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42 records – page 1 of 3.

Other Name
"2&7"
Date Range From
1987
Date Range To
1992
Material Type
Artifact
Materials
WOOD, PAINT
Catalogue Number
P20190022007
  2 images  
Material Type
Artifact
Other Name
"2&7"
Date Range From
1987
Date Range To
1992
Materials
WOOD, PAINT
No. Pieces
1
Height
1.2
Length
49
Width
46
Description
WOOD SIGN SHAPED LIKE THE NUMBERS 2 AND 7 CONNECTED. FRONT OF SIGN HAS ORANGE “2” AND RED “7” PAINTED WITH BLACK AMPERSAND “&” IN CENTER; NUMBERS ARE PAINTED ON WHITE BACKFROUND, WITH RED DROP-SHADOWS. SIDES OF SIGN ARE PAINTED WHITE. BACK IS UNPAINTED PRESSED WOOD BOARD; BACK HAS TWO DRILLED HOLES FOR HANGING IN CENTER. FRONT HAS LOSS ALONG LOWER EDGE OF “7”; FRONT IS STAINED AT TOP ARCH OF “2” AND ALONG EDGES; BACK IS STAINED RED AT EDGES AND STAINED IN THE CENTER; OVERALL VERY GOOD CONDITION.
Subjects
ADVERTISING MEDIUM
Historical Association
INDUSTRY
History
ON AUGUST 21, 2019, COLLECTION TECHNICIAN KEVIN MACLEAN INTERVIEWED WAYNE DWORNIK REGARDING HIS DONATION OF GLOBAL NEWS STATION ITEMS. DWORNIK WORKED FOR LETHBRIDGE TELEVISION BROADCAST NEWS FROM 1976-2013. ON THE “2&7” STATION SIGN, DWORNIK RECALLED, “[THE SIGN LOOKS HANDMADE, HAND-PAINTED] THAT’S AGAIN, JUST A STUDIO PROP FOR THE…NEWS READERS [AND STORED IN THE ENGINEER’S ROOM].” “[THE YEARS 2&7 RAN WERE A] VERY HIGH PROFILE, EXCITING TIME FOR THE STATION AS WELL. THE REASON THEY WENT WITH THE 2 AND 7, WE DIDN’T CHANGE, AT THAT TIME, TO OFFICIALLY CHANGE OUR CALL LETTERS, WE WERE STILL CFAC, SO WE MADE THAT TRANSITION INTO 2 AND 7. WHAT MANAGEMENT HAD DONE OUT OF CALGARY WAS ARRANGE WITH ALL THE CABLE COMPANIES TO PUT US ONTO EITHER CHANNEL 2 OR CHANNEL 7…[CALGARY’S] TRANSMITTER WAS BROADCASTING ON CHANNEL 2 OFF AIR. WE WERE BROADCASTING ON CHANNEL 7 OFF AIR. WE WERE CHANNEL 2 ON CABLE, AND THEY WERE 7 UP IN CALGARY, AND THEY WERE ABLE TO COMFORTABLY NEGOTIATE WITH ALL THE CABLE OPERATORS TO PUT US ON EITHER 2 AND 7…FROM CROWSNEST PASS INTO CRANBROOK AND CRESTON. THAT’S ALSO THE TIME WHEN THE OLYMPICS WAS HAPPENING AND THE PROMOTIONAL DIRECTOR IN CALGARY WAS JUST AMAZING. THE PROMOTIONAL MANAGER AND THEY HAD A SALES MANAGER. BOYD ASH WAS PROMOTIONS MANAGER THERE AND HE GOT ON THIS IDEA OF THE 2 AND 7, AND HE ALSO GOT ON TO [MAKING] LAPEL PINS. THEY MUST HAVE DESIGNED AND DISTRIBUTED…HUNDREDS OF THOUSANDS OF [LAPEL] PINS…PEOPLE LOVED THEM…I THINK THAT’S WHAT PROMPTED IT, BECAUSE WELL, IT WAS KNOWN THAT TRADING PINS WAS A BIG DEAL…IT WAS VERY HIGH PROFILE AND LOTS OF GREAT PROMOTIONAL THINGS HAPPENING WITH, AGAIN, EXCITING TIMES AND SOME FUN STUFF.” “[THE ERA OF 2&7] I WOULD SAY ABOUT ’87 TO ABOUT ’92 AGAIN I THINK…[IT WAS VERY SHORT] AND I THINK PART OF THAT MIGHT BE TIED INTO THE FACT THAT THE SATELLITE STUFF IS COMING ON…THAT WAS THE REASON TO DO THE 2 AND 7 IS THAT IT’S EASY, LIKE IF YOU SAY, ‘WELL I’M LOOKING FOR CJOC, WHERE DO I FIND CJOC ON MY CABLE LINE UP?’ BUT IF YOU’RE JUST LOOKING FOR A NUMBER THAT WAS EASIER. BUT THEN I DON’T THINK THEY WERE GOING TO CONTINUE NEGOTIATING THAT, FOR WHATEVER REASON.” “[BEFORE 2&7 THE STATION WAS] CFAC…SAME COLOURS. THE RED AND YELLOW THERE.” DWORNIK ELABORATED ON THE ROLE OF ENGINEERS AT THE STATION, NOTING, “[THE ENGINEER’S ROLE IS] BASICALLY TO KEEP US ON THE AIR. THERE’S SO MUCH ELECTRONIC AND TECHNICAL EQUIPMENT THEY HAD TO KNOW ABOUT TRANSMITTERS, MICROWAVE, VIDEOTAPE, ALL THE ELECTRONICS, AND THEY ALSO DID MAINTENANCE ON THE BUILDING.” “THE LAST ENGINEER WAS LET GO IN AN UNFORTUNATE SITUATION, IN THE SUMMER OF [2014]…WE DID NOT HAVE A STATION MANAGER. AT ONE TIME WE HAD A STATION MANAGER [PETER DEYES] WHO WAS ALSO THE NEWS DIRECTOR, WHEN I CAME BACK. THAT FELLOW LEFT…THEY BROUGHT IN AN ASSIGNMENT EDITOR FROM TORONTO, AND SHE WAS…NOT EVEN THE NEWS DIRECTOR, WHICH WAS TERRIBLE; THEY CALLED HER THE NEWS MANAGER. MANAGEMENT OF THE STATION WAS TAKEN OVER BY THE CALGARY TELEVISION, AND THE ENGINEERING RESPONSIBILITIES WERE TAKEN OVER BY CALGARY TELEVISION.” “WE’D HAVE TO CALL [ENGINEERS WHEN THERE WAS EQUIPMENT ISSUES]. AT THAT TIME, WE HAD MORE CAMERAS THAN VIDEOGRAPHERS, SO THEY KIND OF HAD A SPARE ON HAND. IF ONE WENT DOWN, THEY’D BE OKAY. AND, AT THAT TIME, EVERYTHING ELSE WAS SHIFTED AWAY FROM THE STATION, AND WAS AUTOMATED. IT WAS JUST MIND-BOGGLING THE AUTOMATION THAT THEY HAD AVAILABLE. CALGARY TELEVISION WAS…KIND OF THE MASTER CONTROL CENTER FOR ALL OF THE GLOBAL TELEVISION STATIONS IN CANADA. SO, IT WAS JUST AMAZING, ALL THE MONITORS IN THEIR MASTER CONTROL…ONE OF THE CENTERS WAS, I THINK, SWITCHED OUT OF EDMONTON…ALL THE COMMERCIALS THAT PLAYED ALL ACROSS CANADA, ORIGINATED OUT OF CALGARY TELEVISION. AND THEY WEREN’T VIDEO TAPE MACHINES, AT THAT TIME, THEY WERE BASICALLY COMPUTERS.” DWORNIK RECALLED HIS TIME WORKING IN LETHBRIDGE FOR BROADCAST NEWS, NOTING, “I WORKED FOR LETHBRIDGE TELEVISION FOR [25] YEARS…I JOINED THE STATION AS A PHOTOGRAPHER IN 1976. I HELD THAT POSITION FOR SEVEN YEARS AS CHIEF PHOTOGRAPHER, AND THEN I MOVED INTO MANAGEMENT, AND BECAME PRODUCTION MANAGER FOR TEN YEARS I GUESS, AND THEN I GOT INTO SALES AND MARKETING AND RESEARCH. I LEFT THE STATION IN 1996, AND I WAS ONE THE FIRST, IF NOT THE FIRST OF THE DOWNSIZING IN THAT ERA. AT THE TIME WHEN I LEFT IN ’96 THERE WERE AT LEAST SEVENTY-SIX PEOPLE ON STAFF. [TODAY] I BELIEVE THERE IS MAYBE A DOZEN…I RETURNED TO THE STATION IN THE CAPACITY OF…ACCOUNT REPRESENTATIVE IN 2008 AND I RETIRED AT…THE END OF DECEMBER 2014…WHEN I CAME TO LETHBRIDGE, I THOUGHT I WOULD ONLY STAY A COUPLE OF YEARS AND MOVE ONTO A BIGGER STATION, YOU KNOW BIG CITY, BRIGHT LIGHTS…BUT I LOVED THE CITY AND THERE WAS SO MUCH TO OFFER HERE. I HAD SO MUCH FUN, THERE WERE SO MANY REMARKABLE, INCREDIBLY REMARKABLE EXPERIENCES I HAD AS A PHOTOGRAPHER, AND PRODUCTION MANAGER, ESPECIALLY. SOME OF THESE ITEMS HERE GO BACK TO BEFORE MY TIME, BUT AGAIN LETHBRIDGE—LITTLE DIMPLE ON THE PRAIRIE HERE THAT WE ARE, WE ACTUALLY MADE A PRETTY GOOD NAME FOR THE CITY AND FOR THE STATION IN WHAT WE WERE PRODUCING IN NEWS, AND PARTICULARLY IN LOCAL PROGRAMMING. THAT WAS KIND OF ONE OF MY PASSIONS, WAS THE LOCAL PROGRAMMING, DOCUMENTARIES AND THEN OF COURSE, NEWS AS WELL.” “[THERE] WAS A FRIENDLY RIVALRY BETWEEN ALL THE MEDIA ACTUALLY, AND CTV WOULD PRODUCE THE ODD DOCUMENTARY, WHEREAS WE DID A LOT MORE…AT THE MOST THEY HAD I THINK MAYBE TWENTY PEOPLE ON STAFF, SO THEY WERE LIMITED. THEY WERE ACTUALLY A SATELLITE, OR A RE-BROADCASTER, THEY DIDN’T HAVE THEIR OWN LICENSE SO THEY WERE HANDLED DIFFERENTLY BY THEIR OWNERS THAN OUR STATION WAS. THEN AGAIN MANAGEMENT HERE WAS QUITE FORWARD THINKING IN MOST THINGS. I REMEMBER OUR PRESIDENT AND GENERAL MANAGER, BOB JOHNSON, DECADES AGO TOUTING THE FACT THAT THE ONLY THING THAT WILL MAKE US SUSTAINABLE AND RELEVANT IS LOCAL NEWS. HE KNEW, BACK THEN, THROUGH BROADCASTER ASSOCIATIONS ALL THE THINGS THAT WERE COMING AHEAD OF US…WE COULD GET NEWS FROM AROUND THE WORLD…WE CARRIED A LOT OF AMERICAN PROGRAMS…THE ONLY THING THAT IS GOING TO MAKE US DISTINCT IS WHAT WE CAN DO WITH OUR LOCAL NEWS AND AS AN EXTENSION OF THAT, OUR LOCAL PROGRAMMING, OUR DOCUMENTARIES. IT WAS QUITE GOOD FOR THE STAFF AND THE MORALE WAS TERRIFIC…WE HAD A SLOW PITCH BASEBALL TEAM, WE’D PARTICIPATE IN COMMUNITY THINGS, WITH THE PARADES, WHOOP-UP DAYS AND THE STAFF PARTIES WERE TERRIFIC.” “I WAS A PHOTOGRAPHER, AND I WAS OUT ON LOCATION INTERVIEWING ALL THESE INTERESTING PEOPLE, EDITING THESE PROGRAMS, NEWS STORIES, COMMERCIALS. I WAS IN MY ELEMENT…[I WORKED WITH] THE VISUAL CONTENT…BACK IN THE DAY, THERE WAS A NEWS REPORTER THAT WAS HIS JOB WAS TO BE ON CAMERA, TO RESEARCH THE STORY, SET UP THE CONTEXT, DO THE INTERVIEWS, WE WOULD RECORD THE VISUALS, RECORD THE INTERVIEWS, AND NOW AS YOU REFER TO IT, IT IS ALL DONE BY ONE…THEY CALL HIM A, AT DIFFERENT TIMES, EITHER A VIDEO JOURNALIST OR A VIDEOGRAPHER. MY TRAINING ACTUALLY WAS IN STILL PHOTOGRAPHY BACK IN WINNIPEG, BUT MY FIRST JOB WAS IN TELEVISION, SO I LEARNED ON THE JOB. SHOOTING BLACK AND WHITE FILM, COLOUR—AGAIN, SIXTEEN MILLIMETER FILM FOR COMMERCIALS. WE WERE STILL DOING A LOT OF SLIDE COMMERCIALS AT THAT TIME, AND WE PROCESSED OUR OWN SLIDE FILM IN THE BASEMENT AT THE STATION THERE, WITHOUT USING RUBBER GLOVES.” “AT THAT TIME WE HAD FIVE PHOTOGRAPHERS, WE ONLY HAD TWO VEHICLES TO GO OUT IN BUT, SO THE REPORTERS WOULD SOMETIMES USE THEIR OWN VEHICLES. I KNOW FOR THE FIRST YEAR OR TWO I USED MY OWN VEHICLE TO CARRY THE GEAR BECAUSE AT THAT TIME WE DIDN’T HAVE ANY STATION VEHICLES. OUR FIRST ONES WERE TWO…HONDA CIVIC STATION WAGONS, THEN WE GOT TWO NISSAN STATION WAGONS AND THEN WE WENT TO A FORD BRONCO I THINK IT WAS.” “I WOULD GO WHERE THERE WAS A GOOD OPPORTUNITY FOR WORK AND—ACTUALLY, ON OUR HONEY MOON, WE PACKED UP FROM SWIFT CURRENT…(I HAD THREE WEEKS HOLIDAY), AND WE MADE OUR WAY OUT TO THE WEST COAST, STOPPING AT EVERY TELEVISION STATION, ALONG THE WAY, HAVING A TOUR, AND LEAVING A RESUME. SO WE STOPPED AT MEDICINE HAT, LETHBRIDGE (WHICH I WAS REALLY IMPRESSED WITH), AND WE WENT THROUGH KELOWNA, (WHICH I WAS AGAIN VERY IMPRESSED WITH), AND SO I THOUGHT IT WOULD BE EITHER LETHBRIDGE, OR KELOWNA, I WOULD LIKE TO MOVE TO, AND THEN FROM THERE MAYBE CALGARY, VANCOUVER. AS I SAID, LETHBRIDGE WON OUT, THEY HAD A JOB OPENING…BECAUSE OF A STRIKE…AT THAT TIME…NABET…NATIONAL ASSOCIATION OF BROADCAST ENGINEERS AND TECHNOLOGISTS…THEY WERE WANTING TO FORM A LOCAL, AND GET UNION REPRESENTATION AND NEGOTIATIONS CAME TO A STAND-STILL, AND THEY WENT ON STRIKE I THINK, IN APRIL, OR MAY OF ’75 , ’76. SO I HAD JUST FAIRLY RECENTLY PUT MY RESUME IN THERE, AND THEY CALLED ME UP AND [IT WAS] A TOUGH SITUATION, AND I HELD OFF, AND I SAID, ‘WELL I’VE GOT TO WORK WITH THESE PEOPLE, IF I COME IN AS A STRIKE BREAKER, A SCAB—‘ AND SO I WASN’T TOO ANXIOUS TO DO THAT, BUT, AFTER A FEW MORE PHONE CALLS OVER I GUESS IT WAS A COUPLE OR THREE MONTH’S PERIOD, I SAID ‘WELL, YEAH, LET’S DO IT,’ AND I MOVED BACK.” DWORNIK SHARED THE HISTORY OF THE GLOBAL NEWS STATION IN LETHBRIDGE, RECALLING, “[BEFORE THE STATION WAS 2&7, IT WAS] CFAC. IT HAS GONE THROUGH A LOT OF CHANGES, IT STARTED OFF AS CJLH WHICH IS A COMBINATION OF CJOC RADIO AND THE LETHBRIDGE HERALD THAT CO-OWNED THE STATION WHICH OPENED IN [NOVEMBER] 1955…THEN THE HERALD GOT OUT OF IT AND WE WERE BOUGHT BY SELKIRK COMMUNICATIONS AND WE BECAME CJOC TELEVISION…THE STATION OPENED IN ’55, I THINK IT BECAME CJOC AROUND 1960, BUT DON’T QUOTE ME ON THAT. THEN WHEN I CAME IN [FALL] ’76…UP UNTIL THEN WE WERE A CBC AFFILIATE, AND THEN IN ’76 WE BECAME AN INDEPENDENT STATION AND CHANGED OUR CALL LETTERS, AGAIN, TO CFAC TELEVISION. OUR LOGO WAS MODELED AFTER THE RONDELL OF CHC HAMILTON TELEVISION, WHICH WAS AN INDEPENDENT STATION OWNED BY SELKIRK. WE ARE THE SISTER STATION BUT WITH OUR OWN INDEPENDENT LICENSE, WE BECAME PART OF THE INDEPENDENT NETWORK…ABOUT THE TIME OF THE OLYMPICS…WE CHANGED TO TWO AND SEVEN…IT WAS AROUND 1992 MAYBE THAT WE CHANGED OUR CALL LETTERS ONCE AGAIN TO CISA, INDICATIVE OF, ALL STATIONS STARTED WITH ‘C’ RADIO OR TELEVISION IN CANADA, AND THE ‘ISA’ WAS FOR INDEPENDENT SOUTHERN ALBERTA…WITH MY BACKGROUND IN ART AND DESIGN WORKING WITH THAT, WE DID SOME STILL-FRAME ANIMATION. WE DID SOME FUN STUFF WITH THE LOGOS…WHILE I WAS STILL [WITH CISA] WE WENT THROUGH…ANOTHER TWO CHANGES IN OWNERSHIP. SELKIRK SOLD US TO, APPARENTLY TO MACLEAN’S MAGAZINE, AND THAT LASTED FOR ABOUT AN HOUR OR TWO AND THEN I THINK WITH WICK…WESTERN BOUGHT US, THEY BASICALLY BOUGHT ALL OF SELKIRK COMMUNICATIONS AND ADDED US TO THEIR FLOCK OF ITV EDMONTON, BRITISH COLUMBIA TV IN VANCOUVER, AND CHECK TV IN VICTORIA AND I THINK THEY ALSO HAD OKANAGAN TV AS WELL.” “[LETHBRIDGE IS AN ANOMALY] FOR SURE BECAUSE WHEN I CAME HERE WE WERE AROUND FORTY THOUSAND [IN POPULATION], AND THERE WERE TWO OPERATING TELEVISION STATIONS. AS FAR AS I KNOW, WE ARE THE ONLY CITY OF THIS SIZE THAT HAD TWO TELEVISION STATIONS. IN MANY OTHER CITIES THEY WOULD HAVE WHAT THEY CALL A ‘TWINSTICK.’ SO WE WERE CBC, CFCN WAS A CTV AFFILIATE. IN MEDICINE HAT, CBC AND CTV WERE OPERATED OUT OF THE SAME BUILDING BY THE SAME STAFF. THEY WOULD LIKELY HAVE A DIFFERENT ANCHOR OR NEWS DEPARTMENT, BUT THE OTHER COMPONENTS OF OPERATIONS WERE ALL CONTAINED IN THE SAME [BUILDING]—AND THAT’S THE SAME IN, ALL ACROSS WESTERN CANADA…IN A CITY OF OUR POPULATION TO HAVE TWO STATIONS WAS QUITE REMARKABLE, AND VERY COMPETITIVE, AND ALONG WITH THAT, THE RADIO SIDE OF IT…RIGHT NOW WE’VE GOT REALLY SIX RADIO STATIONS, BACK THEN, THERE WERE NEARLY FOUR. AGAIN, QUITE UNUSUAL IN THE FACT THAT YOU’VE GOT TWO AM AND THEN TWO FM. ONE FM STATION ACTUALLY STARTED OFF PLAYING CLASSICAL MUSIC. WHAT THAT LENDS TO THE CITY IS A LOT MORE VARIETY IN PROGRAMMING THAN THEY WOULD OTHERWISE GET. WE HAVE GOT THE BROADCAST PROGRAMMING AT THE LETHBRIDGE COLLEGE HERE, AND THAT FED INTO OUR NEEDS QUITE WELL, IN RADIO AND IN TELEVISION. WE BROUGHT A LOT OF PEOPLE OUT ACTUALLY FROM DOWN EAST BECAUSE THEY HAD SOME REALLY GOOD PROGRAMS FROM FANSHAWE COLLEGE, OTTAWA AND WE WOULD BRING AS WELL, PEOPLE FROM SAIT AND NAIT, AS WELL AS MOUNT ROYAL COLLEGE. THOSE PEOPLE COME STRAIGHT OUT OF COLLEGE, GETTING AN OPPORTUNITY IN A MID-SIZED MARKET…THEY HAD THEIR HANDS INVOLVED IN PROGRAMS, NEWS, COMMERCIAL PRODUCTION AND THEN BEING PART OF THE COMMUNITY.” “I BELIEVE THAT WE WERE STILL A PRETTY GOOD REVENUE-GENERATOR FOR [WICK TO BE SUPPORTIVE OF]. BECAUSE EVEN WITH THAT SIZE OF STAFF, WE WEREN’T PAID AS MUCH AS THEY WERE IN CALGARY, WHICH IS LIKELY WHY EVERYBODY WANTED THE UNION…THEY WEREN’T LOSING MONEY THERE. WE WEREN’T MAKING A WHOLE LOT OF MONEY, BUT…CRTC I THINK CAME INTO PLAY IN THAT, A LOT, TOO, BECAUSE CRTC WAS TO GOVERN THE RULES AND REGULATIONS FOR BROADCASTING. IT WOULD BE DIFFICULT, I THINK, IN ANY PURCHASE OF A STATION, FOR THEM TO GO, AND SHUT THAT STATION DOWN, AT THAT TIME. BUT, WHAT HAS HAPPENED IS THAT RADIO STATIONS HAVE SHUT DOWN, (LIKE RED DEER LOST THEIR STATION; IT WAS A TWINSTICK), AND I LOST TOUCH WITH THE INDUSTRY WHEN THAT SORT OF THING WAS HAPPENING.” “THE GLOBAL PERIOD, WHEN IT WAS OWNED BY CANWEST…ANOTHER REMARKABLE COMPANY (FAMILY-OWNED BUSINESS), AND THEY WERE BUYING UP TELEVISION STATIONS ACROSS CANADA, AND THEN THEY EXPANDED. THEY BOUGHT SOME NEWSPAPERS; THEY BOUGHT A TELEVISION STATION IN ENGLAND, AND I THINK THEIR DOWNFALL ACTUALLY WAS OVER-EXTENDING THEMSELVES, AND GETTING INTO THE AUSTRALIAN MARKET. I JOINED THE STATION IN 2008, WHEN THEY WERE STARTING TO SLIDE. OF COURSE, THE WHOLE ECONOMY WAS STARTING TO SLIDE, AND I CAME ON AS A FRESH, NEW SALESPERSON TO SELL ADVERTISING.” “THAT’S WHEN ALL THE DOWNSIZING OCCURRED [AROUND 2008], JUST IN THAT TRANSITION…WICK STARTED THE DOWNSIZING, AND THEN CANWEST CARRIED ON WITH IT. IT WAS JUST WELL, THE ONSLAUGHT OF GLOBALIZATION, AND THE BIG GET BIGGER, AND SMALL EITHER GET BOUGHT UP, OR SHUT DOWN…WHEN I STARTED AT THE STATION IN 2008, BACK IN SALES, THAT WAS WHEN THINGS REALLY CHANGED, BECAUSE WE STILL HAD A DIRECTOR, AND ONE VIDEOTAPE OPERATOR, AND THEY HAD ROBOT CAMERAS SET UP, BUT WE WERE STILL SWITCHING OUR OWN NEWS, AND ORIGINATING NEWS OUT OF OUR PRODUCTION CONTROL ROOM. THEN, TOWARDS THE END OF 2008, IS WHEN THOSE TWO PEOPLE WERE LET GO, AND WE STARTED WITH CALGARY TELEVISION DIRECTING THE NEWS. AS IT TURNED OUT, THERE WAS NO WAY THAT WE COULD PUT SOMETHING ON THE AIR, BECAUSE THEY DISCONNECTED THE SWITCHING EQUIPMENT…IF THERE WAS LIKE A WEATHER EMERGENCY, OR SOMETHING LIKE THAT, WE COULD NOT PUT A CRAWL ACROSS THE SCREEN. IT WAS QUITE UNNERVING, ACTUALLY, THAT WE WERE LOSING THAT KIND OF LOCAL CAPABILITY.” “[I THINK] IT WAS IN 2013…WHERE EVERYONE BUT ME WAS LET GO, AND THEY COULD RE-APPLY FOR THEIR JOB. BASICALLY, IT WAS A WAY OF GETTING AROUND THE UNION. EVERYONE WAS CANNED; THEY GOT A SEVERANCE PACKAGE. IT WAS A PRETTY UNNERVING TIME, AND MORALE REALLY, REALLY HIT A LOW THERE. THEY ASSIGNED AN EDITOR FROM TORONTO, AND ANOTHER FELLOW WHO HAD BEEN BROADCASTING NEWS, THEY WENT…AND THEY WERE GOING TO RE-IMAGINE THE NEWS, AND THEY HAD BIG PLANS TO MAKE THE STATION WHOLLY-NEW, AND A WHOLE NEW WAY OF DOING THINGS, WITH A MINIMUM NUMBER OF PEOPLE…RESPONSIBILITIES WERE CHANGED; MORE LOAD WAS TAKEN ON, BUT, AS WELL, LESS THINGS WERE GOING TO BE DONE. WE DIDN’T HAVE THE ENGINEER, AND SO THEY HIRED A FELLOW TO BE A VIDEOGRAPHER. HE WOULD SHOOT SOME OF THE NEWS STORIES, BUT HE WAS ALSO RESPONSIBLE FOR TWEAKING UP THE CAMERAS, AND IF THERE WAS A PROBLEM, SENDING IT UP TO CALGARY…I THINK WHAT THEY DID WAS THEY MEASURED OUT THE NUMBER OF HOURS, THE NUMBER OF PEOPLE, WHAT THEY WANTED TO COVER, WHAT THEY WANTED TO DO, AND THEY WENT WITH THAT NUMBER—TWELVE OR FOURTEEN PEOPLE, AND SO, CHANGING THE ROLES, WHOLE NEW JOB DESCRIPTIONS. BUT, AS I SAID TO [MANAGEMENT], ‘YOU KNOW, I THINK YOU OVERLOOKED THE FACT THAT ALL THE PEOPLE HERE, ON THE UNION CONTRACT, GET AT LEAST THREE WEEKS’ VACATION. MEANS YOU’VE GOT TWELVE PEOPLE—THAT’S THIRTY-SIX WEEKS—THAT YOU’VE GOT SOMEBODY AWAY. SO, YOU’RE RUNNING SHORT-STAFFED OVER HALF A YEAR.’ THAT’S PRETTY TOUGH ON PEOPLE, BECAUSE THIS GENERATION THAT’S IN THERE NOW, I DON’T THINK THEY HAVE THE SAME KIND OF ATTITUDE, OR WORK ETHIC. WE WOULD WORK. WELL, MY WIFE COULD ATTEST TO THE HOURS THAT I WOULD PUT IN AT THE STATION. AND, I DIDN’T GET PAID OVERTIME. I GOT A…FEE. THIS STUFF, BETWEEN THE CHANGE OF ATTITUDE, AND THE NEWS CYCLE, AND CUTTING BACK HOW THEY COULD, IT WAS REALLY TOUGH ON PEOPLE. BUT, I WAS THE FIRST ONE TO BE LET GO IN 1996, AND I WAS THE MARKETING RESEARCH AND SALES (WE WERE DOING VIDEO PRODUCTIONS), AND THE FELLOW WHO WAS THE PRODUCTION COORDINATOR, JIM MCNALLY, I BROUGHT ON. HE WAS AN EXCELLENT PHOTOGRAPHER OUT OF OTTAWA, AND HE HAD, I THINK, ONE OF THE TOUGHEST TIMES BACK IN ’96 (ACTUALLY, MORE SO IN ’98). THEY MADE HIM GENERAL MANAGER OF THE STATION. HIS ENTIRE RESPONSIBILITY OVER, I DON’T KNOW HOW MANY WEEKS AND MONTHS WAS TO CUT THE STAFF DOWN TO, I DON’T KNOW, SIXTEEN PEOPLE. AND, WHEN THAT WAS ACCOMPLISHED, HE WAS LET GO.” WHEN ASKED ABOUT THE “GOLDEN AGE” OF LETHBRIDGE BROADCAST OR TELEVISION NEWS, DWORNIK SHARED, “TELEVISION HAS ALWAYS BEEN FOR THE VAST MAJORITY OF PEOPLE, A VERY EXCITING INDUSTRY BECAUSE THERE’S ALWAYS DEVELOPMENTS, TECHNOLOGY. WHEN YOU THINK THAT BACK IN THE DAY IT WAS IN BLACK AND WHITE, BUT THEY DID LIVE COMMERCIALS AND THAT’S QUITE REMARKABLE TOO, HOW THEY WERE DOING THOSE THINGS. THEY DID A LOT OF PRANKS AND FUN STUFF ON AIR…THE TECHNOLOGY KEPT DEVELOPING. IT LOOKED AS GOOD AS IT COULD GET BACK IN THE DAY, BUT NOW THAT WE ARE UP TO 4K VIDEO…IN MY DAY WE HAD BEEN COLOUR FOR QUITE SOME TIME, BUT WHEN I CAME IN IN ‘76 IT WAS KIND OF THE LAUNCH OF ENG, ELECTRONIC NEWS GATHERING OR EFP, FIELD PRODUCTION. THE EQUIPMENT WAS THREE QUARTER INCH AT THAT TIME, THE CAMERAS WERE BIG AND HEAVY, AND THE TAPE DECK, IT WAS A TWO PIECE UNIT, IT NEEDED A LOT OF LIGHT SO WE CARRIED AROUND ABOUT A THIRTY POUND BOX FULL OF LIGHTING GEAR. TRUCKING THAT FROM ONE END OF THE UNIVERSITY HALL DOWN TO THE OTHER END WHERE THE PRESIDENT WAS.” “FROM MY PERSPECTIVE, I THINK I WAS IN THE “GOLDEN AGE” OF TELEVISION IN LETHBRIDGE HERE, BECAUSE WE DID A LOT OF LOCAL PROGRAMS. WE ACTUALLY HAD A SYNDICATED SPORTS PROGRAM CALLED SKI WEST, AND THAT RAN ON HALF A DOZEN MARKETS—INDEPENDENT MARKETS—TELEVISION STATIONS WITH SELKIRK, AND, ACTUALLY THAT WAS WITH WICK AS WELL TOO. WE DID A LOT OF COMMERCIALS, PROGRAM PRODUCTION AND…I THINK IT WAS AROUND ’88 OR ’90, WE WERE ALREADY TALKING AND WE SAW ADVANTAGES IN WHAT WAS CALLED THEN HIGH-DEFINITION TELEVISION WHICH WAS TEN EIGHTY, BUT IT WAS A LONG WAY BEFORE IT CAME. WE DIDN’T ACTUALLY CONVERT TO DIGITAL TELEVISION IN CANADA UNTIL I THINK IT WAS 2009-2010, AND AS ONE OF OUR ENGINEERS MENTIONED, THAT WAS MOST REMARKABLE TECHNOLOGY-WISE. BECAUSE, WHEN WE STARTED IN BLACK AND WHITE, IT WAS A FOUR BY THREE FORMAT AND THEN THEY ADDED COLOUR, IMAGINATIVE COLOUR IN THE ‘60S. THAT WAS PRETTY SMOOTH BECAUSE YOU COULD, YOU KNOW, YOU ARE BROADCASTING THIS ONE SIGNAL OUT IN COLOUR, BUT IF YOU ONLY HAD A BLACK AND WHITE TV, YOU COULD STILL WATCH IT IN BLACK AND WHITE, AND IF YOU HAD COLOUR ALL THE BETTER. THAT WAS IN THE ERA WHEN CABLE WAS ON ITS UP RISE AND SO IT WENT THROUGH A PRETTY SMOOTH TRANSITION, BUT WHEN WE WENT DIGITAL IT WAS HARD LINE IN THE SAND. YOUR OLD TV SET WOULD NOT BE GETTING NOTHING ON IT. THERE WOULD BE NO SIGNAL COMING IN AT ALL, AND WE HAD TO SWITCH OVER TO EITHER CABLE, WHICH WOULD CONVERT THE DIGITAL SIGNAL INTO THE NTSC SIGNAL FOR YOU, OR ELSE YOU HAD TO GET A BRAND NEW TV THAT’S DIGITAL. IT REALLY DID SPUR THE INDUSTRY, AND IT WAS A HUGE FINANCIAL INVESTMENT. CBC WITH ALL THEIR BROADCAST SATELLITES TO COVER ALL OF CANADA, WAS GIVEN AN EXTRA YEAR TO SWITCH OVER TO DIGITAL. IN THE END THEY SAID, ‘NO WE CAN’T DO IT,’ SO THEY HAD TO ACTUALLY SHUT DOWN THEIR TELEVISION TOWER IN LETHBRIDGE [IN JUNE 2012].” “IN A MARKET LIKE OURS WHERE WE HAVE GOT CABLE THAT WAS OKAY, BUT IN THE RURAL AREAS…SOME [PEOPLE] WERE ALREADY ON SATELLITE, BUT THEN AGAIN, WHEN I WAS IN THE INDUSTRY, THE SATELLITE DISHES WERE HUGE AND WE WERE STILL USING A HUGE ONE…IT WAS MORE THAN 12 FEET, IT WAS HUGE, 20 SOME FEET ACROSS. AGAIN, BACK IN THE ‘80S I REMEMBER OUR PRESIDENT COMING BACK AND TELLING US THAT, ‘YOU KNOW, THEY’RE TALKING ABOUT SATELLITES GOING UP THERE AND THEY’RE GOING TO BE SO POWERFUL YOU COULD USE A SATELLITE DISH NO BIGGER THAN A PIZZA BOX.’…THAT’S WHAT WE’VE GOT NOW REALLY…I THINK IT’S A LOT OF ‘GOLDEN ERAS’ AS YOU WOULD SAY REALLY, BECAUSE NOW WITH DIGITAL IT’S JUST PHENOMENAL, AND IT WENT FROM 1080 UP TO 4K. 8K IS OUT THERE TODAY, BUT I THINK IT WILL BE A LONG TIME BECAUSE IT IS A LOT OF BAND WIDTH FOR PEOPLE…” ON HIS MOTIVATIONS FOR DONATING THE ITEMS TO THE GALT MUSEUM, DWORNIK SHARED, “MY WIFE WHO IS WITH US, SANDRA, SUGGESTED THAT I MIGHT CLEAN UP OUR GARAGE AND OTHER PLACES IN THE HOUSE, BECAUSE I COLLECT A LOT OF STUFF. THE OTHER REASON [I’M DONATING THE ITEMS TO THE GALT MUSEUM] ACTUALLY IS IT MIGHT BE TIME—FROM A HISTORICAL VIEW POINT THAT WHAT IS NOW GLOBAL TELEVISION IS MOVING LOCATION. WHERE THEY HAVE BEEN IN THEIR ORIGINAL SITE…[IN] WHAT IS NOW THE INDUSTRIAL PARK, THEY ARE MOVING OUT OF THERE MID-SEPTEMBER OR SO TO A LOCATION DOWNTOWN AND THEY ARE MOVING INTO WHAT IS NOW THE NEW ROYAL BANK, WHICH USED TO BE THE MARQUIS HOTEL. THEY ARE JUST BUILDING THE STUDIO THERE NOW AND THEY WILL BE JOINING THE RADIO FROM THE PATERSON GROUP IN THAT SAME BUILDING, BUT THEY ARE TOTALLY SEPARATED. ANYWAY, I THOUGHT IT PERHAPS TIMELY AND SOME CONNECTIONS THERE.” “WHEN I RETIRED IT WAS KIND OF A HOLLOW BUILDING AND THERE WAS A LOT OF VIDEO TAPE AROUND, WHICH I CONVINCED THE CURRENT OWNERS OF THE STATION, SHAW MEDIA AT THE TIME…BETWEEN MYSELF AND AN ENGINEER, LARRY LAWDINEY, WE DID CONVINCE THEM THAT THERE WAS A LOT OF HISTORY IN THOSE VIDEO TAPES, WHICH THEY WERE PREPARED TO THROW OUT IN THE DUMPSTER, AND END UP IN OUR LANDFILL. SO, WORKING WITH ANDREW [AT THE GALT ARCHIVES], AND HE HAS GOT—I DON’T KNOW HOW MANY TRUCKLOADS OF THE TAPES NOW.” “SOME OF THESE ARTIFACTS, WHICH I HAVE DISCUSSED WITH YOU BEFORE, I FELT WERE SIGNIFICANT…REPRESENTATIVE OF SOME OF THE HISTORY OF THE STATION. THE STATION PRODUCED SOME VERY REMARKABLE INDIVIDUALS THAT HAVE GONE ON TO WIDE ACCLAIM ACTUALLY, RIGHT THROUGH THE HISTORY OF THE STATION. INCLUDING PEOPLE LIKE DON SLADE…HE WAS A DISC JOCKEY WHEN I WAS LIVING IN WINNIPEG GROWING UP, AND THEN HE ENDED UP BEING IN EITHER CALGARY OR EDMONTON. THE FAMOUS WEATHER MAN…BILL MATHESON, OF COURSE FROM LETHBRIDGE, WENT TO NEW YORK, AND ENDED UP IN EDMONTON. I HAVE HAD A NUMBER OF PEOPLE WHO HAVE WORKED IN MY DEPARTMENT THAT HAVE GONE ON TO SOME SIGNIFICANT ACCOMPLISHMENTS AS WELL. ONE IN PARTICULAR, DOUG GOAT, WAS A VIDEO JOURNALIST FOR NBC AND HE WENT OVER TO THESE WAR TORN COUNTRIES—HE WAS A LETHBRIDGE BOY, HIS DAD ACTUALLY MADE SOME EQUIPMENT FOR US FOR OUR TRIPODS…RICK LUCHUCK, WHO WAS IN OUR PRODUCTION DEPARTMENT LEFT, WENT TO REGINA, AND THEN I THINK TORONTO…HE CAME BACK JUST THIS PAST YEAR FOR A REUNION AT LETHBRIDGE COLLEGE, FROM WHERE HE GRADUATED IN BROADCASTING. HE IS VICE PRESIDENT OF PROMOTIONS FOR CNN…WE HAVE HAD PEOPLE GO TO SPORTS NETWORK…A LOT OF PEOPLE WENT THROUGH THE STATION, IT WAS A REVOLVING DOOR, BUT I WAS OKAY WITH THAT BECAUSE WE HELPED BUILD THEIR CAPABILITIES, AND THEY WERE VERY APPRECIATIVE OF THE OPPORTUNITIES AND THE TRAINING THAT WE DID PROVIDE…THE STUFF WE DID WE HAD…A VERY SMALL MOBILE PRODUCTION FACILITY, BUT IT WAS INVOLVED WITH THE OLYMPICS IN ’88, THE TORCH RUN. WE PICKED UP THE TORCH RUN WHEN IT ENTERED ALBERTA IN THE CROWSNEST PASS, BROADCAST THAT LIVE THROUGHOUT ALBERTA. I HAD THE OPPORTUNITY TO MEET PRINCE CHARLES AND PRINCE ANDREW AND FERGIE…THEY WERE DOWN FOR…THE OFFICIAL OPENING OF HEAD SMASHED IN BUFFALO JUMP.” “THE STATION WON A [NATIONAL] AWARD…[THE] FOUNDERS AWARD OF EXCELLENCE FOR A DOCUMENTARY WE PRODUCED [CALLED ‘WE WON’T LET HIM DIE’], AND I WAS THE PHOTOGRAPHER ON THAT AND SHOT…IT WAS ACTUALLY THIRTY YEARS AGO THAT THIS YOUNG FELLOW, TOMMY JONES, WAS WORKING AT A CHURCH CAMP IN WATERTON AND WENT HIKING WITH SOME FRIENDS IN A MOUNTAIN AND FELL AND HAD A SERIOUS BRAIN INJURY. TWO YEARS LATER—THEY DIDN’T EXPECT HIM TO LIVE…WE DOCUMENTED THAT WHOLE STORY AND RECREATED THE SCENES IN THE DOCUDRAMA…THESE THINGS REMIND ME OF ANOTHER ARTIST CORNY MARTENS, BRONZE ARTIST, WAS OUR STUDIO DIRECTOR, AND SOME OF THE STUFF THEY USED TO DO, BACK IN THE DAYS OF BLACK AND WHITE, THEY DID COMMERCIALS—THEY PAINTED THE FLOOR OF THE STUDIO TO MAKE IT LOOK LIKE A SWIMMING POOL, AND THEY HAD A FASHION SHOW WITH SWIMSUITS…THAT’S KIND OF WHAT PROMPTED ME [TO DONATE THE ITEMS], AND THAT’S THE CONNECTION TO THESE ITEMS.” FOR MORE INFORMATION INCLUDING THE FULL INTERVIEW TRANSCRIPTION AND ARTICLES ON THE GLOBAL NEWS STATION BEING DISMANTLED, PLEASE SEE THE PERMANENT FILE P20190022001-GA.
