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Other Name
BUTTON ACCORDION
Date Range From
1920
Date Range To
1930
Material Type
Artifact
Materials
WOOD, METAL, PLASTIC
Catalogue Number
P20180011000
  2 images  
Material Type
Artifact
Other Name
BUTTON ACCORDION
Date Range From
1920
Date Range To
1930
Materials
WOOD, METAL, PLASTIC
No. Pieces
2
Height
37
Length
36.4
Width
20
Description
A. BUTTON ACCORDION, 37 CM TALL X 36.4 CM LONG X 20 CM WIDE. ACCORDION IS BROWN POLISHED WOOD WITH BLACK AND LIGHT BROWN TRIM; ACCORDION HAS BLACK PLASTIC BELLOWS AND SILVER PLATE OVER THREE ROWS OF WHITE BUTTONS AT SIDE; OPOPSITE END OF ACCORDION HAS FOUR ROWS OF WHITE AND BLACK PLASTIC BUTTONS SET IN SILVER PLATE ABOVE BLACK LEATHER STRAP. TOP OF ACCORDION HAS TWO SILVER BASS/TREBLE SWITCHES. BORDERS AROUND BELLOWS HAVE PEAL/TORTOISE SHELL INLAID. ACCORDION IS MISSING BUTTON FROM FOURTH ROW OF BUTTONS, AND HAS TWO WOODEN SUBSTITUTE BUTTONS IN SECOND AND FOURTH ROWS. FRONT OF ACCORDION HAS WINDOW ABOVE BELLOWS WITH GLASS PLATE OVER WHITE PAPER AND BLACK TEXT “C. DALLAPE, TRENTO (ITALIA)”. ACCORDION HAS FOUR BRASS FEET ON SIDE WITH FOUR ROWS OF BUTTONS. WOOD IS WORN AT HANDLES AND EDGES; METAL PLATES AND ACCENTS HAVE CORROSION. OVERALL VERY GOOD CONDITION. B. BLUE COTTON BAG, 72 CM LONG X 53 CM WIDE. BAG HAS HANDLE ATTACHED TO COVER FLAP; COVER FLAP HAS THREE BUTTON HOLES. BAG HAS TWO BLACK PLASTIC BUTTONS ON FRONT ALONG TOP EDGE. BAG HAS PATCHES STITCHED WITH BLACK THREAD ON FRONT UPPER LEFT CORNER, ON BACK IN THE CENTER OF BAG, AND ON THE BACK BESIDE LEFT CORNER OF HANDLE. BAG IS TORN IN LOWER RIGHT CORNER AND FRAYED; BAG IS TORN ALONG LEFT AND RIGHT EDGES AND ON FRONT AT UPPER RIGHT EDGE; BACK HAS TORN HOLES AT BOTTOM. OVERALL GOOD CONDITION.
Subjects
MUSICAL T&E
Historical Association
HOME ENTERTAINMENT
LEISURE
History
ON MAY 22, 2018, COLLECTIONS TECHNICIAN KEVIN MACLEAN INTERVIEWED LESLIE MORTON REGARDING HER DONATION OF A BUTTON ACCORDION. THE ACCORDION WAS OWNED AND PLAYED BY MORTON’S GRANDFATHER, GIUSEPPE (JOSEPH) "FABRO" BRIDAROLLI, AND WAS LATER OWNED BY HER UNCLE, SYLVIO "SYL" BRIDAROLLI, BEFORE BECOMING IN HER POSSESSION. MORTON DISCUSSED HER MEMORIES OF THE ACCORDION IN HER HOME, STATING, “IT’S A BUTTON ACCORDION…THERE’S BUTTON ACCORDIONS AND PIANO ACCORDIONS, AND I PLAY THE PIANO. IF I HAD A PIANO ACCORDION, I COULD AT LEAST PICK OUT THE NOTES BECAUSE I COULD READ THE MUSIC. THIS IS SOMETHING DIFFERENT. YOU HAVE TO BE A REAL MUSICIAN TO PLAY A BUTTON ACCORDION BECAUSE IT IS TOTALLY BY EAR. THERE’S THE MELODY SIDE AND THE CHORD SIDE AND YOU JUST DO IT BY EAR. IF YOU LISTEN TO HIS TAPE [IN ARCHIVES]…HE WAS JUST TURNING 81 WHEN HE MADE THIS TAPE AND HE WAS TRYING TO REMEMBER SOME OF THE SONGS HE KNEW. ONE CAME OUT REALLY GOOD AND THEN HE GOT THE MELODY OF SOMETHING. HE WAS PICKING IT OUT AND HE WAS INTO THINGS HE WAS MORE FAMILIAR WITH. HE WAS VERY MUSICAL AND HAD A REAL EAR. IT’S SORT OF LIKE AN IRISH BUTTON ACCORDION BUT NOT QUITE. IT’S BIGGER.” “WHAT I REMEMBER [MY GRANDPARENTS] TELLING ME IS WHEN HE WAS HERE, HE HAD IT MADE FOR HIM IN ITALY AND IT WAS SENT OVER TO CANADA WHEN HE LIVED HERE. I ALSO UNDERSTOOD HE PLAYED IN ITALY BUT THIS ACCORDION WAS MADE FOR HIM THERE AND SENT OVER [IN THE 1920S].” “IT’S A TREASURE. I WOULD SAY OF ALL THE THINGS I FOUND IN MY PARENTS’ HOME AND ALL THE THINGS I’VE HAD TO FIND HOMES FOR, ALL THE THINGS THAT WOULD REMIND ME OF MY CHILDHOOD, THIS IS THE MOST IMPORTANT THING. EVER. IT EVOKES REALLY STRONG MEMORIES. THERE’S SOMETHING ABOUT MUSIC IN A FAMILY. IF YOU CAN MEET TOGETHER AND YOU CAN SHARE MUSIC, WHICH OUR FAMILY DID, IT LEAVES AN IMPRESSION THAT YOU DON’T EVER FORGET.” “[THE ACCORDION] REALLY WAS FOR MY GRANDFATHER [GIUESEPPE “JOSEPH” BRIDAROLLI]. IT WAS FROM HIM. THAT’S WHERE THE [LOVE OF] MUSIC CAME FROM FOR ALL [MY FAMILY].” “WHEN I WAS A LITTLE GIRL, WE WOULD GO OVER TO [MY GRANDPARENTS’] HOUSE AT 909 - 8TH STREET NORTH, [MY GRANDFATHER] ALWAYS PLAYED. HE’D JUST SIT IN HIS KITCHEN AND HE’D PLAY SOMETHING FOR US. HE WOULD SIT ON A BENCH BY THE BACK DOOR OUTSIDE AND HE WOULD PLAY SOMETHING FOR US. AT CHRISTMAS, MY GRANDPARENTS WOULD COME OVER [TO OUR HOME] AND HE WOULD PLAY THE ACCORDION. MY MOTHER WOULD PLAY THE VIOLIN, MY SISTER THE PIANO. SHE WAS BETTER THAN ME AND WE WOULD ALL SING CAROLS. FOR MY UNCLE IT WOULD BE THE SAME. HE ALWAYS WAS THERE PLAYING HIS ACCORDION. WHEN MY UNCLE AND AUNT CAME TO VISIT, IT WAS THE SAME THING. HE’D PLAY.” ON HER FAMILY’S HISTORY AND CONNECTION TO THE ACCORDION, MORTON ELABORTED, “[MY GRANDFATHER] STOPPED WORKING IN THE MINES IN THE FIFTIES. HE WAS STILL DOING IT IN THE FIFTIES. WHEN THEY CAME OVER FOR SUNDAY DINNER OR WE WENT OVER THERE [MY GRANDFATHER WOULD PLAY]. [WHEN] MY GRANDMOTHER WAS WELL ENOUGH, WE WOULD ALTERNATE [HOMES FOR DINNERS]. THEN WHEN IT GOT HARDER FOR HER [SUNDAY DINNER] WAS ALWAYS IN OUR HOME. I MADE A TAPE WHEN MY PARENTS WENT TO INDIA IN 1971, AND THAT’S WHEN MY UNCLE GOT MARRIED AS WELL. WE CORRESPONDED BY CASSETTE TAPE. THAT SOUNDS VERY ANTIQUATED NOWADAYS. THERE WAS NO EMAIL. PHONES WERE DIFFICULT WHEN YOU TRIED TO PHONE INDIA AND [WE] HAD TO YELL INTO THE PHONE. SO WE DECIDED TO MAKE CASSETTE TAPES…I WENT DOWN SEPTEMBER THE 5TH, 1971…AND I HAD HIM PLAY THE ACCORDION SO THAT I COULD SEND THIS TAPE TO MY PARENTS. [THIS TAPE HAS] HIS VOICE A LITTLE BIT IN THE BACKGROUND AND MINE A TINY BIT BUT IT’S HIS MUSIC THAT’S IMPORTANT. IT WAS SENT OVER TO INDIA FOR THEM AND WE’VE KEPT IT EVER SINCE. HE DIED IN ’72 AND WE PLAYED THAT ACCORDION TAPE A HUNDRED MILLION TIMES. MY UNCLE ALSO HAD ONE OF COURSE. HE WAS ALWAYS PLAYING. MY MOTHER TELLS A STORY, ALTHOUGH IT’S NOT A FAMILY ONE BUT SHE SAID THAT FRIENDS OF HIS, WHEN IT WAS THEIR BIRTHDAY, HE WOULD GO OVER SIT UNDER THEIR WINDOW AND HE WOULD PLAY THE ACCORDION. HE WOULD PLAY AT GATHERINGS OF THE ITALIAN COMMUNITY. HE PLAYED AT DANCES.” “MY GRANDFATHER WAS BORN SEPTEMBER 7TH 1890 AND MY GRANDMOTHER [MARIA BERTE] WAS JANUARY 9TH, 1893. THEY WERE FROM CAVENDINE, ITALY, WHICH IS IN THE PROVINCE OF TRENTO AND THAT’S WHERE THIS ACCORDION WAS MANUFACTURED…THEY WERE VERY POOR OVER THERE…I FOUND A PAPER IN THE MIDDLE OF THE FAMILY DOCUMENTS THAT, I DON’T SPEAK ITALIAN, BUT IT LOOKED LIKE A POVERTY DOCUMENT THAT HAS MY GRANDFATHER—HIS FATHER’S NAME ON IT. THEY WERE VERY POOR AND THEY WOULD HAVE COME HERE TO MAKE A BETTER LIFE FOR HIS FAMILY.” “I UNDERSTAND THAT MY GRANDFATHER CAME OVER BY HIMSELF PRIOR TO 1920. HE WAS IN LETHBRIDGE AND SIZED THINGS UP. HE WENT BACK TO ITALY AND GOT MARRIED TO MY GRANDMOTHER IN 1920. MY MOTHER WAS BORN OVER THERE. IT WAS 1924, IN OCTOBER WHEN HE BROUGHT HIS WIFE AND HIS YOUNG DAUGHTER, ANN, OVER. THEY CAME ON A BOAT AND LANDED IN THE MARITIMES, AND THEY MADE THEIR WAY TO LETHBRIDGE. THEY STARTED IN COALHURST FOR A SHORT WHILE…AND THEN THEY MOVED TO LETHBRIDGE. MY UNCLE WAS BORN HERE IN 1926.” “I CAN GUESS [MY GRANDPARENTS MOVED TO SOUTHERN ALBERTA] BECAUSE [OF] MILLIE LUCIANI—THERE WERE BERTE FAMILIES HERE AND MY GRANDMOTHER WAS A BERTE. MILLIE LUCICANI’S FATHER[WAS A BERTE AND HE WAS A COUSIN OF MY [GRAND]MOTHER] … THERE WAS COMMUNICATION THERE THAT THIS WAS THE PLACE TO COME BECAUSE THEY WERE ALREADY HERE.” “WHEN MY GRANDFATHER DIED IN 1972, I HAD THIS ACCORDION AND THEN, AT A CERTAIN POINT I GAVE IT TO MY UNCLE, HIS SON, SYL. HE HAD IT IN FERNIE THEN IN MERRITT. HE DIED IN 2011 AND MY AUNT SENT IT TO ME. WE TALKED ABOUT LEAVING IT TO THE MUSEUM BUT I DIDN’T WANT TO LET GO OF IT YET. WHAT HAS SPURRED IT ON IS THAT THERE IS NOBODY ELSE TO PASS IT ON TO.” “I WAS GIVEN THIS BECAUSE, WHEN I WAS A LITTLE GIRL I JUST LOVED IT. HE PLAYED AND I LOVED IT. MY UNCLE LOVED IT TOO, HE DIDN’T LIVE HERE AND BECAUSE IT WAS EASY AND MY PARENTS HAD TO LEAVE FOR INDIA, I GOT IT TEMPORARILY. IT DID BELONG MORE TO MY MOM AND MY UNCLE THAN TO ME, BUT I HAD IT FIRST FOR QUITE A WHILE.” “MY SISTER AND I WERE TALKING AND WE THOUGHT, WELL REALLY IT WAS MORE [OUR UNCLE’S] THAN OURS. THAT’S WHY [I GAVE IT TO HIM]. BY GOING TO ME IT WENT TO MY MOM AND SHE WAS THE ELDEST. BUT WHEN MY MOTHER WAS GETTING REALLY SICK AND HE WAS COMING TO VISIT HER AND SHE WASN’T GOING TO LIVE, THEN IT WAS REALLY IMPORTANT THAT IT GO TO THE NEXT PERSON WHICH REALLY WOULD BE MY UNCLE. WE THOUGHT IT WAS THE RIGHT THING AND HE WAS ENCHANTED. IT WAS REALLY HIS AT THAT POINT.” “I WANTED TO LEARN HOW TO PLAY IT SO I TRIED, BUT I HAD ARTHRITIS IN MY SHOULDERS SO I COULDN’T. I WOULD TAKE [IT] OUT EVERY ONCE IN A WHILE AND TRY TO PLAY “SILENT NIGHT”. I JUST TOOK IT WHEREVER I WENT AND TRIED TO LOOK AFTER IT.” “IT WOULD BE [ONE OF THE MOST IMPORTANT THINGS IN MY HOME] AND I’M SURE FOR MY UNCLE TOO. PICTURES ARE REALLY IMPORTANT TO OUR FAMILY AND TO ME. I KNOW TO MY UNCLE SYL AS WELL THIS WOULD BE [IMPORTANT] BECAUSE WE ALL REMEMBERED [MY GRANDFATHER] PLAYING ALL THE TIME. HE NEVER SAT DOWN WITHOUT IT ON HIS LAP. TO MY UNCLE IT WOULD BE EVEN STRONGER BECAUSE, OF COURSE, HE GREW UP WITH HIS FATHER PLAYING THE ACCORDION.” “MY GRANDPARENTS HAD TWO CHILDREN, MY MOTHER ANN, AND HER BROTHER SYL. SYL NEVER HAD ANY CHILDREN, THEY ADOPTED A GIRL ONCE BUT THAT WAS LONG AGO [AND] SHE’S OUT OF THE PICTURE. THERE’S MY AUNT, HIS WIFE, AND THERE’S ME. MY PARENTS HAVE PASSED AWAY AND MY SISTER, LAUREL, PASSED AWAY IN 2009 IN GENEVA. IF SOMETHING HAPPENS TO ME, THERE IS ABSOLUTELY NO WAY THIS BRIDAROLLI FAMILY WILL CARRY ON. THE ANDERSON FAMILY [MY FATHER’S FAMILY] THERE WERE EIGHT OF THEM. THERE’S NOBODY ELSE. THERE’S ME AND I FEEL A LITTLE RESPONSIBILITY TO MAKE SURE IT’S POSSIBLE THAT THE JOSEPH BRIDAROLLI FAMILY IS IN SOME WAY REMEMBERED. MY GRANDFATHER WAS A COAL MINER IN LETHBRIDGE AND HE ALSO WAS A PART OF THE ITALIAN COMMUNITY AND THEY WEREN’T RICH; THEY WEREN’T POWERFUL. THEY DIDN’T HOLD POSITIONS BUT I THINK THEIR STORY IS VERY IMPORTANT AS IMMIGRANTS FROM ITALY AND I’D LIKE TO TELL THEIR STORY. THAT’S THE REASON I BROUGHT IT. I THINK IT WOULD BE REALLY IMPORTANT THAT IN SOME WAY IT IS PERPETUATED BOTH FOR MY UNCLE AND MY MOTHER AS WELL AS HER PARENTS.” FOR MORE INFORMATION INCLUDING LETHBRIDGE HERALD ARTICLES AND THE FULL INTERVIEW TRANSCRIPTION, PLEASE SEE THE PERMANENT FILE P20180011000-GA.
Catalogue Number
P20180011000
Acquisition Date
2018-05
Collection
Museum
Images
Less detail
Other Name
WOUND STRIPE
Date Range From
1955
Date Range To
1969
Material Type
Artifact
Materials
COTTON, BRASS, METAL
Catalogue Number
P20160017001
  2 images  
Material Type
Artifact
Other Name
WOUND STRIPE
Date Range From
1955
Date Range To
1969
Materials
COTTON, BRASS, METAL
No. Pieces
3
Length
7.5
Width
4.8
Description
A. COTTON PATCH, 7.5CM LONG X 4.8CM WIDE. GREEN FRONT WITH BLACK BACK, WITH BRASS STRIPE ATTACH IN CENTER. CORNERS OF PATCH ARE CURLING FRONT LOWER RIGHT CORNER HAS STAINING; EDGES OF PATCH HAVE HOLES BETWEEN THREADS FROM BEING SEWN ON A UNIFORM. OVERALL VERY GOOD CONDITION. B. BRASS STRIPE, 4.3CM LONG. BRASS STRIPE SECURED TO FRONT OF CLOTH PATCH; STRIPE HAS CHEVRON PATTERN ENGRAVED ON FRONT; BACK HAS HOOK FOR INSERTING INTO PATCH. STRIPE HAS MINOR TARNISHING ALONG EDGES; OVERALL VERY GOOD CONDITION. C. METAL BACKING, 5.5CM LONG X 1.2CM WIDE. SILVER METAL BACKING FOR BRASS STRIPE, WITH ROUNDED ENDS AND HOLES CUT THROUGH ENDS. HOOK ON BACK OF STRIPE IS FASTENED TO HOLE AT THE END OF THE BACKING. METAL SHOWS SIGNS OF WEAR AND MINOR TARNISHING; OVERALL VERY GOOD CONDITION.
Subjects
PERSONAL SYMBOL
Historical Association
MILITARY
History
ON SEPTEMBER 16, 2016, COLLECTIONS TECHNICIAN KEVIN MACLEAN INTERVIEWED CHRIS AINSCOUGH REGARDING HIS DONATION OF A COLLECTION OF MILITARY OBJECTS. THE OBJECTS BELONGED TO AISNCOUGH’S GRANDFATHER AND FATHER, WILLIAM GEORGE AINSCOUGH (FIRST WORLD WAR) AND REED WILSON AINSCOUGH (SECOND WORLD WAR AND POST-WAR). ON HIS FATHER’S, REED WILSON AINSCOUGH’S, MILITARY SERVICE, CHRIS AINSCOUGH RECALLED, “I THINK THAT THE WAR WAS PROBABLY ONE OF THE BEST THINGS THAT HAPPENED TO MY DAD. HE NEVER SPOKE ABOUT IT MUCH, BUT THE FRIENDSHIPS THAT HE DEVELOPED THROUGH HIS CONTACTS IN THE WAR WENT ON RIGHT UNTIL HIS DEATH…IT’S PROBABLY LIKE BEING ON A TEAM, YOU KNOW, AND I THINK IT’S THAT FELLOWSHIP YOU GET FROM RELYING ON PEOPLE, AND TRAINING WITH PEOPLE, AND GETTING THEIR KNOWLEDGE AND UNDERSTANDING. I THINK THAT’S SORT OF A BIG PART OF IT.” “THE ONLY STORIES THAT I EVER REMEMBER HIM TELLING ME WAS, THEY WERE IN LONDON, AND THEY CLIMBED UP A CHURCH TOWER—IT WAS TWIN TOWERS ON THIS CHURCH…I WAS LOOKING AT A PICTURE OF IT IN A BOOK, AND HE SAYS, YES, THAT HE AND A COUPLE OF GUYS WERE ON LEAVE, AND THEY CLIMBED UP TO THE TOP OF THIS TOWER—THEY HAD TO SQUIRM THEIR WAY TO THE TOP, AND, ALL OF A SUDDEN, THE AIR RAID SIRENS WENT, AND THEY WERE HUSTLING TO GET DOWN, AND THEY GOT DOWN TO THE STREET, AND THE OTHER SPIRE WAS GONE. THERE’S THAT, AND I DID ASK HIM WHAT HAPPENED TO HIM WHEN HE GOT WOUNDED. HE DIDN’T GO INTO VERY MUCH DETAIL ON IT, BUT JUST SAID THAT THEY WERE OUT ON A SORTIE—HE WAS A FORWARD OBSERVATION OFFICER…THAT’S A WICKED JOB BECAUSE YOU’RE IN FRONT OF EVERYBODY, AND HE SAID, HE HEARD A BURST OF MACHINE-GUN. THEY STARTED RUNNING DOWN THIS ROAD, AND THEY USED TO SKIP THE BULLETS DOWN THIS ROAD, APPARENTLY, AND THOSE GERMAN MACHINE-GUNS WERE 10 SHOTS FOR EVERY BROWNING—AND HE SAID, ALL OF A SUDDEN, HE HAD A BURNING IN HIS LEG AND HE HOPPED ALONG, AND THAT WAS IT. IT DAMAGED HIS LEG SO BADLY THAT HE COULDN’T GO BACK, SO THOSE ARE THE TWO STORIES. OTHER THAN THAT, I THINK HE TALKED ABOUT, ONE [OTHER] DAY, BECAUSE I FOUND THESE PHOTOS. I THINK HE EITHER HID THEM OR GOT RID OF THEM LATER, AND IT WAS BLACK-AND-WHITE PHOTOS OF A CONCENTRATION CAMP, AND I THINK HE SAID IT WAS BERGEN-BELSEN, BECAUSE BERGEN-BELSEN WAS IN LOWER GERMANY…HE SAID THEY HAD TO DON GAS-MASKS WHEN THEY WERE ABOUT 5 MILES AWAY, BECAUSE THEY HAD EXHUMED EVERYTHING, AND THAT WAS IT. I WAS PROBABLY ABOUT 10 OR 12 WHEN HE TOLD ME THAT ONE. I HAD NIGHTMARES FOR A LONG TIME – LOOKING AT THAT.” “AFTER HIS FUNERAL SERVICE, EVERYBODY CAME BACK TO THE HOUSE AND MY UNCLE, HUGHIE CRAIG, [FROM] FORT MACLEOD, WE WERE SITTING IN THE LIVING ROOM, AND HE SAID, 'HAS ANYBODY GOT ANY STORIES ABOUT REED?' THIS WAS MY UNCLE, WHO WAS A COLD IRISH-ENGLISH GUY. NOBODY DID, AND HE SAID THAT THEY WERE IN BELGIUM SOMEWHERE, AND HUGHIE WAS AN ELECTRICIAN SO HE WAS WITH…THE CALGARY SIGNAL CORP…HE WAS AT AN INTERSECTION…THERE’S A CONVOY COMING THROUGH, CANADIAN CONVOY. HE’S SITTING IN THE JEEP WITH HIS DRIVER, AND, ALL OF A SUDDEN, HE HEARS THIS 'HUGHIE, HUGHIE.' HE LOOKS UP, AND HERE’S MY DAD. HE BROKE OUT; CAME OVER TO HUGHIE AND SAID, 'WE’RE IN A HOTEL FIVE MILES UP THE ROAD HERE.' HE SAYS, 'WHY DON’T I COME BACK AND GET YOU FOR DINNER?' SO, HE DROVE BACK; PICKED UP HUGHIE; THEY WENT AND HAD DINNER. HUGHIE…WAS A CAPTAIN AT THAT TIME—SO HE HAD FIVE OR SIX GUYS WITH HIS GROUP. CAME BACK. THEY WERE ALL DEAD. SHOT UP BY THE GERMANS…[I] NEVER HEARD THAT ONE FROM MY DAD.” “WE MOVED [FROM FORT MACLEOD TO MEDICINE HAT] IN 1959…AND I THINK DAD WAS THE [COMMANDER OF THE SALLY HORSE IN MEDICINE HAT] FROM ’64 TO ’68. I’M PRETTY SURE THOSE WERE THE YEARS, SO IT WAS FIVE YEARS, WHERE YOU WAIT YOUR CHANCE/YOU WAIT YOUR OPPORTUNITY; PROVE YOURSELF; AND THEN UP YOU GO.” “[HIS SERVICE] DEFINITELY GOES INTO THE LATE ‘60S. HE WAS STILL SORT OF ACTIVE IN LETHBRIDGE. I’M NOT SURE EXACTLY IN WHAT FUNCTION MILITARILY, BUT HE DID GO TO EVENTS THAT OCCURRED.” “HE SAVED EVERYTHING THOUGH…[THE UNIFORM AND APPEARANCE ASPECT WAS] PROBABLY A BIG PART OF [HIS MILITARY EXPERIENCE].” “[DAD] HAD A PRETTY GOOD LIBRARY. HE WAS FAIRLY WELL-READ. HE KNEW A LOT ABOUT CANADIAN MILITARY HISTORY. I KNOW THAT FOR SURE. ONE THING I KNOW HE WAS PROUD OF WAS THAT TWICE SOUTH ALBERTA LIGHT HORSE WON THE WORTHINGTON TROPHY, WHICH WAS, I THINK, FOR THE BEST MILITIA IN CANADA….HE WAS THE…AIDE-DE-CAMP FOR [GRANT MACEWAN] FOR A NUMBER OF YEARS. I KNOW PRINCESS ALEXANDRA, WHO WAS THE QUEEN’S COUSIN, PRESENTED THE GUIDON TO THEM UP HERE, ACTUALLY, IT WAS…OVER AT THE CURRIE BARRACKS…IT MUST HAVE BEEN 1967 OR SOMETHING.” “I KNOW WE VERY SELDOM WENT ON FAMILY HOLIDAYS BECAUSE HE USUALLY TOOK THE HOLIDAYS THAT HE GOT, AND HE’D EITHER GO TO SHILO, OR HE’D GO UP HERE, AND THEY SPENT A LOT OF TIME OUT AT SUFFIELD, ON THE RANGE OUT THERE, SO HOLIDAYS WERE TIED INTO THAT. WHEN HE WAS LIEUTENANT-COLONEL, THAT WAS ALMOST LIKE A FULL-TIME JOB…WE NEVER SAW HIM. HE WOULD BE TRAVELING ON THE ROAD, AND THEN HE’D COME HOME, I THINK IT WAS THURSDAY NIGHT. THURSDAY NIGHT WAS…YOUNG SOLDIERS…AND THEN TUESDAY NIGHT WAS WHEN THE OFFICERS AND THE NCO’S WOULD DO SOMETHING, SO THOSE TWO NIGHTS WERE TAKEN UP. SATURDAY, HE’D BE OUT THERE. SUNDAY, HE’D BE OUT THERE…HE PUT IN 40 HOURS A WEEK OR MORE DOING THAT, AS A JOB, AS WELL AS HIS JOB AS AN INSURANCE SALESMAN.” AINSCOUGH ELABORATED ON HIS MOTIVES FOR DONATING THE COLLECTION, STATING, “I THINK [THE OBJECTS ARE] A BIG PART OF SOUTH ALBERTA’S HISTORY. DAD WAS VERY ACTIVE IN THE MILITARY AND THE MILITIA FOR MANY YEARS. I THINK THAT’S THE BIGGEST PART [OF WANTING TO DONATE THE OBJECTS]…IT’S DIVESTING, BECAUSE AFTER MY DAD DIED [IN 1992], MY MOTHER STAYED IN THE HOUSE FOR ABOUT 5 YEARS, AND THEN SHE MOVED OUT TO THE COAST. IT WAS AT THAT TIME, WHEN WE WERE GOING THROUGH THE STUFF IN THE HOUSE, THAT WE THOUGHT THIS IS A GOOD TIME TO GET IT DOWN TO SOMEPLACE LIKE THE GALT THAT WOULD LOOK AFTER IT.” THE DONOR’S GREAT GRANDFATHER, WILLIAM THOMAS AINSCOUGH, MARRIED MARGARET A. AINSCOUGH IN 1878 AND EMIGRATED FROM SMITHFIELD, UTAH TO CANADA IN 1898, BRINGING SIX CHILDREN, AGED 1 TO 18, WITH THEM. WILLIAM GEORGE AINSCOUGH, THE DONOR’S GRANDFATHER, WAS AMONG THE CHILDREN (BORN 1885). THE AINSCOUGHS INITIALLY SETTLED IN WHISKEY GAP, ALBERTA, BEFORE RELOCATING TO WOOLFORD, ALBERTA. ACCORDING A RESUME FOR REED W. AINSCOUGH INCLUDED IN THE PERMANENT FILE, REED WILSON AINSCOUGH WAS BORN ON JUNE 21, 1918 IN CARDSTON, ALBERTA. IN 1940, REED AINSCOUGH JOINED THE 93RD BATTERY OF THE ROYAL CANADIAN ARTILLERY [RCA] STATIONED AT FORT MACLEOD, ALBERTA, AND WAS PROMOTED TO A SECOND LIEUTENANT. REED AINSCOUGH WAS POSTED OVERSEAS IN 1942 AND SERVED UNTIL HIS DISCHARGE ON JANUARY 8, 1946. LETHBRIDGE HERALD ARTICLES REPORTED REED AINSCOUGH AS BEING IN THE THICK OF THE FIGHTING IN FRANCE, NOTABLY AT CAEN. IT WAS REPORTED IN THE LETHBRIDGE HERALD IN 1944 THAT REED AINSCOUGH WAS PROMOTED TO CAPTAIN, AND WAS WOUNDED IN HIS LEG IN OCTOBER 1944. REED AINSCOUGH WAS SENT TO BELGIUM FOR SURGERY AND TO BE HOSPITALIZED, AND WAS RETURNED TO CANADA ON THE HOSPITAL SHIP H.M.C.S. LADY NELSON IN 1945. IN 1947, REED AINSCOUGH BECAME THE BATTERY COMMANDER OF THE 93RD BATTERY RCA, AND SERVED AS THE COMMANDER UNTIL 1959, BEING PROMOTED TO MAJOR IN 1951. IN 1959, UPON A TRANSFER WITH HIS EMPLOYMENT AT CANADA LIFE, HE MOVED TO MEDICINE HAT, ALBERTA, AND JOINED THE SOUTH ALBERTA LIGHT HORSE AS A SQUADRON COMMANDER IN 1961. IN 1964, HE WAS PROMOTED TO LIEUTENANT COLONEL AND COMMANDER OF THE SOUTH ALBERTA LIGHT HORSE, AND WAS APPOINTED AIDE-DE-CAMP TO LIEUTENANT GOVERNOR GRANT MACEWAN UNTIL HIS RETIREMENT. REED AINSCOUGH WAS PROMOTED TO BRANCH MANAGER OF CANADA LIFE IN LETHBRIDGE, ALBERTA, IN 1969 AND MOVED TO LETHBRIDGE. HE WAS A MEMBER OF THE MASONIC LODGE, LODGE OF PERFECTION, ROSE CROIX, CONSISTORY, SHRINE, ORDER OF THE EASTERN STAR, AND SERVED AS THE MASTER OF THE LODGE OF PERFECTION UNTIL 1977. ACCORDING TO HIS LETHBRIDGE HERALD OBITUARY, REED AINSCOUGH WAS ALSO ACTIVE WITH THE FORT MACLEOD CHAMBER OF COMMERCE, LIONS’ CLUB, HISTORICAL ASSOCIATION, AND FORT MACLEOD MUSEUM DURING HIS TIME LIVING IN FORT MACLEOD. IN MEDICINE HAT, AISNCOUGH SERVED AS PRESIDENT OF THE HEART AND STROKE ASSOCIATION, AND ACTED AS A SENATOR FOR THE UNIVERSITY OF LETHBRIDGE UPON MOVING TO THE CITY. ON OCTOBER 20, 1993, REED WILSON AINSCOUGH PASSED AWAY IN LETHBRIDGE. FOR MORE INFORMATION INCLUDING FAMILY MILITARY SERVICE FILES, NEWSPAPER CLIPPINGS ON WILLIAM GEORGE AND REED AINSCOUGH, A RESUME FOR REED AINSCOUGH, AND THE FULL INTERVIEW TRANSCRIPTION, PLEASE SEE THE PERMANENT FILE P20160017001-GA.
