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How to visit a museum

https://collections.galtmuseum.com/en/permalink/library1395
Author
Finn, David
Publisher
Harry N. Abrams
Material Type
Book
Material Type
Book
Author
Finn, David
Publisher
Harry N. Abrams
Publication Date
1985
Subjects
Art museums
Call Number
Prof N 410 F56 1985
Collection
Library
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Research Files on Donald W. Buchanan

https://collections.galtmuseum.com/en/permalink/descriptions96018
Date Range
1934-2008
Description Level
Series
Accession No.
20191029
Physical Description
25cm of textual records; 255 photographs; 22 - 35mm slides
Scope and Content
2019.1029/001: Overview Research on Donald W. Buchanan Part 1/2, 1934-2008. 2019.1029/002: Overview Research on Donald W. Buchanan Part 2/2, 4 photographs, 1938-1966. 2019.1029/003: Buchanan Art Collection, 28 photographs, 22 slides, 1958-2008. 2019.1029/004: The Buchanan Collection Artworks wit…
Date Range
1934-2008
Description Level
Series
Creator
Compiled by Nancy Townshend
Physical Description
25cm of textual records; 255 photographs; 22 - 35mm slides
History / Biographical
Donald W. Buchanan was born in 1908 in Lethbridge, Alberta. He was the son of Senator William Ashbury Buchanan, the publisher of the Lethbridge Herald. He studied Modern History at the University of Toronto and Oxford University. In 1934, he received a fellowship from the Carnegie Corporation to train in museum administration. Following his research fellowship, Buchanan founded the National Film Society of Canada, as well as he worked for the Canadian Radio Commission (now the CBC). Buchanan was always involved in the arts and he was a firm believer in making the arts accessible to the public. In 1963, Donald Buchanan, and his brother Hugh, offered many fine works of art to the City of Lethbridge. This became the first significant public art collection ever to exist in Lethbridge. He believed that art was meant to be shared and enjoyed by all. After leaving the Canadian Radio Commission, Buchanan worked for the National Film Board, where he established the stills division; from 1947 until 1960 he was employed by the National Gallery of Canada, serving as director of the Industrial Design Division (1947-1953). His work with the National Industrial Design Committee and the curated the revolutionary exhibition “Design for Use in Canadian Products” (1946) which changed the standards of Canadian art. Donald W. Buchanan served as the Associate Director of the National Gallery of Canada, and took a leave of absence to explore his own artistic endeavors of photography while travelling throughout Europe. Buchanan returned to the Gallery in 1963 as a member of its Board of Trustees, and he became the Director of the International Fine Arts Exhibition at Expo ’67 in Montreal. In the last few years of his life, his friends recall him being busier than ever, organizing the exhibition. He never was able to see the fruits of his labor, however, because of his sudden death in 1966 after being struck by a car in Ottawa. His legacy centered on the accessibility of art to the public and his impact on the art community in Lethbridge.
Scope and Content
2019.1029/001: Overview Research on Donald W. Buchanan Part 1/2, 1934-2008. 2019.1029/002: Overview Research on Donald W. Buchanan Part 2/2, 4 photographs, 1938-1966. 2019.1029/003: Buchanan Art Collection, 28 photographs, 22 slides, 1958-2008. 2019.1029/004: The Buchanan Collection Artworks with Descriptions, 47 photographs, 1963-1985. 2019.1029/005: The Buchanan Library Art Collection Information, 2 photographs, 1956-2004. 2019.1029/006: DESIGN Exhibitions and Resources Part 1/2, 1946-2008. 2019.1029/007: DESIGN Exhibitions and Resources Part 2/2, 1947-1958. 2019.1029/008: DESIGN: Umbrella Theme for Buchanan’s Works, 1948-2007. 2019.1029/009: Donald W. Buchanan Website by Nancy Townshend, 2001-2008. 2019.1029/010: Resources used by Nancy Townshend for Donald W. Buchanan Website, 1938-2007. 2019.1029/011: Written Works by Donald W. Buchanan Part 1/2, 89 photographs, 1934-1947. 2019.1029/012: Written Works by Donald W. Buchanan Part 2/2, 61 photographs, 1945-1967. 2019.1029/013: EXPO ’67-Montreal, Part 1/2, 1960-2008. 2019.1029/014: EXPO ’67-Montreal, Part 2/2, 1965-2003? 2019.1029/015: Buchanan’s Photography, 21 photographs, 1959-2008. 2019.1029/016: Tributes to Donald W. Buchanan, 3 photographs, 1955-2008. 2019.1029/017: Miscellaneous Documents related to Buchanan’s Will, 2007-2008. 2019.1029/018: National Gallery of Canada Archives, 1963-2007
Accession No.
