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Other Name
PULPIT HANGING
Date Range From
1912
Date Range To
1955
Material Type
Artifact
Materials
VELVET, COTTON
Catalogue Number
P20060021014
  1 image  
Material Type
Artifact
Other Name
PULPIT HANGING
Date Range From
1912
Date Range To
1955
Materials
VELVET, COTTON
No. Pieces
1
Length
44
Width
42
Description
MAROON VELVET PULPIT HANGING WITH MAROON AND GOLD FRINGE AT BOTTOM EDGE. BACK IS LINED WITH A PNK COTTON.
Subjects
CEREMONIAL ARTIFACT
Historical Association
RELIGION
History
PULPIT HANGING AND OTHER TEXTILES(P20060021011 TO P20060021018 AND P20060021020) WERE FOUND IN A TRUNK (SEE P20060021021) WHEN PARISHONERS CLEANED OUT ST. MARY'S CHURCH IN PREPERATION FOR ITS FUTURE SALE. NO ONE FROM THE CHURCH AT THE TIME OF THE DONATION COULD RECALL ANY INFORMATION ABOUT THE TRUNK OR ITS CONTENTS. THE ALTER FRONTALS DID NOT FIT THE ALTER WHICH BEGAN ITS USED IN 1955. IT IS ASSUMED THAT THE TEXTILES WERE USED IN THE FIRST HALF OF THE PARISH'S EXISTENCE. ST MARY’S ANGLICAN CHURCH BEGAN EARLY IN THE 1900S. THE EARLIEST ARCHIVAL RECORD IS A STATEMENT MADE IN JANUARY, 1906 THAT A GROUP OF PROMINENT MEMBERS OF ST. AUGUSTIN’S PARISHIONERS AGREED TO COVER A DEFICIT IN THE OPERATION OF ST. MARY’S MISSION UP TO $300. APPARENTLY, ST. MARY’S EXISTED BEFORE THIS DECISION, BUT IT IS UNKNOWN FOR HOW LONG. A FORMAL ORGANIZATION MEETING FOR ST. MARY’S MISSION WAS HELD ON APRIL 20. 1908. THE SEPARATE PARISH OF ST. MARY’S WAS ESTABLISHED ON FEBRUARY 1, 1910. THE “NEW” CHURCH WAS BUILT IN 1912, AND USED BY THE PARISH UNTIL IT CLOSED IN 2003. THE NORTH SIDE CHRISTIAN FELLOWSHIP THEN RENTED THE BUILDING UNTIL 2006, WHEN THE PROPERTY WAS SOLD TO A PRIVATE INDIVIDUAL. THERE WERE AT LEAST EIGHT RECTORS (PRIESTS) AT ST MARY’S BETWEEN 1910 AND 1944, INCLUDING SOME PERIODS OF TIME WHEN NO PRIEST WAS AVAILABLE (OR AFFORDABLE). IN 1944, ROBERT COWAN ARRIVED AND SERVED ST. MARY’S FOR THE NEXT 37 YEARS UNTIL 1981, A TERM UNPARALLELED IN THE ANGLICAN DIOCESE OF CALGARY. IT WAS DURING THIS TIME THAT ST. MARY’S BECAME KNOWN HAS ST. MARY THE VIRGIN. CANON COWAN RETURNED TO ST MARY’S AS A PARISHIONER FOR A FEW YEARS LATER, AND REMAINED UNTIL HIS DEATH IN 1999. MICHAEL EBSWORTH SERVED AS RECTOR FROM 1981 UNTIL 1994, WHEN HE RESIGNED DUE TO HEALTH REASONS. FATHER EBSWORTH REMAINED A RESIDENT OF LETHBRIDGE, OFTEN SERVING AS A “VISITING” PRIEST, AND HE TOOK PART IN THE FINAL SERVICE AT ST. MARY’S HELD ON AUGUST 14, 2003. IN THE FINAL DECADE OF ST MARY’S EXISTENCE, FIVE OTHER PRIESTS SERVED THE PARISH, INCLUDING TWO FEMALE PRIESTS WHICH SOME FOUND SURPRISING DUE TO ST. MARY’S TRADITIONAL LITURGICAL PRACTICES. THE CHURCH CLOSED AND AMALGAMATED WITH THE ANGLICAN PARISH OF ST. AUGUSTINE. OTHER OBJECTS AND ARCHIVAL MATERIALS ASSOCIATED WITH ST. MARY'S OPERATION WERE TRANSFERRED TO THE ANGLICAN DIOCESE OF CALGARY. AT THE TIME OF ITS CLOSURE, ST MARY'S WAS THE LONGEST OPERATING OF ANY LETHBRIDGE CHURCH IN THE CURRENT PREMISES. FOR COMPLETE HISTORY SEE PERMANENT FILE P20060021001.
Catalogue Number
P20060021014
Acquisition Date
2006-08
Collection
Museum
Images
Less detail
Other Name
PULPIT HANGING
Date Range From
1912
Date Range To
1955
Material Type
Artifact
Materials
VELVET, COTTON
Catalogue Number
P20060021015
  1 image  
Material Type
Artifact
Other Name
PULPIT HANGING
Date Range From
1912
Date Range To
1955
Materials
VELVET, COTTON
No. Pieces
1
Length
58
Width
59.5
Description
MAROON VELVET PULPIT HANGING WITH MAROON AND GOLD FRINGE AT BOTTOM EDGE. BACK IS LINED WITH A PNK COTTON.
Subjects
CEREMONIAL ARTIFACT
Historical Association
RELIGION
History
PULPIT HANGING AND OTHER TEXTILES(P20060021011 TO P20060021018 AND P20060021020) WERE FOUND IN A TRUNK (SEE P20060021021) WHEN PARISHONERS CLEANED OUT ST. MARY'S CHURCH IN PREPERATION FOR ITS FUTURE SALE. NO ONE FROM THE CHURCH AT THE TIME OF THE DONATION COULD RECALL ANY INFORMATION ABOUT THE TRUNK OR ITS CONTENTS. THE ALTER FRONTALS DID NOT FIT THE ALTER WHICH BEGAN ITS USED IN 1955. IT IS ASSUMED THAT THE TEXTILES WERE USED IN THE FIRST HALF OF THE PARISH'S EXISTENCE. ST MARY’S ANGLICAN CHURCH BEGAN EARLY IN THE 1900S. THE EARLIEST ARCHIVAL RECORD IS A STATEMENT MADE IN JANUARY, 1906 THAT A GROUP OF PROMINENT MEMBERS OF ST. AUGUSTIN’S PARISHIONERS AGREED TO COVER A DEFICIT IN THE OPERATION OF ST. MARY’S MISSION UP TO $300. APPARENTLY, ST. MARY’S EXISTED BEFORE THIS DECISION, BUT IT IS UNKNOWN FOR HOW LONG. A FORMAL ORGANIZATION MEETING FOR ST. MARY’S MISSION WAS HELD ON APRIL 20. 1908. THE SEPARATE PARISH OF ST. MARY’S WAS ESTABLISHED ON FEBRUARY 1, 1910. THE “NEW” CHURCH WAS BUILT IN 1912, AND USED BY THE PARISH UNTIL IT CLOSED IN 2003. THE NORTH SIDE CHRISTIAN FELLOWSHIP THEN RENTED THE BUILDING UNTIL 2006, WHEN THE PROPERTY WAS SOLD TO A PRIVATE INDIVIDUAL. THERE WERE AT LEAST EIGHT RECTORS (PRIESTS) AT ST MARY’S BETWEEN 1910 AND 1944, INCLUDING SOME PERIODS OF TIME WHEN NO PRIEST WAS AVAILABLE (OR AFFORDABLE). IN 1944, ROBERT COWAN ARRIVED AND SERVED ST. MARY’S FOR THE NEXT 37 YEARS UNTIL 1981, A TERM UNPARALLELED IN THE ANGLICAN DIOCESE OF CALGARY. IT WAS DURING THIS TIME THAT ST. MARY’S BECAME KNOWN HAS ST. MARY THE VIRGIN. CANON COWAN RETURNED TO ST MARY’S AS A PARISHIONER FOR A FEW YEARS LATER, AND REMAINED UNTIL HIS DEATH IN 1999. MICHAEL EBSWORTH SERVED AS RECTOR FROM 1981 UNTIL 1994, WHEN HE RESIGNED DUE TO HEALTH REASONS. FATHER EBSWORTH REMAINED A RESIDENT OF LETHBRIDGE, OFTEN SERVING AS A “VISITING” PRIEST, AND HE TOOK PART IN THE FINAL SERVICE AT ST. MARY’S HELD ON AUGUST 14, 2003. IN THE FINAL DECADE OF ST MARY’S EXISTENCE, FIVE OTHER PRIESTS SERVED THE PARISH, INCLUDING TWO FEMALE PRIESTS WHICH SOME FOUND SURPRISING DUE TO ST. MARY’S TRADITIONAL LITURGICAL PRACTICES. THE CHURCH CLOSED AND AMALGAMATED WITH THE ANGLICAN PARISH OF ST. AUGUSTINE. OTHER OBJECTS AND ARCHIVAL MATERIALS ASSOCIATED WITH ST. MARY'S OPERATION WERE TRANSFERRED TO THE ANGLICAN DIOCESE OF CALGARY. AT THE TIME OF ITS CLOSURE, ST MARY'S WAS THE LONGEST OPERATING OF ANY LETHBRIDGE CHURCH IN THE CURRENT PREMISES. FOR COMPLETE HISTORY SEE PERMANENT FILE P20060021001.
Catalogue Number
P20060021015
Acquisition Date
2006-08
Collection
Museum
Images
Less detail
Other Name
LENT PULPIT HANGING
Date Range From
1912
Date Range To
1955
Material Type
Artifact
Materials
COTTON
Catalogue Number
P20060021016
  1 image  
Material Type
Artifact
Other Name
LENT PULPIT HANGING
Date Range From
1912
Date Range To
1955
Materials
COTTON
No. Pieces
1
Length
41
Width
58
Description
DARK PRPL EMBOSSED TAPESTRY. WHT EMBROIDERED CROSS IN CENTER SURROUNDED BY CROWN OF THORNS. BOTTOM FRINGE OF WHT AND PRPL STRING. BACK OF HANGING IS LINED WITH PRPL COTTON WITH FIVE LOOPS ATTACHED FOR HANGING, ONE IS BROKEN.
