Skip header and navigation

Refine By

45 records – page 1 of 5.

Other Name
PLAINS INDIGENOUS, SET OF 2
Date Range From
1800
Date Range To
1900
Material Type
Artifact
Materials
WILLOW STICKS, COTTON FLANNEL, BEADWORK, PAINT
Catalogue Number
P19738058000
  2 images  
Material Type
Artifact
Other Name
PLAINS INDIGENOUS, SET OF 2
Date Range From
1800
Date Range To
1900
Materials
WILLOW STICKS, COTTON FLANNEL, BEADWORK, PAINT
No. Pieces
2
Description
.1 28 CM WTH. (TOP) 87.7 CM (BASE) X 127 CM LTH. TRIANGULAR BACK REST CONSTRUCTED OF WILLOW STICKS LASHED WITH SINEW. BACKREST IS EDGED WITH SEWN COTTON STRIPS AND GREEN FLANNEL TAPE DOWN SIDE. HEAD PIECE IS CONSTRUCTED OF BLACK FLANNEL EDGED WITH RED FLANNEL, INSET WITH RED FLANNEL GEOMETRIC DESIGNS ARE OUTLINED IN BROWN AND WHITE BEADS. PICTOGRAPH STORY OUTLINING A BATTLE IS PAINTED IN BLACK ON THE BACK REST SURFACE. .2 25.4 CM WTH. (TOP) 83.8 CM (BASE) X 130.8 CM LTH. TRIANGULAR BACK REST CONSTRUCTED OF WILLOW STICKS LASHED WITH SINEW. BACKREST IS EDGED WITH SEWN COTTON STRIPS AND GREEN FLANNEL TAPE DOWN SIDES. HEAD PIECE IS MADE OF RED FLANNEL EDGED WITH BLACK COTTON AND WHITE BEADS GEOMETRIC DESIGN BROWN EDGED WITH BLUE & BLUE EDGED WITH BROWN PICTOGRAPH STORY OUTLINING A BATTLE AND RAID IS PAINTED IN BLACK PAINT ON THE BACKREST SURFACE. CONSERVATION REPORT ON FILE.
Subjects
INDIGENOUS
FURNITURE
Historical Association
ETHNOGRAPHIC
History
PLAINS INDIGENOUS.
Catalogue Number
P19738058000
Acquisition Date
1973-07
Collection
Museum
Images
Less detail
Other Name
PARFLECHE
Date Range From
1860
Date Range To
1900
Material Type
Artifact
Materials
RAWHIDE
Catalogue Number
P19641151000
Material Type
Artifact
Other Name
PARFLECHE
Date Range From
1860
Date Range To
1900
Materials
RAWHIDE
No. Pieces
1
Length
55.3
Width
33.0
Description
PAINTED GEOMETRIC DESIGNS, BLUE, YELLOW, GREEN, RED. BRITTLE RAWHIDE. SEE CONSERVATION REPORT
Subjects
INDIGENOUS
CONTAINER
Historical Association
ETHNOGRAPHIC
History
