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Other Name
LETHBRIDGE TRANSIT DIAMOND FARE BOX
Date Range From
1970
Date Range To
2012
Material Type
Artifact
Materials
STEEL, BRASS, PLASTIC
Catalogue Number
P20140018000
  1 image  
Material Type
Artifact
Other Name
LETHBRIDGE TRANSIT DIAMOND FARE BOX
Date Range From
1970
Date Range To
2012
Materials
STEEL, BRASS, PLASTIC
No. Pieces
1
Height
58.5
Length
16
Width
15
Description
CYLINDER WITH STEEL BASE BOLTED TO CLEAR PLASTIC CANISTER, TOPPED WITH ROUNDED ALUMINIUM CAP WITH BEVELED SLOT THAT OPENS INTO PLASTIC CANISTER WITH TWO TOOTHED, METAL, ANGLED FLAPS. BASE HAS TWO IRREGULAR METAL SHAPES EMERGING FROM ONE SIDE, AND A RED, WHITE, AND YELLOW LABEL STUCK TO THE OPPOSITE SIDE THAT READS “CASH FARES – PLEASE OBTAIN A TRANSFER WHEN PAYING FARE… L.A. TRANSIT…”. BASE BOTTOM IS STOPPED WITH BRASS PLUG, STAMPED WITH TEXT READING “DIAMOND MFG. CO. – KANSAS CITY, MO.” AND “47” HANDWRITTEN IN BLACK MARKER. GENERAL WEAR, NICKS IN METAL, CLOUDING OF PLASTIC, SCUFFS AND TEARS ON LABEL, TAPE RESIDUE ALONG BOTTOM EDGE. OVERALL GOOD CONDITION.
Subjects
LAND TRANSPORTATION-ACCESSORY
Historical Association
TRANSPORTATION
RETAIL TRADE
History
THIS FARE BOX WAS PRODUCED BY DIAMOND MANUFACTURING IN KANSAS CITY, MISSOURI, AND USED IN LETHBRIDGE TRANSIT BUSES BETWEEN 1970 AND 2012. ON APRIL 23, 2015, COLLECTIONS TECHNICIAN INTERVIEWED DIANE BOULTON, AN EMPLOYEE WITH LETHBRIDGE TRANSIT FROM 1975 TO 2014. BOULTON SAID: “I WAS A BUS DRIVER AND THEN WENT ON TO BECOME PART OF MANAGEMENT… [THIS TYPE OF FARE BOX] WAS IN SERVICE WHEN I STARTED WITH THE DEPARTMENT IN 1975 AND HAD PROBABLY BEEN IN SERVICE FOR MAYBE FIVE TO 10 YEARS [ALREADY]. IT IS CALLED A DIAMOND FARE BOX… IT WOULD BE MOUNTED ON A STANCHION NEXT TO THE DRIVER’S COMPARTMENT… IT’S A STAINLESS STEEL CYLINDER THAT IS OPEN… AND WE WOULD SLIDE A SOLID BRASS CYLINTER UP INSIDE OF IT THAT WAS A LOCKING MECHANISM FOR THE FARE BOX… THERE WAS A LOCKING MECHANISM ON [THE] FLANGE THAT WOULD LOCK IT IN PLACE AND [IT] REQUIRED A TWO-KEY SYSTEM TO GET IN AND OUT OF… AT THE TOP, IT’S AN OPEN CYLINDER, SO SOMEBODY COULD COME IN WITH A HANDFUL OF CASH AND… YOU ARE GOING TO GET MULTIPLE TYPES OF COINS… IT’S REALLY HARD TO COUNT THE PHYSICAL FARE… SO