Subjects
CEREMONIAL ARTIFACT
Historical Association
RELIGION
History
PULPIT HANGING AND OTHER TEXTILES(P20060021011 TO P20060021018 AND P20060021020) WERE FOUND IN A TRUNK (SEE P20060021021) WHEN PARISHONERS CLEANED OUT ST. MARY'S CHURCH IN PREPERATION FOR ITS FUTURE SALE. NO ONE FROM THE CHURCH AT THE TIME OF THE DONATION COULD RECALL ANY INFORMATION ABOUT THE TRUNK OR ITS CONTENTS. THE ALTER FRONTALS DID NOT FIT THE ALTER WHICH BEGAN ITS USED IN 1955. IT IS ASSUMED THAT THE TEXTILES WERE USED IN THE FIRST HALF OF THE PARISH'S EXISTENCE. ST MARY’S ANGLICAN CHURCH BEGAN EARLY IN THE 1900S. THE EARLIEST ARCHIVAL RECORD IS A STATEMENT MADE IN JANUARY, 1906 THAT A GROUP OF PROMINENT MEMBERS OF ST. AUGUSTIN’S PARISHIONERS AGREED TO COVER A DEFICIT IN THE OPERATION OF ST. MARY’S MISSION UP TO $300. APPARENTLY, ST. MARY’S EXISTED BEFORE THIS DECISION, BUT IT IS UNKNOWN FOR HOW LONG. A FORMAL ORGANIZATION MEETING FOR ST. MARY’S MISSION WAS HELD ON APRIL 20. 1908. THE SEPARATE PARISH OF ST. MARY’S WAS ESTABLISHED ON FEBRUARY 1, 1910. THE “NEW” CHURCH WAS BUILT IN 1912, AND USED BY THE PARISH UNTIL IT CLOSED IN 2003. THE NORTH SIDE CHRISTIAN FELLOWSHIP THEN RENTED THE BUILDING UNTIL 2006, WHEN THE PROPERTY WAS SOLD TO A PRIVATE INDIVIDUAL. THERE WERE AT LEAST EIGHT RECTORS (PRIESTS) AT ST MARY’S BETWEEN 1910 AND 1944, INCLUDING SOME PERIODS OF TIME WHEN NO PRIEST WAS AVAILABLE (OR AFFORDABLE). IN 1944, ROBERT COWAN ARRIVED AND SERVED ST. MARY’S FOR THE NEXT 37 YEARS UNTIL 1981, A TERM UNPARALLELED IN THE ANGLICAN DIOCESE OF CALGARY. IT WAS DURING THIS TIME THAT ST. MARY’S BECAME KNOWN HAS ST. MARY THE VIRGIN. CANON COWAN RETURNED TO ST MARY’S AS A PARISHIONER FOR A FEW YEARS LATER, AND REMAINED UNTIL HIS DEATH IN 1999. MICHAEL EBSWORTH SERVED AS RECTOR FROM 1981 UNTIL 1994, WHEN HE RESIGNED DUE TO HEALTH REASONS. FATHER EBSWORTH REMAINED A RESIDENT OF LETHBRIDGE, OFTEN SERVING AS A “VISITING” PRIEST, AND HE TOOK PART IN THE FINAL SERVICE AT ST. MARY’S HELD ON AUGUST 14, 2003. IN THE FINAL DECADE OF ST MARY’S EXISTENCE, FIVE OTHER PRIESTS SERVED THE PARISH, INCLUDING TWO FEMALE PRIESTS WHICH SOME FOUND SURPRISING DUE TO ST. MARY’S TRADITIONAL LITURGICAL PRACTICES. THE CHURCH CLOSED AND AMALGAMATED WITH THE ANGLICAN PARISH OF ST. AUGUSTINE. OTHER OBJECTS AND ARCHIVAL MATERIALS ASSOCIATED WITH ST. MARY'S OPERATION WERE TRANSFERRED TO THE ANGLICAN DIOCESE OF CALGARY. AT THE TIME OF ITS CLOSURE, ST MARY'S WAS THE LONGEST OPERATING OF ANY LETHBRIDGE CHURCH IN THE CURRENT PREMISES. FOR COMPLETE HISTORY SEE PERMANENT FILE P20060021001.
Catalogue Number
P20060021016
Acquisition Date
2006-08
Collection
Museum
Images
Less detail
Other Name
MILITARY RIBBON BAR
Date Range From
1939
Date Range To
1945
Material Type
Artifact
Materials
ALUMINUM, CLOTH
Catalogue Number
P19738775000
  1 image  
Material Type
Artifact
Other Name
MILITARY RIBBON BAR
Date Range From
1939
Date Range To
1945
Materials
ALUMINUM, CLOTH
No. Pieces
1
Length
2.6
Width
2.0
Description
"TZ" IN A CIRCLE ON BACK. RED, WHITE, BLACK & BLUE RIBBON ON FRONT. CROSSED SWORDS AT ONE END.
Subjects
CEREMONIAL ARTIFACT
PERSONAL SYMBOL
Historical Association
MILITARY
History
RIBBONS INDICATE INDIVIDUAL AWARDED WAR MERIT MEDAL, 2ND CLASS, HINDENBURG CROSS, CROSS OF HONOR COMBATANT (1914-1918), & BALTIC CROSS. (L. TO R.) RIBBONS INDICATE INDIVIDUAL WAS VETERAN OF W.W.I. *UPDATE* IN 2014 COLLECTIONS ASSISTANT JANE EDMUNDSON CONDUCTED A SURVEY OF MILITARY OBJECTS. SHE WAS UNABLE TO UNCOVER ANY NEW INFORMATION ABOUT THIS ARTIFACT.
Catalogue Number
P19738775000
Acquisition Date
1973-06
Collection
Museum
Images
Less detail
Other Name
SKIRT AND BLOOMER SET
Date Range From
1920
Date Range To
1930
Material Type
Artifact
Materials
COTTON
Catalogue Number
P20000085003
  2 images  
Material Type
Artifact
Other Name
SKIRT AND BLOOMER SET
Date Range From
1920
Date Range To
1930
Materials
COTTON
No. Pieces
2
Length
120.0
Width
48.0
Description
1. BLOOMERS. NAVY BLUE, WITH WHITE TRIM. HAS A TURNED DOWN COLLAR, WITH FOUR ROWS OF WHITE TRIM ON IT. FRONT OPENING, TO JUST BELOW WAISTLINE, CLOSES WITH 6 BLACK, BAKELITE BUTTONS. FRONT CLOSURE HAS TWO ROWS OF WHITE TRIM ON IT. SHORT SLEEVES ALSO HAVE TWO ROWS OF WHITE TRIM ON THEM. THERE IS A WORN AND FRAYED, WHITE CLOTH TAG INSIDE BACK OF NECKLINE. ONE LEG HAS BEEN SLIGHTLY BLEACHED AND BLOOMERS HAVE NUMEROUS WORN SPOTS AND HOLES THROUGHOUT. 2. SKIRT. NAVY BLUE WITH WHITE TRIM. GO WITH ABOVE BLOOMERS. WAISTBAND HAS 5 BUTTONHOLES AROUND IT. BACK OF SKIRT HAS AN OPENING WITN NO CLOSURE. BACK OF SKIRT HAS BEEN SLIGHTLY BLEACHED. ALSO HAS NUMEROUS WORN SPOTS AND HOLES.
Subjects
CLOTHING-UNDERWEAR
CLOTHING-OUTERWEAR
Historical Association
PERSONAL CARE
History
SEE P20000085001-GA FOR HISTORY. *UPDATE* IN 2017 COLLECTIONS ASSISTANT RUTHANN LABLANCE CONDUCTED A SURVEY OF CLOTHING, INCLUDING A BLOUSE DONATED BY BEV NAGATA. THE FOLLOWING BIOGRAPHICAL INFORMATION WAS COMPILED USING ARTICLES FROM THE LETHBRIDGE HERALD. BEVERLY “BEV” NAGATA IS THE DAUGHTER OF FREDRICK I. SAUTER AND NORA JEAN SAUTER (NEE MCCOY). FREDRICK “FRED” I. SAUTER WAS BORN ON FEBRUARY 12, 1920, THE SON OF CHARLES SR. AND MARY SAUTER (MAIDEN NAME UNKNOWN). ACCORDING TO HIS OBITUARY, HE WAS THE FIRST BABY BORN IN THE TOWN OF VAUXHALL, AB. HE OWNED AND OPERATED SAUTER’S GENERAL SUPPLIES FOR THREE TO FOUR DECADES. HE PASSED AWAY AT THE AGE OF 88 ON NOVEMBER 9, 2008. NORA JEAN SAUTER (NEE MCCOY) WAS BORN IN PORT ALBERNI, BC ON APRIL 1, 1913, THE DAUGHTER OF JOHN AND HATTIE MCCOY (MAIDEN NAME UNKNOWN) AND TWIN OF DAVID MCCOY. SHE WAS RAISED AND EDUCATED IN EDMONTON AND GRADUATED FROM THE EDMONTON GENERAL HOSPITAL AS A NURSE. SHE ALSO ATTENDED MCGILL UNIVERSITY AND RECEIVED A DIPLOMA IN PUBLIC HEALTH NURSING. SHE BEGAN AS A PUBLIC HEALTH NURSE IN VAUXHALL, IN 1940. SHE WAS MARRIED TO FRED SAUTER ON AUGUST 20, 1942. NORA PASSED AWAY AT THE AGE OF 90 ON JULY 10, 2003. CHARLES R. SAUTER SR. WAS THE FIRST RESIDENT OF VAUXHALL AND WORKED FOR THE PIONEER LUMBER COMPANY. HE WAS ALSO REPORTEDLY THE FIRST RESIDENT OF VAUXHALL TO OWN A CAR. HE PASSED AWAY AT THE AGE OF 76 ON AUGUST 4, 1969. MARY SAUTER (MAIDEN NAME UNKNOWN) PASSED AWAY AT THE AGE OF 83 ON FEBRUARY 3, 1978. SEE PERMANENT FILE FOR COPIES OF THE ARTICLES FROM THE LETHBRIDGE HERALD.
Catalogue Number
P20000085003
Acquisition Date
2001-07
Collection
Museum
Images
Less detail
Date Range From
1920
Date Range To
1930
Material Type
Artifact
Materials
COTTON
Catalogue Number
P19739378000
  2 images  
Material Type
Artifact
Date Range From
1920
Date Range To
1930
Materials
COTTON
No. Pieces
1
Length
64
Description
SIZE SMALL. WHITE. WHITE EYELET RUFFLE ON LEG OPENINGS. LEGS JOINED ONLY AT BACK WAIST BAND, CROTCH IS OPEN, FRONT WAIST FASTENS WITH TIES.