NORTHERN PLAINS INDIGENOUS, PROBABLY OF BLACKFOOT ORIGIN. USED FOR STORAGE. *UPDATE* IN 2015 COLLECTIONS ASSISTANT JANE EDMUNDSON ASKED TWO FORMER MEMBERS OF THE LETHBRIDGE JUNIOR CHAMBER OF COMMERCE, PHIL EDMUNDSON AND PAUL RUSZNAK, ABOUT THE FIRST NATIONS ARTIFACTS THAT THE GROUP DONATED TO THE GALT MUSEUM IN 1964, 1969, AND 1973. NEITHER RECALLED HOW THE JAYCEES CAME INTO OWNERSHIP OF THE ARTIFACTS, AS THEIR ACQUISITION PREDATED BOTH EDMUNDSON AND RUSZNAK’S MEMBERSHIP IN THE CHAMBER. RESEARCH CONDUCTED INTO LETHBRIDGE’S GURNEY MUSEUM FOUND A CONNECTION BETWEEN ITS PROPRIETOR, WALTER GURNEY, AND THE JAYCEES, WHO ACCORDING TO AN ARTICLE FROM THE APRIL 16, 1946 ISSUE OF THE LETHBRIDGE HERALD ADVOCATED ON GURNEY’S BEHALF FOR IMPROVEMENTS TO BE MADE TO THE FORMER BOARD OF TRADE BUILDING WHERE THE MUSEUM WAS HOUSED. AN ARTICLE FROM THE JULY 13, 1948 ISSUE OF THE HERALD DESCRIBES SOME OF THE FIRST NATIONS ARTIFACTS ON DISPLAY IN THE MUSEUM: “TOMAHAWKS, ARROW HEADS, PEACE PIPES, BEAD AND LEATHER WORK, CLOTHING AND WOODCRAFT”. UPON THE CLOSURE OF THE MUSEUM AND SALE OF GURNEY’S COLLECTION TO BELMORE SCHULTZ OF THE ALTAMONT MUSEUM IN COUTTS, MENTION WAS MADE IN A HERALD ARTICLE FROM MAY 16, 1961 OF “HISTORICAL INDIAN RELICS THAT BELONG TO THE JUNIOR CHAMBER OF COMMERCE HAVE BEEN RETAINED IN THE CITY AND WILL BE AVAILABLE WHEN PROPER DISPLAY FACILITIES ARE AVAILABLE”. IT IS POSSIBLE THAT THE ARTIFACTS WERE TRANSFERRED TO THE JAYCEES BY GURNEY DURING THE DISSOLUTION OF HIS MUSEUM, BUT NO FURTHER CONFIRMATION WAS FOUND. FOR FURTHER INFORMATION ABOUT THE GURNEY MUSEUM AND ITS COLLECTION, SEE RECORD P19890044001.
UPDATE 16 AUGUST 2017: ON 25 JULY 2017, MUSEUM CURATOR AIMEE BENOIT FOUND EVIDENCE TO CONNECT THE INDIGENOUS COLLECTION DONATED BY THE LETHBRIDGE JAYCEES (AKA. JUNIOR CHAMBER OF COMMERCE) WITH FORMER LETHBRIDGE RESIDENTS THE LATE FRED BOTSFORD AND HIS LATE DAUGHTER DOROTHY CLARK. NOTES MADE BY AIMEE ON THE DISCOVERY AS WELL AS RELEVANT CLIPPINGS FROM THE LETHBRIDGE HERALD CAN BE FOUND ATTACHED TO THE PERMANENT FILE OF P19641140000.
Catalogue Number
P19641151000
Acquisition Date
1964-07
Collection
Museum
Less detail
Other Name
PARFLECHE
Date Range From
1860
Date Range To
1900
Material Type
Artifact
Materials
RAWHIDE
Catalogue Number
P19641150000
Material Type
Artifact
Other Name
PARFLECHE
Date Range From
1860
Date Range To
1900
Materials
RAWHIDE
No. Pieces
1
Length
55.9
Width
35.6
Description
PAINTED GEOMETRIC DESIGNS - RED, YELLOW, GREEN, BLACK. TORN ON BOTTOM & 3 TEARS ON FLAP. BRITTLE. SEE CONSERVATION REPORT.
