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50 Years of Lethbridge Television

https://collections.galtmuseum.com/en/permalink/descriptions84630
Accession No.
20061042
Physical Description
2 DVD set
Scope and Content
Disk 1: History of station, Reception Friday July, 29/05, Video snapshots. XXXDisk 2: 1955-65, 1965-75, 1975-85, 1985-95, 1995-05, We remember.
Creator
Chris Oates
Physical Description
2 DVD set
History / Biographical
CJLH went on air November 20th 1955 on channel 7. Norman Botterill was Geneal Manager. The station was a joint venture of CJOC-AM and the Lethbridge Herald. Management was supplied by Taylor Pearson & Carson, the owners of CJOC. The "CJ" in the call sign came from CJOC and the "LH" represented the Lethbridge Herald. A CBC affiliate, the network programs (about two thirds of their schedule) arrived via kinescopes a few days or up to a week after they had originated live in Toronto, Montreal or Vancouver or from the U. S. Networks (CJLH joined CBS as a secondary affiliate). Shows included "Channel 7 Spotlight", "Remember When “and “Home Gardener”. Three months after the station went on the air, the BBM measurement service showed that CJLH-TV had a potential audience of 9,400 homes, but within a year that number had grown to 19,200, - and of those, 16,000 had already acquired TV sets. The station was the only signal available in the area at the time. From http://www.broadcasting-history.ca Disk one has general history, and stories about Tv in Lethbridge. The first employees where interviewed they are: Don Slade, Andy Durina, Bob Ray, Doug Card, Winn Duffy, Don Pilling, Norm Young, Gerogia Fooks, Corine Mortens, Brent Seely, Kay MacCloud, Betty Greg, Joan Waterfeild, Ron Watmough and Howie Stevenson. Disk two features the 50th reunion of all the people involved in TV in Lethbridge. However it gives a good pop culture review as they remember the popular TV shows of the eras. Topics included music, fashion, politics, sports, art, and technology.
Scope and Content
Disk 1: History of station, Reception Friday July, 29/05, Video snapshots. XXXDisk 2: 1955-65, 1965-75, 1975-85, 1985-95, 1995-05, We remember.
Accession No.
20061042
Collection
Archive
Less detail

Aerial of CPR High Level Bridge

https://collections.galtmuseum.com/en/permalink/descriptions96033
Date Range
2009
Accession No.
20101085004
Physical Description
TIFF digital file
Scope and Content
Aerial view of the CPR HIgh Level Bridge showing the river valley, the Oldman River, and the west side can be seen on the left upper corner of the photo.
  1 image  
Date Range
2009
Creator
Van Christou
Physical Description
TIFF digital file
History / Biographical
Dr. Van E. Christou was born in Lethbridge on January 26, 1923. Through the Canadian Army Officer Training Corps, he attended the University of Alberta, graduating in 1948 with a Doctorate of Dentistry and a Queen’s Commission at the rank of Captain. On a Canadian Eastman Fellowship, he completed postgraduate training in Orthodontics at the University of Rochester from 1948-50. He returned to Lethbridge initially to practice general dentistry with Dr. JS Stewart, later establishing his own Orthodontics practice of 37 years. Van Christou was actively engaged in civic affairs with imagination and wisdom. His vision for accessible liberal arts education was realized in 1967 with the establishment of the University of Lethbridge. He had a mind full of ideas, many of which came to fruition through the sixty years he spent engaged with community affairs. His passion for the arts shaped the character of Lethbridge in many ways including the establishment of the Allied Arts Council, the Southern Alberta Art Gallery, the Yates Centre, and the University art collection. His enthusiasm was palpable, his energy unremitting, and his contributions leave this community considerably enhanced. He was honoured by the Blackfoot Nation, who named him “iihhiowdoomoo” (Lead Buffalo). He deeply respected the values of the Blackfoot Nation and took great pride in this honour. Dr. Christou passed away September 27, 2017.
Scope and Content
Aerial view of the CPR HIgh Level Bridge showing the river valley, the Oldman River, and the west side can be seen on the left upper corner of the photo.
Accession No.
20101085004
Collection
Archive
Images
Less detail

Aerial of CPR High Level Bridge

https://collections.galtmuseum.com/en/permalink/descriptions96037
Date Range
2009
Accession No.
20101085007
Physical Description
TIFF digital file
Scope and Content
Aerial view of the CPR HIgh Level Bridge showing the river valley, the Oldman River, Helen Schuler Coulee Centre came be seen near the centre of the photo.
  1 image  
Date Range
2009
Creator
Van Christou
Physical Description
TIFF digital file
History / Biographical
Dr. Van E. Christou was born in Lethbridge on January 26, 1923. Through the Canadian Army Officer Training Corps, he attended the University of Alberta, graduating in 1948 with a Doctorate of Dentistry and a Queen’s Commission at the rank of Captain. On a Canadian Eastman Fellowship, he completed postgraduate training in Orthodontics at the University of Rochester from 1948-50. He returned to Lethbridge initially to practice general dentistry with Dr. JS Stewart, later establishing his own Orthodontics practice of 37 years. Van Christou was actively engaged in civic affairs with imagination and wisdom. His vision for accessible liberal arts education was realized in 1967 with the establishment of the University of Lethbridge. He had a mind full of ideas, many of which came to fruition through the sixty years he spent engaged with community affairs. His passion for the arts shaped the character of Lethbridge in many ways including the establishment of the Allied Arts Council, the Southern Alberta Art Gallery, the Yates Centre, and the University art collection. His enthusiasm was palpable, his energy unremitting, and his contributions leave this community considerably enhanced. He was honoured by the Blackfoot Nation, who named him “iihhiowdoomoo” (Lead Buffalo). He deeply respected the values of the Blackfoot Nation and took great pride in this honour. Dr. Christou passed away September 27, 2017.
Scope and Content
Aerial view of the CPR HIgh Level Bridge showing the river valley, the Oldman River, Helen Schuler Coulee Centre came be seen near the centre of the photo.
Accession No.
20101085007
Collection
Archive
Images
Less detail

Aerial of CPR High Level Bridge

https://collections.galtmuseum.com/en/permalink/descriptions96041
Date Range
2009
Accession No.
20101085012
Physical Description
TIFF digital file
Scope and Content
Aerial view of the CPR HIgh Level Bridge showing the river valley, the Oldman River, and the west side can be seen on the left upper corner of the photo and the Galt number 8 mine complex can be seen on the right side of the west end of the bridge.
  1 image  
Date Range
2009
Creator
Van Christou
Physical Description
TIFF digital file
History / Biographical
Dr. Van E. Christou was born in Lethbridge on January 26, 1923. Through the Canadian Army Officer Training Corps, he attended the University of Alberta, graduating in 1948 with a Doctorate of Dentistry and a Queen’s Commission at the rank of Captain. On a Canadian Eastman Fellowship, he completed postgraduate training in Orthodontics at the University of Rochester from 1948-50. He returned to Lethbridge initially to practice general dentistry with Dr. JS Stewart, later establishing his own Orthodontics practice of 37 years. Van Christou was actively engaged in civic affairs with imagination and wisdom. His vision for accessible liberal arts education was realized in 1967 with the establishment of the University of Lethbridge. He had a mind full of ideas, many of which came to fruition through the sixty years he spent engaged with community affairs. His passion for the arts shaped the character of Lethbridge in many ways including the establishment of the Allied Arts Council, the Southern Alberta Art Gallery, the Yates Centre, and the University art collection. His enthusiasm was palpable, his energy unremitting, and his contributions leave this community considerably enhanced. He was honoured by the Blackfoot Nation, who named him “iihhiowdoomoo” (Lead Buffalo). He deeply respected the values of the Blackfoot Nation and took great pride in this honour. Dr. Christou passed away September 27, 2017.
Scope and Content
Aerial view of the CPR HIgh Level Bridge showing the river valley, the Oldman River, and the west side can be seen on the left upper corner of the photo and the Galt number 8 mine complex can be seen on the right side of the west end of the bridge.
Accession No.
20101085012
Collection
Archive
Images
Less detail
Other Name
"PIONEER"
Date Range From
1929
Date Range To
2000
Material Type
Artifact
Materials
METAL, GLASS
Catalogue Number
P20060019001
Material Type
Artifact
Other Name
"PIONEER"
Date Range From
1929
Date Range To
2000
Materials
METAL, GLASS
No. Pieces
1
Height
6.9
Length
9.4
Width
8.5
Description
ALTIMETER, GAUGE, METAL AND GLASS. BLACK FACE WITH BROWNISH RED NUMBERS AND BROWNISH RED AND BLACK NEEDLE, NUMBERS MARKED “0…18” AROUND EDGES, FACE MARKED “ALTITUDE… PIONEER…A743B-1137.” CASE SURROUNDING FACE IS BLACK PAINTED METAL, PAINT LOSS ON FRONT, FOUR HOLES IN FOUR CORNERS AND METAL ROD ON BOTTOM FRONT OF FACE. PAPER LABEL COMING OFF OF BACK OF GAUGE MARKED “UNDER, PATEN(?),” REDDISH BROWN AND PUCE SPLATTERS ON SIDE OF GAUGE.
Subjects
AEROSPACE TRANSPORTATION-ACCESSORY
Historical Association
ASSOCIATIONS
TRANSPORTATION
History
ACCORDING TO DONOR GARY HODGE AT TIME OF DONATION, HE RECEIVED THE ALTIMETER FROM HIS UNCLE, ART LARSON. CORRESPONDANCE BETWEEN LARSON AND "STEPHENS" (NICKNAMED STEVIE) FROM FEBRUARY 23 - MARCH 3, 1937 SHOWS THAT THEY WERE TRYING TO FIND AN ALTIMETER TO SUIT THEIR NEEDS. IT IS POSSIBLE THIS ARTIFACT IS THE "PIONEER ALTIMETER IN A SECOND HAND STORE FOR WHICH THE YID WANTED BUCKS TWO AND A HALF," STEPHENS WAS REFERRING TO. "LARSON SPENT HIS EARLY DAYS IN LETHBRIDGE WHERE HE COMPLETED HIGH SCHOOL. HIS FATHER WAS A CARPENTER AND MASTER CRAFTSMEN. LARSON BECAME INTERESTED IN AVIATION AFTER LINDBERG FLEW THE ATLANTIC. HE AND HIS FRIENDS, IVAN THOMSON AND JIM FINDLAY, BEGAN BUILDING GLIDERS IN 1929. FOR THE NEXT 10 YEARS LARSON WAS THE DRIVING FORCE BEHIND THE LETHBRIDGE GLIDING CLUB. DURING THIS TIME HE MADE WELL OVER 300 GLIDER FLIGHTS. IN 1939 HE SET ONE OF THE FIRST UNOFFICIAL GLIDING RECORDS IN CANADA. LARSON SPENT THE WAR YEARS IN CALGARY AS AN AIRFRAME INSTRUCTOR FOR THE WAR EMERGENCY TRAINING PROGRAM. IN 1947 HE RETURNED TO LETHBRIDGE WHERE HE WAS EMPLOYED AS AN ASSESSOR FOR THE CITY UNTIL HIS RETIREMENT IN 1978." UPDATE: ON 6 NOVEMBER 2017, GALT CURATOR AIMEE BENOIT CONDUCTED AN INTERVIEW WITH GLIDER OBJECTS’ DONOR GARY HODGE. FOR MORE INFORMATION, INCLUDING A TRANSCRIPT OF THE INTERVIEW, PLEASE SEE THIS RECORD’S PERMANENT FILE.
