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Other Name
OIL PAINTING "ST. MICHAEL, ARCHANGEL"
Date Range From
1700
Date Range To
1750
Material Type
Artifact
Materials
WOOD, CANVAS
Catalogue Number
P19960116259
  1 image  
Material Type
Artifact
Other Name
OIL PAINTING "ST. MICHAEL, ARCHANGEL"
Date Range From
1700
Date Range To
1750
Materials
WOOD, CANVAS
No. Pieces
1
Height
5.5
Length
161.5
Width
119.5
Description
PAINTING HAS DARK FINISHED FRAME WITH INVERSED BEVELED EDGE. AROUND INSIDE OF FRAME IS GOLD COLORED EDGING. CANVAS HAS OIL PAINTING OF ST. MICHAEL BATTLING SATAN. ST. MICHAEL IS WEARING A BLUE TUNIC AND RED CLOAK WITH WINGS BEHIND. SWORD IN HIS RIGHT HAND IS READY TO STRIKE. IN LEFT ARE THE CHAINS WHICH HOLD SATAN. SATAN IS BEARDED FIGURE BENEATH MICHAEL'S LEFT FOOT AND HAS SERPENTINE BODY. BRASS PLAQUE 15.2 X 2.5CM IN SIZE IS RIVETED TO BOTTOM OF FRAME AND HAS "ST. MICHAEL, ARCHANGEL" ENGRAVED ON IT. BACK OF PAINTING IS UNFINISHED PLYWOOD. ON BACK AT MIDDLE LEFT IS "ST. MICHAEl TAKEN FROM FRONT ENTRANCE MAY 14/85" HAND PRINTED IN PENCIL. CANVAS IS WARPED AND BUBBLED SLIGHTLY.
Subjects
ART
Historical Association
RELIGION
FINE ARTS
HEALTH SERVICES
History
SISTER AGNES BEATON OF THE SISTERS OF ST. MARTHA RELATES THAT THE PAINTING'S HISTORY (UNCONFIRMED) WAS PASSED ON TO HER BY DR. JOHN MORGAN M.D. OF LETHBRIDGE. THE PAINTING IS BELIEVED TO HAVE BEEN BROUGHT WEST BY FATHER LACOMBE FROM A MONESTARY IN QUEBEC WHERE IT HAD BEEN FOR PERHAPS MORE THAN ONE HUNDRED YEARS. FATHER LACOMBE BROUGHT IT TO HIS MISSION IN NORTHERN ALBERTA AND WHEN HE DIED THE PAINTING WAS GIVEN TO THE OBLATE PARISH OF ST. PATRICK'S IN LETHBRIDGE. THE PAINTING WAS THEN GIVEN TO THE SISTERS OF ST. MARTHA FOR ST. MICHAEL'S HOSPITAL. IT HUNG IN VARIOUS PLACES AROUND THE HOSPITAL, MOST RECENTLY IN THE ENTRANCE WAY ON THE SOUTH SIDE. IT WAS TAKEN DOWN IN 1985 AND PUT INTO STORAGE. IT SURFACED AGAIN IN 1992 WHEN SISTER AGNES HUNG IT FOR THE FEAST OF ST. MICHAEL AND IT STAYED UP UNTIL THE HOSPITAL CLOSED IN 1995. THE PAINTING WAS REMOVED BY MUSEUM STAFF IN 1996 PRIOR TO DESTRUCTION OF THE HOSPITAL. ESTIMATED VALUE OF THE PAINTING IS NOT VERIFIED. FOR MORE HISTORY OF ST. MICHAEL'S HOSPITAL SEE P19960116001-GA.
Catalogue Number
P19960116259
Acquisition Date
1996-01
Collection
Museum
Images
Less detail
Date Range From
1850
Date Range To
1900
Material Type
Artifact
Materials
HORSE HAIRS, BUCKSKIN, CANCELLOUS BONE
Catalogue Number
P19641165000
  1 image  
Material Type
Artifact
Date Range From
1850
Date Range To
1900
Materials
HORSE HAIRS, BUCKSKIN, CANCELLOUS BONE
No. Pieces
4
Description
.1 PAINT BRUSH. 3 CM LTH X 18.1 CM DIA.. HORSE HAIR BRITTLE ENCASED IN BUCKSKIN. .2 PAINT BRUSH. 1.3 CM HT. X 3.8 CM WTH. X 5.1 CM LTH. CANCELLOUS BONE WEDGE ENCASED IN BUCKSKIN. YELLOW PAINT ADHERING TO BONE .3 PAINT BRUSH. 1.9 CM HT. X 3.5 CM WTH. X 8.2 CM LTH. GREEN PAINT. .4 PAINT BRUSH. 1.9 CM HT. X 3.8 CM WTH. X 8.9 CM LTH. .RED PAINT ADHERING TO BONE. CANCELLOUS BONE WEDGE ENCASED IN BUCKSKIN.CONSERVATION REPORT ON FILE.
Subjects
INDIGENOUS
Historical Association
DECORATIVE ARTS
ETHNOGRAPHIC
History
NORTHERN PLAINS INDIANS. *UPDATE* IN 2015 COLLECTIONS ASSISTANT JANE EDMUNDSON ASKED TWO FORMER MEMBERS OF THE LETHBRIDGE JUNIOR CHAMBER OF COMMERCE, PHIL EDMUNDSON AND PAUL RUSZNAK, ABOUT THE FIRST NATIONS ARTIFACTS THAT THE GROUP DONATED TO THE GALT MUSEUM IN 1964, 1969, AND 1973. NEITHER RECALLED HOW THE JAYCEES CAME INTO OWNERSHIP OF THE ARTIFACTS, AS THEIR ACQUISITION PREDATED BOTH EDMUNDSON AND RUSZNAK’S MEMBERSHIP IN THE CHAMBER. RESEARCH CONDUCTED INTO LETHBRIDGE’S GURNEY MUSEUM FOUND A CONNECTION BETWEEN ITS PROPRIETOR, WALTER GURNEY, AND THE JAYCEES, WHO ACCORDING TO AN ARTICLE FROM THE APRIL 16, 1946 ISSUE OF THE LETHBRIDGE HERALD ADVOCATED ON GURNEY’S BEHALF FOR IMPROVEMENTS TO BE MADE TO THE FORMER BOARD OF TRADE BUILDING WHERE THE MUSEUM WAS HOUSED. AN ARTICLE FROM THE JULY 13, 1948 ISSUE OF THE HERALD DESCRIBES SOME OF THE FIRST NATIONS ARTIFACTS ON DISPLAY IN THE MUSEUM: “TOMAHAWKS, ARROW HEADS, PEACE PIPES, BEAD AND LEATHER WORK, CLOTHING AND WOODCRAFT”. UPON THE CLOSURE OF THE MUSEUM AND SALE OF GURNEY’S COLLECTION TO BELMORE SCHULTZ OF THE ALTAMONT MUSEUM IN COUTTS, MENTION WAS MADE IN A HERALD ARTICLE FROM MAY 16, 1961 OF “HISTORICAL INDIAN RELICS THAT BELONG TO THE JUNIOR CHAMBER OF COMMERCE HAVE BEEN RETAINED IN THE CITY AND WILL BE AVAILABLE WHEN PROPER DISPLAY FACILITIES ARE AVAILABLE”. IT IS POSSIBLE THAT THE ARTIFACTS WERE TRANSFERRED TO THE JAYCEES BY GURNEY DURING THE DISSOLUTION OF HIS MUSEUM, BUT NO FURTHER CONFIRMATION WAS FOUND. FOR FURTHER INFORMATION ABOUT THE GURNEY MUSEUM AND ITS COLLECTION, SEE RECORD P19890044001.