Catalogue Number
P20190022007
Acquisition Date
2019-08
Collection
Museum
Images
Less detail
Date Range From
1980
Date Range To
2011
Material Type
Artifact
Materials
POLYESTER, LEATHER, METAL
Catalogue Number
P20190010004
  2 images  
Material Type
Artifact
Date Range From
1980
Date Range To
2011
Materials
POLYESTER, LEATHER, METAL
No. Pieces
1
Length
26.6
Width
24.1
Description
BLUE BERET WITH BLACK LEATHER TRIM AT OPENING AND BLACK INTERIOR LINING. BERET HAS THREE INSIGNIA BADGES ON FRONT, FROM LEFT TO RIGHT: METAL ROYAL CANADIAN ENGINEERS CAP BADGE DEPICTING A CROWN ATOP A BELT SURROUNDED BY MAPLE LEAVES, BELT HAS EMBOSSED TEXT “HONI SOIT QUI MAL Y PENSE”, BADGE HAS CUT-OUT CENTER WITH LETTERS “GR VI”, BADGE HAS BANNER AT BOTTOM WITH TEXT “ROYAL CANADIAN ENGINEERS”; EMBROIDERED ROYAL CANADIAN LEGION CREST BADGE, DEPICTS A CROWN ATOP GOLD BADGE WITH RED MAPLE LEAF ON A WHITE BACKGROUND IN CENTER, BADGE HAS TEXT ON GOLD BORDER “MEMORIUM EORUM RETINEBIMUS”, WITH BLUE BANNER AND GOLD TEXT “LEGION” ACROSS BOTTOM ABOVE THREE RED POPPIES ON GOLD; RED FELT POPPY WITH BLACK CENTER AND SILVER PIN ATTACHING IT TO THE BERET. BERET HAS BLACK LACES TIED AT BACK. INSIDE BERET HAS A WHITE TAG WITH BLACK TEXT ON LEFT SIDE, “100% FORTREL POLYESTER, KRYSTAL CAP CO. LTD., 16 PLYMOUTH AVE., TORONTO, CANADA, MEDIUM, MOYEN”. BERET HAS SLIGHT RESIDUE AND GRIME ON INTERIOR AND EXTERIOR; OVERALL VERY GOOD CONDITION.
Subjects
CLOTHING-HEADWEAR
Historical Association
ASSOCIATIONS
MILITARY
History
ON JUNE 5, 2019, COLLECTIONS TECHNICIAN KEVIN MACLEAN INTERVIEWED CAROL DARMODY REGARDING HER DONATION OF OBJECTS RELATED TO HER PARENTS, IRENE (NEE NAGY) AND JOHN FROUWS. ON HER FATHER’S SERVICE IN THE CANADIAN MILITARY, DARMODY RECALLED, “I THINK IT WAS POVERTY [THAT MOTIVATED DAD TO ENLIST]…DAD STRUGGLED IN THE 1930S. HE WAS PULLED OUT OF GRADE 11 TO WORK IN THE COAL MINE, AND HE GOT A LUCKY BREAK FROM BILL HOPE, TO WORK IN GALT GARDENS WITH PLANTS, BEFORE HE SIGNED UP [FOR THE WAR EFFORT]. THAT WAS SIGNIFICANT, AND THEY BECAME FRIENDS WHEN HE RETURNED FROM THE WAR, TOO…HE WAS A GOOD MENTOR TO DAD, AND THAT’S WHERE THE KNOWLEDGE OF PLANTS GREW. [DAD] ENLISTED, BECAUSE THEN HE HAD A CHOICE. HE DIDN’T WANT TO FIGHT IN THE FRONT-LINE, SO, IF YOU VOLUNTEERED EARLY, YOU GOT TO PICK AND CHOOSE WHAT YOU WANTED TO DO, SO HE PICKED ELECTRICAL ENGINEER, AND HE WAS REALLY WELL-TRAINED.” “MY DAD’S FAMILY CAME [FROM HOLLAND] IN THE ‘20S—’25—AND HIS DAD WANTED TO BE A FARMER HERE, AND HE WAS THE OLDEST, SO HE AGREED TO EMIGRATE FROM HOLLAND. THERE WASN’T ENOUGH LAND [IN HOLLAND]…AND HE DECIDED HE WANTED TO FARM SOMEWHERE ELSE, ‘CAUSE IT WOULDN’T HAVE WORKED OUT STAYING IN HOLLAND. SO, BECAUSE HE DIED IN THE ‘30S, TRYING TO SAVE THAT LITTLE BOY…WHO HAD FALLEN THROUGH THE ICE NEAR THE WEIR IN THE OLDMAN RIVER. THEY BOTH DROWNED…BUT HE HAD A FEW FAILURES, I THINK, WITH FARMING, AND HE DID WORK FOR THE COAL MINING COMPANY…WHEN HE DIED, THE CITY OF LETHBRIDGE GAVE HIS WIDOW, AND THE FAMILY, $30.00 A MONTH [I THINK IT WAS RELIEF MONEY]. SO DAD WAS HIGHLY-MOTIVATED. HE DIDN’T WANT TO GO OVERSEAS, AND BE KILLED…BUT, IF HE SIGNED UP EARLY, HE COULD PICK AND CHOOSE WHAT HE WANTED TO DO, AND START SENDING MONEY TO HIS MOTHER…ONLY DAD’S OLDEST SIBLING, GERTRUDE, WAS MARRIED. HIS OTHER SIBLINGS, ALICE, TINA, HARRY, AND JIM WERE YOUNGER AND NOT ABLE TO FINANCIALLY SUPPORT THEIR MOTHER. THE THREE YOUNGEST WERE STILL IN SCHOOL…THEY WEREN’T OF AN AGE WHERE THEY COULD WORK, AND SUPPORT THE MOTHER. SO, HE WAS IN A GOOD POSITION TO DO SO, BY SIGNING UP [FOR THE MILITARY IN 1940].” “[DAD] REALLY FELT CANADIAN, THROUGH-AND-THROUGH…AS A KID, HIS PARENTS TRUSTED HIM. HE WOULD BE GONE ALL WEEKEND, AT ALEXANDER WILDERNESS, JUST CAMPING WITH A FRIEND. THEY DIDN’T WORRY ABOUT HIM AT THE RIVER BOTTOM. HE LOVED THE COULEES…THIS WAS HOME. HOLLAND DIDN’T MEAN ANYTHING TO HIM, BECAUSE HE WAS SO YOUNG WHEN HE CAME HERE…HIS MOM COULDN’T GO BACK, AND SHE PROBABLY HADN’T BONDED AS WELL TO SOUTHERN ALBERTA, ESPECIALLY WITHOUT HER HUSBAND…THE IRONY…HE SPENT A LOT OF TIME IN HOLLAND [DURING THE SECOND WORLD WAR], AND HE WAS AN ASSET, BECAUSE HE COULD SPEAK SOME DUTCH, I’M NOT SURE HOW WELL, BUT IN EMERGENCIES THEY WOULD USE HIM. ONE GERMAN WOMAN WAS HIT BY ONE OF THE FORCES. SHE WAS OK, BUT HE HAD TO TAKE HER HOME. HE KNEW ENOUGH TO COMMUNICATE IN GERMAN, AND IN DUTCH, WITH THE FAMILY, WHAT HAD HAPPENED. BUT, HE WASN’T A CANADIAN CITIZEN…THEY JUST QUIETLY GAVE HIM HIS PAPERS LIKE, CAME TO HIS HOUSE…I DON’T KNOW WHEN THAT WAS…HE JUST NEVER THOUGHT OF IT, AND HE SERVED OVERSEAS. AND, AT THE END, I GUESS, OR MAYBE DURING…THEY FOUND OUT HE WASN’T CANADIAN, SO THEY QUIETLY GAVE HIM THE PAPER.” DARMODY ELABORATED ON HER PARENTS’ RELATIONSHIP, NOTING, “FOR DAD, [THE RELATIONSHIP WITH MOM] STARTED REALLY EARLY. MOM WAS 4 YEARS OLDER, AND HE FELL IN LOVE WITH HER WHEN HE WAS A LITTLE BOY. HE WOULD PLAY WITH HER YOUNGEST BROTHER, BUT 3-4 YEARS [AGE DIFFERENCE WHEN] YOU’RE YOUNG, IS A LOT…HE PROBABLY WAS A NICE KID, BUT SHE DIDN’T SHOW ANY INTEREST. BUT HE FELL IN LOVE WITH HER EARLY, AND HE PROCEEDED…MOM WOULD HAVE BEEN [LIVING] IN DIAMOND CITY. DAD MIGHT HAVE BEEN ON THE NORTH SIDE THEY HAD A LITTLE HOUSE.” “THINGS WERE HAPPENING DURING THE GREAT DEPRESSION. MY MATERNAL GRANDMOTHER [VERONA NAGY], HAD AN EXTREMELY UNHAPPY MARRIAGE. MY GRANDFATHER [STEVE NAGY], ALLEGEDLY DRANK TOO MUCH AND WOULD OFTEN SQUANDER HIS MEAGRE COAL-MINING EARNINGS ON ALCOHOL. IN 1933, SHE DECIDED TO HOMESTEAD IN PEACE RIVER AREA [HARMON VALLEY]. HER THIRD OLDEST SON [LEWIS] CAME WITH HER, AND HE BUILT HER A LOVELY LOG CABIN. DURING THE DEPRESSION, MOM [IRENE NAGY] SPENT TIME IN CHICAGO WITH HER BROTHER STEVE AND HIS FAMILY. SHE ALSO ALTERNATED BETWEEN LETHBRIDGE AND PEACE RIVER. IN PEACE RIVER THEY HAD LOTS TO EAT BUT VERY LITTLE MONEY. THROUGH HER YOUNGEST BROTHER, MITCH, MOM MOST LIKELY LEARNED THAT DAD WAS ABOUT TO ENLIST IN [THE SECOND WORLD WAR]. IN 1939, MY PARENTS ALLEGEDLY STARTED DATING. THEY WOULD SPEND LOTS OF TIME IN THE COULEES HAVING PICNICS AND PICKING SASKATOON BERRIES…THE THIRD OLDEST BROTHER, AND ALL HER SIBLINGS, EXCEPT FOR HER SISTER, MARY, MOVED EVENTUALLY TO PEACE RIVER, AND JUST THE TWO SISTERS REMAINED. DAD ASKED MOM, WHEN THEY MARRIED IN ’43, TO MAKE HER HOME BASE LETHBRIDGE. SHE WAS GOING BACK AND FORTH…TO HELP HER MOM.” “THEY STARTED TO COURT IN THE ‘40S [AND MARRIED IN 1943], BECAUSE HE GOT A LEAVE FROM THE TRAINING CAMP IN ONTARIO…SHE WAS IN PEACE RIVER AT THE TIME, WHEN HE ASKED HER TO MARRY HIM, AND HE WAS ON A SHORT LEAVE. HE TOOK HIS MOTHER, IN HIS CAR, FROM LETHBRIDGE TO PEACE RIVER, AND IT WAS LIKE A MAJOR EXCURSION ON GRAVEL ROADS, TO MEET MOM, AND THEN THE TWO MOTHERS WERE TOGETHER.” DARMODY ELABORATED ON HOW SHE OBTAINED HER PARENTS’ COLLECTION INCLUDING THE TROPHY, NOTING, “[THE OBJECTS CAME INTO MY POSSESSION TOGETHER]…WHEN DAD DIED…[IN] 2011.” “[I WANTED TO KEEP THEM BECAUSE] THEY CONNECT ME TO THE PAST, AND WHEN…THE FORMER GOVERNOR-GENERAL’S WIFE WAS IN LETHBRIDGE, SHE WROTE THAT BOOK, ‘MATRONS AND MADAMS’, SHE SAID IT USUALLY TAKES 3-4 GENERATIONS FOR THE WAR EFFECTS TO BE ELIMINATED, FROM THE GREAT-GREAT-GREAT GRANDKIDS, SO, I WAS INDIRECTLY AFFECTED BY THE WAR…I HAD TO TEACH SOCIAL STUDIES AT ONE POINT, IN VANCOUVER, SO I LEARNED, DID A LOT OF PREPARATION. DAD WAS SUPPORTING HIS WIDOWED MOTHER…AFTER 1943, HE WAS SENDING MONEY TO MOM. HE DIDN’T HAVE A LOT OF SPARE MONEY TO BUY THINGS AND SEND BACK HOME…SO THE THINGS HE SENT WERE HUMBLE.” ACCORDING TO THE SERVICE PAY BOOKS OF JOHN W. FROUWS HELD IN THE GALT ARCHIVES [20191038011], STAFF SERGEANT FROUWS [M-35922] ATTESTED WITH THE CANADIAN FORCES ON JUNE 3, 1941. THE WAR DIARY OF THE 10TH CANADIAN FIELD PARK COMPANY, ROYAL CANADIAN ENGINEERS, HELD IN THE GALT ARCHIVES [20191038023] DETAILS THE ACTIONS OF ST. SGT. FROUWS AND HIS COMPANY. AT CAMP PETAWAWA, ONTARIO IN 1942, THE 10TH CANADIAN FIELD PARK COMPANY TOOK ON MEMBERS OF THE 2ND CORPS. FIELD PARK COMPANY, R.C.E., AND ON JULY 22ND, 1942 THE UNIT WAS CHANGED TO THE 2ND CORPS. FIELD PARK COMPANY, R.C.E. ON AUGUST 14TH, 1943, THE NEW WAR ESTABLISHMENT CREATED AN ELECTRICAL AND MECHANICAL UNIT WITHIN THE FIELD PARK COMPANY. AN ENTRY FROM MARCH 1, 1943 RECORDS FROUWS AS BEING PROMOTED FROM L.CPL. TO A.CPL. AT CAMP PETAWAWA, ONTARIO. FROUWS WAS FURTHER PROMOTED TO L.SGT. ON JUNE 24, 1943 AT ALDERSHOT, NOVA SCOTIA, TO A.SGT. ON JULY 26, 1943, AND TO S.SGT. ON SEPTEMBER 29, 1943 AT MICKLEHAM, SURREY, ENGLAND. THE 2ND CORPS. FIELD PARK COMPANY MOVED FROM CAMP PETAWAWA, ONTARIO TO HALIFAX, NOVA SCOTIA BEFORE PROCEEDING TO ENGLAND IN AUGUST 1943. THE UNIT SAILED FROM ENGLAND TO JUNO BEACH, NORMANDY IN TWO PARTS ON JULY 11, 1944. ON JULY 14, 1944, S.SGT. FROUWS WAS LISTED AS ACCOMPANYING L.CPL. TRETHEWAY IN “DE-BOOBY-TRAPPING” THE TELEPHONE EXCHANGE IN CAEN, FRANCE. THE COMPANY PROCEEDED THROUGH HOLLAND AND BELGIUM IN 1944 AND 1945, STATIONING AT NIJMEGEN, HOLLAND ON SEPTEMBER 22, 1944, BOURG LEOPOLD, BELGIUM ON SEPTEMBER 29, 1944, WEMMEL, BELGIUM ON OCTOBER 2, 1944, KESSEL, BELGIUM ON OCTOBER 10, 1944, AND TILBURG, HOLLAND BY NOVEMBER 1944. THE COMPANY REMAINED IN HOLLAND UNTIL APRIL 19, 1945, WHEN IT MOVED TO NORDHORN, GERMANY AND REMAINED THROUGH VE DAY ON MAY 9, 1945. FOR MORE INFORMATION INCLUDING THE FULL INTERVIEW TRANSCRIPTION AND COPIES OF THE LETHBRIDGE HERALD ARTICLES, PLEASE SEE THE PERMANENT FILE P20190010001-GA.
