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Other Name
IN MEMORY OF A PLEASANT DAY, ATLIN, B.C. - EDITH KIRK
Date Range From
1900
Date Range To
1910
Material Type
Artifact
Materials
PAPER, WOOD, METAL
Catalogue Number
P20150029000
  1 image  
Material Type
Artifact
Other Name
IN MEMORY OF A PLEASANT DAY, ATLIN, B.C. - EDITH KIRK
Date Range From
1900
Date Range To
1910
Materials
PAPER, WOOD, METAL
No. Pieces
1
Height
46.2
Length
33.5
Width
3.8
Description
WATERCOLOUR ON PAPER, FRAMED. WOODEN FRAME, FINISHED WITH SUBDUED GOLD COLOURED PAINT. OFF-WHITE MATTING. BEHIND GLASS. HORIZONTAL ORIENTATION. FOREGROUND RIGHT IS A GREY ROCK FORMATION, WITH SOME SHRUBS GROWING ON IT. FOREGROUND LEFT, TAKING UP LEFT SIDE OF PAINTING, IS A GREEN-LEAFED TREE. BEHIND THE ROCK AND TREE IS A BODY OF WATER, WITH A SAILBOAT, RIGHT BACKGROUND. BEHIND THE SAILBOAT IS A MOUNTAIN. "IN MEMORY OF A PLEASANT DAY, ATLIN, B.C." AND ARTIST SIGNATURE "E. F. KIRK" BOTTOM LEFT CORNER. REVERSE OF PAINTING HAS A STICKER BOTTOM LEFT: "ALEX FRASER GALLERIES 5669 GRANVILLE STREET, VANCOUVER 13, B.C. - KERR. 7545. ORIGINAL PAINTINGS, MODERN FRENCH REPRODUCTIONS, VALUATIONS, CLEANING, RESTORING, FRAMING. ALEX FRASER, FORMERLY OF BOND STREET, LONDON, ENGLAND." HANDWRITTEN IN PENCIL BESIDE THIS STICKER "MISS EDITH FANNY KIRK". METAL WIRE FOR HANGING ON BACK AS WELL. IN EXCELLENT CONDITION. FRAME SHOWS SOME WEAR, ESPECIALLY ON THE CORNERS AND EDGES. SMALL GAP AT TOP LEFT, WHERE PAINTING HAS COME AWAY FROM MATTING.
Subjects
ART
Historical Association
FINE ARTS
History
THIS PAINTING WAS DONATED BY GARY SIM, WHO CAME INTO POSSESSION OF THE PAINTING THROUGH TED PAPPAS, OF WESTCOAST ESTATES AUCTIONS (WHICH IS NO LONGER IN BUSINESS). SIM WROTE IN AN EMAIL TO WENDY AITKENS THAT “TED KNOWS THAT I’M INTERESTED IN EARLY VANCOUVER AND BC ART, AND OFFERED THEM [THREE WORKS BY KIRK, INCLUDING THIS ONE] TO ME DIRECTLY. I DO NOT KNOW WHERE THEY CAME FROM. TED UNFRAMED TWO OF THEM, LEAVING THE ATLIN PAINTING IN ITS (ORIGINAL) FRAME.” THE FOLLOWING BIOGRAPHICAL INFORMATION ON EDITH KIRK, THE ARTIST, WAS DEVELOPED BY GALT CURATOR WENDY AITKENS IN PREPARATION FOR THE 2015 KIRK EXHIBIT AT THE GALT MUSEUM: "FOR 35 YEARS, LETHBRIDGE WAS THE HOME OF AN ACCOMPLISHED AND WELL KNOWN ARTIST AND ART TEACHER. EDITH FANNY KIRK, OR MISS KIRK AS MOST PEOPLE CALLED HER, CREATED WATERCOLOUR LANDSCAPES OF ENGLAND, VANCOUVER, LETHBRIDGE, WATERTON, BANFF, AND JASPER. SHE TAUGHT MANY CHILDREN AND ADULTS THE SKILLS OF PAINTING. SHE ALSO SPOKE AT THE MATHESIS CLUB PRESENTING PAPERS ON THE DEVELOPMENT OF MODERN ART, THE EVOLUTION OF ART AND ART APPRECIATION. JOAN STEBBINS, PAST CURATOR AT THE SAAG, CREDITS THE INFLUENCE OF KIRK FOR THE DEVELOPMENT OF THE LETHBRIDGE SKETCH (NOW ARTISTS') CLUB IN THE 1930S. WHEN KIRK ARRIVED IN LETHBRIDGE IN 1918, SHE WAS 60 YEARS OLD. SHE WAS BORN IN 1858 AND WAS RAISED IN YORKSHIRE, ENGLAND. HER MOTHER, FANNY (NEE MAUGHAM) PASSED AWAY WHEN EDITH WAS A YOUNG GIRL AND HER FATHER REMARRIED. THE STORY, FROM SECOND HAND SOURCES, WAS THAT SHE AND HER STEP MOTHER DID NOT LIKE ONE ANOTHER. THIS PROVIDED TO BE A BLESSING IN DISGUISE BECAUSE KIRK WAS SENT AWAY TO STUDY ART AND SHE STUDIED IN SOUTH KENSINGTON, LONDON, AND PARIS. DURING HER SUMMERS SHE JOINED ARTIST'S COLONIES IN CORNWALL, WALES, AND YORKSHIRE. KIRK WROTE OF IMPRESSIONIST PAUL CEZANNE BEING HER "MODEL AND INSPIRATION" AND SHE GREATLY ADMIRED ROMANTIC ARTIST JOHN SELL COTMAN. KIRK NEVER MARRIED AND IMMIGRATED TO CANADA AT THE AGE OF 46. SHE ARRIVED IN HALIFAX ABOARD THE HMS CANADA IN APRIL 1905. THE PASSENGER LIST INDICATED SHE WAS TRAVELING ON TO VANCOUVER AND HER OCCUPATION WAS LISTED AS A GOVERNESS. IT SEEMS SHE DIDN'T STAY LONG IN VANCOUVER BUT SOON TRAVELLED TO ATLIN, B.C. TO GET TO ATLIN, KIRK WOULD HAVE TAKEN A SHIP TO SKAGWAY, THE WHITE PASS RAILWAY TO CARCROSS AND THEN AN OVERLAND AND BOAT TRIP TO ATLIN. IT IS A MYSTERY WHY SHE CHOSE TO GO TO A REMOTE GOLD RUSH TOWN IN NORTH WESTERN BRITISH COLUMBIA. BY 1911 KIRK IS BOARDING WITH THE WOODS FAMILY IN LILLOOET, B.C. NORTHWEST OF KAMLOOPS, WHERE SHE WORKED AS A PUBLIC SCHOOL TEACHER. SEVEN YEARS LATER KIRK IS IN LETHBRIDGE. IT SEEMS SHE KNEW PEOPLE LIVING IN TABER, INCLUDING DR. ALFRED HAMMAN AND HIS SISTER MRS. SYLVIA GIDMAN, WHO CAME FROM HER HOMELAND IN ENGLAND SO CHOSE TO VISIT. THE CHARM OF THE PRAIRIES AND MOUNTAIN LANDSCAPES OF SOUTHERN ALBERTA ENTICED HER TO STAY. KIRK LIVED IN THE VICTORIA MANSION AND THE TRAVELLER'S AID SOCIETY BUILDING AND SHE TAUGHT ART CLASSES AT THE YMCA FOR A FEW DOLLARS A MONTH." KIRK PASSED AWAY IN LETHBRIDGE IN 1953. FOR ADDITIONAL INFORMATION, PLEASE SEE OTHER KIRK DONATIONS, INCLUDING: P19820004000, P19960095000, P20090016*, P20140012*, P20140020*, P20140021000, P20150008000, P20150019000, P20150024000, P20150029000, AND P20150030000. SEE ALSO, "A LEGACY OF ADVENTURE AND ART: THE LIFE OF MISS EDITH FANNY KIRCK" BY WENDY AITKENS. ALSO SEE PERMANENT FILE.