UPDATE 16 AUGUST 2017: ON 25 JULY 2017, MUSEUM CURATOR AIMEE BENOIT FOUND EVIDENCE TO CONNECT THE INDIGENOUS COLLECTION DONATED BY THE LETHBRIDGE JAYCEES (AKA. JUNIOR CHAMBER OF COMMERCE) WITH FORMER LETHBRIDGE RESIDENTS THE LATE FRED BOTSFORD AND HIS LATE DAUGHTER DOROTHY CLARK. NOTES MADE BY AIMEE ON THE DISCOVERY AS WELL AS RELEVANT CLIPPINGS FROM THE LETHBRIDGE HERALD CAN BE FOUND ATTACHED TO THE PERMANENT FILE OF P19641140000.
Catalogue Number
P19641165000
Acquisition Date
1964-07
Collection
Museum
Images
Less detail
Other Name
NEEDLE CASKET
Date Range From
1830
Date Range To
1953
Material Type
Artifact
Materials
TORTISESHELL, IVORY, SILVER
Catalogue Number
P20090016033
  1 image  
Material Type
Artifact
Other Name
NEEDLE CASKET
Date Range From
1830
Date Range To
1953
Materials
TORTISESHELL, IVORY, SILVER
No. Pieces
2
Height
3.1
Length
6.0
Width
3.5
Description
1. CHEST, TORTOISESHELL VENEER. ROUND SILVER BUTTON CAN BE PUSHED IN ORDER TO OPEN CHEST. THREE, ROUND IVORY FEET ON BOTTOM, ONE MISSING. SILVER BANNER ON TOP OF CHEST MARKED, “FM” IN CURSIVE. BACK, PROPER LEFT, BOTTOM CORNER, FRONT, PROPER RIGHT CORNER AND BACK PROPER RIGHT TOP CORNER ARE CHIPPED. INSIDE OF CHEST LINED WITH BLUE, FLORAL DAMASK. 3.1 CM HIGH BY 6.0 CM LONG BY 3.5 CM WIDE. 2. CHARM. AGATE HEART,TRANPARENT BROWN, BLACK, AND WHITE STRIPED. AGATE ANCHOR MISSING ONE ARM, TRANSPARENT ORANGE AND RED SWIRLS. CHARMS CONNECTED BY THREE METAL LOOPS. 0.5 CM HIGH BY 3.6 CM LONG BY 2.1 CM WIDE.
Subjects
PERSONAL GEAR
Historical Association
DOMESTIC
DECORATIVE ARTS
History
ACCORDING TO DAVE MERESKI, A LOCAL GOLDSMITH, THE METHOD OF DRILLING HOLES AND LINKING THE CHARM TOGETHER WOULD DATE IT SOME TIME AFTER 1920. FOR MORE INFORMATION SEE P20090016001 AND PERMANENT FILE.
Catalogue Number
P20090016033
Acquisition Date
2009-05
Collection
Museum
Images
Less detail
Other Name
TATTING CASE
Date Range From
1830
Date Range To
1890
Material Type
Artifact
Materials
TORTISESHELL, IVORY, SILVER
Catalogue Number
P20090016031
  1 image  
Material Type
Artifact
Other Name
TATTING CASE
Date Range From
1830
Date Range To
1890
Materials
TORTISESHELL, IVORY, SILVER
No. Pieces
10
Height
9.1
Length
4.1
Width
1.2
Description
TORTOISESHELL CASE AND LID WITH ASSORTED HOOKS AND NEEDLES AND HOLDER – 10 PIECES. REFER TO DIAGRAM IN PERMANENT FILE FOR LOCATIONS OF ITEMS IN CASE. 1. CASE, RECTANGULAR SHAPED. OUTSIDE COVERED WITH TORTOISESHELL VENEER. NINE COMPARTMENTS. COMPARTMENT 6 HAS A NEEDLE STUCK IN IT. LARGEST COMPARTMENT LINED WITH RED VELVET. TORTOISESHELL IS CRACKING ALONG EDGES OF CASE. LID HAS BROKEN OFF. 7.8 CM HIGH BY 4.1 CM LONG BY 1.2 CM WIDE. 2. LID , RECTUANGULAR SHAPED. OUTSIDE COVERED WITH TORTOISESHELL. INSIDE LINED WITH RED PAPER. SILVER BANNER ON TOP MARKED, “FM”. 2.2 CM HIGH BY 3.8 CM LONG BY 1.2 CM WIDE. 3. CROCHET HOOK, SILVER. POINTED HOOK AT ONE END, OTHER END COMES TO A POINT. TARNISHED. 5.6 CM LONG BY 0.2 CM IN DIAMETER. 4. NEEDLE, SILVER. ONE END TAPERS INTO A POINT, OTHER END TAPERS INTO A WEDGE SHAPE. TARNISHED. 5.4 CM LONG BY 0.1 CM IN DIAMETER. 5. NEEDLE, SILVER. BOTH ENDS TAPER TO A POINT. TARNISHED. 5.5 CM LONG BY 0.1 CM IN DIAMETER. 6. CROCHET HOOK, SILVER. ROUNDED HOOK AT ONE END, OTHER END BLUNT. TARNISHED. 5.5 CM LONG BY 0.1 CM IN DIAMETER. 7. CROCHET HOOK, SILVER. ONE END TAPERS INTO A POINT, HOOK APPEARS TO HAVE BEEN BROKEN OFF. TARNISHED. 5.5 CM LONG BY 0.1 CM IN DIAMETER. 8. CROCHET HOOK, SILVER. TINY POINTED HOOK AT ONE END, OTHER END COMES TO A POINT. TARNISHED. 5.6 CM LONG BY 0.1 CM IN DIAMETER. 9. CROCHET HOOK HOLDER. IVORY HANDLE WITH TWO ROUND, BLACK BANDS ON END CLOSEST TO SILVER HOLDER. TOP OF SILVER HOLDER DECORATED WITH BLACK BANDS, IT UNSCREWS FROM THE HANDLE TO REVEAL A SLOTTED, HOLLOW METAL SCREW. METAL ROD ENGRAVED “…EGISTERED…” 2 PIECES. 7.6 CM LONG BY 0.7 CM IN DIAMETER.
Subjects
TEXTILEWORKING T&E
Historical Association
DOMESTIC
DECORATIVE ARTS
History
FOR MORE INFORMATION SEE P20090016001 AND PERMANENT FILE.
Catalogue Number
P20090016031
Acquisition Date
2009-05
Collection
Museum
Images
Less detail
Other Name
DIP PEN
Date Range From
1830
Date Range To
1953
Material Type
Artifact
Materials
MOTHER OF PEARL, METAL, CARDBOARD
Catalogue Number
P20090016027
  1 image  
Material Type
Artifact
Other Name
DIP PEN
Date Range From
1830
Date Range To
1953
Materials
MOTHER OF PEARL, METAL, CARDBOARD
No. Pieces
6
Height
1.6
Length
20.5
Width
1.7
Description
CARDBOARD BOXED PEN WITH METAL NIB LYING ON COTTON BATTING – 6 PIECES. 1. LID, WHITE CARDBOARD, RECTANGULAR. MARKED “A.R. JUSTICE & CO., 718 CHESTNUT ST., PHILADELPHIA.” IN PURPLE TEXT IN CENTRE. SOILED THROUHOUT. INTERMITTENT WEAR ON EDGES. 1.4 CM HIGH BY 20.5 CM LONG BY 1.7 CM WIDE. 2. COTTON BATTING. CREAM COLORED. ORANGE STAIN ON ONE SIDE. 0.9 CM HIGH BY 11.4 CM LONG BY 1.3 CM WIDE. 3. COTTON BATTING. CREAM COLORED. 1.0 CM HIGH BY 7.1 CM LONG BY 1.5 CM WIDE. 4. BASE, WHITE CARDBOARD, RECTANGULAR. SOILED ON BOTTOM. BOTTOM EDGES WORN. 1.4 CM HIGH BY 19.6 CM LONG BY 1.4 CM WIDE. 5. COTTON BATTING. CREAM COLORED. ONE END IS CURLED UNDER. CENTRE OF BATTING HAS BEEN STRETCHED THIN. 1.9 CM HIGH BY 20.3 CM LONG BY 1.8 CM WIDE. 6. PEN. TWISTED MOTHER OF PEARL AND COPPER HANDLE. COPPER WORK DECORATED WITH EMBOSSED SWIRLS. GOLDPLATED NIB MARKED, “E.T., PEARCE, & CO., PROV. RI”. 16.5 CM LONG BY 0.5 CM IN DIAMETER.
