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Other Name
SAMPLE MATERIAL
Date Range From
1980
Date Range To
1990
Material Type
Artifact
Materials
NYLON
Catalogue Number
P19960112086
  2 images  
Material Type
Artifact
Other Name
SAMPLE MATERIAL
Date Range From
1980
Date Range To
1990
Materials
NYLON
No. Pieces
2
Height
1
Length
24.4
Width
16.5
Description
WHITE PAPER ENVELOPE WITH RED PRINT READING "SECOND CHANCE TESTING INSTRUCTIONS" WITH DESCRIPTION OF PRODUCT AND USE. CONTAINS STITCHED BUNCH OF YELLOW NYLON FABRIC OF DIFFERENT THICKNESSES OF WEAVE. EDGES FRAYED.
Subjects
ARTIFACT REMNANT
Historical Association
SAFETY SERVICES
History
*UPDATE* IN 2014 COLLECTIONS ASSISTANT JANE EDMUNDSON CONDUCTED A SURVEY OF ART OBJECTS, INCLUDING SOME DONATED BY THE CITY OF LETHBRIDGE POLICE SERVICES. FOR A BRIEF ACCOUNT OF THE LETHBRIDGE POLICE COLLECTION, SEE RECORD P19960112001. FOR FURTHER INFORMATION ABOUT THE CITY OF LETHBRIDGE POLICE SERVICES AND TRANSCRIPTS OF INTERVIEWS AND CORRESPONDENCE WITH CURRENT AND FORMER LETHBRIDGE POLICE, SEE PERMANENT FILE P19960112000.
Catalogue Number
P19960112086
Acquisition Date
1996-12
Collection
Museum
Images
Less detail
Other Name
EATON'S
Date Range From
1980
Date Range To
1999
Material Type
Artifact
Materials
PAPER
Catalogue Number
P19990061022
Material Type
Artifact
Other Name
EATON'S
Date Range From
1980
Date Range To
1999
Materials
PAPER
No. Pieces
1
Height
0.1
Length
55.9
Width
43.2
Description
RECTANGULAR, HEAVY CARD. HAS A BLUE BORDER. PRINTED WITHIN BORDER, AT BOTTOM IS "EATON'S GOODS SATISFACTORY OR MONEY REFUNDED", IN WHITE. WITHIN BORDER IS A WHITE RECTANGLE, WITH A RED LINE THAT RUNS JUST INSIDE EDGES OF RECTANGLE. PRINTED WITHIN WHITE RECTANGLE, IN BLUE AND RED, IS "EATON'S FIRST FOR QUALITY. FOR PRICE. COMPETITIVE PRICES ALL THE TIME". EACH CORNER OF POSTER HAS A SMALL PIN HOLE IN IT.
Subjects
ADVERTISING MEDIUM
Historical Association
RETAIL TRADE
History
MUSEUM OBTAINED ITEMS FROM LETHBRIDGE EATON'S STORE IN 1999. DUE TO COMPANY BANKRUPTCY, EATON'S STORES ACROSS CANADA WERE CLOSED, INCLUDING THE LETHBRIDGE LOCATION IN PARK PLACE MALL. *UPDATE* IN 2014 COLLECTIONS ASSISTANT JANE EDMUNDSON CONDUCTED A SURVEY OF ART OBJECTS, INCLUDING THOSE ASSOCIATED WITH THE T. EATON COMPANY STORES IN LETHBRIDGE. THE FOLLOWING BRIEF HISTORY OF LETHBRIDGE'S EATON'S STORE WAS DEVELOPED WITH INFORMATION FROM GALT ARCHIVES AND LETHBRIDGE HERALD ARTICLES FROM THE FALL OF 1988. THE T. EATON COMPANY WAS FOUNDED IN TORONTO IN 1869 BY TIMOTHY EATON. THE FIRST LETHBRIDGE EATON'S 'TECO' STORE WAS OPENED IN 1927 IN THE BASEMENT OF THE DOMINION BLOCK ON THE CORNER OF 4 AVENUE AND SIXTH STREET SOUTH. AFTER A FIRE, THE BUILDING WAS RENOVATED AND COMPLETELY TAKEN OVER BY THE EATON'S STORE, WHICH OPERATED IN THAT LOCATION UNDER PERIODIC RENOVATIONS FROM 1929 UNTIL THE OPENING OF THE PARK PLACE MALL IN 1988, IN WHICH EATON'S WAS AN ANCHOR RETAILER. IN 1989 A PORTION OF THE UNIVERSITY OF LETHBRIDGE ART COLLECTION WAS TEMPORARILY PUT ON DISPLAY IN THE VACANT EATON'S BUILDING, AND PROPOSALS WERE MADE TO MAKE THE INSTALLATION PERMANENT, BUT EVENTUALLY THE PROPERTY WAS SOLD AND DEMOLISHED TO MAKE WAY FOR THE CONSTRUCTION OF A BANK OF MONTREAL BRANCH. IN 1999 THE EATON'S STORE IN PARK PLACE MALL CLOSED JUST PRIOR TO THE ANNOUNCEMENT OF THE BANKRUPTCY OF THE LARGER T. EATON COMPANY LIMITED. SEE PERMANENT FILE P19930072001 FOR HARDCOPIES OF SOURCE MATERIAL.
Catalogue Number
P19990061022
Acquisition Date
1999-10
Collection
Museum
Less detail
Other Name
EATON'S
Date Range From
1980
Date Range To
1999
Material Type
Artifact
Materials
PAPER
Catalogue Number
P19990061023
Material Type
Artifact
Other Name
EATON'S
Date Range From
1980
Date Range To
1999
Materials
PAPER
No. Pieces
1
Height
0.1
Length
55.8
Width
43.0
Description
RECTANGULAR, HEAVY CARD. WHITE BACKGROUND. HALF OF A RED RECTANGLE SURROUND AN INNER BLUE RECTANGLE. PRINTED WITHIN RED RECTANGLE, IN WHITE, IS "THE EATON GUARANTEE:". WRITTEN WITHIN BLUE RECTANGLE, IN WHITE, IS "GOODS SATISFACTORY OR MONEY REFUNDED". BELOW BLUE RECTANGLE IS A WAVY, RED AND BLUE STRIPED BANNER. THERE IS ALSO A SIMILAR, SHORT BANNER AT TOP RIGHT OF RED RECTANGLE. AT THE BOTTOM OF POSTER, IN BLUE, IS "EATON'S". EACH CORNER OF POSTER HAS A SMALL PIN HOLE IN IT.
Subjects
ADVERTISING MEDIUM
Historical Association
RETAIL TRADE
History
MUSEUM OBTAINED ITEMS FROM LETHBRIDGE EATON'S STORE IN 1999. DUE TO COMPANY BANKRUPTCY, EATON'S STORES ACROSS CANADA WERE CLOSED, INCLUDING THE LETHBRIDGE LOCATION IN PARK PLACE MALL. *UPDATE* IN 2014 COLLECTIONS ASSISTANT JANE EDMUNDSON CONDUCTED A SURVEY OF ART OBJECTS, INCLUDING THOSE ASSOCIATED WITH THE T. EATON COMPANY STORES IN LETHBRIDGE. THE FOLLOWING BRIEF HISTORY OF LETHBRIDGE'S EATON'S STORE WAS DEVELOPED WITH INFORMATION FROM GALT ARCHIVES AND LETHBRIDGE HERALD ARTICLES FROM THE FALL OF 1988. THE T. EATON COMPANY WAS FOUNDED IN TORONTO IN 1869 BY TIMOTHY EATON. THE FIRST LETHBRIDGE EATON'S 'TECO' STORE WAS OPENED IN 1927 IN THE BASEMENT OF THE DOMINION BLOCK ON THE CORNER OF 4 AVENUE AND SIXTH STREET SOUTH. AFTER A FIRE, THE BUILDING WAS RENOVATED AND COMPLETELY TAKEN OVER BY THE EATON'S STORE, WHICH OPERATED IN THAT LOCATION UNDER PERIODIC RENOVATIONS FROM 1929 UNTIL THE OPENING OF THE PARK PLACE MALL IN 1988, IN WHICH EATON'S WAS AN ANCHOR RETAILER. IN 1989 A PORTION OF THE UNIVERSITY OF LETHBRIDGE ART COLLECTION WAS TEMPORARILY PUT ON DISPLAY IN THE VACANT EATON'S BUILDING, AND PROPOSALS WERE MADE TO MAKE THE INSTALLATION PERMANENT, BUT EVENTUALLY THE PROPERTY WAS SOLD AND DEMOLISHED TO MAKE WAY FOR THE CONSTRUCTION OF A BANK OF MONTREAL BRANCH. IN 1999 THE EATON'S STORE IN PARK PLACE MALL CLOSED JUST PRIOR TO THE ANNOUNCEMENT OF THE BANKRUPTCY OF THE LARGER T. EATON COMPANY LIMITED. SEE PERMANENT FILE P19930072001 FOR HARDCOPIES OF SOURCE MATERIAL.
Catalogue Number
P19990061023
Acquisition Date
1999-10
Collection
Museum
Less detail
Date Range From
1970
Date Range To
1990
Material Type
Artifact
Materials
STEEL, ALUMINUM
Catalogue Number
P19990061026
Material Type
Artifact
Date Range From
1970
Date Range To
1990
Materials
STEEL, ALUMINUM
No. Pieces
1
Height
27.5
Length
27.2
Width
11.6
Description
BLACK PAINTED, STEEL. HAS A FLAT, RECTANGULAR BASE. A METAL LABEL ON BASE, TOWARDS THE FRONT, READS "MADE IN U.S.A.", AND HAS A RED OUTLINE. A BLACK AND SILVER, METAL LABEL ON BASE, TOWARDS BACK, READS "SINCE 1887 CUMMINS MODEL 15 SERIAL 7539 CUMMINS PERFORATOR COMPANY CHICAGO". BACK OF PERFORATOR EXTENDS UP FROM BASE AND BENDS IN AN ARCH TOWARDS THE FRONT. TOWARDS THE FRONT, THIS ARCH EXTENDS DOWNWARD INTO A RECTANGULAR SHAPE. ON TOP IS A LARGE SLIGHTLY CURVED HANDLE - HANDLE CAN BE PUSHED DOWN. ON FRONT END OF PERFORATOR IS A STEEL DRAWER WITH A CIRCULAR HANDLE.
Subjects
PRINTING T&E
DATA PROCESSING T&E
Historical Association
BUSINESS
History
MUSEUM OBTAINED ITEMS FROM LETHBRIDGE EATON'S STORE IN 1999. DUE TO COMPANY BANKRUPTCY, EATON'S STORES ACROSS CANADA WERE CLOSED, INCLUDING THE LETHBRIDGE LOCATION IN PARK PLACE MALL. *UPDATE* IN 2014 COLLECTIONS ASSISTANT JANE EDMUNDSON CONDUCTED A SURVEY OF ART OBJECTS, INCLUDING THOSE ASSOCIATED WITH THE T. EATON COMPANY STORES IN LETHBRIDGE. THE FOLLOWING BRIEF HISTORY OF LETHBRIDGE'S EATON'S STORE WAS DEVELOPED WITH INFORMATION FROM GALT ARCHIVES AND LETHBRIDGE HERALD ARTICLES FROM THE FALL OF 1988. THE T. EATON COMPANY WAS FOUNDED IN TORONTO IN 1869 BY TIMOTHY EATON. THE FIRST LETHBRIDGE EATON'S 'TECO' STORE WAS OPENED IN 1927 IN THE BASEMENT OF THE DOMINION BLOCK ON THE CORNER OF 4 AVENUE AND SIXTH STREET SOUTH. AFTER A FIRE, THE BUILDING WAS RENOVATED AND COMPLETELY TAKEN OVER BY THE EATON'S STORE, WHICH OPERATED IN THAT LOCATION UNDER PERIODIC RENOVATIONS FROM 1929 UNTIL THE OPENING OF THE PARK PLACE MALL IN 1988, IN WHICH EATON'S WAS AN ANCHOR RETAILER. IN 1989 A PORTION OF THE UNIVERSITY OF LETHBRIDGE ART COLLECTION WAS TEMPORARILY PUT ON DISPLAY IN THE VACANT EATON'S BUILDING, AND PROPOSALS WERE MADE TO MAKE THE INSTALLATION PERMANENT, BUT EVENTUALLY THE PROPERTY WAS SOLD AND DEMOLISHED TO MAKE WAY FOR THE CONSTRUCTION OF A BANK OF MONTREAL BRANCH. IN 1999 THE EATON'S STORE IN PARK PLACE MALL CLOSED JUST PRIOR TO THE ANNOUNCEMENT OF THE BANKRUPTCY OF THE LARGER T. EATON COMPANY LIMITED. SEE PERMANENT FILE P19930072001 FOR HARDCOPIES OF SOURCE MATERIAL.
Catalogue Number
P19990061026
Acquisition Date
1999-10
Collection
Museum
Less detail
Other Name
SET OF MARQUEE LETTERS
Date Range From
1980
Date Range To
1999
Material Type
Artifact
Materials
PLASTIC, PAPER
Catalogue Number
P19990061027
Material Type
Artifact
Other Name
SET OF MARQUEE LETTERS
Date Range From
1980
Date Range To
1999
Materials
PLASTIC, PAPER
No. Pieces
1
Height
2.3
Length
25.1
Width
22.5
Description
CLEAR PLASTIC BAG. BAG IS FOLDED OVER AT TOP, AND CLOSED WITH TWO STAPLES. HAS A WHITE PRICE TAG WITH "2.00" WRITTEN ON IT IN BLUE PEN. INSIDE BAG ARE MULTIPLE CLEAR PLASTIC RECTANGLES WITH BLUE LETTERS, NUMBERS, AND OTHER CHARACTERS ON THEM. THERE ARE SOME NUMBERS IN THE BAG THAT ARE RED. ONE LARGE PIECE HAS "HARDWARE" ON IT IN BLUE.
