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Other Name
OBSIDIAN CORE
Date Range From
4000BP
Date Range To
1700
Material Type
Artifact
Materials
OBSIDIAN
Catalogue Number
P20150027000
  2 images  
Material Type
Artifact
Other Name
OBSIDIAN CORE
Date Range From
4000BP
Date Range To
1700
Materials
OBSIDIAN
No. Pieces
1
Height
8.5
Length
32.7
Width
24.7
Description
SHINY, BLACK OBSIDIAN ROCK. VARIOUS GROOVES AND FLAKE SCARS ON THE OVERALL SURFACE OF THE ROCK.
Subjects
MASONRY & STONEWORKING T&E
INDIGENOUS
Historical Association
ETHNOGRAPHIC
ARCHAEOLOGY
History
THIS OBSIDIAN ROCK WAS DONATED ON SEPTEMBER 16, 2015 BY NANCY BIGGERS IN MEMORY OF HER LATE PARENTS, BOYD AND MARY BIGGERS. IT WAS LOCATED ON THE FAMILY FARM BY BOYD BIGGERS. ACCORDING TO A STATEMENT GIVEN BY NANCY AT THE TIME OF DONATION, "... FARMERS NEED TO CLEAR THEIR LAND OF ... ROCKS IN ORDER TO PLANT AND HARVEST THEIR FIELDS. BOYD WAS DOING THIS ONE DAY (IN THE EARLY 1980S) AND CAME ACROSS A BEAUTIFUL SHINY BLACK ROCK. HE WAS IMPRESSED BY [ITS] COLOURING AND THE VARIOUS GROOVES, SO RATHER THAN THROWING IT ON TO THE PILE WITH THE OTHER ROCKS, HE DECIDED TO TAKE IT HOME. ... MARY, BEING A SCHOOL TEACHER, TOLD HIM THAT IT APPEARED TO BE OBSIDIAN, WHICH THE ABORIGINALS USED TO MAKE ARROWHEADS AND TOOLS. MARY RETIRED FROM TEACHING IN 1986 AND THUS BOYD DECIDED TO SELL THE FARM. THEY MOVED TO LETHBRIDGE ... [AND] THE OBSIDIAN CAME WITH THEM ... AS IT WAS A REMINDER OF THEIR FARM LIFE. IT WAS USED AS A DECORATIVE PIECE IN BOTH OF THE HOMES IN WHICH THEY LIVED IN LETHBRIDGE." ON SEPTEMBER 8, 2015, ARCHEOLOGIST, NEIL MIRAU, OF ARROW ARCHAEOLOGY LIMITED STATED VIA EMAIL THAT THE ROCK HAD BEEN BROUGHT TO THE AREA BY HUMANS AND THAT IT WAS RELATIVELY EASY TO DETERMINE THE SOURCE OF THE OBSIDIAN FROM ITS GENERAL APPEARANCE. HE WAS ALMOST CERTAIN THAT THIS PIECE OF OBSIDIAN CAME FROM THE OBSIDIAN CLIFFS IN WHAT IS NOW YELLOWSTONE NATIONAL PARK, WYOMING. HE WROTE, “OBSIDIAN DOES NOT OCCUR NATURALLY IN SOUTHERN ALBERTA AND REALLY THE ONLY WAY FOR IT TO GET HERE, ESPECIALLY THIS TYPE OF ROCK IS TO BE CARRIED BY HUMANS. OBSIDIAN ... WAS PRIZED BY PAST CULTURES AND IT MAKES VERY ATTRACTIVE AND VERY SHARP TOOLS AND PROJECTILE POINTS. THIS PARTICULAR PIECE HAS FLAKE SCARS SHOWING THAT IT WAS WORKED BY HUMANS. IT WAS LIKELY, GIVEN ITS ‘VALUE,’ CARRIED BY ITS OWNER TO FLAKE PIECES OFF EVERY ONCE IN AWHILE TO MAKE A NEW TOOL. OBSIDIAN IS ONE OF THE RARE TYPES OF STONE THAT IS CURATED BY PAST HUMANS, THAT IS, ALTHOUGH HEAVY, THEY WOULD HAVE CARRIED IT WITH THEM TO MAKE TOOLS WITH.” HE ALSO WROTE THAT OBSIDIAN FROM WYOMING THAT HAS BEEN FOUND IN SOUTHERN ALBERTA HAS ARRIVED “EITHER THROUGH TRADE OR BY LONG DISTANCE TRAVEL OF PEOPLE FROM HERE TO THERE AND RETURN," AND THAT THERE IS EVIDENCE OF BOTH METHODS. MIRAU INFERS THAT IT COULD HAVE BEEN DROPPED THERE THREE OR FOUR CENTURIES AGO, OR MANY THOUSANDS OF YEARS AGO. SEE PERMANENT FILE FOR COPY OF THE NANCY BIGGER’S INFORMATION, EMAIL TRANSCRIPTS, MAPS OF THE LOCATION OF THE BIGGERS’ FARM WHERE ARTIFACT WAS FOUND, AND A PHOTOGRAPH OF BOYD AND MARY BIGGERS.
Catalogue Number
P20150027000
Acquisition Date
2015-09
Collection
Museum
Images
Less detail
Other Name
2010 OLYMPIC TORCH RELAY
Material Type
Artifact
Materials
NYLON, COTTON
Catalogue Number
P20150022002
  2 images  
Material Type
Artifact
Other Name
2010 OLYMPIC TORCH RELAY
Date
2010
Materials
NYLON, COTTON
No. Pieces
1
Length
43
Width
8.9
Description
WHITE ARMBAND WITH DIAGONAL STRIPES OF LIGHT BLUE, MEDIUM BLUE ON ONE SIDE AND GREEN ON THE OTHER END. IN CENTRE OF ARMBAND IS A SILK-SCREEN OF THE VANCOUVER 2010 OLPYMICS: "TORCH RELAY/RELAIS DE LA FLAMME - VANCOUVER 2010 - PRESENTED BY/PRESENTE PAR COCA-COLA, RBC, CANADA". FASTENS WITH BLACK VELCRO, WITH A LARGER LOOP SECTION (MEASURES 10.2CM WHILE THE HOOK SECTION IS ONLY 4CM). ON REVERSE OF HOOK SECTION IS ANOTHER SILK-SCREEN: "HUDSON'S BAY CO." WITH HBC COAT OF ARMS.
Subjects
CLOTHING-ACCESSORY
PERSONAL SYMBOL
Historical Association
COMMEMORATIVE
SPORTS
History
THIS ARMBAND RELATES TO THE 2010 OLYMPICS IN VANCOUVER, BRITISH COLUMBIA. IN AN INTERVIEW WITH ITS DONOR ANINE VONKEMAN, CONDUCTED BY KEVIN MACLEAN IN JUNE 2015, SHE SAID I “WAS HONOURED TO BE ACCEPTED AS A VOLUNTEER, A MEDIA HANDLER VOLUNTEER, ALONG WITH BOB COONEY FROM THE UNIVERSITY OF LETHBRIDGE COMMUNICATIONS AT THE TIME, WHO I REALLY RESPECT AND HE’S RESPECTED BY THE LOCAL MEDIA. AND SO HE AND I WORKED TOGETHER TO BE THE MEDIA HANDLERS FOR THE TORCH RELAY, WHICH IS A HUGE EVENT ... FROM A LOGISTICAL POINT OF VIEW AND IN TERMS OF DEALING WITH MEDIA IN THAT WAY. LIKE WE DO MEDIA PREVIEWS OF OUR EXHIBITS AND THEY’RE JUST TINY COMPARED TO WHAT AN UNDERTAKING THIS IS, BECAUSE IT WAS TELEVISED NATIONALLY AND ALL OF THAT AND ALL THE INFRASTRUCTURE THAT WAS SET UP FOR THE CELEBRATION AT HENDERSON LAKE.” THE ARMBAND ALLOWED ANINE ENTRY TO THE MEDIA PIT AND VOLUNTEER TENT AT HENDERSON LAKE. ANINE CONTINUED, SAYING THAT SHE WAS “EXCITED ABOUT BEING PART OF THE TORCH RELAY AND BECAUSE THE OLYMPICS HAVE ALWAYS BEEN A HUGE PART OF MY LIFE AND SPORTS EVENTS IN GENERAL, DUTCH PEOPLE GO A LITTLE NUTS. SO, YOU KNOW, TO BE ABLE TO BE A PART OF THAT AND ALSO TO DEAL WITH THE MEDIA IN THAT WAY, WHICH WAS A BIG DEAL, WAS KIND OF REALLY INTERESTING.” ANINE KEPT THE ARMBAND, SAYING “IT’S AN IMPORTANT REMINDER OF BEING PART OF THAT. AND IT WAS AN IMPORTANT EVENT IN LETHBRIDGE TO BE ON THE TORCH RELAY ROUTE FOR THE OLYMPIC FLAME.” ANINE ATTENDED THE UNIVERSITY OF LETHBRIDGE (U OF L) IN 1986 AND STARTED WORKING AT THE SAAG IN 1992, TWO WEEKS AFTER GRADUATING FROM THE U OF L. SHE BEGAN AS THE PUBLIC PROGRAMS COORDINATOR AND “WAS DOING MEDIA STUFF, VOLUNTEER COORDINATION, SPECIAL EVENTS COORDINATION AND STARTED THE ART AUCTION.” BY 2004, SHE WAS WORKING AT THE GALT AS MARKETING/COMMUNICATIONS OFFICER. SEE PERMANENT FILE FOR FULL INTERVIEW TRANSCRIPTS AND SEE P20150005000FOR ADDITIONAL INFORMATION ON THE VONKEMAN FAMILY.
Catalogue Number
P20150022002
Acquisition Date
2015-06
Collection
Museum
Images
Less detail
Material Type
Artifact
Materials
WOOL, DYE
Catalogue Number
P20160003006
  2 images  
Material Type
Artifact
Date
1929
Materials
WOOL, DYE
No. Pieces
1
Length
182.5
Width
117.5
Description
HAND-WOVEN RUG MADE FROM HAND-DYED, HANDSPUN WOOL. THERE IS A 3-4 CM WIDE BLACK BORDER AROUND ALL LENGTHS OF THE RUG, WITH FRINGE ON THE SHORT ENDS. INSIDE THE BLACK BORDER IS A SINGLE WOVEN BORDER OF LIGHT BLUE WOOL. INSIDE OF THIS BORDER IS A PATTERN SET ON A DARK BURGUNDY-COLOURED BACKGROUND. THERE IS A BLUE FLOWER IN THE CENTER OF THE RUG. ON ONE END THE DATE “1924” IS WOVEN IN RAW-COLOURED WOOL. THE “9” HAS BEEN WOVEN UPSIDE DOWN. ON THE OPPOSITE END OF THE RUG, THE INITIALS “ ” FOR THE NAME LISAVETA PETROVNA WISHLOW, ARE WOVEN IN LIGHT BLUE. THERE ARE 20 HARPS COLOURED EITHER BLUE, ORANGE, PINK, OR YELLOW AROUND ALL LENGTHS OF THE RUG. UNDER THE HARPS IS A GREEN VINE PATTERN AND A RED DECORATIVE BORDER. THE DESIGN ELEMENTS ARE LAID OUT SYMMETRICALLY OVER THE RUG AND CONSIST OF FLOWERS, DUCKS, AND BUTTERFLIES. VERY GOOD TO EXCELLENT CONDITION. SLIGHT WEAR TO THE WOOL FROM USE.
Subjects
FLOOR COVERING
Historical Association
DOMESTIC
ETHNOGRAPHIC
History
THE KONKINS WERE A RUSSIAN-SPEAKING FAMILY FROM THE TOWN OF SHOULDICE, ALBERTA, NEAR CALGARY. THEY AND MANY OTHER RUSSIAN FAMILIES COMPOSED THAT TOWN’S DOUKHOBOR COLONY. IT WAS THERE WILLIAM KONKIN MARRIED ELIZABETH WISHLOW. IN 1928, THEIR DAUGHTER, ELSIE WAS BORN. THEY LATER MOVED TO A FARM IN VAUXHALL, ALBERTA. THE PRECEDING AND FOLLOWING INFORMATION HAS BEEN EXTRACTED FROM A TWO-PART INTERVIEW WITH DONOR ELSIE MORRIS, WHICH WAS CONDUCTED BY COLLECTIONS TECHNICIAN KEVIN MACLEAN ON FEBRUARY 17, 2016. ADDITIONAL INFORMATION COMES FROM FAMILY HISTORIES AND TEXTS PROVIDED BY THE DONOR. A FULL HISTORY OF THE KONKIN FAMILY CAN BE FOUND WITH THE RECORD P20160003001. THIS RUG WAS HAND-WOVEN BY ELIZABETH KONKIN IN 1924. THE RUG WAS USED AS A WALL COVER IN THE WINTER AND ACTED AS AN INSULATOR. LATER IT WAS USED ON THE FLOOR AT CHRISTMASTIME. IT WAS INHERITED BY MORRIS PRIOR TO THE PASSING OF HER MOTHER: “I CAME INTO POSSESSION [OF IT] FROM MY MOTHER. SHE DIED IN 2003 AND I GOT THE RUG SLIGHTLY BEFORE THEN AND YES THAT WOULD BE ABOUT THE TIME… I HAVE NO OTHER SIBLINGS AND SO OBVIOUSLY EVERYTHING SHE MADE WOULD GO TO ME. MY SON SAID HE WOULD LIKE TO HAVE THE RUG, BUT CHANGED HIS MIND. HIS WIFE WAS NOT KEEN ON HAVING IT, SO I HAD TO DO SOMETHING WITH IT. TO ME IT IS A VERY BEAUTIFUL RUG AND I WANTED IT SOME PLACE WHERE IT WON’T GET TRASHED BY DOGS OR ANIMALS.” AFTER ACQUIRING THE RUG, MORRIS PLACED IT ON THE FLOOR OF HER HOME IN LETHBRIDGE: “THE LINO [ON THE FLOOR] STARTED TO WEAR OUT AND I THOUGHT YOU CAN’T PUT A RUG LIKE THAT ON ANOTHER LINO. IT JUST DOESN’T GO. BUT I DO LIKE HARDWOOD SO WE HAD HARDWOOD PUT THROUGHOUT THE BEDROOMS. THE LAST ROOM IS MY OFFICE, FIRST OF ALL, I HAD THE RUG IN THIS BEDROOM AND THEN IT WASN’T VERY CONVENIENT TO CLEAN BECAUSE THERE WASN’T THAT MUCH SPACE SO I PUT IT IN MY OFFICE WHERE I LOVED IT, BUT I KEPT STUMBLING OVER IT. I THOUGHT I MIGHT BREAK A LEG IF I DO THIS SO I BETTER GET RID OF IT… THE HARDWOOD WAS PUT IN BEFORE THE GST WENT IN. I DIDN’T HAVE THE RUG THEN BUT I THOUGHT THAT I WOULD BE GETTING THE RUG AND SO I WOULD HAVE IT HARDWOOD… WAS IT 1995? ANYWAY BEFORE GST WENT IN.” THE RUG HAD BEEN PRESENT THROUGHOUT MORRIS’ LIFE – FROM TIME SPENT ON THE DOUKHOBOR COLONY IN SHOULDICE, ALBERTA TO LIFE ON A FARM OUTSIDE OF VAUXHALL, ALBERTA: “I CAN REMEMBER WHEN I WAS BORN. THE RUG WAS IN MY PARENT’S HOME. WE LIVED ON A DOUKHOBOR COLONY, WE HAD MUD PLASTERED WALLS AND OUR HOUSE WAS WELL BUILT. MY DAD BUILT IT. SOME OF THE HOUSES ONLY HAD ONE LAYER OF WOOD AND THEY WERE VERY COLD, HOWEVER OUR BEDROOMS HAD WALLS ON THE NORTH SIDE. IN WINTER THEY GOT CHILLY, SO EVERY WINTER THEY WOULD NAIL UP THIS RUG UP AGAINST THE WALL. IT STAYED THERE FOR THE WINTER. FOR SUMMER IT CAME DOWN, I DON’T [KNOW] WHERE SHE STORED IT, I THINK POSSIBLY IN ONE OF THE BIGGER TRUNKS AND THEN TOOK IT OUT… THIS HOME [WHERE THE RUG WAS PLACED], IT’S OUTSIDE OF VAUXHALL. WE LEFT THE COLONY, MOVED TO VAUXHALL AND MOVED THE HOUSE. THE HOUSE WAS EXPANDED AND THEN WE LIVED IN THAT HOUSE. I LEFT HOME AND MY PARENTS HAD A HOUSE IN LETHBRIDGE WHICH DAD BUILT ALSO AND HE SOLD THE FARM. THEY ASKED IF WE WANTED TO GO AND WE DIDN’T. SO THEY SOLD THE FARM AND THERE WAS A BEAUTIFUL POND WHERE WE SWAM AND BOATED AND WE HAD LOTS OF TREES AROUND THE HOUSE. IT WAS ABOUT AN ACREAGE IF NOT MORE AND WHEN HE SOLD IT THE NEW OWNERS, VERY FRUGAL PEOPLE, [THEY] BURNT DOWN THE HOUSE, THE STEAM BATHROOM, THE GARAGE, THE WORKS. NOW MIND THEY WERE OLD STATE BY NOW AND THEY PLOWED [IT ALL INTO] IN THE POND BECAUSE THEY WANTED TO MAKE MONEY FROM THE GRAIN [FIELDS], SO WHEN I WENT THERE A COUPLE OF YEARS LATER, [I WAS] SURPRISED EVERYTHING WAS GONE, SO THAT WAS THAT." THE RUG MAY HAVE BEEN WOVEN BY MORRIS’ MOTHER ON THE DOUKHOBOR COLONY IN SHOULDICE OR DURING THE WINTER SPENT IN COWLEY: “… IT COULD HAVE BEEN WOVEN IN COWLEY BECAUSE THEY STAYED IN COWLEY FOR THE WINTER BUT I CAN’T BE TOO SURE. IT ALSO COULD HAVE BEEN MADE ON THE COLONY… TWENTY MILES EAST OF MOSSLEIGH.” ELIZABETH KONKIN WAS MARRIED IN 1927, SO THE INITIALS WOVEN ON THE RUG ARE OF HER MAIDEN NAME: “THAT’S AN “L” [ ] THAT’S LISAVETA (SIC.) BUT HER NAME IS YALALISAVETA (SIC.) BUT SHE PUT DOWN LISAVETA. PETROVNA THAT’S A “P” [ ] THAT’S DAUGHTER OF PETRO AND WISHLOW [ ] THAT WAS HER MAIDEN NAME. ... [AFTER MAKING THE RUG] THERE WAS SOME WARP LEFT OVER. … WARP IS THE STUFF THAT RUNS DOWN AND WEFT IS WHAT YOU PUT IN BETWEEN WITH A SHUTTLE BUT THIS WASN’T PUT IN WITH A SHUTTLE. EACH INDIVIDUAL THREAD WAS KNOTTED. IT’S LIKE DIFFAGHAN (SIC.) - A SWEDISH METHOD - AND THAT’S HOW IT WAS DONE. IF THERE WAS SOME LEFT OVER AND HER MOM INSISTED THAT SHE DO ANOTHER RUG. WELL SHE DIDN’T WANT TO DO IT. SHE SAYS “YOU MAKE IT FOR YOUR BROTHER.” SHE FELT HIS WIFE SHOULD DO HER OWN HOPE CHEST BUT SHE DID AND THE INTERESTING THING IS THAT HIS RUG THEY USED IT ON THE FLOOR. MY MOTHER DIDN’T USE THIS ONE ON THE FLOOR EXCEPT AT CHRISTMAS TIME SO THE WISHLOW FAMILY WHO HAD THE OTHER RUG, THE MOTHER WASN’T TOO KEENLY INTERESTED IN IT. THEY HAD IT IN THE LIVING ROOM AND THEN IT WENT UP FOR SALE TO A PLACE THAT WAS OWNED BY A MAN NAMED, HIS LAST NAME WAS EWASHEN (SIC.) …THAT’S [THE RUG’S] TWIN, YES.” MORRIS THEN GOES ON TO DESCRIBE SOME OF THE OTHER PATTERNING FOUND ON THE RUG: “OKAY THOSE ARE HARPS. SHE HAD PATTERNS TO GET THEM FROM OTHER WEAVERS AND THEN SHE’D TRACE THEM OUT. I DON’T KNOW WHAT SHE USED TO TRACE THEM ON THE WARP [WITH] AND THEN SHE’D WEAVE AWAY WITH THE THREAD THAT WERE THE WEFT. SHE PUT THE DESIGNS HERSELF ONTO THE RUG” THE RUG WAS BROUGHT TO LETHBRIDGE WHEN ELIZABETH AND WILLIAM KONKIN RETIRED THERE: “I WAS TEACHING SCHOOL IN COALDALE WHEN THEY MOVED AND DAD MADE THE HOUSE IN NORTH LETHBRIDGE… THE HOUSE IS NICELY BUILT AND IT’S WARM, IT’S COMFORTABLE SO THERE’S NO USE PUTTING IT UP ON THE WALL. EVERY CHRISTMAS SHE’D TAKE IT OUT AND WE’D ROLL AROUND ON THIS RUG AND SHE WOULD HANG IT UP AFTER THE NEW YEAR SO I SAID TO HER ‘WHY DON’T YOU PUT IT ON THE FLOOR?’ AND SHE SAID, 'WELL I DON’T WANT TO MESS IT UP.' HOWEVER, I SAID, 'WELL I’M GOING TO PUT IT ON THE FLOOR,' SO THAT’S WHERE IT WAS UNTIL I STARTED STUMBLING OVER IT.” AMONG THE OTHER ARTIFACTS DONATED BY MORRIS THAT WERE OWNED BY HER MOTHER, THE RUG WAS A SIGNIFIER OF THE HARD WORK REQUIRED WITHIN THE DOUKHOBOR LIFESTYLE: “[THE BLANKET AND THE SPINNING WHEEL] MEANT A LOT WELL AFTER THE WAR AND THINGS WERE CHEAP. THEY DIDN’T HAVE TO WEAVE THEIR OWN STUFF. PRIOR TO THAT, NOT IN MY MOTHER’S TIME EVEN BEFORE THAT MY GRANDMOTHER’S TIME, EVERY GIRL HAD TO WEAVE A TROUSSEAU FOR HERSELF TO LAST A LIFETIME BECAUSE SHE STARTED HAVING CHILDREN AND SHE WOULDN’T HAVE THE TIME TO DO IT. THERE WERE THINGS THAT WERE ANCIENT THAT WERE USED AND USED UNTIL THEY DIED HOWEVER, IN MY MOTHER’S DAY THEY KNITTED THEIR OWN SOCKS, THEY MADE THEIR OWN QUILTS. THE MEN DID THE BUILDING AND THEY LIVED OFF THE GARDENS BECAUSE THEY WERE VEGETARIANS SO THEY DIDN’T HAVE TO WORRY ABOUT MEAT. THEY BOUGHT EGGS FROM THE NEIGHBOURS WHO WERE FARMERS. THE INTERESTING THING THERE WAS THAT THEY WEREN’T SUPPOSED TO EAT MEAT AND I ATE MEAT WHEN I WAS CLOSE TO TWENTY. WHEN I TELL MY VEGETARIAN RELATIVES WHAT ABOUT YOUR SHOES AND YOU’VE GOT LEATHER, COWHIDE WHATEVER AND THEY COULDN’T COME UP WITH AN ANSWER SO… THEY REPRESENTED HARD WORK THAT’S, THIS TAKES A LONG TIME WHEN YOU THINK OF EVERY KNOT THAT HAD TO BE TIED AND IT WAS PART OF HER TROUSSEAU. THE SPINNING WHEEL MEANT A LOT BECAUSE YOU HAD TO SPIN THE WOOL SO.” PLEASE SEE THE PERMANENT FILE FOR MORE INFORMATION INCLUDING FULL INTERVIEW TRANSCRIPTION, OBITUARIES, PHOTOGRAPHS, AND FAMILY HISTORIES.