YOU’RE TAKING THE CUSTOMER ON THEIR HONESTY… THE DRIVERS [ALSO] HAD TO PHYSICALLY COUNT WHEN WE WERE DOING PASSENGER COUNTS TO TRY AND GET SOME SORT OF STATISTICAL ANALYSIS OF HOW MANY PEOPLE WERE RIDING, WHAT FARE CATEGORIES WERE RIDING… WITH THE ELECTRONIC FARE BOX [ADOPTED BY LETHBRIDGE TRANSIT IN 2012], IT TELLS EXACTLY WHEN IT’S GOT THE ALLOTTED FARE [AND] AT THE SAME TIME IT’S TAKING YOUR FARE, IT’S COUNTING YOU AS A PASSENGER… THE ELECTRONIC FARE BOX GIVES US A HUGE AMOUNT OF DATA, THAT VERY EASILY IT OBTAINED, WHILE THIS ONE WAS MORE ONEROUS… [ANOTHER REASON] THAT WE STARTED TO SWITCH OUT WAS THAT WE STARTED TO GET DIFFICULTY IN GETTING PARTS BECAUSE THE [DIAMOND] FARE BOX ITSELF WAS FAIRLY OLD.” BOULTON CONTINUED: “BECAUSE IT’S WHAT I USED ALL THE TIME [AS A BUS DRIVER] THERE’S SOME NOSTALGIA THERE… THE SIMPLICITY OF IT… AS THINGS CHANGE AND MOVE FORWARD… IT’S KINDA NEAT… I THINK WHEN I FIRST STARTED IT WAS… $0.65 FOR AN ADULT FARE, AND $0.25 OR $0.35 FOR 17 OR UNDER CHILD FARE, AND SENIORS HAD A PASS THAT THEY RODE FREE… THERE WAS THE ODD TIME WHERE PEOPLE WOULD TRY AND FIGURE OUT A WAY TO GET THE CYLINDER OUT OF A BOTTOM OF IT… AND OCCASIONALLY THE CYLINDERS WOULD FALL OUT IF [YOU] WERE IN A HURRY WHEN YOU WERE PUTTING THEM IN AND YOU DIDN’T QUITE GET THE LOCKING MECHANISM SHUT… YOU’D BE DRIVING DOWN THE ROAD AND ALL OF A SUDDEN, BOOM! THE CYLINDER WOULD DROP OUT OF THE BOTTOM… WE HAD 50-60 OF THE DIAMOND FARE BOXES [AND] THE ACTUAL COIN CYLINDERS THAT WENT UP INSIDE, WE PROBABLY HAD 120-150 OF THOSE BECAUSE, FOR EVERY [FULL] ONE YOU DROPPED OUT, YOU HAD TO PUT ANOTHER UP AND THEY WOULD GET DROPPED OUT AT NIGHT, SO THEY WOULDN’T GET OPENED UNTIL THE NEXT MORNING [FOR FARES TO BE COUNTED].” ACCORDING TO THE ARTICLE “DIAMOND FAREBOXES ARE FOREVER”, PUBLISHED IN FEBRUARY 2013 ON BUSRIDE.COM, DIAMOND MANUFACTURING HAS PRODUCED ROUND FAREBOXES FOR COIN FARES SINCE 1947. DIAMOND-BRAND FAREBOXES ARE USED BY TRANSIT SYSTEMS IN EVERY AMERICAN STATE, THROUGHOUT CANADA, AND IN MEXICO, VENEZUELA, BERMUDA AND GUAM. THE AVERAGE LIFESPAN OF A DIAMOND FAREBOX IS 30 YEARS, WITH LITTLE MAINTENANCE REQUIRED DUE TO THE SIMPLICITY OF THE DESIGN. SEE PERMANENT FILE FOR HARDCOPIES OF FULL INTERVIEW TRANSCRIPT AND ONLINE SOURCE MATERIAL.
