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6 records – page 1 of 1.

Date Range From
1850
Date Range To
1900
Material Type
Artifact
Materials
HORSE HAIRS, BUCKSKIN, CANCELLOUS BONE
Catalogue Number
P19641165000
  1 image  
Material Type
Artifact
Date Range From
1850
Date Range To
1900
Materials
HORSE HAIRS, BUCKSKIN, CANCELLOUS BONE
No. Pieces
4
Description
.1 PAINT BRUSH. 3 CM LTH X 18.1 CM DIA.. HORSE HAIR BRITTLE ENCASED IN BUCKSKIN. .2 PAINT BRUSH. 1.3 CM HT. X 3.8 CM WTH. X 5.1 CM LTH. CANCELLOUS BONE WEDGE ENCASED IN BUCKSKIN. YELLOW PAINT ADHERING TO BONE .3 PAINT BRUSH. 1.9 CM HT. X 3.5 CM WTH. X 8.2 CM LTH. GREEN PAINT. .4 PAINT BRUSH. 1.9 CM HT. X 3.8 CM WTH. X 8.9 CM LTH. .RED PAINT ADHERING TO BONE. CANCELLOUS BONE WEDGE ENCASED IN BUCKSKIN.CONSERVATION REPORT ON FILE.
Subjects
INDIGENOUS
Historical Association
DECORATIVE ARTS
ETHNOGRAPHIC
History
NORTHERN PLAINS INDIANS. *UPDATE* IN 2015 COLLECTIONS ASSISTANT JANE EDMUNDSON ASKED TWO FORMER MEMBERS OF THE LETHBRIDGE JUNIOR CHAMBER OF COMMERCE, PHIL EDMUNDSON AND PAUL RUSZNAK, ABOUT THE FIRST NATIONS ARTIFACTS THAT THE GROUP DONATED TO THE GALT MUSEUM IN 1964, 1969, AND 1973. NEITHER RECALLED HOW THE JAYCEES CAME INTO OWNERSHIP OF THE ARTIFACTS, AS THEIR ACQUISITION PREDATED BOTH EDMUNDSON AND RUSZNAK’S MEMBERSHIP IN THE CHAMBER. RESEARCH CONDUCTED INTO LETHBRIDGE’S GURNEY MUSEUM FOUND A CONNECTION BETWEEN ITS PROPRIETOR, WALTER GURNEY, AND THE JAYCEES, WHO ACCORDING TO AN ARTICLE FROM THE APRIL 16, 1946 ISSUE OF THE LETHBRIDGE HERALD ADVOCATED ON GURNEY’S BEHALF FOR IMPROVEMENTS TO BE MADE TO THE FORMER BOARD OF TRADE BUILDING WHERE THE MUSEUM WAS HOUSED. AN ARTICLE FROM THE JULY 13, 1948 ISSUE OF THE HERALD DESCRIBES SOME OF THE FIRST NATIONS ARTIFACTS ON DISPLAY IN THE MUSEUM: “TOMAHAWKS, ARROW HEADS, PEACE PIPES, BEAD AND LEATHER WORK, CLOTHING AND WOODCRAFT”. UPON THE CLOSURE OF THE MUSEUM AND SALE OF GURNEY’S COLLECTION TO BELMORE SCHULTZ OF THE ALTAMONT MUSEUM IN COUTTS, MENTION WAS MADE IN A HERALD ARTICLE FROM MAY 16, 1961 OF “HISTORICAL INDIAN RELICS THAT BELONG TO THE JUNIOR CHAMBER OF COMMERCE HAVE BEEN RETAINED IN THE CITY AND WILL BE AVAILABLE WHEN PROPER DISPLAY FACILITIES ARE AVAILABLE”. IT IS POSSIBLE THAT THE ARTIFACTS WERE TRANSFERRED TO THE JAYCEES BY GURNEY DURING THE DISSOLUTION OF HIS MUSEUM, BUT NO FURTHER CONFIRMATION WAS FOUND. FOR FURTHER INFORMATION ABOUT THE GURNEY MUSEUM AND ITS COLLECTION, SEE RECORD P19890044001.