Catalogue Number
P20150029000
Acquisition Date
2015-10
Collection
Museum
Images
Less detail
Other Name
UNTITLED LANDSCAPE (“FOR MYSELF”) - EDITH KIRK
Date Range From
1907
Date Range To
1912
Material Type
Artifact
Materials
WATERCOLOUR, PAPER, ALUMINIUM
Catalogue Number
P20140020001
  1 image  
Material Type
Artifact
Other Name
UNTITLED LANDSCAPE (“FOR MYSELF”) - EDITH KIRK
Date Range From
1907
Date Range To
1912
Materials
WATERCOLOUR, PAPER, ALUMINIUM
No. Pieces
1
Height
38.5
Length
47
Width
2.5
Description
WATERCOLOUR PAINTING DEPICTING A LAKE WITH FORESTED LAND ON BOTH LEFT AND RIGHT SIDES, WITH SNOW-CAPPED MOUNTAIN RANGE IN BACKGROUND UNDER A CLOUDY SKY. SIGNED “E.F. K.” (EDITH FANNY KIRK) AT BOTTOM LEFT WITH THE INSCRIPTION “FOR MYSELF”. PAINTING IS DOUBLE-MATTED WITH ARCHIVAL MATBOARD, AND FRAMED IN METAL, GOLD-COLOURED FRAME WITH WIRE HANGER. PHOTOCOPIED NEWSPAPER CLIPPING FROM 1953 ANNOUNCING THE ARTIST’S DEATH TAPED TO BACKING BOARD. OVERAL VERY GOOD CONDITION.
Subjects
ART
Historical Association
FINE ARTS
History
THE DONOR OF THIS PAINTING, KATHERINE TWISS (NEE IVES) WAS A STUDENT OF THE ARTIST, EDITH FANNY KIRK. KATHERINE AND HER SISTER, MARGARET WHEELER (NEE IVES) TOOK LESSONS WITH MISS KIRK PAID FOR BY THEIR MOTHER ETTA IVES (NEE HENDERSON). MRS. IVES WAS A PATRON OF MISS KIRK'S - SHE BOUGHT PAINTINGS, ARRANGED FOR ART LESSONS FOR HER DAUGHTERS, AND DROVE MISS KIRK INTO THE COUNTRY SO SHE COULD PAINT. THE FOLLOWING BIOGRAPHICAL INFORMATION ON EDITH KIRK, THE ARTIST, WAS DEVELOPED BY GALT CURATOR WENDY AITKENS IN PREPARATION FOR THE 2015 KIRK EXHIBIT AT THE GALT MUSEUM: "FOR 35 YEARS, LETHBRIDGE WAS THE HOME OF AN ACCOMPLISHED AND WELL KNOWN ARTIST AND ART TEACHER. EDITH FANNY KIRK, OR MISS KIRK AS MOST PEOPLE CALLED HER, CREATED WATER COLOUR LANDSCAPES OF ENGLAND, VANCOUVER, LETHBRIDGE, WATERTON, BANFF, AND JASPER. SHE TAUGHT MANY CHILDREN AND ADULTS THE SKILLS OF PAINTING. SHE ALSO SPOKE AT THE MATHESIS CLUB PRESENTING PAPERS ON THE DEVELOPMENT OF MODERN ART, THE EVOLUTION OF ART AND ART APPRECIATION. JOAN STEBBINS, PAST CURATOR AT THE SAAG, CREDITS THE INFLUENCE OF MISS KIRK FOR THE DEVELOPMENT OF THE LETHBRIDGE SKETCH (NOW ARTISTS') CLUB IN THE 1930S. WHEN MISS KIRK ARRIVED IN LETHBRIDGE IN 1918, SHE WAS 60 YEARS OLD. SHE WAS BORN IN 1858 AND WAS RAISED IN YORKSHIRE, ENGLAND. HER MOTHER, FANNY (NEE MAUGHAM) PASSED AWAY WHEN EDITH WAS A YOUNG GIRL AND HER FATHER REMARRIED. THE STORY, FROM SECOND HAND SOURCES, WAS THAT SHE AND HER STEP MOTHER DID NOT LIKE ONE ANOTHER. THIS PROVIDED TO BE A BLESSING IN DISGUISE BECAUSE EDITH WAS SENT AWAY TO STUDY ART. EDITH STUDIED IN SOUTH KENSINGTON, LONDON AND PARIS. DURING HER SUMMERS SHE JOINED ARTIST'S COLONIES IN CORNWALL, WALES AND YORKSHIRE. SHE WROTE OF IMPRESSIONIST PAUL CEZANNE BEING HER "MODEL AND INSPIRATION" AND SHE GREATLY ADMIRED ROMANTIC ARTIST JOHN SELL COTMAN. KIRK NEVER MARRIED AND, FOR SOME REASON, SHE DECIDED TO IMMIGRATE TO CANADA AT THE AGE OF 46. SHE ARRIVED IN HALIFAX ABOARD THE HMS CANADA IN APRIL 1905. THE PASSENGER LIST INDICATED SHE WAS TRAVELING ON TO VANCOUVER AND HER OCCUPATION WAS LISTED AS A GOVERNESS. IT SEEMS SHE DIDN'T STAY LONG IN VANCOUVER BUT SOON TRAVELLED TO ATLIN, B.C. TO GET TO ATLIN, KIRK WOULD HAVE TAKEN A SHIP TO SKAGWAY, THE WHITE PASS RAILWAY TO CARCROSS AND THEN AN OVERLAND AND BOAT TRIP TO ATLIN. IT IS A MYSTERY WHY SHE CHOSE TO GO TO A REMOTE GOLD RUSH TOWN IN NORTH WESTERN BRITISH COLUMBIA. NEXT WE FIND KIRK, IN 1911, BOARDING WITH THE WOODS FAMILY IN LILLOOET, NORTHWEST OF KAMLOOPS, B.C. THERE SHE IS A PUBLIC SCHOOL TEACHER. SEVEN YEARS LATER EDITH KIRK IS IN LETHBRIDGE. IT SEEMS SHE KNEW PEOPLE LIVING IN TABER, DR. ALFRED HAMMAN AND HIS SISTER MRS. SYLVIA GIDMAN, WHO CAME FROM HER HOMELAND IN ENGLAND SO CHOSE TO VISIT. THE CHARM OF THE PRAIRIE AND MOUNTAIN LANDSCAPES OF SOUTHERN ALBERTA ENTICED HER TO STAY. MISS KIRK LIVED IN THE VICTORIA MANSION AND THE TRAVELLER'S AID SOCIETY BUILDING AND SHE TAUGHT ART CLASSES AT THE YMCA FOR A FEW DOLLARS A MONTH." EDITH KIRK PASSED AWAY IN LETHBRIDGE IN 1953. FOR ADDITIONAL INFORMATION, PLEASE SEE OTHER KIRK DONATIONS, INCLUDING: P19820004000, P19960095000, P20090016*, P20140012*, P20140020*, P20140021000, P20150008000, P20150019000, P20150024000, P20150029000, AND P20150030000. SEE ALSO, "A LEGACY OF ADVENTURE AND ART: THE LIFE OF MISS EDITH FANNY KIRCK" BY WENDY AITKENS. ALSO SEE PERMANENT FILE.