Catalogue Number
P20140018000
Acquisition Date
2014-05
Collection
Museum
Images
Less detail
Other Name
LIBRARY CARD CATALOGUE
Date Range From
1965
Date Range To
2010
Material Type
Artifact
Materials
WOOD, PAPER, METAL
Catalogue Number
P20140025001
  2 images  
Material Type
Artifact
Other Name
LIBRARY CARD CATALOGUE
Date Range From
1965
Date Range To
2010
Materials
WOOD, PAPER, METAL
No. Pieces
31
Height
100.75
Length
103.25
Width
46
Description
.1 – WOOD CABINET CONTAINING 30 DRAWERS IN SIX ROWS (.2 - .31). CABINET’S FOUR LEGS AND EDGES ARE SQUARED, WITH THREE METAL ANGLED BRACKETS AND TWO WOODEN CORNER BRACES ATTACHING THE CABINET BODY TO THE LEGS. WOOD IS STAINED BLONDE. STAMPED TEXT IN BLUE INK ON UNDERSIDE OF CABINET READS "MADE IN CANADA". GENERAL WEAR AND SCUFFS OVERALL, ESPECIALLY ALONG TOP FRONT EDGE AND BOTTOM FRONT SKIRTING PANEL. DRIPS OF WHITE PAINT ON EDGES OF BOTH FRONT LEGS AND CABINET BACK EDGES. OVERALL GOOD CONDITION. 100.75 X 46 X 103.25 ALL DRAWERS (.2 - .31) ARE WOOD WITH BRASS LABELPLATES AND MEASURE 9.75 X 14.5 X 41. .2 – FULL OF CATALOGUE CARDS WITH TYPED AND HANDWRITTEN NOTES ON BOTH SIDES. HANDWRITTEN DRAWER LABEL READS “LYRICS INDEX”. DRAWER ROD IS IN PLACE; METAL FILING CLIP INSIDE DRAWER AT BACK. .3 – FULL OF CATALOGUE CARDS WITH TYPED AND HANDWRITTEN NOTES ON BOTH SIDES. HANDWRITTEN DRAWER LABEL READS “LYRICS INDEX”. DRAWER ROD IS IN PLACE; METAL FILING CLIP INSIDE DRAWER AT BACK. .4 – EMPTY EXCEPT FOR METAL FILING CLIP INSIDE DRAWER AT BACK. NO LABEL OR DRAWER ROD. .5 – HALF FULL OF LOOSE CATALOGUE CARDS WITH TYPED AND HANDWRITTEN NOTES ON BOTH SIDES. NO LABEL OR DRAWER ROD; METAL FILING CLIP INSIDE DRAWER AT BACK. .6 - EMPTY EXCEPT FOR METAL FILING CLIP INSIDE DRAWER AT BACK. NO LABEL OR DRAWER ROD. .7 - FULL OF CATALOGUE CARDS WITH TYPED AND HANDWRITTEN NOTES ON BOTH SIDES. HANDWRITTEN DRAWER LABEL READS “LYRICS INDEX”. NO DRAWER ROD; METAL FILING CLIP INSIDE DRAWER AT BACK. .8 - FULL OF CATALOGUE CARDS WITH TYPED AND HANDWRITTEN NOTES ON BOTH SIDES. HANDWRITTEN DRAWER LABEL READS “LYRICS INDEX”. DRAWER ROD IS IN PLACE; METAL FILING CLIP INSIDE DRAWER AT BACK. DRAWER ROD BRACKET IS MISSING ONE SCREW AND HANGS LOOSE. .9 - FULL OF CATALOGUE CARDS WITH TYPED AND HANDWRITTEN NOTES ON BOTH SIDES. HANDWRITTEN DRAWER LABEL READS “LYRICS INDEX”. NO DRAWER ROD; METAL FILING CLIP INSIDE DRAWER AT BACK. .10 - FULL OF CATALOGUE CARDS WITH TYPED AND HANDWRITTEN NOTES ON BOTH SIDES. HANDWRITTEN DRAWER LABEL READS “LYRICS