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504 records – page 1 of 26.

Date Range
[193-]
Description Level
Item
Material Type
Photograph
Accession No.
20011020103
Physical Description
black and white negative
Scope and Content
An art class for adults in an unidentified school.
  1 image  
Material Type
Photograph
Date Range
[193-]
Description Level
Item
Creator
Fruet, William
Physical Description
black and white negative
Physical Condition
Very Good
Scope and Content
An art class for adults in an unidentified school.
Access Restrictions
Public Access
Accession No.
20011020103
Collection
Archive
Images
Less detail
Date Range
[193-]
Description Level
Item
Material Type
Photograph
Accession No.
20011020102
Physical Description
black and white negative
Scope and Content
An art class for adults in an unidentified school.
  1 image  
Material Type
Photograph
Date Range
[193-]
Description Level
Item
Creator
Fruet, William
Physical Description
black and white negative
Physical Condition
Very Good
Scope and Content
An art class for adults in an unidentified school.
Access Restrictions
Public Access
Accession No.
20011020102
Collection
Archive
Images
Less detail
Other Name
"PIONEER"
Date Range From
1929
Date Range To
2000
Material Type
Artifact
Materials
METAL, GLASS
Catalogue Number
P20060019001
Material Type
Artifact
Other Name
"PIONEER"
Date Range From
1929
Date Range To
2000
Materials
METAL, GLASS
No. Pieces
1
Height
6.9
Length
9.4
Width
8.5
Description
ALTIMETER, GAUGE, METAL AND GLASS. BLACK FACE WITH BROWNISH RED NUMBERS AND BROWNISH RED AND BLACK NEEDLE, NUMBERS MARKED “0…18” AROUND EDGES, FACE MARKED “ALTITUDE… PIONEER…A743B-1137.” CASE SURROUNDING FACE IS BLACK PAINTED METAL, PAINT LOSS ON FRONT, FOUR HOLES IN FOUR CORNERS AND METAL ROD ON BOTTOM FRONT OF FACE. PAPER LABEL COMING OFF OF BACK OF GAUGE MARKED “UNDER, PATEN(?),” REDDISH BROWN AND PUCE SPLATTERS ON SIDE OF GAUGE.
Subjects
AEROSPACE TRANSPORTATION-ACCESSORY
Historical Association
ASSOCIATIONS
TRANSPORTATION
History
ACCORDING TO DONOR GARY HODGE AT TIME OF DONATION, HE RECEIVED THE ALTIMETER FROM HIS UNCLE, ART LARSON. CORRESPONDANCE BETWEEN LARSON AND "STEPHENS" (NICKNAMED STEVIE) FROM FEBRUARY 23 - MARCH 3, 1937 SHOWS THAT THEY WERE TRYING TO FIND AN ALTIMETER TO SUIT THEIR NEEDS. IT IS POSSIBLE THIS ARTIFACT IS THE "PIONEER ALTIMETER IN A SECOND HAND STORE FOR WHICH THE YID WANTED BUCKS TWO AND A HALF," STEPHENS WAS REFERRING TO. "LARSON SPENT HIS EARLY DAYS IN LETHBRIDGE WHERE HE COMPLETED HIGH SCHOOL. HIS FATHER WAS A CARPENTER AND MASTER CRAFTSMEN. LARSON BECAME INTERESTED IN AVIATION AFTER LINDBERG FLEW THE ATLANTIC. HE AND HIS FRIENDS, IVAN THOMSON AND JIM FINDLAY, BEGAN BUILDING GLIDERS IN 1929. FOR THE NEXT 10 YEARS LARSON WAS THE DRIVING FORCE BEHIND THE LETHBRIDGE GLIDING CLUB. DURING THIS TIME HE MADE WELL OVER 300 GLIDER FLIGHTS. IN 1939 HE SET ONE OF THE FIRST UNOFFICIAL GLIDING RECORDS IN CANADA. LARSON SPENT THE WAR YEARS IN CALGARY AS AN AIRFRAME INSTRUCTOR FOR THE WAR EMERGENCY TRAINING PROGRAM. IN 1947 HE RETURNED TO LETHBRIDGE WHERE HE WAS EMPLOYED AS AN ASSESSOR FOR THE CITY UNTIL HIS RETIREMENT IN 1978." UPDATE: ON 6 NOVEMBER 2017, GALT CURATOR AIMEE BENOIT CONDUCTED AN INTERVIEW WITH GLIDER OBJECTS’ DONOR GARY HODGE. FOR MORE INFORMATION, INCLUDING A TRANSCRIPT OF THE INTERVIEW, PLEASE SEE THIS RECORD’S PERMANENT FILE.
Catalogue Number
P20060019001
Acquisition Date
2006-04
Collection
Museum
Less detail

Art Baalim Campaigning For Victory Bonds

https://collections.galtmuseum.com/en/permalink/descriptions4726
Date Range
1939-1945
Description Level
Item
Material Type
Photograph
Accession No.
19790093000
Physical Description
Black and white photograph Negative available
Scope and Content
View of a Victory Bond Campaign in front of court house, corner of 4th Avenue and 6th Street South. Art Baalim is at the microphone speaking to the crowd and Charles Lynn is at the far right.
  1 image  
Material Type
Photograph
Date Range
1939-1945
Description Level
Item
Physical Description
Black and white photograph Negative available
Physical Condition
Good
History / Biographical
See P19790079000 for gift certificate.
Scope and Content
View of a Victory Bond Campaign in front of court house, corner of 4th Avenue and 6th Street South. Art Baalim is at the microphone speaking to the crowd and Charles Lynn is at the far right.
Access Restrictions
Public Access
Accession No.
19790093000
Collection
Archive
Images
Less detail

Art Coolidge, Goddard Alberta

https://collections.galtmuseum.com/en/permalink/descriptions13029
Date Range
22 August 1932
Material Type
Photograph
Accession No.
19911000756
Scope and Content
Art Coolidge, Goddard, Alberta
  1 image  
Material Type
Photograph
Date Range
22 August 1932
Creator
de Jourdan's Studio Ltd.
Physical Condition
Excellent
Scope and Content
Art Coolidge, Goddard, Alberta
Access Restrictions
Public Access
Accession No.
19911000756
Collection
Archive
Images
Less detail
Date Range
14 April 1937
Description Level
Item
Material Type
Photograph
Accession No.
199110001602
Physical Description
black and white negative
  1 image  
Material Type
Photograph
Date Range
14 April 1937
Description Level
Item
Creator
de Jourdan's Studio Ltd.
Physical Description
black and white negative
Physical Condition
Excellent
Access Restrictions
Public Access
Accession No.
199110001602
Collection
Archive
Images
Less detail

Arthur L. Larson Fonds: The Lethbridge Glider Club

https://collections.galtmuseum.com/en/permalink/descriptions76210
Date Range
1934-1986
Description Level
Item
Material Type
Mixed Media
Accession No.