Catalogue Number
P20160003006
Acquisition Date
2016-02
Collection
Museum
Images
Less detail
Other Name
"THE DISEASES OF CHILDREN"
Material Type
Artifact
Materials
PAPER, CARDBOARD, LINEN
Catalogue Number
P20140049001
  2 images  
Material Type
Artifact
Other Name
"THE DISEASES OF CHILDREN"
Date
1908
Materials
PAPER, CARDBOARD, LINEN
No. Pieces
1
Height
27.6
Length
20.5
Width
5.5
Description
A GREEN, HARD-COVERED BOOK WITH GOLD TEXT ON THE SPINE. THE TEXT READS “PFAUNDLER AND SCHLOSSMANN”, “THE DISEASES OF CHILDREN”, “SHAW AND LAFETRA”, “VOL. IV. GENITO-URINARY SYSTEM NERVOUS SYSTEM DERMATOLOGY”, “J.B.LIPPINCOTT CO.”. STAMPED ON THE TOP AND BOTTOM PAGES OF THE BOOK ARE THE WORDS “GALT HOSPITAL”. THE INSIDE IS INSCRIBED "J.E. LOVERING M.D." IN PENCIL. VERY GOOD CONDITION: THE COVER IS FADED AND SCRATCHED IN PLACES, WHILE LIGHTLY FRAYED AT THE EDGES AND CORNERS.
Subjects
DOCUMENTARY ARTIFACT
Historical Association
HEALTH SERVICES
ASSOCIATIONS
History
UPON DONATION TO THE MUSEUM, COLLECTIONS TECHNICIAN KEVIN MACLEAN ASKED MEMBERS OF THE GALT SCHOOL OF NURSING (GSN) ALUMNAE TO PROVIDE WRITTEN ANSWERS ON QUESTIONS PERTAINING TO EACH ARTIFACT DONATED IN THE COLLECTION. NO INFORMATION WAS PROVIDED ABOUT THIS BOOK. THIS ARTIFACT IS AMONG A COLLECTION DONATED NEAR THE END OF 2014, BEING THE SECOND WAVE OF GSN ARTIFACTS ACQUIRED BY THE MUSEUM THAT YEAR. WITH THE FIRST WAVE OF GSN ARTIFACTS COLLECTED IN SUMMER 2014, MACLEAN INTERVIEWED THE PAST ARCHIVISTS OF THE GALT SCHOOL OF NURSING COLLECTION, SHIRLEY HIGA, ELAINE HAMILTON, AND SUE KYLLO, ABOUT THEIR INVOLVEMENT WITH THE GSN ALUMNAE ASSOCIATION AND THE HISTORY OF ARTIFACTS DONATED. FOR THAT INFORMATION, PLEASE REFER TO P20140006001. PLEASE SEE THE PERMANENT FILE FOR MORE INFORMATION.
Catalogue Number
P20140049001
Acquisition Date
2014-11
Collection
Museum
Images
Less detail
Other Name
"PRINCIPALS AND PRACTICE OF OBSTETRICS"
Date Range From
1938
Date Range To
1939
Material Type
Artifact
Materials
PAPER, CARDBOARD, LINEN
Catalogue Number
P20140049002
  2 images  
Material Type
Artifact
Other Name
"PRINCIPALS AND PRACTICE OF OBSTETRICS"
Date Range From
1938
Date Range To
1939
Materials
PAPER, CARDBOARD, LINEN
No. Pieces
1
Height
26
Length
19
Width
6
Description
A GREEN HARD COVERED BOOK WITH GOLD TEXT ON THE SPINE. THE TEXT READS “PRINCIPLES AND PRACTICE OF OBSTETRICS”, “DE LEE”, “SEVENTH EDITION”, “SAUNDERS”. IN ADDITION TO THIS THERE IS A WHITE WRITTEN “440”. STAMPED ON THE TOP AND BOTTOM PAGES OF THE BOOK ARE THE WORDS “GALT HOSPITAL”, AND STAMPED ON ALL THREE SIDES OF THE PAGES ARE THE WORDS “GALT SCHOOL OF NURSING”. "REFERENCE FOR NURSES OCTOBER 5 1939" INSCRIBED ON INSIDE IN PENCIL. VERY GOOD CONDITION: THE COVER IS FADED AND WORN AT THE EDGES.
Subjects
DOCUMENTARY ARTIFACT
Historical Association
HEALTH SERVICES
ASSOCIATIONS
History
UPON DONATION TO THE MUSEUM, COLLECTIONS TECHNICIAN KEVIN MACLEAN ASKED MEMBERS OF THE GALT SCHOOL OF NURSING (GSN) ALUMNAE TO PROVIDE WRITTEN ANSWERS ON QUESTIONS PERTAINING TO EACH ARTIFACT DONATED IN THE COLLECTION. NO INFORMATION WAS PROVIDED ABOUT THIS BOOK. THIS ARTIFACT IS AMONG A COLLECTION DONATED NEAR THE END OF 2014, BEING THE SECOND WAVE OF GSN ARTIFACTS ACQUIRED BY THE MUSEUM THAT YEAR. WITH THE FIRST WAVE OF GSN ARTIFACTS COLLECTED IN SUMMER 2014, MACLEAN INTERVIEWED THE PAST ARCHIVISTS OF THE GALT SCHOOL OF NURSING COLLECTION, SHIRLEY HIGA, ELAINE HAMILTON, AND SUE KYLLO, ABOUT THEIR INVOLVEMENT WITH THE GSN ALUMNAE ASSOCIATION AND THE HISTORY OF ARTIFACTS DONATED. FOR THAT INFORMATION, PLEASE REFER TO P20140006001. PLEASE SEE THE PERMANENT FILE FOR MORE INFORMATION.
Catalogue Number
P20140049002
Acquisition Date
2014-11
Collection
Museum
Images
Less detail
Other Name
"AIDS TO TRAY AND TROLLEY SETTING: A COMPLETE TEXTBOOK FOR THE NURSE"
Material Type
Artifact
Materials
PAPER, CARDBOARD, LINEN
Catalogue Number
P20140049023
  2 images  
Material Type
Artifact
Other Name
"AIDS TO TRAY AND TROLLEY SETTING: A COMPLETE TEXTBOOK FOR THE NURSE"
Date
1953
Materials
PAPER, CARDBOARD, LINEN
No. Pieces
1
Height
10.3
Length
16.5
Width
1.6
Description
A RED HARDCOVER BOOK WITH BLACK TEXT. THE TEXT ON THE FRONT COVER READS “AIDS TO TRAY & TROLLEY SETTING”, “NURSES AIDS SERIES”, “A COMPLETE TEXTBOOK FOR THE NURSE”, “FIFTH EDITION”, AND “BAILLIÉRE, TINDALL & COX”. THERE IS ALSO A HANDWRITTEN “430. 8 2” ON THE FRONT COVER, AND A HANDWRITTEN “430” ON THE SPINE. STAMPED ON ALL THREE SIDES OF THE PAGES ARE THE WORDS “GALT SCHOOL OF NURSING”. GOOD TO VERY GOOD CONDITION: THE HARD COVER IS SCRATCHED AND SCUFFED, WORN ON THE SPINE. THERE ARE BLACK, SILVER, AND WHITE INK MARKS ON THE FRONT AND BACK COVER. PAGES ARE YELLOWING.
Subjects
DOCUMENTARY ARTIFACT
Historical Association
HEALTH SERVICES
ASSOCIATIONS
History
UPON DONATION TO THE MUSEUM, COLLECTIONS TECHNICIAN KEVIN MACLEAN ASKED MEMBERS OF THE GALT SCHOOL OF NURSING (GSN) ALUMNAE TO PROVIDE WRITTEN ANSWERS ON QUESTIONS PERTAINING TO EACH ARTIFACT DONATED IN THE COLLECTION. THE FOLLOWING INFORMATION HAS COME FROM THOSE RESPONSES CORRESPONDING TO EACH INDIVIDUAL ARTIFACT. THIS BOOK TITLED AIDS TO TRAYS & TROLLEY SETTING: A COMPLETE TEXTBOOK FOR THE NURSE WRITTEN BY BAILLIERE, TINDALL, AND COX WAS “USED TO TEACH NURSES HOW TO SET UP TRAY[S] FOR PROCEDURES [AND] HELPED [THEM] TO DO STERILE PROCEDURES.” THIS BOOK WAS USED IN THE GALT HOSPITAL PRIOR TO 1955. IT WAS USED BY BOTH NURSING STUDENTS AND NURSES. THIS ARTIFACT IS AMONG A COLLECTION DONATED NEAR THE END OF 2014, BEING THE SECOND WAVE OF GSN ARTIFACTS ACQUIRED THAT YEAR. WITH THE FIRST WAVE OF GSN ARTIFACTS COLLECTED IN SUMMER 2014, COLLECTIONS TECHNICIAN KEVIN MACLEAN INTERVIEWED THE PAST ARCHIVISTS OF THE GALT SCHOOL OF NURSING COLLECTION, SHIRLEY HIGA, ELAINE HAMILTON, AND SUE KYLLO, ABOUT THEIR INVOLVEMENT WITH THE GSN ALUMNAE ASSOCIATION AND THE HISTORY OF ARTIFACTS DONATED. FOR THAT INFORMATION, PLEASE REFER TO P20140006001. PLEASE SEE THE PERMANENT FILE FOR MORE INFORMATION.
Catalogue Number
P20140049023
Acquisition Date
2014-11
Collection
Museum
Images
Less detail
Other Name
"GALT HOSPITAL" "LUCY R. HATCH"
Material Type
Artifact
Materials
METAL, GOLD PLATE, ENAMEL
Catalogue Number
P20140049026
  2 images  
Material Type
Artifact
Other Name
"GALT HOSPITAL" "LUCY R. HATCH"
Date
1913
Materials
METAL, GOLD PLATE, ENAMEL
No. Pieces
1
Height
0.6
Diameter
2.1
Description
ROUND PIN, GOLD PLATED WITH GREEN ENAMEL BORDER AND RED ENAMEL CROSS AT CENTRE. TEXT AROUND BORDER READS “GALT HOSPITAL – LETHBRIDGE ALBERTA” AND TEXT ON A GREEN ENAMEL BANNER UNDER THE CROSS READS “FESTINA LENTE”. ENGRAVED TEXT ON THE BACK SIDE READS “LUCY R. HATCH – 1935” AND A MAKER’S MARK AND 10K STAMP IS VISIBLE AT BOTTOM. STRAIGHT PIN WITH ROTATING CLASP IS SAUTERED HORIZONTALLY ALONG BACK. OVERALL VERY GOOD CONDITION.
Subjects
CLOTHING-ACCESSORY
Historical Association
HEALTH SERVICES
ASSOCIATIONS
History
THIS GRADUATION PIN IS MARKED “LUCY R. HATCH.” ACCORDING TO LETHBRIDGE HERALD ARTICLES FROM THE 1960S AND 70S AND GALT ARCHIVES RECORD 19760225055, LUCY HATCH WAS BORN IN TIMBER, MONTANA IN 1890 AND MOVED TO LETHBRIDGE IN 1910 TO BEGIN NURSES TRAINING. SHE WAS ONE OF THREE FIRST GRADUATES OF THE GSN IN DECEMBER 1913, ALONG WITH LILLIAN DONALDSON AND ELIZABETH PATTESON. HATCH NURSED IN THE GALT HOSPITAL FOR EIGHT YEARS, BRIEFLY MOVED TO NEW YORK, AND RETURNED TO SOUTHERN ALBERTA TO WORK IN THE COALHURST HOSPITAL. HATCH MARRIED JAMES MCINNIS IN 1922 AND REJOINED THE GALT HOSPITAL THAT YEAR AS FLOOR SUPERVISOR. SHE WENT ON TO FOUND THE GALT SCHOOL OF NURSING ALUMNAE ASSOCIATION IN 1945, SERVING AS ITS HONOURARY PRESIDENT UNTIL HER DEATH IN 1955. THIS ARTIFACT IS AMONG A COLLECTION DONATED NEAR THE END OF 2014, BEING THE SECOND WAVE OF GSN ARTIFACTS ACQUIRED THAT YEAR. WITH THE FIRST WAVE OF GSN ARTIFACTS COLLECTED IN SUMMER 2014, COLLECTIONS TECHNICIAN KEVIN MACLEAN INTERVIEWED THE PAST ARCHIVISTS OF THE GALT SCHOOL OF NURSING COLLECTION, SHIRLEY HIGA, ELAINE HAMILTON, AND SUE KYLLO, ABOUT THEIR INVOLVEMENT WITH THE GSN ALUMNAE ASSOCIATION AND THE HISTORY OF ARTIFACTS DONATED. FOR THAT INFORMATION, PLEASE REFER TO P20140006001. PLEASE SEE THE PERMANENT FILE FOR MORE INFORMATION.
Catalogue Number
P20140049026
Acquisition Date
2014-11
Collection
Museum
Images
Less detail
Other Name
ALBERTA PROVINCIAL POLICE BUTTON
Date Range From
1919
Date Range To
1932
Material Type
Artifact
Materials
METAL
Catalogue Number
P20180014002
  2 images  
Material Type
Artifact
Other Name
ALBERTA PROVINCIAL POLICE BUTTON
Date Range From
1919
Date Range To
1932
Materials
METAL
No. Pieces
1
Diameter
2.7
Description
A: SILVER-COLOURED METAL BUTTON. SHIELD OF ALBERTA EMBOSSED ON THE CENTER OF THE BUTTON. “ALBERTA PROVINCIAL POLICE” EMBOSSED AROUND THE CREST. SHINY FINISH. THE BACK OF THE BUTTON IS BRASS IN COLOUR. AROUND THE CENTRE OF THE BACK “W. SCULLY MONTREAL” IS MACHINE ENGRAVED. THERE IS A LOOP FOR A PIN FASTENER LOOSELY ATTACHED TO THE BACK B: TWO-PRONGED BRASS PIN WITH A CIRCULAR LOOP ON ONE END AND THE TWO ENDS ON THE PIN EXTENDING OUT INTO A V-SHAPE ON THE OTHER. PIN IS 3.2 CM IN LENGTH AND AT THE WIDEST POINT THE PRONGS ARE 1.1 CM APART. CONDITION: SLIGHT SCRATCHING ON THE FRONT AND BACK SURFACES OF THE BUTTON. BRASS BACK IS SLIGHTLY TARNISHED. METAL OF PIN IN SLIGHTLY DISCOLOURED.
Subjects
CLOTHING-ACCESSORY
Historical Association
SAFETY SERVICES
History
THIS BUTTON BELONGED TO DONOR'S FATHER, EDWARD ETTERSHANK BUCHANAN. ACCORDING TO THE BIOGRAPHICAL HISTORY PROVIDED WITH A BUCHANAN A. P. P.-RELATED DONATION MADE BY JEAN I. BUCHANAN IN 2002 (P20020090). IT STATES, "BORN IN GLASGOW, SCOTLAND, WHERE BUCHANAN BEGAN REGULAR SCHOOLING AT THE AGE OF 4, WHICH ENABLED HIM TO COMPLETE HIS HIGH SCHOOL BEFORE HIS PARENTS MOVED THE FAMILY TO CANADA IN MAY 1914. THE FAMILY SETTLED IN EDMONTON, ALBERTA, WHERE EDWARD FOUND A JOB PLUS ENROLLED IN NIGHT CLASSES AT THE EDMONTON TECHNICAL SCHOOL TAKING ENGLISH, CANADIAN HISTORY, TRIGONOMETRY AND MANUAL TRAINING IN WOODWORKING. IN FEBRUARY 1917, THE ALBERTA PROVINCIAL POLICE WAS ORGANIZED. ED JOINED IN MAY OF 1920." AN INTERVIEW WAS CONDUCTED BY GALT’S COLLECTION TECHNICIAN KEVIN MACLEAN ON JUNE 8, 2018 WITH THE DONOR JEAN I. BUCHANAN IN REGARDS TO A NEW ARTIFACT OFFER SHE WAS MAKING TO THE MUSEUM (P20180014001-2). THE FOLLOWING INFORMATION REGARDING THE CAREER OF SENIOR STAFF SERGEANT EDWARD ETTERSHANK “BUCK” BUCHANAN – THE DONOR’S FATHER – HAS BEEN EXTRACTED FROM THAT INTERVIEW. AN INTERVIEW WAS CONDUCTED BY GALT’S COLLECTION TECHNICIAN KEVIN MACLEAN ON JUNE 8, 2018 WITH THE DONOR JEAN I. BUCHANAN IN REGARDS TO A NEW ARTIFACT OFFER SHE WAS MAKING TO THE MUSEUM (P20180014001-2). THE FOLLOWING INFORMATION REGARDING THE CAREER OF SENIOR STAFF SERGEANT EDWARD ETTERSHANK “BUCK” BUCHANAN – THE DONOR’S FATHER – HAS BEEN EXTRACTED FROM THAT INTERVIEW. DESCRIBING HER FATHER’S CAREER, BUCHANAN BEGAN, “[MY DAD] JOINED THE A.P.P. WHEN HE WAS TWENTY AND HE WAS STATIONED OUT NEAR ST. PAUL…AS A ROOKIE – RIGHT AT THE START – HE WAS ON JOB TO BE ON GUARD AT THE STATION. AND IT WASN’T LONG UNTIL HE WAS SENT OUT TO ST. PAUL AND INTO MORE REAL POLICING. WHEN THE CRAZY PROHIBITION WAS BROUGHT IN, THAT WAS A REAL PAIN FOR THE POLICE. IT WAS [A MOVEMENT] PUSHED BY THESE DO-GOODERS, WHO DIDN’T REALIZE WHAT THEY WERE DOING. DAD WAS VERY UPSET TALKING ABOUT THAT. EVEN WHEN HE WAS JUST A YOUNG FELLOW, [HE WAS] FINDING YOUNG, GOOD FARM BOYS BLIND OR DEAD OVER A FENCE, BECAUSE THEY HAD A PROBLEM WITH THE PROHIBITION AND GETTING MOONSHINE THAT WASN’T MATURE OR SOMETHING, [WHICH] WAS POISONOUS.” “IN 1921 HE MET MY MOTHER IN EDMONTON,” BUCHANAN CONTINUED, “BUT HE STAYED AT ST. PAUL. HE THEN GOT POSTED TO GRANDE PRAIRIE AND HE WAS GOING TO GO THERE, BUT THEN IN 1922 THEY GOT MARRIED [SO HE DID NOT GO TO GRAND PRAIRIE] FORTUNATELY, THE A.P.P. HAD NO RESTRICTIONS ON THEIR MEMBERS GETTING MARRIED, LIKE THE R.C.M.P. DID, SO HE DIDN’T HAVE TO WAIT TO GET MARRIED. [AFTER MY PARENTS’ MARRIAGE] THEY WENT OUT TO BRAINARD, WHERE HE WAS ON HIS OWN [AT THE POSTING]. FROM THERE, HE DID A LOT OF WORK GOING BACK AND FORTH.” “BRAINARD [WAS] A LITTLE PLACE NEAR THE HORSE LAKE INDIAN RESERVATION… THEY BUILT DAD A LOG CABIN DOWN THERE FOR THE HOUSE WITH HIS NEW WIFE AND [SOON AFTER THEY WERE] EXPECTING THEIR FIRST CHILD. [THE CABIN HAD] ONE BIG ROOM WITH CURTAINS HERE AND THERE, AND HE DIDN’T HAVE A PRISON THERE. WHEN HE TOOK IN A PRISONER, THAT’S WHEN HE NEEDED THE OREGON BOOT AND THE BALL AND CHAIN BECAUSE HE HAD A BIG BOLT ON THE FLOOR NEAR HIS OFFICE. THAT’S WHERE THE GUY HAD TO SIT, CHAINED, UNTIL [MY FATHER] COULD TAKE HIM ON INTO EDMONTON…EVEN IN THE A.P.P. TO START WITH, HE HAD SOME SERVICE DOWN HERE AT THE LETHBRIDGE PRISON. [HE WOULD BE] BRINGING PRISONERS DOWN [TO LETHBRIDGE],” BUCHANAN EXPLAINED EXPANDING ON HOW HER FATHER’S WORK TOOK HIM “BACK AND FORTH.” “THEN THEY CLOSED THAT [BRAINAR POST] DOWN AND TRANSFERRED HIM TO WEMBLEY – A LITTLE VILLAGE – AND HE WAS THE ONLY OFFICER IN CHARGE OF WEMBLEY. [HE WAS THERE] WHEN 1932 CAME ALONG AND THEN HE JUST CHANGED THE SIGN UP THERE FROM A.P.P. TO R.C.M.P… AND THAT STAYED R.C.M.P. UNTIL ’34. [FROM THERE] HE WAS TRANSFERRED TO TAKE CHARGE OF THE WESTLOCK DETACHMENT, WHICH WAS A BIG AREA. HE HAD A HUGE AREA THERE TO [COVER]. AND THERE AGAIN, WE HAD A NICE, BIG WHITE HOUSE AND A JAIL THIS TIME… THE JAIL OFFICE AND THE COURTROOM AND EVERYTHING WAS CONNECTED [TO THE HOUSE]. YOU JUST GO DOWN THE HALL AND OPEN THE DOOR AND THERE YOU GO, AND THERE’S TWO JAILS IN THERE. [THERE] HE WAS GETTING ROOKIES COMING OUT FROM EDMONTON TO TRAIN UNDER HIM… [I WAS BORN IN] ’30 [AND] NOW IN ’34, I REMEMBER GOING THERE [TO WESTLOCK].” SPEAKING ABOUT THE DISSOLUTION OF THE A. P. P. IN 1932 AND THE ABSORPTION OF SOME OF ITS MEMBERS INTO THE R. C. M P., BUCHANAN EXPLAINED, “[A. P. P. OFFICERS] WERE NOT AUTOMATICALLY TAKEN INTO THE R.C.M.P. THEY [WERE RANKED] INTO THREE CATEGORIES. [FIRST, THERE WERE THE] ONES THAT WERE NOT ACCEPTABLE; THEY HADN’T DONE A VERY GOOD JOB IN THE A.P.P. THEY SHOWED UP, GOOFIN’ AROUND, DOING THINGS THEY SHOULDN’T BE DOING. THEN THERE WERE THE ONES THAT COULD BE GIVEN A LITTLE TRIAL RUN. THEY COULD APPLY [INTO THE FORCE FOR THE TRIAL PERIOD]. THEY COULD [BE ACCEPTED] FOR A FULL YEAR AND THEN RE-APPLY AGAIN [FOR FULL-TIME]. THEN THERE’S THE TOP GRADE, [WHO] WERE AUTOMATICALLY ACCEPTABLE. DAD WAS RIGHT UP THERE IN THAT TOP GRADE…IT IS IMPORTANT [TO REMEMBER], THOSE A.P.P. MEMBERS WERE TRAINED BY THE NORTHWEST MOUNTED