Subjects
INDIGENOUS
CONTAINER
Historical Association
ETHNOGRAPHIC
History
NORTHERN PLAINS ATTRIBUTED TO BLACKFOOT. PARFLECHES ARE MADE FROM RAWHIDE, WHICH IS SOAKED IN WATER TO REMOVE HAIR. USED FOR STORAGE. *UPDATE* IN 2015 COLLECTIONS ASSISTANT JANE EDMUNDSON ASKED TWO FORMER MEMBERS OF THE LETHBRIDGE JUNIOR CHAMBER OF COMMERCE, PHIL EDMUNDSON AND PAUL RUSZNAK, ABOUT THE FIRST NATIONS ARTIFACTS THAT THE GROUP DONATED TO THE GALT MUSEUM IN 1964, 1969, AND 1973. NEITHER RECALLED HOW THE JAYCEES CAME INTO OWNERSHIP OF THE ARTIFACTS, AS THEIR ACQUISITION PREDATED BOTH EDMUNDSON AND RUSZNAK’S MEMBERSHIP IN THE CHAMBER. RESEARCH CONDUCTED INTO LETHBRIDGE’S GURNEY MUSEUM FOUND A CONNECTION BETWEEN ITS PROPRIETOR, WALTER GURNEY, AND THE JAYCEES, WHO ACCORDING TO AN ARTICLE FROM THE APRIL 16, 1946 ISSUE OF THE LETHBRIDGE HERALD ADVOCATED ON GURNEY’S BEHALF FOR IMPROVEMENTS TO BE MADE TO THE FORMER BOARD OF TRADE BUILDING WHERE THE MUSEUM WAS HOUSED. AN ARTICLE FROM THE JULY 13, 1948 ISSUE OF THE HERALD DESCRIBES SOME OF THE FIRST NATIONS ARTIFACTS ON DISPLAY IN THE MUSEUM: “TOMAHAWKS, ARROW HEADS, PEACE PIPES, BEAD AND LEATHER WORK, CLOTHING AND WOODCRAFT”. UPON THE CLOSURE OF THE MUSEUM AND SALE OF GURNEY’S COLLECTION TO BELMORE SCHULTZ OF THE ALTAMONT MUSEUM IN COUTTS, MENTION WAS MADE IN A HERALD ARTICLE FROM MAY 16, 1961 OF “HISTORICAL INDIAN RELICS THAT BELONG TO THE JUNIOR CHAMBER OF COMMERCE HAVE BEEN RETAINED IN THE CITY AND WILL BE AVAILABLE WHEN PROPER DISPLAY FACILITIES ARE AVAILABLE”. IT IS POSSIBLE THAT THE ARTIFACTS WERE TRANSFERRED TO THE JAYCEES BY GURNEY DURING THE DISSOLUTION OF HIS MUSEUM, BUT NO FURTHER CONFIRMATION WAS FOUND. FOR FURTHER INFORMATION ABOUT THE GURNEY MUSEUM AND ITS COLLECTION, SEE RECORD P19890044001.
UPDATE 16 AUGUST 2017: ON 25 JULY 2017, MUSEUM CURATOR AIMEE BENOIT FOUND EVIDENCE TO CONNECT THE INDIGENOUS COLLECTION DONATED BY THE LETHBRIDGE JAYCEES (AKA. JUNIOR CHAMBER OF COMMERCE) WITH FORMER LETHBRIDGE RESIDENTS THE LATE FRED BOTSFORD AND HIS LATE DAUGHTER DOROTHY CLARK. NOTES MADE BY AIMEE ON THE DISCOVERY AS WELL AS RELEVANT CLIPPINGS FROM THE LETHBRIDGE HERALD CAN BE FOUND ATTACHED TO THE PERMANENT FILE OF P19641140000.
Catalogue Number
P19641150000
Acquisition Date
1964-07
Collection
Museum
Less detail
Date Range From
1800
Date Range To
1850
Material Type
Artifact
Materials
BUCKSKIN, BEADS, QUILL
Catalogue Number
P19738050000
  1 image  
Material Type
Artifact
Date Range From
1800
Date Range To
1850
Materials
BUCKSKIN, BEADS, QUILL
No. Pieces
1
Length
90.2
Width
19.1
Description
PINK, PURPLE, WHITE DYED PORCUPINE QUILL WORK (QUILLS FLATTENED & WRAPPED AROUND BUCKSKIN FRINGE. GLASS BEADS: RED, YELLOW, BLUE, GREEN, BROWN & WHITE ALL GEOMETRIC DESIGNS. SOME BEADS & QUILLWORK IS MISSING. SEE CONSERVATION REPORT.
Subjects
INDIGENOUS
PERSONAL GEAR
Historical Association
ETHNOGRAPHIC
History
NORTHERN PLAINS INDIGENOUS CULTURE. USED TO STORE PIPES.