Subjects
CLOTHING-UNDERWEAR
Historical Association
PERSONAL CARE
Catalogue Number
P19739378000
Acquisition Date
1973-09
Collection
Museum
Images
Less detail
Other Name
PARATROOPER BOOTS
Date Range From
1939
Date Range To
1945
Material Type
Artifact
Materials
LEATHER, COTTON, STEEL, BRASS
Catalogue Number
P19930066002
  1 image  
Material Type
Artifact
Other Name
PARATROOPER BOOTS
Date Range From
1939
Date Range To
1945
Materials
LEATHER, COTTON, STEEL, BRASS
No. Pieces
2
Height
28.7
Length
29.2
Width
11.3
Description
ONE PAIR OF RED LEATHER LACE UP BOOTS. EACH BOOT IS SQUARE TOED WITH 9 EYELETS UP EACH SIDE FOR LACING. TOP OF BOOT REACHES LOWER CALF AREA AND HAS FASTENING STRAP WITH 5 HOLES AND BRASS BUCKLE ON OUTER SIDE OF BOOT. ALL LEATHER IS MACHINE STITCHED WITH THREE LAYER LEATHER SOLE. EACH HEEL HAS 1CM OF RUBBER ATTACHED WITH THREE PLUGS FOR REMOVAL OF FASTENING NAILS. EACH SOLE HAS NUMEROUS SMALL NAILS FOR FASTENING. EACH BOOT ALSO HAS RED COTTON LACES WITH STEEL TAGS. THE EYELETS ARE MADE OF BRASS. LEATHER IS WELL BROKEN IN BUT NOT BADLY WORN. SLIGHT CRACKING OF LEATHER ON TOP OF TOES AND AT HEELS. MODERATE CRACKING ALONG INSIDE TOP OF BOTH BOOTS. RIGHT BOOT HAS TWO RED PAINT SPLATTERS.
Subjects
CLOTHING-FOOTWEAR
Historical Association
MILITARY
History
SEE RECORD FOR P19930066001-GA *UPDATE* IN 2012 COLLECTIONS ASSISTANT DAVID SMITH CONDUCTED A SURVEY OF MILITARY OBJECTS. HE WAS ABLE TO DISCOVER NEW INFORMATION ABOUT THE ORIGINAL OWNER. HE LEARNED THE FOLLOWING: ACCORDING TO HIS OBITUARY IN THE LETHBRIDGE HERALD, REED WILSON AINSCOUGH WAS BORN IN CARDSTON ALBERTA ON JUNE 21, 1918, WAS EDUCATED IN MACLEOD AND PASSED AWAY ON OCTOBER 20, 1993. IN THE WOLFORD AREA HISTORY BOOK TITLED: FROM LUMPY BUTTE, MEMORIES LIVE FOREVER, AINSCOUGH’S WIFE (BUCK CRAIG) WROTE, “AINSCOUGH JOINED THE 93RD BATTERY IN 1940. (ANOTHER ACCOUNT WITHIN THE SAME HISTORY BOOK SUGGESTS THAT AINSCOUGH ENLISTED AT CALGARY IN JANUARY OF 1942.) THE BATTERY INCLUDED A TROOP FROM CARDSTON AND GRANUM. BEN HIGGS AND REED JOINED UP TOGETHER AND WENT TO VICTORIA TO QUALIFY FOR THEIR COMMISSIONS AS LIEUTENANTS IN THE ARTILLERY. AFTER A FEW MONTHS IN BRANDON, HE AND BEN WENT THEIR SEPARATE WAYS. BEN WENT TO ITALY AND REED FIRST SERVED IN BORDEN, ENGLAND AS A GUN POSITION OFFICER AND THEN JOINED THE “E” TROOP OF THE 91ST BATTERY, WHICH SERVED IN NORMANDY AND N.W. EUROPE. HE DID TAKE SOME TIME IN JULY 1942 TO MARRY BUCK CRAIG. REED SERVED AS A FORWARD OBSERVATION OFFICER WITH THE ARTILLERY. HE WAS WOUNDED IN THE NORMANDY REGION. AINSCOUGH’S OBITUARY IN THE LETHBRIDGE HERALD STATES THAT HE WAS WOUNDED NEAR CAEN, WHILE THE DESCRIPTION WRITTEN BY HIS WIFE IN THE WOLFORD HISTORY BOOK CLAIMS HE WAS WOUNDED NEAR ROUEN. BOTH LOCATIONS ARE IN THE NORMANDY REGION OF FRANCE. AFTER SPENDING TEN MONTHS IN THE HOSPITAL, HE RETURNED TO THE FIELD AND SERVED IN HOLLAND WITH THE 110TH BATTERY, 15TH FIELD REGIMENT JUST BEFORE ARMISTICE. AINSCOUGH RECEIVED SIX MEDALS AND WAS DISCHARGED WITH THE RANK OF CAPTAIN. AFTER RETURNING TO FORT MACLEOD, HE WAS PERSUADED TO COMMAND THE 93RD BATTERY. HE ALSO COMMANDED THE FORT MACLEOD CADET CORPS AND FORMED THREE OTHER CADET CORPS – IN PINCHER CREEK, ST. PAUL’S AND ST. MARY’S CORPS ON THE BLOOD RESERVE. AFTER THE CONCLUSION OF WWII, HE RETURNED HOME TO FORT MACLEOD. HE LATER MOVED TO MEDICINE HAT AND HELD THE RANK OF LIEUTENANT COLONEL WITH THE SOUTHERN ALBERTA LIGHT HORSE REGIMENT." FOR MORE INFORMATION, PLEASE SEE PERMANENT FILE.
Catalogue Number
P19930066002
Acquisition Date
1995-05
Collection
Museum
Images
Less detail
Other Name
MEN'S BOOT (PR)
Date Range From
1920
Date Range To
1930
Material Type
Artifact
Materials
LEATHER, NEOLITE
Catalogue Number
P19739469000
  2 images  
Material Type
Artifact
Other Name
MEN'S BOOT (PR)
Date Range From
1920
Date Range To
1930
Materials
LEATHER, NEOLITE
No. Pieces
2
Height
22.5
Length
28.5
Width
10.0
Description
SIZE 7 1/2 A. BROWN LEATHER BOOTS. .1 LEATHER UPPERS AND SOLES. "GOOD YEAR" "NEOLITE" ON HEEL. LEFT BOOT. TIE CLOSING. "349212" "7 1/2 A (TWICE" "IS" STAMPED ON INSIDE. .2 IDENTICAL TO .1. RIGHT BOOT. "657 RUSH" AND "278" STAMPED ON INSIDE.
Subjects
CLOTHING-FOOTWEAR
Historical Association
PERSONAL CARE
Catalogue Number
P19739469000
Acquisition Date
1973-11
Collection
Museum
Images
Less detail
Other Name
FELT BOOTS (PR)
Date Range From
1935
Date Range To
1945
Material Type
Artifact
Materials
WOOL FELT, RUBBER
Catalogue Number
P19900039003
  2 images  
Material Type
Artifact
Other Name
FELT BOOTS (PR)
Date Range From
1935
Date Range To
1945
Materials
WOOL FELT, RUBBER
No. Pieces
2
Height
38.1
Length
30
Width
11.5
Description
WOOL FELT UPPERS, RUBBER BOTTOMS, FELT INSOLES. UPPERS HAVE FINGER HOLES FOR PULLING ON. BOTTOMS SLIGHTLY WORN."SIZE 7 MADE IN CANADA" ON SOLES; "DOMINION RUBBER". HOLES AT JOIN WITH RUBBER BOTTOMS, SOME REPAIRS. SEE CONSERVATION REPORT. RIGHT BOOT REPAIRED ON INNER LEG WITH BLUE AND BLACK THREAD. LEFT BOOT REPAIRED WITH BROWN THREAD ON OUTSIDE LEG. SMALL HOLE NEAR RUBBER SHOE.
Subjects
CLOTHING-FOOTWEAR
Historical Association
PERSONAL CARE
History
OWNED BY DONOR'S FATHER, MARTIN JANZEN WHO IMMIGRATED TO ALBERTA FROM RUSSIA, SETTLING IN SUNNYSIDE AREA, EAST OF LETHBRIDGE IN 1920'S.
Catalogue Number
P19900039003
Acquisition Date
90-09
Collection
Museum
Images
Less detail
Date Range From
1920
Date Range To
1930
Material Type
Artifact
Materials
LEATHER, CANVAS LINED
Catalogue Number
P19880005002
  2 images  
Material Type
Artifact
Date Range From
1920
Date Range To
1930
Materials
LEATHER, CANVAS LINED
No. Pieces
2
Height
23.1
Length
26.5
Width
8.5
Description
PAIR HIGH-CUT WOMEN'S LACE-UP BOOTS. LEATHER UPPER, SOLE & HEELS. HEEL COUNTER HAS RUBBER LIKE PROTECTING MATERIAL. LACES IN POOR CONDITION. BROWN.
Subjects
CLOTHING-FOOTWEAR
Historical Association
RETAIL TRADE
PERSONAL CARE
History
PROBABLY DATES TO 1920'S. SEE P19880005001-GA FOR DONOR INFO. *UPDATE* IN 2018, COLLECTIONS ASSISTANT ELISE PUNDYK CONDUCTED A COLLECTIONS AUDIT, WHICH INCLUDED A NUMBER OF ARTIFACTS DONATED BY ADAMA RENTALS. IN THE WINTER OF 2018, PUNDYK CONNECTED WITH GERI FARBERG, FORMER OWNER OF ADAMA. SHE STATED HER MOTHER WAS A SEAMSTRESS FOR THE MUSICAL THEATRE DEPARTMENT AT THE YATES THEATRE IN LETHBRIDGE AND THAT THE SHOES COLLECTED FOR THE ADAMA RENTAL STORE MOST LIKELY WERE COMING FROM THAT DEPARTMENT. NO FURTHER INFORMATION WAS LEARNED THROUGH THE AUDIT PROCESS. PLEASE SEE PERMANENT FILE P19880005001 FOR MORE INFORMATION ABOUT FOR FURTHER INFORMATION ABOUT ADAMA RENTALS, INCLUDING WITH LETHBRIDGE HERALD CLIPPINGS RELATED TO THE STORE.