POLICE, NOT SOME GOOFBALLS THAT DIDN’T KNOW WHAT THEY WERE DOING OR ANYTHING LIKE THAT. THEY WERE TRAINED BY THE BEST-TRAINED POLICE OFFICERS.” WHEN ANSWERING HOW HER FATHER ENDED UP WORKING IN LETHBRIDGE, BUCHANAN SAID, “[AFTER THE DISSOLUTION OF THE A. P. P.], ASSISTANT COMMISSIONER [OF THE R. C. M. P.] HANCOCK (WILLIAM FREDERICK WATKINS “BILL” HANCOCK) KNEW DAD REALLY WELL. [PREVIOUSLY, HANCOCK] WAS THE [ACTING COMMISSIONER] FOR THE ALBERTA [PROVINCIAL POLICE]. [HANCOCK] CALLED DAD INTO THE OFFICE AND HE SAID, ‘BUCK – DAD WAS EDWARD ETTERSHANK BUCHANAN, BUT THEY CALLED HIM ‘BUCK’A LOT – I WAS GOING TO SEND YOU DOWN TO TAKE CHARGE OF THE RED DEER DETACHMENT, BUT I’VE HAD SO MUCH PROBLEM GETTING SOMEBODY TO GO DOWN TO TAKE THE LETHBRIDGE DETACHMENT. YOU’RE THE ONLY ONE THAT CAN HANDLE THE SITUATION WE’VE GOT DOWN THERE. THERE’S A LOT OF PROBLEMS AND I’M SURE YOU’RE THE ONLY ONE THAT CAN HANDLE IT. WILL YOU GO?’” AS A RESULT, EDWARD BUCHANAN WAS RELOCATED TO THE R. C. M. P.’S LETHBRIDGE DETACHMENT IN 1944. JEAN BUCHANAN CONTINUED, “DAD’S PERSONALITY WAS ALWAYS QUIET, FIRM, NO-NONSENSE, BUT HE WAS NEVER ARROGANT. I NEVER HEARD HIM SWEAR OR GET MAD AT ANYBODY, NOT EVEN PRISONERS. HE HANDLED THEM VERY QUIETLY, VERY FIRMLY. AND THE STAFF [IN LETHBRIDGE] ENDED UP LOVING HIM. THE SECRETARIES AND EVERYTHING, THEY WERE CRYING WHEN HE LEFT. AND I GOT LETTERS AND THEY CAME ALL THE WAY UP TO THEIR ANNIVERSARIES LATER IN EDMONTON… BUT [IN TERMS OF] THE SITUATION [WHICH ASSISTANT COMMISSIONER HANCOCK WAS REFERRING TO], NO, HE WAS FINE. HE NEVER HAD ANY TROUBLE. HE JUST FIRMLY, QUIETLY DEALT WITH EVERYTHING AND EVERYTHING WAS FINE. I NEVER SAW HIM STRESSED OUT. ALWAYS COOL, LAID BACK.” “[WHEN WE MOVED TO LETHBRIDGE], WE RENTED A HOUSE ON 538 – 7TH STREET SOUTH. IT’S ALL TORN DOWN NOW. BUT WE HAD [SOME] TROUBLE BECAUSE DAD HAD TO COME DOWN A MONTH OR SO AHEAD OF US. HE COULDN’T FIND A HOUSE [THAT WAS] READY, SO WHEN WE CAME DOWN [WE] STAYED IN A HOTEL FOR ABOUT TWO MONTHS. AND THEN I HAD TO START GRADE TEN; I WAS ONLY FOURTEEN. THAT WAS, TO ME, THE ONLY SAD PART OF MY LIFE – LEAVING THE WESTLOCK SCHOOL AND STARTING LCI. THE PERSONALIZATION WAS GONE WITH THE TEACHERS. ANYWAY, I GOT THROUGH GRADE TWELVE AND THAT’S ALRIGHT.” “[ANOTHER THING HE WAS RESPONSIBLE FOR HERE IN LETHBRIDGE] WAS TO OVERSEE THE PRISONER OF WAR (POW) CAMPS…HE TALKED ABOUT THE POWS IN THE RESPECT THAT THERE WAS A LOT OF VERY GOOD GERMANS THAT WERE IN THERE. THEY WOULDN’T HAVE CHOSEN TO EVEN BE IN THE GERMAN ARMY, BUT THEY WERE CONSCRIPTED OVER IN GERMANY. THEY DIDN’T HAVE ANY CHOICE, AND THEY WERE VERY DECENT, GOOD GUYS. [MY DAD] RESPECTED THEM FOR THAT… AND THEN THERE WAS A TRUST THERE TO LET SOME OF THEM OUT TO WORK ON THE [FARMS], BECAUSE THERE WAS A LABOUR SHORTAGE FOR THE FARMERS… BUT, OF COURSE, I KNEW ABOUT THE CRUELTY OF SOME OF THE HARD-CORE NAZIS THAT WERE IN THERE. THE TROUBLE WAS THERE WASN’T ENOUGH FORCE POLICE TO GO IN THERE SAFELY. THEY COULDN’T EVEN GET IN THE POW CAMP AND THE CIVIL GUARDS WERE THE ONLY ONES THAT WERE AVAILABLE, BUT THEY DIDN’T EVEN DARE GO IN HALF THE TIME. IT WAS REALLY SOMETHING. THERE WERE SOME GUYS IN THERE THAT WERE REALLY, REALLY MEAN…” “AND OH YES, A FEW [MEN DID TRY TO ESCAPE THE CAMP],” BUCHANAN CONTINUED, “BUT THEY DIDN’T GET VERY FAR. THEY NEVER GOT AWAY. I’VE GOT RECORDS OF ONES THAT WERE CAUGHT. THEY STOLE SOMEBODY’S CAR. SOME OF THEM GOT A REGULAR SENTENCE FOR BREAKING ONE OF OUR LAWS.” BUCHANAN CONFIRMS THAT HER FATHER RETIRED FROM THE ROYAL CANADIAN MOUNTED POLICE IN 1950 WHILE IN LETHBRIDGE. AFTER RETIREMENT, SHE EXPLAINED, “[HE] WENT BACK TO EDMONTON, HIS HOME CITY WHERE HIS PARENTS WERE AND A LOT OF FRIENDS… BUT THE ATTORNEY GENERAL’S DEPARTMENT WERE NOT GOING TO LET HIM LOOSE WITH HIS RECORD, SO THEY MADE IT A FIRST APPOINTMENT OF AN INSPECTOR OF JAILS FOR THE PRISONS OF ALBERTA…HE THEN WORKED ON THAT FOR FIFTEEN OR SIXTEEN YEARS. AFTER TWELVE YEARS, THEY MADE HIM SUPERINTENDENT OF PRISONS…” EDWARD BUCHANAN “SORT OF” RETIRED FROM THAT ROLE IN THE 1970S, HIS DAUGHTER EXPLAINED. HE CONTINUED WORKING IN SOME CAPACITIES UNTIL HIS PASSING IN 1998. “[I RECEIVED MY DAD’S R. C. M. P. POSSESSIONS, BECAUSE HE] KNEW I WOULD LOOK AFTER IT AND WANTED TO GET IT TO A MUSEUM… HE LIVED TO BE NINETY-EIGHT AND I DON’T THINK HE EVER THREW ANYTHING OUT SINCE HE WAS IN HIS TWENTIES.” ACCORDING TO EDWARD E. “BUCK” BUCHANAN’S OBITUARY, HE PASSED AWAY IN IN EDMONTON IN 1998. HIS WIFE’S NAME WAS CHRISTENE BUCHANAN AND TOGETHER THEY HAD FIVE CHILDREN – EDWARD, ROBERT, JEAN, WILLIAM, AND ROSE-MARIE. THE OBITUARY STATES HE SERVED 31 YEARS IN THE R.C.M.P, AND 15 YEARS AS THE SUPERINTENDENT OF CORRECTIONS FOR ALBERTA. PLEASE SEE PERMANENT FILE FOR MORE INFORMATION, INCLUDING FULL INTERVIEW TRANSCRIPTION.
Catalogue Number
P20180014002
Acquisition Date
2018-06
Collection
Museum
Images
Less detail
Date Range From
1980
Date Range To
2015
Material Type
Artifact
Materials
NYLON, SPANDEX, PLASTIC
Catalogue Number
P20170007005
  2 images  
Material Type
Artifact
Date Range From
1980
Date Range To
2015
Materials
NYLON, SPANDEX, PLASTIC
No. Pieces
2
Length
23
Width
8.5
Description
PAIR OF WHITE, REFLECTIVE GLOVES WITH WHITE AND OPAQUE PLASTIC BEADING ON WRISTS; BEADING FORMS FLOWER PATTERNS WITH BEADED LOOP AND TWO BEADED STRANDS FROM CENTER. TAG INSIDE LEFT HAND GLOVE READS “87.30% NYLON, 12.70% SPANDEX, MADE IN TAIWAN”. FINGERTIPS ON RIGHT HAND GLOVE STAINED RED; BEADING ON BOTH GLOVES IS STAINED RED-BROWN UNDERNEATH. OVERALL VERY GOOD CONDITION.
Subjects
CLOTHING-ACCESSORY
Historical Association
ASSOCIATIONS
PERSONAL CARE
History
ON FEBRUARY 22, 2017, COLLECTIONS TECHNICIAN KEVIN MACLEAN INTERVIEWED WILMA WOOD, DAUGHTER OF DOROTHY TAYLOR, ABOUT HER DONATION OF TAYLOR’S ORDER OF ROYAL PURPLE REGALIA. THE REGALIA REPRESENTED TAYLOR’S 50-YEAR INVOLVEMENT WITH THE ORDER OF ROYAL PURPLE FROM BRANDON, MANITOBA TO LETHBRIDGE, ALBERTA. MACLEAN ADDITIONALLY INTERVIEWED ANN MARIE MCDONALD OF THE LETHBRIDGE ORDER OF ROYAL PURPLE ON JUNE 6, 2017. ON THE GLOVES, MCDONALD ELABORATED, “WE ALWAYS WORE WHITE GLOVES FOR FUNERALS, FOR WHEN OUR SUPREME CAME. IF OUR SUPREME CAME, WE ALWAYS HAD OUR DRILL TEAM…THEY WORE LONG SKIRTS, BUT THEY DIDN’T WEAR JACKETS. IF YOU WERE HONORABLE ROYAL LADY, AND YOU HAD SOMEBODY IMPORTANT COME TO VISIT YOU, YOU WORE WHITES, WHICH MEANT WHITE GLOVES. IF YOU GO TO A FUNERAL, AND YOU DRESS IN ROYAL PURPLE, YOU’D BETTER BRING YOUR WHITE GLOVES, OR PUT YOUR HANDS IN YOUR POCKETS.” WILMA WOOD DISCUSSED HER MOTHER’S TIME IN THE ORDER OF ROYAL PURPLE, STATING, “SHE CONSIDERS [THESE OBJECTS IN ACTIVE USE]. SHE IS VERY MUCH A PERSON WHO VALUES THAT SOCIETY. IT HELPED HER A NUMBER OF TIMES. AS YOU GROW OLDER, ALL OF A SUDDEN YOU DISCOVER THAT YOUR BRAIN ISN’T AS ACTIVE AS IT SHOULD BE AND THE MEMORY IS GOING. SHE WOULD PUT HERSELF INTO POSITIONS WITHIN THE ORGANIZATION INCLUDING BEING PRESIDENT, THREE OR FOUR TIMES. SHE HAD TO BE AN ORGANIZER, SHE HAD TO GET HER BRAIN AND KEEP HER BRAIN FUNCTIONING, WHICH I THOUGHT WAS VERY ADMIRABLE FOR A WOMAN HER AGE BECAUSE…SHE WAS IN HER EIGHTIES. SHE RECEIVED HER 50 YEAR PIN, I THINK IT WAS TWO YEARS AGO OR THREE.” “SHE JOINED [THE ORDER OF ROYAL PURPLE] IN BRANDON, MANITOBA WHERE [MY PARENTS] WERE LIVING AT THE TIME, AND MY DAD RETIRED THERE. THEY MOVED HERE TO LETHBRIDGE BECAUSE MY BROTHER LIVED HERE, AND MY UNCLE ART GOOD…HE LIVED HERE AND THEY WANTED TO BE CLOSER TO FAMILY. THEY MOVED TO LETHBRIDGE AND MY DAD DIED SHORTLY AFTER THAT.” “[SHE JOINED] BECAUSE OF HER FRIENDS. SHE HAD A FRIENDSHIP GROUP AND THEY BELONGED. THEY RECRUITED HER.” “WHEN SHE WAS VERY ACTIVE, SHE WAS A MAJOR RECRUITER. SHE WENT OUT AND FOUND YOUNG WOMEN BUT THEY FELL BY THE WAYSIDE BECAUSE OF LIFE. SHE WAS CERTAINLY VERY ACTIVE IN THEIR PROJECTS, ONE OF WHICH WAS FINDING FINANCES TO EDUCATE YOUNG PEOPLE. WHATEVER THEY WERE [DOING], SHE WAS INTO IT FULL TILT BECAUSE THAT’S THE KIND OF PERSON SHE IS…WHATEVER SHE DOES IS FULL BLAST, FULL BORE. SHE NEVER TOLD ME ANY DETAILS ABOUT THE SOCIETY BECAUSE IT’S ONE OF THOSE SECRET SISTERHOODS. SHE WAS ALWAYS VERY PROUD TO BE A MEMBER OF IT.” “THIS [CHAPTER] DID A LOT OF EDUCATIONAL SUPPORT…SHE TRAVELED WITH THEM BECAUSE IT WAS A CANADIAN ORGANIZATION, SO THEY HAD THEIR ANNUAL GENERAL MEETINGS ALL OVER CANADA. SHE CAME OUT TO VANCOUVER TO A MEETING AND I WENT OVER TO VANCOUVER TO MEET HER AND SAY “HOWDY”. SHE WENT OUT TO THE PREMIER’S, AT THAT TIME WAS VANDER ZALM, AND HE HAD THE BIG GARDENS OUT NEAR STEVESTON. SHE WENT OUT THERE AND SHE MET HIM.” “A YEAR AGO ABOUT THIS TIME, THAT’S WHEN [THE ORDER WAS] FOLDING. THE ALBERTA CLUBS WERE ALL IMPLODING, AND I THINK THERE’S ONLY ONE LEFT IN SOUTHERN ALBERTA. IT WAS THE ISSUE THAT THEY WERE ALL OLD PEOPLE AND YOUNG PEOPLE DID NOT WANT TO JOIN THESE KINDS OF ORGANIZATIONS ANY LONGER…[THIS HAPPENED BECAUSE] I THINK WE HAVE MORE LEGAL SUPPORT. THE GOVERNMENT HAS SET UP HEALTH CARE, COMMUNITIES HAVE SET UP ASSISTANCE FOR WOMEN WHO ARE ABUSED, THERE’S DRUG ASSISTANCE. THERE IS MUCH MORE ASSISTANCE AVAILABLE. IN THE EARLY DAYS ON THE PRAIRIES, IF YOU DIDN’T KNOW YOUR NEXT DOOR NEIGHBOR, WHO MIGHT BE TWENTY MILES AWAY, YOU WERE IN DEEP DOO-DOO IF YOU HAD A BIG PROBLEM. THAT’S WHAT THESE SOCIETIES CAME OUT OF WAS THAT NEED. THE NEED PRETTY WELL HAS BEEN TAKEN CARE OF, I THINK. THERE ARE STILL CLUBS BUT THEY’RE DIFFERENT KINDS OF CLUBS NOW.” WHEN ASKED ABOUT HER MOTIVATION FOR DONATING HER MOTHER’S REGALIA TO THE MUSEUM, WOOD NOTED, “MY MOTHER HAS TURNED 99 YEARS OLD IN JANUARY. SHE HAS DEMENTIA AND SO WE’VE HAD TO MOVE HER FROM HER SENIOR’S LODGE ROOM INTO A MORE SECURE ROOM. CONSEQUENTLY THE LAST OF THE THINGS THAT SHE TREASURED OR VALUED MUST BE DISPERSED. MY BROTHER AND I DECIDED THAT, SINCE THE ELKS AND THE ROYAL PURPLE MEANT SO MUCH TO HER, THAT [THESE WERE] THE [OBJECTS] WE WOULD LIKE TO DONATE TO THE MUSEUM. IT DEPICTS A PERIOD OF TIME WHEN THE WOMEN USED THESE ASSOCIATIONS AS A SUPPORT GROUP FOR THEMSELVES. IT WAS ANOTHER ONE OF THESE SECRET SOCIETIES, WHEN IN FACT THEY WERE SISTERHOODS. THEY WERE MEANT MAINLY FOR THEM TO HAVE PEOPLE TO SUPPORT EACH OTHER. SINCE THIS ORGANIZATION HAS BASICALLY COLLAPSED, I THOUGHT IT WAS SOMETHING THAT THE MUSEUM SHOULD HAVE BECAUSE IT DOES SHOW THAT PERIOD OF TIME IN THE SOCIAL HISTORY OF CANADA.” FOR MORE INFORMATION INCLUDING FULL INTERVIEW TRANSCRIPTIONS, PLEASE SEE THE PERMANENT FILE P20170007001-GA.
Catalogue Number
P20170007005
Acquisition Date
2017-02
Collection
Museum
Images
Less detail
Date Range From
1950
Date Range To
1960
Material Type
Artifact
Materials
LEATHER, BRASS, PAPER
Catalogue Number
P20120045004
  2 images  
Material Type
Artifact
Date Range From
1950
Date Range To
1960
Materials
LEATHER, BRASS, PAPER
No. Pieces
4
Length
63
Width
32
Description
A. SCROLL WITH BRASS ROD AND WHITE AND BROWN LEATHER DOCUMENT. SCROLL END HAS A WOODEN ROD INSERTED IN STITCHED LEATHER LOOP, WITH TWO GOLD-BROWN COTTON PULL-ROPES WITH TASSELS. RECTO (INSIDE) OF SCROLL HAS BLACK PRINTED TEXT “ORATOR, MY FRIENDS, PLACE YOUR RIGHT HAND OVER YOUR HEART AS A TOKEN OF YOUR SINCERITY AND ANSWER THE FOLLOWING QUESTIONS BY SAYING “I DO”.” AND BELOW INCLUDES TEXT LISTING 5 DECLARATIONS FOR INDEPENDENT ORDER OF FORESTERS MEMBERS. HANDWRITTEN TEXT IN BLACK INK IN TOP LEFT CORNER OF THE RECTO READS “1ST ASH AUDIENCE [ILLEGIBLE] STAND, 2ND FORESTER CREED [ILLEGIBLE] RECORD” WITH THIRD LINE ILLEGIBLE. HANDWRITTEN TEXT IN BLUE INK IN UPPER RIGHT CORNER OF RECTO READS “[SINGLE X IN CIRCLE] ATTENTION, [TWO X MARKS IN CIRCLES] SIT DOWN, [THREE X MARKS IN CIRCLES] STAND UP.” END OF POINT 5 ON RECTO HAS TWO HAND-DRAWN X MARKS THROUGH DOTS IN BLACK INK. RECTO AND VERSO (OUTSIDE) OF SCROLL HAVE PINK INK MARKS ON LEATHER; VERSO HAS BLUE INK BLEEDING THROUGH LEATHER IN UPPER LEFT CORNER AND ALONG LEFT EDGE, AND BLACK SMUDGE ABOVE LOWER EDGE. TOP EDGE OF LEATHER IS STITCHED AT CONNECTION TO SCROLL ROD, WITH COTTON THREAD FRAYING AT ENDS FROM WEAR. OVERALL VERY GOOD CONDITION. B. PAPER WITH INITIATION STEPS FOR INDEPENDENT ORDER OF FORESTERS WITH BLACK TYPED AND HANDWRITTEN NOTES. FIRST LINES OF TEXT INCLUDE “C.R. [HAVE CROSSED OUT] WILL [HANDWRITTEN, BLACK INK] HAVE THE OFFICERS ASSUME THEIR ACCUSTOMED STATIONS IN THE COURT?” AND “*BROS., COMPS., LADIES & GENTLEMEN, AS CHIEF RANGER, I AM ABOUT TO OPEN COURT WINDY WEST #562 OF THE INDEPENDENT ORDER OF FORESTERS FOR INITIATION.” INCLUDES TEXT FOR WOODWARDS, TEXT FOR ORATOR CUT OUT, V.C.R., C.R., S.W., C.R., P.C.R., C.R., ORATOR, C.R., V.C.R., C.R., TEXT FOR ORATOR CUT OUT, V.C.R., WOODWARDS, C.R. PAPER HAS DISCOLORED OPAQUE TAPE ALONG RIGHT EDGE, AND ADHESIVE STAINING ALONG TOP, LEFT, AND BOTTOM EDGES. LOWER EDGE HAS YELLOWING AND DISCOLORATION FROM ADHESIVE. PAPER HAS BLEEDING FROM FRONT TEXT ONTO BACK OF PAPER. PAPER IS SEVERELY CREASED AND FOLDED. OVERALL FAIR CONDITION. C. PAPER CUT OUT WITH BLACK TYPED TEXT, 17.9CM LONG X 3CM WIDE. TEXT READS “OUR FATHER, WE BOW AGAIN IN SUBMISSION BEFORE THEE. WE PRAY THY BLESSING UPON OUR EFFORTS TO MAKE THY KINGDOM COME ON EARTH AND WE EARNESTLY BESEECH THEE TO GRANT EACH OF US WISDOM AND STRENGTH TO WALK IN THE PATH OF PEACE, VIRTUE AND MORALITY. GUIDE OUR FOOTSTEPS IN SAFETY THROUGH THE JOURNEY OF LIFE, AND, FINALLY, IN THY LOVE AND MERCY BRING US TO THY HEAVENLY COURT WHERE WE SHALL. SEE THEE FACE TO FACE AND PRAISE THEE AS WE OUGHT. AMEN.” PAPER HAS ADHESIVE STAINING ON LEFT AND RIGHT EDGES; PAPER HAS TEAR IN LOWER LEFT CORNER, AND FOLD IN LOWER RIGHT CORNER. PAPER HAS BLEEDING FROM FRONT TEXT ONTO BACK OF PAPER. OVERALL FAIR CONDITION. D. PAPER CUT OUT WITH BLACK TYPED TEXT, 18.6CM LONG X 3.1CM WIDE. TEXT READS, “GREAT AND MERCIFUL GOD, ASSEMBLED IN THY HOLY NAME, WE HUMBLY INVOKE THY BLESSING NOT ONLY UPON THE MEMBERS OF THIS COURT BUT UPON THY PEOPLE EVERYWHERE. INCLINE OUR HEARTS TO DO THY WILL; TEACH US TO BE WISE, MODERATE AND JUST IN ALL OUR ACTIONS AND COURTEOUS AND FORGIVING TO ONE ANOTHER. INSPIRE US TO MAKE TRUTH, JUSTICE AND CHARITY THE FOUNDATION OF ALL OUR ACTS; AND TO THEE BE ASCRIBED ALL THE GLORY AND PRAISE, NOW AND EVERMORE. AMEN.” PAPER HAS DISCOLORED OPAQUE TAPE ATTACHED TO RIGHT EDGE, AND ADHESIVE STAINING ALONG LEFT EDGE. PAPER HAS FOLD IN THE CENTER, AND UPPER LEFT AND LOWER RIGHT EDGES ARE CURLING IN. BACK OF PAPER HAS FOLDING IN LOWER LEFT CORNER, AND LEFT EDGE IS YELLOWED. UPPER RIGHT CORNER IS CREASED ON BACK. PAPER HAS BLEEDING FROM FRONT TEXT ONTO BACK OF PAPER. OVERALL FAIR CONDITION.