Subjects
ADVERTISING MEDIUM
VISUAL COMMUNICATION T&E
Historical Association
RETAIL TRADE
History
USED ON SIGNS IN LETHBRIDGE EATON'S STORE. MUSEUM OBTAINED ITEMS FROM LETHBRIDGE EATON'S STORE IN 1999. DUE TO COMPANY BANKRUPTCY, EATON'S STORES ACROSS CANADA WERE CLOSED, INCLUDING THE LETHBRIDGE LOCATION IN PARK PLACE MALL. *UPDATE* IN 2014 COLLECTIONS ASSISTANT JANE EDMUNDSON CONDUCTED A SURVEY OF ART OBJECTS, INCLUDING THOSE ASSOCIATED WITH THE T. EATON COMPANY STORES IN LETHBRIDGE. THE FOLLOWING BRIEF HISTORY OF LETHBRIDGE'S EATON'S STORE WAS DEVELOPED WITH INFORMATION FROM GALT ARCHIVES AND LETHBRIDGE HERALD ARTICLES FROM THE FALL OF 1988. THE T. EATON COMPANY WAS FOUNDED IN TORONTO IN 1869 BY TIMOTHY EATON. THE FIRST LETHBRIDGE EATON'S 'TECO' STORE WAS OPENED IN 1927 IN THE BASEMENT OF THE DOMINION BLOCK ON THE CORNER OF 4 AVENUE AND SIXTH STREET SOUTH. AFTER A FIRE, THE BUILDING WAS RENOVATED AND COMPLETELY TAKEN OVER BY THE EATON'S STORE, WHICH OPERATED IN THAT LOCATION UNDER PERIODIC RENOVATIONS FROM 1929 UNTIL THE OPENING OF THE PARK PLACE MALL IN 1988, IN WHICH EATON'S WAS AN ANCHOR RETAILER. IN 1989 A PORTION OF THE UNIVERSITY OF LETHBRIDGE ART COLLECTION WAS TEMPORARILY PUT ON DISPLAY IN THE VACANT EATON'S BUILDING, AND PROPOSALS WERE MADE TO MAKE THE INSTALLATION PERMANENT, BUT EVENTUALLY THE PROPERTY WAS SOLD AND DEMOLISHED TO MAKE WAY FOR THE CONSTRUCTION OF A BANK OF MONTREAL BRANCH. IN 1999 THE EATON'S STORE IN PARK PLACE MALL CLOSED JUST PRIOR TO THE ANNOUNCEMENT OF THE BANKRUPTCY OF THE LARGER T. EATON COMPANY LIMITED. SEE PERMANENT FILE P19930072001 FOR HARDCOPIES OF SOURCE MATERIAL.
Catalogue Number
P19990061027
Acquisition Date
1999-10
Collection
Museum
Less detail
Other Name
BUTTON
Date Range From
1980
Date Range To
1999
Material Type
Artifact
Materials
PLASTIC, TIN, CARDBOARD
Catalogue Number
P19990061011
Material Type
Artifact
Other Name
BUTTON
Date Range From
1980
Date Range To
1999
Materials
PLASTIC, TIN, CARDBOARD
No. Pieces
1
Height
0.8
Length
5.3
Width
5.3
Description
SQUARE, BLUE. IN GOLD PRINT, ON FRONT, READS "EATON'S WE'VE GOT THE PLAN.". BELOW THIS IS A LOWER CASE "E" WITHIN A CIRCLE, AND A SMALL "TM" TO THE LOWER RIGHT, ALL IN GOLD. IN THE BACKGROUND THERE IS THE TOP 3/4 OF A LOWER CASE "E" WITHIN A CIRCLE, IN LIGHT BLUE. PRINTED ON BACK EDGE OF BUTTON, IN WHITE, IS "MADE IN CANADA BY H.A.S. NOVELTIES LTD. TORONTO (416)593-1101". BACK OF BUTTON IS LINED WITH A PIECE OF CARDBOARD, AND HAS A SILVER PIN AND CATCH.
Subjects
ADVERTISING MEDIUM
Historical Association
RETAIL TRADE
History
MUSEUM OBTAINED ITEMS FROM LETHBRIDGE EATON'S STORE IN 1999. DUE TO COMPANY BANKRUPTCY, EATON'S STORES ACROSS CANADA WERE CLOSED, INCLUDING THE LETHBRIDGE LOCATION IN PARK PLACE MALL. *UPDATE* IN 2014 COLLECTIONS ASSISTANT JANE EDMUNDSON CONDUCTED A SURVEY OF ART OBJECTS, INCLUDING THOSE ASSOCIATED WITH THE T. EATON COMPANY STORES IN LETHBRIDGE. THE FOLLOWING BRIEF HISTORY OF LETHBRIDGE'S EATON'S STORE WAS DEVELOPED WITH INFORMATION FROM GALT ARCHIVES AND LETHBRIDGE HERALD ARTICLES FROM THE FALL OF 1988. THE T. EATON COMPANY WAS FOUNDED IN TORONTO IN 1869 BY TIMOTHY EATON. THE FIRST LETHBRIDGE EATON'S 'TECO' STORE WAS OPENED IN 1927 IN THE BASEMENT OF THE DOMINION BLOCK ON THE CORNER OF 4 AVENUE AND SIXTH STREET SOUTH. AFTER A FIRE, THE BUILDING WAS RENOVATED AND COMPLETELY TAKEN OVER BY THE EATON'S STORE, WHICH OPERATED IN THAT LOCATION UNDER PERIODIC RENOVATIONS FROM 1929 UNTIL THE OPENING OF THE PARK PLACE MALL IN 1988, IN WHICH EATON'S WAS AN ANCHOR RETAILER. IN 1989 A PORTION OF THE UNIVERSITY OF LETHBRIDGE ART COLLECTION WAS TEMPORARILY PUT ON DISPLAY IN THE VACANT EATON'S BUILDING, AND PROPOSALS WERE MADE TO MAKE THE INSTALLATION PERMANENT, BUT EVENTUALLY THE PROPERTY WAS SOLD AND DEMOLISHED TO MAKE WAY FOR THE CONSTRUCTION OF A BANK OF MONTREAL BRANCH. IN 1999 THE EATON'S STORE IN PARK PLACE MALL CLOSED JUST PRIOR TO THE ANNOUNCEMENT OF THE BANKRUPTCY OF THE LARGER T. EATON COMPANY LIMITED. SEE PERMANENT FILE P19930072001 FOR HARDCOPIES OF SOURCE MATERIAL.
Catalogue Number
P19990061011
Acquisition Date
1999-10
Collection
Museum
Less detail
Other Name
BIOLOGICAL PRODUCTS
Date Range From
1920
Date Range To
1930
Material Type
Artifact
Materials
GLASS, WOOD
Catalogue Number
P19810089000
  1 image  
Material Type
Artifact
Other Name
BIOLOGICAL PRODUCTS
Date Range From
1920
Date Range To
1930
Materials
GLASS, WOOD
No. Pieces
1
Length
85.0
Width
39.5
Description
MIRRORED GLASS WITH WOOD FRAME. BLACK COLOUR WITH RED LETTERS: "BIOLOGICAL PRODUCTS".
Subjects
ADVERTISING MEDIUM
Historical Association
RETAIL TRADE
History
PURCHASED BY THE CLUB FROM STOKES DRUG STORE FOR A 75 ANNIVERSARY GRANT FOR A MUSEUM DISPLAY. *UPDATE* IN 2014 COLLECTIONS ASSISTANT JANE EDMUNDSON CONDUCTED A SURVEY OF ART OBJECTS. THE FOLLOWING INFORMATION ABOUT THE STOKES DRUG STORE WAS DEVELOPED WITH INFORMATION FROM ERNEST BALL STOKES' LETHBRIDGE HERALD OBITUARY, AND AN EDITORIAL WRITTEN BY HIS GRANDDAUGHTER, FRANCES STOKES SCHIPPER, PUBLISHED IN THE HERALD'S AUGUST 15, 2008 ISSUE. STOKES DRUG CO. LTD, WAS FOUNDED BY PHARMACIST ERNEST BALL STOKES IN 1918, AND WAS LOCATED IN THE OLIVER BLOCK ON FIFTH STREET SOUTH IN LETHBRIDGE. ERNEST PASSED AWAY ON NOVEMBER 10, 1947, AND THE BUSINESS WAS TAKEN OVER BY HIS SON, JACK, WHO WAS ALSO TRAINED AS A PHARMACIST. THE STORE CLOSED UPON JACK STOKES' RETIREMENT IN 1981. SEE PERMANENT FILE FOR HARDCOPIES OF E.B. STOKE'S OBITUARY AND THE EDITORIAL.
Catalogue Number
P19810089000
Acquisition Date
1981-01
Collection
Museum
Images
Less detail
Other Name
WYETH'S PHARMACEUTICALS
Date Range From
1920
Date Range To
1930
Material Type
Artifact
Materials
GLASS, WOOD
Catalogue Number
P19810090000
  1 image  
Material Type
Artifact
Other Name
WYETH'S PHARMACEUTICALS
Date Range From
1920
Date Range To
1930
Materials
GLASS, WOOD
No. Pieces
1
Length
135.0
Width
39.5
Description
MIRRORED GLASS WITH WOOD FRAME, BLACK COLOUR & RED LETTERS: "WE DISPENSE WYETH' PHARMACEUTICALS".
Subjects
ADVERTISING MEDIUM
Historical Association
RETAIL TRADE
History
PURCHASED BY CLUB FROM STOKES DRUG STORE FOR A 75TH ANNIVERSARY GRANT GENERATED MUSEUM DISPLAY. *UPDATE* IN 2014 COLLECTIONS ASSISTANT JANE EDMUNDSON CONDUCTED A SURVEY OF ART OBJECTS. THE FOLLOWING INFORMATION ABOUT THE STOKES DRUG STORE WAS DEVELOPED WITH INFORMATION FROM ERNEST BALL STOKES' LETHBRIDGE HERALD OBITUARY, AND AN EDITORIAL WRITTEN BY HIS GRANDDAUGHTER, FRANCES STOKES SCHIPPER, PUBLISHED IN THE HERALD'S AUGUST 15, 2008 ISSUE. STOKES DRUG CO. LTD, WAS FOUNDED BY PHARMACIST ERNEST BALL STOKES IN 1918, AND WAS LOCATED IN THE OLIVER BLOCK ON FIFTH STREET SOUTH IN LETHBRIDGE. ERNEST PASSED AWAY ON NOVEMBER 10, 1947, AND THE BUSINESS WAS TAKEN OVER BY HIS SON, JACK, WHO WAS ALSO TRAINED AS A PHARMACIST. THE STORE CLOSED UPON JACK STOKES' RETIREMENT IN 1981. SEE PERMANENT FILE FOR HARDCOPIES OF E.B. STOKE'S OBITUARY AND THE EDITORIAL.
Catalogue Number
P19810090000
Acquisition Date
1981-01
Collection
Museum
Images
Less detail
Other Name
EATON'S
Date Range From
1980
Date Range To
1999
Material Type
Artifact
Materials
PAPER, BRASS
Catalogue Number
P19990061030
Material Type
Artifact
Other Name
EATON'S
Date Range From
1980
Date Range To
1999
Materials
PAPER, BRASS
No. Pieces
1
Height
0.1
Length
243.0
Width
92.0
Description
PAPER; RECTANGULAR. FRONT OF BANNER HAS RED BACKGROUND, AND READS IN WHITE Z"TOGETHER, WE'RE MAKING IT BETTER". ON RIGHT SIDE, OF FRONT, IS THE PICTURE OF AN EATON'S CREDIT CARD. CARD IS WHITE WITH NAVY BLUE AND BURGUNDY STRIPES; ABOVE STRIPES READS "EATON'S", AND BELOW STRIPES READS "1234 5678 9012 TIMOTHY EATON". THERE ARE TWO HORIZONTAL BLUE LINES THAT RUN ACROSS FRONT OF BANNER. ON BOTTOM RIGHT OF FRONT ARE FOUR TRIANGLES, THAT ALTERNATE IN COLOUR FROM BLUE TO WHITE. TOP LEFT OF FRONT, HAS THREE TRIANGLES, THAT ARE BLUE, WHITE, AND BLUE. EACH CORNER OF BANNER, AND TOP CENTRE, HAS A HOLE WITH A BRASS GROMMET. EACH EDGE OF BANNER IS HEMMED. BACK IS PLAIN WHITE.