Catalogue Number
P19880005002
Acquisition Date
1988-01
Collection
Museum
Images
Less detail
Date Range From
1925
Date Range To
1935
Material Type
Artifact
Materials
LEATHER, CANVAS
Catalogue Number
P19880005003
  2 images  
Material Type
Artifact
Date Range From
1925
Date Range To
1935
Materials
LEATHER, CANVAS
No. Pieces
2
Height
29.0
Length
23.0
Width
6.9
Description
PAIR HIGH-CUT WOMAN'S BOOTS, LACEUP TYPE. RUBBER HEEL COUNTER (NEWER). NO LACES. STAMPED "530" "1942" ON LINING. LIGHT BROWN.
Subjects
CLOTHING-FOOTWEAR
Historical Association
RETAIL TRADE
PERSONAL CARE
History
NAME FRAN BAYLY IN INK ON CANVAS LINING. SEE P19880005001-GA. *UPDATE* IN 2018, COLLECTIONS ASSISTANT ELISE PUNDYK CONDUCTED A COLLECTIONS AUDIT, WHICH INCLUDED A NUMBER OF ARTIFACTS DONATED BY ADAMA RENTALS. IN THE WINTER OF 2018, PUNDYK CONNECTED WITH GERI FARBERG, FORMER OWNER OF ADAMA. SHE STATED HER MOTHER WAS A SEAMSTRESS FOR THE MUSICAL THEATRE DEPARTMENT AT THE YATES THEATRE IN LETHBRIDGE AND THAT THE SHOES COLLECTED FOR THE ADAMA RENTAL STORE MOST LIKELY WERE COMING FROM THAT DEPARTMENT. NO FURTHER INFORMATION WAS LEARNED THROUGH THE AUDIT PROCESS. PLEASE SEE PERMANENT FILE P19880005001 FOR MORE INFORMATION ABOUT FOR FURTHER INFORMATION ABOUT ADAMA RENTALS, INCLUDING WITH LETHBRIDGE HERALD CLIPPINGS RELATED TO THE STORE.
Catalogue Number
P19880005003
Acquisition Date
1988-01
Collection
Museum
Images
Less detail
Other Name
ACME BOOT
Date Range From
1937
Date Range To
1962
Material Type
Artifact
Materials
LEATHER
Catalogue Number
P20150016005
  1 image  
Material Type
Artifact
Other Name
ACME BOOT
Date Range From
1937
Date Range To
1962
Materials
LEATHER
No. Pieces
2
Height
28.5
Length
30.5
Description
A-B: RED COWBOY BOOTS (LEFT AND RIGHT BOOT). THE LEATHER BOOT BODIES ARE RED WITH GOLD ACCENTS AND GOLD OPENING TRIMS. LEATHER SOLES HAVE BEEN RE-HEELED. INTERIORS LABELLED “ACME BOOT” AND INK STAMPED, “MADE IN THE USA”. GOOD CONDITION. ON BOTH BOOTS, THERE IS A RED DYE LOSS IN VARIOUS PLACES, ESPECIALLY AT THE TOES. SOME OF THE GOLD ACCENTS ARE SCUFFED. REGULAR WEAR TO THE BOTTOM SOLES. THERE IS WEAR TO THE INSIDE SOLES (MORE SEVERELY ON BOOT A). BOTH BOOTS ARE MISSHAPEN (BOOT B TO A GREATER EXTENT). ON BOOT A, THERE IS A LOOSE THREAD ON THE TOE DESIGN. THERE IS A LOOSE YELLOW THREAD ON THE INSIDE HEEL ON BOOT B.
Subjects
CLOTHING-FOOTWEAR
Historical Association
PERSONAL CARE
PROFESSIONS
LEISURE
History
EVERAL HORHOZER (NÉE SUPINA) WAS BORN IN LETHBRIDGE IN THE YEAR OF 1927 TO HER PARENTS DONAH (NÉE HILL) AND NICHOLAS SUPINA. SUPINA WAS THE OWNER OF SUPINA’S MERCANTILE ON 13TH STREET NORTH, LETHBRIDGE. THESE COWBOY BOOTS WERE PART OF THE STAGE OUTFIT WORN BY JOE HORHOZER WHEN HE WAS THE ACCORDION PLAYER AND MUSIC ARRANGER FOR A WELL-KNOWN LETHBRIDGE MUSICAL GROUP CALLED THE ALBERTA RANCH BOYS. THE GROUP FORMED IN THE SUMMER OF 1937 WITH MEMBERS LOUIS (LOU) GONZY, MATT (BUCK) WASOWICH, PETER (CURLY) GURLOCK, REMO BACEDA, AND ‘LITTLE JOE’ HORHOZER. COLLECTIONS TECHNICIAN KEVIN MACLEAN CONDUCTED A SERIES OF INTERVIEWS (ON APRIL 2, APRIL 16, AND MAY 7, 2015) WITH HORHOZER REGARDING A GROUP OF ARTIFACTS SHE DONATED TO THE MUSEUM. THE INFORMATION BELOW HAS COME FROM THESE INTERVIEWS AND LETHBRIDGE HERALD RESEARCH REGARDING THE HORHOZER FAMILY HISTORY. IN THE INTERVIEW, HORHOZER EXPLAINED SHE MET HER HUSBAND, JOE HORHOZER, WHEN HE CAME TO WORK FOR SUPINA’S MERCANTILE. FOR THE STORY OF HOW THEY MET, PLEASE SEE RECORDS P20150016003 AND P20150016004. WHEN DESCRIBING HER HUSBAND'S MUSIC CAREER, HORHOZER SAID, “I WOULD CALL HIM THE LEAD INSTRUMENT BECAUSE AN ACCORDION IS, EH? AND HE WAS EXCEPTIONALLY GIFTED WITH THE ACCORDION; THAT’S WHAT EVERYBODY SAID, THAT THERE ISN’T ANYONE, AT LEAST AROUND THIS COUNTRY, THAT COULD COMPARE WITH HIM.” DESCRIBED IN THEIR SOUVENIR BOOK PUBLISHED IN 1941 AS “PROFESSIONAL RADIO ENTERTAINERS”, THE ‘ALBERTA RANCH BOYS’ WERE FORMED WHEN THE LOCAL EXHIBITION AND STAMPEDE PARADE WAS FOUND WANTING FOR A “COWBOY BAND” AS PART OF ITS LINEUP. ACCOLADES FOR THE PARADE ACT FOLLOWED, INSPIRING THE GROUP “TO EMBARK ON THE LONG ROAD TO FAME AND FORTUNE”. IN A YEAR’S TIME – AND AFTER TOURING THROUGH ALBERTA AND BC – THE BAND ENDED UP IN VANCOUVER. THERE IT ESTABLISHED ITSELF, ACCORDING TO THE BOOKLET, AS “WESTERN CANADA’S MOST VERSATILE STAGE AND DANCE FAVOURITE,” BROADCASTING ITS COWBOY MELODIES FOR OVER TWO CONTINUOUS YEARS VIA CKWX (VANCOUVER’S LARGEST RADIO STUDIO AT THE TIME). DURING THE WAR, IT DONATED ITS TALENTS TO THE PROMOTION OF WAR SAVINGS CERTIFICATES. ONE VICTORY RALLY SONG FOR STAMPS WAS “WE’VE BOUGHT THEM BEFORE AND WE’LL BUY THEM AGAIN.” BY EARLY JAN-FEB 1943, THE BAND HAD PEAKED. ONE MEMBER IS REPORTED TO HAVE ENLISTED IN THE CANADIAN ARMY WHILE OTHERS, ACCORDING TO THE DONOR, “GOT SICK”. “THEY DID A LOT IN TORONTO.” RECALLED EVERAL IN AN INTERVIEW. “[IT WAS FROM] TORONTO THEN THEY COULD HAVE GONE [TO NEW YORK] - THAT’S WHERE THEY WERE OFFERED THE BIG JOB OF RECORDING AND BEING ON TV…BUT THEN [JOE] SAYS THAT HE DOESN’T CARE, BECAUSE HE SAYS IF HE WOULD HAVE WENT, HE WOULDN’T HAVE MET ME, SO, I MEAN, THAT WAS A NICE THING TO SAY. HE SAYS LIFE TURNED OUT GOOD FOR HIM.” EVERAL WAS NOT AWARE OF THIS AT THE TIME OF THEIR MEETING. AFTER FINDING OUT, SHE SAID, “WELL, I THOUGHT, GEE WHIZ, WELL, HE JUST ISN’T AN EVERYDAY JOE AND EVERYBODY IN TOWN KNEW HIM AND ADMIRED HIM. YEAH, IT MADE ME A LITTLE MORE HAPPY.” THESE RED COWBOY BOOTS WERE PART OF THE COSTUME JOE HORHOZER WORE WHEN HE PERFORMED WITH THE ALBERTA RANCH BOYS, AND LATER THE 'COUNTRY CAPERS,' A LETHBRIDGE-BASED BAND FOR WHICH HE PLAYED THE ACCORDION BEGINNING IN 1958. IT WAS EVERAL WHO DYED THEM THE BRIGHT RED COLOUR: “HE ASKED ME [TO DYE THE BOOTS]. HE SAID HE WANTED TO CHANGE, THEY WERE GETTING TO LOOK KIND OF SHABBY, AND I DON’T KNOW WHY HE PICKED RED, BUT THAT’S WHAT HE DID SO, THAT’S WHAT I - ACTUALLY THESE STOOD UP QUITE WELL [LAUGHS]. THE REGULAR COLOUR WAS - I THINK THEY WERE BLACK-LIKE. BLACK WITH WHITE... THOSE WERE THE ONLY BOOTS THAT HE HAD.” OF THE PERFORMANCE COSTUME EVERAL HORHOZER SAID: “WHEN THEY STARTED PLAYING AT THE TRIANON THEN, I TELL YOU, THEY START WEARING MORE BAND [CLOTHES] - LIKE THEY HAD DIFFERENT BLAZERS, COLOURED BLAZERS – BLUE ONES AND RED ONES AND ALL WORE BLAZERS THEN ‘CAUSE THEY WANTED TO BECOME LIKE A DANCE BAND, I GUESS YOU’D SAY.” “HE WOULD NEVER FORGET THAT TIME [WITH THE RANCH BOYS],” HORHOZER SAID OF HER HUSBAND, “HE TALKED ABOUT IT ALL THE TIME. HOW THEY MET SO MANY [PEOPLE], LIKE THEY’D PLAY AT PRIVATE PARTIES FOR WEALTHY PEOPLE. HE ABSOLUTELY LOVED HIS MUSIC. HE LIVED FOR HIS MUSIC.” BACK HERE IN LETHBRIDGE IN 1958, EVERAL’S HUSBAND JOE WENT ON TO PERFORM WITH THE COUNTRY CAPERS, PLAYING ACCORDION FOR A WEEKLY BROADCAST VIA THE LOCAL TV STATION CJLH. IN 1961, THE STATION AND THE BROADCAST WERE PRESENTED WITH A NATIONAL LIBERTY AWARD FOR “TV STATION SHOWMANSHIP” AND “BEST LOCAL PROGRAMMING.” IN HIS TIME, ‘LITTLE JOE’ PLAYED WITH ROY ROGERS, GENE AUTRY AND TOMMY HUNTER. HE DIED IN 2010 AT AGE 89. EVERAL HORHOZER PASSED AWAY IN LETHBRIDGE 6 YEARS LATER ON JUNE 6, 2016 AT THE AGE OF 88 YEARS. PLEASE SEE THE PERMANENT FILE FOR ADDITIONAL INFORMATION INCLUDING FULL INTERVIEW TRANSCRIPTS, LETHBRIDGE HERALD ARTICLES, AND FURTHER PUBLICATIONS.
