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Date Range From
1888
Date Range To
1900
Material Type
Artifact
Materials
LINEN, COTTON
Catalogue Number
P19920020009
  2 images  
Material Type
Artifact
Date Range From
1888
Date Range To
1900
Materials
LINEN, COTTON
No. Pieces
1
Length
40.2
Width
28.0
Description
HEAVY LINEN BAG, 2 TIE STRAPS. PROBABLY HANDMADE. 20.4 CM SLIT ON FACE REINFORCED. SOME STAINS. WORN & PATCHED ON REAR FACE NEAR SLIT BOTTOM. SEE CONSERVATION REPORT.
Subjects
EXCHANGE MEDIUM
Historical Association
BUSINESS
CURRENCY/MAUNDY
History
BEGINNING ABOUT 1888, JOB REED BEGAN A MARKET GARDEN BUSINESS IN LETHBRIDGE. HANDMADE BAG IS BELIEVED TO DATE TO ABOUT THAT TIME. SEE P19920020001-GA FOR FURTHER DONOR & REED FAMILY HISTORY. FOR EXTENSIVE INFORMATION ON REED FAMILY EXHIBITION SEE HARDCOPY FILE P19920001001. *UPDATE* IN 2014 COLLECTIONS ASSISTANT JANE EDMUNDSON CONDUCTED A SURVEY OF ART OBJECTS, INCLUDING ONE ASSOCIATED WITH THE REED FAMILY. THE FOLLOWING BIOGRAPHY OF JOB REED WAS DEVELOPED WITH INFORMATION FROM AN ARTICLE ON THE REED FAMILY AND FARM FROM THE DECEMBER 30, 1985 ISSUE OF THE LETHBRIDGE HERALD, REED'S DEATH ANNOUNCEMENT FROM 1906, AND THE GALT ARCHIVES. JOB REED WAS BORN IN SOMERSETSHIRE, ENGLAND ON NOVEMBER 12, 1841. WHEN HE WAS 14, HIS FATHER DIED, LEAVING JOB THE RESPONSIBILITY OF PROVIDING FOR HIMSELF AND HIS WIDOWED MOTHER. HE WORKED FOR THE BRITISH POSTAL SERVICE AND COMPLETED HIS TEACHING CERTIFICATION. HE MARRIED MARY ELIZABETH HOBBS IN 1869, AND IMMIGRATED TO THE UNITED STATES IN 1873, MOVING FROM NEW ORLEANS TO TEXAS AND THEN PENNSYLVANIA, WHERE REED OBTAINED A DEGREE IN MEDICINE. THE COUPLE RETURNED TO ENGLAND, BUT REED'S MEDICAL TRAINING WAS NOT RECOGNIZED THERE, AND IN 1882 THEY CROSSED THE ATLANTIC AGAIN, MOVING WEST ACROSS CANADA IN STAGES, FINALLY ARRIVING IN LETHBRIDGE IN 1886. THE FAMILY HAD SEVEN CHILDREN: RICHARD, HENRY, ELIZABETH (WHO MARRIED GEORGE HERBERT WATSON), JOB JUNIOR (KNOWN AS BUDD), GEORGE, ANNIE, AND ELLA. REED PURCHASED TWO LOTS ON WHAT IS NOW 6TH AVENUE SOUTH. THE FAMILY OWNED AND OPERATED A MARKET GARDEN ON THE PROPERY, AND BUILT A STONE DUPLEX THAT STILL STANDS ON THE 1200 BLOCK OF 6TH AVENUE. REED WORKED AS A COAL MINER TO EARN MORE MONEY TOWARDS INVESTING IN FURTHER LAND, AND RAISED PIGS WITH SCRAP FOOD FROM THE NEARBY RCMP BARRACKS. IN 1901, REED PURCHASED 2.5 SECTIONS OF LAND NEAR PRESENT-DAY GRANUM WITH HIS FOUR SONS AND ONE SON-IN-LAW; HIS SON BILLY LATER TOOK OVER THIS RANCH. REED WAS A JUSTICE OF THE PEACE IN LETHBRIDGE AND A MEMBER OF THE SCHOOL BOARD. IN EARLY 1906, HE PURCHASED EDGEHILL FARM, NEAR SIX MILE COULEE, BUT HE DIED LATER THAT YEAR ON APRIL 25. MARY REED LIVED AT THE FARM FOR YEARS AFTERWARD, AND DIED IN KELOWNA, B.C. IN 1932 AT HOME OF ONE OF HER SONS. BOTH JOB AND MARY REED ARE BURIED IN MOUNTAIN VIEW CEMETERY IN LETHBRIDGE. SEE PERMANENT FILE P19980031006 FOR HARDCOPIES OF NEWSPAPER ARTICLES, AND PERMANENT FILE P19920001001 FOR RESEARCH CONDUCTED BY AIMEE VIEL FOR A GALT MUSUEM EXHIBIT ON THE REED FAMILY..
Catalogue Number
P19920020009
Acquisition Date
1992-07
Collection
Museum
Images
Less detail
Date Range From
1888
Date Range To
1900
Material Type
Artifact
Materials
LINEN, COTTON
Catalogue Number
P19920020015
  2 images  
Material Type
Artifact
Date Range From
1888
Date Range To
1900
Materials
LINEN, COTTON
No. Pieces
1
Length
48.0
Width
27.5
Description
HEAVY LINEN BAG, 2 TIE STRAPS. PROBABLY HANDMADE. 14.7 CM SLIT ON FACE REINFORCED. SOME STAINS. CONSERVATION REPORT.
Subjects
EXCHANGE MEDIUM
Historical Association
BUSINESS
CURRENCY/MAUNDY
History
HANDMADE BAG IS BELIEVED TO DATE TO ABOUT 1888 WHEN JOB REED BEGAN A MARKET GARDENING BUSINESS IN LETHBRIDGE. SEE P19920020001-GA FOR FURTHER REED FAMILY HISTORY & DONOR HISTORY. *UPDATE* IN 2014 COLLECTIONS ASSISTANT JANE EDMUNDSON CONDUCTED A SURVEY OF ART OBJECTS, INCLUDING ONE ASSOCIATED WITH THE REED FAMILY. THE FOLLOWING BIOGRAPHY OF JOB REED WAS DEVELOPED WITH INFORMATION FROM AN ARTICLE ON THE REED FAMILY AND FARM FROM THE DECEMBER 30, 1985 ISSUE OF THE LETHBRIDGE HERALD, REED'S DEATH ANNOUNCEMENT FROM 1906, AND THE GALT ARCHIVES. JOB REED WAS BORN IN SOMERSETSHIRE, ENGLAND ON NOVEMBER 12, 1841. WHEN HE WAS 14, HIS FATHER DIED, LEAVING JOB THE RESPONSIBILITY OF PROVIDING FOR HIMSELF AND HIS WIDOWED MOTHER. HE WORKED FOR THE BRITISH POSTAL SERVICE AND COMPLETED HIS TEACHING CERTIFICATION. HE MARRIED MARY ELIZABETH HOBBS IN 1869, AND IMMIGRATED TO THE UNITED STATES IN 1873, MOVING FROM NEW ORLEANS TO TEXAS AND THEN PENNSYLVANIA, WHERE REED OBTAINED A DEGREE IN MEDICINE. THE COUPLE RETURNED TO ENGLAND, BUT REED'S MEDICAL TRAINING WAS NOT RECOGNIZED THERE, AND IN 1882 THEY CROSSED THE ATLANTIC AGAIN, MOVING WEST ACROSS CANADA IN STAGES, FINALLY ARRIVING IN LETHBRIDGE IN 1886. THE FAMILY HAD SEVEN CHILDREN: RICHARD, HENRY, ELIZABETH (WHO MARRIED GEORGE HERBERT WATSON), JOB JUNIOR (KNOWN AS BUDD), GEORGE, ANNIE, AND ELLA. REED PURCHASED TWO LOTS ON WHAT IS NOW 6TH AVENUE SOUTH. THE FAMILY OWNED AND OPERATED A MARKET GARDEN ON THE PROPERY, AND BUILT A STONE DUPLEX THAT STILL STANDS ON THE 1200 BLOCK OF 6TH AVENUE. REED WORKED AS A COAL MINER TO EARN MORE MONEY TOWARDS INVESTING IN FURTHER LAND, AND RAISED PIGS WITH SCRAP FOOD FROM THE NEARBY RCMP BARRACKS. IN 1901, REED PURCHASED 2.5 SECTIONS OF LAND NEAR PRESENT-DAY GRANUM WITH HIS FOUR SONS AND ONE SON-IN-LAW; HIS SON BILLY LATER TOOK OVER THIS RANCH. REED WAS A JUSTICE OF THE PEACE IN LETHBRIDGE AND A MEMBER OF THE SCHOOL BOARD. IN EARLY 1906, HE PURCHASED EDGEHILL FARM, NEAR SIX MILE COULEE, BUT HE DIED LATER THAT YEAR ON APRIL 25. MARY REED LIVED AT THE FARM FOR YEARS AFTERWARD, AND DIED IN KELOWNA, B.C. IN 1932 AT HOME OF ONE OF HER SONS. BOTH JOB AND MARY REED ARE BURIED IN MOUNTAIN VIEW CEMETERY IN LETHBRIDGE. SEE PERMANENT FILE P19980031006 FOR HARDCOPIES OF NEWSPAPER ARTICLES, AND PERMANENT FILE P19920001001 FOR RESEARCH CONDUCTED BY AIMEE VIEL FOR A GALT MUSUEM EXHIBIT ON THE REED FAMILY..
Catalogue Number
P19920020015
Acquisition Date
1992-07
Collection
Museum
Images
Less detail
Other Name
BLANKET STRIP
Date Range From
1890
Date Range To
1900
Material Type
Artifact
Materials
BUCKSKIN, BEADS, SINEW
Catalogue Number
P19739145000
  1 image  
Material Type
Artifact
Other Name
BLANKET STRIP
Date Range From
1890
Date Range To
1900
Materials
BUCKSKIN, BEADS, SINEW
No. Pieces
1
Length
106.7
Width
8.9
Description
GEOMETRIC BEADWORK PATTERN WITH CROSS IN CIRCLE MOTIF REGULARLY SPACED. BACKED ON BUCKSKIN. ARTIFACT APPEARS COMPLETE. BEADS ARE RED, GREEN, WHITE, BLUE, YELLOW. BUCKSKIN BACKING SOILED, WORN. SEE CONSERVATION REPORT. *NOTE* LOOSE TASSELS
Subjects
BEDDING
PERSONAL GEAR
Historical Association
DECORATIVE ARTS
ETHNOGRAPHIC
History
DESIGN & CONSTRUCTION METHOD INDICATE SIOUX ORIGINS. BLANKET STRIPS ORIGINAL USE TO JOIN A BUFFALO ROBE USED AS A BLANKET. WITH TRADE BLANKETS, STRIPS BECAME MORE DECORATIVE THAN FUNCTIONAL, OFTEN USED TO JOIN COURTING BLANKETS OF DIFFERENT COLORS. STRIPS OVER TIME BECAME LARGER IN WIDTH & FANCIER. MAY HAVE BEEN ASSOCIATED WITH SIOUX IN CANADA, OR TRADED/GIFT TO ALBERTA NATIVE.