Catalogue Number
P20060019001
Acquisition Date
2006-04
Collection
Museum
Less detail

Annora Brown: Forming a regionalist sensibility. M.A. Thesis.

https://collections.galtmuseum.com/en/permalink/descriptions89878
Date Range
2005
Description Level
Item
Accession No.
20171042
Physical Description
97 page typescript document. 47 photocopied illustrations. 1 newspaper clipping.
Scope and Content
Master of Arts thesis by Patricia A. Alderson submitted to the Department of Art, University of Calgary, Calgary Alberta, 2005.
Date Range
2005
Description Level
Item
Physical Description
97 page typescript document. 47 photocopied illustrations. 1 newspaper clipping.
Scope and Content
Master of Arts thesis by Patricia A. Alderson submitted to the Department of Art, University of Calgary, Calgary Alberta, 2005.
Accession No.
20171042
Collection
Archive
Less detail
Date Range From
1980
Date Range To
2015
Material Type
Artifact
Materials
POLYESTER, WOOL, METAL
Catalogue Number
P20170007001
  2 images  
Material Type
Artifact
Date Range From
1980
Date Range To
2015
Materials
POLYESTER, WOOL, METAL
No. Pieces
1
Length
74
Width
50
Description
PURPLE BLAZER JACKET WITH PURPLE LINING; FRONT LAPELS OF JACKET ARE DECORATED WITH PINS. FRONT LEFT AND RIGHT POCKETS LINED WITH GREY PATTERNED FABRIC; FRONT POCKETS HAVE WHITE AND PURPLE “LETHBRIDGE, NO. 32, OORP” AND “BRANDON, NO. 138, OORP” DIAMOND BADGES SEWN ON, WITH WHITE STAG IN CENTER OF TEXT. INSIDE OF BLAZER HAS BLACK TAG WITH WHITE STITCHED TEXT AT BACK OF COLLAR, “MADE IN / FABRIQUE EN CANADA”. TWO POCKETS SEWN INTO BLAZER LINING WITH WHITE CLOTH LINING; INSIDE RIGHT-WEARING INNER POCKET IS WHITE TAG WITH BILINGUAL (FRENCH AND ENGLISH) TEXT “MADE IN CANADA, CA – 00023, 55% POLYESTER, 45% WOOL DRY CLEAN ONLY”. OUTSIDE OF RIGHT-WEARING INNER POCKET HAS TAG SEWN ON; BLACK WITH WHITE TEXT “VETEMENTS, CLOTHES” AND GOLD-STITCHED TEXT BETWEEN WHITE READING “BILTMORE” AND GOLD AND WHITE LOGO IN UPPER LEFT CORNER “LP”. TWO GOLD CHECKERED BUTTONS DOWN FRONT OF BLAZER AND TWO AT EACH CUFF. BLAZER HAS FADING ON INSIDE OF CUFFS, AND STAINING ON FRONT LEFT-WEARING SIDE; OVERALL VERY GOOD CONDITION. ON FRONT RIGHT-WEARING LAPEL, PINS INCLUDE: GOLD-FINISHED PIN WITH RED AND WHITE CANADA FLAG AND BLUE AND WHITE CROSS FLAG; GOLD-FINISHED FLYING DOVE PIN; RED AND WHITE CANADA FLAG PIN; WHITE PLASTIC NAME TAG WITH SILVER ORDER OF ROYAL PURPLE SEAL AND BLACK TEXT “LETHBRIDGE LODGE NO. 32, DOROTHY TAYLOR”; GOLD-FINISHED PIN GREY, WHITE AND PEACH IMAGE OF WOMAN AND BLACK TEXT ABOVE IMAGE “DEAF DETECTION” AND BLACK TEXT BELOW IMAGE “PHOEBE MCCULLOUGH, 1896-1971”; GOLD-FINISHED PIN OF MAPLE LEAF WITH GOLD ORDER OF ROYAL PURPLE STAG ON A PURPLE BACKGROUND SURROUNDED BY GOLD LETTERS “OORP”; GOLD-FINISHED PIN WITH BAR SHAPED LIKE BOW AND HANGING SEAL OF THE ORDER OF ROYAL PURPLE; GOLD-FINISHED PIN WITH GOLD BORDER AROUND PURPLE AND YELLOW FLOWERS ON GREEN BACKGROUND, WITH ENGRAVED TEXT ON BORDER “MANITOBA ROYAL PURPLE ASSOCIATION”. ON LEFT-WEARING LAPEL IS PURPLE RIBBON WITH GOLD-FINISHED ATTACHMENT TO JACKET AND WHITE FRINGE, ON RIBBON GOLD-FINISHED PINS INCLUDE: TWO GOLD BARS ATTACHED WITH CHAIN AND HANGING ORNATE SEAL OF THE ORDER OF ROYAL PURPLE, TEXT ON TOP BAR READS “BRANDON LODGE NO. 138”, LOWER BAR TEXT READS “1998-1999”; BAR PIN WITH PURPLE TEXT “15 YRS” AND ORDER OF ROYAL PURPLE SEAL IN CENTER; BAR PIN WITH TWO TEXT BANNERS TO THE UPPER LEFT AND LOWER RIGHT OF ORDER OF ROYAL PURPLE SEAL, UPPER BANNER READS “20” AND LOWER BANNER READS “YRS”; OVAL PIN WITH ORDER OF ROYAL PURPLE SEAL IN CENTER AND BOTTOM BANNER READING “LIFE MEMBER”; FLOWER PIN WITH ORDER OF ROYAL PURPLE SEAL IN CENTER AND SIX HANGING BARS THAT READ “25 YEARS”, “30 YEARS”, “35 YEARS”, “40 YEARS”, “45 YEARS”, “50 YEARS”.
Subjects
CLOTHING-OUTERWEAR
Historical Association
ASSOCIATIONS
PERSONAL CARE
History
ON FEBRUARY 22, 2017, COLLECTIONS TECHNICIAN KEVIN MACLEAN INTERVIEWED WILMA WOOD, DAUGHTER OF DOROTHY TAYLOR, ABOUT HER DONATION OF TAYLOR’S ORDER OF ROYAL PURPLE REGALIA. THE REGALIA REPRESENTED TAYLOR’S 50-YEAR INVOLVEMENT WITH THE ORDER OF ROYAL PURPLE FROM BRANDON, MANITOBA TO LETHBRIDGE, ALBERTA. WHEN ASKED ABOUT HER MOTHER’S BLAZER, WOOD RECALLED, “[MY MOTHER WAS WEARING THIS] WITHIN THE [PAST] TWO OR THREE YEARS, AS YOU CAN SEE, SHE HAD IT ON WHEN SHE RECEIVED HER 50 YEAR PIN. I THINK SHE WENT TO ONE MORE ACTIVITY BEFORE SHE COULDN’T ANYMORE BECAUSE SHE’S BEEN WHEELCHAIR BOUND FOR 15 YEARS. IT GOT MORE AND MORE DIFFICULT FOR HER TO GET OUT.” MACLEAN ADDITIONALLY INTERVIEWED ANN MARIE MCDONALD OF THE LETHBRIDGE ORDER OF ROYAL PURPLE ON JUNE 6, 2017. ON THE BLAZER, MCDONALD ELABORATED, “WHEN I JOINED IN ’89, THEY WERE MOVING INTO THE NEW JACKETS…WE USED TO PASS DOWN JACKETS. WE USED TO HAVE A CUPBOARD. IF A LADY PASSED AWAY, YOU’D DRY-CLEAN HER JACKET, AND PUT IT INTO THE CUPBOARD…PROBABLY ABOUT 1985 THEY STARTED REPLACING THE JACKETS. I KNOW [THIS WAS DOROTHY’S JACKET] ORIGINALLY, IT HAD PIPING ON IT, AND…IT HAD BRANDON. SHE WORE THE BRANDON [BADGE] ON IT – THEN, SHE OBVIOUSLY GOT THE NEW JACKET MADE, AND THEN PUT THE [PATCH] ON HER POCKETS. IN THOSE DAYS, BEFORE I JOINED ROYAL PURPLE, YOU HAD A PATCH. YOU ALWAYS WORE THE PATCH OF YOUR LODGE ON YOUR JACKET.” “YOU WEAR WHAT ARE CALLED YOUR JEWELS ON YOUR LEFT SIDE. THIS [RIBBON WITH HER YEARS] WOULD BE A JEWEL.” “SHE WAS HONORABLE ROYAL LADY IN BRANDON, IN, POSSIBLY, 1975-76, THAT’S WHEN SHE WOULD HAVE BEEN IN.” MCDONALD ELABORATED ON THE PINS ON TAYLOR’S BLAZER, NOTING, “EACH YEAR THAT YOU STAY IN LODGE, THEY GIVE YOU A BAR. I’M THINKING MAYBE SHE DIDN’T [A BAR PIN] FROM OUR LODGE, BECAUSE SHE WAS ALREADY AN HONORED ROYAL LADY IN BRANDON. SHE JUST TOOK THE BAR, AND HAD THE BAR PUT ON HER OLD PIN – HER BRANDON PIN.” “BARS WERE [GIVEN] IF, FOR EXAMPLE, YOU WERE ON THE DRILL TEAM. YOU WOULD GET A BAR EVERY YEAR THAT YOU’RE ON THE DRILL TEAM. IF YOU WERE OUR PIANIST, YOU GOT A BAR EVERY YEAR THAT YOU STAYED AS PIANIST. SHE WAS OBVIOUSLY ON THE DRILL TEAM FOR 3 YEARS HERE. EVERY YEAR THEY GIVE YOU 1, UP TO 10. EVERY 5 YEARS YOU GOT A BAR.” “[THE CLASP PIN] IS HER 15TH YEAR BAR, SO WHEN SHE WAS IN OUR LODGE 15 YEARS…ALTHOUGH I’M NOT SURE WITH DOROTHY, IF THEY COMBINED HERS OR NOT. I KNOW THEY COMBINED HERS FOR HER 50TH. YOU WOULD WEAR IT ON [THE] RIBBON. ON THE LEFT HAND SIDE. THE LEFT SIDE IS WHAT WE CONSIDER IS OVER