Catalogue Number
P20160017001
Acquisition Date
2016-06
Collection
Museum
Images
Less detail
Other Name
WWII ARTILLERY CAP BADGE
Date Range From
1939
Date Range To
1945
Material Type
Artifact
Materials
BRASS
Catalogue Number
P20160038001
  1 image  
Material Type
Artifact
Other Name
WWII ARTILLERY CAP BADGE
Date Range From
1939
Date Range To
1945
Materials
BRASS
No. Pieces
2
Height
4.9
Length
7
Description
A: BRASS SECOND WORLD WAR ROYAL CANADIAN ARTILLERY CAP BADGE. BADGE DEPICTS THE ARTILLERY’S CREST WITH A FIELD GUN IN THE CENTER. UNDERNEATH A CROWN AT THE TOP OF THE BADGE IS THE WORD “UBIQUE” EMBOSSED IN BANNER IN BRASS. BELOW THE FIELD GUN IS A BANNER THAT READS “QUO PAS ET GLORIA DUCUNT”. BACKSIDE HAS TWO PARALLEL RINGS HORIZONTALLY IN THE BOTTOM HALF FOR THE PIN. B: BRASS CAP BADGE PIN WITH TWO PRONGS MEETING AT ONE END WITH A LOOP AND THEN EXTENDING OUTWARD. OUTER ENDS ARE BENT AWAY FROM EACH OTHER TO FORM A WIDER V. PIN DIMENSIONS: 6.1 X 1.7 CM CONDITION: FINISH HAS DARKENED WITH MINOR WEAR TO SURFACE.
Subjects
PERSONAL SYMBOL
Historical Association
MILITARY
History
IN 2016, JOHN VAN DEN BROEKE DONATED TWO CAP BADGES AND A WORLD WAR II DEFENSE MEDAL TO THE GALT MUSEUM. VAN DEN BROEKE’S FATHER, GEORGE JOHN VAN DEN BROEKE, AND HIS UNCLE, MARTIN CORNELIUS VAN DEN BROEKE BOTH SERVED FOR CANADA DURING THE WAR. VAN DEN BROEKE’S UNCLE WAS KILLED IN ACTION WHILE OVERSEAS. IT IS CLAIMED THE ARTIFACTS BELONGED TO THE DONOR'S FATHER AND UNCLE. THIS BADGE IS PRESUMED TO HAVE BELONGED TO THE DONOR'S FATHER. TO ACQUIRE FURTHER INFORMATION REGARDING THE ARTIFACTS’ HISTORY, GALT COLLECTIONS TECHNICIAN KEVIN MACLEAN INTERVIEWED DONOR JOHN VAN DEN BROEKE AT THE MUSEUM ON 6 NOVEMBER 2016. THE FOLLOWING INFORMATION HAS BEEN EXTRACTED FROM THAT INTERVIEW. VAN DEN BROEKE EXPLAINED, “MY FATHER WAS...A GUNNER [WITH THE 44 A.A. BATTERY]. HE WAS STATIONED AT PRINCE RUPERT. MY UNCLE – I’M NOT TOO SURE IF ANY OF THESE [ITEMS] DEAL WITH HIM – IS ON THE CENOTAPH AT LETHBRIDGE. HE DIED IN VILLANOVA ITALY IN DECEMBER ’44, 1943... THE WAR IS JUST ABOUT OVER WHEN HE GOT KILLED.” “[THESE BADGES AND THE MEDAL REMIND ME OF] THE WAR EFFORT,” VAN DEN BROEKE CONTINUED, “[ALONG WITH] MY UNCLE AND MY FATHER [WHO WERE A PART OF THAT EFFORT]. [WHILE] MY UNCLE DIED IN ’44, MY FATHER [DIDN’T GO] INTO THE ARMY UNTIL ABOUT ’43. HE WAS DRAFTED OUT TO PRINCE RUPERT FOR THE JAPANESE INVASION, IF IT WAS GOING TO HAPPEN. IT’S [PART OF THE] HISTORY OF OUR FAMILY.” ALONG WITH THE DONATION OF THE BADGES AND THE MEDAL, VAN DEN BROEKE DONATED SOME OF HIS FAMILY’S ARCHIVAL MATERIAL CONNECTED TO THE SECOND WORLD WAR TO THE GALT ARCHIVES (PLEASE SEE ARCHIVAL ACCESSION NUMBER 20161102). ACCORDING TO THE INTERVIEW, JOHN VAN DEN BROEKE [THE DONOR] WAS BORN IN 1947 AND HIS DAD RETURNED HOME FOLLOWING THE WAR. HE STATED, “[I KNEW THAT THESE MATERIALS EXISTED] FROM WHEN I WAS ABOUT TWENTY, OR MAYBE EVEN YOUNGER. MY GRANDMOTHER WAS MOTHER OF THE YEAR OR WHATEVER THEY CALL, SILVER MOTHER OR SOMETHING, HERE IN LETHBRIDGE IN 1967.” “[MOST OF THE VETERANS] DIDN’T WANT TO TALK ABOUT IT,” VAN DEN BROEKE REPLIED WHEN ASKED ABOUT HIS MEMORIES OF HIS FATHER SPEAKING ABOUT HIS EXPERIENCE OF THE WAR, “PROBABLY THE FIRST REAL TIME I GOT INTO THIS WAS WHEN HE WENT AND TOOK GRAMMA TO THE GRAVE TO LAY THE WREATH. HE ESCORTED HER AS HER SON, AND SHE LAID THE WREATH ON BEHALF OF SOUTHERN ALBERTA. I WAS THERE FOR THAT CEREMONY, AND [I RECALL BEING] QUITE TAKEN BACK BY THE WAY THOSE GUYS COULD SALUTE. IT WAS THE FIRST TIME I’D SEEN MY FATHER DO IT, AND IT ALMOST RAISED THE HAIR ON YOUR NECK BECAUSE IT WAS SO PRECISE. SO THAT’S WHEN I STARTED TAKING AN INTEREST IN THIS STUFF.” “[EVEN AFTER I TOOK AN INTEREST IN THAT HISTORY, MY DAD DID NOT REALLY SPEAK MUCH ABOUT IT.] THERE WASN’T A LOT HAPPENED ON THE WEST COAST [WHERE HE WAS STATIONED AT PRINCE RUPERT]. THEY WERE SITTING UP THERE WAITING F0R THE JAPANESE TO INVADE AND THEY HAD ALL THE GUNS OUT ON THE WEST COAST, BUT IT NEVER CAME TO BE,” VAN DEN BROEKE STATED.” WHEN ASKED WHY HIS FATHER DID NOT GO OVERSEAS, VAN DEN BROEKE SPECULATED, “PROBABLY BECAUSE HE WASN’T CONSCRIPTED UNTIL ’43. AT THAT POINT THEY THOUGHT THE JAPANESE WERE [A LARGE THREAT]. THEY PROBABLY ATTACKED PEARL HARBOR BY THEN, I WOULD IMAGINE. THAT’S WHEN THEY SET UP THE TROOPS ON THE WEST COAST. MY UNCLE WENT IN THE WAR PROBABLY IN ’39 WHEN IT STARTED, SO HE WAS PROBABLY CONSCRIPTED AND SENT OVERSEAS, AND THAT’S HOW HE ENDED UP IN ITALY.” “[ON THE OTHER HAND] I THINK MY FATHER WAS ACTUALLY CONSCRIPTED [TO JOIN THE WAR], BECAUSE HE WAS QUITE A BIT OLDER AND WHEN HE GOT INTO THE ARMY HE WOULD HAVE BEEN [AROUND HIS MID TO LATE THIRTIES].” “I WOULD SAY MY MOTHER [WAS THE PERSON MOST AWARE OF THESE ARTIFACTS OTHER THAN MY FATHER],” VAN DEN BROEKE CONTINUED, “PROBABLY THE FIRST TIME I’D SEEN IT [WAS AFTER] MY DAD PASSED AWAY IN ’67. [WHEN] I WAS ONLY NINETEEN, HE WAS IN A FIRE AT PARK LAKE. HE WAS THE WARDEN AT THE PARK LAKE PROVINCIAL PARK AND A GARAGE BLEW UP AND HE DIED JANUARY 1ST, 1968. SO AT THAT POINT MY MOTHER AND I MOVED FROM PARK LAKE TO PICTURE BUTTE. [I RECEIVED THE ITEMS] WHEN MY MOTHER PASSED AWAY IN ABOUT 1992.” SPEAKING ABOUT HIS FATHER’S EARLIER LIFE, VAN DEN BROEKE SAID, “HE WAS BORN IN HELLENDOORN, HOLLAND IN 1905 ON JANUARY 30TH. HE EMIGRATED TO MONARCH WITH HIS FATHER IN 1911. HIS FATHER WAS A BLACKSMITH IN MONARCH. PROBABLY ABOUT TWENTY-FIVE OR THIRTY [DUTCH IMMIGRANTS WERE HERE WHEN MY DAD’S FAMILY ARRIVED] AND THEY ALL SETTLED IN MONARCH. THAT’S WHY YOU HAVE THAT LITTLE CHURCH OUT THERE IN THE COUNTRYSIDE AT MONARCH. THAT WAS PART OF THEIR CHURCH, ALL MY AUNTS AND UNCLES, AND THEY’RE BURIED IN THE MONARCH/NOBLEFORD CEMETERY.” AS HIS UNCLE WAS KILLED IN ACTION DURING THE SECOND WORLD WAR, VAN DEN BROEKE HAS SPECIFIC MEMORIES OF HIS FAMILY’S EXPERIENCE OF THE REMEMBRANCE DAYS AFTER THE WAR. HE SAID, “YEARS AGO I SENT THEIR PICTURES BOTH INTO THE HERALD WHEN THEY FIRST STARTED THAT REMEMBRANCE DAY [PUBLICATION]. I SENT BOTH THEIR PICTURES AND THEY’VE BEEN IN THE HERALD. [AND THAT’S WHY I WAS REMINDED TO DONATE THESE ITEMS TO THE MUSEUM] RIGHT NOW, AS WE JUST HAVE A WEEK TO GO [UNTIL REMEMBRANCE DAY].” A NOTICE PUBLISHED IN THE LETHBRIDGE HERALD STATES, “SON OF GEO. VAN DEN BROEKE OF MONARCH, GUNNER A. J. VAN DEN BROEKE, WHO IS SERVING WITH A BATTERY STATIONED AT THE WEST COAST. HE HAS A WIFE AND AN INFANT DAUGHTER, CHRISTINE LOUISE, RESIDED AT MONARCH, ALTA., ALSO A BROTHER OVERSEAS…” THE OBITUARY OF THE DONOR’S FATHER WAS PUBLISHED IN THE LETHBRIDGE HERALD. IT READS, “PASSED AWAY IN SUDDENLY IN THE CITY ON MONDAY, JAN. 1, [1968], GEORGE JOHN “GERRIT”, AGED 62 YEARS, BELOVED HUSBAND OF MRS. CHRISTINA VAN DEN BROEKE OF COALHURST. BESIDES HIS LOVING WIFE, SURVIVORS INCLUDE TWO SONS, GEORGE JOHN OF COALHURST, AND HENRY MARTIN OF RED DEER; ONE DAUGHTER, MRS. WALTER CHRISTINE LOUISE DUNN OF TURIN; ONE SISTER, RIKA NILSON… HIS STEPMOTHER MRS. JOHANNA VAN DEN BROEKE. THE LATE MR. VAN DEN BROEKE WAS BORN IN HOLLAND IN 1905 AND WAS RAISED AND EDUCATED IN MONARCH.” ACCORDING TO HIS SERVICE FILE, OBTAINED FROM THE LIBRARY AND ARCHIVES OF CANADA, GEORGE VAN DEN BROEKE ENLISTED ON NOVEMBER 6, 1942 UNDER THE NATIONAL RESOURCES MOBILIZATION ACT OF 1940. VAN DEN BROEKE WAS LISTED AS BEING A TRUCK DRIVER AT THE TIME OF HIS ENLISTMENT. VAN DEN BROEKE WAS STATIONED AS A GUNNER FIRST AT ESQUIMALT, BRITISH COLUMBIA, THEN AT VANCOUVER, BRITISH COLUMBIA IN 1943 WITH THE 27, 28, AND 29TH REGIMENTS OF THE 44 AA BATTERY. GEORGE VAN DEN BROEKE WAS DISCHARGED ON MARCH 7, 1946 ON DEMOBILIZATION. PLEASE SEE PERMANENT FILE FOR MORE INFORMATION, INCLUDING FULL INTERVIEW TRANSCRIPTION, GEORGE VAN DEN BROEKE'S SERVICE RECORD, AND ARCHIVAL RESEARCH (UOFL ARCHIVES RECORD, COMMONWEALTH WAR GRAVES COMMISSION LETTER, AND LETHBRIDGE HERALD ARTICLES).
Catalogue Number
P20160038001
Acquisition Date
2016-11
Collection
Museum
Images
Less detail
Other Name
WWII CALGARY HIGHLANDERS CAP BADGE
Date Range From
1939
Date Range To
1945
Material Type
Artifact
Materials
BRONZE, BRASS, METAL
Catalogue Number
P20160038002
  1 image  
Material Type
Artifact
Other Name
WWII CALGARY HIGHLANDERS CAP BADGE
Date Range From
1939
Date Range To
1945
Materials
BRONZE, BRASS, METAL
No. Pieces
2
Height
5.5
Length
4.8
Description
A: BRONZE SECOND WORLD WAR CALGARY HIGHLANDERS CAP BADGE. WREATH OF THISTLE IN BRONZE WITH ST. ANDREW’S CROSS (AN "X") MAKES UP OVERALL SHAPE OF BADGE. ON THE CENTRE OF THE CROSS, THERE IS A BEAVER ON A LOG ENCIRCLED BY A WREATH OF MAPLE LEAVES. BEAVER AND LOG ARE IN A DARKER METAL THAN REST OF BRONZE DESIGN. ON THE WREATH, BELOW THE BEAVER, IS A SCROLL OF THISTLES AND BELOW THAT IS A WHITE METAL SCROLL INSCRIBED WITH “CALGARY HIGHLANDERS”. THE CROWN IN AT THE TOP CENTER OF THE BADGE. BACK SIDE HAS A LOOP ON EITHER SIDE OF THE BADGE, PARALLEL FROM EACH OTHER, FOR THE PIN. B: BRASS-COLOURED PIN WITH TWO PRONGS MEETING ON ONE END IN A LOOP AND COMING OUT FROM THAT, AWAY FROM EACH OTHER, LIKE A “V”. PIN DIMENSIONS: 5.2 X 1.1 CM. CONDITION: SLIGHT TARNISHING OF METAL OVERALL.
Subjects
PERSONAL SYMBOL
Historical Association
MILITARY
History
IN 2016, JOHN VAN DEN BROEKE DONATED TWO CAP BADGES AND A WORLD WAR II DEFENSE MEDAL TO THE GALT MUSEUM. VAN DEN BROEKE’S FATHER, GEORGE JOHN VAN DEN BROEKE, AND HIS UNCLE, MARTIN CORNELIUS VAN DEN BROEKE BOTH SERVED FOR CANADA DURING THE WAR. VAN DEN BROEKE’S UNCLE WAS KILLED IN ACTION WHILE OVERSEAS. IT IS CLAIMED THE ARTIFACTS BELONGED TO THE DONOR’S FATHER AND UNCLE. THIS BADGE IS PRESUMED TO HAVE BELONGED TO THE DONOR'S UNCLE. TO ACQUIRE FURTHER INFORMATION REGARDING THE ARTIFACTS’ HISTORY, GALT COLLECTIONS TECHNICIAN KEVIN MACLEAN INTERVIEWED DONOR JOHN VAN DEN BROEKE AT THE MUSEUM ON 6 NOVEMBER 2016. THE FOLLOWING INFORMATION HAS BEEN EXTRACTED FROM THAT INTERVIEW. VAN DEN BROEKE EXPLAINED, “MY FATHER WAS...A GUNNER [WITH THE 44 A.A. BATTERY]. HE WAS STATIONED AT PRINCE RUPERT. MY UNCLE – I’M NOT TOO SURE IF ANY OF THESE [ITEMS] DEAL WITH HIM – IS ON THE CENOTAPH AT LETHBRIDGE. HE DIED IN VILLANOVA ITALY IN DECEMBER ’44, 1943... THE WAR IS JUST ABOUT OVER WHEN HE GOT KILLED.” “[THESE BADGES AND THE MEDAL REMIND ME OF] THE WAR EFFORT,” VAN DEN BROEKE CONTINUED, “[ALONG WITH] MY UNCLE AND MY FATHER [WHO WERE A PART OF THAT EFFORT]. [WHILE] MY UNCLE DIED IN ’44, MY FATHER [DIDN’T GO] INTO THE ARMY UNTIL ABOUT ’43. HE WAS DRAFTED OUT TO PRINCE RUPERT FOR THE JAPANESE INVASION, IF IT WAS GOING TO HAPPEN. IT’S [PART OF THE] HISTORY OF OUR FAMILY.” ALONG WITH THE DONATION OF THE BADGES AND THE MEDAL, VAN DEN BROEKE DONATED SOME OF HIS FAMILY’S ARCHIVAL MATERIAL CONNECTED TO THE SECOND WORLD WAR TO THE GALT ARCHIVES (PLEASE SEE ARCHIVAL ACCESSION NUMBER 20161102). OF THAT SEGMENT OF THE DONATION, VAN DEN BROEKE DESCRIBED, “THERE’S A LETTER THERE FROM THE LIEUTENANT WHO WITNESSED MY UNCLE GETTING SHOT IN VILLANOVA, ITALY AND [SAW] WHAT HAPPENED… IT EXPLAINS THAT HE WAS A SERGEANT AND HIS PLATOON WAS TO TAKE A STRATEGIC AREA. THEY WERE PINNED DOWN UNDER HEAVY MACHINE GUN FIRE, AND HE WAS MORTALLY WOUNDED. HE DIED INSTANTLY OF HIS WOUNDS. THE LIEUTENANT SAID HE WAS A VERY GOOD SERGEANT AND THAT HE WAS THERE HELPING TO FIGHT THE NAZI MONSTER, SO THE LETTER IS QUITE INTERESTING AND IT’S IN VERY GOOD SHAPE.” ACCORDING TO THE INTERVIEW, VAN DEN BROEKE WAS BORN IN 1947 AND HIS DAD RETURNED HOME FOLLOWING THE WAR. HE STATED, “[I KNEW THAT THESE MATERIALS EXISTED] FROM WHEN I WAS ABOUT TWENTY, OR MAYBE EVEN YOUNGER. MY GRANDMOTHER WAS MOTHER OF THE YEAR OR WHATEVER THEY CALL, SILVER MOTHER OR SOMETHING, HERE IN LETHBRIDGE IN 1967.” “[MOST OF THE VETERANS] DIDN’T WANT TO TALK ABOUT IT,” VAN DEN BROEKE REPLIED WHEN ASKED ABOUT HIS MEMORIES OF HIS FATHER SPEAKING ABOUT HIS EXPERIENCE OF THE WAR, “PROBABLY THE FIRST REAL TIME I GOT INTO THIS WAS WHEN HE WENT AND TOOK GRAMMA TO THE GRAVE TO LAY THE WREATH. HE ESCORTED HER AS HER SON, AND SHE LAID THE WREATH ON BEHALF OF SOUTHERN ALBERTA. I WAS THERE FOR THAT CEREMONY, AND [I RECALL BEING] QUITE TAKEN BACK BY THE WAY THOSE GUYS COULD SALUTE. IT WAS THE FIRST TIME I’D SEEN MY FATHER DO IT, AND IT ALMOST RAISED THE HAIR ON YOUR NECK BECAUSE IT WAS SO PRECISE. SO THAT’S WHEN I STARTED TAKING AN INTEREST IN THIS STUFF.” "MY UNCLE WENT IN THE WAR PROBABLY IN ’39 WHEN IT STARTED, SO HE WAS PROBABLY CONSCRIPTED AND SENT OVERSEAS, AND THAT’S HOW HE ENDED UP IN ITALY.” “[MY UNCLE] HE WASN’T [MARRIED WHEN HE WENT OVERSEAS]. HE WAS 23 [WHEN HE DIED]. SO HE WAS YOUNG, PROBABLY JOINED WHEN HE WAS NINETEEN. THERE WAS A LOT OF PEOPLE AT THAT TIME SAYING, ‘COME ON, JOIN AND LET’S GO FIGHT,’ SO THAT’S WHAT THEY DID,” SAID VAN DEN BROEKE, “HE HAD A SISTER THAT USED TO LIVE IN CUTBANK, MONTANA NAMED RIKA NELSON. SHE HAD TWO OR THREE OR FOUR KIDS, AND THERE IS A PICTURE OF [MY UNCLE] WITH TWO OF HER SONS (ARCHIVES ACCESSION NUMBER 20161102).” “I WOULD SAY MY MOTHER [WAS THE PERSON MOST AWARE OF THESE ARTIFACTS OTHER THAN MY FATHER],” VAN DEN BROEKE CONTINUED, “PROBABLY THE FIRST TIME I’D SEEN IT [WAS AFTER] MY DAD PASSED AWAY IN ’67. [WHEN] I WAS ONLY NINETEEN, HE WAS IN A FIRE AT PARK LAKE. HE WAS THE WARDEN AT THE PARK LAKE PROVINCIAL PARK AND A GARAGE BLEW UP AND HE DIED JANUARY 1ST, 1968. SO AT THAT POINT MY MOTHER AND I MOVED FROM PARK LAKE TO PICTURE BUTTE. [I RECEIVED THE ITEMS] WHEN MY MOTHER PASSED AWAY IN ABOUT 1992.” SPEAKING ABOUT HIS FATHER’S EARLIER LIFE, VAN DEN BROEKE SAID, “HE WAS BORN IN HELLENDOORN, HOLLAND IN 1905 ON JANUARY 30TH. HE EMIGRATED TO MONARCH WITH HIS FATHER IN 1911. HIS FATHER WAS A BLACKSMITH IN MONARCH. PROBABLY ABOUT TWENTY-FIVE OR THIRTY [DUTCH IMMIGRANTS WERE HERE WHEN MY DAD’S FAMILY ARRIVED] AND THEY ALL SETTLED IN MONARCH. THAT’S WHY YOU HAVE THAT LITTLE CHURCH OUT THERE IN THE COUNTRYSIDE AT MONARCH. THAT WAS PART OF THEIR CHURCH, ALL MY AUNTS AND UNCLES, AND THEY’RE BURIED IN THE MONARCH/NOBLEFORD CEMETERY.” “[THE DUTCH CONNECTION IS] VERY INTERESTING BECAUSE ROELOF HEINEN USED TO BE REEVE FOR THE COUNTY OF LETHBRIDGE WHEN THEY HAD THAT DUTCH, THEY HAD SOME KIND OF A DUTCH APPRECIATION DAY IN PICTURE BUTTE ABOUT TWENTY-FIVE YEARS AGO. ROELOF TOOK THAT LETTER THAT I GOT FROM THE LIEUTENANT AND HE WAS GOING TO READ IT AT THAT APPRECIATION DAY, BUT THE PROGRAM GOT TOO LONG AND HE NEVER GOT TO IT,” VAN DEN BROEKE RECALLED AS HE SPOKE OF THE SIGNIFICANCE OF HIS FAMILY’S DUTCH BACKGROUND IN CONNECTION TO THE SECOND WORLD WAR, “[MY UNCLE BEING A DUTCH IMMIGRANT FIGHTING WITH THE CANADIAN MILITARY] WAS QUITE UNIQUE. HE WAS FIGHTING FOR CANADA, [AND HE WAS] BORN IN CANADA, BUT WITH A DUTCH NAME AND HE WAS KILLED IN ITALY. HE’S THE ONLY ONE THAT DIED FROM THE MONARCH/NOBLEFORD AREA THAT WENT TO FIGHT, ACCORDING TO THE HISTORY BOOKS FROM THE AREA. AS HIS UNCLE WAS KILLED IN ACTION DURING THE SECOND WORLD WAR, VAN DEN BROEKE HAS SPECIFIC MEMORIES OF HIS FAMILY’S EXPERIENCE OF THE REMEMBRANCE DAYS AFTER THE WAR. HE SAID, “YEARS AGO I SENT THEIR PICTURES BOTH INTO THE HERALD WHEN THEY FIRST STARTED THAT REMEMBRANCE DAY [PUBLICATION]. I SENT BOTH THEIR PICTURES AND THEY’VE BEEN IN THE HERALD. [AND THAT’S WHY I WAS REMINDED TO DONATE THESE ITEMS TO THE MUSEUM] RIGHT NOW, AS WE JUST HAVE A WEEK TO GO [UNTIL REMEMBRANCE DAY].” AN ONLINE RECORD FOR THE DONOR’S UNCLE, MARTIN CORNELIUS VAN DEN BROEKE FROM THE UNIVERSITY OF LETHBRIDGE ARCHIVES DATABASE TITLED, “LETHBRIDGE CENOTAPH,” READS, “MARTIN VAN DEN BROEKE WAS BORN ON JULY 12, 1921 IN MONARCH, ALBERTA TO PARENTS GERHARD AND JOHANNA VAN DEN BROEKE. HE WAS RAISED AND EDUCATED IN MONARCH WITH SIBLINGS, GERRIT AND RIKA… AT THE TIME OF ENLISTMENT, HE WAS SINGLE AND WORKING FOR HIS FATHER AS AN APPRENTICE BLACKSMITH. ON DECEMBER 22, 1942, MARTIN VAN DEN BROEKE ENLISTED FOR SERVICE WITH THE CANADIAN ARMY AT CALGARY. HE SPENT THE NEXT NINE MONTHS TRAINING AT CALGARY, CAMROSE, AND WINDSOR, NOVA SCOTIA. ON SEPTEMBER 1, 1943, SERGEANT VAN DEN BROEKE ARRIVED IN THE UNITED KINGDOM. JUST TWO MONTHS LATER, HE WAS SENT TO ITALY WHERE HE WAS TAKEN ON STRENGTH BY THE CAPE BRETON HIGHLANDERS. SERGEANT VAN DEN BROEKE WAS INCLUDED IN COMBAT OPERATIONS WITH THIS UNIT AS THE ALLIED FORCES MADE THEIR MARCH ACROSS ITALY. ON DECEMBER 13, 1944, SERGEANT VAN DEN BROEKE WAS KILLED IN ACTION DURING THE BREAKING OF THE GOTHIC LINE. HE WAS LAID TO REST AT VILLANOVA CANADIAN WAR CEMETERY. FOR HIS WARTIME SERVICE, SERGEANT VAN DEN BROEKE WAS AWARDED THE 1939-45 STAR, ITALY STAR, WAR MEDAL AND CANADIAN VOLUNTEER SERVICE MEDAL WITH CLASP. HIS MOTHER RECEIVED A MEMORIAL CROSS IN HONOUR OF HER SON.” A LETTER PROVIDED BY THE DONOR FROM THE COMMONWEALTH WAR GRAVES COMMISSION STATES, “M 105808 SERGEANT MARTIN CORNELIUS VAN DEN BROEKE OF THE CAPE BRETON HIGHLANDERS, CANADIAN INFANTRY CORPS DIED ON 13 DECEMBER 1944 AT AGE 23. HE IS BURIED IN THE VILLANOVA CANADIAN WAR CEMETERY, ITALY IN PLOT 7, ROW B, GRAVE 5.” ACCODING TO THE WEBSITE OF VETERANS AFFAIRS CANADA ON THE VILLANOVA CANADIAN WAR CEMETERY IN ITALY, THE CANADIAN 5TH ARMOURED DIVISION, WHICH INCLUDED THE CAPE BRETON HIGHLANDERS AND NOVA SCOTIA HIGHLANDERS, ESTABLISHED A BRIDGEHEAD OVER THE LAMONE RIVER ON DECEMBER 10-11, 1944. THE 5TH CANADIAN ARMOURED DIVISION PARTICIPATED IN LIBERATING THE ITALIAN PROVINCE OF RAVENNA, INCLUDING THE VILLAGE OF VILLANOVA, IN DECEMBER 1944. AS STATED ON THE VETERANS AFFAIRS WEBSITE ON THE VILLANOVA CEMETERY, “THE ADVANCE ACROSS THE LAMONE NEAR VILLANOVA WENT WELL. THE CAPE BRETON HIGHLANDERS WERE QUICKLY OVER THE DYKE AND IN THE VILLAGE, WITH 43 PRISONERS CAPTURED…THE NAVIGLIO CANAL WAS THE NEXT CANADIAN OBJECTIVE, AND THE ASSAULT BEGAN THE NIGHT OF DECEMBER 12…ENEMY FIRE PREVENTED THE RESERVE SQUADRONS FROM EVEN APPROACHING THE CANAL. TO MAKE MATTERS WORSE, AIR SUPPORT WAS UNAVAILABLE DUE TO POOR VISIBILITY AND THE TANKS WERE UNABLE TO REACH THIS SECTION. IN THAT ONE NIGHT'S ACTION, 21 OF THE REGIMENT WERE KILLED AND 46 CAPTURED…THE SITUATION WOULD IMPROVE IN A MATTER OF DAYS, WHEN AIR AND TANK SUPPORT BECAME AVAILABLE.” A LETHBRIDGE HERALD ARTICLE WAS PUBLISHED ABOUT THE DEATH OF MARTIN VAN DEN BROEKE. IT STATES, “HE IS THE FIRST SERVICEMAN FROM MONARCH TO MAKE THE SUPREME SACRIFICE.” ARTICLES WERE ALSO PUBLISHED IN THE NEWSPAPER ABOUT PREVIOUS INJURIES MARTIN VAN DEN BROEKE SUSTAINED IN COMBAT. THE OBITUARY OF THE DONOR’S FATHER WAS PUBLISHED IN THE LETHBRIDGE HERALD. IT READS, “PASSED AWAY IN SUDDENLY IN THE CITY ON MONDAY, JAN. 1, [1968], GEORGE JOHN “GERRIT”, AGED 62 YEARS, BELOVED HUSBAND OF MRS. CHRISTINA VAN DEN BROEKE OF COALHURST. BESIDES HIS LOVING WIFE, SURVIVORS INCLUDE TWO SONS, GEORGE JOHN OF COALHURST, AND HENRY MARTIN OF RED DEER; ONE DAUGHTER, MRS. WALTER CHRISTINE LOUISE DUNN OF TURIN; ONE SISTER, RIKA NILSON… HIS STEPMOTHER MRS. JOHANNA VAN DEN BROEKE. THE LATE MR. VAN DEN BROEKE WAS BORN IN HOLLAND IN 1905 AND WAS RAISED AND EDUCATED IN MONARCH.” PLEASE SEE PERMANENT FILE FOR MORE INFORMATION, INCLUDING FULL INTERVIEW TRANSCRIPTION, GEORGE VAN DEN BROEKE'S SERVICE FILE, AND ARCHIVAL RESEARCH (UOFL ARCHIVES RECORD, COMMONWEALTH WAR GRAVES COMMISSION LETTER, AND LETHBRIDGE HERALD ARTICLES).