Catalogue Number
P20190010004
Acquisition Date
2019-06
Collection
Museum
Images
Less detail
Date Range From
1970
Date Range To
2015
Material Type
Artifact
Materials
COTTON, POLYESTER, PLASTIC
Catalogue Number
P20170007007
  2 images  
Material Type
Artifact
Date Range From
1970
Date Range To
2015
Materials
COTTON, POLYESTER, PLASTIC
No. Pieces
2
Height
5.5
Diameter
19
Description
A. PURPLE ROUND CAP WITH PURPLE AND WHITE TASSEL ATTACHED TO CENTER BUTTON. INSIDE OF CAP HAS BLACK VELCRO STRIP STAPLED TO BROWN LEATHER LINING, AND BLACK DOUBLE-ELASTIC STRAP ATTACHED. WHITE TAG INSIDE CAP READS “LOT. MEDIUM” WITH HANDWRITTEN INSCRIPTION IN BLUE INK “D. TAYLOR”. HAT HAS TWO PINS ON FRONT, ONE DIAMOND-SHAPED WITH RHINESTONE EDGING AND A STAG WITH PURPLE EYES IN THE CENTER, OVERALL EXCELLENT CONDITION; SECOND PIN COMPRISED OF FOURTEEN RHINESTONES ATTACHED WITH METAL CASINGS WITH TWO PIN ENDS AND PIN BACKINGS ATTACHED, OVERALL VERY GOOD CONDITION. BOTH PINS HAS SILVER-COLOURED FINISHING; RHINESTONE-CHAIN PIN HAS TARNISHING ON PIN ENDS. INSIDE OF CAP HAS STAINS ALONG BACK EDGE AND ON INSIDE LINING; OVERALL VERY GOOD CONDITION. B. HAT BAG, 33CM LONG X 22.5CM WIDE X 6.4CM DEEP, GREY EXTERIOR WITH BLACK, VINYL INTERIOR; HANDLE STITCHED TO TOP OF BAG. TOP FLAP ON BAG SECURES WITH BLACK AND SILVER SNAP BUTTON. INSIDE OF BAG HAS PAPER CARD INSERTED IN PLASTIC SLEEVE THAT READS “NAME DOROTHY TAYLOR, STREET 403 515-6 ST. S, TOWN LETHBRIDGE, PROV. ALTA, PHONE 8-9867, O.O.R.P. LODGE NO. 32”. RIGHT SIDE OF BAG INSIDE HAS GOLD “O.O.R.P.” DIAMOND SEAL WITH ELK IN CENTER. BAG HAS ROUNDED BASE; UPPER FLAP IS CURLED OUT AND BENT, AND TORN AT LOWER RIGHT AND LEFT CORNERS WHERE ATTACHED TO THE BAG; OVERALL VERY GOOD CONDITION.
Subjects
CLOTHING-HEADWEAR
Historical Association
ASSOCIATIONS
PERSONAL CARE
History
ON FEBRUARY 22, 2017, COLLECTIONS TECHNICIAN KEVIN MACLEAN INTERVIEWED WILMA WOOD, DAUGHTER OF DOROTHY TAYLOR, ABOUT HER DONATION OF TAYLOR’S ORDER OF ROYAL PURPLE REGALIA. THE REGALIA REPRESENTED TAYLOR’S 50-YEAR INVOLVEMENT WITH THE ORDER OF ROYAL PURPLE FROM BRANDON, MANITOBA TO LETHBRIDGE, ALBERTA. MACLEAN ADDITIONALLY INTERVIEWED ANN MARIE MCDONALD OF THE LETHBRIDGE ORDER OF ROYAL PURPLE ON JUNE 6, 2017. ON THE HAT AND HAT BAG, MCDONALD ELABORATED, “WHEN YOU JOIN THE LODGE, THIS IS THE HAT YOU GET. THIS IS STANDARD. ALL THE LADIES GET THIS. WHEN YOU JOIN THE LODGE, YOUR TASSEL IS JUST PURPLE. WHEN YOU ARE HONORABLE ROYAL LADY, YOU TAKE YOUR TASSEL OFF, AND YOU PUT THIS [PURPLE AND CREAM] TASSEL ON.” “[THE BAG] MUST BE FROM BRANDON. OUR HAT BOXES ARE WHITE, AND THEY ARE HARD, AND YOU PUT YOUR HAT IN. [THEN] YOU TIP YOUR HAT UP, AND YOU PUT YOUR GLOVES AND ANYTHING THAT YOU WANT TO STORE IN THE HAT BOX. THE HAT BOXES ARE QUITE A BIT BIGGER…THEY HAVE A HANDLE ON THEM SO YOU CAN…CARRY THEM. EVERYBODY USED TO KEEP THEIR GLOVES IN THEIR HAT BOX.” WOOD DISCUSSED HER MOTHER’S TIME IN THE ORDER OF ROYAL PURPLE, STATING, “SHE CONSIDERS [THESE OBJECTS IN ACTIVE USE]. SHE IS VERY MUCH A PERSON WHO VALUES THAT SOCIETY. IT HELPED HER A NUMBER OF TIMES. AS YOU GROW OLDER, ALL OF A SUDDEN YOU DISCOVER THAT YOUR BRAIN ISN’T AS ACTIVE AS IT SHOULD BE AND THE MEMORY IS GOING. SHE WOULD PUT HERSELF INTO POSITIONS WITHIN THE ORGANIZATION INCLUDING BEING PRESIDENT, THREE OR FOUR TIMES. SHE HAD TO BE AN ORGANIZER, SHE HAD TO GET HER BRAIN AND KEEP HER BRAIN FUNCTIONING, WHICH I THOUGHT WAS VERY ADMIRABLE FOR A WOMAN HER AGE BECAUSE…SHE WAS IN HER EIGHTIES. SHE RECEIVED HER 50 YEAR PIN, I THINK IT WAS TWO YEARS AGO OR THREE.” “SHE JOINED [THE ORDER OF ROYAL PURPLE] IN BRANDON, MANITOBA WHERE [MY PARENTS] WERE LIVING AT THE TIME, AND MY DAD RETIRED THERE. THEY MOVED HERE TO LETHBRIDGE BECAUSE MY BROTHER LIVED HERE, AND MY UNCLE ART GOOD…HE LIVED HERE AND THEY WANTED TO BE CLOSER TO FAMILY. THEY MOVED TO LETHBRIDGE AND MY DAD DIED SHORTLY AFTER THAT.” “[SHE JOINED] BECAUSE OF HER FRIENDS. SHE HAD A FRIENDSHIP GROUP AND THEY BELONGED. THEY RECRUITED HER.” “WHEN SHE WAS VERY ACTIVE, SHE WAS A MAJOR RECRUITER. SHE WENT OUT AND FOUND YOUNG WOMEN BUT THEY FELL BY THE WAYSIDE BECAUSE OF LIFE. SHE WAS CERTAINLY VERY ACTIVE IN THEIR PROJECTS, ONE OF WHICH WAS FINDING FINANCES TO EDUCATE YOUNG PEOPLE. WHATEVER THEY WERE [DOING], SHE WAS INTO IT FULL TILT BECAUSE THAT’S THE KIND OF PERSON SHE IS…WHATEVER SHE DOES IS FULL BLAST, FULL BORE. SHE NEVER TOLD ME ANY DETAILS ABOUT THE SOCIETY BECAUSE IT’S ONE OF THOSE SECRET SISTERHOODS. SHE WAS ALWAYS VERY PROUD TO BE A MEMBER OF IT.” “THIS [CHAPTER] DID A LOT OF EDUCATIONAL SUPPORT…SHE TRAVELED WITH THEM BECAUSE IT WAS A CANADIAN ORGANIZATION, SO THEY HAD THEIR ANNUAL GENERAL MEETINGS ALL OVER CANADA. SHE CAME OUT TO VANCOUVER TO A MEETING AND I WENT OVER TO VANCOUVER TO MEET HER AND SAY “HOWDY”. SHE WENT OUT TO THE PREMIER’S, AT THAT TIME WAS VANDER ZALM, AND HE HAD THE BIG GARDENS OUT NEAR STEVESTON. SHE WENT OUT THERE AND SHE MET HIM.” “A YEAR AGO ABOUT THIS TIME, THAT’S WHEN [THE ORDER WAS] FOLDING. THE ALBERTA CLUBS WERE ALL IMPLODING, AND I THINK THERE’S ONLY ONE LEFT IN SOUTHERN ALBERTA. IT WAS THE ISSUE THAT THEY WERE ALL OLD PEOPLE AND YOUNG PEOPLE DID NOT WANT TO JOIN THESE KINDS OF ORGANIZATIONS ANY LONGER…[THIS HAPPENED BECAUSE] I THINK WE HAVE MORE LEGAL SUPPORT. THE GOVERNMENT HAS SET UP HEALTH CARE, COMMUNITIES HAVE SET UP ASSISTANCE FOR WOMEN WHO ARE ABUSED, THERE’S DRUG ASSISTANCE. THERE IS MUCH MORE ASSISTANCE AVAILABLE. IN THE EARLY DAYS ON THE PRAIRIES, IF YOU DIDN’T KNOW YOUR NEXT DOOR NEIGHBOR, WHO MIGHT BE TWENTY MILES AWAY, YOU WERE IN DEEP DOO-DOO IF YOU HAD A BIG PROBLEM. THAT’S WHAT THESE SOCIETIES CAME OUT OF WAS THAT NEED. THE NEED PRETTY WELL HAS BEEN TAKEN CARE OF, I THINK. THERE ARE STILL CLUBS BUT THEY’RE DIFFERENT KINDS OF CLUBS NOW.” WHEN ASKED ABOUT HER MOTIVATION FOR DONATING HER MOTHER’S REGALIA TO THE MUSEUM, WOOD NOTED, “MY MOTHER HAS TURNED 99 YEARS OLD IN JANUARY. SHE HAS DEMENTIA AND SO WE’VE HAD TO MOVE HER FROM HER SENIOR’S LODGE ROOM INTO A MORE SECURE ROOM. CONSEQUENTLY THE LAST OF THE THINGS THAT SHE TREASURED OR VALUED MUST BE DISPERSED. MY BROTHER AND I DECIDED THAT, SINCE THE ELKS AND THE ROYAL PURPLE MEANT SO MUCH TO HER, THAT [THESE WERE] THE [OBJECTS] WE WOULD LIKE TO DONATE TO THE MUSEUM. IT DEPICTS A PERIOD OF TIME WHEN THE WOMEN USED THESE ASSOCIATIONS AS A SUPPORT GROUP FOR THEMSELVES. IT WAS ANOTHER ONE OF THESE SECRET SOCIETIES, WHEN IN FACT THEY WERE SISTERHOODS. THEY WERE MEANT MAINLY FOR THEM TO HAVE PEOPLE TO SUPPORT EACH OTHER. SINCE THIS ORGANIZATION HAS BASICALLY COLLAPSED, I THOUGHT IT WAS SOMETHING THAT THE MUSEUM SHOULD HAVE BECAUSE IT DOES SHOW THAT PERIOD OF TIME IN THE SOCIAL HISTORY OF CANADA.” FOR MORE INFORMATION INCLUDING FULL INTERVIEW TRANSCRIPTIONS, PLEASE SEE THE PERMANENT FILE P20170007001-GA.
Catalogue Number
P20170007007
Acquisition Date
2017-02
Collection
Museum
Images
Less detail
Other Name
"RED DAWN"
Date Range From
1980
Date Range To
1990
Material Type
Artifact
Materials
PAPER, INK
Catalogue Number
P20180029001
  2 images  
Material Type
Artifact
Other Name
"RED DAWN"
Date Range From
1980
Date Range To
1990
Materials
PAPER, INK
No. Pieces
1
Length
104
Width
68.8
Description
POSTER WITH IMAGE ON FRONT OF PURPLE AND BLUE SKY WITH SUNRISE AND PARATROOPERS DESCENDING OVER TOWN SURROUNDED BY MOUNTAINS AT BOTTOM EDGE. POSTER HAS WHITE BORDERS; POSTER HAS WHITE TEXT PRINTED ON IMAGE “IN OUR TIME NO FOREIGN ARMY HAS EVER OCCUPIED AMERICAN SOIL. UNTIL NOW” AND RED PRINTED TEXT BELOW WITH RUSSIAN SYLLABICS OVER “RED DAWN”; POSTER HAS WHITE CREDITS ALONG BOTTOM EDGE, “A VALKYRIE FILM A SIDNEY BECKERMAN PRODUCTION RED DAWN…” WITH LISTING OF CAST AND CREW MEMBERS. LOWER LEFT CORNER OF IMAGE HAS TEXT WARNING “PG-13, PARENTS ARE STRONGLY CAUTIONED TO GIVE SPECIAL GUIDANCE FOR ATTENDANCE OF CHILDREN UNDER 13, SOME MATERIAL MAY BE INAPPROPRIATE FOR YOUNG CHILDREN”, AND TEXT BESIDE “[COPYRIgHT SYMBOL” 1984 UNITED ARTISTS CORPORATION”; LOWER RIGHT CORNER OF IMAGE HAS LOGO “METRO GOLDWYN MAYER UNITED ARTISTS, DIAMOND JUBILEE, SIXTY YEARS OF GREAT ENTERTAINMENT”; POSTER HAS TEXT ALONG LOWER BORDER “PROPERTY OF NATIONAL SCREEN CORPORATION LICENSED FOR USE ONLY IN CONNECTION WITH THE EXHIBITION OF THIS PICTURE AT THE THEATRE LICENSING THIS MATERIAL. LICENSEE AGREES NOT TO TRADE, SELL OR GIVE IT AWAY, OR PERMIT OTHERS TO USE IT, NOR SHALL LICENSEE BE ENTITLED TO ANY CREDIT UPON RETURN OF THIS MATERIAL. THIS MATERIAL EITHER MUST BE RETURNED OR DESTROYED IMMEDIATELY AFTER USE. LITHO. IN U.S.A., RED DAWN 840077”. BACK OF POSTER HAS HANDWRITTEN TEXT IN RED INK IN LOWER LEFT CORNER “KEVIN MCLEAN $2.00” AND HANDWRITTEN TEXT IN BLUE INK “RED DAWN”. POSTER HAS TEARS AT RIGHT AND LEFT EDGES, AND LOWER EDGE; FRONT IS CREASED; BACK OF CORNERS HAS LOSS FROM REMOVAL OF ADHESIVES. OVERALL GOOD CONDITION.