YOUR HEART. YOU WEAR ALL YOUR JEWELS OVER YOUR HEART.” “[THE MAPLE LEAF] IS AN INSTALLATION PIN. WHEN YOU JOIN THE LODGE, THEY GIVE YOU AN INSTALLATION PIN. THEY WANT ACKNOWLEDGE [YOUR INSTALLATION], IT’S NOT SOMETHING YOU EARN. IT’S KIND OF “WELCOME TO THE LODGE”. SHE WOULD WEAR THIS…ON HER REGALIA [LEFT] SIDE.” “NOW [THE PINS ON THE RIGHT SIDE] I DON’T KNOW WHAT [THEY ALL] ARE. DEAF DETECTION…ARE PINS, IN OUR ORGANIZATION THEY PUT OUT TONS OF PINS AND THEN SELL THEM. THERE WAS SOME FUND-RAISER FOR DEAF DETECTION, AND SHE BOUGHT A PIN.” “[THE PURPLE FLORAL PIN] IS A MANITOBA ROYAL PURPLE ASSOCIATION. SHE WOULDN’T HAVE [WORN THIS ON HER REGALIA] BECAUSE…THEY SELL THE PINS AND THEY MAKE MONEY. HER PERFECT ATTENDANCE [PIN], 5 YEARS SHE COULD WEAR ON HER REGALIA PIN. THERE IS A KEEPSAKE [PIN] THAT THEY HAD WHEN THEY HAD THEIR YEAR 2000…[YOU] BOUGHT THE PIN TO SUPPORT THE LODGE. THERE IS A BRANDON PIN. SHE WOULDN’T WEAR IT WITH HER REGALIA THOUGH…IT’S PURCHASED FOR BRANDON. [THERE IS] THE 12TH COLLECTION EDITION OF ROYAL PURPLE. THE BIRD [HAS NO SIGNIFICANCE] WITH OUR LODGE. ON DOROTHY TAYLOR’S INVOLVEMENT IN THE ORDER OF ROYAL PURPLE, MCDONALD RECALLED, “SHE WOULD HAVE BEEN IN OUR LODGE BY [1989]. SHE WAS A DUAL MEMBER OF OUR LODGE. SHE PAID HER DUES TO BRANDON, AND SHE PAID TO US FOR MANY YEARS, BECAUSE SHE LOVED BRANDON, AND HER HEART WAS IN BRANDON. SHE HAD FRIENDS, TOO, LADIES IN BRANDON THAT SHE STAYED REALLY GOOD FRIENDS WITH…WHEN SHE WAS HONORABLE ROYAL LADY, [THE BAR PIN] WASN’T THERE. [THE REST] ARE ALL FUND-RAISERS…[THERE IS ONE FOR] FUND FOR CHILDREN, WHICH WAS OUR NATIONAL CHARITY.” WOOD DISCUSSED HER MOTHER’S TIME IN THE ORDER OF ROYAL PURPLE, STATING, “SHE CONSIDERS [THESE OBJECTS IN ACTIVE USE]. SHE IS VERY MUCH A PERSON WHO VALUES THAT SOCIETY. IT HELPED HER A NUMBER OF TIMES. AS YOU GROW OLDER, ALL OF A SUDDEN YOU DISCOVER THAT YOUR BRAIN ISN’T AS ACTIVE AS IT SHOULD BE AND THE MEMORY IS GOING. SHE WOULD PUT HERSELF INTO POSITIONS WITHIN THE ORGANIZATION INCLUDING BEING PRESIDENT, THREE OR FOUR TIMES. SHE HAD TO BE AN ORGANIZER, SHE HAD TO GET HER BRAIN AND KEEP HER BRAIN FUNCTIONING, WHICH I THOUGHT WAS VERY ADMIRABLE FOR A WOMAN HER AGE BECAUSE…SHE WAS IN HER EIGHTIES. SHE RECEIVED HER 50 YEAR PIN, I THINK IT WAS TWO YEARS AGO OR THREE.” “SHE JOINED [THE ORDER OF ROYAL PURPLE] IN BRANDON, MANITOBA WHERE [MY PARENTS] WERE LIVING AT THE TIME, AND MY DAD RETIRED THERE. THEY MOVED HERE TO LETHBRIDGE BECAUSE MY BROTHER LIVED HERE, AND MY UNCLE ART GOOD…HE LIVED HERE AND THEY WANTED TO BE CLOSER TO FAMILY. THEY MOVED TO LETHBRIDGE AND MY DAD DIED SHORTLY AFTER THAT.” “[SHE JOINED] BECAUSE OF HER FRIENDS. SHE HAD A FRIENDSHIP GROUP AND THEY BELONGED. THEY RECRUITED HER.” “WHEN SHE WAS VERY ACTIVE, SHE WAS A MAJOR RECRUITER. SHE WENT OUT AND FOUND YOUNG WOMEN BUT THEY FELL BY THE WAYSIDE BECAUSE OF LIFE. SHE WAS CERTAINLY VERY ACTIVE IN THEIR PROJECTS, ONE OF WHICH WAS FINDING FINANCES TO EDUCATE YOUNG PEOPLE. WHATEVER THEY WERE [DOING], SHE WAS INTO IT FULL TILT BECAUSE THAT’S THE KIND OF PERSON SHE IS…WHATEVER SHE DOES IS FULL BLAST, FULL BORE. SHE NEVER TOLD ME ANY DETAILS ABOUT THE SOCIETY BECAUSE IT’S ONE OF THOSE SECRET SISTERHOODS. SHE WAS ALWAYS VERY PROUD TO BE A MEMBER OF IT.” “THIS [CHAPTER] DID A LOT OF EDUCATIONAL SUPPORT…SHE TRAVELED WITH THEM BECAUSE IT WAS A CANADIAN ORGANIZATION, SO THEY HAD THEIR ANNUAL GENERAL MEETINGS ALL OVER CANADA. SHE CAME OUT TO VANCOUVER TO A MEETING AND I WENT OVER TO VANCOUVER TO MEET HER AND SAY “HOWDY”. SHE WENT OUT TO THE PREMIER’S, AT THAT TIME WAS VANDER ZALM, AND HE HAD THE BIG GARDENS OUT NEAR STEVESTON. SHE WENT OUT THERE AND SHE MET HIM.” “A YEAR AGO ABOUT THIS TIME, THAT’S WHEN [THE ORDER WAS] FOLDING. THE ALBERTA CLUBS WERE ALL IMPLODING, AND I THINK THERE’S ONLY ONE LEFT IN SOUTHERN ALBERTA. IT WAS THE ISSUE THAT THEY WERE ALL OLD PEOPLE AND YOUNG PEOPLE DID NOT WANT TO JOIN THESE KINDS OF ORGANIZATIONS ANY LONGER…[THIS HAPPENED BECAUSE] I THINK WE HAVE MORE LEGAL SUPPORT. THE GOVERNMENT HAS SET UP HEALTH CARE, COMMUNITIES HAVE SET UP ASSISTANCE FOR WOMEN WHO ARE ABUSED, THERE’S DRUG ASSISTANCE. THERE IS MUCH MORE ASSISTANCE AVAILABLE. IN THE EARLY DAYS ON THE PRAIRIES, IF YOU DIDN’T KNOW YOUR NEXT DOOR NEIGHBOR, WHO MIGHT BE TWENTY MILES AWAY, YOU WERE IN DEEP DOO-DOO IF YOU HAD A BIG PROBLEM. THAT’S WHAT THESE SOCIETIES CAME OUT OF WAS THAT NEED. THE NEED PRETTY WELL HAS BEEN TAKEN CARE OF, I THINK. THERE ARE STILL CLUBS BUT THEY’RE DIFFERENT KINDS OF CLUBS NOW.” WHEN ASKED ABOUT HER MOTIVATION FOR DONATING HER MOTHER’S REGALIA TO THE MUSEUM, WOOD NOTED, “MY MOTHER HAS TURNED 99 YEARS OLD IN JANUARY. SHE HAS DEMENTIA AND SO WE’VE HAD TO MOVE HER FROM HER SENIOR’S LODGE ROOM INTO A MORE SECURE ROOM. CONSEQUENTLY THE LAST OF THE THINGS THAT SHE TREASURED OR VALUED MUST BE DISPERSED. MY BROTHER AND I DECIDED THAT, SINCE THE ELKS AND THE ROYAL PURPLE MEANT SO MUCH TO HER, THAT [THESE WERE] THE [OBJECTS] WE WOULD LIKE TO DONATE TO THE MUSEUM. IT DEPICTS A PERIOD OF TIME WHEN THE WOMEN USED THESE ASSOCIATIONS AS A SUPPORT GROUP FOR THEMSELVES. IT WAS ANOTHER ONE OF THESE SECRET SOCIETIES, WHEN IN FACT THEY WERE SISTERHOODS. THEY WERE MEANT MAINLY FOR THEM TO HAVE PEOPLE TO SUPPORT EACH OTHER. SINCE THIS ORGANIZATION HAS BASICALLY COLLAPSED, I THOUGHT IT WAS SOMETHING THAT THE MUSEUM SHOULD HAVE BECAUSE IT DOES SHOW THAT PERIOD OF TIME IN THE SOCIAL HISTORY OF CANADA.” FOR MORE INFORMATION INCLUDING FULL INTERVIEW TRANSCRIPTIONS, PLEASE SEE THE PERMANENT FILE P20170007001-GA.
Catalogue Number
P20170007001
Acquisition Date
2017-02
Collection
Museum
Images
Less detail
Date Range From
1980
Date Range To
2015
Material Type
Artifact
Materials
COTTON, PLASTIC
Catalogue Number
P20170007002
  2 images  
Material Type
Artifact
Date Range From
1980
Date Range To
2015
Materials
COTTON, PLASTIC
No. Pieces
1
Length
67
Width
44
Description
WHITE LINEN BLOUSE WITH SIX WHITE PLASTIC BUTTONS RUNNING DOWN FRONT, AND ONE AT EACH CUFF. BLOUSE HAS FLORAL-PATTERNED EMBROIDERED LINING OVER BUTTON HOLES DOWN FRONT, AND FLORAL-PATTERNED EMBROIDERY AT COLLAR. INSIDE COLLAR OF BLOUSE HAS WHITE TAG WITH YELLOW AND BLACK TEXT “ELITE, INTERNATIONAL, CA – 00034. INSIDE LEFT-WEARING SIDE OF BLOUSE IS WHITE TAG WITH BLACK TEXT “18” AND TWO WHITE PLASTIC BUTTONS. BLOUSE SHOWS LITTLE SIGNS OF WEAR; OVERALL EXCELLENT CONDITION.