Catalogue Number
P20160038002
Acquisition Date
2016-11
Collection
Museum
Images
Less detail
Other Name
"ROYAL CANADIAN ARTILLERY"
Date Range From
1911
Date Range To
1919
Material Type
Artifact
Materials
BRASS, COPPER
Catalogue Number
P20160017011
  2 images  
Material Type
Artifact
Other Name
"ROYAL CANADIAN ARTILLERY"
Date Range From
1911
Date Range To
1919
Materials
BRASS, COPPER
No. Pieces
1
Length
5
Width
6.4
Description
CANADIAN ARTILLERY CAP BADGE; BADGE DEPICTS A CROWN OVER “CANADA” BANNER, OVER AN ARTILLERY FIELD GUN ABOVE BANNER WITH TEXT “QUO FAS ET GLORIA DUCUNT”. BADGE HAS MINOR TARNISHING ON FRONT AND BACK, WITH GREEN RESIDUE LEFT FROM OXIDATION; OVERALL VERY GOOD CONDITION.
Subjects
PERSONAL SYMBOL
Historical Association
MILITARY
History
ON SEPTEMBER 16, 2016, COLLECTIONS TECHNICIAN KEVIN MACLEAN INTERVIEWED CHRIS AINSCOUGH REGARDING HIS DONATION OF A COLLECTION OF MILITARY OBJECTS. THE OBJECTS BELONGED TO AISNCOUGH’S GRANDFATHER AND FATHER, WILLIAM GEORGE AINSCOUGH (FIRST WORLD WAR) AND REED WILSON AINSCOUGH (SECOND WORLD WAR AND POST-WAR). ON HIS GRANDFATHER’S, WILLIAM GEORGE AINSCOUGH’S, MILITARY SERVICE, CHRIS AINSCOUGH NOTED, “MY UNDERSTANDING [IS MY GRANDFATHER SERVED IN THE FIRST WORLD WAR] ALTHOUGH IT’S INTERESTING…I REMEMBER MY DAD SAID, WHEN THE DEPRESSION HIT, THEY WERE GOING TO LAY OFF MY GRANDFATHER, WHO WAS THE, I THINK IT WAS THE CHIEF SUPERINTENDENT OF ROADS FOR SOUTHERN ALBERTA, AND THEY WERE HAVING TROUBLE WITH THE MONEY, AND THE CARS AND ALL THAT STUFF, SO THEY THREATENED TO LAY HIM OFF. HE TOOK THE MILITARY SERVICE SORT OF APPROACH TO 'THEY CAN’T DO THIS TO ME,' AND SAVED HIS OWN JOB AND HIS OWN SKIN. SO, ALL THROUGH THE DEPRESSION, THEY HAD A CAR, WHICH WAS RARE. THE CAR THAT WAS PAID FOR BY SOMEBODY ELSE, SO THERE MUST HAVE BEEN SOMETHING. IT SEEMS ALMOST LIKE THE OLD BRITISH EMPIRE STYLE OF INFLUENCE THAT YOU WOULD HAVE, IF YOU WERE AN OFFICER IN THE ARMED FORCES, SO THAT PART I DO KNOW. MY GRANDFATHER DIDN’T TALK ABOUT ANYTHING EITHER. I DO KNOW ONE THING THOUGH. IT WAS INTERESTING THAT THEY WERE MORMONS, AND AFTER MY GRANDFATHER CAME BACK FROM WORLD WAR ONE, HE SORT OF ‘SPLIT THE SHEETS’.” AINSCOUGH ELABORATED ON HIS MOTIVES FOR DONATING THE COLLECTION, STATING, “I THINK [THE OBJECTS ARE] A BIG PART OF SOUTH ALBERTA’S HISTORY. DAD WAS VERY ACTIVE IN THE MILITARY AND THE MILITIA FOR MANY YEARS. I THINK THAT’S THE BIGGEST PART [OF WANTING TO DONATE THE OBJECTS]…IT’S DIVESTING, BECAUSE AFTER MY DAD DIED [IN 1992], MY MOTHER STAYED IN THE HOUSE FOR ABOUT 5 YEARS, AND THEN SHE MOVED OUT TO THE COAST. IT WAS AT THAT TIME, WHEN WE WERE GOING THROUGH THE STUFF IN THE HOUSE, THAT WE THOUGHT THIS IS A GOOD TIME TO GET IT DOWN TO SOMEPLACE LIKE THE GALT THAT WOULD LOOK AFTER IT.” THE DONOR’S GREAT GRANDFATHER, WILLIAM THOMAS AINSCOUGH, MARRIED MARGARET A. AINSCOUGH IN 1878 AND EMIGRATED FROM SMITHFIELD, UTAH TO CANADA IN 1898, BRINGING SIX CHILDREN, AGED 1 TO 18, WITH THEM. WILLIAM GEORGE AINSCOUGH, THE DONOR’S GRANDFATHER, WAS AMONG THE CHILDREN (BORN 1885). THE AINSCOUGHS INITIALLY SETTLED IN WHISKEY GAP, ALBERTA, BEFORE RELOCATING TO WOOLFORD, ALBERTA. WILLIAM GEORGE AINSCOUGH’S OBITUARY REPORTED THAT HE AND HUGH B. BROWN FOUNDED CARDSTON’S CAVALRY MILITIA UNIT, UNDER AN APPEAL FROM THE CANADIAN GOVERNMENT TO THE CARDSTON DISTRICT IN 1909. IN 1911, A LETHBRIDGE HERALD ARTICLE CONFIRMED WILLIAM GEORGE AINSCOUGH’S MEMBERSHIP WITH THE CARDSTON MILITIA, STATING THAT HE WAS A CAPTAIN IN CARDSTON’S “RED COATS”—THE “C” SQUADRON OF THE 23RD ALBERTA RANGERS. IN A 1916 LETHBRIDGE HERALD ARTICLE, AND ON WILLIAM GEORGE AINSCOUGH’S FIRST WORLD WAR ATTESTATION PAPERS, WILLIAM GEORGE IS LISTED AS SERVING WITH THE RANGERS FOR 5 YEARS PRIOR TO ENLISTING WITH THE 13TH CANADIAN MOUNTED RIFLES FOR OVERSEAS SERVICE. WILLIAM GEORGE SERVED OVERSEAS WITH THE LORD STRATHCONA’S HORSES. THE CAP BADGE IS SUSPECTED TO BE FROM WILLIAM GEORGE AINSCOUGH’S TIME WITH THE 13TH CANADIAN MOUNTED RIFLES. ACCORDING TO HIS LETHBRIDGE HERALD OBITUARY, WILLIAM GEORGE AINSCOUGH RETURNED FROM WAR TO WORK AS A ROAD FOREMAN FOR THE DEPARTMENT OF PUBLIC WORKS UNTIL 1929, THEN AS SUPERVISOR OF MAINTENANCE FOR MAJOR HIGHWAYS FROM FORT MACLEOD. IN 1950, AISNCOUGH RETIRED FROM THE DEPARTMENT OF HIGHWAYS AND RESIDED IN LETHBRIDGE WITH HIS WIFE, ZINA, UNTIL HIS PASSING IN MARCH 1966. FOR MORE INFORMATION INCLUDING FAMILY MILITARY SERVICE FILES, NEWSPAPER CLIPPINGS ON WILLIAM GEORGE AND REED AINSCOUGH, A RESUME FOR REED AINSCOUGH, AND THE FULL INTERVIEW TRANSCRIPTION, PLEASE SEE THE PERMANENT FILE P20160017001-GA.
Catalogue Number
P20160017011
Acquisition Date
2016-06
Collection
Museum
Images
Less detail
Other Name
MILITARY BADGE
Date Range From
1916
Date Range To
1919
Material Type
Artifact
Materials
METAL
Catalogue Number
P20150035000
  1 image  
Material Type
Artifact
Other Name
MILITARY BADGE
Date Range From
1916
Date Range To
1919
Materials
METAL
No. Pieces
2
Length
4.5
Width
3
Description
A – B: WORLD WAR I COLLAR BADGE THAT HAS “CANADIAN MEDICAL CORPS” STAMPED BRONZE-COLOURED WITH REMOVABLE PIN. THE BADGE DEPICTS A MAPLE LEAF WREATH WITH A SNAKE AROUND THE SWORD AT THE CENTER. THERE IS A CROWN AT THE TOP OF THE BADGE. GOOD CONDITION. THE METAL HAS DULLED AND DARKENED.
Subjects
PERSONAL SYMBOL
Historical Association
MILITARY
History
ON NOVEMBER 25, 2015, COLLECTIONS TECHNICIAN KEVIN MACLEAN CONDUCTED A PHONE INTERVIEW WITH MIKE LEVIN OF OTTAWA, ONTARIO TO DISCUSS A WORLD WAR I COLLAR BADGE THAT HE DONATED TO THE MUSEUM. THE BADGE BELONGED TO HIS GRANDFATHER, DR. JOHN STANLEY WRAY, WHO WAS A MEDICAL PHYSICIAN IN SOUTHERN ALBERTA AND A WORLD WAR I VETERAN. LEVIN HAS BEEN IN POSSESSION OF THE BADGE SINCE 2009-2010 AFTER THE PASSING OF HIS UNCLE, ROBERT G. WRAY, WHO HAD INHERITED IT FROM HIS FATHER, DR. J. S. WRAY. THE FOLLOWING INFORMATION ABOUT THE BADGE HAS BEEN EXTRACTED FROM THAT PHONE INTERVIEW: “MY MOTHER’S FAMILY DIDN’T TALK ABOUT THEMSELVES AT ALL… [W]HEN MY GRANDFATHER DIED BEFORE I WAS BORN. I LIVED OUT OF THE COUNTRY FOR A LONG TIME AND WHEN I CAME BACK, I RE-ACQUAINTED MYSELF WITH MY UNCLE BOB. HE’S THE ONE WHO DONATED SOME STUFF TO THE GALT BEFORE..." THE DONOR’S UNCLE BOB (ROBERT G. WRAY) PASSED AWAY IN EDMONTON. ACCORDING TO THE INTERVIEW, THIS MILITARY BADGE IS THE ONLY OBJECT THAT EXISTS WITHIN THE FAMILY FROM DR. JOHN S. WRAY’S MILITARY SERVICE. THE FOLLOWING INFORMATION ABOUT DR. JOHN S. WRAY COMES FROM A HISTORY FOUND IN A 1924 PUBLICATION TITLED, ALBERTA PAST AND PRESENT, BY JOHN BLUE: “DR. JOHN STANLEY WRAY, A WORLD WAR VETERAN WHO, SINCE JUNE 1919, HAS ENGAGED IN THE PRACTICE OF MEDICINE AT LETHBRIDGE, WAS BORN IN LINWOOD, ONTARIO, OCTOBER 28, 1882, A SON OF GEORGE AND ANN (ALLINGHAM) WRAY, BOTH OF WHOM WERE NATIVES OF IRELAND...” “JOHN STANLEY WRAY IS THE YOUNGEST OF A FAMILY OF SIX CHILDREN. HE WAS EDUCATED IN PUBLIC SCHOOL NO. 21 IN WELLESLEY TOWNSHIP, WATERLOO DISTRICT, ONTARIO, AND LATER HE ATTENDED THE KITCHENER HIGH SCHOOL AND THE EDMONTON HIGH SCHOOL. HE THERE ACQUIRED A LICENSE TO TEACH AND DEVOTED ABOUT THREE YEARS TO THE PROFESSION OF TEACHING IN AND NEAR EDMONTON BUT REGARDED THIS MERELY AS AN INITIAL STEP TO OTHER PROFESSIONAL LABOR. HE THEN ENTERED THE MEDICAL SCHOOL OF THE UNIVERSITY OF TORONTO IN TORONTO, CANADA, IN 1905, AND BY REASON OF THE STEADY PROGRESS THAT HE MADE IN HIS STUDIES WAS THERE GRADUATED IN 1909. HE THEN LOCATED FOR PRACTICE AT RAYMOND, ALBERTA, WHERE HE CONTINUED FOR SIX YEARS, WHEN THE NEED FOR AID IN CONNECTION WITH THE WORLD WAR LED HIM TO JOIN THE ARMY AS A MEMBER OF THE CANADIAN ARMY MEDICAL CORPS, WITH THE RANK OF CAPTAIN. HE SERVED IN CALGARY UNTIL MARCH, 1917, WHEN HE WAS ATTACHED TO THE ONE HUNDRED AND NINETY-FIRST BATTALION IN THE MEDICAL DEPARTMENT AND WENT OVERSEAS. HE SERVED IN ENGLAND WITH RESERVE BATTALIONS AND IN HOSPITALS AND WAS FOR A TIME A MEMBER OF A TRAVELING MEDICAL BOARD, THUS CONTINUING IN ACTIVE DUTY UNTIL MAY, 1918, WHEN HE WENT TO FRANCE AND WAS ATTACHED TO THE THIRD CANADIAN AMBULANCE CORPS. LATER HE WAS IDENTIFIED WITH THE FIRST CANADIAN FIELD ARTILLERY AND WAS IN THE BATTLE OF AMIENS IN AUGUST, 1918. LATER HE RETURNED TO ENGLAND WITH A BROKEN ARM AND WAS DISCHARGED FROM THE CANADIAN ARMY ON THE 27TH OF APRIL, 1919. AT THE BREAKING OF THE HINDENBURG LINE ON THE 1ST AND 2ND OF SEPTEMBER, 1918, HE WAS ON DUTY WITH THE THIRD FIELD AMBULANCE. FOLLOWING HIS RETURN HOME HE LOCATED AT LETHBRIDGE FOR THE PRACTICE OF MEDICINE IN JUNE, 1919, AND HAS HERE REMAINED.” ADDITIONAL INFORMATION ABOUT DR. WRAY’S SERVICE IN WORLD WAR I COMES FROM HIS SERVICE RECORDS OBTAINED THROUGH THE LIBRARY AND ARCHIVES OF CANADA’S ONLINE DATABASE. ACCORDING TO THE RECORDS, DR. WRAY ENLISTED ON JUNE 13, 1916 IN THE SARCEE CAMP IN CALGARY. DR. WRAY AND MARION WRAY HAD THREE CHILDREN: MARGARET ALICE LEWIS, PHYLISS NEILSON LEVIN, AND ROBERT G. WRAY. DR. WRAY PASSED AWAY IN LETHBRIDGE DURING 1952 AT THE AGE OF 69 YEARS. PLEASE SEE PERMANENT FILE FOR ADDITIONAL INFORMATION INCLUDING FULL INTERVIEW TRANSCRIPT, LETHBRIDGE HERALD ARTICLES, FULL ALBERTA PAST AND PRESENT ARTICLE, AND SERVICE RECORDS.
Catalogue Number
P20150035000
Acquisition Date
2015-12
Collection
Museum
Images
Less detail
Other Name
MILITARY BADGE
Date Range From
1916
Date Range To
1919
Material Type
Artifact
Materials
METAL
Catalogue Number
P20170001003
  1 image  
Material Type
Artifact
Other Name
MILITARY BADGE
Date Range From
1916
Date Range To
1919
Materials
METAL
No. Pieces
1
Height
0.7
Length
2.8
Width
2.8
Description
THIS IS A COLLAR BADGE THAT ACCORDING TO RESEARCH IS EITHER MADE OF COPPER OR BRASS. THE BADGE IS THE SHAPE OF A MAPLE LEAF WITH A CROWN IN THE CENTER AND “CANADA” ACROSS THE BOTTOM. THERE IS ONE LOOP ATTACHED TO BOTH THE BOTTOM AND THE TOP OF THE BACK OF THE BADGE. CONDITION: THE METAL IS BROWNING. THE TOP POINT OF THE MAPLE LEAF IS BENT INWARDS. THE LOOPS ON THE BACK OF THE BADGE ARE BENT TOWARDS THE TOP OF THE BADGE.
Subjects
PERSONAL SYMBOL
Historical Association
MILITARY
History
DONOR PATRICIA SASSA’S FATHER, OKINAWAN TOMOMI OKUTAKE, WAS ONE OF 222 JAPANESE CANADIANS TO VOLUNTEER FOR THE CANADIAN EXPEDITIONARY FORCE IN 1916, SERVING IN THE INFANTRY. LANDING IN CANADA VIA VANCOUVER IN 1907, OKUTAKE WORKED FOR THE CPR BEFORE MIGRATING WEST TO LETHBRIDGE TO WORK AT THE NO. 6 MINE, WHERE HE SETTLED IN HARDIEVILLE IN 1911 – CONNECTING WITH OTHER OKINAWANS ALREADY ESTABLISHED IN THE COMMUNITY. FROM THERE, HE MADE THE DECISION TO SUPPORT HIS NEW COUNTRY, CANADA, IN THE FIRST WORLD WAR. IN 1919, OKUTAKE RETURNED TO HARDIEVILLE TO CONTINUE HIS WORK IN THE MINES AFTER THE WAR – RIGHT UP UNTIL HIS RETIREMENT. OF THE JAPANESE CANADIANS WHO VOLUNTEERED FOR THE CEF, 55 WERE KILLED DURING WW1. FOR A MORE DETAILED HISTORY, PLEASE SEE P20170001001. PLEASE SEE PERMANENT FILE FOR MORE INFORMATION INCLUDING FULL INTERVIEW TRANSCRIPTS, SERVICE RECORDS, COPIES OF PHOTOGRAPHS, AND LETHBRIDGE HERALD ARTICLES.
Catalogue Number
P20170001003
Acquisition Date
2017-01
Collection
Museum
Images
Less detail
Other Name
MILITARY BADGE
Date Range From
1916
Date Range To
1919
Material Type
Artifact
Materials
METAL
Catalogue Number
P20170001004
  1 image  
Material Type
Artifact
Other Name
MILITARY BADGE
Date Range From
1916
Date Range To
1919
Materials
METAL
No. Pieces
2
Height
1.2
Length
3.7
Width
3.7
Description
A: COLLAR BADGE MADE OF EITHER BRASS OR COPPER. BADGE IN SHAPE OF A MAPLE LEAF WITH A CROWN IN THE TOP OF THE LEAF. IN THE CENTER IS THE NUMBER “52” WITH A CIRCULAR BORDER AROUND IT CONTAINING THE WORDS “NEW ONTARIO”. AT THE BASE OF THE LEAF READS, “CANADA”. THERE IS A SHINE TO THE METAL’S VARNISH. ON THE BACK SIDE IS TWO METAL LOOPS, ONE ATTACHED TO EITHER SIDE OF THE BADGE. B: DOUBLE-PRONGED METAL PIN HORIZONTALLY THROUGH THOSE LOOPS. PIN IS 4.2 CM IN LENGTH. CONDITION: MINOR WEAR TO VARNISH.
Subjects
PERSONAL SYMBOL
Historical Association
MILITARY
History
DONOR PATRICIA SASSA’S FATHER, OKINAWAN TOMOMI OKUTAKE, WAS ONE OF 222 JAPANESE CANADIANS TO VOLUNTEER FOR THE CANADIAN EXPEDITIONARY FORCE IN 1916, SERVING IN THE INFANTRY. LANDING IN CANADA VIA VANCOUVER IN 1907, OKUTAKE WORKED FOR THE CPR BEFORE MIGRATING WEST TO LETHBRIDGE TO WORK AT THE NO. 6 MINE, WHERE HE SETTLED IN HARDIEVILLE IN 1911 – CONNECTING WITH OTHER OKINAWANS ALREADY ESTABLISHED IN THE COMMUNITY. FROM THERE, HE MADE THE DECISION TO SUPPORT HIS NEW COUNTRY, CANADA, IN THE FIRST WORLD WAR. IN 1919, OKUTAKE RETURNED TO HARDIEVILLE TO CONTINUE HIS WORK IN THE MINES AFTER THE WAR – RIGHT UP UNTIL HIS RETIREMENT. OF THE JAPANESE CANADIANS WHO VOLUNTEERED FOR THE CEF, 55 WERE KILLED DURING WW1. FOR A MORE DETAILED HISTORY, PLEASE SEE P20170001001. PLEASE SEE PERMANENT FILE FOR MORE INFORMATION INCLUDING FULL INTERVIEW TRANSCRIPTS, SERVICE RECORDS, COPIES OF PHOTOGRAPHS, AND LETHBRIDGE HERALD ARTICLES.
Catalogue Number
P20170001004
Acquisition Date
2017-01
Collection
Museum
Images
Less detail
Date Range From
1916
Date Range To
1919
Material Type
Artifact
Materials
METAL
Catalogue Number
P20170001005
  1 image  
Material Type
Artifact
Date Range From
1916
Date Range To
1919
Materials
METAL
No. Pieces
2
Height
1.2
Length
4.4
Width
2.9
Description
A: A PRINCESS PATRICIA CANADIAN LIGHT INFANTRY COLLAR BADGE. THE DESIGN IS A FLOWER ENCLOSED IN A CIRCLE, WHICH READS “PRINCESS PATRICIA’S CANADIAN LIGHT INFANTRY”. AT THE TOP OF THE CIRCLE IS A CROWN AND THERE IS A SMALL DESIGN EXTENDING FROM THE BOTTOM. ON THE BACK SIDE OF THE BADGE ARE TWO LOOPS – ONE AT EITHER SIDE. B: DOUBLE-PRONGED METAL PIN HORIZIONALLY THROUGH THOSE LOOPS. PIN IS 3.9 CM IN LENGTH. OVERALL CONDITION: METAL HAS DARKENED.