Catalogue Number
P19739145000
Acquisition Date
1973-
Collection
Museum
Images
Less detail
Other Name
WORK BOX
Date Range From
1830
Date Range To
1953
Material Type
Artifact
Materials
WOOD, MOTHER OF PEARL, PAPER.
Catalogue Number
P20090016001
  1 image  
Material Type
Artifact
Other Name
WORK BOX
Date Range From
1830
Date Range To
1953
Materials
WOOD, MOTHER OF PEARL, PAPER.
No. Pieces
14
Height
12.8
Length
19.9 19.9
Width
27.7
Description
WOODEN NEEDLEWORK BOX, TRAY, LIDS, NEEDLE HOLDERS, VENEER FRAGMENTS AND KEY – 14 PIECES. PLEASE REFER TO PERMANENT FILE FOR DIAGRAM OF BOX WITH LABELED COMPARTMENTS. 1. NEEDLEWORK BOX, DARK WOOD VENEER, RECTANGULAR SHAPE. TOP OF BOX DECORATED WITH TWO TONE DIAMOND SHAPED MOTHER OF PEARL INLAY, BORDER IS CREAM COLORED, MIDDLE BAND IS MARBELIZED, CENTRE IS CREAM WITH INITIALS "F.M" CARVED INTO THE SURFACE. SIMILAR TWO TONE DIAMOND SHAPED MOTHER OF PEARL INLAY LOCATED AROUND KEYHOLE ON FRONT OF BOX. PROPER LEFT SIDE OF LID MISSING STRIP OF VENEER GOING ENTIRE LENGTH OF BOX. VENEER ALSO MISSING ON BACK PROPER RIGHT CORNER AND FRONT PROPER LEFT CORNER. INSIDE OF BOX DECORATED WITH PINK SILK, AND CURVY STRIPED GREY AND CREAM PAPER. UNDERSIDE OF LID IS CREAM SILK PIN CUSION WITH METAL CLOSURE, PEARLESCENT BUTTON WITH MOTHER OF PEARL INLAY AND BLACK AND GOLD, FOLIAGE PATTERNED BORDER. PIN CUSHION PULLS OUT TO REVEAL EXPANDABLE PAPER FOLDER. BOX CONTAINS MULTI COMPARTMENT TRAY WHICH LIFTS OUT TO REVEAL LARGE STORAGE SPACE UNDERNEATH. 12.8 CM HIGH BY 19.9 CM LONG BY 27.7 CM WIDE. 2. TRAY WITH SIXTEEN COMPARTMENTS OF VARYING SIZES. WOODEN TRAY COVERED IN GREY AND CREAM CURVY STRIPED PAPER. FOUR COMPARMENTS COVERED WITH PINK SILK. PAPER PEELING ALONG FRONT, BOTTOM EDGE OF TRAY. 4.5 CM HIGH BY 17.3 CM LONG BY 25.2 CM WIDE. 3. LID, RECTANGULAR SHAPED. MOTHER OF PEARL FLOWER SHAPED HANDLE IN CENTER. TOP OF LID COVERED WITH PINK SILK, BOTTOM COVERED WITH GREY AND CREAM CURVY STRIPED PAPER. LID SOILED AND DISCOLORED THROUGHOUT. 0.8 CM HIGH BY 6.7 CM LONG BY 5.9 CM WIDE. 4. LID, RECTANGULAR SHAPED. PINK SILK COVERS TOP, GREY AND CREAM CURVY STRIPED FABRIC COVERS BOTTOM. PINK FABRIC LOOP ATTACHED TO PROPER LEFT SIDE OF LID. PINK SILK BAND WITH FOUR SEWN COMPARTMENTS RUNS THROUGH THE TOP CENTRE OF THE LID. APPEARS THAT THE BAND WOULD HAVE HELD TOOLS OF SOME SORT. SILK AND PAPER ARE SOILED AND DISCOLORED THROUGHOUT. EDGES OF SILK LOOP ARE FRAYING. 1.3 CM HIGH BY 6.9 CM LONG BY 12.8 CM WIDE. 5. LID, RECTANGULAR SHAPED. MOTHER OF PEARL FLOWER SHAPED HANDLE IN CENTRE. TOP OF LID COVERED WITH PINK SILK, BOTTOM COVERED WITH GREY AND CREAM CURVY STRIPED PAPER. LID SOILED AND DISCOLORED THROUGHOUT. 0.9 CM HIGH BY 6.7 CM LONG BY 6.0 CM WIDE 6. LID, RECTUANGULAR SHAPED. MOTHER OF PEARL FLOWER SHAPED HANDLE IN CENTRE. TOP OF LID COVERED WITH PINK SILK, BOTTOM COVERED WITH GREY AND CREAM CURVY STRIPED PAPER. LID SOILED AND DISCOLORED THROUGHOUT. 0.7 CM HIGH BY 3.6 CM LONG BY 11.5 CM WIDE. 7. COMPARTMENT DIVIDER, RECTANGULAR SHAPED. WOOD COVERED IN GREY AND CREAM CURVY STRIPED PAPER. PAPER SOILED AND DISCOLORED THROUGHOUT. PAPER ABSENT ON THREE OUT OF FOUR EDGES OF DIVIDER. 0.3 CM HIGH BY 3.0 CM LONG BY 2.5 CM WIDE. 8. (2) NEEDLE HOLDER BOOKS. OUTSIDE OF HOLDER COVERED IN PINK SILK, INSIDE COVERED IN GREY AND CREAM CURVY STRIPED PAPER. ATTACHED TO INSIDE OF HOLDER IS PIECE OF COTTON FABRIC WITH PINKED EDGES. EACH HOLDS ONE NEEDLE (SEE BELOW FOR DESCRIPTION). HOLDER SOILED AND DISCOLORED THROUGHOUT. 0.8 CM HIGH BY 4.8 CM LONG BY 2.5 CM WIDE. 9. NEEDLE, FINE, STAINLESS STEEL. SMALL EYE MEASURES A LITTLE LESS THAN 0.1 CM. 3.1 CM LONG BY LESS THAN 0.1 CM IN DIAMETER. 10. NEEDLE, STAINLESS STEEL. SMALL EYE MEASURES LESS THAN 0.1 CM. 3.9 CM LONG BY 0.1 CM IN DIAMETER. 11. VENEER, DARK COLORED WOOD. IRREGULAR EDGES. 19.1 CM LONG BY 1.1 CM WIDE. 12. VENEER, DARK COLORED WOOD. IRREGULAR EDGES. 11.8 CM LONG BY 1.3 CM WIDE. 13. KEY, SILVER. OVAL LOOP AT TOP, HOLLOW STEM WITH SMALL NODULE ON END. FOUR CIRCULAR INDENTED BANDS WHERE KEY LOOP MEETS KEY STEM. 0.4 CM HIGH BY 3.0 CM LONG BY 2.0 CM WIDE.
Subjects
TEXTILEWORKING T&E
Historical Association
DOMESTIC
History
ACCORDING TO THE DONOR, KATHERINE IVES TWISS, SHE GOT THE BOX FROM EDITH KIRK. SHE SAID, "IT WAS HER MOTHER'S BOX. MISS KIRK GAVE IT TO MY MOTHER [ETTA HENDERSON IVES] TO GIVE TO ME." TWISS WAS GIVEN THE BOX BECAUSE SHE WAS A "STUDENT AND FRIEND" OF KIRK. THE DONATION WAS BROUGHT IN BY TWISS'S DAUGHTER, K.A. STEEL, IN HER LETTER SHE WRITES, "WHEN MISS KIRK PASSED AWAY SHE LEFT AN ANTIQUE JEWELLERY-TYPE BOX... TO TWISS.... MISS KIRK SAYS THAT THE BOX BELONGED TO HER MOTHER AND WAS OVER 100 YEARS OLD. MOST OF ITS CONTENTS WERE VERY OLD AND BROKEN DOWN, BUT VERY INTERESTING. THIS BOX WAS THE ONLY POSSESSION THAT MISS KIRK HAD, AND SHE MUST HAVE LOVED IT DEARLY. IT WOULD HAVE BEEN ALL THAT SHE HAD OF HER MOTHER. SHE BROUGHT IT ALL THE WAY FROM ENGLAND, AND KEPT IT SAFE ALL THROUGHOUT HER LIFE... [WHEN SHE CAME TO LETHBRIDGE] SHE MET MRS. MARGARET (ETTA) HENDERSON IVES, WHO HAD BEEN BORN IN LETHBRIDGE IN 1890, AND THEY BECAME FRIENDS. MISS KIRK GOT SET UP IN A SMALL APARTMENT AND TAUGHT ART LESSONS. MRS. ETTA IVES HAD BOTH OF HER DAUGHTERS, MARGARET AND KATHARINE, TAKE ART LESSONS FROM MISS KIRK. MRS. IVES ALSO BOUGHT A NUMBER OF PAINTINGS FROM MISS KIRK. MISS KIRK WAS A LOVELY, DECENT WOMAN. MARGARET TOOK LESSONS BUT DIDN'T LOVE ART. KATHARINE LOVED ART AND WAS GIVEN MANY, MANY LESSONS. WHEN SHE LOOKS BACK SHE THINKS SHE WAS GIVEN SO MANY LESSONS NOT ONLY TO LEARN TO PAINT, BUT ALSO TO HELP MISS KIRK MAKE A LIVING. MISS KIRK HAD A TINY APARTMENT WHERE KATHARINE TOOK HER LESSONS. KATHARINE REMEMBERS THAT MISS KIRK ONLY HAD A HOT PLATE TO COOK HER MEALS ON. SHE REMEMBERS THAT MISS KIRK ALWAYS SEEMED TO BE COOKING AN EGG FOR HER MEAL. KATHARINE AND MISS KIRK ALSO SPENT A GREAT DEAL OF TIME TOGETHER IN THE COUNTRYSIDE SKETCHING... KATHARINE JUST LIKED MISS KIRK VERY MUCH AND REALLY LIKED THE ART LESSONS. SHE SAID THAT MISS KIRK REALLY KNEW HER COLOURS. MISS KIRK KNEW HOW TO MIX THE PAINTS TO GET JUST THE RIGHT COLOUR... AN ART LESSON COST 25 CENTS PER LESSON. ART SUPPLIES WERE EXPENSIVE AND GETTING ONE NEW COLOUR OF PAINT WAS AN EXCITING ADVENTURE. IT MUST HAVE BEEN HARD FOR MISS KIRK TO PURCASE ALL THE MATERIALS SHE NEEDED FOR HER PAINTINGS... KATHARINE GREW UP, MOVED AWAY... AND THEN MARRIED. MISS KIRK WANTED TO GIVE KATHARINE ONE OF HER PAINTINGS AS A WEDDING GIFT. MISS KIRK WROTE A LETTER TELLING KATHARINE TO COME AND PICK WHICHEVER PAINTING SHE LIKED THE BEST FOR HER WEDDING GIFT. KATHARINE DID PICK A PAINTING AND THAT PAINTING HAS BEEN ON HER WALL ALL OF THESE YEARS... " GALT CURATOR, WENDY AITKENS, DID SOME RESEARCH ON KIRK AND CONTINUES TO SEARCH FOR MORE ANSWERS ABOUT THE LIFE OF THIS WOMAN. SEE BELOW, "FOR 35 YEARS, LETHBRIDGE WAS THE