20061007000
Physical Description
Approximately 4 cm of manuscript and print material 160 photographs 4 books
Scope and Content
The fonds consists of correspondence, photocopies of club log books and other club records, design drawings and photographs from Art Larson's time as a member of the Lethbridge Glider Club. Also included are general articles pertaining to gliding in Alberta and Canada, a copy of Bruce Gowan's artic…
Material Type
Mixed Media
Date Range
1934-1986
Description Level
Item
Physical Description
Approximately 4 cm of manuscript and print material 160 photographs 4 books
Physical Condition
Good
History / Biographical
The Lethbridge Gliding Club was born in 1929 when three teenage boys – Art Larson, Jim Findlay and Ivan Thomson – decided to build a Primary Glider. Art Larson, leader of the group, became enthused with flying after a ride in Jock Palmer’s Curtiss Standard J-1 in 1926. The boys worked in Larson’s garage, assisted by Art’s father Samuel who was a carpenter and was able to provide considerable advice about how to construct the woodwork. In the spring of 1930 the group – now calling themselves the Prairie Gliders – made repeated attempts to launch the glider, without success. It was not until they decided to give 13 year old Billy Ritson a ride that success was achieved. Billy soared about 20 feet into the air, and then made a slow turn before crashing back to earth. The wing of the glider was demolished, but Billy Ritson escaped unhurt and became the first person in Lethbridge to make a glider flight. Unfortunately, the Depression had begun and there was no money to repair the glider. Ivan Thomson went on to powered flight, and obtained his commercial pilot’s license in January 1931. He tried to interest Art Larson in a commercial air service venture at Medicine Hat, but before those plans developed Ivan Thomson and his passenger Donald McKenzie were killed in a crash at Lethbridge on 1 February 1931. Jim Findlay and Art Larson continued their interest in gliding and in 1933 purchased a Northrop Primary Glider. As with their first glider, the Northrop would not rise much more than a foot off the ground. Undeterred, Larson decided to build a glider of his own design. The Larson garage was once again the workshop, and success was finally achieved. The Primary Glider launched at 35 miles per hour, and often rose to a height of over 500 feet. Over the next four years the group made more than 1,500 flights in the Larson-designed Primary from the Municipal Airport in north Lethbridge. During those years four new members joined the club: Tom Hardy, John Zmurchyk, John Watson and Bob Niven. Of these four, Hardy and Zmurchyk stuck with the group and both became very good glider pilots. W.P. Stevens (Stevie) was lived in Calgary, but was often in Lethbridge on business and became a member of the gliding club. Jim Fretwell also visited the club from his home in Stettler. Fretwell had organized the Stettler Gliding Club, and became a full time member of the Lethbridge group when he moved to the city in 1937. Evelyn Fletcher joined the club in the fall of 1936, and until July 1939 she kept a detailed log of every flight made by the Lethbridge Gliding Club (LGC). Art Larson made several changes to the Primary from 1933 to 1937, the most important of which was the addition of an enclosed pod for the pilot. This protected the pilot from the weather and allowed flights to be made into November and December. Another modification was the removal of previously installed fabric on the aft fuselage and the addition of trim strips along the pod. The LGC logo was stenciled on the trim strips, below which were the words “Skid Busters”. Jim Findlay had broken the skid during a launch malfunction, and from that point on the airport personnel called the group the Skid Busters. In 1936 the club members decided, on the suggestion of Art Larson, to purchase the plans for the Hutter H-17 glider and build it beginning in January 1937. Construction of this German-designed glider was done in Tom Hardy’s spare bedroom and kitchen. A translator was found to translate the plans from German to English, and metric measuring tapes were also secured for the project. On 15 June 1937 the glider was taken in a trailer to the Municipal Airport, assembled and flown for the first time. A great success, the glider was flown 285 times by the end of the 1937 gliding year in November. The H-17 of the LGC continued in service until the club disbanded with the outbreak of World War 2 in 1939. Even after the club ended, Art Larson kept the glider flying for many more years. In the meantime, the LGC was able to take the Hutter H-17 on the road to Calgary and Fort Macleod. The money to build the glider’s trailer was donated by several Lethbridge businesses whose names appeared on the trailer from 1937 to 1939. Also in 1937, Art Larson had the misfortune to crash the Primary Glider he had designed. Since club members Evelyn Fletcher and Jim Findlay were still training on this glider, the decision was made to repair the Primary by installing a new gull-wing using a modified Hutter airfoil. As the project unfolded, it became apparent that the Primary could not be repaired, and an entirely new two-seat gull-wing glider was built. The test flight was on 13 March 1938, and after the balanced rudder was replaced with an unbalanced one, the two-seater flew well. By the end of June 1937, 221 flights had been made in the gull-wing. In the meantime, all of the club members had qualified on the Hutter H-17, so there was no further need for the gull-wing. It was sold to a gliding group in Halifax, Nova Scotia. The LGC continued on with the H-17 as its only glider. In 1938 members of the club made a record 384 flights, including a number of soaring flights that surpassed previous club marks for altitude and duration. In May 1939 Evelyn Fletcher made her first cross-country flight, covering eight miles in 45 minutes. Art Larson also completed a cross-country flight the same month. It was in July 1939 that Evelyn Fletcher left the LGC to train for her private pilot’s license in Calgary. The club was down to three members – Art Larson, Jim Findlay and Tom Hardy – and by the fall of 1939 they were no longer to keep the LGC going. [Source: “The Lethbridge Gliding Club 1929-1939 Also Known as the Prairie Gliders and The Skid Busters”, by Bruce W. Gowans. 1981]
Language
English
Custodial History
These records belonged to the late Mr. Art Larson, a founding member of the Lethbridge Gliding Club. They were donated to the Archives by Mr. Hodge, Mr. Larson's nephew.
Scope and Content
The fonds consists of correspondence, photocopies of club log books and other club records, design drawings and photographs from Art Larson's time as a member of the Lethbridge Glider Club. Also included are general articles pertaining to gliding in Alberta and Canada, a copy of Bruce Gowan's article "The Lethbridge Gliding Club 1929-1939 Also Known as The Prairie Gliders and The Skid Busters", and research information.
Access Restrictions
Public Access
Accession No.
20061007000
Collection
Archive
Less detail
Date Range
29 April 1935
Description Level
Item
Material Type
Photograph
Accession No.
199110001367
Physical Description
black and white negative
  1 image  
Material Type
Photograph
Date Range
29 April 1935
Description Level
Item
Creator
de Jourdan's Studio Ltd.
Physical Description
black and white negative
Physical Condition
Excellent
Access Restrictions
Public Access
Accession No.
199110001367
Collection
Archive
Images
Less detail
Other Name
P19870010001-069-GA
Date Range From
1920
Date Range To
1930
Material Type
Artifact
Materials
LEATHER, STEEL
Catalogue Number
P19870010044
Material Type
Artifact
Other Name
P19870010001-069-GA
Date Range From
1920
Date Range To
1930
Materials
LEATHER, STEEL
No. Pieces
1
Height
29.5
Length
45.2
Width
16.4
Description
BROWN. 18 IN NO. 4403. HANDLE, TWO CLASPS, KEYED LOCK (KEY MISSING) HINGED OPENING INTERIOR BELT OF SECURING OBJECTS. ONE CLASP BENT.
Subjects
MEDICAL & DENTAL T&E
PERSONAL GEAR
Historical Association
HEALTH SERVICES
History
"LANGMUR LUGGAGE" BELONGED TO DR. ROY SR., FOUNDER OF ROY CLINIC & EARLY LETHBRIDGE PRACTICIONER. *UPDATE* IN 2014 COLLECTIONS ASSISTANT JANE EDMUNDSON CONDUCTED A SURVEY OF ART OBJECTS, INCLUDING ONE ASSOCIATED WITH THE ROY CLINIC. THE FOLLOWING HISTORY OF THE ROY CLINIC WAS DEVELOPED WITH INFORMATION FROM GALT ARCHIVES, DR. LOUIS ARTHUR ROY'S LETHBRIDGE HERALD OBITUARY, AND THE BOOK 'MEDICAL CLINICS AND PHYSICIANS OF SOUTHERN ALBERTA' BY GERALD M. MCDOUGALL AND FIONA C. HARRIS (1991). DR. LOUIS A. ROY WAS BORN IN MOOSOMIN, SASKATCHEWAN IN 1888. AFTER RECEIVING HIS EARLY EDUCATION THERE, HE PURSUED MEDICINE AT THE UNIVERSITY OF TORONTO, WHERE HE EARNED A BACHELOR OF MEDICINE IN 1911. AFTER COMPLETING AN INTERNSHIP AT THE ROYAL VICTORIA HOSPITAL IN MONTREAL, FOCUSING ON SURGERY AND PATHOLOGY, DR. ROY MOVED TO ALBERTA IN 1913. HE PRACTICED WITH DOCTORS DEVEBER AND CAMPBELL IN LETHBRIDGE FOR FIVE YEARS BEFORE JOINING THE ROYAL CANADIAN ARMY MEDICAL CORPS. HE WAS STATIONED IN A BRITISH MILITARY HOSPITAL IN KENT AS A PATHOLOGIST AND EARNED THE RANK OF CAPTAIN. UPON WAR'S END DR. ROY RETURNED TO LETHBRIDGE AND WORKED WITH THE CAMPBELL GROUP UNTIL 1936, WHEN HE PARTNERED WITH DR. VALERIAN SWANCESKY (AND LATER, WITH DR. STEPHEN SCHMALTZ) TO CREATE THE ROY CLINIC GROUP. THE CLINIC WAS HOUSED ON THE FIRST FLOOR OF THE SHERLOCK BLOCK. DR. ROY WAS ACCREDITED AS A SURGEON BY THE ROYAL COLLEGE OF PHYSICIANS AND SURGEONS OF CANADA IN 1945, AND HE PRACTICED AT THE CLINIC UNTIL HIS RETIREMENT IN 1961. DR. ROY'S SON, DR. DOUGLAS GAETEN ROY ALSO JOINED THE PRACTICE IN 1945. DR. LOUIS A. ROY DIED IN 1964, BUT THE PRACTICE CONTINUED WITH ADDITIONS INCLUDING DR. DONALD ARTHUR RICE AND DR. JAMES ALFRED MCNALLY. THE CLINIC MOVED TO 2ND AVENUE SOUTH IN 1959, AND OPERATED THERE UNDER THE ROY NAME UNTIL BECOMING THE PARK MEDICAL GROUP IN THE LATE 1980S. SEE PERMANENT FILE FOR HARCOPIES OF DR. LOUIS A. ROY'S OBITUARY AND RELEVANT PAGES OF MCDOUGALL AND HARRIS' BOOK.
Catalogue Number
P19870010044
Acquisition Date
1987-07
Collection
Museum
Less detail
Date Range From
1930
Date Range To
1940
Material Type
Artifact
Materials
COWHIDE, BRASS, PAPER
Catalogue Number
P19950073073
  2 images  
Material Type
Artifact
Date Range From
1930
Date Range To
1940
Materials
COWHIDE, BRASS, PAPER
No. Pieces
2
Height
30.0
Length
51.0
Width
26.5
Description
BROWN LEATHER, LEATHER IS CRACKED THROUGHOUT. HAS ONE MAIN OPENING. INSIDE IS LIGHT BROWN AND HAS 3 POCKETS ON THE SIDES OF MAIN POCKET. THERE ARE 2 BRASS LATCHES AND A LOCK ON TOP OF BAG. TO ONE SIDE IS A LEATHER COVERED HANDLE, AND ON OPPOSITE SIDE ARE HOLES WHERE HANDLE USED TO BE (BROKEN HANDLE IS INCLUDED WITH BAG). THERE IS A BRASS LABEL ON ONE SIDE THAT READS "HYI". THERE IS A STICKER ON ONE SIDE OF BAG THAT READS "HARRY YIP CHONG ING" "CHINA AIRLINES". THERE IS ALSO A PINK, PAPER TAG ATTACHED TO HANLDE THAT READS "AIR CANADA" "AC-05 95-04". THERE IS A PIECE OF BLACK DUCT TAPE ON BOTTOM OF BAG. IMPRESSED INTO BOTTOM OF BAG IS "20" "GENUINE COWHIDE" "338". ONE HANDLE IS BROKEN OFF.