Subjects
WRITTEN COMMUNICATION T&E
Historical Association
DOMESTIC
FINE ARTS
History
FOR MORE INFORMATION SEE P20090016001 AND PERMANENT FILE.
Catalogue Number
P20090016027
Acquisition Date
2009-05
Collection
Museum
Images
Less detail
Date Range From
1830
Date Range To
1953
Material Type
Artifact
Materials
STEEL
Catalogue Number
P20090016040
  1 image  
Material Type
Artifact
Date Range From
1830
Date Range To
1953
Materials
STEEL
No. Pieces
5
Length
3.8
Width
1.2
Description
(5) GLAZIER'S POINTS, STEEL, PARALLELOGRAM SHAPED. TARNISHED THROUGHOUT. DULL EDGES.
Subjects
GLASS, PLASTICS, CLAYWORKING T&E
Historical Association
FINE ARTS
DOMESTIC
History
FOR MORE INFORMATION SEE P20090016001 AND PERMANENT FILE.
Catalogue Number
P20090016040
Acquisition Date
2009-05
Collection
Museum
Images
Less detail
Other Name
"EDITH F. KIRK"
Date Range From
1856
Date Range To
1953
Material Type
Artifact
Materials
WOOD, RUBBER, BRASS
Catalogue Number
P20090016035
  1 image  
Material Type
Artifact
Other Name
"EDITH F. KIRK"
Date Range From
1856
Date Range To
1953
Materials
WOOD, RUBBER, BRASS
No. Pieces
1
Height
5.5
Length
4.2
Width
2.7
Description
STAMP, RUBBER, RECTANGULAR SHAPED WITH WOODEN HANDLE. MARKED, “EDITH F. KIRK.” IN CURSIVE. REMNANTS OF BLUE INK THROUGHOUT. SMALL HOLE DRILLED IN TOP OF HANDLE.
Subjects
WRITTEN COMMUNICATION T&E
Historical Association
DOMESTIC
History
FOR MORE INFORMATION SEE P20090016001 AND PERMANENT FILE. FOR PAPERS WRITTEN AND PRESENTED BY MISS EDITH KIRK TO MEMBERS OF THE MATHESIS CLUB OF LETHBRIDGE BETWEEN 1933 AND 1937, SEE ARCHIVAL DONATION P19951042000. THE PAPERS DISCUSS THE EVOLUTION OF ART, MODERN ART, HOW ARTISTS DEVELOP PAINTINGS AND ART APPRECIATION. *UPDATE* IN 2014 COLLECTIONS ASSISTANT JANE EDMUNDSON CONDUCTED A SURVEY OF ART OBJECTS. THE FOLLOWING BIOGRAPHICAL INFORMATION ON THE ARTIST EDITH KIRK WAS DEVELOPED BY GALT CURATOR WENDY AITKENS IN PREPARATION FOR THE 2015 KIRK EXHIBIT AT THE GALT MUSEUM: "FOR 35 YEARS, LETHBRIDGE WAS THE HOME OF AN ACCOMPLISHED AND WELL KNOWN ARTIST AND ART TEACHER. EDITH FANNY KIRK, OR MISS KIRK AS MOST PEOPLE CALLED HER, CREATED WATER COLOUR LANDSCAPES OF ENGLAND, VANCOUVER, LETHBRIDGE, WATERTON, BANFF, AND JASPER. SHE TAUGHT MANY CHILDREN AND ADULTS THE SKILLS OF PAINTING. SHE ALSO SPOKE AT THE MATHESIS CLUB PERSENTING PAPERS ON THE DEVELOPMENT OF MODERN ART, THE EVOLUTION OF ART AND ART APPRECIATION. JOAN STEBBINS, PAST CURATOR AT THE SAAG, CREDITS THE INFLUENCE OF MISS KIRK FOR THE DEVELOPMENT OF THE LETHBRIDGE SKETCH (NOW ARTISTS') CLUB IN THE 1930S. WHEN MISS KIRK ARRIVED IN LETHBRIDGE IN 1918, SHE WAS 60 YEARS OLD. SHE WAS BORN IN 1858 AND WAS RAISED IN YORKSHIRE, ENGLAND. HER MOTHER, FANNY (NEE MAUGHAM) PASSED AWAY WHEN EDITH WAS A YOUNG GIRL AND HER FATHER REMARRIED. THE STORY, FROM SECOND HAND SOURCES, WAS THAT SHE AND HER STEP MOTHER DID NOT LIKE ONE ANOTHER. THIS PROVIDED TO BE A BLESSING IN DISGUISE BECAUSE EDITH WAS SENT AWAY TO STUDY ART. EDITH STUDIED IN SOUTH KENSINGTON, LONDON AND PARIS. DURING HER SUMMERS SHE JOINED ARTIST'S COLONIES IN CORNWALL, WALES AND YORKSHIRE. SHE WROTE OF IMPRESSIONIST PAUL CEZANNE BEING HER "MODEL AND INSPIRATION" AND SHE GREATLY ADMIRED ROMANTIC ARTIST JOHN SELL COTMAN. KIRK NEVER MARRIED AND, FOR SOME REASON, SHE DECIDED TO IMMIGRATE TO CANADA AT THE AGE OF 46. SHE ARRIVED IN HALIFAX ABOARD THE HMS CANADA IN APRIL 1905. THE PASSENGER LIST INDICATED SHE WAS TRAVELING ON TO VANCOUVER AND HER OCCUPATION WAS LISTED AS A GOVERNESS. IT SEEMS SHE DIDN'T STAY LONG IN VANCOUVER BUT SOON TRAVELLED TO ATLIN, B.C. TO GET TO ATLIN, KIRK WOULD HAVE TAKEN A SHIP TO SKAGWAY, THE WHITE PASS RAILWAY TO CARCROSS AND THEN AN OVERLAND AND BOAT TRIP TO ATLIN. IT IS A MYSTERY WHY SHE CHOSE TO GO TO A REMOTE GOLD RUSH TOWN IN NORTH WESTERN BRITISH COLUMBIA. NEXT WE FIND KIRK, IN 1911, BOARDING WITH THE WOODS FAMILY IN LILLOOET, NORTHWEST OF KAMLOOPS, B.C. THERE SHE IS A PUBLIC SCHOOL TEACHER. SEVEN YEARS LATER EDITH KIRK IS IN LETHBRIDGE. IT SEEMS SHE KNEW PEOPLE LIVING IN TABER, DR. ALFRED HAMMAN AND HIS SISTER MRS. SYLVIA GIDMAN, WHO CAME FROM HER HOMELAND IN ENGLAND SO CHOSE VISIT. THE CHARM OF THE PRAIRIE AND MOUNTAIN LANDSCAPES OF SOUTHERN ALBERTA ENTICED HER TO STAY. MISS KIRK LIVED IN THE VICTORIA MANSION AND THE TRAVELLER'S AID SOCIETY BUILDING AND SHE TAUGHT ART CLASSES AT THE YMCA FOR A FEW DOLLARS A MONTH." EDITH KIRK PASSED AWAY IN LETHBRIDGE IN 1953. FOR ADDITIONAL INFORMATION, PLEASE SEE OTHER KIRK DONATIONS, INCLUDING: P19820004000, P19960095000, P20090016*, P20140012*, P20140020*, P20140021000, P20150008000, P20150019000, P20150024000, P20150029000, AND P20150030000. SEE ALSO, "A LEGACY OF ADVENTURE AND ART: THE LIFE OF MISS EDITH FANNY KIRCK" BY WENDY AITKENS. ALSO SEE PERMANENT FILE.
