.1 28 CM WTH. (TOP) 87.7 CM (BASE) X 127 CM LTH. TRIANGULAR BACK REST CONSTRUCTED OF WILLOW STICKS LASHED WITH SINEW. BACKREST IS EDGED WITH SEWN COTTON STRIPS AND GREEN FLANNEL TAPE DOWN SIDE. HEAD PIECE IS CONSTRUCTED OF BLACK FLANNEL EDGED WITH RED FLANNEL, INSET WITH RED FLANNEL GEOMETRIC DESIGNS ARE OUTLINED IN BROWN AND WHITE BEADS. PICTOGRAPH STORY OUTLINING A BATTLE IS PAINTED IN BLACK ON THE BACK REST SURFACE.
.2 25.4 CM WTH. (TOP) 83.8 CM (BASE) X 130.8 CM LTH. TRIANGULAR BACK REST CONSTRUCTED OF WILLOW STICKS LASHED WITH SINEW. BACKREST IS EDGED WITH SEWN COTTON STRIPS AND GREEN FLANNEL TAPE DOWN SIDES. HEAD PIECE IS MADE OF RED FLANNEL EDGED WITH BLACK COTTON AND WHITE BEADS GEOMETRIC DESIGN BROWN EDGED WITH BLUE & BLUE EDGED WITH BROWN PICTOGRAPH STORY OUTLINING A BATTLE AND RAID IS PAINTED IN BLACK PAINT ON THE BACKREST SURFACE. CONSERVATION REPORT ON FILE.
PINK, PURPLE, WHITE DYED PORCUPINE QUILL WORK (QUILLS FLATTENED & WRAPPED AROUND BUCKSKIN FRINGE. GLASS BEADS: RED, YELLOW, BLUE, GREEN, BROWN & WHITE ALL GEOMETRIC DESIGNS. SOME BEADS & QUILLWORK IS MISSING. SEE CONSERVATION REPORT.
STAMP MARK ON BASE. TRIANGLE DESIGN WITH "IPE GERMANY". HAS BEEN BROKEN IN SEVERAL PLACES AND MENDED. PINK, GREEN, FLORAL DESIGN ON WHITE BACKGROUND WITH GOLD EDGING. BOWL BROKEN DURING BUILDING RENOVATION MARCH '85. REPAIRED. GOLD EDGING SLIGHTLY WORN. STAMPED ON BOTTOM "85". CONSERVATION REPORT ON FILE
NORTHERN PLAINS CULTURE. SHELLS PROBABLY TRADED FROM WEST COAST. TRADE NETWORKS FROM THE COAST TO THE INTERIOR ALREADY WELL ESTABLISHED BY TIME OF WHITE CONTACT. DENTALIUM & COWRY SHELLS WERE HIGHLY PRIZED TRADE ITEMS & WERE CONSIDERED BY SOME RESEARCHERS TO HAVE BEEN A FORM OF CURRENCY.
MOTHER OF PEARL CARD CASE AND TWO CARDS – 3 PIECES.
1. CARD CASE, RECTANGULAR, COVERED IN DIAMOND SHAPED MOTHER OF PEARL. MOST MOTHER OF PEARL LOST ON SIDES OF CASE, TWO PIECES LOST ON BOTTOM. SILVER SHEILD ON TOP OF CASE MARKED, “MAM TO HFD”. CASE OPENS TO SHOW BLUE PAPER AND FABRIC ACCORDION FOLDER CONTAINING TWO CALLING CARDS.
1.5 CM HIGH BY 10.4 CM LONG BY 7.9 CM WIDE.
2. (2) CALLING CARDS. CARD STOCK, WHITE. MARKED, “MRS. RICHMOND SMITH” IN CURSIVE. INTERMITTENT BLUE MARKS, ESPECIALLY ALONG SIDE AND BOTTOM EDGES OF CARD.