Subjects
PERSONAL GEAR
Historical Association
PERSONAL CARE
History
*UPDATE* IN 2014 COLLECTIONS ASSISTANT JANE EDMUNDSON CONDUCTED A SURVEY OF ART OBJECTS, INCLUDING ONE DONATED AS PART OF THE ING ESTATE (P19950073023). SHE EXTRACTED THE FOLLOWING INFORMATION ON THE ING FAMILY FROM PERMANENT FILE P19950073001, WHICH CONTAINS A TRANSCRIPT OF THE INTERVIEW COLLECTIONS TECH KEVIN MACLEAN CONDUCTED WITH HAROLD ING JR., SON OF HAROLD AND MYRA, IN HIS ROOM AT THE LETHBRIDGE HOTEL IN SEPTEMBER 2005. MYRA WAS BORN IN GOLDEN B.C. TO SHIN-BOW AND CHOW TING RAH; HER FATHER ORGINALLY EMIGRATED TO CANADA TO WORK ON CANADIAN RAILWAY CONSTRUCTION AND LATER BECAME A RESTAURANTEUR, WHERE MYRA DEVELOPED HER ENGLISH SKILLS AS A WAITRESS. "IN 1906 MY DAD [HAROLD ING SR.] LEFT HONG KONG FOR VANCOUVER, HE COULDN'T SPEAK ENGLISH... HE'S GOT TO BE A WAITER, A BUSBOY... AND HE LEARNED ALL THE WAY UP, IN THE MEANTIME PICKING UP ENGLISH... WENT TO WINNIPEG. THIS IS BEFORE ME. BY THEN HE KNEW THE WHOLE SYSTEM OF RESTAURANTING." MYRA AND HAROLD SR. MARRIED AND ADOPTED HAROLD JR. WHEN HE WAS BORN INTO A POOR FAMILY OF ELEVEN IN 1944, IN VANCOUVER. "ME AND MY TWIN SISTER WERE SOLD BECAUSE THERE WERE JUST TOO MANY. SO DAD, MY MOM PICKED ME AND DAD SAID YES THAT'S GOOD... I DON'T KNOW WHERE MY SISTER IS... THERE'S NO WAY OF FINDING OUT." THE ING FAMILY SETTLED IN LETHBRIDGE IN THE LATE 1940S, AND HAROLD SR. OWNS AND OPERATES THE NEW MOON CAFE AND TWO GROCERIES, WHICH ARE RUN BY THE FAMILY AND NEW CHINESE IMMIGRANTS THAT HAROLD SR. SPONSORED. "AT APPROXIMATELY FIVE YEARS OLD [MY FATHER] INTRODUCED ME TO THE NEW MOON CAFE, AND I WAS A BUSBOY AT THE AGE OF FIVE... IN 1951 HE SHOWED ME MY FIRST HUNDRED DOLLAR BILL... BECAUSE HE WAS THE OWNER... HE'D WAKE UP AT FIVE IN THE MORNING TO GO TO THE CAFE, OFF AND ON TO THE GROCERY STORE AND MIGHT BE DONE AT EIGHT AT NIGHT, SUPPER AND IMMEDIATELY TO CHINATOWN [FOR] GAMBLING, PUTTING DOWN MAH JONG." HAROLD JR. ATTENDED WESTMINISTER ELEMENTARY SCHOOL DURING THE DAY, AND CHINESE SCHOOL AT THE CHINESE NATIONAL LEAGUE IN THE EVENINGS - HIS FATHER WAS THE PRESIDENT OF THE NATIONAL LEAGUE, AND THE ORGANIZATION RAN THE SCHOOL, CULTURAL CELEBRATIONS, FILM SCREENINGS, AND BANQUETS, FUNDED BY MEMBERSHIP FEES. HAROLD'S YOUNGER BROTHER, CALVIN, "GOT SENT TO A BOARDING SCHOOL SOMEWHERE. HE WAS GIFTED, BUT HE HAD A BYPASS SURGERY, HE HAD SOMETHING WRONG WITH HIS HEART. HE COULDN'T HANDLE PUBLIC SCHOOL, SO THEY SENT HIM TO B.C." AFTER HIGH SCHOOL AND A BRIEF STINT IN CALGARY, HAROLD JR. RAN ING'S GROCERY FOR HIS FATHER, AND IN THE LATE 1960S AND EARLY 70S ALSO WORKED AS A PHOTOGRAPHER FOR THE LETHBRIDGE HERALD AND A SALESMAN AT SEARS. BOTH HAROLD SR. AND MYRA ING PASSED AWAY IN THE 1990S, AND THE OBJECTS ENCOMPASSING DONATION P19950073001-231 WERE COLLECTED FROM THE FAMILY HOME. FOR A COMPLETE TRANSCRIPT OF THE INTERVIEW, COPIES OF PHOTOGRAPHS AND WRITTEN DETAILS ON THE CHINESE NATIONAL LEAGUE, SEE PERMANENT FILE.
Catalogue Number
P19950073073
Acquisition Date
1995-11
Collection
Museum
Images
Less detail
Other Name
ENAMELLED
Date Range From
1930
Date Range To
1950
Material Type
Artifact
Materials
STEEL, ENAMEL
Catalogue Number
P19870010058
Material Type
Artifact
Other Name
ENAMELLED
Date Range From
1930
Date Range To
1950
Materials
STEEL, ENAMEL
No. Pieces
2
Height
7.4
Diameter
17.5
Description
WHITE, BLACK. TWO BOWLS, SMALL RIM, BLACK. SOME INTERIOR CHIPPING EVIDENT AND RUST. BODY ENAMELED WHITE WITH BLACK ENAMEL ROLLED RIM.
Subjects
MEDICAL & DENTAL T&E
Historical Association
HEALTH SERVICES
History
NO IDENTIFIABLE MARKINGS. *UPDATE* IN 2014 COLLECTIONS ASSISTANT JANE EDMUNDSON CONDUCTED A SURVEY OF ART OBJECTS, INCLUDING ONE ASSOCIATED WITH THE ROY CLINIC. THE FOLLOWING HISTORY OF THE ROY CLINIC WAS DEVELOPED WITH INFORMATION FROM GALT ARCHIVES, DR. LOUIS ARTHUR ROY'S LETHBRIDGE HERALD OBITUARY, AND THE BOOK 'MEDICAL CLINICS AND PHYSICIANS OF SOUTHERN ALBERTA' BY GERALD M. MCDOUGALL AND FIONA C. HARRIS (1991). DR. LOUIS A. ROY WAS BORN IN MOOSOMIN, SASKATCHEWAN IN 1888. AFTER RECEIVING HIS EARLY EDUCATION THERE, HE PURSUED MEDICINE AT THE UNIVERSITY OF TORONTO, WHERE HE EARNED A BACHELOR OF MEDICINE IN 1911. AFTER COMPLETING AN INTERNSHIP AT THE ROYAL VICTORIA HOSPITAL IN MONTREAL, FOCUSING ON SURGERY AND PATHOLOGY, DR. ROY MOVED TO ALBERTA IN 1913. HE PRACTICED WITH DOCTORS DEVEBER AND CAMPBELL IN LETHBRIDGE FOR FIVE YEARS BEFORE JOINING THE ROYAL CANADIAN ARMY MEDICAL CORPS. HE WAS STATIONED IN A BRITISH MILITARY HOSPITAL IN KENT AS A PATHOLOGIST AND EARNED THE RANK OF CAPTAIN. UPON WAR'S END DR. ROY RETURNED TO LETHBRIDGE AND WORKED WITH THE CAMPBELL GROUP UNTIL 1936, WHEN HE PARTNERED WITH DR. VALERIAN SWANCESKY (AND LATER, WITH DR. STEPHEN SCHMALTZ) TO CREATE THE ROY CLINIC GROUP. THE CLINIC WAS HOUSED ON THE FIRST FLOOR OF THE SHERLOCK BLOCK. DR. ROY WAS ACCREDITED AS A SURGEON BY THE ROYAL COLLEGE OF PHYSICIANS AND SURGEONS OF CANADA IN 1945, AND HE PRACTICED AT THE CLINIC UNTIL HIS RETIREMENT IN 1961. DR. ROY'S SON, DR. DOUGLAS GAETEN ROY ALSO JOINED THE PRACTICE IN 1945. DR. LOUIS A. ROY DIED IN 1964, BUT THE PRACTICE CONTINUED WITH ADDITIONS INCLUDING DR. DONALD ARTHUR RICE AND DR. JAMES ALFRED MCNALLY. THE CLINIC MOVED TO 2ND AVENUE SOUTH IN 1959, AND OPERATED THERE UNDER THE ROY NAME UNTIL BECOMING THE PARK MEDICAL GROUP IN THE LATE 1980S. SEE PERMANENT FILE FOR HARCOPIES OF DR. LOUIS A. ROY'S OBITUARY AND RELEVANT PAGES OF MCDOUGALL AND HARRIS' BOOK.