UPDATE 16 AUGUST 2017: ON 25 JULY 2017, MUSEUM CURATOR AIMEE BENOIT FOUND EVIDENCE TO CONNECT THE INDIGENOUS COLLECTION DONATED BY THE LETHBRIDGE JAYCEES (AKA. JUNIOR CHAMBER OF COMMERCE) WITH FORMER LETHBRIDGE RESIDENTS THE LATE FRED BOTSFORD AND HIS LATE DAUGHTER DOROTHY CLARK. NOTES MADE BY AIMEE ON THE DISCOVERY AS WELL AS RELEVANT CLIPPINGS FROM THE LETHBRIDGE HERALD CAN BE FOUND ATTACHED TO THE PERMANENT FILE OF P19641140000.
Catalogue Number
P19641165000
Acquisition Date
1964-07
Collection
Museum
Images
Less detail
Other Name
BLANKET STRIP
Date Range From
1890
Date Range To
1900
Material Type
Artifact
Materials
BUCKSKIN, BEADS, SINEW
Catalogue Number
P19739145000
  1 image  
Material Type
Artifact
Other Name
BLANKET STRIP
Date Range From
1890
Date Range To
1900
Materials
BUCKSKIN, BEADS, SINEW
No. Pieces
1
Length
106.7
Width
8.9
Description
GEOMETRIC BEADWORK PATTERN WITH CROSS IN CIRCLE MOTIF REGULARLY SPACED. BACKED ON BUCKSKIN. ARTIFACT APPEARS COMPLETE. BEADS ARE RED, GREEN, WHITE, BLUE, YELLOW. BUCKSKIN BACKING SOILED, WORN. SEE CONSERVATION REPORT. *NOTE* LOOSE TASSELS
Subjects
BEDDING
PERSONAL GEAR
INDIGENOUS
Historical Association
DECORATIVE ARTS
ETHNOGRAPHIC
History
DESIGN & CONSTRUCTION METHOD INDICATE SIOUX ORIGINS. BLANKET STRIPS ORIGINAL USE TO JOIN A BUFFALO ROBE USED AS A BLANKET. WITH TRADE BLANKETS, STRIPS BECAME MORE DECORATIVE THAN FUNCTIONAL, OFTEN USED TO JOIN COURTING BLANKETS OF DIFFERENT COLORS. STRIPS OVER TIME BECAME LARGER IN WIDTH & FANCIER. MAY HAVE BEEN ASSOCIATED WITH SIOUX IN CANADA, OR TRADED/GIFT TO ALBERTA NATIVE.
Catalogue Number
P19739145000
Acquisition Date
1973-
Collection
Museum
Images
Less detail
Other Name
BIOLOGICAL PRODUCTS
Date Range From
1920
Date Range To
1930
Material Type
Artifact
Materials
GLASS, WOOD
Catalogue Number
P19810089000
  1 image  
Material Type
Artifact
Other Name
BIOLOGICAL PRODUCTS
Date Range From
1920
Date Range To
1930
Materials
GLASS, WOOD
No. Pieces
1
Length
85.0
Width
39.5
Description
MIRRORED GLASS WITH WOOD FRAME. BLACK COLOUR WITH RED LETTERS: "BIOLOGICAL PRODUCTS".
Subjects
ADVERTISING MEDIUM
Historical Association
RETAIL TRADE
History
PURCHASED BY THE CLUB FROM STOKES DRUG STORE FOR A 75 ANNIVERSARY GRANT FOR A MUSEUM DISPLAY. *UPDATE* IN 2014 COLLECTIONS ASSISTANT JANE EDMUNDSON CONDUCTED A SURVEY OF ART OBJECTS. THE FOLLOWING INFORMATION ABOUT THE STOKES DRUG STORE WAS DEVELOPED WITH INFORMATION FROM ERNEST BALL STOKES' LETHBRIDGE HERALD OBITUARY, AND AN EDITORIAL WRITTEN BY HIS GRANDDAUGHTER, FRANCES STOKES SCHIPPER, PUBLISHED IN THE HERALD'S AUGUST 15, 2008 ISSUE. STOKES DRUG CO. LTD, WAS FOUNDED BY PHARMACIST ERNEST BALL STOKES IN 1918, AND WAS LOCATED IN THE OLIVER BLOCK ON FIFTH STREET SOUTH IN LETHBRIDGE. ERNEST PASSED AWAY ON NOVEMBER 10, 1947, AND THE BUSINESS WAS TAKEN OVER BY HIS SON, JACK, WHO WAS ALSO TRAINED AS A PHARMACIST. THE STORE CLOSED UPON JACK STOKES' RETIREMENT IN 1981. SEE PERMANENT FILE FOR HARDCOPIES OF E.B. STOKE'S OBITUARY AND THE EDITORIAL.