Catalogue Number
P19738050000
Acquisition Date
1973-07
Collection
Museum
Images
Less detail
Date Range From
1880
Date Range To
1890
Material Type
Artifact
Materials
COTTON, LEATHER, GLASS
Catalogue Number
P20170002000
  2 images  
Material Type
Artifact
Date Range From
1880
Date Range To
1890
Materials
COTTON, LEATHER, GLASS
No. Pieces
1
Length
103.2
Width
5
Description
BEADED BELT WITH A GEOMETRIC PATTERN SET AGAINST A GREEN BEADED BACKGROUND. PATTERN ALTERNATES BETWEEN TWO MIRRORED BLACK, YELLOW, BLUE TRIANGLES WITH THEIR BASES AT EITHER WIDTH END OF THE BELT MEETING IN THE CENTER AT THEIR POINTS AND LARGE RED AND BLUE WITH A GREEN CENTERED TRIANGLES WITH THEIR BASE AT ONE WIDTH END AND THEIR POINTS EXTENDED TO THE OPPOSING END. BEADS ARE SEWN INTO A COTTON, CANVAS FABRIC. TWO ANIMAL HIDE TIES (EACH A DIFFERENT LENGTH FROM 6.2 TO 11.8) ON EACH END AT EACH CORNER OF BELT. BACK SIDE IS RAW FABRIC WITH SEAM AT CENTER CONNECTING THE TWO HALVES. ENDS ARE HEMMED WITH TIES SEWN TO THE OUTSIDE. CONDITION: SEVERE DISCOLOURATION TO FABRIC BACKING AND SEVERE WEAR TO ANIMAL HIDE TIES. MANY LOSS THREADS OVER ENTIRE SURFACE OF BACK. BEADS AND BEADING IN EXCELLENT CONDITION OVERALL.
Subjects
INDIGENOUS
Historical Association
ETHNOGRAPHIC
History
UPON THE DONATION OF THIS BELT TO THE GALT MUSEUM, THE DONOR – PATRICIA LYNCH-STAUNTON – EXPLAINED THAT THIS BELT BELONGED TO ALFRED HARDWICH LYNCH-STAUNTON, WHO SERVED IN THE ROYAL CANADIAN MOUNTED POLICE IN FORT MACLEOD. HE RANCHED IN THE LUNDBRECK AREA AND SUPPLIED HORSES TO THE MOUNTIES. THE DONOR SAID THAT SHE HAD “NO KNOWLEDGE OF HOW [ALFRED HARDWICK] CAME INTO POSSESSION OF THE BELT. A NOTE ON THE INITIAL DOCUMENTATION ATTRIBUTES THE DATE OF THIS BELT TO CA. 1880-1890. THE ACTING CURATOR OF THE NATIVE NORTH AMERICAN DEPARTMENT OF THE GLENBOW, JOANNE SCHMIDT, AGREED WITH THE DONOR’S BELIEF THAT THE BELT WAS BLACKFOOT. THROUGH THE COMPARISON OF THE BEADED MOCCASINS AND BELTS IN THE GLENBOW’S COLLECTION WITH THIS BELT, SCHMIDT EXPLAINED THAT THE DESIGN ON THE BELT WAS MOSTLY FOUND ON THOSE FROM SIKSIKA, BUT SHE HAS ALSO SEEN THE DESIGN IN PIIKANI AND KAINAI BEADWORK THOUGH THERE ARE NOT MANY EXAMPLES IN THE COLLECTION. ALSO BY USING THE GLENBOW’S COLLECTION AS A POINT OF REFERENCE, THE CURATOR BELIEVES THAT THE BELT IS SIMILAR IN APPEARANCE TO THOSE OF THE 19TH CENTURY TO EARLY 20TH-CENTURY MUSEUM HOLDINGS. SCHMIDT ALSO PROVIDED AN EXPLANATION OF THE DESIGN FROM THE CANADIAN MUSEUM OF HISTORY. IT STATES, “ONE OF THE EARLIEST DESIGNS USED WAS ‘MIISTA-TSIKA-TUKSIIN,’ OR MOUNTAIN DESIGN. OTHER DESIGNS INCLUDED SQUARES, DIAMONDS, BARS, SLOTTED BARS AND STRIPES… TODAY SUCH DESIGNS ARE CALLED ‘MAAH-TOOHM-MOOWA-KA-NA-SKSIN,’ OR FIRST DESIGNS.” IT WAS FURTHER EXPLAINED THAT A COMPLICATING FACTOR IN IDENTIFYING THE BELT’S ORIGINS