6.0 CM LONG BY 9.2 CM WIDE.
PLAINS INDIANS. BUFFALO STONE MEDICINE CHARMS OF THIS SORT WERE USED FOR VARIOUS FORMS OF MAGIC. THIS "BUFFALO STONE" (STOMACH) CHARM PROBABLY PROVIDED THE WEARER WITH ENOUGH MEDICINE TO BECOME A GOOD HUNTER.
COIN, COPPER. MARKED, “FEAR GOD HONOUR THE KING, KETTLE” DEPICTS CROWN ON FRONT. ABOVE CROWN ARE HEBREW LETTERS YOD, HEV, VAV AND HEH (A.K.A. HEBREW LETTERS FOR THE NAME OF GOD/YHWH). LORD’S PRAYER EMBOSSED ON BACK OF COIN. COIN IS WORN THROUGHOUT.
.1 MATCHSAFE. 5.8 CM HT. X 3.2 CM WTH. PEWTER. HINGED LID WITH RING ON TOP TO WHICH FOB CHAIN IS ATTACHED, MATCH STRIKER ON BOTTOM. KNURLED FRONT AND BACK, SMOOTH FINISHED 1.5 CM CIRCLE ON FRONT.
.2 SEAL. 4.2 CM HT. X 2.5 CM DIA. (WTH) X 3.1 CM DIA. (LTH). GOLD, AMBER AGATE. OVAL BASE MOUNTED ON GOLD FLUTED STEM, AMBER AGATE IN OVAL BASE, INLAID IS A UNICORN HEAD FORMING THE CREST, ON SHIELD ARE SIX FLEUR DE LIS WITH A CRESCENT IN CENTRE.
.3 CHAIN. 44 CM LTH.GOLD? 4 CHAINS ATTACHED AT EACH END TO RINGS TO WHICH ARE ATTACHED SWIVEL HOOKS ONE END HOOKED ONTO MATCHSAFE, OTHER END TO SEAL.
MR. THOMAS PERRY WAS THE GODSON AND NEPHEW OF MRS. WILLIAM LETHBRIDGE & INHERITED THESE ARTICLES. DONOR BELIEVES HER FATHER WORE THESE ITEMS UNTIL HIS DEATH IN 1957. MR. PERRY KEPT THE MATCHSAFE ON THE WATCH CHAIN SO THAT IT WOULD BE HANDY TO LIGHT HIS PIPE. IMMIGRATED TO CANADA FROM TAVISTOCK, DEVON, ENGLAND (HOMETOWN OF WILLIAM LETHBRIDGE) IN 1897, HE MARRIED ANNIE MAY GIBSON IN 1911. THEY HOMESTEADED NORTH OF CALGARY. DONOR WAS BORN IN 1912.
*UPDATE* IN 2017, COLLECTIONS ASSISTANT ELISE PUNDYK CONDUCTED A SURVEY OF BOXED TEXTILE ARTIFACTS INCLUDING OBJECTS WITH RELATED LOCATION CODES, WHICH INCLUDED THIS FOB. DURING THE RESEARCH, FURTHER INFORMATION ABOUT THE FOB WAS FOUND IN THE PERMANENT FILES.
ONE DOCUMENT STATES MR. THOMAS PERRY, THE DONOR'S FATHER, "HAD RECEIVED THE SEAL (THE FOB WITH THE LETHBRIDGE FAMILY SEAL) AFTER MARGARET LETHBRIDGE'S DEATH, AT SOME TIME PRIOR TO 1935... MRS. LETHRBIDGE WAS THOMAS PERRY'S MOTHER'S SISTER, AND HIS GODMOTHER."