HOME OF AN ACCOMPLISHED AND WELL KNOWN ARTIST AND ART TEACHER. EDITH FANNY KIRK, OR MISS KIRK AS MOST PEOPLE CALLED HER, CREATED WATER COLOUR LANDSCAPES OF ENGLAND, VANCOUVER, LETHBRIDGE, WATERTON, BANFF, AND JASPER. SHE TAUGHT MANY CHILDREN AND ADULTS THE SKILLS OF PAINTING. SHE ALSO SPOKE AT THE MATHESIS CLUB PERSENTING PAPERS ON THE DEVELOPMENT OF MODERN ART, THE EVOLUTION OF ART AND ART APPRECIATION. JOAN STEBBINS, PAST CURATOR AT THE SAAG, CREDITS THE INFLUENCE OF MISS KIRK FOR THE DEVELOPMENT OF THE LETHBRIDGE SKETCH (NOW ARTISTS') CLUB IN THE 1930S. WHEN MISS KIRK ARRIVED IN LETHBRIDGE IN 1918, SHE WAS 60 YEARS OLD. SHE WAS BORN IN 1858 AND WAS RAISED IN YORKSHIRE, ENGLAND. HER MOTHER, FANNY (NEE MAUGHAM) PASSED AWAY WHEN EDITH WAS A YOUNG GIRL AND HER FATHER REMARRIED. THE STORY, FROM SECOND HAND SOURCES, WAS THAT SHE AND HER STEP MOTHER DID NOT LIKE ONE ANOTHER. THIS PROVIDED TO BE A BLESSING IN DISGUISE BECAUSE EDITH WAS SENT AWAY TO STUDY ART. EDITH STUDIED IN SOUTH KENSINGTON, LONDON AND PARIS. DURING HER SUMMERS SHE JOINED ARTIST'S COLONIES IN CORNWALL, WALES AND YORKSHIRE. SHE WROTE OF IMPRESSIONIST PAUL CEZANNE BEING HER "MODEL AND INSPIRATION" AND SHE GREATLY ADMIRED ROMANTIC ARTIST JOHN SELL COTMAN. KIRK NEVER MARRIED AND, FOR SOME REASON, SHE DECIDED TO IMMIGRATE TO CANADA AT THE AGE OF 46. SHE ARRIVED IN HALIFAX ABOARD THE HMS CANADA IN APRIL 1905. THE PASSENGER LIST INDICATED SHE WAS TRAVELING ON TO VANCOUVER AND HER OCCUPATION WAS LISTED AS A GOVERNESS. IT SEEMS SHE DIDN'T STAY LONG IN VANCOUVER BUT SOON TRAVELLED TO ATLIN, B.C. TO GET TO ATLIN, KIRK WOULD HAVE TAKEN A SHIP TO SKAGWAY, THE WHITE PASS RAILWAY TO CARCROSS AND THEN AN OVERLAND AND BOAT TRIP TO ATLIN. IT IS A MYSTERY WHY SHE CHOSE TO GO TO A REMOTE GOLD RUSH TOWN IN NORTH WESTERN BRITISH COLUMBIA. NEXT WE FIND KIRK, IN 1911, BOARDING WITH THE WOODS FAMILY IN LILLOOET, NORTHWEST OF KAMLOOPS, B.C. THERE SHE IS A PUBLIC SCHOOL TEACHER. SEVEN YEARS LATER EDITH KIRK IS IN LETHBRIDGE. IT SEEMS SHE KNEW PEOPLE LIVING IN TABER, DR. ALFRED HAMMAN AND HIS SISTER MRS. SYLVIA GIDMAN, WHO CAME FROM HER HOMELAND IN ENGLAND SO CHOSE VISIT. THE CHARM OF THE PRAIRIE AND MOUNTAIN LANDSCAPES OF SOUTHERN ALBERTA ENTICED HER TO STAY. MISS KIRK LIVED IN THE VICTORIA MANSION AND THE TRAVELLER'S AID SOCIETY BUILDING AND SHE TAUGHT ART CLASSES AT THE YMCA FOR A FEW DOLLARS A MONTH." FOR PAPERS WRITTEN AND PRESENTED BY MISS EDITH KIRK TO MEMBERS OF THE MATHESIS CLUB OF LETHBRIDGE BETWEEN 1933 AND 1937, SEE ARCHIVAL DONATION P19951042000. THE PAPERS DISCUSS THE EVOLUTION OF ART, MODERN ART, HOW ARTISTS DEVELOP PAINTINGS AND ART APPRECIATION. FOR ADDITIONAL INFORMATION, PLEASE SEE OTHER KIRK DONATIONS, INCLUDING: P19820004000, P19960095000, P20090016*, P20140012*, P20140020*, P20140021000, P20150008000, P20150019000, P20150024000, P20150029000, AND P20150030000. SEE ALSO THE BOOK, "A LEGACY OF ADVENTURE AND ART: THE LIFE OF MISS EDITH FANNY KIRCK," BY WENDY AITKENS PUBLISHED IN 2015. ALSO SEE PERMANENT FILE.
Catalogue Number
P20090016001
Acquisition Date
2009-05
Collection
Museum
Images
Less detail
Other Name
NEEDLE CASKET
Date Range From
1830
Date Range To
1953
Material Type
Artifact
Materials
TORTISESHELL, IVORY, SILVER
Catalogue Number
P20090016033
  1 image  
Material Type
Artifact
Other Name
NEEDLE CASKET
Date Range From
1830
Date Range To
1953
Materials
TORTISESHELL, IVORY, SILVER
No. Pieces
2
Height
3.1
Length
6.0
Width
3.5
Description
1. CHEST, TORTOISESHELL VENEER. ROUND SILVER BUTTON CAN BE PUSHED IN ORDER TO OPEN CHEST. THREE, ROUND IVORY FEET ON BOTTOM, ONE MISSING. SILVER BANNER ON TOP OF CHEST MARKED, “FM” IN CURSIVE. BACK, PROPER LEFT, BOTTOM CORNER, FRONT, PROPER RIGHT CORNER AND BACK PROPER RIGHT TOP CORNER ARE CHIPPED. INSIDE OF CHEST LINED WITH BLUE, FLORAL DAMASK. 3.1 CM HIGH BY 6.0 CM LONG BY 3.5 CM WIDE. 2. CHARM. AGATE HEART,TRANPARENT BROWN, BLACK, AND WHITE STRIPED. AGATE ANCHOR MISSING ONE ARM, TRANSPARENT ORANGE AND RED SWIRLS. CHARMS CONNECTED BY THREE METAL LOOPS. 0.5 CM HIGH BY 3.6 CM LONG BY 2.1 CM WIDE.
Subjects
PERSONAL GEAR
Historical Association
DOMESTIC
DECORATIVE ARTS
History
ACCORDING TO DAVE MERESKI, A LOCAL GOLDSMITH, THE METHOD OF DRILLING HOLES AND LINKING THE CHARM TOGETHER WOULD DATE IT SOME TIME AFTER 1920. FOR MORE INFORMATION SEE P20090016001 AND PERMANENT FILE.
Catalogue Number
P20090016033
Acquisition Date
2009-05
Collection
Museum
Images
Less detail
Date Range From
1850
Date Range To
1900
Material Type
Artifact
Materials
HORSE HAIRS, BUCKSKIN, CANCELLOUS BONE
Catalogue Number
P19641165000
  1 image  
Material Type
Artifact
Date Range From
1850
Date Range To
1900
Materials
HORSE HAIRS, BUCKSKIN, CANCELLOUS BONE
No. Pieces
4
Description
.1 PAINT BRUSH. 3 CM LTH X 18.1 CM DIA.. HORSE HAIR BRITTLE ENCASED IN BUCKSKIN. .2 PAINT BRUSH. 1.3 CM HT. X 3.8 CM WTH. X 5.1 CM LTH. CANCELLOUS BONE WEDGE ENCASED IN BUCKSKIN. YELLOW PAINT ADHERING TO BONE .3 PAINT BRUSH. 1.9 CM HT. X 3.5 CM WTH. X 8.2 CM LTH. GREEN PAINT. .4 PAINT BRUSH. 1.9 CM HT. X 3.8 CM WTH. X 8.9 CM LTH. .RED PAINT ADHERING TO BONE. CANCELLOUS BONE WEDGE ENCASED IN BUCKSKIN.CONSERVATION REPORT ON FILE.
Subjects
INDIGENOUS
Historical Association
DECORATIVE ARTS
ETHNOGRAPHIC
History
NORTHERN PLAINS INDIANS. *UPDATE* IN 2015 COLLECTIONS ASSISTANT JANE EDMUNDSON ASKED TWO FORMER MEMBERS OF THE LETHBRIDGE JUNIOR CHAMBER OF COMMERCE, PHIL EDMUNDSON AND PAUL RUSZNAK, ABOUT THE FIRST NATIONS ARTIFACTS THAT THE GROUP DONATED TO THE GALT MUSEUM IN 1964, 1969, AND 1973. NEITHER RECALLED HOW THE JAYCEES CAME INTO OWNERSHIP OF THE ARTIFACTS, AS THEIR ACQUISITION PREDATED BOTH EDMUNDSON AND RUSZNAK’S MEMBERSHIP IN THE CHAMBER. RESEARCH CONDUCTED INTO LETHBRIDGE’S GURNEY MUSEUM FOUND A CONNECTION BETWEEN ITS PROPRIETOR, WALTER GURNEY, AND THE JAYCEES, WHO ACCORDING TO AN ARTICLE FROM THE APRIL 16, 1946 ISSUE OF THE LETHBRIDGE HERALD ADVOCATED ON GURNEY’S BEHALF FOR IMPROVEMENTS TO BE MADE TO THE FORMER BOARD OF TRADE BUILDING WHERE THE MUSEUM WAS HOUSED. AN ARTICLE FROM THE JULY 13, 1948 ISSUE OF THE HERALD DESCRIBES SOME OF THE FIRST NATIONS ARTIFACTS ON DISPLAY IN THE MUSEUM: “TOMAHAWKS, ARROW HEADS, PEACE PIPES, BEAD AND LEATHER WORK, CLOTHING AND WOODCRAFT”. UPON THE CLOSURE OF THE MUSEUM AND SALE OF GURNEY’S COLLECTION TO BELMORE SCHULTZ OF THE ALTAMONT MUSEUM IN COUTTS, MENTION WAS MADE IN A HERALD ARTICLE FROM MAY 16, 1961 OF “HISTORICAL INDIAN RELICS THAT BELONG TO THE JUNIOR CHAMBER OF COMMERCE HAVE BEEN RETAINED IN THE CITY AND WILL BE AVAILABLE WHEN PROPER DISPLAY FACILITIES ARE AVAILABLE”. IT IS POSSIBLE THAT THE ARTIFACTS WERE TRANSFERRED TO THE JAYCEES BY GURNEY DURING THE DISSOLUTION OF HIS MUSEUM, BUT NO FURTHER CONFIRMATION WAS FOUND. FOR FURTHER INFORMATION ABOUT THE GURNEY MUSEUM AND ITS COLLECTION, SEE RECORD P19890044001.
