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1959-1960 Order of the Royal Purple Officers

https://collections.galtmuseum.com/en/permalink/descriptions92397
Date Range
1959-1960
Description Level
Item
Accession No.
20171064016126
Physical Description
Black and White photograph 5X7in
Scope and Content
Order of the Royal Purple Ladies grouped together for picture. 1959-1960 officers. Opal Jaylar, Patricia Van Horne, Dorothy Sarenson, Betty Deak, Alma Naylar, Kay Michalouski, Connie McLaren, Mary Nicalson, Arleen Price, Norma Spoulas, Rene Schnider, Emma Hackett, Ethel Stark, Veroua Smee, Marge Na…
  1 image  
Date Range
1959-1960
Description Level
Item
Creator
Order of the Royal Purple Lethbridge Lodge #32
Physical Description
Black and White photograph 5X7in
Physical Condition
Good
History / Biographical
The Order of Royal Purple was founded in Vancouver, British Columbia in September 1914. Several wives of the Elks created an informal group in 1913 to assist their husbands with benevolent, charitable and social work. In 1914, they became the recognized female auxiliary of the Elks of Canada. The objectives of the Order were to promote the principles of Justice, Charity, Sisterly Love and Fidelity, to promote the welfare and enhance the happiness of its members or for other purposes. In addition, the Order was to quicken the spirit of women toward a pure and noble citizenship, to promote harmony and good fellowship, to relieve suffering whenever possible and to strive at all times to make “Life sweeter, women better, and the world happier.” The logo was a diamond with an elk head in the center, a clock pointing to 11 o’clock opposite a pansy and the word Canada on the banner. The pansy was the official flower of the Order. The Royal Purple was a very secretive society. They required passwords for every meeting and National Conventions. The Password could only be changed by the Supreme Honored Royal Lady and the Lodges would be notified every 6 months of the password change. The colors of the Order were purple, white and gold. The tassels on their purple pill box hats represents the individual’s status. White tassel means lodge member, white and purple means Honored Royal Lady (or local president), gold for District Deputy, and purple for Supreme Honored Royal Lady (National Leader.) A non-member can be granted honorary memberships for their contributions to the Lodge. Meetings would begin and end with floor work. Each Lodge and District develop their own bylaws and Rules of Order. In 2014 the Supreme Executive of the Order of Royal Purple decided to secede from the Elks and start a new organization, the Canadian Royal Purple Society. Some locals, however, wished to remain with the Elks and these were integrated into the organization of the Elks of Canada as Royal Purple Elks Lodges. Lethbridge Lodge No. 32 was instituted on April 27, 1928 by PSHRL Mattie Lane and 23 ladies were initiated into the Order. Teas, bake sales, craft sales, rummage sales, and bingos have been annual fundraising activities for the lodge. One of their larger projects was to supply an Audiology Unit (a brain stem evoked response audiometer) costing $40,000.00 for the Regional hospital. They also undertook to supply Lifeline Units to the Auxiliary Hospital. The ladies also supported the local Soup Kitchen, local Food Bank, Parents Place, Harbor House for abused women and children, Meals on Wheels, Keep in Touch as well as other charities. The Lodge was also a supporters of the Elks and Royal Purple Fund for children. They disbanded at the end of 2017. - Information from the Royal Purple of Canada book and interview transcript For more information check out the interview with Ann Marie MacDonald and the donation of Wilma Wood Royal Purple Regalia Accession Number P20170007001
Scope and Content
Order of the Royal Purple Ladies grouped together for picture. 1959-1960 officers. Opal Jaylar, Patricia Van Horne, Dorothy Sarenson, Betty Deak, Alma Naylar, Kay Michalouski, Connie McLaren, Mary Nicalson, Arleen Price, Norma Spoulas, Rene Schnider, Emma Hackett, Ethel Stark, Veroua Smee, Marge Narster, and Mary Neve.
Access Restrictions
Public
Accession No.
20171064016126
Collection
Archive
Images
Less detail