Subjects
DOCUMENTARY ARTIFACT
Historical Association
ASSOCIATIONS
History
ON AUGUST 21, 2018, COLLECTIONS TECHNICIAN INTERVIEWED LLOYD CAREFOOT REGARDING HIS DONATION OF MEMORABILIA RELATED TO COURT WINDY WEST (#562) LETHBRIDGE CHAPTER OF THE INDEPENDENT ORDER OF FORESTERS. CAREFOOT WAS ACTIVELY INVOLVED WITH THE FORESTERS WHILE HE LIVED IN EDMONTON, ALBERTA, AND CONTINUED HIS INVOLVEMENT FOLLOWING HIS MOVE TO LETHBRIDGE IN 1963. ON THE PURPOSE AND HISTORY OF THE SCROLL, CAREFOOT NOTED, “[THIS WAS PART OF] ANOTHER RITUAL. [IT SHOWS WHAT THE]] PAST CHIEF RANGER, WHAT HE WOULD SAY…I DON’T KNOW [WHEN IT WAS RECITED] BECAUSE THEY NEVER USED IT AT A MEETING I WAS AT. THEY WERE JUST PART OF WHAT WE HAD. IT WAS PART OF WAY BACK WHEN. WE WEREN’T USING THE RITUAL WORDS SO THAT WAS PART OF [THE SCROLL].” “WE DIDN’T USE [THE SCROLL] ANYMORE. THE ORATOR HAD A SPIEL, A COMMITMENT. HE READ IT IN THE DAYS OF OLD ENGLAND. IT WASN’T PART OF OUR RITUAL ANYMORE BECAUSE WE DIDN’T HOLD TO AS STRONG A RITUAL AS THEY DID IN PREVIOUS YEARS…I WOULD SAY THAT IN THE LATE ‘50S THIS WAS ENDING [BECAUSE] I DON’T REMEMBER BEING AT A MEETING WHERE THEY USED [THE SCROLL].” “[MEMBERS STOPPED USING IT BECAUSE] SOCIETY HAD CHANGED ENOUGH THAT THEY DIDN’T WANT TO BOTHER WITH THAT RITUAL. I SUSPECT THAT’S WHY. [THE RITUALS WERE] KIND OF STRANGE TO ME. BUT I ACCEPTED IT BECAUSE THAT IS PART OF WHAT YOU DID.” WHEN ASKED ABOUT HIS TIME SPENT IN THE FORESTERS, CAREFOOT RECALLED, “WE [WIFE RUTH AND LLOYD] WERE INVITED TO [AN] ACTIVITY. [IN THOSE] DAYS THERE [WERE] SOCIAL PARTIES…SOMEBODY THAT I KNEW INVITED ME TO COME AND I HEARD WHAT THEY WERE DOING. IT WAS SOMETHING THAT RUTH AND I THOUGHT…WOULD BE SOMETHING WE’D LIKE TO BE INVOLVED IN…MY FATHER WAS A MEMBER OF THE CANADIAN ORDER OF FORESTERS WHICH WAS A STAGE BEFORE THE INDEPENDENT ORDER OF FORESTERS.” “I BECAME A MEMBER IN EDMONTON… I WAS ONLY AS ASSOCIATE AT THAT TIME. WHEN WE MOVED DOWN HERE, WE BECAME MEMBERS HERE…MY FIRST WORKDAY WAS THE SECOND OF JANUARY, 1963 [IN LETHBRIDGE]. I WAS A FULL-BLOWN MEMBER IN 1966.” “[I JOINED BECAUSE OF] THE SATISFACTION THAT IT’S A STRONG CHARITABLE WAY OF DOING THINGS TO GIVE BACK. THAT’S PART OF MY PHILOSOPHY; JUST GIVE A LITTLE BACK FOR THE GOOD LIFE I’VE HAD.” “I WAS THE PRESIDENT OF THE LEAGUE…OF [THE] LETHBRIDGE CHAPTER. AND [I] WOUND UP WITH [THE TRUNK] AND IN IT [WERE] THESE THINGS. IT PRE-DATES ME.” “MOST OF THOSE THINGS WERE FOR MY PERSONAL USE…EITHER IN EVENTS OR A POSITION I HELD IN THE FORESTERS. I LOOK AT [THE OBJECTS] AND I SMILE.” REGARDING HIS DONATION, CAREFOOT ELABPRATED, “THE FORESTERS IN THE COMMUNITY DID A LOT OF CHARITY WORK AND I THOUGHT IT WAS A WAY OF COVERING FOR THE FUTURE [ABOUT] THE THINGS THAT WE DID, OR STILL DO. THAT WAS, MORE THAN ANYTHING ELSE, MY REASON FOR [DONATING IT] – A WAY OF PASSING IT ALONG SO IT JUST DIDN’T GET SHOVED IN THE JUNK…TO SOMEBODY IN THE FUTURE, IT INDICATES SOMETHING OF WHAT WE DID AND SOME ILLUSTRATION OF THINGS THAT WE DID. FOR MORE INFORMATION INCLUDING THE FULL INTERVIEW TRANSCRIPTION, PLEASE SEE THE PERMANENT FILE P20120045001-GA.
Catalogue Number
P20120045004
Acquisition Date
2012-12
Collection
Museum
Images
Less detail
Date Range From
1960
Date Range To
1970
Material Type
Artifact
Materials
COTTON, POLYESTER
Catalogue Number
P20120045009
  2 images  
Material Type
Artifact
Date Range From
1960
Date Range To
1970
Materials
COTTON, POLYESTER
No. Pieces
1
Length
92
Width
42
Description
BLUE BANNER WITH RED TRIM DOWN SIDES AND RED FRINGE AT BOTTOM; RED STITCHING ABOVE FRINGE, MACHINE STITCHED. TOP OF BANNER HAS MACHINE-STITCHED POCKET FOR HANGING BANNER ON STANDS. FRONT OF BANNER HAS WHITE STITCHED FELT “O”; “O” HAS SOILING AT BASE CURVE. BANNER HAS FOLDS DOWN CENTER AND IN FOUR PLACES ACROSS BANNER; OVERALL EXCELLENT CONDITION.
Subjects
DOCUMENTARY ARTIFACT
Historical Association
ASSOCIATIONS
History
ON AUGUST 21, 2018, COLLECTIONS TECHNICIAN INTERVIEWED LLOYD CAREFOOT REGARDING HIS DONATION OF MEMORABILIA RELATED TO COURT WINDY WEST (#562) LETHBRIDGE CHAPTER OF THE INDEPENDENT ORDER OF FORESTERS. CAREFOOT WAS ACTIVELY INVOLVED WITH THE FORESTERS WHILE HE LIVED IN EDMONTON, ALBERTA, AND CONTINUED HIS INVOLVEMENT FOLLOWING HIS MOVE TO LETHBRIDGE IN 1963. ON THE PURPOSE AND HISTORY OF THE BANNER, CAREFOOT NOTED, “THIS IS A BANNER THAT OUR GROUP MADE…THAT WE COULD TAKE HOME AND HANG UP. WE COULD USE IT…IF WE WERE AT DISPLAYS…WE HAD THOSE TO HANG UP.” “[IT WAS MADE] PROBABLY…1970…WE USED THOSE RIGHT THROUGH.” WHEN ASKED ABOUT HIS TIME SPENT IN THE FORESTERS, CAREFOOT RECALLED, “WE [WIFE RUTH AND LLOYD] WERE INVITED TO [AN] ACTIVITY. [IN THOSE] DAYS THERE [WERE] SOCIAL PARTIES…SOMEBODY THAT I KNEW INVITED ME TO COME AND I HEARD WHAT THEY WERE DOING. IT WAS SOMETHING THAT RUTH AND I THOUGHT…WOULD BE SOMETHING WE’D LIKE TO BE INVOLVED IN…MY FATHER WAS A MEMBER OF THE CANADIAN ORDER OF FORESTERS WHICH WAS A STAGE BEFORE THE INDEPENDENT ORDER OF FORESTERS.” “I BECAME A MEMBER IN EDMONTON… I WAS ONLY AS ASSOCIATE AT THAT TIME. WHEN WE MOVED DOWN HERE, WE BECAME MEMBERS HERE…MY FIRST WORKDAY WAS THE SECOND OF JANUARY, 1963 [IN LETHBRIDGE]. I WAS A FULL-BLOWN MEMBER IN 1966.” “[I JOINED BECAUSE OF] THE SATISFACTION THAT IT’S A STRONG CHARITABLE WAY OF DOING THINGS TO GIVE BACK. THAT’S PART OF MY PHILOSOPHY; JUST GIVE A LITTLE BACK FOR THE GOOD LIFE I’VE HAD.” “I WAS THE PRESIDENT OF THE LEAGUE…OF [THE] LETHBRIDGE CHAPTER. AND [I] WOUND UP WITH [THE TRUNK] AND IN IT [WERE] THESE THINGS. IT PRE-DATES ME.” “MOST OF THOSE THINGS WERE FOR MY PERSONAL USE…EITHER IN EVENTS OR A POSITION I HELD IN THE FORESTERS. I LOOK AT [THE OBJECTS] AND I SMILE.” REGARDING HIS DONATION, CAREFOOT ELABPRATED, “THE FORESTERS IN THE COMMUNITY DID A LOT OF CHARITY WORK AND I THOUGHT IT WAS A WAY OF COVERING FOR THE FUTURE [ABOUT] THE THINGS THAT WE DID, OR STILL DO. THAT WAS, MORE THAN ANYTHING ELSE, MY REASON FOR [DONATING IT] – A WAY OF PASSING IT ALONG SO IT JUST DIDN’T GET SHOVED IN THE JUNK…TO SOMEBODY IN THE FUTURE, IT INDICATES SOMETHING OF WHAT WE DID AND SOME ILLUSTRATION OF THINGS THAT WE DID. FOR MORE INFORMATION INCLUDING THE FULL INTERVIEW TRANSCRIPTION, PLEASE SEE THE PERMANENT FILE P20120045001-GA.
Catalogue Number
P20120045009
Acquisition Date
2012-12
Collection
Museum
Images
Less detail
Other Name
"THE RADIO AMATEUR'S HANDBOOK"
Material Type
Artifact
Materials
PAPER, INK
Catalogue Number
P20180010005
  2 images  
Material Type
Artifact
Other Name
"THE RADIO AMATEUR'S HANDBOOK"
Date
1957
Materials
PAPER, INK
No. Pieces
4
Height
3.2
Length
24.3
Width
17
Description
A. BOOK, 24.3 CM LONG X 17 CM WIDE X 3.2 CM TALL. BOOK HAS RED COVER AND SILVER TEXT “34TH EDITION, 1957, THE RADIO AMATEUR’S HANDBOOK, THE STANDARD MANUAL OF AMATEUR RADIO COMMUNICATION, $3.50 U.S.A. PROPER, PUBLISHED BY THE AMERICAN RADIO RELAY LEAGUE”; COVER HAS SILVER IMAGE OF RADIO TOWER OVER A HOUSE ROOF AND TREES IN LOWER RIGHT CORNER. SPINE HAS SILVER TEXT PRINTED “1957, THE RADIO AMATEUR’S HANDBOOK, THIRTY-FOURTH EDITION”. INSIDE FRONT PAGE HAS TEXT WRITTEN IN PENCIL IN UPPER RIGHT CORNER “E.K. REDEKOPP, 305-7 AVE. A. SOUTH, LETHBRIDGE, OCTOBER 16, 1957”. INSIDE TITLE PAGE HAS BLACK PRINTED TEXT “THE RADIO AMATEUR’S HANDBOOK, BY THE HEADQUARTERS STAFF OF THE AMERICAN RADIO RELAY LEAGUE, WEST HARTFORD, CONN., U.S.A.”; BACK OF TITLE PAGE HAS BLACK TEXT PRINTED “COPYRIGHT 1957 BY THE AMERICAN RADIO RELAY LEAGUE…LIBRARY OF CONGRESS CATALOG CARD NUMER: 41-3345…THE RUMFORD PRESS, CONCORD, NEW HAMPSIRE, U.S.A.”. INSIDEOF BOOK HAS HANDWRITTEN NOTES ON PAGES. SPINE IS DAMAGED AND LIFTING FROM PAGES INSIDE; COVER IS WORN AND SCRATCHED ON FRONT AND SPINE; OVERALL VERY GOOD CONDITION. B. PAPER INSERT, 22.2 CM LONG X 10.2 CM WIDE. LIGHT BROWN PAPER WITH BLACK TEXT ON FRONT; FRONT HAS DARK BROWN BORDER ALONG UPPER EDGE WITH LIGHT BROWN TEXT “Q CODES”; BELOW BORDER ON FRONT IS LISTING OF Q CODES IN BLACK INK WITH THEIR DEFINITIONS, INCLUDES “SPECIAL ABBREVIATIONS ADOPTED BY ARRL”. FRONT OF CARD SHOWS 35 CODES PRINTED AND ONE HANDWRITTEN AT TOP IN PENCIL “QRA-WHAT IS THE NAME OF IN ST.? NAME OF THE ST”. CARD HAS PENCIL MARKS MADE BESIDE CERTAIN CODES ON LIFT. BACK OF CARD IS PRINTED WITH BROWN TEXT ON LIGHT BROWN BACKGROUND “SSR” AND THREE BLACK BANNERS ACROSS PAPER WITH LIGHT BROWN TEXT “LESS DISTORTION, MORE TALKING POWER, DECREASAED BANDWIDTH”. CARD IS SEVERELY DISCOLOURED WITH FADING ON BACK; BACK IS CREASED AND HAS TEAR IN UPPER RIGHT CORNER; BACK AND FRONT ARE STAINED; FRONT HAS ADHESIVE STAIN ALONG UPPER EDGE; CARD IS SEVERELY CREASED AT BOTTOM EDGE OF UPPER BROWN BORDER. OVERALL VERY GOOD CONDITION. C. PAPER INSERT, 43.5 CM LONG X 28 CM WIDE. INSERT IS WHITE WITH BLACK TEXT AND IMAGES PRINTED; FRONT HAS HEADER WITH BLACK TEXT “RADIO SUPPLY, HAM NEWS, MCLEOD BUILDING EDMONTON, MARCH 1947, 134-12TH AVENUE W. CALGARY, HAM HEADQUARTERS FOR EQUIPMENT AND INFORMATION”. INSERT FRONT INCLUDES PHOTO AND PRINTED STORIES; INSIDE OF INSERT HAS IMAGES, SPECIFICATIONS, AND PRICES FOR RADIO PARTS AND EQUIPMENT; BACK PAGE HAS IMAGES, SPECIFICATIONS, AND PRICES FOR RADIOS, AND WRITTEN TEXT IN PENCIL UPPER RIGHT CORNER “12, 267 50/56 00/211 50”. PAPER IS FOLDED AND CREASED TWICE ACROSS; PAPER SHOWS SIGNS OF DISCOLORATION ALONG EDGES; OVERALL VERY GOOD CONDITION. D. PAPER INSERT, 21.5 CM LONG X 13.4 CM WIDE. PAPER IS BLACK LINED WITH BLUE HAND-DRAWN DIAGRAMS ON FRONT AND TEXT; TEXT IS WRITTEN IN BLUE INK IN CURSIVE, “IF NO TONE OBTAINED WITH KEY CLOSED, [RECEIVE] VALUE OF R8. REDUCE VALUE IF CONSTANT [TOL] IS RECEIVED REGARDLESS OF KEY UP OR DOWN POSITION”. PAPER HAS BLACK PRINTED BORDER AT BOTTOM WITH TEXT “CHRYCO “ALL-MAKE” PARTS…FINEST FOR ALL CARS”. PAPER HAS HOLE PUNCHED IN UPPER RIGHT CORNER. PAPER SHOWS MINOR SIGNS OF DISCOLORATION AROUND EDGES; OVERALL VERY GOOD CONDITION.