Subjects
PERSONAL SYMBOL
Historical Association
MILITARY
History
DONOR PATRICIA SASSA’S FATHER, OKINAWAN TOMOMI OKUTAKE, WAS ONE OF 222 JAPANESE CANADIANS TO VOLUNTEER FOR THE CANADIAN EXPEDITIONARY FORCE IN 1916, SERVING IN THE INFANTRY. LANDING IN CANADA VIA VANCOUVER IN 1907, OKUTAKE WORKED FOR THE CPR BEFORE MIGRATING WEST TO LETHBRIDGE TO WORK AT THE NO. 6 MINE, WHERE HE SETTLED IN HARDIEVILLE IN 1911 – CONNECTING WITH OTHER OKINAWANS ALREADY ESTABLISHED IN THE COMMUNITY. FROM THERE, HE MADE THE DECISION TO SUPPORT HIS NEW COUNTRY, CANADA, IN THE FIRST WORLD WAR. IN 1919, OKUTAKE RETURNED TO HARDIEVILLE TO CONTINUE HIS WORK IN THE MINES AFTER THE WAR – RIGHT UP UNTIL HIS RETIREMENT. OF THE JAPANESE CANADIANS WHO VOLUNTEERED FOR THE CEF, 55 WERE KILLED DURING WW1. FOR A MORE DETAILED HISTORY, PLEASE SEE P20170001001. PLEASE SEE PERMANENT FILE FOR MORE INFORMATION INCLUDING FULL INTERVIEW TRANSCRIPTS, SERVICE RECORDS, COPIES OF PHOTOGRAPHS, AND LETHBRIDGE HERALD ARTICLES.
Catalogue Number
P20170001005
Acquisition Date
2017-01
Collection
Museum
Images
Less detail
Date Range From
1930
Date Range To
1940
Material Type
Artifact
Materials
WOOD, LEATHER, METAL
Catalogue Number
P20180001001
  2 images  
Material Type
Artifact
Date Range From
1930
Date Range To
1940
Materials
WOOD, LEATHER, METAL
No. Pieces
2
Height
9
Length
58.5
Width
22
Description
A. BANJOLELE, 53 CM LONG X 19 CM WIDE X 5.5 CM TALL. BODY IS POLISHED BROWN WOOD WITH WHITE LEATHER DRUM/HEAD; BODY HAS SILVER METAL TAIL PIECE AND TONE RING AROUND DRUM/HEAD. NECK AND HEAD-STOCK ARE COVERED IN PEARL/TORTOISE SHELL; FRET ON NECK IS STRUNG WITH ONE SILVER WIRE AND ONE CLOTH STRING; FRETBOARD IS LINED WITH SILVER METAL FRETS. HEAD-STOCK HAS FOUR SILVER METAL TUNING PEGS AND BLACK AND GOLD TEXT LABEL “VALENCIA”. BACK HAS FOUR DISCOLORED WHITE, WOODEN TUNING PEGS AND SILVER METAL SPRING AT JUNCTION OF NECK AND HEAD-STOCK. BACK OF DRUM BODY HAS CUT-OUT SWIRLS IN WOOD. WOOD BODY IS SCRATCHED AND WORN AT EDGES; BACK OF NECK HAS PEELING FINISH ON WOOD; LEATHER OF DRUM/HEAD IS WORN AND STAINED BLACK. OVERALL VERY GOOD CONDITION. B. CASE, 58.5 CM LONG X 9 CM TALL X 22 CM WIDE. CASE IS BROWN CLOTH COVERING A PAPER BOARD IN SHAPE OF BANJOLELE, WITH WIDER BASE. CASE OPENS AT BASE AND HAS BROWN LEATHER HINGE AND SILVER METAL CLASP. BROWN LEATHER HANDLE ON SIDE OF CASE IS BROKEN AND DETACHED AT END. INSIDE OF CASE IS LINED WITH DARK GREEN FABRIC. TOP OF CASE HAS “L W” HANDWRITTEN IN BLACK INK. CASE IS WORN AROUND EDGES AND CLOTH IS FRAYING; BOTTOM OF CASE HAS WATER DAMAGE AND WHITE STAINING; TOP OF CASE HAS WHITE STAINING AND SCRATCHES. LEATHER HINGE AND HANDLE ARE CRACKED AND FADED. OVERALL GOOD CONDITION.
Subjects
MUSICAL T&E
Historical Association
LEISURE
HOME ENTERTAINMENT
History
ON JANUARY 24, 2018, COLLECTIONS TECHNICIAN KEVIN MACLEAN INTERVIEWED BEVE SPENGLER AND RUTH HILL REGARDING RUTH’S DONATION OF A BANJOLELE AND GUITAR. THE INSTRUMENTS WERE KEPT AND PLAYED BY THEIR FATHER, SYDNEY JAMES WOMACK, IN THE 1930S AND 1940S. ON THE BANJOLELE, RUTH RECALLED, “I CAN’T REMEMBER [MUCH] ABOUT [IT] AT ALL, BECAUSE HE BOUGHT [THE GUITAR] BUT SOMEHOW HE MUST HAVE SEEN THIS, AND THEN HE THOUGHT FOR LORNE [OUR BROTHER] HE WOULD BUY THAT [BANJOLELE] TO MATCH THE GUITAR.” “MY DAD USED TO PLAY ME TO SLEEP FROM THE TIME…WE WENT OUT TO THE FARM IN ’30. I WAS BORN IN ’27, SO ALL THE ‘30S HE PLAYED ME TO SLEEP EVERY NIGHT…I NEVER SAW MY DAD PLAY [THE BANJOLELE] YET HE BOUGHT IT BECAUSE HE KNEW THERE WAS A MATCHING PAIR. HE COULDN’T AFFORD BOTH OF THEM AT THE SAME TIME. HE BOUGHT HIS GUITAR AND THEN, LATER ON WHEN HE HAD SOME MORE MONEY, HE WENT AND GOT THAT FOR LORNE, BUT I CAN’T REMEMBER HIM PLAYING IT.” “[HE BOUGHT THE BANJOLELE] HERE IN LETHBRIDGE. HE BROUGHT [HIS] VIOLIN FROM THE STATES, BUT THOSE TWO PIECES WERE BOUGHT IN LETHBRIDGE. I DON’T KNOW WHERE AT, BUT I KNOW IT WAS IN THE EARLY ‘20S BECAUSE THEY CAME TO THE FARM WITH US IN ’30. THEY CAME HERE IN ’18…HE WORKED AT THE CPR AS AN OILER AND THEN HE ENDED UP AT THE GALT GARDENS WORKING WITH THE PLANTS. WHEN THAT FIZZLED OUT, HE WANTED A FARM SO WE WENT FARMING.” HILL ELABORATED ON HER FATHER’S MUSICAL BACKGROUND, NOTING, “[MY PARENTS] MOVED FROM ENGLAND TO IOWA. THEY WERE THERE FOR SEVEN YEARS AND DADDY LEARNED TO PLAY THE VIOLIN IN THE TOILET, IN THE OUTHOUSE. THAT’S WHAT HE TOLD US.” “HE LOVED MUSIC AND ACTUALLY HIS BEST WAS HAWAIIAN GUITAR…THAT’S WHY HE GOT [THE GUITAR], BECAUSE HE LOVED HAWAIIAN MUSIC. HE LOVED TO PLAY HAWAIIAN SONGS ON [THE GUITAR] BECAUSE THEY WERE SLOWER. THE VIOLIN HE COULD REALLY GO TO TOWN AND PLAY TWO STEPS.” “[WE] USED TO GO [TO DANCES] EVERY MONTH. I CAN SEE HIM WITH THE OLD MODEL T—HE WOULD HAVE TO PUT A FIRE UNDER IT TO GET IT STARTED AT HOME, THEN WE WOULD GO FOR THE CHRISTMAS CONCERT AND HE WOULD START PLAYING UNTIL TWO IN THE MORNING. THEN HE HAS TO PUT THE FIRE UNDER TO GET THE CAR GOING AGAIN. THEY WERE BAD YEARS BUT THEY WERE WONDERFUL YEARS…FROM [1933] UNTIL I WENT OUT IN GRADE NINE HE USED TO COME, WE USED TO HAVE DANCES, ALL THROUGH THE THIRTIES WE HAD DANCES AT LEAST TWICE A MONTH.” BEVE ADDED, “HE PLAYED WITH OTHER MEN, HE DIDN’T PLAY BY HIMSELF.” RUTH ELABORATED, “THEY HAD A LADY ON THE PIANO, THEY HAD DADDY ON THE VIOLIN, AND THEN THEY HAD ANOTHER CHAP ON THE DRUMS…[OUR FATHER] TOOK THE LEAD. THE VIOLIN WOULD ALWAYS START BEFORE, BECAUSE HE HAD THE MEMORY OF THE PIECES HE WANTED TO PLAY AND NOBODY ELSE KNEW NOTHING UNTIL HE GOT STARTED. THEN THEY’D JOIN IN.” “HE WAS STILL PLAYING THE VIOLIN, HE USED TO LIKE TO PLAY THE VIOLIN. EVEN IN THE ‘40S [HE LIKED TO PLAY THE VIOLIN], I CAN REMEMBER THAT. HE DIDN’T SO MUCH PLAY [THE OTHER INSTRUMENTS] BUT HE PLAYED THE VIOLIN. “ “HE WAS GOOD. THAT DANCE FLOOR IN THE SCHOOL THERE WOULD BE LOADED AS SOON AS HE STARTED PLAYING. AS SOON AS HE STARTED TO PLAY THEY WERE ALL UP, AND AT NIGHT NOBODY LEFT UNTIL TWO IN THE MORNING…HE USED TO TAKE THE GUITAR AND PLAY THE WALTZES ON THAT, BUT THE VIOLIN HE WOULD PLAY THE OTHERS.” “THAT CLASSICAL [MUSIC], HE HAD NO USE FOR [IT]. HE USED TO SAY, “THERE’S NO BEAT THERE.” THEY WERE HIS WORDS. THERE WAS NO BEAT AND HE SAID, “IF THEY CAN’T PLAY THIS, I’M NOT LISTENING.” HE COULDN’T READ MUSIC, BUT IF HE COULD SEE THE [NOTES] AS [THEY] WENT UP OR DOWN…THAT’S WHAT HE’D LOOK AT, AND THEN HE’D LEARN TO PLAY THAT SONG. THAT WAS ON THE GUITAR, THAT WAS FOR THE HAWAIIAN PART.” “[HE HAD THE INSTRUMENTS] ON OUR FARM AT KIPP, ALBERTA AND ON THE FARMHOUSE, I’M IN THE BED. HE [WOULD BE] PLAYING THAT AND THEN I’D GO TO SLEEP TO HIM PLAYING THAT DAY IN, WEEK AFTER WEEK. YEAR AFTER YEAR. HE ALWAYS PLAYED ME TO SLEEP.” “HE [PLAYED] IN THE FRONT ROOM. [THE INSTRUMENTS] STAYED IN THE CORNER, HE BUILT A SHELF FOR THE RADIO AND THEN [THE GUITAR] STOOD UNDERNEATH THAT SHELF. THAT’S WHERE [THEY] STAYED…[THE INSTRUMENTS WERE] WITH MY DAD UNTIL ’93, THEN HE CAME TO LIVE WITH ME AND OF COURSE HE BROUGHT HIS THINGS WITH HIM. I NEVER THOUGHT THEY WERE IN MY CLOSET AND I HADN’T DONE A BIG CLEANING, SO THEY’VE JUST BEEN THERE. NOW I THOUGHT IT’S TIME TO LET SOMEBODY ELSE LOOK AT THEM...[OUR FATHER] DIED IN ’98.” “I DIDN’T WANT THE INSTRUMENTS TO BE GARBAGED. I WANTED THEM TO MEAN SOMETHING, AND I KNEW…THE MUSEUM WOULD ACCEPT THEM…IT WAS ABSOLUTELY WONDERFUL [FOR MY DAD TO PLAY FOR ME] BECAUSE I LOVE MUSIC TOO. THAT WAS REALLY SOMETHING TO HAVE HIM PLAYING TO ME ALL THE TIME [AT BEDTIME].” “LET SOMEBODY ELSE LOOK AT [THE INSTRUMENTS] NOW. I’VE GOT ALL THE MEMORIES…I CAN SEE HIM PLAYING [THEM], I CAN HEAR HIM PLAYING [THEM], I CAN SEE IT AT THE DANCEHALL, I’VE GOT IT RIGHT THERE. SO SOMEBODY ELSE CAN LOOK AT [THEM] NOW.” FOR MORE INFORMATION INCLUDING THE FULL INTERVIEW TRANSCRIPTION AND PHOTOGRAPHS, PLEASE SEE THE PERMANENT FILE P20180001001-GA.
Catalogue Number
P20180001001
Acquisition Date
2018-01
Collection
Museum
Images
Less detail
Date Range From
1970
Date Range To
1980
Material Type
Artifact
Materials
WICKER, LEATHER, WOOD
Catalogue Number
P20100049003
  2 images  
Material Type
Artifact
Date Range From
1970
Date Range To
1980
Materials
WICKER, LEATHER, WOOD
No. Pieces
1
Height
24.3
Length
51.5
Width
38.7
Description
RECTANGULAR, UNPAINTED WICKER PICNIC BASKET. TWO ADJUSTABLE HANDLES, ATTACHED TO BASKET WITH WICKER. HINGED LID, CLOSES WITH SIMPLE HOOK AND EYE CLOSURE. THERE ARE TWO THIN LEATHER STRIPS, WITH METAL BUCKLES, ON THE OUTSIDE OF THE LID. THESE STRAPS CONTINUE INTO THE BASKET AND HOLD A WOODEN ORGANIZATION INSERT TO THE UNDERSIDE THE INSIDE OF THE LID. INSERT HAS LEATHER STRAPS FOR PLATES AND CUTLERY. TWO PIECES OF LEATHER, AT EITHER END OF BASKET, ATTACH LID TO BASE. OVERALL IN VERY GOOD/EXCELLENT CONDITION. FRONT LEFT HANDLE ATTACHED WITH LEATHER STRING, RATHER THAN WICKER. BACK RIGHT HANDLE HAS A FEW SPOTS OF WHITE PAINT. LEATHER STRAPS HAVE A FEW MOISTURE STAINS.
Subjects
FOOD SERVICE T&E
Historical Association
DOMESTIC
LEISURE
History
THIS PICNIC BASKET WAS USED TO HOLD ALL OF THE GLASSES, DISHES, TABLECLOTH, ETC. NECESSARY FOR A PICNIC. IN AN ORAL INTERVIEW WITH THE DONOR, BARB CAVERS, AND HER SISTER KIT MCRAE, CONDUCTED BY KEVIN MACLEAN IN JULY 2015, BARB RECALLED THAT “WE DIDN’T HAVE THIS WHEN WE WERE KIDS … THEY ACQUIRED THAT, I THINK, WHEN WE STARTED HAVING FAMILY PICNICS IN THE ‘70s, ‘80s.” IN A SHORT NARRATIVE HISTORY, SUBMITTED AT THE TIME OF DONATION, BARB EXPLAIND THAT "I DON'T HAVE AS MANY MEMORIES OF THE PICNIC BASKET, AS I THINK THAT MIGHT HAVE BEEN ACQUIRED AFTER I LEFT HOME. IN MY CHILDHOOD, OUR PLATES AND OTHER SUPPLIES WERE SIMPLY PACKED IN A CARDBOARD BOX." THESE PICNIC ITEMS WERE USED BY THE WILLOUGHBY FAMILY, BEGINNING IN THE 1950s UNTIL THE 1980s. GEORGE AND JEAN WOULD TAKE THEIR DAUGHTERS, BARB AND KIT (CATHERINE), FOR PICNICS IN THE SUMMER, ON SUNDAYS. THE FAMILY OUTINGS WERE A CHANCE FOR GEORGE TO RELAX FOLLOWING A LONG WORK WEEK. THE PICNICS WERE AN OPPORTUNITY FOR GEORGE TO “GET OUT IN HIS NICE CAR AND GO FOR A DRIVE”, ONE OF HIS FAVOURITE PASTTIMES. PICNICS WERE HELD IN VARIOUS PLACES, INCLUDING LITTLE BOW, CHAIN LAKES, WILLOW CREEK CAMPGROUND, PARK LAKE, WATERTON NATIONAL PARK, AND THE ST. MARY’S DAM. IN HER NARRATIVE HISTORY, SUBMITTED AT THE TIME OF DONATION, BARB CONTINUED, SAYING: “OUR SUNDAY DRIVES TOOK US TO MANY PLACES IN THE SURROUNDING AREA. EARLY TRIPS WERE TO THE ST. MARY RIVER. WE WOULD PUT ON OUR SNEAKERS AND WADE ACROSS THE RIVER TO THE HUGE SAND BAR, WHERE WE WOULD PLAY IN THE SAND FOR HOURS.” IN HER NARRATIVE HISTORY, BARB EXPLAINED THAT “OUR PICNIC MEALS WERE OFTEN QUITE ELABORATE. MUM WOULD BE UP EARLY MAKING FRIED CHICKEN, WHICH SHE WOULD PACK IN A SMALL ROUND ROASTER AND WRAP IT IN NEWSPAPER BEFORE PACKING IT INTO A CARDBOARD BOX, WHERE IT WOULD STAY WARM FOR SEVERAL HOURS. OTHER PICNICS MIGHT BE JUST SANDWICHES INSTEAD OF THE CHICKEN. I REMEMBER SLICED CHICKEN, TUNA SALAD, AND CHEESE IN DOUBLE DECKER SANDWICHES, AND OF COURSE, PEANUT BUTTER AND CRABAPPLE JELLY WHEN WE WERE YOUNGER." ACCORDING TO JEAN’S OBITUARY, GEORGE AND JEAN WERE CLASSMATES IN THE FACULTY OF PHARMACY AT THE UNIVERSITY OF ALBERTA. FOLLOWING THE COMPLETION OF THEIR DEGREES, THEY WERE MARRIED IN EDMONTON IN SEPTEMBER 1941. THEY MOVED TO LETHBRIDGE IN 1948 WITH THEIR TWO DAUGHTERS AND OPERATED WILLOUGHBY DRUGS (LATER KNOWN AS THE MARQUIS DRUGSTORE), LOCATED IN THE MARQUIS HOTEL. JEAN RENEWED HER PHARMACIST LICENSE IN 1961 AND SHE AND GEORGE WORKED TOGETHER UNTIL 1980, WHEN THEY RETIRED. GEORGE PASSED AWAY IN 2005 AT THE AGE OF 90 AND JEAN IN 2009 AT THE AGE OF 93. SEE PERMANENT FILE FOR FULL INTERVIEW TRANSCRIPTS AND ADDITIONAL INFORMATION ABOUT THE WILLOUGHBY FAMILY.
Catalogue Number
P20100049003
Acquisition Date
2010-11
Collection
Museum
Images
Less detail
Other Name
"R.W. AINSCOUGH, 93RD BATTERY"
Date Range From
1951
Date Range To
1959
Material Type
Artifact
Materials
COTTON, BRASS, COPPER
Catalogue Number
P20160017007
  2 images  
Material Type
Artifact
Other Name
"R.W. AINSCOUGH, 93RD BATTERY"
Date Range From
1951
Date Range To
1959
Materials
COTTON, BRASS, COPPER
No. Pieces
1
Length
90.2
Width
5.7
Description
GREY BELT WITH BRASS AND COPPER CLASP BUCKLE; BUCKLE HAS EMBOSSED CREST ON FRONT SHOWING A CROWN ABOVE AN ARTILLERY FIELD GUN, WITH A BANNER AT THE BOTTOM WITH THE TEXT “QUO FAS ET GLORIA DUCUNT”; BUCKLE HAS TEXT ENGRAVED ON BACK, “TOP, R.W. AINSCOUGH, 93 BTY (SP), R.C.A.”. BELT HAS BRASS AND COPPER CAPS ON ENDS WITH PAIRS OF METAL PRONGS EXTENDING FROM ENDS OF CAPS; BELT HAS TWO BRASS AND COPPER ADJUSTABLE LOOPS. INSIDE OF BELT HAS BLACK HAND-WRITTEN TEXT, “MAJOR R.W. AINSCOUGH, 93 BTY.” INSIDE OF BELT IS STAINED WITH WHITE AND YELLOW; INSIDE OF BELT IS WORN AND FRAYED BELOW PRONGS FROM ENDS; BUCKLE HAS WHITE AND GREEN RESIDUE FROM OXIDATION AT BASE OF CLASP; OVERALL VERY GOOD CONDITION.
Subjects
CLOTHING-ACCESSORY
Historical Association
MILITARY
PERSONAL CARE
History
ON SEPTEMBER 16, 2016, COLLECTIONS TECHNICIAN KEVIN MACLEAN INTERVIEWED CHRIS AINSCOUGH REGARDING HIS DONATION OF A COLLECTION OF MILITARY OBJECTS. THE OBJECTS BELONGED TO AISNCOUGH’S GRANDFATHER AND FATHER, WILLIAM GEORGE AINSCOUGH (FIRST WORLD WAR) AND REED WILSON AINSCOUGH (SECOND WORLD WAR AND POST-WAR). THE DONOR’S GREAT GRANDFATHER, WILLIAM THOMAS AINSCOUGH, MARRIED MARGARET A. AINSCOUGH IN 1878 AND EMIGRATED FROM SMITHFIELD, UTAH TO CANADA IN 1898, BRINGING SIX CHILDREN, AGED 1 TO 18, WITH THEM. WILLIAM GEORGE AINSCOUGH, THE DONOR’S GRANDFATHER, WAS AMONG THE CHILDREN (BORN 1885). THE AINSCOUGHS INITIALLY SETTLED IN WHISKEY GAP, ALBERTA, BEFORE RELOCATING TO WOOLFORD, ALBERTA. ACCORDING A RESUME FOR REED W. AINSCOUGH INCLUDED IN THE PERMANENT FILE, REED WILSON AINSCOUGH WAS BORN ON JUNE 21, 1918 IN CARDSTON, ALBERTA. IN 1940, REED AINSCOUGH JOINED THE 93RD BATTERY OF THE ROYAL CANADIAN ARTILLERY [RCA] STATIONED AT FORT MACLEOD, ALBERTA, AND WAS PROMOTED TO A SECOND LIEUTENANT. REED AINSCOUGH WAS POSTED OVERSEAS IN 1942 AND SERVED UNTIL HIS DISCHARGE ON JANUARY 8, 1946. LETHBRIDGE HERALD ARTICLES REPORTED REED AINSCOUGH AS BEING IN THE THICK OF THE FIGHTING IN FRANCE, NOTABLY AT CAEN. IT WAS REPORTED IN THE LETHBRIDGE HERALD IN 1944 THAT REED AINSCOUGH WAS PROMOTED TO CAPTAIN, AND WAS WOUNDED IN HIS LEG IN OCTOBER 1944. REED AINSCOUGH WAS SENT TO BELGIUM FOR SURGERY AND TO BE HOSPITALIZED, AND WAS RETURNED TO CANADA ON THE HOSPITAL SHIP H.M.C.S. LADY NELSON IN 1945. IN 1947, REED AINSCOUGH BECAME THE BATTERY COMMANDER OF THE 93RD BATTERY RCA, AND SERVED AS THE COMMANDER UNTIL 1959, BEING PROMOTED TO MAJOR IN 1951. IN 1959, UPON A TRANSFER WITH HIS EMPLOYMENT AT CANADA LIFE, HE MOVED TO MEDICINE HAT, ALBERTA, AND JOINED THE SOUTH ALBERTA LIGHT HORSE AS A SQUADRON COMMANDER IN 1961. IN 1964, HE WAS PROMOTED TO LIEUTENANT COLONEL AND COMMANDER OF THE SOUTH ALBERTA LIGHT HORSE, AND WAS APPOINTED AIDE-DE-CAMP TO LIEUTENANT GOVERNOR GRANT MACEWAN UNTIL HIS RETIREMENT. ON OCTOBER 20, 1993, REED WILSON AINSCOUGH PASSED AWAY IN LETHBRIDGE. ON HIS FATHER’S, REED WILSON AINSCOUGH’S, MILITARY SERVICE, CHRIS AINSCOUGH RECALLED, “I THINK THAT THE WAR WAS PROBABLY ONE OF THE BEST THINGS THAT HAPPENED TO MY DAD. HE NEVER SPOKE ABOUT IT MUCH, BUT THE FRIENDSHIPS THAT HE DEVELOPED THROUGH HIS CONTACTS IN THE WAR WENT ON RIGHT UNTIL HIS DEATH…IT’S PROBABLY LIKE BEING ON A TEAM, YOU KNOW, AND I THINK IT’S THAT FELLOWSHIP YOU GET FROM RELYING ON PEOPLE, AND TRAINING WITH PEOPLE, AND GETTING THEIR KNOWLEDGE AND UNDERSTANDING. I THINK THAT’S SORT OF A BIG PART OF IT.” AINSCOUGH ELABORATED ON HIS MOTIVES FOR DONATING THE COLLECTION, STATING, “I THINK [THE OBJECTS ARE] A BIG PART OF SOUTH ALBERTA’S HISTORY. DAD WAS VERY ACTIVE IN THE MILITARY AND THE MILITIA FOR MANY YEARS. I THINK THAT’S THE BIGGEST PART [OF WANTING TO DONATE THE OBJECTS]…IT’S DIVESTING, BECAUSE AFTER MY DAD DIED [IN 1992], MY MOTHER STAYED IN THE HOUSE FOR ABOUT 5 YEARS, AND THEN SHE MOVED OUT TO THE COAST. IT WAS AT THAT TIME, WHEN WE WERE GOING THROUGH THE STUFF IN THE HOUSE, THAT WE THOUGHT THIS IS A GOOD TIME TO GET IT DOWN TO SOMEPLACE LIKE THE GALT THAT WOULD LOOK AFTER IT.” FOR MORE INFORMATION INCLUDING THE MILITARY SERVICE FILES FOR WILLIAM GEORGE AINSCOUGH AND FRANK AINSCOUGH, NEWSPAPER CLIPPINGS ON WILLIAM GEORGE AND REED AINSCOUGH, A RESUME FOR REED AINSCOUGH, AND THE FULL INTERVIEW TRANSCRIPTION, PLEASE SEE THE PERMANENT FILE P20160017001-GA.
Catalogue Number
P20160017007
Acquisition Date
2016-06
Collection
Museum
Images
Less detail
Other Name
TROPHY BELT
Date Range From
1916
Date Range To
1919
Material Type
Artifact
Materials
LEATHER, BRASS, SILVER
Catalogue Number
P20190007009
  2 images  
Material Type
Artifact
Other Name
TROPHY BELT
Date Range From
1916
Date Range To
1919
Materials
LEATHER, BRASS, SILVER
No. Pieces
1
Length
101.3
Width
7.8
Description
LEATHER BELT WITH PINS AND BUTTONS FIXED; BELT HAS SILVER BUCKLE AT RIGHT END AND BUCKLE STRAP AT LEFT END; LEATHER IS STAMPED AT LEFT END WITH TEXT “[ILLEGIBLE] & COGGSHALL MILES [ILLEGIBLE]”. BELT HAS 22 PINS ATTACHED; PINS DISPLAYED INCLUDE: BRASS BAR WITH EMBOSSED TEXT “CANADA” [3 ON BELT]; COPPER AND BRASS BUTTON WITH LION IN CENTER AND TEXT AROUND EDGES “43 CAMERON HIGHLANDERS OF CANADA” [11 ON BELT]; COPPER AND BRASS MAPLE LEAF PIN WITH CROWN ABOVE TEXT “43 CAMERONS, CANADA” [2 ON BELT]; BRASS PIN DEPICTING OVAL SHIELD WITH CROWN AT TOP, MAPLE LEAF AND THISTLES AROUND BANNER, AND TEXT EMBOSSED ON OVAL BORDERS AND BANNER “OVERSEAS BATTALION, 113 CANADA, LETHBRIDGE HIGHLANDERS” [3 ON BELT]; COPPER AND BRASS PIN DEPICTING “C” ABOVE A BAR AND “43” BELOW BAR [2 ON BELT]; SILVER PIN DEPICTING ROUND SHIELD WITH CROWN AT TOP, MAPLE LEAVES DECORATING LEFT EDGE AND THISTLES DECORATING RIGHT EDGE, WITH AN “X” IN CENTER WITH A LION OVERLAID, AND TEXT EMBOSSED OVER INSIDE BORDER, “43 CAMERON HIGHLANDERS OF CANADA” AND TEXT EMBOSSED AT BASE, “BATTN. C.E.F., WINNIPEG” [1 ON BELT]. LEATHER IS CRACKED AND WORN; BELT SHOWS SLIGHT GREEN RESIDUE AROUND PINS AND BELT BUCKLE HOLES FROM COPPER OXIDATION; BUTTONS, PINS, AND BELT BUCKLE ARE TARNISHED; OVERALL VERY GOOD CONDITION.
