Skip header and navigation

114 records – page 1 of 6.

Other Name
PLAINS INDIGENOUS, SET OF 2
Date Range From
1800
Date Range To
1900
Material Type
Artifact
Materials
WILLOW STICKS, COTTON FLANNEL, BEADWORK, PAINT
Catalogue Number
P19738058000
Material Type
Artifact
Other Name
PLAINS INDIGENOUS, SET OF 2
Date Range From
1800
Date Range To
1900
Materials
WILLOW STICKS, COTTON FLANNEL, BEADWORK, PAINT
No. Pieces
2
Description
.1 28 CM WTH. (TOP) 87.7 CM (BASE) X 127 CM LTH. TRIANGULAR BACK REST CONSTRUCTED OF WILLOW STICKS LASHED WITH SINEW. BACKREST IS EDGED WITH SEWN COTTON STRIPS AND GREEN FLANNEL TAPE DOWN SIDE. HEAD PIECE IS CONSTRUCTED OF BLACK FLANNEL EDGED WITH RED FLANNEL, INSET WITH RED FLANNEL GEOMETRIC DESIGNS ARE OUTLINED IN BROWN AND WHITE BEADS. PICTOGRAPH STORY OUTLINING A BATTLE IS PAINTED IN BLACK ON THE BACK REST SURFACE. .2 25.4 CM WTH. (TOP) 83.8 CM (BASE) X 130.8 CM LTH. TRIANGULAR BACK REST CONSTRUCTED OF WILLOW STICKS LASHED WITH SINEW. BACKREST IS EDGED WITH SEWN COTTON STRIPS AND GREEN FLANNEL TAPE DOWN SIDES. HEAD PIECE IS MADE OF RED FLANNEL EDGED WITH BLACK COTTON AND WHITE BEADS GEOMETRIC DESIGN BROWN EDGED WITH BLUE & BLUE EDGED WITH BROWN PICTOGRAPH STORY OUTLINING A BATTLE AND RAID IS PAINTED IN BLACK PAINT ON THE BACKREST SURFACE. CONSERVATION REPORT ON FILE.
Subjects
INDIGENOUS
FURNITURE
Historical Association
ETHNOGRAPHIC
History
PLAINS INDIGENOUS.
Catalogue Number
P19738058000
Acquisition Date
1973-07
Collection
Museum
Less detail
Date Range From
1800
Date Range To
1850
Material Type
Artifact
Materials
BUCKSKIN, BEADS, QUILL
Catalogue Number
P19738050000
  1 image  
Material Type
Artifact
Date Range From
1800
Date Range To
1850
Materials
BUCKSKIN, BEADS, QUILL
No. Pieces
1
Length
90.2
Width
19.1
Description
PINK, PURPLE, WHITE DYED PORCUPINE QUILL WORK (QUILLS FLATTENED & WRAPPED AROUND BUCKSKIN FRINGE. GLASS BEADS: RED, YELLOW, BLUE, GREEN, BROWN & WHITE ALL GEOMETRIC DESIGNS. SOME BEADS & QUILLWORK IS MISSING. SEE CONSERVATION REPORT.
Subjects
INDIGENOUS
PERSONAL GEAR
Historical Association
ETHNOGRAPHIC
History
NORTHERN PLAINS INDIGENOUS CULTURE. USED TO STORE PIPES.
Catalogue Number
P19738050000
Acquisition Date
1973-07
Collection
Museum
Images
Less detail
Date Range From
1200
Date Range To
1750
Material Type
Artifact
Materials
STONE
Catalogue Number
P19890042002
  1 image  
Material Type
Artifact
Date Range From
1200
Date Range To
1750
Materials
STONE
No. Pieces
1
Diameter
10.8
Description
GROUND STONE BALL, GRANITIC LITHIC. EVIDENCE OF USE ON ONE SURFACE.
Subjects
FOOD PROCESSING T&E
Historical Association
ARCHAEOLOGY
History
NORTHWESTERN PLAINS, LATE PREHISTORIC PERIOD? DONOR FOUND ON FARM IN SOUTHERN SASKATCHEWAN. PROBABLE USE, PULVERIZING BONE OR SINEW. DONOR RETIRED & RESIDING IN LETHBRIDGE. REMAINDER OF DONATION IN EDUCATION COLLECTION.
Catalogue Number
P19890042002
Acquisition Date
1989-06
Collection
Museum
Images
Less detail
Other Name
CAP
Date Range From
1850
Date Range To
1870
Material Type
Artifact
Materials
LACE, SATIN
Catalogue Number
P19920058015
Material Type
Artifact
Other Name
CAP
Date Range From
1850
Date Range To
1870
Materials
LACE, SATIN
No. Pieces
1
Height
5.7
Length
25.3
Width
19.9
Description
SHALLOW BONNET WITH NARROW BRIM. THE BONNET IS MADE OF AN OFF-WHITE LACE. THE LACE HAS BEEN GATHERED AND FORMED INTO RUFFLES ON TOP OF HAT. BRIM OF HAT CONSISTS OF TWO BANDS OF LACE. ON BACK OF HAT IS A WIDE, DARK RED, SATIN RIBBON, THAT HAS BEEN TIED INTO A BOW. ENDS OF RIBBON ARE FRAYING. THERE ARE MULTIPLE LOOSE THREADS AT BACK AND UNDERSIDE. UNDERSIDE IS LINED WITH WHITE TRANSLUCENT NETTING. BONNET IS DIRTY, AND YELLOWED.
Subjects
CLOTHING-HEADWEAR
Historical Association
PERSONAL CARE
History
SEE P19920058006-GA FOR HISTORY. *UPDATE* IN 2015 COLLECTIONS ASSISTANT JANE EDMUNDSON CONDUCTED A SURVEY OF ART OBJECTS, INCLUDING ONE DONATED BY MARJORIE WELCH'S MOTHER, NORA EVERSON. FOR FURTHER INFORMATION ABOUT THE SHERLOCK/MACLEOD FAMILY, SEE RECORDS P19960108000 AND P19740093000.
Catalogue Number
P19920058015
Acquisition Date
1993-11
Collection
Museum
Less detail
Other Name
NIGHT BONNET
Date Range From
1850
Date Range To
1880
Material Type
Artifact
Materials
LINEN
Catalogue Number
P19920058016
Material Type
Artifact
Other Name
NIGHT BONNET
Date Range From
1850
Date Range To
1880
Materials
LINEN
No. Pieces
1
Length
160.7
Width
42.0
Description
WHITE, LINEN. CROWN OF BONNET IS OVERSIZED; GATHERED AT SEAMS. HAS A RUFFLE AROUND UPPER BRIM. BACK OF BONNET HAS A WIDE STRIP OF MATERIAL THAT HAS HORIZONTAL RIDGES IN IT. BELOW THIS ARE TWO WHITE RUFFLES. BONNET HAS A LONG WIDE STRIP OF MATERIAL SEWN TO EACH SIDE, THAT ACT AS TIES. SEAMS ARE COMING LOOSE; STITCHES ARE LARGE AND LOOSE.