1960-1961 Order of the Royal Purple Officers

https://collections.galtmuseum.com/en/permalink/descriptions92395
Date Range
1960-1961
Description Level
Item
Accession No.
20171064016068
Physical Description
Colored photograph
Scope and Content
Ladies posing for group picture. Opal Jaylar, Patricia Van Horne, Alma Naylar, Kay Michalouski, Connie McLaren, Chris Moodie, Emma Hackett, Mary Nicalson, Arleen Price, Norma Spoulas, Alice Kennedy, Dorothy Sarenson, Betty Deak, Ethel Stark, Veroua Smee, and Mary Neve.
  1 image  
Date Range
1960-1961
Description Level
Item
Creator
Order of the Royal Purple Lethbridge Lodge #32
Physical Description
Colored photograph
Physical Condition
Good
History / Biographical
The Order of Royal Purple was founded in Vancouver, British Columbia in September 1914. Several wives of the Elks created an informal group in 1913 to assist their husbands with benevolent, charitable and social work. In 1914, they became the recognized female auxiliary of the Elks of Canada. The objectives of the Order were to promote the principles of Justice, Charity, Sisterly Love and Fidelity, to promote the welfare and enhance the happiness of its members or for other purposes. In addition, the Order was to quicken the spirit of women toward a pure and noble citizenship, to promote harmony and good fellowship, to relieve suffering whenever possible and to strive at all times to make “Life sweeter, women better, and the world happier.” The logo was a diamond with an elk head in the center, a clock pointing to 11 o’clock opposite a pansy and the word Canada on the banner. The pansy was the official flower of the Order. The Royal Purple was a very secretive society. They required passwords for every meeting and National Conventions. The Password could only be changed by the Supreme Honored Royal Lady and the Lodges would be notified every 6 months of the password change. The colors of the Order were purple, white and gold. The tassels on their purple pill box hats represents the individual’s status. White tassel means lodge member, white and purple means Honored Royal Lady (or local president), gold for District Deputy, and purple for Supreme Honored Royal Lady (National Leader.) A non-member can be granted honorary memberships for their contributions to the Lodge. Meetings would begin and end with floor work. Each Lodge and District develop their own bylaws and Rules of Order. In 2014 the Supreme Executive of the Order of Royal Purple decided to secede from the Elks and start a new organization, the Canadian Royal Purple Society. Some locals, however, wished to remain with the Elks and these were integrated into the organization of the Elks of Canada as Royal Purple Elks Lodges. Lethbridge Lodge No. 32 was instituted on April 27, 1928 by PSHRL Mattie Lane and 23 ladies were initiated into the Order. Teas, bake sales, craft sales, rummage sales, and bingos have been annual fundraising activities for the lodge. One of their larger projects was to supply an Audiology Unit (a brain stem evoked response audiometer) costing $40,000.00 for the Regional hospital. They also undertook to supply Lifeline Units to the Auxiliary Hospital. The ladies also supported the local Soup Kitchen, local Food Bank, Parents Place, Harbor House for abused women and children, Meals on Wheels, Keep in Touch as well as other charities. The Lodge was also a supporters of the Elks and Royal Purple Fund for children. They disbanded at the end of 2017. - Information from the Royal Purple of Canada book and interview transcript For more information check out the interview with Ann Marie MacDonald and the donation of Wilma Wood Royal Purple Regalia Accession Number P20170007001
Scope and Content
Ladies posing for group picture. Opal Jaylar, Patricia Van Horne, Alma Naylar, Kay Michalouski, Connie McLaren, Chris Moodie, Emma Hackett, Mary Nicalson, Arleen Price, Norma Spoulas, Alice Kennedy, Dorothy Sarenson, Betty Deak, Ethel Stark, Veroua Smee, and Mary Neve.
Access Restrictions
Public
Accession No.
20171064016068
Collection
Archive
Images
Less detail
Other Name
BUTTON ACCORDION
Date Range From
1920
Date Range To
1930
Material Type
Artifact
Materials
WOOD, METAL, PLASTIC
Catalogue Number
P20180011000
  2 images  
Material Type
Artifact
Other Name
BUTTON ACCORDION
Date Range From
1920
Date Range To
1930
Materials
WOOD, METAL, PLASTIC
No. Pieces
2
Height
37
Length
36.4
Width
20
Description
A. BUTTON ACCORDION, 37 CM TALL X 36.4 CM LONG X 20 CM WIDE. ACCORDION IS BROWN POLISHED WOOD WITH BLACK AND LIGHT BROWN TRIM; ACCORDION HAS BLACK PLASTIC BELLOWS AND SILVER PLATE OVER THREE ROWS OF WHITE BUTTONS AT SIDE; OPOPSITE END OF ACCORDION HAS FOUR ROWS OF WHITE AND BLACK PLASTIC BUTTONS SET IN SILVER PLATE ABOVE BLACK LEATHER STRAP. TOP OF ACCORDION HAS TWO SILVER BASS/TREBLE SWITCHES. BORDERS AROUND BELLOWS HAVE PEAL/TORTOISE SHELL INLAID. ACCORDION IS MISSING BUTTON FROM FOURTH ROW OF BUTTONS, AND HAS TWO WOODEN SUBSTITUTE BUTTONS IN SECOND AND FOURTH ROWS. FRONT OF ACCORDION HAS WINDOW ABOVE BELLOWS WITH GLASS PLATE OVER WHITE PAPER AND BLACK TEXT “C. DALLAPE, TRENTO (ITALIA)”. ACCORDION HAS FOUR BRASS FEET ON SIDE WITH FOUR ROWS OF BUTTONS. WOOD IS WORN AT HANDLES AND EDGES; METAL PLATES AND ACCENTS HAVE CORROSION. OVERALL VERY GOOD CONDITION. B. BLUE COTTON BAG, 72 CM LONG X 53 CM WIDE. BAG HAS HANDLE ATTACHED TO COVER FLAP; COVER FLAP HAS THREE BUTTON HOLES. BAG HAS TWO BLACK PLASTIC BUTTONS ON FRONT ALONG TOP EDGE. BAG HAS PATCHES STITCHED WITH BLACK THREAD ON FRONT UPPER LEFT CORNER, ON BACK IN THE CENTER OF BAG, AND ON THE BACK BESIDE LEFT CORNER OF HANDLE. BAG IS TORN IN LOWER RIGHT CORNER AND FRAYED; BAG IS TORN ALONG LEFT AND RIGHT EDGES AND ON FRONT AT UPPER RIGHT EDGE; BACK HAS TORN HOLES AT BOTTOM. OVERALL GOOD CONDITION.
Subjects
MUSICAL T&E
Historical Association
HOME ENTERTAINMENT
LEISURE
History
ON MAY 22, 2018, COLLECTIONS TECHNICIAN KEVIN MACLEAN INTERVIEWED LESLIE MORTON REGARDING HER DONATION OF A BUTTON ACCORDION. THE ACCORDION WAS OWNED AND PLAYED BY MORTON’S GRANDFATHER, GIUSEPPE (JOSEPH) "FABRO" BRIDAROLLI, AND WAS LATER OWNED BY HER UNCLE, SYLVIO "SYL" BRIDAROLLI, BEFORE BECOMING IN HER POSSESSION. MORTON DISCUSSED HER MEMORIES OF THE ACCORDION IN HER HOME, STATING, “IT’S A BUTTON ACCORDION…THERE’S BUTTON ACCORDIONS AND PIANO ACCORDIONS, AND I PLAY THE PIANO. IF I HAD A PIANO ACCORDION, I COULD AT LEAST PICK OUT THE NOTES BECAUSE I COULD READ THE MUSIC. THIS IS SOMETHING DIFFERENT. YOU HAVE TO BE A REAL MUSICIAN TO PLAY A BUTTON ACCORDION BECAUSE IT IS TOTALLY BY EAR. THERE’S THE MELODY SIDE AND THE CHORD SIDE AND YOU JUST DO IT BY EAR. IF YOU LISTEN TO HIS TAPE [IN ARCHIVES]…HE WAS JUST TURNING 81 WHEN HE MADE THIS TAPE AND HE WAS TRYING TO REMEMBER SOME OF THE SONGS HE KNEW. ONE CAME OUT REALLY GOOD AND THEN HE GOT THE MELODY OF SOMETHING. HE WAS PICKING IT OUT AND HE WAS INTO THINGS HE WAS MORE FAMILIAR WITH. HE WAS VERY MUSICAL AND HAD A REAL EAR. IT’S SORT OF LIKE AN IRISH BUTTON ACCORDION BUT NOT QUITE. IT’S BIGGER.” “WHAT I REMEMBER [MY GRANDPARENTS] TELLING ME IS WHEN HE WAS HERE, HE HAD IT MADE FOR HIM IN ITALY AND IT WAS SENT OVER TO CANADA WHEN HE LIVED HERE. I ALSO UNDERSTOOD HE PLAYED IN ITALY BUT THIS ACCORDION WAS MADE FOR HIM THERE AND SENT OVER [IN THE 1920S].” “IT’S A TREASURE. I WOULD SAY OF ALL THE THINGS I FOUND IN MY PARENTS’ HOME AND ALL THE THINGS I’VE HAD TO FIND HOMES FOR, ALL THE THINGS THAT WOULD REMIND ME OF MY CHILDHOOD, THIS IS THE MOST IMPORTANT THING. EVER. IT EVOKES REALLY STRONG MEMORIES. THERE’S SOMETHING ABOUT MUSIC IN A FAMILY. IF YOU CAN MEET TOGETHER AND YOU CAN SHARE MUSIC, WHICH OUR FAMILY DID, IT LEAVES AN IMPRESSION THAT YOU DON’T EVER FORGET.” “[THE ACCORDION] REALLY WAS FOR MY GRANDFATHER [GIUESEPPE “JOSEPH” BRIDAROLLI]. IT WAS FROM HIM. THAT’S WHERE THE [LOVE OF] MUSIC CAME FROM FOR ALL [MY FAMILY].” “WHEN I WAS A LITTLE GIRL, WE WOULD GO OVER TO [MY GRANDPARENTS’] HOUSE AT 909 - 8TH STREET NORTH, [MY GRANDFATHER] ALWAYS PLAYED. HE’D JUST SIT IN HIS KITCHEN AND HE’D PLAY SOMETHING FOR US. HE WOULD SIT ON A BENCH BY THE BACK DOOR OUTSIDE AND HE WOULD PLAY SOMETHING FOR US. AT CHRISTMAS, MY GRANDPARENTS WOULD COME OVER [TO OUR HOME] AND HE WOULD PLAY THE ACCORDION. MY MOTHER WOULD PLAY THE VIOLIN, MY SISTER THE PIANO. SHE WAS BETTER THAN ME AND WE WOULD ALL SING CAROLS. FOR MY UNCLE IT WOULD BE THE SAME. HE ALWAYS WAS THERE PLAYING HIS ACCORDION. WHEN MY UNCLE AND AUNT CAME TO VISIT, IT WAS THE SAME THING. HE’D PLAY.” ON HER FAMILY’S HISTORY AND CONNECTION TO THE ACCORDION, MORTON ELABORTED, “[MY GRANDFATHER] STOPPED WORKING IN THE MINES IN THE FIFTIES. HE WAS STILL DOING IT IN THE FIFTIES. WHEN THEY CAME OVER FOR SUNDAY DINNER OR WE WENT OVER THERE [MY GRANDFATHER WOULD PLAY]. [WHEN] MY GRANDMOTHER WAS WELL ENOUGH, WE WOULD ALTERNATE [HOMES FOR DINNERS]. THEN WHEN IT GOT HARDER FOR HER [SUNDAY DINNER] WAS ALWAYS IN OUR HOME. I MADE A TAPE WHEN MY PARENTS WENT TO INDIA IN 1971, AND THAT’S WHEN MY UNCLE GOT MARRIED AS WELL. WE CORRESPONDED BY CASSETTE TAPE. THAT SOUNDS VERY ANTIQUATED NOWADAYS. THERE WAS NO EMAIL. PHONES WERE DIFFICULT WHEN YOU TRIED TO PHONE INDIA AND [WE] HAD TO YELL INTO THE PHONE. SO WE DECIDED TO MAKE CASSETTE TAPES…I WENT DOWN SEPTEMBER THE 5TH, 1971…AND I HAD HIM PLAY THE ACCORDION SO THAT I COULD SEND THIS TAPE TO MY PARENTS. [THIS TAPE HAS] HIS VOICE A LITTLE BIT IN THE BACKGROUND AND MINE A TINY BIT BUT IT’S HIS MUSIC THAT’S IMPORTANT. IT WAS SENT OVER TO INDIA FOR THEM AND WE’VE KEPT IT EVER SINCE. HE DIED IN ’72 AND WE PLAYED THAT ACCORDION TAPE A HUNDRED MILLION TIMES. MY UNCLE ALSO HAD ONE OF COURSE. HE WAS ALWAYS PLAYING. MY MOTHER TELLS A STORY, ALTHOUGH IT’S NOT A FAMILY ONE BUT SHE SAID THAT FRIENDS OF HIS, WHEN IT WAS THEIR BIRTHDAY, HE WOULD GO OVER SIT UNDER THEIR WINDOW AND HE WOULD PLAY THE ACCORDION. HE WOULD PLAY AT GATHERINGS OF THE ITALIAN COMMUNITY. HE PLAYED AT DANCES.” “MY GRANDFATHER WAS BORN SEPTEMBER 7TH 1890 AND MY GRANDMOTHER [MARIA BERTE] WAS JANUARY 9TH, 1893. THEY WERE FROM CAVENDINE, ITALY, WHICH IS IN THE PROVINCE OF TRENTO AND THAT’S WHERE THIS ACCORDION WAS MANUFACTURED…THEY WERE VERY POOR OVER THERE…I FOUND A PAPER IN THE MIDDLE OF THE FAMILY DOCUMENTS THAT, I DON’T SPEAK ITALIAN, BUT IT LOOKED LIKE A POVERTY DOCUMENT THAT HAS MY GRANDFATHER—HIS FATHER’S NAME ON IT. THEY WERE VERY POOR AND THEY WOULD HAVE COME HERE TO MAKE A BETTER LIFE FOR HIS FAMILY.” “I UNDERSTAND THAT MY GRANDFATHER CAME OVER BY HIMSELF PRIOR TO 1920. HE WAS IN LETHBRIDGE AND SIZED THINGS UP. HE WENT BACK TO ITALY AND GOT MARRIED TO MY GRANDMOTHER IN 1920. MY MOTHER WAS BORN OVER THERE. IT WAS 1924, IN OCTOBER WHEN HE BROUGHT HIS WIFE AND HIS YOUNG DAUGHTER, ANN, OVER. THEY CAME ON A BOAT AND LANDED IN THE MARITIMES, AND THEY MADE THEIR WAY TO LETHBRIDGE. THEY STARTED IN COALHURST FOR A SHORT WHILE…AND THEN THEY MOVED TO LETHBRIDGE. MY UNCLE WAS BORN HERE IN 1926.” “I CAN GUESS [MY GRANDPARENTS MOVED TO SOUTHERN ALBERTA] BECAUSE [OF] MILLIE LUCIANI—THERE WERE BERTE FAMILIES HERE AND MY GRANDMOTHER WAS A BERTE. MILLIE LUCICANI’S FATHER[WAS A BERTE AND HE WAS A COUSIN OF MY [GRAND]MOTHER] … THERE WAS COMMUNICATION THERE THAT THIS WAS THE PLACE TO COME BECAUSE THEY WERE ALREADY HERE.” “WHEN MY GRANDFATHER DIED IN 1972, I HAD THIS ACCORDION AND THEN, AT A CERTAIN POINT I GAVE IT TO MY UNCLE, HIS SON, SYL. HE HAD IT IN FERNIE THEN IN MERRITT. HE DIED IN 2011 AND MY AUNT SENT IT TO ME. WE TALKED ABOUT LEAVING IT TO THE MUSEUM BUT I DIDN’T WANT TO LET GO OF IT YET. WHAT HAS SPURRED IT ON IS THAT THERE IS NOBODY ELSE TO PASS IT ON TO.” “I WAS GIVEN THIS BECAUSE, WHEN I WAS A LITTLE GIRL I JUST LOVED IT. HE PLAYED AND I LOVED IT. MY UNCLE LOVED IT TOO, HE DIDN’T LIVE HERE AND BECAUSE IT WAS EASY AND MY PARENTS HAD TO LEAVE FOR INDIA, I GOT IT TEMPORARILY. IT DID BELONG MORE TO MY MOM AND MY UNCLE THAN TO ME, BUT I HAD IT FIRST FOR QUITE A WHILE.” “MY SISTER AND I WERE TALKING AND WE THOUGHT, WELL REALLY IT WAS MORE [OUR UNCLE’S] THAN OURS. THAT’S WHY [I GAVE IT TO HIM]. BY GOING TO ME IT WENT TO MY MOM AND SHE WAS THE ELDEST. BUT WHEN MY MOTHER WAS GETTING REALLY SICK AND HE WAS COMING TO VISIT HER AND SHE WASN’T GOING TO LIVE, THEN IT WAS REALLY IMPORTANT THAT IT GO TO THE NEXT PERSON WHICH REALLY WOULD BE MY UNCLE. WE THOUGHT IT WAS THE RIGHT THING AND HE WAS ENCHANTED. IT WAS REALLY HIS AT THAT POINT.” “I WANTED TO LEARN HOW TO PLAY IT SO I TRIED, BUT I HAD ARTHRITIS IN MY SHOULDERS SO I COULDN’T. I WOULD TAKE [IT] OUT EVERY ONCE IN A WHILE AND TRY TO PLAY “SILENT NIGHT”. I JUST TOOK IT WHEREVER I WENT AND TRIED TO LOOK AFTER IT.” “IT WOULD BE [ONE OF THE MOST IMPORTANT THINGS IN MY HOME] AND I’M SURE FOR MY UNCLE TOO. PICTURES ARE REALLY IMPORTANT TO OUR FAMILY AND TO ME. I KNOW TO MY UNCLE SYL AS WELL THIS WOULD BE [IMPORTANT] BECAUSE WE ALL REMEMBERED [MY GRANDFATHER] PLAYING ALL THE TIME. HE NEVER SAT DOWN WITHOUT IT ON HIS LAP. TO MY UNCLE IT WOULD BE EVEN STRONGER BECAUSE, OF COURSE, HE GREW UP WITH HIS FATHER PLAYING THE ACCORDION.” “MY GRANDPARENTS HAD TWO CHILDREN, MY MOTHER ANN, AND HER BROTHER SYL. SYL NEVER HAD ANY CHILDREN, THEY ADOPTED A GIRL ONCE BUT THAT WAS LONG AGO [AND] SHE’S OUT OF THE PICTURE. THERE’S MY AUNT, HIS WIFE, AND THERE’S ME. MY PARENTS HAVE PASSED AWAY AND MY SISTER, LAUREL, PASSED AWAY IN 2009 IN GENEVA. IF SOMETHING HAPPENS TO ME, THERE IS ABSOLUTELY NO WAY THIS BRIDAROLLI FAMILY WILL CARRY ON. THE ANDERSON FAMILY [MY FATHER’S FAMILY] THERE WERE EIGHT OF THEM. THERE’S NOBODY ELSE. THERE’S ME AND I FEEL A LITTLE RESPONSIBILITY TO MAKE SURE IT’S POSSIBLE THAT THE JOSEPH BRIDAROLLI FAMILY IS IN SOME WAY REMEMBERED. MY GRANDFATHER WAS A COAL MINER IN LETHBRIDGE AND HE ALSO WAS A PART OF THE ITALIAN COMMUNITY AND THEY WEREN’T RICH; THEY WEREN’T POWERFUL. THEY DIDN’T HOLD POSITIONS BUT I THINK THEIR STORY IS VERY IMPORTANT AS IMMIGRANTS FROM ITALY AND I’D LIKE TO TELL THEIR STORY. THAT’S THE REASON I BROUGHT IT. I THINK IT WOULD BE REALLY IMPORTANT THAT IN SOME WAY IT IS PERPETUATED BOTH FOR MY UNCLE AND MY MOTHER AS WELL AS HER PARENTS.” FOR MORE INFORMATION INCLUDING LETHBRIDGE HERALD ARTICLES AND THE FULL INTERVIEW TRANSCRIPTION, PLEASE SEE THE PERMANENT FILE P20180011000-GA.
Catalogue Number
P20180011000
Acquisition Date
2018-05
Collection
Museum
Images
Less detail

Agnes Davidson School and Gilbert Paterson School Memorabilia.

https://collections.galtmuseum.com/en/permalink/descriptions89996
Date Range
1969-1979
Description Level
Item
Accession No.
20171071
Physical Description
1 cm textual records.
Scope and Content
Photocopies of: - Program of an Agnes Davidson School production of "Snow White and the Seven Dwarfs". - Program of an Agnes Davidson School production of "Pinocchio". - 7 colour 23 x 16.5 cm photographs: 20171071001: group photograph of children from Aunt Dorothy's Playhouse, operated by Dorothy …
Date Range
1969-1979
Description Level
Item
Physical Description
1 cm textual records.
Scope and Content
Photocopies of: - Program of an Agnes Davidson School production of "Snow White and the Seven Dwarfs". - Program of an Agnes Davidson School production of "Pinocchio". - 7 colour 23 x 16.5 cm photographs: 20171071001: group photograph of children from Aunt Dorothy's Playhouse, operated by Dorothy Gentleman. Taken on the steps of Lethbridge City Hall. 20171071002: Agnes Davidson School. Year 1. 1969-1970. 20171071003: Agnes Davidson School. Year 2. 1970-1971. 20171071004: Agnes Davidson School. Year 3. 1971-1972. 20171071005: Agnes Davidson School. Year 4. 1972-1973. 20171071006: Agnes Davidson School. Grade 5. 1973-1974. 20171071007: Agnes Davidson School. Grade 6. 1974-1975. - Program of the 1978 Gilbert Paterson School Grade 9 Graduation "Thank You for being a Friend".
Accession No.
20171071
Collection
Archive
Less detail