Subjects
CLOTHING-ACCESSORY
Historical Association
MILITARY
PERSONAL CARE
History
ACCORDING TO HIS CANADIAN MILITARY SERVICE FILE, JOHN MACDIARMID ENLISTED WITH THE 113TH OVERSEAS BATTALION (LETHBRIDGE HIGHLANDERS) ON AUGUST 22, 1916. MACDIARMID WAS TRANSFERRED TO THE 17TH BATTALION ON OCTOBER 8, 1916, AFTER SAILING FROM CANADA OVERSEAS ON SEPTEMBER 25, 1916 WITH HIS UNIT. MACDIARMID WAS TAKEN ON STRENGTH WITH THE 43RD CANADIAN RESERVE BATTALION SERVING IN FRANCE ON OCTOBER 27, 1916. MACDIARMID WAS DISCHARGED FROM SERVICE IN MAY 1919. A MEMO RECEIVED AND INCLUDED WITH HIS SERVICE FILE INDICATES THAT JOHN MACDIARMID PASSED AWAY ON NOVEMBER 26, 1918 AT THE SHAUGHNESSY HOSPITAL IN VANCOUVER, B.C. ON MARCH 28, 2019, COLLECTIONS TECHNICIAN KEVIN MACLEAN INTERVIEWED CAROL AND BRETT CLIFTON REGARDING THEIR DONATION OF VARIOUS LETHBRIDGE AND MILITARY MEMORABILIA. THE OBJECTS WERE COLLECTED BY CAROL’S LATE HUSBAND, CHRIS CLIFTON, AND DONATED IN HIS MEMORY. ON THE HATE BELT, BRETT CLIFTEN NOTED, “THE PENNANTS AND THE TRAY IN PARTICULAR AND THE SPORRAN, ARE JUST THINGS LIKE, THEY’RE REALLY COOL.” ON CHRIS CLIFTON’S ACQUISITIONS OF THE OBJECTS, CAROL CLIFTON NOTED, “[CHRIS SEARCHED ON] AUCTION WEB…HE WAS A VERY EARLY USER. THESE THINGS COST MONEY. CHRIS AND I WERE ALWAYS LIKE, ‘OH WELL, ONE DAY WE’LL DONATE THEM AND IT’LL BE OUR GIFT TO CHARITY...'” “MUCH OF THE REST [OF THE COLLECTION] WAS FOUND BY CHRIS ON EBAY…IT COULD BE THE MIDDLE OF THE NIGHT [AND CHRIS WOULD SAY], ‘HEY, BRETT, GUESS WHAT’S ON EBAY?’” “HE DIDN’T THINK TWICE. IF [AN ITEM] WAS THERE AND HE COULD AFFORD IT, HE GOT IT...IT WAS LIKE HE FELT LIKE HE WAS SAVING IT. I SUPPOSE, AS A MUSEUM, YOU CAN’T NECESSARILY JUST BUY WITH THAT ABANDON BECAUSE YOU HAVE PEOPLE YOU HAVE TO ANSWER TO. WELL, HE DIDN’T HAVE TO ANSWER TO ANYONE...IF HE FELT IT BELONGED IN LETHBRIDGE HE BOUGHT IT...[HE WAS] BRINGING IT HOME.” ON THEIR MOTIVES FOR DONATING THE COLLECTIONS, CAROL CLIFTON NOTED, “THE FIRST REASON THAT WE DECIDED TO DONATE AT THIS TIME…IS THAT WE THOUGHT IT WOULD BE A NICE WAY TO HONOUR [CHRIS] TO MAKE SURE THAT THE COLLECTION ALWAYS STAYED IN SOUTHERN ALBERTA AND THAT IT’S AVAILABLE TO PEOPLE WITH SIMILAR INTERESTS. [THE DONATION] WOULD BE SOMETHING IN HIS MEMORY THAT WOULD KEEP HIS MEMORY ALIVE.” ON HER HUSBAND’S INTEREST IN SOUTERN ALBERTA HISTORY, CAROL CLIFTON ELABORATED, “CHRIS PASSED AWAY…[HE] REALLY MADE US INTERESTED IN HISTORY. FOR HIM IT WAS ALL ABOUT LOCAL HISTORY, SO ANYTHING THAT HE COLLECTED HAD A LETHBRIDGE OR SOUTHERN ALBERTA CONNECTION OR HE DIDN’T COLLECT IT. HE LIKED TO RESEARCH THEM.” “[CHRIS] WAS VERY PROUD TO HAVE BEEN RAISED MORMON FROM A MORMON FAMILY THAT HAD DEEP PIONEER ROOTS INTO UTAH, AND WERE ORIGINALS TO UTAH AND ORIGINALS TO SOUTHERN ALBERTA. ALONG WITH THAT MORMONS…REALLY ENCOURAGE HISTORY IN TERMS OF COLLECTING THEIR ARTIFACTS OR RELIGIOUS ARTIFACTS, AND GENEALOGY. [CHRIS DID] ALL OF HIS OWN GENEALOGY AND HE WOULD DO GENEALOGY FOR ANYONE HE KNEW. WE JUST LITERALLY HAVE REAMS OF PERSONAL HISTORY AND GENEALOGY IN THAT FORM. IT GREW FROM THERE. [CHRIS] WAS A COLLECTOR AT HEART, HE BEGAN COIN COLLECTING AND DID A LOT OF WORK FOUNDING A NUMISMATICS SOCIETY IN TOWN AND BELONGED TO SEVERAL, AND DISPLAYED ON A NATIONAL LEVEL.” “IN TERMS OF THE MILITARY ITEMS, I WOULD SAY [HIS INTEREST BEGAN] WITH HIS DAD BEING FROM THE CALGARY TANK REGIMENT IN DIEPPE AND A PRISONER OF WAR. HIS DAD’S MOTHER HAD SAVED A BUNCH OF ITEMS AND BEFORE CHRIS’ DAD PASSED AWAY, HE GAVE EVERYTHING TO CHRIS…THAT KIND OF FOSTERED [HIS INTEREST IN MILITARY COLLECTIONS] AND THEN IT JUST GREW INTO INTERESTING LOCAL THINGS.” “CHRIS LOVED SOUTHERN ALBERTA, AND NO MATTER WHAT, HE NEVER WOULD HAVE LEFT SOUTHERN ALBERTA. HE LOVED TO TRAVEL BUT HE NEVER WOULD HAVE MOVED. HE LIVED IN MAGRATH AND LETHBRIDGE HIS WHOLE LIFE AND HAD NO INTEREST IN ANY OTHER PLACE BUT HERE.” ON CHRIS’ RESEARCH EFFORTS, CAROL CLIFTON RECALLED, “CHRIS WAS METICULOUS. ANYTHING CHRIS DID, HE DID IT TEN TIMES MORE THAN ANYONE ELSE WOULD. HE WOULD NOT GIVE UP…WHEN [HIS SON] BRETT DID THE CENOTAPH WORK, CHRIS WOULD HELP HIM IDENTIFY [THE NAMES] AND IT WOULD BE A DEAD END AFTER ANOTHER DEAD END, AND THE NEXT THING YOU KNEW WAS CHRIS HAD FOUND A RELATIVE IN ENGLAND WHO WAS A GREAT GRANDDAUGHTER’S NEIGHBOR. HE WOULD LITERALLY SPEND YEARS RESEARCHING ONE THING. IT WAS JUST HIS PERSONALITY AND HIS LEVEL OF INTEREST AND HE DIDN’T STOP THERE, HE WOULD DO IT FOR ANYONE…HE WAS A VERY GIVING PERSON AND HE WAS SO FANTASTICALLY GOOD AT THAT TYPE OF RESEARCH.” “[CHRIS] AND BRETT TOGETHER WOULD DO [THE RESEARCH] AND I WOULD DO IT OUT OF INTEREST…I DON’T KNOW OF ANYONE WHO DID IT TO THE LEVEL HE DID. HE WOULD BE UP IN THE MIDDLE OF THE NIGHT FOLLOWING A LEAD IN EUROPE ON SOMEONE HE DIDN’T KNOW FOR SOMEONE HE BARELY KNEW…[CHRIS WAS] TOTALLY SELF-TAUGHT…OF COURSE WITH THE INTERNET IT BECAME MUCH EASIER FOR EVERYONE TO [SEARCH]. THE GENEALOGY HE DID BEFORE WAS PRE-INTERNET SO THAT INVOLVED A LOT OF ARCHIVAL THINGS…HE BEGAN RESEARCH WORK VERY EARLY IN THE INTERNET AND WE GOT OUR FIRST COMPUTER IN 1995, AND HE PRETTY MUCH DID RESEARCH FROM THEN ON. HE WAS INTERESTING IN THAT NO MATTER WHAT RESEARCH HE DID HE DIDN’T WANT CREDIT FOR IT. HE DIDN’T WANT TO BELONG TO THINGS…IN ADDITION, HE DIDN’T LIKE TO DO THE WRITING, ALTHOUGH HE COULD WRITE, BUT HE WAS THE BEST PROOF READER BECAUSE HE WAS SO METICULOUS, AND HE WOULD PROOF READ FOR ANYONE. [IF] SOMEBODY WROTE AN ARTICLE HE WOULD BE A PROOF READER OR A FACT CHECKER. IT WAS JUST HIS NATURE…[HE WAS] STUBBORN, AND COMPETITIVE, AND INTERESTED, AND METICULOUS, AND IF HE DID IT IT’S CORRECT. IF THERE’S A MISTAKE IN IT HE SURE DIDN’T KNOW IT. HE WOULD HAVE NEVER PUT ANYTHING DOWN HE WASN’T PRETTY DARN SURE OF.” FOR MORE INFORMATION INCLUDING THE FULL INTERVIEW TRANSCRIPTION AND LETHBRIDGE HERALD ARTICLES, PLEASE SEE THE PERMANENT FILE P20190007001-GA.
Catalogue Number
P20190007009
Acquisition Date
2019-03
Collection
Museum
Images
Less detail
Material Type
Artifact
Materials
COTTON, LEATHER, METAL
Catalogue Number
P20160017006
  2 images  
Material Type
Artifact
Date
1952
Materials
COTTON, LEATHER, METAL
No. Pieces
1
Height
3
Diameter
26.5
Description
BLACK BERET WITH RED PATCH ON FRONT WITH ATTACHED GOLD CANADIAN ARTILLERY BADGE DEPICTING A CROWN ABOVE AN ARTILLERY FIELD GUN, WITH TEXT ON BANNER BELOW CROWN “UBIQUE” AND TEXT ON BANNER BELOW GUN “QUO FAS ET GLORIA DUCUNT”. BERET HAS TWO HOLES IN RIGHT SIDE LINED WITH PLASTIC. BERET HAS LEATHER RIM AROUND BASE OPENING; BERET IS LINED WITH BLACK COTTON WITH A PRINTED WHITE STAMP OF A DIAMOND, WITH A SMALL DIAMOND INSIDE AND TEXT, “GENUINE, FLEUR DE LIS, BASQUE BERET, 7 1/8 – 1952, DOROTHEA KNITTING MILLS, LIMITED, TORONTO”. INSIDE FRONT OF BERET HAS BRASS BAR FOR SECURING BADGE, WITH WHITE PAPER TAG WITH RED BORDERS AND BLACK HANDWRITTEN TEXT “107” SLID UNDER BAR. BERET TOP AND FRONT ARE LIGHTLY FADED, WITH MINOR SOILING; OVERALL LEXCELLENT CONDITION.
Subjects
CLOTHING-HEADWEAR
Historical Association
MILITARY
PERSONAL CARE
History
ON SEPTEMBER 16, 2016, COLLECTIONS TECHNICIAN KEVIN MACLEAN INTERVIEWED CHRIS AINSCOUGH REGARDING HIS DONATION OF A COLLECTION OF MILITARY OBJECTS. THE OBJECTS BELONGED TO AISNCOUGH’S GRANDFATHER AND FATHER, WILLIAM GEORGE AINSCOUGH (FIRST WORLD WAR) AND REED WILSON AINSCOUGH (SECOND WORLD WAR AND POST-WAR). THE DONOR’S GREAT GRANDFATHER, WILLIAM THOMAS AINSCOUGH, MARRIED MARGARET A. AINSCOUGH IN 1878 AND EMIGRATED FROM SMITHFIELD, UTAH TO CANADA IN 1898, BRINGING SIX CHILDREN, AGED 1 TO 18, WITH THEM. WILLIAM GEORGE AINSCOUGH, THE DONOR’S GRANDFATHER, WAS AMONG THE CHILDREN (BORN 1885). THE AINSCOUGHS INITIALLY SETTLED IN WHISKEY GAP, ALBERTA, BEFORE RELOCATING TO WOOLFORD, ALBERTA. ACCORDING A RESUME FOR REED W. AINSCOUGH INCLUDED IN THE PERMANENT FILE, REED WILSON AINSCOUGH WAS BORN ON JUNE 21, 1918 IN CARDSTON, ALBERTA. IN 1940, REED AINSCOUGH JOINED THE 93RD BATTERY OF THE ROYAL CANADIAN ARTILLERY [RCA] STATIONED AT FORT MACLEOD, ALBERTA, AND WAS PROMOTED TO A SECOND LIEUTENANT. REED AINSCOUGH WAS POSTED OVERSEAS IN 1942 AND SERVED UNTIL HIS DISCHARGE ON JANUARY 8, 1946. LETHBRIDGE HERALD ARTICLES REPORTED REED AINSCOUGH AS BEING IN THE THICK OF THE FIGHTING IN FRANCE, NOTABLY AT CAEN. IT WAS REPORTED IN THE LETHBRIDGE HERALD IN 1944 THAT REED AINSCOUGH WAS PROMOTED TO CAPTAIN, AND WAS WOUNDED IN HIS LEG IN OCTOBER 1944. REED AINSCOUGH WAS SENT TO BELGIUM FOR SURGERY AND TO BE HOSPITALIZED, AND WAS RETURNED TO CANADA ON THE HOSPITAL SHIP H.M.C.S. LADY NELSON IN 1945. IN 1947, REED AINSCOUGH BECAME THE BATTERY COMMANDER OF THE 93RD BATTERY RCA, AND SERVED AS THE COMMANDER UNTIL 1959, BEING PROMOTED TO MAJOR IN 1951. IN 1959, UPON A TRANSFER WITH HIS EMPLOYMENT AT CANADA LIFE, HE MOVED TO MEDICINE HAT, ALBERTA, AND JOINED THE SOUTH ALBERTA LIGHT HORSE AS A SQUADRON COMMANDER IN 1961. IN 1964, HE WAS PROMOTED TO LIEUTENANT COLONEL AND COMMANDER OF THE SOUTH ALBERTA LIGHT HORSE, AND WAS APPOINTED AIDE-DE-CAMP TO LIEUTENANT GOVERNOR GRANT MACEWAN UNTIL HIS RETIREMENT. ON HIS FATHER’S, REED WILSON AINSCOUGH’S, MILITARY SERVICE, CHRIS AINSCOUGH RECALLED, “I THINK THAT THE WAR WAS PROBABLY ONE OF THE BEST THINGS THAT HAPPENED TO MY DAD. HE NEVER SPOKE ABOUT IT MUCH, BUT THE FRIENDSHIPS THAT HE DEVELOPED THROUGH HIS CONTACTS IN THE WAR WENT ON RIGHT UNTIL HIS DEATH…IT’S PROBABLY LIKE BEING ON A TEAM, YOU KNOW, AND I THINK IT’S THAT FELLOWSHIP YOU GET FROM RELYING ON PEOPLE, AND TRAINING WITH PEOPLE, AND GETTING THEIR KNOWLEDGE AND UNDERSTANDING. I THINK THAT’S SORT OF A BIG PART OF IT.” AINSCOUGH ELABORATED ON HIS MOTIVES FOR DONATING THE COLLECTION, STATING, “I THINK [THE OBJECTS ARE] A BIG PART OF SOUTH ALBERTA’S HISTORY. DAD WAS VERY ACTIVE IN THE MILITARY AND THE MILITIA FOR MANY YEARS. I THINK THAT’S THE BIGGEST PART [OF WANTING TO DONATE THE OBJECTS]…IT’S DIVESTING, BECAUSE AFTER MY DAD DIED [IN 1992], MY MOTHER STAYED IN THE HOUSE FOR ABOUT 5 YEARS, AND THEN SHE MOVED OUT TO THE COAST. IT WAS AT THAT TIME, WHEN WE WERE GOING THROUGH THE STUFF IN THE HOUSE, THAT WE THOUGHT THIS IS A GOOD TIME TO GET IT DOWN TO SOMEPLACE LIKE THE GALT THAT WOULD LOOK AFTER IT.” FOR MORE INFORMATION INCLUDING FAMILY MILITARY SERVICE FILES, NEWSPAPER CLIPPINGS ON WILLIAM GEORGE AND REED AINSCOUGH, A RESUME FOR REED AINSCOUGH, AND THE FULL INTERVIEW TRANSCRIPTION, PLEASE SEE THE PERMANENT FILE P20160017001-GA.
Catalogue Number
P20160017006
Acquisition Date
2016-06
Collection
Museum
Images
Less detail
Other Name
"THE RADIO AMATEUR'S HANDBOOK"
Material Type
Artifact
Materials
PAPER, INK
Catalogue Number
P20180010005
  2 images  
Material Type
Artifact
Other Name
"THE RADIO AMATEUR'S HANDBOOK"
Date
1957
Materials
PAPER, INK
No. Pieces
4
Height
3.2
Length
24.3
Width
17
Description
A. BOOK, 24.3 CM LONG X 17 CM WIDE X 3.2 CM TALL. BOOK HAS RED COVER AND SILVER TEXT “34TH EDITION, 1957, THE RADIO AMATEUR’S HANDBOOK, THE STANDARD MANUAL OF AMATEUR RADIO COMMUNICATION, $3.50 U.S.A. PROPER, PUBLISHED BY THE AMERICAN RADIO RELAY LEAGUE”; COVER HAS SILVER IMAGE OF RADIO TOWER OVER A HOUSE ROOF AND TREES IN LOWER RIGHT CORNER. SPINE HAS SILVER TEXT PRINTED “1957, THE RADIO AMATEUR’S HANDBOOK, THIRTY-FOURTH EDITION”. INSIDE FRONT PAGE HAS TEXT WRITTEN IN PENCIL IN UPPER RIGHT CORNER “E.K. REDEKOPP, 305-7 AVE. A. SOUTH, LETHBRIDGE, OCTOBER 16, 1957”. INSIDE TITLE PAGE HAS BLACK PRINTED TEXT “THE RADIO AMATEUR’S HANDBOOK, BY THE HEADQUARTERS STAFF OF THE AMERICAN RADIO RELAY LEAGUE, WEST HARTFORD, CONN., U.S.A.”; BACK OF TITLE PAGE HAS BLACK TEXT PRINTED “COPYRIGHT 1957 BY THE AMERICAN RADIO RELAY LEAGUE…LIBRARY OF CONGRESS CATALOG CARD NUMER: 41-3345…THE RUMFORD PRESS, CONCORD, NEW HAMPSIRE, U.S.A.”. INSIDEOF BOOK HAS HANDWRITTEN NOTES ON PAGES. SPINE IS DAMAGED AND LIFTING FROM PAGES INSIDE; COVER IS WORN AND SCRATCHED ON FRONT AND SPINE; OVERALL VERY GOOD CONDITION. B. PAPER INSERT, 22.2 CM LONG X 10.2 CM WIDE. LIGHT BROWN PAPER WITH BLACK TEXT ON FRONT; FRONT HAS DARK BROWN BORDER ALONG UPPER EDGE WITH LIGHT BROWN TEXT “Q CODES”; BELOW BORDER ON FRONT IS LISTING OF Q CODES IN BLACK INK WITH THEIR DEFINITIONS, INCLUDES “SPECIAL ABBREVIATIONS ADOPTED BY ARRL”. FRONT OF CARD SHOWS 35 CODES PRINTED AND ONE HANDWRITTEN AT TOP IN PENCIL “QRA-WHAT IS THE NAME OF IN ST.? NAME OF THE ST”. CARD HAS PENCIL MARKS MADE BESIDE CERTAIN CODES ON LIFT. BACK OF CARD IS PRINTED WITH BROWN TEXT ON LIGHT BROWN BACKGROUND “SSR” AND THREE BLACK BANNERS ACROSS PAPER WITH LIGHT BROWN TEXT “LESS DISTORTION, MORE TALKING POWER, DECREASAED BANDWIDTH”. CARD IS SEVERELY DISCOLOURED WITH FADING ON BACK; BACK IS CREASED AND HAS TEAR IN UPPER RIGHT CORNER; BACK AND FRONT ARE STAINED; FRONT HAS ADHESIVE STAIN ALONG UPPER EDGE; CARD IS SEVERELY CREASED AT BOTTOM EDGE OF UPPER BROWN BORDER. OVERALL VERY GOOD CONDITION. C. PAPER INSERT, 43.5 CM LONG X 28 CM WIDE. INSERT IS WHITE WITH BLACK TEXT AND IMAGES PRINTED; FRONT HAS HEADER WITH BLACK TEXT “RADIO SUPPLY, HAM NEWS, MCLEOD BUILDING EDMONTON, MARCH 1947, 134-12TH AVENUE W. CALGARY, HAM HEADQUARTERS FOR EQUIPMENT AND INFORMATION”. INSERT FRONT INCLUDES PHOTO AND PRINTED STORIES; INSIDE OF INSERT HAS IMAGES, SPECIFICATIONS, AND PRICES FOR RADIO PARTS AND EQUIPMENT; BACK PAGE HAS IMAGES, SPECIFICATIONS, AND PRICES FOR RADIOS, AND WRITTEN TEXT IN PENCIL UPPER RIGHT CORNER “12, 267 50/56 00/211 50”. PAPER IS FOLDED AND CREASED TWICE ACROSS; PAPER SHOWS SIGNS OF DISCOLORATION ALONG EDGES; OVERALL VERY GOOD CONDITION. D. PAPER INSERT, 21.5 CM LONG X 13.4 CM WIDE. PAPER IS BLACK LINED WITH BLUE HAND-DRAWN DIAGRAMS ON FRONT AND TEXT; TEXT IS WRITTEN IN BLUE INK IN CURSIVE, “IF NO TONE OBTAINED WITH KEY CLOSED, [RECEIVE] VALUE OF R8. REDUCE VALUE IF CONSTANT [TOL] IS RECEIVED REGARDLESS OF KEY UP OR DOWN POSITION”. PAPER HAS BLACK PRINTED BORDER AT BOTTOM WITH TEXT “CHRYCO “ALL-MAKE” PARTS…FINEST FOR ALL CARS”. PAPER HAS HOLE PUNCHED IN UPPER RIGHT CORNER. PAPER SHOWS MINOR SIGNS OF DISCOLORATION AROUND EDGES; OVERALL VERY GOOD CONDITION.