Catalogue Number
P20090016035
Acquisition Date
2009-05
Collection
Museum
Images
Less detail
Other Name
WORK BOX
Date Range From
1830
Date Range To
1953
Material Type
Artifact
Materials
WOOD, MOTHER OF PEARL, PAPER.
Catalogue Number
P20090016001
  1 image  
Material Type
Artifact
Other Name
WORK BOX
Date Range From
1830
Date Range To
1953
Materials
WOOD, MOTHER OF PEARL, PAPER.
No. Pieces
14
Height
12.8
Length
19.9 19.9
Width
27.7
Description
WOODEN NEEDLEWORK BOX, TRAY, LIDS, NEEDLE HOLDERS, VENEER FRAGMENTS AND KEY – 14 PIECES. PLEASE REFER TO PERMANENT FILE FOR DIAGRAM OF BOX WITH LABELED COMPARTMENTS. 1. NEEDLEWORK BOX, DARK WOOD VENEER, RECTANGULAR SHAPE. TOP OF BOX DECORATED WITH TWO TONE DIAMOND SHAPED MOTHER OF PEARL INLAY, BORDER IS CREAM COLORED, MIDDLE BAND IS MARBELIZED, CENTRE IS CREAM WITH INITIALS "F.M" CARVED INTO THE SURFACE. SIMILAR TWO TONE DIAMOND SHAPED MOTHER OF PEARL INLAY LOCATED AROUND KEYHOLE ON FRONT OF BOX. PROPER LEFT SIDE OF LID MISSING STRIP OF VENEER GOING ENTIRE LENGTH OF BOX. VENEER ALSO MISSING ON BACK PROPER RIGHT CORNER AND FRONT PROPER LEFT CORNER. INSIDE OF BOX DECORATED WITH PINK SILK, AND CURVY STRIPED GREY AND CREAM PAPER. UNDERSIDE OF LID IS CREAM SILK PIN CUSION WITH METAL CLOSURE, PEARLESCENT BUTTON WITH MOTHER OF PEARL INLAY AND BLACK AND GOLD, FOLIAGE PATTERNED BORDER. PIN CUSHION PULLS OUT TO REVEAL EXPANDABLE PAPER FOLDER. BOX CONTAINS MULTI COMPARTMENT TRAY WHICH LIFTS OUT TO REVEAL LARGE STORAGE SPACE UNDERNEATH. 12.8 CM HIGH BY 19.9 CM LONG BY 27.7 CM WIDE. 2. TRAY WITH SIXTEEN COMPARTMENTS OF VARYING SIZES. WOODEN TRAY COVERED IN GREY AND CREAM CURVY STRIPED PAPER. FOUR COMPARMENTS COVERED WITH PINK SILK. PAPER PEELING ALONG FRONT, BOTTOM EDGE OF TRAY. 4.5 CM HIGH BY 17.3 CM LONG BY 25.2 CM WIDE. 3. LID, RECTANGULAR SHAPED. MOTHER OF PEARL FLOWER SHAPED HANDLE IN CENTER. TOP OF LID COVERED WITH PINK SILK, BOTTOM COVERED WITH GREY AND CREAM CURVY STRIPED PAPER. LID SOILED AND DISCOLORED THROUGHOUT. 0.8 CM HIGH BY 6.7 CM LONG BY 5.9 CM WIDE. 4. LID, RECTANGULAR SHAPED. PINK SILK COVERS TOP, GREY AND CREAM CURVY STRIPED FABRIC COVERS BOTTOM. PINK FABRIC LOOP ATTACHED TO PROPER LEFT SIDE OF LID. PINK SILK BAND WITH FOUR SEWN COMPARTMENTS RUNS THROUGH THE TOP CENTRE OF THE LID. APPEARS THAT THE BAND WOULD HAVE HELD TOOLS OF SOME SORT. SILK AND PAPER ARE SOILED AND DISCOLORED THROUGHOUT. EDGES OF SILK LOOP ARE FRAYING. 1.3 CM HIGH BY 6.9 CM LONG BY 12.8 CM WIDE. 5. LID, RECTANGULAR SHAPED. MOTHER OF PEARL FLOWER SHAPED HANDLE IN CENTRE. TOP OF LID COVERED WITH PINK SILK, BOTTOM COVERED WITH GREY AND CREAM CURVY STRIPED PAPER. LID SOILED AND DISCOLORED THROUGHOUT. 0.9 CM HIGH BY 6.7 CM LONG BY 6.0 CM WIDE 6. LID, RECTUANGULAR SHAPED. MOTHER OF PEARL FLOWER SHAPED HANDLE IN CENTRE. TOP OF LID COVERED WITH PINK SILK, BOTTOM COVERED WITH GREY AND CREAM CURVY STRIPED PAPER. LID SOILED AND DISCOLORED THROUGHOUT. 0.7 CM HIGH BY 3.6 CM LONG BY 11.5 CM WIDE. 7. COMPARTMENT DIVIDER, RECTANGULAR SHAPED. WOOD COVERED IN GREY AND CREAM CURVY STRIPED PAPER. PAPER SOILED AND DISCOLORED THROUGHOUT. PAPER ABSENT ON THREE OUT OF FOUR EDGES OF DIVIDER. 0.3 CM HIGH BY 3.0 CM LONG BY 2.5 CM WIDE. 8. (2) NEEDLE HOLDER BOOKS. OUTSIDE OF HOLDER COVERED IN PINK SILK, INSIDE COVERED IN GREY AND CREAM CURVY STRIPED PAPER. ATTACHED TO INSIDE OF HOLDER IS PIECE OF COTTON FABRIC WITH PINKED EDGES. EACH HOLDS ONE NEEDLE (SEE BELOW FOR DESCRIPTION). HOLDER SOILED AND DISCOLORED THROUGHOUT. 0.8 CM HIGH BY 4.8 CM LONG BY 2.5 CM WIDE. 9. NEEDLE, FINE, STAINLESS STEEL. SMALL EYE MEASURES A LITTLE LESS THAN 0.1 CM. 3.1 CM LONG BY LESS THAN 0.1 CM IN DIAMETER. 10. NEEDLE, STAINLESS STEEL. SMALL EYE MEASURES LESS THAN 0.1 CM. 3.9 CM LONG BY 0.1 CM IN DIAMETER. 11. VENEER, DARK COLORED WOOD. IRREGULAR EDGES. 19.1 CM LONG BY 1.1 CM WIDE. 12. VENEER, DARK COLORED WOOD. IRREGULAR EDGES. 11.8 CM LONG BY 1.3 CM WIDE. 13. KEY, SILVER. OVAL LOOP AT TOP, HOLLOW STEM WITH SMALL NODULE ON END. FOUR CIRCULAR INDENTED BANDS WHERE KEY LOOP MEETS KEY STEM. 0.4 CM HIGH BY 3.0 CM LONG BY 2.0 CM WIDE.