Catalogue Number
P19810089000
Acquisition Date
1981-01
Collection
Museum
Images
Less detail
Other Name
WYETH'S PHARMACEUTICALS
Date Range From
1920
Date Range To
1930
Material Type
Artifact
Materials
GLASS, WOOD
Catalogue Number
P19810090000
  1 image  
Material Type
Artifact
Other Name
WYETH'S PHARMACEUTICALS
Date Range From
1920
Date Range To
1930
Materials
GLASS, WOOD
No. Pieces
1
Length
135.0
Width
39.5
Description
MIRRORED GLASS WITH WOOD FRAME, BLACK COLOUR & RED LETTERS: "WE DISPENSE WYETH' PHARMACEUTICALS".
Subjects
ADVERTISING MEDIUM
Historical Association
RETAIL TRADE
History
PURCHASED BY CLUB FROM STOKES DRUG STORE FOR A 75TH ANNIVERSARY GRANT GENERATED MUSEUM DISPLAY. *UPDATE* IN 2014 COLLECTIONS ASSISTANT JANE EDMUNDSON CONDUCTED A SURVEY OF ART OBJECTS. THE FOLLOWING INFORMATION ABOUT THE STOKES DRUG STORE WAS DEVELOPED WITH INFORMATION FROM ERNEST BALL STOKES' LETHBRIDGE HERALD OBITUARY, AND AN EDITORIAL WRITTEN BY HIS GRANDDAUGHTER, FRANCES STOKES SCHIPPER, PUBLISHED IN THE HERALD'S AUGUST 15, 2008 ISSUE. STOKES DRUG CO. LTD, WAS FOUNDED BY PHARMACIST ERNEST BALL STOKES IN 1918, AND WAS LOCATED IN THE OLIVER BLOCK ON FIFTH STREET SOUTH IN LETHBRIDGE. ERNEST PASSED AWAY ON NOVEMBER 10, 1947, AND THE BUSINESS WAS TAKEN OVER BY HIS SON, JACK, WHO WAS ALSO TRAINED AS A PHARMACIST. THE STORE CLOSED UPON JACK STOKES' RETIREMENT IN 1981. SEE PERMANENT FILE FOR HARDCOPIES OF E.B. STOKE'S OBITUARY AND THE EDITORIAL.
Catalogue Number
P19810090000
Acquisition Date
1981-01
Collection
Museum
Images
Less detail
Other Name
UMBILICAL CORD
Date Range From
1900
Date Range To
1910
Material Type
Artifact
Materials
BEADS, BUCKSKIN
Catalogue Number
P19641186000
  1 image  
Material Type
Artifact
Other Name
UMBILICAL CORD
Date Range From
1900
Date Range To
1910
Materials
BEADS, BUCKSKIN
No. Pieces
1
Height
2.9
Length
14.0
Width
7.3
Description
DORSAL SURFACE BUCKSKIN COVERED WITH GEOMETRIC BEADWORK DESIGN IN BLACK AND WHITE BEADS. VENTRAL SURFACE BUCKSKIN. HANDMADE. CONSERVATION REPORT ON FILE.