Subjects
CLOTHING-HEADWEAR
Historical Association
PERSONAL CARE
History
SEE P19920058006-GA FOR HISTORY. *UPDATE* IN 2015 COLLECTIONS ASSISTANT JANE EDMUNDSON CONDUCTED A SURVEY OF ART OBJECTS, INCLUDING ONE DONATED BY MARJORIE WELCH'S MOTHER, NORA EVERSON. FOR FURTHER INFORMATION ABOUT THE SHERLOCK/MACLEOD FAMILY, SEE RECORDS P19960108000 AND P19740093000.
Catalogue Number
P19920058016
Acquisition Date
1993-11
Collection
Museum
Less detail
Date Range From
1850
Date Range To
1860
Material Type
Artifact
Materials
GLASS
Catalogue Number
P19840021000
Material Type
Artifact
Date Range From
1850
Date Range To
1860
Materials
GLASS
No. Pieces
1
Height
9.0
Diameter
3.5
Description
AQUA. TWO PIECE MOLD. APPLIED LIP AND NECK. AIR BUBBLES THROUGHOUT GLASS. WATER STAINED.
Subjects
CONTAINER
FOOD SERVICE T&E
Historical Association
INDUSTRY
History
DONOR FOUND BOTTLE IN 1979 APPROX. 3/4 MILE SE OF FORT MACLEOD IN ABANDONED BASEMENT.
Catalogue Number
P19840021000
Acquisition Date
1984-10
Collection
Museum
Less detail
Other Name
RING BOX "F. P. PARKER"
Date Range From
1830
Date Range To
1890
Material Type
Artifact
Materials
LEATHER, WOOD, VELVET
Catalogue Number
P20090016038
  1 image  
Material Type
Artifact
Other Name
RING BOX "F. P. PARKER"
Date Range From
1830
Date Range To
1890
Materials
LEATHER, WOOD, VELVET
No. Pieces
1
Height
3.3
Length
2.9
Width
2.9
Description
BOX, JEWELERY, BROWN, LEATHER, SEMI-OVAL SHAPED. TOP MARKED, “E.G. PARKER, GOLDSMITH, ALTRINCHAM” IN GOLD. COLOR LOSS THROUGHOUT OUTSIDE OF BOX. LID OPENS ON BRASS HINGE. INSIDE OF BOX LINED WITH WHITE SATIN AND VELVET. SMALL SLOT FOR RING. ONE SIDE OF INTERIOR VELVET RING HOLDER IS SUNKEN.
Subjects
PERSONAL GEAR
Historical Association
PERSONAL CARE
History
FOR MORE INFORMATION SEE P20090016001 AND PERMANENT FILE.
Catalogue Number
P20090016038
Acquisition Date
2009-05
Collection
Museum
Images
Less detail
Other Name
WORK BOX
Date Range From
1830
Date Range To
1953
Material Type
Artifact
Materials
WOOD, MOTHER OF PEARL, PAPER.
Catalogue Number
P20090016001
  1 image  
Material Type
Artifact
Other Name
WORK BOX
Date Range From
1830
Date Range To
1953
Materials
WOOD, MOTHER OF PEARL, PAPER.
No. Pieces
14
Height
12.8
Length
19.9 19.9
Width
27.7
Description
WOODEN NEEDLEWORK BOX, TRAY, LIDS, NEEDLE HOLDERS, VENEER FRAGMENTS AND KEY – 14 PIECES. PLEASE REFER TO PERMANENT FILE FOR DIAGRAM OF BOX WITH LABELED COMPARTMENTS. 1. NEEDLEWORK BOX, DARK WOOD VENEER, RECTANGULAR SHAPE. TOP OF BOX DECORATED WITH TWO TONE DIAMOND SHAPED MOTHER OF PEARL INLAY, BORDER IS CREAM COLORED, MIDDLE BAND IS MARBELIZED, CENTRE IS CREAM WITH INITIALS "F.M" CARVED INTO THE SURFACE. SIMILAR TWO TONE DIAMOND SHAPED MOTHER OF PEARL INLAY LOCATED AROUND KEYHOLE ON FRONT OF BOX. PROPER LEFT SIDE OF LID MISSING STRIP OF VENEER GOING ENTIRE LENGTH OF BOX. VENEER ALSO MISSING ON BACK PROPER RIGHT CORNER AND FRONT PROPER LEFT CORNER. INSIDE OF BOX DECORATED WITH PINK SILK, AND CURVY STRIPED GREY AND CREAM PAPER. UNDERSIDE OF LID IS CREAM SILK PIN CUSION WITH METAL CLOSURE, PEARLESCENT BUTTON WITH MOTHER OF PEARL INLAY AND BLACK AND GOLD, FOLIAGE PATTERNED BORDER. PIN CUSHION PULLS OUT TO REVEAL EXPANDABLE PAPER FOLDER. BOX CONTAINS MULTI COMPARTMENT TRAY WHICH LIFTS OUT TO REVEAL LARGE STORAGE SPACE UNDERNEATH. 12.8 CM HIGH BY 19.9 CM LONG BY 27.7 CM WIDE. 2. TRAY WITH SIXTEEN COMPARTMENTS OF VARYING SIZES. WOODEN TRAY COVERED IN GREY AND CREAM CURVY STRIPED PAPER. FOUR COMPARMENTS COVERED WITH PINK SILK. PAPER PEELING ALONG FRONT, BOTTOM EDGE OF TRAY. 4.5 CM HIGH BY 17.3 CM LONG BY 25.2 CM WIDE. 3. LID, RECTANGULAR SHAPED. MOTHER OF PEARL FLOWER SHAPED HANDLE IN CENTER. TOP OF LID COVERED WITH PINK SILK, BOTTOM COVERED WITH GREY AND CREAM CURVY STRIPED PAPER. LID SOILED AND DISCOLORED THROUGHOUT. 0.8 CM HIGH BY 6.7 CM LONG BY 5.9 CM WIDE. 4. LID, RECTANGULAR SHAPED. PINK SILK COVERS TOP, GREY AND CREAM CURVY STRIPED FABRIC COVERS BOTTOM. PINK FABRIC LOOP ATTACHED TO PROPER LEFT SIDE OF LID. PINK SILK BAND WITH FOUR SEWN COMPARTMENTS RUNS THROUGH THE TOP CENTRE OF THE LID. APPEARS THAT THE BAND WOULD HAVE HELD TOOLS OF SOME SORT. SILK AND PAPER ARE SOILED AND DISCOLORED THROUGHOUT. EDGES OF SILK LOOP ARE FRAYING. 