Catalogue Number
P19870010058
Acquisition Date
1987-07
Collection
Museum
Less detail
Other Name
ENAMELLED
Date Range From
1930
Date Range To
1950
Material Type
Artifact
Materials
STEEL, ENAMEL
Catalogue Number
P19870010059
Material Type
Artifact
Other Name
ENAMELLED
Date Range From
1930
Date Range To
1950
Materials
STEEL, ENAMEL
No. Pieces
3
Height
6.1
Diameter
15.3
Description
WHITE, BLACK. THREE BOWLS. SMALL BLACK RIM. SOME CHIPPING EVIDENT. WHITE ENAMEL BODY WITH BLACK ENAMEL ROLLED RIM.
Subjects
MEDICAL & DENTAL T&E
Historical Association
HEALTH SERVICES
History
NO IDENTIFIABLE MARKINGS. *UPDATE* IN 2014 COLLECTIONS ASSISTANT JANE EDMUNDSON CONDUCTED A SURVEY OF ART OBJECTS, INCLUDING ONE ASSOCIATED WITH THE ROY CLINIC. THE FOLLOWING HISTORY OF THE ROY CLINIC WAS DEVELOPED WITH INFORMATION FROM GALT ARCHIVES, DR. LOUIS ARTHUR ROY'S LETHBRIDGE HERALD OBITUARY, AND THE BOOK 'MEDICAL CLINICS AND PHYSICIANS OF SOUTHERN ALBERTA' BY GERALD M. MCDOUGALL AND FIONA C. HARRIS (1991). DR. LOUIS A. ROY WAS BORN IN MOOSOMIN, SASKATCHEWAN IN 1888. AFTER RECEIVING HIS EARLY EDUCATION THERE, HE PURSUED MEDICINE AT THE UNIVERSITY OF TORONTO, WHERE HE EARNED A BACHELOR OF MEDICINE IN 1911. AFTER COMPLETING AN INTERNSHIP AT THE ROYAL VICTORIA HOSPITAL IN MONTREAL, FOCUSING ON SURGERY AND PATHOLOGY, DR. ROY MOVED TO ALBERTA IN 1913. HE PRACTICED WITH DOCTORS DEVEBER AND CAMPBELL IN LETHBRIDGE FOR FIVE YEARS BEFORE JOINING THE ROYAL CANADIAN ARMY MEDICAL CORPS. HE WAS STATIONED IN A BRITISH MILITARY HOSPITAL IN KENT AS A PATHOLOGIST AND EARNED THE RANK OF CAPTAIN. UPON WAR'S END DR. ROY RETURNED TO LETHBRIDGE AND WORKED WITH THE CAMPBELL GROUP UNTIL 1936, WHEN HE PARTNERED WITH DR. VALERIAN SWANCESKY (AND LATER, WITH DR. STEPHEN SCHMALTZ) TO CREATE THE ROY CLINIC GROUP. THE CLINIC WAS HOUSED ON THE FIRST FLOOR OF THE SHERLOCK BLOCK. DR. ROY WAS ACCREDITED AS A SURGEON BY THE ROYAL COLLEGE OF PHYSICIANS AND SURGEONS OF CANADA IN 1945, AND HE PRACTICED AT THE CLINIC UNTIL HIS RETIREMENT IN 1961. DR. ROY'S SON, DR. DOUGLAS GAETEN ROY ALSO JOINED THE PRACTICE IN 1945. DR. LOUIS A. ROY DIED IN 1964, BUT THE PRACTICE CONTINUED WITH ADDITIONS INCLUDING DR. DONALD ARTHUR RICE AND DR. JAMES ALFRED MCNALLY. THE CLINIC MOVED TO 2ND AVENUE SOUTH IN 1959, AND OPERATED THERE UNDER THE ROY NAME UNTIL BECOMING THE PARK MEDICAL GROUP IN THE LATE 1980S. SEE PERMANENT FILE FOR HARCOPIES OF DR. LOUIS A. ROY'S OBITUARY AND RELEVANT PAGES OF MCDOUGALL AND HARRIS' BOOK.
Catalogue Number
P19870010059
Acquisition Date
1987-07
Collection
Museum
Less detail
Other Name
ENAMELLED
Date Range From
1930
Date Range To
1950
Material Type
Artifact
Materials
IRON, ENAMELLED
Catalogue Number
P19870010057
Material Type
Artifact
Other Name
ENAMELLED
Date Range From
1930
Date Range To
1950
Materials
IRON, ENAMELLED
No. Pieces
1
Height
10.0
Diameter
21.7
Description
HANDLE. LIP CHIPPED ALONG EDGE. WHITE ENAMEL BODY. RIM HAS BLACK ENAMEL TRIM. MINOR CRAZING TO ENAMEL. SEE CONSERVATION REPORT.
Subjects
TOILET ARTICLE
Historical Association
HEALTH SERVICES
History
NO IDENTIFYING MARKS. *UPDATE* IN 2014 COLLECTIONS ASSISTANT JANE EDMUNDSON CONDUCTED A SURVEY OF ART OBJECTS, INCLUDING ONE ASSOCIATED WITH THE ROY CLINIC. THE FOLLOWING HISTORY OF THE ROY CLINIC WAS DEVELOPED WITH INFORMATION FROM GALT ARCHIVES, DR. LOUIS ARTHUR ROY'S LETHBRIDGE HERALD OBITUARY, AND THE BOOK 'MEDICAL CLINICS AND PHYSICIANS OF SOUTHERN ALBERTA' BY GERALD M. MCDOUGALL AND FIONA C. HARRIS (1991). DR. LOUIS A. ROY WAS BORN IN MOOSOMIN, SASKATCHEWAN IN 1888. AFTER RECEIVING HIS EARLY EDUCATION THERE, HE PURSUED MEDICINE AT THE UNIVERSITY OF TORONTO, WHERE HE EARNED A BACHELOR OF MEDICINE IN 1911. AFTER COMPLETING AN INTERNSHIP AT THE ROYAL VICTORIA HOSPITAL IN MONTREAL, FOCUSING ON SURGERY AND PATHOLOGY, DR. ROY MOVED TO ALBERTA IN 1913. HE PRACTICED WITH DOCTORS DEVEBER AND CAMPBELL IN LETHBRIDGE FOR FIVE YEARS BEFORE JOINING THE ROYAL CANADIAN ARMY MEDICAL CORPS. HE WAS STATIONED IN A BRITISH MILITARY HOSPITAL IN KENT AS A PATHOLOGIST AND EARNED THE RANK OF CAPTAIN. UPON WAR'S END DR. ROY RETURNED TO LETHBRIDGE AND WORKED WITH THE CAMPBELL GROUP UNTIL 1936, WHEN HE PARTNERED WITH DR. VALERIAN SWANCESKY (AND LATER, WITH DR. STEPHEN SCHMALTZ) TO CREATE THE ROY CLINIC GROUP. THE CLINIC WAS HOUSED ON THE FIRST FLOOR OF THE SHERLOCK BLOCK. DR. ROY WAS ACCREDITED AS A SURGEON BY THE ROYAL COLLEGE OF PHYSICIANS AND SURGEONS OF CANADA IN 1945, AND HE PRACTICED AT THE CLINIC UNTIL HIS RETIREMENT IN 1961. DR. ROY'S SON, DR. DOUGLAS GAETEN ROY ALSO JOINED THE PRACTICE IN 1945. DR. LOUIS A. ROY DIED IN 1964, BUT THE PRACTICE CONTINUED WITH ADDITIONS INCLUDING DR. DONALD ARTHUR RICE AND DR. JAMES ALFRED MCNALLY. THE CLINIC MOVED TO 2ND AVENUE SOUTH IN 1959, AND OPERATED THERE UNDER THE ROY NAME UNTIL BECOMING THE PARK MEDICAL GROUP IN THE LATE 1980S. SEE PERMANENT FILE FOR HARCOPIES OF DR. LOUIS A. ROY'S OBITUARY AND RELEVANT PAGES OF MCDOUGALL AND HARRIS' BOOK.
Catalogue Number
P19870010057
Acquisition Date
1987-07
Collection
Museum
Less detail
Date Range From
1920
Date Range To
1930
Material Type
Artifact
Materials
WOOD
Catalogue Number
P19738566000
Material Type
Artifact
Date Range From
1920
Date Range To
1930
Materials
WOOD
No. Pieces
1
Diameter
30.5
Description
CIRCULAR CUTTING BOARD. INNER PORTION IS SLIGHTLY RAISED. "M.J. BENNETT" CARVED ON ONE SIDE OF BOARD. CUTTING SURFACE MARRED. SEE CONSERVATION RPT.