Catalogue Number
P20140020001
Acquisition Date
2014-06
Collection
Museum
Images
Less detail
Date Range From
1830
Date Range To
1953
Material Type
Artifact
Materials
STEEL
Catalogue Number
P20090016040
  1 image  
Material Type
Artifact
Date Range From
1830
Date Range To
1953
Materials
STEEL
No. Pieces
5
Length
3.8
Width
1.2
Description
(5) GLAZIER'S POINTS, STEEL, PARALLELOGRAM SHAPED. TARNISHED THROUGHOUT. DULL EDGES.
Subjects
GLASS, PLASTICS, CLAYWORKING T&E
Historical Association
FINE ARTS
DOMESTIC
History
FOR MORE INFORMATION SEE P20090016001 AND PERMANENT FILE.
Catalogue Number
P20090016040
Acquisition Date
2009-05
Collection
Museum
Images
Less detail
Other Name
DIP PEN
Date Range From
1830
Date Range To
1953
Material Type
Artifact
Materials
MOTHER OF PEARL, METAL, CARDBOARD
Catalogue Number
P20090016027
  1 image  
Material Type
Artifact
Other Name
DIP PEN
Date Range From
1830
Date Range To
1953
Materials
MOTHER OF PEARL, METAL, CARDBOARD
No. Pieces
6
Height
1.6
Length
20.5
Width
1.7
Description
CARDBOARD BOXED PEN WITH METAL NIB LYING ON COTTON BATTING – 6 PIECES. 1. LID, WHITE CARDBOARD, RECTANGULAR. MARKED “A.R. JUSTICE & CO., 718 CHESTNUT ST., PHILADELPHIA.” IN PURPLE TEXT IN CENTRE. SOILED THROUHOUT. INTERMITTENT WEAR ON EDGES. 1.4 CM HIGH BY 20.5 CM LONG BY 1.7 CM WIDE. 2. COTTON BATTING. CREAM COLORED. ORANGE STAIN ON ONE SIDE. 0.9 CM HIGH BY 11.4 CM LONG BY 1.3 CM WIDE. 3. COTTON BATTING. CREAM COLORED. 1.0 CM HIGH BY 7.1 CM LONG BY 1.5 CM WIDE. 4. BASE, WHITE CARDBOARD, RECTANGULAR. SOILED ON BOTTOM. BOTTOM EDGES WORN. 1.4 CM HIGH BY 19.6 CM LONG BY 1.4 CM WIDE. 5. COTTON BATTING. CREAM COLORED. ONE END IS CURLED UNDER. CENTRE OF BATTING HAS BEEN STRETCHED THIN. 1.9 CM HIGH BY 20.3 CM LONG BY 1.8 CM WIDE. 6. PEN. TWISTED MOTHER OF PEARL AND COPPER HANDLE. COPPER WORK DECORATED WITH EMBOSSED SWIRLS. GOLDPLATED NIB MARKED, “E.T., PEARCE, & CO., PROV. RI”. 16.5 CM LONG BY 0.5 CM IN DIAMETER.
Subjects
WRITTEN COMMUNICATION T&E
Historical Association
DOMESTIC
FINE ARTS
History
FOR MORE INFORMATION SEE P20090016001 AND PERMANENT FILE.
Catalogue Number
P20090016027
Acquisition Date
2009-05
Collection
Museum
Images
Less detail
Other Name
ADVERTIQUE
Date Range From
1900
Date Range To
1910
Material Type
Artifact
Materials
WOOD, STEEL
Catalogue Number
P19990029024
Material Type
Artifact
Other Name
ADVERTIQUE
Date Range From
1900
Date Range To
1910
Materials
WOOD, STEEL
No. Pieces
1
Height
1.9
Length
41.5
Width
11.9
Description
WOOD HANGER WITH STEEL HOOK. WOOD HAS A MEDIUM BROWN VARNISH ON IT. PRINTED ON ONE SIDE OF HANGER IS "MEN'S OUTFITTER - A. SOUTHARD - MERCHANT TAILOR", AND PRINTED ON OTHER SIDE IS "A. SOUTHARD - MERCHANT TAILOR AND MEN'S OUTFITTER. LETHBRIDGE, ALTA.". MUCH OF VARNISH IS WORN OFF.
Subjects
HOUSEHOLD ACCESSORY
ADVERTISING MEDIUM
Historical Association
RETAIL TRADE
History
ARTIFACTS PURCHASED BY DONOR AT VARIOUS ANTIQUE SHOPS, GARAGE SALES, ETC. FOR THE PURPOSE OF DONATING TO THE MUSEUM. ARTIFACTS WERE PURCHASED FROM 1999 TO 2002 WHILE DONOR WAS DIRECTOR OF THE GALT MUSEUM. SEE PREVIOUS DONATIONS.
Catalogue Number
P19990029024
Acquisition Date
2002-11
Collection
Museum
Less detail
Other Name
BLACKSMITH'S HAMMER SET
Date Range From
1900
Date Range To
1900
Material Type
Artifact
Materials
IRON
Catalogue Number
P19705853000
Material Type
Artifact
Other Name
BLACKSMITH'S HAMMER SET
Date Range From
1900
Date Range To
1900
Materials
IRON
No. Pieces
1
Length
12.4
Description
SQUARE, FLAT BASE WITH VERTICAL SHAFT. THERE IS AN OVULAR HOLE THROUGH SHAFT AND A "2" CARVED INTO SIDE.
Subjects
METALWORKING T&E
Historical Association
FINE ARTS
TRADES
History
USED AS AN ANVIL
Catalogue Number
P19705853000
Acquisition Date
1970-10
Collection
Museum
Less detail
Other Name
STAGE COACH PICTURE
Date Range From
1900
Date Range To
1910
Material Type
Artifact
Materials
PAPER
Catalogue Number
P19738070000
  1 image  
Material Type
Artifact
Other Name
STAGE COACH PICTURE
Date Range From
1900
Date Range To
1910
Materials
PAPER
No. Pieces
1
Length
51
Width
35.6
Description
"B. BUCK CIRCLE RANCHE".ARTIST. PICTURE DEPICTS HELENA AND FORT BENTON, WELLS FARGO AND COMPANY EXPRESS STAGE PENCIL DRAWING ON PAPER OF STAGE COACH OF WELLS FARGO & CO. EXPRESS STAGE BETWEEN HELENA & FORT BENTON. SIGNED LOWER RIGHT "B. BUCK CIRCLE RANCHE" UNTITLED.