Subjects
TEXTILEWORKING T&E
Historical Association
DOMESTIC
History
ACCORDING TO THE DONOR, KATHERINE IVES TWISS, SHE GOT THE BOX FROM EDITH KIRK. SHE SAID, "IT WAS HER MOTHER'S BOX. MISS KIRK GAVE IT TO MY MOTHER [ETTA HENDERSON IVES] TO GIVE TO ME." TWISS WAS GIVEN THE BOX BECAUSE SHE WAS A "STUDENT AND FRIEND" OF KIRK. THE DONATION WAS BROUGHT IN BY TWISS'S DAUGHTER, K.A. STEEL, IN HER LETTER SHE WRITES, "WHEN MISS KIRK PASSED AWAY SHE LEFT AN ANTIQUE JEWELLERY-TYPE BOX... TO TWISS.... MISS KIRK SAYS THAT THE BOX BELONGED TO HER MOTHER AND WAS OVER 100 YEARS OLD. MOST OF ITS CONTENTS WERE VERY OLD AND BROKEN DOWN, BUT VERY INTERESTING. THIS BOX WAS THE ONLY POSSESSION THAT MISS KIRK HAD, AND SHE MUST HAVE LOVED IT DEARLY. IT WOULD HAVE BEEN ALL THAT SHE HAD OF HER MOTHER. SHE BROUGHT IT ALL THE WAY FROM ENGLAND, AND KEPT IT SAFE ALL THROUGHOUT HER LIFE... [WHEN SHE CAME TO LETHBRIDGE] SHE MET MRS. MARGARET (ETTA) HENDERSON IVES, WHO HAD BEEN BORN IN LETHBRIDGE IN 1890, AND THEY BECAME FRIENDS. MISS KIRK GOT SET UP IN A SMALL APARTMENT AND TAUGHT ART LESSONS. MRS. ETTA IVES HAD BOTH OF HER DAUGHTERS, MARGARET AND KATHARINE, TAKE ART LESSONS FROM MISS KIRK. MRS. IVES ALSO BOUGHT A NUMBER OF PAINTINGS FROM MISS KIRK. MISS KIRK WAS A LOVELY, DECENT WOMAN. MARGARET TOOK LESSONS BUT DIDN'T LOVE ART. KATHARINE LOVED ART AND WAS GIVEN MANY, MANY LESSONS. WHEN SHE LOOKS BACK SHE THINKS SHE WAS GIVEN SO MANY LESSONS NOT ONLY TO LEARN TO PAINT, BUT ALSO TO HELP MISS KIRK MAKE A LIVING. MISS KIRK HAD A TINY APARTMENT WHERE KATHARINE TOOK HER LESSONS. KATHARINE REMEMBERS THAT MISS KIRK ONLY HAD A HOT PLATE TO COOK HER MEALS ON. SHE REMEMBERS THAT MISS KIRK ALWAYS SEEMED TO BE COOKING AN EGG FOR HER MEAL. KATHARINE AND MISS KIRK ALSO SPENT A GREAT DEAL OF TIME TOGETHER IN THE COUNTRYSIDE SKETCHING... KATHARINE JUST LIKED MISS KIRK VERY MUCH AND REALLY LIKED THE ART LESSONS. SHE SAID THAT MISS KIRK REALLY KNEW HER COLOURS. MISS KIRK KNEW HOW TO MIX THE PAINTS TO GET JUST THE RIGHT COLOUR... AN ART LESSON COST 25 CENTS PER LESSON. ART SUPPLIES WERE EXPENSIVE AND GETTING ONE NEW COLOUR OF PAINT WAS AN EXCITING ADVENTURE. IT MUST HAVE BEEN HARD FOR MISS KIRK TO PURCASE ALL THE MATERIALS SHE NEEDED FOR HER PAINTINGS... KATHARINE GREW UP, MOVED AWAY... AND THEN MARRIED. MISS KIRK WANTED TO GIVE KATHARINE ONE OF HER PAINTINGS AS A WEDDING GIFT. MISS KIRK WROTE A LETTER TELLING KATHARINE TO COME AND PICK WHICHEVER PAINTING SHE LIKED THE BEST FOR HER WEDDING GIFT. KATHARINE DID PICK A PAINTING AND THAT PAINTING HAS BEEN ON HER WALL ALL OF THESE YEARS... " GALT CURATOR, WENDY AITKENS, DID SOME RESEARCH ON KIRK AND CONTINUES TO SEARCH FOR MORE ANSWERS ABOUT THE LIFE OF THIS WOMAN. SEE BELOW, "FOR 35 YEARS, LETHBRIDGE WAS THE HOME OF AN ACCOMPLISHED AND WELL KNOWN ARTIST AND ART TEACHER. EDITH FANNY KIRK, OR MISS KIRK AS MOST PEOPLE CALLED HER, CREATED WATER COLOUR LANDSCAPES OF ENGLAND, VANCOUVER, LETHBRIDGE, WATERTON, BANFF, AND JASPER. SHE TAUGHT MANY CHILDREN AND ADULTS THE SKILLS OF PAINTING. SHE ALSO SPOKE AT THE MATHESIS CLUB PERSENTING PAPERS ON THE DEVELOPMENT OF MODERN ART, THE EVOLUTION OF ART AND ART APPRECIATION. JOAN STEBBINS, PAST CURATOR AT THE SAAG, CREDITS THE INFLUENCE OF MISS KIRK FOR THE DEVELOPMENT OF THE LETHBRIDGE SKETCH (NOW ARTISTS') CLUB IN THE 1930S. WHEN MISS KIRK ARRIVED IN LETHBRIDGE IN 1918, SHE WAS 60 YEARS OLD. SHE WAS BORN IN 1858 AND WAS RAISED IN YORKSHIRE, ENGLAND. HER MOTHER, FANNY (NEE MAUGHAM) PASSED AWAY WHEN EDITH WAS A YOUNG GIRL AND HER FATHER REMARRIED. THE STORY, FROM SECOND HAND SOURCES, WAS THAT SHE AND HER STEP MOTHER DID NOT LIKE ONE ANOTHER. THIS PROVIDED TO BE A BLESSING IN DISGUISE BECAUSE EDITH WAS SENT AWAY TO STUDY ART. EDITH STUDIED IN SOUTH KENSINGTON, LONDON AND PARIS. DURING HER SUMMERS SHE JOINED ARTIST'S COLONIES IN CORNWALL, WALES AND YORKSHIRE. SHE WROTE OF IMPRESSIONIST PAUL CEZANNE BEING HER "MODEL AND INSPIRATION" AND SHE GREATLY ADMIRED ROMANTIC ARTIST JOHN SELL COTMAN. KIRK NEVER MARRIED AND, FOR SOME REASON, SHE DECIDED TO IMMIGRATE TO CANADA AT THE AGE OF 46. SHE ARRIVED IN HALIFAX ABOARD THE HMS CANADA IN APRIL 1905. THE PASSENGER LIST INDICATED SHE WAS TRAVELING ON TO VANCOUVER AND HER OCCUPATION WAS LISTED AS A GOVERNESS. IT SEEMS SHE DIDN'T STAY LONG IN VANCOUVER BUT SOON TRAVELLED TO ATLIN, B.C. TO GET TO ATLIN, KIRK WOULD HAVE TAKEN A SHIP TO SKAGWAY, THE WHITE PASS RAILWAY TO CARCROSS AND THEN AN OVERLAND AND BOAT TRIP TO ATLIN. IT IS A MYSTERY WHY SHE CHOSE TO GO TO A REMOTE GOLD RUSH TOWN IN NORTH WESTERN BRITISH COLUMBIA. NEXT WE FIND KIRK, IN 1911, BOARDING WITH THE WOODS FAMILY IN LILLOOET, NORTHWEST OF KAMLOOPS, B.C. THERE SHE IS A PUBLIC SCHOOL TEACHER. SEVEN YEARS LATER EDITH KIRK IS IN LETHBRIDGE. IT SEEMS SHE KNEW PEOPLE LIVING IN TABER, DR. ALFRED HAMMAN AND HIS SISTER MRS. SYLVIA GIDMAN, WHO CAME FROM HER HOMELAND IN ENGLAND SO CHOSE VISIT. THE CHARM OF THE PRAIRIE AND MOUNTAIN LANDSCAPES OF SOUTHERN ALBERTA ENTICED HER TO STAY. MISS KIRK LIVED IN THE VICTORIA MANSION AND THE TRAVELLER'S AID SOCIETY BUILDING AND SHE TAUGHT ART CLASSES AT THE YMCA FOR A FEW DOLLARS A MONTH." FOR PAPERS WRITTEN AND PRESENTED BY MISS EDITH KIRK TO MEMBERS OF THE MATHESIS CLUB OF LETHBRIDGE BETWEEN 1933 AND 1937, SEE ARCHIVAL DONATION P19951042000. THE PAPERS DISCUSS THE EVOLUTION OF ART, MODERN ART, HOW ARTISTS DEVELOP PAINTINGS AND ART APPRECIATION. FOR ADDITIONAL INFORMATION, PLEASE SEE OTHER KIRK DONATIONS, INCLUDING: P19820004000, P19960095000, P20090016*, P20140012*, P20140020*, P20140021000, P20150008000, P20150019000, P20150024000, P20150029000, AND P20150030000. SEE ALSO THE BOOK, "A LEGACY OF ADVENTURE AND ART: THE LIFE OF MISS EDITH FANNY KIRCK," BY WENDY AITKENS PUBLISHED IN 2015. ALSO SEE PERMANENT FILE.