Subjects
ADVERTISING MEDIUM
Historical Association
RETAIL TRADE
History
MUSEUM OBTAINED ITEMS FROM LETHBRIDGE EATON'S STORE IN 1999. DUE TO COMPANY BANKRUPTCY, EATON'S STORES ACROSS CANADA WERE CLOSED, INCLUDING THE LETHBRIDGE LOCATION IN PARK PLACE MALL. *UPDATE* IN 2014 COLLECTIONS ASSISTANT JANE EDMUNDSON CONDUCTED A SURVEY OF ART OBJECTS, INCLUDING THOSE ASSOCIATED WITH THE T. EATON COMPANY STORES IN LETHBRIDGE. THE FOLLOWING BRIEF HISTORY OF LETHBRIDGE'S EATON'S STORE WAS DEVELOPED WITH INFORMATION FROM GALT ARCHIVES AND LETHBRIDGE HERALD ARTICLES FROM THE FALL OF 1988. THE T. EATON COMPANY WAS FOUNDED IN TORONTO IN 1869 BY TIMOTHY EATON. THE FIRST LETHBRIDGE EATON'S 'TECO' STORE WAS OPENED IN 1927 IN THE BASEMENT OF THE DOMINION BLOCK ON THE CORNER OF 4 AVENUE AND SIXTH STREET SOUTH. AFTER A FIRE, THE BUILDING WAS RENOVATED AND COMPLETELY TAKEN OVER BY THE EATON'S STORE, WHICH OPERATED IN THAT LOCATION UNDER PERIODIC RENOVATIONS FROM 1929 UNTIL THE OPENING OF THE PARK PLACE MALL IN 1988, IN WHICH EATON'S WAS AN ANCHOR RETAILER. IN 1989 A PORTION OF THE UNIVERSITY OF LETHBRIDGE ART COLLECTION WAS TEMPORARILY PUT ON DISPLAY IN THE VACANT EATON'S BUILDING, AND PROPOSALS WERE MADE TO MAKE THE INSTALLATION PERMANENT, BUT EVENTUALLY THE PROPERTY WAS SOLD AND DEMOLISHED TO MAKE WAY FOR THE CONSTRUCTION OF A BANK OF MONTREAL BRANCH. IN 1999 THE EATON'S STORE IN PARK PLACE MALL CLOSED JUST PRIOR TO THE ANNOUNCEMENT OF THE BANKRUPTCY OF THE LARGER T. EATON COMPANY LIMITED. SEE PERMANENT FILE P19930072001 FOR HARDCOPIES OF SOURCE MATERIAL.
Catalogue Number
P19990061030
Acquisition Date
1999-10
Collection
Museum
Less detail
Other Name
JAPANESE LETTERING BRUSH
Date Range From
1920
Date Range To
1930
Material Type
Artifact
Materials
WOOD, COTTON, HAIR
Catalogue Number
P19970041413
Material Type
Artifact
Other Name
JAPANESE LETTERING BRUSH
Date Range From
1920
Date Range To
1930
Materials
WOOD, COTTON, HAIR
No. Pieces
1
Length
19.8
Width
0.7
Description
CYLINDRICAL SHAFT OF DARK STAINED WOOD WITH HORSE HAIR BRUSH AT END AND COILED RED STRING AROUND GRIP END. JAPANESE CHARACTERS ARE CARVED DOWN LENGTH OF HANDLE WHICH IS SPLIT FROM END TO END.
Subjects
WRITTEN COMMUNICATION T&E
DRAFTING T&E
Historical Association
BUSINESS
History
BRUSH WAS USED BY DONOR'S FATHER, REV. G.G. NAKAYAMA, WHO CORRESPONDED REGULARLY WITH PARISHIONERS, MISSIONARIES AND OTHERS AROUND THE WORLD HE HAD MET. HE ALSO PUBLISHED NEWSLETTERS AND NEWSPAPERS FOR THE JAPANESE CANADIAN COMMUNITY. THIS IS ONE OF MANY ITEMS HE POSSESSED TO PERFORM THESE TASKS. THE NAKAYAMA FAMILY WAS ORIGINALLY FROM VANCOUVER BUT MOVED TO COALDALE FOLLOWING THE SECOND WORLD WAR WHEN THEY WERE INTERNED AT SLOCAN CITY IN THE INTERIOR OF BRITISH COLUMBIA BY THE CANADIAN GOVERNMENT. THE DONOR'S FATHER, REV. CANON G.G. NAKAYAMA, WAS AN ANGLICAN MINISTER IN VANCOUVER, AND THEN ESTABLISHED THE CHURCH OF THE ASCENSION IN COALDALE IN 1945 WHERE HE SERVED UNTIL 1970. SEE RECORD P19970041001 FOR EXPANDED BIOGRAPHICAL INFORMATION AND PERMANENT FILE FOR FURTHER HISTORY. THE FOLLOWING MEMORIES WERE PROVIDED BY REVEREND TIM NAKAYAMA IN A LETTER TO THE GALT ON 16 AUGUST, 2007. HE WROTE: “JAPANESE CALLIGRAPHY IS A MANUAL ART IN WHICH JAPANESE IDEOGRAPHS ARE EXECUTED BY THE USE OF A “FUDE” BRUSH. THE INK IS PREPARED ON A BLACK RECESSED SMOOTH STONE ON WHICH BLACK “SUMI” (A SPECIAL CHARCOAL SUBSTANCE) IS RUBBED AND MIXED WITH A SMALL QUANTITY OF WATER. THE BRUSH IS DIPPED IN THE PREPARED “SUMI” AND THE IDEOGRAPHS ARE ARTISTICALLY “PAINTED” ON JAPANESE “WASHI” PAPER IF AVAILABLE. IT’S ABSORBENCY TAKES THE BRUSH STROKES THAT ARE BOLDLY MADE IN A GIVEN REGULAR SEQUENCE AND ORDER FOR EACH IDEOGRAPH.”
Catalogue Number
P19970041413
Acquisition Date
1997-01
Collection
Museum
Less detail
Other Name
LETHBRIDGE BREWERY ADVERTIQUE
Date Range From
1980
Date Range To
1990
Material Type
Artifact
Materials
SYNTHETIC FABRIC, VINYL, STEEL
Catalogue Number
P20010112000
Material Type
Artifact
Other Name
LETHBRIDGE BREWERY ADVERTIQUE
Date Range From
1980
Date Range To
1990
Materials
SYNTHETIC FABRIC, VINYL, STEEL
No. Pieces
1
Length
62.0
Width
15.5
Description
GREEN HAND TOWEL. FOLDED INTO THIRDS LENGTHWISE; IS KEPT FOLDED BY A STEEL RIVET AT THE TOP, THAT HAS A SMALL LOOP FOR HANGING ON THE BACK. NEAR TOP OF TOWEL IS A ROUND PIECE OF BLACK VINYL WITH WHITE PRINT ON IT. IT READS "YOUR HOST LETHBRIDGE BREWERY", AND INCLUDES THE OUTLINE OF THE HOUSE OF LETHBRIDGE. TOWEL HAS A FLUFFY APPEARANCE, EXCEPT FOR A BAND AROUND TOP AND BOTTOM. TOWEL HAS SOME LOOSE THREADS.
Subjects
TOILET ARTICLE
Historical Association
PERSONAL CARE
BUSINESS
History
TOWEL BELONGED TO DONOR'S BROTHER, JOE KOVACS. DONOR THINKS BROTHER ACQUIRED TOWEL AS A MEMENTO BEFORE HE RETIRED FROM THE LETHBRIDGE BREWERY. TOWEL POSSIBLY USED IN THE SNAKE ROOM, WHICH WAS A ROOM AT THE BREWERY USED FOR ENTERTAINING. JOE KOVACS WORKED AT THE LETHBRIDGE BREWERY FOR 17 YEARS IN THE BOTTLING DEPARTMENT; STARTED IN THE EARLY 70S AND RETIRED SHORTLY BEFORE THE BREWERIES CLOSURE IN 1990. DONORS PARENTS IMMIGRATED FROM HUNGARY AND SETTLED IN RAYMOND THEN HARDIEVILLE, CA. 1920S. THE FAMILY FARMED IN SHAUGHNESSY THEN LATER MOVED TO LETHBRIDGE, IN 1951. BOTH JOE AND ANDREW STAYED IN LETHBRIDGE ALL THEIR LIVES. JOE PASSED AWAY AROUND 1994. ANDREW USED TO WORK FOR OLIVER INDUSTRIAL SUPPLIES BEFORE HIS RETIREMENT IN 1996. *UPDATE* IN 2014 COLLECTIONS ASSISTANT JANE EDMUNDSON CONDUCTED A SURVEY OF ART OBJECTS (SOME OF WHICH ORIGINATED WITH THE LETHBRIDGE BREWERY), AND CORRELATED THIS ARTIFACT'S ORIGINAL LOCATION (THE "SNAKE ROOM" AT THE LETHBRIDGE BREWERY) WITH THE CONTENT OF TWO DONOR INTERVIEWS CONDUCTED BY COLLECTIONS TECH KEVIN MACLEAN. SEE RECORD P20120028003 FOR AN INTERVIEW WITH DONOR LINDA LIPTAK, WHO WORKED THE BAR AND FOOD SERVICE THERE, AND P20100013007 FOR AN INTERVIEW WITH DONOR GUNTER HORN, FORMER LETHBRIDGE BREWERY BREWMASTER.
Catalogue Number
P20010112000
Acquisition Date
2002-03
Collection
Museum
Less detail
Other Name
MARQUIS HOTEL
Date Range From
1927
Date Range To
1988
Material Type
Artifact
Materials
TIN
Catalogue Number
P20050003000
Material Type
Artifact
Other Name
MARQUIS HOTEL
Date Range From
1927
Date Range To
1988
Materials
TIN
No. Pieces
5
Length
63
Diameter
42
Description
CEILING LIGHT FIXTURE WITH FOUR WHT RIBBED GLOBES. FIXTURE IS BLK WITH GLD ACCENTS. LIGHT SOCKETS ARE WHT PORCELAIN EACH CONTAINING THREE SCREWS TO SECURE GLASS RIBBED GLOBES 21 (H) X 7.5 (D). CENTER OF FIXTURE DISPLAYS A ACORN. FIXTURE HANGS SUSPENDED BY A CHAIN WHICH IS ATTACHED TO A CIRCULAR BLK PLATE.
Subjects
LIGHTING DEVICE
Historical Association
BUSINESS
History
THE LIGHT FIXTURE WAS TAKEN OUT OF THE MARQUIS HOTEL BEFORE ITS DEMOLITION IN 1988. EMIL GUNDLOCK A MORTGAGE BROKER WORKED WITH THE HOTEL'S OWNERS ,JOANNE AND BOB CORBET, TO REFINANCE THE HOTEL FOR IMPROVEMENTS. GUNDLOCK SAID, HOWEVER, THAT THE ROYAL BANK WOULD NOT APPROVE THE REFINANCING AND, SUBSEQUENTLY, TOOK OVER THE HOTEL'S MANAGEMENT. DISCUSSING THE FUTURE OF THE HOTEL OVER A DRINK (WHILE THE BAR WAS STILL IN OPERATION), CORBET AND GUNDLOCK DECIDED IT WOULD BE A "SHAME" TO SEE THE HOTEL'S ARCHITECTURAL ELEMENTS DESTROYED AND LOST AND, THUS THEY DECIDED TO REMOVE SOME OF THE HOTEL'S FIXTURES, DOORS (ELEVATOR), ETC. GUNDLOCK CLAIMED IT WAS ENOUGH TO FILL A "TRUCKLOAD". RBC, HOWEVER, LEARNED OF THE SALVAGE OPERATION AND DEMANDED THAT THE ARCHITECTURAL ELEMENTS BE RETURNED. GUNDLOCK KNEW SOME OF THE MATERIAL WAS RETURNED, BUT SOME WAS ALSO RETAINED. GUNDLOCK BELIEVED THAT THE MATERIAL ENDED UP IN THE RBC BANK MANAGER'S HOUSE. GUNDLOCK RECOGNIZED THE LAMP AND BOX THAT IT WAS PACKAGED IN, WHEN HE VISITED THE GALT IN EARLY 2007. SOMEHOW, THE FIXTURE CAME INTO POSSESSION OF TED STILSON WHO LATER PASSED IT ON TO THE DONOR IN 2005. GUNDLOCK WAS CONFIDENT THAT THE STYLE OF THE LAMP, IF NOT THIS VERY LAMP, WAS INSTALLED IN THE ROOM ATTRIBUTED TO SENATOR GLADSTONE WHO WAS THE FIRST NATIVE SENATOR AND FROM THE BLOOD RESERVE. THE ART DECO HOTEL OPENED IN 1928. IN ADDITION TO BEING THE FIRST BUSINESS IN LETHBRIDGE TO UTILIZE NEON SIGNAGE, THE HOTEL BOASTED AN ORIGINAL SEVENTY-EIGHT BEDROOMS AND A BANQUET AREA CAPABLE OF SEATING 250 PERSONS.
Catalogue Number
P20050003000
Acquisition Date
2005-08
Collection
Museum
Less detail
Date Range From
1950
Date Range To
2007
Material Type
Artifact
Materials
WOOD, STEEL, BRASS
Catalogue Number
P20070023004
Material Type
Artifact
Date Range From
1950
Date Range To
2007
Materials
WOOD, STEEL, BRASS
No. Pieces
2
Height
202.0
Length
75.8
Width
31.5
Description
SET OF TWO WOODEN DOORS, BOTH PAINTED GREY-PURPLE WITH SMALL WINDOW, METAL DOOR CLOSURE DEVICE MOUNTED AT TOP, HANDLES ON ONE SIDE WITH STEEL PLATES ON REVERSE, STEEL PLATES ALONG BOTTOM WIDTH OF DOORS, AND THREE BRASS HINGES ALONG SIDES. ONE DOOR WITH "J" SHAPED PIECE OF METAL HANGING FROM HANDLE. 2 PIECES, IDENTICAL SIZE.