Subjects
FOOD PROCESSING T&E
Historical Association
DOMESTIC
History
PROBABLY HAND MADE. *UPDATE* IN 2014 COLLECTIONS ASSISTANT JANE EDMUNDSON CONDUCTED A SURVEY OF MILITARY OBJECTS, INCLUDING THOSE DONATED BY M.J. BENNETT. BIOGRAPHICAL INFORMATION WAS FOUND IN BENNETT'S ATTESTATION PAPERS AND RECORDS FROM THE GLENBOW ARCHIVES. MICHAEL JOHN BENNETT WAS BORN IN 1881 IN WHITNEY, ENGLAND AND SERVED IN THE SOUTH AFRICAN WAR BEFORE IMMIGRATING TO CANADA IN 1910 WITH HIS WIFE, ALICE MAY BENNETT (NEE EDWARDS). THEY WERE LIVING IN MEDICINE HAT WHERE BENNETT WORKED AS A CARPENTER WHEN HE ENLISTED WITH THE 175TH BATTALION CEF ON JANUARY 26, 1916. BENNETT SURVIVED THE WAR AND HE AND ALICE HAD SIX CHILDREN. THE FAMILY LIVED IN SHAUNESSEY AND LETHBRIDGE AND BENNETT WORKED AS A STREETCAR DRIVER, CARPENTER AND HOTEL OPERATOR. HE WAS A MEMBER OF THE KIWANIS CLUB AND LETHBRIDGE HISTORICAL SOCIETY. BENNETT DIED IN 1982. M.J. BENNETT'S GRANDSON, TREVOR BENNETT, PROVIDED SOME FURTHER FAMILY HISTORY IN 2002 (SEE P20020071009). SEE PERMANENT FILE P19672995000 FOR HARDCOPIES OF BENNETT'S ATTESTATION PAPERS AND GLENBOW ARCHIVES FONDS DESCRIPTION. *UPDATE* IN 2017, COLLECTIONS ASSISTANT ELISE PUNDYK CONDUCTED A SURVEY OF BOXED TEXTILES AND ACCESSORIES, INCLUDING A SNUFFBOX DONATED BY MICHAEL JOHN BENNETT IN 1970. ON 11 DECEMBER 2017, PUNDYK CONDUCTED AN INTERVIEW WITH BENNETT’S ELDEST GRANDDAUGHTER, ALICE MAY DUHAMEL. THROUGH THIS INTERVIEW FURTHER INFORMATION WAS RECORDED ABOUT THE DONOR AND THE USERS OF A NUMBER OF ARTIFACTS DONATED BY MICHAEL JOHN BENNETT. ABOUT THE DONOR, DUHAMEL SAID, “WE CALLED HIM ‘POP’. THAT’S BECAUSE [ONE OF THE GRANDCHILDREN], MICHAEL, COULDN’T SAY ‘GRANDPA’, [SO] HE SAID ‘POP’. HE’S ‘POP’ TO EVERYONE IN THE COUNTRY. UP UNTIL HE WAS ONE HUNDRED AND ONE OR SO.” SHE CONTINUED, “POP WAS IN ENGLAND [WHEN] HE MARRIED HIS WIFE - [AND MY] GRANDMOTHER - ALICE MAY EDWARDS BENNETT. [SHE] CAME TO CANADA IN 1911 IN SEPTEMBER ON THE SHIP AND LANDED IN CANADA. GRANDMA BROUGHT UNCLE JACK, WHO WAS THE OLDEST, AND MY MOTHER… [MICHAEL AND ALICE] HAD SEVEN CHILDREN: JACK, EDNA MAY, FRANK JAMES, HARRY HUGH, ART – I DON’T KNOW, DORIS ALICE, AGNES MARY, AND SYDNEY EDWARD. MY MOTHER WAS EDNA.” ON 13 FEBRUARY 2018, PUNDYK CONDUCTED AN ADDITIONAL INTERVIEW WITH ANOTHER GRANDCHILD OF MICHAEL AND ALICE BENNETT, MIKE BENNETT, ALONG WITH HIS WIFE, DIANE. THEY PROVIDED ADDITIONAL INFORMATION ABOUT THE BENNETT FAMILY LIVES AND THE COLLECTION OF ARTIFACTS DONATED BY M. J. BENNETT. PLEASE SEE PERMANENT FILE P19705622000 FOR MORE INFORMATION INCLUDING FULL INTERVIEW TRANSCRIPTIONS, INCLUDING INDIVIDUAL ACCOUNTS OF THE BENNETT FAMILY HISTORY.
Catalogue Number
P19738566000
Acquisition Date
1973-06
Collection
Museum
Less detail
Other Name
BABY'S BONNET
Date Range From
1930
Date Range To
1940
Material Type
Artifact
Materials
COTTON
Catalogue Number
P19950073163
Material Type
Artifact
Other Name
BABY'S BONNET
Date Range From
1930
Date Range To
1940
Materials
COTTON
No. Pieces
1
Length
23.5
Width
12.8
Description
WHITE COTTON BABY BONNET WITH EYELET LACE CAP AND TATTED TRIM. TIES (6.2CM W X 33.5CM L) ON EACH SIDE. WHITE RIBBON TIED IN BOW ON LEFT SIDE, SEWN TO TRIM.
Subjects
CLOTHING-HEADWEAR
Historical Association
PERSONAL CARE
History
SEE ALSO P1995073161/162-GA FOR RELATED ARTIFACTS. *UPDATE* IN 2014 COLLECTIONS ASSISTANT JANE EDMUNDSON CONDUCTED A SURVEY OF ART OBJECTS, INCLUDING ONE DONATED AS PART OF THE ING ESTATE (P19950073023). SHE EXTRACTED THE FOLLOWING INFORMATION ON THE ING FAMILY FROM PERMANENT FILE P19950073001, WHICH CONTAINS A TRANSCRIPT OF THE INTERVIEW COLLECTIONS TECH KEVIN MACLEAN CONDUCTED WITH HAROLD ING JR., SON OF HAROLD AND MYRA, IN HIS ROOM AT THE LETHBRIDGE HOTEL IN SEPTEMBER 2005. MYRA WAS BORN IN GOLDEN B.C. TO SHIN-BOW AND CHOW TING RAH; HER FATHER ORGINALLY EMIGRATED TO CANADA TO WORK ON CANADIAN RAILWAY CONSTRUCTION AND LATER BECAME A RESTAURANTEUR, WHERE MYRA DEVELOPED HER ENGLISH SKILLS AS A WAITRESS. "IN 1906 MY DAD [HAROLD ING SR.] LEFT HONG KONG FOR VANCOUVER, HE COULDN'T SPEAK ENGLISH... HE'S GOT TO BE A WAITER, A BUSBOY... AND HE LEARNED ALL THE WAY UP, IN THE MEANTIME PICKING UP ENGLISH... WENT TO WINNIPEG. THIS IS BEFORE ME. BY THEN HE KNEW THE WHOLE SYSTEM OF RESTAURANTING." MYRA AND HAROLD SR. MARRIED AND ADOPTED HAROLD JR. WHEN HE WAS BORN INTO A POOR FAMILY OF ELEVEN IN 1944, IN VANCOUVER. "ME AND MY TWIN SISTER WERE SOLD BECAUSE THERE WERE JUST TOO MANY. SO DAD, MY MOM PICKED ME AND DAD SAID YES THAT'S GOOD... I DON'T KNOW WHERE MY SISTER IS... THERE'S NO WAY OF FINDING OUT." THE ING FAMILY SETTLED IN LETHBRIDGE IN THE LATE 1940S, AND HAROLD SR. OWNS AND OPERATES THE NEW MOON CAFE AND TWO GROCERIES, WHICH ARE RUN BY THE FAMILY AND NEW CHINESE IMMIGRANTS THAT HAROLD SR. SPONSORED. "AT APPROXIMATELY FIVE YEARS OLD [MY FATHER] INTRODUCED ME TO THE NEW MOON CAFE, AND I WAS A BUSBOY AT THE AGE OF FIVE... IN 1951 HE SHOWED ME MY FIRST HUNDRED DOLLAR BILL... BECAUSE HE WAS THE OWNER... HE'D WAKE UP AT FIVE IN THE MORNING TO GO TO THE CAFE, OFF AND ON TO THE GROCERY STORE AND MIGHT BE DONE AT EIGHT AT NIGHT, SUPPER AND IMMEDIATELY TO CHINATOWN [FOR] GAMBLING, PUTTING DOWN MAH JONG." HAROLD JR. ATTENDED WESTMINISTER ELEMENTARY SCHOOL DURING THE DAY, AND CHINESE SCHOOL AT THE CHINESE NATIONAL LEAGUE IN THE EVENINGS - HIS FATHER WAS THE PRESIDENT OF THE NATIONAL LEAGUE, AND THE ORGANIZATION RAN THE SCHOOL, CULTURAL CELEBRATIONS, FILM SCREENINGS, AND BANQUETS, FUNDED BY MEMBERSHIP FEES. HAROLD'S YOUNGER BROTHER, CALVIN, "GOT SENT TO A BOARDING SCHOOL SOMEWHERE. HE WAS GIFTED, BUT HE HAD A BYPASS SURGERY, HE HAD SOMETHING WRONG WITH HIS HEART. HE COULDN'T HANDLE PUBLIC SCHOOL, SO THEY SENT HIM TO B.C." AFTER HIGH SCHOOL AND A BRIEF STINT IN CALGARY, HAROLD JR. RAN ING'S GROCERY FOR HIS FATHER, AND IN THE LATE 1960S AND EARLY 70S ALSO WORKED AS A PHOTOGRAPHER FOR THE LETHBRIDGE HERALD AND A SALESMAN AT SEARS. BOTH HAROLD SR. AND MYRA ING PASSED AWAY IN THE 1990S, AND THE OBJECTS ENCOMPASSING DONATION P19950073001-231 WERE COLLECTED FROM THE FAMILY HOME. FOR A COMPLETE TRANSCRIPT OF THE INTERVIEW, COPIES OF PHOTOGRAPHS AND WRITTEN DETAILS ON THE CHINESE NATIONAL LEAGUE, SEE PERMANENT FILE.