INDEX”. NO DRAWER ROD; METAL FILING CLIP INSIDE DRAWER AT BACK. .11 - EMPTY EXCEPT FOR METAL FILING CLIP INSIDE DRAWER AT BACK. NO LABEL; DRAWER ROD IN PLACE. .12 - FULL OF CATALOGUE CARDS WITH TYPED AND HANDWRITTEN NOTES ON BOTH SIDES. HANDWRITTEN DRAWER LABEL IS FADED AND ILLEGIBLE. DRAWER ROD IS IN PLACE; METAL FILING CLIP INSIDE DRAWER AT BACK. .13 - FULL OF CATALOGUE CARDS WITH TYPED AND HANDWRITTEN NOTES ON BOTH SIDES. HANDWRITTEN DRAWER LABEL READS “L.H. NEWS 1989”. DRAWER ROD IS IN PLACE; METAL FILING CLIP INSIDE DRAWER AT BACK. .14 - FULL OF CATALOGUE CARDS WITH TYPED AND HANDWRITTEN NOTES ON BOTH SIDES. HANDWRITTEN DRAWER LABEL READS “L.H. NEWS 1989”. DRAWER ROD IS IN PLACE; METAL FILING CLIP INSIDE DRAWER AT BACK. .15 - FULL OF CATALOGUE CARDS WITH TYPED AND HANDWRITTEN NOTES ON BOTH SIDES. HANDWRITTEN DRAWER LABEL READS “L.H. NEWS 1989”. NO DRAWER ROD; METAL FILING CLIP INSIDE DRAWER AT BACK. .16 - FULL OF CATALOGUE CARDS WITH TYPED AND HANDWRITTEN NOTES ON BOTH SIDES. HANDWRITTEN DRAWER LABEL READS “L.H. NEWS 1989”. NO DRAWER ROD; METAL FILING CLIP INSIDE DRAWER AT BACK. .17 - FULL OF CATALOGUE CARDS WITH TYPED AND HANDWRITTEN NOTES ON BOTH SIDES. HANDWRITTEN DRAWER LABEL READS “L.H. NEWS 1990”. NO DRAWER ROD; METAL FILING CLIP INSIDE DRAWER AT BACK. .18 - FULL OF CATALOGUE CARDS WITH TYPED AND HANDWRITTEN NOTES ON BOTH SIDES. HANDWRITTEN DRAWER LABEL READS “L.H. NEWS 1989”. DRAWER ROD IS IN PLACE; METAL FILING CLIP INSIDE DRAWER AT BACK. .19 - FULL OF CATALOGUE CARDS WITH TYPED AND HANDWRITTEN NOTES ON BOTH SIDES. HANDWRITTEN DRAWER LABEL READS “L.H. BIOGRAPHY 1989 A-J”. DRAWER ROD IS IN PLACE; METAL FILING CLIP INSIDE DRAWER AT BACK. .20 - FULL OF CATALOGUE CARDS WITH TYPED AND HANDWRITTEN NOTES ON BOTH SIDES. HANDWRITTEN DRAWER LABEL READS “L.H. BIOGRAPHY 1989 J-S”. DRAWER ROD IS IN PLACE; METAL FILING CLIP INSIDE DRAWER AT BACK. .21 – HALF FULL OF CATALOGUE CARDS WITH TYPED AND HANDWRITTEN NOTES ON BOTH SIDES. HANDWRITTEN DRAWER LABEL READS “L.H. BIOGRAPHY 1989 S-Z”. DRAWER ROD IS IN PLACE; METAL FILING CLIP INSIDE DRAWER AT BACK. .22 - FULL OF CATALOGUE CARDS WITH TYPED AND HANDWRITTEN NOTES ON BOTH SIDES. HANDWRITTEN DRAWER LABEL READS “L.H. BIOGRAPHY 1990 A-K DONE”. DRAWER ROD IS IN PLACE; METAL FILING CLIP INSIDE DRAWER AT BACK. .23 - FULL OF CATALOGUE CARDS WITH TYPED AND HANDWRITTEN NOTES ON BOTH SIDES. NO LABEL. DRAWER ROD IS IN PLACE; METAL FILING CLIP INSIDE DRAWER AT BACK. .24 - FULL OF CATALOGUE CARDS WITH TYPED