1.3 CM HIGH BY 6.9 CM LONG BY 12.8 CM WIDE. 5. LID, RECTANGULAR SHAPED. MOTHER OF PEARL FLOWER SHAPED HANDLE IN CENTRE. TOP OF LID COVERED WITH PINK SILK, BOTTOM COVERED WITH GREY AND CREAM CURVY STRIPED PAPER. LID SOILED AND DISCOLORED THROUGHOUT. 0.9 CM HIGH BY 6.7 CM LONG BY 6.0 CM WIDE 6. LID, RECTUANGULAR SHAPED. MOTHER OF PEARL FLOWER SHAPED HANDLE IN CENTRE. TOP OF LID COVERED WITH PINK SILK, BOTTOM COVERED WITH GREY AND CREAM CURVY STRIPED PAPER. LID SOILED AND DISCOLORED THROUGHOUT. 0.7 CM HIGH BY 3.6 CM LONG BY 11.5 CM WIDE. 7. COMPARTMENT DIVIDER, RECTANGULAR SHAPED. WOOD COVERED IN GREY AND CREAM CURVY STRIPED PAPER. PAPER SOILED AND DISCOLORED THROUGHOUT. PAPER ABSENT ON THREE OUT OF FOUR EDGES OF DIVIDER. 0.3 CM HIGH BY 3.0 CM LONG BY 2.5 CM WIDE. 8. (2) NEEDLE HOLDER BOOKS. OUTSIDE OF HOLDER COVERED IN PINK SILK, INSIDE COVERED IN GREY AND CREAM CURVY STRIPED PAPER. ATTACHED TO INSIDE OF HOLDER IS PIECE OF COTTON FABRIC WITH PINKED EDGES. EACH HOLDS ONE NEEDLE (SEE BELOW FOR DESCRIPTION). HOLDER SOILED AND DISCOLORED THROUGHOUT. 0.8 CM HIGH BY 4.8 CM LONG BY 2.5 CM WIDE. 9. NEEDLE, FINE, STAINLESS STEEL. SMALL EYE MEASURES A LITTLE LESS THAN 0.1 CM. 3.1 CM LONG BY LESS THAN 0.1 CM IN DIAMETER. 10. NEEDLE, STAINLESS STEEL. SMALL EYE MEASURES LESS THAN 0.1 CM. 3.9 CM LONG BY 0.1 CM IN DIAMETER. 11. VENEER, DARK COLORED WOOD. IRREGULAR EDGES. 19.1 CM LONG BY 1.1 CM WIDE. 12. VENEER, DARK COLORED WOOD. IRREGULAR EDGES. 11.8 CM LONG BY 1.3 CM WIDE. 13. KEY, SILVER. OVAL LOOP AT TOP, HOLLOW STEM WITH SMALL NODULE ON END. FOUR CIRCULAR INDENTED BANDS WHERE KEY LOOP MEETS KEY STEM. 0.4 CM HIGH BY 3.0 CM LONG BY 2.0 CM WIDE.
Subjects
TEXTILEWORKING T&E
Historical Association
DOMESTIC
History
ACCORDING TO THE DONOR, KATHERINE IVES TWISS, SHE GOT THE BOX FROM EDITH KIRK. SHE SAID, "IT WAS HER MOTHER'S BOX. MISS KIRK GAVE IT TO MY MOTHER [ETTA HENDERSON IVES] TO GIVE TO ME." TWISS WAS GIVEN THE BOX BECAUSE SHE WAS A "STUDENT AND FRIEND" OF KIRK. THE DONATION WAS BROUGHT IN BY TWISS'S DAUGHTER, K.A. STEEL, IN HER LETTER SHE WRITES, "WHEN MISS KIRK PASSED AWAY SHE LEFT AN ANTIQUE JEWELLERY-TYPE BOX... TO TWISS.... MISS KIRK SAYS THAT THE BOX BELONGED TO HER MOTHER AND WAS OVER 100 YEARS OLD. MOST OF ITS CONTENTS WERE VERY OLD AND BROKEN DOWN, BUT VERY INTERESTING. THIS BOX WAS THE ONLY POSSESSION THAT MISS KIRK HAD, AND SHE MUST HAVE LOVED IT DEARLY. IT WOULD HAVE BEEN ALL THAT SHE HAD OF HER MOTHER. SHE BROUGHT IT ALL THE WAY FROM ENGLAND, AND KEPT IT SAFE ALL THROUGHOUT HER LIFE... [WHEN SHE CAME TO LETHBRIDGE] SHE MET MRS. MARGARET (ETTA) HENDERSON IVES, WHO HAD BEEN BORN IN LETHBRIDGE IN 1890, AND THEY BECAME FRIENDS. MISS KIRK GOT SET UP IN A SMALL APARTMENT AND TAUGHT ART LESSONS. MRS. ETTA IVES HAD BOTH OF HER DAUGHTERS, MARGARET AND KATHARINE, TAKE ART LESSONS FROM MISS KIRK. MRS. IVES ALSO BOUGHT A NUMBER OF PAINTINGS FROM MISS KIRK. MISS KIRK WAS A LOVELY, DECENT WOMAN. MARGARET TOOK LESSONS BUT DIDN'T LOVE ART. KATHARINE LOVED ART AND WAS GIVEN MANY, MANY LESSONS. WHEN SHE LOOKS BACK SHE THINKS SHE WAS GIVEN SO MANY LESSONS NOT ONLY TO LEARN TO PAINT, BUT ALSO TO HELP MISS KIRK MAKE A LIVING. MISS KIRK HAD A TINY APARTMENT WHERE KATHARINE TOOK HER LESSONS. KATHARINE REMEMBERS THAT MISS KIRK ONLY HAD A HOT PLATE TO COOK HER MEALS ON. SHE REMEMBERS THAT MISS KIRK ALWAYS SEEMED TO BE COOKING AN EGG FOR HER MEAL. KATHARINE AND MISS KIRK ALSO SPENT A GREAT DEAL OF TIME TOGETHER IN THE COUNTRYSIDE SKETCHING... KATHARINE JUST LIKED MISS KIRK VERY MUCH AND REALLY LIKED THE ART LESSONS. SHE SAID THAT MISS KIRK REALLY KNEW HER COLOURS. MISS KIRK KNEW HOW TO MIX THE PAINTS TO GET JUST THE RIGHT COLOUR... AN ART LESSON COST 25 CENTS PER LESSON. ART SUPPLIES WERE EXPENSIVE AND GETTING ONE NEW COLOUR OF PAINT WAS AN EXCITING ADVENTURE. IT MUST HAVE BEEN HARD FOR MISS KIRK TO PURCASE ALL THE MATERIALS SHE NEEDED FOR HER PAINTINGS... KATHARINE GREW UP, MOVED AWAY... AND THEN MARRIED. MISS KIRK WANTED TO GIVE KATHARINE ONE OF HER PAINTINGS AS A WEDDING GIFT. MISS KIRK WROTE A LETTER TELLING KATHARINE TO COME AND PICK WHICHEVER PAINTING SHE LIKED THE BEST FOR HER WEDDING GIFT. KATHARINE DID PICK A PAINTING AND THAT PAINTING HAS BEEN ON HER WALL ALL OF THESE YEARS... " GALT