Catalogue Number
P20090016001
Acquisition Date
2009-05
Collection
Museum
Images
Less detail
Date Range From
1840
Date Range To
1880
Material Type
Artifact
Materials
LACE
Catalogue Number
P19920058025
Material Type
Artifact
Date Range From
1840
Date Range To
1880
Materials
LACE
No. Pieces
1
Height
0.1
Length
286.0
Width
50.0
Description
RECTANGULAR; VERY LONG; BLACK LACE. ALL EDGES ARE SCALLOPED AND HAVE TINY LOOPS OF THREAD AS FRINGE. LACE HAS A LARGE FLORAL PATTERN THROUGHOUT. HAS FEW LOOSE THREADS, BUT OTHERWISE IN EXCELLENT CONDITION.
Subjects
CLOTHING-OUTERWEAR
Historical Association
PERSONAL CARE
History
SEE P19920058006-GA FOR HISTORY. *UPDATE* IN 2015 COLLECTIONS ASSISTANT JANE EDMUNDSON CONDUCTED A SURVEY OF ART OBJECTS, INCLUDING ONE DONATED BY MARJORIE WELCH'S MOTHER, NORA EVERSON. FOR FURTHER INFORMATION ABOUT THE SHERLOCK/MACLEOD FAMILY, SEE RECORDS P19960108000 AND P19740093000.
Catalogue Number
P19920058025
Acquisition Date
1993-11
Collection
Museum
Less detail
Other Name
NIGHT BONNET
Date Range From
1850
Date Range To
1880
Material Type
Artifact
Materials
LINEN
Catalogue Number
P19920058016
  2 images  
Material Type
Artifact
Other Name
NIGHT BONNET
Date Range From
1850
Date Range To
1880
Materials
LINEN
No. Pieces
1
Length
160.7
Width
42.0
Description
WHITE, LINEN. CROWN OF BONNET IS OVERSIZED; GATHERED AT SEAMS. HAS A RUFFLE AROUND UPPER BRIM. BACK OF BONNET HAS A WIDE STRIP OF MATERIAL THAT HAS HORIZONTAL RIDGES IN IT. BELOW THIS ARE TWO WHITE RUFFLES. BONNET HAS A LONG WIDE STRIP OF MATERIAL SEWN TO EACH SIDE, THAT ACT AS TIES. SEAMS ARE COMING LOOSE; STITCHES ARE LARGE AND LOOSE.
Subjects
CLOTHING-HEADWEAR
Historical Association
PERSONAL CARE
History
SEE P19920058006-GA FOR HISTORY. *UPDATE* IN 2015 COLLECTIONS ASSISTANT JANE EDMUNDSON CONDUCTED A SURVEY OF ART OBJECTS, INCLUDING ONE DONATED BY MARJORIE WELCH'S MOTHER, NORA EVERSON. FOR FURTHER INFORMATION ABOUT THE SHERLOCK/MACLEOD FAMILY, SEE RECORDS P19960108000 AND P19740093000.
Catalogue Number
P19920058016
Acquisition Date
1993-11
Collection
Museum
Images
Less detail
Other Name
CHILD'S NIGHTSHIRT
Date Range From
1850
Date Range To
1890
Material Type
Artifact
Materials
LINEN
Catalogue Number
P19920058009
  2 images  
Material Type
Artifact
Other Name
CHILD'S NIGHTSHIRT
Date Range From
1850
Date Range To
1890
Materials
LINEN
No. Pieces
1
Length
112.0
Width
92.5
Description
WHITE, LINEN. HAS A SQUARE CUT NECKLINE. FABRIC IS GATHERED IN TINY PLEATS JUST UNDER NECKLINE. SLEEVES ARE SHORT. THE UNDERSIDE OF EACH SLEEVE IS SPLIT, FROM CUFF TO HALFWAY DOWN SLEEVE. WRITTEN ON BACK NECKLINE IS "M H SHERLOCK". SHIRT IS YELLOWING; HAS SOME STAINS ON IT. HAS A FEW MINOR HOLES HAS SIGNS OF WEAR. SHIRT IS OTHERWISE PLAIN.
Subjects
CLOTHING-OUTERWEAR
Historical Association
PERSONAL CARE
History
BELONGED TO M.H. SHERLOCK. SEE P19920058006-GA FOR HISTORY. *UPDATE* IN 2015 COLLECTIONS ASSISTANT JANE EDMUNDSON CONDUCTED A SURVEY OF ART OBJECTS, INCLUDING ONE DONATED BY MARJORIE WELCH'S MOTHER, NORA EVERSON. FOR FURTHER INFORMATION ABOUT THE SHERLOCK/MACLEOD FAMILY, SEE RECORDS P19960108000 AND P19740093000.
Catalogue Number
P19920058009
Acquisition Date
1993-11
Collection
Museum
Images
Less detail
Other Name
MAN'S NIGHT SHIRT
Date Range From
1850
Date Range To
1890
Material Type
Artifact
Materials
LINEN
Catalogue Number
P19920058013
  2 images  
Material Type
Artifact
Other Name
MAN'S NIGHT SHIRT
Date Range From
1850
Date Range To
1890
Materials
LINEN
No. Pieces
1
Length
118.0
Width
100.0
Description
WHITE, LINEN. HAS A WIDE NECKLINE. HAS WHITE, TRANSLUCENT RUFFLES TRIMMING NECKLINE AND ARMS. ARMS ARE SHORT SLEEVED; THERE IS A TRIANGULAR SHAPED PIECE OF MATERIAL ATTACHED TO UNDERSIDE OF ARMS AND SIDE OF SHIRT. HAS A RECTANGULAR FLAP ON BACK OF NECK. STAMPED ONTO HIGH BACK OF SHIRT, IN RED, IS "SC 12". HAS MULTIPLE BROWN STAINS THROUGHOUT.