AND HANDWRITTEN NOTES ON BOTH SIDES. HANDWRITTEN DRAWER LABEL READS “L.H. AUTHORITY”. DRAWER ROD IS IN PLACE; METAL FILING CLIP INSIDE DRAWER AT BACK. .25 - FULL OF CATALOGUE CARDS WITH TYPED AND HANDWRITTEN NOTES ON BOTH SIDES. HANDWRITTEN DRAWER LABEL READS “L.H. AUTHORITY”. DRAWER ROD IS IN PLACE; METAL FILING CLIP INSIDE DRAWER AT BACK. .26 - FULL OF CATALOGUE CARDS WITH TYPED AND HANDWRITTEN NOTES ON BOTH SIDES. HANDWRITTEN DRAWER LABEL IS FADED AND ILLEGIBLE. DRAWER ROD IS IN PLACE; METAL FILING CLIP INSIDE DRAWER AT BACK. .27 - FULL OF CATALOGUE CARDS WITH TYPED AND HANDWRITTEN NOTES ON BOTH SIDES. HANDWRITTEN DRAWER LABEL IS FADED AND ILLEGIBLE. DRAWER ROD IS IN PLACE; METAL FILING CLIP INSIDE DRAWER AT BACK. .28 - FULL OF CATALOGUE CARDS WITH TYPED AND HANDWRITTEN NOTES ON BOTH SIDES. HANDWRITTEN DRAWER LABEL IS FADED AND ILLEGIBLE. DRAWER ROD IS IN PLACE; METAL FILING CLIP INSIDE DRAWER AT BACK. .29 - FULL OF CATALOGUE CARDS WITH TYPED AND HANDWRITTEN NOTES ON BOTH SIDES. HANDWRITTEN DRAWER LABEL READS “CDN… PLAY ANALYTICS”. DRAWER ROD IS IN PLACE; METAL FILING CLIP INSIDE DRAWER AT BACK. .30 - FULL OF CATALOGUE CARDS WITH TYPED AND HANDWRITTEN NOTES ON BOTH SIDES. HANDWRITTEN DRAWER LABEL READS “PLAY ANALYTICS”. DRAWER ROD IS IN PLACE; METAL FILING CLIP INSIDE DRAWER AT BACK. .31 - FULL OF CATALOGUE CARDS WITH TYPED AND HANDWRITTEN NOTES ON BOTH SIDES. HANDWRITTEN DRAWER LABEL READS “PLAY ANALYTICS”. DRAWER ROD IS IN PLACE; METAL FILING CLIP INSIDE DRAWER AT BACK.
Subjects
FURNITURE
DATA PROCESSING T&E
Historical Association
EDUCATION
FURNISHINGS
History
THIS CARD CATALOGUE WAS PRODUCED AND USED BY STAFF AT THE LETHBRIDGE PUBLIC LIBRARY. ON MAY 1, 2015 COLLECTIONS TECHNICIAN KEVIN MACLEAN INTERVIEWED LINDA MCELRAVY, WHO WORKED AT THE LIBRARY’S MAIN BRANCH STARTING IN 1978, RETIRING FROM HER POSITION AS ASSOCIATE DIRECTOR OF PUBLIC SERVICES IN 2008. MCELRAVY EXPLAINED THE CATALOGUING PROCESS AND SUGGESTED THAT IT MAY HAVE BEEN HOUSED IN THE LIBRARY’S SENATOR BUCHANAN ROOM (A REFERENCE RESOURCE OF LOCAL HISTORIES AND GENEALOGIES) AT ONE TIME. MCELRAVY SAID: “WE USED [CARD CATALOGUES] PRIOR TO AUTOMATING OUR CATALOGUE WHICH WOULD HAVE BEEN IN THE EARLY ‘80S… THERE ARE AT LEAST THREE INDEXES [INSIDE THIS SPECIFIC CATALOGUE]… WE USED TO CREATE CARD INDEXES FOR COLLECTIONS AND THINGS THAT YOU COULDN’T FIND… THROUGH NORMAL CATALOGUING PROCESSES. SO, THE FIRST ONE IS… THE SONG INDEX AND THAT WAS MADE UP OF ANALYTICS OF SHEET MUSIC MAGAZINE