETHBRIDGE. THE FOLLOWING BRIEF HISTORY OF LETHBRIDGE'S EATON'S STORE WAS DEVELOPED WITH INFORMATION FROM GALT ARCHIVES AND LETHBRIDGE HERALD ARTICLES FROM THE FALL OF 1988. THE T. EATON COMPANY WAS FOUNDED IN TORONTO IN 1869 BY TIMOTHY EATON. THE FIRST LETHBRIDGE EATON'S 'TECO' STORE WAS OPENED IN 1927 IN THE BASEMENT OF THE DOMINION BLOCK ON THE CORNER OF 4 AVENUE AND SIXTH STREET SOUTH. AFTER A FIRE, THE BUILDING WAS RENOVATED AND COMPLETELY TAKEN OVER BY THE EATON'S STORE, WHICH OPERATED IN THAT LOCATION UNDER PERIODIC RENOVATIONS FROM 1929 UNTIL THE OPENING OF THE PARK PLACE MALL IN 1988, IN WHICH EATON'S WAS AN ANCHOR RETAILER. IN 1989 A PORTION OF THE UNIVERSITY OF LETHBRIDGE ART COLLECTION WAS TEMPORARILY PUT ON DISPLAY IN THE VACANT EATON'S BUILDING, AND PROPOSALS WERE MADE TO MAKE THE INSTALLATION PERMANENT, BUT EVENTUALLY THE PROPERTY WAS SOLD AND DEMOLISHED TO MAKE WAY FOR THE CONSTRUCTION OF A BANK OF MONTREAL BRANCH. IN 1999 THE EATON'S STORE IN PARK PLACE MALL CLOSED JUST PRIOR TO THE ANNOUNCEMENT OF THE BANKRUPTCY OF THE LARGER T. EATON COMPANY LIMITED. SEE PERMANENT FILE P19930072001 FOR HARDCOPIES OF SOURCE MATERIAL.
Catalogue Number
P19990061022
Acquisition Date
1999-10
Collection
Museum
Less detail
Other Name
EATON'S
Date Range From
1980
Date Range To
1999
Material Type
Artifact
Materials
PAPER
Catalogue Number
P19990061023
Material Type
Artifact
Other Name
EATON'S
Date Range From
1980
Date Range To
1999
Materials
PAPER
No. Pieces
1
Height
0.1
Length
55.8
Width
43.0
Description
RECTANGULAR, HEAVY CARD. WHITE BACKGROUND. HALF OF A RED RECTANGLE SURROUND AN INNER BLUE RECTANGLE. PRINTED WITHIN RED RECTANGLE, IN WHITE, IS "THE EATON GUARANTEE:". WRITTEN WITHIN BLUE RECTANGLE, IN WHITE, IS "GOODS SATISFACTORY OR MONEY REFUNDED". BELOW BLUE RECTANGLE IS A WAVY, RED AND BLUE STRIPED BANNER. THERE IS ALSO A SIMILAR, SHORT BANNER AT TOP RIGHT OF RED RECTANGLE. AT THE BOTTOM OF POSTER, IN BLUE, IS "EATON'S". EACH CORNER OF POSTER HAS A SMALL PIN HOLE IN IT.
Subjects
ADVERTISING MEDIUM
Historical Association
RETAIL TRADE
History
MUSEUM OBTAINED ITEMS FROM LETHBRIDGE EATON'S STORE IN 1999. DUE TO COMPANY BANKRUPTCY, EATON'S STORES ACROSS CANADA WERE CLOSED, INCLUDING THE LETHBRIDGE LOCATION IN PARK PLACE MALL. *UPDATE* IN 2014 COLLECTIONS ASSISTANT JANE EDMUNDSON CONDUCTED A SURVEY OF ART OBJECTS, INCLUDING THOSE ASSOCIATED WITH THE T. EATON COMPANY STORES IN LETHBRIDGE. THE FOLLOWING BRIEF HISTORY OF LETHBRIDGE'S EATON'S STORE WAS DEVELOPED WITH INFORMATION FROM GALT ARCHIVES AND LETHBRIDGE HERALD ARTICLES FROM THE FALL OF 1988. THE T. EATON COMPANY WAS FOUNDED IN TORONTO IN 1869 BY TIMOTHY EATON. THE FIRST LETHBRIDGE EATON'S 'TECO' STORE WAS OPENED IN 1927 IN THE BASEMENT OF THE DOMINION BLOCK ON THE CORNER OF 4 AVENUE AND SIXTH STREET SOUTH. AFTER A FIRE, THE BUILDING WAS RENOVATED AND COMPLETELY TAKEN OVER BY THE EATON'S STORE, WHICH OPERATED IN THAT LOCATION UNDER PERIODIC RENOVATIONS FROM 1929 UNTIL THE OPENING OF THE PARK PLACE MALL IN 1988, IN WHICH EATON'S WAS AN ANCHOR RETAILER. IN 1989 A PORTION OF THE UNIVERSITY OF LETHBRIDGE ART COLLECTION WAS TEMPORARILY PUT ON DISPLAY IN THE VACANT EATON'S BUILDING, AND PROPOSALS WERE MADE TO MAKE THE INSTALLATION PERMANENT, BUT EVENTUALLY THE PROPERTY WAS SOLD AND DEMOLISHED TO MAKE WAY FOR THE CONSTRUCTION OF A BANK OF MONTREAL BRANCH. IN 1999 THE EATON'S STORE IN PARK PLACE MALL CLOSED JUST PRIOR TO THE ANNOUNCEMENT OF THE BANKRUPTCY OF THE LARGER T. EATON COMPANY LIMITED. SEE PERMANENT FILE P19930072001 FOR HARDCOPIES OF SOURCE MATERIAL.
Catalogue Number
P19990061023
Acquisition Date
1999-10
Collection
Museum
Less detail
Other Name
SET OF MARQUEE LETTERS
Date Range From
1980
Date Range To
1999
Material Type
Artifact
Materials
PLASTIC, PAPER
Catalogue Number
P19990061027
Material Type
Artifact
Other Name
SET OF MARQUEE LETTERS
Date Range From
1980
Date Range To
1999
Materials
PLASTIC, PAPER
No. Pieces
1
Height
2.3
Length
25.1
Width
22.5
Description
CLEAR PLASTIC BAG. BAG IS FOLDED OVER AT TOP, AND CLOSED WITH TWO STAPLES. HAS A WHITE PRICE TAG WITH "2.00" WRITTEN ON IT IN BLUE PEN. INSIDE BAG ARE MULTIPLE CLEAR PLASTIC RECTANGLES WITH BLUE LETTERS, NUMBERS, AND OTHER CHARACTERS ON THEM. THERE ARE SOME NUMBERS IN THE BAG THAT ARE RED. ONE LARGE PIECE HAS "HARDWARE" ON IT IN BLUE.
Subjects
ADVERTISING MEDIUM
VISUAL COMMUNICATION T&E
Historical Association
RETAIL TRADE
History
USED ON SIGNS IN LETHBRIDGE EATON'S STORE. MUSEUM OBTAINED ITEMS FROM LETHBRIDGE EATON'S STORE IN 1999. DUE TO COMPANY BANKRUPTCY, EATON'S STORES ACROSS CANADA WERE CLOSED, INCLUDING THE LETHBRIDGE LOCATION IN PARK PLACE MALL. *UPDATE* IN 2014 COLLECTIONS ASSISTANT JANE EDMUNDSON CONDUCTED A SURVEY OF ART OBJECTS, INCLUDING THOSE ASSOCIATED WITH THE T. EATON COMPANY STORES IN LETHBRIDGE. THE FOLLOWING BRIEF HISTORY OF LETHBRIDGE'S EATON'S STORE WAS DEVELOPED WITH INFORMATION FROM GALT ARCHIVES AND LETHBRIDGE HERALD ARTICLES FROM THE FALL OF 1988. THE T. EATON COMPANY WAS FOUNDED IN TORONTO IN 1869 BY TIMOTHY EATON. THE FIRST LETHBRIDGE EATON'S 'TECO' STORE WAS OPENED IN 1927 IN THE BASEMENT OF THE DOMINION BLOCK ON THE CORNER OF 4 AVENUE AND SIXTH STREET SOUTH. AFTER A FIRE, THE BUILDING WAS RENOVATED AND COMPLETELY TAKEN OVER BY THE EATON'S STORE, WHICH OPERATED IN THAT LOCATION UNDER PERIODIC RENOVATIONS FROM 1929 UNTIL THE OPENING OF THE PARK PLACE MALL IN 1988, IN WHICH EATON'S WAS AN ANCHOR RETAILER. IN 1989 A PORTION OF THE UNIVERSITY OF LETHBRIDGE ART COLLECTION WAS TEMPORARILY PUT ON DISPLAY IN THE VACANT EATON'S BUILDING, AND PROPOSALS WERE MADE TO MAKE THE INSTALLATION PERMANENT, BUT EVENTUALLY THE PROPERTY WAS SOLD AND DEMOLISHED TO MAKE WAY FOR THE CONSTRUCTION OF A BANK OF MONTREAL BRANCH. IN 1999 THE EATON'S STORE IN PARK PLACE MALL CLOSED JUST PRIOR TO THE ANNOUNCEMENT OF THE BANKRUPTCY OF THE LARGER T. EATON COMPANY LIMITED. SEE PERMANENT FILE P19930072001 FOR HARDCOPIES OF SOURCE MATERIAL.
Catalogue Number
P19990061027
Acquisition Date
1999-10
Collection
Museum
Less detail
Other Name
BUTTON
Date Range From
1980
Date Range To
1999
Material Type
Artifact
Materials
PLASTIC, TIN, CARDBOARD
Catalogue Number
P19990061011
Material Type
Artifact
Other Name
BUTTON
Date Range From
1980
Date Range To
1999
Materials
PLASTIC, TIN, CARDBOARD
No. Pieces
1
Height
0.8
Length
5.3
Width
5.3
Description
SQUARE, BLUE. IN GOLD PRINT, ON FRONT, READS "EATON'S WE'VE GOT THE PLAN.". BELOW THIS IS A LOWER CASE "E" WITHIN A CIRCLE, AND A SMALL "TM" TO THE LOWER RIGHT, ALL IN GOLD. IN THE BACKGROUND THERE IS THE TOP 3/4 OF A LOWER CASE "E" WITHIN A CIRCLE, IN LIGHT BLUE. PRINTED ON BACK EDGE OF BUTTON, IN WHITE, IS "MADE IN CANADA BY H.A.S. NOVELTIES LTD. TORONTO (416)593-1101". BACK OF BUTTON IS LINED WITH A PIECE OF CARDBOARD, AND HAS A SILVER PIN AND CATCH.
Subjects
ADVERTISING MEDIUM
Historical Association
RETAIL TRADE
History
MUSEUM OBTAINED ITEMS FROM LETHBRIDGE EATON'S STORE IN 1999. DUE TO COMPANY BANKRUPTCY, EATON'S STORES ACROSS CANADA WERE CLOSED, INCLUDING THE LETHBRIDGE LOCATION IN PARK PLACE MALL. *UPDATE* IN 2014 COLLECTIONS ASSISTANT JANE EDMUNDSON CONDUCTED A SURVEY OF ART OBJECTS, INCLUDING THOSE ASSOCIATED WITH THE T. EATON COMPANY STORES IN LETHBRIDGE. THE FOLLOWING BRIEF HISTORY OF LETHBRIDGE'S EATON'S STORE WAS DEVELOPED WITH INFORMATION FROM GALT ARCHIVES AND LETHBRIDGE HERALD ARTICLES FROM THE FALL OF 1988. THE T. EATON COMPANY WAS FOUNDED IN TORONTO IN 1869 BY TIMOTHY EATON. THE FIRST LETHBRIDGE EATON'S 'TECO' STORE WAS OPENED IN 1927 IN THE BASEMENT OF THE DOMINION BLOCK ON THE CORNER OF 4 AVENUE AND SIXTH STREET SOUTH. AFTER A FIRE, THE BUILDING WAS RENOVATED AND COMPLETELY TAKEN OVER BY THE EATON'S STORE, WHICH OPERATED IN THAT LOCATION UNDER PERIODIC RENOVATIONS FROM 1929 UNTIL THE OPENING OF THE PARK PLACE MALL IN 1988, IN WHICH EATON'S WAS AN ANCHOR RETAILER. IN 1989 A PORTION OF THE UNIVERSITY OF LETHBRIDGE ART COLLECTION WAS TEMPORARILY PUT ON DISPLAY IN THE VACANT EATON'S BUILDING, AND PROPOSALS WERE MADE TO MAKE THE INSTALLATION PERMANENT, BUT EVENTUALLY THE PROPERTY WAS SOLD AND DEMOLISHED TO MAKE WAY FOR THE CONSTRUCTION OF A BANK OF MONTREAL BRANCH. IN 1999 THE EATON'S STORE IN PARK PLACE MALL CLOSED JUST PRIOR TO THE ANNOUNCEMENT OF THE BANKRUPTCY OF THE LARGER T. EATON COMPANY LIMITED. SEE PERMANENT FILE P19930072001 FOR HARDCOPIES OF SOURCE MATERIAL.