Subjects
CLOTHING-OUTERWEAR
Historical Association
PERSONAL CARE
History
SEE P19920058006-GA FOR HISTORY. *UPDATE* IN 2015 COLLECTIONS ASSISTANT JANE EDMUNDSON CONDUCTED A SURVEY OF ART OBJECTS, INCLUDING ONE DONATED BY MARJORIE WELCH'S MOTHER, NORA EVERSON. FOR FURTHER INFORMATION ABOUT THE SHERLOCK/MACLEOD FAMILY, SEE RECORDS P19960108000 AND P19740093000.
Catalogue Number
P19920058013
Acquisition Date
1993-11
Collection
Museum
Images
Less detail
Date Range From
1840
Date Range To
1880
Material Type
Artifact
Materials
LACE
Catalogue Number
P19920058023
  1 image  
Material Type
Artifact
Date Range From
1840
Date Range To
1880
Materials
LACE
No. Pieces
1
Height
0.1
Length
144.8
Width
49.6
Description
KIND OF CRESCENT MOON SHAPED, WITH SCALLOPED EDGES. TOP OF SHAWL IS CUT INTO AN INWARD CURVE (TO FIT AROUND NECK). SHAWL IS A SINGLE PIECE OF BLACK LACE. LACE IS EMBROIDERED WITH BLACK FLOWERS THROUGHOUT. ALL EDGES ARE ALSO EMBROIDERED WITH A BORDER. EDGES ARE FRAYING, AND COMING APART IN SOME PLACES. THERE ARE HOLES IN THE LACE, TOWARDS THE ENDS OF SHAWL. ALSO HAS LOOSE THREADS.
Subjects
CLOTHING-OUTERWEAR
Historical Association
PERSONAL CARE
History
SEE P19920058006-GA FOR HISTORY. *UPDATE* IN 2015 COLLECTIONS ASSISTANT JANE EDMUNDSON CONDUCTED A SURVEY OF ART OBJECTS, INCLUDING ONE DONATED BY MARJORIE WELCH'S MOTHER, NORA EVERSON. FOR FURTHER INFORMATION ABOUT THE SHERLOCK/MACLEOD FAMILY, SEE RECORDS P19960108000 AND P19740093000.
Catalogue Number
P19920058023
Acquisition Date
1993-11
Collection
Museum
Images
Less detail
Other Name
BED SHEET
Date Range From
1850
Date Range To
1880
Material Type
Artifact
Materials
LINEN
Catalogue Number
P19920058021
Material Type
Artifact
Other Name
BED SHEET
Date Range From
1850
Date Range To
1880
Materials
LINEN
No. Pieces
1
Height
0.1
Length
215.0
Width
144.5
Description
RECTANGULAR, WHITE, LINEN. ENDS ARE HEMMED; SIDE EDGES ARE RAW, BUT IN GOOD CONDITION. EMBROIDERED, IN BLUE, IN ONE CORNER IS "C C S". THIS CORNER OF THE SHEET IS MADE OUT OF AN ADDITIONAL RECTANGLE OF FABRIC, SEWN TO THE MAIN PIECE. SHEET HAS A 6.5 CM TEAR IN IT, AND A FEW SMALLER TEARS AND HOLES IN THE SAME GENERAL AREA. MULTIPLE BROWN STAINS AND SPOTS THROUGHOUT.
Subjects
BEDDING
Historical Association
DOMESTIC
History
SEE P19920058006-GA FOR HISTORY. *UPDATE* IN 2015 COLLECTIONS ASSISTANT JANE EDMUNDSON CONDUCTED A SURVEY OF ART OBJECTS, INCLUDING ONE DONATED BY MARJORIE WELCH'S MOTHER, NORA EVERSON. FOR FURTHER INFORMATION ABOUT THE SHERLOCK/MACLEOD FAMILY, SEE RECORDS P19960108000 AND P19740093000.
Catalogue Number
P19920058021
Acquisition Date
1993-11
Collection
Museum
Less detail
Other Name
CAP
Date Range From
1850
Date Range To
1870
Material Type
Artifact
Materials
LACE, SATIN
Catalogue Number
P19920058015
  1 image  
Material Type
Artifact
Other Name
CAP
Date Range From
1850
Date Range To
1870
Materials
LACE, SATIN
No. Pieces
1
Height
5.7
Length
25.3
Width
19.9
Description
SHALLOW BONNET WITH NARROW BRIM. THE BONNET IS MADE OF AN OFF-WHITE LACE. THE LACE HAS BEEN GATHERED AND FORMED INTO RUFFLES ON TOP OF HAT. BRIM OF HAT CONSISTS OF TWO BANDS OF LACE. ON BACK OF HAT IS A WIDE, DARK RED, SATIN RIBBON, THAT HAS BEEN TIED INTO A BOW. ENDS OF RIBBON ARE FRAYING. THERE ARE MULTIPLE LOOSE THREADS AT BACK AND UNDERSIDE. UNDERSIDE IS LINED WITH WHITE TRANSLUCENT NETTING. BONNET IS DIRTY, AND YELLOWED.
Subjects
CLOTHING-HEADWEAR
Historical Association
PERSONAL CARE
History
SEE P19920058006-GA FOR HISTORY. *UPDATE* IN 2015 COLLECTIONS ASSISTANT JANE EDMUNDSON CONDUCTED A SURVEY OF ART OBJECTS, INCLUDING ONE DONATED BY MARJORIE WELCH'S MOTHER, NORA EVERSON. FOR FURTHER INFORMATION ABOUT THE SHERLOCK/MACLEOD FAMILY, SEE RECORDS P19960108000 AND P19740093000.
Catalogue Number
P19920058015
Acquisition Date
1993-11
Collection
Museum
Images
Less detail
Date Range From
1850
Date Range To
1890
Material Type
Artifact
Materials
SILK
Catalogue Number
P19920058026
Material Type
Artifact
Date Range From
1850
Date Range To
1890
Materials
SILK
No. Pieces
1
Height
0.3
Length
195.5
Width
195.0
Description
SQUARE, BURGUNDY. CONSISTS OF A SQUARE PIECE OF CLOTH, WITH TASSELS TIED TO EACH SIDE. EACH GROUP OF TASSELS IS TIED THROUGH A SMALL HOLE ON THE EDGE OF THE SCARF. THE GROUP OF TASSELS IS THEN CROSSED WITH THE GROUP ON EITHER SIDE, AND TIED IN A KNOT, AND THEN REPEATED, TO FORM A CRISS CROSS PATTERN. SCARF IS OTHERWISE PLAIN, EXCEPT FOR SOME WHITISH STAINS, MAINLY ON ONE SIDE. TASSELS ARE TANGLED TOGETHER.
Subjects
HOUSEHOLD ACCESSORY
Historical Association
DOMESTIC
History
SEE P19920058006-GA FOR HISTORY. *UPDATE* IN 2015 COLLECTIONS ASSISTANT JANE EDMUNDSON CONDUCTED A SURVEY OF ART OBJECTS, INCLUDING ONE DONATED BY MARJORIE WELCH'S MOTHER, NORA EVERSON. FOR FURTHER INFORMATION ABOUT THE SHERLOCK/MACLEOD FAMILY, SEE RECORDS P19960108000 AND P19740093000.