UPDATE 16 AUGUST 2017: ON 25 JULY 2017, MUSEUM CURATOR AIMEE BENOIT FOUND EVIDENCE TO CONNECT THE INDIGENOUS COLLECTION DONATED BY THE LETHBRIDGE JAYCEES (AKA. JUNIOR CHAMBER OF COMMERCE) WITH FORMER LETHBRIDGE RESIDENTS THE LATE FRED BOTSFORD AND HIS LATE DAUGHTER DOROTHY CLARK. NOTES MADE BY AIMEE ON THE DISCOVERY AS WELL AS RELEVANT CLIPPINGS FROM THE LETHBRIDGE HERALD CAN BE FOUND ATTACHED TO THE PERMANENT FILE OF P19641140000.
Catalogue Number
P19641165000
Acquisition Date
1964-07
Collection
Museum
Images
Less detail
Other Name
SHOE & KNEE-BREECH BUCKLES
Date Range From
1850
Date Range To
1899
Material Type
Artifact
Materials
WOOD, LEATHER, SATIN, VELVET
Catalogue Number
P19740057000
  1 image  
Material Type
Artifact
Other Name
SHOE & KNEE-BREECH BUCKLES
Date Range From
1850
Date Range To
1899
Materials
WOOD, LEATHER, SATIN, VELVET
No. Pieces
5
Description
.1 CASE. 2.2 CM TH. X 14.6 CM WTH. X 8.3 CM LTH. WOOD COVERED WITH LEATHER, LINED WITH SATIN AND VELVET. THE CASE IS WARPED A LITTLE. IT CLOSES BUT THERE ARE SPACES OR GAPS AT EACH END. A SMALL CHIP IS OUT ON BOTTOM LOWER RIGHT JUST INSIDE CASE. OUTSIDE COLOUR IS DEEP WINE LEATHER. INSIDE LID IS LINED WITH WHITE SATIN & BASE WITH ROYAL BLUE VELVET. THERE ARE INDENTATIONS IN CASE WHERE 2 LARGE BUCKLES FIT AND 2 SMALL ONES. BUCKLES (2 SMALL BUCKLES, 2 LARGE). 1.9 WTH X 2.2 CM LTH. 6.3 CM WTH. X 3.8 CM LTH. LEATHER, GOLD WIRE, STEEL, BRASS. .2 OVAL SHAPED BUCKLE, WITH OLD WIRE SURROUNDING BLACK LEATHER INSET. STEEL CLIP ON BACK IS ON A HINGE AND SPRING. ON BACK OF CLIP THE LETTER "L" IS ENGRAVED (LEFT). .3 SAME AS .2, BUT THE LETTER "R" IS ENGRAVED ON THE CLIP (RIGHT). .4 SQUARE SHAPED BUCKLE, GOLD WIRE FORMING THE SQUARE WITH NO INSET. BRASS CLIP AT BACK. .5 IDENTICAL TO .4
Subjects
CLOTHING-ACCESSORY
Historical Association
ASSOCIATIONS
POLITICS
History
BUCKLES WORN BY SIR ALEXANDER T. GALT, G.C.M.G. (KNIGHT OF THE GRAND CROSS OF THE ORDER OF ST. MICHAEL & ST. GEORGE). HE WAS A MILITARY KNIGHT OF WINDSOR COURT AND BUCKLES WERE PART OF THAT UNIFORM. ***UPDATE: 16 OCTOBER 2013: NICOLE HEMBROFF, GALT COLLECTIONS ASSISTANT, MET WITH DICK AND SHIRLEY TURNER AT THE MUSEUM ON 24 MAY 2010. THE COUPLE, FROM LETHBRIDGE, CAME IN TO SEE OBJECTS PREVIOUSLY DONATED BY DICK’S MOTHER MURIEL TURNER. SHE WAS, ACCORDING TO DICK, THE DAUGHTER OF SIR ALEXANDER TILLOCH GALT’S YOUNGEST DAUGHTER ANNIE SMITH (NEE GALT), MAKING MURIEL GALT'S GRANDDAUGHTER. THE TURNERS, AT THE TIME OF THEIR 2010 VISIT, COULD NOT PROVIDE NEW INFORMATION ABOUT THE BUCKLES BEYOND THAT SHARED BY DICK’S MOTHER IN 1974. AN ENQUIRY BY A NATIONAL MUSEUM IN OTTAWA IN 2013 LED GALT STAFF TO REVIEW THIS DONATION’S PERMANENT FILE. LETTERS ON FILE, SENT BY MRS. H.R. “MURIEL” TURNER IN 1974, STATE THAT SHE HAD “RECENTLY COME INTO POSSESSION [OF] FOUR BUCKLES BELONGING TO [SIR A.T. GALT’S] WINDSOR COURT UNIFORM.” SHE INHERITED THE BUCKLES AFTER THE PASSING OF HER BROTHER (HENRY GORDON SMITH) THE PREVIOUS YEAR. THE BUCKLES, UNSEEN BY THE DONOR PRIOR TO THEIR INHERITANCE, WERE IN A BOX ALONG WITH “A SMALL NOTE IN [HER] MOTHER’S HANDWRITING”. THE LOCATION OF THE NOTE IS UNKNOWN. IT IS SPECULATED THAT THE NOTE REFERENCED THE BUCKLES ASSOCIATION WITH GALT'S WINDSOR COURT UNIFORM. MR. DICK TURNER PASSED AWAY IN LETHBRIDGE ON 21 JULY 2010 AT THE AGE OF 80 YEARS. FOR MORE INFORMATION, INCLUDING THE DONOR’S LETTERS, RICHARD “DICK” TURNER’S OBITUARY AND A 2013 EMAIL FROM MUSEUM OF CIVILIZATION CURATOR JEAN-FRANÇOIS LOZIER, PLEASE SEE PERMANENT FILE. SEE ALSO DONATIONS BY MRS. MURIEL TURNER IN ARCHIVES. *UPDATE* IN 2014 COLLECTIONS ASSISTANT JANE EDMUNDSON CONDUCTED A SURVEY OF ART OBJECTS, INCLUDING A PORTRAIT OF SIR ALEXANDER GALT. THE FOLLOWING BIOGRAPHY OF SIR ALEXANDER GALT WAS DEVELOPED WITH INFORMATION FROM THE CANADIAN ENCYCLOPEDIA ONLINE AND A BROCHURE ABOUT ALEXANDER AND ELLIOTT GALT PRODUCED BY THE GALT MUSEUM. ALEXANDER TILLOCH GALT WAS BORN IN LONDON ON SEPTEMBER 6, 1817 AND CAME TO CANADA IN 1835 TO WORK FOR THE BRITISH AMERICAN LAND COMPANY, WHICH WAS OPENING LAND FOR SETTLEMENT IN QUEBEC'S EASTERN TOWNSHIPS. GALT BECAME THE PRESIDENT OF THE ST LAWRENCE AND ATLANTIC RAILROAD IN 1849 AND HE REPRESENTED SHERBROOKE IN THE CANADIAN LEGISLATURE FOR TWO TERMS, 1849 - 1850 AND 1853 - 1867. HE WAS A MEMBER OF THE GREAT COALITION CABINET, AND ATTENDED THE QUEBEC CONFERENCE IN 1864 AS ONE OF THE FATHERS OF CONFEDERATION. AFTER CONFEDERATION HE BECAME CANADA'S FIRST FEDERAL FINANCE MINISTER. GALT WAS APPOINTED THE FIRST HIGH COMMISSIONER OF CANADA IN LONDON FROM 1880 - 1883 TO PROMOTE BRITISH INTEREST IN FINANCING CANADIAN RAILWAYS AND EMIGRATION TO THE CANADIAN NORTHWEST. HE UTILIZED HIS POLITICAL CONNECTIONS TO HAVE HIS SON ELLIOTT, BORN IN 1850, APPOINTED TO THE POST OF ASSISTANT INDIAN COMMISSIONER. THE POSTING TOOK ELLIOTT TO WESTERN CANADA IN 1879, WHERE HE MADE A PRELIMINARY SURVEY OF THE COAL OUTCROPPINGS ALONG THE BELLY RIVER. AFTER HAVING COAL SAMPLES FROM THE SITE ASSESSED, ELLIOTT DEEMED COMMERCIAL DEVELOPMENT A PROFITABLE VENTURE, AND INFORMED HIS FATHER. ALEXANDER GALT FORMED THE NORTH WESTERN COAL AND NAVIGATION COMPANY WITH BRITISH SHAREHOLDERS W.H. SMITH, WILLIAM LETHBRIDGE, AND WILLIAM ASHMEAD BARTLETT BURDETT-COUTTS (HUSBAND OF THE BARONESS ANGELA BARTLETT COUTTS). THE COMPANY EMPLOYED NICHOLAS BRYANT AND WILLIAM STAFFORD TO EXAMINE COAL SITES IN THE AREA, AND IN 1882 THE COMPANY'S FIRST TWO DRIFT MINES WERE OPENED IN WHAT IS NOW INDIAN BATTLE PARK. THE GALTS INVESTED IN NUMEROUS ENTERPRISES IN THE AREA, INCLUDING THE ALBERTA RAILWAY AND COAL COMPANY, THE LETHBRIDGE LAND COMPANY, THE ALBERTA IRRIGATION COMPANY, THE CANADIAN NORTH-WEST IRRIGATION COMPANY, THE ST. MARY RIVER RAILWAY COMPANY, THE CANADA AND GREAT FALLS RAILWAY COMPANY, AND THE AMALGAMTED ALBERTA RAILWAY AND IRRIGATION COMPANY. THEIR MINING OPERATION ALSO FUNDED A COMPANY HOSPITAL IN 1891, WHICH WAS REPLACED IN 1910 BY THE SIR ALEXANDER GALT HOSPITAL, NAMED IN HONOUR OF GALT AFTER HIS DEATH, AND CURRENT HOME OF THE GALT MUSEUM & ARCHIVES. ALEXANDER GALT DIED IN MONTREAL ON SEPTEMBER 19, 1893. IN 1912, ELLIOTT GALT SOLD THE ALBERTA RAILWAY AND IRRIGATION COMPANY TO THE CANADIAN PACIFIC RAILWAY, AND THE FAMILY'S BUSINESS TIES TO THE AREA CEASED. ***UPDATE: 18 JUNE 2015: THIS OBJECT WAS EXHIBITED IN OTTAWA BY THE CANADIAN MUSEUM OF HISTORY (CMH) FROM NOVEMBER 2014 TO JANUARY 2016 AS PART OF AN EXHIBIT ENTITLED ‘1867’. THE OBJECT WAS EXHIBITED IN PHYSICAL ASSOCIATION WITH MATERIALS WORN BY CANADIAN PRIME MINISTER JOHN A. MCDONALD. CMH LABEL COPY READ AS FOLLOWS: “AS REPRESENTATIVES OF THE GOVERNMENTS OF THEIR RESPECTIVE COLONIES, MOST OF THE DELEGATES WERE ALLOWED TO WEAR MILITARY-STYLE UNIFORMS ON SPECIAL OCCASIONS. THE COAT, COCKED HAT, SMALL-SWORD AND BUCKLES IN THIS DISPLAY BELONGED TO JOHN A. MACDONALD, GEORGE-ÉTIENNE CARTIER, HECTOR-LOUIS LANGEVIN AND ALEXANDER GALT, RESPECTIVELY. THEY WERE WORN, IN ALL LIKELIHOOD, DURING MEETINGS WITH QUEEN VICTORIA IN 1867. MATCHING BREECHES OR TROUSERS COMPLETED THE ENSEMBLE. BETWEEN WORK SESSIONS AND OFFICIAL MEETINGS, THE MEN MADE FREQUENT VISITS TO THEIR TAILORS TO ENSURE THAT THEY CUT A FINE FIGURE.”