Subjects
DOCUMENTARY ARTIFACT
Historical Association
LEISURE
History
ON MAY 10, 2018, COLLECTIONS TECHNICIAN KEVIN MACLEAN INTERVIEWED ED REDEKOPP REGARDING HIS DONATION OF AN AMATEUR TRANSMITTER RADIO AND ACCESSORIES. REDEKOPP BEGAN PURSUING HIS INTEREST IN RADIO TRANSMISSION IN THE 1950S. ON THE INSTRUCTION MANUAL, REDEKOPP NOTED, “I USED TO GET THE AMATEUR RADIO HANDBOOK. THIS IS [AN] AMATEUR RADIO HANDBOOK. IT COMES OUT ANNUALLY, AND ALL THE LATEST TRANSMITTERS AND DEVELOPMENTS, ANTENNAS INCLUDED…[ARE]ALL IN HERE. THE DEVELOPMENTS. I THINK IT’S IN THIS MANUAL THAT THIS TRANSMITTER THE ENGINEER HAD DESIGNED, AND I WAS READING UP ON IT AND I THOUGHT, “MAN, THAT’S A TERRIFIC TRANSMITTER. I LIKE THAT.” IT COVERS ALL THE BANDS THAT I WOULD BE USING: 80, 40, 20, 15 AND 10, AND SO I THOUGHT, “I HAVE TO BUILD THAT THING.” THAT’S WHAT GOT ME GOING ON IT. IT TOOK ME ABOUT FOUR MONTHS TO BUILD IT BECAUSE YOU ONLY DO SO MUCH EVERY DAY, AND YOU [HAVE TO] TEND TO THE FAMILY.” REDEKOPP DISCUSSED HIS OWN INTEREST IN RADIO CONSTUCTION AND TRANSMISSION, AND HOW HE BEGAN WORKING WITH RADIOS, RECALLING, “I LIVED ON THE FARM IN VAUXHALL. MY DAD’S FARM. I WAS NEVER A FARMER; I’D HAVE STARVED TO DEATH IF I HAD FARMED. BUT, ANOTHER FARMER, WHO WAS TOTALLY ELECTRONICALLY ILLITERATE, HAD AN UNCLE, DORY MALENBERG, THE ASSISTANT ENGINEER AT CJOC. HE WANTED HIM TO GET ON AMATEUR RADIO SO THAT THEY COULD TALK BACK AND FORTH THAT WAY. THIS FARMER – GOT ME INTERESTED IN TALKING ABOUT AMATEUR RADIO WHICH I KNEW NOTHING ABOUT AT THE TIME. I WAS INTO ELECTRONICS BUT NOT AMATEUR RADIO; IT WAS RADIO SERVICING. HE SAYS, “YOU WANT TO GET ON THE AIR,” HE SAYS, “AND WE CAN TALK AND GET A TRANSMITTER GOING.” IT ALL SOUNDED VERY FASCINATING AND INTERESTING. BUT, I’M ON THE FARM, HERE. WE DON’T EVEN HAVE RURAL ELECTRIFICATION. I [SAID], “HOW CAN I EVER DO THAT?” THERE ARE METHODS AND WAYS…YOU TELL ME ABOUT IT. HE FINALLY CONVINCED ME. I [HAD TO] LOOK INTO IT. AND THAT’S WHAT I DID. HE WAS NO HELP BECAUSE HE KNEW NO ELECTRONICS AT ALL BUT I GOT INFORMATION THROUGH BOOKS…AND STARTED STUDYING THE SUBJECT OF AMATEUR RADIO AS A HOBBY. IT BECAME MORE AND MORE FASCINATING, AND MORE RIVETING THE MORE I READ ABOUT IT. [IT SOUNDED] LIKE SOMETHING I [WANTED] TO DO.” “I HAD PREVIOUS ELECTRONIC EXPERIENCE IN TAKING A COURSE WITH THE NATIONAL RADIO INSTITUTE TO BECOME A RADIO SERVICEMAN. I HAD THE BASICS, THE FUNDAMENTALS, AND I KNEW HOW TO DO IT. EVEN THE FIRST TRANSMITTER THAT I BUILT WAS PRETTY SIMPLE, AND THIS [TRANSMITTER] WAS MY FINAL. I HAVE THE MANUAL FOR IT…FROM THE W1AW, THE AMATEUR RADIO RELAY LEAGUE-–THE ENGINEER THAT DESIGNED IT-–AND I BUILT IT FROM THAT, FROM SCRATCH, GETTING ALL THE PARTS TOGETHER. IT WAS A CHALLENGE, VERY ENJOYABLE, BUT REWARDING IN THE END.” “I STARTED TO GET COMPONENTS AND PARTS TOGETHER TO BUILD MY FIRST TRANSMITTER AND MY FIRST RECEIVER. THE CRAZY THING WAS YOU COULD BUILD A POWER SUPPLY AND RUN IT OFF A SIX-VOLT CAR BATTERY. OR [A] TRACTOR BATTERY. THEY WERE ALL SIX-VOLT AT THE TIME; TWELVE VOLTS CAME LATER. I GOT MY VOLTAGES THAT I NEEDED THROUGH THE POWER SUPPLY OFF [THIS] BATTERY. THE NEXT THING I KNOW…I’M [GETTING] SOMEWHERE. THE NEXT THING I KNEW, I GOT INTO IT AND…NOW I GOT IT BUILT AND I CAN’T USE IT. I [HAVE TO] GET A LICENSE FIRST.” “ELMER JOHNSON, THE OTHER FARMER WHO GOT ME INTO IT, [SAID], “I’M GOING TO GO TO CALGARY [TO] WRITE MY EXAM.” SO HE [SAID], “DO YOU WANT TO COME ALONG?” I [SAID], “SURE, I’LL COME ALONG.” BUT, THE CODE…I CAN’T USE THE HAND KEY AT FIFTEEN WORDS A MINUTE AND I WANT TO GET MY FIRST CLASS, NOT MY SECOND CLASS, BECAUSE I COULDN’T USE THE [MICROPHONE]. I SAID, “WELL, I’LL GO WITH [YOU]. I’LL TAKE THE DOW KEY WITH ME, AND I’LL TAKE THE HAND KEY WITH ME, TOO, BUT I’M NOT GOING TO PASS WITH THAT.” I TOLD THE INSPECTOR, “LOOK, I’M HERE TO WRITE MY TEST, BUT I SEE THE REQUIREMENT IS FIFTEEN WORDS A MINUTE WITH THE HAND KEY.” I SAID, “MY CLUMSY HAND WON’T HANDLE THAT.” I [SAID], “AND IF I HAVE TO USE IT, I WON’T EVEN WRITE MY TEST,” I [SAID], “I’M FINISHED.” “WELL,” HE [SAID] TO ME, “I GUESS WE CAN MAKE AN EXCEPTION.” SO HE ALLOWED ME TO USE THE SEMI-AUTOMATIC KEY, WHICH WAS A PIECE OF CAKE. I WENT THROUGH THAT WITH FLYING COLOURS.” “THEN, HE QUESTIONED US ON TECHNOLOGY. HE STARTED WITH ELMER FIRST, UNFORTUNATELY. THE FIRST QUESTION HE ASKED HIM WAS ABOUT AS SIMPLE AN ELECTRONIC QUESTION AS YOU CAN ASK. I CAN’T REMEMBER THE QUESTION, AS A MATTER OF FACT; THAT’S THE BAD PART. BUT, HE COULDN’T ANSWER IT. THE INSPECTOR LOOKED AT HIM AND HE SAID, “YEAH, OKAY,” HE [SAID], “I UNDERSTAND.” HE NEVER GOT A SECOND [QUESTION]; HE FAILED RIGHT THERE. [ELMER] COULD PASS THE CODE, BUT THAT DIDN’T DO HIM ANY GOOD IF HE COULDN’T DO THE TECHNICAL. THEN HE GOT ASKING ME, AND OF COURSE I HAD NO PROBLEM ’CAUSE I WAS CONVERSANT IN ELECTRONICS. I GOT MY FIRST CLASS TICKET USING THE DOW KEY.” “WHEN WE MOVED HERE [AND] BOUGHT THIS HOUSE, I HAD A FAMILY TO LOOK AFTER. I HAD A JOB DURING THE DAY, AND IT WAS TOO MUCH-–I SPENT TOO MUCH TIME ON THE AIR, ON THE RADIO. I’D BE UP SOMETIMES IN THE NIGHT, VERY RARELY, BUT UP TO FOUR IN THE MORNING SOMETIMES, TALKING TO AUSTRALIANS AND NEW ZEALANDERS. AS A WORKING STIFF…I HAD A FAMILY TO LOOK AFTER; THEY NEEDED ATTENTION. I COULDN’T SIMPLY TAKE THE TIME AND BE ON THE AIR ALL THE TIME WITH MY HOBBY. WHEN WE MOVED HERE MY WIFE [SAID], “NO, YOU’RE NOT GONNA GO BACK ON AGAIN.” I HAD A TOWER I WAS GOING TO SET UP, AND SHE [SAID], “NO, YOU’VE GOT A FAMILY TO LOOK AFTER.” AND I [SAID], “YES, YOU ARE CORRECT. I SHALL GIVE IT UP.” THAT’S WHAT I DID, FIFTY-FIVE YEARS AGO.” “BEING ABLE TO CONTACT ANYONE IN THE WORLD, THAT IS OTHER AMATEUR RADIO OPERATORS…WAS VERY INTRIGUING. YOU TALK TO VARIOUS PEOPLE WITH VARIOUS LANGUAGES. WE HAD A Q CODE…WHEN YOU DIDN’T UNDERSTAND THE LANGUAGE, YOU COULD USE THE Q CODE…IT WAS FASCINATING BECAUSE YOU CAN TALK TO PEOPLE IN GREENLAND. I TALK TO PEOPLE IN THE DEW LINE, ALL OVER THE WORLD. LATER ON I BUILT MY MODULATOR, AND THEN IT WAS BY PHONE, AND THOSE THAT SPOKE ENGLISH-–AND IN MOST CASES, I MUST SAY, MOST PEOPLE I CONTACTED, KNEW SOME ENGLISH--THAT’S THE AMAZING PART…YOU COULD UNDERSTAND THEM. BUT, IF YOU WERE ON CODE, YOU JUST USE THE MORSE CODE. IT WAS FASCINATING TO TALK TO DIFFERENT PEOPLE ALL OVER THE WORLD.” “I GOT MARRIED AND THEN WE MOVED TO LETHBRIDGE [IN 1953 TO 7 AVE. A.] AND OF COURSE THEN THAT OLD TRANSMITTER WAS OBSOLETE-–DIDN’T USE IT ON BATTERY ANYMORE [BECAUSE] WE [HAD] ELECTRICITY, SO I WENT ON A BIGGER ONE.” “I STARTED WORKING AT CJOC, BUT…I WAS IN THE STUDIO AND I DIDN’T LIKE THE STUDIO WORK. I WANTED TO GET INTO THE TRANSMITTER BUT THERE WAS NO OPENING. I WAS NOT PREPARED-–I WAS TAKING THE RADIO COURSE ON TRANSMITTERS AS WELL, [BECAUSE] I WANTED TO GET INTO THE STATION. THERE WAS NO OPENING, AND THERE WAS ONLY ONE STATION. TODAY I’M GLAD THAT I DIDN’T GET IN FOR A NUMBER OF REASONS.” “INITIALLY I DON’T THINK I WAS EVEN ON THE AIR. IT ALL TOOK TIME. YOU [HAVE TO] BUILD IT…BY THE TIME YOU GET THAT ALL DONE, THERE’S A LAPSE OF TIME WHERE YOU’RE NOT EVEN ON THE AIR. AS LONG AS YOU KEEP YOUR LICENSE UP…MY CERTIFICATE IS PERMANENT BUT MY STATION LICENSE HAD TO BE RENEWED EVERY YEAR, AT THAT TIME.” “THIS WAS [A] HOBBY, AND MY WIFE WOULD HAVE SAID IT WAS UNNECESSARY. IN A SENSE, SHE’S RIGHT. I [HAVE TO] ADMIT THAT…AND FOR GOOD REASON.” “KEEPING THE STATION LICENSE UP THERE, THAT WAS NOT A PROBLEM. YOU CAN KEEP YOUR STATION LICENSE UP, AND I DON’T THINK THEY WOULD CANCEL IT AS LONG AS YOU PAY THE FEE BECAUSE THAT WAS IMPORTANT TO THEM. BUT THEY HAD THEIR RULES, AND I KNOW THAT LATER ON YOU WOULD GET IT PERMANENTLY. WHETHER YOU WERE ON THE AIR OR NOT, I THINK YOU KEPT YOUR LICENSE.” WHEN ASKED HOW MANY PEOPLE IN THE CITY WORKED IN AMATEUR RADIO, REDEKOPP STATED,“TO TELL YOU THE TRUTH, TOO MANY OF THEM HAVE PASSED AWAY. I HAPPEN TO BE A LITTLE BIT OLDER THAN MOST OF THEM. [I’M] NINETY-THREE. THERE ARE STILL SOME AROUND. I HAVEN’T BEEN AT THE AMATEUR RADIO CLUB AT THE SENIORS’ CENTRE IN A NUMBER OF YEARS NOW. I USED TO GO THERE OCCASIONALLY.” “I THINK [THERE ARE] PROBABLY MORE [PEOPLE] THAN I WOULD REALIZE. THERE ARE TWO ENGINEERS THAT ARE RETIRED. THEY CAN FIX RADIOS.” ON DONATING HIS RADIO TO THE MUSEUM, REDEKOPP ELABORATED, “I’M GETTING TO BE OF AN AGE WHERE I WON’T BE AROUND MUCH LONGER. OF COURSE, I CAN’T DETERMINE MY DAYS BUT I’M NINETY-THREE YEARS OLD, AND I’VE GOT TO DISPOSE OF THIS BECAUSE NO ONE ELSE WILL EVER USE IT. IT WILL GO TO THE DUMP PROBABLY, OTHERWISE, AND THAT’S NO PLACE FOR A TRANSMITTER LIKE THIS. I’VE ENJOYED IT A LOT, AND HOPEFULLY SOMEONE ELSE CAN SEE SOME HISTORY OR PAST HISTORY OF AMATEUR RADIO AND THE TRANSMITTERS THAT WERE BUILT BY THE PEOPLE THAT USED IT. A LOT OF PEOPLE THAT WERE NOT CAPABLE OF BUILDING THEIR OWN PURCHASED COMMERCIAL EQUIPMENT, WHICH IS FINE AND IT WAS LEGAL, BUT AMATEUR RADIO WAS MEANT TO BE JUST THAT-–FOR AMATEURS, BUILDING THEIR OWN AND ENJOYING IT.” “I THOUGHT PERHAPS SOMEONE WOULD APPRECIATE SEEING SOMETHING SOMEONE BUILT HIMSELF, AND USED, AND COMMUNICATED WITH WORLD-WIDE, A TRANSMITTER. THAT IS WHAT IT WAS ALL ABOUT DURING THE YEARS THAT I WAS ACTIVE ON THE AIR.” FOR MORE INFORMATION INCLUDING THE FULL INTERVIEW TRANSCRIPTION AND PHOTOGRAPHS, PLEASE SEE THE PERMANENT FILE P20180010001-GA.
Catalogue Number
P20180010005
Acquisition Date
2018-05
Collection
Museum
Images
Less detail
Other Name
ACME BOOT
Date Range From
1937
Date Range To
1962
Material Type
Artifact
Materials
LEATHER
Catalogue Number
P20150016005
  1 image  
Material Type
Artifact
Other Name
ACME BOOT
Date Range From
1937
Date Range To
1962
Materials
LEATHER
No. Pieces
2
Height
28.5
Length
30.5
Description
A-B: RED COWBOY BOOTS (LEFT AND RIGHT BOOT). THE LEATHER BOOT BODIES ARE RED WITH GOLD ACCENTS AND GOLD OPENING TRIMS. LEATHER SOLES HAVE BEEN RE-HEELED. INTERIORS LABELLED “ACME BOOT” AND INK STAMPED, “MADE IN THE USA”. GOOD CONDITION. ON BOTH BOOTS, THERE IS A RED DYE LOSS IN VARIOUS PLACES, ESPECIALLY AT THE TOES. SOME OF THE GOLD ACCENTS ARE SCUFFED. REGULAR WEAR TO THE BOTTOM SOLES. THERE IS WEAR TO THE INSIDE SOLES (MORE SEVERELY ON BOOT A). BOTH BOOTS ARE MISSHAPEN (BOOT B TO A GREATER EXTENT). ON BOOT A, THERE IS A LOOSE THREAD ON THE TOE DESIGN. THERE IS A LOOSE YELLOW THREAD ON THE INSIDE HEEL ON BOOT B.
Subjects
CLOTHING-FOOTWEAR
Historical Association
PERSONAL CARE
PROFESSIONS
LEISURE
History
EVERAL HORHOZER (NÉE SUPINA) WAS BORN IN LETHBRIDGE IN THE YEAR OF 1927 TO HER PARENTS DONAH (NÉE HILL) AND NICHOLAS SUPINA. SUPINA WAS THE OWNER OF SUPINA’S MERCANTILE ON 13TH STREET NORTH, LETHBRIDGE. THESE COWBOY BOOTS WERE PART OF THE STAGE OUTFIT WORN BY JOE HORHOZER WHEN HE WAS THE ACCORDION PLAYER AND MUSIC ARRANGER FOR A WELL-KNOWN LETHBRIDGE MUSICAL GROUP CALLED THE ALBERTA RANCH BOYS. THE GROUP FORMED IN THE SUMMER OF 1937 WITH MEMBERS LOUIS (LOU) GONZY, MATT (BUCK) WASOWICH, PETER (CURLY) GURLOCK, REMO BACEDA, AND ‘LITTLE JOE’ HORHOZER. COLLECTIONS TECHNICIAN KEVIN MACLEAN CONDUCTED A SERIES OF INTERVIEWS (ON APRIL 2, APRIL 16, AND MAY 7, 2015) WITH HORHOZER REGARDING A GROUP OF ARTIFACTS SHE DONATED TO THE MUSEUM. THE INFORMATION BELOW HAS COME FROM THESE INTERVIEWS AND LETHBRIDGE HERALD RESEARCH REGARDING THE HORHOZER FAMILY HISTORY. IN THE INTERVIEW, HORHOZER EXPLAINED SHE MET HER HUSBAND, JOE HORHOZER, WHEN HE CAME TO WORK FOR SUPINA’S MERCANTILE. FOR THE STORY OF HOW THEY MET, PLEASE SEE RECORDS P20150016003 AND P20150016004. WHEN DESCRIBING HER HUSBAND'S MUSIC CAREER, HORHOZER SAID, “I WOULD CALL HIM THE LEAD INSTRUMENT BECAUSE AN ACCORDION IS, EH? AND HE WAS EXCEPTIONALLY GIFTED WITH THE ACCORDION; THAT’S WHAT EVERYBODY SAID, THAT THERE ISN’T ANYONE, AT LEAST AROUND THIS COUNTRY, THAT COULD COMPARE WITH HIM.” DESCRIBED IN THEIR SOUVENIR BOOK PUBLISHED IN 1941 AS “PROFESSIONAL RADIO ENTERTAINERS”, THE ‘ALBERTA RANCH BOYS’ WERE FORMED WHEN THE LOCAL EXHIBITION AND STAMPEDE PARADE WAS FOUND WANTING FOR A “COWBOY BAND” AS PART OF ITS LINEUP. ACCOLADES FOR THE PARADE ACT FOLLOWED, INSPIRING THE GROUP “TO EMBARK ON THE LONG ROAD TO FAME AND FORTUNE”. IN A YEAR’S TIME – AND AFTER TOURING THROUGH ALBERTA AND BC – THE BAND ENDED UP IN VANCOUVER. THERE IT ESTABLISHED ITSELF, ACCORDING TO THE BOOKLET, AS “WESTERN CANADA’S MOST VERSATILE STAGE AND DANCE FAVOURITE,” BROADCASTING ITS COWBOY MELODIES FOR OVER TWO CONTINUOUS YEARS VIA CKWX (VANCOUVER’S LARGEST RADIO STUDIO AT THE TIME). DURING THE WAR, IT DONATED ITS TALENTS TO THE PROMOTION OF WAR SAVINGS CERTIFICATES. ONE VICTORY RALLY SONG FOR STAMPS WAS “WE’VE BOUGHT THEM BEFORE AND WE’LL BUY THEM AGAIN.” BY EARLY JAN-FEB 1943, THE BAND HAD PEAKED. ONE MEMBER IS REPORTED TO HAVE ENLISTED IN THE CANADIAN ARMY WHILE OTHERS, ACCORDING TO THE DONOR, “GOT SICK”. “THEY DID A LOT IN TORONTO.” RECALLED EVERAL IN AN INTERVIEW. “[IT WAS FROM] TORONTO THEN THEY COULD HAVE GONE [TO NEW YORK] - THAT’S WHERE THEY WERE OFFERED THE BIG JOB OF RECORDING AND BEING ON TV…BUT THEN [JOE] SAYS THAT HE DOESN’T CARE, BECAUSE HE SAYS IF HE WOULD HAVE WENT, HE WOULDN’T HAVE MET ME, SO, I MEAN, THAT WAS A NICE THING TO SAY. HE SAYS LIFE TURNED OUT GOOD FOR HIM.” EVERAL WAS NOT AWARE OF THIS AT THE TIME OF THEIR MEETING. AFTER FINDING OUT, SHE SAID, “WELL, I THOUGHT, GEE WHIZ, WELL, HE JUST ISN’T AN EVERYDAY JOE AND EVERYBODY IN TOWN KNEW HIM AND ADMIRED HIM. YEAH, IT MADE ME A LITTLE MORE HAPPY.” THESE RED COWBOY BOOTS WERE PART OF THE COSTUME JOE HORHOZER WORE WHEN HE PERFORMED WITH THE ALBERTA RANCH BOYS, AND LATER THE 'COUNTRY CAPERS,' A LETHBRIDGE-BASED BAND FOR WHICH HE PLAYED THE ACCORDION BEGINNING IN 1958. IT WAS EVERAL WHO DYED THEM THE BRIGHT RED COLOUR: “HE ASKED ME [TO DYE THE BOOTS]. HE SAID HE WANTED TO CHANGE, THEY WERE GETTING TO LOOK KIND OF SHABBY, AND I DON’T KNOW WHY HE PICKED RED, BUT THAT’S WHAT HE DID SO, THAT’S WHAT I - ACTUALLY THESE STOOD UP QUITE WELL [LAUGHS]. THE REGULAR COLOUR WAS - I THINK THEY WERE BLACK-LIKE. BLACK WITH WHITE... THOSE WERE THE ONLY BOOTS THAT HE HAD.” OF THE PERFORMANCE COSTUME EVERAL HORHOZER SAID: “WHEN THEY STARTED PLAYING AT THE TRIANON THEN, I TELL YOU, THEY START WEARING MORE BAND [CLOTHES] - LIKE THEY HAD DIFFERENT BLAZERS, COLOURED BLAZERS – BLUE ONES AND RED ONES AND ALL WORE BLAZERS THEN ‘CAUSE THEY WANTED TO BECOME LIKE A DANCE BAND, I GUESS YOU’D SAY.” “HE WOULD NEVER FORGET THAT TIME [WITH THE RANCH BOYS],” HORHOZER SAID OF HER HUSBAND, “HE TALKED ABOUT IT ALL THE TIME. HOW THEY MET SO MANY [PEOPLE], LIKE THEY’D PLAY AT PRIVATE PARTIES FOR WEALTHY PEOPLE. HE ABSOLUTELY LOVED HIS MUSIC. HE LIVED FOR HIS MUSIC.” BACK HERE IN LETHBRIDGE IN 1958, EVERAL’S HUSBAND JOE WENT ON TO PERFORM WITH THE COUNTRY CAPERS, PLAYING ACCORDION FOR A WEEKLY BROADCAST VIA THE LOCAL TV STATION CJLH. IN 1961, THE STATION AND THE BROADCAST WERE PRESENTED WITH A NATIONAL LIBERTY AWARD FOR “TV STATION SHOWMANSHIP” AND “BEST LOCAL PROGRAMMING.” IN HIS TIME, ‘LITTLE JOE’ PLAYED WITH ROY ROGERS, GENE AUTRY AND TOMMY HUNTER. HE DIED IN 2010 AT AGE 89. EVERAL HORHOZER PASSED AWAY IN LETHBRIDGE 6 YEARS LATER ON JUNE 6, 2016 AT THE AGE OF 88 YEARS. PLEASE SEE THE PERMANENT FILE FOR ADDITIONAL INFORMATION INCLUDING FULL INTERVIEW TRANSCRIPTS, LETHBRIDGE HERALD ARTICLES, AND FURTHER PUBLICATIONS.
Catalogue Number
P20150016005
Acquisition Date
2015-05
Collection
Museum
Images
Less detail
Date Range From
1899
Date Range To
1968
Material Type
Artifact
Materials
LEATHER, WOOD, METAL
Catalogue Number
P20170010000
  2 images  
Material Type
Artifact
Date Range From
1899
Date Range To
1968
Materials
LEATHER, WOOD, METAL
No. Pieces
12
Height
55.5
Length
28.5
Width
10
Description
A: RIGHT BROWN LEATHER BOOT. THE LEATHER IS ABOUT 2CM THICK, MEASURED FROM THE TOP. WORN BLACK LEATHER SOLE, HEEL AFFIXED WITH WORN METAL NAILS. TWO LACE LINES ARE ON THE BOOT, ONE MEASURES SEVEN HOLES LONG ABOVE THE TOP OF THE FOOT, THE OTHER MEASURING FIVE HOLES LONG ON THE TOP OUTSIDE EDGE OF THE BOOT. THE LACE HOLES ARE RIMMED WITH RED METAL FRAMES. THE SOLE IS WORN, STAINED, AND FRAYED RED. TEXT STAMPED ON THE SOLE READS “A.E. N…ON CO. SYRACCUSE N.Y. U.S.A.” THE BOOTS LEATHER IS WORN ON THE TOE AND SCRATCHED ALL OVER. A CUT IN THE LEATHER SITS ABOVE THE TOE. THE STITCHING AT THE BACK OF THE BOOT HAS TORN OPEN AND AT THE TOP OF THE BOOT, NEXT TO THE LEATHER PULL, THE BOOT IS SPLIT NEXT TO THE SEAM. THE LEATHER INSIDE THE BOOT IS FLAKING OFF IN THE HEEL AND THE INSIDE EDGE. WHITE FABRIC PULL LOOPS SIT ON THE LEFT AND RIGHT INSIDE OF THE BOOT. DIMENSIONS: H: 46 CM, L: 28.5CM, W: 10 CM. CONDITION: GOOD. B: THE TOE-SHAPED PIECE OF THE RIGHT BOOT’S WOOD INSERT. MADE OUT OF THE FOOT-SHAPED PIECE AND A HANDLE PIECE TO FIT INTO THE FRONT LEG INSERT PIECE, ATTACHED TO EACH OTHER WITH TWO LARGE SCREWS. WRITTEN ON TOP OF THE INSERT IN BLACK INK IS THE LETTER “R”. THE VARNISH IS CHIPPED AND DENTED. DIMENSIONS: H: 10 CM, L: 21 CM, W: 8 CM. CONDITION: VERY GOOD. C: THE FRONT PIECE OF THE RIGHT BOOT’S WOOD INSERT. ENDS IN TWO PRONGS TO SLOT OVER THE TOE INSERT OF THE BOOT, A TRACK RUNS ON THE BACK SIDE FOR THE INSERTION OF THE HANDLED INSERT PIECE. STAMPED ONTO THE TOP OF THE WOOD INSERT ARE THE WORDS “ROBINBROS. MONTREAL” AND “MADE IN CANADA”. ON THE LEFT SIDE IS A STAMPED “6” AND ON THE RIGHT SIDE IS A STAMPED “R”. WRITTEN ON THE UNVARNISHED BACK OF THE INSERT IN BLACK INK IS “R” AND “6 R…”. THE VARNISH IS SCRATCHED AND DENTED, JUST AT THE TOP FRONT EDGE. H: 43 CM, L: 5 CM, W: 8.4 CM. CONDITION: VERY GOOD. D: THE BACK PIECE OF THE RIGHT BOOT’S WOOD INSERT. SHAPED LIKE THE BACK OF THE LEG, ENDING IN THE HEEL. THE FLAT FRONT HAS WRITTEN ON IT IN BLACK INK “R”. THE VARNISH IS SCRATCHED AND DIMPLED. STAMPED ONTO THE TOP OF THE WOOD INSERT ARE THE WORDS “ROBINBROS. MONTREAL” AND “MADE IN CANADA”. ON THE TOP LEFT SIDE IS A STAMPED “6” AND ON THE TOP RIGHT SIDE IS A STAMPED “R”. DIMENSIONS: H: 42.5 CM, L: 5.5 CM, W: 9 CM. CONDITION: VERY GOOD. E: THE MIDDLE PIECE OF THE RIGHT BOOT’S WOOD INSERT. THIN, THE INSERT TAPERS FROM THE TOP TO THE HEEL. THE VARNISH IS DARK, MINIMALLY SCRATCHED BUT DENTED AND DIMPLED. DIMENSIONS: H: 44.2 CM, L: 2.2 CM, W: 9 CM. CONDITION: VERY GOOD. F: THE HANDLED PIECE OF THE RIGHT BOOT’S WOOD INSERT, MEANT TO FIT BETWEEN THE FRONT AND MIDDLE INSERT PIECE. THE FRONT OF THE PIECE FITS INTO THE FRONT WOOD INSERT’S TRACK. THE VARNISH IS MOSTLY WORN AWAY, SURVIVING ON THE HANDLE. THE WOOD IS SCRATCHED AND DIMPLED. ON THE BACK OF THE INSERT IN BLACK INK IS THE LETTER “L”. STAMPED ON THE TOP LEFT SIDE IS A STAMPED “6” AND ON THE TOP RIGHT SIDE IS A STAMPED “R”. DIMENSIONS: H: 55 CM, L: 1.6 CM, W: 8.5 CM. CONDITION: GOOD. G: THE LEFT BROWN LEATHER BOOT. THE LEATHER IS ABOUT 2CM THICK, MEASURED FROM THE TOP. WORN BLACK LEATHER SOLE, HEEL AFFIXED WITH WORN SILVER NAILS. TWO LACE LINES ARE ON THE BOOT, ONE MEASURES SEVEN HOLES LONG ABOVE THE TOP OF THE FOOT, THE OTHER MEASURING FIVE HOLES LONG ON THE TOP OUTSIDE EDGE OF THE BOOT. THE LACE HOLES ARE RIMMED WITH RED METAL FRAMES. THE SOLE IS WORN, STAINED, AND FRAYED RED. TEXT STAMPED ON THE SOLE READS “A.E. NETTLET… CO. S…SE N.Y. ...S.A.” THE BOOTS LEATHER IS WORN OVER THE TOP OF THE FOOT, THE SIDE OF THE HEEL, AND SCRATCHED ALL OVER. THE LEATHER INSIDE THE BOOT IS FLAKING OFF IN THE HEEL AND THE INSIDE EDGE. WHITE FABRIC PULL LOOPS SIT ON THE LEFT AND RIGHT INSIDE OF THE BOOT. DIMENSIONS: H: 46 CM, L: 28.8 CM, W: 9.7 CM. CONDITION: GOOD. H: THE TOE SHAPED PIECE OF THE LEFT BOOT’S WOOD INSERT. MADE OUT OF THE FOOT SHAPED PIECE AND A HANDLE PIECE TO FIT INTO THE FRONT LEG INSERT PIECE, ATTACHED TO EACH OTHER WITH TWO LARGE SCREWS. WRITTEN ON TOP OF THE INSERT IN BLACK INK IS THE LETTER “L”. THE VARNISH IS MINIMALLY DENTED. DIMENSIONS: H: 10 CM, L: 21 CM, W: 8 CM. CONDITION: VERY GOOD. I: THE FRONT PIECE OF THE LEFT BOOT’S WOOD INSERT. ENDS IN TWO PRONGS TO SLOT OVER THE TOE INSERT OF THE BOOT, A TRACK RUNS ON THE BACK SIDE FOR THE INSERTION OF THE HANDLED INSERT PIECE. STAMPED ONTO THE TOP OF THE WOOD INSERT ARE THE WORDS “ROBINBROS. MONTREAL” AND “MADE IN CANADA”. ON THE LEFT SIDE IS A STAMPED “6” AND ON THE RIGHT SIDE IS A STAMPED “L”. WRITTEN ON THE UNVARNISHED BACK OF THE INSERT IN BLACK INK IS “L” AND “6 LEFT”. THE VARNISH IS SCRATCHED AND DENTED, MOSTLY AT THE TOP FRONT EDGE. DIMENSIONS: H: 43 CM, L: 5 CM, W: 8.4 CM. CONDITION: GOOD. J: THE BACK PIECE OF THE LEFT BOOT’S WOOD INSERT. SHAPED LIKE THE BACK OF THE LEG, ENDING IN THE HEEL. THE FLAT FRONT HAS WRITTEN ON IT IN BLACK INK “L”. THE VARNISH IS MINIMALLY SCRATCHED AND DIMPLED. STAMPED ONTO THE TOP OF THE WOOD INSERT ARE THE WORDS “ROBINBROS. MONTREAL” AND “MADE IN CANADA”. ON THE TOP LEFT SIDE IS A STAMPED “6” AND ON THE TOP RIGHT SIDE IS A STAMPED “L”. DIMENSIONS: H: 42.5 CM, L: 5.5 CM, W: 9 CM. CONDITION: VERY GOOD. K: THE MIDDLE PIECE OF THE LEFT BOOT’S WOOD INSERT. THIN, THE INSERT TAPERS FROM THE TOP TO THE HEEL. THE VARNISH IS DARK, SCRATCHED AND WORN IN PLACES. A KNOT IN THE WOOD HAS FALLEN OUT AND LEFT A HOLE IN THE TOP OF THE INSERT. DIMENSIONS: H: 44.3 CM, L: 2.5 CM, W: 9 CM. CONDITION: VERY GOOD. L: THE HANDLED PIECE OF THE RIGHT BOOT’S WOOD INSERT, MEANT TO FIT BETWEEN THE FRONT AND MIDDLE INSERT PIECE. THE FRONT OF THE PIECE FITS INTO THE FRONT WOOD INSERT’S TRACK. THE VARNISH IS MOSTLY WORN AWAY, SURVIVING ON THE HANDLE. THE WOOD IS SCRATCHED AND DIMPLED. ON THE BACK OF THE INSERT IN BLACK INK IS THE LETTER “R” WITH TWO LINES DRAWN OVER IT. STAMPED ON THE TOP LEFT SIDE IS A STAMPED “6” AND ON THE TOP RIGHT SIDE IS A STAMPED “L”. ON THE LEFT SIDE OF THE INSERT IS A NAIL, THE TOP GRINDED DOWN. DIMENSIONS: H: 55.5 CM, L: 1.9 CM, W: 8.6 CM. CONDITION: GOOD.