Catalogue Number
P20150016005
Acquisition Date
2015-05
Collection
Museum
Images
Less detail
Date Range From
1899
Date Range To
1968
Material Type
Artifact
Materials
LEATHER, WOOD, METAL
Catalogue Number
P20170010000
  2 images  
Material Type
Artifact
Date Range From
1899
Date Range To
1968
Materials
LEATHER, WOOD, METAL
No. Pieces
12
Height
55.5
Length
28.5
Width
10
Description
A: RIGHT BROWN LEATHER BOOT. THE LEATHER IS ABOUT 2CM THICK, MEASURED FROM THE TOP. WORN BLACK LEATHER SOLE, HEEL AFFIXED WITH WORN METAL NAILS. TWO LACE LINES ARE ON THE BOOT, ONE MEASURES SEVEN HOLES LONG ABOVE THE TOP OF THE FOOT, THE OTHER MEASURING FIVE HOLES LONG ON THE TOP OUTSIDE EDGE OF THE BOOT. THE LACE HOLES ARE RIMMED WITH RED METAL FRAMES. THE SOLE IS WORN, STAINED, AND FRAYED RED. TEXT STAMPED ON THE SOLE READS “A.E. N…ON CO. SYRACCUSE N.Y. U.S.A.” THE BOOTS LEATHER IS WORN ON THE TOE AND SCRATCHED ALL OVER. A CUT IN THE LEATHER SITS ABOVE THE TOE. THE STITCHING AT THE BACK OF THE BOOT HAS TORN OPEN AND AT THE TOP OF THE BOOT, NEXT TO THE LEATHER PULL, THE BOOT IS SPLIT NEXT TO THE SEAM. THE LEATHER INSIDE THE BOOT IS FLAKING OFF IN THE HEEL AND THE INSIDE EDGE. WHITE FABRIC PULL LOOPS SIT ON THE LEFT AND RIGHT INSIDE OF THE BOOT. DIMENSIONS: H: 46 CM, L: 28.5CM, W: 10 CM. CONDITION: GOOD. B: THE TOE-SHAPED PIECE OF THE RIGHT BOOT’S WOOD INSERT. MADE OUT OF THE FOOT-SHAPED PIECE AND A HANDLE PIECE TO FIT INTO THE FRONT LEG INSERT PIECE, ATTACHED TO EACH OTHER WITH TWO LARGE SCREWS. WRITTEN ON TOP OF THE INSERT IN BLACK INK IS THE LETTER “R”. THE VARNISH IS CHIPPED AND DENTED. DIMENSIONS: H: 10 CM, L: 21 CM, W: 8 CM. CONDITION: VERY GOOD. C: THE FRONT PIECE OF THE RIGHT BOOT’S WOOD INSERT. ENDS IN TWO PRONGS TO SLOT OVER THE TOE INSERT OF THE BOOT, A TRACK RUNS ON THE BACK SIDE FOR THE INSERTION OF THE HANDLED INSERT PIECE. STAMPED ONTO THE TOP OF THE WOOD INSERT ARE THE WORDS “ROBINBROS. MONTREAL” AND “MADE IN CANADA”. ON THE LEFT SIDE IS A STAMPED “6” AND ON THE RIGHT SIDE IS A STAMPED “R”. WRITTEN ON THE UNVARNISHED BACK OF THE INSERT IN BLACK INK IS “R” AND “6 R…”. THE VARNISH IS SCRATCHED AND DENTED, JUST AT THE TOP FRONT EDGE. H: 43 CM, L: 5 CM, W: 8.4 CM. CONDITION: VERY GOOD. D: THE BACK PIECE OF THE RIGHT BOOT’S WOOD INSERT. SHAPED LIKE THE BACK OF THE LEG, ENDING IN THE HEEL. THE FLAT FRONT HAS WRITTEN ON IT IN BLACK INK “R”. THE VARNISH IS SCRATCHED AND DIMPLED. STAMPED ONTO THE TOP OF THE WOOD INSERT ARE THE WORDS “ROBINBROS. MONTREAL” AND “MADE IN CANADA”. ON THE TOP LEFT SIDE IS A STAMPED “6” AND ON THE TOP RIGHT SIDE IS A STAMPED “R”. DIMENSIONS: H: 42.5 CM, L: 5.5 CM, W: 9 CM. CONDITION: VERY GOOD. E: THE MIDDLE PIECE OF THE RIGHT BOOT’S WOOD INSERT. THIN, THE INSERT TAPERS FROM THE TOP TO THE HEEL. THE VARNISH IS DARK, MINIMALLY SCRATCHED BUT DENTED AND DIMPLED. DIMENSIONS: H: 44.2 CM, L: 2.2 CM, W: 9 CM. CONDITION: VERY GOOD. F: THE HANDLED PIECE OF THE RIGHT BOOT’S WOOD INSERT, MEANT TO FIT BETWEEN THE FRONT AND MIDDLE INSERT PIECE. THE FRONT OF THE PIECE FITS INTO THE FRONT WOOD INSERT’S TRACK. THE VARNISH IS MOSTLY WORN AWAY, SURVIVING ON THE HANDLE. THE WOOD IS SCRATCHED AND DIMPLED. ON THE BACK OF THE INSERT IN BLACK INK IS THE LETTER “L”. STAMPED ON THE TOP LEFT SIDE IS A STAMPED “6” AND ON THE TOP RIGHT SIDE IS A STAMPED “R”. DIMENSIONS: H: 55 CM, L: 1.6 CM, W: 8.5 CM. CONDITION: GOOD. G: THE LEFT BROWN LEATHER BOOT. THE LEATHER IS ABOUT 2CM THICK, MEASURED FROM THE TOP. WORN BLACK LEATHER SOLE, HEEL AFFIXED WITH WORN SILVER NAILS. TWO LACE LINES ARE ON THE BOOT, ONE MEASURES SEVEN HOLES LONG ABOVE THE TOP OF THE FOOT, THE OTHER MEASURING FIVE HOLES LONG ON THE TOP OUTSIDE EDGE OF THE BOOT. THE LACE HOLES ARE RIMMED WITH RED METAL FRAMES. THE SOLE IS WORN, STAINED, AND FRAYED RED. TEXT STAMPED ON THE SOLE READS “A.E. NETTLET… CO. S…SE N.Y. ...S.A.” THE BOOTS LEATHER IS WORN OVER THE TOP OF THE FOOT, THE SIDE OF THE HEEL, AND SCRATCHED ALL OVER. THE LEATHER INSIDE THE BOOT IS FLAKING OFF IN THE HEEL AND THE INSIDE EDGE. WHITE FABRIC PULL LOOPS SIT ON THE LEFT AND RIGHT INSIDE OF THE BOOT. DIMENSIONS: H: 46 CM, L: 28.8 CM, W: 9.7 CM. CONDITION: GOOD. H: THE TOE SHAPED PIECE OF THE LEFT BOOT’S WOOD INSERT. MADE OUT OF THE FOOT SHAPED PIECE AND A HANDLE PIECE TO FIT INTO THE FRONT LEG INSERT PIECE, ATTACHED TO EACH OTHER WITH TWO LARGE SCREWS. WRITTEN ON TOP OF THE INSERT IN BLACK INK IS THE LETTER “L”. THE VARNISH IS MINIMALLY DENTED. DIMENSIONS: H: 10 CM, L: 21 CM, W: 8 CM. CONDITION: VERY GOOD. I: THE FRONT PIECE OF THE LEFT BOOT’S WOOD INSERT. ENDS IN TWO PRONGS TO SLOT OVER THE TOE INSERT OF THE BOOT, A TRACK RUNS ON THE BACK SIDE FOR THE INSERTION OF THE HANDLED INSERT PIECE. STAMPED ONTO THE TOP OF THE WOOD INSERT ARE THE WORDS “ROBINBROS. MONTREAL” AND “MADE IN CANADA”. ON THE LEFT SIDE IS A STAMPED “6” AND ON THE RIGHT SIDE IS A STAMPED “L”. WRITTEN ON THE UNVARNISHED BACK OF THE INSERT IN BLACK INK IS “L” AND “6 LEFT”. THE VARNISH IS SCRATCHED AND DENTED, MOSTLY AT THE TOP FRONT EDGE. DIMENSIONS: H: 43 CM, L: 5 CM, W: 8.4 CM. CONDITION: GOOD. J: THE BACK PIECE OF THE LEFT BOOT’S WOOD INSERT. SHAPED LIKE THE BACK OF THE LEG, ENDING IN THE HEEL. THE FLAT FRONT HAS WRITTEN ON IT IN BLACK INK “L”. THE VARNISH IS MINIMALLY SCRATCHED AND DIMPLED. STAMPED ONTO THE TOP OF THE WOOD INSERT ARE THE WORDS “ROBINBROS. MONTREAL” AND “MADE IN CANADA”. ON THE TOP LEFT SIDE IS A STAMPED “6” AND ON THE TOP RIGHT SIDE IS A STAMPED “L”. DIMENSIONS: H: 42.5 CM, L: 5.5 CM, W: 9 CM. CONDITION: VERY GOOD. K: THE MIDDLE PIECE OF THE LEFT BOOT’S WOOD INSERT. THIN, THE INSERT TAPERS FROM THE TOP TO THE HEEL. THE VARNISH IS DARK, SCRATCHED AND WORN IN PLACES. A KNOT IN THE WOOD HAS FALLEN OUT AND LEFT A HOLE IN THE TOP OF THE INSERT. DIMENSIONS: H: 44.3 CM, L: 2.5 CM, W: 9 CM. CONDITION: VERY GOOD. L: THE HANDLED PIECE OF THE RIGHT BOOT’S WOOD INSERT, MEANT TO FIT BETWEEN THE FRONT AND MIDDLE INSERT PIECE. THE FRONT OF THE PIECE FITS INTO THE FRONT WOOD INSERT’S TRACK. THE VARNISH IS MOSTLY WORN AWAY, SURVIVING ON THE HANDLE. THE WOOD IS SCRATCHED AND DIMPLED. ON THE BACK OF THE INSERT IN BLACK INK IS THE LETTER “R” WITH TWO LINES DRAWN OVER IT. STAMPED ON THE TOP LEFT SIDE IS A STAMPED “6” AND ON THE TOP RIGHT SIDE IS A STAMPED “L”. ON THE LEFT SIDE OF THE INSERT IS A NAIL, THE TOP GRINDED DOWN. DIMENSIONS: H: 55.5 CM, L: 1.9 CM, W: 8.6 CM. CONDITION: GOOD.