Subjects
ART
Historical Association
FINE ARTS
History
DONOR BELIEVES DRAWING DONE ABOUT 1904. KNOWN AS THE STAGECOACH PICTURE. BY B. BUCK, OF CIRCLE RANCH *UPDATE* IN 2014 COLLECTIONS ASSISTANT JANE EDMUNDSON CONDUCTED A SURVEY OF MILITARY OBJECTS, A PORTION OF WHICH WERE DONATED BY BOB FAULDS. A NOTICE FROM THE LETHBRIDGE HERALD ON APRIL 1, 1991 LISTS THE DONOR AS DECEASED. CONTACT INFORMATION FOR NEXT OF KIN WAS NOT FOUND. SEE PERMANENT FILE P19640184000-GA FOR HARDCOPY OF NOTICE. *UPDATE* IN 2015 COLLECTIONS ASSISTANT JANE EDMUNDSON CONDUCTED A SURVEY OF ART OBJECTS. THE FOLLOWING BIOGRAPHY OF THE ARTIST, BELKNAP 'BALLIE' BUCK, WAS DEVELOPED WITH INFORMATION FROM THE STOCKMEN'S MEMORIAL FOUNDATION LIBRARY & ARCHIVES, PAUL H. CARLSON'S BOOK 'THE COWBOY WAY: AN EXPLORATION OF HISTORY AND CULTURE', GLENBOW ARCHIVES, AND AN ARTICLE FROM THE MARCH 31, 1943 ISSUE OF THE INDEPENDENT RECORD NEWSPAPER FROM HELENA, MONTANA. BUCK WAS BORN IN 1872 AT OLD FORT BELKNAP, MONTANA. HIS FATHER WAS CAPTAIN D. W. BUCK, A DETECTIVE WITH THE UNITED STATES DEPARTMENT OF INDIAN AFFAIRS, AND HIS MOTHER WAS OF ASSINIBOINE AND GROS VENTURES ANCESTRY. IN 1875 THE FAMILY MOVED TO HELENA, MONTANA, AND AS AN ADULT BUCK WORKED AT CATTLE RANCHES THROUGHOUT MONTANA AND SOUTHERN ALBERTA, INCLUDING WORKING AS THE FOREMAN OF CIRCLE RANCH, NEAR LETHBRIDGE. AN ARTIST IN HIS OWN RIGHT, BUCK WAS A CLOSE FRIEND OF WELL KNOWN WESTERN ARTIST CHARLES M. RUSSELL, AND WAS CHOSEN BY GUY WEADICK TO SERVE AS ONE OF THE JUDGES DURING THE FIRST CALGARY STAMPEDE IN 1912. BUCK RETIRED FROM THE CATTLE INDUSTRY IN 1930, AND DIED IN 1943 AT THE MASONIC HOME IN THE HELENA VALLEY. SEE PERMANENT FILE FOR HARDCOPIES OF SOURCE MATERIAL. *UPDATE* IN 2019 COLLECTIONS ASSISTANT ELISE PUNDYK CONDUCTED AN ARTIFACT SURVEY THAT INCLUDED A NUMBER OF BARBER-RELATED INSTRUMENTS DONATED BY BOB FAULDS. HIS FULL NAME WAS ROBERT ERNEST FAULDS. ATTEMPTS MADE TO MAKE CONTACT HIS NEXT-OF-KIN WERE UNSUCCESSFUL. AN OBITUARY FOUND IN THE LETHBRIDGE HERALD FOR FAULDS STATES, “BORN, RAISED AND EDUCATED IN TABER, ALBERTA, BOB SPENT THE MAJORITY OF HIS LIFE IN LETHBRIDGE WHERE HE WORKED AS A BARBER AT WESTBROOKS BARBER SHOP, LATER OWNING HIS OWN BUSINESS CALLED BOB’S BARBER SHOP.” JAMES AND HAROLD WESTBROOK WERE THE ORIGINAL PROPRIETORS OF THE WESTBROOKS BARBER SHOP. IT OPENED IN 1917 IN THE BLENNER-HASSETT BLOCK AT 303 6TH STREET SOUTH (LETHBRIDGE DAILY HERALD, 21 JULY 1917). FURTHER RESEARCH INTO HIS BARBER CAREER FOUND A RETIREMENT NOTICE PUBLISHED IN THE HERALD WHICH READS “R. E. FAULDS: I WOULD LIKE TO ANNOUNCE THAT AFTER 48 YEARS OF BARBERING, I WILL BE RETIRING, EFFECTIVE AUGUST 1, 1987.” IN ADDITION TO A SEPTEMBER 6, 1939 PUBLICATION IN THE LETHBRIDGE HERALD STATES “… SOME TABER YOUNG MEN APPLIED [FOR THE WAR], AMONG THEM ROBT. FAULDS, JR., OLDEST SON OF THE LATE CHIEF FAULDS, WHO WEEKS AGO OPENED A NEW BARBER SHOP IN TOWN.” FAULDS’ OBITUARY STATES HE “MARRIED OLIVE CARDWELL [1916-2005] ON MARCH 4, 1942, AND TOGETHER THEY RESIDED IN LETHBRIDGE UNTIL HIS PASSING.” THEIR CHILDREN WERE ROBERT THOMAS AND PHILLIP RONALD. BOB FAULDS PASSED AWAY ON MARCH 14, 1991 AT THE AGE OF 73 YEARS. REFERENCE TO FAULDS’ DONATIONS TO THE MUSEUM WERE FOUND IN THE LETHBRIDGE HERALD. THERE WAS AN IMAGE PUBLISHED OF MUSEUM OFFICIALS ALONG WITH FAULDS TAKING DOWN HIS BARBER POLE FROM ITS 6TH STREET LOCATION (NOVEMBER 29, 1965). A LINE IN THE MARCH 9, 1964 EDITION OF THE LETHBRIDGE HERALD READS, “FAULDS TURNED UP [AT THE CITY OF LETHBRIDGE MUSEUM] WITH TWO STRAIGHT RAZORS. THE SHAVERS ARE MORE THAN 100 YEARS OLD.” PLEASE SEE PERMANENT FILE P19640121000 FOR FURTHER INFORMATION, INCLUDING COPIES OF THE LETHBRIDGE HERALD RESEARCH.
Catalogue Number
P19738070000
Acquisition Date
1973-07
Collection
Museum
Images
Less detail
Other Name
NECTARS TEA
Date Range From
1900
Date Range To
1910
Material Type
Artifact
Materials
SHEET METAL
Catalogue Number
P19800302000
Material Type
Artifact
Other Name
NECTARS TEA
Date Range From
1900
Date Range To
1910
Materials
SHEET METAL
No. Pieces
1
Length
53.3
Width
31.8
Description
SIGN SHAPED AS HANDLELESS CUP OF TEA ON A SAUCER. WHITE W/BROWN TEA AND GREEN OUTLINE ON CUP AND SAUCER. GREEN LETTERS: "NECTAR TEA" PAINTED ENAMEL FINISH.
Subjects
ADVERTISING MEDIUM
Historical Association
RETAIL TRADE
History
MADE IN BIRMINGHAM ENGLAND. PURCHASED FROM DEALER IN BELLEVUE, AB. BY DONOR FOR A MUSEUM DISPLAY MADE POSSIBLE BY A 75 ANNIVERSARY GRANT.