Catalogue Number
P19740057000
Acquisition Date
1974-05
Collection
Museum
Images
Less detail
Other Name
TATTING CASE
Date Range From
1830
Date Range To
1890
Material Type
Artifact
Materials
TORTISESHELL, IVORY, SILVER
Catalogue Number
P20090016031
  1 image  
Material Type
Artifact
Other Name
TATTING CASE
Date Range From
1830
Date Range To
1890
Materials
TORTISESHELL, IVORY, SILVER
No. Pieces
10
Height
9.1
Length
4.1
Width
1.2
Description
TORTOISESHELL CASE AND LID WITH ASSORTED HOOKS AND NEEDLES AND HOLDER – 10 PIECES. REFER TO DIAGRAM IN PERMANENT FILE FOR LOCATIONS OF ITEMS IN CASE. 1. CASE, RECTANGULAR SHAPED. OUTSIDE COVERED WITH TORTOISESHELL VENEER. NINE COMPARTMENTS. COMPARTMENT 6 HAS A NEEDLE STUCK IN IT. LARGEST COMPARTMENT LINED WITH RED VELVET. TORTOISESHELL IS CRACKING ALONG EDGES OF CASE. LID HAS BROKEN OFF. 7.8 CM HIGH BY 4.1 CM LONG BY 1.2 CM WIDE. 2. LID , RECTUANGULAR SHAPED. OUTSIDE COVERED WITH TORTOISESHELL. INSIDE LINED WITH RED PAPER. SILVER BANNER ON TOP MARKED, “FM”. 2.2 CM HIGH BY 3.8 CM LONG BY 1.2 CM WIDE. 3. CROCHET HOOK, SILVER. POINTED HOOK AT ONE END, OTHER END COMES TO A POINT. TARNISHED. 5.6 CM LONG BY 0.2 CM IN DIAMETER. 4. NEEDLE, SILVER. ONE END TAPERS INTO A POINT, OTHER END TAPERS INTO A WEDGE SHAPE. TARNISHED. 5.4 CM LONG BY 0.1 CM IN DIAMETER. 5. NEEDLE, SILVER. BOTH ENDS TAPER TO A POINT. TARNISHED. 5.5 CM LONG BY 0.1 CM IN DIAMETER. 6. CROCHET HOOK, SILVER. ROUNDED HOOK AT ONE END, OTHER END BLUNT. TARNISHED. 5.5 CM LONG BY 0.1 CM IN DIAMETER. 7. CROCHET HOOK, SILVER. ONE END TAPERS INTO A POINT, HOOK APPEARS TO HAVE BEEN BROKEN OFF. TARNISHED. 5.5 CM LONG BY 0.1 CM IN DIAMETER. 8. CROCHET HOOK, SILVER. TINY POINTED HOOK AT ONE END, OTHER END COMES TO A POINT. TARNISHED. 5.6 CM LONG BY 0.1 CM IN DIAMETER. 9. CROCHET HOOK HOLDER. IVORY HANDLE WITH TWO ROUND, BLACK BANDS ON END CLOSEST TO SILVER HOLDER. TOP OF SILVER HOLDER DECORATED WITH BLACK BANDS, IT UNSCREWS FROM THE HANDLE TO REVEAL A SLOTTED, HOLLOW METAL SCREW. METAL ROD ENGRAVED “…EGISTERED…” 2 PIECES. 7.6 CM LONG BY 0.7 CM IN DIAMETER.
Subjects
TEXTILEWORKING T&E
Historical Association
DOMESTIC
DECORATIVE ARTS
History
FOR MORE INFORMATION SEE P20090016001 AND PERMANENT FILE.
Catalogue Number
P20090016031
Acquisition Date
2009-05
Collection
Museum
Images
Less detail
Other Name
DIORAMA (SONGBIRD) ORNAMENT
Date Range From
1890
Date Range To
1900
Material Type
Artifact
Materials
GLASS, WOOD, BIOLOGICAL MATERIAL
Catalogue Number
P19662370000
  2 images  
Material Type
Artifact
Other Name
DIORAMA (SONGBIRD) ORNAMENT
Date Range From
1890
Date Range To
1900
Materials
GLASS, WOOD, BIOLOGICAL MATERIAL
No. Pieces
2
Height
53.3
Diameter
32.0
Description
GLASS BELL CASE OVER BLACK WOOD BASE. 10 STUFFED BIRDS & BKGRD OF DRIED FOLIAGE. BASE LOOSE. SEE CONSERVATION REPORT.
Subjects
HOUSEHOLD ACCESSORY
Historical Association
DECORATIVE ARTS
History
DONOR CLAIMS VICTORIAN ERA OBJECT.
Catalogue Number
P19662370000
Acquisition Date
1966-10
Collection
Museum
Images
Less detail
Date Range From
1895
Date Range To
1905
Material Type
Artifact
Materials
GLASS BEADS, BUCKSKIN
Catalogue Number
P19640917000
  1 image  
Material Type
Artifact
Date Range From
1895
Date Range To
1905
Materials
GLASS BEADS, BUCKSKIN
No. Pieces
1
Length
32.4
Width
24.3
Description
GEOMETRIC BEADWORK DESIGNS, 2 PRINCIPLE MOTIFS WITH BLUE BEAD BACKING WITH WHITE BEAD BORDER SEWN TO BUCKSKIN BACKING. 2 EDGES STRAIGHT PARALLEL, 2 EDGES, DIVERGING. STRESS LINE DOWN CENTRE EVIDENT, SUGGESTING FOLDING IN USE FOLD ALSO EVIDENT ON BACKING. SEE CONSERVATION REPORT.
Subjects
CLOTHING-ACCESSORY
Historical Association
DECORATIVE ARTS
History
ACCEPTED & CATALOGED ORIGINALLY AS A DECORATIVE CUFF, MAY IN FACT BE A REMNANT OF A GUN CASE. CUFFS USUALLY THE SAME DESIGN BOTH SIDES. DIFFERENT DESIGNS SHAPE SUGGEST NOT CUFF OR SIMILAR USE. GEOMETRIC DESIGNS TYPICAL OF BLACKFOOT. UPDATE: CONSULTATION WITH A BLACKFOOT ELDER ON 27 JULY 2017 HAS RETURNED OPINION BACK TO THIS OBJECTS PAST USE AS A CUFF. *UPDATE* IN 2017 COLLECTIONS ASSISTANT ELISE PUNDYK CONDUCTED A SURVEY OF BOXED TEXTILES AND ARTIFACTS IN RELATED LOCATIONS. AMONG THIS SURVEY WERE ITEMS FROM A COLLECTION DONATED BY ANNA LINTON. THE DONOR’S OBITUARY IN THE AUGUST 1, 1992 EDITION OF THE LETHBRIDGE HERALD STATES THAT LINTON PASSED AWAY IN LETHBRIDGE ON JULY 31, 1993 AT THE AGE OF 96 YEARS. THE OBITUARY SAYS THAT LINTON WAS BORN ON FEBRUARY 17, 1894 AND WAS THE DAUGHTER OF EARLY CALGARY PIONEERS. SHE RECEIVED HER EDUCATION FOR NURSING IN CALGARY AND TORONTO AND THEN WENT ON TO NURSE IN ST. LOUIS, MISSOURI BEFORE MOVING TO LETHBRIDGE IN 1943. A NOTICE IN THE LETHBRIDGE HERALD ON MAY 25, 1943 STATES THAT LINTON WOULD MAKE HER HOME WITH HER SISTER, MRS. J. G. HUTCHINGS. LINTON WAS PREDECEASED BY HER SISTER EVA HUTCHINGS, HER TWO BROTHERS, CLIFFORD AND IVAN LINTON, AND BROTHER-IN-LAW JACK HUTCHINGS. AN ATTEMPT WAS MADE TO CONTACT THE DONOR’S NIECE AND NEPHEW, ANNE FAIRFIELD AND JOHN HUTCHINGS. UPON FURTHER RESEARCH, IT WAS LEARNED THAT BOTH WERE DECEASED. PLEASE SEE THE PERMANENT FILE FOR P19640654000 FOR COPIES OF THE OBITUARIES FOR ANNA LINTON AND ANNE FAIRFIELD.
Catalogue Number
P19640917000
Acquisition Date
1964-04
Collection
Museum
Images
Less detail
Date Range From
1880
Date Range To
1890
Material Type
Artifact
Materials
PAPER
Catalogue Number
P19880033000
  2 images  
Material Type
Artifact
Date Range From
1880
Date Range To
1890
Materials
PAPER
No. Pieces
6
Length
35.5
Width
27.0
Description
A SET OF 6 PRINTS OF ORIGINAL ENGRAVINGS DATED 1789. PLATE 1 "DOMESTIC HAPPINESS", PLATE 2 "THE ELOPEMENT", PLATE 3 "THE VIRTUOUS PARENT", PLATE 4 "DRESSING FOR THE MASQUERADE", PLATE 5 "THE TAVERN DOOR", PLATE 6 "THE FAIR PENITENT". EACH PRINT IS IN COLOR.
Subjects
ART
Historical Association
FINE ARTS
History
PRINTED BY G. MORLAND, ENGRAVED BY J.R. SMITH. PUBLISHED JAN. 1ST 1789 BY JR.R. SMITH KING STREET COV'T GARDEN "LONDON". OWNED BY MAYOR HARDIE & BROUGHT FROM ENGLAND BY HARDIE'S MOTHER. DONOR'S HUSBAND DR. PALMER ACQUIRED FROM HARDIE'S SON, JESSE HARDIE IN 1975. *UPDATE* IN 2015 COLLECTIONS ASSISTANT JANE EDMUNDSON CONDUCTED A SURVEY OF ART OBJECTS. THE FOLLOWING BIOGRAPHY OF W. D. L. HARDIE, THE PERSON WHO ORIGINALLY BROUGHT THIS SERIES OF PRINTS TO LETHBRIDGE, WAS DEVELOPED WITH INFORMATION FROM A TRIBUTE ARTICLE FROM THE JUNE 16, 1942 ISSUE OF THE LETHBRIDGE HERALD. WILLIAM DUNCAN LIVINGSTONE HARDIE WAS BORN NEAR EDINBURGH, SCOTLAND IN 1862, AND THE FAMILY IMMIGRATED TO OHIO THE FOLLOWING YEAR. IN 1885 HARDIE MARRIED MARGARET KIRTLEY, AND THEY HAD FIVE CHILDREN: IANTHE, AGNES, E.W., JESSE, AND INZOLA. HARDIE FIRST CAME TO LETHBRIDGE IN 1889, WHEN HE BECAME THE ASSISTANT SUPERINTENDENT OF THE GALT NO. 1 MINE. AFTER FOUR YEARS HE RETURNED TO THE UNITED STATES, WORKING FOR MINING COMPANIES IN PENNSYLVANIA, TENNESSEE, AND ALABAMA BEFORE RETURNING TO LETHBRIDGE IN 1896 AS SUPERINTENDENT OF NORTHWEST COAL & NAVIGATION COMPANY. IN 1910 HARDIE LEFT THE GALT-OWNED COMPANY AND WORKED AS THE MANAGER OF THE DIAMOND COAL COMPANY UNTIL 1912, WHEN HE RAN FOR AND WON THE OFFICE OF LETHBRIDGE MAYOR. HARDIE SERVED AS MAYOR UNTIL 1928, WHEN HE WAS REPLACED BY ROBERT BARROWMAN. IN 1930 HARDIE HAD AN UNSUCCESSFUL RUN FOR THE LETHBRIDG SEAT IN THE PROVINCIAL GENERAL ELECTION. HARDIE WAS ACTIVE WITH THE LETHBRIDGE MASONS, THE ALBERTA UNION OF MUNICIPALITIES, AND HAD AN AVID INTEREST IN ASTROLOGY. HARDIEVILLE, THE FORMER HAMLET NORTHEAST OF LETHBRIDGE THAT WAS ANNEXED BY THE CITY IN 1978, WAS NAMED AFTER HIM. W. D. L. HARDIE DIED ON JUNE 16, 1942. SEE PERMANENT FILE P19880033000-GA FOR HARDCOPIES OF SOURCE MATERIALS.