Subjects
BUILDING COMPONENT
Historical Association
BUSINESS
History
DOOR SET IS ONE OF TWO ENTRANCE DOOR SETS TO PARAMOUNT THEATRE CINEMA ONE. DOOR SET WAS REMOVED FROM THEATRE AFTER ITS CLOSURE IN 2007. ACCORDING TO JOEY SHACKLEFORD (GRANDSON OF A.W. SHACKLEFORD) IN 2010, THE PANE OF GLASS ON THE DOOR ALLOWED MANAGEMENT TO SEE WHEN THE LIGHTS WERE COMING ON. THIS FACILITATED THE PROCESS OF SWITCHING FROM THE EARLY VIEWING TO THE LATE VIEWING. THE LOBBY WOULD BE ROPED OFF AND THE PATRONS WOULD EXIT OUT THE SIDE DOOR. NEW PATRONS WOULD WAIT IN THE LOBBY UNTIL THE ROPES WERE TAKEN DOWN BEFORE ENTERING THE THEATRE. FOR MORE INFORMATION, SEE P20070023001 AND PERMANENT RECORD. *UPDATE* IN 2014 COLLECTIONS ASSISTANT JANE EDMUNDSON CONDUCTED A SURVEY OF ART OBJECTS, INCLUDING A PORTRAIT OF ALFRED WILLIAM SHACKLEFORD (P20060025001-GA), OWNER OF THE SHACKLEFORD THEATRES. THE FOLLOWING BIOGRAPHY OF MAYOR SHACKLEFORD WAS DEVELOPED WITH INFORMATION FROM ARCHIVES CANADA ONLINE AND A LETHBRIDGE HERALD TRIBUTE ARTICLE FROM MAY 31, 1992. A.W. SHACKLEFORD WAS BORN IN ESSEX, ENGLAND IN 1899 AND CAME TO CALGARY WITH HIS PARENTS IN 1909. AFTER HIGH SCHOOL HE TRAINED AS A DRAFTSMAN BUT WAS EMPLOYED BY THE FILM EXCHANGE AND FOX FILMS. IN 1921 HE WAS HIRED TO MANAGED THE KING'S THEATRE IN LETHBRIDGE AND BECAME ASSOCIATED WITH MARK ROGERS, A LETHBRIDGE BUSINESSMAN WHO OWNED THREE LOCAL MOVIE THEATRES. SHACKLEFORD ALSO BECAME PARTNER IN THE AMUSEMENT COMPANY THAT OPENED THE HENDERSON LAKE PAVILLION IN 1924. BY 1925 HE WAS PART-OWNER OF THE FORMER EMPRESS THEATRE ON 5TH AVENUE SOUTH, RENAMING IT THE ROXY. HE THEN TEAMED UP WITH THE FAMOUS PLAYERS COMPANY TO REMODEL THE FORMER PALACE THEATRE AND RENAME IT THE CAPITOL. SHACKLEFORD ALSO OPENED THE THEATRE IN THE FORMER COLLEGE MALL, BUILT THE 960-SEAT PARAMOUNT THEATRE ON 4TH AVENUE SOUTH, AND TOOK OVER OPERATION OF THE DIRVE-IN THEATRE AT THE SOUTH CITY LIMITS. SHACKLEFORD WAS HEAVILY INVOLVED IN CIVIC LIFE, ACTIVE IN GROUPS INCLUDING THE CANADIAN CANCER SOCIETY, THE GYRO CLUB, UNITED WAY, LETHBRIDGE & DISTRICT EXHIBITION BOARD, BOARD OF TRADE, ST. AUGUSTINE'S CHURCH, AND THE ALBERTA THEATRE OPERATORS ASSOCIATION. HE AND HIS WIFE ADA HAD TWO SONS, ROBERT AND DOUGLAS. AFTER SEVERAL TERMS AS ALDERMAN STARTING IN 1939, SHACKLEFORD FIRST SERVED AS MAYOR FROM 1944 - 1947, AND FOR TWO MORE TERMS FROM 1952 - 1955 AND 1957 - 1961. HE WORKED FOR 68 YEARS IN THE MOVIE BUSINESS, RETIRING AT AGE 90. W.A. SHACKLEFORD DIED IN LETHBRIDGE ON MAY 30, 1992. SEE PERMANENT FILE P20060025001 FOR HARDCOPIES OF SOURCE MATERIAL.
Catalogue Number
P20070023004
Acquisition Date
2008-08
Collection
Museum
Less detail
Other Name
PROJECTIONIST DOOR
Date Range From
1950
Date Range To
2007
Material Type
Artifact
Materials
STEEL
Catalogue Number
P20070023002
Material Type
Artifact
Other Name
PROJECTIONIST DOOR
Date Range From
1950
Date Range To
2007
Materials
STEEL
No. Pieces
1
Height
216.5
Length
91.0
Width
28.0
Description
STEEL DOOR, ONE SIDE PAINTED GREY-GREEN WITH BLACK SEMI-CIRCLE SURROUNDING METAL PUSH-PLATE AND KEYHOLE. BLACK METAL PROTECTIVE PLATE ALONG BOTTOM LENGTH OF DOOR. OTHER SIDE PAINTED WHITE, HAS METAL C-SHAPED HANDLE AND METAL DOOR CLOSURE DEVICE MOUNTED AT TOP. SIDE OF DOOR WITH DOOR LOCKING MECHANISM LABELLED, "SCHLAGE."
Subjects
BUILDING COMPONENT
Historical Association
BUSINESS
History
THE DOOR WAS REMOVED FROM THE PARAMOUNT THEATRE IN 2007. ACCORDING TO JOEY SHACKLEFORD (GRANDSON OF A.W. SHACKLEFORD) IN 2010, THE DOOR WAS FROM THE PROJECTION BOOTH. THE BOOTH WAS NEAR A PRIVATE VIEWING AREA ON THE UPPER FLOOR OF THE THEATRE. THE DOOR HAD A HALF CIRCLE WINDOW. HARRY BOYSE, AND RICHARD FURUKAWA WERE TWO OF THE PROJECTIONISTS AT THE PARAMOUNT THEATRE. WHILE SHACKLEFORD SAID MEMBERS OF HIS FAMILY WORKED ALMOST EVERY POSITION IN THE THEATRE THROUGHOUT THE COURSE OF THEIR LIVES, THE PROJECTIONIST JOB WAS THE “ONLY THING WE NEVER DID BECAUSE IT WAS A UNION POSITION. YOU HAD TO WRITE EXAMS AND PUT IN A CERTAIN AMOUNT OF HOURS BEFORE YOU WERE QUALIFIED.” FOR MORE INFORMATION, SEE P20070023001 AND PERMANENT RECORD. *UPDATE* IN 2014 COLLECTIONS ASSISTANT JANE EDMUNDSON CONDUCTED A SURVEY OF ART OBJECTS, INCLUDING A PORTRAIT OF ALFRED WILLIAM SHACKLEFORD (P20060025001-GA), OWNER OF THE SHACKLEFORD THEATRES. THE FOLLOWING BIOGRAPHY OF MAYOR SHACKLEFORD WAS DEVELOPED WITH INFORMATION FROM ARCHIVES CANADA ONLINE AND A LETHBRIDGE HERALD TRIBUTE ARTICLE FROM MAY 31, 1992. A.W. SHACKLEFORD WAS BORN IN ESSEX, ENGLAND IN 1899 AND CAME TO CALGARY WITH HIS PARENTS IN 1909. AFTER HIGH SCHOOL HE TRAINED AS A DRAFTSMAN BUT WAS EMPLOYED BY THE FILM EXCHANGE AND FOX FILMS. IN 1921 HE WAS HIRED TO MANAGED THE KING'S THEATRE IN LETHBRIDGE AND BECAME ASSOCIATED WITH MARK ROGERS, A LETHBRIDGE BUSINESSMAN WHO OWNED THREE LOCAL MOVIE THEATRES. SHACKLEFORD ALSO BECAME PARTNER IN THE AMUSEMENT COMPANY THAT OPENED THE HENDERSON LAKE PAVILLION IN 1924. BY 1925 HE WAS PART-OWNER OF THE FORMER EMPRESS THEATRE ON 5TH AVENUE SOUTH, RENAMING IT THE ROXY. HE THEN TEAMED UP WITH THE FAMOUS PLAYERS COMPANY TO REMODEL THE FORMER PALACE THEATRE AND RENAME IT THE CAPITOL. SHACKLEFORD ALSO OPENED THE THEATRE IN THE FORMER COLLEGE MALL, BUILT THE 960-SEAT PARAMOUNT THEATRE ON 4TH AVENUE SOUTH, AND TOOK OVER OPERATION OF THE DIRVE-IN THEATRE AT THE SOUTH CITY LIMITS. SHACKLEFORD WAS HEAVILY INVOLVED IN CIVIC LIFE, ACTIVE IN GROUPS INCLUDING THE CANADIAN CANCER SOCIETY, THE GYRO CLUB, UNITED WAY, LETHBRIDGE & DISTRICT EXHIBITION BOARD, BOARD OF TRADE, ST. AUGUSTINE'S CHURCH, AND THE ALBERTA THEATRE OPERATORS ASSOCIATION. HE AND HIS WIFE ADA HAD TWO SONS, ROBERT AND DOUGLAS. AFTER SEVERAL TERMS AS ALDERMAN STARTING IN 1939, SHACKLEFORD FIRST SERVED AS MAYOR FROM 1944 - 1947, AND FOR TWO MORE TERMS FROM 1952 - 1955 AND 1957 - 1961. HE WORKED FOR 68 YEARS IN THE MOVIE BUSINESS, RETIRING AT AGE 90. W.A. SHACKLEFORD DIED IN LETHBRIDGE ON MAY 30, 1992. SEE PERMANENT FILE P20060025001 FOR HARDCOPIES OF SOURCE MATERIAL.
Catalogue Number
P20070023002
Acquisition Date
2008-08
Collection
Museum
Less detail
Other Name
PARAMOUNT THEATRE SALVAGE
Date Range From
1950
Date Range To
2007
Material Type
Artifact
Materials
CLOTH
Catalogue Number
P20070023001
Material Type
Artifact
Other Name
PARAMOUNT THEATRE SALVAGE
Date Range From
1950
Date Range To
2007
Materials
CLOTH
No. Pieces
1
Height
1.6
Length
146.5
Width
91.2
Description
SWATCH OF CARPET, RED BACKGROUND WITH FILIGREE PATTERN IN BLACK, GREEN, OCHRE, AND TAN COLOURS. SEAM ALONG LENGTH OF CARPET. CARPET HEAVILY WORN IN TWO PLACES. LOOSE THREADS AROUND EDGES AND STAINED THROUGHOUT.