Subjects
INDIGENOUS
ADORNMENT
Historical Association
ETHNOGRAPHIC
History
DONOR CLAIMS MADE BY SIOUX & TRADED OR GIVEN TO BLOODS. THIS TYPEOF TURTLE UMBILICAL CHARM WORN BY FEMALE CHILDREN (SNAKE CHARMS WORN BY BOYS) UMBILICAL CORDS OF NEW-BORN WERE PLACED IN A BEADED CASE & WORN BY CHILD UNTIL ADOLESCENCE AS PROTECTIVE CHARM. *UPDATE* IN 2014 LOUISE-MARIE CROP EARED WOLF, A MEMBER OF THE KAINAI NATION, AND A FOURTH YEAR NATIVE AMERICAN STUDIES MAJOR AT THE UNIVERSITY OF LETHBRIDGE COMPLETED AN APPLIED STUDIES PROJECT WITH THE COLLECTIONS DEPARTMENT AT THE GALT MUSEUM. SHE PHOTOGRAPHED ETHNOGRAPHIC ARTIFACTS ASSOCIATED WITH FIRST NATIONS CULTURES IN SOUTHERN ALBERTA AND WROTE THE FOLLOWING TEXT TO PRESENT HER FOCUSED RESEARCH ON FOUR SPECIFIC ARTIFACTS (P19641186000, P19780209000, P19780208000, AND P19790235000): “I WANT TO DISPLAY THE KAINAI WOMEN BEADED ITEMS FROM THE GALT MUSEUM COLLECTIONS FOR THEIR ARTISTIC MERIT AND NOT JUST FOR THEIR ETHNOLOGICAL VALUE. THE FOUR ARTIFACTS SELECTED ARE REPRESENTATIVE OF FOUR GENERATIONS OF BEADERS: GRANDMOTHERS, MOTHERS, SISTER, AND DAUGHTERS. THE COLOURS ARE MEANINGFUL AND THE TRADITIONAL SYMBOLS ARE USED THROUGHOUT. THE ADHERENCE TO THE TRADITION, HOWEVER, DOES NOT SUPPRESS ARTISTIC EXPRESSION; THE BEADERS USE A FAIR DEGREE OF CREATIVITY IN THEIR CHOICE OF MATERIALS, SYMBOLS AND COLORS. THE ART OF BEADING IS NOT A “DYING ART” – IT IS THE ARTISTS, ARTISTIC EXPRESSION AND IT IS A “LIVING ART”. FOR GENERATIONS, KAINAI WOMEN BEADERS AND CLOTHING DESIGNERS HAVE BEEN MAKING CLOTHING FOR THE ENTIRE COMMUNITY. THE BEADED CLOTHING HONOURS THE FAMILY FROM ONE GENERATION TO THE NEXT IN A CONTINUOUS CIRCLE OF HONOURING. THE BEADED CLOTHING AND ACCESSORIES SUCH AS MOCCASINS, LEGGINGS, AND BELTS, COMMUNICATE THE IMPORTANCE OF THE FAMILY AND ILLUSTRATE HOW TRADITIONS ARE PASSED DOWN THROUGH GENERATIONS. THE BEADED WORK CONNECTS A BEADING ARTIST TO HER ANCESTORS. EVERY MOTIF, DESIGN, COLOUR OF SEED BEADS, STANDS FOR SOMETHING IMPORTANT TO THE ARTIST’S FAMILY, REFLECTING THE ARTIST’S SURROUNDINGS AND REINFORCING HER CULTURAL VALUES. LEARNING BY OBSERVATION, AN ARTIST PAYS RESPECT TO THE PAST, PRESENT, AND FUTURE KAINAI WOMEN BEADERS. THIS IS A PROTECTIVE SYMBOL OF THE TURTLE THAT IS WORN BY CHILDREN INTO THEIR ADOLESCENCE. THE GRANDMOTHER ENCASES THE UMBILICAL CORD IN ELK HIDE THAT IS CUT IN THE SHAPE OF TURTLE FOR GIRLS AND LIZARDS FOR BOYS; BOTH HAVE APPLICATION COLOURED SEED BEADS. THE DESIGN USES CONTRASTING BLACK AND WHITE BEADS TO EMULATE THE SHAPE AND TEXTURE OF THE ANIMAL. THE ITEM IS WORN ON THE BACK OF A DRESS ATTACHED NEAR THE NECK. THE ITEM INSURES THE