Catalogue Number
P19990061011
Acquisition Date
1999-10
Collection
Museum
Less detail
Other Name
EATON'S
Date Range From
1980
Date Range To
1999
Material Type
Artifact
Materials
PAPER, BRASS
Catalogue Number
P19990061030
Material Type
Artifact
Other Name
EATON'S
Date Range From
1980
Date Range To
1999
Materials
PAPER, BRASS
No. Pieces
1
Height
0.1
Length
243.0
Width
92.0
Description
PAPER; RECTANGULAR. FRONT OF BANNER HAS RED BACKGROUND, AND READS IN WHITE Z"TOGETHER, WE'RE MAKING IT BETTER". ON RIGHT SIDE, OF FRONT, IS THE PICTURE OF AN EATON'S CREDIT CARD. CARD IS WHITE WITH NAVY BLUE AND BURGUNDY STRIPES; ABOVE STRIPES READS "EATON'S", AND BELOW STRIPES READS "1234 5678 9012 TIMOTHY EATON". THERE ARE TWO HORIZONTAL BLUE LINES THAT RUN ACROSS FRONT OF BANNER. ON BOTTOM RIGHT OF FRONT ARE FOUR TRIANGLES, THAT ALTERNATE IN COLOUR FROM BLUE TO WHITE. TOP LEFT OF FRONT, HAS THREE TRIANGLES, THAT ARE BLUE, WHITE, AND BLUE. EACH CORNER OF BANNER, AND TOP CENTRE, HAS A HOLE WITH A BRASS GROMMET. EACH EDGE OF BANNER IS HEMMED. BACK IS PLAIN WHITE.
Subjects
ADVERTISING MEDIUM
Historical Association
RETAIL TRADE
History
MUSEUM OBTAINED ITEMS FROM LETHBRIDGE EATON'S STORE IN 1999. DUE TO COMPANY BANKRUPTCY, EATON'S STORES ACROSS CANADA WERE CLOSED, INCLUDING THE LETHBRIDGE LOCATION IN PARK PLACE MALL. *UPDATE* IN 2014 COLLECTIONS ASSISTANT JANE EDMUNDSON CONDUCTED A SURVEY OF ART OBJECTS, INCLUDING THOSE ASSOCIATED WITH THE T. EATON COMPANY STORES IN LETHBRIDGE. THE FOLLOWING BRIEF HISTORY OF LETHBRIDGE'S EATON'S STORE WAS DEVELOPED WITH INFORMATION FROM GALT ARCHIVES AND LETHBRIDGE HERALD ARTICLES FROM THE FALL OF 1988. THE T. EATON COMPANY WAS FOUNDED IN TORONTO IN 1869 BY TIMOTHY EATON. THE FIRST LETHBRIDGE EATON'S 'TECO' STORE WAS OPENED IN 1927 IN THE BASEMENT OF THE DOMINION BLOCK ON THE CORNER OF 4 AVENUE AND SIXTH STREET SOUTH. AFTER A FIRE, THE BUILDING WAS RENOVATED AND COMPLETELY TAKEN OVER BY THE EATON'S STORE, WHICH OPERATED IN THAT LOCATION UNDER PERIODIC RENOVATIONS FROM 1929 UNTIL THE OPENING OF THE PARK PLACE MALL IN 1988, IN WHICH EATON'S WAS AN ANCHOR RETAILER. IN 1989 A PORTION OF THE UNIVERSITY OF LETHBRIDGE ART COLLECTION WAS TEMPORARILY PUT ON DISPLAY IN THE VACANT EATON'S BUILDING, AND PROPOSALS WERE MADE TO MAKE THE INSTALLATION PERMANENT, BUT EVENTUALLY THE PROPERTY WAS SOLD AND DEMOLISHED TO MAKE WAY FOR THE CONSTRUCTION OF A BANK OF MONTREAL BRANCH. IN 1999 THE EATON'S STORE IN PARK PLACE MALL CLOSED JUST PRIOR TO THE ANNOUNCEMENT OF THE BANKRUPTCY OF THE LARGER T. EATON COMPANY LIMITED. SEE PERMANENT FILE P19930072001 FOR HARDCOPIES OF SOURCE MATERIAL.
Catalogue Number
P19990061030
Acquisition Date
1999-10
Collection
Museum
Less detail
Date Range From
1970
Date Range To
1980
Material Type
Artifact
Materials
NYLON, POLYESTER, COTTON
Catalogue Number
P19960116152
  2 images  
Material Type
Artifact
Date Range From
1970
Date Range To
1980
Materials
NYLON, POLYESTER, COTTON
No. Pieces
2
Length
126
Width
110
Description
1. CHASUBLE: 126 X 110CM PINK NYLON-POLYESTER GARMENT IS PONCHO STYLE CLOAK WITH SLIGHTLY TAPERED SHOULDERS. COLLAR IS ROUND WITH FLY OPENING AT BACK AND SNAP CLOSURE. CHASUBLE HAS GREEN LINING AND GREEN FELT STRIP DOWN CENTER OF BOTH SIDES. FRONT HAS LARGE GOLD LETTERS WITH GREEN EDGING THAT READ "IHS" WITH A SIMILAR STYLE CROWN ABOVE. SEWN INTO FRONT OF LINING ARE TWO LABELS. ONE READS "BY GASPARD GREATER LITURGICAL ART WINNIPEG CANADA". SECOND LABEL HAS "ORNEMENTS D'EGLISE GLOIRE CONFECTIONNES AU CANADA". BACK OF CHASUBLE HAS TWO SMALL WINE STAINS. 2. STOLE: 225 X 10CM STOLE MADE OF SAME MATERIAL AS CHASUBLE WITH IDENTICAL GREEN LINING. STOLE HAS GREEN FELT CHEVRON ON BOTH ENDS AND ENDS ARE TAPERED TO BROAD POINT. STOLE HAS CURVE CUT AT NECK WITH COTTON COLLAR WITH LACE. ALSO AT NECK IS GREEN FELT CROSS. STOLE HAS SMALL WINE STAIN.
Subjects
CLOTHING-OUTERWEAR
CEREMONIAL ARTIFACT
Historical Association
RELIGION
HEALTH SERVICES
History
CHASUBLE WAS REMOVED FROM THE CHAPEL AT ST. MICHAEL'S HOSPITAL BEFORE THE HOSPITAL WAS DEMOLISHED IN 1996. FOR MORE HISTORY ON HOSPITAL SEE P19960116001-GA.
Catalogue Number
P19960116152
Acquisition Date
1996-01
Collection
Museum
Images
Less detail
Other Name
I.O.D.E.
Date Range From
1914
Date Range To
1924
Material Type
Artifact
Materials
WOOD
Catalogue Number
P19800049000
Material Type
Artifact
Other Name
I.O.D.E.
Date Range From
1914
Date Range To
1924
Materials
WOOD
No. Pieces
1
Height
14.0
Length
6.4
Diameter
3.8
Description
OAK GAVEL WITH FIGURED HANDLE. VARNISHED. I.O.D.E. CREST (RAISED) ON THE TOP OF THE HEAD.
Subjects
CEREMONIAL ARTIFACT
Historical Association
ASSOCIATIONS
History
*UPDATE* IN 2014 COLLECTIONS ASSISTANT JANE EDMUNDSON CONDUCTED A SURVEY OF ART OBJECTS. THE FOLLOWING BRIEF HISTORY OF THE I.O.D.E. AND ITS LETHBRIDGE CHAPTERS WAS DEVELOPED WITH INFORMATION FROM THE I.O.D.E. WEBSITE, GALT ARCHIVES, AND AN ARTICLE FROM THE APRIL 21, 2014 ISSUE OF THE LETHBRIDGE HERALD. THE IMPERIAL ORDER DAUGHTERS OF THE EMPIRE (IODE) WAS FOUNDED IN 1900 BY MARGARET POLSON MURRAY OF MONTREAL WHO WANTED TO INCREASE HOMELAND SUPPORT FOR CANADIANS FIGHTING WITH THE EMPIRE FORCES IN SOUTH AFRICA DURING THE SECOND BOER WAR. MURRAY INITIATED THE FORMATION OF A FEDERATION OF WOMEN TO PROMOTE PATRIOTISM, LOYALTY AND SERVICE TO OTHERS BY SENDING TELEGRAMS TO THE MAYORS OF CANADA'S MAJOR CITIES ASKING THEM TO CALL TOGETHER THE PROMINENT WOMEN IN THEIR COMMUNITIES. THE FIRST CHAPTER WAS FORMED IN FREDRICTON, NEW BRUNSWICK IN JANUARY 1900. THE FOLLOWING MONTH A CONSTITUTION AND LIST OF OBJECTIVES WERE DRAFTED IN MONTREAL. IN 1901 THE HEAD OFFICE MOVED TO TORONTO AND THE FEDERATION WAS INCORPORATED. CHAPTERS WERE QUICKLY STARTED ACROSS CANADA AND IN INDIA AND THE BAHAMAS. FUNDRAISING CAMPAIGN PROJECTS MOUNTED BY VARIOUS I.O.D.E. CHAPTERS HAVE INCLUDED A MONUMENT TO CANADIAN SOLIDERS KILLED IN BATTLE IN SOUTH AFRICA, A GATEWAY IN TORONTO TO COMMEMORATE THE 1901 VISIT OF THE DUKE AND DUCHESS OF YORK, INCREASED BEDS IN A TUBERCULOSIS SANITORIUM IN HAMILTON, ONTARIO, NUMEROUS CHILD WELFARE PROJECTS, VARIOUS WAR MEMORIAL FUNDS AND SCHOLARSHIPS FOR CHILDREN OF VETERANS, THE PURCHASE OF HOSPITALS, AMBULANCES, SHIPS, AND AIRCRAFT IN BOTH WORLD WARS TO PROVIDE AID TO CANADIAN SOLDIERS, COMMEMORATIVE GARDENS, INTERNATIONAL RELIEF FOR PERSONS DISPLACED BY WAR, AND DOMESTIC RELIEF FOR CANADIANS DISPLACED BY NATURAL DISASTERS. LETHBRIDGE'S FIRST I.O.D.E. CHAPTER WAS THE SIR ALEXANDER GALT CHAPTER, FORMED IN 1914. AT ITS PEAK OF ACTIVITY, THE I.O.D.E. HAD FIVE CHAPTERS IN LETHBRIDGE, INCLUDING THE DR. FRANK H. MEWBURN CHAPTER AND THE MAJOR JACK ROSS CHAPTER. LOCAL I.O.D.E. EFFORTS INCLUDED THE WROUGHT-IRON GATEWAY OF MOUNTAIN VIEW CEMETERY, THE SOLIDER'S PLOT IN THE CEMEMTERY, AND PLAQUES AT BATTERY POINT IN HENDERSON LAKE PARK. IN 1989 THE TWO REMAINING LETHBRIDGE CHAPTERS MERGED, AND BY 2014 THERE WERE NO CHAPTERS OPERATING LOCALLY. THE CALGARY MUNICIPAL CHAPTER STILL RAISES FUNDS FOR A VARIETY OF CHARITABLE CAUSES THROUGH HOTDOG SALES AND A THRIFT STORE. SEE PERMANENT FILE P19900051000 FOR HARDCOPIES OF SOURCE MATERIAL.