IS THE FACT THAT THE BLACKFOOT TENDED TO USE WHITE OR BLUE AS THE BACKGROUND COLOUR, NOT GREEN AS IS PRESENTED IN THE LYNCH-STAUNTON DONATION. ON 19 JANUARY 2017, MUSEUM STAFF FURTHER CONSULTED WITH RYAN HEAVY HEAD, FORMER DIRECTOR OF KAINAI STUDIES AT RED CROW COMMUNITY COLLEGE, REGARDING THE BELT’S DESIGN. HE EXPLAINED, “THE GREEN BACKGROUND IS ATYPICAL OF BLACKFOOT BEADWORK, WHICH IS NORMALLY BLUE. THE ‘MOUNTAIN DESIGN’ [DISPLAYED ON THE BELT] IS A COMMON MOTIF IN BLACKFOOT BEADWORK, BUT AGAIN THE COLOURS ARE NOT TYPICAL IN THIS EXAMPLE.” RYAN SPECULATED THAT DURING THE TIME OF DISEASE (WHEN THIS BELT APPEARS TO HAVE ORIGINATED) THERE WAS SOME DISRUPTION IN TRADITIONAL LIFE AND THAT COULD BE REFLECTED IN THE COLOUR CHOICES. ALTERNATIVELY, THE BELT MAY HAVE BEEN MADE BY THE GROS VENTRES FROM NORTHEAST MONTANA. THE DONOR, PATRICIA LYNCH-STAUNTON, IS THE GREAT-GRANDDAUGHTER OF ALFRED HARDWICK LYNCH-STAUNTON. THIS BELT WAS PASSED DOWN THROUGH THE FAMILY, FIRST FROM A. H. LYNCH-STAUNTON, THEN TO THE DONOR’S GRANDFATHER, F. C. LYNCH-STAUNTON, THEN TO HER FATHER, A. G. LYNCH-STAUNTON, FINALLY TO THE DONOR WHO BROUGHT IT TO THE MUSEUM. THE FOLLOWING INFORMATION COMES FROM THE “A. H. LYNCH-STAUNTON FAMILY HISTORY” WRITTEN FOR THE MUSEUM USING ONLINE SOURCES, THE GLENBOW ARCHIVES, AND THE BOOK TITLED “HISTORY OF THE EARLY DAYS OF PINCHER CREEK AND SOUTHERN MOUNTAINS OF ALBERTA.” “ALFRED HARDWICK LYNCH-STAUNTON (1860-1932) WAS BORN IN HAMILTON, ON AND CAME TO FORT MACLEOD IN 1877 TO JOIN THE NWMP. ACCORDING TO THE PINCHER CREEK HISTORICAL SOCIETY, HE WAS SENT TO ESTABLISH A HORSE BREEDING FARM AT PINCHER CREEK IN 1878. AFTER RETIRING FROM THE NWMP IN 1880, LYNCH-STAUNTON STATED THE FIRST CATTLE RANCH IN THE PINCHER CREEK AREA WITH JAMES BRUNEAU AND ISSAC MAY, AND LATER HOMESTEADED WEST OF TOWN. ALONG WITH HIS RANCH, LYNCH-STAUNTON MARRIED SARAH MARY BLAKE (1864-1933) IN 1890 AND THEY HAVE FIVE CHILDREN: VICTORIA, FRANDA, FRANCIS, JOHN, AND D’ARCY… A.H.’S BROTHER RICHARD LYNCH-STAUNTON (1867-1961) CAME AS FAR WEST AS MEDICINE HAT IN 1883 WITH HIS FATHER, F. H. LYNCH-STAUNTON, WHO WAS IN CHARGE OF THE SURVEY PARTY. RICHARD CAME WEST AGAIN, TO PINCHER CREEK, IN 1885 OR 1886. IN ABOUT 1900, HE ACQUIRED LAND NORTH OF LUNDBRECK, ON TODD CREEEK, WHICH BECAME THE ANTELOPE BUTTE RANCH. RICHARD AND A. H. WERE IN PARTNERSHIP FOR A NUMBER OF YEARS IN CATTLE-RANCHING AND, ACCORDING TO THE DONOR, WITH THE BUTCHER SHOP. IN 1901, RICHARD MARRIED ISABELLE MARY WILSON (1868-1971), AND THEIR SON FRANK LYNCH-STAUNTON (1905-1990), ALBERTA’S 11TH LIEUTENANT GOVERNOR FROM 1979 TO 1985. LYNCH-STAUNTON DESCENDANTS CONTINUE TO RANCH IN THE LUNDBRECK/PINCHER CREEK AREA.” PLEASE SEE PERMANENT FILE FOR MORE INFORMATION, INCLUDING CORRESPONDENCE WITH DONOR AND PEOPLE CITED IN ABOVE HISTORY.