AND COLLECTIONS AND SONGS – ALL MUSIC AS OPPOSED TO JUST THE LYRICS. SO WE WOULD TAKE COLLECTIONS OF SONGS IN OUR LIBRARY COLLECTION, WE DIDN’T USE ANYTHING THAT WAS NOT AVAILABLE AT THE LETHBRIDGE PUBLIC LIBRARY – SO IT WASN’T A GENERAL THING IT WAS SPECIFIC, A SPECIFIC TOOL TO OUR COLLECTION… IF SOMEONE WANTED A PARTICULAR PIECE OF MUSIC… WE WOULD BE ABLE TO FIND THAT HERE RATHER THAN PEOPLE STANDING AT THE SHELF, LEAFING THROUGH ALL OF THAT… [AT] THE OTHER END OF THE BANK OF CARDS IS THE PLAY INDEX AND THAT’S THE SAME IDEA – THERE WOULD BE ‘AUTHOR’, ‘PLAYWRIGHT’ AND ‘TITLE’ CARDS PUT IN FOR EACH OF THE PLAYS IN COLLECTIONS THAT WE HAD AT LPL. AND THE MIDDLE ONE WAS THE INDEX TO THE LETHBRIDGE HERALD – I THINK SOME OF IT GOES BACK TO ’99 AND BEFORE AND FOR THAT ONE THE STAFF WOULD CUT OUT ARTICLES FROM THE LETHBRIDGE HERALD AND THEN THEY WOULD PUT SUBJECT HEADINGS ON THEM AND MAKE A CORRESPONDING CARD FOR THE CATALOGUE SO THAT THAT WOULD GIVE PEOPLE ACCESS TO THAT [FILE]...” MCELRAVY CONTINUED: “I THINK [THE AUTOMATION OF THE LIBRARY CATALOGUE] WAS IN THE MID ‘80S… [AFTER THAT PROCESS] I’M NOT SURE HOW OFTEN THEY USED [THE CARD CATALOGUES] ANYMORE… PERHAPS IT WAS JUST A QUESTION OF HANGING ON TO IT FOR THE SAKE OF HANGING ON TO IT.. I DON’T SUPPOSE REALLY FOR TOO LONG AFTER THAT IT WOULD [HAVE BEEN] USEFUL… [THE CARD CATALOGUE] REPRESENTS A LOT OF WORK… IT WAS EXPENSIVE TIME-WISE, IT WAS EXPENSIVE MATERIALS-WISE AND IT WAS EXPENSIVE SPACE-WISE… EVEN WITH THE DIGITIZED, AUTOMATED CATALOGUE, THOSE GENERIC ENTRIES DIDN’T NECESSARILY HAVE ANALYTICS… SO THAT’S WHY WE CONTINUED WITH THIS FOR A WHILE AND THEN EVENTUALLY IT JUST SEEMED TO BE NOT WORTH THE EFFORT TO DO IT… IT JUST SEEMED SAD TO ME THAT IT WAS ALMOST LIKE IT WASN’T RECOGNIZED BECAUSE IT WAS TOO OLD – IT HAD HAD ITS DAY BUT THERE’S NO PURPOSE FOR IT ANYMORE… I THINK THAT THIS CERTAINLY SERVED ITS PURPOSE FOR ITS TIME AND IT’S PART OF THE CONTEXT OF THE PERIOD… I OFTEN THINK TODAY WITH INTERNET AND WITH ALL THE ONLINE ACCESS THAT PEOPLE HAVE TO INFORMATION… WHEN YOU HAVE A QUESTION WHAT DO PEOPLE DO NOW? THEY PULL OUT THEIR PHONE, AND THEY GOOGLE, AND THEY GET THE ANSWER. WHEREAS, BEFORE ANY OF THIS HAPPENED THAT WAS WHAT THE LIBRARY DID, THAT WAS THE ROLE OF THE REFERENCE DEPARTMENT. THE LIBRARY IS THERE NOT JUST TO PROVIDE RECREATIONAL READING BUT TO PROVIDE INFORMATION. I’M NOT SAYING THEY’RE NOT DOING THAT ANYMORE, THEY ARE, IN A VERY MUCH MORE SOPHISTICATED WAY BUT THIS WAS ONE