Catalogue Number
P19800302000
Acquisition Date
1980-10
Collection
Museum
Less detail
Date Range From
1900
Date Range To
1920
Material Type
Artifact
Materials
ENAMELLED SHEET IRON
Catalogue Number
P19810028000
Material Type
Artifact
Date Range From
1900
Date Range To
1920
Materials
ENAMELLED SHEET IRON
No. Pieces
1
Height
11.7
Length
20.5
Description
PURPLE AND YELLOW. SIGN HAS CROWN IN YELLOW ON TOP LEFT CORNER, READS "OFFICIAL AGENTS" IN CENTRE OF CROWN. SIGN READS "REGINA PRECISION WATCHES ABSOLUTELY GUARANTEED."
Subjects
ADVERTISING MEDIUM
Historical Association
RETAIL TRADE
History
SIGN WAS RECOVERED FROM MACLEOD AREA (DUG UP) DONATED TO MUSEUM AS PART OF 75 ANNIVERSARY DISPLAY GRANT.
Catalogue Number
P19810028000
Acquisition Date
1981-01
Collection
Museum
Less detail
Date Range From
1900
Date Range To
1920
Material Type
Artifact
Materials
ENAMELLED SHEET IRON
Catalogue Number
P19810029000
Material Type
Artifact
Date Range From
1900
Date Range To
1920
Materials
ENAMELLED SHEET IRON
No. Pieces
1
Height
35.5
Length
51.0
Description
GREEN SIGN WITH WHITE PAINT. SIGN HAS 6 HOLES USED FOR HANGING. SIGN READS "AGENCY OF THE FRANKLIN FIRE INSURANCE COMPANY L PHILADELPHIA" "YOU MAY DELAY, BUT TIME WILL NOT" - BENJAMIN FRANKLIN. THERE IS SOME PAINT SPLATTERED ON THIS SIGN.
Subjects
ADVERTISING MEDIUM
Historical Association
RETAIL TRADE
History
PURCHASED FROM A COUNTRY STORE IN SASKATCHEWAN BY DONOR AS PART OF A 75 ANNIVERSAY GRANT FOR MUSEUM DISPLAY.
Catalogue Number
P19810029000
Acquisition Date
1981-01
Collection
Museum
Less detail
Other Name
BREWERY TRAY
Date Range From
1901
Date Range To
1920
Material Type
Artifact
Materials
ALUMINIUM
Catalogue Number
P19662221000
Material Type
Artifact
Other Name
BREWERY TRAY
Date Range From
1901
Date Range To
1920
Materials
ALUMINIUM
No. Pieces
1
Diameter
30.2
Description
"THE LETHBRIDGE BREWING & MALTING CO., LIMITED BREWERS OF ALBERTA'S PRIDE" IN CENTER. A MAPLE LEAF WITH A BEAVER ON TOP OF A GLOBE. SEE CONSERVATION REPORT ON FILE.
Subjects
FOOD SERVICE T&E
ADVERTISING MEDIUM
Historical Association
INDUSTRY
DOMESTIC
History
SEE P19900020001-GA FOR BREWERY HISTORY
Catalogue Number
P19662221000
Acquisition Date
1966-12
Collection
Museum
Less detail
Other Name
LETHBRIDGE, ALBERTA
Date Range From
1905
Date Range To
1907
Material Type
Artifact
Materials
WOOD, PAPER, WIRE
Catalogue Number
P19990035195
  1 image  
Material Type
Artifact
Other Name
LETHBRIDGE, ALBERTA
Date Range From
1905
Date Range To
1907
Materials
WOOD, PAPER, WIRE
No. Pieces
1
Height
2.4
Length
62.5
Width
41.8
Description
BROWN AND GOLD WOOD FRAME. OFF-WHITE MATTE. BLACK AND WHITE PHOTGRAPH OF A LETHBRIDGE STREET. PART OF GALT GARDENS, AND A NUMBER OF BUSINESSES ARE VISIBLE - INCLUDING "A. SOUTHARD", "G.L. VROOMAN", "E.J. HILL", AND "LETHBRIDGE CO-OPERATIVE ASSOCIATION LIMITED". WRITTEN IN TOP LEFT HAND CORNER OF PHOTO IS "LETHBRIDGE ALBERTA". IN BOTTOM RIGHT HAND CORNER OF GLASS IS A GREEN PLASTIC TAG, EMBOSSED WITH "1987.564". "296" IS WRITTEN ON BACK IN BLACK FELT MARKER. THERE IS ALSO A LABEL ON THE BACK THAT READS "PROPERTY OF CHINOOK CLUB LETHBRIDGE NO.17". ALSO TWO WIRES ATTACHED TO HOOKS ON BACK.
Subjects
DOCUMENTARY ARTIFACT
ART
Historical Association
FINE ARTS
History
SEE P19990035001-GA FOR DONOR HISTORY.
Catalogue Number
P19990035195
Acquisition Date
2000-07
Collection
Museum
Images
Less detail
Date Range From
1900
Date Range To
1920
Material Type
Artifact
Materials
WOOL, SILK, STEEL
Catalogue Number
P19990053003
  2 images  
Material Type
Artifact
Date Range From
1900
Date Range To
1920
Materials
WOOL, SILK, STEEL
No. Pieces
1
Height
10.0
Length
98.0
Width
56.5
Description
MEN'S FROCK COAT. BLACK WOOL. DOUBLE BREASTED; BUTTONS ARE STEEL, OVERLAID WITH BLACK THREAD IN A WEAVE PATTERN. IMPRESSED INTO BACK OF EACH BUTTON IS "CARANTIE * 32 * ". COAT HAS NOTCHED LAPELS, THAT END IN A V-SHAPE. COLLAR IS SLIGHTLY NARROWER THAN LAPELS. THERE ARE TWO BUTTON HOLES ON LAPEL, ONE OF WHICH IS SEWN UP. BELOW WAIST LINE JACKET IS SLIGHTLY FULLER. THERE ARE NO OUTSIDE POCKETS, BUT A WELT POCKET ON EACH INSIDE BREAST. INSIDE OF JACKET IS LINED WITH BLACK SILK, EXCEPT FOR SLEEVES WHICH ARE LINED WITH A WHITE AND BLACK STRIPED COTTON. LINING ON RIGHT ARM IS LOOSE, AND APPEARS TO HAVE BEEN REPAIRED. THERE ARE THREE SMALLER BUTTONS SAME AS ABOVE, ON EACH CUFF, WITH MOCK BUTTONHOLES. BACK OF JACKET, HAS A VENT, ABOVE WHICH ARE 2 BUTTONS (SAME AS ABOVE). EACH 'TAIL' OF VENT HAS A HIDDEN SLIT POCKET ON INSIDE.