CURATOR, WENDY AITKENS, DID SOME RESEARCH ON KIRK AND CONTINUES TO SEARCH FOR MORE ANSWERS ABOUT THE LIFE OF THIS WOMAN. SEE BELOW, "FOR 35 YEARS, LETHBRIDGE WAS THE HOME OF AN ACCOMPLISHED AND WELL KNOWN ARTIST AND ART TEACHER. EDITH FANNY KIRK, OR MISS KIRK AS MOST PEOPLE CALLED HER, CREATED WATER COLOUR LANDSCAPES OF ENGLAND, VANCOUVER, LETHBRIDGE, WATERTON, BANFF, AND JASPER. SHE TAUGHT MANY CHILDREN AND ADULTS THE SKILLS OF PAINTING. SHE ALSO SPOKE AT THE MATHESIS CLUB PERSENTING PAPERS ON THE DEVELOPMENT OF MODERN ART, THE EVOLUTION OF ART AND ART APPRECIATION. JOAN STEBBINS, PAST CURATOR AT THE SAAG, CREDITS THE INFLUENCE OF MISS KIRK FOR THE DEVELOPMENT OF THE LETHBRIDGE SKETCH (NOW ARTISTS') CLUB IN THE 1930S. WHEN MISS KIRK ARRIVED IN LETHBRIDGE IN 1918, SHE WAS 60 YEARS OLD. SHE WAS BORN IN 1858 AND WAS RAISED IN YORKSHIRE, ENGLAND. HER MOTHER, FANNY (NEE MAUGHAM) PASSED AWAY WHEN EDITH WAS A YOUNG GIRL AND HER FATHER REMARRIED. THE STORY, FROM SECOND HAND SOURCES, WAS THAT SHE AND HER STEP MOTHER DID NOT LIKE ONE ANOTHER. THIS PROVIDED TO BE A BLESSING IN DISGUISE BECAUSE EDITH WAS SENT AWAY TO STUDY ART. EDITH STUDIED IN SOUTH KENSINGTON, LONDON AND PARIS. DURING HER SUMMERS SHE JOINED ARTIST'S COLONIES IN CORNWALL, WALES AND YORKSHIRE. SHE WROTE OF IMPRESSIONIST PAUL CEZANNE BEING HER "MODEL AND INSPIRATION" AND SHE GREATLY ADMIRED ROMANTIC ARTIST JOHN SELL COTMAN. KIRK NEVER MARRIED AND, FOR SOME REASON, SHE DECIDED TO IMMIGRATE TO CANADA AT THE AGE OF 46. SHE ARRIVED IN HALIFAX ABOARD THE HMS CANADA IN APRIL 1905. THE PASSENGER LIST INDICATED SHE WAS TRAVELING ON TO VANCOUVER AND HER OCCUPATION WAS LISTED AS A GOVERNESS. IT SEEMS SHE DIDN'T STAY LONG IN VANCOUVER BUT SOON TRAVELLED TO ATLIN, B.C. TO GET TO ATLIN, KIRK WOULD HAVE TAKEN A SHIP TO SKAGWAY, THE WHITE PASS RAILWAY TO CARCROSS AND THEN AN OVERLAND AND BOAT TRIP TO ATLIN. IT IS A MYSTERY WHY SHE CHOSE TO GO TO A REMOTE GOLD RUSH TOWN IN NORTH WESTERN BRITISH COLUMBIA. NEXT WE FIND KIRK, IN 1911, BOARDING WITH THE WOODS FAMILY IN LILLOOET, NORTHWEST OF KAMLOOPS, B.C. THERE SHE IS A PUBLIC SCHOOL TEACHER. SEVEN YEARS LATER EDITH KIRK IS IN LETHBRIDGE. IT SEEMS SHE KNEW PEOPLE LIVING IN TABER, DR. ALFRED HAMMAN AND HIS SISTER MRS. SYLVIA GIDMAN, WHO CAME FROM HER HOMELAND IN ENGLAND SO CHOSE VISIT. THE CHARM OF THE PRAIRIE AND MOUNTAIN LANDSCAPES OF SOUTHERN ALBERTA ENTICED HER TO STAY. MISS KIRK LIVED IN THE VICTORIA MANSION AND THE TRAVELLER'S AID SOCIETY BUILDING AND SHE TAUGHT ART CLASSES AT THE YMCA FOR A FEW DOLLARS A MONTH." FOR PAPERS WRITTEN AND PRESENTED BY MISS EDITH KIRK TO MEMBERS OF THE MATHESIS CLUB OF LETHBRIDGE BETWEEN 1933 AND 1937, SEE ARCHIVAL DONATION P19951042000. THE PAPERS DISCUSS THE EVOLUTION OF ART, MODERN ART, HOW ARTISTS DEVELOP PAINTINGS AND ART APPRECIATION. FOR ADDITIONAL INFORMATION, PLEASE SEE OTHER KIRK DONATIONS, INCLUDING: P19820004000, P19960095000, P20090016*, P20140012*, P20140020*, P20140021000, P20150008000, P20150019000, P20150024000, P20150029000, AND P20150030000. SEE ALSO THE BOOK, "A LEGACY OF ADVENTURE AND ART: THE LIFE OF MISS EDITH FANNY KIRCK," BY WENDY AITKENS PUBLISHED IN 2015. ALSO SEE PERMANENT FILE.
Catalogue Number
P20090016001
Acquisition Date
2009-05
Collection
Museum
Images
Less detail
Other Name
NEEDLE CASKET
Date Range From
1830
Date Range To
1953
Material Type
Artifact
Materials
TORTISESHELL, IVORY, SILVER
Catalogue Number
P20090016033
  1 image  
Material Type
Artifact
Other Name
NEEDLE CASKET
Date Range From
1830
Date Range To
1953
Materials
TORTISESHELL, IVORY, SILVER
No. Pieces
2
Height
3.1
Length
6.0
Width
3.5
Description
1. CHEST, TORTOISESHELL VENEER. ROUND SILVER BUTTON CAN BE PUSHED IN ORDER TO OPEN CHEST. THREE, ROUND IVORY FEET ON BOTTOM, ONE MISSING. SILVER BANNER ON TOP OF CHEST MARKED, “FM” IN CURSIVE. BACK, PROPER LEFT, BOTTOM CORNER, FRONT, PROPER RIGHT CORNER AND BACK PROPER RIGHT TOP CORNER ARE CHIPPED. INSIDE OF CHEST LINED WITH BLUE, FLORAL DAMASK. 3.1 CM HIGH BY 6.0 CM LONG BY 3.5 CM WIDE. 2. CHARM. AGATE HEART,TRANPARENT BROWN, BLACK, AND WHITE STRIPED. AGATE ANCHOR MISSING ONE ARM, TRANSPARENT ORANGE AND RED SWIRLS. CHARMS CONNECTED BY THREE METAL LOOPS. 0.5 CM HIGH BY 3.6 CM LONG BY 2.1 CM WIDE.