Subjects
CLOTHING-OUTERWEAR
Historical Association
ASSOCIATIONS
PERSONAL CARE
History
ON FEBRUARY 22, 2017, COLLECTIONS TECHNICIAN KEVIN MACLEAN INTERVIEWED WILMA WOOD, DAUGHTER OF DOROTHY TAYLOR, ABOUT HER DONATION OF TAYLOR’S ORDER OF ROYAL PURPLE REGALIA. THE REGALIA REPRESENTED TAYLOR’S 50-YEAR INVOLVEMENT WITH THE ORDER OF ROYAL PURPLE FROM BRANDON, MANITOBA TO LETHBRIDGE, ALBERTA. WOOD DISCUSSED HER MOTHER’S TIME IN THE ORDER OF ROYAL PURPLE, STATING, “SHE CONSIDERS [THESE OBJECTS IN ACTIVE USE]. SHE IS VERY MUCH A PERSON WHO VALUES THAT SOCIETY. IT HELPED HER A NUMBER OF TIMES. AS YOU GROW OLDER, ALL OF A SUDDEN YOU DISCOVER THAT YOUR BRAIN ISN’T AS ACTIVE AS IT SHOULD BE AND THE MEMORY IS GOING. SHE WOULD PUT HERSELF INTO POSITIONS WITHIN THE ORGANIZATION INCLUDING BEING PRESIDENT, THREE OR FOUR TIMES. SHE HAD TO BE AN ORGANIZER, SHE HAD TO GET HER BRAIN AND KEEP HER BRAIN FUNCTIONING, WHICH I THOUGHT WAS VERY ADMIRABLE FOR A WOMAN HER AGE BECAUSE…SHE WAS IN HER EIGHTIES. SHE RECEIVED HER 50 YEAR PIN, I THINK IT WAS TWO YEARS AGO OR THREE.” “SHE JOINED [THE ORDER OF ROYAL PURPLE] IN BRANDON, MANITOBA WHERE [MY PARENTS] WERE LIVING AT THE TIME, AND MY DAD RETIRED THERE. THEY MOVED HERE TO LETHBRIDGE BECAUSE MY BROTHER LIVED HERE, AND MY UNCLE ART GOOD…HE LIVED HERE AND THEY WANTED TO BE CLOSER TO FAMILY. THEY MOVED TO LETHBRIDGE AND MY DAD DIED SHORTLY AFTER THAT.” “[SHE JOINED] BECAUSE OF HER FRIENDS. SHE HAD A FRIENDSHIP GROUP AND THEY BELONGED. THEY RECRUITED HER.” “WHEN SHE WAS VERY ACTIVE, SHE WAS A MAJOR RECRUITER. SHE WENT OUT AND FOUND YOUNG WOMEN BUT THEY FELL BY THE WAYSIDE BECAUSE OF LIFE. SHE WAS CERTAINLY VERY ACTIVE IN THEIR PROJECTS, ONE OF WHICH WAS FINDING FINANCES TO EDUCATE YOUNG PEOPLE. WHATEVER THEY WERE [DOING], SHE WAS INTO IT FULL TILT BECAUSE THAT’S THE KIND OF PERSON SHE IS…WHATEVER SHE DOES IS FULL BLAST, FULL BORE. SHE NEVER TOLD ME ANY DETAILS ABOUT THE SOCIETY BECAUSE IT’S ONE OF THOSE SECRET SISTERHOODS. SHE WAS ALWAYS VERY PROUD TO BE A MEMBER OF IT.” “THIS [CHAPTER] DID A LOT OF EDUCATIONAL SUPPORT…SHE TRAVELED WITH THEM BECAUSE IT WAS A CANADIAN ORGANIZATION, SO THEY HAD THEIR ANNUAL GENERAL MEETINGS ALL OVER CANADA. SHE CAME OUT TO VANCOUVER TO A MEETING AND I WENT OVER TO VANCOUVER TO MEET HER AND SAY “HOWDY”. SHE WENT OUT TO THE PREMIER’S, AT THAT TIME WAS VANDER ZALM, AND HE HAD THE BIG GARDENS OUT NEAR STEVESTON. SHE WENT OUT THERE AND SHE MET HIM.” “A YEAR AGO ABOUT THIS TIME, THAT’S WHEN [THE ORDER WAS] FOLDING. THE ALBERTA CLUBS WERE ALL IMPLODING, AND I THINK THERE’S ONLY ONE LEFT IN SOUTHERN ALBERTA. IT WAS THE ISSUE THAT THEY WERE ALL OLD PEOPLE AND YOUNG PEOPLE DID NOT WANT TO JOIN THESE KINDS OF ORGANIZATIONS ANY LONGER…[THIS HAPPENED BECAUSE] I THINK WE HAVE MORE LEGAL SUPPORT. THE GOVERNMENT HAS SET UP HEALTH CARE, COMMUNITIES HAVE SET UP ASSISTANCE FOR WOMEN WHO ARE ABUSED, THERE’S DRUG ASSISTANCE. THERE IS MUCH MORE ASSISTANCE AVAILABLE. IN THE EARLY DAYS ON THE PRAIRIES, IF YOU DIDN’T KNOW YOUR NEXT DOOR NEIGHBOR, WHO MIGHT BE TWENTY MILES AWAY, YOU WERE IN DEEP DOO-DOO IF YOU HAD A BIG PROBLEM. THAT’S WHAT THESE SOCIETIES CAME OUT OF WAS THAT NEED. THE NEED PRETTY WELL HAS BEEN TAKEN CARE OF, I THINK. THERE ARE STILL CLUBS BUT THEY’RE DIFFERENT KINDS OF CLUBS NOW.” WHEN ASKED ABOUT HER MOTIVATION FOR DONATING HER MOTHER’S REGALIA TO THE MUSEUM, WOOD NOTED, “MY MOTHER HAS TURNED 99 YEARS OLD IN JANUARY. SHE HAS DEMENTIA AND SO WE’VE HAD TO MOVE HER FROM HER SENIOR’S LODGE ROOM INTO A MORE SECURE ROOM. CONSEQUENTLY THE LAST OF THE THINGS THAT SHE TREASURED OR VALUED MUST BE DISPERSED. MY BROTHER AND I DECIDED THAT, SINCE THE ELKS AND THE ROYAL PURPLE MEANT SO MUCH TO HER, THAT [THESE WERE] THE [OBJECTS] WE WOULD LIKE TO DONATE TO THE MUSEUM. IT DEPICTS A PERIOD OF TIME WHEN THE WOMEN USED THESE ASSOCIATIONS AS A SUPPORT GROUP FOR THEMSELVES. IT WAS ANOTHER ONE OF THESE SECRET SOCIETIES, WHEN IN FACT THEY WERE SISTERHOODS. THEY WERE MEANT MAINLY FOR THEM TO HAVE PEOPLE TO SUPPORT EACH OTHER. SINCE THIS ORGANIZATION HAS BASICALLY COLLAPSED, I THOUGHT IT WAS SOMETHING THAT THE MUSEUM SHOULD HAVE BECAUSE IT DOES SHOW THAT PERIOD OF TIME IN THE SOCIAL HISTORY OF CANADA.” FOR MORE INFORMATION INCLUDING FULL INTERVIEW TRANSCRIPTIONS, PLEASE SEE THE PERMANENT FILE P20170007001-GA.
Catalogue Number
P20170007002
Acquisition Date
2017-02
Collection
Museum
Images
Less detail
Other Name
SPARKLING WINE - SEGURA VIUDAS
Date Range From
1993
Date Range To
2003
Material Type
Artifact
Materials
GLASS, SILVER, CORK
Catalogue Number
P20030002002
Material Type
Artifact
Other Name
SPARKLING WINE - SEGURA VIUDAS
Date Range From
1993
Date Range To
2003
Materials
GLASS, SILVER, CORK
No. Pieces
3
Height
31.0
Diameter
10.6
Description
DARK GREEN BOTTLE. BASE OF BOTTLE HAS A RING OF SILVER AROUND IT. EMBOSSED ON RING ARE GRAPE VINES AND THE WORDS "SEGURA VIUDAS". THERE IS ALSO A SILVER APPLIQUE ON FRONT OF BOTTLE THAT CONSISTS OF 4 FLEUR DE LIS WITH A CREST IN THE CENTER FEATURING THE HELMET OF A SUIT OF ARMOR ON TOP. BELOW CREST READS "SEGURA". ON BACK OF BOTTLE IS A LABEL THAT READS "SEGURA VIUDAS BRUT RESERVA HEREDAD 750ML CAVA 12%ALC./VOL." . . .. THERE ARE REMNANTS OF A PAPER LABEL ON NECK OF BOTTLE. BOTTLE IS UNCORKED AND EMPTY. CORK READS "F.O. AGGLO" ON TOP, "D-2 SEGURA VIUDAS" ON THE SIDE, AND "SEGURA VIUDAS CAVA R.E. 3983-B" ON THE BOTTOM. ALSO INCLUDED WITH BOTTLE IS A TIN CAP, ATTACHED TO WIRE, THAT READS "SEGURA VIUDAS CAVA" AND FEATURES SAME CREST AS ON BOTTLE. CAP IS BLACK AND WHITE.
Subjects
MERCHANDISING T&E
Historical Association
COMMEMORATIVE
History
BOTTLE WAS UNCORKED BY MUSEUM BOARD CHAIR DOUG MCLAUGHLIN, ON JANUARY 24, 2003 IN CELEBRATION OF THE PUBLIC ANNOUNCEMENT OF THE 2005 MUSEUM EXPANSION. THE PROJECT WAS OFFICIALLY LAUNCHED THAT DAY WITH THE ANNOUNCEMENT OF A PROJECT DESIGNER AND $1.9 MILLION FROM THE CANADIAN HERITAGE, CULTURAL SPACES PROGRAM. CALGARY-BASED KASIAN KENNEDY ARCHITECTURE, INTERIOR DESIGN AND PLANNING INC. WAS RETAINED TO DESIGN THE PROJECT. THE CITY OF LETHBRIDGE CONTRIBUTED A $2 MILLION LEADERSHIP GIFT TOWARD THE PROJECT IN JANUARY OF 2003, BUT THE MUSEUM WAS STILL REQUIRED TO RIASE AN ADDITIONAL $5.1 MILLION. AT THE TIME OF THE ANNOUNCEMENT THE EXPANSION PROJECT WAS TO CREATE APPROXIMATELY 7,000 SQUARE FEET OF ADDITIONAL STATE-OF-THE-ART GALLERY SPACE, A NEW THEATRE FOR PUBLIC EVENTS, A MUSEUM SCHOOL, NEW FACILITIES FOR THE ON-SITE STORAGE AND CONSERVATION OF ARTIFACTS AS WELL AS INSURING THAT CANADIAN CLASS-A MUSEUM STANDARDS WERE IMPLEMENTED TO ALLOW THE MUSEUM TO HOLST REGIONAL, NATIONAL AND INTERNATIONAL TRAVELLING EXHIBITIONS. THE MONEY WAS ALSO SUPPOSED TO FUND A TRAIN LINE LINKING THE RIVER BOTTOM TO THE MUSEUM AND DOWNTOWN CORE AND 100 ADDITIONAL PARKING SPACES HAD ALREADY BEEN PURCHASED IN THE LOT ADJACENT TO THE MUSEUM. A PUBLIC CONSULTATION AND INFORMATION MEETING WAS HELD ON FEBRUARY 11, 2003 IN RELATION TO THE EXPANSION. SEE JANUARY 25, 2003 LETHBRIDGE HERALD ARTICLE (IN PERMANENT FILE).