SAFETY AND PROTECTION FROM INFANCY INTO ADULTHOOD." *UPDATE* IN 2015 COLLECTIONS ASSISTANT JANE EDMUNDSON ASKED TWO FORMER MEMBERS OF THE LETHBRIDGE JUNIOR CHAMBER OF COMMERCE, PHIL EDMUNDSON AND PAUL RUSZNAK, ABOUT THE FIRST NATIONS ARTIFACTS THAT THE GROUP DONATED TO THE GALT MUSEUM IN 1964, 1969, AND 1973. NEITHER RECALLED HOW THE JAYCEES CAME INTO OWNERSHIP OF THE ARTIFACTS, AS THEIR ACQUISITION PREDATED BOTH EDMUNDSON AND RUSZNAK’S MEMBERSHIP IN THE CHAMBER. RESEARCH CONDUCTED INTO LETHBRIDGE’S GURNEY MUSEUM FOUND A CONNECTION BETWEEN ITS PROPRIETOR, WALTER GURNEY, AND THE JAYCEES, WHO ACCORDING TO AN ARTICLE FROM THE APRIL 16, 1946 ISSUE OF THE LETHBRIDGE HERALD ADVOCATED ON GURNEY’S BEHALF FOR IMPROVEMENTS TO BE MADE TO THE FORMER BOARD OF TRADE BUILDING WHERE THE MUSEUM WAS HOUSED. AN ARTICLE FROM THE JULY 13, 1948 ISSUE OF THE HERALD DESCRIBES SOME OF THE FIRST NATIONS ARTIFACTS ON DISPLAY IN THE MUSEUM: “TOMAHAWKS, ARROW HEADS, PEACE PIPES, BEAD AND LEATHER WORK, CLOTHING AND WOODCRAFT”. UPON THE CLOSURE OF THE MUSEUM AND SALE OF GURNEY’S COLLECTION TO BELMORE SCHULTZ OF THE ALTAMONT MUSEUM IN COUTTS, MENTION WAS MADE IN A HERALD ARTICLE FROM MAY 16, 1961 OF “HISTORICAL INDIAN RELICS THAT BELONG TO THE JUNIOR CHAMBER OF COMMERCE HAVE BEEN RETAINED IN THE CITY AND WILL BE AVAILABLE WHEN PROPER DISPLAY FACILITIES ARE AVAILABLE”. IT IS POSSIBLE THAT THE ARTIFACTS WERE TRANSFERRED TO THE JAYCEES BY GURNEY DURING THE DISSOLUTION OF HIS MUSEUM, BUT NO FURTHER CONFIRMATION WAS FOUND. FOR FURTHER INFORMATION ABOUT THE GURNEY MUSEUM AND ITS COLLECTION, SEE RECORD P19890044001.
UPDATE 16 AUGUST 2017: ON 25 JULY 2017, MUSEUM CURATOR AIMEE BENOIT FOUND EVIDENCE TO CONNECT THE INDIGENOUS COLLECTION DONATED BY THE LETHBRIDGE JAYCEES (AKA. JUNIOR CHAMBER OF COMMERCE) WITH FORMER LETHBRIDGE RESIDENTS THE LATE FRED BOTSFORD AND HIS LATE DAUGHTER DOROTHY CLARK. NOTES MADE BY AIMEE ON THE DISCOVERY AS WELL AS RELEVANT CLIPPINGS FROM THE LETHBRIDGE HERALD CAN BE FOUND ATTACHED TO THE PERMANENT FILE OF P19641140000.
Catalogue Number
P19641186000
Acquisition Date
1964-07
Collection
Museum
Images
Less detail
Date Range From
1925
Date Range To
1935
Material Type
Artifact
Materials
LEATHER, PLASTIC BEADS
Catalogue Number
P19890047000
  2 images  
Material Type
Artifact
Date Range From
1925
Date Range To
1935
Materials
LEATHER, PLASTIC BEADS
No. Pieces
2
Height
9.5
Length
27.4
Width
9.2
Description
PAIR BEADED MOCCASINS, HANDMADE, PARFLECHE SOLE, BROWN-TANNED LEATHER UPPERS. BLUE, SILVER, RED, GREEN, YELLOW PLASTIC BEADS, FLOWER PATTERN. BEADED TRIM AROUND ANKLE; TASSELS ON HEELS. SEE CONSERVATION REPORT.