Subjects
PERSONAL GEAR
Historical Association
DOMESTIC
DECORATIVE ARTS
History
ACCORDING TO DAVE MERESKI, A LOCAL GOLDSMITH, THE METHOD OF DRILLING HOLES AND LINKING THE CHARM TOGETHER WOULD DATE IT SOME TIME AFTER 1920. FOR MORE INFORMATION SEE P20090016001 AND PERMANENT FILE.
Catalogue Number
P20090016033
Acquisition Date
2009-05
Collection
Museum
Images
Less detail
Date Range From
1830
Date Range To
1953
Material Type
Artifact
Materials
CHALCEDONY, COTTON
Catalogue Number
P20090016004
  1 image  
Material Type
Artifact
Date Range From
1830
Date Range To
1953
Materials
CHALCEDONY, COTTON
No. Pieces
1
Height
1.6
Diameter
5.4
Description
BRACELET, CHILD’S (?). COTTON THREAD, WITH CHALCEDONY BEADS. SEVERAL SMALL, ROUND, ORANGE BEADS, TWO MEDIUM, ORANGE BEADS, ONE LARGE, ORANGE BEAD, ONE LARGE, SEMI-TRANSPARENT COLORLESS BEAD. COTTON THREAD DISCOLORED. THREAD UNTWISTING AT ENDS.
Subjects
CLOTHING-ACCESSORY
Historical Association
PERSONAL CARE
History
FOR MORE INFORMATION SEE P20090016001 AND PERMANENT FILE.
Catalogue Number
P20090016004
Acquisition Date
2009-05
Collection
Museum
Images
Less detail
Other Name
BONE & SHELL (SET)
Date Range From
1800
Date Range To
1900
Material Type
Artifact
Materials
GLASS BEADS, SHELLS, BONE, BUCKSKIN
Catalogue Number
P19738052000
  1 image  
Material Type
Artifact
Other Name
BONE & SHELL (SET)
Date Range From
1800
Date Range To
1900
Materials
GLASS BEADS, SHELLS, BONE, BUCKSKIN
No. Pieces
2
Diameter
20.3
Description
MADE OF WHITE GLASS BEADS (CYLINDRICAL TYPE), FLAT BONE BEADS, COWERY SHELLS STRUNG ON BUCKSKIN. CONSERVATION REPORT ON FILE.
Subjects
INDIGENOUS
ADORNMENT
Historical Association
ETHNOGRAPHIC
History
NORTHERN PLAINS CULTURE. SHELLS PROBABLY TRADED FROM WEST COAST. TRADE NETWORKS FROM THE COAST TO THE INTERIOR ALREADY WELL ESTABLISHED BY TIME OF WHITE CONTACT. DENTALIUM & COWRY SHELLS WERE HIGHLY PRIZED TRADE ITEMS & WERE CONSIDERED BY SOME RESEARCHERS TO HAVE BEEN A FORM OF CURRENCY.
Catalogue Number
P19738052000
Acquisition Date
1973-07
Collection
Museum
Images
Less detail
Date Range From
1830
Date Range To
1953
Material Type
Artifact
Materials
TIN
Catalogue Number
P20090016006
  1 image  
Material Type
Artifact
Date Range From
1830
Date Range To
1953
Materials
TIN
No. Pieces
1
Height
0.5
Diameter
2.4
Description
BROOCH, SILVER COLORED, WREATH SHAPED. DECORATED WITH ETCHED PATTERN OF TRIANGLES AND GRASSES. CLOSURE MISSING FROM BACK. TARNISHED THROUGHOUT.
Subjects
CLOTHING-ACCESSORY
Historical Association
PERSONAL CARE
History
FOR MORE INFORMATION SEE P20090016001 AND PERMANENT FILE.
Catalogue Number
P20090016006
Acquisition Date
2009-05
Collection
Museum
Images
Less detail
Date Range From
1850
Date Range To
1900
Material Type
Artifact
Materials
HORSE HAIRS, BUCKSKIN, CANCELLOUS BONE
Catalogue Number
P19641165000
  1 image  
Material Type
Artifact
Date Range From
1850
Date Range To
1900
Materials
HORSE HAIRS, BUCKSKIN, CANCELLOUS BONE
No. Pieces
4
Description
.1 PAINT BRUSH. 3 CM LTH X 18.1 CM DIA.. HORSE HAIR BRITTLE ENCASED IN BUCKSKIN. .2 PAINT BRUSH. 1.3 CM HT. X 3.8 CM WTH. X 5.1 CM LTH. CANCELLOUS BONE WEDGE ENCASED IN BUCKSKIN. YELLOW PAINT ADHERING TO BONE .3 PAINT BRUSH. 1.9 CM HT. X 3.5 CM WTH. X 8.2 CM LTH. GREEN PAINT. .4 PAINT BRUSH. 1.9 CM HT. X 3.8 CM WTH. X 8.9 CM LTH. .RED PAINT ADHERING TO BONE. CANCELLOUS BONE WEDGE ENCASED IN BUCKSKIN.CONSERVATION REPORT ON FILE.
Subjects
INDIGENOUS
Historical Association
DECORATIVE ARTS
ETHNOGRAPHIC
History
NORTHERN PLAINS INDIANS. *UPDATE* IN 2015 COLLECTIONS ASSISTANT JANE EDMUNDSON ASKED TWO FORMER MEMBERS OF THE LETHBRIDGE JUNIOR CHAMBER OF COMMERCE, PHIL EDMUNDSON AND PAUL RUSZNAK, ABOUT THE FIRST NATIONS ARTIFACTS THAT THE GROUP DONATED TO THE GALT MUSEUM IN 1964, 1969, AND 1973. NEITHER RECALLED HOW THE JAYCEES CAME INTO OWNERSHIP OF THE ARTIFACTS, AS THEIR ACQUISITION PREDATED BOTH EDMUNDSON AND RUSZNAK’S MEMBERSHIP IN THE CHAMBER. RESEARCH CONDUCTED INTO LETHBRIDGE’S GURNEY MUSEUM FOUND A CONNECTION BETWEEN ITS PROPRIETOR, WALTER GURNEY, AND THE JAYCEES, WHO ACCORDING TO AN ARTICLE FROM THE APRIL 16, 1946 ISSUE OF THE LETHBRIDGE HERALD ADVOCATED ON GURNEY’S BEHALF FOR IMPROVEMENTS TO BE MADE TO THE FORMER BOARD OF TRADE BUILDING WHERE THE MUSEUM WAS HOUSED. AN ARTICLE FROM THE JULY 13, 1948 ISSUE OF THE HERALD DESCRIBES SOME OF THE FIRST NATIONS ARTIFACTS ON DISPLAY IN THE MUSEUM: “TOMAHAWKS, ARROW HEADS, PEACE PIPES, BEAD AND LEATHER WORK, CLOTHING AND WOODCRAFT”. UPON THE CLOSURE OF THE MUSEUM AND SALE OF GURNEY’S COLLECTION TO BELMORE SCHULTZ OF THE ALTAMONT MUSEUM IN COUTTS, MENTION WAS MADE IN A HERALD ARTICLE FROM MAY 16, 1961 OF “HISTORICAL INDIAN RELICS THAT BELONG TO THE JUNIOR CHAMBER OF COMMERCE HAVE BEEN RETAINED IN THE CITY AND WILL BE AVAILABLE WHEN PROPER DISPLAY FACILITIES ARE AVAILABLE”. IT IS POSSIBLE THAT THE ARTIFACTS WERE TRANSFERRED TO THE JAYCEES BY GURNEY DURING THE DISSOLUTION OF HIS MUSEUM, BUT NO FURTHER CONFIRMATION WAS FOUND. FOR FURTHER INFORMATION ABOUT THE GURNEY MUSEUM AND ITS COLLECTION, SEE RECORD P19890044001.