Catalogue Number
P19880033000
Acquisition Date
1988-05
Collection
Museum
Images
Less detail
Other Name
SPECTACLES
Date Range From
1860
Date Range To
1890
Material Type
Artifact
Materials
ALUMINUM, GLASS
Catalogue Number
P19920058006
  2 images  
Material Type
Artifact
Other Name
SPECTACLES
Date Range From
1860
Date Range To
1890
Materials
ALUMINUM, GLASS
No. Pieces
1
Height
1.0
Length
11.8
Width
2.7
Description
SMALL, WIRE RIMMED SPECTACLES. GLASS LENSES IN TACT. EACH ARM IS ON A HINGE ON SIDE OF LENSES, SO THEY FOLD DOWN. TOP 1/3 OF EACH ARM IS ON ANOTHER HINGE, SO THAT ARMS FOLD UP, AND GLASSES BECOME COMPACT. AT THE END OF EACH ARM, THE METAL IS FORMED INTO A TEARDROP SHAPE; THERE IS A TEARDROP SHAPED HOLE AT THE END OF EACH ARM. ETCHED ONTO INSIDE OF ONE ARM IS "B".
Subjects
PERSONAL GEAR
Historical Association
PERSONAL CARE
History
ALL ITEMS IN THIS COLLECTION BELONGED TO MARJ'S MOTHER'S FAMILY. HER GRANDFATHER WAS M.H. SHERLOCK. THE ITEMS PRE-DATE LETHBRIDGE, BUT WERE BROUGHT AND USED BY THE FAMILY CA. MID 1800'S. MARJ HAS NO KNOWLEDGE OF GLASSES' ORIGINAL OWNER, BUT CONCEEDED THAT THE SHERLOCK FAMILY WAS EXTREMELY WELL OFF (AKA DOWNTOWN SHERLOCK BLOCK). DONOR HERSELF RECALLED WEARING DONATED NIGHTSHIRT AND GLASSES TO A PARTY AT THE UNIVERSITY OF ALBERTA. ENTIRE LOT OF SHERLOCK CAME VIA DONOR'S GRANDPARENTS TO MOM TO DONOR. NORMAN MACLEOD PASSED AWAY APPROXIMATELY 1940 AND MARGARET SOME YEARS PREVIOUS. DONORS MARJORIE AND JACK WELCH HAVE BEEN VOLUNTEERS AT MUSEUM FOR MANY YEARS (CONTINUING IN YEAR 2000). *UPDATE* IN 2015 COLLECTIONS ASSISTANT JANE EDMUNDSON CONDUCTED A SURVEY OF ART OBJECTS, INCLUDING ONE DONATED BY MARJORIE WELCH'S MOTHER, NORA EVERSON. FOR FURTHER INFORMATION ABOUT THE SHERLOCK/MACLEOD FAMILY, SEE RECORDS P19960108000 AND P19740093000.
Catalogue Number
P19920058006
Acquisition Date
1993-11
Collection
Museum
Images
Less detail
Date Range From
1860
Date Range To
1890
Material Type
Artifact
Materials
IVORY, PAPER
Catalogue Number
P19920058007
Material Type
Artifact
Date Range From
1860
Date Range To
1890
Materials
IVORY, PAPER
No. Pieces
3
Height
2.2
Length
27.5
Width
3.5
Description
RECTANGULAR, PRESSED PAPER BOX. COVERED IN PINK PAPER; PAPER IS DETERIORATING. WRITTEN ON BOX IN SCRIPT IS "WILLIAMS [???] HIS MAJESTY'S PLACE [???]". ONE END HAS A LID THAT COMES COMPLETELY OFF. INSIDE IS A FOLDED UP PAPER AND IVORY FAN. FRAME AND HANDLE OF FAN ARE MADE OF INTRICATELY CARVED IVORY. FRAME IS COVERED WITH WHITE PAPER, WITH DIFFERENT COLOURS AND TYPES OF FLOWERS PAINTED ON ONE SIDE. THE OTHER SIDE HAS SOME FLOWERS AND THREE CIRCLES. THE TWO OUTER CIRCLES HAVE A BIRD IN THEM, THE INNER CIRCLE HAS JAPANESE STYLE BUILDINGS IN IT. TOP EDGE OF FAN IS GILDED.
Subjects
PERSONAL GEAR
Historical Association
PERSONAL CARE
History
ALL ITEMS IN THIS COLLECTION BELONGED TO MARJ'S MOTHER'S FAMILY. HER MATERNAL GRANDFATHER WAS M.H. SHERLOCK. THE ITEMS PRE-DATE LETHBRIDGE, BUT WERE BROUGHT AND USED BY THE FAMILY CA. MID 1800'S. MARJ HAS NO KNOWLEDGE OF FAN'S ORIGINAL OWNER ON MOTHER'S SIDE, BUT CONCEEDED THAT THE SHERLOCK FAMILY WAS EXTREMELY WELL OFF (AKA DOWNTOWN SHERLOCK BLOCK). ENTIRE LOT OF SHERLOCK CAME VIA DONOR'S MOM TO DONOR. DONORS MARJORIE AND JACK WELCH HAVE BEEN VOLUNTEERS AT MUSEUM FOR MANY YEARS (CONTINUING IN YEAR 2000). *UPDATE* IN 2015 COLLECTIONS ASSISTANT JANE EDMUNDSON CONDUCTED A SURVEY OF ART OBJECTS, INCLUDING ONE DONATED BY MARJORIE WELCH'S MOTHER, NORA EVERSON. FOR FURTHER INFORMATION ABOUT THE SHERLOCK/MACLEOD FAMILY, SEE RECORDS P19960108000 AND P19740093000.
Catalogue Number
P19920058007
Acquisition Date
1993-11
Collection
Museum
Less detail
Other Name
SET, CHRISTENING DRESS & SLIP
Date Range From
1850
Date Range To
1890
Material Type
Artifact
Materials
COTTON, LINEN
Catalogue Number
P19920058008
  2 images  
Material Type
Artifact
Other Name
SET, CHRISTENING DRESS & SLIP
Date Range From
1850
Date Range To
1890
Materials
COTTON, LINEN
No. Pieces
2
Description
1. DRESS - 2.5CM(H) X 91.5CM (L) X 79.7CM (W). WHITE LINEN. NECK AND CUFFS TRIMMED WITH A LACEY FABRIC. EACH CUFF HAS A WHITE RIBBON TIED IN A BOW, BACK OF NECK ALSO HAS A WHITE RIBBON TIED IN A BOW. BACK OF DRESS CLOSES WITH THREE WHITE BUTTONS. FRONT OF BODICE HAS EMBROIDERED CRISS-CROSS DESIGNS ON IT. BACK OF BODICE AND SKIRT, HAVE SMALL, WHITE EMBROIDERED FLOWERS THROUGHOUT. BOTTOM OF SKIRT IS EMBROIDERED WITH CRISS-CROSS DESIGNS, AND BOTTOM EDGE IS MADE TO LOOK LIKE LACE (SAME AS ON CUFFS AND NECK). STAINED. 2. SLIP - 2.2CM(H) X 81.0CM(L) X 74.0CM(W). WHITE COTTON. BODICE HAS NO DISTINGUISHABLE NECKLINE. IT IS CUT STRAIGHT ACROSS THE FRONT; FABRIC IS CUT INTO A DOWNWARD CURVE ON EACH SIDE (FOR ARMS), AND BACK IS CUT STRAIGHT ACROSS. BACK IS HELD CLOSED BY SIX WHITE TIES; ONE OF THE TIES HAS FALLEN OFF ONE SIDE. WAIST IS GATHERED. MATERIAL IS PLAIN WHITE EXCEPT FOR HEM OF SKIRT, WHICH IS TRIMMED WITH A STRIP OF LACEY LIKE MATERIAL. SLIP IS STAINED
Subjects
CLOTHING-OUTERWEAR
Historical Association
RELIGION
History
DRESS AND SLIP WERE USED BY THE SHERLOCK OR MACLEOD FAMILIES. MARJ BELIEVED SHE WAS PERSONALLY BAPTIZED IN THE GOWN ON ACCOUNT THAT IT WAS THE OFFICIAL BAPTISMAL GOWN FOR THE ENTIRE FAMILY. MARJ WAS BAPTISED AT ST AUGUSTINE'S AROUND JUNE 7, 1929. IT IS UNKNOWN WHICH MATERNAL SIDE OF THE FAMILY THE GOWN WAS PASSED DOWN, BUT DONOR BELIEVES IT WAS SHERLOCK. SEE P19920058006-GA FOR MORE HISTORY. *UPDATE* IN 2015 COLLECTIONS ASSISTANT JANE EDMUNDSON CONDUCTED A SURVEY OF ART OBJECTS, INCLUDING ONE DONATED BY MARJORIE WELCH'S MOTHER, NORA EVERSON. FOR FURTHER INFORMATION ABOUT THE SHERLOCK/MACLEOD FAMILY, SEE RECORDS P19960108000 AND P19740093000.
Catalogue Number
P19920058008
Acquisition Date
1993-11
Collection
Museum
Images
Less detail
Other Name
W/ PETTICOAT
Date Range From
1897
Date Range To
1902
Material Type
Artifact
Materials
COTTON, PLASTIC
Catalogue Number
P20090017000
  2 images  
Material Type
Artifact
Other Name
W/ PETTICOAT
Date Range From
1897
Date Range To
1902
Materials
COTTON, PLASTIC
No. Pieces
2
Length
95.0
Width
86.2
Description
WHITE COTTON AND LACE BAPTISMAL GOWN WITH PUFFED SLEEVES AND WHITE COTTON SLEEVELESS PETTICOAT WITH EYELET DETAIL - 2 PIECES. 1. CHRISTENING GOWN, WHITE COTTON, CUTWORK LACE AT CHEST AND ON BOTTOM HALF OF SKIRT, PUFFED SHORT SLEEVES, LONG SKIRT, FABRIC GATHERED BELOW CHEST, LACE DETAILS AT SLEEVES AND COLLAR. 95.0 CM LONG BY 86.2 CM WIDE. 2. PETTICOAT, WHITE COTTON, SLEEVELESS, HORIZONTAL BAND JUST BELOW CHEST, FABRIC GATHERED AT BOTTOM OF BAND, LONG SKIRT, FLOWER AND VINE PATTERNED CUTWORK ON BOTTOM PORTION AND FRILL OF SKIRT. 82.5 CM LONG BY 58.0 CM WIDE.