Catalogue Number
P20170002000
Acquisition Date
2016-12
Collection
Museum
Images
Less detail
Other Name
BONE & SHELL (SET)
Date Range From
1800
Date Range To
1900
Material Type
Artifact
Materials
GLASS BEADS, SHELLS, BONE, BUCKSKIN
Catalogue Number
P19738052000
  1 image  
Material Type
Artifact
Other Name
BONE & SHELL (SET)
Date Range From
1800
Date Range To
1900
Materials
GLASS BEADS, SHELLS, BONE, BUCKSKIN
No. Pieces
2
Diameter
20.3
Description
MADE OF WHITE GLASS BEADS (CYLINDRICAL TYPE), FLAT BONE BEADS, COWERY SHELLS STRUNG ON BUCKSKIN. CONSERVATION REPORT ON FILE.
Subjects
INDIGENOUS
ADORNMENT
Historical Association
ETHNOGRAPHIC
History
NORTHERN PLAINS CULTURE. SHELLS PROBABLY TRADED FROM WEST COAST. TRADE NETWORKS FROM THE COAST TO THE INTERIOR ALREADY WELL ESTABLISHED BY TIME OF WHITE CONTACT. DENTALIUM & COWRY SHELLS WERE HIGHLY PRIZED TRADE ITEMS & WERE CONSIDERED BY SOME RESEARCHERS TO HAVE BEEN A FORM OF CURRENCY.
Catalogue Number
P19738052000
Acquisition Date
1973-07
Collection
Museum
Images
Less detail
Date Range From
1850
Date Range To
1900
Material Type
Artifact
Materials
HORSE HAIRS, BUCKSKIN, CANCELLOUS BONE
Catalogue Number
P19641165000
  1 image  
Material Type
Artifact
Date Range From
1850
Date Range To
1900
Materials
HORSE HAIRS, BUCKSKIN, CANCELLOUS BONE
No. Pieces
4
Description
.1 PAINT BRUSH. 3 CM LTH X 18.1 CM DIA.. HORSE HAIR BRITTLE ENCASED IN BUCKSKIN. .2 PAINT BRUSH. 1.3 CM HT. X 3.8 CM WTH. X 5.1 CM LTH. CANCELLOUS BONE WEDGE ENCASED IN BUCKSKIN. YELLOW PAINT ADHERING TO BONE .3 PAINT BRUSH. 1.9 CM HT. X 3.5 CM WTH. X 8.2 CM LTH. GREEN PAINT. .4 PAINT BRUSH. 1.9 CM HT. X 3.8 CM WTH. X 8.9 CM LTH. .RED PAINT ADHERING TO BONE. CANCELLOUS BONE WEDGE ENCASED IN BUCKSKIN.CONSERVATION REPORT ON FILE.