Ainscough Family Records.

https://collections.galtmuseum.com/en/permalink/descriptions95591
Date Range
1909-1945
Description Level
Item
Accession No.
20191040
Physical Description
2 cm textual records.
Scope and Content
Photocopies of Woolford information (including the new spur line to Woolford in 1909), military and family history of the Ainscough family, service records of Reed W. Ainscough, service notebook/diary of Reed W. Ainscough.
Date Range
1909-1945
Description Level
Item
Physical Description
2 cm textual records.
Scope and Content
Photocopies of Woolford information (including the new spur line to Woolford in 1909), military and family history of the Ainscough family, service records of Reed W. Ainscough, service notebook/diary of Reed W. Ainscough.
Accession No.
20191040
Collection
Archive
Less detail

Air Force Association of Canada: Special Recognition Poster

https://collections.galtmuseum.com/en/permalink/descriptions96053
Date Range
1949-1994
Description Level
Item
Accession No.
20191083003
Physical Description
1 mm of textual records
Scope and Content
Poster of the Air Force Association of Canada: 51st Annual Charter Night- With Special Recognition for all 702 Wing Past Presidents.
Date Range
1949-1994
Description Level
Item
Creator
Garry Allison
Physical Description
1 mm of textual records
History / Biographical
Garry Allison was born in Lethbridge in 1940. During his career, he served as the Sports Editor of the Lethbridge Herald, as well as the District Editor, City Editor and finished his journalism career as the Outdoors Editor. He worked fulltime in the Herald's Sports department in 1974 after working in the Printing Department. Allison was an avid rodeo fan and spent much of his career covering local rodeos throughout Southern Alberta, beginning in the mid-1960s until his retirement in 2002. He received numerous awards for his coverage of rodeos, high school sports and the outdoors, including the Max Bell Memorial Award for outstanding coverage of amateur sports in Alberta. Because of his achievements in Southern Alberta sports, he was inducted into the Alberta Sports Hall of Fame and the Lethbridge Sports Hall of Fame. Allison was heavily involved in the local community, including coaching the high school girls’ basketball in Coalhurst and Winston Churchill for ten years. Family was a central priority to Garry Allison: he and his wife, Mary, were married for 55 years and had cared for foster children for 32 years.
Scope and Content
Poster of the Air Force Association of Canada: 51st Annual Charter Night- With Special Recognition for all 702 Wing Past Presidents.
Accession No.
20191083003
Collection
Archive
Less detail

Alberta Railway and Irrigation Company Ledger

https://collections.galtmuseum.com/en/permalink/descriptions93080
Date Range
1913-1931
Description Level
Item
Accession No.
20181066
Physical Description
1 hardcover book 4 pages textual documents
Scope and Content
Compact Alberta Railway & Irrigation Co. ledger kept by William Brown. Handwritten notes about the ledger from the donor. Photocopies of promissory notes and photographs relating to the Brown family are included.
Date Range
1913-1931
Description Level
Item
Physical Description
1 hardcover book 4 pages textual documents
Custodial History
Kept by the Brown family.
Scope and Content
Compact Alberta Railway & Irrigation Co. ledger kept by William Brown. Handwritten notes about the ledger from the donor. Photocopies of promissory notes and photographs relating to the Brown family are included.
Accession No.
20181066
Collection
Archive
Less detail

Allied Arts Council of Lethbridge fonds

https://collections.galtmuseum.com/en/permalink/descriptions8
Date Range
1952-1988
Description Level
Fonds
Accession No.
19901039000
Physical Description
3.3 m. of textual records. -- 17 photographs.
Scope and Content
The fonds consists of minutes of executive and annual general meetings of the Allied Arts Council of Lethbridge, financial records, correspondence, and project files pertaining to activities of the Council and its member groups.
Date Range
1952-1988
Fonds
Allied Arts Council of Lethbridge fonds
Description Level
Fonds
Creator
Allied Arts Council of Lethbridge
Physical Description
3.3 m. of textual records. -- 17 photographs.
History / Biographical
The Allied Arts Council of Lethbridge was established in 1952 to coordinate and support the development of the arts in Lethbridge. The Council operates the Bowman Arts Centre.
Scope and Content
The fonds consists of minutes of executive and annual general meetings of the Allied Arts Council of Lethbridge, financial records, correspondence, and project files pertaining to activities of the Council and its member groups.
Notes
Title based on the contents of the fonds.
Accession No.
19901039000
Category
Arts
Collection
Archive
Less detail
Date Range
1878-1986
Description Level
Item
Accession No.
20171111
Physical Description
1 softcover book. 3 photographs. One 23-page manuscript.
Scope and Content
Publication "Reflections of a community: Twin Butte Community Hall Golden Anniversary 1936-1986". 3 photographs of the Allred Family. Manuscript: "Pioneer Ancestors: Frank Allred & Josie Bailey".
Date Range
1878-1986
Description Level
Item
Physical Description
1 softcover book. 3 photographs. One 23-page manuscript.
Scope and Content
Publication "Reflections of a community: Twin Butte Community Hall Golden Anniversary 1936-1986". 3 photographs of the Allred Family. Manuscript: "Pioneer Ancestors: Frank Allred & Josie Bailey".
Accession No.
20171111
Collection
Archive
Less detail
Date Range
1962
Description Level
Item
Accession No.
20191083119
Physical Description
1 black and white photographic print
Scope and Content
Al Sparks - boxer. On the back it reads: "BOXING COLLECTION of G. L. ALLISON Boxer Al Sparks".
  1 image  
Date Range
1962
Description Level
Item
Creator
Garry Allison
Physical Description
1 black and white photographic print
History / Biographical
Garry Allison was born in Lethbridge in 1940. During his career, he served as the Sports Editor of the Lethbridge Herald, as well as the District Editor, City Editor and finished his journalism career as the Outdoors Editor. He worked fulltime in the Herald's Sports department in 1974 after working in the Printing Department. Allison was an avid rodeo fan and spent much of his career covering local rodeos throughout Southern Alberta, beginning in the mid-1960s until his retirement in 2002. He received numerous awards for his coverage of rodeos, high school sports and the outdoors, including the Max Bell Memorial Award for outstanding coverage of amateur sports in Alberta. Because of his achievements in Southern Alberta sports, he was inducted into the Alberta Sports Hall of Fame and the Lethbridge Sports Hall of Fame. Allison was heavily involved in the local community, including coaching the high school girls’ basketball in Coalhurst and Winston Churchill for ten years. Family was a central priority to Garry Allison: he and his wife, Mary, were married for 55 years and had cared for foster children for 32 years.
Scope and Content
Al Sparks - boxer. On the back it reads: "BOXING COLLECTION of G. L. ALLISON Boxer Al Sparks".
Accession No.
20191083119
Collection
Archive
Images
Less detail
Date Range
1947-1987
Description Level
Fonds
Accession No.
20171094
Physical Description
0.3 m of textual records, over 500 photographs, 1 sketch
Scope and Content
The materials were preserved and enhanced through research by Joyce Sasse 001: 1963 Day planner 002: 1964 Day planner 003: 1965 Day planner 004: Book- Proud Procession (1947) 005: Book- Young Explorers (1947) 006: Book- Totem Tipi and Tumpline (1955) 007: Book- No Man Stands Alone (1965) 008: Book…
Date Range
1947-1987
Description Level
Fonds
Creator
Annora Brown
Physical Description
0.3 m of textual records, over 500 photographs, 1 sketch
History / Biographical
Annora Brown was born outside of Red Deer in 1899 and died at the age of 88 in Deep Cove, British Columbia in 1987 where she retired. Brown is one of the Alberta’s foremost early artists. Based for much of her life in historic Fort Macleod, Brown played a major role in creating a ‘picture’ of Southern Alberta: its wild landscape, First Nations, pioneer rural communities, local history- above all its wondrous nature symbolized by the wildflower. Her work was able to capture the culture of the First nation communities that she lived near. Her father was Edmund Foster Brown and mother was Elizabeth Ethel (Cody) Brown. Her mother supported and encouraged Brown’s love for art and from 1925-1929 Brown attended the Ontario College of Art in Toronto. She returned in 1929 and developed and art program for Calgary’s Mounted Royal College but later had to leave due to her mother’s illness. A student of the celebrated landscape painters, known as the Group of Seven (1920-1933), Brown’s artistic practice spans the 1930s to mid-1980s. During that time, she cobbled together a living as an artist, often by teaching, illustrating books and magazines, and selling, whenever she could, her captivating paintings in watercolor, tempera oil and later serigraph prints. In 1945-1950, brown worked as a respected artist and teacher at the Banff School of Fine Arts. She was also commissioned to paint over 200 western wild flowers for the Glenbow Foundation. Brown’s work was also included in Crescent Heights High School in Calgary, University of Alberta in Edmonton, United College in Winnipeg, and the Canadian Handicrafts Guild in Montreal. She was also awarded a prize in the Alberta Government’s 1955 Jubilee Contest for Alberta painters. In 1965 Brown retired to Deep Cove British Columbia to paint and garden. She had given a “voice” to a region that had been rarely presented in Canadian art. Her attention to the unique aspects of Old Man’s Country like Niitsitapi, the character and isolation of its small rural communities as well as its unforgettable environment was expressed mainly through her focus on wildflowers and native plants. Buoyed by the conviction that a woman’s activities “need not be limited to polishing furniture and raising babies”, Brown was also a writer and author of two books: the Western Canadian classic Old Man’s Garden and her autobiographical Sketches from Life. She was the first woman to receive an honorary degree from the University of Lethbridge in 1971 for her contribution to “western art and living.” (written by Mary-Beth Laviolette; Summer 2016 Gallery Exhibit at Galt Museum)
Scope and Content
The materials were preserved and enhanced through research by Joyce Sasse 001: 1963 Day planner 002: 1964 Day planner 003: 1965 Day planner 004: Book- Proud Procession (1947) 005: Book- Young Explorers (1947) 006: Book- Totem Tipi and Tumpline (1955) 007: Book- No Man Stands Alone (1965) 008: Book- Canaries on the Clothesline (1974) 009: Sketch of Annora Brown oversized 010: 26 Photos of the Rockies 011: 2 Photos, Editorial, Crighton photocopy with description 012: 8 Photos of her house and her graduation 013: 17 Photos of the cabin, 5 prints, letters about her house in Fort Macleod, and letters from the Town of Fort Macleod 014: Research notes of Annora Brown by Joyce Sasse 015: 215 Photos building the cabin 016: 250 Photos of her art, excerpt of Sketches from Life, and later years; 3 Newspaper cutouts Language: English
Access Restrictions
Public
Accession No.
20171094
Collection
Archive
Less detail
Date Range
1910-1985
Description Level
Item
Accession No.
20181096
Physical Description
4 cm. textual material.
Scope and Content
Canadian passport issued to Anton Jellenig in 1980. Various business documents including legders, Unemployment Insurance Commission certificate, a time book, resource materials on pricing, business license, etc. Map of Shaughnessy-Lethbridge Coal Reserves produced by Fording Coal Ltd. "Plan of a…
Date Range
1910-1985
Description Level
Item
Physical Description
4 cm. textual material.
History / Biographical
Anton Jellenig was born in Austria and emigrated to the Melville, Saskatchewan area. In 1941 he came to Shaughnessy and worked in the Shaughnessy mine. In 1949, he opened the Shaughnessy Coffee Shop. This grew into Tony's Cash Store, which he operated until his retirement in 1976. Anton Jellenig passed away in 1985. The store is in operation today as "Tickety Boo" in Shaughnessy.
Custodial History
The donor's husband was in possession of these documents as an executor of Anton Jellenig's estate.
Scope and Content
Canadian passport issued to Anton Jellenig in 1980. Various business documents including legders, Unemployment Insurance Commission certificate, a time book, resource materials on pricing, business license, etc. Map of Shaughnessy-Lethbridge Coal Reserves produced by Fording Coal Ltd. "Plan of additions to the Townsite of Wallace". The original name of the town and school district was Wallace. In 1929 the post office was named Shaughnessy (after Lord Shaughnessy, mine owner) as there were other post offices named Wallace.
Accession No.
20181096
Collection
Archive
Less detail