Subjects
FLOOR COVERING
Historical Association
BUSINESS
History
SWATCH OF CARPET REMOVED FROM STAIRWELL OF PARAMOUNT THEATRE AFTER ITS CLOSURE IN 2007. CARPET APPEARS TO HAVE BEEN ORIGINAL TO THE BUILDING (SEE 19752201444 AND 19752201445 IN ARCHIVES FOR EARLY IMAGES OF THEATRE. PHOTOS TAKEN AT GRAND OPENING OF THEATRE). THE SAME PATTERN REMAINED IN USE IN THE THEATRE'S LOBBY UNTIL AT LEAST 1968 (SEE199110764140 IN ARCHIVES). NICOLE HEMBROFF, COLLECTIONS ASSISTANT, CONDUCTED AN INTERVIEW WITH JOEY SHACKLEFORD (GRANDSON OF A.W. SHACKLEFORD) IN 2010 AND HE SAID THE RUG SAW A LOT OF TRAFFIC. THE SEAMS WOULD FALL APART AND GET FIXED UNTIL THEY COULDN'T BE FIXED ANYMORE. WHEN NEW CARPETS WERE PURCHASED THEY TRIED TO PICK OUT DARK PATTERNS THAT WERE SIMILAR TO THE OLD ONES. THEY WANTED THE RUGS TO WEAR WELL. ACCORDING TO SHACKLEFORD, THE LOBBY, BACK OF THE THEATRES AND AISLES WOULD HAVE BEEN CARPETED. IN JANUARY OF 1946, MAJESTIC THEATRES, OWNED BY A. W. SHACKLEFORD AND FAMOUS PLAYERS, PURCHASED A SITE AT THE CORNER OF EIGHTH STREET AND FOURTH AVENUE FOR THE FUTURE PARAMOUNT THEATRE. THE 950-SEAT PARAMOUNT THEATRE COST $250,000 TO CONSTRUCT AND OPENED ITS DOORS ON OCTOBER 9, 1950. DURING IT’S 61 YEAR HISTORY (IT CLOSED IN 2007), SMOKEY AND THE BANDIT AND THE SOUND OF MUSIC WERE THE TWO OF THE TOP SHOWS, GRACING SCREENS FOR 13 AND 11 WEEKS, RESPECTIVELY. EVEN MORE IMPRESSIVELY, IN 1997 AND 1998 "THE TITANIC" RAN FOP 24 WEEKS. ROBERT SHACKLEFORD, CAPITOL’S HOUSE MANAGER AND A. W. SHACKLEFORD’S YOUNGEST SON, SAID, “THE PARAMOUNT BECAME A LANDMARK IN THIS CITY… IT WAS CONSIDERED THE FINEST THEATRE OF ITS TIME, NOT JUST IN LETHBRIDGE, BUT ANYWHERE.” IN ADDITION TO THE THEATRE, THREE OTHER BUSINESSES WERE HOUSED IN THE PARAMOUNT’S BUILDING, ALL OPENING OCTOBER 4TH, 1950: DON’S FLOWER AND GIFT SHOP, MARGOT’S LADIES WEAR, AND BROWN’S MUSIC SUPPLIES. THE PARAMOUNT DINER OPENED ITS DOORS ON OCTOBER 9, 1950, AND CLOSED IN 2005. DOUGLAS SHACKLEFORD, A. W. SHACKLEFORD’S ELDEST SON, MANAGED PARAMOUNT THEATRE FOR ITS FIRST YEAR, WHEN ASKED ABOUT THE NEW PARAMOUNT THEATRE, DOUGLAS SHACKLEFORD RESPONDED, “[IT’S] THE BEST IN THE WEST.” IN 1951, THE PARAMOUNT THEATRE RECEIVED THE LARGE MERIT AWARD, THE HIGHEST HONOUR AWARDED BY THE MOTION PICTURE THEATRE INDUSTRY. AN ACCOMPANYING PLAQUE STATED, “SELECTED BY THE SKILLED TECHNICAL EDITORS OF EXHIBITOR AND THEATRE CATALOG TO RECEIVE THE “LARGE MERIT AWARD” INTERNATIONAL RECOGNITION AS ONE OF THE MOST MODERN AND WELL APPOINTED OF ALL CURRENT THEATRES IN 1951.” THE THEATRE BOASTED STATE-OF-THE-ART SOUND AND PROJECTOR EQUIPMENT. THE PROJECTORS WERE THE FIRST OF THEIR KIND TO BE INSTALLED IN WESTERN CANADA. IN AN INTERVIEW WITH LETHBRIDGE HERALD IN OCT 1950, HARRY BOYSE, HEAD PROJECTIONIST, SAID, “THE PARAMOUNT’S PROJECTION SUITE IS ULTRA MODERN. IT IS EQUIPPED WITH THE LATEST PROJECTORS AND HAS SOUND EQUIPMENT THAT LEAVES ABSOLUTELY NOTHING TO BE DESIRED.” ANOTHER MODERN FEATURE OF THE THEATRE WAS THE ONE-WAY GLASS LOCATED BETWEEN THE MANAGER’S OFFICE AND THE AUDITORIUM AND FOYER. MANY DESIGN FEATURES OF THE PARAMOUNT STRESSED COMFORT. KROEHLER SLIDE-BACK CUSHIONED SEATS ALLOWED FOR CUSTOMERS TO REMAIN SEATED WHILE ALLOWING OTHERS TO PASS. LIGHTING SYSTEMS WERE DESIGNED TO GRADUALLY DECREASE AND INCREASE IN BRIGHTNESS SO THAT CUSTOMERS COULD ACCLIMATIZE. ADDITIONAL COMFORTS INCLUDE A WAITING LOUNGE, A WATER FOUNTAIN GUARANTEEING COLD WATER, A PRIVATE VIEWING ROOM FOR THOSE ON CALL, PRIVATE PARTIES, OR SMALL CHILDREN, AND A HEATING SYSTEM THAT EVENLY DISTRIBUTED HEAT. THROUGHOUT ITS OPERATIONS THE PARAMOUNT CINEMA UNDERWENT MANY RENOVATIONS AND FREQUENTLY UPDATED ITS TECHNOLOGY TO MEET MODERN STANDARDS. IN 1968, PARAMOUNT THEATRES ADDED A SECOND THEATRE, WHICH HELD 580 SEATS, MAKING IT THE FIRST MULTI-SCREEN THEATRE COMPLEX IN LETHBRIDGE. HENCEFORTH, IT WAS KNOWN AS PARAMOUNT CINEMA. IN 1985, SEAT WIDTH AND LEG ROOM WAS INCREASED, AND THE “CADILLAC” OF THEATRE SEATS WERE INSTALLED. IN 1988, 18 SURROUND SPEAKERS AND A DOLBY STEREO AMPLIFIER SYSTEM WERE INSTALLED. AT SOME POINT, THE PARAMOUNT RECEIVED A NEW CINEMASCOPE SCREEN. ACCORDING TO ROBERT SHACKLEFORD, THE GENERAL MANAGER OF LETHBRIDGE THEATRES LTD., “YOU RENOVATE OR STAGNATE… THAT’S BEEN MY POLICY ALL MY LIFE.” IN ADDITION TO PROVIDING ENTERTAINMENT, PARAMOUNT THEATRE SERVED THE COMMUNITY BY ALLOWING VARIOUS EVENTS TO TAKE PLACE INSIDE. IN JANUARY OF 1953, THE FIRST BAPTIST CHURCH BURNED DOWN, AND SUNDAY SERVICES WERE HELD AT THE PARAMOUNT THEATRE UNTIL A NEW CHURCH WAS BUILT. THE ST. MICHAEL’S SCHOOL OF NURSING HELD ITS GRADUATION CEREMONIES AT THE THEATRE DURING THE 1960S. THE PARAMOUNT HOSTED MANY CONCERTS, INCLUDING THE LETHBRIDGE SYMPHONY ORCHESTRA AND THE KIWANIS MUSIC FESTIVAL. AFTER UPDATING SCREEN TECHNOLOGY TO CINEMASCOPE, THE FRONT THREE ROWS WERE REMOVED. SHACKLEFORD SAID, “THAT’S WHEN WE DECIDED THE FRONT ROWS WERE TOO CLOSE FOR THE GIANT SCREEN AND WE EXPANDED THE STAGE TO ACCOMMODATE THE SYMPHONY…” IN 1978, THE SHACKLEFORD FAMILY ALONG WITH PARAMOUNT CINEMA HOSTED A WEEKEND-LONG EVENT TO CELEBRATE 50 YEARS OF FILM. THEY SCREENED OLD CLASSIC FILMS, AND OFFERED TICKETS, POPCORN, ICE CREAM AND DRINKS FOR $0.50 AND $0.10, RESPECTIVELY, REFLECTIVE OF 1928 PRICES. FAMOUS PLAYERS BOUGHT OUT THE SHACKLEFORD FAMILY AROUND 1990. IN THE FOLLOWING YEARS, THE PUBLIC COMPLAINED ABOUT DETERIORATING CONDITIONS OF THE THEATRE. SUCH COMPLAINTS WERE IGNORED BY FAMOUS PLAYERS. A LETTER IN THE LETHBRIDGE HERALD IN OCT 2004 ENCOURAGED THE PUBLIC TO WRITE TO THE VICE-PRESIDENT OF CORPORATE AFFAIRS TO VOICE THEIR DISAPPROVAL FOR THE STATE OF THE PARAMOUNT. FOR MORE INFORMATION, SEE PERMANENT RECORD, DVD WALKTHROUGH AFTER CLOSURE AND ARCHIVES 19752201444, 19752201445, 199110764140. *UPDATE* IN 2014 COLLECTIONS ASSISTANT JANE EDMUNDSON CONDUCTED A SURVEY OF ART OBJECTS, INCLUDING A PORTRAIT OF ALFRED WILLIAM SHACKLEFORD (P20060025001-GA), OWNER OF THE SHACKLEFORD THEATRES. THE FOLLOWING BIOGRAPHY OF MAYOR SHACKLEFORD WAS DEVELOPED WITH INFORMATION FROM ARCHIVES CANADA ONLINE AND A LETHBRIDGE HERALD TRIBUTE ARTICLE FROM MAY 31, 1992. A.W. SHACKLEFORD WAS BORN IN ESSEX, ENGLAND IN 1899 AND CAME TO CALGARY WITH HIS PARENTS IN 1909. AFTER HIGH SCHOOL HE TRAINED AS A DRAFTSMAN BUT WAS EMPLOYED BY THE FILM EXCHANGE AND FOX FILMS. IN 1921 HE WAS HIRED TO MANAGED THE KING'S THEATRE IN LETHBRIDGE AND BECAME ASSOCIATED WITH MARK ROGERS, A LETHBRIDGE BUSINESSMAN WHO OWNED THREE LOCAL MOVIE THEATRES. SHACKLEFORD ALSO BECAME PARTNER IN THE AMUSEMENT COMPANY THAT OPENED THE HENDERSON LAKE PAVILLION IN 1924. BY 1925 HE WAS PART-OWNER OF THE FORMER EMPRESS THEATRE ON 5TH AVENUE SOUTH, RENAMING IT THE ROXY. HE THEN TEAMED UP WITH THE FAMOUS PLAYERS COMPANY TO REMODEL THE FORMER PALACE THEATRE AND RENAME IT THE CAPITOL. SHACKLEFORD ALSO OPENED THE THEATRE IN THE FORMER COLLEGE MALL, BUILT THE 960-SEAT PARAMOUNT THEATRE ON 4TH AVENUE SOUTH, AND TOOK OVER OPERATION OF THE DIRVE-IN THEATRE AT THE SOUTH CITY LIMITS. SHACKLEFORD WAS HEAVILY INVOLVED IN CIVIC LIFE, ACTIVE IN GROUPS INCLUDING THE CANADIAN CANCER SOCIETY, THE GYRO CLUB, UNITED WAY, LETHBRIDGE & DISTRICT EXHIBITION BOARD, BOARD OF TRADE, ST. AUGUSTINE'S CHURCH, AND THE ALBERTA THEATRE OPERATORS ASSOCIATION. HE AND HIS WIFE ADA HAD TWO SONS, ROBERT AND DOUGLAS. AFTER SEVERAL TERMS AS ALDERMAN STARTING IN 1939, SHACKLEFORD FIRST SERVED AS MAYOR FROM 1944 - 1947, AND FOR TWO MORE TERMS FROM 1952 - 1955 AND 1957 - 1961. HE WORKED FOR 68 YEARS IN THE MOVIE BUSINESS, RETIRING AT AGE 90. W.A. SHACKLEFORD DIED IN LETHBRIDGE ON MAY 30, 1992. SEE PERMANENT FILE P20060025001 FOR HARDCOPIES OF SOURCE MATERIAL.
Catalogue Number
P20070023001
Acquisition Date
2008-08
Collection
Museum
Less detail
Date Range From
1930
Date Range To
1940
Material Type
Artifact
Materials
STEEL
Catalogue Number
P19950073039
Material Type
Artifact
Date Range From
1930
Date Range To
1940
Materials
STEEL
No. Pieces
2
Height
9.5
Length
36.8
Width
22.5
Description
1. STEEL CLIPBOARD, PAINTED OLIVE GREEN. ROUNDED CORNERS WITH LIP ON BOTTOM AROUND PERIMETER. AT TOP IS DOUBLE RING FIXTURE WITH MOUNT, SCREWED ON WITH TWO SCREWS. EMBOSSED WITH "OFFICE SPECIALTY CANADA THE ORIGINAL SHANNON LOCK ARCH". RINGS ARE U-SHAPED, AND OPEN NEAR TOP BY STRETCHING APART WIRES. HOLE AT TOP FOR HANGING. PAINT SCRATCHED SOMEWHAT THROUGHOUT. 2. IDENTICAL TO .1, EXCEPT RING MOUNT IS ENGRAVED WITH "THE OFFICE SPECIALTY MFG. CO. LTD. NEWMARKET CANADA". PAINT SLIGHTLY MORE SCRATCHED THAN ON FIRST.