Subjects
CLOTHING-FOOTWEAR
Historical Association
PERSONAL CARE
MILITARY
PROFESSIONS
LEISURE
History
THIS PAIR OF RIDING BOOTS BELONGED TO MURRAY NELSON, THE BROTHER DONOR KATHRYN HINMAN. TO LEARN MORE ABOUT THE HISTORY OF THESE BOOTS AND THEIR OWNER, GALT COLLECTIONS TECHNICIAN KEVIN MACLEAN INTERVIEWED HINMAN AT THE MUSEUM ON MARCH 20, 2017. THE FOLLOWING INFORMATION HAS BEEN EXTRACTED FROM THAT INTERVIEW: “THE PREVIOUS OWNER OF THESE BOOTS WAS MY BROTHER, MURRAY [NELSON],” HINMAN BEGAN, “HE PASSED AWAY AT THE END OF NOVEMBER 2015… HE WAS A LOCAL MUSICIAN. HE CAME INTO THE POSSESSION OF THESE BOOTS FROM MY GRANDFATHER, GEORGE S. BROWN, WHO WAS LIEUTENANT COLONEL GEORGE S. BROWN. MY GRANDDAD WAS A GREAT FRIEND OF BRIGADIER GENERAL STEWART. GRANDDAD CAME INTO POSSESSION OF THESE BOOTS AT SOME POINT FROM DR. STEWART AND WHEN MY BROTHER WAS ABOUT EIGHTEEN, MY GRANDFATHER PASSED THEM ON TO HIM.” “[MURRAY DID] TELL ME THAT HE WAS IN THE GARAGE OUT AT THE FARM, WHICH IS ACTUALLY BROWN ROAD JUST OFF THE COUTTS’ HIGHWAY AND THAT WAS WHERE MY GRANDFATHER’S ACREAGE WAS. ON THAT ACREAGE, THERE WAS A GARAGE [AMONG] MANY BUILDINGS. MURRAY HAD SAID GRANDDAD HAD TAKEN HIM INTO THE GARAGE AND WHEN MURRAY EXPRESSED AN INTEREST IN [THE BOOTS THERE] GRANDDAD SAID, ‘YUP, YOU CAN HAVE THEM. THEY WERE GENERAL STEWART’S FROM THE BOER WAR. TAKE GOOD CARE OF THEM.’” “[MY BROTHER] USED TO WEAR THEM PLAYING IN BANDS WHEN HE WAS EIGHTEEN AND UP,” HINMAN CONTINUED, “[THEY WERE] PART OF HIS DRESS CODE… THEY’RE LOVELY BOOTS. THE STORY WAS THAT THEY WERE FROM THE BOER WAR, WHICH PUTS THEM OVER ONE HUNDRED YEARS OLD… [MY BROTHER] PROBABLY ACQUIRED [THESE BOOTS WHEN] MY GRANDFATHER PASSED AWAY IN 1968. MURRAY WOULD HAVE BEEN EIGHTEEN [THAT YEAR]. HE WAS IN HIS ELEMENT PLAYING WITH THE BANDS, EXPERIMENTING WITH ALL DIFFERENT KINDS OF MUSIC [AT THAT TIME]. I REMEMBER HIM LOOKING VERY COOL WEARING THEM. ALTHOUGH THESE ARE A VERY SMALL SIZE, RIGHT? SO I’M SURE THEY WERE A LITTLE PINCHEY.” “[MY BROTHER HAD] LONG HAIR – WELL EVERYBODY HAD LONG HAIR IN THE 60’S AND 70’S. [HE WAS] VERY COOL AND AT THAT POINT TOO MY DAD (BILL NELSON) HAD ACQUIRED A SMALL MGA, BURGUNDY-COLOURED, AND [MY BROTHER] USED TO BOMB AROUND AND GO TO BAND PRACTICE IN THAT. OH YEAH, HE WAS NOTORIOUS,” HINMAN LAUGHED, REMEMBERING. WHEN ASKED ABOUT HER BROTHER, HINMAN REPLIED, “MY BROTHER WAS BORN IN 1950. HE WAS JUST A LITTLE OVER SIXTY-FIVE WHEN HE PASSED AWAY. HE WAS AN ACTIVE MUSIC TEACHER AND LOCAL GUITAR TEACHER IN TOWN. YOU COULD SEE HIM BUSKING ON THE STREETS IN FRONT OF THE PENNY COFFEE HOUSE AND IN FRONT OF ESQUIRE’S COFFEE HOUSE. EVERYBODY KNEW HIM. HE USED TO BUSK AT THE FARMER’S MARKET ON FIFTH STREET ON FIRST FRIDAYS. HE PLAYED IN BANDS FOREVER.” “[HE WAS IN A] ROCK’N ROLL BAND. HE WAS IN SO MANY BANDS OVER THE YEARS AND I DON’T KNOW THE NAMES OF THE EARLY BANDS. ONE OF [THE BANDS HE PLAYED WITH] WAS KRANDEL’S KLOUD MACHINE, ONE OF THEM WAS THE SHAMAN, AND THEN HE MOVED TO VANCOUVER FOR A COUPLE OF YEARS AND PLAYED IN VANCOUVER – UP AND DOWN THE WEST COAST. WHEN HE CAME BACK FROM THE COAST, HE JUST PLAYED EVERYWHERE IN SOUTHERN ALBERTA WITH VARIOUS PEOPLE… ANYWAY HE WAS VERY WELL KNOWN IN THE BAND SCENE AND HE HAD A RECORDING STUDIO. THAT WAS A PASSION. HE CALLED HIS RECORDING STUDIO, AARDVARK RECORDINGS. HE HAD HIS FIRST RECORDING STUDIO IN THE BASEMENT OF KRUEGER’S MUSIC, WHERE HE TAUGHT MUSIC FOR BILL KRUEGER. THEN HE MOVED ALL HIS STUFF OVER AND HE WAS IN THE BASEMENT OF THE TRIANON FOR YEARS TEACHING RECORDING AND THEN HE GOT INVOLVED IN TECHNOLOGY, SO HE STARTED FIXING COMPUTERS AND DID COMPUTER PROGRAMMING. HE KIND OF USED TECHNOLOGY IN THE RECORDING STUDIO. HE HAD THIS HUGE SOUND BOARD WITH ALL THE SWITCHES AND WHATEVER AND HE HAD TONS OF LIKE STACKS OF MACHINES [FOR RECORDING],” HINMAN REMEMBERED. “[MY BROTHER] HAD A REPUTATION,” HINMAN WENT ON, “[PEOPLE WOULD SAY TO ME], ‘OH YOUR MURRAY’S SISTER.’ IT WAS GREAT AND ACTUALLY MY HUSBAND WAS BORN IN CARDSTON AND HE HAD A BAND THAT HE USED TO PLAY IN SOUTHERN ALBERTA WITH. WE HAVE AN ACTUAL RECORDING FROM THE BASEMENT RECORDING STUDIO AT KRUEGER’S, WHEN [MY BROTHER] RECORDED WITH MY HUSBAND’S BAND. IT WAS GREAT.” WHEN ASKED ABOUT THE MUSICAL INFLUENCE WITHIN HER FAMILY, HINMAN EXPLAINED, “MY MOM (MARGARET NELSON) WAS A LOCAL MUSIC TEACHER. SHE WAS A PIANO TEACHER. MY DAD’S MOTHER WAS KATE MARQUIS NELSON, WHO WAS A LOCAL PIANO TEACHER SO [WE HAD INFLUENCE] FROM BOTH ENDS. WE ALL GREW UP IN OUR HOUSEHOLD WITH MUSIC. I HAVE A DEGREE IN MUSIC AND I’M A MUSIC TEACHER AND MY YOUNGER BROTHER, MARK, PLAYS CLASSICAL GUITAR. WE HAD MUSIC EVERYWHERE. I HAVE SOME PICTURES AT HOME OF THE THREE KIDS WITH A DRUM SET AND I’M ON THE KEYBOARD AND MURRAY IS PLAYING GUITAR AND, EVEN A PICTURE OF MY MOM SITTING AT THE DRUMS TAKING PART IN THE MERRIMENT IN OUR BASEMENT.” “MY DAD PLAYED IN THE SYMPHONY. IN FACT, MY MOM AND DAD REVIVED THE SYMPHONY IN THE EARLY ‘60S. SO IT WAS JUST NATURAL FOR MURRAY TO [BE MUSICAL]. HE PLAYED EVERYTHING. HE PLAYED BANJO WITH MUSICAL THEATRE ONE YEAR, AND TAUGHT BANJO. HE THOUGHT THAT HE WAS THE ‘ONLY’ BANJO TEACHER IN LETHBRIDGE. HE [ALSO] THOUGHT THAT HE WAS THE ONLY REAL GOOD GUITARIST TEACHER IN LETHBRIDGE TOO,” HINMAN LAUGHED. “SO ANYWAY,” SHE CONTINUED, “IT WAS A STRUGGLE FINANCIALLY. MUSIC IS NOT AN EASY, AN EASY PROFESSION TO BE IN, A PERFORMING MUSICIAN. HE QUIT HIGH SCHOOL WHEN HE WAS PROBABLY SIXTEEN, BUT IN HIS MID TO LATE TWENTIES, HE FINISHED HIS DIPLOMA AND HE STARTED NURSING AT THE COLLEGE. HE DID PRETTY WELL [THERE], BUT HE DIDN’T DEAL WELL WITH AUTHORITY, SO HE DIDN’T FINISH IT. BUT [THROUGH THAT HE] GOT A LOT OF GOOD PRACTICAL KNOWLEDGE. [AFTERWARDS] PROCEEDED TO PURSUE HIS PASSION, WHICH WAS MUSIC. IN THE LAST FEW YEARS OF HIS LIFE HE FIXED THOSE COMPUTER SIGNS THAT SIT ON THE SIDE OF THE ROAD. HE WOULD FIX THE MOTHER BOARD… HE JUST DID WHAT HE WANTED. HE LIVED IS LIFE HIS WAY.” TO THE QUESTION OF WHY HER GRANDFATHER, GEORGE S. BROWN, RECEIVED THE BOOTS FROM GENERAL JOHN SMITH STEWART, HINMAN ANSWERED, “THE ONLY REASON I CAN THINK OF IS THAT BECAUSE THEY WERE GREAT FRIENDS… [IF GENERAL STEWART PASSED AWAY IN THE 1970S], THAT WOULD HAVE BEEN AFTER MY GRANDFATHER [DIED]. I KNOW THAT THEY WERE INVOLVED IN THE MILITARY STUFF LOCALLY. ELLA STEWART AND MY GRANDMOTHER WERE GREAT FRIENDS. SOMEHOW [THESE BOOTS WERE] JUST PASSED ALONG TO GRANDDAD.” “WHEN MURRAY WAS DIAGNOSED WITH THE CANCER IN JUNE OF 2015, I KNEW THAT THERE WAS SOME ITEMS THAT HE HAD THAT I NEEDED TO RETRIEVE BECAUSE THEY WERE FAMILY HISTORY,” HINMAN REMEMBERED, “[AMONG THOSE TREASURED THINGS WERE] GENERAL STEWART’S BOOTS, SO I RETRIEVED THEM IN JULY… [MURRAY SAID], ‘TAKE THEM. DO WHAT YOU NEED TO DO WITH THEM.’” “[ONE REASON MY BROTHER HELD ON TO THE BOOTS WAS] HE WAS VERY CLOSE TO MY GRANDPARENTS, BECAUSE HE USED TO SPEND A LOT OF TIME OUT AT THE FARM,” HINMAN EXPLAINED, “I THINK THAT HE JUST COULDN’T BRING HIMSELF TO PART WITH THEM, BECAUSE THEY WERE PART OF HIS FAMILY HISTORY. IT WAS A SPECIAL KIND OF THING BECAUSE GRANDDAD HAD ACTUALLY PASSED THEM TO HIM.” MURRAY NELSON’S OBITUARY WAS PUBLISHED ON THE MARTIN BROTHERS FUNERAL CHAPELS WEBSITE. IT STATES, “WILLIAM MURRAY NELSON, AGE 65, PASSED AWAY PEACEFULLY AT THE LETHBRIDGE REGIONAL HOSPITAL ON SUNDAY, NOVEMBER 29, 2015, AFTER A VALIANT BATTLE WITH CANCER. MUSICIAN, PERFORMER, TEACHER, MENTOR, SOUND GUY, RECORDING GUY, VIDEO GUY, COMPUTER GUY, SIGN GUY; HE WAS A MAN WHO LIVED LIFE HIS WAY, ON HIS TERMS, DOING WHAT HE LOVED.” AN ARTICLE PUBLISHED IN THE LETHBRIDGE HERALD ON DECEMBER 9, 2015, SHORTLY AFTER THE MUSICIAN’S DEATH STATES THAT AT A LOCAL MUSIC SHOW, PROMINENT LEHTBRIDGE SONGWRITER, LEEROY STAGGER, BEGAN THE SHOW WITH A TRIBUTE TO NELSON. TO FURTHER UNDERSCORE NELSON’S REPUTATION IN THE CITY, A DECEMBER 23, 2015 ARTICLE TITLED, “2015 WAS A MEMORABLE YEAR FOR CITY MUSIC SCENE,” WRITTEN FOR THE LETHBRIDGE HERALD BY RICHARD AMERY STATED, “LETHBRIDGE SAID GOODBYE TO MURRAY NELSON, WHO PASSED AWAY FROM CANCER THIS YEAR. NELSON WAS ONE OF THE SCENE’S MORE PROMINENT PERFORMERS ON STAGE PERFORMING SOLO AND WITH A VARIETY OF BANDS AS WELL AS BUSKING ON THE STREETS ALL OVER LETHBRIDGE…HIS MEMORY WILL LIVE ON IN THE STUDENTS HE TAUGHT AND THE SOULS HE TOUCHED ON STAGE OR JUST CHATTING AT VARIOUS WATER HOLES.” PLEASE SEE PERMANENT FILE FOR MORE INFORMATION, INCLUDING FULL INTERVIEW TRANSCRIPTION AND THE COPIES OF LETHBRIDGE HERALD ARTICLES REFERENCED.
Catalogue Number
P20170010000
Acquisition Date
2017-03
Collection
Museum
Images
Less detail
Date Range From
1941
Date Range To
1985
Material Type
Artifact
Materials
METAL, PAINT
Catalogue Number
P20160044006
  1 image  
Material Type
Artifact
Date Range From
1941
Date Range To
1985
Materials
METAL, PAINT
No. Pieces
1
Height
3.7
Length
5
Width
0.6
Description
SILVER AND BLACK OVAL BROOCH; 3 RAISED SILVER METAL LINES (LIKE A STAFF ON SHEET MUSIC) HORIZONTALLY ACROSS BROOCH WITH A SILVER SIXTEENTH NOTE SET ON TOP OF THE LINES. BACKGROUND IS COATED IN MATTE BLACK VARNISH. GOOD CONDITION: BLACK PAINT PRESENT ON SILVER METAL IN A COUPLE OF SPOTS. SLIGHT LOSS OF VARNISH IN SOME PLACES ON FRONT OF BROOCH.
Subjects
ADORNMENT
Historical Association
LEISURE
PERSONAL CARE
History
THE LATE ALICE PEARL HUMMEL (13 JUNE 1922 – 7 APRIL 2016) PERFORMED AS PART OF THE “ANDERSON SISTERS ORCHESTRA” ALONGSIDE HER SISTERS – FLORENCE JEANNETTE MCINTOSH (MAY 1917 – 18 MARCH 1999), MARIE EVELYN POPSON (C.1921 - 8 MARCH 2008) AND RUTH GINZER (C. 1926 - D. 2016). THE FOUR DAUGHTERS WERE BORN TO PARENTS, MARTIN EDWARD ANDERSON AND IDA JOHANNA ANDERSON (NEE JOHNSON). THE BAND WAS A FAMILY AFFAIR THAT SAW GREAT SUCCESS IN THE SOUTHERN ALBERTA REGION. ALICE’S DAUGHTERS, ELEANOR SMITH AND RUTH HUMMEL, HONOURED THEIR MOTHER’S WISHES TO DONATE A NUMBER OF HER EFFECTS FROM HER TIME WITH LETHBRIDGE BAND TO THE MUSEUM. THE ANDERSON SISTERS HAD MATCHING UNIFORMS THEY WOULD OFTEN WEAR FOR PERFORMANCES, WHICH INCLUDED PIECES SUCH AS THIS BROOCH. IN 2016 DECEMBER 16, COLLECTIONS TECHNICIAN KEVIN MACLEAN INTERVIEWED THE DAUGHTERS ABOUT THE DONATION. THE FOLLOWING INFORMATION HAS BEEN EXTRACTED FROM THAT EXCHANGE. RUTH EXPLAINED, “IF THEY WERE DRESSED ALIKE, THEY USUALLY HAD THE SAME JEWELRY AS WELL.” BOTH RUTH AND ELEANOR RECALLED THE BROOCH BEING WORN BY THEIR MOTHER UP UNTIL THE 1980S. THE JEWELRY THE SISTERS WORE DURING THE PERFORMANCES “SHOWED A LOT OF USE,” RUTH EXPLAINED. “OTHER ONES REPLACED [OLDER PAIRS AS THEY WORE OUT] AND THEY WERE JUST SET ASIDE.” “ALL [THE SISTERS] LOVED TO DRESS UP. THERE WERE SOME OUTFITS THEY HAD THAT ACTUALLY HAVE GONE DOWN THROUGH FAMILY MEMBERS. HER GRANDDAUGHTER HAS A BEAUTIFUL FORMAL THAT [EACH SISTER] HAD. WHEN THEY DRESSED UP, THEY [REALLY] DRESSED UP. IT WAS WITH BRILLIANT, SHINY, BEAUTIFUL JEWELRY,” RUTH REMEMBERED. THE FOLLOWING IS A BRIEF HISTORY OF THE ANDERSON SISTERS AS TOLD BY DONORS ELEANOR SMITH AND RUTH HUMMEL IN THE 2016 INTERVIEW: “[THE ANDERSON SISTERS ORCHESTRA WAS] THE LONGEST RUNNING GROUP AT WATERTON LAKES PAVILION … [WHERE THEY PLAYED] FOR FIVE YEARS STRAIGHT,” ELEANOR EXPLAINED, “IN ADDITION TO DOING ALL KINDS OF OTHER THINGS, THEY WERE CONSTANTLY TRAVELLING [AND] WE HAVE THE RECORDINGS OF THAT.” RUTH ADDED, “THEY WERE ORIGINALLY FROM MONITOR (SASK). IN THE DIRTY 30S, WHEN THINGS GOT BAD FOR A LOT OF FARMS, THEY FOUND A WAY TO HAVE MUSIC LESSONS AND…PLAY FOR LOCAL DANCES. [ULTIMATELY, THE FAMILY] DECIDED TO LEAVE THE FARM AND HEADED OUT IN THE DIRECTION OF LETHBRIDGE (VIA DRUMHELLER). IT WAS TOUGH TIMES FOR A LOT OF PEOPLE IN THE 30S IN ALBERTA, BUT THE GIRLS, WITH THE TALENT THEY HAD, … HAD A WAY OUT…THEY COULD DO A LOT WHEN THEY STUCK TOGETHER AS A FAMILY. AND THEN THE ORCHESTRA REALLY CAME OUT OF THAT...” THE OBITUARY OF DONORS’ GRANDFATHER, MARTIN ANDERSON, (PUBLISHED IN THE LETHBRIDGE HERALD, 1981) STATES THE FAMILY ARRIVED IN LETHBRIDGE IN 1940. “THEY WERE SERIOUS MUSICIANS - VERY HUMBLE AND VERY QUIET,” RUTH CONTINUED, “[AS FAR AS PROMOTING THE BAND,] THAT WAS MORE GRANDPA’S JOB. WHEN IT CAME TO MUSIC, IT WAS A GIFT THEY PASSED ON - IN THE LATE ‘30S, ‘40S AND INTO THE ‘50S A BIT – [AND] IT WAS SOMETHING THEY FELT REALLY PRIVILEGED TO BE ABLE TO CONTRIBUTE IN THEIR OWN COMMUNITIES. [DURING] THE WAR YEARS, [THEY PLAYED FOR] THE ARMY BASES THAT WERE ALL CLOSE HERE AND [THEY WERE] A PART OF THAT HISTORY.” “[THEY WERE] ON THE ROAD 6 DAYS A WEEK [WITH THEIR CAR AND TRAILER]… PLAYING NOT JUST IN LETHBRIDGE [BUT] FAR REACHING OVER IN B.C., THE NORTHERN STATES, AND QUITE FAR NORTH IN ALBERTA. SO THEY WERE A REAL PART OF THINGS AND WORKED REAL HARD. I THINK IT’S AN IMPORTANT PART OF THE MUSIC HISTORY IN ALBERTA. THEY WERE, AFTER THE ANDERSON SISTERS [BAND WAS FINISHED], PROUD TO TAKE [MUSIC] INTO THE COMMUNITIES WHERE THEY WERE TEACHERS AND STILL PERFORMERS EVEN PAST THE FOUR OF THEM BEING TOGETHER.” WHEN ASKED ABOUT THEIR PERSONAL MEMORIES OF THE SISTERS PERFORMING TOGETHER, RUTH ANSWERED, “WELL ELEANOR WOULD HAVE BEEN A TODDLER, MYSELF AS WELL, THE LAST FEW TIMES THAT THEY PERFORMED AS THE ANDERSON SISTERS IN THAT ERA. BUT GROWING UP THROUGH THE YEARS, THERE WASN’T A TIME WHEN WE GOT TOGETHER AS A FAMILY WHERE WE DIDN’T HAVE A LOT OF MUSIC. THEY WOULD PLAY FOR US [AND] THEY WERE CALLED BACK SOMETIMES TO PERFORM AT COMMUNITY EVENTS… THE LAST ONE THAT I RECALL WAS SOMETHING IN GRANUM FOR AN ELKS 5OTH ANNIVERSARY IN GRANUM…THAT WAS THE LAST TIME PUBLICLY I REMEMBER.” THE FOLLOWING INFORMATION COMES FROM A HISTORY PUBLISHED IN THE LETHBRIDGE HERALD IN 24 MAY 2003 TITLED, “SISTER ACT: SOUTHERN ALBERTA’S SWINGIN’ ANDERSON SISTERS WERE ALL THE RAGE DURING THE SECOND WORLD WAR.” “IT WAS THE ERA OF SWUNG, OF MUSIC WITH MEMORABLE LYRICS, AND OF DANCE. IT WAS ALSO THE TIME OF THE SECOND WORLD WAR AND THE HEYDAY OF THE ANDERSON SISTERS, AND LITERALLY EVERY TOWN IN SOUTHERN ALBERTA WAS SWINGING AND SWAYING TO THE SOUNDS OF FLORENCE, MARIE, ALICE, AND RUTH." "DUBBED THE FOUR MAIDS OF MELODY BY CJOC RADIO…" THE ARTICLE CONTINUED, "[THE SISTERS] WERE THE TOAST OF SOUTHERN ALBERTA’S DANCE HALLS." INTERVIEWED FOR THE ARTICLE WAS ONE OF THE SISTERS, MARIE POPSON. SHE WAS QUOTED, "WE PLAYED THE TRIANON A LOT, THE OLD BUCKET OF BLOOD. THEY CALLED IT THAT BECAUSE IT WAS DURING THE WAR AND THERE WERE A LOT OF FIGHTS. PRIOR TO AND AFTER THE TRIANON WAS OK, BUT IT WAS REAL LIVELY DURING THE WAR… THE CROWDS [THERE] WERE SO LARGE THEY WERE AFRAID THE FLOOR WOULD WEAKEN… THE DANCE FLOOR WAS ON THE SECOND STORY OF THE BUILDING." THE ARTICLE EXPLAINED, "FLORENCE WAS THE ELDEST OF THE ANDERSON SISTERS AND AS SUCH WAS THE BAND’S LEADER. [SHE] PLAYED THE SAXOPHONE AND THE PIANO. MARIE… PLAYED THE PIANO AND ALICE PLAYED THE SAXOPHONE AND CLARINET. RUTH, 'THE BABY,' … PLAYED THE DRUMS, CLARINET AND TRUMPET." THE ARTICLE READS, "'RUTH STARTED PLAYING THE DRUMS AT AGE 11 AND LATER SHE COULD HANDLE THE DRUMMING WITH HER FEET AND PLAY THE TRUMPET AT THE SAME TIME FOR SOME OF OUR NUMBERS,’ SAYS MARIE WITH A TWIRL OF THE HAND. ‘FLO AND ALICE WERE OUR MAIN SINGERS AND I MADE UP THE TRIO SOMETIMES. RUTH DIDN’T SING. WHEN WE SANG AS A TRIO RUTH WOULD PLAY THE PIANO. ALICE WOULD ALSO SING SOLO. WE PLAYED ALL THE POPULAR MUSIC OF THE DAY AND OLD-TIME MUSIC AS WELL… MY SISTERS COULD ALSO PLAY THAT FAST-PACED SQUARE DANCE MUSIC ON THE SAX, AND THAT WAS SOMETHING. WE PLAYED WALTZES, POLKAS AND EVERYTHING… YOU NAME IT, WE PLAYED IT... OUR THEME SONG WAS BREEZING ALONG WITH THE BREEZE BUT MY FAVOURITE HAD TO BE SIDE BY SIDE, WHICH WE WERE AS A GROUP. WE WERE VERY CLOSE.'" THAT ARTICLE STATES THAT MARTIN AND IDA HAD EIGHT DAUGHTERS, IN FACT, BUT ONLY FOUR LIVED TO BECOME TEENAGERS. THE FOUR SURVIVING SISTERS BEGAN THEIR MUSICAL EDUCATION AT AN EARLY AGE, ALL BEGINNING WITH PIANO. THEY BEGAN PLAYING FOR VARIOUS TYPES OF EVENTS NEAR MONITOR, WHERE THEY WERE BORN. WHILE FLORENCE WAS WITH THE ALL GIRLS BAND IN CALGARY, THE THREE YOUNGER SISTERS FORMED THEIR OWN ORCHESTRA, MAKING THEIR DEBUT IN 1937. THE FOLLOWING YEAR, AFTER FLORENCE’S RETURN, THE ANDERSON SISTERS ORCHESTRA WAS FORMED. UPON ARRIVING IN LETHBRIDGE IN 1940, THEY AUDITIONED FOR THE CJOC RADIO STATION. THE ARTICLE STATES, “FOUR DAYS LATER THEY WERE ON THE AIR, LIVE, ON THE CHRISTMAS SHOPPER PROGRAM HEARD THREE TIMES A WEEK. THEY WERE ALSO ON THE AIR MONDAY NIGHTS FROM 9:15 TO 9:30 PM.” A NOTE THAT CAME WITH THE DONATION SAYS THE WEEKLY SHOW WITH CJOC WAS “BROADCAST LIVE ‘FROM HIGH ATOP THE MARQUIS HOTEL.’” BACK IN THE 2016 INTERVIEW AT THE MUSEUM, ALICE’S DAUGHTER ELEANOR COMMENTS ON THE BAND’S LEGACY. “I VOLUNTEER AT THE HOSPITAL [AND PLAY THE PIANO]. I USUALLY HAVE SENIORS INVOLVED THERE… AND WHEN I MENTION MY MOM’S NAME OR MY AUNT’S NAME, THEY REMEMBER DANCING TO THE ANDERSON SISTERS. SO, YOU KNOW, EVEN IN THIS DAY AND AGE, [PEOPLE] REMEMBER HOW MUCH FUN THEY HAD. [IT SHOWS] HOW RESPECTED THEY WERE AND I FIND THAT [BACKGROUND] JUST THRILLING.” “[MUSIC] WAS THEIR LIVELIHOOD,” RUTH ILLUMINATED, “SO [IT] WAS DRIVING THEM [THROUGH] TOUGH TIMES (SUCH AS THE DEPRESSION IN ALBERTA). THE GIRLS TOGETHER [WITH] THE TALENT THEY HAD, HAD A WAY OUT, WHERE A LOT OF OTHER PEOPLE HAD SOME BIGGER STRUGGLES. AND IT WAS THE TALENT IN THEM BEING TOGETHER. THEY COULD DO A LOT WHEN THEY STUCK TOGETHER AS A FAMILY.” PLEASE SEE PERMANENT FILE FOR FURTHER INFORMATION, INCLUDING FULL INTERVIEW TRANSCRIPTION, LETHBRIDGE HERALD ARTICLES AND CLIPPINGS ABOUT THE ANDERSON SISTERS AND THEIR SHOWS, AND FAMILY OBITUARIES.