UPDATE 16 AUGUST 2017: ON 25 JULY 2017, MUSEUM CURATOR AIMEE BENOIT FOUND EVIDENCE TO CONNECT THE INDIGENOUS COLLECTION DONATED BY THE LETHBRIDGE JAYCEES (AKA. JUNIOR CHAMBER OF COMMERCE) WITH FORMER LETHBRIDGE RESIDENTS THE LATE FRED BOTSFORD AND HIS LATE DAUGHTER DOROTHY CLARK. NOTES MADE BY AIMEE ON THE DISCOVERY AS WELL AS RELEVANT CLIPPINGS FROM THE LETHBRIDGE HERALD CAN BE FOUND ATTACHED TO THE PERMANENT FILE OF P19641140000.
Catalogue Number
P19641165000
Acquisition Date
1964-07
Collection
Museum
Images
Less detail
Other Name
SHOE & KNEE-BREECH BUCKLES
Date Range From
1850
Date Range To
1899
Material Type
Artifact
Materials
WOOD, LEATHER, SATIN, VELVET
Catalogue Number
P19740057000
  1 image  
Material Type
Artifact
Other Name
SHOE & KNEE-BREECH BUCKLES
Date Range From
1850
Date Range To
1899
Materials
WOOD, LEATHER, SATIN, VELVET
No. Pieces
5
Description
.1 CASE. 2.2 CM TH. X 14.6 CM WTH. X 8.3 CM LTH. WOOD COVERED WITH LEATHER, LINED WITH SATIN AND VELVET. THE CASE IS WARPED A LITTLE. IT CLOSES BUT THERE ARE SPACES OR GAPS AT EACH END. A SMALL CHIP IS OUT ON BOTTOM LOWER RIGHT JUST INSIDE CASE. OUTSIDE COLOUR IS DEEP WINE LEATHER. INSIDE LID IS LINED WITH WHITE SATIN & BASE WITH ROYAL BLUE VELVET. THERE ARE INDENTATIONS IN CASE WHERE 2 LARGE BUCKLES FIT AND 2 SMALL ONES. BUCKLES (2 SMALL BUCKLES, 2 LARGE). 1.9 WTH X 2.2 CM LTH. 6.3 CM WTH. X 3.8 CM LTH. LEATHER, GOLD WIRE, STEEL, BRASS. .2 OVAL SHAPED BUCKLE, WITH OLD WIRE SURROUNDING BLACK LEATHER INSET. STEEL CLIP ON BACK IS ON A HINGE AND SPRING. ON BACK OF CLIP THE LETTER "L" IS ENGRAVED (LEFT). .3 SAME AS .2, BUT THE LETTER "R" IS ENGRAVED ON THE CLIP (RIGHT). .4 SQUARE SHAPED BUCKLE, GOLD WIRE FORMING THE SQUARE WITH NO INSET. BRASS CLIP AT BACK. .5 IDENTICAL TO .4
Subjects
CLOTHING-ACCESSORY
Historical Association
ASSOCIATIONS
POLITICS
History
BUCKLES WORN BY SIR ALEXANDER T. GALT, G.C.M.G. (KNIGHT OF THE GRAND CROSS OF THE ORDER OF ST. MICHAEL & ST. GEORGE). HE WAS A MILITARY KNIGHT OF WINDSOR COURT AND BUCKLES WERE PART OF THAT UNIFORM. ***UPDATE: 16 OCTOBER 2013: NICOLE HEMBROFF, GALT COLLECTIONS ASSISTANT, MET WITH DICK AND SHIRLEY TURNER AT THE MUSEUM ON 24 MAY 2010. THE COUPLE, FROM LETHBRIDGE, CAME IN TO SEE OBJECTS PREVIOUSLY DONATED BY DICK’S MOTHER MURIEL TURNER. SHE WAS, ACCORDING TO DICK, THE DAUGHTER OF SIR ALEXANDER TILLOCH GALT’S YOUNGEST DAUGHTER ANNIE SMITH (NEE GALT), MAKING MURIEL GALT'S GRANDDAUGHTER. THE TURNERS, AT THE TIME OF THEIR 2010 VISIT, COULD NOT PROVIDE NEW INFORMATION ABOUT THE BUCKLES BEYOND THAT SHARED BY DICK’S MOTHER IN 1974. AN ENQUIRY BY A NATIONAL MUSEUM IN OTTAWA IN 2013 LED GALT STAFF TO REVIEW THIS DONATION’S PERMANENT FILE. LETTERS ON FILE, SENT BY MRS. H.R. “MURIEL” TURNER IN 1974, STATE THAT SHE HAD “RECENTLY COME INTO POSSESSION [OF] FOUR BUCKLES BELONGING TO [SIR A.T. GALT’S] WINDSOR COURT UNIFORM.” SHE INHERITED THE BUCKLES AFTER THE PASSING OF HER BROTHER (HENRY GORDON SMITH) THE PREVIOUS YEAR. THE BUCKLES, UNSEEN BY THE DONOR PRIOR TO THEIR INHERITANCE, WERE IN A BOX ALONG WITH “A SMALL NOTE IN [HER] MOTHER’S HANDWRITING”. THE LOCATION OF THE NOTE IS UNKNOWN. IT IS SPECULATED THAT THE NOTE REFERENCED THE BUCKLES ASSOCIATION WITH GALT'S WINDSOR COURT UNIFORM. MR. DICK TURNER PASSED AWAY IN LETHBRIDGE ON 21 JULY 2010 AT THE AGE OF 80 YEARS. FOR MORE INFORMATION, INCLUDING THE DONOR’S LETTERS, RICHARD “DICK” TURNER’S OBITUARY AND A 2013 EMAIL FROM MUSEUM OF CIVILIZATION CURATOR JEAN-FRANÇOIS LOZIER, PLEASE SEE PERMANENT FILE. SEE ALSO DONATIONS BY MRS. MURIEL TURNER IN ARCHIVES. *UPDATE* IN 2014 COLLECTIONS ASSISTANT JANE EDMUNDSON CONDUCTED A SURVEY OF ART OBJECTS, INCLUDING A PORTRAIT OF SIR ALEXANDER GALT. THE FOLLOWING BIOGRAPHY OF SIR ALEXANDER GALT WAS DEVELOPED WITH INFORMATION FROM THE CANADIAN ENCYCLOPEDIA ONLINE AND