Catalogue Number
P19950073163
Acquisition Date
1995-11
Collection
Museum
Less detail
Other Name
BABY FEEDER C/W BOX
Date Range From
1920
Date Range To
1930
Material Type
Artifact
Materials
GLASS, RUBBER, CARDBOARD
Catalogue Number
P19870010071
Material Type
Artifact
Other Name
BABY FEEDER C/W BOX
Date Range From
1920
Date Range To
1930
Materials
GLASS, RUBBER, CARDBOARD
No. Pieces
3
Length
20.0
Diameter
8.2
Description
GLASS TUBE WITH 2 NIPPLES, 1 AT EACH END. CAPACITY 1 1/4 OZ. APPROX. 2 PCE BOX, BASE AND SLIP COVER. BOX MARKED ON TOP "THE `RIGO' (BRECHT) BABY FEEDER" IN PENCIL "CC 339"
Subjects
FOOD SERVICE T&E
Historical Association
HEALTH SERVICES
History
"THE "RIGO" (BRECHT) BABY FEEDER", "FOR ADMINISTERING FOOD TO BABIES NOT STRONG ENOUGH TO FEED NATURALLY" ROY CLINIC. ED NATURALLY" *UPDATE* IN 2014 COLLECTIONS ASSISTANT JANE EDMUNDSON CONDUCTED A SURVEY OF ART OBJECTS, INCLUDING ONE ASSOCIATED WITH THE ROY CLINIC. THE FOLLOWING HISTORY OF THE ROY CLINIC WAS DEVELOPED WITH INFORMATION FROM GALT ARCHIVES, DR. LOUIS ARTHUR ROY'S LETHBRIDGE HERALD OBITUARY, AND THE BOOK 'MEDICAL CLINICS AND PHYSICIANS OF SOUTHERN ALBERTA' BY GERALD M. MCDOUGALL AND FIONA C. HARRIS (1991). DR. LOUIS A. ROY WAS BORN IN MOOSOMIN, SASKATCHEWAN IN 1888. AFTER RECEIVING HIS EARLY EDUCATION THERE, HE PURSUED MEDICINE AT THE UNIVERSITY OF TORONTO, WHERE HE EARNED A BACHELOR OF MEDICINE IN 1911. AFTER COMPLETING AN INTERNSHIP AT THE ROYAL VICTORIA HOSPITAL IN MONTREAL, FOCUSING ON SURGERY AND PATHOLOGY, DR. ROY MOVED TO ALBERTA IN 1913. HE PRACTICED WITH DOCTORS DEVEBER AND CAMPBELL IN LETHBRIDGE FOR FIVE YEARS BEFORE JOINING THE ROYAL CANADIAN ARMY MEDICAL CORPS. HE WAS STATIONED IN A BRITISH MILITARY HOSPITAL IN KENT AS A PATHOLOGIST AND EARNED THE RANK OF CAPTAIN. UPON WAR'S END DR. ROY RETURNED TO LETHBRIDGE AND WORKED WITH THE CAMPBELL GROUP UNTIL 1936, WHEN HE PARTNERED WITH DR. VALERIAN SWANCESKY (AND LATER, WITH DR. STEPHEN SCHMALTZ) TO CREATE THE ROY CLINIC GROUP. THE CLINIC WAS HOUSED ON THE FIRST FLOOR OF THE SHERLOCK BLOCK. DR. ROY WAS ACCREDITED AS A SURGEON BY THE ROYAL COLLEGE OF PHYSICIANS AND SURGEONS OF CANADA IN 1945, AND HE PRACTICED AT THE CLINIC UNTIL HIS RETIREMENT IN 1961. DR. ROY'S SON, DR. DOUGLAS GAETEN ROY ALSO JOINED THE PRACTICE IN 1945. DR. LOUIS A. ROY DIED IN 1964, BUT THE PRACTICE CONTINUED WITH ADDITIONS INCLUDING DR. DONALD ARTHUR RICE AND DR. JAMES ALFRED MCNALLY. THE CLINIC MOVED TO 2ND AVENUE SOUTH IN 1959, AND OPERATED THERE UNDER THE ROY NAME UNTIL BECOMING THE PARK MEDICAL GROUP IN THE LATE 1980S. SEE PERMANENT FILE FOR HARCOPIES OF DR. LOUIS A. ROY'S OBITUARY AND RELEVANT PAGES OF MCDOUGALL AND HARRIS' BOOK.
Catalogue Number
P19870010071
Acquisition Date
1987-12
Collection
Museum
Less detail
Other Name
WORK BOX
Date Range From
1830
Date Range To
1953
Material Type
Artifact
Materials
WOOD, MOTHER OF PEARL, PAPER.
Catalogue Number
P20090016001
  1 image  
Material Type
Artifact
Other Name
WORK BOX
Date Range From
1830
Date Range To
1953
Materials
WOOD, MOTHER OF PEARL, PAPER.
No. Pieces
14
Height
12.8
Length
19.9 19.9
Width
27.7
Description
WOODEN NEEDLEWORK BOX, TRAY, LIDS, NEEDLE HOLDERS, VENEER FRAGMENTS AND KEY – 14 PIECES. PLEASE REFER TO PERMANENT FILE FOR DIAGRAM OF BOX WITH LABELED COMPARTMENTS. 1. NEEDLEWORK BOX, DARK WOOD VENEER, RECTANGULAR SHAPE. TOP OF BOX DECORATED WITH TWO TONE DIAMOND SHAPED MOTHER OF PEARL INLAY, BORDER IS CREAM COLORED, MIDDLE BAND IS MARBELIZED, CENTRE IS CREAM WITH INITIALS "F.M" CARVED INTO THE SURFACE. SIMILAR TWO TONE DIAMOND SHAPED MOTHER OF PEARL INLAY LOCATED AROUND KEYHOLE ON FRONT OF BOX. PROPER LEFT SIDE OF LID MISSING STRIP OF VENEER GOING ENTIRE LENGTH OF BOX. VENEER ALSO MISSING ON BACK PROPER RIGHT CORNER AND FRONT PROPER LEFT CORNER. INSIDE OF BOX DECORATED WITH PINK SILK, AND CURVY STRIPED GREY AND CREAM PAPER. UNDERSIDE OF LID IS CREAM SILK PIN CUSION WITH METAL CLOSURE, PEARLESCENT BUTTON WITH MOTHER OF PEARL INLAY AND BLACK AND GOLD, FOLIAGE PATTERNED BORDER. PIN CUSHION PULLS OUT TO REVEAL EXPANDABLE PAPER FOLDER. BOX CONTAINS MULTI COMPARTMENT TRAY WHICH LIFTS OUT TO REVEAL LARGE STORAGE SPACE UNDERNEATH. 12.8 CM HIGH BY 19.9 CM LONG BY 27.7 CM WIDE. 2. TRAY WITH SIXTEEN COMPARTMENTS OF VARYING SIZES. WOODEN TRAY COVERED IN GREY AND CREAM CURVY STRIPED PAPER. FOUR COMPARMENTS COVERED WITH PINK SILK. PAPER PEELING ALONG FRONT, BOTTOM EDGE OF TRAY. 4.5 CM HIGH BY 17.3 CM LONG BY 25.2 CM WIDE. 3. LID, RECTANGULAR SHAPED. MOTHER OF PEARL FLOWER SHAPED HANDLE IN CENTER. TOP OF LID COVERED WITH PINK SILK, BOTTOM COVERED WITH GREY AND CREAM CURVY STRIPED PAPER. LID SOILED AND DISCOLORED THROUGHOUT. 0.8 CM HIGH BY 6.7 CM LONG BY 5.9 CM WIDE. 4. LID, RECTANGULAR SHAPED. PINK SILK COVERS TOP, GREY AND CREAM CURVY STRIPED FABRIC COVERS BOTTOM. PINK FABRIC LOOP ATTACHED TO PROPER LEFT SIDE OF LID. PINK SILK BAND WITH FOUR SEWN COMPARTMENTS RUNS THROUGH THE TOP CENTRE OF THE LID. APPEARS THAT THE BAND WOULD HAVE HELD TOOLS OF SOME SORT. SILK AND PAPER ARE SOILED AND DISCOLORED THROUGHOUT. EDGES OF SILK LOOP ARE FRAYING. 1.3 CM HIGH BY 6.9 CM LONG BY 12.8 CM WIDE. 5. LID, RECTANGULAR SHAPED. MOTHER OF PEARL FLOWER SHAPED HANDLE IN CENTRE. TOP OF LID COVERED WITH PINK SILK, BOTTOM COVERED WITH GREY AND CREAM CURVY STRIPED PAPER. LID SOILED AND DISCOLORED THROUGHOUT. 0.9 CM HIGH BY 6.7 CM LONG BY 6.0 CM WIDE 6. LID, RECTUANGULAR SHAPED. MOTHER OF PEARL FLOWER SHAPED HANDLE IN CENTRE. TOP OF LID COVERED WITH PINK SILK, BOTTOM COVERED WITH GREY AND CREAM CURVY STRIPED PAPER. LID SOILED AND DISCOLORED THROUGHOUT. 0.7 CM HIGH BY 3.6 CM LONG BY 11.5 CM WIDE. 7. COMPARTMENT DIVIDER, RECTANGULAR SHAPED. WOOD COVERED IN GREY AND CREAM CURVY STRIPED PAPER. PAPER SOILED AND DISCOLORED THROUGHOUT. PAPER ABSENT ON THREE OUT OF FOUR EDGES OF DIVIDER. 0.3 CM HIGH BY 3.0 CM LONG BY 2.5 CM WIDE. 8. (2) NEEDLE HOLDER BOOKS. OUTSIDE OF HOLDER COVERED IN PINK SILK, INSIDE COVERED IN GREY AND CREAM CURVY STRIPED PAPER. ATTACHED TO INSIDE OF HOLDER IS PIECE OF COTTON FABRIC WITH PINKED EDGES. EACH HOLDS ONE NEEDLE (SEE BELOW FOR DESCRIPTION). HOLDER SOILED AND DISCOLORED THROUGHOUT. 0.8 CM HIGH BY 4.8 CM LONG BY 2.5 CM WIDE. 9. NEEDLE, FINE, STAINLESS STEEL. SMALL EYE MEASURES A LITTLE LESS THAN 0.1 CM. 3.1 CM LONG BY LESS THAN 0.1 CM IN DIAMETER. 10. NEEDLE, STAINLESS STEEL. SMALL EYE MEASURES LESS THAN 0.1 CM. 3.9 CM LONG BY 0.1 CM IN DIAMETER. 11. VENEER, DARK COLORED WOOD. IRREGULAR EDGES. 19.1 CM LONG BY 1.1 CM WIDE. 12. VENEER, DARK COLORED WOOD. IRREGULAR EDGES. 11.8 CM LONG BY 1.3 CM WIDE. 13. KEY, SILVER. OVAL LOOP AT TOP, HOLLOW STEM WITH SMALL NODULE ON END. FOUR CIRCULAR INDENTED BANDS WHERE KEY LOOP MEETS KEY STEM. 0.4 CM HIGH BY 3.0 CM LONG BY 2.0 CM WIDE.
