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The Cypress Hills of Alberta-Saskatchewan

https://collections.galtmuseum.com/en/permalink/library2988
Author
Downs, Art
Publisher
Frontier Books
Material Type
Book
Material Type
Book
Author
Downs, Art
Place
Surrey, B.C
Publisher
Frontier Books
Publication Date
1969
Subjects
Cypress Hills (Alta. and Sask.)
Call Number
FC 3695 C97 1969
Copies
2 copies
Collection
Library
Less detail

The care of historical collections, a conservation handbook for the nonspecialist

https://collections.galtmuseum.com/en/permalink/library1400
Author
Guldbeck, Per E
Publisher
American Assoc. for State & Local History
Material Type
Book
Material Type
Book
Author
Guldbeck, Per E
Publisher
American Assoc. for State & Local History
Publication Date
1972
Subjects
Art objects - Conservation and restoration
Call Number
Prof NK 1127.5 G97 1972
Collection
Library
Less detail
Date Range
1947-1987
Description Level
Fonds
Accession No.
20171094
Physical Description
0.3 m of textual records, over 500 photographs, 1 sketch
Scope and Content
The materials were preserved and enhanced through research by Joyce Sasse 001: 1963 Day planner 002: 1964 Day planner 003: 1965 Day planner 004: Book- Proud Procession (1947) 005: Book- Young Explorers (1947) 006: Book- Totem Tipi and Tumpline (1955) 007: Book- No Man Stands Alone (1965) 008: Book…
Date Range
1947-1987
Description Level
Fonds
Creator
Annora Brown
Physical Description
0.3 m of textual records, over 500 photographs, 1 sketch
History / Biographical
Annora Brown was born outside of Red Deer in 1899 and died at the age of 88 in Deep Cove, British Columbia in 1987 where she retired. Brown is one of the Alberta’s foremost early artists. Based for much of her life in historic Fort Macleod, Brown played a major role in creating a ‘picture’ of Southern Alberta: its wild landscape, First Nations, pioneer rural communities, local history- above all its wondrous nature symbolized by the wildflower. Her work was able to capture the culture of the First nation communities that she lived near. Her father was Edmund Foster Brown and mother was Elizabeth Ethel (Cody) Brown. Her mother supported and encouraged Brown’s love for art and from 1925-1929 Brown attended the Ontario College of Art in Toronto. She returned in 1929 and developed and art program for Calgary’s Mounted Royal College but later had to leave due to her mother’s illness. A student of the celebrated landscape painters, known as the Group of Seven (1920-1933), Brown’s artistic practice spans the 1930s to mid-1980s. During that time, she cobbled together a living as an artist, often by teaching, illustrating books and magazines, and selling, whenever she could, her captivating paintings in watercolor, tempera oil and later serigraph prints. In 1945-1950, brown worked as a respected artist and teacher at the Banff School of Fine Arts. She was also commissioned to paint over 200 western wild flowers for the Glenbow Foundation. Brown’s work was also included in Crescent Heights High School in Calgary, University of Alberta in Edmonton, United College in Winnipeg, and the Canadian Handicrafts Guild in Montreal. She was also awarded a prize in the Alberta Government’s 1955 Jubilee Contest for Alberta painters. In 1965 Brown retired to Deep Cove British Columbia to paint and garden. She had given a “voice” to a region that had been rarely presented in Canadian art. Her attention to the unique aspects of Old Man’s Country like Niitsitapi, the character and isolation of its small rural communities as well as its unforgettable environment was expressed mainly through her focus on wildflowers and native plants. Buoyed by the conviction that a woman’s activities “need not be limited to polishing furniture and raising babies”, Brown was also a writer and author of two books: the Western Canadian classic Old Man’s Garden and her autobiographical Sketches from Life. She was the first woman to receive an honorary degree from the University of Lethbridge in 1971 for her contribution to “western art and living.” (written by Mary-Beth Laviolette; Summer 2016 Gallery Exhibit at Galt Museum)
Scope and Content
The materials were preserved and enhanced through research by Joyce Sasse 001: 1963 Day planner 002: 1964 Day planner 003: 1965 Day planner 004: Book- Proud Procession (1947) 005: Book- Young Explorers (1947) 006: Book- Totem Tipi and Tumpline (1955) 007: Book- No Man Stands Alone (1965) 008: Book- Canaries on the Clothesline (1974) 009: Sketch of Annora Brown oversized 010: 26 Photos of the Rockies 011: 2 Photos, Editorial, Crighton photocopy with description 012: 8 Photos of her house and her graduation 013: 17 Photos of the cabin, 5 prints, letters about her house in Fort Macleod, and letters from the Town of Fort Macleod 014: Research notes of Annora Brown by Joyce Sasse 015: 215 Photos building the cabin 016: 250 Photos of her art, excerpt of Sketches from Life, and later years; 3 Newspaper cutouts Language: English
Access Restrictions
Public
Accession No.
20171094
Collection
Archive
Less detail
Date Range
1998
Material Type
Recording
Accession No.
20091007000
Physical Description
VHS videotape 52 minutes 15 seconds
Scope and Content
Biographical program about Everett Soop, a member of the Blood Tribe and political cartoonist and commentator. The film features interviews with Everett Soop as well as some of his friends and colleagues. Mr. Soop discusses the events of his life, and talks about his political views and personal ph…
Material Type
Recording
Date Range
1998
Creator
Two Wheels Productions
Physical Description
VHS videotape 52 minutes 15 seconds
Physical Condition
Excellent
History / Biographical
Everett Soop, 1943-2001, was born on the Blood reserve in southern Alberta. From a young age he was incapacitated by muscular dystrophy. He studied at the Alberta College of Art in Calgary in 1964, then spent a year at Brigham Young University, Utah, USA. He then studied journalism at Calgary's Mount Royal College, and spent two years at the University of Lethbridge, during which time he took summer courses at the Banff School of Fine Arts. In 1968 he was hired by the newly-launched Kainai News newspaper to draw political cartoons and write columns. From 1976 to 1982 he wrote a regular column called "Gitskenip" (You Know). He served on the Blood Tribal Council from 1982 to 1986. He was unemployed and in poor health from 1986 to 1989, but in 1990 briefly resumed working as a cartoonist for Kainai News. His cartoons and writings are noted for satirizing not only government agencies and their treatment of natives, but also the foibles of his own people. Three books of his works have been published, the first a selection of his cartoons, Soop Take a Bow / Everett Soop. - Stand Off, Alberta : Indian News Media Society, 1979; Another Bowl of Soop; and the last a selection of both his columns and cartoons, I See My Tribe is Still Behind Me / Everett Soop, edited and intro. by Hugh A. Dempsey. - Calgary : Glenbow Museum, 1990. See also the documentary Soop on Wheels / Two Wheels Production. -- Toronto : Ashland, 1998. [source: Glenbow Museum and Archives] The donor was a personal friend of Everett Soop.
Language
English
Scope and Content
Biographical program about Everett Soop, a member of the Blood Tribe and political cartoonist and commentator. The film features interviews with Everett Soop as well as some of his friends and colleagues. Mr. Soop discusses the events of his life, and talks about his political views and personal philosophy of life.
Notes
Copyright: Two Wheels Productions
Access Restrictions
Public Access
Accession No.
20091007000
Collection
Archive
Less detail