Subjects
CLOTHING-FOOTWEAR
Historical Association
PERSONAL CARE
MILITARY
PROFESSIONS
LEISURE
History
THIS PAIR OF RIDING BOOTS BELONGED TO MURRAY NELSON, THE BROTHER DONOR KATHRYN HINMAN. TO LEARN MORE ABOUT THE HISTORY OF THESE BOOTS AND THEIR OWNER, GALT COLLECTIONS TECHNICIAN KEVIN MACLEAN INTERVIEWED HINMAN AT THE MUSEUM ON MARCH 20, 2017. THE FOLLOWING INFORMATION HAS BEEN EXTRACTED FROM THAT INTERVIEW: “THE PREVIOUS OWNER OF THESE BOOTS WAS MY BROTHER, MURRAY [NELSON],” HINMAN BEGAN, “HE PASSED AWAY AT THE END OF NOVEMBER 2015… HE WAS A LOCAL MUSICIAN. HE CAME INTO THE POSSESSION OF THESE BOOTS FROM MY GRANDFATHER, GEORGE S. BROWN, WHO WAS LIEUTENANT COLONEL GEORGE S. BROWN. MY GRANDDAD WAS A GREAT FRIEND OF BRIGADIER GENERAL STEWART. GRANDDAD CAME INTO POSSESSION OF THESE BOOTS AT SOME POINT FROM DR. STEWART AND WHEN MY BROTHER WAS ABOUT EIGHTEEN, MY GRANDFATHER PASSED THEM ON TO HIM.” “[MURRAY DID] TELL ME THAT HE WAS IN THE GARAGE OUT AT THE FARM, WHICH IS ACTUALLY BROWN ROAD JUST OFF THE COUTTS’ HIGHWAY AND THAT WAS WHERE MY GRANDFATHER’S ACREAGE WAS. ON THAT ACREAGE, THERE WAS A GARAGE [AMONG] MANY BUILDINGS. MURRAY HAD SAID GRANDDAD HAD TAKEN HIM INTO THE GARAGE AND WHEN MURRAY EXPRESSED AN INTEREST IN [THE BOOTS THERE] GRANDDAD SAID, ‘YUP, YOU CAN HAVE THEM. THEY WERE GENERAL STEWART’S FROM THE BOER WAR. TAKE GOOD CARE OF THEM.’” “[MY BROTHER] USED TO WEAR THEM PLAYING IN BANDS WHEN HE WAS EIGHTEEN AND UP,” HINMAN CONTINUED, “[THEY WERE] PART OF HIS DRESS CODE… THEY’RE LOVELY BOOTS. THE STORY WAS THAT THEY WERE FROM THE BOER WAR, WHICH PUTS THEM OVER ONE HUNDRED YEARS OLD… [MY BROTHER] PROBABLY ACQUIRED [THESE BOOTS WHEN] MY GRANDFATHER PASSED AWAY IN 1968. MURRAY WOULD HAVE BEEN EIGHTEEN [THAT YEAR]. HE WAS IN HIS ELEMENT PLAYING WITH THE BANDS, EXPERIMENTING WITH ALL DIFFERENT KINDS OF MUSIC [AT THAT TIME]. I REMEMBER HIM LOOKING VERY COOL WEARING THEM. ALTHOUGH THESE ARE A VERY SMALL SIZE, RIGHT? SO I’M SURE THEY WERE A LITTLE PINCHEY.” “[MY BROTHER HAD] LONG HAIR – WELL EVERYBODY HAD LONG HAIR IN THE 60’S AND 70’S. [HE WAS] VERY COOL AND AT THAT POINT TOO MY DAD (BILL NELSON) HAD ACQUIRED A SMALL MGA, BURGUNDY-COLOURED, AND [MY BROTHER] USED TO BOMB AROUND AND GO TO BAND PRACTICE IN THAT. OH YEAH, HE WAS NOTORIOUS,” HINMAN LAUGHED, REMEMBERING. WHEN ASKED ABOUT HER BROTHER, HINMAN REPLIED, “MY BROTHER WAS BORN IN 1950. HE WAS JUST A LITTLE OVER SIXTY-FIVE WHEN HE PASSED AWAY. HE WAS AN ACTIVE MUSIC TEACHER AND LOCAL GUITAR TEACHER IN TOWN. YOU COULD SEE HIM BUSKING ON THE STREETS IN FRONT OF THE PENNY COFFEE HOUSE AND IN FRONT OF ESQUIRE’S COFFEE HOUSE. EVERYBODY KNEW HIM. HE USED TO BUSK AT THE FARMER’S MARKET ON FIFTH STREET ON FIRST FRIDAYS. HE PLAYED IN BANDS FOREVER.” “[HE WAS IN A] ROCK’N ROLL BAND. HE WAS IN SO MANY BANDS OVER THE YEARS AND I DON’T KNOW THE NAMES OF THE EARLY BANDS. ONE OF [THE BANDS HE PLAYED WITH] WAS KRANDEL’S KLOUD MACHINE, ONE OF THEM WAS THE SHAMAN, AND THEN HE MOVED TO VANCOUVER FOR A COUPLE OF YEARS AND PLAYED IN VANCOUVER – UP AND DOWN THE WEST COAST. WHEN HE CAME BACK FROM THE COAST, HE JUST PLAYED EVERYWHERE IN SOUTHERN ALBERTA WITH VARIOUS PEOPLE… ANYWAY HE WAS VERY WELL KNOWN IN THE BAND SCENE AND HE HAD A RECORDING STUDIO. THAT WAS A PASSION. HE CALLED HIS RECORDING STUDIO, AARDVARK RECORDINGS. HE HAD HIS FIRST RECORDING STUDIO IN THE BASEMENT OF KRUEGER’S MUSIC, WHERE HE TAUGHT MUSIC FOR BILL KRUEGER. THEN HE MOVED ALL HIS STUFF OVER AND HE WAS IN THE BASEMENT OF THE TRIANON FOR YEARS TEACHING RECORDING AND THEN HE GOT INVOLVED IN TECHNOLOGY, SO HE STARTED FIXING COMPUTERS AND DID COMPUTER PROGRAMMING. HE KIND OF USED TECHNOLOGY IN THE RECORDING STUDIO. HE HAD THIS HUGE SOUND BOARD WITH ALL THE SWITCHES AND WHATEVER AND HE HAD TONS OF LIKE STACKS OF MACHINES [FOR RECORDING],” HINMAN REMEMBERED. “[MY BROTHER] HAD A REPUTATION,” HINMAN WENT ON, “[PEOPLE WOULD SAY TO ME], ‘OH YOUR MURRAY’S SISTER.’ IT WAS GREAT AND ACTUALLY MY HUSBAND WAS BORN IN CARDSTON AND HE HAD A BAND THAT HE USED TO PLAY IN SOUTHERN ALBERTA WITH. WE HAVE AN ACTUAL RECORDING FROM THE BASEMENT RECORDING STUDIO AT KRUEGER’S, WHEN [MY BROTHER] RECORDED WITH MY HUSBAND’S BAND. IT WAS GREAT.” WHEN ASKED ABOUT THE MUSICAL INFLUENCE WITHIN HER FAMILY, HINMAN EXPLAINED, “MY MOM (MARGARET NELSON) WAS A LOCAL MUSIC TEACHER. SHE WAS A PIANO TEACHER. MY DAD’S MOTHER WAS KATE MARQUIS NELSON, WHO WAS A LOCAL PIANO TEACHER SO [WE HAD INFLUENCE] FROM BOTH ENDS. WE ALL GREW UP IN OUR HOUSEHOLD WITH MUSIC. I HAVE A DEGREE IN MUSIC AND I’M A MUSIC TEACHER AND MY YOUNGER BROTHER, MARK, PLAYS CLASSICAL GUITAR. WE HAD MUSIC EVERYWHERE. I HAVE SOME PICTURES AT HOME OF THE THREE KIDS WITH A DRUM SET AND I’M ON THE KEYBOARD AND MURRAY IS PLAYING GUITAR AND, EVEN A PICTURE OF MY MOM SITTING AT THE DRUMS TAKING PART IN THE MERRIMENT IN OUR BASEMENT.” “MY DAD PLAYED IN THE SYMPHONY. IN FACT, MY MOM AND DAD REVIVED THE SYMPHONY IN THE EARLY ‘60S. SO IT WAS JUST NATURAL FOR MURRAY TO [BE MUSICAL]. HE PLAYED EVERYTHING. HE PLAYED BANJO WITH MUSICAL THEATRE ONE YEAR, AND TAUGHT BANJO. HE THOUGHT THAT HE WAS THE ‘ONLY’ BANJO TEACHER IN LETHBRIDGE. HE [ALSO] THOUGHT THAT HE WAS THE ONLY REAL GOOD GUITARIST TEACHER IN LETHBRIDGE TOO,” HINMAN LAUGHED. “SO ANYWAY,” SHE CONTINUED, “IT WAS A STRUGGLE FINANCIALLY. MUSIC IS NOT AN EASY, AN EASY PROFESSION TO BE IN, A PERFORMING MUSICIAN. HE QUIT HIGH SCHOOL WHEN HE WAS PROBABLY SIXTEEN, BUT IN HIS MID TO LATE TWENTIES, HE FINISHED HIS DIPLOMA AND HE STARTED NURSING AT THE COLLEGE. HE DID PRETTY WELL [THERE], BUT HE DIDN’T DEAL WELL WITH AUTHORITY, SO HE DIDN’T FINISH IT. BUT [THROUGH THAT HE] GOT A LOT OF GOOD PRACTICAL KNOWLEDGE. [AFTERWARDS] PROCEEDED TO PURSUE HIS PASSION, WHICH WAS MUSIC. IN THE LAST FEW YEARS OF HIS LIFE HE FIXED THOSE COMPUTER SIGNS THAT SIT ON THE SIDE OF THE ROAD. HE WOULD FIX THE MOTHER BOARD… HE JUST DID WHAT HE WANTED. HE LIVED IS LIFE HIS WAY.” TO THE QUESTION OF WHY HER