OF THE WAYS THAT WE HANDLED THE NEED TO PROVIDE INFORMATION TO PEOPLE.” THE FOLLOWING BRIEF HISTORY OF THE LETHBRIDGE PUBLIC LIBRARY WAS DEVELOPED WITH INFORMATION FROM THE LIBRARY’S WEBSITE. IN 1911 A CITY BYLAW WAS PASSED FOR THE PROVISION OF A LOCAL LIBRARY TO BE ESTABLISHED, AND EIGHT YEARS LATER LETHBRIDGE’S FIRST LIBRARY SERVICE WAS OPERATED OUT OF TWO ROOMS IN THE YMCA BUILDING. IN 1922, THE CARNEGIE LIBRARY BUILDING IN GALT GARDENS OPENED, WITH AN EXTENSION ADDED IN 1951. IN 1956 A NORTH BRANCH WAS OPENED, AND A SOUTH BRANCH FOLLOWED IN 1974. THE LETHBRIDGE PUBLIC LIBRARY MAIN BRANCH ON STAFFORD DRIVE SOUTH WAS COMPLETED IN 1974, WITH AN EXTENSION AND THE ESTABLISHMENT OF THE CHINOOK ARCH REGIONAL LIBRARY SYSTEM IN 1992. IN 1989 THE LIBRARY ADOPTED THE DYNIX AUTOMATED CATALOGUE SYSTEM, AND IN 1997 INTRODUCED PUBLIC INTERNET ACCESS COMPUTERS. IN 2010, THE CROSSINGS BRANCH OPENED IN WEST LETHBRIDGE. SEE PERMANENT FILE FOR HARDCOPIES OF FULL INTERVIEW TRANSCRIPT AND ONLINE SOURCE MATERIAL.
Catalogue Number
P20140025001
Acquisition Date
2014-07
Collection
Museum
Images
Less detail
Other Name
HYDRANT WRENCH
Date Range From
1990
Date Range To
2015
Material Type
Artifact
Materials
METAL
Catalogue Number
P20150010012
  2 images  
Material Type
Artifact
Other Name
HYDRANT WRENCH
Date Range From
1990
Date Range To
2015
Materials
METAL
No. Pieces
1
Height
2.9
Length
64.2
Width
11.4
Description
ADJUSTABLE FIRE PLUG WRENCH, ALSO KNOWN AS A HYDRANT WRENCH. SILVER COLOURED METAL HANDLE WITH BLACK PAINTED METAL HEAD. HANDLE HAS A 10.2CM SECTION OF ENGRAVED CROSSHATCHING AT THE BOTTOM, KNOWN AS A KNURLED GRIP. ON THE LOWER PORTION OF THE BLACK HEAD, WHERE THE HEAD AND HANDLE MEET, THE FOLLOWING IS EMBOSSED: “RED HEAD – S W 3”. THE OTHER SIDE IS EMBOSSED WITH SIMPLY “RED HEAD”. JUST ABOVE THE EMBOSSED “RED HEAD” IS AN ADJUSTABLE WEDGE NUT, TO ALLOW THE USER TO REMOVE THE TOP BOLT (OPERATING NUT) OF A HYDRANT. WRENCH HEAD HAS THREE HOOKS: THE FIRST, CLOSEST TO THE ADJUSTABLE WEDGE NUT IS FOR USE ON HYDRANT ADAPTERS (THE SMALLER ARMS OF A HYDRANT); THE OTHER TWO ARE FOR USE ON THE NOZZLE CAP (THE LARGE, REMOVABLE COVER ON THE FRONT OF A HYDRANT). OVERALL IN FAIR TO GOOD CONDITION. THE FINISH ON THE BLACK HEAD HAS FLAKED OFF IN SEVERAL AREAS, ESPECIALLY ON THE THREE HOOKS AND ON THE INSIDE OF THE ADJUSTABLE WEDGE NUT HOUSING. SURFACE RUST HAS DEVELOPED WHERE THE METAL IS EXPOSED. SILVER METAL HANDLE IN VERY GOOD CONDITION, WITH ONLY A FEW SURFACE STAINS.