Subjects
INDIGENOUS
Historical Association
DECORATIVE ARTS
ETHNOGRAPHIC
History
NORTHERN PLAINS INDIANS. *UPDATE* IN 2015 COLLECTIONS ASSISTANT JANE EDMUNDSON ASKED TWO FORMER MEMBERS OF THE LETHBRIDGE JUNIOR CHAMBER OF COMMERCE, PHIL EDMUNDSON AND PAUL RUSZNAK, ABOUT THE FIRST NATIONS ARTIFACTS THAT THE GROUP DONATED TO THE GALT MUSEUM IN 1964, 1969, AND 1973. NEITHER RECALLED HOW THE JAYCEES CAME INTO OWNERSHIP OF THE ARTIFACTS, AS THEIR ACQUISITION PREDATED BOTH EDMUNDSON AND RUSZNAK’S MEMBERSHIP IN THE CHAMBER. RESEARCH CONDUCTED INTO LETHBRIDGE’S GURNEY MUSEUM FOUND A CONNECTION BETWEEN ITS PROPRIETOR, WALTER GURNEY, AND THE JAYCEES, WHO ACCORDING TO AN ARTICLE FROM THE APRIL 16, 1946 ISSUE OF THE LETHBRIDGE HERALD ADVOCATED ON GURNEY’S BEHALF FOR IMPROVEMENTS TO BE MADE TO THE FORMER BOARD OF TRADE BUILDING WHERE THE MUSEUM WAS HOUSED. AN ARTICLE FROM THE JULY 13, 1948 ISSUE OF THE HERALD DESCRIBES SOME OF THE FIRST NATIONS ARTIFACTS ON DISPLAY IN THE MUSEUM: “TOMAHAWKS, ARROW HEADS, PEACE PIPES, BEAD AND LEATHER WORK, CLOTHING AND WOODCRAFT”. UPON THE CLOSURE OF THE MUSEUM AND SALE OF GURNEY’S COLLECTION TO BELMORE SCHULTZ OF THE ALTAMONT MUSEUM IN COUTTS, MENTION WAS MADE IN A HERALD ARTICLE FROM MAY 16, 1961 OF “HISTORICAL INDIAN RELICS THAT BELONG TO THE JUNIOR CHAMBER OF COMMERCE HAVE BEEN RETAINED IN THE CITY AND WILL BE AVAILABLE WHEN PROPER DISPLAY FACILITIES ARE AVAILABLE”. IT IS POSSIBLE THAT THE ARTIFACTS WERE TRANSFERRED TO THE JAYCEES BY GURNEY DURING THE DISSOLUTION OF HIS MUSEUM, BUT NO FURTHER CONFIRMATION WAS FOUND. FOR FURTHER INFORMATION ABOUT THE GURNEY MUSEUM AND ITS COLLECTION, SEE RECORD P19890044001.
UPDATE 16 AUGUST 2017: ON 25 JULY 2017, MUSEUM CURATOR AIMEE BENOIT FOUND EVIDENCE TO CONNECT THE INDIGENOUS COLLECTION DONATED BY THE LETHBRIDGE JAYCEES (AKA. JUNIOR CHAMBER OF COMMERCE) WITH FORMER LETHBRIDGE RESIDENTS THE LATE FRED BOTSFORD AND HIS LATE DAUGHTER DOROTHY CLARK. NOTES MADE BY AIMEE ON THE DISCOVERY AS WELL AS RELEVANT CLIPPINGS FROM THE LETHBRIDGE HERALD CAN BE FOUND ATTACHED TO THE PERMANENT FILE OF P19641140000.
Catalogue Number
P19641165000
Acquisition Date
1964-07
Collection
Museum
Images
Less detail
Other Name
INDIGENOUS RIFLE CASE
Date Range From
1850
Date Range To
1900
Material Type
Artifact
Materials
BUCKSKIN, FLANNEL, BEADWORK
Catalogue Number
P19738051000
  1 image  
Material Type
Artifact
Other Name
INDIGENOUS RIFLE CASE
Date Range From
1850
Date Range To
1900
Materials
BUCKSKIN, FLANNEL, BEADWORK
No. Pieces
1
Length
73.6
Width
15.2
Description
TRIMMED WITH RED FLANNEL. GEOMETRIC BEADWORK DESIGNS IN RED, GREEN, YELLOW, BLACK, BLUE AT TOP & TOE OF CASE. CASE EMBRITTLED. CONSERVATION REPORT ON FILE.