A BROCHURE ABOUT ALEXANDER AND ELLIOTT GALT PRODUCED BY THE GALT MUSEUM. ALEXANDER TILLOCH GALT WAS BORN IN LONDON ON SEPTEMBER 6, 1817 AND CAME TO CANADA IN 1835 TO WORK FOR THE BRITISH AMERICAN LAND COMPANY, WHICH WAS OPENING LAND FOR SETTLEMENT IN QUEBEC'S EASTERN TOWNSHIPS. GALT BECAME THE PRESIDENT OF THE ST LAWRENCE AND ATLANTIC RAILROAD IN 1849 AND HE REPRESENTED SHERBROOKE IN THE CANADIAN LEGISLATURE FOR TWO TERMS, 1849 - 1850 AND 1853 - 1867. HE WAS A MEMBER OF THE GREAT COALITION CABINET, AND ATTENDED THE QUEBEC CONFERENCE IN 1864 AS ONE OF THE FATHERS OF CONFEDERATION. AFTER CONFEDERATION HE BECAME CANADA'S FIRST FEDERAL FINANCE MINISTER. GALT WAS APPOINTED THE FIRST HIGH COMMISSIONER OF CANADA IN LONDON FROM 1880 - 1883 TO PROMOTE BRITISH INTEREST IN FINANCING CANADIAN RAILWAYS AND EMIGRATION TO THE CANADIAN NORTHWEST. HE UTILIZED HIS POLITICAL CONNECTIONS TO HAVE HIS SON ELLIOTT, BORN IN 1850, APPOINTED TO THE POST OF ASSISTANT INDIAN COMMISSIONER. THE POSTING TOOK ELLIOTT TO WESTERN CANADA IN 1879, WHERE HE MADE A PRELIMINARY SURVEY OF THE COAL OUTCROPPINGS ALONG THE BELLY RIVER. AFTER HAVING COAL SAMPLES FROM THE SITE ASSESSED, ELLIOTT DEEMED COMMERCIAL DEVELOPMENT A PROFITABLE VENTURE, AND INFORMED HIS FATHER. ALEXANDER GALT FORMED THE NORTH WESTERN COAL AND NAVIGATION COMPANY WITH BRITISH SHAREHOLDERS W.H. SMITH, WILLIAM LETHBRIDGE, AND WILLIAM ASHMEAD BARTLETT BURDETT-COUTTS (HUSBAND OF THE BARONESS ANGELA BARTLETT COUTTS). THE COMPANY EMPLOYED NICHOLAS BRYANT AND WILLIAM STAFFORD TO EXAMINE COAL SITES IN THE AREA, AND IN 1882 THE COMPANY'S FIRST TWO DRIFT MINES WERE OPENED IN WHAT IS NOW INDIAN BATTLE PARK. THE GALTS INVESTED IN NUMEROUS ENTERPRISES IN THE AREA, INCLUDING THE ALBERTA RAILWAY AND COAL COMPANY, THE LETHBRIDGE LAND COMPANY, THE ALBERTA IRRIGATION COMPANY, THE CANADIAN NORTH-WEST IRRIGATION COMPANY, THE ST. MARY RIVER RAILWAY COMPANY, THE CANADA AND GREAT FALLS RAILWAY COMPANY, AND THE AMALGAMTED ALBERTA RAILWAY AND IRRIGATION COMPANY. THEIR MINING OPERATION ALSO FUNDED A COMPANY HOSPITAL IN 1891, WHICH WAS REPLACED IN 1910 BY THE SIR ALEXANDER GALT HOSPITAL, NAMED IN HONOUR OF GALT AFTER HIS DEATH, AND CURRENT HOME OF THE GALT MUSEUM & ARCHIVES. ALEXANDER GALT DIED IN MONTREAL ON SEPTEMBER 19, 1893. IN 1912, ELLIOTT GALT SOLD THE ALBERTA RAILWAY AND IRRIGATION COMPANY TO THE CANADIAN PACIFIC RAILWAY, AND THE FAMILY'S BUSINESS TIES TO THE AREA CEASED. ***UPDATE: 18 JUNE 2015: THIS OBJECT WAS EXHIBITED IN OTTAWA BY THE CANADIAN MUSEUM OF HISTORY (CMH) FROM NOVEMBER 2014 TO JANUARY 2016 AS PART OF AN EXHIBIT ENTITLED ‘1867’. THE OBJECT WAS EXHIBITED IN PHYSICAL ASSOCIATION WITH MATERIALS WORN BY CANADIAN PRIME MINISTER JOHN A. MCDONALD. CMH LABEL COPY READ AS FOLLOWS: “AS REPRESENTATIVES OF THE GOVERNMENTS OF THEIR RESPECTIVE COLONIES, MOST OF THE DELEGATES WERE ALLOWED TO WEAR MILITARY-STYLE UNIFORMS ON SPECIAL OCCASIONS. THE COAT, COCKED HAT, SMALL-SWORD AND BUCKLES IN THIS DISPLAY BELONGED TO JOHN A. MACDONALD, GEORGE-ÉTIENNE CARTIER, HECTOR-LOUIS LANGEVIN AND ALEXANDER GALT, RESPECTIVELY. THEY WERE WORN, IN ALL LIKELIHOOD, DURING MEETINGS WITH QUEEN VICTORIA IN 1867. MATCHING BREECHES OR TROUSERS COMPLETED THE ENSEMBLE. BETWEEN WORK SESSIONS AND OFFICIAL MEETINGS, THE MEN MADE FREQUENT VISITS TO THEIR TAILORS TO ENSURE THAT THEY CUT A FINE FIGURE.”
Catalogue Number
P19740057000
Acquisition Date
1974-05
Collection
Museum
Images
Less detail
Date Range From
1830
Date Range To
1953
Material Type
Artifact
Materials
BRASS
Catalogue Number
P20090016005
  1 image  
Material Type
Artifact
Date Range From
1830
Date Range To
1953
Materials
BRASS
No. Pieces
1
Height
1.3
Diameter
1.6
Description
BUTTON, BRASS. DOME SHAPED WITH TWO HOLES ON UNDERSIDE AND OVAL TOPPED STEM. PATINA THROUGHOUT BUTTON. SCRATCHED THROUGHOUT.