A BRIEF FAMILY HISTORY SUBMITTED BY KERFOOT AT THE TIME OF THE ARTIFACT'S DONATION IS ALSO INCLUDED IN THE PERMANENT FILE. THIS DOCUMENT EXPLAINS THAT THE DONOR'S FATHER EMIGRATED TO CANADA AROUND 1897 AT THE AGE OF 21 WHERE HE BEGAN FARMING NORTH OF CALGARY. THIS DOCUMENT ALSO STATES THE DONOR'S MOTHER, ANNIE MAY GIBSON, "TRAINED AS A NURSE AT THE CALGARY GENERAL HOSPITAL, 1905-1907, GRADUATING AS A REGISTERED NURSE IN 1907. SHE WORKED AS HEAD NIGHT NURSE AT THE GENERAL FOR A TIME, AND LATER WORKED AT A TB SANATARIUM IN CALIFORNIA... BEFORE HER MARRIAGE." THE FAMILY HISTORY ALSO STATES THAT THE DONOR, JESSIE KERFOOT, WAS BORN IN 1912 AND ATTENDED ST. HILDA'S IN CALGARY FROM 1920-1929.
PLEASE SEE PERMANENT FILE P19860014000-GA FOR MORE INFORMATION.
CHAIN IS WRAPPED AROUND WRIST, "T" PIECES FIT IN EACH OTHER & ARE TWISTED TO "PERSUADE" AN INDIVIDUAL TO FOLLOW A POLICE OFFICER. RETIRED POLICE CHIEF JIM CARPENTER SAYS THIS TYPE OF HANDCUFF WAS USED BY LETHBRIDGE CITY POLICE BEFORE MORE FAMILIAR MODERN HANDCUFF ADOPTED.
*****
UPDATE: COPY BELOW WAS RESEARCHED AND WRITTEN FOR SUBMISSION TO LETHBRIDGE LIVING MAGAZINE ON 15 APRIL 2013, RELATED TO THE MUSEUM’S WHAT’S IT FEATURE. REFERENCES TO THE ARTIFACT’S REPRESENTATIONAL USE BY THE LATE, RETIRED CHIEF OF LETHBRIDGE POLICE JIM CARPENTER CAN BE FOUND ON PAGES 83 AND 104 OF HIS BOOK THE BADGE AND THE BLOTTER. RESEARCH WAS CONDUCTED BY MUSEUM VOLUNTEER KIRSTEN CHRISTOPHERSON.
“COME-ALONGS” (ALSO KNOWN AS “CHAIN GRIPS” OR “CHAIN NIPPERS”) ARE AN EARLY FORM OF POLICE RESTRAINT USED FROM THE LATE 19TH TO MID 20TH CENTURY. THE LATE POLICE CHIEF JIM CARPENTER WROTE IN HIS BOOK THE BADGE AND THE BLOTTER THAT, WHEN HE BEGAN HIS CAREER WITH LETHBRIDGE CITY POLICE IN 1940, HE WAS ISSUED “COME-ALONG CHAINS” AMONGST OTHER THINGS.
COME-ALONGS HAVE TWO “T” SHAPED HANDLES, THE LARGER OF WHICH IS INSET, ALLOWING FOR ONE “T” HANDLE TO BE INSERTED INTO THE OTHER. TO USE A COME-ALONG, AN OFFICER WRAPPED THE CHAIN COMPONENT OF THE HANDCUFF AROUND ONE OF THE DETAINEE’S WRISTS, COMBINING AND TWISTING THE NOW INTERLOCKED HANDLE, THEREBY SHORTENING THE CHAIN. THIS SHORTENING ACTION CAUSED DISCOMFORT AND PAIN FOR THE DETAINEE, PERSUADING HIM OR HER TO “COME-ALONG” BY FORCE.
ONE CAN IMAGINE THE ISSUES OFFICERS FACED USING COME-ALONGS, AS IT ONLY CONTROLLED ONE OF THE DETAINEE’S TWO HANDS. THE RESTRAINT “TOOL” WAS EVENTUALLY DISCARDED BY POLICE AS THE TRADITIONAL HANDCUFF ROSE IN PROMINENCE. THIS CHANGE PROVIDED INCREASED SAFETY AND PEACE OF MIND FOR BOTH OFFICERS AND THEIR DETAINEES.