Subjects
WRITTEN COMMUNICATION T&E
Historical Association
BUSINESS
History
*UPDATE* IN 2014 COLLECTIONS ASSISTANT JANE EDMUNDSON CONDUCTED A SURVEY OF ART OBJECTS, INCLUDING ONE DONATED AS PART OF THE ING ESTATE (P19950073023). SHE EXTRACTED THE FOLLOWING INFORMATION ON THE ING FAMILY FROM PERMANENT FILE P19950073001, WHICH CONTAINS A TRANSCRIPT OF THE INTERVIEW COLLECTIONS TECH KEVIN MACLEAN CONDUCTED WITH HAROLD ING JR., SON OF HAROLD AND MYRA, IN HIS ROOM AT THE LETHBRIDGE HOTEL IN SEPTEMBER 2005. MYRA WAS BORN IN GOLDEN B.C. TO SHIN-BOW AND CHOW TING RAH; HER FATHER ORGINALLY EMIGRATED TO CANADA TO WORK ON CANADIAN RAILWAY CONSTRUCTION AND LATER BECAME A RESTAURANTEUR, WHERE MYRA DEVELOPED HER ENGLISH SKILLS AS A WAITRESS. "IN 1906 MY DAD [HAROLD ING SR.] LEFT HONG KONG FOR VANCOUVER, HE COULDN'T SPEAK ENGLISH... HE'S GOT TO BE A WAITER, A BUSBOY... AND HE LEARNED ALL THE WAY UP, IN THE MEANTIME PICKING UP ENGLISH... WENT TO WINNIPEG. THIS IS BEFORE ME. BY THEN HE KNEW THE WHOLE SYSTEM OF RESTAURANTING." MYRA AND HAROLD SR. MARRIED AND ADOPTED HAROLD JR. WHEN HE WAS BORN INTO A POOR FAMILY OF ELEVEN IN 1944, IN VANCOUVER. "ME AND MY TWIN SISTER WERE SOLD BECAUSE THERE WERE JUST TOO MANY. SO DAD, MY MOM PICKED ME AND DAD SAID YES THAT'S GOOD... I DON'T KNOW WHERE MY SISTER IS... THERE'S NO WAY OF FINDING OUT." THE ING FAMILY SETTLED IN LETHBRIDGE IN THE LATE 1940S, AND HAROLD SR. OWNS AND OPERATES THE NEW MOON CAFE AND TWO GROCERIES, WHICH ARE RUN BY THE FAMILY AND NEW CHINESE IMMIGRANTS THAT HAROLD SR. SPONSORED. "AT APPROXIMATELY FIVE YEARS OLD [MY FATHER] INTRODUCED ME TO THE NEW MOON CAFE, AND I WAS A BUSBOY AT THE AGE OF FIVE... IN 1951 HE SHOWED ME MY FIRST HUNDRED DOLLAR BILL... BECAUSE HE WAS THE OWNER... HE'D WAKE UP AT FIVE IN THE MORNING TO GO TO THE CAFE, OFF AND ON TO THE GROCERY STORE AND MIGHT BE DONE AT EIGHT AT NIGHT, SUPPER AND IMMEDIATELY TO CHINATOWN [FOR] GAMBLING, PUTTING DOWN MAH JONG." HAROLD JR. ATTENDED WESTMINISTER ELEMENTARY SCHOOL DURING THE DAY, AND CHINESE SCHOOL AT THE CHINESE NATIONAL LEAGUE IN THE EVENINGS - HIS FATHER WAS THE PRESIDENT OF THE NATIONAL LEAGUE, AND THE ORGANIZATION RAN THE SCHOOL, CULTURAL CELEBRATIONS, FILM SCREENINGS, AND BANQUETS, FUNDED BY MEMBERSHIP FEES. HAROLD'S YOUNGER BROTHER, CALVIN, "GOT SENT TO A BOARDING SCHOOL SOMEWHERE. HE WAS GIFTED, BUT HE HAD A BYPASS SURGERY, HE HAD SOMETHING WRONG WITH HIS HEART. HE COULDN'T HANDLE PUBLIC SCHOOL, SO THEY SENT HIM TO B.C." AFTER HIGH SCHOOL AND A BRIEF STINT IN CALGARY, HAROLD JR. RAN ING'S GROCERY FOR HIS FATHER, AND IN THE LATE 1960S AND EARLY 70S ALSO WORKED AS A PHOTOGRAPHER FOR THE LETHBRIDGE HERALD AND A SALESMAN AT SEARS. BOTH HAROLD SR. AND MYRA ING PASSED AWAY IN THE 1990S, AND THE OBJECTS ENCOMPASSING DONATION P19950073001-231 WERE COLLECTED FROM THE FAMILY HOME. FOR A COMPLETE TRANSCRIPT OF THE INTERVIEW, COPIES OF PHOTOGRAPHS AND WRITTEN DETAILS ON THE CHINESE NATIONAL LEAGUE, SEE PERMANENT FILE.
Catalogue Number
P19950073039
Acquisition Date
1995-11
Collection
Museum
Less detail
Date Range From
1950
Date Range To
2007
Material Type
Artifact
Materials
PLASTIC, WIRE
Catalogue Number
P20070023005
Material Type
Artifact
Date Range From
1950
Date Range To
2007
Materials
PLASTIC, WIRE
No. Pieces
1
Height
9.2
Length
24.0
Width
13.0 13.0
Description
PALE GREEN INTERCOM PHONE WITH SIX OFF-WHITE BUTTONS ON FRONT. BRAIDED PHONE CORD, SPEAKER AND RECEIVER OF PHONE OFF-WHITE COLOURED. LABELS NEXT TO BUTTONS READ, "MGR., LOBY, CONC., BOX. O., PROJ. 2." TEXT ON BACK READS, "MADE IN WESTERN GERMANY...". BROWN FOAM MATERIAL ON BACK OF PHONE DETERIORATING, SURFACE GRIME OVERALL, ESPECIALLY CONCENTRATED ON PHONE RECIEVER AND PHONE RESTING AREAS.
Subjects
SOUND COMMUNICATION T&E
Historical Association
BUSINESS
History
INTERCOM WAS INSTALLED IN THE PROJECTIONSIT ROOM OF CINEMA 1 AT THE PARAMOUNT THEATRE. IT ALLOWED THE USER TO STRATEGICALLY CONNECT WITH VARIOUS LOCATIONS IN THE THEATRE. INTERCOM WAS REMOVED FROM PARAMOUNT THEATRE AFTER ITS CLOSURE IN 2007. NICOLE HEMBROFF, COLLECTIONS ASSISTANT, CONDUCTED AN INTERVIEW WITH JOEY SHACKLEFORD (GRANDSON OF A. W. SHACKLEFORD) ON AUGUST 15, 2010, HE SAID THE INTERCOM SYSTEM WAS PRETTY BAREBONES. IT WAS USED FOR SEVERAL PURPOSES. FOR EXAMPLE, THE PROJECTIONIST'S ROOM WOULD RECEIVE A CALL TO START THE FILM. THIS WAS IMPORTANT BECAUSE THE MOVIES DIDN'T ALWAYS START ON TIME IN ORDER TO ALLOW BIG CROWDS TO COME IN. THE INTERCOM WAS ALSO USED BETWEEN THE MANAGER'S OFFICE AND THE CANDY BAR. THE PEOPLE WORKING AT THE CONCESSION COULD CALL THE MANAGER'S OFFICE TO OBTAIN MORE CANDY OR SUPPLIES. FINALLY, IT WAS COMMON FOR THE BOX OFFICE TO CALL THE MANAGER'S OFFICE IN ORDER TO GET MORE CHANGE OR TO GET MONEY TAKEN OUT. THIS WAS ESPECIALLY IMPORTANT BECAUSE THE BOX OFFICE WAS EXPOSED TO THE PEOPLE. BY TAKING MONEY TO THE MANAGER'S OFFICE ON A REGULAR BASIS, ONE COULD ENSURE THAT IF THE BOX OFFICE WAS ROBBED, NOT TOO MUCH MONEY WOULD BE LOST. FOR MORE INFORMATION, SEE P20070023001 AND PERMANENT RECORD. *UPDATE* IN 2014 COLLECTIONS ASSISTANT JANE EDMUNDSON CONDUCTED A SURVEY OF ART OBJECTS, INCLUDING A PORTRAIT OF ALFRED WILLIAM SHACKLEFORD (P20060025001-GA), OWNER OF THE SHACKLEFORD THEATRES. THE FOLLOWING BIOGRAPHY OF MAYOR SHACKLEFORD WAS DEVELOPED WITH INFORMATION FROM ARCHIVES CANADA ONLINE AND A LETHBRIDGE HERALD TRIBUTE ARTICLE FROM MAY 31, 1992. A.W. SHACKLEFORD WAS BORN IN ESSEX, ENGLAND IN 1899 AND CAME TO CALGARY WITH HIS PARENTS IN 1909. AFTER HIGH SCHOOL HE TRAINED AS A DRAFTSMAN BUT WAS EMPLOYED BY THE FILM EXCHANGE AND FOX FILMS. IN 1921 HE WAS HIRED TO MANAGED THE KING'S THEATRE IN LETHBRIDGE AND BECAME ASSOCIATED WITH MARK ROGERS, A LETHBRIDGE BUSINESSMAN WHO OWNED THREE LOCAL MOVIE THEATRES. SHACKLEFORD ALSO BECAME PARTNER IN THE AMUSEMENT COMPANY THAT OPENED THE HENDERSON LAKE PAVILLION IN 1924. BY 1925 HE WAS PART-OWNER OF THE FORMER EMPRESS THEATRE ON 5TH AVENUE SOUTH, RENAMING IT THE ROXY. HE THEN TEAMED UP WITH THE FAMOUS PLAYERS COMPANY TO REMODEL THE FORMER PALACE THEATRE AND RENAME IT THE CAPITOL. SHACKLEFORD ALSO OPENED THE THEATRE IN THE FORMER COLLEGE MALL, BUILT THE 960-SEAT PARAMOUNT THEATRE ON 4TH AVENUE SOUTH, AND TOOK OVER OPERATION OF THE DIRVE-IN THEATRE AT THE SOUTH CITY LIMITS. SHACKLEFORD WAS HEAVILY INVOLVED IN CIVIC LIFE, ACTIVE IN GROUPS INCLUDING THE CANADIAN CANCER SOCIETY, THE GYRO CLUB, UNITED WAY, LETHBRIDGE & DISTRICT EXHIBITION BOARD, BOARD OF TRADE, ST. AUGUSTINE'S CHURCH, AND THE ALBERTA THEATRE OPERATORS ASSOCIATION. HE AND HIS WIFE ADA HAD TWO SONS, ROBERT AND DOUGLAS. AFTER SEVERAL TERMS AS ALDERMAN STARTING IN 1939, SHACKLEFORD FIRST SERVED AS MAYOR FROM 1944 - 1947, AND FOR TWO MORE TERMS FROM 1952 - 1955 AND 1957 - 1961. HE WORKED FOR 68 YEARS IN THE MOVIE BUSINESS, RETIRING AT AGE 90. W.A. SHACKLEFORD DIED IN LETHBRIDGE ON MAY 30, 1992. SEE PERMANENT FILE P20060025001 FOR HARDCOPIES OF SOURCE MATERIAL.
Catalogue Number
P20070023005
Acquisition Date
2008-08
Collection
Museum
Less detail
Other Name
PORTABLE TYPEWRITER
Date Range From
1923
Date Range To
1933
Material Type
Artifact
Materials
IRON, STEEL, RUBBER, WOOD, PAPER
Catalogue Number
P19940010000
Material Type
Artifact
Other Name
PORTABLE TYPEWRITER
Date Range From
1923
Date Range To
1933
Materials
IRON, STEEL, RUBBER, WOOD, PAPER
No. Pieces
2
Description
1. CASE: 31.5 (L) X 25CM (W) X 12.5CM (H) WOOD COVER WITH BLACK PAPER COVERING WHICH IMITATES LEATHER LOOK. BACK OF CASE HAS FOUR ROUNDED STEEL FEET. FRONT HAS STEEL PLATE WITH CLASP RIVETED TO IT. AT CENTER OF PLATE IS CIRCULAR TAB WHICH OPENS CASE. TAB HAS CONCENTRIC CIRCLES ETCHED INTO IT. ETCHED INTO PLATE IS "U.T. CO. INC" AND "MADE IN U.S.A.". ABOVE PLATE ARE TWO RECTANGULAR STEEL BRACKETS WHICH HOLD LEATHER STRAP 19CM LONG. STRAP IS BLACK WITH STITCHED EDGING AND MUSHROOM SHAPED ENDS. LEATHER IS WORN AND CRACKING. ABOVE STRAP IS RECTANGULAR AREA WHICH WAS COVERED WITH BLUE FABRIC TAPE WHICH HAS BEEN PAINTED BLACK. PORTION OF TAPE HAS WORN OFF. AT INSIDE OF BACK ARE TWO STEEL ARMS WHICH HOOK INTO TYPEWRITER WHEN COVERED. 2. TYPEWRITER: 25.5 XM (L) X 21CM (W) X 10CM (H) BLACK CAST IRON TYPEWRITER WITH MANUAL KEY-STROKE MECHANISM. TYPEWRITER IS ATTACHED TO WOODEN BASE WHICH HAS TWO STEEL HINGE PLATES RIVETED TO BACK AND STEEL KNOB AT CENTER OF FRONT. WOODEN CASE SITS OVER TOP TYPEWRITER AND ATTACHES TO WOOD BOTTOM TO BECOME PORTABLE. TYPEWRITER HAS "UNDERWOOD STANDARD PORTABLE TYPEWRITER" EMBOSSED IN GOLD ACROSS BOTTOM OF FRONT FRAME. ALL KEYS ARE WHITE WITH BLACK PRINTING AND STEEL COLLARS. HAS BLACK RIBBON ON TWO BLACK ALUMINUM REELS. BEHIND KEYSTROKE MECHANISM IS LINED AND NUMBERED; PITCH SCALE ALSO EMBOSSED IN GOLD. PLATEN IS RUBBER WITH NUMEROUS PITS. PAPER SUPPORT AT BACK HAS LOGO WHICH IS LARGE GOLD "T" INSIDE A "U" WITH A TYPEWRITER AND "TRADE MARK" UNDERNEATH. WRITTEN ACROSS SUPPORT IN LARGE LETTERS IS "UNDERWOOD" WITH "MADE IN U.S.A" BENEATH. AT BASE OF BACK FRAME READS "PATENTED MADE IN U.S.A. OTHER PATENTS PENDING". IT LISTS 28 PATENT DATES FROM MARCH 19, 1912 TO MAY 22, 1923. ON BACK OF PAPER SUPPORT IS "LICENSED UNDER GUBELMANN PATENT NOVEMBER 9, 1915". BOTTOM OF TYPEWRITER HAS FOUR PLASTIC FEET SCREWED INTO WOOD BASE.
