The photo was considered for use in the book "Plants and The Blackfoot" By Alex Johnston. Glenbow Archives hold the copyright on the photograph in this series. If their stamp appears on the back, permission for use must be obtained from them.
The photo was considered for use in the book "Plants and The Blackfoot" By Alex Johnston. Glenbow Archives hold the copyright on the photograph in this series. If their stamp appears on the back, permission for use must be obtained from them.
The photo was considered for use in the book "Plants and The Blackfoot" By Alex Johnston. Glenbow Archives hold the copyright on the photograph in this series. If their stamp appears on the back, permission for use must be obtained from them.
The photo was considered for use in the book "Plants and The Blackfoot" By Alex Johnston. Glenbow Archives hold the copyright on the photograph in this series. If their stamp appears on the back, permission for use must be obtained from them
Scope and Content
Mrs Maggie Big Belly, wife of Arnold Lupson, Sarcee Indian, drying Saskatoon berries. Circa. 1920s.
The photo was considered for use in the book "Plants and The Blackfoot" By Alex Johnston. Glenbow Archives hold the copyright on the photograph in this series. If their stamp appears on the back, permission for use must be obtained from them
Scope and Content
Mrs Maggie Big Belly making choke cherry mash. Circa 1920s.
The photo was considered for use in the book "Plants and The Blackfoot" By Alex Johnston. Glenbow Archives hold the copyright on the photograph in this series. If their stamp appears on the back, permission for use must be obtained from them
Scope and Content
Erecting Big Tobaccos tepee at the Blackfoot Sun Dance. August 2, 1961.
The photo was considered for use in the book "Plants and The Blackfoot" By Alex Johnston. Glenbow Archives hold the copyright on the photograph in this series. If their stamp appears on the back, permission for use must be obtained from them
The photo was considered for use in the book "Plants and The Blackfoot" By Alex Johnston. Glenbow Archives hold the copyright on the photograph in this series. If their stamp appears on the back, permission for use must be obtained from them
Custodial History
1989-01
Greg
Scope and Content
Blackfoot Medicine Bags hanging from a tripod made of poles. Circa 1930s.
The photo was considered for use in the book "Plants and The Blackfoot" By Alex Johnston. Glenbow Archives hold the copyright on the photograph in this series. If their stamp appears on the back, permission for use must be obtained from them.
Custodial History
1989-01
Greg
Scope and Content
Poplar centre pole of the Medicine Lodge, Blackfoot Sun Dance. The pole is a symbolic axis between humans and the world beyond. Circa. 1927.
The photo was considered for use in the book "Plants and The Blackfoot" By Alex Johnston. Glenbow Archives hold the copyright on the photograph in this series. If their stamp appears on the back, permission for use must be obtained from them.
Custodial History
1989-01
Greg
Scope and Content
Constructing a Blackfoot Sweat Lodge from 100 willows. August 11, 1961.
The photo was considered for use in the book "Plants and The Blackfoot" By Alex Johnston. Glenbow Archives hold the copyright on the photograph in this series. If their stamp appears on the back, permission for use must be obtained from them.
Custodial History
1989-01
Greg
Scope and Content
Woman cleaning dried Kinnikinnock or Bearberry Leaves. Circa 1920s.
The photo was considered for use in the book "Plants and The Blackfoot" By Alex Johnston. Glenbow Archives hold the copyright on the photograph in this series. If their stamp appears on the back, permission for use must be obtained from them.
The photo was considered for use in the book "Plants and The Blackfoot" By Alex Johnston. Glenbow Archives hold the copyright on the photograph in this series. If their stamp appears on the back, permission for use must be obtained from them.
Custodial History
1989-01
Greg
Scope and Content
Four unidentified native horsemen. Circa 1955 -1965
The photo was considered for use in the book "Plants and The Blackfoot" By Alex Johnston. Glenbow Archives hold the copyright on the photograph in this series. If their stamp appears on the back, permission for use must be obtained from them.
Custodial History
1989-01
Greg
Scope and Content
Photograph of Blackfoot Pipe Stem Carrier, an oil painting by Paul Kane. Circa 1840.
The photo was considered for use in the book "Plants and The Blackfoot" By Alex Johnston. Glenbow Archives hold the copyright on the photograph in this series. If their stamp appears on the back, permission for use must be obtained from them
Custodial History
1989-01
Greg
Scope and Content
Beardy's Warriors doing the Cree Grass Dance. 1885.
View of the all smoke ceremony at the home of Ben Calf Robe in Cluny, Alberta. Left to right: Ben Calf Robe, Amos Leather, One Gun and Tom Turned Up Nose. Small pieces of tobacco are burning as offerings and Amos Leather is singing as smoke rises from the alter. 15 April 1959.
The photo was considered for use in the book "Plants and The Blackfoot" By Alex Johnston. Glenbow Archives hold the copyright on the photograph in this series. If their stamp appears on the back, permission for use must be obtained from them
Scope and Content
View of the all smoke ceremony at the home of Ben Calf Robe in Cluny, Alberta. Left to right: Ben Calf Robe, Amos Leather, One Gun and Tom Turned Up Nose. Small pieces of tobacco are burning as offerings and Amos Leather is singing as smoke rises from the alter. 15 April 1959.
.1 28 CM WTH. (TOP) 87.7 CM (BASE) X 127 CM LTH. TRIANGULAR BACK REST CONSTRUCTED OF WILLOW STICKS LASHED WITH SINEW. BACKREST IS EDGED WITH SEWN COTTON STRIPS AND GREEN FLANNEL TAPE DOWN SIDE. HEAD PIECE IS CONSTRUCTED OF BLACK FLANNEL EDGED WITH RED FLANNEL, INSET WITH RED FLANNEL GEOMETRIC DESIGNS ARE OUTLINED IN BROWN AND WHITE BEADS. PICTOGRAPH STORY OUTLINING A BATTLE IS PAINTED IN BLACK ON THE BACK REST SURFACE.
.2 25.4 CM WTH. (TOP) 83.8 CM (BASE) X 130.8 CM LTH. TRIANGULAR BACK REST CONSTRUCTED OF WILLOW STICKS LASHED WITH SINEW. BACKREST IS EDGED WITH SEWN COTTON STRIPS AND GREEN FLANNEL TAPE DOWN SIDES. HEAD PIECE IS MADE OF RED FLANNEL EDGED WITH BLACK COTTON AND WHITE BEADS GEOMETRIC DESIGN BROWN EDGED WITH BLUE & BLUE EDGED WITH BROWN PICTOGRAPH STORY OUTLINING A BATTLE AND RAID IS PAINTED IN BLACK PAINT ON THE BACKREST SURFACE. CONSERVATION REPORT ON FILE.
PINK, PURPLE, WHITE DYED PORCUPINE QUILL WORK (QUILLS FLATTENED & WRAPPED AROUND BUCKSKIN FRINGE. GLASS BEADS: RED, YELLOW, BLUE, GREEN, BROWN & WHITE ALL GEOMETRIC DESIGNS. SOME BEADS & QUILLWORK IS MISSING. SEE CONSERVATION REPORT.
BOX, JEWELERY, BROWN, LEATHER, SEMI-OVAL SHAPED. TOP MARKED, “E.G. PARKER, GOLDSMITH, ALTRINCHAM” IN GOLD. COLOR LOSS THROUGHOUT OUTSIDE OF BOX. LID OPENS ON BRASS HINGE. INSIDE OF BOX LINED WITH WHITE SATIN AND VELVET. SMALL SLOT FOR RING. ONE SIDE OF INTERIOR VELVET RING HOLDER IS SUNKEN.