NORTHERN PLAINS INDIGENOUS CULTURE
*UPDATE* IN 2015 COLLECTIONS ASSISTANT JANE EDMUNDSON ASKED TWO FORMER MEMBERS OF THE LETHBRIDGE JUNIOR CHAMBER OF COMMERCE, PHIL EDMUNDSON AND PAUL RUSZNAK, ABOUT THE FIRST NATIONS ARTIFACTS THAT THE GROUP DONATED TO THE GALT MUSEUM IN 1964, 1969, AND 1973. NEITHER RECALLED HOW THE JAYCEES CAME INTO OWNERSHIP OF THE ARTIFACTS, AS THEIR ACQUISITION PREDATED BOTH EDMUNDSON AND RUSZNAK’S MEMBERSHIP IN THE CHAMBER. RESEARCH CONDUCTED INTO LETHBRIDGE’S GURNEY MUSEUM FOUND A CONNECTION BETWEEN ITS PROPRIETOR, WALTER GURNEY, AND THE JAYCEES, WHO ACCORDING TO AN ARTICLE FROM THE APRIL 16, 1946 ISSUE OF THE LETHBRIDGE HERALD ADVOCATED ON GURNEY’S BEHALF FOR IMPROVEMENTS TO BE MADE TO THE FORMER BOARD OF TRADE BUILDING WHERE THE MUSEUM WAS HOUSED. AN ARTICLE FROM THE JULY 13, 1948 ISSUE OF THE HERALD DESCRIBES SOME OF THE FIRST NATIONS ARTIFACTS ON DISPLAY IN THE MUSEUM: “TOMAHAWKS, ARROW HEADS, PEACE PIPES, BEAD AND LEATHER WORK, CLOTHING AND WOODCRAFT”. UPON THE CLOSURE OF THE MUSEUM AND SALE OF GURNEY’S COLLECTION TO BELMORE SCHULTZ OF THE ALTAMONT MUSEUM IN COUTTS, MENTION WAS MADE IN A HERALD ARTICLE FROM MAY 16, 1961 OF “HISTORICAL INDIAN RELICS THAT BELONG TO THE JUNIOR CHAMBER OF COMMERCE HAVE BEEN RETAINED IN THE CITY AND WILL BE AVAILABLE WHEN PROPER DISPLAY FACILITIES ARE AVAILABLE”. IT IS POSSIBLE THAT THE ARTIFACTS WERE TRANSFERRED TO THE JAYCEES BY GURNEY DURING THE DISSOLUTION OF HIS MUSEUM, BUT NO FURTHER CONFIRMATION WAS FOUND.
FOR FURTHER INFORMATION ABOUT THE GURNEY MUSEUM AND ITS COLLECTION, SEE RECORD P19890044001.
UPDATE 16 AUGUST 2017: ON 25 JULY 2017, MUSEUM CURATOR AIMEE BENOIT FOUND EVIDENCE TO CONNECT THE INDIGENOUS COLLECTION DONATED BY THE LETHBRIDGE JAYCEES (AKA. JUNIOR CHAMBER OF COMMERCE) WITH FORMER LETHBRIDGE RESIDENTS THE LATE FRED BOTSFORD AND HIS LATE DAUGHTER DOROTHY CLARK. NOTES MADE BY AIMEE ON THE DISCOVERY AS WELL AS RELEVANT CLIPPINGS FROM THE LETHBRIDGE HERALD CAN BE FOUND ATTACHED TO THE PERMANENT FILE OF P19641140000.
NORTHERN PLAINS INDIGENOUS CULTURE. TOOL IS PRE-HISTORIC, HANDLE CONTEMPORARY.