Subjects
WRITTEN COMMUNICATION T&E
Historical Association
BUSINESS
History
NOTE ACCOMPANYING TYPEWRITER CLAIMED THAT ARTIFACT WAS FIRST OF ITS KIND IN LETHBRIDGE AND ORIGINALLY OWNED BY A.W. SHACKLEFORD. TYPEWRITER WAS MOST RECENTLY OWNED BY DENISE BLACK. *UPDATE* IN 2014 COLLECTIONS ASSISTANT JANE EDMUNDSON CONDUCTED A SURVEY OF ART OBJECTS, INCLUDING A PORTRAIT OF ALFRED WILLIAM SHACKLEFORD (P20060025001-GA), SUPPOSED ORIGINAL OWNER OF THIS TYPEWRITER. THE FOLLOWING BIOGRAPHY OF MAYOR SHACKLEFORD WAS DEVELOPED WITH INFORMATION FROM ARCHIVES CANADA ONLINE AND A LETHBRIDGE HERALD TRIBUTE ARTICLE FROM MAY 31, 1992. A.W. SHACKLEFORD WAS BORN IN ESSEX, ENGLAND IN 1899 AND CAME TO CALGARY WITH HIS PARENTS IN 1909. AFTER HIGH SCHOOL HE TRAINED AS A DRAFTSMAN BUT WAS EMPLOYED BY THE FILM EXCHANGE AND FOX FILMS. IN 1921 HE WAS HIRED TO MANAGED THE KING'S THEATRE IN LETHBRIDGE AND BECAME ASSOCIATED WITH MARK ROGERS, A LETHBRIDGE BUSINESSMAN WHO OWNED THREE LOCAL MOVIE THEATRES. SHACKLEFORD ALSO BECAME PARTNER IN THE AMUSEMENT COMPANY THAT OPENED THE HENDERSON LAKE PAVILLION IN 1924. BY 1925 HE WAS PART-OWNER OF THE FORMER EMPRESS THEATRE ON 5TH AVENUE SOUTH, RENAMING IT THE ROXY. HE THEN TEAMED UP WITH THE FAMOUS PLAYERS COMPANY TO REMODEL THE FORMER PALACE THEATRE AND RENAME IT THE CAPITOL. SHACKLEFORD ALSO OPENED THE THEATRE IN THE FORMER COLLEGE MALL, BUILT THE 960-SEAT PARAMOUNT THEATRE ON 4TH AVENUE SOUTH, AND TOOK OVER OPERATION OF THE DIRVE-IN THEATRE AT THE SOUTH CITY LIMITS. SHACKLEFORD WAS HEAVILY INVOLVED IN CIVIC LIFE, ACTIVE IN GROUPS INCLUDING THE CANADIAN CANCER SOCIETY, THE GYRO CLUB, UNITED WAY, LETHBRIDGE & DISTRICT EXHIBITION BOARD, BOARD OF TRADE, ST. AUGUSTINE'S CHURCH, AND THE ALBERTA THEATRE OPERATORS ASSOCIATION. HE AND HIS WIFE ADA HAD TWO SONS, ROBERT AND DOUGLAS. AFTER SEVERAL TERMS AS ALDERMAN STARTING IN 1939, SHACKLEFORD FIRST SERVED AS MAYOR FROM 1944 - 1947, AND FOR TWO MORE TERMS FROM 1952 - 1955 AND 1957 - 1961. HE WORKED FOR 68 YEARS IN THE MOVIE BUSINESS, RETIRING AT AGE 90. W.A. SHACKLEFORD DIED IN LETHBRIDGE ON MAY 30, 1992. SEE PERMANENT FILE P20060025001 FOR HARDCOPIES OF SOURCE MATERIAL.
Catalogue Number
P19940010000
Acquisition Date
1994-03
Collection
Museum
Less detail
Other Name
DEANNA DURBIN POSTER
Date Range From
1930
Date Range To
1940
Material Type
Artifact
Materials
CARDBOARD
Catalogue Number
P19970107060
Material Type
Artifact
Other Name
DEANNA DURBIN POSTER
Date Range From
1930
Date Range To
1940
Materials
CARDBOARD
No. Pieces
1
Description
LARGE CARDBOARD FEMALE FIGURE CUT-OUT FROM THE HIPS UP, WITH BROWN CURLY HAIR, WEARING A BRIGHT PINK DRESS WITH GOLD TRIM, AND IS HOLDING A LIGHT GREEN PURSE IN HER HANDS. BACK IS PLAIN WITH A LONG NARROW PIECE OF WOOD ATTACHED TO THE BACK TO SUPPORT THE FIGURE. SURFACE IS SOILED AND BOTTOM HAS SIGNIFICANT WATER DAMAGE. BACK IS MARKED IN INK "PAID A. CHERVINSKI TABER".
Subjects
ADVERTISING MEDIUM
Historical Association
LEISURE
History
ACCORDING TO DONOR ITEM WAS USED TO ADVERTISE DEANNA DURBIN MOVIES AT THE CAPITOL THEATRE IN LETHBRIDGE. ACCORDING TO THE CANADIAN ENCYCLOPEDIA, DURBIN WAS THE TOP ACTRESS IN HOLLYWOOD WHEN SHE LEFT THE BUSINESS. THEATRE WAS OWNED BY A.W. SHACKLEFORD. FOR NEWSPAPER ARTICLE ON ACTRESS SEE PERMANENT FILE. *UPDATE* IN 2010, NICOLE HEMBROFF, COLLECTIONS ASSISTANT CONDUCTED A SURVEY OF PALLET RACKING. SHE CONTACTED THE DONOR TO GAIN MORE INFORMATION ABOUT THE POSTER. HIS COMMENTS ARE BELOW: ACCORDING TO CHERVINSKI, THE POSTER WAS USED TO ADVERTISE DEANNA DURBIN MOVIES AT THE CAPITOL THEATRE IN LETHBRIDGE. HE WAS GIFTED IT BY THEATRE OWNER/OPERATOR SHACKLEFORD IN THE 1950S. CHERVINSKI WAS INTERESTED IN THE DEANNA DURBIN POSTER BECAUSE OF HIS INVOLVEMENT IN THE LETHBRIDGE THEATRE SCENE. CHERVENSKI DID NOT RESPOND WITH A FAVOURITE DURBIN MOVIE WHEN ASKED. HE HAD THE CUT-OUT FOR AWHILE IN AN ANTIQUE STORE IN TABER WHERE HE WAS AN AREA MANAGER FOR ALBERTA GOVERNMENT TELEPHONES, INCLUDING VAUXHALL AND FOREMOST. ACCORDING TO THE CANADIAN ENCYCLOPEDIA, DURBIN WAS THE TOP ACTRESS IN HOLLYWOOD WHEN SHE LEFT THE BUSINESS. THEATRE WAS OWNED BY A.W. SHACKLEFORD. CHERVINSKI WAS PRESIDENT OF THE LETHBRIDGE THEATRE GROUP FOR FIVE YEARS, PUT ON MINSTREL SHOWS, WROTE THE PROGRAM FOR THE TABER GOLDEN JUBILEE AND MORE. FOR ADDITIONAL REFERENCES TO CHERVINSKI’S PERFORMING ARTS’ INVOLVEMENT, PLEASE SEE PERMANENT FILE. *UPDATE* IN 2015 COLLECTIONS ASSISTANT JANE EDMUNDSON DEVELOPED A BIOGRAPHY OF AB CHERVINSKI, THE DONOR OF THIS OBJECT, WITH INFORMATION FROM LETHBRIDGE HERALD ARTICLES FROM 1982, 1989, AND 2011. ADAM ABRAHAM 'AB" CHERVINSKI WAS BORN ON FEBRUARY 24, 1920 IN LETHBRIDGE. AS A TEENAGER HE WORKED AS A MESSENGER BOY FOR THE CPR TELEGRAPH OFFICE. CHERVINSKI BRIEFLY LIVED IN ONTARIO DURING HIS SERVICE WITH THE AIR FORCE, BUT RETURNED TO LETHBRIDGE WHERE HE WORKED FOR ALBERTA GOVERNMENT TELEPHONES FOR 37 YEARS. HE WAS A LIFELONG COLLECTOR OF ANTIQUES, AVID LOCAL HISTORIAN, AND HEAVILY INVOLVED IN MUSICAL THEATRE. AB CHERVINSKI DIED ON JUNE 2, 2011. SEE PERMANENT FILE P19970107001-GA FOR HARDCOPIES OF NEWSPAPER ARTICLES ABOUT CHERVINSKI. *UPDATE* IN 2014 COLLECTIONS ASSISTANT JANE EDMUNDSON CONDUCTED A SURVEY OF ART OBJECTS, INCLUDING A PORTRAIT OF ALFRED WILLIAM SHACKLEFORD (P20060025001-GA), OWNER OF THE SHACKLEFORD THEATRES. THE FOLLOWING BIOGRAPHY OF MAYOR SHACKLEFORD WAS DEVELOPED WITH INFORMATION FROM ARCHIVES CANADA ONLINE AND A LETHBRIDGE HERALD TRIBUTE ARTICLE FROM MAY 31, 1992. A.W. SHACKLEFORD WAS BORN IN ESSEX, ENGLAND IN 1899 AND CAME TO CALGARY WITH HIS PARENTS IN 1909. AFTER HIGH SCHOOL HE TRAINED AS A DRAFTSMAN BUT WAS EMPLOYED BY THE FILM EXCHANGE AND FOX FILMS. IN 1921 HE WAS HIRED TO MANAGED THE KING'S THEATRE IN LETHBRIDGE AND BECAME ASSOCIATED WITH MARK ROGERS, A LETHBRIDGE BUSINESSMAN WHO OWNED THREE LOCAL MOVIE THEATRES. SHACKLEFORD ALSO BECAME PARTNER IN THE AMUSEMENT COMPANY THAT OPENED THE HENDERSON LAKE PAVILLION IN 1924. BY 1925 HE WAS PART-OWNER OF THE FORMER EMPRESS THEATRE ON 5TH AVENUE SOUTH, RENAMING IT THE ROXY. HE THEN TEAMED UP WITH THE FAMOUS PLAYERS COMPANY TO REMODEL THE FORMER PALACE THEATRE AND RENAME IT THE CAPITOL. SHACKLEFORD ALSO OPENED THE THEATRE IN THE FORMER COLLEGE MALL, BUILT THE 960-SEAT PARAMOUNT THEATRE ON 4TH AVENUE SOUTH, AND TOOK OVER OPERATION OF THE DIRVE-IN THEATRE AT THE SOUTH CITY LIMITS. SHACKLEFORD WAS HEAVILY INVOLVED IN CIVIC LIFE, ACTIVE IN GROUPS INCLUDING THE CANADIAN CANCER SOCIETY, THE GYRO CLUB, UNITED WAY, LETHBRIDGE & DISTRICT EXHIBITION BOARD, BOARD OF TRADE, ST. AUGUSTINE'S CHURCH, AND THE ALBERTA THEATRE OPERATORS ASSOCIATION. HE AND HIS WIFE ADA HAD TWO SONS, ROBERT AND DOUGLAS. AFTER SEVERAL TERMS AS ALDERMAN STARTING IN 1939, SHACKLEFORD FIRST SERVED AS MAYOR FROM 1944 - 1947, AND FOR TWO MORE TERMS FROM 1952 - 1955 AND 1957 - 1961. HE WORKED FOR 68 YEARS IN THE MOVIE BUSINESS, RETIRING AT AGE 90. W.A. SHACKLEFORD DIED IN LETHBRIDGE ON MAY 30, 1992. SEE PERMANENT FILE P20060025001 FOR HARDCOPIES OF SOURCE MATERIAL. *UPDATE* IN 2018, COLLECTIONS ASSISTANT ELISE PUNDYK CONDUCTED AN ARTIFACT SURVEY, WHICH INCLUDED A NUMBER OF ARTIFACTS DONATED BY ADAM ABRAHAM CHERVINSKI. EXTENSIVE RESEARCH CONDUCTED TO LOCATE THE DONOR'S LIVING NEXT-OF-KIN WAS UNSUCCESSFUL.