Subjects
CLOTHING-FOOTWEAR
INDIGENOUS
Historical Association
PERSONAL CARE
ETHNOGRAPHIC
History
MADE FOR SAMUAL ALEXANDER BUCKLAND CRABB, DONOR'S FATHER. DONOR BELIEVES MADE ABOUT 1925-26 BY JOE HEALY'S WIFE AS A GIFT. CRABB CAME TO ALBERTA ABOUT 1901 & CAME TO KNOW HEALY WHEN HE WORKED WITH NORTH WEST MOUNTED POLICE LATER EMPLOYED BY GALT #6 MINE. HE WAS KILLED IN KERALTA EXPLOSION IN 1943. HIS ACQUAINTENCE WITH HEALY WAS RENEWED BY CHANCE, & MOCCASINS MADE AFTER HEALY NOTICED THAT CRABB ALWAYS REMOVED HIS BOOTS & WANDERED AROUND IN STOCKING FEET. SEE PERMANENT FILE FOR FULL LETTER WRITTEN BY DONOR, NORMA B. CHARLES (CRABB). *UPDATE* IN 2014 COLLECTIONS ASSISTANT JANE EDMUNDSON CONDUCTED A SURVEY OF ART OBJECTS, INCLUDING A PORTRAIT OF JOE HEALY, WHOSE WIFE PURPORTEDLY MADE THESE MOCCASINS. THE FOLLOWING BIOGRAPHY ON JOE HEALY WAS DEVELOPED WITH INFORMATION FROM THE GALT ARCHIVES AND 'THE AMAZING DEATH OF CALFSHIRT: THREE HUNDRED YEARS OF BLACKFOOT HISTORY' BY HUGH DEMPSEY: POTAI'NA "FLYING CHIEF' JOE HEALY (LATER CALLED WOLF MOCCASIN) WAS BORN IN 1854 ON THE MONTANA BLACKFEET RESERVATION, TO THE LEADER OF THE BLOOD TRIBE, MANY BRAIDS. MANY BRAIDS HAD BECOME FRIENDLY WITH JOHN J. HEALY, CO-OPERATOR OF THE SUN RIVER CROSSING TRADING POST WITH ALFRED B. HAMILTON. DURING A ROUTINE VISIT TO THE TRADING POST, THE BLOODS' CAMP WAS RAIDED AT NIGHT BY A BAND OF PEND D'OREILLE WARRIORS. MANY BRAIDS, HIS WIFE, BABY AND TEENAGE DAUGHTER WERE KILLED IN THE CONFLICT, WHICH WAS WITNESSED BY JOHN HEALY. BEFORE HE DIED, MANY BRAIDS ASKED JOHN HEALY TO TAKE CARE OF HIS SON, FLYING CHIEF, THE ONLY SURVIVING MEMBER OF THE FAMILY. JOHN HEALY GAVE THE EIGHT YEAR OLD BOY THE NAME JOE HEALY, AND KEPT HIM AT THE TRADING POST UNTIL THE SUMMER, WHEN HE WAS ENROLLED IN THE SCHOOL AT NEARBY FORT SHAW. THERE JOE DEVELOPED HIS KNOWLEDGE OF ENGLISH. IN 1869, WHILE JOE WAS IN SCHOOL, HEALY AND HAMILTON WENT NORTH AND OPENED A TRADING POST AT THE CONFLUENCE OF THE OLDMAN AND ST. MARY RIVERS; THIS POST WOULD BECOME KNOWN AS FORT WHOOP-UP AND WAS INFAMOUS FOR ITS CONTRIBUTIONS TO THE WHISKEY TRADE AND VIOLENCE IN THE AREA UNTIL THE ARRIVAL OF THE NORTH-WEST MOUNTED POLICE IN 1874. THREE YEARS LATER, DUE TO A DECLINE IN THE BUFFALO POPULATIONS AND THUS THE ROBE MARKET, HEALY CLOSED THE SUN RIVER CROSSING POST AND MOVED TO FORT BENTON. JOE WAS NOW SIXTEEN AND WAS COMPELLED TO RETURN TO HIS RELATIVES AMONG THE BLOODS. HE FOLLOWED THE LAST BUFFALO HERDS WITH BULL SHIELD, AND JOINED IN RELIGIOUS AND WARFARE ACTIVITIES OF THE TRIBE. WHEN THE BLOODS SETLLED ON THEIR RESERVE IN 1881, JOE WAS THE ONLY MEMBER OF THE TRIBE WHO WAS FLUENT IN BLACKFOOT AND ENGLISH. HE WAS AN OUTSPOKEN SUPPORTER OF RELIGIOUS TRADITIONS AND DEFIED ATTEMPTS BY THE GOVERNMENT TO SUPRESS DANCES AND FESTIVALS. HE MARRIED WIDE NOSTRILS, THE DAUGHTER OF IRON PIPE, AND THEY HAD SIX DAUGHTERS AND FOUR SONS. JOE WORKED AS AN OFFICIAL INTERPRETER FOR THE GOVERNMENT WHEN A NEW TREATY WAS MADE IN 1883, AND AS A SCOUT FOR THE RNWMP. IN LATER YEARS HE CO-ORDINATED FIRST NATIONS' PARTICIPATION IN THE LETHBRIDGE EXHIBITION AND STAMPEDE. JOE HEALY DIED AT ST. PAUL'S MISSION ON THE BLOOD RESERVE IN 1936 AS ONE OF THE MOST RESPECTED PATRIARCHS OF THE BLOOD TRIBE.
Catalogue Number
P19890047000
Acquisition Date
1989-11
Collection
Museum
Images
Less detail

6 records – page 1 of 1.