Subjects
TEXTILEWORKING T&E
Historical Association
DOMESTIC
History
ACCORDING TO THE DONOR, KATHERINE IVES TWISS, SHE GOT THE BOX FROM EDITH KIRK. SHE SAID, "IT WAS HER MOTHER'S BOX. MISS KIRK GAVE IT TO MY MOTHER [ETTA HENDERSON IVES] TO GIVE TO ME." TWISS WAS GIVEN THE BOX BECAUSE SHE WAS A "STUDENT AND FRIEND" OF KIRK. THE DONATION WAS BROUGHT IN BY TWISS'S DAUGHTER, K.A. STEEL, IN HER LETTER SHE WRITES, "WHEN MISS KIRK PASSED AWAY SHE LEFT AN ANTIQUE JEWELLERY-TYPE BOX... TO TWISS.... MISS KIRK SAYS THAT THE BOX BELONGED TO HER MOTHER AND WAS OVER 100 YEARS OLD. MOST OF ITS CONTENTS WERE VERY OLD AND BROKEN DOWN, BUT VERY INTERESTING. THIS BOX WAS THE ONLY POSSESSION THAT MISS KIRK HAD, AND SHE MUST HAVE LOVED IT DEARLY. IT WOULD HAVE BEEN ALL THAT SHE HAD OF HER MOTHER. SHE BROUGHT IT ALL THE WAY FROM ENGLAND, AND KEPT IT SAFE ALL THROUGHOUT HER LIFE... [WHEN SHE CAME TO LETHBRIDGE] SHE MET MRS. MARGARET (ETTA) HENDERSON IVES, WHO HAD BEEN BORN IN LETHBRIDGE IN 1890, AND THEY BECAME FRIENDS. MISS KIRK GOT SET UP IN A SMALL APARTMENT AND TAUGHT ART LESSONS. MRS. ETTA IVES HAD BOTH OF HER DAUGHTERS, MARGARET AND KATHARINE, TAKE ART LESSONS FROM MISS KIRK. MRS. IVES ALSO BOUGHT A NUMBER OF PAINTINGS FROM MISS KIRK. MISS KIRK WAS A LOVELY, DECENT WOMAN. MARGARET TOOK LESSONS BUT DIDN'T LOVE ART. KATHARINE LOVED ART AND WAS GIVEN MANY, MANY LESSONS. WHEN SHE LOOKS BACK SHE THINKS SHE WAS GIVEN SO MANY LESSONS NOT ONLY TO LEARN TO PAINT, BUT ALSO TO HELP MISS KIRK MAKE A LIVING. MISS KIRK HAD A TINY APARTMENT WHERE KATHARINE TOOK HER LESSONS. KATHARINE REMEMBERS THAT MISS KIRK ONLY HAD A HOT PLATE TO COOK HER MEALS ON. SHE REMEMBERS THAT MISS KIRK ALWAYS SEEMED TO BE COOKING AN EGG FOR HER MEAL. KATHARINE AND MISS KIRK ALSO SPENT A GREAT DEAL OF TIME TOGETHER IN THE COUNTRYSIDE SKETCHING... KATHARINE JUST LIKED MISS KIRK VERY MUCH AND REALLY LIKED THE ART LESSONS. SHE SAID THAT MISS KIRK REALLY KNEW HER COLOURS. MISS KIRK KNEW HOW TO MIX THE PAINTS TO GET JUST THE RIGHT COLOUR... AN ART LESSON COST 25 CENTS PER LESSON. ART SUPPLIES WERE EXPENSIVE AND GETTING ONE NEW COLOUR OF PAINT WAS AN EXCITING ADVENTURE. IT MUST HAVE BEEN HARD FOR MISS KIRK TO PURCASE ALL THE MATERIALS SHE NEEDED FOR HER PAINTINGS... KATHARINE GREW UP, MOVED AWAY... AND THEN MARRIED. MISS KIRK WANTED TO GIVE KATHARINE ONE OF HER PAINTINGS AS A WEDDING GIFT. MISS KIRK WROTE A LETTER TELLING KATHARINE TO COME AND PICK WHICHEVER PAINTING SHE LIKED THE BEST FOR HER WEDDING GIFT. KATHARINE DID PICK A PAINTING AND THAT PAINTING HAS BEEN ON HER WALL ALL OF THESE YEARS... " GALT CURATOR, WENDY AITKENS, DID SOME RESEARCH ON KIRK AND CONTINUES TO SEARCH FOR MORE ANSWERS ABOUT THE LIFE OF THIS WOMAN. SEE BELOW, "FOR 35 YEARS, LETHBRIDGE WAS THE HOME OF AN ACCOMPLISHED AND WELL KNOWN ARTIST AND ART TEACHER. EDITH FANNY KIRK, OR MISS KIRK AS MOST PEOPLE CALLED HER, CREATED WATER COLOUR LANDSCAPES OF ENGLAND, VANCOUVER, LETHBRIDGE, WATERTON, BANFF, AND JASPER. SHE TAUGHT MANY CHILDREN AND ADULTS THE SKILLS OF PAINTING. SHE ALSO SPOKE AT THE MATHESIS CLUB PERSENTING PAPERS ON THE DEVELOPMENT OF MODERN ART, THE EVOLUTION OF ART AND ART APPRECIATION. JOAN STEBBINS, PAST CURATOR AT THE SAAG, CREDITS THE INFLUENCE OF MISS KIRK FOR THE DEVELOPMENT OF THE LETHBRIDGE SKETCH (NOW ARTISTS') CLUB IN THE 1930S. WHEN MISS KIRK ARRIVED IN LETHBRIDGE IN 1918, SHE WAS 60 YEARS OLD. SHE WAS BORN IN 1858 AND WAS RAISED IN YORKSHIRE, ENGLAND. HER MOTHER, FANNY (NEE MAUGHAM) PASSED AWAY WHEN EDITH WAS A YOUNG GIRL AND HER FATHER REMARRIED. THE STORY, FROM SECOND HAND SOURCES, WAS THAT SHE AND HER STEP MOTHER DID NOT LIKE ONE ANOTHER. THIS PROVIDED TO BE A BLESSING IN DISGUISE BECAUSE EDITH WAS SENT AWAY TO STUDY ART. EDITH STUDIED IN SOUTH KENSINGTON, LONDON AND PARIS. DURING HER SUMMERS SHE JOINED ARTIST'S COLONIES IN CORNWALL, WALES AND YORKSHIRE. SHE WROTE OF IMPRESSIONIST PAUL CEZANNE BEING HER "MODEL AND INSPIRATION" AND SHE GREATLY ADMIRED ROMANTIC ARTIST JOHN SELL COTMAN. KIRK NEVER MARRIED AND, FOR SOME REASON, SHE DECIDED TO IMMIGRATE TO CANADA AT THE AGE OF 46. SHE ARRIVED IN HALIFAX ABOARD THE HMS CANADA IN APRIL 1905. THE PASSENGER LIST INDICATED SHE WAS TRAVELING ON TO VANCOUVER AND HER OCCUPATION WAS LISTED AS A GOVERNESS. IT SEEMS SHE DIDN'T STAY LONG IN VANCOUVER BUT SOON TRAVELLED TO ATLIN, B.C. TO GET TO ATLIN, KIRK WOULD HAVE TAKEN A SHIP TO SKAGWAY, THE WHITE PASS RAILWAY TO CARCROSS AND THEN AN OVERLAND AND BOAT TRIP TO ATLIN. IT IS A MYSTERY WHY SHE CHOSE TO GO TO A REMOTE GOLD RUSH TOWN IN NORTH WESTERN BRITISH COLUMBIA. NEXT WE FIND KIRK, IN 1911, BOARDING WITH THE WOODS FAMILY IN LILLOOET, NORTHWEST OF KAMLOOPS, B.C. THERE SHE IS A PUBLIC SCHOOL TEACHER. SEVEN YEARS LATER EDITH KIRK IS IN LETHBRIDGE. IT SEEMS SHE KNEW PEOPLE LIVING IN TABER, DR. ALFRED HAMMAN AND HIS SISTER MRS. SYLVIA GIDMAN, WHO CAME FROM HER HOMELAND IN ENGLAND SO CHOSE VISIT. THE CHARM OF THE PRAIRIE AND MOUNTAIN LANDSCAPES OF SOUTHERN ALBERTA ENTICED HER TO STAY. MISS KIRK LIVED IN THE VICTORIA MANSION AND THE TRAVELLER'S AID SOCIETY BUILDING AND SHE TAUGHT ART CLASSES AT THE YMCA FOR A FEW DOLLARS A MONTH." FOR PAPERS WRITTEN AND PRESENTED BY MISS EDITH KIRK TO MEMBERS OF THE MATHESIS CLUB OF LETHBRIDGE BETWEEN 1933 AND 1937, SEE ARCHIVAL DONATION P19951042000. THE PAPERS DISCUSS THE EVOLUTION OF ART, MODERN ART, HOW ARTISTS DEVELOP PAINTINGS AND ART APPRECIATION. FOR ADDITIONAL INFORMATION, PLEASE SEE OTHER KIRK DONATIONS, INCLUDING: P19820004000, P19960095000, P20090016*, P20140012*, P20140020*, P20140021000, P20150008000, P20150019000, P20150024000, P20150029000, AND P20150030000. SEE ALSO THE BOOK, "A LEGACY OF ADVENTURE AND ART: THE LIFE OF MISS EDITH FANNY KIRCK," BY WENDY AITKENS PUBLISHED IN 2015. ALSO SEE PERMANENT FILE.