*UPDATE* IN 2015 COLLECTIONS ASSISTANT JANE EDMUNDSON ASKED TWO FORMER MEMBERS OF THE LETHBRIDGE JUNIOR CHAMBER OF COMMERCE, PHIL EDMUNDSON AND PAUL RUSZNAK, ABOUT THE FIRST NATIONS ARTIFACTS THAT THE GROUP DONATED TO THE GALT MUSEUM IN 1964, 1969, AND 1973. NEITHER RECALLED HOW THE JAYCEES CAME INTO OWNERSHIP OF THE ARTIFACTS, AS THEIR ACQUISITION PREDATED BOTH EDMUNDSON AND RUSZNAK’S MEMBERSHIP IN THE CHAMBER. RESEARCH CONDUCTED INTO LETHBRIDGE’S GURNEY MUSEUM FOUND A CONNECTION BETWEEN ITS PROPRIETOR, WALTER GURNEY, AND THE JAYCEES, WHO ACCORDING TO AN ARTICLE FROM THE APRIL 16, 1946 ISSUE OF THE LETHBRIDGE HERALD ADVOCATED ON GURNEY’S BEHALF FOR IMPROVEMENTS TO BE MADE TO THE FORMER BOARD OF TRADE BUILDING WHERE THE MUSEUM WAS HOUSED. AN ARTICLE FROM THE JULY 13, 1948 ISSUE OF THE HERALD DESCRIBES SOME OF THE FIRST NATIONS ARTIFACTS ON DISPLAY IN THE MUSEUM: “TOMAHAWKS, ARROW HEADS, PEACE PIPES, BEAD AND LEATHER WORK, CLOTHING AND WOODCRAFT”. UPON THE CLOSURE OF THE MUSEUM AND SALE OF GURNEY’S COLLECTION TO BELMORE SCHULTZ OF THE ALTAMONT MUSEUM IN COUTTS, MENTION WAS MADE IN A HERALD ARTICLE FROM MAY 16, 1961 OF “HISTORICAL INDIAN RELICS THAT BELONG TO THE JUNIOR CHAMBER OF COMMERCE HAVE BEEN RETAINED IN THE CITY AND WILL BE AVAILABLE WHEN PROPER DISPLAY FACILITIES ARE AVAILABLE”. IT IS POSSIBLE THAT THE ARTIFACTS WERE TRANSFERRED TO THE JAYCEES BY GURNEY DURING THE DISSOLUTION OF HIS MUSEUM, BUT NO FURTHER CONFIRMATION WAS FOUND.
FOR FURTHER INFORMATION ABOUT THE GURNEY MUSEUM AND ITS COLLECTION, SEE RECORD P19890044001.
UPDATE 16 AUGUST 2017: ON 25 JULY 2017, MUSEUM CURATOR AIMEE BENOIT FOUND EVIDENCE TO CONNECT THE INDIGENOUS COLLECTION DONATED BY THE LETHBRIDGE JAYCEES (AKA. JUNIOR CHAMBER OF COMMERCE) WITH FORMER LETHBRIDGE RESIDENTS THE LATE FRED BOTSFORD AND HIS LATE DAUGHTER DOROTHY CLARK. NOTES MADE BY AIMEE ON THE DISCOVERY AS WELL AS RELEVANT CLIPPINGS FROM THE LETHBRIDGE HERALD CAN BE FOUND ATTACHED TO THE PERMANENT FILE OF P19641140000.