Subjects
ADVERTISING MEDIUM
Historical Association
BUSINESS
LEISURE
History
ON DECEMBER 21, 2018, GALT MUSEUM CURATOR AIMEE BENOIT INTERVIEWED KEVIN MACLEAN REAGARDING HIS DONATION OF PERSONAL OBJECTS. THE OBJECTS DONATED BY MACLEAN REFLECTED HIS LIFE AND IDENTITY THROUGH HIS TIME IN LETHBRIDGE. ON THE “RED DAWN” FILM POSTER, MACLEAN ELABORATED, “THE POSTER [WAS] UP [IN MY ROOM].” “[IN] THE 1980S, AS A KID, AND I DON’T KNOW IF IT WAS JUST ME ‘CAUSE I WAS A NEWS JUNKIE, THE COLD WAR WAS A BIG DEAL IN THE EARLY ‘80S. THERE WERE SHOWS ON TV THAT WERE SCARING THE CRAP OUT OF ME. THERE WAS ONE CALLED "THE DAY AFTER" AND THAT WAS IN ’83. THEN IN 1984 THIS MOVIE COMES OUT WHICH IS CALLED RED DAWN WHICH IS, AGAIN, ABOUT RUSSIAN COMMUNIST INVASIONS OF NORTH AMERICA. IT’S A SMALL TOWN THAT ALL THESE TROOPS DROP INTO. TO SAY THE LEAST, I WAS SEMI-OBSESSED WITH THE SUBJECT MATTER.” “IF YOU WATCHED "THE DAY AFTER"…ON ONE HAND, THAT KIND OF SUBJECT MATTER CAN FEEL FOREIGN AND ABSTRACT AND NOT RELEVANT. BUT, IF AT THE SAME TIME YOU’RE A KID, AND YOUR PARENTS ARE WATCHING THE NEWS EVERY NIGHT, AND YOU HAVE AN INTEREST IN WHAT’S GOING ON—A LOT OF KIDS DON’T CARE BUT FOR SOME REASON, I WAS VERY INTERESTED. THEN YOU THOUGHT, “NO, THIS IS A VERY REAL PROSPECT. THIS COULD ACTUALLY HAPPEN.” I WAS TERRIFIED ABOUT IT. BUT, AT THE SAME TIME, I WAS ALSO ATTRACTED TO IT, LIKE A FLAME. IT WAS…ROCKETS…I DON’T KNOW WHAT IT WAS BUT I WAS ACTIVELY INTERESTED IN [THEM]. THEN AT SOME POINT, THAT PIVOTED, WHICH IS WHEN I KNOW I WAS LOOKING AT THE SOLDIER OF FORTUNE MAGAZINES AND THEN I STARTED BUYING COMIC BOOKS…WORLD WAR TWO COMIC BOOKS.” “WE DIDN’T HAVE MUCH TV OUT IN PICTURE BUTTE. [OTHER PEOPLE] PROBABLY HAD LOTS OF CHANNELS IN LETHBRIDGE. ONE CHANNEL WE DID HAVE—I THINK WE ONLY HAD THREE—WAS CBC. I REMEMBER [MY PARENTS] WATCHING THE NATIONAL. I THINK [THERE] WAS [A SHOW] CALLED THE JOURNAL WITH BARBARA FRUM [THAT MY PARENTS] WOULD WATCH AT TEN O’CLOCK EVERY SINGLE NIGHT. I WOULD SNEAK OUT OF MY ROOM AND HIDE BEHIND THE COUCH, AND [THE COLD WAR IS] ON THE NEWS EVERY SINGLE NIGHT.” “IN TERMS OF [THE COLD WAR] MANIFESTING ITSELF LOCALLY…I THINK TRUDEAU’S IN POWER, AND THERE’S A WHOLE DEBATE ABOUT CANADA HAVING NUKES IN THIS COUNTRY. ULTIMATELY, IT DIDN’T HAPPEN. BUT, THE U.S. WAS TESTING CRUISE MISSILES IN ALBERTA, AND NOT FAR FROM MY FRIEND’S HOUSE OUT NEAR PICTURE BUTTE, WHEN THE TALK OF A CRUISE MISSILE BEING TESTED IN ALBERTA WAS IN THE NEWS, ACTIVELY, PEOPLE WERE UNHAPPY AND PROTESTING. A BUNCH OF TRACTOR TRAILERS PULLED UP ON THE TOP OF A HILL, TWO MILES AWAY FROM [MY FRIEND’S] HOUSE, WITH U.S. LICENSE PLATES. OTHERWISE, THEY WERE TOTALLY UNMARKED. THEY BUILT THIS RADAR INSTALLATION UP ON THE TOP OF THE HILL, WHERE IT REMAINED…FOR THREE DAYS OR [SO]…AND THEN IT ALL DISAPPEARED.” “I CAN’T SAY THAT I KNOW FOR A FACT THAT IT WAS RELATED TO CRUISE MISSILE TESTING.” “GENERALLY TO SAY…WITH THESE [OBJECTS] I CAN DRAW A BIT OF A LINE FROM MY HAVING POSSESSED THEM ALL THE WAY, IN SOME FORM…THEY WOULD HAVE HAD AN IMPACT ON [MY] IDENTITY AND WHO I THINK I AM TODAY. I DON’T VALUE THEM BECAUSE THEY DON’T HAVE UTILITY AND THEY DON’T HAVE PRACTICAL VALUE. I DON’T LOOK AT THEM ALL THE TIME, BUT I KNOW THAT THEY HAVE SOME IMPORTANCE LIFE-WISE.” “IN SCHOOL, THERE WAS A GAME THAT WE WERE PLAYING. THIS IS AT A TIME WHEN THERE’S ONE COMPUTER FOR THE ENTIRE SCHOOL. IT WAS AN APPLE…AND IT WAS A WW2-BASED GAME. MY INTEREST, INITIALLY, WAS IN CONTEMPORARY-TYPE STUFF. THEN WE’RE PLAYING THIS GAME WHICH I’M NOT REALLY–IT’S ABSTRACT TO ME. WE’RE JUST PLAYING THIS GAME AND THEN, BECAUSE I’M INTO THIS, I’M BUYING MAGAZINES CALLED SOLDIER OF FORTUNE, AND I CAN REMEMBER FLIPPING THROUGH THE PAGES OF [THE] PROXY WAR IN AFGHANISTAN. [THE RUSSIANS] HAD GONE INTO AFGHANISTAN, AND I SAW A WW2 PICTURE AND I CONNECTED IT TO THIS GAME AND I [THOUGHT], “OH, THIS IS A REAL THING.” THEN, ALL OF A SUDDEN, THIS CONTEMPORARY STUFF IS OF LESSER INTEREST AND THEN IT BECOMES MORE SECOND WORLD WAR INTEREST AFTER THAT.” “MAYBE I STILL AM [THAT PERSON] TODAY A BIT…IN DIFFERENT RESPECTS. [THE OBJECTS] TAKE UP SOME SPACE BUT I COULDN’T LET THEM GO BECAUSE THEY’RE SYMBOLS, IN A WAY. THEY’RE ONLY THAT BECAUSE OF WHAT IS IN MY HEAD, SO I THOUGHT AT SOME POINT IT WAS GOOD TO [DONATE THEM]…IT WOULD HAVE BEEN MAYBE EASIER TO LET SOME OF THIS STUFF GO.” FOR MORE INFORMATION INCLUDING ARTICLES FROM THE LETHBRIDGE HERALD, BRANDON SUN, MEDICINE HAT NEWS, AND THE FULL INTERVIEW TRANSCRIPTION, PLEASE SEE THE PERMANENT FILE P20180029001-GA.
Catalogue Number
P20180029001
Acquisition Date
2018-12
Collection
Museum
Images
Less detail
Other Name
“WATERTON LAKES” HAT
Date Range From
1990
Date Range To
1993
Material Type
Artifact
Materials
CANVAS, COTTON, LEATHERETTE
Catalogue Number
P20130004004
  1 image  
Material Type
Artifact
Other Name
“WATERTON LAKES” HAT
Date Range From
1990
Date Range To
1993
Materials
CANVAS, COTTON, LEATHERETTE
No. Pieces
1
Height
12.5
Length
23
Width
22.5
Description
SAILOR-STYLE HAT WITH BLACK BRIM AND BAND, AND WHITE CANVAS UPPER. SQUARE BLACK PATCH AT CENTRE PEAK EMBROIDERED WITH GOLD THREAD IN A LIFE PRESERVER AND ANCHOR DESIGN. TEXT ALONG BAND READS “WATERTON LAKES CANADA” IN YELLOW, FLANKED BY ANCHOR SYMBOLS. LIGHT WATER STAINING ON WHITE CANVAS.
Subjects
CLOTHING-HEADWEAR
Historical Association
TRANSPORTATION
PROFESSIONS
History
THE COLLECTION OF OBJECTS BELONGING TO THE MEISSER FAMILY WAS DONATED BY JUDY WRIGHT, NIECE OF LOWELL MEISSER, WHO OPERATED A FARM OUTSIDE WARNER WITH HIS BROTHER ROME AS THE ‘MEISSER BROS’ FROM 1929 TO 1946. JUDY’S MOTHER WAS THE SISTER OF LOWELL’S WIFE ELINOR, AND SHE SPENT MUCH OF HER CHILDHOOD LIVING WITH THEM AND ROME MEISSER, DUE TO HER MOTHER BEING UNWELL. IN HER LATER ADULT LIFE, JUDY TOOK CARE OF “UNC” ROME AT HIS WATERTON RESIDENCE, AND BECAUSE ROME AND HIS BROTHER LOWELL DID NOT HAVE ANY LIVING DIRECT DESCENDANTS, JUDY WAS LEFT THE FAMILY BELONGINGS WHEN ROME DIED IN 2004. SEE RECORD P20130004001 FOR THE MEISSER FAMILY HISTORY. THE FOLLOWING INFORMATION ABOUT THIS ARTIFACT WAS EXTRACTED FROM AN INTERVIEW CONDUCTED WITH THE DONOR BY COLLECTIONS TECHNICIAN KEVIN MACLEAN ON NOVEMBER 14, 2013, AS WELL AS FROM A DOCUMENT WRITTEN BY HER AT THE TIME OF THE DONATION. WRIGHT SAID: “THIS CAP WAS WORN BY ROME MEISSER’S GREAT NEPHEW, JEFFRY [GRANDSON OF LOWELL MEISSER, SON OF JERALD MEISSER], WHEN HE WAS AN INTERPRETER ON THE [M.V.] INTERNATIONAL BOAT IN WATERTON IN THE SUMMER OF 1992…THEY JUST THOUGHT HE WAS AN ENTERTAINER ON THE BOAT. HE WAS JUST REALLY PERSONABLE… HE WORKED IN THE PIZZA PLACE IN WATERTON WHEN IT WAS IN THE HOUSE… [JEFFRY] SPENT LOTS OF SUMMERS IN WATERTON WITH AUNT AND UNCLE [HIS GRANDPARENTS, ELINOR AND LOWELL]… HE WAS REALLY INTO MUSIC… A VERY FASCINATING GUY… WHEN MY AUNT [ELINOR] DIED IN ’92, HE CAME RIGHT UP TO LIVE WITH MY UNCLE [UNTIL JEFFRY] BOUGHT HIS HOUSE IN PINCHER… HE LIVED AT YARROW CREEK, JUST HALFWAY BETWEEN WATERTON AND PINCHER CREEK… BUT HE WAS STILL VERY MUCH AT EVERY CHRISTMAS AND EVERY EVENT… HE WAS STILL VERY MUCH A PART OF MY UNCLE’S LIFE… HE KILLED HIMSELF IN A CAR ACCIDENT… AND WHEN WE GOT THE NEWS THAT HE DIED, MY UNCLE [ROME] JUST WENT ‘THAT’S THE END OF THE MEISSER NAME. THERE’S NO MORE MEISSERS.’” ACCORDING TO THE SHIPS' LOGS OF THE WATERTON BOAT CO. INC. - THE COMPANY WHICH OWNS AND MANAGES THE MOTOR VESSEL INTERNATIONAL - JEFFRY MEISSER PERFORMED NO OFFICIAL, PAID SERVICE ABOARD THE M.V. INTERNATIONAL, INCLUDING DURING THE PRE- AND POST-REPAIR SEASONS. THE LOGS OF THE MOTOR VESSEL INTERNATIONAL LIST THE NAMES OF THE CAPTAIN AND CREW FOR EVERY VOYAGE. IN THE PRE- AND POST-SEASONS (SPRING AND FALL), WHEN REPAIRS ARE DONE TO THE VESSEL, THE LOGS LIST THE SHIPWRIGHT AS WELL AS HIS/HER HELPERS. THE LOGS ARE IN THE CARE OF ROD KRETZ, COMPANY DIRECTOR AND OPERATIONS MANAGER. SEE PERMANENT FILE FOR A FULL TRANSCIPT OF THE INTERVIEW, WRITTEN DOCUMENTATION ON THE MEISSER FAMILY BY JUDY WRIGHT AND ROME MEISSER, OBITUARIES AND PHOTOGRAPHS OF FAMILY MEMBERS, AND FURTHER INFORMATION ABOUT EACH ARTIFACT COMPRISING THE DONATION.
Catalogue Number
P20130004004
Acquisition Date
2013-03
Collection
Museum
Images
Less detail
Other Name
BALL CAP, “WARNER FIRE DEPT.”
Date Range From
1997
Date Range To
1998
Material Type
Artifact
Materials
COTTON
Catalogue Number
P20130004005
  1 image  
Material Type
Artifact
Other Name
BALL CAP, “WARNER FIRE DEPT.”
Date Range From
1997
Date Range To
1998
Materials
COTTON
No. Pieces
1
Height
13
Length
24
Width
23
Description
NAVY BLUE CORDUROY BALL CAP, EMBROIDERED WITH “FIRE DEPT. WARNER” IN WHITE THREAD ON CENTRE PEAK. PLASTIC SNAP SIZING BAND AT BACK. VERY GOOD CONDITION – NO VISIBLE STAINING OR WEAR.
Subjects
CLOTHING-HEADWEAR
Historical Association
PERSONAL CARE
COMMEMORATIVE
History
THE COLLECTION OF OBJECTS BELONGING TO THE MEISSER FAMILY WAS DONATED BY JUDY WRIGHT, NIECE OF LOWELL MEISSER, WHO OPERATED A FARM OUTSIDE WARNER WITH HIS BROTHER ROME AS THE ‘MEISSER BROS’ FROM 1929 TO 1946. JUDY’S MOTHER WAS THE SISTER OF LOWELL’S WIFE ELINOR, AND SHE SPENT MUCH OF HER CHILDHOOD LIVING WITH THEM AND ROME MEISSER, DUE TO HER MOTHER BEING UNWELL. IN HER LATER ADULT LIFE, JUDY TOOK CARE OF “UNC” ROME AT HIS WATERTON RESIDENCE, AND BECAUSE ROME AND HIS BROTHER LOWELL DID NOT HAVE ANY LIVING DIRECT DESCENDANTS, JUDY WAS LEFT THE FAMILY BELONGINGS WHEN ROME DIED IN 2004. THE FOLLOWING INFORMATION ABOUT THIS ARTIFACT WAS EXTRACTED FROM AN INTERVIEW CONDUCTED WITH THE DONOR BY COLLECTIONS TECHNICIAN KEVIN MACLEAN ON NOVEMBER 14, 2013, AS WELL AS FROM A DOCUMENT WRITTEN BY HER AT THE TIME OF THE DONATION. WRIGHT SAID: “[THIS CAP WAS] GIVEN TO ROME WHEN HE MADE A LARGE DONATION IN 1998 SO THE VOLUNTEER FIRE DEPARTMENT IN WARNER COULD PURCHASE A NEW FIRE TRUCK… HE DONATED MANY TIMES OVER THE YEARS.” THE FOLLOWING REMEMBRANCES OF ROME ‘UNC’ MEISSER WERE EXCERPTED FROM THE NOVEMBER 14, 2013 INTERVIEW. WRIGHT SAID: “I LIVED WITH THEM AND WENT OUT TO THE FARM ALL SUMMER LONG EVERY YEAR FROM THE TIME I WAS FIVE OR SIX YEARS OLD… I JUST HONESTLY THINK THAT I AM WHO I AM TODAY BECAUSE OF MY UNCLE ROME. MY DAD WAS A STAUNCH OLD ENGLISHMAN AND HE COULDN’T RELATE TO ME. HE WAS 45 YEARS OLD WHEN I WAS BORN BUT HE COULDN’T RELATE TO ME. SO, MY UNCLE COULD… HE SHOULD HAVE BEEN MARRIED WITH AT LEAST A DOZEN CHILDREN. IN HIS EARLY NINETIES, WHEN I FIRST GOT THERE [TO WATERTON] WE’D GO GROCERY SHOPPING. I’D HAVE TO WAIT WHILE HE STOPPED AND CHATTED WITH ALL THE CHILDREN HE’D COME ACROSS. HE SHOULD HAVE HAD LOTS OF KIDS. HE JUST LOVED KIDS AND I WAS A LITTLE KID… I WAS THERE FROM PRACTICALLY BIRTH AND LIVED MONTHS AT A TIME WITH HIM… HE COULD AFFORD TO LOOK AFTER THE COMMUNITY AS WELL… HE GAVE GENEROUSLY TO [COMMUNITY ORGANIZATIONS]. HE GAVE TO THE MILK RIVER HOSPITAL. HE DONATED $200,000 FOR THE HOCKEY GIRLS’ RESIDENCE. THEY HAD NO MONEY AND THAT’S WHY WE NOW HAVE A HOCKEY GIRLS’ RESIDENCE THAT HAS A HUGE KITCHEN AND HOUSES UP TO 25 GIRLS, AND KEEPS OUR WARNER SCHOOL OPEN. SO THAT IS A VERY BIG GIFT, HIS DONATIONS. THEY ALSO STARTED A MEISSER SCHOLARSHIP IN 1967 AND TWO WEEKS AGO I WENT OUT AND GAVE THE TROPHY AND THE MONEY TO THE LAST GIRL THAT WON IT. AND IT WILL GO ON INDEFINITELY AS LONG AS THERE’S A SCHOOL…HE WAS VERY SUPPORTIVE OF CHILDREN AND EDUCATION. THE SCHOLARSHIP, THE HOCKEY GIRLS, KEEPING THE WARNER SCHOOL OPEN - BIG FOCUS FOR HIM – WAS EDUCATION AND CHILDREN… HE WAS ONE OF THOSE KIND OF PRACTICALLY ANONYMOUS DONORS IN THE PAST. HOWEVER, AS HE GOT A LITTLE OLDER, I THINK HE ENJOYED THE ATTENTION. THEY MADE A BIG DEAL ABOUT THE HOCKEY SCHOOL. THE RESIDENCE HAS GOT, HUGE, IT HAS HIS NAME ON IT BUT I DON’T THINK HE SAW THAT. AND THEY HAD HIM RIDE IN THE PARADE ONE YEAR, THE COMMUNITY RECOGNIZED HIM AS MUCH AS HE’D LET THEM RECOGNIZE HIM.” THE FOLLOWING BRIEF FAMILY HISTORY WAS DEVELOPED WITH INFORMATION FROM ROME MEISSER’S MANUSCRIPT ‘THE MEISSER’S AND OTHER RAMBLINGS’ AND DONATIONS OF FAMILY PAPERS MADE BY WRIGHT TO THE GALT ARCHIVES. THE MEISSER FAMILY PATRIARCH, MICHAEL MEISSER, WAS BORN IN SWITZERLAND IN 1830 AND IMMIGRATED TO ALMA, WISCONSIN IN 1846. HIS SON, JOHN LUTZI MEISSER MARRIED MARIE KINDSCHI ON APRIL 30, 1898 AND THEY MOVED TO WARNER, ALBERTA TO FARM IN 1910, LOOKING FOR A DRIER CLIMATE FOR MARIE, WHO SUFFERED FROM TUBERCULOSIS. THE COUPLE HAD FIVE CHILDREN: ORMA, LOWELL, JOHN (WHO DIED AT AGE TWO OF PNEUMONIA), ROME, AND MARIE. IN 1912, MOTHER MARIE DIED IN A TUBERCULOSIS CLINIC IN SALT LAKE CITY, AND FIVE YEARS LATER FATHER JOHN DIED FROM HEAD TRAUMA SUSTAINED IN A GRAIN ELEVATOR ACCIDENT. ONE OF THE CHILDREN’S PATERNAL AUNTS, FRENA, CAME TO WARNER TO HELP THEM WITH SCHOOLING AND RUNNING THE FARM. IN 1920, ORMA MARRIED LEE TENNEY AND IN 1926 LOWELL MARRIED ELINOR TENNEY, AND THE TWO COUPLES LOOKED AFTER THE TWO YOUNGER SIBLINGS UNTIL ORMA AND LEE MOVED TO CALIFORNIA IN 1931. THE YOUNGEST SISTER, MARIE, LATER JOINED THEM WITH HER SON JIM. LOWELL AND ROME FARMED TOGETHER FROM THE SEASON FOLLOWING THEIR FATHER’S DEATH (WHEN THEY WERE 17 AND 13 YEARS OLD, RESPECTIVELY) UNTIL 1945 WHEN THEIR LAND WAS DIVIDED FOR TAX BENEFIT. ROME NEVER MARRIED, AND IN 1928 HAD A SHORT STINT IN PILOT’S TRAINING BEFORE RETURNING TO FARMING PERMANENTLY. LOWELL AND ELINOR’S SON JERALD WAS BORN IN 1929. BY 1957 THE MEISSERS RETIRED FROM FARMING AND LEASED OUT THEIR LAND, AND IN 1958 THE FAMILY BOUGHT A CABIN IN WATERTON PARK, WHERE THEY SPENT ALL FOLLOWING SUMMERS. LOWELL AND ELINOR’S SON JERALD SPLIT HIS TIME BETWEEN FARMING IN SOUTHERN ALBERTA AND VARIOUS PROJECTS IN THE UNITED STATES. HE ENROLLED IN THE CATHOLIC SEMINARY IN SPOKANE, WASHINGTON, BUT PASSED AWAY IN 1990 BEFORE HE COULD BE ORDAINED. LOWELL DIED IN 1988, ELINOR FOLLOWED IN 1992, AND ROME PASSED AWAY IN 2004. SEE PERMANENT FILE FOR A FULL TRANSCIPT OF THE INTERVIEW, WRITTEN DOCUMENTATION ON THE MEISSER FAMILY BY JUDY WRIGHT AND ROME MEISSER, OBITUARIES AND PHOTOGRAPHS OF FAMILY MEMBERS, AND FURTHER INFORMATION ABOUT EACH ARTIFACT COMPRISING THE DONATION.