Subjects
CEREMONIAL ARTIFACT
Historical Association
RELIGION
History
ACCORDING TO DONOR ELEANOR STANTON (NEE WATSON) AT TIME OF DONATION, SHE ACQUIRED THE GOWN IN JUNE 1996 IN KELOWNA, BC WHEN SHE WAS ATTENDING HER FATHER'S (FRANCIS "FRANK" HERBERT WATSON) FUNERAL. HER MOTHER THOUGHT SHE MIGHT APPRECIATE IT. THE DONOR'S MOTHER HAD PREVIOUSLY ACQUIRED IT FROM HER MOTHER (MARY ELIZABETH REED) IN 1935. STANTON'S MOTHER DID NOT USE THE GOWN AS HER CHILDREN WERE BAPTIZED LATER ON IN LIFE. AT THE TIME IT WAS STORED IN STAVE FALLS, B.C. (WHERE THE DONOR'S PARENTS LIVED). IT WAS STORED IN KELOWNA B.C. AFTER THE FAMILY MOVED THERE IN 1944. THE GOWN WAS PROCURED SOMETIME BETWEEN 1897 AND 1902. IT WOULD HAVE ORIGINALLY BEEN USED FOR STANTON'S FATHER (FRANK WATSON). WATSON WAS BORN NOVEMBER 12, 1900 IN LETHBRIDGE. THE WATSON FAMILY (GEORGE HERBERT WATSON AND MARY ELIZABETH WATSON [NEE REED]) ALSO HAD TWINS IN 1902, THEY DIED THE SAME YEAR (NAMED LIBBY MARIA AND AN UNNAMED BOY). THE WATSON FAMILY LEFT LETHBRIDGE IN 1917. THE DONOR DOES NOT BELIEVE THE GOWN WAS EVER USED BY ANYONE OTHER THAN FRANK WATSON. SEE PERMANENT FILE FOR MORE INFORMATION. *UPDATE* IN 2014 COLLECTIONS ASSISTANT JANE EDMUNDSON CONDUCTED A SURVEY OF ART OBJECTS, INCLUDING ONE ASSOCIATED WITH THE REED FAMILY. THE FOLLOWING BIOGRAPHY OF JOB REED WAS DEVELOPED WITH INFORMATION FROM AN ARTICLE ON THE REED FAMILY AND FARM FROM THE DECEMBER 30, 1985 ISSUE OF THE LETHBRIDGE HERALD, REED'S DEATH ANNOUNCEMENT FROM 1906, AND THE GALT ARCHIVES. JOB REED WAS BORN IN SOMERSETSHIRE, ENGLAND ON NOVEMBER 12, 1841. WHEN HE WAS 14, HIS FATHER DIED, LEAVING JOB THE RESPONSIBILITY OF PROVIDING FOR HIMSELF AND HIS WIDOWED MOTHER. HE WORKED FOR THE BRITISH POSTAL SERVICE AND COMPLETED HIS TEACHING CERTIFICATION. HE MARRIED MARY ELIZABETH HOBBS IN 1869, AND IMMIGRATED TO THE UNITED STATES IN 1873, MOVING FROM NEW ORLEANS TO TEXAS AND THEN PENNSYLVANIA, WHERE REED OBTAINED A DEGREE IN MEDICINE. THE COUPLE RETURNED TO ENGLAND, BUT REED'S MEDICAL TRAINING WAS NOT RECOGNIZED THERE, AND IN 1882 THEY CROSSED THE ATLANTIC AGAIN, MOVING WEST ACROSS CANADA IN STAGES, FINALLY ARRIVING IN LETHBRIDGE IN 1886. THE FAMILY HAD SEVEN CHILDREN: RICHARD, HENRY, ELIZABETH (WHO MARRIED GEORGE HERBERT WATSON), JOB JUNIOR (KNOWN AS BUDD), GEORGE, ANNIE, AND ELLA. REED PURCHASED TWO LOTS ON WHAT IS NOW 6TH AVENUE SOUTH. THE FAMILY OWNED AND OPERATED A MARKET GARDEN ON THE PROPERY, AND BUILT A STONE DUPLEX THAT STILL STANDS ON THE 1200 BLOCK OF 6TH AVENUE. REED WORKED AS A COAL MINER TO EARN MORE MONEY TOWARDS INVESTING IN FURTHER LAND, AND RAISED PIGS WITH SCRAP FOOD FROM THE NEARBY RCMP BARRACKS. IN 1901, REED PURCHASED 2.5 SECTIONS OF LAND NEAR PRESENT-DAY GRANUM WITH HIS FOUR SONS AND ONE SON-IN-LAW; HIS SON BILLY LATER TOOK OVER THIS RANCH. REED WAS A JUSTICE OF THE PEACE IN LETHBRIDGE AND A MEMBER OF THE SCHOOL BOARD. IN EARLY 1906, HE PURCHASED EDGEHILL FARM, NEAR SIX MILE COULEE, BUT HE DIED LATER THAT YEAR ON APRIL 25. MARY REED LIVED AT THE FARM FOR YEARS AFTERWARD, AND DIED IN KELOWNA, B.C. IN 1932 AT HOME OF ONE OF HER SONS. BOTH JOB AND MARY REED ARE BURIED IN MOUNTAIN VIEW CEMETERY IN LETHBRIDGE. SEE PERMANENT FILE P19980031006 FOR HARDCOPIES OF NEWSPAPER ARTICLES, AND PERMANENT FILE P19920001001 FOR RESEARCH CONDUCTED BY AIMEE VIEL FOR A GALT MUSUEM EXHIBIT ON THE REED FAMILY..
Catalogue Number
P20090017000
Acquisition Date
2009-06
Collection
Museum
Images
Less detail
Date Range From
1890
Date Range To
1900
Material Type
Artifact
Materials
WOOD, STEEL
Catalogue Number
P19970107029
  1 image  
Material Type
Artifact
Date Range From
1890
Date Range To
1900
Materials
WOOD, STEEL
No. Pieces
1
Height
1.3
Length
19.6
Width
3.3
Description
BROWN WOODEN HARMONICA WITH A STAINLESS STEEL PLATE ON THE TOP MARKED "HOHNER'S BEST HAMMERED REEDS", AND ON THE BOTTOM "M. HOHNER TRADEMARK MADE IN GERMANY PARIS 1900 CHICAGO 1893". ENDS HAVE A DESIGN CARVED INTO THE END AND ARE FILLED WITH GOLD COLOURED PAINT. STEEL PLATES HAVE VENTS ON BOTH ENDS, AND ON BOTH SIDES OF THE PIECE. SURFACE, ESPECIALLY CORNERS ARE WORN AND CRACKED, AND STEEL PLATES ARE BENT.
Subjects
MUSICAL T&E
Historical Association
LEISURE
History
ACCORDING TO DONOR AB CHERVINSKI, THIS HARMONICA BELONGED TO MR. PATEY, WHO OWNED 'PATEY'S SIGNS' IN LETHBRIDGE DURING THE 1920'S AND 30'S. DONOR RECEIVED ITEM FROM PATEY'S GRANDSON. *UPDATE* IN 2015 COLLECTIONS ASSISTANT JANE EDMUNDSON CONDUCTED A SURVEY OF MUSICAL INSTRUMENTS. THE FOLLOWING INFORMATION ABOUT JACK PATEY, THE ORIGINAL OWNER OF THIS HARMONICA, WAS FOUND IN LETHBRIDGE HERALD ARTICLES FROM 1934, 1950, 1978, AND 1986. ARTHUR JOHN SAMUEL 'JACK' PATEY WAS BORN IN WORCHESTERSHIRE, ENGLAND IN 1904, AND IMMIGRATED TO CANADA AT THE AGE OF EIGHT. PATEY WAS A MUSICIAN AND SIGN PAINTER. HE OPERATED THE ART SIGN COMPANY IN LETHBRIDGE FROM 1931 TO 1978, WHEN THE BUSINESS WAS TAKEN OVER BY HIS SON, JACK JR. PATEY PLAYED IN AND LEAD MANY SOUTHERN ALBERTA BANDS FOR OVER 60 YEARS, INCLUDING THE KING'S KANADIANS, JACK PATEY TRIO, THREE HITS AND A MISS, THE SATELLITES, PLINK, PLUNK AND THE PROFESSOR, AND THE OLD GUYS. HE PLAYED PIANO, ORGAN, AND TRUMPET. JACK PATEY DIED ON FEBRUARY 18, 1986. SEE PERMANENT FILE FOR HARDCOPIES OF NEWSPAPER ARTICLES ABOUT PATEY. THE FOLLOWING BIOGRAPHY OF AB CHERVINSKI, THE DONOR OF THIS OBJECT, WAS DEVELOPED WITH INFORMATION FROM LETHBRIDGE HERALD ARTICLES FROM 1982, 1989, AND 2011. ADAM ABRAHAM 'AB" CHERVINSKI WAS BORN ON FEBRUARY 24, 1920 IN LETHBRIDGE. AS A TEENAGER HE WORKED AS A MESSENGER BOY FOR THE CPR TELEGRAPH OFFICE. CHERVINSKI BRIEFLY LIVED IN ONTARIO DURING HIS SERVICE WITH THE AIR FORCE, BUT RETURNED TO LETHBRIDGE WHERE HE WORKED FOR ALBERTA GOVERNMENT TELEPHONES FOR 37 YEARS. HE WAS A LIFELONG COLLECTOR OF ANTIQUES, AVID LOCAL HISTORIAN, AND HEAVILY INVOLVED IN MUSICAL THEATRE. AB CHERVINSKI DIED ON JUNE 2, 2011. SEE PERMANENT FILE P19970107001-GA FOR HARDCOPIES OF NEWSPAPER ARTICLES ABOUT CHERVINSKI. *UPDATE* IN 2018, COLLECTIONS ASSISTANT ELISE PUNDYK CONDUCTED AN ARTIFACT SURVEY, WHICH INCLUDED A NUMBER OF ARTIFACTS DONATED BY ADAM ABRAHAM CHERVINSKI. EXTENSIVE RESEARCH CONDUCTED TO LOCATE THE DONOR'S LIVING NEXT-OF-KIN WAS UNSUCCESSFUL.