PLAINS INDIGENOUS CULTURE
*UPDATE* IN 2015 COLLECTIONS ASSISTANT JANE EDMUNDSON ASKED TWO FORMER MEMBERS OF THE LETHBRIDGE JUNIOR CHAMBER OF COMMERCE, PHIL EDMUNDSON AND PAUL RUSZNAK, ABOUT THE FIRST NATIONS ARTIFACTS THAT THE GROUP DONATED TO THE GALT MUSEUM IN 1964, 1969, AND 1973. NEITHER RECALLED HOW THE JAYCEES CAME INTO OWNERSHIP OF THE ARTIFACTS, AS THEIR ACQUISITION PREDATED BOTH EDMUNDSON AND RUSZNAK’S MEMBERSHIP IN THE CHAMBER. RESEARCH CONDUCTED INTO LETHBRIDGE’S GURNEY MUSEUM FOUND A CONNECTION BETWEEN ITS PROPRIETOR, WALTER GURNEY, AND THE JAYCEES, WHO ACCORDING TO AN ARTICLE FROM THE APRIL 16, 1946 ISSUE OF THE LETHBRIDGE HERALD ADVOCATED ON GURNEY’S BEHALF FOR IMPROVEMENTS TO BE MADE TO THE FORMER BOARD OF TRADE BUILDING WHERE THE MUSEUM WAS HOUSED. AN ARTICLE FROM THE JULY 13, 1948 ISSUE OF THE HERALD DESCRIBES SOME OF THE FIRST NATIONS ARTIFACTS ON DISPLAY IN THE MUSEUM: “TOMAHAWKS, ARROW HEADS, PEACE PIPES, BEAD AND LEATHER WORK, CLOTHING AND WOODCRAFT”. UPON THE CLOSURE OF THE MUSEUM AND SALE OF GURNEY’S COLLECTION TO BELMORE SCHULTZ OF THE ALTAMONT MUSEUM IN COUTTS, MENTION WAS MADE IN A HERALD ARTICLE FROM MAY 16, 1961 OF “HISTORICAL INDIAN RELICS THAT BELONG TO THE JUNIOR CHAMBER OF COMMERCE HAVE BEEN RETAINED IN THE CITY AND WILL BE AVAILABLE WHEN PROPER DISPLAY FACILITIES ARE AVAILABLE”. IT IS POSSIBLE THAT THE ARTIFACTS WERE TRANSFERRED TO THE JAYCEES BY GURNEY DURING THE DISSOLUTION OF HIS MUSEUM, BUT NO FURTHER CONFIRMATION WAS FOUND.
FOR FURTHER INFORMATION ABOUT THE GURNEY MUSEUM AND ITS COLLECTION, SEE RECORD P19890044001.
UPDATE 16 AUGUST 2017: ON 25 JULY 2017, MUSEUM CURATOR AIMEE BENOIT FOUND EVIDENCE TO CONNECT THE INDIGENOUS COLLECTION DONATED BY THE LETHBRIDGE JAYCEES (AKA. JUNIOR CHAMBER OF COMMERCE) WITH FORMER LETHBRIDGE RESIDENTS THE LATE FRED BOTSFORD AND HIS LATE DAUGHTER DOROTHY CLARK. NOTES MADE BY AIMEE ON THE DISCOVERY AS WELL AS RELEVANT CLIPPINGS FROM THE LETHBRIDGE HERALD CAN BE FOUND ATTACHED TO THE PERMANENT FILE OF P19641140000.
BUCKSKIN, LACE, GLASS BEADS, SINEW, DENTALIUM SHELL,RAWHIDE, HUMAN HAIR
No. Pieces
1
Description
4.5 CM CIRCUMFERENCE. BLACK GLASS BEADS & DENTALIUM SHELL BEADS STRUNG ON BUCKSKIN THONG. HUMAN HAIR PENDANT WRAPPED WITH RAWHIDE & SINEW ATTACHED TO NECK THONG. 7 BLACK BEADS. CONSERVATION REPORT ON FILE.
NORTHERN PLAINS CULTURE - BLACKFOOT ORIGIN. WORN BY BLACKFOOT HOLY WOMAN DURING SUN DANCE CEREMONY. NECKLACE IS 1 OF THE TRADITIONAL PIECES OFHOLY WOMAN'S REGALIA.