Catalogue Number
P20130004005
Acquisition Date
2013-03
Collection
Museum
Images
Less detail
Other Name
BALL CAP, “AGRICORE”
Date Range From
1990
Date Range To
2000
Material Type
Artifact
Materials
COTTON
Catalogue Number
P20130004006
  1 image  
Material Type
Artifact
Other Name
BALL CAP, “AGRICORE”
Date Range From
1990
Date Range To
2000
Materials
COTTON
No. Pieces
1
Height
13
Length
19
Width
24
Description
TAN-COLOURED CANVAS BALL CAP WITH BLUE BRIM. EMBROIDERED WITH “AGRICORE” LOGO IN BLUE AND YELLOW THREAD AT CENTRE PEAK. SIX BLUE STITCHED VENTILATION HOLES AROUND BLUE TOP BUTTON. TAN CANVAS SIZING STRAP AT BACK WITH BRONZE-COLOURED CLIP. VERY GOOD CONDITION – NO VISIBLE STAINING OR WEAR.
Subjects
CLOTHING-HEADWEAR
Historical Association
PERSONAL CARE
AGRICULTURE
History
THE COLLECTION OF OBJECTS BELONGING TO THE MEISSER FAMILY WAS DONATED BY JUDY WRIGHT, NIECE OF LOWELL MEISSER, WHO OPERATED A FARM OUTSIDE WARNER WITH HIS BROTHER ROME AS THE ‘MEISSER BROS’ FROM 1929 TO 1946. JUDY’S MOTHER WAS THE SISTER OF LOWELL’S WIFE ELINOR, AND SHE SPENT MUCH OF HER CHILDHOOD LIVING WITH THEM AND ROME MEISSER, DUE TO HER MOTHER BEING UNWELL. IN HER LATER ADULT LIFE, JUDY TOOK CARE OF “UNC” ROME AT HIS WATERTON RESIDENCE, AND BECAUSE ROME AND HIS BROTHER LOWELL DID NOT HAVE ANY LIVING DIRECT DESCENDANTS, JUDY WAS LEFT THE FAMILY BELONGINGS WHEN ROME DIED IN 2004. THE FOLLOWING INFORMATION ABOUT THIS ARTIFACT WAS EXTRACTED FROM AN INTERVIEW CONDUCTED WITH THE DONOR BY COLLECTIONS TECHNICIAN KEVIN MACLEAN ON NOVEMBER 14, 2013, AS WELL AS FROM A DOCUMENT WRITTEN BY HER AT THE TIME OF THE DONATION. WRIGHT SAID: “UNC NEVER WENT ANYWHERE WITHOUT A CAP ON, AND A CAP THAT REPRESENTED FARMING WAS HIS PREFERENCE… HE STILL OWNED THE LAND, HE RENTED IT OUT, HE HAD FARMING INCOME AND FARMING EXPENSES… WE’D STILL DRIVE OUT AND LOOK AT THE CROPS THAT WERE ON HIS LAND THAT WAS RENTED OUT.” THE FOLLOWING BRIEF FAMILY HISTORY WAS DEVELOPED WITH INFORMATION FROM ROME MEISSER’S MANUSCRIPT ‘THE MEISSER’S AND OTHER RAMBLINGS’ AND DONATIONS OF FAMILY PAPERS MADE BY WRIGHT TO THE GALT ARCHIVES. THE MEISSER FAMILY PATRIARCH, MICHAEL MEISSER, WAS BORN IN SWITZERLAND IN 1830 AND IMMIGRATED TO ALMA, WISCONSIN IN 1846. HIS SON, JOHN LUTZI MEISSER MARRIED MARIE KINDSCHI ON APRIL 30, 1898 AND THEY MOVED TO WARNER, ALBERTA TO FARM IN 1910, LOOKING FOR A DRIER CLIMATE FOR MARIE, WHO SUFFERED FROM TUBERCULOSIS. THE COUPLE HAD FIVE CHILDREN: ORMA, LOWELL, JOHN (WHO DIED AT AGE TWO OF PNEUMONIA), ROME, AND MARIE. IN 1912, MOTHER MARIE DIED IN A TUBERCULOSIS CLINIC IN SALT LAKE CITY, AND FIVE YEARS LATER FATHER JOHN DIED FROM HEAD TRAUMA SUSTAINED IN A GRAIN ELEVATOR ACCIDENT. ONE OF THE CHILDREN’S PATERNAL AUNTS, FRENA, CAME TO WARNER TO HELP THEM WITH SCHOOLING AND RUNNING THE FARM. IN 1920, ORMA MARRIED LEE TENNEY AND IN 1926 LOWELL MARRIED ELINOR TENNEY, AND THE TWO COUPLES LOOKED AFTER THE TWO YOUNGER SIBLINGS UNTIL ORMA AND LEE MOVED TO CALIFORNIA IN 1931. THE YOUNGEST SISTER, MARIE, LATER JOINED THEM WITH HER SON JIM. LOWELL AND ROME FARMED TOGETHER FROM THE SEASON FOLLOWING THEIR FATHER’S DEATH (WHEN THEY WERE 17 AND 13 YEARS OLD, RESPECTIVELY) UNTIL 1945 WHEN THEIR LAND WAS DIVIDED FOR TAX BENEFIT. ROME NEVER MARRIED, AND IN 1928 HAD A SHORT STINT IN PILOT’S TRAINING BEFORE RETURNING TO FARMING PERMANENTLY. LOWELL AND ELINOR’S SON JERALD WAS BORN IN 1929. BY 1957 THE MEISSERS RETIRED FROM FARMING AND LEASED OUT THEIR LAND, AND IN 1958 THE FAMILY BOUGHT A CABIN IN WATERTON PARK, WHERE THEY SPENT ALL FOLLOWING SUMMERS. LOWELL AND ELINOR’S SON JERALD SPLIT HIS TIME BETWEEN FARMING IN SOUTHERN ALBERTA AND VARIOUS PROJECTS IN THE UNITED STATES. HE ENROLLED IN THE CATHOLIC SEMINARY IN SPOKANE, WASHINGTON, BUT PASSED AWAY IN 1990 BEFORE HE COULD BE ORDAINED. LOWELL DIED IN 1988, ELINOR FOLLOWED IN 1992, AND ROME PASSED AWAY IN 2004. THE FOLLOWING REMEMBRANCES OF ROME ‘UNC’ MEISSER WERE EXCERPTED FROM THE NOVEMBER 14, 2013 INTERVIEW. WRIGHT SAID: “I LIVED WITH THEM AND WENT OUT TO THE FARM ALL SUMMER LONG EVERY YEAR FROM THE TIME I WAS FIVE OR SIX YEARS OLD… I JUST HONESTLY THINK THAT I AM WHO I AM TODAY BECAUSE OF MY UNCLE ROME. MY DAD WAS A STAUNCH OLD ENGLISHMAN AND HE COULDN’T RELATE TO ME. HE WAS 45 YEARS OLD WHEN I WAS BORN BUT HE COULDN’T RELATE TO ME. SO, MY UNCLE COULD… HE SHOULD HAVE BEEN MARRIED WITH AT LEAST A DOZEN CHILDREN. IN HIS EARLY NINETIES, WHEN I FIRST GOT THERE [TO WATERTON] WE’D GO GROCERY SHOPPING. I’D HAVE TO WAIT WHILE HE STOPPED AND CHATTED WITH ALL THE CHILDREN HE’D COME ACROSS. HE SHOULD HAVE HAD LOTS OF KIDS. HE JUST LOVED KIDS AND I WAS A LITTLE KID… I WAS THERE FROM PRACTICALLY BIRTH AND LIVED MONTHS AT A TIME WITH HIM… HE COULD AFFORD TO LOOK AFTER THE COMMUNITY AS WELL… HE GAVE GENEROUSLY TO [COMMUNITY ORGANIZATIONS]. HE GAVE TO THE MILK RIVER HOSPITAL. HE DONATED $200,000 FOR THE HOCKEY GIRLS’ RESIDENCE. THEY HAD NO MONEY AND THAT’S WHY WE NOW HAVE A HOCKEY GIRLS’ RESIDENCE THAT HAS A HUGE KITCHEN AND HOUSES UP TO 25 GIRLS, AND KEEPS OUR WARNER SCHOOL OPEN. SO THAT IS A VERY BIG GIFT, HIS DONATIONS. THEY ALSO STARTED A MEISSER SCHOLARSHIP IN 1967 AND TWO WEEKS AGO I WENT OUT AND GAVE THE TROPHY AND THE MONEY TO THE LAST GIRL THAT WON IT. AND IT WILL GO ON INDEFINITELY AS LONG AS THERE’S A SCHOOL…HE WAS VERY SUPPORTIVE OF CHILDREN AND EDUCATION. THE SCHOLARSHIP, THE HOCKEY GIRLS, KEEPING THE WARNER SCHOOL OPEN - BIG FOCUS FOR HIM – WAS EDUCATION AND CHILDREN… HE WAS ONE OF THOSE KIND OF PRACTICALLY ANONYMOUS DONORS IN THE PAST. HOWEVER, AS HE GOT A LITTLE OLDER, I THINK HE ENJOYED THE ATTENTION. THEY MADE A BIG DEAL ABOUT THE HOCKEY SCHOOL. THE RESIDENCE HAS GOT, HUGE, IT HAS HIS NAME ON IT BUT I DON’T THINK HE SAW THAT. AND THEY HAD HIM RIDE IN THE PARADE ONE YEAR, THE COMMUNITY RECOGNIZED HIM AS MUCH AS HE’D LET THEM RECOGNIZE HIM.” SEE PERMANENT FILE FOR A FULL TRANSCIPT OF THE INTERVIEW, WRITTEN DOCUMENTATION ON THE MEISSER FAMILY BY JUDY WRIGHT AND ROME MEISSER, OBITUARIES AND PHOTOGRAPHS OF FAMILY MEMBERS, AND FURTHER INFORMATION ABOUT EACH ARTIFACT COMPRISING THE DONATION.
Catalogue Number
P20130004006
Acquisition Date
2013-03
Collection
Museum
Images
Less detail
Other Name
NEON SIGN
Date Range From
1944
Date Range To
1990
Material Type
Artifact
Materials
METAL, GLASS, NEON GAS
Catalogue Number
P20110034000
Material Type
Artifact
Other Name
NEON SIGN
Date Range From
1944
Date Range To
1990
Materials
METAL, GLASS, NEON GAS
No. Pieces
3
Description
1) NEON SIGN- DARK BLUE PAINTED CORRUGATED METAL BODY, WHITE PAINTED BLOCK LETTERS “COMFORT STATION” ON FRONT. FOUR METAL HANGING TABS WITH BOLT HOLES ON BACK, 2 ON BOTTOM AND 2 ON TOP. WHITE NEON LIGHTS SPELLING “COMFORT STATION” RAISED OVER WHITE PAINTED LETTERS, SIGNIFICANT LOSS TO LIGHTS, OMFORT COMPLETELY GONE, LOSS TO T AND TION. C, S AND A LIGHTS STILL INTACT. DARK BLUE ELECTRICAL TAPE ON SOME AREAS OF LIGHTS. LIGHTS ATTACHED WITH WIRE TO CLEAR PLASTIC TUBE SUPPORTS SCREWED TO METAL BODY OF SIGN. THREE SCREW-ON REMOVABLE METAL PLATES ON TOP OF SIGN TO ACCESS INSIDE WIRING, LEFT AND RIGHT PLATES SQUARE AND CENTER PLATE LARGER RECTANGLE. YELLOW CIRCLE PAINTED ON FRONT TOP RIGHT CORNER AND TOP LEFT CORNER, RED AND BLUE LOGO PAINTED ON BOTTOM CENTER. LOSS OF PAINT ON RIGHT FRONT CORNER AND SCRATCHES ON BODY OF SIGN. (H-42.6 L-276.3 W-28.2) 2) NEON SIGN- DARK BLUE PAINTED CORRUGATED METAL BODY, WHITE PAINTED BLOCK LETTERS “WOMEN” ON FRONT. FOUR METAL HANGING TABS WITH SCREW HOLES, ONE ON EACH BACK CORNER. WHITE NEON LIGHTS SPELLING “WOMEN” RAISED OVER WHITE PAINTED LETTERS, LOSS TO WME AND N LIGHTS, O STILL INTACT. DARK BLUE ELECTRICAL TAPE ON SOME AREAS OF LIGHTS. LIGHTS ATTACHED WITH WIRE TO CLEAR PLASTIC TUBE SUPPORTS SCREWED TO METAL BODY OF SIGN. SCREW-ON REMOVABLE METAL PLATE ON TOP OF SIGN TO ACCESS INSIDE WIRING. LOSS OF PAINT ON LEFT SIDE AND ALONG FRONT EDGES. SCRATCHES ON BODY OF SIGN, BOTTOM LEFT TAB DISFIGURED. (H-32.0 L-92.7 W-25.6) 3) NEON SIGN- DARK BLUE PAINTED CORRUGATED METAL BODY, WHITE PAINTED BLOCK LETTERS “MEN” ON FRONT. FOUR METAL HANGING TABS WITH SCREW HOLES, ONE ON EACH BACK CORNER. WHITE NEON LIGHTS SPELLING “MEN” RAISED OVER WHITE PAINTED LETTERS, LOSS TO M LIGHT, E AND N STILL INTACT. DARK BLUE ELECTRICAL TAPE ON SOME AREAS OF LIGHTS. LIGHTS ATTACHED WITH WIRE TO CLEAR PLASTIC TUBE SUPPORTS SCREWED TO METAL BODY OF SIGN. SCREW-ON REMOVABLE METAL PLATE ON TOP OF SIGN TO ACCESS INSIDE WIRING, PLATE LOOSE. LOSS OF PAINT ON TABS AND SCRATCHES ON BODY OF SIGN. (H-32.3 L- 61.2 W-25.9)
Subjects
ADVERTISING MEDIUM
Historical Association
PERSONAL CARE
History
ACCORDING TO THE GALT ARCHIVES, "ONE OF THE UNIQUE BUILDINGS TO GRACE THE WEST SIDE OF THE GALT GARDENS SQUARE WAS THE PUBLIC RESTROOMS. CALLED THE COMFORT STATION, IT WAS USED FOR THE COMFORT OF SHOPPER AND PARK USERS FOR MORE THAN 50 YEARS. THE FIRST SUGGESTION OF A FACILITY IN GALT GARDENS TOOK PLACE IN JANUARY 1944. COUNCIL WISHED TO HAVE THE STRUCTURE LOCATED ON THE CORNER OF THIRD AVENUE AND FIFTH STREETS HOWEVER THEY CHOSE THE LOCATION OPPOSITE THE LETHBRIDGE HOTEL. BY NOVEMBER OF THAT YEAR THE CONSTRUCTION WAS UNDERWAY. THE COMFORT STATION’S HOUR OF OPERATION WERE 11:30 AM TO 7:00 PM SEPTEMBER TO MAY. IT WAS CLOSED ON SUNDAYS. IT KEPT THE SAME HOURS JUNE THROUGH AUGUST, BUT WAS CLOSED WEDNESDAYS. THERE WAS DISCUSSION OF LENGTHENING THE DAYLIGHT HOURS, BUT IT DEPENDED ON THE AVAILABILITY OF THE ATTENDANT(S). AN ATTENDANT WAS HIRED WITH THE DUTY OF CLEANING THE INTERIOR OF THE STATION DAILY TO ENSURE CLEANLINESS. THE SUPPLY OF TOWELS, TOILET PAPER, AND CUPS HAD TO BE KEPT COMPLETE. THE SURROUNDING AREA OF THE STATION WAS ALSO TO BE KEPT FREE OF TRASH, AND THE SIDEWALKS HAD TO BE KEPT CLEAR OF DEBRIS, AS WELL AS SNOW AND ICE IN THE WINTER MONTHS. THE ATTENDANT WAS ALSO RESPONSIBLE FOR LOOKING AFTER THE HEATING SYSTEM AND HAD TO BE AT THE STATION ½ HOUR BEFORE OPENING AND STAY FOR A ½ HOUR AFTER CLOSING. THE BUILDING SUFFERED THE RAVAGES OF TIME AND NEGLECT AS THE YEARS WENT BY. THE COMFORT STATION WAS NOT CLEANED AS OFTEN, AND PEOPLE DIDN’T WANT TO USE THE FACILITY DUE TO ITS UNCLEANLINESS. GRAFFITI ADORNED THE ONCE PRISTINE WALLS, AND THE INTERIOR WAS LEFT TO DECAY. THE BUILDING WAS SOON CLOSED, AND WAS DEMOLISHED IN THE EARLY 1990S WHEN PLANS FOR THE UPGRADE TO THE GALT GARDENS WERE MADE." ACCORDING TO JAY JOHNSTON ON JANUARY 3, 2012, “I FIRST BECAME AWARE OF THE NEON SIGNS WHEN I WAS PROCURING TWO CAR DAMAGED CITY LIGHTING POLES. THIS WAS FOR A SMALL SUMMER STOCK PRODUCTION THE DEPARTMENT (DRAMA) USED TO RUN, WHICH WAS BASICALLY ALL STUDENT RUN. I WAS THE RESIDENT DESIGNER AND MENTOR FOR THE TROUPE. AT THE SAME TIME AS GETTING THE POLES, I ALSO WAS GIVEN HALF A DOZEN STREET LAMP FIXTURES OF VARIOUS STYLES, SOME OF WHICH ARE NO LONGER IN EXISTENCE, THE CITY THAT IS, NOT THE ONES I HAD IN STORAGE. ON THE CITY’S PURCHASING DEPARTMENT’S LOADING DOCK, I SAW THE THREE SIGNS AND ASKED ABOUT THEM. I THOUGHT THAT THEY COULD BECOME THE CENTER PIECE OF A STUDENT PRODUCTION. I WAS TOLD IF I WANTED THEM TO BE PLACED INTO OUR PROPS DEPARTMENT, THEN I COULD HAVE THEM. THEY WERE LITERALLY ON THEIR WAY TO THE SCRAP METAL PILE THAT VERY SAME DAY. OF COURSE, I TOOK THEM, THEY WERE FREE AND PART OF LETHBRIDGE’S HISTORY. OUR SUMMER STOCK TROUPE ALWAYS DID A LOCAL CONTENT SHOW FOR A NUMBER OF YEAR RUNNING (IMPROVE). THE SIGNS ARE BASICALLY IN THE SAME CONDITION AS I FOUND THEM. WHEN I RECEIVED THEM, THEY WENT INTO STORAGE RIGHT AWAY AND HAVE REMAINED THERE FOR YEARS. I HAVE BEEN TRYING TO REMEMBER EXACTLY WHEN I PICKED THEM UP. AS FAR AS I CAN RECALL, THIS WAS ABOUT 1985. I COULD BE WRONG, BUT IT WAS THE SAME YEAR WE DID “TWO BEERS WITHOUT ASKING”. THE SIGNS HAVE NEVER BEEN USED IN ANY PRODUCTION. I JUST KEPT THEM IN THE DARK TO COIN A PHRASE. OF COURSE THERE WAS NO EXCHANGE OF MONIES IN ANY WAY SHAPE OR FORM. THEIR CONDITION IS BASICALLY THE SAME AS THE DAY I PICKED THEM UP.” FOR MORE INFORMATION, PLEASE SEE PERMANENT FILE.