Art Batty Construction Ltd. Building Plans

https://collections.galtmuseum.com/en/permalink/descriptions96016
Date Range
1952-1961
Description Level
Fonds
Accession No.
20191061
Physical Description
25cm, 105 plans
Scope and Content
20191061/001: ‘Cameron’ House, residential plans, 4 house plans, Art Batty Construction Ltd., 1954, Newspaper box. 20191061/002: Pre-Cut Plan, 1 list of building materials, Art Batty Construction Ltd., 1954?, Folder 1/2 20191061/003: ‘Barclay’ House, residential plans, 5 house plans, Art Batty Cons…
Date Range
1952-1961
Description Level
Fonds
Creator
Art Batty Construction Ltd.
Physical Description
25cm, 105 plans
History / Biographical
Art Batty Construction Ltd. was a construction company in Lethbridge that operated in the 1940s-1960s. The company was primarily involved with residential homes building and design plans in the 1950s. In the mid-1950s, the company also designed and constructed non-residential buildings, like the MacLeod’s Ltd. Lethbridge offices in 1954, and the Glendale Bowl Co. building in 1960. The company collaborated with other local firms, Haddin, Davis & Brown Ltd. and Meech, Mitchell, Robins & Associates to build the Glendale Bowl Company Building in 1960-61, which appears to be the company's last major project. The firm also worked on the Glendale Shopping District, constructed in 1955-56, which included the company’s offices in the area. Art Batty hired A.R. Koshney in 1947, who worked his way up from a carpenter to a company shareholder and Vice-President in 1954 with Art Batty Construction Ltd. A.R. Koshney, worked as the V.P. and Construction Supervisor over all the residential buildings from 1954 onward, then started his own residential construction firm in 1961. The name of Koshney’s firm has changed multiple times over the last several decades; however, most recently the firm is Koshney & Roy Homes, taken over by Koshney’s son.
Custodial History
The Koshney's business inherited the records of the Art Batty Construction Ltd.
Scope and Content
20191061/001: ‘Cameron’ House, residential plans, 4 house plans, Art Batty Construction Ltd., 1954, Newspaper box. 20191061/002: Pre-Cut Plan, 1 list of building materials, Art Batty Construction Ltd., 1954?, Folder 1/2 20191061/003: ‘Barclay’ House, residential plans, 5 house plans, Art Batty Construction Ltd., 1954, Newspaper box. 20191061/004: ‘Aberdeen’ House, residential plans, 4 house plans, Art Batty Construction Ltd., 1954, Newspaper box. 20191061/005: ‘Town & Country’ House, residential plans, 3 house plans, Art Batty Construction Ltd., 1954, Newspaper box. 20191061/006: ‘Albany’ House, residential plans, 4 house plans, Art Batty Construction Ltd., 1954, Newspaper box. 20191061/007: Residence for Mike Harris, residential plans, 2 house plans, Davidson-Enman Lbr. Ltd., 1955? , XL Flat Storage. 20191061/008: “Belvue” Five Room Bungalow, residential plans, 2 house plans, Quality Construction Company, 1954, Newspaper box. 20191061/009: Doelger Homes Plan WW15, residential plans, 3 house plans, Doelger Homes, 1954, Newspaper box. 20191061/010: MACLEOD’s Ltd. Store Building 1, office/store building, 6 store plans, Art Batty Construction Ltd., 1952, Newspaper box. 20191061/011: 24th Street South Lethbridge plan, City neighborhood block plans, 3 block plans, Art Batty Construction Ltd.?, 1953?, Newspaper box. 20191061/012: Three-Unit Store Building, store building, 8 store plans, Art Batty Construction Ltd., 1954, XL Flat Storage. 20191061/013: Food Market 1 for Town & Country Food Centre, store building, 8 store plans, Art Batty Construction Ltd., 1954, XL Flat Storage. 20191061/014: Proposed South Lethbridge General Plan, city design plan, 1 general plan, Town Planning Assistant?, 195-?, XL Flat Storage. 20191061/015: Miscellaneous City Block plans for South Lethbridge, 3 block plans, 195-?, Newspaper box. 20191061/016: Food Market 2 at Lethbridge for Town & Country Food Center, store building, 4 store plans, Art Batty Construction Ltd., 1954, XL Flat Storage. 20191061/017: Glendale Bowl Co. Building, 10 office/bowling alley plans, 1960, Folder 1/2. 20191061/018: Six-Car Garage 1, commercial car garage, 5 car garage plans, Art Batty Construction Ltd., 1954, Folder 2/2. 20191061/019: Vault Doors, vault door design, 1 vault door plan, Art Batty Construction Ltd., 1954, Folder 1/2. 20191061/020: Form Work for Town & Country plans, 1 office building plan, Art Batty Construction Ltd., 1954?, Folder 1/2. 20191061/021: MACLEOD’S Ltd. plans 2, store building, 4 store plans, Art Batty Construction Ltd., 1954, Folder 1/2. 20191061/022: Six-Car Garage 2, commercial car garage, 4 car garage plans, Art Batty Construction Ltd., 1954, Folder 1/2. 20191061/023: Glenwood Block B, 1 City neighborhood block plan, Art Batty Construction Ltd.?, 195-?, Folder 1/2. 20191061/024: Miscellaneous Floor Plan 1, 1 residential? floor plan, Art Batty Construction Ltd., 1954?, Folder 1/2. 20191061/025: Harry Hudson Real Estate Building Design, 1 building front design, Art Batty Construction Ltd., 1954?, Folder 1/2. 20191061/026: East Sunnyside Blocks 1+2 plans, 1 City neighborhood plan, Art Batty Construction Ltd.?, 195-?, Folder 1/2. 20191061/027: Miscellaneous Floor Plan 2, 1 residential? floor plan, Art Batty Construction Ltd., 1954?, Folder 1/2. 20191061/028: Unknown Store Building, commercial store building, 5 store building plans, Art Batty Construction Ltd., 1954?, Folder 1/2. 20191061/029: Tourist Information Building, office building, 3 office building plans, Art Batty Construction Ltd., 1954?, Folder 2/2. 20191061/030: Prudential/Mutual Life Block Plan, commercial block plan, 2 block plans, Art Batty Construction Ltd., 195-?, Newspaper box. 20191061/031: Warehouse for J. Dogtrom, warehouse building, 1 warehouse, Art Batty Construction Ltd., 1954, Folder 2/2. 20191061/032: Lethbridge Plan Subdivision 59, 1 block subdivision plan, Art Batty Construction Ltd.?, 195-?, Newspaper box. 20191061/033: Royal Bank of Canada, bank floor plan, 1 bank floor plan, Art Batty Construction Ltd., 1954, Folder 2/2. 20191061/034: Canadian Oil Companies, Ltd. Plot Plan, office building plan, 6 office plans, Art Batty Construction Ltd., 195-?, Folder 2/2. 20191061/035: Miscellaneous Proposed Plans for Glendale Shopping District, 3 retail store plans, Art Batty Construction Ltd., 1954-56, Folder 2/2.
Accession No.
20191061
Collection
Archive
Less detail
Other Name
"MARQUIS HOTEL"
Date Range From
1928
Date Range To
2015
Material Type
Artifact
Materials
CERAMIC, PAINT
Catalogue Number
P20150037000
  1 image  
Material Type
Artifact
Other Name
"MARQUIS HOTEL"
Date Range From
1928
Date Range To
2015
Materials
CERAMIC, PAINT
No. Pieces
1
Height
5.08
Width
12.4
Description
BLACK, CERAMIC ASHTRAY. THE INSIDE OPENING OF THE ASHTRAY IS 6.4 CM. THE LETTERING ON THE TOP SAYS “THE MARQUIS HOTEL, LETHBRIDGE, ALBERTA, CANADA.” THERE IS AN ABSTRACTED FLORAL DESIGN ON EITHER SIDE OF THIS LETTERING. THE FLOWERS ARE PAINTED RED AND THEIR STEMS PAINTED GREEN. THIS WORDING AND DESIGN REPEATS ON THE OPPOSITE SIDE. THE LETTERING ON THE BOTTOM SAYS, “MADE IN JAPAN 29.” VERY GOOD CONDITION. USED WITH SOME WEAR APPARENT. BLACK PAINT IS WEARING OFF ON SOME PARTS OF THE SURFACE. SIGNIFICANT WEAR TO THE RED AND GREEN PAINT OF THE DECALS.
Subjects
HOUSEHOLD ACCESSORY
Historical Association
DOMESTIC
BUSINESS
History