Catalogue Number
P20160044006
Acquisition Date
2016-12
Collection
Museum
Images
Less detail
Other Name
WEDGE CAP, "ANDERSON SISTERS"
Date Range From
1940
Date Range To
1970
Material Type
Artifact
Materials
FELT, THREAD, PLASTIC
Catalogue Number
P20160044001
  2 images  
Material Type
Artifact
Other Name
WEDGE CAP, "ANDERSON SISTERS"
Date Range From
1940
Date Range To
1970
Materials
FELT, THREAD, PLASTIC
No. Pieces
1
Height
11
Length
30
Width
1.7
Description
BLACK FELT WEDGE CAP WITH RED ACCENTS STITCHING. TWO RED AND GOLD PLASTIC BEADS ON THE FRONT EDGE. CURSIVE “ANDERSON SISTERS” EMBROIDERED IN RED ON ONE SIDE AND “ALICE” ON THE OTHER. VERY GOOD CONDITION: MAKEUP STAINS PRESENT OF THE INSIDE BRIM OF THE HAT.
Subjects
CLOTHING-HEADWEAR
Historical Association
LEISURE
PERSONAL CARE
History
THE LATE ALICE PEARL HUMMEL (13 JUNE 1922 – 7 APRIL 2016) PERFORMED AS PART OF THE “ANDERSON SISTERS ORCHESTRA” ALONGSIDE HER SISTERS – FLORENCE JEANNETTE MCINTOSH (MAY 1917 – 18 MARCH 1999), MARIE EVELYN POPSON (C.1921 - 8 MARCH 2008) AND RUTH GINZER (C. 1926 - D. 2016). THE FOUR DAUGHTERS WERE BORN TO PARENTS, MARTIN EDWARD ANDERSON AND IDA JOHANNA ANDERSON (NEE JOHNSON). THE BAND WAS A FAMILY AFFAIR THAT SAW GREAT SUCCESS IN THE SOUTHERN ALBERTA REGION. ALICE’S DAUGHTERS, ELEANOR SMITH AND RUTH HUMMEL, HONOURED THEIR MOTHER’S WISHES TO DONATE A NUMBER OF HER EFFECTS FROM HER TIME WITH LETHBRIDGE BAND TO THE MUSEUM. THIS WEDGE CAP WAS A COMPONENT OF THE UNIFORM THE SISTERS WORE WHEN THEY PERFORMED AT PLACES SUCH AS ARMY BASES AND DANCE HALLS. THIS CAP BELONGED TO ALICE, THE SECOND YOUNGEST OF THE SISTERS. IN 16 DECEMBER 2016, COLLECTIONS TECHNICIAN KEVIN MACLEAN INTERVIEWED THE DAUGHTERS ABOUT THE DONATION. THE FOLLOWING INFORMATION HAS BEEN EXTRACTED FROM THAT EXCHANGE: RUTH STATES, “THE HAT WOULD BE AT LEAST FROM 1940 - ’41… ALL OF THE SISTERS HAD [A CAP AND] THEY WERE SPECIAL MADE FOR THEM. ‘ANDERSON SISTERS’ WAS EMBROIDERED ON ONE SIDE AND THEN THEIR NAMES ON THE OTHER. THEY WERE MADE TO GO WITH THESE MILITARY LOOKING DRESSES THAT THEY HAD. THEY TYPICALLY ALWAYS DRESSED ALIKE FOR THE PERFORMANCES. THE HATS WERE MADE TO GO ALONG WITH THEM WHEN THEY WERE DOING PERFORMANCES AT THE MILITARY BASES.” “[THE SISTERS] USUALLY CAME UP WITH [THE UNIFORM] COLLECTIVELY,” RUTH EXPLAINED, “AND THEY WORKED WITH A TAILOR IN TOWN WHO ACTUALLY DID SOME OF THEIR SUITS. THERE MIGHT BE A LABEL THAT I COULD FIND WITH REGARDS TO WHAT THAT COMPANY WAS….THERE WERE USUALLY ALWAYS TAILORS INVOLVED, AND WHEN THEY CAME UP WITH AN IDEA OR CONCEPT, THEY’D HAVE IT DONE AT THE SAME PLACE, BUT I DON’T HAVE THE DETAILS ON THAT.” MANY OF THE ARTIFACTS DONATED TO THE MUSEUM, INCLUDING THIS CAP, WERE KEPT TOGETHER IN ONE OF ALICE’S TRUNKS. WHEN RUTH AND ELEANOR WERE HELPING THEIR MOTHER SORT HER THINGS, SHE EXPLAINED THE ITEMS IN THE TRUNK TO THEM. THE WEDGE CAP CAME TO THE MUSEUM ENCLOSED IN A SHADOW BOX COMPLETE WITH ARTICLE CLIPPINGS AND PHOTOGRAPHS, WHICH WAS ASSEMBLED FOR A COMMUNITY DISPLAY. PERMISSION WAS GRANTED BY THE DONOR TO REMOVE THE CAP FROM THE BOX. SEE PERMANENT FILE FOR PHOTOGRAPH OF THE BOX. THE FOLLOWING IS A BRIEF HISTORY OF THE ANDERSON SISTERS AS TOLD BY DONORS ELEANOR SMITH AND RUTH HUMMEL IN THE 2016 INTERVIEW: “[THE ANDERSON SISTERS ORCHESTRA WAS] THE LONGEST RUNNING GROUP AT WATERTON LAKES PAVILION … [WHERE THEY PLAYED] FOR FIVE YEARS STRAIGHT,” ELEANOR EXPLAINED, “IN ADDITION TO DOING ALL KINDS OF OTHER THINGS, THEY WERE CONSTANTLY TRAVELLING [AND] WE HAVE THE RECORDINGS OF THAT.” RUTH ADDED, “THEY WERE ORIGINALLY FROM MONITOR (SASK). IN THE DIRTY 30S, WHEN THINGS GOT BAD FOR A LOT OF FARMS, THEY FOUND A WAY TO HAVE MUSIC LESSONS AND…PLAY FOR LOCAL DANCES. [ULTIMATELY, THE FAMILY] DECIDED TO LEAVE THE FARM AND HEADED OUT IN THE DIRECTION OF LETHBRIDGE (VIA DRUMHELLER). IT WAS TOUGH TIMES FOR A LOT OF PEOPLE IN THE 30S IN ALBERTA, BUT THE GIRLS, WITH THE TALENT THEY HAD, … HAD A WAY OUT…THEY COULD DO A LOT WHEN THEY STUCK TOGETHER AS A FAMILY. AND THEN THE ORCHESTRA REALLY CAME OUT OF THAT...” THE OBITUARY OF DONORS’ GRANDFATHER, MARTIN ANDERSON, (PUBLISHED IN THE LETHBRIDGE HERALD, 1981) STATES THE FAMILY ARRIVED IN LETHBRIDGE IN 1940. “THEY WERE SERIOUS MUSICIANS - VERY HUMBLE AND VERY QUIET,” RUTH CONTINUED, “[AS FAR AS PROMOTING THE BAND,] THAT WAS MORE GRANDPA’S JOB. WHEN IT CAME TO MUSIC, IT WAS A GIFT THEY PASSED ON - IN THE LATE ‘30S, ‘40S AND INTO THE ‘50S A BIT – [AND] IT WAS SOMETHING THEY FELT REALLY PRIVILEGED TO BE ABLE TO CONTRIBUTE IN THEIR OWN COMMUNITIES. [DURING] THE WAR YEARS, [THEY PLAYED FOR] THE ARMY BASES THAT WERE ALL CLOSE HERE AND [THEY WERE] A PART OF THAT HISTORY.” “[THEY WERE] ON THE ROAD 6 DAYS A WEEK [WITH THEIR CAR AND TRAILER]… PLAYING NOT JUST IN LETHBRIDGE [BUT] FAR REACHING OVER IN B.C., THE NORTHERN STATES, AND QUITE FAR NORTH IN ALBERTA. SO THEY WERE A REAL PART OF THINGS AND WORKED REAL HARD. I THINK IT’S AN IMPORTANT PART OF THE MUSIC HISTORY IN ALBERTA. THEY WERE, AFTER THE ANDERSON SISTERS [BAND WAS FINISHED], PROUD TO TAKE [MUSIC] INTO THE COMMUNITIES WHERE THEY WERE TEACHERS AND STILL PERFORMERS EVEN PAST THE FOUR OF THEM BEING TOGETHER.” WHEN ASKED ABOUT THEIR PERSONAL MEMORIES OF THE SISTERS PERFORMING TOGETHER, RUTH ANSWERED, “WELL ELEANOR WOULD HAVE BEEN A TODDLER, MYSELF AS WELL, THE LAST FEW TIMES THAT THEY PERFORMED AS THE ANDERSON SISTERS IN THAT ERA. BUT GROWING UP THROUGH THE YEARS, THERE WASN’T A TIME WHEN WE GOT TOGETHER AS A FAMILY WHERE WE DIDN’T HAVE A LOT OF MUSIC. THEY WOULD PLAY FOR US [AND] THEY WERE CALLED BACK SOMETIMES TO PERFORM AT COMMUNITY EVENTS… THE LAST ONE THAT I RECALL WAS SOMETHING IN GRANUM FOR AN ELKS 5OTH ANNIVERSARY IN GRANUM…THAT WAS THE LAST TIME PUBLICLY I REMEMBER.” THE FOLLOWING INFORMATION COMES FROM A HISTORY PUBLISHED IN THE LETHBRIDGE HERALD IN 24 MAY 2003 TITLED, “SISTER ACT: SOUTHERN ALBERTA’S SWINGIN’ ANDERSON SISTERS WERE ALL THE RAGE DURING THE SECOND WORLD WAR.” “IT WAS THE ERA OF SWUNG, OF MUSIC WITH MEMORABLE LYRICS, AND OF DANCE. IT WAS ALSO THE TIME OF THE SECOND WORLD WAR AND THE HEYDAY OF THE ANDERSON SISTERS, AND LITERALLY EVERY TOWN IN SOUTHERN ALBERTA WAS SWINGING AND SWAYING TO THE SOUNDS OF FLORENCE, MARIE, ALICE, AND RUTH." "DUBBED THE FOUR MAIDS OF MELODY BY CJOC RADIO…" THE ARTICLE CONTINUED, "[THE SISTERS] WERE THE TOAST OF SOUTHERN ALBERTA’S DANCE HALLS." INTERVIEWED FOR THE ARTICLE WAS ONE OF THE SISTERS, MARIE POPSON. SHE WAS QUOTED, "WE PLAYED THE TRIANON A LOT, THE OLD BUCKET OF BLOOD. THEY CALLED IT THAT BECAUSE IT WAS DURING THE WAR AND THERE WERE A LOT OF FIGHTS. PRIOR TO AND AFTER THE TRIANON WAS OK, BUT IT WAS REAL LIVELY DURING THE WAR… THE CROWDS [THERE] WERE SO LARGE THEY WERE AFRAID THE FLOOR WOULD WEAKEN… THE DANCE FLOOR WAS ON THE SECOND STORY OF THE BUILDING." THE ARTICLE EXPLAINED, "FLORENCE WAS THE ELDEST OF THE ANDERSON SISTERS AND AS SUCH WAS THE BAND’S LEADER. [SHE] PLAYED THE SAXOPHONE AND THE PIANO. MARIE… PLAYED THE PIANO AND ALICE PLAYED THE SAXOPHONE AND CLARINET. RUTH, 'THE BABY,' … PLAYED THE DRUMS, CLARINET AND TRUMPET." THE ARTICLE READS, "'RUTH STARTED PLAYING THE DRUMS AT AGE 11 AND LATER SHE COULD HANDLE THE DRUMMING WITH HER FEET AND PLAY THE TRUMPET AT THE SAME TIME FOR SOME OF OUR NUMBERS,’ SAYS MARIE WITH A TWIRL OF THE HAND. ‘FLO AND ALICE WERE OUR MAIN SINGERS AND I MADE UP THE TRIO SOMETIMES. RUTH DIDN’T SING. WHEN WE SANG AS A TRIO RUTH WOULD PLAY THE PIANO. ALICE WOULD ALSO SING SOLO. WE PLAYED ALL THE POPULAR MUSIC OF THE DAY AND OLD-TIME MUSIC AS WELL… MY SISTERS COULD ALSO PLAY THAT FAST-PACED SQUARE DANCE MUSIC ON THE SAX, AND THAT WAS SOMETHING. WE PLAYED WALTZES, POLKAS AND EVERYTHING… YOU NAME IT, WE PLAYED IT... OUR THEME SONG WAS BREEZING ALONG WITH THE BREEZE BUT MY FAVOURITE HAD TO BE SIDE BY SIDE, WHICH WE WERE AS A GROUP. WE WERE VERY CLOSE.'" THAT ARTICLE STATES THAT MARTIN AND IDA HAD EIGHT DAUGHTERS, IN FACT, BUT ONLY FOUR LIVED TO BECOME TEENAGERS. THE FOUR SURVIVING SISTERS BEGAN THEIR MUSICAL EDUCATION AT AN EARLY AGE, ALL BEGINNING WITH PIANO. THEY BEGAN PLAYING FOR VARIOUS TYPES OF EVENTS NEAR MONITOR, WHERE THEY WERE BORN. WHILE FLORENCE WAS WITH THE ALL GIRLS BAND IN CALGARY, THE THREE YOUNGER SISTERS FORMED THEIR OWN ORCHESTRA, MAKING THEIR DEBUT IN 1937. THE FOLLOWING YEAR, AFTER FLORENCE’S RETURN, THE ANDERSON SISTERS ORCHESTRA WAS FORMED. UPON ARRIVING IN LETHBRIDGE IN 1940, THEY AUDITIONED FOR THE CJOC RADIO STATION. THE ARTICLE STATES, “FOUR DAYS LATER THEY WERE ON THE AIR, LIVE, ON THE CHRISTMAS SHOPPER PROGRAM HEARD THREE TIMES A WEEK. THEY WERE ALSO ON THE AIR MONDAY NIGHTS FROM 9:15 TO 9:30 PM.” A NOTE THAT CAME WITH THE DONATION SAYS THE WEEKLY SHOW WITH CJOC WAS “BROADCAST LIVE ‘FROM HIGH ATOP THE MARQUIS HOTEL.’” BACK IN THE 2016 INTERVIEW AT THE MUSEUM, ALICE’S DAUGHTER ELEANOR COMMENTS ON THE BAND’S LEGACY. “I VOLUNTEER AT THE HOSPITAL [AND PLAY THE PIANO]. I USUALLY HAVE SENIORS INVOLVED THERE… AND WHEN I MENTION MY MOM’S NAME OR MY AUNT’S NAME, THEY REMEMBER DANCING TO THE ANDERSON SISTERS. SO, YOU KNOW, EVEN IN THIS DAY AND AGE, [PEOPLE] REMEMBER HOW MUCH FUN THEY HAD. [IT SHOWS] HOW RESPECTED THEY WERE AND I FIND THAT [BACKGROUND] JUST THRILLING.” “[MUSIC] WAS THEIR LIVELIHOOD,” RUTH ILLUMINATED, “SO [IT] WAS DRIVING THEM [THROUGH] TOUGH TIMES (SUCH AS THE DEPRESSION IN ALBERTA). THE GIRLS TOGETHER [WITH] THE TALENT THEY HAD, HAD A WAY OUT, WHERE A LOT OF OTHER PEOPLE HAD SOME BIGGER STRUGGLES. AND IT WAS THE TALENT IN THEM BEING TOGETHER. THEY COULD DO A LOT WHEN THEY STUCK TOGETHER AS A FAMILY.” PLEASE SEE PERMANENT FILE FOR FURTHER INFORMATION, INCLUDING FULL INTERVIEW TRANSCRIPTION, LETHBRIDGE HERALD ARTICLES AND CLIPPINGS ABOUT THE ANDERSON SISTERS AND THEIR SHOWS, AND FAMILY OBITUARIES.
Catalogue Number
P20160044001
Acquisition Date
2016-12
Collection
Museum
Images
Less detail
Date Range From
1982
Date Range To
1985
Material Type
Artifact
Materials
COTTON, NYLON
Catalogue Number
P20180029002
  2 images  
Material Type
Artifact
Date Range From
1982
Date Range To
1985
Materials
COTTON, NYLON
No. Pieces
1
Height
16
Length
24
Diameter
17.3
Description
GREEN AND BROWN CAMOFLAGUE PATTERN CAP WITH BRIM ON FRONT. CAP HAS STITCHED BAND ALONG FRONT EDGE AND ABOVE BRIM; BRIM HAS STITCHING IN SEMI-CIRCLE PATTERN WITH GREEN THREAD. INSIDE OF CAP HAS GREEN LINING; CAP HAS FLAPS ALONG EDGE THAT FOLD UP INTO CAP OR FOLD DOWN TO EXTEND CAP. CAP HAS FADED GREEN TAG ON INSIDE WITH BLACK PRINTED TEXT “CAP, COMBAT, WOODLAND CAMOUFLAGE PATTERN, DLA100-32-C-2002, 8415-01-084-1686, 65% COTTON, 35% NYLON, PROPPER INTERNATIONAL INC., SIZE: 7 ¼”. CAP HAS FADED GREEN TAG BELOW WITH PRINTED BLACK TEXT “CAP, COMBAT, WOODLAND CAMOUFLAGE PATTERN, 1.DO NOT WEAR CAP IN COLD WEATHER ENVIRONMENTS. USE CAP IN COLD WEATHER, INSULATING HELMET LINER. 2.IF CAP IS WORN UNDER HELMET, HELMET HEAD BAND MAY REQUIRE READJUSTMENT FOR PROPER FIT AND COMFORT. 3.MACHINE WASH. USE PERMANENT PRESS CYCLE. WAS IN WARM WATER WITH MILD DETERGENT. 4.HAND WASH. HAND WASH IN WARM WATER USING MILD DETERGENT. DO NOT WRING OR TWIST. RINSE IN CLEAN WARM WATER. 5.DO NOT USE CHLORINE BLEACH OR STARCH. 6.DRY AT LOW HEAT (DO NOT EXCEED 130 [DEGREE SYMBOL]F). DO NOT REMOVE THIS LABEL”. TAGS ARE STITCHED ONTO CAP LINING. CAP IS CREASED AT FRONT; BRIM IS FADED; OVERALL VERY GOOD CONDITION.
Subjects
CLOTHING-HEADWEAR
Historical Association
MILITARY
PERSONAL CARE
History
ON DECEMBER 21, 2018, GALT MUSEUM CURATOR AIMEE BENOIT INTERVIEWED KEVIN MACLEAN REAGARDING HIS DONATION OF PERSONAL OBJECTS. THE OBJECTS DONATED BY MACLEAN REFLECTED HIS LIFE AND IDENTITY THROUGH HIS TIME IN LETHBRIDGE. ON THE CAMOFLAGUE CAP, MACLEAN ELABORATED, “THE HAT…WOULD FIT ME. [IT] WOULD BE AN ADULT’S HAT.” “FOR REASONS I DON’T KNOW OR UNDERSTAND, I’VE HAD, TO VARYING DEGREES OVER MY LIFE, AN INTEREST IN MILITARY STUFF. MY EARLIEST MEMORIES OF THAT INTEREST WOULD BE HANGING OUT WITH MY COUSIN BRYAN IN LETHBRIDGE, AND HIS DAD [HE DIDN’T SERVE IN KOREA]…[WHO WAS] ENLISTING RIGHT ABOUT THE TIME IN KOREA. MY COUSIN HAD HIS DAD’S DOG TAGS AND I REMEMBER RUNNING AROUND THE PARK, AND WE WOULD TELL EVERYONE WE WERE IN THE ARMY AND I THOUGHT THAT WAS PRETTY COOL. THAT WOULD BE PROBABLY BE IN THE LATE 1970S—’78, ’79, ’80—THERE’S A BUNCH OF OTHER STUFF THAT’S GOING ON AT THE SAME TIME, WITH ROCKETS. FOR SOME REASON, I HAD A THING ABOUT ROCKETS. THE SPACE SHUTTLE IS STARTING TO LAUNCH IN 1981…EVEN MY BEDROOM WAS ROCKET-BASED STUFF. IN THE EARLY ‘80S—’81, ’82—I WAS TWELVE. MY COUSIN, WHOSE NAME IS REG, MY MOM’S NEPHEW...BY 1982 HE COMES TO LIVE WITH US AND HE’S ABOUT SIX YEARS OLDER THAN I AM. HE WOULD BE THE CLOSEST THING THAT I WOULD HAVE TO A BROTHER, DEFINITELY, AT THE TIME. TO HAVE A BROTHER WHO’S [A HANDSOME GUY] AND [WHO HAS] THIS BACKGROUND OF HAVING LIVED IN HAWAII AND ARIZONA…YOU CAN IMAGINE IN YOUR HOUSE, WHEN YOU’RE TWELVE YEARS OLD, HAVING THIS FAMILY MEMBER.” “[IT] WAS REALLY COOL AND HE’S AN INTERESTING GUY AND SUPER FUNNY. AT SOME POINT, HE DECIDES TO LEAVE LETHBRIDGE AFTER HE’S BEEN LIVING HERE, IN THE CITY AND IN OUR HOME, FOR A COUPLE OF YEARS. HE JOINS THE U.S. ARMY BECAUSE HE’S GOT AMERICAN PERMANENT RESIDENCY. I THINK HE HAD PERMANENT RESIDENCY ANYWAYS ‘CAUSE HE GREW UP THERE. HE GOES BACK AND HE JOINS.” “HE JUST MADE A LIFE CHOICE TO JOIN THE MILITARY…AND THIS [CAMOUFLAGE] PATTERN WAS DEVELOPED IN 1981 SO IT’S RELATIVELY NEW. BEFORE THAT, THEY WERE IN GREEN STUFF WHICH—WHEN YOU THINK OF M.A.S.H.—[WAS] THAT LOOK, THROUGH VIETNAM.” “[IT WAS DEVELOPED] BY THE U.S. MILITARY. SOMETIMES…I LIKE CERTAIN, SPECIFIC THINGS AND I’M NOT HAPPY WITH ANYTHING ELSE. I IDENTIFY THIS AS BEING SPECIAL BECAUSE IT’S JUST THE SOLDIERS THAT ARE WEARING IT. SO, I WANT IT. I DON’T KNOW IF HE IS IN [THE ARMY], BY THEN. POTENTIALLY, HE IS. I REMEMBER TELLING MY PARENTS I WANTED CAMOUFLAGE AND I LITERALLY REMEMBER GOING INTO A DEPARTMENT STORE AT THE TIME AND THERE WAS [NOTHING] THERE...THROUGH THE ‘70S AND EARLY ‘80S YOU COULDN’T FIND IT. AT THE SAME TIME, [DEPARTMENT STORES] WERE STARTING TO DEVELOP HUNTING CAMOUFLAGE, WHICH I’VE NEVER CONNECTED WITH.” “SO, I SAID, “NO, I DON’T WANT HUNTING CAMO—THIS [ARMY CAMO] IS WHAT I WANT.” NEEDLESS TO SAY, REG IS IN THE MILITARY AND, IN 1983, HE’S SENDING ME LETTERS BACK, HE COMES BACK FOR A VISIT. IT COULD BE WITHIN SIX MONTHS OF HIS JOINING…HE BRINGS THIS [CAP] BACK FOR ME WHICH HE BOUGHT DOWN THERE. HE COULD HAVE BEEN IN THE CAROLINAS AND HE GAVE ME THIS CAP, WHICH HAPPENS TO BE HIS OWN, PERSONAL [MILITARY ISSUE] CAP. AS PRESENTS GO, IT WOULDN’T HAVE COST HIM A TREMENDOUS AMOUNT OF MONEY. BUT, IT WOULD HAVE BEEN ABSOLUTELY IMPOSSIBLE TO FIND IN CANADA, LET ALONE IN LETHBRIDGE AND THIS IS AT A TIME THAT THERE IS NO INTERNET. ANYTIME YOU WANT SOMETHING, YOU HAVE TO DO IT BY MAIL AND THIS IS RECENTLY DEVELOPED TECHNOLOGY. IT WOULD BE TWO YEARS OLD.” ON HIS TIME WEARING THE CAP, MACLEAN RECALLED, “I WOULD GUESS I’M THIRTEEN [WHEN I’M GIVEN THE UNIFORM]. I WOULD HAVE BEEN IN APPROXIMATELY GRADE 8.” “IN TERMS OF THE WEAR OF THIS…IF YOU LOOK AT THE LABEL IT’S BEEN WORN. I DID WEAR IT. I WOULD BE SO PROUD TO WEAR A HAT THAT MY COUSIN, WHO IS IN THE U.S. ARMY, WAS WEARING…SO TREMENDOUSLY PROUD. I PROBABLY WORE THE HAT MORE BECAUSE I WAS VERY SELF-CONSCIOUS OF STICKING OUT. IF YOU ARE IN THE EARLY ‘80S, WEARING CAMOUFLAGE, THEN IT’S JUST…NUMBER ONE, IT WASN’T A TIME THAT YOU WANTED TO STICK OUT. THIS WOULD [HAVE SEEN] SOME WEAR BECAUSE HE HAD WORN IT HIMSELF [IN THE ARMY] DOWN IN THE STATES BEFORE HE GAVE IT TO ME.” “[AT THE TIME] I STILL HAVE SOME SMALL INTEREST IN THIS SUBJECT MATTER. TO THE POINT WHERE [I WAS INTERESTED IN] WHAT THE CANADIANS WERE WEARING OVERSEAS IN AFGHANISTAN.” MACLEAN ELABORATED ON HIS INTEREST IN THE JACKET AND MILITARY HISTORY, NOTING, “WHILE ALL THIS IS GOING ON—THE 1980S—AS A KID, AND I DON’T KNOW IF IT WAS JUST ME ‘CAUSE I WAS A NEWS JUNKIE, THE COLD WAR WAS A BIG DEAL IN THE EARLY ‘80S. THERE WERE SHOWS ON TV THAT WERE SCARING THE CRAP OUT OF ME…TO SAY THE LEAST, I WAS KIND OF SEMI-OBSESSED WITH THE SUBJECT MATTER. “ “I WOULD BE CONFIDENT THAT BY GRADE 10, I WAS NOT WEARING IT…MY INTEREST MOVED INTO THE SECOND WORLD WAR.” “AGAIN, [REG IS] LIKE AN OLDER BROTHER TO ME. I GOT SOME PRETTY NICE GIFTS WHEN I WAS A KID. BUT, SOMEBODY BRINGING THIS BACK, ALL THE WAY FROM THE CAROLINAS, OR WHERE HE WAS POSTED—AND THE FACT THAT PROBABLY, EVEN BY ’85, IT WOULD BE NEAR IMPOSSIBLE TO FIND, ALTHOUGH YOU MIGHT BE ABLE TO GET IT AT A SURPLUS STORE BY THEN—IT HAD A LOT OF MEANING TO ME. SO I’VE HUNG ONTO IT.” FOR MORE INFORMATION INCLUDING ARTICLES FROM THE LETHBRIDGE HERALD, BRANDON SUN, MEDICINE HAT NEWS, AND THE FULL INTERVIEW TRANSCRIPTION, PLEASE SEE THE PERMANENT FILE P20180029001-GA.
Catalogue Number
P20180029002
Acquisition Date
2018-12
Collection
Museum
Images
Less detail

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