Catalogue Number
P20030002002
Acquisition Date
2003-05
Collection
Museum
Less detail
Date Range From
1980
Date Range To
2000
Material Type
Artifact
Materials
PLASTIC, STEEL, GLASS
Catalogue Number
P20180005000
  2 images  
Material Type
Artifact
Date Range From
1980
Date Range To
2000
Materials
PLASTIC, STEEL, GLASS
No. Pieces
1
Height
30.5
Length
57
Width
11.3
Description
CAMCORDER COMPRISED OF LENS, BETACAM DECK, AND COLOR CAMERA. BETACAM DECK AT BACK OF CAMERA IS TWO-TONE GREY WITH TWO PLUG-INS FOR “AUDIO IN, CH-1, CH-2” AND ONE PLUG-IN FOR “DC-IN, 12V”. BETACAM DECK HAS TWO BLACK SLIDE BUTTONS ON TOP LABELLED IN WHITE “EJECT” AND “REW”. BETACAM DECK HAS GREY METAL HANDLE AT TOP THAT FASTENS TO BETA CASSETTE DECK. BETACAM DECK HAS YELLOWED PLASTIC WINDOW ON SIDE TO VIEW INSIDE MECHANISMS; BELOW WINDOW IS GREEN, RED AND BLUE DECAL READING “45 NEWS, 45”. REVERSE SIDE HAS SILVER “POWER ON/OF” SWITCH ABOVE METER MEASURING BATTERY CHARGE, “SONY VU”; BETACAM DECK HAS TWO ROUND BLACK BUTTONS LABELLED “RESET” AND “LIGHT” ABOVE BLACK SWITCH LABELLED “TAPE TIMER, TIME CODE”; SIDE HAS DIGITAL DISPLAY SCREEN READING “HOUR, MIN, SEC”. SIDE HAS ROW OF SIX RED LIGHTS NEAR BOTTOM LABELLED WITH WORN WHITE PAINT WITH FIRST TWO ILLEGIBLE, “HUMID, SLACK, TAPE END, BATTERY”. SIDE HAS PANEL THAT OPENS AT BOTTOM EDGE WITH SIX DARK GREY BUTTONS LABELLED IN PAIRS “HOUR, MINUTE, SECOND” AND TWO BLACK SWITCHES LABELLED “U-BIT, TIME” AND “REC RUN, FREE RUN”. SIDE HAS SILVER PLATE FIXED READING “SONY”. BACK OF BETACAM DECK HAS SILVER LABEL WITH RED, GREEN AND BLUE LOGO “45 CFCN TELEVISION”; BACK HAS BLACK LABEL WITH SILVER TEXT “SONY BETACAM, MODEL BVV-1, VIDEOCASSETTE BETACAM DECK, DCIN, 12V, 10W, NO. 11085, SONY CORPORATION, MADE IN JAPAN, 3-676-119-01”. TOP OF BETACAM DECK HAS BLACK LABEL WITH SILVER TEXT “SAVE MODE ONLY”. COLOR CAMERA IN MID-SECTION IS LIGHT GREY WITH SMALL PIECE OF SILVER TAPE FIXED TO TOP. SIDE OF CAMERA HAS YELLOW LABEL WITH BLACK “1”; SIDE HAS DARK GREY CONTROL PANEL AT BOTTON EDGE WITH EMBOSSED TEXT AND SILVER SWITCHES AND BUTTONS, “AUTO WHITE BAL, CAMERA, PRE HEAT/ON, VTR, SAVE/STOP, GAIN, 12/6/0, OUTPUT, BASS/CAM, WHITE BAL, PRE SET/AUTO”. SIDE HAS DARK GREY BUTTON ABOVE CONTROL PANEL LABELLED “VTR START”. SIDE HAS SILVER FITTING BESIDE PANEL LABELLED “PEDESTAL”. SIDE HAS SILVER LABEL WITH WORN BLACK TEXT “SONY MODEL NO. BVP-1, COLOR VIDEO CAMERA, DC, 12V, 11W, NO. 10505”. SIDE HAS SILVER LABEL WITH BLACK TEXT “FILTER, 1 3200’K, 2 5200’K + 1/4ND, 3 5200’K, 4 6800’K”. REVERSE SIDE HAS BLACK PLATE FIXED WITH SILVER TEXT “SONY” ABOVE BLACK LABEL WITH RED, GREEN, BLUE AND WHITE LOGO “TRINICON”. SIDE HAS SILVER FITTING AT LOWER EDGE WITH EMBOSSED LABEL “MONITOR OUT”; LOWER EDGE HAS SILVER KEY HOLE WITH EMBOSSED LABEL “BATTERY”. CAMERA HAS ATTACHED BLACK ABOVE-VIEWFINDER WITH RUBBER GUARD OVER GLASS LENS. VIEWFINDER IS FIXED TO FRONT OF CAMERA; VIEWFINDER HAS WHITE TAPE ATTACHED TO TOP WITH BLUE HANDWRITTEN TEXT “PASS JULZ DAMAGE TO TUBE OR MULT.PLER”. BACK OF VIEWFINDER HAS SILVER SWITCH “TALLY, ON/OF” AND TWO BLACK METAL TURN-KNOBS “BRIGHT, CONTR”. FRONT OF VIEWFINDER HAS BLACK PLATE ATTACHED WITH SILVER TEXT “SONY”. BLACK LENS AT FRONT FIXED IN LENS STAND WITH LEATHER STRAP ON SIDE AND BLACK PLASTIC BUTTONS “VTR, RET, IRIS M”; SIDE OF LENS STAND HAS BLACK SWITCHES “W/T” AND “IRIS, A/M”. LENS HAS WHITE LABEL AROUND MID-SECTION “CANON MACRO TV ZOOMJ13X9C, 9-117MM, 1.1.6, NO.80581, CANON, JAPAN”. LENS ROTATES TO ADJUST FOCUS AND DEPTH. BETACAM HAS WEAR ON LABELS AND DISCOLORATION ON PLASTIC WINDOW; COLOR CAMERA HAS WEAR ON LABELS AND ADHESIVE RESIDUE ON SIDE; HANDLE ON TOP HAS WORN AND CHIPPED PAINT; VIEWFINDER IS WORN; OVERALL VERY GOOD CONDITION.
Subjects
TELECOMMUNICATION T&E
Historical Association
PROFESSIONS
BUSINESS
History
ON MARCH 22, 2018, COLLECTIONS TECHNICIAN KEVIN MACLEAN INTERVIEWED DARREN KRONLUND REGARDING HIS DONATION OF A SONY BVV-1 BETACAM AND CAMCORDER. THE CAMCORDER WAS USED IN THE 1980S BY THE CTV LETHBRIDGE FILM CREW. ON THE FUNCTION OF THE CAMERA IN THE CTV STUDIO, KRONLUND ELABORATED, “THE TECHNOLOGY WITH CAMERAS PROGRESSED QUICKER THAN THE DECKS DID. THESE CAMERAS AND DECKS ARE USED FOR ELECTRONIC FIELD PRODUCTION [AND ARE] CALLED THE EFP CAMERAS. THE DECKS KIND [ARE] THAT TECHNOLOGY WHICH THE MAJORITY OF STATIONS USED FOR THE LONGEST TIME [IN] SONY BETA CAM FORMAT. THAT’S WHAT THE DECK IS, BUT THE CAMERAS THEMSELVES HAD AT ONE TIME THREE TUBES FOR COLOUR CAMERAS. THEN TECHNOLOGY CAME WHERE THEY COULD DO IT WITH JUST SENSORS…SO YOU DIDN’T HAVE TUBES. IT WAS MORE SENSITIVE TO LIGHT AND THAT WAS AN IMPROVEMENT. YOU DIDN’T HAVE TO HAVE TO BRING A BUNCH OF LIGHTS ALONG WITH YOUR SHOOTS. AS THOSE CAMERAS CAME OUT, THEY JUST DID SUCH A BETTER JOB, THAT THESE CAMERAS WERE NO LONGER USED. ALTHOUGH THEY WORKED, THEY WOULD JUST GET STORED AND NEWER TECHNOLOGY, BETTER PICTURES AND LIGHTER [WOULD BE USED].” “[THIS CAMERA] IS A COMPOSITE. AS TECHNOLOGY EVOLVED, THEY COULD SUPPLY [THE] UPPER HALF, THE CAMERA HALF, [AND] YOU COULD CONTINUE TO USE THE OLDER DECK.” TO ME [THE DECK AND CAMERA] ARE DIFFERENT [AGES]. I THINK THE DECK IS NEWER THAN THE CAMERA. OTHERWISE THEY’D BE THE SAME COLOUR. I CAN’T REMEMBER THE OLD, ORIGINAL DECK BUT YOU COULD SWAP OUT DECKS BECAUSE THEY DID MAKE IMPROVEMENTS WITH DECKS AS WELL. THERE WAS A TIME THEY USED METAL TAPES WHICH WAS FOR AUDIO. IT HELPED, YOU COULD GET BETTER AUDIO QUALITY. THEY CALLED THEM METAL, IT’S JUST METAL PARTICLES IN THE TAPE.” “I WOULD SAY THIS CAMERA PROBABLY GOT USED, I’M GOING TO GUESS ’84…IT MIGHT HAVE BEEN IN SERVICE WHEN I GOT HERE…I PROBABLY SERVICED THE] CAMERA AND/OR DECK…[BY 1990 IT WAS] PROBABLY REPLACED WITH THE NEWEST TECHNOLOGY. NOT THE NEWEST TECHNOLOGY BUT NEWEST TO US, CALGARY WOULD HAVE HAD THE NEWEST TECHNOLOGY.” “BETA WAS THE STAPLE FORMAT FOR VIDEO FOR MANY YEARS. PROBABLY LEADING RIGHT UP TO INTO THE DIGITAL WORLD IT WAS THE KING. PANASONIC HAD A FORMAT [TOO]…HITACHI HAD THEIR OWN TOO, BUT THEY EVEN MADE THEIR CAMERAS COMPATIBLE WITH BETA DECKS THAT’S HOW BIG INFLUENCE [WAS]. SOME SMALLER, INDEPENDENT STATIONS MAYBE WENT WITH SOME OF THAT STUFF, BUT I’D SAY 90% OF THE INDUSTRY WAS BETA.” “IT WAS [FOR] REPORTERS. IT WAS FOR NEWS AND VIDEO PRODUCTION.” KRONLUND ELABORATED ON THE CAMERA’S HISTORY IN PRODUCTION, NOTING, “IT’S BEEN IN THE BASEMENT FOR PROBABLY [TEN YEARS]…I FOUND IT IN AN OLD SHIPPING CONTAINER. THERE’S BEEN NUMEROUS UPGRADES TO CAMERAS SINCE THEN, SO NOTHING WAS DONE WITH IT. THE LAST TIME IT WAS USED I’M GOING TO GUESS [WAS] ROUGHLY TEN YEARS AGO, MAYBE MORE.” “I DOUBT YOU WOULD FIND ANYONE USING IT, BUT I WOULDN’T BE SURPRISED IF SOMEBODY HAD IT IN THEIR BASEMENT [FOR] THE SAME REASON OURS WAS. JUST OUT OF SIGHT, OUT OF MIND AND YOU’RE JUST GOING ABOUT YOUR DAY–TO-DAY BUSINESS, UNTIL YOU START CLEANING OUT THINGS AND YOU GO, “OH YEAH, THE OLD BBB1.”” “[WE ACQUIRED EQUIPMENT] USUALLY USED. CALGARY WOULD GET THE NEW STUFF AND THEN THE WORKING STUFF THAT THEY WERE REPLACING WOULD COME DOWN TO US, FOR THE MOST PART. THE CAMERAS WE HAVE NOW WERE BOUGHT BRAND NEW, STATE-OF THE-ART, SO THAT WAS NICE. IT IS NICE FOR THAT, BUT THIS WAS PROBABLY PRE-DATED EVEN ME AND I HAVE BEEN HERE TWENTY-EIGHT YEARS. IT WAS PROBABLY THE CAMERA THEY WERE USING, IF NOT AT THE TIME, BUT LIKELY BEFORE I STARTED.” “THIS [CAMERA] FUNCTIONS TODAY. I’M SURE YOU COULD MAKE PICTURES WITH IT, BUT THE USE OF IT WOULD PROBABLY BE, I’M GOING TO GUESS, MAYBE FIVE OR SIX YEARS. THEN [THE] BUDGETS WOULD [GROW], THEY GOT THIS NEW TECHNOLOGY YOU CAN SHOOT UNDER LESS LIGHT. IT’S A LIGHTER CAMERA AND [THEY] HAVE THESE BENEFITS, SO THEY WOULD BUDGET IN TO UPDATE THE CAMERAS AND DECKS. THROUGH THAT CYCLE, THAT IS WHEN WE WOULD PROBABLY GET A COUPLE OF NEW CAMERAS, THE OLDER STUFF WE’D PUT IN THE BASEMENT.” “I’M [NOW] CLEANING OUT OLD EQUIPMENT, BECAUSE IT BUILDS UP AND WE RUN OUT OF ROOM. IT’S SOMETHING HARD TO GET RID OF BECAUSE THEY’RE ALWAYS WORKING AND USUALLY WORKING AND FUNCTIONING FINE, BUT TECHNOLOGY PROGRESSES AND THEY BECOME BIGGER AND BETTER--OR THERE BECOMES BIGGER AND BETTER WAYS OF DOING THE SAME JOB. IT JUST GETS OUTDATED AND HITS THE SHELF. [I] HATE TO SEE IT JUST GET RECYCLED.” “I’M NOT REALLY THAT TYPE OF [NOSTALGIC] PERSON. THE CAMERAS TODAY ARE ALL DIGITAL, THEY GO RIGHT TO A SD CARD IN DIGITAL FORMAT. THERE’S NO MECHANICAL PARTS AND THAT’S PART OF THE REASON I WAS EMPLOYED BECAUSE SO MUCH OF WHAT I DID WAS BECAUSE PARTS WEAR OUT AND NEED TO BE FIXED AND REPLACED, WHERE THE NEW CAMERAS…IT’S NOT MUCH YOU CAN DO IF IT’S IN DIGITAL FORMAT AND [HAS] NO MECHANICAL MOVING PARTS. I DON’T MISS WORKING ON THEM, THAT COULD BE FRUSTRATING BECAUSE A LOT OF TINY LITTLE GEARS AND TIMING…YOU CAN SPEND HOURS AND NOT GET ANYWHERE, AND THEN FINALLY SHIP IT OUT TO THE MANUFACTURER BECAUSE YOU JUST COULDN’T GET ANYWHERE. YOU SPENT A WEEK WORKING ON IT AND NOW YOU’VE GOT TO, IN THE END, PAY SOMEONE TO DO IT. THOSE ARE FRUSTRATIONS, BUT IT IS SATISFYING WHEN YOU DO FIX A PROBLEM AND ARE ABLE TO FIX IT. BUT THOSE DAYS ARE BEHIND US AND I CAN’T SAY I MISS THEM. IT’S JUST DIFFERENT WAYS OF MAINTAINING CAMERAS NOW.” “IT’S HARD TO THROW OUT BECAUSE THE VALUE OF IT IS LIKE BUYING A CAR…AT THAT TIME. THAT’S WHAT YOU’RE DOING IS PUTTING A CAR ON YOUR SHOULDER, MAYBE NOT QUITE A CAR, BUT I’M GOING TO GUESS THIS CAMERA WAS PROBABLY FIFTEEN THOUSAND DOLLARS BACK THEN. THAT’S A LOT OF MONEY.” FOR MORE INFORMATION INCLUDING THE FULL INTERVIEW TRANSCRIPTION, PLEASE SEE THE PERMANENT FILE P20180005000-GA.