GRANDFATHER, GEORGE S. BROWN, RECEIVED THE BOOTS FROM GENERAL JOHN SMITH STEWART, HINMAN ANSWERED, “THE ONLY REASON I CAN THINK OF IS THAT BECAUSE THEY WERE GREAT FRIENDS… [IF GENERAL STEWART PASSED AWAY IN THE 1970S], THAT WOULD HAVE BEEN AFTER MY GRANDFATHER [DIED]. I KNOW THAT THEY WERE INVOLVED IN THE MILITARY STUFF LOCALLY. ELLA STEWART AND MY GRANDMOTHER WERE GREAT FRIENDS. SOMEHOW [THESE BOOTS WERE] JUST PASSED ALONG TO GRANDDAD.” “WHEN MURRAY WAS DIAGNOSED WITH THE CANCER IN JUNE OF 2015, I KNEW THAT THERE WAS SOME ITEMS THAT HE HAD THAT I NEEDED TO RETRIEVE BECAUSE THEY WERE FAMILY HISTORY,” HINMAN REMEMBERED, “[AMONG THOSE TREASURED THINGS WERE] GENERAL STEWART’S BOOTS, SO I RETRIEVED THEM IN JULY… [MURRAY SAID], ‘TAKE THEM. DO WHAT YOU NEED TO DO WITH THEM.’” “[ONE REASON MY BROTHER HELD ON TO THE BOOTS WAS] HE WAS VERY CLOSE TO MY GRANDPARENTS, BECAUSE HE USED TO SPEND A LOT OF TIME OUT AT THE FARM,” HINMAN EXPLAINED, “I THINK THAT HE JUST COULDN’T BRING HIMSELF TO PART WITH THEM, BECAUSE THEY WERE PART OF HIS FAMILY HISTORY. IT WAS A SPECIAL KIND OF THING BECAUSE GRANDDAD HAD ACTUALLY PASSED THEM TO HIM.” MURRAY NELSON’S OBITUARY WAS PUBLISHED ON THE MARTIN BROTHERS FUNERAL CHAPELS WEBSITE. IT STATES, “WILLIAM MURRAY NELSON, AGE 65, PASSED AWAY PEACEFULLY AT THE LETHBRIDGE REGIONAL HOSPITAL ON SUNDAY, NOVEMBER 29, 2015, AFTER A VALIANT BATTLE WITH CANCER. MUSICIAN, PERFORMER, TEACHER, MENTOR, SOUND GUY, RECORDING GUY, VIDEO GUY, COMPUTER GUY, SIGN GUY; HE WAS A MAN WHO LIVED LIFE HIS WAY, ON HIS TERMS, DOING WHAT HE LOVED.” AN ARTICLE PUBLISHED IN THE LETHBRIDGE HERALD ON DECEMBER 9, 2015, SHORTLY AFTER THE MUSICIAN’S DEATH STATES THAT AT A LOCAL MUSIC SHOW, PROMINENT LEHTBRIDGE SONGWRITER, LEEROY STAGGER, BEGAN THE SHOW WITH A TRIBUTE TO NELSON. TO FURTHER UNDERSCORE NELSON’S REPUTATION IN THE CITY, A DECEMBER 23, 2015 ARTICLE TITLED, “2015 WAS A MEMORABLE YEAR FOR CITY MUSIC SCENE,” WRITTEN FOR THE LETHBRIDGE HERALD BY RICHARD AMERY STATED, “LETHBRIDGE SAID GOODBYE TO MURRAY NELSON, WHO PASSED AWAY FROM CANCER THIS YEAR. NELSON WAS ONE OF THE SCENE’S MORE PROMINENT PERFORMERS ON STAGE PERFORMING SOLO AND WITH A VARIETY OF BANDS AS WELL AS BUSKING ON THE STREETS ALL OVER LETHBRIDGE…HIS MEMORY WILL LIVE ON IN THE STUDENTS HE TAUGHT AND THE SOULS HE TOUCHED ON STAGE OR JUST CHATTING AT VARIOUS WATER HOLES.” PLEASE SEE PERMANENT FILE FOR MORE INFORMATION, INCLUDING FULL INTERVIEW TRANSCRIPTION AND THE COPIES OF LETHBRIDGE HERALD ARTICLES REFERENCED.
Catalogue Number
P20170010000
Acquisition Date
2017-03
Collection
Museum
Images
Less detail
Date Range From
1920
Date Range To
1930
Material Type
Artifact
Materials
GLASS, CORK, PEWTER
Catalogue Number
P19960116009
  1 image  
Material Type
Artifact
Date Range From
1920
Date Range To
1930
Materials
GLASS, CORK, PEWTER
No. Pieces
2
Height
6.3
Length
6.3
Width
4.5
Description
CLEAR GLASS BOTTLE WITH PEWTER STOPPER. SQUAT ROUND BOTTLE WITH FLAT BOTTOM AND NARROW CYLINDRICAL NECK. NECK HAS ROUNDED LIP. BOTTLE HAS SLIGHTLY RAISED SEAM ALONG SIDES. EMBOSSED IN GLASS ON ONE SIDE IN LARGE LETTERS IS "HOLY WATER" AND ON THE OTHER SIDE IS A FIVE POINT CROWN WITH CHRISTIAN CROSS INSIDE CROWN. BROWN CORK IS STUCK IN BOTTLE NECK. PEWTER STOPPER COMES FREE FROM CORK. STOPPER HAS FLARED RIM WITH STRIATED GROOVE PATTERN. STOPPER ALSO HAS HOLLOWED CENTER. GLASS BOTTLE HAS WHITE EVAPORATION DEPOSITS ON INSIDE.
Subjects
CEREMONIAL ARTIFACT
Historical Association
RELIGION
HEALTH SERVICES
History
BOTTLE WAS TAKEN FROM THE CHAPEL OF ST. MICHAEL'S HOSPITAL BEFORE THE HOSPITAL WAS DEMOLISHED IN 1996. FOR MORE HISTORY ON THE HOSPITAL SEE P19960116001-GA.
Catalogue Number
P19960116009
Acquisition Date
1996-01
Collection
Museum
Images
Less detail
Date Range From
1930
Date Range To
1940
Material Type
Artifact
Materials
COTTON
Catalogue Number
P19970041694
  2 images  
Material Type
Artifact
Date Range From
1930
Date Range To
1940
Materials
COTTON
No. Pieces
1
Height
0.5
Length
44
Width
41
Description
CREAM COLORED LINEN CAMISOLE HAS STRAIGHT CUT BODICE AND TOP WTH NARROW LINEN STRAPS. TOP EDGE OF BODICE HAS OPEN WEAVE KNIT. BODICE OPENS DOWN FRONT WITH SEVEN BUTTONS.
Subjects
CLOTHING-UNDERWEAR
Historical Association
PERSONAL CARE
History
CAMISOLE BELONGED TO DONOR'S MOTHER, LOIS NAKAYAMA. THE NAKAYAMA FAMILY WAS ORIGINALLY FROM VANCOUVER BUT MOVED TO COALDALE FOLLOWING THE SECOND WORLD WAR WHEN THEY WERE INTERNED AT SLOCAN CITY IN THE INTERIOR OF BRITISH COLUMBIA BY THE CANADIAN GOVERNMENT. THE DONOR'S FATHER, REV. CANON G.G. NAKAYAMA, WAS AN ANGLICAN MINISTER IN VANCOUVER, AND THEN ESTABLISHED THE CHURCH OF THE ASCENSION IN COALDALE IN 1945 WHERE HE SERVED UNTIL 1970. FROM AUGUST 29 TO 31, 2011 COLLECTIONS TECHNICIAN KEVIN MACLEAN INTERVIEWED THE DONOR, JOY KOGAWA, ABOUT HER MEMORIES ASSOCIATED WITH SPECIFIC OBJECTS THAT SHE DONATED IN 1997. OF HER MOTHER'S CLOTHES, KOGAWA SAID: “ SHE SO MUCH LIKED CLOTHES,,, AND SHE HAD BEAUTIFUL CLOTHES, [BUT] SHE DIDN’T HAVE A LOT… SHE HAD ONE PAIR OF SHOES, WHICH SHE KEPT REPAIRING AND REPAIRING… [HER CLOTHING] BRINGS BACK A SADNESS FOR MY MOTHER, BECAUSE HER LIFE WAS SO HARD… TO GO FROM WHAT THEY HAD IN VANCOUVER, ALL THE DREAMS THAT THEY HAD THERE, INTO SOUTHERN ALBERTA, WHERE IT WAS SO HARSH… THAT WAS NOT A WAY TO BE TREATED IN THAT STAGE OF LIFE… MY MOTHER WAS A VERY SILENT WOMAN AND DID NOT COMPLAIN… I THINK SHE GAVE UP ON BEING PART OF THE WORLD, AND RETREATED FROM IT. AS LONG AS SHE HAD KIDS, SHE HAD TO BE IN THE WORLD, BUT I THINK THAT, BY INCLINATION, SHE WOULD HAVE JUST LEFT IT – IT WAS JUST TOO HARD FOR HER… I JUST WISH SO MUCH THAT I HAD KNOWN HER THEN THE WAY I KNOW HER NOW… I WOULD HAVE LOVED TO HAVE MADE HER HAPPY, BECAUSE SHE NEVER WAS… BUT IN SOME WAYS I THINK HER LIFE ENDED HAPPILY. I CERTAINLY DID THE BEST I COULD FOR [HER]; I TRIED REALLY HARD.” SEE RECORD P19970041001 FOR EXPANDED BIOGRAPHICAL INFORMATION AND PERMANENT FILE FOR FURTHER HISTORY.