Subjects
INDIGENOUS
ARMAMENT-ACCESSORY
Historical Association
ETHNOGRAPHIC
History
DONOR ROBERT “BOB” GARDNER OF SALMON ARM, BC INFORMED MUSEUM TECHNICIAN KEVIN MACLEAN OF A FEW RIFLE CASE-RELATED MEMORIES BY PHONE ON 22 JUNE 2011. AT THE TIME OF THE CALL, MR. GARDNER WAS 84 YEARS OLD. MR. GARDNER CLAIMED THE RIFLE CASE WAS A GIFT FROM FAMILY FRIEND MS. JESSIE CONN. CONN WAS GARDNER’S MIDDLE-SCHOOL LCI TYPING TEACHER IN GRADES 9 & 10 (1937). HIS BEST GUESS WAS THAT THE CASE WAS RECEIVED FROM HER IN THE LATE 40S. WHEN ASKED HOW CONN CAME TO POSSESS THE CASE, GARDNER’S REPLY WAS TO SUPPOSE IT WAS FROM A “PIONEER”. AS HIS FAMILY’S FRIEND, CONN WAS AWARE OF HIS OWNERSHIP OF A .22 RIFLE AND GAVE IT TO HIM IN ORDER TO COVER IT. GARDNER NOTED, HOWEVER, THAT THE COVER “NEVER FIT PROPERLY” ON ACCOUNT THAT “THE REAR SIGHT WAS TOO HIGH”. REAL AND POTENTIAL DAMAGE POSED TO THE CASE, THEREFORE, MOVED GARDNER TO DONATE IT TO THE GALT MUSEUM. THE RIFLE WAS GIVEN IN RECENT DECADES (EARLY 90S) TO HIS DAUGHTER DAWN. PLEASE SEE PERMANENT FILE P19651425000 FOR MORE INFORMATION ON JESSIE CONN.
Catalogue Number
P19738051000
Acquisition Date
1970-02
Collection
Museum
Images
Less detail
Other Name
BUFFALO STONE CHARM
Date Range From
1800
Date Range To
1870
Material Type
Artifact
Materials
BUFFALO STOMACH STONE
Catalogue Number
P19738064000
  1 image  
Material Type
Artifact
Other Name
BUFFALO STONE CHARM
Date Range From
1800
Date Range To
1870
Materials
BUFFALO STOMACH STONE
No. Pieces
1
Height
3.9
Length
7.9
Width
5.5
Description
DARK BROWN BUFFALO STOMACH STONE. SPALLS REMOVED FROM ONE LATERAL SURFACE.
Subjects
INDIGENOUS
Historical Association
ARCHAEOLOGY
History
PLAINS INDIGENOUS.
Catalogue Number
P19738064000
Acquisition Date
1973-07
Collection
Museum
Images
Less detail
Other Name
BUFFALO STONE CHARM
Date Range From
1800
Date Range To
1870
Material Type
Artifact
Materials
BUFFALO STONE
Catalogue Number
P19739141000
  1 image  
Material Type
Artifact
Other Name
BUFFALO STONE CHARM
Date Range From
1800
Date Range To
1870
Materials
BUFFALO STONE
No. Pieces
1
Height
2.7
Length
9.2
Width
6.6
Description
RUBBED WITH RED OCHRE. VAGUELY HEART SHAPED. SURFACE HAS LARGE BUMPS. ONE SIDE HAS MORE RED STILL VISIBLE.
Subjects
INDIGENOUS
Historical Association
ARCHAEOLOGY
History
PLAINS INDIANS. BUFFALO STONE MEDICINE CHARMS OF THIS SORT WERE USED FOR VARIOUS FORMS OF MAGIC. THIS "BUFFALO STONE" (STOMACH) CHARM PROBABLY PROVIDED THE WEARER WITH ENOUGH MEDICINE TO BECOME A GOOD HUNTER.
Catalogue Number
P19739141000
Acquisition Date
1973-09
Collection
Museum
Images
Less detail

45 records – page 1 of 5.