20191029
Collection
Archive
Less detail
Date Range
1947-1987
Description Level
Fonds
Accession No.
20171094
Physical Description
0.3 m of textual records, over 500 photographs, 1 sketch
Scope and Content
The materials were preserved and enhanced through research by Joyce Sasse 001: 1963 Day planner 002: 1964 Day planner 003: 1965 Day planner 004: Book- Proud Procession (1947) 005: Book- Young Explorers (1947) 006: Book- Totem Tipi and Tumpline (1955) 007: Book- No Man Stands Alone (1965) 008: Book…
Date Range
1947-1987
Description Level
Fonds
Creator
Annora Brown
Physical Description
0.3 m of textual records, over 500 photographs, 1 sketch
History / Biographical
Annora Brown was born outside of Red Deer in 1899 and died at the age of 88 in Deep Cove, British Columbia in 1987 where she retired. Brown is one of the Alberta’s foremost early artists. Based for much of her life in historic Fort Macleod, Brown played a major role in creating a ‘picture’ of Southern Alberta: its wild landscape, First Nations, pioneer rural communities, local history- above all its wondrous nature symbolized by the wildflower. Her work was able to capture the culture of the First nation communities that she lived near. Her father was Edmund Foster Brown and mother was Elizabeth Ethel (Cody) Brown. Her mother supported and encouraged Brown’s love for art and from 1925-1929 Brown attended the Ontario College of Art in Toronto. She returned in 1929 and developed and art program for Calgary’s Mounted Royal College but later had to leave due to her mother’s illness. A student of the celebrated landscape painters, known as the Group of Seven (1920-1933), Brown’s artistic practice spans the 1930s to mid-1980s. During that time, she cobbled together a living as an artist, often by teaching, illustrating books and magazines, and selling, whenever she could, her captivating paintings in watercolor, tempera oil and later serigraph prints. In 1945-1950, brown worked as a respected artist and teacher at the Banff School of Fine Arts. She was also commissioned to paint over 200 western wild flowers for the Glenbow Foundation. Brown’s work was also included in Crescent Heights High School in Calgary, University of Alberta in Edmonton, United College in Winnipeg, and the Canadian Handicrafts Guild in Montreal. She was also awarded a prize in the Alberta Government’s 1955 Jubilee Contest for Alberta painters. In 1965 Brown retired to Deep Cove British Columbia to paint and garden. She had given a “voice” to a region that had been rarely presented in Canadian art. Her attention to the unique aspects of Old Man’s Country like Niitsitapi, the character and isolation of its small rural communities as well as its unforgettable environment was expressed mainly through her focus on wildflowers and native plants. Buoyed by the conviction that a woman’s activities “need not be limited to polishing furniture and raising babies”, Brown was also a writer and author of two books: the Western Canadian classic Old Man’s Garden and her autobiographical Sketches from Life. She was the first woman to receive an honorary degree from the University of Lethbridge in 1971 for her contribution to “western art and living.” (written by Mary-Beth Laviolette; Summer 2016 Gallery Exhibit at Galt Museum)
Scope and Content
The materials were preserved and enhanced through research by Joyce Sasse 001: 1963 Day planner 002: 1964 Day planner 003: 1965 Day planner 004: Book- Proud Procession (1947) 005: Book- Young Explorers (1947) 006: Book- Totem Tipi and Tumpline (1955) 007: Book- No Man Stands Alone (1965) 008: Book- Canaries on the Clothesline (1974) 009: Sketch of Annora Brown oversized 010: 26 Photos of the Rockies 011: 2 Photos, Editorial, Crighton photocopy with description 012: 8 Photos of her house and her graduation 013: 17 Photos of the cabin, 5 prints, letters about her house in Fort Macleod, and letters from the Town of Fort Macleod 014: Research notes of Annora Brown by Joyce Sasse 015: 215 Photos building the cabin 016: 250 Photos of her art, excerpt of Sketches from Life, and later years; 3 Newspaper cutouts Language: English
Access Restrictions
Public
Accession No.
20171094
Collection
Archive
Less detail