Subjects
CLOTHING-OUTERWEAR
Historical Association
FINE ARTS
PERSONAL CARE
History
ORIGIN DATE OF THIS COAT IS UNKNOWN, BUT FROCK COATS WERE WORN BY MEN FROM THE END OF THE 18TH CENTURY THROUGH THE 19TH CENTURY. COULD HAVE BEEN REPLICATED LATER TO COPY AN EARLIER STYLE. DONOR IS A HIGH SCHOOL PHYS. ED. TEACHER. SHE DID DRAMA IN SCHOOLS AND LOCAL THEATRE, AND ENTIRE COLLECTION WAS GIVEN TO HER BY LOCAL PEOPLE. FOR MORE INFORMATION ON DONOR GAIL HOLLAND’S ACQUISITION, STEWARDSHIP AND GENERAL USE OF HER 1999-DONATED COLLECTION PLEASE REFER TO RECORD P19990053001. ***UPDATE: ARTIFACT INSIGHT BELOW SUBMITTED BY DONOR AND COLLECTIONS VOLUNTEER GAIL HOLLAND ON 19 APRIL 2011. “FROCK COAT WAS USED AS A COSTUME PIECE IN “OLIVER” LETHBRIDGE MUSICAL THEATRE IN 1975 AND WAS WORN BY THE CHARACTER PLAYING OLIVER’S GRANDFATHER.”
Catalogue Number
P19990053003
Acquisition Date
2000-12
Collection
Museum
Images
Less detail
Date Range From
1750
Date Range To
1900
Material Type
Artifact
Materials
BUFFALO HORN, RAWHIDE, BUCKSKIN
Catalogue Number
P19641148000
  1 image  
Material Type
Artifact
Date Range From
1750
Date Range To
1900
Materials
BUFFALO HORN, RAWHIDE, BUCKSKIN
No. Pieces
1
Length
38.0
Diameter
8.9
Description
BUFFALO HORN CONTAINER WITH A RAWHIDE CAP AND BUCKSKIN THONG. CAP SEWN WITH SINEW. HOLES APPEAR MACHINE DRILLED. BASE OF HORN SHOWS CUT MARKS.
Subjects
INDIGENOUS
Historical Association
ETHNOGRAPHIC
History
NORTHERN PLAINS INDIGENOUS CULTURE *UPDATE* IN 2015 COLLECTIONS ASSISTANT JANE EDMUNDSON ASKED TWO FORMER MEMBERS OF THE LETHBRIDGE JUNIOR CHAMBER OF COMMERCE, PHIL EDMUNDSON AND PAUL RUSZNAK, ABOUT THE FIRST NATIONS ARTIFACTS THAT THE GROUP DONATED TO THE GALT MUSEUM IN 1964, 1969, AND 1973. NEITHER RECALLED HOW THE JAYCEES CAME INTO OWNERSHIP OF THE ARTIFACTS, AS THEIR ACQUISITION PREDATED BOTH EDMUNDSON AND RUSZNAK’S MEMBERSHIP IN THE CHAMBER. RESEARCH CONDUCTED INTO LETHBRIDGE’S GURNEY MUSEUM FOUND A CONNECTION BETWEEN ITS PROPRIETOR, WALTER GURNEY, AND THE JAYCEES, WHO ACCORDING TO AN ARTICLE FROM THE APRIL 16, 1946 ISSUE OF THE LETHBRIDGE HERALD ADVOCATED ON GURNEY’S BEHALF FOR IMPROVEMENTS TO BE MADE TO THE FORMER BOARD OF TRADE BUILDING WHERE THE MUSEUM WAS HOUSED. AN ARTICLE FROM THE JULY 13, 1948 ISSUE OF THE HERALD DESCRIBES SOME OF THE FIRST NATIONS ARTIFACTS ON DISPLAY IN THE MUSEUM: “TOMAHAWKS, ARROW HEADS, PEACE PIPES, BEAD AND LEATHER WORK, CLOTHING AND WOODCRAFT”. UPON THE CLOSURE OF THE MUSEUM AND SALE OF GURNEY’S COLLECTION TO BELMORE SCHULTZ OF THE ALTAMONT MUSEUM IN COUTTS, MENTION WAS MADE IN A HERALD ARTICLE FROM MAY 16, 1961 OF “HISTORICAL INDIAN RELICS THAT BELONG TO THE JUNIOR CHAMBER OF COMMERCE HAVE BEEN RETAINED IN THE CITY AND WILL BE AVAILABLE WHEN PROPER DISPLAY FACILITIES ARE AVAILABLE”. IT IS POSSIBLE THAT THE ARTIFACTS WERE TRANSFERRED TO THE JAYCEES BY GURNEY DURING THE DISSOLUTION OF HIS MUSEUM, BUT NO FURTHER CONFIRMATION WAS FOUND. FOR FURTHER INFORMATION ABOUT THE GURNEY MUSEUM AND ITS COLLECTION, SEE RECORD P19890044001.
UPDATE 16 AUGUST 2017: ON 25 JULY 2017, MUSEUM CURATOR AIMEE BENOIT FOUND EVIDENCE TO CONNECT THE INDIGENOUS COLLECTION DONATED BY THE LETHBRIDGE JAYCEES (AKA. JUNIOR CHAMBER OF COMMERCE) WITH FORMER LETHBRIDGE RESIDENTS THE LATE FRED BOTSFORD AND HIS LATE DAUGHTER DOROTHY CLARK. NOTES MADE BY AIMEE ON THE DISCOVERY AS WELL AS RELEVANT CLIPPINGS FROM THE LETHBRIDGE HERALD CAN BE FOUND ATTACHED TO THE PERMANENT FILE OF P19641140000.
Catalogue Number
P19641148000
Acquisition Date
1964-07
Collection
Museum
Images
Less detail
Date Range From
1800
Date Range To
1900
Material Type
Artifact
Materials
BONE & STEEL
Catalogue Number
P19641173000
  1 image  
Material Type
Artifact
Date Range From
1800
Date Range To
1900
Materials
BONE & STEEL
No. Pieces
1
Height
12.5
Length
30.0
Width
3.8
Description
ORIGINAL BLADE AND HANDLE. BINDING POSSIBLY RECENT. SCRAPING TOOL
Subjects
INDIGENOUS
Historical Association
ETHNOGRAPHIC
History
NORTHERN PLAINS INDIGENOUS CULTURE. *UPDATE* IN 2015 COLLECTIONS ASSISTANT JANE EDMUNDSON ASKED TWO FORMER MEMBERS OF THE LETHBRIDGE JUNIOR CHAMBER OF COMMERCE, PHIL EDMUNDSON AND PAUL RUSZNAK, ABOUT THE FIRST NATIONS ARTIFACTS THAT THE GROUP DONATED TO THE GALT MUSEUM IN 1964, 1969, AND 1973. NEITHER RECALLED HOW THE JAYCEES CAME INTO OWNERSHIP OF THE ARTIFACTS, AS THEIR ACQUISITION PREDATED BOTH EDMUNDSON AND RUSZNAK’S MEMBERSHIP IN THE CHAMBER. RESEARCH CONDUCTED INTO LETHBRIDGE’S GURNEY MUSEUM FOUND A CONNECTION BETWEEN ITS PROPRIETOR, WALTER GURNEY, AND THE JAYCEES, WHO ACCORDING TO AN ARTICLE FROM THE APRIL 16, 1946 ISSUE OF THE LETHBRIDGE HERALD ADVOCATED ON GURNEY’S BEHALF FOR IMPROVEMENTS TO BE MADE TO THE FORMER BOARD OF TRADE BUILDING WHERE THE MUSEUM WAS HOUSED. AN ARTICLE FROM THE JULY 13, 1948 ISSUE OF THE HERALD DESCRIBES SOME OF THE FIRST NATIONS ARTIFACTS ON DISPLAY IN THE MUSEUM: “TOMAHAWKS, ARROW HEADS, PEACE PIPES, BEAD AND LEATHER WORK, CLOTHING AND WOODCRAFT”. UPON THE CLOSURE OF THE MUSEUM AND SALE OF GURNEY’S COLLECTION TO BELMORE SCHULTZ OF THE ALTAMONT MUSEUM IN COUTTS, MENTION WAS MADE IN A HERALD ARTICLE FROM MAY 16, 1961 OF “HISTORICAL INDIAN RELICS THAT BELONG TO THE JUNIOR CHAMBER OF COMMERCE HAVE BEEN RETAINED IN THE CITY AND WILL BE AVAILABLE WHEN PROPER DISPLAY FACILITIES ARE AVAILABLE”. IT IS POSSIBLE THAT THE ARTIFACTS WERE TRANSFERRED TO THE JAYCEES BY GURNEY DURING THE DISSOLUTION OF HIS MUSEUM, BUT NO FURTHER CONFIRMATION WAS FOUND. FOR FURTHER INFORMATION ABOUT THE GURNEY MUSEUM AND ITS COLLECTION, SEE RECORD P19890044001.