Catalogue Number
P19800049000
Acquisition Date
1979-10
Collection
Museum
Less detail
Other Name
TABLETS OF THE COVENANT, REPRODUCTION
Date Range From
1956
Date Range To
1980
Material Type
Artifact
Materials
WOOD, METAL, PAINT
Catalogue Number
P20130024001
  2 images  
Material Type
Artifact
Other Name
TABLETS OF THE COVENANT, REPRODUCTION
Date Range From
1956
Date Range To
1980
Materials
WOOD, METAL, PAINT
No. Pieces
1
Height
3
Length
64
Width
50
Description
TWO WOODEN PANELS, CARVED INTO RECTANGULAR SHAPES WITH ARCHED TOPS, FASTENED TOGETHER WITH TWO METAL HINGES AT BACK. SLATS OF WOOD ATTACHED WITH NAILS ALONG BOTTOM EDGE, TO ACT AS A BASE WHEN OBJECT STANDS VERTICALLY. PANELS ARE PAINTED WHITE AND MARBLED WITH GREEN AND RED STREAKS OF PAINT TO MIMIC STONE. HEBREW LETTERS ARE PAINTING ON THE FACE OF BOTH PANELS IN BLACK, AND EACH ARCHED TOP HAS A SYMMETRICAL FLOWER DESIGN IN BLACK. FLAKING, CHIPPING, AND PAINT LOSS THROUGHOUT; RUST ON METAL HINGES AND SCREWS.
Subjects
CEREMONIAL ARTIFACT
Historical Association
RELIGION
History
ON MAY 14, 2014 COLLECTIONS TECH KEVIN MACLEAN INTERVIEWED THE DONOR, GARRY KOHN, ABOUT HIS ROLE IN LETHBRIDGE’S JEWISH COMMUNITY SINCE 1968 AND THE DONATION OF TWO RELATED ARTIFACTS, A STAR OF DAVID THAT WAS INSTALLED ON THE OUTSIDE OF THE BETH ISRAEL SYNAGOGUE BUILDING (P20130024002-GA) AND A HANDMADE REPRODUCTION OF THE TABLETS OF THE COVENANT (P20130024001-GA). REGARDING THIS ARTIFACT, KOHN SAID “I FOUND [IT] WHEN I WAS DOWN IN THE BASEMENT OF THE SYNAGOGUE –NOT THE BASEMENT, WHAT YOU CALL THE BOILER ROOM AND STORAGE AREA, AND THERE WAS A PORTION OF EVERYTHING THAT WAS UPSTAIRS THAT WASN’T NEEDED WAS JUST CHUCKED DOWN THERE SO THERE WAS ALL KINDS OF THINGS DOWN THERE. THERE WAS SCHOOL DESKS FROM THE CLASSROOMS, TO HADASSAH MEMORABILIA, THE HADASSAH BEING THE LADIES’ AUXILIARY TO THE JEWISH COMMUNITY. IT WAS ONE OF OUR ORGANIZATIONS. AND HERE WAS THIS SET OF TABLETS THAT WAS DOWN THERE. WHERE THEY ORIGINATED, I HAVE NO IDEA AND NOBODY THAT WAS AROUND COULD TELL US… AND I FOUND THEM AND I SAID, “NO.” THEY WENT UPSTAIRS AND THEY STAYED UPSTAIRS FOR MAYBE FIVE, SIX YEARS ON THE PLATFORM NEXT TO THE, ON THE STAGE AREA THAT WE USED TO CONDUCT SERVICES AND IT WAS ONE OF THOSE THINGS THAT I JUST MADE SURE ENDED UP IN MY POSSESSION SO THAT WE COULD HAVE IT. THEY COULD HAVE STAYED IN THE CHAPEL BUT IT WASN’T NECESSARY. I FELT THAT THAT WAS AN ARTIFACT, ALONG WITH THAT THAT SHOULD BE HELD BY THE CITY OF LETHBRIDGE AS AN ARTIFACT TO COMMEMORATE THE CONTRIBUTIONS OF THE LETHBRIDGE JEWISH COMMUNITY TO THE CITY… THEY’RE THE TEN COMMANDMENTS IN ABBREVIATED FORM – THE “THOU SHALTS AND THOU SHALT NOTS”, FIVE AND FIVE. THAT’S THE FOUNDATION OF JUDAISM AND CHRISTIANITY. THAT’S IMPORTANT, AND I THINK THAT’S A NEAT THING TO HAVE FOR ANYBODY TO BE ABLE TO SEE.” REGARDING LETHBRIDGE'S JEWISH COMMUNITY KOHN SAID, “I AM CURRENTLY THE PRESIDENT OF THE LETHBRIDGE HEBREW CONGREGATION, AND PROBABLY THE RELIGIOUS CHAIRMAN, THE SPIRITUAL LEADER OF THE COMMUNITY BECAUSE WE DO NOT HAVE A RABBI AND I’M WELL ENOUGH VERSED TO CONDUCT SERVICES AND LEAD THE COMMUNITY ALONG WITH THE HELP OF ONE OTHER PERSON, MR. JOEL BERMACK… I’M NOT A RABBI BUT RABBI MEANS TEACHER AND LEADER OF THE SERVICES, THE RELIGIOUS SERVICES, AND THAT’S BASICALLY WHAT I DO. BEING PRESIDENT AND LEADER OF A SMALL CONGREGATION THAT NUMBERS MAYBE TEN FAMILIES NOW, AT THE MOST… IT’S AN AGING COMMUNITY; WE HAVE PEOPLE WHO ARE DYING OR PASSING AWAY. I CONDUCT THE FUNERAL SERVICES, MAYBE ONE OR TWO A YEAR. IN THE LAST TEN YEARS, I WOULD SAY, I’VE CONDUCTED FIFTEEN BURIALS. IT’S A DWINDLING COMMUNITY… WE DON’T HAVE MUCH LEFT OF A COMMUNITY IF YOU COMPARED IT TO THE CONTRIBUTING MEMBERS AND THE PEOPLE WHO WERE HERE IN 1956 WHEN THE SYNAGOGUE WAS DEDICATED AND AFTER IT WAS BUILT. IT’S THE VERY SHADOW OF ITSELF, OF A VERY VIBRANT COMMUNITY THAT WAS IN LETHBRIDGE, WITH PEOPLE FROM VARIOUS WALKS OF LIFE, A LOT OF THEM BUSINESS PEOPLE, AND MAJOR PLAYERS IN THE DOWNTOWN LETHBRIDGE CORE… IT WAS SUCH A TIGHT COMMUNITY AND SO WELL KNOWN THAT NOBODY DATED EACH OTHER; THEY JUST DID EVERYTHING TOGETHER IN THE YOUTH GROUPS AND THAT TYPE OF THING. AND FOR AS MANY PEOPLE AS THERE WERE, AFTER HIGH SCHOOL AND THAT, THEY HEADED OUT AND FOUND PARTNERS ELSEWHERE… WHEN WE HAVE TO HAVE A RELIGIOUS SERVICE IN THE JEWISH FAITH, YOU HAVE TO HAVE TEN PEOPLE THERE, TEN MEN THEY SAY. THE CONSERVATIVE AND ORTHODOX BEND THAT TO INCLUDE WOMEN. IF YOU WANT TO SAY THE MEMORIAL PRAYER FOR THE ANNIVERSARY OF THE DEATH OF A PARENT, CALLED THE KADDISH, YOU HAVE TO HAVE TEN PEOPLE. IT’S REALLY TOUGH TO GET TEN PEOPLE ON ANY GIVEN DAY TO COME. ON THE HOLIEST DAY OF THE YEAR, YOM KIPPUR, THE DAY OF ATONEMENT, LAST YEAR WE HAD FIFTEEN PEOPLE. AND YOU HAVE TO HAVE THEM; YOU HAVE TO KEEP THAT QUORUM FOR THE ENTIRE LENGTH OF THE SERVICE, WHICH IS A MORNING SERVICE FROM NINE TILL TWELVE THIRTY OR TO ONE O’CLOCK. AND A LATE AFTERNOON AND EVENING SERVICE WHICH IS ANOTHER THREE HOURS. IT’S TOUGH TO KEEP PEOPLE WHO AREN’T OVERLY OBSERVANT IN THEIR FAITH, TO TIE THEM DOWN FOR THAT LENGTH OF TIME. AND YET IT’S THE OLD STORY, WHEN YOUR BACK’S AGAINST THE WALL, IF SOMEBODY EVER SAID ANYTHING OR MADE DEROGATORY COMMENTS, THEY WOULD COME, THEY WOULD BE AT THE FOREFRONT FOR DEFENSE. SO I AM INTENSELY PROUD OF MY HERITAGE. I THINK YOU’VE PROVED THAT ONE OUT, BUT WE DON’T GO OUT AND PREACH IT. IT’S NOT ALLOWED IN OUR FAITH… WHEN I CAME IN ’68, EVEN SOME OF THE PEOPLE WHO WERE HERE IN ’56 HAD PASSED ON, AND SO I DIDN’T KNOW SOME OF THEM BUT IT WAS A PRETTY VIBRANT COMMUNITY. WHEN WE HELD OUR SERVICES WE HAD A RABBI IN THOSE DAYS AND SERVICES WERE HELD FOR FRIDAY NIGHT AND SATURDAY MORNING SERVICES. WE HAD SUNDAY SCHOOL FOR THE CHILDREN IN THOSE DAYS, AND THAT WAS BEFORE WE’D HAD OUR CHILDREN. BY THE TIME WE HAD OUR CHILD IN 1974, THERE WAS NO LONGER A RABBI HERE, RABBI KALMAR BEING THE LAST ONE, WHO MOVED ON TO CALGARY. HE WAS SOMEWHAT OF A CHALLENGE FOR THE COMMUNITY HIMSELF, AND DIDN’T QUITE FIT THE BILL HERE, AND SO AT THAT POINT THERE WAS NOT ENOUGH OF A COMMUNITY TO ATTRACT A FULLTIME RABBI… SO FOR THE HOLY DAYS, THE HIGH HOLY DAYS, WE WOULD IMPORT A TEACHER OR AN EDUCATED PERSON OR SOMEBODY WHO COULD LEAD THE SERVICES, THAT WAS FULLY FAMILIAR, FROM CALGARY OR VANCOUVER TO WOULD COME IN FOR ROSH HASHANAH, THE NEW YEAR, OR YOM KIPPUR, THE DAY OF ATONEMENT, TEN DAYS LATER, AND LEAD THE SERVICES FOR THE CONGREGATION THERE. FOR THE REST OF THE YEAR, WE HAD ENOUGH PEOPLE WERE STILL CONVERSANT WITH THE RITUALS, THE PRACTICES, THE HEBREW, THE LITURGY, WHO COULD LEAD THE SERVICES BETTER THAN I CAN – SOME OF THE OLDER PEOPLE. SO WE JUST DID OUR OWN THING, AND WE DID IT… THIS NUMBER OF FAMILIES, CONSIDERING WHAT HAD BEEN DONE, FOR THE NUMBER OF FAMILIES WE HAD, WAS PRETTY IMPRESSIVE IN TERMS OF COMMITMENT TO THE LETHBRIDGE COMMUNITY AND INTEGRATION INTO IT. THE LETHBRIDGE JEWISH COMMUNITY DID NOT SECULARIZE ITSELF OR INSULATE ITSELF. WE TRIED TO BE ACTIVE IN ALL ASPECTS OF THE SOCIAL LIFE, THE FABRIC OF THE COMMUNITY… I WAS ONE OF THE ORIGINAL BOARD MEMBERS OF THE SOUTHERN ALBERTA ART GALLERY. I AND SEVERAL OTHER PEOPLE WERE MEMBERS OF THE KIWANIS CLUB. I CHAIRED THE MUSIC FESTIVAL FOR FIVE YEARS… THE OTHERS, MORE SO JUST IN BUSINESS AND BEING GOOD CORPORATE MEMBERS OF THE COMMUNITY, I WOULD SAY THAT… WE RAISE MONEY, AND AT FIRST HALF THE MONEY WAS KEPT TO SUPPORT AND SUBSIDIZE THE SYNAGOGUE BECAUSE OUR DUES COULDN’T DO THAT, AND THE OTHER HALF WAS GIVEN AWAY INTO THE LETHBRIDGE COMMUNITY. SO FOR YEARS… WE HAVE