Catalogue Number
P20180005000
Acquisition Date
2018-03
Collection
Museum
Images
Less detail
Other Name
PARAMOUNT THEATRE SALVAGE
Date Range From
1950
Date Range To
2007
Material Type
Artifact
Materials
CLOTH
Catalogue Number
P20070023001
Material Type
Artifact
Other Name
PARAMOUNT THEATRE SALVAGE
Date Range From
1950
Date Range To
2007
Materials
CLOTH
No. Pieces
1
Height
1.6
Length
146.5
Width
91.2
Description
SWATCH OF CARPET, RED BACKGROUND WITH FILIGREE PATTERN IN BLACK, GREEN, OCHRE, AND TAN COLOURS. SEAM ALONG LENGTH OF CARPET. CARPET HEAVILY WORN IN TWO PLACES. LOOSE THREADS AROUND EDGES AND STAINED THROUGHOUT.
Subjects
FLOOR COVERING
Historical Association
BUSINESS
History
SWATCH OF CARPET REMOVED FROM STAIRWELL OF PARAMOUNT THEATRE AFTER ITS CLOSURE IN 2007. CARPET APPEARS TO HAVE BEEN ORIGINAL TO THE BUILDING (SEE 19752201444 AND 19752201445 IN ARCHIVES FOR EARLY IMAGES OF THEATRE. PHOTOS TAKEN AT GRAND OPENING OF THEATRE). THE SAME PATTERN REMAINED IN USE IN THE THEATRE'S LOBBY UNTIL AT LEAST 1968 (SEE199110764140 IN ARCHIVES). NICOLE HEMBROFF, COLLECTIONS ASSISTANT, CONDUCTED AN INTERVIEW WITH JOEY SHACKLEFORD (GRANDSON OF A.W. SHACKLEFORD) IN 2010 AND HE SAID THE RUG SAW A LOT OF TRAFFIC. THE SEAMS WOULD FALL APART AND GET FIXED UNTIL THEY COULDN'T BE FIXED ANYMORE. WHEN NEW CARPETS WERE PURCHASED THEY TRIED TO PICK OUT DARK PATTERNS THAT WERE SIMILAR TO THE OLD ONES. THEY WANTED THE RUGS TO WEAR WELL. ACCORDING TO SHACKLEFORD, THE LOBBY, BACK OF THE THEATRES AND AISLES WOULD HAVE BEEN CARPETED. IN JANUARY OF 1946, MAJESTIC THEATRES, OWNED BY A. W. SHACKLEFORD AND FAMOUS PLAYERS, PURCHASED A SITE AT THE CORNER OF EIGHTH STREET AND FOURTH AVENUE FOR THE FUTURE PARAMOUNT THEATRE. THE 950-SEAT PARAMOUNT THEATRE COST $250,000 TO CONSTRUCT AND OPENED ITS DOORS ON OCTOBER 9, 1950. DURING IT’S 61 YEAR HISTORY (IT CLOSED IN 2007), SMOKEY AND THE BANDIT AND THE SOUND OF MUSIC WERE THE TWO OF THE TOP SHOWS, GRACING SCREENS FOR 13 AND 11 WEEKS, RESPECTIVELY. EVEN MORE IMPRESSIVELY, IN 1997 AND 1998 "THE TITANIC" RAN FOP 24 WEEKS. ROBERT SHACKLEFORD, CAPITOL’S HOUSE MANAGER AND A. W. SHACKLEFORD’S YOUNGEST SON, SAID, “THE PARAMOUNT BECAME A LANDMARK IN THIS CITY… IT WAS CONSIDERED THE FINEST THEATRE OF ITS TIME, NOT JUST IN LETHBRIDGE, BUT ANYWHERE.” IN ADDITION TO THE THEATRE, THREE OTHER BUSINESSES WERE HOUSED IN THE PARAMOUNT’S BUILDING, ALL OPENING OCTOBER 4TH, 1950: DON’S FLOWER AND GIFT SHOP, MARGOT’S LADIES WEAR, AND BROWN’S MUSIC SUPPLIES. THE PARAMOUNT DINER OPENED ITS DOORS ON OCTOBER 9, 1950, AND CLOSED IN 2005. DOUGLAS SHACKLEFORD, A. W. SHACKLEFORD’S ELDEST SON, MANAGED PARAMOUNT THEATRE FOR ITS FIRST YEAR, WHEN ASKED ABOUT THE NEW PARAMOUNT THEATRE, DOUGLAS SHACKLEFORD RESPONDED, “[IT’S] THE BEST IN THE WEST.” IN 1951, THE PARAMOUNT THEATRE RECEIVED THE LARGE MERIT AWARD, THE HIGHEST HONOUR AWARDED BY THE MOTION PICTURE THEATRE INDUSTRY. AN ACCOMPANYING PLAQUE STATED, “SELECTED BY THE SKILLED TECHNICAL EDITORS OF EXHIBITOR AND THEATRE CATALOG TO RECEIVE THE “LARGE MERIT AWARD” INTERNATIONAL RECOGNITION AS ONE OF THE MOST MODERN AND WELL APPOINTED OF ALL CURRENT THEATRES IN 1951.” THE THEATRE BOASTED STATE-OF-THE-ART SOUND AND PROJECTOR EQUIPMENT. THE PROJECTORS WERE THE FIRST OF THEIR KIND TO BE INSTALLED IN WESTERN CANADA. IN AN INTERVIEW WITH LETHBRIDGE HERALD IN OCT 1950, HARRY BOYSE, HEAD PROJECTIONIST, SAID, “THE PARAMOUNT’S PROJECTION SUITE IS ULTRA MODERN. IT IS EQUIPPED WITH THE LATEST PROJECTORS AND HAS SOUND EQUIPMENT THAT LEAVES ABSOLUTELY NOTHING TO BE DESIRED.” ANOTHER MODERN FEATURE OF THE THEATRE WAS THE ONE-WAY GLASS LOCATED BETWEEN THE MANAGER’S OFFICE AND THE AUDITORIUM AND FOYER. MANY DESIGN FEATURES OF THE PARAMOUNT STRESSED COMFORT. KROEHLER SLIDE-BACK CUSHIONED SEATS ALLOWED FOR CUSTOMERS TO REMAIN SEATED WHILE ALLOWING OTHERS TO PASS. LIGHTING SYSTEMS WERE DESIGNED TO GRADUALLY DECREASE AND INCREASE IN BRIGHTNESS SO THAT CUSTOMERS COULD ACCLIMATIZE. ADDITIONAL COMFORTS INCLUDE A WAITING LOUNGE, A WATER FOUNTAIN GUARANTEEING COLD WATER, A PRIVATE VIEWING ROOM FOR THOSE ON CALL, PRIVATE PARTIES, OR SMALL CHILDREN, AND A HEATING SYSTEM THAT EVENLY DISTRIBUTED HEAT. THROUGHOUT ITS OPERATIONS THE PARAMOUNT CINEMA UNDERWENT MANY RENOVATIONS AND FREQUENTLY UPDATED ITS TECHNOLOGY TO MEET MODERN STANDARDS. IN 1968, PARAMOUNT THEATRES ADDED A SECOND THEATRE, WHICH HELD 580 SEATS, MAKING IT THE FIRST MULTI-SCREEN THEATRE COMPLEX IN LETHBRIDGE. HENCEFORTH, IT WAS KNOWN AS PARAMOUNT CINEMA. IN 1985, SEAT WIDTH AND LEG ROOM WAS INCREASED, AND THE “CADILLAC” OF THEATRE SEATS WERE INSTALLED. IN 1988, 18 SURROUND SPEAKERS AND A DOLBY STEREO AMPLIFIER SYSTEM WERE INSTALLED. AT SOME POINT, THE PARAMOUNT RECEIVED A NEW CINEMASCOPE SCREEN. ACCORDING TO ROBERT SHACKLEFORD, THE GENERAL MANAGER OF LETHBRIDGE THEATRES LTD., “YOU RENOVATE OR STAGNATE… THAT’S BEEN MY POLICY ALL MY LIFE.” IN ADDITION TO PROVIDING ENTERTAINMENT, PARAMOUNT THEATRE SERVED THE COMMUNITY BY ALLOWING VARIOUS EVENTS TO TAKE PLACE INSIDE. IN JANUARY OF 1953, THE FIRST BAPTIST CHURCH BURNED DOWN, AND SUNDAY SERVICES WERE HELD AT THE PARAMOUNT THEATRE UNTIL A NEW CHURCH WAS BUILT. THE ST. MICHAEL’S SCHOOL OF NURSING HELD ITS GRADUATION CEREMONIES AT THE THEATRE DURING THE 1960S. THE PARAMOUNT HOSTED MANY CONCERTS, INCLUDING THE LETHBRIDGE SYMPHONY ORCHESTRA AND THE KIWANIS MUSIC FESTIVAL. AFTER UPDATING SCREEN TECHNOLOGY TO CINEMASCOPE, THE FRONT THREE ROWS WERE REMOVED. SHACKLEFORD SAID, “THAT’S WHEN WE DECIDED THE FRONT ROWS WERE TOO CLOSE FOR THE GIANT SCREEN AND WE EXPANDED THE STAGE TO ACCOMMODATE THE SYMPHONY…” IN 1978, THE SHACKLEFORD FAMILY ALONG WITH PARAMOUNT CINEMA HOSTED A WEEKEND-LONG EVENT TO CELEBRATE 50 YEARS OF FILM. THEY SCREENED OLD CLASSIC FILMS, AND OFFERED TICKETS, POPCORN, ICE CREAM AND DRINKS FOR $0.50 AND $0.10, RESPECTIVELY, REFLECTIVE OF 1928 PRICES. FAMOUS PLAYERS BOUGHT OUT THE SHACKLEFORD FAMILY AROUND 1990. IN THE FOLLOWING YEARS, THE PUBLIC COMPLAINED ABOUT DETERIORATING CONDITIONS OF THE THEATRE. SUCH COMPLAINTS WERE IGNORED BY FAMOUS PLAYERS. A LETTER IN THE LETHBRIDGE HERALD IN OCT 2004 ENCOURAGED THE PUBLIC TO WRITE TO THE VICE-PRESIDENT OF CORPORATE AFFAIRS TO VOICE THEIR DISAPPROVAL FOR THE STATE OF THE PARAMOUNT. FOR MORE INFORMATION, SEE PERMANENT RECORD, DVD WALKTHROUGH AFTER CLOSURE AND ARCHIVES 19752201444, 19752201445, 199110764140. *UPDATE* IN 2014 COLLECTIONS ASSISTANT JANE EDMUNDSON CONDUCTED A SURVEY OF ART OBJECTS, INCLUDING A PORTRAIT OF ALFRED WILLIAM SHACKLEFORD (P20060025001-GA), OWNER OF THE SHACKLEFORD THEATRES. THE FOLLOWING BIOGRAPHY OF MAYOR SHACKLEFORD WAS DEVELOPED WITH INFORMATION FROM ARCHIVES CANADA ONLINE AND A LETHBRIDGE HERALD TRIBUTE ARTICLE FROM MAY 31, 1992. A.W. SHACKLEFORD WAS BORN IN ESSEX, ENGLAND IN 1899 AND CAME TO CALGARY WITH HIS PARENTS IN 1909. AFTER HIGH SCHOOL HE TRAINED AS A DRAFTSMAN BUT WAS EMPLOYED BY THE FILM EXCHANGE AND FOX FILMS. IN 1921 HE WAS HIRED TO MANAGED THE KING'S THEATRE IN LETHBRIDGE AND BECAME ASSOCIATED WITH