UPDATE 16 AUGUST 2017: ON 25 JULY 2017, MUSEUM CURATOR AIMEE BENOIT FOUND EVIDENCE TO CONNECT THE INDIGENOUS COLLECTION DONATED BY THE LETHBRIDGE JAYCEES (AKA. JUNIOR CHAMBER OF COMMERCE) WITH FORMER LETHBRIDGE RESIDENTS THE LATE FRED BOTSFORD AND HIS LATE DAUGHTER DOROTHY CLARK. NOTES MADE BY AIMEE ON THE DISCOVERY AS WELL AS RELEVANT CLIPPINGS FROM THE LETHBRIDGE HERALD CAN BE FOUND ATTACHED TO THE PERMANENT FILE OF P19641140000.
Catalogue Number
P19641173000
Acquisition Date
1964-07
Collection
Museum
Images
Less detail
Other Name
ANTLER - PLAINS INDIGENOUS
Date Range From
1900
Date Range To
1910
Material Type
Artifact
Materials
DEER ANTLER
Catalogue Number
P19641181000
  1 image  
Material Type
Artifact
Other Name
ANTLER - PLAINS INDIGENOUS
Date Range From
1900
Date Range To
1910
Materials
DEER ANTLER
No. Pieces
1
Length
13.5
Width
2.6
Description
INCISED GEOMETRIC DESIGN BELOW HANDLE. PAINTED BLACK. BROKEN TIP.
Subjects
INDIGENOUS
LEATHER, HORN, SHELLWORKING T&E
TEXTILEWORKING T&E
Historical Association
ETHNOGRAPHIC
History
PLAINS INDIGENOUS. PROBABLE USE AS LEATHER TOOL. *UPDATE* IN 2015 COLLECTIONS ASSISTANT JANE EDMUNDSON ASKED TWO FORMER MEMBERS OF THE LETHBRIDGE JUNIOR CHAMBER OF COMMERCE, PHIL EDMUNDSON AND PAUL RUSZNAK, ABOUT THE FIRST NATIONS ARTIFACTS THAT THE GROUP DONATED TO THE GALT MUSEUM IN 1964, 1969, AND 1973. NEITHER RECALLED HOW THE JAYCEES CAME INTO OWNERSHIP OF THE ARTIFACTS, AS THEIR ACQUISITION PREDATED BOTH EDMUNDSON AND RUSZNAK’S MEMBERSHIP IN THE CHAMBER. RESEARCH CONDUCTED INTO LETHBRIDGE’S GURNEY MUSEUM FOUND A CONNECTION BETWEEN ITS PROPRIETOR, WALTER GURNEY, AND THE JAYCEES, WHO ACCORDING TO AN ARTICLE FROM THE APRIL 16, 1946 ISSUE OF THE LETHBRIDGE HERALD ADVOCATED ON GURNEY’S BEHALF FOR IMPROVEMENTS TO BE MADE TO THE FORMER BOARD OF TRADE BUILDING WHERE THE MUSEUM WAS HOUSED. AN ARTICLE FROM THE JULY 13, 1948 ISSUE OF THE HERALD DESCRIBES SOME OF THE FIRST NATIONS ARTIFACTS ON DISPLAY IN THE MUSEUM: “TOMAHAWKS, ARROW HEADS, PEACE PIPES, BEAD AND LEATHER WORK, CLOTHING AND WOODCRAFT”. UPON THE CLOSURE OF THE MUSEUM AND SALE OF GURNEY’S COLLECTION TO BELMORE SCHULTZ OF THE ALTAMONT MUSEUM IN COUTTS, MENTION WAS MADE IN A HERALD ARTICLE FROM MAY 16, 1961 OF “HISTORICAL INDIAN RELICS THAT BELONG TO THE JUNIOR CHAMBER OF COMMERCE HAVE BEEN RETAINED IN THE CITY AND WILL BE AVAILABLE WHEN PROPER DISPLAY FACILITIES ARE AVAILABLE”. IT IS POSSIBLE THAT THE ARTIFACTS WERE TRANSFERRED TO THE JAYCEES BY GURNEY DURING THE DISSOLUTION OF HIS MUSEUM, BUT NO FURTHER CONFIRMATION WAS FOUND. FOR FURTHER INFORMATION ABOUT THE GURNEY MUSEUM AND ITS COLLECTION, SEE RECORD P19890044001.
UPDATE 16 AUGUST 2017: ON 25 JULY 2017, MUSEUM CURATOR AIMEE BENOIT FOUND EVIDENCE TO CONNECT THE INDIGENOUS COLLECTION DONATED BY THE LETHBRIDGE JAYCEES (AKA. JUNIOR CHAMBER OF COMMERCE) WITH FORMER LETHBRIDGE RESIDENTS THE LATE FRED BOTSFORD AND HIS LATE DAUGHTER DOROTHY CLARK. NOTES MADE BY AIMEE ON THE DISCOVERY AS WELL AS RELEVANT CLIPPINGS FROM THE LETHBRIDGE HERALD CAN BE FOUND ATTACHED TO THE PERMANENT FILE OF P19641140000.
Catalogue Number
P19641181000
Acquisition Date
1964-07
Collection
Museum
Images
Less detail
Date Range From
1750
Date Range To
1900
Material Type
Artifact
Materials
BONE, BUCKSKIN
Catalogue Number
P19738499000
Material Type
Artifact
Date Range From
1750
Date Range To
1900
Materials
BONE, BUCKSKIN
No. Pieces
1
Height
4.2
Length
34.0
Width
9.8
Description
BUCKSKIN STRAP. KNIFE MARKS ON ONE END. RED-BROWN COLOURATION. SCRAPING EDGE IS WORN.
Subjects
INDIGENOUS
Historical Association
ARCHAEOLOGY
ETHNOGRAPHIC
History
PLAINS INDIGENOUS CULTURE.