ON DECEMBER 16, 2015, DONOR CHRIS MORRISON INFORMED COLLECTIONS TECHNICIAN KEVIN MACLEAN THAT SHE CAME INTO POSSESSION OF THE ASHTRAY WHEN SHE AND HER HUSBAND BECAME STEWARDS OF A WATERTON CABIN IN 1976. THE CABIN, LOCATED AT 103 CAMERON FALLS, WAS OWNED BY HER MOTHER-IN-LAW DOROTHY MORRISON (D. 1995). IT WAS AMONG ASSORTED FURNISHINGS LEFT BEHIND WHEN DOROTHY MOVED OUT AND CHRIS MOVED IN. THE DONOR’S RECOLLECTION OF THE ASHTRAY’S USE IMMEDIATELY PRIOR TO IT BECOMING HER PROPERTY WAS AS A CONTAINER. MORRISON SAID, “IT WAS IN A [CABIN] WASHSTAND AND USED TO HOLD LITTLE OBJECTS LIKE ROLLED UP KEROSENE LANTERN TAPE WICKS”. ACCORDING TO MORRISON, IT WAS ALSO KNOWN AS “GRANDPA’S ASHTRAY”. GRANDPA REFERS TO JAMES J. MORRISON OF LETHBRIDGE. “HE ONLY SMOKED CIGARS” SAID THE DONOR, WHEREAS HER MOTHER-IN-LAW DOROTHY DID NOT SMOKE AT ALL. THE ASHTRAY’S USE AS A CONTAINER FOR LANTERN WICKS AND SMALL ITEMS CONTINUED RIGHT UP TO THE DAY THAT IT WAS OFFERED TO THE GALT IN 2015. ACCORDING TO HER OBITUARY IN THE LETHBRIDGE HERALD, DOROTHY MORRISON, PASSED AWAY IN LETHBRIDGE ON NOVEMBER 26, 1995 AT THE AGE OF 83 YEARS. JAMES JACOB MORRISON, DOROTHY’S FATHER-IN-LAW, PASSED ON FEBRUARY 18TH, 1975 AT AGE 93. THE ASHTRAY IS MARKED WITH “MARQUIS HOTEL,” WHICH COULD REFER TO THE LETHBRIDGE HOTEL THAT OPENED IN JUNE 1928. REALIZING A NEED FOR A FIRST-CLASS HOTEL IN LETHBRIDGE, ESPECIALLY ONE WITH A BANQUET HALL, THE BUSINESSMEN OF THE BOARD OF TRADE COMMITTED THEMSELVES TO THE HOTEL IN 1927. AFTER ITS OPENING, THE BOARD OF TRADE WOULD HOLD THEIR REGULAR, NOON-HOUR MEETINGS AT THE HOTEL FOR MANY YEARS TO COME. THE HOTEL CLOSED ITS DOORS IN 1985 AND THE BUILDING WAS DEMOLISHED IN 1988. THIS INFORMATION COMES FROM LETHBRIDGE HERALD ARTICLES AND A WRITE-UP ABOUT THE HOTEL IN THE PUBLICATION TITLED "WHERE WAS IT? A GUIDE TO EARLY LETHBRIDGE BUILDINGS," BY IRMA DOGTEROM. PLEASE SEE PERMANENT FILE FOR MORE INFORMATION INCLUDING LETHBRIDGE HERALD ARTICLES AND A COPY OF THE INFORMATION FROM THE PUBLICATION CITED ABOVE.
Catalogue Number
P20150037000
Acquisition Date
2015-12
Collection
Museum
Images
Less detail
Date Range From
1920
Date Range To
1930
Material Type
Artifact
Materials
METAL
Catalogue Number
P20170028000
  1 image  
Material Type
Artifact
Date Range From
1920
Date Range To
1930
Materials
METAL
No. Pieces
1
Height
73
Diameter
27
Description
SILVER STANDING FLOOR ASHTRAY WITH ROUND DISH AT TOP SECURED TO SILVER METAL POLE AND ROUND SILVER BASE; TOP DISH HAS SILER ORNATE HANDLE WITH LEAF AND BEADS PATTERN AND RAISED POINT IN CENTER. ROUND BASE HAS FOUR FEET; BASE ORNATELY ENGRAVED WITH FLUTED PATTERN; METAL STAND POLE FIXED TO TOP DISH WITH METAL BRACKET AND TWO SCREWS. SILVER HANDLE TARNISHED; INSIDE DISH IS TARNISHED AND WORN; UNDERSIDE OF BASE IS SOILED; EDGES OF PATTERN ON BASE ARE TARNISHED. OVERALL VERY GOOD CONDITION.
Subjects
HOUSEHOLD ACCESSORY
Historical Association
FURNISHINGS
History
ON AUGUST 23, 2017, COLLECTIONS TECHNICIAN KEVIN MACLEAN INTERVIEWED ANDY AND JO KOCSIS REGARDING THEIR DONATION OF A STANDING, FLOOR-MODEL ASHTRAY. THE ASHTRAY WAS USED IN ANDY KOCSIS’S FATHER’S HOME, AND WAS TAKEN BY ANDY AND JO KOCSIS FOR USE IN THEIR HOME WHEN THEY MOVED. ON THE ORIGINS OF THE ASHTRAY, JO NOTED, “ALL THAT I KNOW ABOUT THEM IS THAT THEY WERE [IN MY PARENTS' HOME AT 109-7TH AVE. SOUTH] WHEN I GOT MARRIED, WHICH WAS 53-54 YEARS AGO. [WE KEPT THEM] IN THE FRONT ROOM.” ANDY ELABORATED, “THEY WERE THERE [IN THE HOME ALREADY]. MY DAD WAS THE OWNER [OF THE HOUSE]. I ALWAYS THOUGHT THEY COME WITH THE HOUSE…[THE ASHTRAY] GOT TIPPED OVER SOMEHOW, IT USED TO HAVE A [DARK BOWL].” ANDY NOTED, “I QUIT [SMOKING] WHEN I WAS THIRTY … YEARS OLD. [JO] SMOKED EVER SINCE SHE WAS SIXTEEN.” ANDY RECALLED HIS FAMILY’S HOME, STATING, “MY DAD [STEVE KOCSIS] BROUGHT US OUT FROM HUNGARY. HE OWNED THE MAYOR [CHARLES A.] MAGRATH HOUSE [AT 109-7TH AVE. SOUTH]…THAT’S HOW WE ENDED UP THERE.” “MIKE ANGYAL [THE OWNER BEFORE MY DAD] WAS A GOOD FRIEND OF HIS, ANOTHER HUNGARIAN, BIG FARMER, SO I GUESS HE HELPED THEM GET INVOLVED. WHEN [DAD] BOUGHT THE HOUSE…THE HUNGARIANS USED TO HAVE BUSINESS THERE. IT WAS A BIG EMPTY LOT AND HE SUB-DIVIDED, SO HE GOT SOME MONEY AND SOLD A BUNCH OF LOTS.” “[MY DAD MADE THEM INTO APARTMENTS BECAUSE] HE COULDN’T LIVE IN ALL OF IT SO HE GOT A BUNCH OF HUNGARIAN COAL MINERS DOWN IN THE BASEMENT. THERE [WERE] SIX OR SEVEN OF THEM. THEY ALL LIVED DOWNSTAIRS. SOME, THEIR WIVES KICKED THEM OUT.” “[IT WAS MADE INTO] FOUR SUITES. WE WERE RENTING FOR A WHILE, WE HAD GOOD TENANTS. THEN THERE WAS ONE COUPLE…THEY STOLE THE LAMP. … SO FINALLY, WE RENTED NO MORE. IT GOT SO BAD. I SAID I CAN’T TAKE THIS ANYMORE.” JO ADDED, “[THERE WERE SUITES] TWO UPSTAIRS, AND THEN THERE WAS ONE ON THE SIDE AND ONE ON THE LOWER FLOORS… MY MOTHER-IN-LAW, WHEN WE GOT MARRIED, MOM KOCSIS, SHE SAID “THIS PLACE I’M IN [IS] TOO BIG” SO SHE MOVED INTO THE SMALLER SUITE ON THE GROUND FLOOR AND WE GOT THE BIGGER SUITE. THEN IT WAS RENTED OUT, THE TOP, UNTIL, THEN THE KIDS GOT BIGGER, BECAUSE WE HAD TWO CHILDREN. THEN WE TOOK OVER THE SUITE AT THE TOP, CLOSED OFF THE KITCHEN, PUT A DOOR THERE. THEN WE HAD HALF OF THE HOUSE…THE OTHER SUITE STAYED EMPTY ‘TIL IT WAS SOLD.” WHEN ASKED ABOUT THEIR MOTIVATIONS TO DONATE THE ASHTRAY, ANDY NOTED, “[IT’S] A KIND OF REMINDER OF…THE OLD TIMES…THE OLD HUNGARIANS USED TO COME AND PLAY POKER IN THE FRONT ROOM…A LOT OF PEOPLE IN THEIR ‘50S.” JO ADDED, “WE’RE HAVING TO SELL OUR [CURRENT] HOME AND WE HAVE NO MORE USE FOR IT…WE WANT IT TO GO…[IT’S] OLD, SO WE’D LIKE [IT] TO GO SOMEWHERE. MY KIDS ARE NOT INTERESTED IN THEM, NOR ARE MY GRANDKIDS. THEY DON’T WANT THIS OLD STUFF.” FOR MORE INFORMATION INCLUDING THE FULL INTERVIEW TRANSCRIPTION, PLEASE SEE THE PERMANENT FILE P20170028000-GA.
Catalogue Number
P20170028000
Acquisition Date
2017-08
Collection
Museum
Images
Less detail
Date Range
1935-1960
Description Level
Item
Accession No.
20191043
Physical Description
4.5 cm textual material
Scope and Content
Assortment of magazines from the late 1930s, 1940s, and 1950s including: Song Hits, Home Chats Book of Christmas Knitting, 1937, and a variety of needlework, knitting, and crochet magazines.
Date Range
1935-1960
Description Level
Item
Physical Description
4.5 cm textual material
Scope and Content
Assortment of magazines from the late 1930s, 1940s, and 1950s including: Song Hits, Home Chats Book of Christmas Knitting, 1937, and a variety of needlework, knitting, and crochet magazines.
Accession No.
20191043
Collection
Archive
Less detail
Other Name
A. P. P SHOULDER TITLE
Date Range From
1919
Date Range To
1932
Material Type
Artifact
Materials
ALUMINUM, BRASS
Catalogue Number
P20180014001
  1 image  
Material Type
Artifact
Other Name
A. P. P SHOULDER TITLE
Date Range From
1919
Date Range To
1932
Materials
ALUMINUM, BRASS
No. Pieces
1
Height
0.9
Length
6.0
Width
2.6
Description
SILVER SHOULDER TITLE. HAS THE LETTERS "A.P." CENTERED ABOVE THE WORD "POLICE". BACK OF TITLE HAS 2 BRASS LOOPS FOR HOLDING BRASS SPLIT PIN. THERE IS NO PIN.
Subjects
PERSONAL SYMBOL
Historical Association
SAFETY SERVICES
History
THIS BADGE BELONGED TO THE DONOR'S FATHER, EDWARD ETTERSHANK BUCHANAN. ACCORDING TO THE BIOGRAPHICAL HISTORY PROVIDED WITH A BUCHANAN A. P. P.-RELATED DONATION MADE BY JEAN I. BUCHANAN IN 2002 (P20020090). IT STATES, "BORN IN GLASGOW, SCOTLAND, WHERE BUCHANAN BEGAN REGULAR SCHOOLING AT THE AGE OF 4, WHICH ENABLED HIM TO COMPLETE HIS HIGH SCHOOL BEFORE HIS PARENTS MOVED THE FAMILY TO CANADA IN MAY 1914. THE FAMILY SETTLED IN EDMONTON, ALBERTA, WHERE EDWARD FOUND A JOB PLUS ENROLLED IN NIGHT CLASSES AT THE EDMONTON TECHNICAL SCHOOL TAKING ENGLISH, CANADIAN HISTORY, TRIGONOMETRY AND MANUAL TRAINING IN WOODWORKING. IN FEBRUARY 1917, THE ALBERTA PROVINCIAL POLICE WAS ORGANIZED. ED JOINED IN MAY OF 1920." THESE BADGES WERE A PART OF HIS UNIFORM IN THIS ROLE. AN INTERVIEW WAS CONDUCTED BY GALT’S COLLECTION TECHNICIAN KEVIN MACLEAN ON JUNE 8, 2018 WITH THE DONOR JEAN I. BUCHANAN IN REGARDS TO A NEW ARTIFACT OFFER SHE WAS MAKING TO THE MUSEUM (P20180014001-2). THE FOLLOWING INFORMATION REGARDING THE CAREER OF SENIOR STAFF SERGEANT EDWARD ETTERSHANK “BUCK” BUCHANAN – THE DONOR’S FATHER – HAS BEEN EXTRACTED FROM THAT INTERVIEW. DESCRIBING HER FATHER’S CAREER, BUCHANAN BEGAN, “[MY DAD] JOINED THE A.P.P. WHEN HE WAS TWENTY AND HE WAS STATIONED OUT NEAR ST. PAUL…AS A ROOKIE – RIGHT AT THE START – HE WAS ON JOB TO BE ON GUARD AT THE STATION. AND IT WASN’T LONG UNTIL HE WAS SENT OUT TO ST. PAUL AND INTO MORE REAL POLICING. WHEN THE CRAZY PROHIBITION WAS BROUGHT IN, THAT WAS A REAL PAIN FOR THE POLICE. IT WAS [A MOVEMENT] PUSHED BY THESE DO-GOODERS, WHO DIDN’T REALIZE WHAT THEY WERE DOING. DAD WAS VERY UPSET TALKING ABOUT THAT. EVEN WHEN HE WAS JUST A YOUNG FELLOW, [HE WAS] FINDING YOUNG, GOOD FARM BOYS BLIND OR DEAD OVER A FENCE, BECAUSE THEY HAD A PROBLEM WITH THE PROHIBITION AND GETTING MOONSHINE THAT WASN’T MATURE OR SOMETHING, [WHICH] WAS POISONOUS.” “IN 1921 HE MET MY MOTHER IN EDMONTON,” BUCHANAN CONTINUED, “BUT HE STAYED AT ST. PAUL. HE THEN GOT POSTED TO GRANDE PRAIRIE AND HE WAS GOING TO GO THERE, BUT THEN IN 1922 THEY GOT MARRIED [SO HE DID NOT GO TO GRAND PRAIRIE] FORTUNATELY, THE A.P.P. HAD NO RESTRICTIONS ON THEIR MEMBERS GETTING MARRIED, LIKE THE R.C.M.P. DID, SO