Subjects
DOCUMENTARY ARTIFACT
Historical Association
LEISURE
History
ON MAY 10, 2018, COLLECTIONS TECHNICIAN KEVIN MACLEAN INTERVIEWED ED REDEKOPP REGARDING HIS DONATION OF AN AMATEUR TRANSMITTER RADIO AND ACCESSORIES. REDEKOPP BEGAN PURSUING HIS INTEREST IN RADIO TRANSMISSION IN THE 1950S. ON THE INSTRUCTION MANUAL, REDEKOPP NOTED, “I USED TO GET THE AMATEUR RADIO HANDBOOK. THIS IS [AN] AMATEUR RADIO HANDBOOK. IT COMES OUT ANNUALLY, AND ALL THE LATEST TRANSMITTERS AND DEVELOPMENTS, ANTENNAS INCLUDED…[ARE]ALL IN HERE. THE DEVELOPMENTS. I THINK IT’S IN THIS MANUAL THAT THIS TRANSMITTER THE ENGINEER HAD DESIGNED, AND I WAS READING UP ON IT AND I THOUGHT, “MAN, THAT’S A TERRIFIC TRANSMITTER. I LIKE THAT.” IT COVERS ALL THE BANDS THAT I WOULD BE USING: 80, 40, 20, 15 AND 10, AND SO I THOUGHT, “I HAVE TO BUILD THAT THING.” THAT’S WHAT GOT ME GOING ON IT. IT TOOK ME ABOUT FOUR MONTHS TO BUILD IT BECAUSE YOU ONLY DO SO MUCH EVERY DAY, AND YOU [HAVE TO] TEND TO THE FAMILY.” REDEKOPP DISCUSSED HIS OWN INTEREST IN RADIO CONSTUCTION AND TRANSMISSION, AND HOW HE BEGAN WORKING WITH RADIOS, RECALLING, “I LIVED ON THE FARM IN VAUXHALL. MY DAD’S FARM. I WAS NEVER A FARMER; I’D HAVE STARVED TO DEATH IF I HAD FARMED. BUT, ANOTHER FARMER, WHO WAS TOTALLY ELECTRONICALLY ILLITERATE, HAD AN UNCLE, DORY MALENBERG, THE ASSISTANT ENGINEER AT CJOC. HE WANTED HIM TO GET ON AMATEUR RADIO SO THAT THEY COULD TALK BACK AND FORTH THAT WAY. THIS FARMER – GOT ME INTERESTED IN TALKING ABOUT AMATEUR RADIO WHICH I KNEW NOTHING ABOUT AT THE TIME. I WAS INTO ELECTRONICS BUT NOT AMATEUR RADIO; IT WAS RADIO SERVICING. HE SAYS, “YOU WANT TO GET ON THE AIR,” HE SAYS, “AND WE CAN TALK AND GET A TRANSMITTER GOING.” IT ALL SOUNDED VERY FASCINATING AND INTERESTING. BUT, I’M ON THE FARM, HERE. WE DON’T EVEN HAVE RURAL ELECTRIFICATION. I [SAID], “HOW CAN I EVER DO THAT?” THERE ARE METHODS AND WAYS…YOU TELL ME ABOUT IT. HE FINALLY CONVINCED ME. I [HAD TO] LOOK INTO IT. AND THAT’S WHAT I DID. HE WAS NO HELP BECAUSE HE KNEW NO ELECTRONICS AT ALL BUT I GOT INFORMATION THROUGH BOOKS…AND STARTED STUDYING THE SUBJECT OF AMATEUR RADIO AS A HOBBY. IT BECAME MORE AND MORE FASCINATING, AND MORE RIVETING THE MORE I READ ABOUT IT. [IT SOUNDED] LIKE SOMETHING I [WANTED] TO DO.” “I HAD PREVIOUS ELECTRONIC EXPERIENCE IN TAKING A COURSE WITH THE NATIONAL RADIO INSTITUTE TO BECOME A RADIO SERVICEMAN. I HAD THE BASICS, THE FUNDAMENTALS, AND I KNEW HOW TO DO IT. EVEN THE FIRST TRANSMITTER THAT I BUILT WAS PRETTY SIMPLE, AND THIS [TRANSMITTER] WAS MY FINAL. I HAVE THE MANUAL FOR IT…FROM THE W1AW, THE AMATEUR RADIO RELAY LEAGUE-–THE ENGINEER THAT DESIGNED IT-–AND I BUILT IT FROM THAT, FROM SCRATCH, GETTING ALL THE PARTS TOGETHER. IT WAS A CHALLENGE, VERY ENJOYABLE, BUT REWARDING IN THE END.” “I STARTED TO GET COMPONENTS AND PARTS TOGETHER TO BUILD MY FIRST TRANSMITTER AND MY FIRST RECEIVER. THE CRAZY THING WAS YOU COULD BUILD A POWER SUPPLY AND RUN IT OFF A SIX-VOLT CAR BATTERY. OR [A] TRACTOR BATTERY. THEY WERE ALL SIX-VOLT AT THE TIME; TWELVE VOLTS CAME LATER. I GOT MY VOLTAGES THAT I NEEDED THROUGH THE POWER SUPPLY OFF [THIS] BATTERY. THE NEXT THING I KNOW…I’M [GETTING] SOMEWHERE. THE NEXT THING I KNEW, I GOT INTO IT AND…NOW I GOT IT BUILT AND I CAN’T USE IT. I [HAVE TO] GET A LICENSE FIRST.” “ELMER JOHNSON, THE OTHER FARMER WHO GOT ME INTO IT, [SAID], “I’M GOING TO GO TO CALGARY [TO] WRITE MY EXAM.” SO HE [SAID], “DO YOU WANT TO COME ALONG?” I [SAID], “SURE, I’LL COME ALONG.” BUT, THE CODE…I CAN’T USE THE HAND KEY AT FIFTEEN WORDS A MINUTE AND I WANT TO GET MY FIRST CLASS, NOT MY SECOND CLASS, BECAUSE I COULDN’T USE THE [MICROPHONE]. I SAID, “WELL, I’LL GO WITH [YOU]. I’LL TAKE THE DOW KEY WITH ME, AND I’LL TAKE THE HAND KEY WITH ME, TOO, BUT I’M NOT GOING TO PASS WITH THAT.” I TOLD THE INSPECTOR, “LOOK, I’M HERE TO WRITE MY TEST, BUT I SEE THE REQUIREMENT IS FIFTEEN WORDS A MINUTE WITH THE HAND KEY.” I SAID, “MY CLUMSY HAND WON’T HANDLE THAT.” I [SAID], “AND IF I HAVE TO USE IT, I WON’T EVEN WRITE MY TEST,” I [SAID], “I’M FINISHED.” “WELL,” HE [SAID] TO ME, “I GUESS WE CAN MAKE AN EXCEPTION.” SO HE ALLOWED ME TO USE THE SEMI-AUTOMATIC KEY, WHICH WAS A PIECE OF CAKE. I WENT THROUGH THAT WITH FLYING COLOURS.” “THEN, HE QUESTIONED US ON TECHNOLOGY. HE STARTED WITH ELMER FIRST, UNFORTUNATELY. THE FIRST QUESTION HE ASKED HIM WAS ABOUT AS SIMPLE AN ELECTRONIC QUESTION AS YOU CAN ASK. I CAN’T REMEMBER THE QUESTION, AS A MATTER OF FACT; THAT’S THE BAD PART. BUT, HE COULDN’T ANSWER IT. THE INSPECTOR LOOKED AT HIM AND HE SAID, “YEAH, OKAY,” HE [SAID], “I UNDERSTAND.” HE NEVER GOT A SECOND [QUESTION]; HE FAILED RIGHT THERE. [ELMER] COULD PASS THE CODE, BUT THAT DIDN’T DO HIM ANY GOOD IF HE COULDN’T DO THE TECHNICAL. THEN HE GOT ASKING ME, AND OF COURSE I HAD NO PROBLEM ’CAUSE I WAS CONVERSANT IN ELECTRONICS. I GOT MY FIRST CLASS TICKET USING THE DOW KEY.” “WHEN WE MOVED HERE [AND] BOUGHT THIS HOUSE, I HAD A FAMILY TO LOOK AFTER. I HAD A JOB DURING THE DAY, AND IT WAS TOO MUCH-–I SPENT TOO MUCH TIME ON THE AIR, ON THE RADIO. I’D BE UP SOMETIMES IN THE NIGHT, VERY RARELY, BUT UP TO FOUR IN THE MORNING SOMETIMES, TALKING TO AUSTRALIANS AND NEW ZEALANDERS. AS A WORKING STIFF…I HAD A FAMILY TO LOOK AFTER; THEY NEEDED ATTENTION. I COULDN’T SIMPLY TAKE THE TIME AND BE ON THE AIR ALL THE TIME WITH MY HOBBY. WHEN WE MOVED HERE MY WIFE [SAID], “NO, YOU’RE NOT GONNA GO BACK ON AGAIN.” I HAD A TOWER I WAS GOING TO SET UP, AND SHE [SAID], “NO, YOU’VE GOT A FAMILY TO LOOK AFTER.” AND I [SAID], “YES, YOU ARE CORRECT. I SHALL GIVE IT UP.” THAT’S WHAT I DID, FIFTY-FIVE YEARS AGO.” “BEING ABLE TO CONTACT ANYONE IN THE WORLD, THAT IS OTHER AMATEUR RADIO OPERATORS…WAS VERY INTRIGUING. YOU TALK TO VARIOUS PEOPLE WITH VARIOUS LANGUAGES. WE HAD A Q CODE…WHEN YOU DIDN’T UNDERSTAND THE LANGUAGE, YOU COULD USE THE Q CODE…IT WAS FASCINATING BECAUSE YOU CAN TALK TO PEOPLE IN GREENLAND. I TALK TO PEOPLE IN THE DEW LINE, ALL OVER THE WORLD. LATER ON I BUILT MY MODULATOR, AND THEN IT WAS BY PHONE, AND THOSE THAT SPOKE ENGLISH-–AND IN MOST CASES, I MUST SAY, MOST PEOPLE I CONTACTED, KNEW SOME ENGLISH--THAT’S THE AMAZING PART…YOU COULD UNDERSTAND THEM. BUT, IF YOU WERE ON CODE, YOU JUST USE THE MORSE CODE. IT WAS FASCINATING TO TALK TO DIFFERENT PEOPLE ALL OVER THE WORLD.” “I GOT MARRIED AND THEN WE MOVED TO LETHBRIDGE [IN 1953 TO 7 AVE. A.] AND OF COURSE THEN THAT OLD TRANSMITTER WAS OBSOLETE-–DIDN’T USE IT ON BATTERY ANYMORE [BECAUSE] WE [HAD] ELECTRICITY, SO I WENT ON A BIGGER ONE.” “I STARTED WORKING AT CJOC, BUT…I WAS IN THE STUDIO AND I DIDN’T LIKE THE STUDIO WORK. I WANTED TO GET INTO THE TRANSMITTER BUT THERE WAS NO OPENING. I WAS NOT PREPARED-–I WAS TAKING THE RADIO COURSE ON TRANSMITTERS AS WELL, [BECAUSE] I WANTED TO GET INTO THE STATION. THERE WAS NO OPENING, AND THERE WAS ONLY ONE STATION. TODAY I’M GLAD THAT I DIDN’T GET IN FOR A NUMBER OF REASONS.” “INITIALLY I DON’T THINK I WAS EVEN ON THE AIR. IT ALL TOOK TIME. YOU [HAVE TO] BUILD IT…BY THE TIME YOU GET THAT ALL DONE, THERE’S A LAPSE OF TIME WHERE YOU’RE NOT EVEN ON THE AIR. AS LONG AS YOU KEEP YOUR LICENSE UP…MY CERTIFICATE IS PERMANENT BUT MY STATION LICENSE HAD TO BE RENEWED EVERY YEAR, AT THAT TIME.” “THIS WAS [A] HOBBY, AND MY WIFE WOULD HAVE SAID IT WAS UNNECESSARY. IN A SENSE, SHE’S RIGHT. I [HAVE TO] ADMIT THAT…AND FOR GOOD REASON.” “KEEPING THE STATION LICENSE UP THERE, THAT WAS NOT A PROBLEM. YOU CAN KEEP YOUR STATION LICENSE UP, AND I DON’T THINK THEY WOULD CANCEL IT AS LONG AS YOU PAY THE FEE BECAUSE THAT WAS IMPORTANT TO THEM. BUT THEY HAD THEIR RULES, AND I KNOW THAT LATER ON YOU WOULD GET IT PERMANENTLY. WHETHER YOU WERE ON THE AIR OR NOT, I THINK YOU KEPT YOUR LICENSE.” WHEN ASKED HOW MANY PEOPLE IN THE CITY WORKED IN AMATEUR RADIO, REDEKOPP STATED,“TO TELL YOU THE TRUTH, TOO MANY OF THEM HAVE PASSED AWAY. I HAPPEN TO BE A LITTLE BIT OLDER THAN MOST OF THEM. [I’M] NINETY-THREE. THERE ARE STILL SOME AROUND. I HAVEN’T BEEN AT THE AMATEUR RADIO CLUB AT THE SENIORS’ CENTRE IN A NUMBER OF YEARS NOW. I USED TO GO THERE OCCASIONALLY.” “I THINK [THERE ARE] PROBABLY MORE [PEOPLE] THAN I WOULD REALIZE. THERE ARE TWO ENGINEERS THAT ARE RETIRED. THEY CAN FIX RADIOS.” ON DONATING HIS RADIO TO THE MUSEUM, REDEKOPP ELABORATED, “I’M GETTING TO BE OF AN AGE WHERE I WON’T BE AROUND MUCH LONGER. OF COURSE, I CAN’T DETERMINE MY DAYS BUT I’M NINETY-THREE YEARS OLD, AND I’VE GOT TO DISPOSE OF THIS BECAUSE NO ONE ELSE WILL EVER USE IT. IT WILL GO TO THE DUMP PROBABLY, OTHERWISE, AND THAT’S NO PLACE FOR A TRANSMITTER LIKE THIS. I’VE ENJOYED IT A LOT, AND HOPEFULLY SOMEONE ELSE CAN SEE SOME HISTORY OR PAST HISTORY OF AMATEUR RADIO AND THE TRANSMITTERS THAT WERE BUILT BY THE PEOPLE THAT USED IT. A LOT OF PEOPLE THAT WERE NOT CAPABLE OF BUILDING THEIR OWN PURCHASED COMMERCIAL EQUIPMENT, WHICH IS FINE AND IT WAS LEGAL, BUT AMATEUR RADIO WAS MEANT TO BE JUST THAT-–FOR AMATEURS, BUILDING THEIR OWN AND ENJOYING IT.” “I THOUGHT PERHAPS SOMEONE WOULD APPRECIATE SEEING SOMETHING SOMEONE BUILT HIMSELF, AND USED, AND COMMUNICATED WITH WORLD-WIDE, A TRANSMITTER. THAT IS WHAT IT WAS ALL ABOUT DURING THE YEARS THAT I WAS ACTIVE ON THE AIR.” FOR MORE INFORMATION INCLUDING THE FULL INTERVIEW TRANSCRIPTION AND PHOTOGRAPHS, PLEASE SEE THE PERMANENT FILE P20180010001-GA.
Catalogue Number
P20180010005
Acquisition Date
2018-05
Collection
Museum
Images
Less detail
Date Range From
1915
Date Range To
1925
Material Type
Artifact
Materials
GLASS, COTTON, PLASTIC
Catalogue Number
P20180003001
  1 image  
Material Type
Artifact
Date Range From
1915
Date Range To
1925
Materials
GLASS, COTTON, PLASTIC
No. Pieces
2
Length
39
Width
17.7
Description
A. BEADED HANDBAG WITH BROWN TORTOISESHELL TRIM AND CLASP ALONG TOP OPENING. BAG HAS BLACK BEADS COVERING EXTERIOR WITH RED, PINK, GREEN AND YELLOW BEADED STARBURST PATTERN; BAG HAS BEADED FRINGE WITH BLACK, YELLOW AND GREEN BEADS. BAG HANDLE IS NAVY BLUE COTTON WITH BLACK BEADS COVERING EXTERIOR; HANDLE ATTACHES TO TRIM ALONG OPENING WITH BROWN TORTOISESHELL RINGS. BAG CLASP HAS BROWN TORTOISESHELL BUTTON AT TOP OF BROWN TORTOISESHELL TRIM ALONG OPENING; INSIDE OF BAG IS LINED WITH WHITE, BLUE AND GREEN FLORAL-PATTERNED COTTON FABRIC WITH POCKET SEWN INTO LINING FOR HOLDING MIRROR. OUTER BEADING IS EXTREMELY DELICATE AND FRAGILE; INSIDE OF BAG IS SOILED ON TORTOISESHELL TRIM; OVERALL GOOD CONDITION. B. MIRROR, 6 CM LONG X 6.2 CM WIDE. SQUARE POCKET MIRROR SET IN CREAM SYNTHETIC LEATHER CASE; MIRROR BACKING COVERED IN WHITE, BLUE AND GREEN FLORAL-PATTERNED COTTON FABRIC THAT MATCHES INSIDE OF HANDBAG. CORNER OF MIRROR HAS SEWN LOOP OF BACKING FABRIC. FABRIC ON MIRROR IS DISCOLORED [DARKENED]; MIRROR SURFACE IS SOILED AND STAINED; MIRROR SURFACE HAS SCRATCH ALONG EDGE; OVERALL VERY GOOD CONDITION.
Subjects
CLOTHING-ACCESSORY
Historical Association
PERSONAL CARE
History
ON MARCH 12, 2018, COLLECTIONS TECHNICIAN KEVIN MACLEAN INTERVIEWED KERRY WRIGHT REGARDING HER DONATION OF A HANDBAG AND DRESS FROM THE 1920S. WRIGHT ACQUIRED THE OBJECTS FROM HER MOTHER UPON HER PASSING. THE OBJECTS BELONGED TO WRIGHT’S MATERNAL GRANDMOTHER, CLARA SAXON, PRIOR TO HER DEATH IN 1924. ON THE HANDBAG, WRIGHT ELABORATED, “I THINK THAT THAT HANDBAG WOULD BE SOMETHING THAT WOULD HAVE BEEN A TREASURE BECAUSE IT WAS SO INTRICATE, AND IT WOULD HAVE COST A LITTLE BIT MORE THAN WHAT [MY GRANDPARENTS’ SOCIO-ECONOMIC STATUS WAS. I THINK THAT PROBABLY WAS SOMETHING THAT WAS VERY SPECIAL TO [CLARA].” WRIGHT RECALLED HER FAMILY’S HISTORY AND THE CIRCUMSTANCES THAT LED TO WRIGHT’S MOTHER ACQUIRING THE OBJECTS, STATING, “1924. [MY] MOM [LILY WRIGHT] WAS BORN ON SEPTEMBER 29 [1924] AND CLARA PASSED AWAY…ON NOVEMBER 22 [1924].” “[MY MOTHER WAS] SIX WEEKS OLD AND HER MOTHER DIED. THERE WAS NEVER ANY QUESTION THAT HER GRANDPARENTS AUTOMATICALLY [LOOKED] AFTER HER. I REALLY DON’T KNOW TOO MUCH ABOUT CLARA’S HUSBAND [HENRY SAXON]. I KNEW HIS NAME BUT HE PASSED AWAY WHEN MY MOTHER WAS ABOUT 8. OCCASIONALLY HE WOULD COME TO VISIT BUT NOT [OFTEN].” “[MY] MOTHER HAD ALWAYS SAID THAT THE DOCTORS DIDN’T KNOW WHAT SHE DIED FROM. BOTH OF HER PARENTS WERE DIABETICS AND MY GUESS WOULD HAVE TO BE GESTATION DIABETES. I DON’T BELIEVE THERE WAS ANY KIND OF INFECTION FROM WHAT ANYBODY HAD BEEN ABLE TO TELL…[SHE WAS TAKEN] TO THE DOCTOR RIGHT AWAY AND THEY SAID, “ OH, WHO KNOWS?” SHE LEFT AND DIED. HER SISTER NEVER DID KNOW WHAT SHE DIED OF EITHER AND THEY’RE ALSO DIABETIC NOW.” “[CLARA] LIVED IN LETHBRIDGE WHEN SHE PASSED…IT WAS MY GUESS THAT HER AND JOHN WERE MARRIED IN ST. MARY’S ANGLICAN CHURCH UP ON THE NORTH SIDE.” “[I GOT THESE PIECES] THROUGH MY MOTHER [LILY WRIGHT]. SHE HAD THEM PUT AWAY. HER GRANDPARENTS WHO RAISED HER KEPT A FEW THINGS LIKE THIS AND THEY WERE ALWAYS IN THE TRUNK DOWNSTAIRS. WHEN WE HAD TO CLEAN OUT MOM’S PLACE WHEN SHE WENT IN TO A NURSING HOME, MY SISTER AND I WENT “DO YOU WANT THIS, DO YOU WANT THIS? I SAID, THAT WAS CLARA’S, I WANT THAT. THAT’S HOW IT CAME INTO MY OWNERSHIP AND I’VE BEEN CARRYING IT AROUND FOR ABOUT FIFTEEN YEARS.” “[THESE ARE OBJECTS] THAT I FELT SHE WOULD HAVE APPRECIATED THAT THEY MEANT SOMETHING TO ME, TO HANG ON TO AND STILL HAVE SOMETHING OF HERS…[THEY WERE IN] AN OLD STEAMER TRUNK, AN OLD METAL TRUNK AND I THINK PROBABLY AROUND THE TIME [MY MOTHER] AND DAD GOT MARRIED [’46…I’M PRETTY SURE THAT [MOM] HAD GOT [THE TRUNK] AS A SECONDARY HOPE CHEST. IT HAD CLARA’S WEDDING GOWN, HER SHOES…IT MEANT SOMETHING TO [MY MOTHER] SO SHE [HAD] THEM. [THERE WERE] A FEW ORNAMENTS AND GADGETS THAT MOM HAD PICKED UP OVER THE YEARS AND THERE REALLY WASN’T TOO MUCH OF CLARA’S BECAUSE SHE WAS ONLY 22 WHEN SHE PASSED.” “[THE TRUNK] WAS DOWNSTAIRS UNDER THE STAIRS AND IT WAS ONE TRUNK THAT SHE HAD ALWAYS ASKED US NOT TO GO IN. I WAS A PRECOCIOUS CHILD AND BEING TOLD THAT I COULDN’T GO NEAR THE STUFF, I DID ANYWAY. WHEN THEY WERE ON THE FARM, CLARA’S FATHER LIVED WITH MY MOM AND DAD, MYSELF AND MY SISTER UNTIL I WAS FOUR. [MY GREAT-GRANDFATHER] PASSED AWAY WHEN I WAS FOUR. HE LIVED IN THE FARMHOUSE BASEMENT, AND I DIDN’T LIKE THAT HE WAS DOWN THERE BY HIMSELF ALL THE TIME, SO I’D SNEAK DOWN THERE. I HAD GRAMPA JOHN’S PERMISSION TO LOOK THROUGH THAT STUFF BUT MY MOTHER DIDN’T KNOW.” “I IMAGINE IT WAS [MY GREAT GRANDFATHER] THAT TOLD ME [ABOUT CLARA]. EVENTUALLY MOTHER DID TELL ME THAT CLARA’S STUFF WAS IN THAT TRUNK.” “PROBABLY ABOUT ONCE A YEAR, I’D JUST TAKE [THE OBJECTS OUT] AND LOOK AT [THEM]. IT’S BEEN A BIG DEBATE WHETHER I WOULD GO AHEAD AND FIND SOMEBODY THAT COULD RESTORE THE PURSE OR WHETHER I SHOULD JUST PASS IT ALONG. I’M NOT A WEALTHY PERSON, SO I THOUGHT THIS WOULD BE A BETTER HOME FOR IT RATHER THAN INVESTING A BUNCH OF MONEY IN SOMETHING THAT WOULD COME HERE EVENTUALLY ANYWAY.” “[THESE OBJECTS] ARE SOMETHING THAT I KNEW DIDN’T BELONG IN THE GARBAGE. I GUESS IT WAS TO GET SOME KIND OF CONNECTION WITH MY PAST. I NEVER KNEW [CLARA]. MY MOTHER, SHE NEVER KNEW HER MOTHER. IT WAS JUST REASON THAT I HUNG ON TO THEM. NOW THAT I’M DOWNSIZING, HAVING TO LIVE IN A SMALLER PLACE, I HAVE TO LET GO OF A LOT OF STUFF. THIS IS A GOOD HOME FOR [THEM]. THAT HANDBAG WAS JUST SO SPECIAL.” IN AN EMAIL FROM WRIGHT TO MACLEAN, WRIGHT ELABORATES ON THE HISTORY OF CLARA SAXON. CLARA WAS BORN CLARA MELLING IN WIGAN, LANCASHIRE, ENGLAND IN DECEMBER 1902 TO ISABELLA (SMITH) MELLING AND JOHN MELLING. IN 1912, THE MELLING FAMILY EMIGRATED TO CANADA. CLARA’S SISTER, LILY MELLING, MARRIED ANDY ALLISON. CLARA MARRIED HENRY SAXON ON NOVEMBER 21, 1923, AND HAD ONE DAUGHTER, LILY (WRIGHT) SAXON BORN SEPTEMBER 29, 1924. CLARA WENT TO A MOVIE WITH HER SISTER ON NOVEMBER 18, 1924 AND FELL ILL. SHE PASSED AWAY OF AN UNDETERMINED CAUSE. LETHBRIDGE HERALD ARTICLES FROM NOVEMBER 20, 1924 AND DECEMBER 3, 1924, CONFIRM THAT THE CAUSE OF DEATH WAS NEVER DETERMINED. A POST-MORTEM WAS CONDUCTED AND STOMACH CONTENTS SENT TO EDMONTON, ALBERTA FOR ANALYSIS. IN A LETHBRIDGE HERALD ARTICLE FROM DECEMBER 3, 1924, THE JURY FORMED TO ENQUIRE INTO THE DEATH OF CLARA SAXON RULED CAUSE OF DEATH UNKNOWN AFTER THE POST-MORTEM AND ANALYSIS OF STOMACH CONTENTS FOUND NO ABNORMALITIES, AND THE JURY WAS ADJOURNED. FOR MORE INFORMATION INCLUDING THE FULL INTERVIEW TRANSCRIPTION AND COPIES OF LETHBRIDGE HERALD ARTICLES, PLEASE SEE THE PERMANENT FILE P20180003001-GA.
Catalogue Number
P20180003001
Acquisition Date
2018-03
Collection
Museum
Images
Less detail
Other Name
WINDSHIELD COVER
Date Range From
1955
Date Range To
1965
Material Type
Artifact
Materials
COTTON, POLYESTER, INK
Catalogue Number
P20180021005
  2 images  
Material Type
Artifact
Other Name
WINDSHIELD COVER
Date Range From
1955
Date Range To
1965
Materials
COTTON, POLYESTER, INK
No. Pieces
1
Length
174
Width
82
Description
YELLOW COTTON-BLEND COVER WITH MACHINE-STITCHED EDGES; FRONT OF COVER HAS LOGO IN UPPER LEFT CORNER OF WHITE SHIELD WITH RED BORDER, A WHITE ROSE WITH GREEN LEAVES ON YELOW CIRCLE ON SHIELD, AND RED TEXT “WHITE ROSE”. FRONT OF COVER HAS STENCILED GREEN TEXT AT TOP “DRIVE IN-“ AND RED STENCILED TEXT BELOW “LET US CLEAN YOUR WINDSHIELD!” BACK OF COVER IS WHITE COTTON-NYLON FABRIC. FRONT IS STAINED WITH TWO LARGE HOLES ON LEFT AND RIGHT WITH RIPS EXTENDING FROM HOLES; BACK IS STAINED; RIGHT EDGE FRAYED; COVER IS SEVERELY CREASED AND FOLDED. OVERALL GOOD CONDITION.