MARK ROGERS, A LETHBRIDGE BUSINESSMAN WHO OWNED THREE LOCAL MOVIE THEATRES. SHACKLEFORD ALSO BECAME PARTNER IN THE AMUSEMENT COMPANY THAT OPENED THE HENDERSON LAKE PAVILLION IN 1924. BY 1925 HE WAS PART-OWNER OF THE FORMER EMPRESS THEATRE ON 5TH AVENUE SOUTH, RENAMING IT THE ROXY. HE THEN TEAMED UP WITH THE FAMOUS PLAYERS COMPANY TO REMODEL THE FORMER PALACE THEATRE AND RENAME IT THE CAPITOL. SHACKLEFORD ALSO OPENED THE THEATRE IN THE FORMER COLLEGE MALL, BUILT THE 960-SEAT PARAMOUNT THEATRE ON 4TH AVENUE SOUTH, AND TOOK OVER OPERATION OF THE DIRVE-IN THEATRE AT THE SOUTH CITY LIMITS. SHACKLEFORD WAS HEAVILY INVOLVED IN CIVIC LIFE, ACTIVE IN GROUPS INCLUDING THE CANADIAN CANCER SOCIETY, THE GYRO CLUB, UNITED WAY, LETHBRIDGE & DISTRICT EXHIBITION BOARD, BOARD OF TRADE, ST. AUGUSTINE'S CHURCH, AND THE ALBERTA THEATRE OPERATORS ASSOCIATION. HE AND HIS WIFE ADA HAD TWO SONS, ROBERT AND DOUGLAS. AFTER SEVERAL TERMS AS ALDERMAN STARTING IN 1939, SHACKLEFORD FIRST SERVED AS MAYOR FROM 1944 - 1947, AND FOR TWO MORE TERMS FROM 1952 - 1955 AND 1957 - 1961. HE WORKED FOR 68 YEARS IN THE MOVIE BUSINESS, RETIRING AT AGE 90. W.A. SHACKLEFORD DIED IN LETHBRIDGE ON MAY 30, 1992. SEE PERMANENT FILE P20060025001 FOR HARDCOPIES OF SOURCE MATERIAL.
Catalogue Number
P20070023001
Acquisition Date
2008-08
Collection
Museum
Less detail
Date Range
1998-2003
Material Type
Mixed Media
Accession No.
20111052
Physical Description
0.01 m of textual records, 135 slides, 63 photographs
Scope and Content
The fonds consists of photographs and research materials. 2011.1052.001 Photo Slides: Fort Whoop-up, Medicine Stone, river bottom, Old Electric Plant 2011.1052.002 Photo Slides: Paradise Canyon (golf) 2011.1052.003 Photo Slides: Downtown Lethbridge, City Hall (new) 2011.1052.004 Photo Slides: …
Material Type
Mixed Media
Date Range
1998-2003
Physical Description
0.01 m of textual records, 135 slides, 63 photographs
Physical Condition
Excellent
History / Biographical
Award-winning artist Catherine Ann Abel pursued formal training from the Vancouver School of Art, the Pittsburgh Art Instritute and Disney Institute in Florida. Employed by CBC TV as a graphic designer and courtroom sketch artist, Ms. Abel has also taught a variety of art programs. While living in Barrie, Onatario, she became interested preservation of built heritage through historical paintings. She became known as a "Canadian Heritage Artist" able to depict in watercolors the character and authenticity of historical buildings. After moving to Lethbridge in 1999, Ms. Abel worked on several landmark buildings in the city, capturing the Galt Hospital, the High Level Bridge, the CPR Train Station, the No. 1 Firehall and the Post Office. The work involved a complex research into the history of the buildings, archival photographs and examination of the structures in their present state. Except for the buildings mentioned above, Ms. Abel was planning to do paintings of Fort Whoop-up, the Art Gallery, the Bowman Art Centre, the old and new buildings of the Court House and a series of residential buildings. The original painting of the Galt Hospital as well as limited edition prints are preserved in the Galt Museum and Archives.
Language
English
Custodial History
The materials were accumulated by Catherine Abel as the result of her research projects on the Lethbridge historical buildings in 1999-2003.
Scope and Content
The fonds consists of photographs and research materials. 2011.1052.001 Photo Slides: Fort Whoop-up, Medicine Stone, river bottom, Old Electric Plant 2011.1052.002 Photo Slides: Paradise Canyon (golf) 2011.1052.003 Photo Slides: Downtown Lethbridge, City Hall (new) 2011.1052.004 Photo Slides: Paradise Canyon '99, Downtown Core Buildings 2011.1052.005 Photo Slides: High Level Bridge, Post Office Building, Bowman Arts Centre 2011.1052.006 Photo Slides: Heritage House, Grain Elevators (Lethbridge) 2011.1052.007 Photo Slides: Downtown Park & People, Downtown Scenes 2011.1052.008 Photo Slides: LETA Herald Appelt Home - cottage, Raymond (Centennial 1901-2001), Coulee paths, University of Lethbridge, Brewery Garden 2011.1052.009 Research Materials: newspaper clippings, postcards, notes, flyers, etc. 2011.1052.010 Photo Prints & Negatives: Galt Museum [Hospital], Mine #8, Bowman Centre, High Level Bridge, Court House, Railway str., Public Library, St. Patrick's Church, Southern Alberta Art Gallery 2011.1052.011 Photo Prints & Negatives: Fort Whoop-up, Chuck Wagon Race
Notes
Supplied source: Donated by Catherine Abel
Access Restrictions
Public Access
Accession No.
20111052
Collection
Archive
Less detail
Other Name
WING CROSS SECTION SUPPORT
Date Range From
1929
Date Range To
2000
Material Type
Artifact
Materials
WOOD, PAPER
Catalogue Number
P20060019003
Material Type
Artifact
Other Name
WING CROSS SECTION SUPPORT
Date Range From
1929
Date Range To
2000
Materials
WOOD, PAPER
No. Pieces
1
Height
0.7
Length
99.8
Width
16.0
Description
WING SUPPORT CROSS-SECTION, WOOD, LEADING EDGE IS ROUNDED OFF AND TAPERS TO A POINT AT THE TRAILING EDGE, THE STRUCTURE IS REINFORCED BY SEVERAL TRIANGLE SHAPES, WING IS HELD TOGETHER BY ADHESIVE, PENCIL LINES THROUGHOUT, SMALL REMNANTS OF NEWS PAPER ON ONE SIDE OF LEADING EDGE AND ONE SIDE OF TRAILING EDGE. THIN PIECES OF WOOD WARPED THROUGHOUT.
Subjects
AEROSPACE TRANSPORTATION-ACCESSORY
Historical Association
ASSOCIATIONS
TRANSPORTATION
History
ACCORDING TO DONOR GARY HODGE AT TIME OF DONATION, HE RECEIVED THE WING CROSS SECTION FROM HIS UNCLE, ART LARSON (1913-2000). THE WING COMPONENT WAS BUILT IN THE 1930S. LARSON BUILT GLIDERS IN A BACKYARD SHOP ON HIS PROPERTY AT 1411 3 AVE. N. APPARENTLY LARSON ONCE EXPLAINED TO HODGE THAT THIS PART PERIODICALLY BROKE AND HAD TO BE REPAIRED OR REPLACED. THIS SUPPORT MAY BE A SPARE PART MADE BY MEMBERS OF THE CLUB. IT WAS LIKELY A SPARE PART FOR THE HUTTER GLIDER (H-17) A SINGLE MAN AIRCRAFT USED BY THE "LETHBRIDGE GLIDING CLUB." ACCORDING TO VARIOUS SAMPLES OF CORRESPONDANCE BETWEEN LARSON AND NORMAN BRUCE, JIM FRETWELL, AND A COMPANY IN WURTTEMBERG, LARSON WAS TRYING TO GET BLUEPRINTS FOR THE H-17 IN 1936. BY 1937 HE HAD STARTED BUILDING THE AIRCRAFT AND SUBSEQUENTLY FLEW IT (SEE ARCHIVES FOR LOG BOOK OF H-17). BY JUNE OF 1938 THE H-17 WAS THE ONLY GLIDER BEING USED BY THE CLUB. LARSON FLEW THE H-17 AS LATE AS 1947 BEFORE LEAVING IT IN THE CARE OF EVELYN SMITH, A FORMER MEMBER OF THE GLIDING CLUB. THE WING COMPONENT COULD HAVE ALSO COME FROM ONE OF TWO PRIMARY GLIDERS. UPDATE: ON 6 NOVEMBER 2017, GALT CURATOR AIMEE BENOIT CONDUCTED AN INTERVIEW WITH GLIDER OBJECTS’ DONOR GARY HODGE. FOR MORE INFORMATION, INCLUDING A TRANSCRIPT OF THE INTERVIEW, PLEASE SEE THIS RECORD’S PERMANENT FILE AND P20060019001.
Catalogue Number
P20060019003
Acquisition Date
2006-04
Collection
Museum
Less detail
Date Range
2009
Accession No.
20101085001
Physical Description
TIFF digital file
Scope and Content
Looking up at the CPR High Level Bridge. The bridge is shrouded in fog at either early morning or early evening.