Catalogue Number
P20110034000
Acquisition Date
2011-11
Collection
Museum
Less detail
Other Name
"WORLD CITIZENS CENTRE"
Date Range From
1978
Date Range To
2000
Material Type
Artifact
Materials
CANVAS, THREAD, PAINT
Catalogue Number
P20120023000
  2 images  
Material Type
Artifact
Other Name
"WORLD CITIZENS CENTRE"
Date Range From
1978
Date Range To
2000
Materials
CANVAS, THREAD, PAINT
No. Pieces
1
Height
0.25
Length
60
Width
227.5
Description
MACHINE-STITCHED BANNER MADE OF OFF-WHITE, HEAVY CANVAS MATERIAL. SIX BRASS-COLOURED METAL GROMMETS AT CORNERS AND TOP AND BOTTOM CENTRE. CANVAS IS HANDPAINTED IN BROWN, ORANGE AND BLACK INK, WITH TEXT READING “WORLD CITIZENS CENTRE” AND AN IMAGE DEPICTING FOUR FIGURES LINKING HANDS AROUND A GEOMETRIC GLOBE SHAPE. FABRIC IS CREASED FROM PREVIOUS FOLDING. STAINING AND GENERAL GRIME THROUGHOUT, WITH MASKING TAPE RESIDUE AT INTERVALS ALONG THE TOP EDGE.
Subjects
ADVERTISING MEDIUM
Historical Association
ASSOCIATIONS
History
TRANSFER FROM GALT ARCHIVES. ACQUIRED AS PART OF THE WORLD CITIZENS CENTRE FONDS. THIS BANNER WAS USED BY THE WORLD CITIZENS CENTRE OF LETHBRIDGE TO PROMOTE THEIR ORGANIZATION AND PROGRAMMING AT PUBLIC EVENTS. THE SOCIETY OPENED ON NOVEMBER 6, 1978 AND ACTED AS A RESOURCE FOR EDUCATORS , SUPPLYING ACCESS TO BOOKS, TEACHING KITS, AND AUDIO-VISUAL PRESENTATIONS ON INTERNATIONAL DEVELOPMENT, CULTURAL AWARENESS AND GLOBAL STUDIES. THE CENTRE PUBLISHED A MONTHLY NEWSLETTER, STARTED THE TAPESTRY PROJECT (AN ANTI-RASCISM INITIATIVE), AND WORKED WITH NUMEROUS OTHER ORGANIZATIONS INCLUDING THE DEVELOPMENT EDUCATION COORDINATING COUNCIL OF ALBERTA, THE ALBERTA COUNCIL FOR GLOBAL JUSTICE, THE OPOSKAA’SIN EARLY INTERVENTION SOCIETY, SOUTHERN ALBERTA PROFESSIONAL DEVELOPMENT CONSORTIUM, AND LETHBRIDGE IMMIGRANT SETTLEMENT ASSOCIATION. THE CENTRE ALSO CONTIBUTED RESOURCES TO POPULAR PUBLIC EVENTS INCLUDING THE INTERNATIONAL FILM FESTIVAL AND INTERNATIONAL DINNERS. BY 1995 FEDERAL CUTS TO THE CANADIAN INTERNATIONAL DEVELOPMENT AGENCY, FROM WHICH THE CENTRE RECEIVED SIGNIFICANT FUNDING, CAUSED THE CENTRE TO SHIFT ITS FOCUS TO PROJECT-BASED GRANT FUNDING AND ULTIMATELY RESULTED IN THE CENTRE CLOSING IN 2000. FOR FURTHER INFORMATION SEE PERMANENT FILE.
Catalogue Number
P20120023000
Acquisition Date
2012-06
Collection
Museum
Images
Less detail
Date Range From
1987
Date Range To
2007
Material Type
Artifact
Materials
METAL
Catalogue Number
P20070006002
Material Type
Artifact
Date Range From
1987
Date Range To
2007
Materials
METAL
No. Pieces
2
Height
1.3
Length
1.9
Width
1.7
Description
1. GOLD-COLOURED PIN WITH IMAGE OF POST-OFFICE CLOCK TOWER AND SUN, TEXT IN BLACK READS, "DOWNTOWN LA." PIN ROUGHLY SQUARE-SHAPED. REVERSE WITH MULTPILE IMPRINTS READING, "TAIWAN." 2. PIN BACKING, BUTTERFLY CLIP STYLE.
Subjects
ADVERTISING MEDIUM
Historical Association
BUSINESS
COMMEMORATIVE
History
PIN WAS NEVER WORN. PIN REPRESENTS EFFORTS BY THE DOWNTOWN LETHBRIDGE BUSINESS REVITALIZATION ZONE (BRZ) TO PROMOTE THE DOWNTOWN BUSINESS COMMUNITY. THE BRZ , FORMED IN 1987, IS A NON-PROFIT ORGANIZATION, RECEIVING FUNDING FROM A TAX LEVY IMPOSED ON THE 560+ BUSINESSES IT REPRESENTS. INFORMATION GATHERED FROM DOWNTOWNLETHBRIDGE.COM. FOR MORE INFORMATION, SEE P20070006001 AND PERMANENT RECORD.
Catalogue Number
P20070006002
Acquisition Date
2007-02
Collection
Museum
Less detail
Other Name
INTERIOR MARQUEE AND LETTERS
Date Range From
1950
Date Range To
2007
Material Type
Artifact
Materials
METAL AND PLEXIGLASS
Catalogue Number
P20070023003
Material Type
Artifact
Other Name
INTERIOR MARQUEE AND LETTERS
Date Range From
1950
Date Range To
2007
Materials
METAL AND PLEXIGLASS
No. Pieces
15
Height
16.1
Length
386.4
Width
28.4
Description
BLACK METAL BOX WITH WHITE PLEXIGLASS SHEET BROKEN INTO TWO PIECES THAT SLIDE INTO FRONT OF BOX. PLEXIGLASS LETTERS SPELLING OUT "LICENSE TO WED" CAN BE ATTACHED TO THE WHITE PLEXIGLASS SHEET - 15 PIECES. 1. WHITE PLASTIC SHEET, SLID INTO OPEN SIDE OF METAL BOX OF INTERIOR MARQUEE, BROKEN IN HALF, RED CURSIVE TEXT READS, "PARAMOUNT" ON ONE PIECE OF SHEET, BLACK STICKER WITH YELLOW TEXT READS, "DOLBY DIGITAL" ON OTHER PIECE OF SHEET. 2 PCES. "PARAMOUNT" PIECE MEASURES 175.8 CM LONG BY 27.6 CM WIDE BY 2.0 CM HIGH. "DOLBY" PIECE MEASURES 216.0 CM LONG BY 27.6 CM WIDE BY 22.0 CM HIGH. 2. INTERIOR MARQUEE, LONG BLACK METAL BOX, SILVER STICKER ON OUTSIDE OF BOX READS, "NATIONAL NEON..."INTERIOR OF BOX PAINTED WHITE, VARIOUS ELECTRICAL CORDS AND COMPONENTS AFFIXED TO INSIDE OF BOX. PLASTIC BAGGIE CONTAINS HARDWARE LIKELY USED TO MOUNT MARQUEE TO WALL. 386.4 CM LONG BY 28.4 CM WIDE BY 16.1 CM HIGH. 12 RECTANGULAR PLEXIGLASS SHEETS, EACH WITH BLUE LETTER: 4. LETTER, "L," TEXT READS, "PAT. 1967." HEIGHT 0.3, LENGTH 17.8, WIDTH 11.5. 5. LETTER, "I," TEXT READS, "ROTOMATIC." HEIGHT 0.3, LENGTH 17.8, WIDTH 7.7. 6. LETTER, "C," TEXT READS, "ROTOMATIC." HEIGHT 0.3, LENGTH 17.8, WIDTH 11.6. 7. LETTER, "E," TEXT READS, "ROTOMATIC." HEIGHT 0.3, LENGTH 17.8, WIDTH 11.3. 8. LETTER, "N." HEIGHT 0.3, LENGTH 17.8, WIDTH 12.8. 9. LETTER, "S," TEXT READS, "ROTOMATIC." HEIGHT 0.3, LENGTH 17.8, WIDTH 11.3. 10. LETTER, "E," WORN TEXT READS, "ROTOMATIC." HEIGHT 0.3, LENGTH 17.8, WIDTH 11.3. 11. LETTER, "T," WORN TEXT READS, "ROTOMATIC." HEIGHT 0.3, LENGTH 17.8, WIDTH 11.8. 12. LETTER, "O," TEXT READS, "PAT. 1967." HEIGHT 0.3, LENGTH 17.8, WIDTH 13.3. 13. LETTER, "W," TEXT READS, "PAT. 1967." HEIGHT 0.3, LENGTH 17.8, WIDTH 15.9. 14. LETTER, "E," TEXT READS, "ROTOMATIC." HEIGHT 0.3, LENGTH 17.8, WIDTH 11.3. 15. LETTER, "D," TEXT READS, "ROTOMATIC." HEIGHT 0.3, LENGTH 17.8, WIDTH 12.7.
Subjects
ADVERTISING MEDIUM
Historical Association
BUSINESS
History
INTERIOR MARQUEE HUNG HORIZONTALLY OVERTOP OF THE ENTRY DOORS TO CINEMA ONE. THE WHITE PLASTIC SHEET SLID INTO THE OPEN END OF THE METAL BOX, AND THE PLEXIGLASS LETTERS IN TURN SLID IN FRONT OF THE PLASTIC SHEET. THE INTERIOR OF THE BOX WAS ILLUMINATED, LIGHTING UP THE LETTERS FROM BEHIND. THE LETTERS SPELL OUT, "LICENSE TO WED," WHICH WAS THE LAST MOVIE THAT WAS SHOWN IN CINEMA ONE AT THE PARAMOUNT THEATRE IN 2007. FOR MORE INFORMATION, SEE P20070023001 AND PERMANENT RECORD.
Catalogue Number
P20070023003
Acquisition Date
2008-08
Collection
Museum
Less detail
Other Name
NEON SIGN
Date Range From
1955
Date Range To
1997
Material Type
Artifact
Materials
PLASTIC, METAL
Catalogue Number
P20020043000
Material Type
Artifact
Other Name
NEON SIGN
Date Range From
1955
Date Range To
1997
Materials
PLASTIC, METAL
No. Pieces
1
Height
380
Length
79
Width
91
Description
PLASTIC BACKLIT NEON "LEO SINGER MEN'S AND BOY'S WEAR" SIGN. RECTANGULAR SIGN FEATURES A BLK AND YLLW CHECKERED DESIGN. CHECKERS DISPLAY NEON FOUR POINT STAR-LIKE LIGHTING. FEW OF THE NEON SHAPES ARE BROKEN WITH TWO MISSING. CENTER OF SIGN DISPLAYS RD T-SHAPE WITH THE TEXT "LEO" A CROSSED THE TOP AND "SINGER" VERTICALLY DISPLAYED BELOW. LETTERS ARE WHT WITH NEON LETTERS REPEATED ON TOP. SIDE OF SIGN IS RD WITH YLLW VERTICAL TEXT THAT READS "MEN'S AND BOY'S WEAR". MANUFACTURER LABEL ON BOTTOM READS "NEPRO". OTHER SIDE OF SIGN IS PAINTED WHT AND DISPLAYS VENTILATION PANELS WITH ONE PANEL MISSING. SIGN HAS SOME VISIBLE RUST AND THE PAINT IS CHIPPED IN VARIOUS AREAS.
Subjects
ADVERTISING MEDIUM
Historical Association
RETAIL TRADE
History
NEON SIGN WAS REMOVED FROM LEO SINGER'S CLOTHING STORE IN 2002. LEO SINGER WAS BORN IN ROMANIA AND IMMIGRATED TO RUMSEY, ALBERTA WITH HIS MOTHER. HIS FATHER WAS KILLED IN WWI. LEO AND HIS MOTHER MOVED TO CALGARY, WHERE HE ATTENDED SCHOOL AND LATER GARBER COLLEGE. IN 1930, HE OPENED A RETAIL CLOTHING STORE IN LETHBRIDGE AND FINALLY MOVED HERE IN 1932. ONE OF THE REASONS HE DECIDED TO MOVE, WAS TO PLAY FOR THE LETHBRIDGE JEWISH ASSOCIATION BASEBALL TEAM. SINGER MET HIS WIFE PHYLLIS IN MONTREAL, WHERE SHE WAS BORN AND RAISED, AND THEY MARRIED IN 1942. HE WAS ACTIVE IN THE LETHBRIDGE COMMUNITY AND WAS INVOLVED IN THE PLANNING AND DEVELOPMENT OF THE U OF L. HE WAS A MEMBER OF THE JEWISH ASSOCIATION, OF WHICH HE WAS PRESIDENT FOR 17 YEARS; THE KIWANIS CLUB, WHICH WAS THE FIRST CLUB IN LETHBRIDGE THAT ALLOWED HIM TO JOIN; RESERVE ARMY, CHAMBER OF COMMERCE, UNITED WAY, LEGION, LABOR CLUB, ARMY AND NAVY, ETCETERA. HE VOLUNTEERED MUCH OF HIS TIME WITH DIFFERENT CLUBS AND ORGANIZATIONS BECAUSE HE FELT THAT THE COMMUNITY HAD TREATED HIM WELL AND HE WANTED TO SHOW HIS GRATITUDE. IN 1930, HE OPENED A STORE ON THE HIGINBOTHAM BLOCK, MOVING THE STORE IN 1940 TO 214 5 ST. S. SINGER'S WAS THE FIRST IN THE CITY TO SPORT A FLASHING NEON SIGN. NAMED LEO SINGER MEN'S AND BOY'S WEAR IN 1955, THE BOY'S CLOTHING ASPECT WAS PHASED OUT IN THE LATE 1980S OR EARLY 90S. SINGER HANDLED BOYS' WEAR PRIMARILY BECAUSE HE WAS THE SOLE DISTRIBUTOR FOR SCOUTS CANADA IN SOUTHERN ALBERTA. MORE THAN 50,000 SCOUTS WERE OUTFITTED BY UNIFORMS SUPPLIED THROUGH SINGER. HE ALSO SUPPLIED THE CITY'S POLICE AND FIRE DEPARTMENTS WITH UNIFORMS FOR MORE THAN 30 YEARS. SINGER'S MOTTO AND TRADEMARK WERE "IT'S NOT THE SALE THAT COUNTS -- IT'S THE CUSTOMER". BEING RAISED IN CALGARY HE WAS INSPIRED TO ENTER THE RETAIL CLOTHING BUSINESS AS A TEENAGER, WHO SPENT AFTER-SCHOOL HOURS WORKING FOR A CLOTHIER AND LATER ENROLLED IN BUSINESS SCHOOL. SINGER SAID HE FELL IN LOVE WITH LETHBRIDGE DURING A WEEKEND BASEBALL TOURNAMENT AND DECIDED TO STAY. LEO SINGER PASSED AWAY IN JANUARY OF 1997. SEE PERMANENT FILE FOR MORE INFORMATION.
Catalogue Number
P20020043000
Acquisition Date
2002-06
Collection
Museum
Less detail
Other Name
IDENTIFICATION TAG
Date Range From
1980
Date Range To
1990
Material Type
Artifact
Materials
TIN, PAPER, PLASTIC
Catalogue Number
P20000011034
Material Type
Artifact
Other Name
IDENTIFICATION TAG
Date Range From
1980
Date Range To
1990
Materials
TIN, PAPER, PLASTIC
No. Pieces
1
Height
0.4
Diameter
6.4
Description
CIRCULAR. OBVERSE IS LIGHT YELLOW WITH BLUE PRINT. AROUND PERIMETER READS "SOUTHERN ALBERTA ANTIQUE & CLASSIC AUTO CLUB LETHBRIDGE". IN CENTER, IN BLACK FELT PEN IS "EVERTT A. STEWART" [sic]. FRONT OF BUTTON HAS PLASTIC COVERING. BACK OF BUTTON HAS BRASS SAFETY PIN.