Subjects
LAND TRANSPORTATION-ACCESSORY
Historical Association
INDUSTRY
TRANSPORTATION
History
ON AUGUST 22, 2018, COLLECTIONS TECHNICIAN KEVIN MACLEAN INTERVIEWED MARG OBERG REGARDING HER DONATION OF AN AUTOMOBILE WINDSHIELD COVER. THE COVER WAS USED BY HER FATHER IN LETHBRIDGE. ON HER FATHER’S USE OF THE COVER, OBERG ELABORATED, “[I REMEMBER] HOW EMBARRASSING IT WAS THAT ALL THE OTHER DADS IN THE NEIGHBORHOOD WOULD JUST GET OUT IN THE MORNING, AND SCRAPE THEIR WINDSHIELD OFF, BUT OUR DAD [JACK GRANT KEYS] HAD THIS BRIGHT YELLOW THING STRAPPED ONTO HIS WINDSHIELD TO KEEP THE SNOW OFF. AS CHILDREN, THE PEER PRESSURE WAS PRETTY INTENSE, AND WE WERE THE ONLY ONES ON THE STREET THAT HAD THIS GREAT BIG CANVAS THING ON THE FRONT OF OUR DAD’S CAR. WHEN WE MOVED TO EDMONTON, WE DIDN’T HAVE A GARAGE AT THAT POINT. AGAIN, THERE GOES THIS (EVEN THOUGH WHITE ROSE GASOLINE HAD BECOME OBSOLETE). MY DAD DIDN’T THROW TOO MANY THINGS OUT IF THEY STILL HAD A USEFUL PURPOSE, AND SO, THERE IT WAS, FRONT AND CENTER AGAIN–-THE ONLY GUY ON THE BLOCK. I DON’T KNOW WHY SOMEBODY DIDN’T COME UP WITH SOMETHING NOT QUITE SO OBVIOUS. IT WAS JUST AN EMBARRASSMENT THAT MY FATHER ALWAYS HAD TO COVER UP HIS WINDSHIELD.” “HE WAS THE MANAGER OF THE [WHITE ROSE OIL COMPANY] PLANT. WELL, HE CALLED IT ‘THE PLANT’, BUT THEY DIDN’T MANUFACTURE ANY PRODUCTS THERE. THERE WERE BIG TANKS. I BELIEVE THEY WERE UP ON THIRD AVENUE SOUTH–-I WANT TO SAY IN THE AREA OF HARLEY-DAVIDSON. WE LIVED ON 18TH STREET, AND I KNOW THAT IT WAS STRAIGHT NORTH ON 18TH STREET, AND EITHER LEFT OR RIGHT. IT WAS IN THAT GENERAL AREA. IT WAS WITHIN WALKING DISTANCE, [AND] HE WAS THE MANAGER OF THE PLANT. I THINK HE WAS EVEN THE ONLY EMPLOYEE, BUT HE USED TO GO AROUND IN SOUTHERN ALBERTA TO ALL OF THE GAS STATIONS THAT WERE DEALING IN WHITE ROSE OIL, AND GET THEIR ORDERS…THEN, THERE MUST HAVE BEEN A DRIVER THAT WOULD COME AND FILL UP THEIR TANKER TRUCKS FROM WHERE HE WAS–-THE BULK STATION–-AND GO AND DELIVER IT. I KNOW THAT [DAD] WAS ON THE ROAD AN AWFUL LOT, BUT I DON’T RECALL, AS A CHILD, THAT THERE WERE OTHER EMPLOYEES, OTHER THAN THE TRUCK DRIVER.” “I DON’T RECALL THAT HE WAS THAT FOND OF HIS JOB. IN THE WINTER-TIME, IT WAS REALLY TOUGH. HE USED TO FREEZE HIS FINGERS, ON OCCASION, BECAUSE HE WAS THE ONE THAT HAD TO CLIMB UP THE STAIRCASE THAT WENT AROUND THESE BIG TANKS IN THE COLD OF WINTER, AND DO A DIP STICK TO MEASURE HOW MUCH FUEL WAS IN THE TANKS. WE DIDN’T HAVE SNOW BLOWERS…IT WAS TOUGH BECAUSE HE DID SPEND SOME TIME OUTSIDE, WITH HIS JOB, AND THEN [HAD] AN AWFUL LOT OF TIME ON THE ROADS. THERE WERE MANY TIMES THAT HE WOULD…BE STRANDED IN SMALL COMMUNITIES, BECAUSE OF BAD ROADS. OF COURSE HE WOULD HAVE PREFERRED TO BE HOME WITH HIS FAMILY. I DON’T RECALL THAT HE WAS REALLY ‘GUNG-HO’. I KNOW THAT SHELL TRIED TO GET HIM TO MOVE TO EDMONTON ON A FEW OCCASIONS, AND HE FLATLY REFUSED…WE MOVED IN ’63, SO IT WOULD HAVE BEEN MY GRANDMOTHER WAS ILL, AND DEALING WITH CANCER, AND IT WAS JUST A VERY INAPPROPRIATE TIME FOR US TO LEAVE. MY MOTHER WAS AN ONLY CHILD, SO THERE WERE NO OTHER FAMILY MEMBERS TO STAY AND LOOK AFTER HER. THEN, FINALLY SHELL SAID, “THIS IS YOUR FINAL CHOICE, AND THERE IS NO OPTION.” I GUESS IT WASN’T A CHOICE–-IT WAS EITHER MOVE, OR LOSE YOUR JOB. IT WAS A MATTER OF PUTTING IN TIME UNTIL HE RETIRED.” “MY DAD PASSED AWAY, AND WE ACQUIRED IT FROM HIS WIDOW…IT’S A SMALL PART OF MY DAD. I DIDN’T HAVE A LOT OF THINGS [FROM HIM]. THIS WAS MY DAD’S THIRD MARRIAGE, WHEN HE PASSED, AND HIS FAMILY/HIS WIFE DISPOSED OF A LOT OF THINGS THAT WE [THE CHILDREN] POSSIBLY WOULD HAVE KEPT. THEY MEANT NOTHING TO HER, BUT THEY WERE LIVING OUT ON SALT SPRING ISLAND AT THE TIME. I WAS LIVING IN REGINA. MY BROTHER LIVED IN CHICAGO, AND MY SISTER LIVED IN CALIFORNIA. NONE OF US REALLY WANTED ‘THINGS’, LIKE FURNITURE, SO IT WAS JUST A LITTLE TRINKET THAT BROUGHT BACK SO MANY MEMORIES, AND IT WENT BACK AS FAR AS LETHBRIDGE.” FOR MORE INFORMATION INCLUDING THE FULL INTERVIEW TRANSCRIPTION, PLEASE SEE THE PERMANENT FILE P20180021001-GA.
Catalogue Number
P20180021005
Acquisition Date
2018-08
Collection
Museum
Images
Less detail
Other Name
"CANADA 150"
Material Type
Artifact
Materials
VINYL, METAL
Catalogue Number
P20180006005
  2 images  
Material Type
Artifact
Other Name
"CANADA 150"
Date
2017
Materials
VINYL, METAL
No. Pieces
1
Length
148
Width
61.3
Description
BLUE VINYL BANNER WITH WHITE BORDER AT LOWER EDGE AND BLUE TEXT ON WHITE “CANADA 150”; BANNER PRINTED WITH THE 2017 CANADA SESQUICENTENNIAL MAPLE LEAF LOGO, WITH WHITE BORDERS ON MULTI-COLOURED POINTS ON LEAF. BANNER PRINTED DOUBLE-SIDED; CORNERS HAVE METAL LOOPS. TOP AND BOTTOM EDGES OF BANNER ARE LOOPED WITH ENDS ADHERED TO BACK OF BANNER FOR HANGING. BANNER IS SEVERELY FOLDED AND CREASED ACROSS FRONT; BANNER HAS MINOR STAINING ON FRONT AND BACK; OVERALL VERY GOOD CONDITION.
Subjects
DOCUMENTARY ARTIFACT
Historical Association
COMMEMORATIVE
History
ON MARCH 29, 2018, COLLECTIONS TECHNICIAN KEVIN MACLEAN INTERVIEWED LORI HARASEM AND JENNIE SUDO REGARDING THE CITY OF LETHBRIDGE DONATION OF CANADA 150 MEMORABILIA. HARASEM AND SUDO WERE INVOLVED WITH ORGANIZING THE JULY 1, 2017 EVENTS FOR CANADA 150, WITH SUDO ACTING AS CHAIR FOR THE LETHBRIDGE CANADA DAY COMMITTEE WITH THE CITY OF LETHBRIDGE AND HARASEM AS A MEMBER OF THE COMMITTEE. ON THE BANNER, SUDO ELABORATED, “[IT] WAS THE MOST DIFFICULT THING TO PUT UP. WE WANTED TO MAKE SURE THAT THE CITY KNEW THAT WE WERE CELEBRATING CANADA’S 150, SO WHAT BETTER WAY TO DO THAT THAN DECORATE OUR DOWNTOWN AREA AND OUR STREETS WITH THESE BEAUTIFUL BANNERS? [IT WAS A LOT OF WORK] TO ORDER THE BANNERS AND FIT THEM TO THE POSTS AND FIND OUT WHICH LIGHT POSTS WE WERE ABLE TO PUT BANNERS ON.” HARASEM ADDED, “ONE OF THE NEAT THINGS [WAS]…THE FIRST TIME WE EVER REALLY DID BANNERS IN LETHBRIDGE WAS THE TOUR OF ALBERTA, AND [CANADA 150] WAS ONLY THE SECOND TIME AND NOW WE’VE CREATED THIS OPPORTUNITY THAT OTHER GROUPS LOOK AT AS THE POTENTIAL TO GIVE ATMOSPHERE THROUGH THE BANNERS AND HAVING BANNERS INSTALLED. IT WAS A HUGE PAIN, BUT JENNIE GOT THROUGH IT, AND AS A RESULT I THINK WE’VE GOT SOME REALLY GOOD INFORMATION GOING FORWARD SO THAT THIS CAN BE DONE MORE OFTEN WITHOUT SO MUCH OF A PAIN.” SUDO CONTINUED, “WE’VE MADE SOME INVESTMENTS, TOO, IN THE PARTS THAT ALL COME WITH HANGING A BANNER ON THE STREETLIGHT POST. THAT WAS ONE OF THE BIG HURDLES THAT WE WON’T HAVE TO WORRY ABOUT IN THE FUTURE, HOPEFULLY.” “WE HAD THIRTY-EIGHT BANNERS AND WE HAD ABOUT FIFTEEN OF THOSE BANNERS AROUND GALT GARDENS’ AREA AND THE REMAINING BANNERS WERE PUT ON MAYOR MAGRATH DRIVE, CLOSE TO HENDERSON PARK.” “[EACH BANNER COST] ABOUT A HUNDRED AND FIFTY DOLLARS, I WOULD SAY. IT’S THE ACTUAL HARDWARE THAT WE INVESTED IN THAT IS THE BIG COST…THEY WERE MADE IN EDMONTON BY A COMPANY CALLED AURORA FLAGS…THEY PROVIDED A LOT OF THE PROMOTIONAL MATERIAL TO A LOT OF ALBERTA FOR THE CANADA 150 CELEBRATIONS. THEY HAD SPECIFICALLY PURCHASED THE RIGHTS TO PRINT THE ‘CANADA 150’ LOGO, AND THEY WERE ONE OF THE ONLY COMPANIES THAT DID THAT IN ALBERTA HERE. THEY WERE QUITE POPULAR WITH PURCHASING THIS KIND OF PROMOTIONAL MATERIAL.” “IT WAS PRETTY EASY TO APPLY TO THE FEDERAL GOVERNMENT TO BE ABLE TO USE THIS LOGO AS FAR AS BEING A MUNICIPALITY. ALL WE HAD TO DO WAS GO ONLINE, PUT IN AN APPLICATION FOR APPROVAL, WAIT FOR OUR APPROVAL AND THEY SENT US A HUGE FILE THAT HAD ALL KINDS OF LOGOS AND LAYERS FOR THE LOGOS, AND WORDING, FONTS THAT WERE USED.” HARASEM AND SUDO RECALLED THEIR TIME PLANNING AND ORGANIZING THE 2017 EVENTS, WITH SUDO NOTING ABOUT THE PLANNING COMMITTEE, “THE LETHBRIDGE CANADA-DAY COMMITTEE IS A COMMITTEE THAT’S MADE UP OF CITY OF LETHBRIDGE EMPLOYEES IN PART WITH COMMUNITY VOLUNTEERS. MY POSITION AS THE COORDINATOR OF RECREATION AND CULTURE, I AM AUTOMATICALLY VOLUNTEERED FOR THIS COMMITTEE ALONG WITH OUR RECREATION AND CULTURE TEAM. THE CHAIRING RESPONSIBILITIES FOR THAT COMMITTEE GET ROTATED BETWEEN OUR TEAM MEMBERS EVERY TWO YEARS AND MY YEAR JUST SO HAPPENED TO FALL ON THIS VERY IMPORTANT, NOSTALGIC YEAR FOR CANADA’S 150.” “[THE COMMITTEE IS] ALWAYS IN EXISTENCE. I THINK [THERE] WAS A LOT OF PRESSURE, BUT REALLY GREAT PRESSURE. I WAS VERY PROUD TO BE ABLE TO BE PART OF THE COMMITTEE. AND BEING ABLE TO LEAD THE TEAM FOR MY VERY FIRST TURN AT CHAIRING THE COMMITTEE. I FELT A LOT OF PRIDE TO BE ABLE TO SHOW THAT OUR COMMUNITY CAN COME TOGETHER AND CELEBRATE CANADA’S 150.” “[THE] COMMITTEE [WAS] COMPRISED OF THE RECREATION AND CULTURE TEAM, WHICH WAS TWO MANAGERS, LORI HARASEM AND JASON FREUND, MYSELF AS THE CHAIR FOR [2017]. WE ALSO [HAD] MARLENE LAPOINTE, SARAH BURTON, SCOTT CARPENTER AND ONE OF OUR TEMPORARY EMPLOYEES, ERIC SHARP, [AS] PART OF THE COMMITTEE AS FAR AS THE CITY OF LETHBRIDGE SIDE GOES. WE ALSO HAD THREE PUBLIC VOLUNTEERS FROM THE COMMUNITY. WE HAD ADELLE HARRINGTON, BOBBY MCCALLUM AND DAVID FRITZ WHO ALSO PLAYED A HUGE ROLE IN HELPING COORDINATE SOME OF THE ACTIVITIES THERE.” “AS SOON AS CANADA DAY 2016 ENDED, WE WERE ALREADY THINKING ABOUT WHAT WE WERE GOING TO BRING BACK, WHAT KIND OF BUDGET WE WERE GOING TO NEED, WHAT KIND OF ACTIVITIES WE WERE GOING TO HAVE, HOW WE WERE GOING TO MAKE IT SPECIAL, AND MAKE IT STAND OUT THE NEXT YEAR…FOR THE REST OF THE CANADA DAY [EVENTS], THE ONES THAT AREN’T CANADA 150 OR STAND-OUT, WE WOULD PROBABLY ONLY START [PLANNING] ABOUT SIX MONTHS IN ADVANCE. BUT, THE PLANNING PROCESS FOR CANADA DAY, PERIOD, IS QUITE LONG AND STRENUOUS. WE HAVE TO THINK ABOUT SOME PRETTY TIGHT TIMELINES WHEN WE’RE TALKING ABOUT PLANNING AN EVENT THAT BIG. WE DEFINITELY NEEDED THE FULL YEAR TO PLAN CANADA 150.” “CURRENTLY, THE ONLY SPECIAL EVENT THAT THE CITY OF LETHBRIDGE REALLY HOSTS, AS A CORPORATION, IS THE CANADA DAY EVENT. WE RELY ON OUR COMMUNITY GROUPS TO DO MOST OF OUR OTHER SPECIAL EVENTS." ON THE EVENTS PLANNED, HARASEM RECALLED, “IN ALL HONESTY, FOR THE CANADA DAY ACTIVITIES ITSELF, THOUGH I’M ON THE COMMITTEE, I’M NOT AS INVOLVED WITH THAT AS OTHER THINGS THAT I OVERSAW THAT LASTED FROM JANUARY 1ST TO DECEMBER 31ST. SEEING JENNIE AND THE TEAM AND HOW MUCH THEY WORKED…THEY EVEN CHANGED THE LAYOUT AT HENDERSON LAKE THAT HAD BEEN THE SAME WAY FOREVER AND WE HAD TO GO TO SENIOR LEADERS OF THE CITY AND ASK FOR EXTRA MONEY BECAUSE THE BUDGET FOR CANADA DAY HASN’T CHANGED FOR TWELVE OR FIFTEEN YEARS. TO PUT ON SOMETHING THAT WE KNEW THE PUBLIC EXPECTED A LOT [FROM]…[WAS] MY BIGGEST ROLE WITH THE CANADA DAY. IT WAS A HUGE AMOUNT OF WORK AND IT WAS SO SUCCESSFUL, ESPECIALLY ON THE SOCIAL MEDIA SIDE. AT THE CITY, WE’RE USED TO SEEING A LOT OF NEGATIVE COMMENTS. OUR COMMUNICATIONS TEAM HAS SAID THAT THE MOST POSITIVE COMMENTS THEY’VE EVER HAD ON ANYTHING THAT THEY’VE EVER POSTED ON THEIR FACEBOOK WAS AFTER THE CANADA DAY. I THINK THAT THEIR TEAM, JENNIE’S TEAM, DID AMAZING AT MEETING THE EXPECTATIONS OF THE PUBLIC WHICH WERE VERY HIGH.” “I CAME IN [WITH THE COMMUNITY GROUPS ORGANIZING]. WE HAD A GRANT, ‘CANADA 150’. WE HAD EXTRA FUNDING INJECTED INTO OUR BUDGET FOR 2017 [AT] OUR REQUEST, SO THAT WE COULD HELP LOCAL GROUPS THAT WERE ALREADY DOING EVENTS TO THEME IT AROUND CANADA 150. NORMALLY, THE CITY’S RULES IS YOU CAN ONLY GET ONE GRANT FOR ANY EVENT, EVEN THOUGH THERE’S MULTIPLE GRANTS AVAILABLE. BUT, FOR CANADA 150, WE ALLOWED GROUPS TO GET THEIR NORMAL GRANT, AND WE ALLOWED THEM TO ASK FOR UP TO $750 EXTRA, AND THAT WOULD ALLOW THEM TO THEN THEME THEIR EVENT. WE DIDN’T CARE HOW THEY DID THAT. IF THEY WANTED TO USE $750 TO BUY RED AND WHITE CUPCAKES AND BALLOONS [THEY COULD]. WE HAD [AT THE] JAPANESE GARDEN A HUNDRED AND FIFTY JAPANESE DANCERS PERFORMING AND THEY BOUGHT SPECIAL RED MATCHING JACKETS WITH THE MONEY THEY GOT. IT WAS OUR WAY OF ENCOURAGING THE COMMUNITY TO CELEBRATE CANADA 150 ALL YEAR-ROUND. BECAUSE ALL WE DO IS CANADA DAY, WE HAD TO FIND A WAY TO HELP THE COMMUNITY CELEBRATE CANADA 150 AND TO PUT IT IN THE PUBLIC’S EYES ALL YEAR-ROUND IN ANY WAY WE COULD. WE HAD A LOT OF GROUPS AND A LOT OF EVENTS. THERE WAS THIRTY-EIGHT EVENTS THAT RECEIVED FUNDING OVER THE COURSE OF THE YEAR, SO THERE WAS SOMETHING EVERY MONTH OF THE YEAR.” “DURING 'PRETTY, WITTY AND GAY', WHICH IS AN EVENT THE LGBTQ COMMUNITY PUTS ON IN FEBRUARY/MARCH, THEY USED THEIR FUNDING TO [HAVE] A BIG BULLETIN BOARD WHERE PEOPLE [COULD] WRITE DOWN THEIR THOUGHTS ABOUT WHAT IT WAS LIKE TO BE GAY IN CANADA. AND TO SHARE THEIR FEELINGS ON [BEING GAY IN CANADA] TO CONNECT BECAUSE, OBVIOUSLY, WE’RE A MORE OPEN-MINDED COUNTRY AROUND THAT THAN MOST OF THE WORLD. THAT, TO ME, WAS A REALLY UNIQUE WAY TO CELEBRATE CANADA’S 150TH.” “WE ALSO HAD A SMALL THEATRE GROUP COME TOGETHER, A COLLECTIVE THAT HAD NEVER EXISTED BEFORE. THEY PUT ON A VERY CONTROVERSIAL PLAY ABOUT FORMER PRIME MINISTER STEPHEN HARPER WHICH I WENT TO SEE AND IT WAS PRETTY SMALL. IT WASN’T THIS HUGE PLAY WHICH IS DONE IN CASA IN THE BLACK BOX [THE COMMUNITY ATB ROOM] BUT IT WAS FUNNY. IT WAS VERY CONTROVERSIAL AND WE DID PUT SOME MONEY BEHIND THAT.” “[THERE WAS] UPPER VICTORIA PARK NEIGHBOURS. I HAD SO MANY NEIGHBOUR DAYS. BUT WITH NEIGHBOUR DAY BEING A VERY POPULAR EVENT IN JUNE, AND WE’VE GOT MORE NEIGHBOURHOOD ASSOCIATIONS FORMING, WE REALLY ENCOURAGED THE NEIGHBOURHOODS TO APPLY FOR THE GRANT. MOST OF THE NEIGHBOURHOOD ASSOCIATIONS, AT THIS POINT, THEIR NEIGHBOUR DAY EVENTS ARE PRETTY SMALL, UNDER A HUNDRED PEOPLE. BUT IT’S THE PERFECT PLACE TO CELEBRATE CANADA DAY AND CELEBRATE YOUR NEIGHBOURS. OF COURSE, UPPER VICTORIA PARK IS THE ‘GO BIG OR GO HOME’ NEIGHBOURHOOD ASSOCIATION FOR NEIGHBOUR DAY. IT’S EXCITING WHENEVER WE’RE ABLE TO SUPPORT THE THEME OF THE EVENT IN ANY WAY BECAUSE WE KNOW THAT PEOPLE FROM EVEN OUTSIDE LETHBRIDGE ATTEND THAT EVENT. WE’RE NOT JUST SUPPORTING THE MEMBERS OF UPPER VICTORIA PARK NEIGHBOURHOOD ASSOCIATION WHEN WE SUPPORT SOMETHING, SO IT WAS NEAT TO BE ABLE TO PUT SOME MONEY THERE.” “OF COURSE, WINTER LIGHTS FESTIVAL AT JAPANESE GARDEN IS A VERY NEW EVENT. THIS WAS ONLY ITS SECOND YEAR, EVER. THOUGH IT IS A TRADITIONAL, JAPANESE, CULTURAL WINTER EVENT, WE WERE ABLE TO GIVE THEM SOME FUNDING, TOO, BECAUSE THEY ACTUALLY [HAD] THE FIRST EVENT IN 2017 BECAUSE THEY START IN EARLY DECEMBER AND GO TILL FEBRUARY. THEY WERE THE LAST EVENT, ‘CAUSE THEY WERE ON NEW YEAR’S EVE IN 2017. THAT FESTIVAL, THE FIRST TWO YEARS OF IT, KICKED OFF THE BEGINNING OF CANADA 150 AND ENDED CANADA 150 FOR US. IT WAS NEAT TO HAVE SUCH AN IMPORTANT CULTURAL GROUP AND ATTRACTION IN LETHBRIDGE…BE THE FOCUS OF THAT. THERE WERE EVENTS OF ALL SIZES. WE EVEN HAD THE DOGS THAT [ON] THE LAST DAY OF OPERATIONS [AT WESTMINSTER POOL] IS JUST FOR DOGS. EVEN THE HUMANE SOCIETY GOT MONEY TO [HAVE] DOG CANDIES THAT WERE RED AND WHITE…DOG TREATS DECORATED WITH RED AND WHITE BALLOONS AND RIBBONS. I WENT TO IT AND IT WAS HILARIOUS. THE DOGS [TOOK] OVER THE POOL AND THEY’RE SO HAPPY, IN CELEBRATION OF CANADA’S 150TH.” “WE ALSO HAD FREE SWIMMING AND SKATING THROUGHOUT THE YEAR THAT THE CITY SPONSORED AS A CELEBRATION. THAT WAS BECAUSE WE OBVIOUSLY WANT PEOPLE TO BE ACTIVE AND WE WANT PEOPLE TO USE OUR FACILITIES, AND WE KNOW THAT COSTS CAN BE A BARRIER. EVERY MONTH WE HAD AT LEAST ONE FREE SWIMMING WHERE THE FIRST HUNDRED AND FIFTY PEOPLE WERE FREE. IN THE SUMMER THAT INCLUDED BOTH OF THE OUTDOOR POOLS, HENDERSON AND WESTMINSTER. HENDERSON WAS REALLY POPULAR ‘CAUSE IT’S ONLY SECOND YEAR OF OPERATIONS…IT’S STILL [A] VERY POPULAR PLACE TO GO. THEN, WE HAD FREE SKATING AT ALL OUR ARENAS, INCLUDING THE NEW ATB CENTRE AND WE HAD THOSE AT LEAST [ONCE] A WEEK THROUGHOUT THE WHOLE YEAR. THOUSANDS OF PEOPLE IN LETHBRIDGE GOT TO PARTICIPATE IN SWIMMING OR SKATING FOR FREE AS [PART OF THE] CELEBRATION. AT SOME OF THOSE, WE HANDED OUT LITTLE CANADA FLAGS OR CANADA TATTOOS OR HAD BALLOONS.” ON THE DONATION OF CANADA 150 MATERIALS TO THE MUSEUM, HARASEM NOTED, “I BELIEVE THAT THIS IS IMPORTANT TO GO TO THE GALT BECAUSE I KNOW THAT WHEN WE FIRST REALIZED WE NEEDED TO DO SOMETHING TO CELEBRATE THE 150TH, THE FIRST THING WE DID WAS LOOK BACK TO SEE WHAT HAPPENED AT THE 100TH AND WHAT WE HAD IN THE MUSEUM AND ELSEWHERE IN LETHBRIDGE FOR CELEBRATIONS THAT OCCURRED AT THAT TIME. [WE WERE LOOKING TO] SEE IF THERE WERE THINGS THAT WE COULD MIMIC OR SHOULD KNOW ABOUT. WE USED A LOT OF PHOTOS THROUGH OUR REC AND CULTURE GUIDE FOR THAT YEAR TO REMIND PEOPLE THAT, FIFTY YEARS AGO WAS THE BIG CENTENNIAL. WE THOUGHT THAT WHEN THE 200TH COMES, THAT PEOPLE WOULD PROBABLY BE WANTING TO LOOK BACK TO 2017 TO SEE WHAT HAD HAPPENED.” SUDO ADDED, “I THINK CANADA’S SESQUICENTENNIAL [150TH ANNIVERSARY] WAS VERY IMPORTANT TO REMEMBER BECAUSE FIFTY YEARS IS A LONG TIME AND A LOT HAPPENS IN FIFTY YEARS. IT’S GREAT TO BE ABLE TO LOOK BACK AT ALL OF THE THINGS THAT WE DID FOR CANADA’S SESQUICENTENNIAL AND REMEMBER ALL OF THE HARD WORK, AND THE COMMUNITY COMING TOGETHER AND SHOWING THEIR CANADIAN PRIDE.” FOR MORE INFORMATION INCLUDING THE FULL INTERVIEW TRANSCRIPTION, PLEASE SEE THE PERMANENT FILE P20180006007-GA.