  1 image  
Date Range
2009
Creator
Van Christou
Physical Description
TIFF digital file
History / Biographical
Dr. Van E. Christou was born in Lethbridge on January 26, 1923. Through the Canadian Army Officer Training Corps, he attended the University of Alberta, graduating in 1948 with a Doctorate of Dentistry and a Queen’s Commission at the rank of Captain. On a Canadian Eastman Fellowship, he completed postgraduate training in Orthodontics at the University of Rochester from 1948-50. He returned to Lethbridge initially to practice general dentistry with Dr. JS Stewart, later establishing his own Orthodontics practice of 37 years. Van Christou was actively engaged in civic affairs with imagination and wisdom. His vision for accessible liberal arts education was realized in 1967 with the establishment of the University of Lethbridge. He had a mind full of ideas, many of which came to fruition through the sixty years he spent engaged with community affairs. His passion for the arts shaped the character of Lethbridge in many ways including the establishment of the Allied Arts Council, the Southern Alberta Art Gallery, the Yates Centre, and the University art collection. His enthusiasm was palpable, his energy unremitting, and his contributions leave this community considerably enhanced. He was honoured by the Blackfoot Nation, who named him “iihhiowdoomoo” (Lead Buffalo). He deeply respected the values of the Blackfoot Nation and took great pride in this honour. Dr. Christou passed away September 27, 2017.
Scope and Content
Looking up at the CPR High Level Bridge. The bridge is shrouded in fog at either early morning or early evening.
Accession No.
20101085001
Collection
Archive
Images
Less detail
Date Range
2009
Accession No.
20101085003
Physical Description
TIFF digital file
Scope and Content
Looking up at the CPR High Level Bridge from the river valley. A train is crossing the bridge.
  1 image  
Date Range
2009
Creator
Van Christou
Physical Description
TIFF digital file
History / Biographical
Dr. Van E. Christou was born in Lethbridge on January 26, 1923. Through the Canadian Army Officer Training Corps, he attended the University of Alberta, graduating in 1948 with a Doctorate of Dentistry and a Queen’s Commission at the rank of Captain. On a Canadian Eastman Fellowship, he completed postgraduate training in Orthodontics at the University of Rochester from 1948-50. He returned to Lethbridge initially to practice general dentistry with Dr. JS Stewart, later establishing his own Orthodontics practice of 37 years. Van Christou was actively engaged in civic affairs with imagination and wisdom. His vision for accessible liberal arts education was realized in 1967 with the establishment of the University of Lethbridge. He had a mind full of ideas, many of which came to fruition through the sixty years he spent engaged with community affairs. His passion for the arts shaped the character of Lethbridge in many ways including the establishment of the Allied Arts Council, the Southern Alberta Art Gallery, the Yates Centre, and the University art collection. His enthusiasm was palpable, his energy unremitting, and his contributions leave this community considerably enhanced. He was honoured by the Blackfoot Nation, who named him “iihhiowdoomoo” (Lead Buffalo). He deeply respected the values of the Blackfoot Nation and took great pride in this honour. Dr. Christou passed away September 27, 2017.
Scope and Content
Looking up at the CPR High Level Bridge from the river valley. A train is crossing the bridge.
Accession No.
20101085003
Collection
Archive
Images
Less detail
Date Range
2009
Accession No.
20101085008
Physical Description
TIFF digital file
Scope and Content
Looking up at the CPR High Level Bridge from the river valley. A train is crossing the bridge. There appears to be frost on the trees.
  1 image  
Date Range
2009
Creator
Van Christou
Physical Description
TIFF digital file
History / Biographical
Dr. Van E. Christou was born in Lethbridge on January 26, 1923. Through the Canadian Army Officer Training Corps, he attended the University of Alberta, graduating in 1948 with a Doctorate of Dentistry and a Queen’s Commission at the rank of Captain. On a Canadian Eastman Fellowship, he completed postgraduate training in Orthodontics at the University of Rochester from 1948-50. He returned to Lethbridge initially to practice general dentistry with Dr. JS Stewart, later establishing his own Orthodontics practice of 37 years. Van Christou was actively engaged in civic affairs with imagination and wisdom. His vision for accessible liberal arts education was realized in 1967 with the establishment of the University of Lethbridge. He had a mind full of ideas, many of which came to fruition through the sixty years he spent engaged with community affairs. His passion for the arts shaped the character of Lethbridge in many ways including the establishment of the Allied Arts Council, the Southern Alberta Art Gallery, the Yates Centre, and the University art collection. His enthusiasm was palpable, his energy unremitting, and his contributions leave this community considerably enhanced. He was honoured by the Blackfoot Nation, who named him “iihhiowdoomoo” (Lead Buffalo). He deeply respected the values of the Blackfoot Nation and took great pride in this honour. Dr. Christou passed away September 27, 2017.
Scope and Content
Looking up at the CPR High Level Bridge from the river valley. A train is crossing the bridge. There appears to be frost on the trees.
Accession No.
20101085008
Collection
Archive
Images
Less detail
Date Range
2009
Accession No.
20101085013
Physical Description
TIFF digital file
Scope and Content
Close up through the middle of the girders.
  1 image  
Date Range
2009
Creator
Van Christou
Physical Description
TIFF digital file
History / Biographical
Dr. Van E. Christou was born in Lethbridge on January 26, 1923. Through the Canadian Army Officer Training Corps, he attended the University of Alberta, graduating in 1948 with a Doctorate of Dentistry and a Queen’s Commission at the rank of Captain. On a Canadian Eastman Fellowship, he completed postgraduate training in Orthodontics at the University of Rochester from 1948-50. He returned to Lethbridge initially to practice general dentistry with Dr. JS Stewart, later establishing his own Orthodontics practice of 37 years. Van Christou was actively engaged in civic affairs with imagination and wisdom. His vision for accessible liberal arts education was realized in 1967 with the establishment of the University of Lethbridge. He had a mind full of ideas, many of which came to fruition through the sixty years he spent engaged with community affairs. His passion for the arts shaped the character of Lethbridge in many ways including the establishment of the Allied Arts Council, the Southern Alberta Art Gallery, the Yates Centre, and the University art collection. His enthusiasm was palpable, his energy unremitting, and his contributions leave this community considerably enhanced. He was honoured by the Blackfoot Nation, who named him “iihhiowdoomoo” (Lead Buffalo). He deeply respected the values of the Blackfoot Nation and took great pride in this honour. Dr. Christou passed away September 27, 2017.
Scope and Content
Close up through the middle of the girders.
Accession No.
20101085013
Collection
Archive
Images
Less detail
Date Range
2009
Accession No.
20101085015
Physical Description
TIFF digital file
Scope and Content
Close up through the middle of the girders at sunset.
  1 image  
Date Range
2009
Creator
Van Christou
Physical Description
TIFF digital file
History / Biographical
Dr. Van E. Christou was born in Lethbridge on January 26, 1923. Through the Canadian Army Officer Training Corps, he attended the University of Alberta, graduating in 1948 with a Doctorate of Dentistry and a Queen’s Commission at the rank of Captain. On a Canadian Eastman Fellowship, he completed postgraduate training in Orthodontics at the University of Rochester from 1948-50. He returned to Lethbridge initially to practice general dentistry with Dr. JS Stewart, later establishing his own Orthodontics practice of 37 years. Van Christou was actively engaged in civic affairs with imagination and wisdom. His vision for accessible liberal arts education was realized in 1967 with the establishment of the University of Lethbridge. He had a mind full of ideas, many of which came to fruition through the sixty years he spent engaged with community affairs. His passion for the arts shaped the character of Lethbridge in many ways including the establishment of the Allied Arts Council, the Southern Alberta Art Gallery, the Yates Centre, and the University art collection. His enthusiasm was palpable, his energy unremitting, and his contributions leave this community considerably enhanced. He was honoured by the Blackfoot Nation, who named him “iihhiowdoomoo” (Lead Buffalo). He deeply respected the values of the Blackfoot Nation and took great pride in this honour. Dr. Christou passed away September 27, 2017.
Scope and Content
Close up through the middle of the girders at sunset.
Accession No.
20101085015
Collection
Archive
Images
Less detail

CPR High Level Bridge at Sunset

https://collections.galtmuseum.com/en/permalink/descriptions96031
Date Range
2009
Accession No.
20101085002
Physical Description
TIFF digital file
Scope and Content
Panoramic evening photo of the CPR High Level Bridge near the end of sunset.
  1 image  
Date Range
2009
Creator
Van Christou
Physical Description
TIFF digital file
History / Biographical
Dr. Van E. Christou was born in Lethbridge on January 26, 1923. Through the Canadian Army Officer Training Corps, he attended the University of Alberta, graduating in 1948 with a Doctorate of Dentistry and a Queen’s Commission at the rank of Captain. On a Canadian Eastman Fellowship, he completed postgraduate training in Orthodontics at the University of Rochester from 1948-50. He returned to Lethbridge initially to practice general dentistry with Dr. JS Stewart, later establishing his own Orthodontics practice of 37 years. Van Christou was actively engaged in civic affairs with imagination and wisdom. His vision for accessible liberal arts education was realized in 1967 with the establishment of the University of Lethbridge. He had a mind full of ideas, many of which came to fruition through the sixty years he spent engaged with community affairs. His passion for the arts shaped the character of Lethbridge in many ways including the establishment of the Allied Arts Council, the Southern Alberta Art Gallery, the Yates Centre, and the University art collection. His enthusiasm was palpable, his energy unremitting, and his contributions leave this community considerably enhanced. He was honoured by the Blackfoot Nation, who named him “iihhiowdoomoo” (Lead Buffalo). He deeply respected the values of the Blackfoot Nation and took great pride in this honour. Dr. Christou passed away September 27, 2017.
Scope and Content
Panoramic evening photo of the CPR High Level Bridge near the end of sunset.
Accession No.
20101085002
Collection
Archive
Images
Less detail
Other Name
JAPANESE DOLL, BOXED
Date Range From
1995
Date Range To
2000
Material Type
Artifact
Materials
CLOTH, PLASTIC, WOOD
Catalogue Number
P20010096000
Material Type
Artifact
Other Name
JAPANESE DOLL, BOXED
Date Range From
1995
Date Range To
2000
Materials
CLOTH, PLASTIC, WOOD
No. Pieces
4
Height
55
Length
30
Width
24
Description
1. DOLL, 2PCE, CLOTH, PLASTIC, WOOD. DOLL PRESENTS BLUE CLOTH KIMONO WITH FLORAL DESIGN. RED WAISTBAND WITH GOLD TIE. DOLL GRASPS DRUM-LIKE OBJECT IN LEFT HAND AND SHOULD HAVE FAN IN RIGHT HAND. OPEN GOLD FAN WITH BLACK HANDLE HAS BECOME DETACHED (GLUE WORN OUT). DOLL IS MOUNTED ON A BLACK LACQUERED BASE. UNFINISHED WOOD PANEL WITH JAPANESE SCRIPT ADHERED TO BASE ON DOLL'S LEFT. 2. BOX, 2PCE, CARDBOARD 60CM X 31CM X 25CM. TOP OF LID AND END OF BASE DISPLAY WHITE AND PURPLE LABEL. TOP LABEL TEXT "OYAMA NINGYOU" AND END LABEL "923-0501" IN ADDITION TO JAPANESE CHARACTERS.
Subjects
TOY
Historical Association
DECORATIVE ARTS
History
DONOR'S HOSTED A 16 Y/O MALE JAPANESE STUDENT FOR A COUPLE OF WEEKS IN SUMMER, 1999. STUDENT ATTENDED ENGLISH CLASSES AT THE COLLEGE AND SENT DOLL AS THANK-YOU GIFT AFTER HE RETURNED TO JAPAN. DONOR UNDERSTOOD THAT DOLL REPRESENTED SPIRITUAL ASPECT (PROTECTION). DONOR'S PARENTS WERE EVACUATED TO LETHBRIDGE, FARMING IN COALDALE AREA (MCNALLY) IN FUTURE YEARS.
Catalogue Number
P20010096000
Acquisition Date
2002-03
Collection
Museum
Less detail

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