HE DIDN’T HAVE TO WAIT TO GET MARRIED. [AFTER MY PARENTS’ MARRIAGE] THEY WENT OUT TO BRAINARD, WHERE HE WAS ON HIS OWN [AT THE POSTING]. FROM THERE, HE DID A LOT OF WORK GOING BACK AND FORTH.” “BRAINARD [WAS] A LITTLE PLACE NEAR THE HORSE LAKE INDIAN RESERVATION… THEY BUILT DAD A LOG CABIN DOWN THERE FOR THE HOUSE WITH HIS NEW WIFE AND [SOON AFTER THEY WERE] EXPECTING THEIR FIRST CHILD. [THE CABIN HAD] ONE BIG ROOM WITH CURTAINS HERE AND THERE, AND HE DIDN’T HAVE A PRISON THERE. WHEN HE TOOK IN A PRISONER, THAT’S WHEN HE NEEDED THE OREGON BOOT AND THE BALL AND CHAIN BECAUSE HE HAD A BIG BOLT ON THE FLOOR NEAR HIS OFFICE. THAT’S WHERE THE GUY HAD TO SIT, CHAINED, UNTIL [MY FATHER] COULD TAKE HIM ON INTO EDMONTON…EVEN IN THE A.P.P. TO START WITH, HE HAD SOME SERVICE DOWN HERE AT THE LETHBRIDGE PRISON. [HE WOULD BE] BRINGING PRISONERS DOWN [TO LETHBRIDGE],” BUCHANAN EXPLAINED EXPANDING ON HOW HER FATHER’S WORK TOOK HIM “BACK AND FORTH.” “THEN THEY CLOSED THAT [BRAINAR POST] DOWN AND TRANSFERRED HIM TO WEMBLEY – A LITTLE VILLAGE – AND HE WAS THE ONLY OFFICER IN CHARGE OF WEMBLEY. [HE WAS THERE] WHEN 1932 CAME ALONG AND THEN HE JUST CHANGED THE SIGN UP THERE FROM A.P.P. TO R.C.M.P… AND THAT STAYED R.C.M.P. UNTIL ’34. [FROM THERE] HE WAS TRANSFERRED TO TAKE CHARGE OF THE WESTLOCK DETACHMENT, WHICH WAS A BIG AREA. HE HAD A HUGE AREA THERE TO [COVER]. AND THERE AGAIN, WE HAD A NICE, BIG WHITE HOUSE AND A JAIL THIS TIME… THE JAIL OFFICE AND THE COURTROOM AND EVERYTHING WAS CONNECTED [TO THE HOUSE]. YOU JUST GO DOWN THE HALL AND OPEN THE DOOR AND THERE YOU GO, AND THERE’S TWO JAILS IN THERE. [THERE] HE WAS GETTING ROOKIES COMING OUT FROM EDMONTON TO TRAIN UNDER HIM… [I WAS BORN IN] ’30 [AND] NOW IN ’34, I REMEMBER GOING THERE [TO WESTLOCK].” SPEAKING ABOUT THE DISSOLUTION OF THE A. P. P. IN 1932 AND THE ABSORPTION OF SOME OF ITS MEMBERS INTO THE R. C. M P., BUCHANAN EXPLAINED, “[A. P. P. OFFICERS] WERE NOT AUTOMATICALLY TAKEN INTO THE R.C.M.P. THEY [WERE RANKED] INTO THREE CATEGORIES. [FIRST, THERE WERE THE] ONES THAT WERE NOT ACCEPTABLE; THEY HADN’T DONE A VERY GOOD JOB IN THE A.P.P. THEY SHOWED UP, GOOFIN’ AROUND, DOING THINGS THEY SHOULDN’T BE DOING. THEN THERE WERE THE ONES THAT COULD BE GIVEN A LITTLE TRIAL RUN. THEY COULD APPLY [INTO THE FORCE FOR THE TRIAL PERIOD]. THEY COULD [BE ACCEPTED] FOR A FULL YEAR AND THEN RE-APPLY AGAIN [FOR FULL-TIME]. THEN THERE’S THE TOP GRADE, [WHO] WERE AUTOMATICALLY ACCEPTABLE. DAD WAS RIGHT UP THERE IN THAT TOP GRADE…IT IS IMPORTANT [TO REMEMBER], THOSE A.P.P. MEMBERS WERE TRAINED BY THE NORTHWEST MOUNTED POLICE, NOT SOME GOOFBALLS THAT DIDN’T KNOW WHAT THEY WERE DOING OR ANYTHING LIKE THAT. THEY WERE TRAINED BY THE BEST-TRAINED POLICE OFFICERS.” WHEN ANSWERING HOW HER FATHER ENDED UP WORKING IN LETHBRIDGE, BUCHANAN SAID, “[AFTER THE DISSOLUTION OF THE A. P. P.], ASSISTANT COMMISSIONER [OF THE R. C. M. P.] HANCOCK (WILLIAM FREDERICK WATKINS “BILL” HANCOCK) KNEW DAD REALLY WELL. [PREVIOUSLY, HANCOCK] WAS THE [ACTING COMMISSIONER] FOR THE ALBERTA [PROVINCIAL POLICE]. [HANCOCK] CALLED DAD INTO THE OFFICE AND HE SAID, ‘BUCK – DAD WAS EDWARD ETTERSHANK BUCHANAN, BUT THEY CALLED HIM ‘BUCK’A LOT – I WAS GOING TO SEND YOU DOWN TO TAKE CHARGE OF THE RED DEER DETACHMENT, BUT I’VE HAD SO MUCH PROBLEM GETTING SOMEBODY TO GO DOWN TO TAKE THE LETHBRIDGE DETACHMENT. YOU’RE THE ONLY ONE THAT CAN HANDLE THE SITUATION WE’VE GOT DOWN THERE. THERE’S A LOT OF PROBLEMS AND I’M SURE YOU’RE THE ONLY ONE THAT CAN HANDLE IT. WILL YOU GO?’” AS A RESULT, EDWARD BUCHANAN WAS RELOCATED TO THE R. C. M. P.’S LETHBRIDGE DETACHMENT IN 1944. JEAN BUCHANAN CONTINUED, “DAD’S PERSONALITY WAS ALWAYS QUIET, FIRM, NO-NONSENSE, BUT HE WAS NEVER ARROGANT. I NEVER HEARD HIM SWEAR OR GET MAD AT ANYBODY, NOT EVEN PRISONERS. HE HANDLED THEM VERY QUIETLY, VERY FIRMLY. AND THE STAFF [IN LETHBRIDGE] ENDED UP LOVING HIM. THE SECRETARIES AND EVERYTHING, THEY WERE CRYING WHEN HE LEFT. AND I GOT LETTERS AND THEY CAME ALL THE WAY UP TO THEIR ANNIVERSARIES LATER IN EDMONTON… BUT [IN TERMS OF] THE SITUATION [WHICH ASSISTANT COMMISSIONER HANCOCK WAS REFERRING TO], NO, HE WAS FINE. HE NEVER HAD ANY TROUBLE. HE JUST FIRMLY, QUIETLY DEALT WITH EVERYTHING AND EVERYTHING WAS FINE. I NEVER SAW HIM STRESSED OUT. ALWAYS COOL, LAID BACK.” “[WHEN WE MOVED TO LETHBRIDGE], WE RENTED A HOUSE ON 538 – 7TH STREET SOUTH. IT’S ALL TORN DOWN NOW. BUT WE HAD [SOME] TROUBLE BECAUSE DAD HAD TO COME DOWN A MONTH OR SO AHEAD OF US. HE COULDN’T FIND A HOUSE [THAT WAS] READY, SO WHEN WE CAME DOWN [WE] STAYED IN A HOTEL FOR ABOUT TWO MONTHS. AND THEN I HAD TO START GRADE TEN; I WAS ONLY FOURTEEN. THAT WAS, TO ME, THE ONLY SAD PART OF MY LIFE – LEAVING THE WESTLOCK SCHOOL AND STARTING LCI. THE PERSONALIZATION WAS GONE WITH THE TEACHERS. ANYWAY, I GOT THROUGH GRADE TWELVE AND THAT’S ALRIGHT.” “[ANOTHER THING HE WAS RESPONSIBLE FOR HERE IN LETHBRIDGE] WAS TO OVERSEE THE PRISONER OF WAR (POW) CAMPS…HE TALKED ABOUT THE POWS IN THE RESPECT THAT THERE WAS A LOT OF VERY GOOD GERMANS THAT WERE IN THERE. THEY WOULDN’T HAVE CHOSEN TO EVEN BE IN THE GERMAN ARMY, BUT THEY WERE CONSCRIPTED OVER IN GERMANY. THEY DIDN’T HAVE ANY CHOICE, AND THEY WERE VERY DECENT, GOOD GUYS. [MY DAD] RESPECTED THEM FOR THAT… AND THEN THERE WAS A TRUST THERE TO LET SOME OF THEM OUT TO WORK ON THE [FARMS], BECAUSE THERE WAS A LABOUR SHORTAGE FOR THE FARMERS… BUT, OF COURSE, I KNEW ABOUT THE CRUELTY OF SOME OF THE HARD-CORE NAZIS THAT WERE IN THERE. THE TROUBLE WAS THERE WASN’T ENOUGH FORCE POLICE TO GO IN THERE SAFELY. THEY COULDN’T EVEN GET IN THE POW CAMP AND THE CIVIL GUARDS WERE THE ONLY ONES THAT WERE AVAILABLE, BUT THEY DIDN’T EVEN DARE GO IN HALF THE TIME. IT WAS REALLY SOMETHING. THERE WERE SOME GUYS IN THERE THAT WERE REALLY, REALLY MEAN…” “AND OH YES, A FEW [MEN DID TRY TO ESCAPE THE CAMP],” BUCHANAN CONTINUED, “BUT THEY DIDN’T GET VERY FAR. THEY NEVER GOT AWAY. I’VE GOT RECORDS OF ONES THAT WERE CAUGHT. THEY STOLE SOMEBODY’S CAR. SOME OF THEM GOT A REGULAR SENTENCE FOR BREAKING ONE OF OUR LAWS.” BUCHANAN CONFIRMS THAT HER FATHER RETIRED FROM THE ROYAL CANADIAN MOUNTED POLICE IN 1950 WHILE IN LETHBRIDGE. AFTER RETIREMENT, SHE EXPLAINED, “[HE] WENT BACK TO EDMONTON, HIS HOME CITY WHERE HIS PARENTS WERE AND A LOT OF FRIENDS… BUT THE ATTORNEY GENERAL’S DEPARTMENT WERE NOT GOING TO LET HIM LOOSE WITH HIS RECORD, SO THEY MADE IT A FIRST APPOINTMENT OF AN INSPECTOR OF JAILS FOR THE PRISONS OF ALBERTA…HE THEN WORKED ON THAT FOR FIFTEEN OR SIXTEEN YEARS. AFTER TWELVE YEARS, THEY MADE HIM SUPERINTENDENT OF PRISONS…” EDWARD BUCHANAN “SORT OF” RETIRED FROM THAT ROLE IN THE 1970S, HIS DAUGHTER EXPLAINED. HE CONTINUED WORKING IN SOME CAPACITIES UNTIL HIS PASSING IN 1998. “[I RECEIVED MY DAD’S R. C. M. P. POSSESSIONS, BECAUSE HE] KNEW I WOULD LOOK AFTER IT AND WANTED TO GET IT TO A MUSEUM… HE LIVED TO BE NINETY-EIGHT AND I DON’T THINK HE EVER THREW ANYTHING OUT SINCE HE WAS IN HIS TWENTIES.” ACCORDING TO EDWARD E. “BUCK” BUCHANAN’S OBITUARY, HE PASSED AWAY IN IN EDMONTON IN 1998. HIS WIFE’S NAME WAS CHRISTENE BUCHANAN AND TOGETHER THEY HAD FIVE CHILDREN – EDWARD, ROBERT, JEAN, WILLIAM, AND ROSE-MARIE. THE OBITUARY STATES HE SERVED 31 YEARS IN THE R.C.M.P, AND 15 YEARS AS THE SUPERINTENDENT OF CORRECTIONS FOR ALBERTA. PLEASE SEE PERMANENT FILE FOR MORE INFORMATION, INCLUDING FULL INTERVIEW TRANSCRIPTION.
Catalogue Number
P20180014001
Acquisition Date
2018-06
Collection
Museum
Images
Less detail
Other Name
WOUND STRIPE
Date Range From
1955
Date Range To
1969
Material Type
Artifact
Materials
COTTON, BRASS, METAL
Catalogue Number
P20160017001
  2 images  
Material Type
Artifact
Other Name
WOUND STRIPE
Date Range From
1955
Date Range To
1969
Materials
COTTON, BRASS, METAL
No. Pieces
3
Length
7.5
Width
4.8
Description
A. COTTON PATCH, 7.5CM LONG X 4.8CM WIDE. GREEN FRONT WITH BLACK BACK, WITH BRASS STRIPE ATTACH IN CENTER. CORNERS OF PATCH ARE CURLING FRONT LOWER RIGHT CORNER HAS STAINING; EDGES OF PATCH HAVE HOLES BETWEEN THREADS FROM BEING SEWN ON A UNIFORM. OVERALL VERY GOOD CONDITION. B. BRASS STRIPE, 4.3CM LONG. BRASS STRIPE SECURED TO FRONT OF CLOTH PATCH; STRIPE HAS CHEVRON PATTERN ENGRAVED ON FRONT; BACK HAS HOOK FOR INSERTING INTO PATCH. STRIPE HAS MINOR TARNISHING ALONG EDGES; OVERALL VERY GOOD CONDITION. C. METAL BACKING, 5.5CM LONG X 1.2CM WIDE. SILVER METAL BACKING FOR BRASS STRIPE, WITH ROUNDED ENDS AND HOLES CUT THROUGH ENDS. HOOK ON BACK OF STRIPE IS FASTENED TO HOLE AT THE END OF THE BACKING. METAL SHOWS SIGNS OF WEAR AND MINOR TARNISHING; OVERALL VERY GOOD CONDITION.