Catalogue Number
P19738499000
Acquisition Date
1973-01
Collection
Museum
Less detail
Date Range From
1800
Date Range To
1900
Material Type
Artifact
Materials
HORN
Catalogue Number
P19739374000
  1 image  
Material Type
Artifact
Date Range From
1800
Date Range To
1900
Materials
HORN
No. Pieces
1
Length
15.9
Width
6.0
Description
EDGE OF SPOON BOWL EXTENSIVELY NICKED. STEAMED, FLATTENED & HAND CARVED FROM MOUNTAIN GOAT HORN. SEE CONSERVATION REPORT
Subjects
INDIGENOUS
FOOD SERVICE T&E
Historical Association
ETHNOGRAPHIC
History
PLATEAU INDIGENOUS CULTURE, PROBABLY TRADED INTO NORTHERN PLAINS.
Catalogue Number
P19739374000
Acquisition Date
1964-07
Collection
Museum
Images
Less detail
Other Name
BEADED MAN'S
Date Range From
1900
Date Range To
1910
Material Type
Artifact
Materials
GLASS BEADS, BUCKSKIN
Catalogue Number
P19641155000
Material Type
Artifact
Other Name
BEADED MAN'S
Date Range From
1900
Date Range To
1910
Materials
GLASS BEADS, BUCKSKIN
No. Pieces
1
Description
SIZE 38 BEAD, BUCKSKIN, CLOTH LINED WITH COTTON, TRIMMED WITH BLACK VELVET AROUND EDGES, BACK FACED WITH BLACK VELVET COVERED WITH AN OPEN MESH DESIGN IN WHITE BEADS. GEOMETRIC PANELS IN BLUE, RED, GREEN, YELLOW BEADS ON BACK. FRONT PANELS COMPLETELY COVERED IN BEADWORK WITH GEOMETRIC & CURVO-LINEAR DESIGNS, FEATHERED HEAD-DRESS MALE PROFILE FIGURE ON EACH FRONT PANEL. FIGURE IS DONE IN RED, BLUE, WHITE, YELLOW, GREEN, PINK AND GILDED BEADS. BACKGROUND OF SOLID WHITE BEADS TRIMMED WITH GEOMETRIC DESIGN IN RED, GREEN AND GILDED BEADS. FLORAL DESIGN IN RED, BLUE AND GREEN ON EACH PANEL. SMALL PORTION OF BEADS MISSING AT BOTTOM FRONT ON LEFT SIDE AND UPPER LEFT BACK (SHOULDER AREA). CONSERVATION REPORT ON FILE.
Subjects
INDIGENOUS
CLOTHING-OUTERWEAR
Historical Association
ETHNOGRAPHIC
History
NORTHERN PLAINS CULTURE - BLACKFOOT. HANDMADE BY MRS. E. BOYCHIEF. *UPDATE* IN 2015 COLLECTIONS ASSISTANT JANE EDMUNDSON ASKED TWO FORMER MEMBERS OF THE LETHBRIDGE JUNIOR CHAMBER OF COMMERCE, PHIL EDMUNDSON AND PAUL RUSZNAK, ABOUT THE FIRST NATIONS ARTIFACTS THAT THE GROUP DONATED TO THE GALT MUSEUM IN 1964, 1969, AND 1973. NEITHER RECALLED HOW THE JAYCEES CAME INTO OWNERSHIP OF THE ARTIFACTS, AS THEIR ACQUISITION PREDATED BOTH EDMUNDSON AND RUSZNAK’S MEMBERSHIP IN THE CHAMBER. RESEARCH CONDUCTED INTO LETHBRIDGE’S GURNEY MUSEUM FOUND A CONNECTION BETWEEN ITS PROPRIETOR, WALTER GURNEY, AND THE JAYCEES, WHO ACCORDING TO AN ARTICLE FROM THE APRIL 16, 1946 ISSUE OF THE LETHBRIDGE HERALD ADVOCATED ON GURNEY’S BEHALF FOR IMPROVEMENTS TO BE MADE TO THE FORMER BOARD OF TRADE BUILDING WHERE THE MUSEUM WAS HOUSED. AN ARTICLE FROM THE JULY 13, 1948 ISSUE OF THE HERALD DESCRIBES SOME OF THE FIRST NATIONS ARTIFACTS ON DISPLAY IN THE MUSEUM: “TOMAHAWKS, ARROW HEADS, PEACE PIPES, BEAD AND LEATHER WORK, CLOTHING AND WOODCRAFT”. UPON THE CLOSURE OF THE MUSEUM AND SALE OF GURNEY’S COLLECTION TO BELMORE SCHULTZ OF THE ALTAMONT MUSEUM IN COUTTS, MENTION WAS MADE IN A HERALD ARTICLE FROM MAY 16, 1961 OF “HISTORICAL INDIAN RELICS THAT BELONG TO THE JUNIOR CHAMBER OF COMMERCE HAVE BEEN RETAINED IN THE CITY AND WILL BE AVAILABLE WHEN PROPER DISPLAY FACILITIES ARE AVAILABLE”. IT IS POSSIBLE THAT THE ARTIFACTS WERE TRANSFERRED TO THE JAYCEES BY GURNEY DURING THE DISSOLUTION OF HIS MUSEUM, BUT NO FURTHER CONFIRMATION WAS FOUND. FOR FURTHER INFORMATION ABOUT THE GURNEY MUSEUM AND ITS COLLECTION, SEE RECORD P19890044001.
UPDATE 16 AUGUST 2017: ON 25 JULY 2017, MUSEUM CURATOR AIMEE BENOIT FOUND EVIDENCE TO CONNECT THE INDIGENOUS COLLECTION DONATED BY THE LETHBRIDGE JAYCEES (AKA. JUNIOR CHAMBER OF COMMERCE) WITH FORMER LETHBRIDGE RESIDENTS THE LATE FRED BOTSFORD AND HIS LATE DAUGHTER DOROTHY CLARK. NOTES MADE BY AIMEE ON THE DISCOVERY AS WELL AS RELEVANT CLIPPINGS FROM THE LETHBRIDGE HERALD CAN BE FOUND ATTACHED TO THE PERMANENT FILE OF P19641140000.
Catalogue Number
P19641155000
Acquisition Date
1964-07
Collection
Museum
Less detail
Other Name
BEADED BELT
Date Range From
1900
Date Range To
1910
Material Type
Artifact
Materials
GLASS, LEATHER, COTTON
Catalogue Number
P19651872000
  1 image  
Material Type
Artifact
Other Name
BEADED BELT
Date Range From
1900
Date Range To
1910
Materials
GLASS, LEATHER, COTTON
No. Pieces
1
Length
81.2
Width
7.6
Description
GEOMETRIC BEADWORK DESIGN IN RED, BLUE, GREEN, WHITE AND PINK BEADS. BEADWORK DESIGN COVERS ONE FACE OF THE HARNESS LEATHER. BACK COVERED WITH WINE COTTON BELT ATTACHMENT CONSISTS OF TWO LEATHER THONGS AT EACH END OF BELT. CONSERVATION REPORT ON FILE.
Subjects
INDIGENOUS
CLOTHING-ACCESSORY
Historical Association
ETHNOGRAPHIC
PERSONAL CARE
History
PLAINS INDIGENOUS.
Catalogue Number
P19651872000
Acquisition Date
1965-07
Collection
Museum
Images
Less detail

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