Catalogue Number
P20180006005
Acquisition Date
2018-03
Collection
Museum
Images
Less detail
Material Type
Artifact
Materials
PAPER, INK
Catalogue Number
P20180029004
  2 images  
Material Type
Artifact
Date
1991
Materials
PAPER, INK
No. Pieces
1
Length
35
Width
25.3
Description
WHITE PAPER CALENDAR WITH RED FRONT. FRONT HAS BLACK TEXT “1991 CALENDAR ANNIVERSARY SPECIAL, ROYAL CANADIAN MULTICULTURAL POLICE, (FARCE), “COSTUME SUGGESTIONS”; FRONT HAS WHITE BOX WITH BLUE TRIM AND BLUE TEXT “WARNING!! MATERIAL CONTAINED HEREIN IS FICTITIOUS AND MAY BE OBJECTIONAL TO SOME PEOPLE. VIEWER DISCRETION IS ADVISED.” CALENDAR HAS HOLE PUNCHED IN TOP FOR HANGING. FIRST PAGE INSIDE CALENDAR INCLUDES EXAGGERATED PHOTOGRAPH OF MAN WEARING A TURBAN IN RCMP UNIFORM AND CAPTION “1991, SGT. KAMELL DUNG, [COPYRIGHT SYMBOL] HERMAN B. 1991”, PAGE FOR MONTHS JANUARY AND FEBRUARY. SECOND PAGE INCLUDES EXAGGERATED PHOTOGRAPH OF MAN IN RCMP UNIFORM AND KILT WITH CAPTION “1991, SCOTTY MACDRAFTY, [COPYRIGHT SYMBOL] HERMAN B. 1991”, PAGE FOR MONTHS MARCH AND APRIL. THIRD PAGE INCLUDES EXAGGERATED PHOTOGRAPH OF MAN WEARING HEADGEAR FEATURING QUEBEC FLAG AND RCMP UNIFORM, HOLDING A QUEBEC FLAG, WITH CAPTION “1991, FRANCOIS LES SPLIT, [COPYRIGHT SYMBOL] HERMAN B. 1991”, PAGE FOR MONTHS MAY AND JUNE. FOURTH PAGE INCLUDES EXAGGERATED PHOTOGRAPH OF MAN WEARING BLACK BRAIDS, BEADED HEADDRESS AND FEATHERS, RCMP UNIFORM AND HOLDING A KNIFE AND BOW WITH CAPTION “1991, CHARLIE MANY BEEFS, [COPYRIGHT SYMBOL] HERMAN B. 1991”, PAGE FOR MONTHS JULY AND AUGUST. FIFTH PAGE INCLUDES PHOTOGRAPH OF MAN WEARING GERMAN LEDERHOSEN AND RCMP UNIFORM, HOLDING A BEER STEIN, WITH CAPTION “1991, HANS HOSENSCHEISER, [COPYRIGHT SYMBOL] HERMAN B. 1991”; PAGE FOR MONTHS SEPTEMBER AND OCTOBER. SIXTH PAGE INCLUDES PHOTOGRAPH OF MAN WEARING BLACK BRAID, MUSTACHE, BROAD-BRIMMED STRAW HAT, AND RCMP UNIFORM WITH CAPTION “1991, WHO FLUNG DUNG, [COPYRIGHT SYMBOL] HERMAN B. 1991”, PAGE FOR MONTHS NOVEMBER AND DECEMBER. CALENDAR HAS MAY 25 CIRCLED IN BLUE INK WITH BLUE INK INSCRIPTION BESIDE “SANDI B DAY”; CALENDAR HAS DATES CIRCLED IN BLACK INK OCTOBER 13, 20, 27, NOVEMBER 3, 10, 22, 23, DECEMBER 2, 11.FRONT OF CALENDAR HAS BROWN STAIN IN LOWER LEFT CORNER AND CREASING ALONG LOWER EDGE; BACK HAS PINK, RED AND BLACK STAINING. CALENDAR IS STAPLED TOGETHER AT TOP WITH TWO STAPLES; OVERALL VERY GOOD CONDITION.
Subjects
DOCUMENTARY ARTIFACT
Historical Association
FURNISHINGS
History
ON DECEMBER 21, 2018, GALT MUSEUM CURATOR AIMEE BENOIT INTERVIEWED KEVIN MACLEAN REAGARDING HIS DONATION OF PERSONAL OBJECTS. ON THE ACQUISITION OF THE CALENDAR, IT WAS NOTED, “THE CALENDAR WAS BEING SOLD, ‘CAUSE I BOUGHT IT MYSELF, OUT OF LETHBRIDGE…AT A STORE.” “IN THE LATE ‘80S, EARLY 1990S…THERE’S A MEMBER OF THE [NATIONAL] SIKH COMMUNITY WHO WANTS TO WEAR A TURBAN AS A MEMBER OF THE R.C.M.P. THERE’S A LOT OF ANGST BY PEOPLE WHO DON’T UNDERSTAND WHY THIS SHOULD BE THE CASE AND THERE’S A BACKLASH THAT IS HAPPENING. I THINK SOME OF THAT BACKLASH IS COMING OUT OF SOUTHERN ALBERTA AND OUT OF LETHBRIDGE.” “AT THE SAME TIME, IN THE EARLY 1990S…YOU HAVE THE RISE OF THE QUEBEC SEPARATIST MOVEMENT OUT IN EASTERN CANADA. YOU HAVE THIS RISE OF WESTERN VALUE-TYPE STUFF AND PEOPLE FEEL, MAYBE, AS THOUGH THEY’RE BEING CHALLENGED. SO YOU HAVE THE REFORM PARTIES COMING UP. [BECAUSE] I’M A NEWS JUNKIE, I’M ACTIVELY INTERESTED IN THAT. THE FIRST AND ONLY TIME, IN 1992, THAT I ATTENDED A NOMINATION FOR A POLITICAL PARTY…IT WAS A REFORM PARTY [NOMINATION IN 1992]…I REMEMBER BEING AT THE ENMAX. I REMEMBER THE OTHER COMPETING NOMINEES AND I REMEMBER THE POLITICS OF THAT PARTICULAR MEETING. WITH THE UPCOMING ELECTION, A LOT OF MY MOTIVATION [I VOTED REFORM] WAS THAT THERE WAS A GREAT POTENTIAL THAT THE PQ WAS GOING TO FORM THE OFFICIAL OPPOSITION IN CANADA AND I JUST THOUGHT, THERE’S NO WAY THAT CAN HAPPEN.” “AT THE SAME TIME, PEOPLE, I DON’T KNOW WHO, PRODUCED THIS CALENDAR WHICH IS RACIST AND OFFENSIVE AND IT’S HORRIBLE. [I HAVE BEEN] ASHAMED [OF HAVING IT] BUT I RECOGNIZED THAT IT’S MATERIAL CULTURE. IT HAS POTENTIAL HISTORIC VALUE. THAT’S WHY IT’S BEEN KEPT. IT’S JUST THAT I COULD NOT BRING MYSELF TO SHARE THAT IT WAS IN MY POSSESSION AND THAT I BOUGHT IT.” “IT WOULD BE HARD TO SAY [WHAT THE LOCAL REPONSE TO THE PRODUCTION AND SALE OF THE CALENDAR WAS AT THE TIME] BECAUSE OUTSIDE OF MY IMMEDIATE CIRCLE…THAT CIRCLE WOULD BE CERTAINLY IN FAVOUR OF THIS THOUGHT. I DON’T REMEMBER ANY RESPONSE FROM LOCALS…AS AN EXAMPLE, IF THIS CALENDAR WAS BEING SOLD TODAY, MAYBE EVEN PRODUCED IN LETHBRIDGE, THERE WOULD BE PROTESTS. DO I REMEMBER ANYTHING LIKE THAT BACK, THEN? NOT AT ALL. IT’S REALLY EASY TO TARGET PEOPLE AND FEEL THIS WAY ABOUT PEOPLE WHEN YOU DON’T HAVE TO INTERACT WITH THEM OR SEE THEM. THEY’RE NOT EVEN ON THE LANDSCAPE SO IT’S REALLY EASY ‘CAUSE AGAIN, IT’S REALLY ABSTRACT, I THINK.” ON HIS DONATION OF THE CALENDAR, MACLEAN ELABORATED, “I’M OBVIOUSLY CONSCIOUS ABOUT CONFORMITY AND, FOR THE MOST PART…[PEOPLE] NOT ONLY WOULD WORK TO LOOK THE SAME…THEY DID [DRESS] THE SAME—SAME RUNNERS, SAME BLUE JEANS, TEE-SHIRT—GENERALLY SPEAKING, THROUGH THE ‘70S AND ‘80S, INTO THE ‘90S. I DON’T THINK THERE WAS A LOT OF DIVERSITY REFLECTED IN SOUTHERN ALBERTA. THAT’S MY OPINION. THERE CERTAINLY WASN’T OUT IN PICTURE BUTTE AND WHEN I’M VISITING LETHBRIDGE, I’M NOT SEEING IT OUTSIDE OF THE TRADITIONAL DIVERSITY WHICH WOULD BE JAPANESE-CANADIANS, WHICH WOULD BE HUTTERITES IN DOWNTOWN LETHBRIDGE, WHICH WOULD BE MEMBERS OF THE CHINESE POPULATION. THE OTHER THING IS THAT BECAUSE THE JAPANESE-CANADIANS ARE REPRESENTED OUT IN PICTURE BUTTE, I’M DATING A MEMBER OF [THE JAPANESE-CANADIAN] COMMUNITY AS WELL BY 1985.” “I STARTED ATTENDING UNIVERSITY IN THE SPRING OF ’92, AND THEN THE PEOPLE WHO I WOULD HAVE BEEN SHARING TIME WITH, I WOULD NOT HAVE BEEN SHARING TIME WITH ANYMORE. I THINK YOUR OUTLOOK BECOMES MUCH BROADER WHEN YOU’RE AT THE UNIVERSITY. THAT’S WHEN THE CHANGE HAPPENED. [THE CALENDAR IS] LITERALLY 1991 AND I’M IN UNIVERSITY BY 1992. I WOULDN’T SAY THAT THERE WAS THIS LIGHT SWITCH [MOMENT]. THAT WOULDN’T BE THE CASE BUT IT WOULD HAVE HAPPENED RELATIVELY SOON AFTER I STARTED UNIVERSITY.” “I WOULD HOPE THAT [THE CALENDAR] COULD BE USED IN SOME POSITIVE WAY TO CAST THE LIGHT ON CRAPPINESS…I LIKE TO HEAR FROM PEOPLE THAT [COMMUNITY VALUES ARE] CHANGING BUT THEN I KNOW, AT THE SAME TIME, THAT THERE’S A LOT OF PEOPLE THAT HAVEN’T CHANGED. THE DIFFERENCE THOUGH, I THINK, IS THAT WE’RE A MUCH MORE DIVERSE PLACE IN 2018 AND I THINK IT STARTED TWENTY YEARS AGO.” “[THE CALENDAR] SHOULD HAVE BEEN THROWN OUT IN 1993 BUT I THINK I RECOGNIZED IT FOR WHAT IT WAS; THAT POTENTIALLY IT COULD BE USED FOR GOOD NOW, THIRTY YEARS LATER, TO TELL A BROADER STORY ABOUT SOMETHING THAT STILL, TO SOME EXTENT, EXISTS TODAY.” ACCORDING TO ARTICLES FROM THE LETHBRIDGE HERALD, MEDICINE HAT NEWS, AND BRANDON SUN [MANITOBA], IN 1989 RCMP COMMISSIONER NORM INKSTER ANNOUNCED HIS RECOMMENDATIONS FOR CHANGES TO THE RCMP UNIFORM TO ALLOW SIKH MEN TO WEAR CULTURAL, RELIGIOUS TURBANS AND BEARDS. FOLLOWING THE ANNOUNCEMENT, IN 1989, BILL HIPSON OF CALGARY BEGAN PRODUCING PINS WITH THE DESIGN OF A SIKH MAN IN TURBAN AND RCMP UNIFORM, WITH TEXT WRITTEN DIAGONALLY ACROSS THE IMAGE “KEEP THE RCMP CANADIAN”. BY OCTOBER 1989, FACING BACKLASH ACROSS CANADA FOR THE DISCRIMINATORY MESSAGING OF THE PIN, HIPSON AGREED TO END PRODUCTION OF THE PIN AFTER FULFILLING PENDING ORDERS, HOWEVER INDICATED THAT OTHER DESIGNS MIGHT BE RELEASED. IN DECEMBER 1989, PETER KOUDA OF CALGARY BEGAN PRODUCING A PIN WITH THE DESIGN OF A CAUCASIAN MAN SURROUNDED BY THREE INDIVIDUALS OF VISIBLE MINORITIES, WITH TEXT AROUND THE PIN EDGE “WHO IS THE MINORITY IN CANADA?” THE PIN WAS SOLD ACROSS CANADA FOR $5.00. IN THE LATE 1980S AND EARLY 1990S, QUOTES ON STATISTICS FROM NEWSPAPER CLIPPINGS INDICATED THAT VISIBLE MINORITIES COMPRISED 6.3% OF THE CANADIAN POPULACE. IN JANUARY 1990, AFTER FACING NATIONAL CONDEMNATION FROM COMMUNITIES AND POLITICIANS, KOUDA BEGAN SELLING THE PIN INDEPENDENTLY WHEN SELLERS AND SUPPLIERS DROPPED IT FOR ITS DISCRIMINATORY MESSAGING, FOR FEAR OF OFFENDING CUSTOMERS OF VISIBLE MINORITIES. KOUDA CONTINUED TO SELL THE PIN, WITH NATIONAL PROTESTS TO HAVE CHARGES LAID FOR INCITING HATE PROPAGANDA. MANITOBA’S JUSTICE MINISTER, JAMES (JIM) MCCRAE DETERMINED THAT PRODUCTION OF THE PIN COULD NOT BE HALTED WITH CRIMINAL CHARGES, STATING THAT THE PINS COULD NOT BE DEFINED AS PROMOTING HATRED UNDER THE CANADIAN CRIMINAL CODE. CANADIAN CUSTOMS AND REVENUE CANADA ALSO STATED THAT THE PINS WERE NOT CLASSIFIED AS HATE PROPAGANDA UNDER THE CRIMINAL CODE, AND ALLOWED IMPORTATION OF THE PINS INTO CANADA. ON THE PINS, ALBERTA CULTURE MINISTER DOUG MAIN IN 1990 STATED THAT THEY WERE AN ISSUE FOR THE PEOPLE OF ALBERTA, AND NOT NECESSARILY FOR THE GOVERNMENT OF ALBERTA, ACCORDING TO A QUOTE FROM A LETHBRIDGE HERALD ARTICLE. IN FEBRUARY OF 1990, A CALENDAR PRODUCED BY HERMAN BITTNER OF LANGDON, ALBERTA BROUGHT ABOUT SIMILAR CHALLENGES OF HATE PROPAGANDA. BITTNER POSED IN A PHOTOGRAPH FOR THE CALENDAR AS A SIKH MAN IN A TURBAN AND RCMP UNIFORM, WITH THE PHOTOGRAPH CAPTIONED “SGT. KAMELL DUNG” AND THE INSCRIPTION “IS THIS CANADIAN OR DOES THIS MAKE YOU A SIKH?” JUSTICE MINISTER MCCRAE STATED THAT THE POSTER CONSTITUED INCITEMENT TO HATRED, AND THAT HE WOULD CHARGE ANYONE POLICE FOUND SELLING THE CALENDARS. THE 1990 CALENDAR WAS THEN BEING DISTRIBUTED BY TRAVELLING SALESMEN IN BARS ACROSS CANADA. A SECOND POSTER FEATURING DISCRIMINATORY MESSAGING AND IMAGES OF MULTIPLE VISIBLE MINORITIES EMERGED IN 1991. THE POSTER WAS ATTRIBUTED TO THE “ROYAL CANADIAN MULTICULTURAL POLICE”, WITH THE PHOTOGRAPHS COPYRIGHTED TO “HERMAN B.” [BITTNER]. THE WIDESPREAD MEDIA COVERAGE OF THE DISCRIMINATORY PINS AND CALENDARS GARNERED FURTHER SUPPORT FOR PROTESTS AGAINST SIKH MEN WEARING TRADITIONAL TURBANS AND BEARDS IN THE RCMP. THE PINS AND CALENDAR SAW HIGHER SALES AND DEMAND FOR THE PRODUCTS IN SHOPS ACROSS CANADA, AS STATED BY KOUDA AND BITTNER IN ARTICLES FROM 1990. IN 1990, FEDERAL SOLICITOR GENERAL PIERRE CADIEUX APPROVED THE DECISION TO ALLOW SIKH MEN TO WEAR TURBANS AND BEARDS IN THE RCMP. THE DECISION WAS MET WITH A PROTESTING PETITION SIGNED BY OVER 200,000 CANADIANS, ACCORDING TO ARTICLES FROM 1990. FOR MORE INFORMATION INCLUDING ARTICLES FROM THE LETHBRIDGE HERALD, BRANDON SUN, MEDICINE HAT NEWS, AND THE FULL INTERVIEW TRANSCRIPTION, PLEASE SEE THE PERMANENT FILE P20180029001-GA.