Catalogue Number
P19970107029
Acquisition Date
1997-10
Collection
Museum
Images
Less detail
Other Name
CHILD'S NIGHTSHIRT
Date Range From
1850
Date Range To
1890
Material Type
Artifact
Materials
LINEN
Catalogue Number
P19920058009
  2 images  
Material Type
Artifact
Other Name
CHILD'S NIGHTSHIRT
Date Range From
1850
Date Range To
1890
Materials
LINEN
No. Pieces
1
Length
112.0
Width
92.5
Description
WHITE, LINEN. HAS A SQUARE CUT NECKLINE. FABRIC IS GATHERED IN TINY PLEATS JUST UNDER NECKLINE. SLEEVES ARE SHORT. THE UNDERSIDE OF EACH SLEEVE IS SPLIT, FROM CUFF TO HALFWAY DOWN SLEEVE. WRITTEN ON BACK NECKLINE IS "M H SHERLOCK". SHIRT IS YELLOWING; HAS SOME STAINS ON IT. HAS A FEW MINOR HOLES HAS SIGNS OF WEAR. SHIRT IS OTHERWISE PLAIN.
Subjects
CLOTHING-OUTERWEAR
Historical Association
PERSONAL CARE
History
BELONGED TO M.H. SHERLOCK. SEE P19920058006-GA FOR HISTORY. *UPDATE* IN 2015 COLLECTIONS ASSISTANT JANE EDMUNDSON CONDUCTED A SURVEY OF ART OBJECTS, INCLUDING ONE DONATED BY MARJORIE WELCH'S MOTHER, NORA EVERSON. FOR FURTHER INFORMATION ABOUT THE SHERLOCK/MACLEOD FAMILY, SEE RECORDS P19960108000 AND P19740093000.
Catalogue Number
P19920058009
Acquisition Date
1993-11
Collection
Museum
Images
Less detail
Other Name
MAN'S NIGHT SHIRT
Date Range From
1850
Date Range To
1890
Material Type
Artifact
Materials
LINEN
Catalogue Number
P19920058013
  2 images  
Material Type
Artifact
Other Name
MAN'S NIGHT SHIRT
Date Range From
1850
Date Range To
1890
Materials
LINEN
No. Pieces
1
Length
118.0
Width
100.0
Description
WHITE, LINEN. HAS A WIDE NECKLINE. HAS WHITE, TRANSLUCENT RUFFLES TRIMMING NECKLINE AND ARMS. ARMS ARE SHORT SLEEVED; THERE IS A TRIANGULAR SHAPED PIECE OF MATERIAL ATTACHED TO UNDERSIDE OF ARMS AND SIDE OF SHIRT. HAS A RECTANGULAR FLAP ON BACK OF NECK. STAMPED ONTO HIGH BACK OF SHIRT, IN RED, IS "SC 12". HAS MULTIPLE BROWN STAINS THROUGHOUT.
Subjects
CLOTHING-OUTERWEAR
Historical Association
PERSONAL CARE
History
SEE P19920058006-GA FOR HISTORY. *UPDATE* IN 2015 COLLECTIONS ASSISTANT JANE EDMUNDSON CONDUCTED A SURVEY OF ART OBJECTS, INCLUDING ONE DONATED BY MARJORIE WELCH'S MOTHER, NORA EVERSON. FOR FURTHER INFORMATION ABOUT THE SHERLOCK/MACLEOD FAMILY, SEE RECORDS P19960108000 AND P19740093000.
Catalogue Number
P19920058013
Acquisition Date
1993-11
Collection
Museum
Images
Less detail
Date Range From
1895
Date Range To
1905
Material Type
Artifact
Materials
WOOD, METAL, CLOTH
Catalogue Number
P19920001001
Material Type
Artifact
Date Range From
1895
Date Range To
1905
Materials
WOOD, METAL, CLOTH
No. Pieces
4
Height
182.7
Length
139.5
Width
61.0
Description
.1 WOOD CABINET & FRAME C/W ENTABLATURE. MAHOGANY FINISH. EXTENSIVE SCROLL WORK. 73 KEYS, SIMULATED IVORY. 14 VOICE VALVES, EACH LABELLED FOR FUNCTION. 2 PEDALS "DOHERTHY" ON LEFT & "ORGAN" ON RIGHT PEDAL. FABRIC BACKING FOR PEDAL & MUSIC STAND SECTION. .2 ENTABLATURE. 135CM (L) X 35.5CM (H). POSSIBLY POSSESSED MIRROR AT CENTRE. CYLINDER AT TOP CENTRE IS REMOVABLE. .3 CIRCULAR MOUNTS (2). PERHAPS USED FOR CANDLEABRAS.
Subjects
MUSICAL T&E
Historical Association
HOME ENTERTAINMENT
History
ORGAN BELONGED TO JOB REED, AN EARLY RESIDENT OF LETHBRIDGE WHO ESTABLISHED A MARKET GARDEN ON S.W. CORNER OF PRESENT DAY 6 AVE & 13 ST SO. (5 1/4 ACRES). WIFE MARY GAVE ORGAN MUSIC LESSONS. ORGAN SHIPPED TO THE OKANAGAN BY HIS GRANDDAUGHTER, MRS. ANNIE MCCORMICK. LATER DONATED TO THE KELOWNA MUSEUM BY FAMILY MEMBER AFTER ANNIE MCCORMICK DIED. JOB REED DIED APRIL 21 1906. AT THE TIME OF HIS DEATH HE ALSO OWNED THE EDGEHILL FARM ON SIX MILE COULEE, WHICH HE ACQUIRED FROM REV. G.J.C. WHITE. REED PROVIDED FARM & MARKET GARDEN PRODUCE & EQUIPMENT TO LETHBRIDGE. HE ALSO PROVIDED POULTRY, EGGS & DAIRY PRODUCTS. REED WAS BORN IN ENGLAND, NOV. 12 1841. HE HAD 7 CHILDREN & WAS ACTIVE IN COMMUNITY AFFAIRS & BELONGED TO NUMEROUS ORGANIZATIONS. BEFORE IMMIGRATING TO CANADA HE WAS A CERTIFIED TEACHER IN ENGLAND. HE IMMIGRATED 1ST TO TEXAS, BUT NOT FINDING THE CLIMATE HEALTHY, RETURNED TO ENGLAND, THEN IMMIGRATED TO CANADA, EVENTUALLY, AFTER WORKING FOR THE C.P.R. ARRIVING IN LETHBRIDGE TO SETTLE IN 1887. HIS RESIDENCE ON 6 AVE., A STONE BUILDING., IS STILL IN USE TODAY. *UPDATE* IN 2014 COLLECTIONS ASSISTANT JANE EDMUNDSON CONDUCTED A SURVEY OF ART OBJECTS, INCLUDING ONE ASSOCIATED WITH THE REED FAMILY. THE FOLLOWING BIOGRAPHY OF JOB REED WAS DEVELOPED WITH INFORMATION FROM AN ARTICLE ON THE REED FAMILY AND FARM FROM THE DECEMBER 30, 1985 ISSUE OF THE LETHBRIDGE HERALD, REED'S DEATH ANNOUNCEMENT FROM 1906, AND THE GALT ARCHIVES. JOB REED WAS BORN IN SOMERSETSHIRE, ENGLAND ON NOVEMBER 12, 1841. WHEN HE WAS 14, HIS FATHER DIED, LEAVING JOB THE RESPONSIBILITY OF PROVIDING FOR HIMSELF AND HIS WIDOWED MOTHER. HE WORKED FOR THE BRITISH POSTAL SERVICE AND COMPLETED HIS TEACHING CERTIFICATION. HE MARRIED MARY ELIZABETH HOBBS IN 1869, AND IMMIGRATED TO THE UNITED STATES IN 1873, MOVING FROM NEW ORLEANS TO TEXAS AND THEN PENNSYLVANIA, WHERE REED OBTAINED A DEGREE IN MEDICINE. THE COUPLE RETURNED TO ENGLAND, BUT REED'S MEDICAL TRAINING WAS NOT RECOGNIZED THERE, AND IN 1882 THEY CROSSED THE ATLANTIC AGAIN, MOVING WEST ACROSS CANADA IN STAGES, FINALLY ARRIVING IN LETHBRIDGE IN 1886. THE FAMILY HAD SEVEN CHILDREN: RICHARD, HENRY, ELIZABETH (WHO MARRIED GEORGE HERBERT WATSON), JOB JUNIOR (KNOWN AS BUDD), GEORGE, ANNIE, AND ELLA. REED PURCHASED TWO LOTS ON WHAT IS NOW 6TH AVENUE SOUTH. THE FAMILY OWNED AND OPERATED A MARKET GARDEN ON THE PROPERY, AND BUILT A STONE DUPLEX THAT STILL STANDS ON THE 1200 BLOCK OF 6TH AVENUE. REED WORKED AS A COAL MINER TO EARN MORE MONEY TOWARDS INVESTING IN FURTHER LAND, AND RAISED PIGS WITH SCRAP FOOD FROM THE NEARBY RCMP BARRACKS. IN 1901, REED PURCHASED 2.5 SECTIONS OF LAND NEAR PRESENT-DAY GRANUM WITH HIS FOUR SONS AND ONE SON-IN-LAW; HIS SON BILLY LATER TOOK OVER THIS RANCH. REED WAS A JUSTICE OF THE PEACE IN LETHBRIDGE AND A MEMBER OF THE SCHOOL BOARD. IN EARLY 1906, HE PURCHASED EDGEHILL FARM, NEAR SIX MILE COULEE, BUT HE DIED LATER THAT YEAR ON APRIL 25. MARY REED LIVED AT THE FARM FOR YEARS AFTERWARD, AND DIED IN KELOWNA, B.C. IN 1932 AT HOME OF ONE OF HER SONS. BOTH JOB AND MARY REED ARE BURIED IN MOUNTAIN VIEW CEMETERY IN LETHBRIDGE. SEE PERMANENT FILE P19980031006 FOR HARDCOPIES OF NEWSPAPER ARTICLES, AND PERMANENT FILE P19920001001 FOR RESEARCH CONDUCTED BY AIMEE VIEL FOR A GALT MUSUEM EXHIBIT ON THE REED FAMILY..
Catalogue Number
P19920001001
Acquisition Date
1991-02
Collection
Museum
Less detail
Other Name
BEADED PAIR MOCCASIN APPLIQUES
Date Range From
1885
Date Range To
1900
Material Type
Artifact
Materials
BEAD, EMBROIDERY FLOSS, CLOTH
Catalogue Number
P19770151000
  1 image  
Material Type
Artifact
Other Name
BEADED PAIR MOCCASIN APPLIQUES
Date Range From
1885
Date Range To
1900
Materials
BEAD, EMBROIDERY FLOSS, CLOTH
No. Pieces
2
Length
35.0
Width
28.0
Description
.1 COLOURS: CLOTH - GREY. FLOSS - BLUE. BEADS - BLACK, GREY, CLEAR, WHITE, GOLD, BROWN, SILVER. SOME ARE GLASS AND SOME ARE METAL. .2 SAME DIMENSIONS - HAS CUT IN MATERIAL DOWN TOP CENTRE. FLORAL DESIGN, BEAD WORK SURROUNDED WITH EMBROIDERED BACKGROUND. HAS RED STAIN IN UPPER LEFT CORNER.
Subjects
CLOTHING-ACCESSORY
Historical Association
ETHNOGRAPHIC
DECORATIVE ARTS
History
HISTORY ATTACHED TO FILE.
Catalogue Number
P19770151000
Acquisition Date
1976-09
Collection
Museum
Images
Less detail

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