Subjects
TEXTILEWORKING T&E
Historical Association
DOMESTIC
History
FOR MORE INFORMATION SEE P20090016001 AND PERMANENT FILE.
Catalogue Number
P20090016005
Acquisition Date
2009-05
Collection
Museum
Images
Less detail
Date Range From
1830
Date Range To
1953
Material Type
Artifact
Materials
METAL
Catalogue Number
P20090016008
  1 image  
Material Type
Artifact
Date Range From
1830
Date Range To
1953
Materials
METAL
No. Pieces
1
Height
1.0
Diameter
1.8
Description
BUTTON, ROUND, BLACK, METAL. LOOP ON BACK. BLACK FINISH WORN IN CENTER OF BUTTON. DENTED THROUGHOUT.
Subjects
TEXTILEWORKING T&E
Historical Association
DOMESTIC
History
FOR MORE INFORMATION SEE P20090016001 AND PERMANENT FILE.
Catalogue Number
P20090016008
Acquisition Date
2009-05
Collection
Museum
Images
Less detail
Other Name
CAPELET; TIPPET; PALLATINE
Date Range From
1840
Date Range To
1880
Material Type
Artifact
Materials
LACE, SATIN, COTTON
Catalogue Number
P19920058014
Material Type
Artifact
Other Name
CAPELET; TIPPET; PALLATINE
Date Range From
1840
Date Range To
1880
Materials
LACE, SATIN, COTTON
No. Pieces
1
Length
95.0
Width
29.5
Description
CRESCENT MOON SHAPED; OUTSIDE EDGE IS SCALLOPED. CONSISTS OF A CREAM COLOURED PIECE OF SATIN, UNDERNEATH BLACK LACE. THE BLACK LACE HAS FLOWERS EMBROIDERED INTO IT. THE EDGES OF CAPELET ARE TRIMMED IN A WIDE BLACK LACE (DIFFERENT FROM ABOVE). BACK OF PIECE IS LINED WITH A BURLAP MATERIAL, UNDERNEATH BLACK COTTON. BLACK COTTON HAS MULTIPLE HOLES IN IT - POSSIBLY INSECT RELATED. LONG, BIAS STITCHES ARE EASILY VISIBLE ON FRONT AND BACK.
Subjects
CLOTHING-OUTERWEAR
Historical Association
PERSONAL CARE
History
USED OVER THE SHOULDERS OF A WOMAN. PALATINES WERE USED IN THE 1840S; NAMED AFTER CHARLOTTE OF THE PALANTINE, WHO TRIED TO INDUCE MORE MODESTY IN DRESS. SEE P19920058006-GA FOR HISTORY. *UPDATE* IN 2015 COLLECTIONS ASSISTANT JANE EDMUNDSON CONDUCTED A SURVEY OF ART OBJECTS, INCLUDING ONE DONATED BY MARJORIE WELCH'S MOTHER, NORA EVERSON. FOR FURTHER INFORMATION ABOUT THE SHERLOCK/MACLEOD FAMILY, SEE RECORDS P19960108000 AND P19740093000.
Catalogue Number
P19920058014
Acquisition Date
1993-11
Collection
Museum
Less detail
Date Range From
1840
Date Range To
1895
Material Type
Artifact
Materials
TIN
Catalogue Number
P19738062000
Material Type
Artifact
Date Range From
1840
Date Range To
1895
Materials
TIN
No. Pieces
1
Height
1.3
Diameter
3.8
Description
GREEN PAINTED LID, PRINTED ON LID, "PERCUSSION CAPS, CENTRAL FIRE SHEFFIELD, XL, FOIL LINED, WATERPROOF". BOX IS EMPTY. RUSTED SHUT. RUST HOLES IN BOTTOM. CONSERVATION REPORT ON FILE.
Subjects
ARMAMENT-ACCESSORY
Historical Association
LEISURE
Catalogue Number
P19738062000
Acquisition Date
1973-07
Collection
Museum
Less detail
Date Range From
1820
Date Range To
1940
Material Type
Artifact
Materials
MOTHER OF PEARL, SILVER, SILK
Catalogue Number
P20090016025
  1 image  
Material Type
Artifact
Date Range From
1820
Date Range To
1940
Materials
MOTHER OF PEARL, SILVER, SILK
No. Pieces
3
Height
1.5
Length
10.4
Width
7.9
Description
MOTHER OF PEARL CARD CASE AND TWO CARDS – 3 PIECES. 1. CARD CASE, RECTANGULAR, COVERED IN DIAMOND SHAPED MOTHER OF PEARL. MOST MOTHER OF PEARL LOST ON SIDES OF CASE, TWO PIECES LOST ON BOTTOM. SILVER SHEILD ON TOP OF CASE MARKED, “MAM TO HFD”. CASE OPENS TO SHOW BLUE PAPER AND FABRIC ACCORDION FOLDER CONTAINING TWO CALLING CARDS. 1.5 CM HIGH BY 10.4 CM LONG BY 7.9 CM WIDE. 2. (2) CALLING CARDS. CARD STOCK, WHITE. MARKED, “MRS. RICHMOND SMITH” IN CURSIVE. INTERMITTENT BLUE MARKS, ESPECIALLY ALONG SIDE AND BOTTOM EDGES OF CARD. 6.0 CM LONG BY 9.2 CM WIDE.
Subjects
PERSONAL GEAR
Historical Association
DOMESTIC
History
FOR MORE INFORMATION SEE P20090016001 AND PERMANENT FILE.
Catalogue Number
P20090016025
Acquisition Date
2009-05
Collection
Museum
Images
Less detail
Date Range From
1830
Date Range To
1953
Material Type
Artifact
Materials
TORTISESHELL, SILVER, VELVET
Catalogue Number
P20090016032
  1 image  
Material Type
Artifact
Date Range From
1830
Date Range To
1953
Materials
TORTISESHELL, SILVER, VELVET
No. Pieces
1
Height
1.3
Length
10.6
Width
7.5
Description
CARD CASE, RECTANGULAR SHAPED WITH CURVED SIDES, TORTOISESHELL VENEER. ROUND BUTTON ON SIDE ALLOWS CASE’S HINGED LID TO OPEN. SILVER BANNER ON TOP OF LID, UNMARKED. INSIDE OF CASE LINED IN RED VELVET. SIDE EDGES OF CASE ARE CRACKED.
Subjects
PERSONAL GEAR
Historical Association
DOMESTIC
History
FOR MORE INFORMATION SEE P20090016001 AND PERMANENT FILE.
Catalogue Number
P20090016032
Acquisition Date
2009-05
Collection
Museum
Images
Less detail

114 records – page 1 of 6.