Catalogue Number
P19920058026
Acquisition Date
1993-11
Collection
Museum
Less detail
Date Range From
1840
Date Range To
1880
Material Type
Artifact
Materials
LACE
Catalogue Number
P19920058024
Material Type
Artifact
Date Range From
1840
Date Range To
1880
Materials
LACE
No. Pieces
1
Height
0.1
Length
107.5
Width
106.0
Description
RECTANGULAR, LACE. IS A DULL BLACK COLOUR; LOOKS ALMOST DARK GREEN OR BROWN. EMBROIDERED ON ONE HALF OF SHAWL ARE FIVE LARGE STEMS OF FLOWERS AND LEAVES. THE OTHER HALF HAS MULTIPLE FLOWERS EMBROIDERED ON IT. THREE OF THE EDGES OF SHAWL ARE SCALLOPED; THE OTHER IS STRAIGHT AND HEMMED. THE SCALLOPED EDGE OPPOSITE STRAIGHT EDGE HAS LARGE CIRCULAR FLOWERS EMBROIDERED ALONG EDGE AS A BORDER. THE TWO REMAINING SIDES HAVE SMALLER FLOWERS AND LEAVES EMBROIDERED ALONG EDGE AS A BORDER. HAS A COUPLE OF LOOSE THREADS, OTHERWISE IN EXCELLEN CONDITION.
Subjects
CLOTHING-OUTERWEAR
Historical Association
PERSONAL CARE
History
SEE P19920058006-GA FOR HISTORY. *UPDATE* IN 2015 COLLECTIONS ASSISTANT JANE EDMUNDSON CONDUCTED A SURVEY OF ART OBJECTS, INCLUDING ONE DONATED BY MARJORIE WELCH'S MOTHER, NORA EVERSON. FOR FURTHER INFORMATION ABOUT THE SHERLOCK/MACLEOD FAMILY, SEE RECORDS P19960108000 AND P19740093000.
Catalogue Number
P19920058024
Acquisition Date
1993-11
Collection
Museum
Less detail
Other Name
CAPELET; TIPPET; PALLATINE
Date Range From
1840
Date Range To
1880
Material Type
Artifact
Materials
LACE, SATIN, COTTON
Catalogue Number
P19920058014
Material Type
Artifact
Other Name
CAPELET; TIPPET; PALLATINE
Date Range From
1840
Date Range To
1880
Materials
LACE, SATIN, COTTON
No. Pieces
1
Length
95.0
Width
29.5
Description
CRESCENT MOON SHAPED; OUTSIDE EDGE IS SCALLOPED. CONSISTS OF A CREAM COLOURED PIECE OF SATIN, UNDERNEATH BLACK LACE. THE BLACK LACE HAS FLOWERS EMBROIDERED INTO IT. THE EDGES OF CAPELET ARE TRIMMED IN A WIDE BLACK LACE (DIFFERENT FROM ABOVE). BACK OF PIECE IS LINED WITH A BURLAP MATERIAL, UNDERNEATH BLACK COTTON. BLACK COTTON HAS MULTIPLE HOLES IN IT - POSSIBLY INSECT RELATED. LONG, BIAS STITCHES ARE EASILY VISIBLE ON FRONT AND BACK.
Subjects
CLOTHING-OUTERWEAR
Historical Association
PERSONAL CARE
History
USED OVER THE SHOULDERS OF A WOMAN. PALATINES WERE USED IN THE 1840S; NAMED AFTER CHARLOTTE OF THE PALANTINE, WHO TRIED TO INDUCE MORE MODESTY IN DRESS. SEE P19920058006-GA FOR HISTORY. *UPDATE* IN 2015 COLLECTIONS ASSISTANT JANE EDMUNDSON CONDUCTED A SURVEY OF ART OBJECTS, INCLUDING ONE DONATED BY MARJORIE WELCH'S MOTHER, NORA EVERSON. FOR FURTHER INFORMATION ABOUT THE SHERLOCK/MACLEOD FAMILY, SEE RECORDS P19960108000 AND P19740093000.
Catalogue Number
P19920058014
Acquisition Date
1993-11
Collection
Museum
Less detail
Other Name
WOMAN'S
Date Range From
1850
Date Range To
1880
Material Type
Artifact
Materials
SILK, LACE
Catalogue Number
P19920058017
Material Type
Artifact
Other Name
WOMAN'S
Date Range From
1850
Date Range To
1880
Materials
SILK, LACE
No. Pieces
1
Height
0.1
Length
60.1
Width
60.1
Description
SQUARE, WHITE SILK. HANDKERCHIEF HAS A 3 CM BORDER OF AN OPEN STITCH. THE BORDER MEETS AT EACH CORNER, WHERE THE STITCHING IS EVEN WIDER, AND MORE OPEN. THE EDGE OF HANKIE IS TRIMMED WITH LACE, AND AT EACH CORNER THE LACE IS GATHERED. ONE CORNER OF HANKIE IS EMBROIDERED WITH A RIBBON AND FLORAL DESIGN IN THE CENTRE OF THE DESIGN, "SARAH" IS EMBROIDERED; ALL OF THIS IS IN WHITE. THERE IS A SMALL ORANGE STAIN BESIDE EMBROIDERY. THERE IS A HOLE IN ONE SIDE ALONG 3 CM BORDER.
Subjects
PERSONAL GEAR
Historical Association
PERSONAL CARE
History
SEE P19920058006-GA FOR HISTORY. *UPDATE* IN 2015 COLLECTIONS ASSISTANT JANE EDMUNDSON CONDUCTED A SURVEY OF ART OBJECTS, INCLUDING ONE DONATED BY MARJORIE WELCH'S MOTHER, NORA EVERSON. FOR FURTHER INFORMATION ABOUT THE SHERLOCK/MACLEOD FAMILY, SEE RECORDS P19960108000 AND P19740093000.
Catalogue Number
P19920058017
Acquisition Date
1993-11
Collection
Museum
Less detail
Other Name
P19860029001-002-GA, P19860022000-0028000-GA, SKIRT AND APRON (SET) P19860034000-0036000-GA
Date Range From
1830
Date Range To
1860
Material Type
Artifact
Materials
COTTON, LINEN
Catalogue Number
P19860029000
  2 images  
Material Type
Artifact
Other Name
P19860029001-002-GA, P19860022000-0028000-GA, SKIRT AND APRON (SET) P19860034000-0036000-GA
Date Range From
1830
Date Range To
1860
Materials
COTTON, LINEN
No. Pieces
2
Description
.1 SKIRT. 100.5(L) X 36(W - WAIST) COTTON, LINEN. CREAM, RUST, MAUVE, BLUE, GOLD, BLACK. SIZE: MEDIUM. HAND SPUN AND WOVEN PLEATED SKIRT, PLEATS SEWN DOWN TO HIP LINE. BLACK WAISTBAND, BUTTONS ON LEFT SIDE WITH 1 BUTTON. GEOMETRIC DESIGNS RUN HORIZONTALLY AROUND SKIRT. BASIC COLOUR IS CREAM. .2 APRON. 72(L - W/O TIES) X 62(W- BOTTOM HEM) COTTON, WOOL. BURGUNDY, GREY, BLUE, WHITE, GREEN, RED AND YELLOW. HAND WOVEN, BURGUNDY BACKGROUND, 5 BLUE AND WHITE VERTICAL STRIPES. 5 VERTICAL ROWS OF WOOL EMBROIDERED FLOWERS, RED/WHITE, RED/YELLOW, GREEN LEAVES AND STEMS. ATTACHED TO GREY WAISTBAND WHICH BUTTON ON LEFT SIDE WITH AN AQUA BUTTON.
Subjects
CLOTHING-OUTERWEAR
Historical Association
ETHNOGRAPHIC
History
THE DONOR ESTIMATES THE COSTUME TO BE 150 YEARS OLD, IT WAS MADE BY HER ANCESTRAL MATERNAL GREAT-GRANDMOTHER (6 GENERATIONS BACK). THE COSTUME IS ENTIRELY HANDMADE AND EXEMPLIFIES FINE FOLK ART. THE ORNATELY DECORATED APRON IS CONSIDERED THE "HEART" OF LITHUANIA COSTUMES.
Catalogue Number
P19860029000
Acquisition Date
1985-07
Collection
Museum
Images
Less detail

25 records – page 1 of 2.