Catalogue Number
P20180029004
Acquisition Date
2018-12
Collection
Museum
Images
Less detail
Other Name
"R.W. AINSCOUGH, 93RD BATTERY"
Date Range From
1951
Date Range To
1959
Material Type
Artifact
Materials
COTTON, BRASS, COPPER
Catalogue Number
P20160017007
  2 images  
Material Type
Artifact
Other Name
"R.W. AINSCOUGH, 93RD BATTERY"
Date Range From
1951
Date Range To
1959
Materials
COTTON, BRASS, COPPER
No. Pieces
1
Length
90.2
Width
5.7
Description
GREY BELT WITH BRASS AND COPPER CLASP BUCKLE; BUCKLE HAS EMBOSSED CREST ON FRONT SHOWING A CROWN ABOVE AN ARTILLERY FIELD GUN, WITH A BANNER AT THE BOTTOM WITH THE TEXT “QUO FAS ET GLORIA DUCUNT”; BUCKLE HAS TEXT ENGRAVED ON BACK, “TOP, R.W. AINSCOUGH, 93 BTY (SP), R.C.A.”. BELT HAS BRASS AND COPPER CAPS ON ENDS WITH PAIRS OF METAL PRONGS EXTENDING FROM ENDS OF CAPS; BELT HAS TWO BRASS AND COPPER ADJUSTABLE LOOPS. INSIDE OF BELT HAS BLACK HAND-WRITTEN TEXT, “MAJOR R.W. AINSCOUGH, 93 BTY.” INSIDE OF BELT IS STAINED WITH WHITE AND YELLOW; INSIDE OF BELT IS WORN AND FRAYED BELOW PRONGS FROM ENDS; BUCKLE HAS WHITE AND GREEN RESIDUE FROM OXIDATION AT BASE OF CLASP; OVERALL VERY GOOD CONDITION.
Subjects
CLOTHING-ACCESSORY
Historical Association
MILITARY
PERSONAL CARE
History
ON SEPTEMBER 16, 2016, COLLECTIONS TECHNICIAN KEVIN MACLEAN INTERVIEWED CHRIS AINSCOUGH REGARDING HIS DONATION OF A COLLECTION OF MILITARY OBJECTS. THE OBJECTS BELONGED TO AISNCOUGH’S GRANDFATHER AND FATHER, WILLIAM GEORGE AINSCOUGH (FIRST WORLD WAR) AND REED WILSON AINSCOUGH (SECOND WORLD WAR AND POST-WAR). THE DONOR’S GREAT GRANDFATHER, WILLIAM THOMAS AINSCOUGH, MARRIED MARGARET A. AINSCOUGH IN 1878 AND EMIGRATED FROM SMITHFIELD, UTAH TO CANADA IN 1898, BRINGING SIX CHILDREN, AGED 1 TO 18, WITH THEM. WILLIAM GEORGE AINSCOUGH, THE DONOR’S GRANDFATHER, WAS AMONG THE CHILDREN (BORN 1885). THE AINSCOUGHS INITIALLY SETTLED IN WHISKEY GAP, ALBERTA, BEFORE RELOCATING TO WOOLFORD, ALBERTA. ACCORDING A RESUME FOR REED W. AINSCOUGH INCLUDED IN THE PERMANENT FILE, REED WILSON AINSCOUGH WAS BORN ON JUNE 21, 1918 IN CARDSTON, ALBERTA. IN 1940, REED AINSCOUGH JOINED THE 93RD BATTERY OF THE ROYAL CANADIAN ARTILLERY [RCA] STATIONED AT FORT MACLEOD, ALBERTA, AND WAS PROMOTED TO A SECOND LIEUTENANT. REED AINSCOUGH WAS POSTED OVERSEAS IN 1942 AND SERVED UNTIL HIS DISCHARGE ON JANUARY 8, 1946. LETHBRIDGE HERALD ARTICLES REPORTED REED AINSCOUGH AS BEING IN THE THICK OF THE FIGHTING IN FRANCE, NOTABLY AT CAEN. IT WAS REPORTED IN THE LETHBRIDGE HERALD IN 1944 THAT REED AINSCOUGH WAS PROMOTED TO CAPTAIN, AND WAS WOUNDED IN HIS LEG IN OCTOBER 1944. REED AINSCOUGH WAS SENT TO BELGIUM FOR SURGERY AND TO BE HOSPITALIZED, AND WAS RETURNED TO CANADA ON THE HOSPITAL SHIP H.M.C.S. LADY NELSON IN 1945. IN 1947, REED AINSCOUGH BECAME THE BATTERY COMMANDER OF THE 93RD BATTERY RCA, AND SERVED AS THE COMMANDER UNTIL 1959, BEING PROMOTED TO MAJOR IN 1951. IN 1959, UPON A TRANSFER WITH HIS EMPLOYMENT AT CANADA LIFE, HE MOVED TO MEDICINE HAT, ALBERTA, AND JOINED THE SOUTH ALBERTA LIGHT HORSE AS A SQUADRON COMMANDER IN 1961. IN 1964, HE WAS PROMOTED TO LIEUTENANT COLONEL AND COMMANDER OF THE SOUTH ALBERTA LIGHT HORSE, AND WAS APPOINTED AIDE-DE-CAMP TO LIEUTENANT GOVERNOR GRANT MACEWAN UNTIL HIS RETIREMENT. ON OCTOBER 20, 1993, REED WILSON AINSCOUGH PASSED AWAY IN LETHBRIDGE. ON HIS FATHER’S, REED WILSON AINSCOUGH’S, MILITARY SERVICE, CHRIS AINSCOUGH RECALLED, “I THINK THAT THE WAR WAS PROBABLY ONE OF THE BEST THINGS THAT HAPPENED TO MY DAD. HE NEVER SPOKE ABOUT IT MUCH, BUT THE FRIENDSHIPS THAT HE DEVELOPED THROUGH HIS CONTACTS IN THE WAR WENT ON RIGHT UNTIL HIS DEATH…IT’S PROBABLY LIKE BEING ON A TEAM, YOU KNOW, AND I THINK IT’S THAT FELLOWSHIP YOU GET FROM RELYING ON PEOPLE, AND TRAINING WITH PEOPLE, AND GETTING THEIR KNOWLEDGE AND UNDERSTANDING. I THINK THAT’S SORT OF A BIG PART OF IT.” AINSCOUGH ELABORATED ON HIS MOTIVES FOR DONATING THE COLLECTION, STATING, “I THINK [THE OBJECTS ARE] A BIG PART OF SOUTH ALBERTA’S HISTORY. DAD WAS VERY ACTIVE IN THE MILITARY AND THE MILITIA FOR MANY YEARS. I THINK THAT’S THE BIGGEST PART [OF WANTING TO DONATE THE OBJECTS]…IT’S DIVESTING, BECAUSE AFTER MY DAD DIED [IN 1992], MY MOTHER STAYED IN THE HOUSE FOR ABOUT 5 YEARS, AND THEN SHE MOVED OUT TO THE COAST. IT WAS AT THAT TIME, WHEN WE WERE GOING THROUGH THE STUFF IN THE HOUSE, THAT WE THOUGHT THIS IS A GOOD TIME TO GET IT DOWN TO SOMEPLACE LIKE THE GALT THAT WOULD LOOK AFTER IT.” FOR MORE INFORMATION INCLUDING THE MILITARY SERVICE FILES FOR WILLIAM GEORGE AINSCOUGH AND FRANK AINSCOUGH, NEWSPAPER CLIPPINGS ON WILLIAM GEORGE AND REED AINSCOUGH, A RESUME FOR REED AINSCOUGH, AND THE FULL INTERVIEW TRANSCRIPTION, PLEASE SEE THE PERMANENT FILE P20160017001-GA.
Catalogue Number
P20160017007
Acquisition Date
2016-06
Collection
Museum
Images
Less detail
Other Name
TROPHY BELT
Date Range From
1916
Date Range To
1919
Material Type
Artifact
Materials
LEATHER, BRASS, SILVER
Catalogue Number
P20190007009
  2 images  
Material Type
Artifact
Other Name
TROPHY BELT
Date Range From
1916
Date Range To
1919
Materials
LEATHER, BRASS, SILVER
No. Pieces
1
Length
101.3
Width
7.8
Description
LEATHER BELT WITH PINS AND BUTTONS FIXED; BELT HAS SILVER BUCKLE AT RIGHT END AND BUCKLE STRAP AT LEFT END; LEATHER IS STAMPED AT LEFT END WITH TEXT “[ILLEGIBLE] & COGGSHALL MILES [ILLEGIBLE]”. BELT HAS 22 PINS ATTACHED; PINS DISPLAYED INCLUDE: BRASS BAR WITH EMBOSSED TEXT “CANADA” [3 ON BELT]; COPPER AND BRASS BUTTON WITH LION IN CENTER AND TEXT AROUND EDGES “43 CAMERON HIGHLANDERS OF CANADA” [11 ON BELT]; COPPER AND BRASS MAPLE LEAF PIN WITH CROWN ABOVE TEXT “43 CAMERONS, CANADA” [2 ON BELT]; BRASS PIN DEPICTING OVAL SHIELD WITH CROWN AT TOP, MAPLE LEAF AND THISTLES AROUND BANNER, AND TEXT EMBOSSED ON OVAL BORDERS AND BANNER “OVERSEAS BATTALION, 113 CANADA, LETHBRIDGE HIGHLANDERS” [3 ON BELT]; COPPER AND BRASS PIN DEPICTING “C” ABOVE A BAR AND “43” BELOW BAR [2 ON BELT]; SILVER PIN DEPICTING ROUND SHIELD WITH CROWN AT TOP, MAPLE LEAVES DECORATING LEFT EDGE AND THISTLES DECORATING RIGHT EDGE, WITH AN “X” IN CENTER WITH A LION OVERLAID, AND TEXT EMBOSSED OVER INSIDE BORDER, “43 CAMERON HIGHLANDERS OF CANADA” AND TEXT EMBOSSED AT BASE, “BATTN. C.E.F., WINNIPEG” [1 ON BELT]. LEATHER IS CRACKED AND WORN; BELT SHOWS SLIGHT GREEN RESIDUE AROUND PINS AND BELT BUCKLE HOLES FROM COPPER OXIDATION; BUTTONS, PINS, AND BELT BUCKLE ARE TARNISHED; OVERALL VERY GOOD CONDITION.
Subjects
CLOTHING-ACCESSORY
Historical Association
MILITARY
PERSONAL CARE
History
ACCORDING TO HIS CANADIAN MILITARY SERVICE FILE, JOHN MACDIARMID ENLISTED WITH THE 113TH OVERSEAS BATTALION (LETHBRIDGE HIGHLANDERS) ON AUGUST 22, 1916. MACDIARMID WAS TRANSFERRED TO THE 17TH BATTALION ON OCTOBER 8, 1916, AFTER SAILING FROM CANADA OVERSEAS ON SEPTEMBER 25, 1916 WITH HIS UNIT. MACDIARMID WAS TAKEN ON STRENGTH WITH THE 43RD CANADIAN RESERVE BATTALION SERVING IN FRANCE ON OCTOBER 27, 1916. MACDIARMID WAS DISCHARGED FROM SERVICE IN MAY 1919. A MEMO RECEIVED AND INCLUDED WITH HIS SERVICE FILE INDICATES THAT JOHN MACDIARMID PASSED AWAY ON NOVEMBER 26, 1918 AT THE SHAUGHNESSY HOSPITAL IN VANCOUVER, B.C. ON MARCH 28, 2019, COLLECTIONS TECHNICIAN KEVIN MACLEAN INTERVIEWED CAROL AND BRETT CLIFTON REGARDING THEIR DONATION OF VARIOUS LETHBRIDGE AND MILITARY MEMORABILIA. THE OBJECTS WERE COLLECTED BY CAROL’S LATE HUSBAND, CHRIS CLIFTON, AND DONATED IN HIS MEMORY. ON THE HATE BELT, BRETT CLIFTEN NOTED, “THE PENNANTS AND THE TRAY IN PARTICULAR AND THE SPORRAN, ARE JUST THINGS LIKE, THEY’RE REALLY COOL.” ON CHRIS CLIFTON’S ACQUISITIONS OF THE OBJECTS, CAROL CLIFTON NOTED, “[CHRIS SEARCHED ON] AUCTION WEB…HE WAS A VERY EARLY USER. THESE THINGS COST MONEY. CHRIS AND I WERE ALWAYS LIKE, ‘OH WELL, ONE DAY WE’LL DONATE THEM AND IT’LL BE OUR GIFT TO CHARITY...'” “MUCH OF THE REST [OF THE COLLECTION] WAS FOUND BY CHRIS ON EBAY…IT COULD BE THE MIDDLE OF THE NIGHT [AND CHRIS WOULD SAY], ‘HEY, BRETT, GUESS WHAT’S ON EBAY?’” “HE DIDN’T THINK TWICE. IF [AN ITEM] WAS THERE AND HE COULD AFFORD IT, HE GOT IT...IT WAS LIKE HE FELT LIKE HE WAS SAVING IT. I SUPPOSE, AS A MUSEUM, YOU CAN’T NECESSARILY JUST BUY WITH THAT ABANDON BECAUSE YOU HAVE PEOPLE YOU HAVE TO ANSWER TO. WELL, HE DIDN’T HAVE TO ANSWER TO ANYONE...IF HE FELT IT BELONGED IN LETHBRIDGE HE BOUGHT IT...[HE WAS] BRINGING IT HOME.” ON THEIR MOTIVES FOR DONATING THE COLLECTIONS, CAROL CLIFTON NOTED, “THE FIRST REASON THAT WE DECIDED TO DONATE AT THIS TIME…IS THAT WE THOUGHT IT WOULD BE A NICE WAY TO HONOUR [CHRIS] TO MAKE SURE THAT THE COLLECTION ALWAYS STAYED IN SOUTHERN ALBERTA AND THAT IT’S AVAILABLE TO PEOPLE WITH SIMILAR INTERESTS. [THE DONATION] WOULD BE SOMETHING IN HIS MEMORY THAT WOULD KEEP HIS MEMORY ALIVE.” ON HER HUSBAND’S INTEREST IN SOUTERN ALBERTA HISTORY, CAROL CLIFTON ELABORATED, “CHRIS PASSED AWAY…[HE] REALLY MADE US INTERESTED IN HISTORY. FOR HIM IT WAS ALL ABOUT LOCAL HISTORY, SO ANYTHING THAT HE COLLECTED HAD A LETHBRIDGE OR SOUTHERN ALBERTA CONNECTION OR HE DIDN’T COLLECT IT. HE LIKED TO RESEARCH THEM.” “[CHRIS] WAS VERY PROUD TO HAVE BEEN RAISED MORMON FROM A MORMON FAMILY THAT HAD DEEP PIONEER ROOTS INTO UTAH, AND WERE ORIGINALS TO UTAH AND ORIGINALS TO SOUTHERN ALBERTA. ALONG WITH THAT MORMONS…REALLY ENCOURAGE HISTORY IN TERMS OF COLLECTING THEIR ARTIFACTS OR RELIGIOUS ARTIFACTS, AND GENEALOGY. [CHRIS DID] ALL OF HIS OWN GENEALOGY AND HE WOULD DO GENEALOGY FOR ANYONE HE KNEW. WE JUST LITERALLY HAVE REAMS OF PERSONAL HISTORY AND GENEALOGY IN THAT FORM. IT GREW FROM THERE. [CHRIS] WAS A COLLECTOR AT HEART, HE BEGAN COIN COLLECTING AND DID A LOT OF WORK FOUNDING A NUMISMATICS SOCIETY IN TOWN AND BELONGED TO SEVERAL, AND DISPLAYED ON A NATIONAL LEVEL.” “IN TERMS OF THE MILITARY ITEMS, I WOULD SAY [HIS INTEREST BEGAN] WITH HIS DAD BEING FROM THE CALGARY TANK REGIMENT IN DIEPPE AND A PRISONER OF WAR. HIS DAD’S MOTHER HAD SAVED A BUNCH OF ITEMS AND BEFORE CHRIS’ DAD PASSED AWAY, HE GAVE EVERYTHING TO CHRIS…THAT KIND OF FOSTERED [HIS INTEREST IN MILITARY COLLECTIONS] AND THEN IT JUST GREW INTO INTERESTING LOCAL THINGS.” “CHRIS LOVED SOUTHERN ALBERTA, AND NO MATTER WHAT, HE NEVER WOULD HAVE LEFT SOUTHERN ALBERTA. HE LOVED TO TRAVEL BUT HE NEVER WOULD HAVE MOVED. HE LIVED IN MAGRATH AND LETHBRIDGE HIS WHOLE LIFE AND HAD NO INTEREST IN ANY OTHER PLACE BUT HERE.” ON CHRIS’ RESEARCH EFFORTS, CAROL CLIFTON RECALLED, “CHRIS WAS METICULOUS. ANYTHING CHRIS DID, HE DID IT TEN TIMES MORE THAN ANYONE ELSE WOULD. HE WOULD NOT GIVE UP…WHEN [HIS SON] BRETT DID THE CENOTAPH WORK, CHRIS WOULD HELP HIM IDENTIFY [THE NAMES] AND IT WOULD BE A DEAD END AFTER ANOTHER DEAD END, AND THE NEXT THING YOU KNEW WAS CHRIS HAD FOUND A RELATIVE IN ENGLAND WHO WAS A GREAT GRANDDAUGHTER’S NEIGHBOR. HE WOULD LITERALLY SPEND YEARS RESEARCHING ONE THING. IT WAS JUST HIS PERSONALITY AND HIS LEVEL OF INTEREST AND HE DIDN’T STOP THERE, HE WOULD DO IT FOR ANYONE…HE WAS A VERY GIVING PERSON AND HE WAS SO FANTASTICALLY GOOD AT THAT TYPE OF RESEARCH.” “[CHRIS] AND BRETT TOGETHER WOULD DO [THE RESEARCH] AND I WOULD DO IT OUT OF INTEREST…I DON’T KNOW OF ANYONE WHO DID IT TO THE LEVEL HE DID. HE WOULD BE UP IN THE MIDDLE OF THE NIGHT FOLLOWING A LEAD IN EUROPE ON SOMEONE HE DIDN’T KNOW FOR SOMEONE HE BARELY KNEW…[CHRIS WAS] TOTALLY SELF-TAUGHT…OF COURSE WITH THE INTERNET IT BECAME MUCH EASIER FOR EVERYONE TO [SEARCH]. THE GENEALOGY HE DID BEFORE WAS PRE-INTERNET SO THAT INVOLVED A LOT OF ARCHIVAL THINGS…HE BEGAN RESEARCH WORK VERY EARLY IN THE INTERNET AND WE GOT OUR FIRST COMPUTER IN 1995, AND HE PRETTY MUCH DID RESEARCH FROM THEN ON. HE WAS INTERESTING IN THAT NO MATTER WHAT RESEARCH HE DID HE DIDN’T WANT CREDIT FOR IT. HE DIDN’T WANT TO BELONG TO THINGS…IN ADDITION, HE DIDN’T LIKE TO DO THE WRITING, ALTHOUGH HE COULD WRITE, BUT HE WAS THE BEST PROOF READER BECAUSE HE WAS SO METICULOUS, AND HE WOULD PROOF READ FOR ANYONE. [IF] SOMEBODY WROTE AN ARTICLE HE WOULD BE A PROOF READER OR A FACT CHECKER. IT WAS JUST HIS NATURE…[HE WAS] STUBBORN, AND COMPETITIVE, AND INTERESTED, AND METICULOUS, AND IF HE DID IT IT’S CORRECT. IF THERE’S A MISTAKE IN IT HE SURE DIDN’T KNOW IT. HE WOULD HAVE NEVER PUT ANYTHING DOWN HE WASN’T PRETTY DARN SURE OF.” FOR MORE INFORMATION INCLUDING THE FULL INTERVIEW TRANSCRIPTION AND LETHBRIDGE HERALD ARTICLES, PLEASE SEE THE PERMANENT FILE P20190007001-GA.
Catalogue Number
P20190007009
Acquisition Date
2019-03
Collection
Museum
Images
Less detail
Date Range From
1950
Date Range To
1951
Material Type
Artifact
Materials
LEATHER, BRONZE
Catalogue Number
P20180026000
Material Type
Artifact
Date Range From
1950
Date Range To
1951
Materials
LEATHER, BRONZE
No. Pieces
1
Length
76
Width
2
Description
DOUBLE-BUCKLED BROWN LEATHER BELT, FLOWER IN CENTER WITH FILIGREE DESIGN. TWO BUCKLES STAMPED “SOLID BRONZE.” 38 CM FROM BUCKLE TO BUCKLE ON ONE SIDE. BELT IS 2 CM IN WIDTH ON BACK AND MOST OF FRONT, FRONT CENTER DESIGN IS 7 CM AT WIDEST POINT. MINOR WEAR ON LEATHER AROUND BUCKLES FROM BENDING. FOUR BUCKLE HOLES ON EACH SIDE.
Subjects
ARMAMENT-ACCESSORY
CLOTHING-ACCESSORY
Historical Association
DOMESTIC
History
ON NOVEMBER 28, 2018, COLLECTIONS TECHNICIAN KEVIN MACLEAN INTERVIEWED MIRIAM SMITH REGARDING SMITH’S DONATION OF THE LEATHER BELT. THE BELT WAS GIVEN TO HER BY A RESEARCH STATION CO-WORKER NAMED ALEC JOHNSON, WHO DID LEATHER WORK. DURING THE INTERVIEW, SMITH EXPLAINED THAT SHE DID SECRETARIAL WORK AT THE RESEARCH STATION, IN THE LATE 1940S TO EARLY 1950S, BEFORE SHE GOT MARRIED. SHE REMEMBERS JOHNSON FROM HER TIME THERE: “[AS] A TALL GOOD LOOKING RED HEADED FELLOW AND I USED TO THINK HE WAS PRETTY CUTE BUT ANYWAYS HE MADE ME THIS BELT.” SMITH SPOKE ABOUT THE TIMELINE OF JOHNSON MAKING THE BELT: “IT WOULD HAVE TO BE ’50, ’51 IN THAT AREA THERE BUT HE WAS DOING TOOL LEATHER AND IT WAS REALLY VERY NICE AND HE SHOWED ME AND I ASKED IF HE’D MAKE ME A BELT AND HE DID. HE DIDN’T EVEN CHARGE ME FOR IT.” SMITH SPOKE ABOUT HER WEAR OF THE BELT DURING THE INTERVIEW: “I WORE IT QUITE A LOT A LONG TIME AGO BUT BELTS USED TO BE THE IN THING BUT I DON’T, I DON’T, I GOT A DRAWER FULL OF BELTS AND I DON’T WEAR THEM.” DESPITE HER MORE RECENT INFREQUENT USAGE OF THE BELT, SMITH STATED THAT SHE KEPT IT BECAUSE SHE “JUST ALWAYS TREASURED IT BECAUSE IT WAS MADE FOR ME.”
Catalogue Number
P20180026000
Acquisition Date
2018-11
Collection
Museum
Less detail

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