SUPPORTED, WE HAVE DONE THINGS LIKE UH, FURNISHED ROOMS AT ST. MICHAEL’S; AT THE REGIONAL HOSPITAL OVER THE YEARS. WE HAVE SCHOLARSHIPS FOR OUR COMMUNITY AT ALL THE HIGH SCHOOLS INCLUDING THE CATHOLIC SCHOOLS. WE HAVE SUPPORTED A NUMBER OF OTHER ORGANIZATIONS IN TOWN – THE BOYS AND GIRLS CLUB, THE HABITAT FOR HUMANITY, TO THE TUNE OF WELL IN EXCESS OF $5000 TO $7000 A YEAR. NOW THAT WE DON’T HAVE A SYNAGOGUE, ALL OF IT IS GOING TO IT, FOR THE PAST FOUR YEARS WE’VE GIVEN $5000 AND $6000 STRAIGHT OUT TO THE KIWANIS MUSIC FESTIVAL FOUNDATION… THE MONEY THAT WE RAISE GOES TO THAT, SO THAT’S PART OF THE CORPORATE CITIZENRY THAT WE TRY TO MAINTAIN. WE’VE MADE OUR LIVINGS HERE; THIS IS HOW WE CAN GIVE BACK TO THE COMMUNITY… [A FEW YEARS AGO] WE REALIZED HOW THE COMMUNITY WAS GETTING SMALLER AND SMALLER. THE COST OF KEEPING UP A BUILDING, ALTHOUGH THERE WAS NO TAXES TO PAY BECAUSE CHURCHES ARE EXEMPT FROM PROPERTY TAXES, THE MAINTENANCE ON A BUILDING AND HEATING IT IN WINTER TIME, WHETHER IT WAS USED OR NOT - OF 6700 SQUARE FEET - IT WAS PRETTY OLD, AND AS THE POPULATION WAS DWINDLING, HOW MUCH CAN YOU ASK PEOPLE TO GIVE TO SUPPORT SOMETHING THAT ONLY GETS USED A HALF DOZEN DAYS OF THE YEAR?... SO WE HAD A MEETING AND DECIDED THAT WE SHOULD TAKE A LOOK AND SEE WHAT WE COULD DO, IF WE COULD SELL THE BUILDING. THE IDEA WAS TO TRY AND GET A PLAN, A SUCCESSION PLAN, THAT, IF WE DID SELL IT, THEN WHAT WOULD WE DO? WE STILL WANTED A PLACE TO GATHER. WE DIDN’T WANT TO RENT A ROOM RANDOMLY IN A MALL OR A STRUCTURE OF SOME SORT, AND IT WAS ONLY THROUGH – WE PUT A SIGN IN THE WINDOW THAT IT WAS FOR SALE AND WE HAD ONE OR TWO PEOPLE CALL AND SAY THAT THEY MIGHT BE INTERESTED, BUT NOTHING THAT REALLY CAME TO FRUITION. IT WAS GOING TO BE AN EXPENSIVE PROPOSITION FOR EVERYBODY, BECAUSE WE HAD THE BUILDING APPRAISED, AND IT WAS WORTH A FAIR CHUNK OF COIN. BUT IT WAS GOING TO NEED SOME UPGRADING AND THAT TYPE OF THING. WELL, IN A CASUAL CONVERSATION OVER LUNCH AND CHATTING WITH ART FERRARI AND DAN WESTWOOD, MORE ART FERRARI, WHO WAS A GOOD FRIEND OF LES CALMAN AND MYSELF AND DAN SHAPIRO, HE SAID, “YOU KNOW, YOUR PREDECESSORS DESIGNED THIS BUILDING. YOU’RE IN A PRETTY SMALL SPACE ON 13TH STREET NORTH AND YOU’RE GROWING AND YOU’RE VERY BUSY, WHY DON’T YOU TAKE A LOOK AT THIS?” AND WE HAD A COUPLE OF LUNCHEONS AND IT JUST FELL, IT CAME TOGETHER. AND ART HAD WORKED FOR A JEWISH FAMILY WHEN HE WAS IN HIGH SCHOOL. HE’D WORKED FOR THE SCHECTORS AT HERB’S WESTERN WEAR AND HE HAD A LOVE FOR SOME OF THE PEOPLE HERE AND A RESPECT FOR THEM; LET’S PUT IT THAT WAY. AND HE SAID, “I’LL TELL YOU WHAT.” I SAID, “WE COULD LEASE YOU THE BUILDING AND KEEP THE SMALL SANCTUARY AND YOU COULD DO THE RENOVATION ON THE REST, AND HE SAID, “NO”, HE SAID, “HOW ABOUT WE BUY THE BUILDING FOR A MUTUALLY AGREED UPON APPRAISED PRICE, MINUS EXPENSES THAT WOULD BE ENCUMBERED WITH IT, THE SOIL TESTING AND THAT TYPE OF THING THAT HAS TO BE DONE”, HE SAYS, “AND WE’LL LEASE YOU BACK THE CHAPEL AS PART OF THE CONSIDERATION AGAINST THE ASKING PRICE. WE’LL LEASE IT TO YOU FOR NOTHING, FOR A DOLLAR, FOR TEN YEARS.”… AND THAT JUST FELL TOGETHER, SO WE DID A MINOR RENOVATION, REDECORATING AND REPAINTING AND FIX-UP OF THE SMALL CHAPEL, WHICH IS 600 SQ. FT. AND IT’S GOT A SMALL OFFICE, A 10 X 10 ROOM, IF THAT - 8 X 10? AND THEY TOOK OVER THE REST OF THE BUILDING [IN 2010]… IT’S BEEN A WONDERFUL RELATIONSHIP… THERE IS A JEWISH PRESENCE IN LETHBRIDGE STILL, EVEN THOUGH VERY MINUTE, AND WE TRY AND INVOLVE OURSELVES IN OTHER AREAS OF THE COMMUNITY TO LET PEOPLE KNOW THAT WE WANT TO BE GOOD CITIZENS AND PART OF THE CULTURAL FABRIC OF THE LETHBRIDGE COMMUNITY… “ SEE PERMANENT FILE FOR A TRANSCRIPT OF THE INTERVIEW, AND HARDCOPIES OF THE PROGRAM FROM THE 1956 DEDICATION SERVICE OF THE BETH ISRAEL SYNAGOGUE AND THE BOOK ‘LAND OF PROMISE; THE JEWISH EXPERIENCE IN SOUTHERN ALBERTA’.
Catalogue Number
P20130024001
Acquisition Date
2013-10
Collection
Museum
Images
Less detail
Date Range From
1905
Date Range To
1915
Material Type
Artifact
Materials
GLASS, LIGHT CARD
Catalogue Number
P19705637000
Material Type
Artifact
Date Range From
1905
Date Range To
1915
Materials
GLASS, LIGHT CARD
No. Pieces
1
Length
25.4
Width
12.4
Description
"PEACOCK AND KITSON LTD. WHOLESALE TOBACCO CONFECTIONERY & SUNDRIES PHONE 2022-2034 LETHBRIDGE, ALTA". "THE TOBACCO AND CONFECTIONERY HOUSE OF THE SOUTH" AND WINTER SCENE AT TOP.
Subjects
ADVERTISING MEDIUM
FURNITURE
Historical Association
RETAIL TRADE
History
*UPDATE* IN 2014 COLLECTIONS ASSISTANT JANE EDMUNDSON CONDUCTED A SURVEY OF MILITARY OBJECTS, INCLUDING THOSE DONATED BY M.J. BENNETT. BIOGRAPHICAL INFORMATION WAS FOUND IN BENNETT'S ATTESTATION PAPERS AND RECORDS FROM THE GLENBOW ARCHIVES. MICHAEL JOHN BENNETT WAS BORN IN 1881 IN WHITNEY, ENGLAND AND SERVED IN THE SOUTH AFRICAN WAR BEFORE IMMIGRATING TO CANADA IN 1910 WITH HIS WIFE, ALICE MAY BENNETT (NEE EDWARDS). THEY WERE LIVING IN MEDICINE HAT WHERE BENNETT WORKED AS A CARPENTER WHEN HE ENLISTED WITH THE 175TH BATTALION CEF ON JANUARY 26, 1916. BENNETT SURVIVED THE WAR AND HE AND ALICE HAD SIX CHILDREN. THE FAMILY LIVED IN SHAUNESSEY AND LETHBRIDGE AND BENNETT WORKED AS A STREETCAR DRIVER, CARPENTER AND HOTEL OPERATOR. HE WAS A MEMBER OF THE KIWANIS CLUB AND LETHBRIDGE HISTORICAL SOCIETY. BENNETT DIED IN 1982. M.J. BENNETT'S GRANDSON, TREVOR BENNETT, PROVIDED SOME FURTHER FAMILY HISTORY IN 2002 (SEE P20020071009). SEE PERMANENT FILE P19672995000 FOR HARDCOPIES OF BENNETT'S ATTESTATION PAPERS AND GLENBOW ARCHIVES FONDS DESCRIPTION. *UPDATE* IN 2017, COLLECTIONS ASSISTANT ELISE PUNDYK CONDUCTED A SURVEY OF BOXED TEXTILES AND ACCESSORIES, INCLUDING A SNUFFBOX DONATED BY MICHAEL JOHN BENNETT IN 1970. ON 11 DECEMBER 2017, PUNDYK CONDUCTED AN INTERVIEW WITH BENNETT’S ELDEST GRANDDAUGHTER, ALICE MAY DUHAMEL. DUHAMEL SPECULATED, “THIS [MIRROR] MUST HAVE BEEN IN GRANDMA’S BEDROOM. ALONG WITH ALL THE LITTLE SAYINGS AND FRAMES AND PICTURES THAT THE KIDS HAD GIVEN HER OVER THE YEARS. SHE KEPT THEM ON THIS ONE WALL.” THROUGH THIS INTERVIEW FURTHER INFORMATION WAS RECORDED ABOUT THE DONOR AND THE USERS OF A NUMBER OF ARTIFACTS DONATED BY MICHAEL JOHN BENNETT. ABOUT THE DONOR, DUHAMEL SAID, “WE CALLED HIM ‘POP’. THAT’S BECAUSE [ONE OF THE GRANDCHILDREN], MICHAEL, COULDN’T SAY ‘GRANDPA’, [SO] HE SAID ‘POP’. HE’S ‘POP’ TO EVERYONE IN THE COUNTRY. UP UNTIL HE WAS ONE HUNDRED AND ONE OR SO.” SHE CONTINUED, “POP WAS IN ENGLAND [WHEN] HE MARRIED HIS WIFE - [AND MY] GRANDMOTHER - ALICE MAY EDWARDS BENNETT. [SHE] CAME TO CANADA IN 1911 IN SEPTEMBER ON THE SHIP AND LANDED IN CANADA. GRANDMA BROUGHT UNCLE JACK, WHO WAS THE OLDEST, AND MY MOTHER… [MICHAEL AND ALICE] HAD SEVEN CHILDREN: JACK, EDNA MAY, FRANK JAMES, HARRY HUGH, ART – I DON’T KNOW, DORIS ALICE, AGNES MARY, AND SYDNEY EDWARD. MY MOTHER WAS EDNA.” IN AN EMAIL EXCHANGE WITH PUNDYK IN NOVEMBER 2017, FRED WATMOUGH, A GRANDSON OF MICHAEL AND ALICE’S WROTE THAT THIS MIRROR “WAS IN [MY] GRANDPARENT’S BEDROOM IN SHAUGHNESSY, BUT [MY GRANDPARENTS’ PROBABLY GOT IT IN LETHBRIDGE BEFORE HE BUILT THE FIRST SHAUGHNESSY HOTEL AND MOVED THERE IN 1927.” ON 13 FEBRUARY 2018, PUNDYK CONDUCTED AN ADDITIONAL INTERVIEW WITH ANOTHER GRANDCHILD OF MICHAEL AND ALICE BENNETT, MIKE BENNETT, ALONG WITH HIS WIFE, DIANE. THEY PROVIDED ADDITIONAL INFORMATION ABOUT THE BENNETT FAMILY LIVES AND THE COLLECTION OF ARTIFACTS DONATED BY M. J. BENNETT. PLEASE SEE PERMANENT FILE P19705622000 FOR MORE INFORMATION INCLUDING FULL INTERVIEW TRANSCRIPTIONS, INCLUDING INDIVIDUAL ACCOUNTS OF THE BENNETT FAMILY HISTORY.