Subjects
PERSONAL SYMBOL
Historical Association
MILITARY
History
ON SEPTEMBER 16, 2016, COLLECTIONS TECHNICIAN KEVIN MACLEAN INTERVIEWED CHRIS AINSCOUGH REGARDING HIS DONATION OF A COLLECTION OF MILITARY OBJECTS. THE OBJECTS BELONGED TO AISNCOUGH’S GRANDFATHER AND FATHER, WILLIAM GEORGE AINSCOUGH (FIRST WORLD WAR) AND REED WILSON AINSCOUGH (SECOND WORLD WAR AND POST-WAR). ON HIS FATHER’S, REED WILSON AINSCOUGH’S, MILITARY SERVICE, CHRIS AINSCOUGH RECALLED, “I THINK THAT THE WAR WAS PROBABLY ONE OF THE BEST THINGS THAT HAPPENED TO MY DAD. HE NEVER SPOKE ABOUT IT MUCH, BUT THE FRIENDSHIPS THAT HE DEVELOPED THROUGH HIS CONTACTS IN THE WAR WENT ON RIGHT UNTIL HIS DEATH…IT’S PROBABLY LIKE BEING ON A TEAM, YOU KNOW, AND I THINK IT’S THAT FELLOWSHIP YOU GET FROM RELYING ON PEOPLE, AND TRAINING WITH PEOPLE, AND GETTING THEIR KNOWLEDGE AND UNDERSTANDING. I THINK THAT’S SORT OF A BIG PART OF IT.” “THE ONLY STORIES THAT I EVER REMEMBER HIM TELLING ME WAS, THEY WERE IN LONDON, AND THEY CLIMBED UP A CHURCH TOWER—IT WAS TWIN TOWERS ON THIS CHURCH…I WAS LOOKING AT A PICTURE OF IT IN A BOOK, AND HE SAYS, YES, THAT HE AND A COUPLE OF GUYS WERE ON LEAVE, AND THEY CLIMBED UP TO THE TOP OF THIS TOWER—THEY HAD TO SQUIRM THEIR WAY TO THE TOP, AND, ALL OF A SUDDEN, THE AIR RAID SIRENS WENT, AND THEY WERE HUSTLING TO GET DOWN, AND THEY GOT DOWN TO THE STREET, AND THE OTHER SPIRE WAS GONE. THERE’S THAT, AND I DID ASK HIM WHAT HAPPENED TO HIM WHEN HE GOT WOUNDED. HE DIDN’T GO INTO VERY MUCH DETAIL ON IT, BUT JUST SAID THAT THEY WERE OUT ON A SORTIE—HE WAS A FORWARD OBSERVATION OFFICER…THAT’S A WICKED JOB BECAUSE YOU’RE IN FRONT OF EVERYBODY, AND HE SAID, HE HEARD A BURST OF MACHINE-GUN. THEY STARTED RUNNING DOWN THIS ROAD, AND THEY USED TO SKIP THE BULLETS DOWN THIS ROAD, APPARENTLY, AND THOSE GERMAN MACHINE-GUNS WERE 10 SHOTS FOR EVERY BROWNING—AND HE SAID, ALL OF A SUDDEN, HE HAD A BURNING IN HIS LEG AND HE HOPPED ALONG, AND THAT WAS IT. IT DAMAGED HIS LEG SO BADLY THAT HE COULDN’T GO BACK, SO THOSE ARE THE TWO STORIES. OTHER THAN THAT, I THINK HE TALKED ABOUT, ONE [OTHER] DAY, BECAUSE I FOUND THESE PHOTOS. I THINK HE EITHER HID THEM OR GOT RID OF THEM LATER, AND IT WAS BLACK-AND-WHITE PHOTOS OF A CONCENTRATION CAMP, AND I THINK HE SAID IT WAS BERGEN-BELSEN, BECAUSE BERGEN-BELSEN WAS IN LOWER GERMANY…HE SAID THEY HAD TO DON GAS-MASKS WHEN THEY WERE ABOUT 5 MILES AWAY, BECAUSE THEY HAD EXHUMED EVERYTHING, AND THAT WAS IT. I WAS PROBABLY ABOUT 10 OR 12 WHEN HE TOLD ME THAT ONE. I HAD NIGHTMARES FOR A LONG TIME – LOOKING AT THAT.” “AFTER HIS FUNERAL SERVICE, EVERYBODY CAME BACK TO THE HOUSE AND MY UNCLE, HUGHIE CRAIG, [FROM] FORT MACLEOD, WE WERE SITTING IN THE LIVING ROOM, AND HE SAID, 'HAS ANYBODY GOT ANY STORIES ABOUT REED?' THIS WAS MY UNCLE, WHO WAS A COLD IRISH-ENGLISH GUY. NOBODY DID, AND HE SAID THAT THEY WERE IN BELGIUM SOMEWHERE, AND HUGHIE WAS AN ELECTRICIAN SO HE WAS WITH…THE CALGARY SIGNAL CORP…HE WAS AT AN INTERSECTION…THERE’S A CONVOY COMING THROUGH, CANADIAN CONVOY. HE’S SITTING IN THE JEEP WITH HIS DRIVER, AND, ALL OF A SUDDEN, HE HEARS THIS 'HUGHIE, HUGHIE.' HE LOOKS UP, AND HERE’S MY DAD. HE BROKE OUT; CAME OVER TO HUGHIE AND SAID, 'WE’RE IN A HOTEL FIVE MILES UP THE ROAD HERE.' HE SAYS, 'WHY DON’T I COME BACK AND GET YOU FOR DINNER?' SO, HE DROVE BACK; PICKED UP HUGHIE; THEY WENT AND HAD DINNER. HUGHIE…WAS A CAPTAIN AT THAT TIME—SO HE HAD FIVE OR SIX GUYS WITH HIS GROUP. CAME BACK. THEY WERE ALL DEAD. SHOT UP BY THE GERMANS…[I] NEVER HEARD THAT ONE FROM MY DAD.” “WE MOVED [FROM FORT MACLEOD TO MEDICINE HAT] IN 1959…AND I THINK DAD WAS THE [COMMANDER OF THE SALLY HORSE IN MEDICINE HAT] FROM ’64 TO ’68. I’M PRETTY SURE THOSE WERE THE YEARS, SO IT WAS FIVE YEARS, WHERE YOU WAIT YOUR CHANCE/YOU WAIT YOUR OPPORTUNITY; PROVE YOURSELF; AND THEN UP YOU GO.” “[HIS SERVICE] DEFINITELY GOES INTO THE LATE ‘60S. HE WAS STILL SORT OF ACTIVE IN LETHBRIDGE. I’M NOT SURE EXACTLY IN WHAT FUNCTION MILITARILY, BUT HE DID GO TO EVENTS THAT OCCURRED.” “HE SAVED EVERYTHING THOUGH…[THE UNIFORM AND APPEARANCE ASPECT WAS] PROBABLY A BIG PART OF [HIS MILITARY EXPERIENCE].” “[DAD] HAD A PRETTY GOOD LIBRARY. HE WAS FAIRLY WELL-READ. HE KNEW A LOT ABOUT CANADIAN MILITARY HISTORY. I KNOW THAT FOR SURE. ONE THING I KNOW HE WAS PROUD OF WAS THAT TWICE SOUTH ALBERTA LIGHT HORSE WON THE WORTHINGTON TROPHY, WHICH WAS, I THINK, FOR THE BEST MILITIA IN CANADA….HE WAS THE…AIDE-DE-CAMP FOR [GRANT MACEWAN] FOR A NUMBER OF YEARS. I KNOW PRINCESS ALEXANDRA, WHO WAS THE QUEEN’S COUSIN, PRESENTED THE GUIDON TO THEM UP HERE, ACTUALLY, IT WAS…OVER AT THE CURRIE BARRACKS…IT MUST HAVE BEEN 1967 OR SOMETHING.” “I KNOW WE VERY SELDOM WENT ON FAMILY HOLIDAYS BECAUSE HE USUALLY TOOK THE HOLIDAYS THAT HE GOT, AND HE’D EITHER GO TO SHILO, OR HE’D GO UP HERE, AND THEY SPENT A LOT OF TIME OUT AT SUFFIELD, ON THE RANGE OUT THERE, SO HOLIDAYS WERE TIED INTO THAT. WHEN HE WAS LIEUTENANT-COLONEL, THAT WAS ALMOST LIKE A FULL-TIME JOB…WE NEVER SAW HIM. HE WOULD BE TRAVELING ON THE ROAD, AND THEN HE’D COME HOME, I THINK IT WAS THURSDAY NIGHT. THURSDAY NIGHT WAS…YOUNG SOLDIERS…AND THEN TUESDAY NIGHT WAS WHEN THE OFFICERS AND THE NCO’S WOULD DO SOMETHING, SO THOSE TWO NIGHTS WERE TAKEN UP. SATURDAY, HE’D BE OUT THERE. SUNDAY, HE’D BE OUT THERE…HE PUT IN 40 HOURS A WEEK OR MORE DOING THAT, AS A JOB, AS WELL AS HIS JOB AS AN INSURANCE SALESMAN.” AINSCOUGH ELABORATED ON HIS MOTIVES FOR DONATING THE COLLECTION, STATING, “I THINK [THE OBJECTS ARE] A BIG PART OF SOUTH ALBERTA’S HISTORY. DAD WAS VERY ACTIVE IN THE MILITARY AND THE MILITIA FOR MANY YEARS. I THINK THAT’S THE BIGGEST PART [OF WANTING TO DONATE THE OBJECTS]…IT’S DIVESTING, BECAUSE AFTER MY DAD DIED [IN 1992], MY MOTHER STAYED IN THE HOUSE FOR ABOUT 5 YEARS, AND THEN SHE MOVED OUT TO THE COAST. IT WAS AT THAT TIME, WHEN WE WERE GOING THROUGH THE STUFF IN THE HOUSE, THAT WE THOUGHT THIS IS A GOOD TIME TO GET IT DOWN TO SOMEPLACE LIKE THE GALT THAT WOULD LOOK AFTER IT.” THE DONOR’S GREAT GRANDFATHER, WILLIAM THOMAS AINSCOUGH, MARRIED MARGARET A. AINSCOUGH IN 1878 AND EMIGRATED FROM SMITHFIELD, UTAH TO CANADA IN 1898, BRINGING SIX CHILDREN, AGED 1 TO 18, WITH THEM. WILLIAM GEORGE AINSCOUGH, THE DONOR’S GRANDFATHER, WAS AMONG THE CHILDREN (BORN 1885). THE AINSCOUGHS INITIALLY SETTLED IN WHISKEY GAP, ALBERTA, BEFORE RELOCATING TO WOOLFORD, ALBERTA. ACCORDING A RESUME FOR REED W. AINSCOUGH INCLUDED IN THE PERMANENT FILE, REED WILSON AINSCOUGH WAS BORN ON JUNE 21, 1918 IN CARDSTON, ALBERTA. IN 1940, REED AINSCOUGH JOINED THE 93RD BATTERY OF THE ROYAL CANADIAN ARTILLERY [RCA] STATIONED AT FORT MACLEOD, ALBERTA, AND WAS PROMOTED TO A SECOND LIEUTENANT. REED AINSCOUGH WAS POSTED OVERSEAS IN 1942 AND SERVED UNTIL HIS DISCHARGE ON JANUARY 8, 1946. LETHBRIDGE HERALD ARTICLES REPORTED REED AINSCOUGH AS BEING IN THE THICK OF THE FIGHTING IN FRANCE, NOTABLY AT CAEN. IT WAS REPORTED IN THE LETHBRIDGE HERALD IN 1944 THAT REED AINSCOUGH WAS PROMOTED TO CAPTAIN, AND WAS WOUNDED IN HIS LEG IN OCTOBER 1944. REED AINSCOUGH WAS SENT TO BELGIUM FOR SURGERY AND TO BE HOSPITALIZED, AND WAS RETURNED TO CANADA ON THE HOSPITAL SHIP H.M.C.S. LADY NELSON IN 1945. IN 1947, REED AINSCOUGH BECAME THE BATTERY COMMANDER OF THE 93RD BATTERY RCA, AND SERVED AS THE COMMANDER UNTIL 1959, BEING PROMOTED TO MAJOR IN 1951. IN 1959, UPON A TRANSFER WITH HIS EMPLOYMENT AT CANADA LIFE, HE MOVED TO MEDICINE HAT, ALBERTA, AND JOINED THE SOUTH ALBERTA LIGHT HORSE AS A SQUADRON COMMANDER IN 1961. IN 1964, HE WAS PROMOTED TO LIEUTENANT COLONEL AND COMMANDER OF THE SOUTH ALBERTA LIGHT HORSE, AND WAS APPOINTED AIDE-DE-CAMP TO LIEUTENANT GOVERNOR GRANT MACEWAN UNTIL HIS RETIREMENT. REED AINSCOUGH WAS PROMOTED TO BRANCH MANAGER OF CANADA LIFE IN LETHBRIDGE, ALBERTA, IN 1969 AND MOVED TO LETHBRIDGE. HE WAS A MEMBER OF THE MASONIC LODGE, LODGE OF PERFECTION, ROSE CROIX, CONSISTORY, SHRINE, ORDER OF THE EASTERN STAR, AND SERVED AS THE MASTER OF THE LODGE OF PERFECTION UNTIL 1977. ACCORDING TO HIS LETHBRIDGE HERALD OBITUARY, REED AINSCOUGH WAS ALSO ACTIVE WITH THE FORT MACLEOD CHAMBER OF COMMERCE, LIONS’ CLUB, HISTORICAL ASSOCIATION, AND FORT MACLEOD MUSEUM DURING HIS TIME LIVING IN FORT MACLEOD. IN MEDICINE HAT, AISNCOUGH SERVED AS PRESIDENT OF THE HEART AND STROKE ASSOCIATION, AND ACTED AS A SENATOR FOR THE UNIVERSITY OF LETHBRIDGE UPON MOVING TO THE CITY. ON OCTOBER 20, 1993, REED WILSON AINSCOUGH PASSED AWAY IN LETHBRIDGE. FOR MORE INFORMATION INCLUDING FAMILY MILITARY SERVICE FILES, NEWSPAPER CLIPPINGS ON WILLIAM GEORGE AND REED AINSCOUGH, A RESUME FOR REED AINSCOUGH, AND THE FULL INTERVIEW TRANSCRIPTION, PLEASE SEE THE PERMANENT FILE P20160017001-GA.