Catalogue Number
P19970107060
Acquisition Date
1997-10
Collection
Museum
Less detail
Date Range From
1980
Date Range To
2000
Material Type
Artifact
Materials
PLASTIC, STEEL, GLASS
Catalogue Number
P20180005000
  2 images  
Material Type
Artifact
Date Range From
1980
Date Range To
2000
Materials
PLASTIC, STEEL, GLASS
No. Pieces
1
Height
30.5
Length
57
Width
11.3
Description
CAMCORDER COMPRISED OF LENS, BETACAM DECK, AND COLOR CAMERA. BETACAM DECK AT BACK OF CAMERA IS TWO-TONE GREY WITH TWO PLUG-INS FOR “AUDIO IN, CH-1, CH-2” AND ONE PLUG-IN FOR “DC-IN, 12V”. BETACAM DECK HAS TWO BLACK SLIDE BUTTONS ON TOP LABELLED IN WHITE “EJECT” AND “REW”. BETACAM DECK HAS GREY METAL HANDLE AT TOP THAT FASTENS TO BETA CASSETTE DECK. BETACAM DECK HAS YELLOWED PLASTIC WINDOW ON SIDE TO VIEW INSIDE MECHANISMS; BELOW WINDOW IS GREEN, RED AND BLUE DECAL READING “45 NEWS, 45”. REVERSE SIDE HAS SILVER “POWER ON/OF” SWITCH ABOVE METER MEASURING BATTERY CHARGE, “SONY VU”; BETACAM DECK HAS TWO ROUND BLACK BUTTONS LABELLED “RESET” AND “LIGHT” ABOVE BLACK SWITCH LABELLED “TAPE TIMER, TIME CODE”; SIDE HAS DIGITAL DISPLAY SCREEN READING “HOUR, MIN, SEC”. SIDE HAS ROW OF SIX RED LIGHTS NEAR BOTTOM LABELLED WITH WORN WHITE PAINT WITH FIRST TWO ILLEGIBLE, “HUMID, SLACK, TAPE END, BATTERY”. SIDE HAS PANEL THAT OPENS AT BOTTOM EDGE WITH SIX DARK GREY BUTTONS LABELLED IN PAIRS “HOUR, MINUTE, SECOND” AND TWO BLACK SWITCHES LABELLED “U-BIT, TIME” AND “REC RUN, FREE RUN”. SIDE HAS SILVER PLATE FIXED READING “SONY”. BACK OF BETACAM DECK HAS SILVER LABEL WITH RED, GREEN AND BLUE LOGO “45 CFCN TELEVISION”; BACK HAS BLACK LABEL WITH SILVER TEXT “SONY BETACAM, MODEL BVV-1, VIDEOCASSETTE BETACAM DECK, DCIN, 12V, 10W, NO. 11085, SONY CORPORATION, MADE IN JAPAN, 3-676-119-01”. TOP OF BETACAM DECK HAS BLACK LABEL WITH SILVER TEXT “SAVE MODE ONLY”. COLOR CAMERA IN MID-SECTION IS LIGHT GREY WITH SMALL PIECE OF SILVER TAPE FIXED TO TOP. SIDE OF CAMERA HAS YELLOW LABEL WITH BLACK “1”; SIDE HAS DARK GREY CONTROL PANEL AT BOTTON EDGE WITH EMBOSSED TEXT AND SILVER SWITCHES AND BUTTONS, “AUTO WHITE BAL, CAMERA, PRE HEAT/ON, VTR, SAVE/STOP, GAIN, 12/6/0, OUTPUT, BASS/CAM, WHITE BAL, PRE SET/AUTO”. SIDE HAS DARK GREY BUTTON ABOVE CONTROL PANEL LABELLED “VTR START”. SIDE HAS SILVER FITTING BESIDE PANEL LABELLED “PEDESTAL”. SIDE HAS SILVER LABEL WITH WORN BLACK TEXT “SONY MODEL NO. BVP-1, COLOR VIDEO CAMERA, DC, 12V, 11W, NO. 10505”. SIDE HAS SILVER LABEL WITH BLACK TEXT “FILTER, 1 3200’K, 2 5200’K + 1/4ND, 3 5200’K, 4 6800’K”. REVERSE SIDE HAS BLACK PLATE FIXED WITH SILVER TEXT “SONY” ABOVE BLACK LABEL WITH RED, GREEN, BLUE AND WHITE LOGO “TRINICON”. SIDE HAS SILVER FITTING AT LOWER EDGE WITH EMBOSSED LABEL “MONITOR OUT”; LOWER EDGE HAS SILVER KEY HOLE WITH EMBOSSED LABEL “BATTERY”. CAMERA HAS ATTACHED BLACK ABOVE-VIEWFINDER WITH RUBBER GUARD OVER GLASS LENS. VIEWFINDER IS FIXED TO FRONT OF CAMERA; VIEWFINDER HAS WHITE TAPE ATTACHED TO TOP WITH BLUE HANDWRITTEN TEXT “PASS JULZ DAMAGE TO TUBE OR MULT.PLER”. BACK OF VIEWFINDER HAS SILVER SWITCH “TALLY, ON/OF” AND TWO BLACK METAL TURN-KNOBS “BRIGHT, CONTR”. FRONT OF VIEWFINDER HAS BLACK PLATE ATTACHED WITH SILVER TEXT “SONY”. BLACK LENS AT FRONT FIXED IN LENS STAND WITH LEATHER STRAP ON SIDE AND BLACK PLASTIC BUTTONS “VTR, RET, IRIS M”; SIDE OF LENS STAND HAS BLACK SWITCHES “W/T” AND “IRIS, A/M”. LENS HAS WHITE LABEL AROUND MID-SECTION “CANON MACRO TV ZOOMJ13X9C, 9-117MM, 1.1.6, NO.80581, CANON, JAPAN”. LENS ROTATES TO ADJUST FOCUS AND DEPTH. BETACAM HAS WEAR ON LABELS AND DISCOLORATION ON PLASTIC WINDOW; COLOR CAMERA HAS WEAR ON LABELS AND ADHESIVE RESIDUE ON SIDE; HANDLE ON TOP HAS WORN AND CHIPPED PAINT; VIEWFINDER IS WORN; OVERALL VERY GOOD CONDITION.
Subjects
TELECOMMUNICATION T&E
Historical Association
PROFESSIONS
BUSINESS
History
ON MARCH 22, 2018, COLLECTIONS TECHNICIAN KEVIN MACLEAN INTERVIEWED DARREN KRONLUND REGARDING HIS DONATION OF A SONY BVV-1 BETACAM AND CAMCORDER. THE CAMCORDER WAS USED IN THE 1980S BY THE CTV LETHBRIDGE FILM CREW. ON THE FUNCTION OF THE CAMERA IN THE CTV STUDIO, KRONLUND ELABORATED, “THE TECHNOLOGY WITH CAMERAS PROGRESSED QUICKER THAN THE DECKS DID. THESE CAMERAS AND DECKS ARE USED FOR ELECTRONIC FIELD PRODUCTION [AND ARE] CALLED THE EFP CAMERAS. THE DECKS KIND [ARE] THAT TECHNOLOGY WHICH THE MAJORITY OF STATIONS USED FOR THE LONGEST TIME [IN] SONY BETA CAM FORMAT. THAT’S WHAT THE DECK IS, BUT THE CAMERAS THEMSELVES HAD AT ONE TIME THREE TUBES FOR COLOUR CAMERAS. THEN TECHNOLOGY CAME WHERE THEY COULD DO IT WITH JUST SENSORS…SO YOU DIDN’T HAVE TUBES. IT WAS MORE SENSITIVE TO LIGHT AND THAT WAS AN IMPROVEMENT. YOU DIDN’T HAVE TO HAVE TO BRING A BUNCH OF LIGHTS ALONG WITH YOUR SHOOTS. AS THOSE CAMERAS CAME OUT, THEY JUST DID SUCH A BETTER JOB, THAT THESE CAMERAS WERE NO LONGER USED. ALTHOUGH THEY WORKED, THEY WOULD JUST GET STORED AND NEWER TECHNOLOGY, BETTER PICTURES AND LIGHTER [WOULD BE USED].” “[THIS CAMERA] IS A COMPOSITE. AS TECHNOLOGY EVOLVED, THEY COULD SUPPLY [THE] UPPER HALF, THE CAMERA HALF, [AND] YOU COULD CONTINUE TO USE THE OLDER DECK.” TO ME [THE DECK AND CAMERA] ARE DIFFERENT [AGES]. I THINK THE DECK IS NEWER THAN THE CAMERA. OTHERWISE THEY’D BE THE SAME COLOUR. I CAN’T REMEMBER THE OLD, ORIGINAL DECK BUT YOU COULD SWAP OUT DECKS BECAUSE THEY DID MAKE IMPROVEMENTS WITH DECKS AS WELL. THERE WAS A TIME THEY USED METAL TAPES WHICH WAS FOR AUDIO. IT HELPED, YOU COULD GET BETTER AUDIO QUALITY. THEY CALLED THEM METAL, IT’S JUST METAL PARTICLES IN THE TAPE.” “I WOULD SAY THIS CAMERA PROBABLY GOT USED, I’M GOING TO GUESS ’84…IT MIGHT HAVE BEEN IN SERVICE WHEN I GOT HERE…I PROBABLY SERVICED THE] CAMERA AND/OR DECK…[BY 1990 IT WAS] PROBABLY REPLACED WITH THE NEWEST TECHNOLOGY. NOT THE NEWEST TECHNOLOGY BUT NEWEST TO US, CALGARY WOULD HAVE HAD THE NEWEST TECHNOLOGY.” “BETA WAS THE STAPLE FORMAT FOR VIDEO FOR MANY YEARS. PROBABLY LEADING RIGHT UP TO INTO THE DIGITAL WORLD IT WAS THE KING. PANASONIC HAD A FORMAT [TOO]…HITACHI HAD THEIR OWN TOO, BUT THEY EVEN MADE THEIR CAMERAS COMPATIBLE WITH BETA DECKS THAT’S HOW BIG INFLUENCE [WAS]. SOME SMALLER, INDEPENDENT STATIONS MAYBE WENT WITH SOME OF THAT STUFF, BUT I’D SAY 90% OF THE INDUSTRY WAS BETA.” “IT WAS [FOR] REPORTERS. IT WAS FOR NEWS AND VIDEO PRODUCTION.” KRONLUND ELABORATED ON THE CAMERA’S HISTORY IN PRODUCTION, NOTING, “IT’S BEEN IN THE BASEMENT FOR PROBABLY [TEN YEARS]…I FOUND IT IN AN OLD SHIPPING CONTAINER. THERE’S BEEN NUMEROUS UPGRADES TO CAMERAS SINCE THEN, SO NOTHING WAS DONE WITH IT. THE LAST TIME IT WAS USED I’M GOING TO GUESS [WAS] ROUGHLY TEN YEARS AGO, MAYBE MORE.” “I DOUBT YOU WOULD FIND ANYONE USING IT, BUT I WOULDN’T BE SURPRISED IF SOMEBODY HAD IT IN THEIR BASEMENT [FOR] THE SAME REASON OURS WAS. JUST OUT OF SIGHT, OUT OF MIND AND YOU’RE JUST GOING ABOUT YOUR DAY–TO-DAY BUSINESS, UNTIL YOU START CLEANING OUT THINGS AND YOU GO, “OH YEAH, THE OLD BBB1.”” “[WE ACQUIRED EQUIPMENT] USUALLY USED. CALGARY WOULD GET THE NEW STUFF AND THEN THE WORKING STUFF THAT THEY WERE REPLACING WOULD COME DOWN TO US, FOR THE MOST PART. THE CAMERAS WE HAVE NOW WERE BOUGHT BRAND NEW, STATE-OF THE-ART, SO THAT WAS NICE. IT IS NICE FOR THAT, BUT THIS WAS PROBABLY PRE-DATED EVEN ME AND I HAVE BEEN HERE TWENTY-EIGHT YEARS. IT WAS PROBABLY THE CAMERA THEY WERE USING, IF NOT AT THE TIME, BUT LIKELY BEFORE I STARTED.” “THIS [CAMERA] FUNCTIONS TODAY. I’M SURE YOU COULD MAKE PICTURES WITH IT, BUT THE USE OF IT WOULD PROBABLY BE, I’M GOING TO GUESS, MAYBE FIVE OR SIX YEARS. THEN [THE] BUDGETS WOULD [GROW], THEY GOT THIS NEW TECHNOLOGY YOU CAN SHOOT UNDER LESS LIGHT. IT’S A LIGHTER CAMERA AND [THEY] HAVE THESE BENEFITS, SO THEY WOULD BUDGET IN TO UPDATE THE CAMERAS AND DECKS. THROUGH THAT CYCLE, THAT IS WHEN WE WOULD PROBABLY GET A COUPLE OF NEW CAMERAS, THE OLDER STUFF WE’D PUT IN THE BASEMENT.” “I’M [NOW] CLEANING OUT OLD EQUIPMENT, BECAUSE IT BUILDS UP AND WE RUN OUT OF ROOM. IT’S SOMETHING HARD TO GET RID OF BECAUSE THEY’RE ALWAYS WORKING AND USUALLY WORKING AND FUNCTIONING FINE, BUT TECHNOLOGY PROGRESSES AND THEY BECOME BIGGER AND BETTER--OR THERE BECOMES BIGGER AND BETTER WAYS OF DOING THE SAME JOB. IT JUST GETS OUTDATED AND HITS THE SHELF. [I] HATE TO SEE IT JUST GET RECYCLED.” “I’M NOT REALLY THAT TYPE OF [NOSTALGIC] PERSON. THE CAMERAS TODAY ARE ALL DIGITAL, THEY GO RIGHT TO A SD CARD IN DIGITAL FORMAT. THERE’S NO MECHANICAL PARTS AND THAT’S PART OF THE REASON I WAS EMPLOYED BECAUSE SO MUCH OF WHAT I DID WAS BECAUSE PARTS WEAR OUT AND NEED TO BE FIXED AND REPLACED, WHERE THE NEW CAMERAS…IT’S NOT MUCH YOU CAN DO IF IT’S IN DIGITAL FORMAT AND [HAS] NO MECHANICAL MOVING PARTS. I DON’T MISS WORKING ON THEM, THAT COULD BE FRUSTRATING BECAUSE A LOT OF TINY LITTLE GEARS AND TIMING…YOU CAN SPEND HOURS AND NOT GET ANYWHERE, AND THEN FINALLY SHIP IT OUT TO THE MANUFACTURER BECAUSE YOU JUST COULDN’T GET ANYWHERE. YOU SPENT A WEEK WORKING ON IT AND NOW YOU’VE GOT TO, IN THE END, PAY SOMEONE TO DO IT. THOSE ARE FRUSTRATIONS, BUT IT IS SATISFYING WHEN YOU DO FIX A PROBLEM AND ARE ABLE TO FIX IT. BUT THOSE DAYS ARE BEHIND US AND I CAN’T SAY I MISS THEM. IT’S JUST DIFFERENT WAYS OF MAINTAINING CAMERAS NOW.” “IT’S HARD TO THROW OUT BECAUSE THE VALUE OF IT IS LIKE BUYING A CAR…AT THAT TIME. THAT’S WHAT YOU’RE DOING IS PUTTING A CAR ON YOUR SHOULDER, MAYBE NOT QUITE A CAR, BUT I’M GOING TO GUESS THIS CAMERA WAS PROBABLY FIFTEEN THOUSAND DOLLARS BACK THEN. THAT’S A LOT OF MONEY.” FOR MORE INFORMATION INCLUDING THE FULL INTERVIEW TRANSCRIPTION, PLEASE SEE THE PERMANENT FILE P20180005000-GA.
Catalogue Number
P20180005000
Acquisition Date
2018-03
Collection
Museum
Images
Less detail

23 records – page 1 of 2.