Catalogue Number
P19705637000
Acquisition Date
1970-05
Collection
Museum
Less detail
Date Range From
1950
Date Range To
1980
Material Type
Artifact
Materials
COTTON
Catalogue Number
P19950073038
Material Type
Artifact
Date Range From
1950
Date Range To
1980
Materials
COTTON
No. Pieces
1
Length
96
Width
56.8
Description
HEAVY COTTON FLAG IS RED, HAS IN TOP LEFT BLUE RECTANGLE SEWN ON WITH WHITE PAINTED SUN (WHITE CIRCLE WITH SMALL TRIANGLES RADIATING AROUND IT). ALONG LEFT SIDE IS WHITE VERTICAL MATERIAL FOLDED OVER EACH SIDE OF FLAG TO MAKE COVER FOR ROPE OR POLE FOR FLAG TO FLY ON. PAINT IS CRACKED AND IS HELD TOGETHER BY TAPE.
Subjects
CEREMONIAL ARTIFACT
Historical Association
COMMEMORATIVE
History
FLAG OF THE REPUBLIC OF CHINA, IN THE PROVINCE OF TAIWAN. IN 1949, THE KUOMINTANG NATIONALIST PARTY WAS DEFEATED BY THE COMMUNIST REVOLUTION IN CHINA, AFTER WHICH PRESIDENT CHIANG AND HIS SUPPORTERS WITHDREW FROM MAINLAND CHINA TO TAIWAN. THERE THEY ESTABLISHED A KUOMINTANG (KMT) REGIME, WHICH CONTINUED IN OPPOSITION TO THE PEOPLE’S REPUBLIC OF CHINA PROCLAIMED IN 1949. *UPDATE* IN 2014 COLLECTIONS ASSISTANT JANE EDMUNDSON CONDUCTED A SURVEY OF ART OBJECTS, INCLUDING ONE DONATED AS PART OF THE ING ESTATE (P19950073023). SHE EXTRACTED THE FOLLOWING INFORMATION ON THE ING FAMILY FROM PERMANENT FILE P19950073001, WHICH CONTAINS A TRANSCRIPT OF THE INTERVIEW COLLECTIONS TECH KEVIN MACLEAN CONDUCTED WITH HAROLD ING JR., SON OF HAROLD AND MYRA, IN HIS ROOM AT THE LETHBRIDGE HOTEL IN SEPTEMBER 2005. MYRA WAS BORN IN GOLDEN B.C. TO SHIN-BOW AND CHOW TING RAH; HER FATHER ORGINALLY EMIGRATED TO CANADA TO WORK ON CANADIAN RAILWAY CONSTRUCTION AND LATER BECAME A RESTAURANTEUR, WHERE MYRA DEVELOPED HER ENGLISH SKILLS AS A WAITRESS. "IN 1906 MY DAD [HAROLD ING SR.] LEFT HONG KONG FOR VANCOUVER, HE COULDN'T SPEAK ENGLISH... HE'S GOT TO BE A WAITER, A BUSBOY... AND HE LEARNED ALL THE WAY UP, IN THE MEANTIME PICKING UP ENGLISH... WENT TO WINNIPEG. THIS IS BEFORE ME. BY THEN HE KNEW THE WHOLE SYSTEM OF RESTAURANTING." MYRA AND HAROLD SR. MARRIED AND ADOPTED HAROLD JR. WHEN HE WAS BORN INTO A POOR FAMILY OF ELEVEN IN 1944, IN VANCOUVER. "ME AND MY TWIN SISTER WERE SOLD BECAUSE THERE WERE JUST TOO MANY. SO DAD, MY MOM PICKED ME AND DAD SAID YES THAT'S GOOD... I DON'T KNOW WHERE MY SISTER IS... THERE'S NO WAY OF FINDING OUT." THE ING FAMILY SETTLED IN LETHBRIDGE IN THE LATE 1940S, AND HAROLD SR. OWNS AND OPERATES THE NEW MOON CAFE AND TWO GROCERIES, WHICH ARE RUN BY THE FAMILY AND NEW CHINESE IMMIGRANTS THAT HAROLD SR. SPONSORED. "AT APPROXIMATELY FIVE YEARS OLD [MY FATHER] INTRODUCED ME TO THE NEW MOON CAFE, AND I WAS A BUSBOY AT THE AGE OF FIVE... IN 1951 HE SHOWED ME MY FIRST HUNDRED DOLLAR BILL... BECAUSE HE WAS THE OWNER... HE'D WAKE UP AT FIVE IN THE MORNING TO GO TO THE CAFE, OFF AND ON TO THE GROCERY STORE AND MIGHT BE DONE AT EIGHT AT NIGHT, SUPPER AND IMMEDIATELY TO CHINATOWN [FOR] GAMBLING, PUTTING DOWN MAH JONG." HAROLD JR. ATTENDED WESTMINISTER ELEMENTARY SCHOOL DURING THE DAY, AND CHINESE SCHOOL AT THE CHINESE NATIONAL LEAGUE IN THE EVENINGS - HIS FATHER WAS THE PRESIDENT OF THE NATIONAL LEAGUE, AND THE ORGANIZATION RAN THE SCHOOL, CULTURAL CELEBRATIONS, FILM SCREENINGS, AND BANQUETS, FUNDED BY MEMBERSHIP FEES. HAROLD'S YOUNGER BROTHER, CALVIN, "GOT SENT TO A BOARDING SCHOOL SOMEWHERE. HE WAS GIFTED, BUT HE HAD A BYPASS SURGERY, HE HAD SOMETHING WRONG WITH HIS HEART. HE COULDN'T HANDLE PUBLIC SCHOOL, SO THEY SENT HIM TO B.C." AFTER HIGH SCHOOL AND A BRIEF STINT IN CALGARY, HAROLD JR. RAN ING'S GROCERY FOR HIS FATHER, AND IN THE LATE 1960S AND EARLY 70S ALSO WORKED AS A PHOTOGRAPHER FOR THE LETHBRIDGE HERALD AND A SALESMAN AT SEARS. BOTH HAROLD SR. AND MYRA ING PASSED AWAY IN THE 1990S, AND THE OBJECTS ENCOMPASSING DONATION P19950073001-231 WERE COLLECTED FROM THE FAMILY HOME. FOR A COMPLETE TRANSCRIPT OF THE INTERVIEW, COPIES OF PHOTOGRAPHS AND WRITTEN DETAILS ON THE CHINESE NATIONAL LEAGUE, SEE PERMANENT FILE.
Catalogue Number
P19950073038
Acquisition Date
1995-11
Collection
Museum
Less detail
Other Name
"2&7"
Date Range From
1987
Date Range To
1992
Material Type
Artifact
Materials
WOOD, PAINT
Catalogue Number
P20190022007
  2 images  
Material Type
Artifact
Other Name
"2&7"
Date Range From
1987
Date Range To
1992
Materials
WOOD, PAINT
No. Pieces
1
Height
1.2
Length
49
Width
46
Description
WOOD SIGN SHAPED LIKE THE NUMBERS 2 AND 7 CONNECTED. FRONT OF SIGN HAS ORANGE “2” AND RED “7” PAINTED WITH BLACK AMPERSAND “&” IN CENTER; NUMBERS ARE PAINTED ON WHITE BACKFROUND, WITH RED DROP-SHADOWS. SIDES OF SIGN ARE PAINTED WHITE. BACK IS UNPAINTED PRESSED WOOD BOARD; BACK HAS TWO DRILLED HOLES FOR HANGING IN CENTER. FRONT HAS LOSS ALONG LOWER EDGE OF “7”; FRONT IS STAINED AT TOP ARCH OF “2” AND ALONG EDGES; BACK IS STAINED RED AT EDGES AND STAINED IN THE CENTER; OVERALL VERY GOOD CONDITION.
Subjects
ADVERTISING MEDIUM
Historical Association
INDUSTRY
History
ON AUGUST 21, 2019, COLLECTION TECHNICIAN KEVIN MACLEAN INTERVIWED WAYNE DWORNIK REGARDING HIS DONATION OF GLOBAL NEWS STATION ITEMS. DWORNIK WORKED FOR LETHBRIDGE TELEVISION BROADCAST NEWS FROM 1976-2013. ON THE “2&7” STATION SIGN, DWORNIK RECALLED, “[THE SIGN LOOKS HANDMADE, HAND-PAINTED] THAT’S AGAIN, JUST A STUDIO PROP FOR THE…NEWS READERS [AND STORED IN THE ENGINEER’S ROOM].” “[THE YEARS 2&7 RAN WERE A] VERY HIGH PROFILE, EXCITING TIME FOR THE STATION AS WELL. THE REASON THEY WENT WITH THE 2 AND 7, WE DIDN’T CHANGE, AT THAT TIME, TO OFFICIALLY CHANGE OUR CALL LETTERS, WE WERE STILL CFAC, SO WE MADE THAT TRANSITION INTO 2 AND 7. WHAT MANAGEMENT HAD DONE OUT OF CALGARY WAS ARRANGE WITH ALL THE CABLE COMPANIES TO PUT US ONTO EITHER CHANNEL 2 OR CHANNEL 7…[CALGARY’S] TRANSMITTER WAS BROADCASTING ON CHANNEL 2 OFF AIR. WE WERE BROADCASTING ON CHANNEL 7 OFF AIR. WE WERE CHANNEL 2 ON CABLE, AND THEY WERE 7 UP IN CALGARY, AND THEY WERE ABLE TO COMFORTABLY NEGOTIATE WITH ALL THE CABLE OPERATORS TO PUT US ON EITHER 2 AND 7…FROM CROWSNEST PASS INTO CRANBROOK AND CRESTON. THAT’S ALSO THE TIME WHEN THE OLYMPICS WAS HAPPENING AND THE PROMOTIONAL DIRECTOR IN CALGARY WAS JUST AMAZING. THE PROMOTIONAL MANAGER AND THEY HAD A SALES MANAGER. BOYD ASH WAS PROMOTIONS MANAGER THERE AND HE GOT ON THIS IDEA OF THE 2 AND 7, AND HE ALSO GOT ON TO [MAKING] LAPEL PINS. THEY MUST HAVE DESIGNED AND DISTRIBUTED…HUNDREDS OF THOUSANDS OF [LAPEL] PINS…PEOPLE LOVED THEM…I THINK THAT’S WHAT PROMPTED IT, BECAUSE WELL, IT WAS KNOWN THAT TRADING PINS WAS A BIG DEAL…IT WAS VERY HIGH PROFILE AND LOTS OF GREAT PROMOTIONAL THINGS HAPPENING WITH, AGAIN, EXCITING TIMES AND SOME FUN STUFF.” “[THE ERA OF 2&7] I WOULD SAY ABOUT ’87 TO ABOUT ’92 AGAIN I THINK…[IT WAS VERY SHORT] AND I THINK PART OF THAT MIGHT BE TIED INTO THE FACT THAT THE SATELLITE STUFF IS COMING ON…THAT WAS THE REASON TO DO THE 2 AND 7 IS THAT IT’S EASY, LIKE IF YOU SAY, ‘WELL I’M LOOKING FOR CJOC, WHERE DO I FIND CJOC ON MY CABLE LINE UP?’ BUT IF YOU’RE JUST LOOKING FOR A NUMBER THAT WAS EASIER. BUT THEN I DON’T THINK THEY WERE GOING TO CONTINUE NEGOTIATING THAT, FOR WHATEVER REASON.” “[BEFORE 2&7 THE STATION WAS] CFAC…SAME COLOURS. THE RED AND YELLOW THERE.” DWORNIK ELABORATED ON THE ROLE OF ENGINEERS AT THE STATION, NOTING, “[THE ENGINEER’S ROLE IS] BASICALLY TO KEEP US ON THE AIR. THERE’S SO MUCH ELECTRONIC AND TECHNICAL EQUIPMENT THEY HAD TO KNOW ABOUT TRANSMITTERS, MICROWAVE, VIDEOTAPE, ALL THE ELECTRONICS, AND THEY ALSO DID MAINTENANCE ON THE BUILDING.” “THE LAST ENGINEER WAS LET GO IN AN UNFORTUNATE SITUATION, IN THE SUMMER OF [2014]…WE DID NOT HAVE A STATION MANAGER. AT ONE TIME WE HAD A STATION MANAGER [PETER DEYES] WHO WAS ALSO THE NEWS DIRECTOR, WHEN I CAME BACK. THAT FELLOW LEFT…THEY BROUGHT IN AN ASSIGNMENT EDITOR FROM TORONTO, AND SHE WAS…NOT EVEN THE NEWS DIRECTOR, WHICH WAS TERRIBLE; THEY CALLED HER THE NEWS MANAGER. MANAGEMENT OF THE STATION WAS TAKEN OVER BY THE CALGARY TELEVISION, AND THE ENGINEERING RESPONSIBILITIES WERE TAKEN OVER BY CALGARY TELEVISION.” “WE’D HAVE TO CALL [ENGINEERS WHEN THERE WAS EQUIPMENT ISSUES]. AT THAT TIME, WE HAD MORE CAMERAS THAN VIDEOGRAPHERS, SO THEY KIND OF HAD A SPARE ON HAND. IF ONE WENT DOWN, THEY’D BE OKAY. AND, AT THAT TIME, EVERYTHING ELSE WAS SHIFTED AWAY FROM THE STATION, AND WAS AUTOMATED. IT WAS JUST MIND-BOGGLING THE AUTOMATION THAT THEY HAD AVAILABLE. CALGARY TELEVISION WAS…KIND OF THE MASTER CONTROL CENTER FOR ALL OF THE GLOBAL TELEVISION STATIONS IN CANADA. SO, IT WAS JUST AMAZING, ALL THE MONITORS IN THEIR MASTER CONTROL…ONE OF THE CENTERS WAS, I THINK, SWITCHED OUT OF EDMONTON…ALL THE COMMERCIALS THAT PLAYED ALL ACROSS CANADA, ORIGINATED OUT OF CALGARY TELEVISION. AND THEY WEREN’T VIDEO TAPE MACHINES, AT THAT TIME, THEY WERE BASICALLY COMPUTERS.” DWORNIK RECALLED HIS TIME WORKING IN LETHBRIDGE FOR BROADCAST NEWS, NOTING, “I WORKED FOR LETHBRIDGE TELEVISION FOR [25] YEARS…I JOINED THE STATION AS A PHOTOGRAPHER IN 1976. I HELD THAT POSITION FOR SEVEN YEARS AS CHIEF PHOTOGRAPHER, AND THEN I MOVED INTO MANAGEMENT, AND BECAME PRODUCTION MANAGER FOR TEN YEARS I GUESS, AND THEN I GOT INTO SALES AND MARKETING AND RESEARCH. I LEFT THE STATION IN 1996, AND I WAS ONE THE FIRST, IF NOT THE FIRST OF THE DOWNSIZING IN THAT ERA. AT THE TIME WHEN I LEFT IN ’96 THERE WERE AT LEAST SEVENTY-SIX PEOPLE ON STAFF. [TODAY] I BELIEVE THERE IS MAYBE A DOZEN…I RETURNED TO THE STATION IN THE CAPACITY OF…ACCOUNT REPRESENTATIVE IN 2008 AND I RETIRED AT…THE END OF DECEMBER 2014…WHEN I CAME TO LETHBRIDGE, I THOUGHT I WOULD ONLY STAY A COUPLE OF YEARS AND MOVE ONTO A BIGGER STATION, YOU KNOW BIG CITY, BRIGHT LIGHTS…BUT I LOVED THE CITY AND THERE WAS SO MUCH TO OFFER HERE. I HAD SO MUCH FUN, THERE WERE SO MANY REMARKABLE, INCREDIBLY REMARKABLE EXPERIENCES I HAD AS A PHOTOGRAPHER, AND PRODUCTION MANAGER, ESPECIALLY. SOME OF THESE ITEMS HERE GO BACK TO BEFORE MY TIME, BUT AGAIN LETHBRIDGE—LITTLE DIMPLE ON THE PRAIRIE HERE THAT WE ARE, WE ACTUALLY MADE A PRETTY GOOD NAME FOR THE CITY AND FOR THE STATION IN WHAT WE WERE PRODUCING IN NEWS, AND PARTICULARLY IN LOCAL PROGRAMMING. THAT WAS KIND OF ONE OF MY PASSIONS, WAS THE LOCAL PROGRAMMING, DOCUMENTARIES AND THEN OF COURSE, NEWS AS WELL.” “[THERE] WAS A FRIENDLY RIVALRY BETWEEN ALL THE MEDIA ACTUALLY, AND CTV WOULD PRODUCE THE ODD DOCUMENTARY, WHEREAS WE DID A LOT MORE…AT THE MOST THEY HAD I THINK MAYBE TWENTY PEOPLE ON STAFF, SO THEY WERE LIMITED. THEY WERE ACTUALLY A SATELLITE, OR A RE-BROADCASTER, THEY DIDN’T HAVE THEIR OWN LICENSE SO THEY WERE HANDLED DIFFERENTLY BY THEIR OWNERS THAN OUR STATION WAS. THEN AGAIN MANAGEMENT HERE WAS QUITE FORWARD THINKING IN MOST THINGS. I REMEMBER OUR PRESIDENT AND GENERAL MANAGER, BOB JOHNSON, DECADES AGO TOUTING THE FACT THAT THE ONLY THING THAT WILL MAKE US SUSTAINABLE AND RELEVANT IS LOCAL NEWS. HE KNEW, BACK THEN, THROUGH BROADCASTER ASSOCIATIONS ALL THE THINGS THAT WERE COMING AHEAD OF US…WE COULD GET NEWS FROM AROUND THE WORLD…WE CARRIED A LOT OF AMERICAN PROGRAMS…THE ONLY THING THAT IS GOING TO MAKE US DISTINCT IS WHAT WE CAN DO WITH OUR LOCAL NEWS AND AS AN EXTENSION OF THAT, OUR LOCAL PROGRAMMING, OUR DOCUMENTARIES. IT WAS QUITE GOOD FOR THE STAFF AND THE MORALE WAS TERRIFIC…WE HAD A SLOW PITCH BASEBALL TEAM, WE’D PARTICIPATE IN COMMUNITY THINGS, WITH THE PARADES, WHOOP-UP DAYS AND THE STAFF PARTIES WERE TERRIFIC.” “I WAS A PHOTOGRAPHER, AND I WAS OUT ON LOCATION INTERVIEWING ALL THESE INTERESTING PEOPLE, EDITING THESE PROGRAMS, NEWS STORIES, COMMERCIALS. I WAS IN MY ELEMENT…[I WORKED WITH] THE VISUAL CONTENT…BACK IN THE DAY, THERE WAS A NEWS REPORTER THAT WAS HIS JOB WAS TO BE ON CAMERA, TO RESEARCH THE STORY, SET UP THE CONTEXT, DO THE INTERVIEWS, WE WOULD RECORD THE VISUALS, RECORD THE INTERVIEWS, AND NOW AS YOU REFER TO IT, IT IS ALL DONE BY ONE…THEY CALL HIM A, AT DIFFERENT TIMES, EITHER A VIDEO JOURNALIST OR A VIDEOGRAPHER. MY TRAINING ACTUALLY WAS IN STILL PHOTOGRAPHY BACK IN WINNIPEG, BUT MY FIRST JOB WAS IN TELEVISION, SO I LEARNED ON THE JOB. SHOOTING BLACK AND WHITE FILM, COLOUR—AGAIN, SIXTEEN MILLIMETER FILM FOR COMMERCIALS. WE WERE STILL DOING A LOT OF SLIDE COMMERCIALS AT THAT TIME, AND WE PROCESSED OUR OWN SLIDE FILM IN THE BASEMENT AT THE STATION THERE, WITHOUT USING RUBBER GLOVES.” “AT THAT TIME WE HAD FIVE PHOTOGRAPHERS, WE ONLY HAD TWO VEHICLES TO GO OUT IN BUT, SO THE REPORTERS WOULD SOMETIMES USE THEIR OWN VEHICLES. I KNOW FOR THE FIRST YEAR OR TWO I USED MY OWN VEHICLE TO CARRY THE GEAR BECAUSE AT THAT TIME WE DIDN’T HAVE ANY STATION VEHICLES. OUR FIRST ONES WERE TWO…HONDA CIVIC STATION WAGONS, THEN WE GOT TWO NISSAN STATION WAGONS AND THEN WE WENT TO A FORD BRONCO I THINK IT WAS.” “I WOULD GO WHERE THERE WAS A GOOD OPPORTUNITY FOR WORK AND—ACTUALLY, ON OUR HONEY MOON, WE PACKED UP FROM SWIFT CURRENT…(I HAD THREE WEEKS HOLIDAY), AND WE MADE OUR WAY OUT TO THE WEST COAST, STOPPING AT EVERY TELEVISION STATION, ALONG THE WAY, HAVING A TOUR, AND LEAVING A RESUME. SO WE STOPPED AT MEDICINE HAT, LETHBRIDGE (WHICH I WAS REALLY IMPRESSED WITH), AND WE WENT THROUGH KELOWNA, (WHICH I WAS AGAIN VERY IMPRESSED WITH), AND SO I THOUGHT IT WOULD BE EITHER LETHBRIDGE, OR KELOWNA, I WOULD LIKE TO MOVE TO, AND THEN FROM THERE MAYBE CALGARY, VANCOUVER. AS I SAID, LETHBRIDGE WON OUT, THEY HAD A JOB OPENING…BECAUSE OF A STRIKE…AT THAT TIME…NABET…NATIONAL ASSOCIATION OF BROADCAST ENGINEERS AND TECHNOLOGISTS…THEY WERE WANTING TO FORM A LOCAL, AND GET UNION REPRESENTATION AND NEGOTIATIONS CAME TO A STAND-STILL, AND THEY WENT ON STRIKE I THINK, IN APRIL, OR MAY OF ’75 , ’76. SO I HAD JUST FAIRLY RECENTLY PUT MY RESUME IN THERE, AND THEY CALLED ME UP AND [IT WAS] A TOUGH SITUATION, AND I HELD OFF, AND I SAID, ‘WELL I’VE GOT TO WORK WITH THESE PEOPLE, IF I COME IN AS A STRIKE BREAKER, A SCAB—‘ AND SO I WASN’T TOO ANXIOUS TO DO THAT, BUT, AFTER A FEW MORE PHONE CALLS OVER I GUESS IT WAS A COUPLE OR THREE MONTH’S PERIOD, I SAID ‘WELL, YEAH, LET’S DO IT,’ AND I MOVED BACK.” DWORNIK SHARED THE HISTORY OF THE GLOBAL NEWS STATION IN LETHBRIDGE, RECALLING, “[BEFORE THE STATION WAS 2&7, IT WAS] CFAC. IT HAS GONE THROUGH A LOT OF CHANGES, IT STARTED OFF AS CJLH WHICH IS A COMBINATION OF CJOC RADIO AND THE LETHBRIDGE HERALD THAT CO-OWNED THE STATION WHICH OPENED IN [NOVEMBER] 1955…THEN THE HERALD GOT OUT OF IT AND WE WERE BOUGHT BY SELKIRK COMMUNICATIONS AND WE BECAME CJOC TELEVISION…THE STATION OPENED IN ’55, I THINK IT BECAME CJOC AROUND 1960, BUT DON’T QUOTE ME ON THAT. THEN WHEN I CAME IN [FALL] ’76…UP UNTIL THEN WE WERE A CBC AFFILIATE, AND THEN IN ’76 WE BECAME AN INDEPENDENT STATION AND CHANGED OUR CALL LETTERS, AGAIN, TO CFAC TELEVISION. OUR LOGO WAS MODELED AFTER THE RONDELL OF CHC HAMILTON TELEVISION, WHICH WAS AN INDEPENDENT STATION OWNED BY SELKIRK. WE ARE THE SISTER STATION BUT WITH OUR OWN INDEPENDENT LICENSE, WE BECAME PART OF THE INDEPENDENT NETWORK…ABOUT THE TIME OF THE OLYMPICS…WE CHANGED TO TWO AND SEVEN…IT WAS AROUND 1992 MAYBE THAT WE CHANGED OUR CALL LETTERS ONCE AGAIN TO CISA, INDICATIVE OF, ALL STATIONS STARTED WITH ‘C’ RADIO OR TELEVISION IN CANADA, AND THE ‘ISA’ WAS FOR INDEPENDENT SOUTHERN ALBERTA…WITH MY BACKGROUND IN ART AND DESIGN WORKING WITH THAT, WE DID SOME STILL-FRAME ANIMATION. WE DID SOME FUN STUFF WITH THE LOGOS…WHILE I WAS STILL [WITH CISA] WE WENT THROUGH…ANOTHER TWO CHANGES IN OWNERSHIP. SELKIRK SOLD US TO, APPARENTLY TO MACLEAN’S MAGAZINE, AND THAT LASTED FOR ABOUT AN HOUR OR TWO AND THEN I THINK WITH WICK…WESTERN BOUGHT US, THEY BASICALLY BOUGHT ALL OF SELKIRK COMMUNICATIONS AND ADDED US TO THEIR FLOCK OF ITV EDMONTON, BRITISH COLUMBIA TV IN VANCOUVER, AND CHECK TV IN VICTORIA AND I THINK THEY ALSO HAD OKANAGAN TV AS WELL.” “[LETHBRIDGE IS AN ANOMALY] FOR SURE BECAUSE WHEN I CAME HERE WE WERE AROUND FORTY THOUSAND [IN POPULATION], AND THERE WERE TWO OPERATING TELEVISION STATIONS. AS FAR AS I KNOW, WE ARE THE ONLY CITY OF THIS SIZE THAT HAD TWO TELEVISION STATIONS. IN MANY OTHER CITIES THEY WOULD HAVE WHAT THEY CALL A ‘TWINSTICK.’ SO WE WERE CBC, CFCN WAS A CTV AFFILIATE. IN MEDICINE HAT, CBC AND CTV WERE OPERATED OUT OF THE SAME BUILDING BY THE SAME STAFF. THEY WOULD LIKELY HAVE A DIFFERENT ANCHOR OR NEWS DEPARTMENT, BUT THE OTHER COMPONENTS OF OPERATIONS WERE ALL CONTAINED IN THE SAME [BUILDING]—AND THAT’S THE SAME IN, ALL ACROSS WESTERN CANADA…IN A CITY OF OUR POPULATION TO HAVE TWO STATIONS WAS QUITE REMARKABLE, AND VERY COMPETITIVE, AND ALONG WITH THAT, THE RADIO SIDE OF IT…RIGHT NOW WE’VE GOT REALLY SIX RADIO STATIONS, BACK THEN, THERE WERE NEARLY FOUR. AGAIN, QUITE UNUSUAL IN THE FACT THAT YOU’VE GOT TWO AM AND THEN TWO FM. ONE FM STATION ACTUALLY STARTED OFF PLAYING CLASSICAL MUSIC. WHAT THAT LENDS TO THE CITY IS A LOT MORE VARIETY IN PROGRAMMING THAN THEY WOULD OTHERWISE GET. WE HAVE GOT THE BROADCAST PROGRAMMING AT THE LETHBRIDGE COLLEGE HERE, AND THAT FED INTO OUR NEEDS QUITE WELL, IN RADIO AND IN TELEVISION. WE BROUGHT A LOT OF PEOPLE OUT ACTUALLY FROM DOWN EAST BECAUSE THEY HAD SOME REALLY GOOD PROGRAMS FROM FANSHAWE COLLEGE, OTTAWA AND WE WOULD BRING AS WELL, PEOPLE FROM SAIT AND NAIT, AS WELL AS MOUNT ROYAL COLLEGE. THOSE PEOPLE COME STRAIGHT OUT OF COLLEGE, GETTING AN OPPORTUNITY IN A MID-SIZED MARKET…THEY HAD THEIR HANDS INVOLVED IN PROGRAMS, NEWS, COMMERCIAL PRODUCTION AND THEN BEING PART OF THE COMMUNITY.” “I BELIEVE THAT WE WERE STILL A PRETTY GOOD REVENUE-GENERATOR FOR [WICK TO BE SUPPORTIVE OF]. BECAUSE EVEN WITH THAT SIZE OF STAFF, WE WEREN’T PAID AS MUCH AS THEY WERE IN CALGARY, WHICH IS LIKELY WHY EVERYBODY WANTED THE UNION…THEY WEREN’T LOSING MONEY THERE. WE WEREN’T MAKING A WHOLE LOT OF MONEY, BUT…CRTC I THINK CAME INTO PLAY IN THAT, A LOT, TOO, BECAUSE CRTC WAS TO GOVERN THE RULES AND REGULATIONS FOR BROADCASTING. IT WOULD BE DIFFICULT, I THINK, IN ANY PURCHASE OF A STATION, FOR THEM TO GO, AND SHUT THAT STATION DOWN, AT THAT TIME. BUT, WHAT HAS HAPPENED IS THAT RADIO STATIONS HAVE SHUT DOWN, (LIKE RED DEER LOST THEIR STATION; IT WAS A TWINSTICK), AND I LOST TOUCH WITH THE INDUSTRY WHEN THAT SORT OF THING WAS HAPPENING.” “THE GLOBAL PERIOD, WHEN IT WAS OWNED BY CANWEST…ANOTHER REMARKABLE COMPANY (FAMILY-OWNED BUSINESS), AND THEY WERE BUYING UP TELEVISION STATIONS ACROSS CANADA, AND THEN THEY EXPANDED. THEY BOUGHT SOME NEWSPAPERS; THEY BOUGHT A TELEVISION STATION IN ENGLAND, AND I THINK THEIR DOWNFALL ACTUALLY WAS OVER-EXTENDING THEMSELVES, AND GETTING INTO THE AUSTRALIAN MARKET. I JOINED THE STATION IN 2008, WHEN THEY WERE STARTING TO SLIDE. OF COURSE, THE WHOLE ECONOMY WAS STARTING TO SLIDE, AND I CAME ON AS A FRESH, NEW SALESPERSON TO SELL ADVERTISING.” “THAT’S WHEN ALL THE DOWNSIZING OCCURRED [AROUND 2008], JUST IN THAT TRANSITION…WICK STARTED THE DOWNSIZING, AND THEN CANWEST CARRIED ON WITH IT. IT WAS JUST WELL, THE ONSLAUGHT OF GLOBALIZATION, AND THE BIG GET BIGGER, AND SMALL EITHER GET BOUGHT UP, OR SHUT DOWN…WHEN I STARTED AT THE STATION IN 2008, BACK IN SALES, THAT WAS WHEN THINGS REALLY CHANGED, BECAUSE WE STILL HAD A DIRECTOR, AND ONE VIDEOTAPE OPERATOR, AND THEY HAD ROBOT CAMERAS SET UP, BUT WE WERE STILL SWITCHING OUR OWN NEWS, AND ORIGINATING NEWS OUT OF OUR PRODUCTION CONTROL ROOM. THEN, TOWARDS THE END OF 2008, IS WHEN THOSE TWO PEOPLE WERE LET GO, AND WE STARTED WITH CALGARY TELEVISION DIRECTING THE NEWS. AS IT TURNED OUT, THERE WAS NO WAY THAT WE COULD PUT SOMETHING ON THE AIR, BECAUSE THEY DISCONNECTED THE SWITCHING EQUIPMENT…IF THERE WAS LIKE A WEATHER EMERGENCY, OR SOMETHING LIKE THAT, WE COULD NOT PUT A CRAWL ACROSS THE SCREEN. IT WAS QUITE UNNERVING, ACTUALLY, THAT WE WERE LOSING THAT KIND OF LOCAL CAPABILITY.” “[I THINK] IT WAS IN 2013…WHERE EVERYONE BUT ME WAS LET GO, AND THEY COULD RE-APPLY FOR THEIR JOB. BASICALLY, IT WAS A WAY OF GETTING AROUND THE UNION. EVERYONE WAS CANNED; THEY GOT A SEVERANCE PACKAGE. IT WAS A PRETTY UNNERVING TIME, AND MORALE REALLY, REALLY HIT A LOW THERE. THEY ASSIGNED AN EDITOR FROM TORONTO, AND ANOTHER FELLOW WHO HAD BEEN BROADCASTING NEWS, THEY WENT…AND THEY WERE GOING TO RE-IMAGINE THE NEWS, AND THEY HAD BIG PLANS TO MAKE THE STATION WHOLLY-NEW, AND A WHOLE NEW WAY OF DOING THINGS, WITH A MINIMUM NUMBER OF PEOPLE…RESPONSIBILITIES WERE CHANGED; MORE LOAD WAS TAKEN ON, BUT, AS WELL, LESS THINGS WERE GOING TO BE DONE. WE DIDN’T HAVE THE ENGINEER, AND SO THEY HIRED A FELLOW TO BE A VIDEOGRAPHER. HE WOULD SHOOT SOME OF THE NEWS STORIES, BUT HE WAS ALSO RESPONSIBLE FOR TWEAKING UP THE CAMERAS, AND IF THERE WAS A PROBLEM, SENDING IT UP TO CALGARY…I THINK WHAT THEY DID WAS THEY MEASURED OUT THE NUMBER OF HOURS, THE NUMBER OF PEOPLE, WHAT THEY WANTED TO COVER, WHAT THEY WANTED TO DO, AND THEY WENT WITH THAT NUMBER—TWELVE OR FOURTEEN PEOPLE, AND SO, CHANGING THE ROLES, WHOLE NEW JOB DESCRIPTIONS. BUT, AS I SAID TO [MANAGEMENT], ‘YOU KNOW, I THINK YOU OVERLOOKED THE FACT THAT ALL THE PEOPLE HERE, ON THE UNION CONTRACT, GET AT LEAST THREE WEEKS’ VACATION. MEANS YOU’VE GOT TWELVE PEOPLE—THAT’S THIRTY-SIX WEEKS—THAT YOU’VE GOT SOMEBODY AWAY. SO, YOU’RE RUNNING SHORT-STAFFED OVER HALF A YEAR.’ THAT’S PRETTY TOUGH ON PEOPLE, BECAUSE THIS GENERATION THAT’S IN THERE NOW, I DON’T THINK THEY HAVE THE SAME KIND OF ATTITUDE, OR WORK ETHIC. WE WOULD WORK. WELL, MY WIFE COULD ATTEST TO THE HOURS THAT I WOULD PUT IN AT THE STATION. AND, I DIDN’T GET PAID OVERTIME. I GOT A…FEE. THIS STUFF, BETWEEN THE CHANGE OF ATTITUDE, AND THE NEWS CYCLE, AND CUTTING BACK HOW THEY COULD, IT WAS REALLY TOUGH ON PEOPLE. BUT, I WAS THE FIRST ONE TO BE LET GO IN 1996, AND I WAS THE MARKETING RESEARCH AND SALES (WE WERE DOING VIDEO PRODUCTIONS), AND THE FELLOW WHO WAS THE PRODUCTION COORDINATOR, JIM MCNALLY, I BROUGHT ON. HE WAS AN EXCELLENT PHOTOGRAPHER OUT OF OTTAWA, AND HE HAD, I THINK, ONE OF THE TOUGHEST TIMES BACK IN ’96 (ACTUALLY, MORE SO IN ’98). THEY MADE HIM GENERAL MANAGER OF THE STATION. HIS ENTIRE RESPONSIBILITY OVER, I DON’T KNOW HOW MANY WEEKS AND MONTHS WAS TO CUT THE STAFF DOWN TO, I DON’T KNOW, SIXTEEN PEOPLE. AND, WHEN THAT WAS ACCOMPLISHED, HE WAS LET GO.” WHEN ASKED ABOUT THE “GOLDEN AGE” OF LETHBRIDGE BROADCAST OR TELEVISION NEWS, DWORNIK SHARED, “TELEVISION HAS ALWAYS BEEN FOR THE VAST MAJORITY OF PEOPLE, A VERY EXCITING INDUSTRY BECAUSE THERE’S ALWAYS DEVELOPMENTS, TECHNOLOGY. WHEN YOU THINK THAT BACK IN THE DAY IT WAS IN BLACK AND WHITE, BUT THEY DID LIVE COMMERCIALS AND THAT’S QUITE REMARKABLE TOO, HOW THEY WERE DOING THOSE THINGS. THEY DID A LOT OF PRANKS AND FUN STUFF ON AIR…THE TECHNOLOGY KEPT DEVELOPING. IT LOOKED AS GOOD AS IT COULD GET BACK IN THE DAY, BUT NOW THAT WE