Catalogue Number
P20160017001
Acquisition Date
2016-06
Collection
Museum
Images
Less detail
Other Name
KNITTING BAG
Date Range From
1870
Date Range To
1999
Material Type
Artifact
Materials
CANVAS, FABRIC, THREAD
Catalogue Number
P20160003005
  1 image  
Material Type
Artifact
Other Name
KNITTING BAG
Date Range From
1870
Date Range To
1999
Materials
CANVAS, FABRIC, THREAD
No. Pieces
1
Length
41
Width
36
Description
HANDMADE BAG MADE OF 3 SECTIONS OF STRIPS OF ABOUT 5 INCHES (APPROX. 13 CM) EACH. IT IS RED WITH BLUE, YELLOW, GREEN, AND RAW MATERIAL ACCENTS. THE TRIM AT THE TOP OF THE BAG IS BLUE WITH A HANDLE OF THE SAME FABRIC ON EITHER SIDE. THERE IS A STRIP OF RAW, NOT PATTERNED FABRIC AT THE BOTTOM OF THE BAG. BOTH SIDES OF THE BAG HAVE THE SAME ARRANGEMENT OF PATTERNED STRIPS. THERE IS ONE SEAM CONNECTING THE FRONT AND THE BACK OF THE BAG ON BOTH SIDES. THE INSIDE IS UNLINED. GOOD TO VERY GOOD CONDITION. THERE IS SOME STITCHING COMING LOOSE AT VARIOUS POINTS OF THE PATTERNING.
Subjects
CONTAINER
Historical Association
DOMESTIC
ETHNOGRAPHIC
History
THE KONKINS WERE A RUSSIAN-SPEAKING FAMILY FROM THE TOWN OF SHOULDICE, ALBERTA, NEAR CALGARY. THEY AND MANY OTHER RUSSIAN FAMILIES COMPOSED THAT TOWN’S DOUKHOBOR COLONY. IT WAS THERE WILLIAM KONKIN MARRIED ELIZABETH WISHLOW. IN 1928 THEIR DAUGHTER, ELSIE WAS BORN. THEY LATER MOVED TO A FARM IN VAUXHALL, ALBERTA. THE PRECEDING AND FOLLOWING INFORMATION HAS BEEN EXTRACTED FROM A TWO-PART INTERVIEW WITH DONOR ELSIE MORRIS, WHICH WAS CONDUCTED BY COLLECTIONS TECHNICIAN KEVIN MACLEAN ON FEBRUARY 17, 2016. ADDITIONAL INFORMATION COMES FROM FAMILY HISTORIES AND TEXTS PROVIDED BY THE DONOR. A FULL HISTORY OF THE KONKIN FAMILY CAN BE FOUND WITH THE RECORD P20160003001. A STATEMENT WRITTEN BY MORRIS ATTACHED TO THE BAG STATES THAT THE MATERIAL OF THE BAG ORIGINATES FROM THE 1870S. THE STATEMENT READS: “THIS BAG WAS HAND WOVEN IN STRIPS [THAT WERE USED] TO SEW ON THE BOTTOM OF PETTICOATS. THE GIRLS AT THAT TIME HAD TO HAVE A TROUSEUA [SIC] TO LAST A LIFETIME BECAUSE AFTER MARRIAGE THERE WOULD BE NO TIME TO MAKE CLOTHES SO WHAT THEY MADE WAS STURDY. THEY STARTED ON THEIR TROUSEUS [SIC] AS SOON AS THEY COULD HOLD A NEEDLE. WHEN IT WAS HAYING TIME THE GIRLS WENT OUT INTO THE FIELD TO RAKE THE HAY. THEY WORE PETTICOATS OF LINEN TO WHICH THESE BANDS WERE SEWN. THE LONG SKIRTS WERE PICKED UP AT THE SIDES AND TUCKED INTO THE WAISTBANDS SO THAT THE BOTTOMS OF THE PETTICOATS WERE ON DISPLAY.” “THESE BANDS WERE ORIGINALLY MY GREAT GRANDMOTHER’S WHO CAME OUT OF RUSSIA WITH THE DOUKHOBOR SETTLEMENT IN 1899. THEY WERE PASSED ON TO MY MOTHER, ELIZABETH KONKIN, WHO MADE THEM INTO A BAG IN THE 1940S” THE STRIPS THAT MAKE UP THE BAG SERVED A UTILITARIAN PURPOSE WHEN SEWN TO THE BOTTOM OF THE PETTICOATS. IN THE INTERVIEW, MORRIS EXPLAINS: “… THESE STRIPS ARE VERY STRONG. THEY’RE LIKE CANVAS. THEY WERE SEWN ONTO THE BOTTOM OF THE LADY’S PETTICOATS AND THEY WORE A SKIRT ON TOP OF THE PETTICOATS. THESE STRIPS LASTED A LIFETIME, IN FACT MORE THAN ONE LIFETIME BECAUSE I’VE GOT THEM NOW. THEY WOULD TUCK THE SKIRTS INTO THEIR WAISTBAND ON THE SIDE SO THEIR PETTICOATS SHOWED AND THEY WERE TRYING TO PRESERVE THEIR SKIRTS NOT TO GET CAUGHT IN THE GRAIN. THE GIRLS LIKED TO WEAR THEM TO SHOW OFF BECAUSE THE BOYS WERE THERE AND THEY ALWAYS WORE THEIR VERY BEST SUNDAY CLOTHES WHEN THEY WENT CUTTING WHEAT OR GRAIN." “[THE FABRIC] CAME FROM RUSSIA. WITH THE AREA WHERE THEY CAME FROM IS NOW GEORGIA AND THEY LIVED ABOUT SEVEN MILES NORTH OF THE TURKISH BORDER, THE PRESENT DAY TURKISH BORDER… [THE DOUKHOBORS] CAME TO CANADA IN 1897 AND 1899.” MORRIS EXPLAINS THAT SURPLUS FABRIC WOULD HAVE BEEN BROUGHT TO CANADA FROM RUSSIA BY HER MATERNAL GRANDMOTHER FOR FUTURE USE AND TO AID THE GIRLS IN MAKING THEIR TROUSSEAUS: “THE TROUSSEAU THE GIRLS MADE HAD TO LAST THEM A LIFETIME BECAUSE THEY WOULDN’T HAVE TIME BUT RAISING CHILDREN TO SEWING THINGS. SEWING MACHINES WERE UNKNOWN THEN.” THE BANDS OF FABRIC THAT MAKE UP THE BAG WOULD HAVE BEEN REMAINS NEVER USED FROM ELIZABETH KONKIN’S TROUSSEAU. SHE HAND WOVE THE BAG WHILE SHE WAS LIVING IN SHOULDICE. THE BAG WAS USED BY MORRIS’ MOTHER TO STORE HER KNITTING SUPPLIES. WHEN MORRIS ACQUIRED THE BAG IN THE 1990S, IT MAINTAINED A SIMILAR PURPOSE: “WELL I USED TO CARRY MY STUFF FOR THE WEAVER’S GUILD BUT NOW I DON’T USE IT FOR ANYTHING. IT’S VERY HANDY YOU KNOW IT DOESN’T WEAR OUT.” THERE WAS ONLY ONE BAG MADE OUT OF THESE REMNANTS BY MORRIS’ MOTHER. PLEASE SEE THE PERMANENT FILE FOR MORE INFORMATION INCLUDING FULL INTERVIEW TRANSCRIPTION, OBITUARIES, PHOTOGRAPHS, AND FAMILY HISTORIES.
Catalogue Number
P20160003005
Acquisition Date
2016-02
Collection
Museum
Images
Less detail
Date Range From
1960
Date Range To
1970
Material Type
Artifact
Materials
COTTON, POLYESTER
Catalogue Number
P20120045009
  2 images  
Material Type
Artifact
Date Range From
1960
Date Range To
1970
Materials
COTTON, POLYESTER
No. Pieces
1
Length
92
Width
42
Description
BLUE BANNER WITH RED TRIM DOWN SIDES AND RED FRINGE AT BOTTOM; RED STITCHING ABOVE FRINGE, MACHINE STITCHED. TOP OF BANNER HAS MACHINE-STITCHED POCKET FOR HANGING BANNER ON STANDS. FRONT OF BANNER HAS WHITE STITCHED FELT “O”; “O” HAS SOILING AT BASE CURVE. BANNER HAS FOLDS DOWN CENTER AND IN FOUR PLACES ACROSS BANNER; OVERALL EXCELLENT CONDITION.
Subjects
DOCUMENTARY ARTIFACT
Historical Association
ASSOCIATIONS
History
ON AUGUST 21, 2018, COLLECTIONS TECHNICIAN INTERVIEWED LLOYD CAREFOOT REGARDING HIS DONATION OF MEMORABILIA RELATED TO COURT WINDY WEST (#562) LETHBRIDGE CHAPTER OF THE INDEPENDENT ORDER OF FORESTERS. CAREFOOT WAS ACTIVELY INVOLVED WITH THE FORESTERS WHILE HE LIVED IN EDMONTON, ALBERTA, AND CONTINUED HIS INVOLVEMENT FOLLOWING HIS MOVE TO LETHBRIDGE IN 1963. ON THE PURPOSE AND HISTORY OF THE BANNER, CAREFOOT NOTED, “THIS IS A BANNER THAT OUR GROUP MADE…THAT WE COULD TAKE HOME AND HANG UP. WE COULD USE IT…IF WE WERE AT DISPLAYS…WE HAD THOSE TO HANG UP.” “[IT WAS MADE] PROBABLY…1970…WE USED THOSE RIGHT THROUGH.” WHEN ASKED ABOUT HIS TIME SPENT IN THE FORESTERS, CAREFOOT RECALLED, “WE [WIFE RUTH AND LLOYD] WERE INVITED TO [AN] ACTIVITY. [IN THOSE] DAYS THERE [WERE] SOCIAL PARTIES…SOMEBODY THAT I KNEW INVITED ME TO COME AND I HEARD WHAT THEY WERE DOING. IT WAS SOMETHING THAT RUTH AND I THOUGHT…WOULD BE SOMETHING WE’D LIKE TO BE INVOLVED IN…MY FATHER WAS A MEMBER OF THE CANADIAN ORDER OF FORESTERS WHICH WAS A STAGE BEFORE THE INDEPENDENT ORDER OF FORESTERS.” “I BECAME A MEMBER IN EDMONTON… I WAS ONLY AS ASSOCIATE AT THAT TIME. WHEN WE MOVED DOWN HERE, WE BECAME MEMBERS HERE…MY FIRST WORKDAY WAS THE SECOND OF JANUARY, 1963 [IN LETHBRIDGE]. I WAS A FULL-BLOWN MEMBER IN 1966.” “[I JOINED BECAUSE OF] THE SATISFACTION THAT IT’S A STRONG CHARITABLE WAY OF DOING THINGS TO GIVE BACK. THAT’S PART OF MY PHILOSOPHY; JUST GIVE A LITTLE BACK FOR THE GOOD LIFE I’VE HAD.” “I WAS THE PRESIDENT OF THE LEAGUE…OF [THE] LETHBRIDGE CHAPTER. AND [I] WOUND UP WITH [THE TRUNK] AND IN IT [WERE] THESE THINGS. IT PRE-DATES ME.” “MOST OF THOSE THINGS WERE FOR MY PERSONAL USE…EITHER IN EVENTS OR A POSITION I HELD IN THE FORESTERS. I LOOK AT [THE OBJECTS] AND I SMILE.” REGARDING HIS DONATION, CAREFOOT ELABPRATED, “THE FORESTERS IN THE COMMUNITY DID A LOT OF CHARITY WORK AND I THOUGHT IT WAS A WAY OF COVERING FOR THE FUTURE [ABOUT] THE THINGS THAT WE DID, OR STILL DO. THAT WAS, MORE THAN ANYTHING ELSE, MY REASON FOR [DONATING IT] – A WAY OF PASSING IT ALONG SO IT JUST DIDN’T GET SHOVED IN THE JUNK…TO SOMEBODY IN THE FUTURE, IT INDICATES SOMETHING OF WHAT WE DID AND SOME ILLUSTRATION OF THINGS THAT WE DID. FOR MORE INFORMATION INCLUDING THE FULL INTERVIEW TRANSCRIPTION, PLEASE SEE THE PERMANENT FILE P20120045001-GA.
Catalogue Number
P20120045009
Acquisition Date
2012-12
Collection
Museum
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