Catalogue Number
P20090016001
Acquisition Date
2009-05
Collection
Museum
Images
Less detail
Other Name
NEEDLE CASKET
Date Range From
1830
Date Range To
1953
Material Type
Artifact
Materials
TORTISESHELL, IVORY, SILVER
Catalogue Number
P20090016033
  1 image  
Material Type
Artifact
Other Name
NEEDLE CASKET
Date Range From
1830
Date Range To
1953
Materials
TORTISESHELL, IVORY, SILVER
No. Pieces
2
Height
3.1
Length
6.0
Width
3.5
Description
1. CHEST, TORTOISESHELL VENEER. ROUND SILVER BUTTON CAN BE PUSHED IN ORDER TO OPEN CHEST. THREE, ROUND IVORY FEET ON BOTTOM, ONE MISSING. SILVER BANNER ON TOP OF CHEST MARKED, “FM” IN CURSIVE. BACK, PROPER LEFT, BOTTOM CORNER, FRONT, PROPER RIGHT CORNER AND BACK PROPER RIGHT TOP CORNER ARE CHIPPED. INSIDE OF CHEST LINED WITH BLUE, FLORAL DAMASK. 3.1 CM HIGH BY 6.0 CM LONG BY 3.5 CM WIDE. 2. CHARM. AGATE HEART,TRANPARENT BROWN, BLACK, AND WHITE STRIPED. AGATE ANCHOR MISSING ONE ARM, TRANSPARENT ORANGE AND RED SWIRLS. CHARMS CONNECTED BY THREE METAL LOOPS. 0.5 CM HIGH BY 3.6 CM LONG BY 2.1 CM WIDE.
Subjects
PERSONAL GEAR
Historical Association
DOMESTIC
DECORATIVE ARTS
History
ACCORDING TO DAVE MERESKI, A LOCAL GOLDSMITH, THE METHOD OF DRILLING HOLES AND LINKING THE CHARM TOGETHER WOULD DATE IT SOME TIME AFTER 1920. FOR MORE INFORMATION SEE P20090016001 AND PERMANENT FILE.
Catalogue Number
P20090016033
Acquisition Date
2009-05
Collection
Museum
Images
Less detail
Date Range From
1920
Date Range To
1930
Material Type
Artifact
Materials
FRENCH IVORY, PLASTIC
Catalogue Number
P19960053285
Material Type
Artifact
Date Range From
1920
Date Range To
1930
Materials
FRENCH IVORY, PLASTIC
No. Pieces
1
Height
2.8
Length
14
Width
7.4
Description
BRUSH OF UNKNOWN FUNCTION. OVAL FRENCH-IVORY BODY CONTAINING THICK BUNCHES OF LONG IVORY-COLORED PLASTIC BRISTLES. FLAT TEAR-DROP SHAPED HANDLE EXTENDS FROM OPPOSITE END. "ENGLAND" STAMPED FAINTLY ON ONE SIDE OF HANDLE. SLIGHTLY SOILED AND WORN THROUGHOUT.
Subjects
MULTIPLE USE ARTIFACT
Historical Association
FINE ARTS
History
*UPDATE* IN 2014 COLLECTIONS ASSISTANT JANE EDMUNDSON CONDUCTED A SURVEY OF ART OBJECTS, INCLUDING THE VARIOUS DONATIONS PERTAINING TO EDWARD FREDERICK HAGELL. SEE RECORD P19960053001 FOR AN EXTENDED BIOGRAPHY OF THE ARTIST; SEE PERMANENT FILES P19960053001, P20040009001, P20060027001, P20070008001, AND P20070012001 FOR NEWSPAPER CLIPPINGS, DETAILS ON PAST GALT DIRECTOR/CURATOR WILMA WOOD'S BOOK ON THE ARTIST, AND CORRESPONDENCE WITH THE HAGELL FAMILY.
Catalogue Number
P19960053285
Acquisition Date
1996-05
Collection
Museum
Less detail
Other Name
JAPANESE LETTERING BRUSH
Date Range From
1920
Date Range To
1930
Material Type
Artifact
Materials
WOOD, COTTON, HAIR
Catalogue Number
P19970041413
Material Type
Artifact
Other Name
JAPANESE LETTERING BRUSH
Date Range From
1920
Date Range To
1930
Materials
WOOD, COTTON, HAIR
No. Pieces
1
Length
19.8
Width
0.7
Description
CYLINDRICAL SHAFT OF DARK STAINED WOOD WITH HORSE HAIR BRUSH AT END AND COILED RED STRING AROUND GRIP END. JAPANESE CHARACTERS ARE CARVED DOWN LENGTH OF HANDLE WHICH IS SPLIT FROM END TO END.
Subjects
WRITTEN COMMUNICATION T&E
DRAFTING T&E
Historical Association
BUSINESS
History
BRUSH WAS USED BY DONOR'S FATHER, REV. G.G. NAKAYAMA, WHO CORRESPONDED REGULARLY WITH PARISHIONERS, MISSIONARIES AND OTHERS AROUND THE WORLD HE HAD MET. HE ALSO PUBLISHED NEWSLETTERS AND NEWSPAPERS FOR THE JAPANESE CANADIAN COMMUNITY. THIS IS ONE OF MANY ITEMS HE POSSESSED TO PERFORM THESE TASKS. THE NAKAYAMA FAMILY WAS ORIGINALLY FROM VANCOUVER BUT MOVED TO COALDALE FOLLOWING THE SECOND WORLD WAR WHEN THEY WERE INTERNED AT SLOCAN CITY IN THE INTERIOR OF BRITISH COLUMBIA BY THE CANADIAN GOVERNMENT. THE DONOR'S FATHER, REV. CANON G.G. NAKAYAMA, WAS AN ANGLICAN MINISTER IN VANCOUVER, AND THEN ESTABLISHED THE CHURCH OF THE ASCENSION IN COALDALE IN 1945 WHERE HE SERVED UNTIL 1970. SEE RECORD P19970041001 FOR EXPANDED BIOGRAPHICAL INFORMATION AND PERMANENT FILE FOR FURTHER HISTORY. THE FOLLOWING MEMORIES WERE PROVIDED BY REVEREND TIM NAKAYAMA IN A LETTER TO THE GALT ON 16 AUGUST, 2007. HE WROTE: “JAPANESE CALLIGRAPHY IS A MANUAL ART IN WHICH JAPANESE IDEOGRAPHS ARE EXECUTED BY THE USE OF A “FUDE” BRUSH. THE INK IS PREPARED ON A BLACK RECESSED SMOOTH STONE ON WHICH BLACK “SUMI” (A SPECIAL CHARCOAL SUBSTANCE) IS RUBBED AND MIXED WITH A SMALL QUANTITY OF WATER. THE BRUSH IS DIPPED IN THE PREPARED “SUMI” AND THE IDEOGRAPHS ARE ARTISTICALLY “PAINTED” ON JAPANESE “WASHI” PAPER IF AVAILABLE. IT’S ABSORBENCY TAKES THE BRUSH STROKES THAT ARE BOLDLY MADE IN A GIVEN REGULAR SEQUENCE AND ORDER FOR EACH IDEOGRAPH.”
Catalogue Number
P19970041413
Acquisition Date
1997-01
Collection
Museum
Less detail

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