*UPDATE* IN 2015 COLLECTIONS ASSISTANT JANE EDMUNDSON ASKED TWO FORMER MEMBERS OF THE LETHBRIDGE JUNIOR CHAMBER OF COMMERCE, PHIL EDMUNDSON AND PAUL RUSZNAK, ABOUT THE FIRST NATIONS ARTIFACTS THAT THE GROUP DONATED TO THE GALT MUSEUM IN 1964, 1969, AND 1973. NEITHER RECALLED HOW THE JAYCEES CAME INTO OWNERSHIP OF THE ARTIFACTS, AS THEIR ACQUISITION PREDATED BOTH EDMUNDSON AND RUSZNAK’S MEMBERSHIP IN THE CHAMBER. RESEARCH CONDUCTED INTO LETHBRIDGE’S GURNEY MUSEUM FOUND A CONNECTION BETWEEN ITS PROPRIETOR, WALTER GURNEY, AND THE JAYCEES, WHO ACCORDING TO AN ARTICLE FROM THE APRIL 16, 1946 ISSUE OF THE LETHBRIDGE HERALD ADVOCATED ON GURNEY’S BEHALF FOR IMPROVEMENTS TO BE MADE TO THE FORMER BOARD OF TRADE BUILDING WHERE THE MUSEUM WAS HOUSED. AN ARTICLE FROM THE JULY 13, 1948 ISSUE OF THE HERALD DESCRIBES SOME OF THE FIRST NATIONS ARTIFACTS ON DISPLAY IN THE MUSEUM: “TOMAHAWKS, ARROW HEADS, PEACE PIPES, BEAD AND LEATHER WORK, CLOTHING AND WOODCRAFT”. UPON THE CLOSURE OF THE MUSEUM AND SALE OF GURNEY’S COLLECTION TO BELMORE SCHULTZ OF THE ALTAMONT MUSEUM IN COUTTS, MENTION WAS MADE IN A HERALD ARTICLE FROM MAY 16, 1961 OF “HISTORICAL INDIAN RELICS THAT BELONG TO THE JUNIOR CHAMBER OF COMMERCE HAVE BEEN RETAINED IN THE CITY AND WILL BE AVAILABLE WHEN PROPER DISPLAY FACILITIES ARE AVAILABLE”. IT IS POSSIBLE THAT THE ARTIFACTS WERE TRANSFERRED TO THE JAYCEES BY GURNEY DURING THE DISSOLUTION OF HIS MUSEUM, BUT NO FURTHER CONFIRMATION WAS FOUND.
FOR FURTHER INFORMATION ABOUT THE GURNEY MUSEUM AND ITS COLLECTION, SEE RECORD P19890044001.
UPDATE 16 AUGUST 2017: ON 25 JULY 2017, MUSEUM CURATOR AIMEE BENOIT FOUND EVIDENCE TO CONNECT THE INDIGENOUS COLLECTION DONATED BY THE LETHBRIDGE JAYCEES (AKA. JUNIOR CHAMBER OF COMMERCE) WITH FORMER LETHBRIDGE RESIDENTS THE LATE FRED BOTSFORD AND HIS LATE DAUGHTER DOROTHY CLARK. NOTES MADE BY AIMEE ON THE DISCOVERY AS WELL AS RELEVANT CLIPPINGS FROM THE LETHBRIDGE HERALD CAN BE FOUND ATTACHED TO THE PERMANENT FILE OF P19641140000.
MECHANICAL PENCIL, GOLD. SQUARE ROD WITH ETCHED DIAGONAL LINE AND CIRCLE DESIGN. CIRCULAR BAND MOVES UP AND DOWN SLOT IN SIDE OF ROD. TOP OF PENCIL UNSCREWS TO REVEAL A CHAMBER. TOP DECORATED WITH BLACK AND WHITE SHIELD SHAPED AGATE INLAY. RETRACTABLE CONICAL END. 2 PIECES.
NORTHERN PLAINS CULTURE.
IN 2009, UNIVERSITY OF LETHBRIDGE PLAINS ARCHAEOLOGY STUDENT FALLON MAHAR SURVEYED THE GALT'S POINT AND STONE TOOL COLLECTION AND, USING A TEMPLATE DEVELOPED IN COORDINATION WITH PROF. BUBEL AND REFERENCE BOOK "ALBERTA IN STONE", PROVIDED FEEDBACK ON THE GALT'S COLLECTION. CONCEQUENTLY, THIS RECORD WAS REVISED TO NO LONGER DEFINE THE ARTIFACT'S 'OTHER NAME' AS ASYMETRICAL BIFACE, BUT AS A AGATE BASIN SPEARPOINT. FINALLY, SHE FELT THE PREVIOUS 1850-1900 DATE WAS INCORRECT, PROVIDED A NEW "EARLY PERIOD" DATE.