Catalogue Number
P19970041694
Acquisition Date
1997-01
Collection
Museum
Images
Less detail
Date Range From
1920
Date Range To
1930
Material Type
Artifact
Materials
COTTON, RIBBON
Catalogue Number
P19739379000
  2 images  
Material Type
Artifact
Date Range From
1920
Date Range To
1930
Materials
COTTON, RIBBON
No. Pieces
1
Length
43
Description
WHITE. SIZE: 10. WOMEN'S CORSET COVER OR CAMISOLE. 3 BUTTON FRONT (2 MISSING). COTTON EYELET TRIM ON NECK & BODICE FRONT. RIBBON THREADED THROUGH NECK.
Subjects
CLOTHING-UNDERWEAR
Historical Association
PERSONAL CARE
History
REF. 1927 EATON'S CATALOG
Catalogue Number
P19739379000
Acquisition Date
1973-09
Collection
Museum
Images
Less detail
Date Range From
1920
Date Range To
1930
Material Type
Artifact
Materials
NET, LACE, RIBBON
Catalogue Number
P19739380000
  2 images  
Material Type
Artifact
Date Range From
1920
Date Range To
1930
Materials
NET, LACE, RIBBON
No. Pieces
1
Length
17.5
Width
38
Description
WHITE. SIZE: 10 WOMEN'S CORSET COVER OR CAMISOLE LACE TRIM ON ARMHOLES, NECKLINE AND FRONT OPENING. PINK RIBBON AT NECK OPENING, WHITE TIE THROUGH WAIST. 3 HOOK FRONT OPENING.
Subjects
CLOTHING-UNDERWEAR
Historical Association
PERSONAL CARE
History
REF. EATON'S 1927 CATALOG.
Catalogue Number
P19739380000
Acquisition Date
1973-06
Collection
Museum
Images
Less detail
Date Range From
1920
Date Range To
1930
Material Type
Artifact
Materials
COTTON, CROCHET
Catalogue Number
P19739384000
  1 image  
Material Type
Artifact
Date Range From
1920
Date Range To
1930
Materials
COTTON, CROCHET
No. Pieces
1
Length
47
Description
BEIGE. WOMEN'S CORSET COVER OR CAMISOLE. HAND CROCHETED LACE STRAPS AND BODICE TOP. ELASTIC THROUGH WAIST.
Subjects
CLOTHING-UNDERWEAR
Historical Association
PERSONAL CARE
History
REF. EATON'S 1927 CATALOG.
Catalogue Number
P19739384000
Acquisition Date
1973-09
Collection
Museum
Images
Less detail
Date Range From
1920
Date Range To
1930
Material Type
Artifact
Materials
COTTON
Catalogue Number
P19950075009
  1 image  
Material Type
Artifact
Date Range From
1920
Date Range To
1930
Materials
COTTON
No. Pieces
1
Length
51.3
Width
40.5
Description
WHITE COTTON CAMISOLE WITH A CROCHETED UPPER PORTION ABOVE CHEST, INCLUDING STRAPS, WITH BUTTERFLIES IN THE PATTERN. TRIM AROUND COLLAR AND ARM OPENINGS IS FINISHED WITH A SCALLOPED EDGE. CAMISOLE HAS A DIRTY MARK ON THE FRONT LOWER RIGHT, BUT OTHERWISE IS CLEAN AND IN GOOD CONDITION.
Subjects
CLOTHING-UNDERWEAR
Historical Association
PERSONAL CARE
History
ITEMS WERE CONTAINED IN A TRUNK BELONGING TO THE DONOR'S MOTHER, WHO WAS BORN IN 1902 AND WAS RAISED ON A DOUKHOBOR COMMUNE UNTIL SHE AND FRED EVDOKIMOFF LEFT WHEN THEY WERE 18 YEARS OLD TO GET MARRIED. MANY OF THE ITEMS DATE BACK TO THE EARLY 1900'S, WHILE OTHERS ARE MODERN AND DATE TO THE 1980'S. DONOR'S PARENTS MOVED TO LETHBRIDGE IN 1952. MRS. EVDOKIMOFF DIED IN 1986 AT THE AGE OF 84 YEARS OLD. *UPDATE* NICOLE HEMBROFF, COLLECTIONS ASSISTANT, MET WITH DONOR WALLY EVDOKIMOFF IN 2010 TO DISCUSS HIS DONATION OF THE TRUNK AND ITS CONTENTS. SEE BELOW. ACCORDING TO EVDOKIMOFF, THE CAMISOLE WOULD HAVE BELONGED TO HIS MOTHER. IT WOULD HAVE BEEN HAND MADE AND SAVED AS AN HEIRLOOM. HE THOUGHT SHE MIGHT HAVE WORN IT AT ONE TIME BUT LATER "PUT IT AWAY FOR SAFE KEEPING." SEE PERMANENT FILE FOR MORE INFORMATION. *UPDATE* IN 2018, COLLECTIONS ASSISTANT ELISE PUNDYK CONDUCTED A SURVEY OF BOXED TEXTILES AND ACCSSORIES, INCLUDING A TOILET SET AND JACKET DONATED BY WALLY EVDOKIMOFF. DURING A PHONE CONVERSATION WITH PUNDYK IN 2018, EVDOKIMOFF STATED HIS FAMILY LIVED IN YORKTON, SASKATCHEWAN AND BRILLIANT, BRITISH COLUMBIA. THEY WERE MOST LIKELY A PART OF THE DOUKHOBOR COMMUNITIES IN THOSE AREAS. HE CONFIRMED THAT HIS PARENTS FIRST ARRIVED IN ALBERTA IN 1952.
Catalogue Number
P19950075009
Acquisition Date
1995-04
Collection
Museum
Images
Less detail
Other Name
CHIOR CAP
Date Range From
1912
Date Range To
1980
Material Type
Artifact
Catalogue Number
P20060021019
  1 image  
Material Type
Artifact
Other Name
CHIOR CAP
Date Range From
1912
Date Range To
1980
No. Pieces
1
Length
25
Width
25
Diameter
20
Description
CLERGY HEAD WEAR MADE FROM BLK TAFFETA. CAP FEATURES A SQUARE CROWN (TOP) ON A HEADBAND. INSIDE LABEL HAS TEXT THAT READS "GOWNS. ROBES. AND HOODS BY ", "SAINTHILL LEVINE DIVISION OF SAINLEE INDUSTRIES LIMITED".
Subjects
CEREMONIAL ARTIFACT
CLOTHING-HEADWEAR
Historical Association
RELIGION
History
HEAD WEAR WAS WORN BY FEMALE MEMBERS OF THE CHOIR. THE HEAD WEAR DISAPPEARED BY 1980 AND THIS PARTICULAR INCARNATION OF THE CHOIR DISAPPEARED A FEW YEARS LATER. ST MARY’S ANGLICAN CHURCH BEGAN EARLY IN THE 1900S. THE EARLIEST ARCHIVAL RECORD IS A STATEMENT MADE IN JANUARY, 1906 THAT A GROUP OF PROMINENT MEMBERS OF ST. AUGUSTIN’S PARISHIONERS AGREED TO COVER A DEFICIT IN THE OPERATION OF ST. MARY’S MISSION UP TO $300. APPARENTLY, ST. MARY’S EXISTED BEFORE THIS DECISION, BUT IT IS UNKNOWN FOR HOW LONG. A FORMAL ORGANIZATION MEETING FOR ST. MARY’S MISSION WAS HELD ON APRIL 20. 1908. THE SEPARATE PARISH OF ST. MARY’S WAS ESTABLISHED ON FEBRUARY 1, 1910. THE “NEW” CHURCH WAS BUILT IN 1912, AND USED BY THE PARISH UNTIL IT CLOSED IN 2003. THE NORTH SIDE CHRISTIAN FELLOWSHIP THEN RENTED THE BUILDING UNTIL 2006, WHEN THE PROPERTY WAS SOLD TO A PRIVATE INDIVIDUAL. THERE WERE AT LEAST EIGHT RECTORS (PRIESTS) AT ST MARY’S BETWEEN 1910 AND 1944, INCLUDING SOME PERIODS OF TIME WHEN NO PRIEST WAS AVAILABLE (OR AFFORDABLE). IN 1944, ROBERT COWAN ARRIVED AND SERVED ST. MARY’S FOR THE NEXT 37 YEARS UNTIL 1981, A TERM UNPARALLELED IN THE ANGLICAN DIOCESE OF CALGARY. IT WAS DURING THIS TIME THAT ST. MARY’S BECAME KNOWN HAS ST. MARY THE VIRGIN. CANON COWAN RETURNED TO ST MARY’S AS A PARISHIONER FOR A FEW YEARS LATER, AND REMAINED UNTIL HIS DEATH IN 1999. MICHAEL EBSWORTH SERVED AS RECTOR FROM 1981 UNTIL 1994, WHEN HE RESIGNED DUE TO HEALTH REASONS. FATHER EBSWORTH REMAINED A RESIDENT OF LETHBRIDGE, OFTEN SERVING AS A “VISITING” PRIEST, AND HE TOOK PART IN THE FINAL SERVICE AT ST. MARY’S HELD ON AUGUST 14, 2003. IN THE FINAL DECADE OF ST MARY’S EXISTENCE, FIVE OTHER PRIESTS SERVED THE PARISH, INCLUDING TWO FEMALE PRIESTS WHICH SOME FOUND SURPRISING DUE TO ST. MARY’S TRADITIONAL LITURGICAL PRACTICES. THE CHURCH CLOSED AND AMALGAMATED WITH THE ANGLICAN PARISH OF ST. AUGUSTINE. OTHER OBJECTS AND ARCHIVAL MATERIALS ASSOCIATED WITH ST. MARY'S OPERATION WERE TRANSFERRED TO THE ANGLICAN DIOCESE OF CALGARY. AT THE TIME OF ITS CLOSURE, ST MARY'S WAS THE LONGEST OPERATING OF ANY LETHBRIDGE CHURCH IN THE CURRENT PREMISES. FOR COMPLETE HISTORY SEE PERMANENT FILE P20060021001.
Catalogue Number
P20060021019
Acquisition Date
2006-08
Collection
Museum
Images
Less detail

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