Subjects
ADVERTISING MEDIUM
DOCUMENTARY ARTIFACT
Historical Association
ASSOCIATIONS
LEISURE
History
CAME FROM THE BELONGINGS OF DONOR'S FATHER EVERETT STEWART. BORN IN 1912 TO WILLIAM AND SARAH JANE (CUTT) STEWART IN INDIAN HEAD, SASKATCHEWAN. HIS FAMILY FARMED UNTIL THE 1930S, WHEN THE DROUGHT HIT AND HARD TIMES FORCED THEM TO MOVE. EVERETT STAYED AND ATTENDED THE UNIVERSITY OF SASKATCHEWAN AT SASKATOON WHERE HE GRADUATED WITH A DEGREE IN PHARMACY IN 1937. HE THEN WORKED IN PHARMACIES IN INDIAN HEAD AND REGINA. ON JUNE 15, 1939, EVERETT MARRIED MARJORIE BAILEY. HE THEN SIGNED UP WITH THE CANADIAN ARMED FORCES AS AN ARTILLERY OFFICER IN WWII. THEIR DAUGHTER MARGARET JEAN (DONOR) WAS BORN ON MAY 31, 1943. AFTER THE WAR, WITH FUNDING GIVEN TO VETERANS, EVERETT OPENED HIS OWN DRUG STORE IN SUTHERLAND, SASKATCHEWAN. HIS WAS THE FIRST DRUG STORE IN SUTHERLAND AND HE STRUGGLED WITH MAKING IT A VIABLE BUSINESS. THEN IN 1949 HE SOLD THE BUSINESS AND TOOK A SALES POSITION WITH CHARLES E. FROSST & COMPANY WHICH WAS THE LAST WHOLLY OWNED CANADIAN DRUG FIRM. HE AND HIS FAMILY WERE MOVED TO BRANDON, MANITOBA (1949 TO 1955). THE FIRM THEN TRANSFERRED EVERETT TO LETHBRIDGE, WHERE HE REMAINED. AFTER HIS WIFE MARJORIE DIED (1905-1967) HE KEPT BUSY WITH HIS VAST COIN COLLECTION THAT WAS HIS PASSION. HE ATTENDED MANY COIN SHOWS THROUGHOUT CANADA AND THE U.S. AND BOUGHT, TRADED, AND SOLD MOSTLY CANADIAN COINS. THEN ON JULY 22, 1974, HE MARRIED IRENE EVANS (1906-2002) FROM BILLINGS MONTANA. IN 1976 FROSST & CO. RETIRED EVERETT. AFTER THAT THEY SPENT 6 MONTHS A YEAR IN LETHBRIDGE AND 6 MONTHS IN MESA, ARIZONA. EVERETT WAS A LONG TIME MEMBER AND PAST PRESIDENT OF THE ASSOCIATED CANADIAN TRAVELERS IN BRANDON, MANITOBA AND LETHBRIDGE, ALBERTA; A FOUNDING MEMBER AND THE FIRST PRESIDENT OF THE LION'S CLUB IN SUTHERLAND, SASKATCHEWAN; A MEMBER OF THE MASONIC LODGE AND THE LETHBRIDGE AL AZHAR SHRINE CLUB. BESIDES HIS EVER-GROWING COIN COLLECTION, HE RESTORED A 1926 MODEL A FORD. EVERETT PASSED AWAY IN HIS HOME FROM CANCER IN 1993.
Catalogue Number
P20000011034
Acquisition Date
2004-06
Collection
Museum
Less detail
Other Name
FROSST
Date Range From
1980
Date Range To
1990
Material Type
Artifact
Materials
PARTICLE BOARD
Catalogue Number
P20000011024
Material Type
Artifact
Other Name
FROSST
Date Range From
1980
Date Range To
1990
Materials
PARTICLE BOARD
No. Pieces
1
Height
0.3
Length
29.2
Width
16.3
Description
OVAL SHAPED WITH RECTANGULAR PROTRUSION AT BOTTOM. OBVERSE IS PAINTED BLUE WITH WHITE OVAL OUTLINE WITH "FROSST" IN THE CENTER, ALSO IN WHITE. REVERSE IS UNFINISHED. ONE LARGE SCRATCH IN UPPER LEFT OF SIGN, VARIOUS SMALLER SCRATCHES ABOVE AND BELOW. FRONT OF SIGN HAS MANY MARKS ON PAINT.
Subjects
ADVERTISING MEDIUM
Historical Association
RETAIL TRADE
History
CAME FROM THE BELONGINGS OF DONOR'S FATHER EVERETT STEWART. BORN IN 1912 TO WILLIAM AND SARAH JANE (CUTT) STEWART IN INDIAN HEAD, SASKATCHEWAN. HIS FAMILY FARMED UNTIL THE 1930S, WHEN THE DROUGHT HIT AND HARD TIMES FORCED THEM TO MOVE. EVERETT STAYED AND ATTENDED THE UNIVERSITY OF SASKATCHEWAN AT SASKATOON WHERE HE GRADUATED WITH A DEGREE IN PHARMACY IN 1937. HE THEN WORKED IN PHARMACIES IN INDIAN HEAD AND REGINA. ON JUNE 15, 1939, EVERETT MARRIED MARJORIE BAILEY. HE THEN SIGNED UP WITH THE CANADIAN ARMED FORCES AS AN ARTILLERY OFFICER IN WWII. THEIR DAUGHTER MARGARET JEAN (DONOR) WAS BORN ON MAY 31, 1943. AFTER THE WAR, WITH FUNDING GIVEN TO VETERANS, EVERETT OPENED HIS OWN DRUG STORE IN SUTHERLAND, SASKATCHEWAN. HIS WAS THE FIRST DRUG STORE IN SUTHERLAND AND HE STRUGGLED WITH MAKING IT A VIABLE BUSINESS. THEN IN 1949 HE SOLD THE BUSINESS AND TOOK A SALES POSITION WITH CHARLES E. FROSST & COMPANY WHICH WAS THE LAST WHOLLY OWNED CANADIAN DRUG FIRM. HE AND HIS FAMILY WERE MOVED TO BRANDON, MANITOBA (1949 TO 1955). THE FIRM THEN TRANSFERRED EVERETT TO LETHBRIDGE, WHERE HE REMAINED. AFTER HIS WIFE MARJORIE DIED (1905-1967) HE KEPT BUSY WITH HIS VAST COIN COLLECTION THAT WAS HIS PASSION. HE ATTENDED MANY COIN SHOWS THROUGHOUT CANADA AND THE U.S. AND BOUGHT, TRADED, AND SOLD MOSTLY CANADIAN COINS. THEN ON JULY 22, 1974, HE MARRIED IRENE EVANS (1906-2002) FROM BILLINGS MONTANA. IN 1976 FROSST & CO. RETIRED EVERETT. AFTER THAT THEY SPENT 6 MONTHS A YEAR IN LETHBRIDGE AND 6 MONTHS IN MESA, ARIZONA. EVERETT WAS A LONG TIME MEMBER AND PAST PRESIDENT OF THE ASSOCIATED CANADIAN TRAVELERS IN BRANDON, MANITOBA AND LETHBRIDGE, ALBERTA; A FOUNDING MEMBER AND THE FIRST PRESIDENT OF THE LION'S CLUB IN SUTHERLAND, SASKATCHEWAN; A MEMBER OF THE MASONIC LODGE AND THE LETHBRIDGE AL AZHAR SHRINE CLUB. BESIDES HIS EVER-GROWING COIN COLLECTION, HE RESTORED A 1926 MODEL A FORD, AND TRAVELLED WESTERN CANADA AS AN AVID CURLER. EVERETT PASSED AWAY IN HIS HOME FROM CANCER IN 1993.
Catalogue Number
P20000011024
Acquisition Date
2004-06
Collection
Museum
Less detail
Other Name
TARGET IRRIGATION LTD.
Date Range From
1980
Date Range To
2000
Material Type
Artifact
Materials
BRASS
Catalogue Number
P19990029040
  2 images  
Material Type
Artifact
Other Name
TARGET IRRIGATION LTD.
Date Range From
1980
Date Range To
2000
Materials
BRASS
No. Pieces
1
Height
1.1
Diameter
7.1
Description
CIRCULAR, BRASS BUCKLE. DESIGN ON FRONT CONSISTS OF CONCENTRIC CIRCLES. EMBOSSED AROUND PERIMETER IS "TARGET IRRIGATION LTD. TABER ALBERTA". ON THE BACK IS A D-RING. ETCHED INTO BACK IS "B.K. BELTS & BUCKLES P.O. BOX 5363 STN. A CALGARY ALBERTA T2H 1X8".
Subjects
CLOTHING-ACCESSORY
ADVERTISING MEDIUM
Historical Association
INDUSTRY
History
ARTIFACTS PURCHASED BY DONOR AT VARIOUS ANTIQUE SHOPS, GARAGE SALES, ETC. FOR THE PURPOSE OF DONATING TO THE MUSEUM. ARTIFACTS WERE PURCHASED FROM 1999 TO 2002 WHILE DONOR WAS DIRECTOR OF THE GALT MUSEUM. SEE PREVIOUS DONATIONS.
Catalogue Number
P19990029040
Acquisition Date
2002-11
Collection
Museum
Images
Less detail
Other Name
LETHBRIDGE REGIONAL SCIENCE FAIR
Date Range From
1970
Date Range To
1990
Material Type
Artifact
Materials
TIN, PLASTIC
Catalogue Number
P19990029028
Material Type
Artifact
Other Name
LETHBRIDGE REGIONAL SCIENCE FAIR
Date Range From
1970
Date Range To
1990
Materials
TIN, PLASTIC
No. Pieces
1
Height
0.5
Diameter
6.4
Description
ROUND BUTTON. BACKGROUND IS YELLOW WITH BLACK PRINT. IN THE CENTRE IS THE IMAGE OF A HAND HOLDING A WAND? WITH STARS, MOON, AND SUN AROUND IT. PERIMETER OF BUTTON READS "LETHBRIDGE REGIONAL SCIENCE FAIR". AROUND EDGE OF BUTTON READS "MANUFACTURED BY THE REHAB WORKSHOP * 1610 29 ST NORTH * LETHBRIDGE * ALBERTA * PHONE 329-3911 * * * ".
Subjects
ADVERTISING MEDIUM
Historical Association
EDUCATION
History
ARTIFACTS PURCHASED BY DONOR AT VARIOUS ANTIQUE SHOPS, GARAGE SALES, ETC. FOR THE PURPOSE OF DONATING TO THE MUSEUM. ARTIFACTS WERE PURCHASED FROM 1999 TO 2002 WHILE DONOR WAS DIRECTOR OF THE GALT MUSEUM. SEE PREVIOUS DONATIONS.
Catalogue Number
P19990029028
Acquisition Date
2002-11
Collection
Museum
Less detail
Other Name
ROYAL CANADIAN LEGION
Date Range From
1990
Date Range To
2000
Material Type
Artifact
Materials
BRASS, ENAMEL
Catalogue Number
P19990029030
  1 image  
Material Type
Artifact
Other Name
ROYAL CANADIAN LEGION
Date Range From
1990
Date Range To
2000
Materials
BRASS, ENAMEL
No. Pieces
1
Height
0.7
Length
2.6
Width
2.4
Description
PIN IS ROUND WITH A BANNER ACROSS THE CENTER. BANNER IS LIGHT BLUE AND READS "GENERAL STEWART BRANCH NO. 4". ABOVE PANNER IS A PLANE AND BELOW IS A TANK OVERLAID WITH AN ANCHOR AND "60" TO THE SIDE. AROUND PERIMETER OF PIN IS A DARK BLUE BORDER WITHIN WHICH READS "ROYAL CANADIAN LEGION LETHBRIDGE, ALBERTA". HAS A PIN AND ROTATING CLASP ON BACK.
Subjects
PERSONAL SYMBOL
ADVERTISING MEDIUM
Historical Association
ASSOCIATIONS
History
THE "60" ON PIN REFERS TO THE ORIGINS OF THE ROYAL CANADIAN LEGION, AS IN 1960 THE NAME WAS CHANGED FROM THE BRITISH EMPIRE SERVICE LEAGUE. ARTIFACTS PURCHASED BY DONOR AT VARIOUS ANTIQUE SHOPS, GARAGE SALES, ETC. FOR THE PURPOSE OF DONATING TO THE MUSEUM. ARTIFACTS WERE PURCHASED FROM 1999 TO 2002 WHILE DONOR WAS DIRECTOR OF THE GALT MUSEUM. SEE PREVIOUS DONATIONS.
Catalogue Number
P19990029030
Acquisition Date
2002-11
Collection
Museum
Images
Less detail
Other Name
CAPRI SPORTS BOWL
Date Range From
1980
Date Range To
1990
Material Type
Artifact
Materials
BRASS
Catalogue Number
P19990029004
  1 image  
Material Type
Artifact
Other Name
CAPRI SPORTS BOWL
Date Range From
1980
Date Range To
1990
Materials
BRASS
No. Pieces
2
Height
1.0
Length
1.8
Width
1.2
Description
SMALL BRASS PIN. IMPRESSED INTO PIN IS "CAPRI SPORTS BOWL LETHBRIDGE,". "CAPRI" AND "LETHBRIDGE" ARE PAINTED BLACK AND SMALLER THAN OTHER WORDS. "SPORTS" IS PAINTED ORANGE AND HAS HORIZONTAL LINES THROUGH LOWER HALF OF LETTERS; "BOWL" IS PAINTED RED AND HAS HORIZONTAL LINES THROUGH LOWER HALF OF LETTERS. EMBOSSED ON BACK IS "BJ SALES CALGARY MADE IN TAIWAN". HAS A BRASS BACKING.
Subjects
PERSONAL SYMBOL
ADVERTISING MEDIUM
Historical Association
SPORTS
History
ARTIFACTS PURCHASED BY DONOR AT VARIOUS ANTIQUE SHOPS, GARAGE SALES, ETC. FOR THE PURPOSE OF DONATING TO THE MUSEUM. ARTIFACTS WERE PURCHASED FROM 1999 TO 2002 WHILE DONOR WAS DIRECTOR OF THE GALT MUSEUM. SEE PREVIOUS DONATIONS.
Catalogue Number
P19990029004
Acquisition Date
2002-11
Collection
Museum
Images
Less detail
Other Name
JAPANESE HEADBAND; HACHI MAKI
Date Range From
1990
Date Range To
1998
Material Type
Artifact
Materials
CLOTH (COTTON?), PAPER
Catalogue Number
P19980048027
  2 images  
Material Type
Artifact
Other Name
JAPANESE HEADBAND; HACHI MAKI
Date Range From
1990
Date Range To
1998
Materials
CLOTH (COTTON?), PAPER
No. Pieces
4
Height
0.1
Length
89.4
Width
31.8
Description
HEADBAND HAS A WHITE BACKGROUND. HEADBAND IS FOLDED LENGTHWISE TWICE; IN CENTER ARE TWO JAPANESE CHARACTERS, AND A RED CIRCLE. THERE ARE NO OTHER IDENTIFYING MARKS. HEADBAND CAME IN A PAPER ENVELOPE WHICH IS COLORED A LIGHT BROWN, AND HAS JAPANESE CHARACTERS ON IT. 7 CONNECTED RED SQUARES ARE SEEN ON THE FAR RIGHT OF THE ENVELOPE. ALSO INSIDE THE ENVELOPE IS A SMALL PAPER CARD WITH A FLORAL DESIGN ON IT AS WELL AS TWO YELLOW JAPANESE CHARACTERS. THERE IS ALSO ANOTHER CARD IN A PLASTIC WRAPPER THAT HAS ON IT AN ORIGAMI KIMONO AND A PICTURE OF A WOMAN SEWING, AS WELL AS A A TELEPHONE NUBER "(0277) 22 - 2928" AND JAPANESE CHARACTERS.
Subjects
CLOTHING-HEADWEAR
Historical Association
DECORATIVE ARTS
PERSONAL CARE
History
A TRADITIONAL JAPANESE HEADBAND, CALLED A HACHI MAKI.
Catalogue Number
P19980048027
Acquisition Date
2002-02
Collection
Museum
Images
Less detail
Other Name
BUTTON
Date Range From
1980
Date Range To
1999
Material Type
Artifact
Materials
PLASTIC, TIN, CARDBOARD
Catalogue Number
P19990061011
Material Type
Artifact
Other Name
BUTTON
Date Range From
1980
Date Range To
1999
Materials
PLASTIC, TIN, CARDBOARD
No. Pieces
1
Height
0.8
Length
5.3
Width
5.3
Description
SQUARE, BLUE. IN GOLD PRINT, ON FRONT, READS "EATON'S WE'VE GOT THE PLAN.". BELOW THIS IS A LOWER CASE "E" WITHIN A CIRCLE, AND A SMALL "TM" TO THE LOWER RIGHT, ALL IN GOLD. IN THE BACKGROUND THERE IS THE TOP 3/4 OF A LOWER CASE "E" WITHIN A CIRCLE, IN LIGHT BLUE. PRINTED ON BACK EDGE OF BUTTON, IN WHITE, IS "MADE IN CANADA BY H.A.S. NOVELTIES LTD. TORONTO (416)593-1101". BACK OF BUTTON IS LINED WITH A PIECE OF CARDBOARD, AND HAS A SILVER PIN AND CATCH.
Subjects
ADVERTISING MEDIUM
Historical Association
RETAIL TRADE
History
MUSEUM OBTAINED ITEMS FROM LETHBRIDGE EATON'S STORE IN 1999. DUE TO COMPANY BANKRUPTCY, EATON'S STORES ACROSS CANADA WERE CLOSED, INCLUDING THE LETHBRIDGE LOCATION IN PARK PLACE MALL. *UPDATE* IN 2014 COLLECTIONS ASSISTANT JANE EDMUNDSON CONDUCTED A SURVEY OF ART OBJECTS, INCLUDING THOSE ASSOCIATED WITH THE T. EATON COMPANY STORES IN LETHBRIDGE. THE FOLLOWING BRIEF HISTORY OF LETHBRIDGE'S EATON'S STORE WAS DEVELOPED WITH INFORMATION FROM GALT ARCHIVES AND LETHBRIDGE HERALD ARTICLES FROM THE FALL OF 1988. THE T. EATON COMPANY WAS FOUNDED IN TORONTO IN 1869 BY TIMOTHY EATON. THE FIRST LETHBRIDGE EATON'S 'TECO' STORE WAS OPENED IN 1927 IN THE BASEMENT OF THE DOMINION BLOCK ON THE CORNER OF 4 AVENUE AND SIXTH STREET SOUTH. AFTER A FIRE, THE BUILDING WAS RENOVATED AND COMPLETELY TAKEN OVER BY THE EATON'S STORE, WHICH OPERATED IN THAT LOCATION UNDER PERIODIC RENOVATIONS FROM 1929 UNTIL THE OPENING OF THE PARK PLACE MALL IN 1988, IN WHICH EATON'S WAS AN ANCHOR RETAILER. IN 1989 A PORTION OF THE UNIVERSITY OF LETHBRIDGE ART COLLECTION WAS TEMPORARILY PUT ON DISPLAY IN THE VACANT EATON'S BUILDING, AND PROPOSALS WERE MADE TO MAKE THE INSTALLATION PERMANENT, BUT EVENTUALLY THE PROPERTY WAS SOLD AND DEMOLISHED TO MAKE WAY FOR THE CONSTRUCTION OF A BANK OF MONTREAL BRANCH. IN 1999 THE EATON'S STORE IN PARK PLACE MALL CLOSED JUST PRIOR TO THE ANNOUNCEMENT OF THE BANKRUPTCY OF THE LARGER T. EATON COMPANY LIMITED. SEE PERMANENT FILE P19930072001 FOR HARDCOPIES OF SOURCE MATERIAL.
Catalogue Number
P19990061011
Acquisition Date
1999-10
Collection
Museum
Less detail

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