ARE UP TO 4K VIDEO…IN MY DAY WE HAD BEEN COLOUR FOR QUITE SOME TINE, BUT WHEN I CAME IN IN ‘76 IT WAS KIND OF THE LAUNCH OF ENG, ELECTRONIC NEWS GATHERING OR EFP, FIELD PRODUCTION. THE EQUIPMENT WAS THREE QUARTER INCH AT THAT TIME, THE CAMERAS WERE BIG AND HEAVY, AND THE TAPE DECK, IT WAS A TWO PIECE UNIT, IT NEEDED A LOT OF LIGHT SO WE CARRIED AROUND ABOUT A THIRTY POUND BOX FULL OF LIGHTING GEAR. TRUCKING THAT FROM ONE END OF THE UNIVERSITY HALL DOWN TO THE OTHER END WHERE THE PRESIDENT WAS.” “FROM MY PERSPECTIVE, I THINK I WAS IN THE “GOLDEN AGE” OF TELEVISION IN LETHBRIDGE HERE, BECAUSE WE DID A LOT OF LOCAL PROGRAMS. WE ACTUALLY HAD A SYNDICATED SPORTS PROGRAM CALLED SKI WEST, AND THAT RAN ON HALF A DOZEN MARKETS—INDEPENDENT MARKETS—TELEVISION STATIONS WITH SELKIRK, AND, ACTUALLY THAT WAS WITH WICK AS WELL TOO. WE DID A LOT OF COMMERCIALS, PROGRAM PRODUCTION AND…I THINK IT WAS AROUND ’88 OR ’90, WE WERE ALREADY TALKING AND WE SAW ADVANTAGES IN WHAT WAS CALLED THEN HIGH-DEFINITION TELEVISION WHICH WAS TEN EIGHTY, BUT IT WAS A LONG WAY BEFORE IT CAME. WE DIDN’T ACTUALLY CONVERT TO DIGITAL TELEVISION IN CANADA UNTIL I THINK IT WAS 2009-2010, AND AS ONE OF OUR ENGINEERS MENTIONED, THAT WAS MOST REMARKABLE TECHNOLOGY-WISE. BECAUSE, WHEN WE STARTED IN BLACK AND WHITE, IT WAS A FOUR BY THREE FORMAT AND THEN THEY ADDED COLOUR, IMAGINATIVE COLOUR IN THE ‘60S. THAT WAS PRETTY SMOOTH BECAUSE YOU COULD, YOU KNOW, YOU ARE BROADCASTING THIS ONE SIGNAL OUT IN COLOUR, BUT IF YOU ONLY HAD A BLACK AND WHITE TV, YOU COULD STILL WATCH IT IN BLACK AND WHITE, AND IF YOU HAD COLOUR ALL THE BETTER. THAT WAS IN THE ERA WHEN CABLE WAS ON ITS UP RISE AND SO IT WENT THROUGH A PRETTY SMOOTH TRANSITION, BUT WHEN WE WENT DIGITAL IT WAS HARD LINE IN THE SAND. YOUR OLD TV SET WOULD NOT BE GETTING NOTHING ON IT. THERE WOULD BE NO SIGNAL COMING IN AT ALL, AND WE HAD TO SWITCH OVER TO EITHER CABLE, WHICH WOULD CONVERT THE DIGITAL SIGNAL INTO THE NTSC SIGNAL FOR YOU, OR ELSE YOU HAD TO GET A BRAND NEW TV THAT’S DIGITAL. IT REALLY DID SPUR THE INDUSTRY, AND IT WAS A HUGE FINANCIAL INVESTMENT. CBC WITH ALL THEIR BROADCAST SATELLITES TO COVER ALL OF CANADA, WAS GIVEN AN EXTRA YEAR TO SWITCH OVER TO DIGITAL. IN THE END THEY SAID, ‘NO WE CAN’T DO IT,’ SO THEY HAD TO ACTUALLY SHUT DOWN THEIR TELEVISION TOWER IN LETHBRIDGE [IN JUNE 2012].” “IN A MARKET LIKE OURS WHERE WE HAVE GOT CABLE THAT WAS OKAY, BUT IN THE RURAL AREAS…SOME [PEOPLE] WERE ALREADY ON SATELLITE, BUT THEN AGAIN, WHEN I WAS IN THE INDUSTRY, THE SATELLITE DISHES WERE HUGE AND WE WERE STILL USING A HUGE ONE…IT WAS MORE THAN 12 FEET, IT WAS HUGE, 20 SOME FEET ACROSS. AGAIN, BACK IN THE ‘80S I REMEMBER OUR PRESIDENT COMING BACK AND TELLING US THAT, ‘YOU KNOW, THEY’RE TALKING ABOUT SATELLITES GOING UP THERE AND THEY’RE GOING TO BE SO POWERFUL YOU COULD USE A SATELLITE DISH NO BIGGER THAN A PIZZA BOX.’…THAT’S WHAT WE’VE GOT NOW REALLY…I THINK IT’S A LOT OF ‘GOLDEN ERAS’ AS YOU WOULD SAY REALLY, BECAUSE NOW WITH DIGITAL IT’S JUST PHENOMENAL, AND IT WENT FROM 1080 UP TO 4K. 8K IS OUT THERE TODAY, BUT I THINK IT WILL BE A LONG TIME BECAUSE IT IS A LOT OF BAND WIDTH FOR PEOPLE…” ON HIS MOTIVATIONS FOR DONATING THE ITEMS TO THE GALT MUSEUM, DWORNIK SHARED, “MY WIFE WHO IS WITH US, SANDRA, SUGGESTED THAT I MIGHT CLEAN UP OUR GARAGE AND OTHER PLACES IN THE HOUSE, BECAUSE I COLLECT A LOT OF STUFF. THE OTHER REASON [I’M DONATING THE ITEMS TO THE GALT MUSEUM] ACTUALLY IS IT MIGHT BE TIME—FROM A HISTORICAL VIEW POINT THAT WHAT IS NOW GLOBAL TELEVISION IS MOVING LOCATION. WHERE THEY HAVE BEEN IN THEIR ORIGINAL SITE…[IN] WHAT IS NOW THE INDUSTRIAL PARK, THEY ARE MOVING OUT OF THERE MID-SEPTEMBER OR SO TO A LOCATION DOWNTOWN AND THEY ARE MOVING INTO WHAT IS NOW THE NEW ROYAL BANK, WHICH USED TO BE THE MARQUIS HOTEL. THEY ARE JUST BUILDING THE STUDIO THERE NOW AND THEY WILL BE JOINING THE RADIO FROM THE PATERSON GROUP IN THAT SAME BUILDING, BUT THEY ARE TOTALLY SEPARATED. ANYWAY, I THOUGHT IT PERHAPS TIMELY AND SOME CONNECTIONS THERE.” “WHEN I RETIRED IT WAS KIND OF A HOLLOW BUILDING AND THERE WAS A LOT OF VIDEO TAPE AROUND, WHICH I CONVINCED THE CURRENT OWNERS OF THE STATION, SHAW MEDIA AT THE TIME…BETWEEN MYSELF AND AN ENGINEER, LARRY LAWDINEY, WE DID CONVINCE THEM THAT THERE WAS A LOT OF HISTORY IN THOSE VIDEO TAPES, WHICH THEY WERE PREPARED TO THROW OUT IN THE DUMPSTER, AND END UP IN OUR LANDFILL. SO, WORKING WITH ANDREW [AT THE GALT ARCHIVES], AND HE HAS GOT—I DON’T KNOW HOW MANY TRUCKLOADS OF THE TAPES NOW.” “SOME OF THESE ARTIFACTS, WHICH I HAVE DISCUSSED WITH YOU BEFORE, I FELT WERE SIGNIFICANT…REPRESENTATIVE OF SOME OF THE HISTORY OF THE STATION. THE STATION PRODUCED SOME VERY REMARKABLE INDIVIDUALS THAT HAVE GONE ON TO WIDE ACCLAIM ACTUALLY, RIGHT THROUGH THE HISTORY OF THE STATION. INCLUDING PEOPLE LIKE DON SLADE…HE WAS A DISC JOCKEY WHEN I WAS LIVING IN WINNIPEG GROWING UP, AND THEN HE ENDED UP BEING IN EITHER CALGARY OR EDMONTON. THE FAMOUS WEATHER MAN…BILL MATHESON, OF COURSE FROM LETHBRIDGE, WENT TO NEW YORK, AND ENDED UP IN EDMONTON. I HAVE HAD A NUMBER OF PEOPLE WHO HAVE WORKED IN MY DEPARTMENT THAT HAVE GONE ON TO SOME SIGNIFICANT ACCOMPLISHMENTS AS WELL. ONE IN PARTICULAR, DOUG GOAT, WAS A VIDEO JOURNALIST FOR NBC AND HE WENT OVER TO THESE WAR TORN COUNTRIES—HE WAS A LETHBRIDGE BOY, HIS DAD ACTUALLY MADE SOME EQUIPMENT FOR US FOR OUR TRIPODS…RICK LUCHUCK, WHO WAS IN OUR PRODUCTION DEPARTMENT LEFT, WENT TO REGINA, AND THEN I THINK TORONTO…HE CAME BACK JUST THIS PAST YEAR FOR A REUNION AT LETHBRIDGE COLLEGE, FROM WHERE HE GRADUATED IN BROADCASTING. HE IS VICE PRESIDENT OF PROMOTIONS FOR CNN…WE HAVE HAD PEOPLE GO TO SPORTS NETWORK…A LOT OF PEOPLE WENT THROUGH THE STATION, IT WAS A REVOLVING DOOR, BUT I WAS OKAY WITH THAT BECAUSE WE HELPED BUILD THEIR CAPABILITIES, AND THEY WERE VERY APPRECIATIVE OF THE OPPORTUNITIES AND THE TRAINING THAT WE DID PROVIDE…THE STUFF WE DID WE HAD…A VERY SMALL MOBILE PRODUCTION FACILITY, BUT IT WAS INVOLVED WITH THE OLYMPICS IN ’88, THE TORCH RUN. WE PICKED UP THE TORCH RUN WHEN IT ENTERED ALBERTA IN THE CROWSNEST PASS, BROADCAST THAT LIVE THROUGHOUT ALBERTA. I HAD THE OPPORTUNITY TO MEET PRINCE CHARLES AND PRINCE ANDREW AND FERGIE…THEY WERE DOWN FOR…THE OFFICIAL OPENING OF HEAD SMASHED IN BUFFALO JUMP.” “THE STATION WON A [NATIONAL] AWARD…[THE] FOUNDERS AWARD OF EXCELLENCE FOR A DOCUMENTARY WE PRODUCED [CALLED ‘WE WON’T LET HIM DIE’], AND I WAS THE PHOTOGRAPHER ON THAT AND SHOT…IT WAS ACTUALLY THIRTY YEARS AGO THAT THIS YOUNG FELLOW, TOMMY JONES, WAS WORKING AT A CHURCH CAMP IN WATERTON AND WENT HIKING WITH SOME FRIENDS IN A MOUNTAIN AND FELL AND HAD A SERIOUS BRAIN INJURY. TWO YEARS LATER—THEY DIDN’T EXPECT HIM TO LIVE…WE DOCUMENTED THAT WHOLE STORY AND RECREATED THE SCENES IN THE DOCUDRAMA…THESE THINGS REMIND ME OF ANOTHER ARTIST CORNY MARTENS, BRONZE ARTIST, WAS OUR STUDIO DIRECTOR, AND SOME OF THE STUFF THEY USED TO DO, BACK IN THE DAYS OF BLACK AND WHITE, THEY DID COMMERCIALS—THEY PAINTED THE FLOOR OF THE STUDIO TO MAKE IT LOOK LIKE A SWIMMING POOL, AND THEY HAD A FASHION SHOW WITH SWIMSUITS…THAT’S KIND OF WHAT PROMPTED ME [TO DONATE THE ITEMS], AND THAT’S THE CONNECTION TO THESE ITEMS.” FOR MORE INFORMATION INCLUDING THE FULL INTERVIEW TRANSCRIPTION AND ARTICLES ON THE GLOBAL NEWS STATION BEING DISMANTLED, PLEASE SEE THE PERMANENT FILE P20190022001-GA.
Catalogue Number
P20190022007
Acquisition Date
2019-08
Collection
Museum
Images
Less detail

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