Subjects
REGULATIVE & PROTECTIVE T&E
Historical Association
SAFETY SERVICES
History
THIS ADJUSTABLE FIRE PLUG WRENCH (HYDRANT WRENCH) WAS USED BY THE LETHBRIDGE FIRE DEPARTMENT. IN A WRITTEN STATEMENT, PROVIDED AT THE TIME OF DONATION, JESSE KURTZ, DEPUTY CHIEF – SUPPORT SERVICES (RETIRED), SAID IT “WAS NOT ISSUED TO ALL FIRE FIGHTERS, NOR [WAS IT] CARRIED ON THEIR PERSON … [IT] IS A COMBINATION TOOL THAT IS ADJUSTABLE. IT [WAS] ALSO USED ON HIGH VOLUME (I.E. 5” OR 125MM HOSE COUPLINGS). IN THE SUMMER OF 2015, COLLECTIONS TECHNICIAN KEVIN MACLEAN, CONDUCTED A SERIES OF INTERVIEWS WITH CURRENT AND FORMER MEMBERS OF THE FIRE DEPARTMENT, INCLUDING: CLIFF “CHARLIE” BROWN (HIRED IN 1966, RETIRED 2004), TREVOR LAZENBY (HIRED IN 1994), AND RAYMOND “RAY” PETIT (HIRED 1965, RETIRED 1998). BROWN ELABORATED, SAYING: “I DON’T EVER REMEMBER USING IT, EVER. IT WAS THAT WE USED THE HYDRANT KEY [INSTEAD]. BASICALLY, IT WAS THE SAME THING; IT WAS FOR A HYDRANT THAT WAS STUCK MORE. I KNOW THAT SOMETIMES I COULDN’T OPEN A HYDRANT. [BUT] ALL I HAD TO [DO WAS] LOOK AROUND FOR ONE OF THE BIG GORILLAS AT WORK AND SAY ‘I CAN’T OPEN THIS HYDRANT.’ HE’D COME AND HE’D TWIST IT AND THE HYDRANT WAS COMING OFF ITS STAND. THERE WERE SO MANY GUYS SO MUCH MORE POWERFUL THAN I WAS.” LAZENBY ADDED: “THAT WAS SORT OF THE FIRST GENERATION OF HYDRANT OPENING TOOLS [REFERENCING P20150010011]. THIS [P20150010012] I WOULD SAY, IS MAYBE GENERATION NUMBER TWO. YOU CAN SEE BY THE LONG STEM THAT’S THREADED HERE, THAT THIS IS ADJUSTABLE IN NATURE AND THIS WAS CONSIDERED LIKE A MORE OF A MULTI-TOOL … NOW WE’VE MOVED ONTO RATCHETING [WRENCHES] SO THAT YOU DON’T EVEN HAVE TO GO ALL THE WAY AROUND … I BELIEVE WE STILL HAVE SOME OF THESE ON THE DEPARTMENT AND I THINK WE DON’T MOUNT THESE TO THE BACK OF THE TRUCKS ANYMORE, BUT YOU STILL MIGHT FIND A COUPLE OF THESE UP ON THE HIGHBALL HOSES ON THE HOSE BEDS.” PETIT AGREED WITH KURTZ, SAYING: “I’M SURE IT WAS CARRIED ON THE PUMP, IT WASN’T CARRIED BY THE FIRE FIGHTERS.” SEE PERMANENT FILE FOR FULL INTERVIEW TRANSCRIPTS AND ADDITIONAL INFORMATION ABOUT THE LETHBRIDGE FIRE DEPARTMENT.
Catalogue Number
P20150010012
Acquisition Date
2015-02
Collection
Museum
Images
Less detail
Other Name
HALLIGAN RESCUE TOOL / HALLIGAN BAR
Date Range From
1985
Date Range To
2015
Material Type
Artifact
Materials
STEEL
Catalogue Number
P20150010004
  2 images  
Material Type
Artifact
Other Name
HALLIGAN RESCUE TOOL / HALLIGAN BAR
Date Range From
1985
Date Range To
2015
Materials
STEEL
No. Pieces
1
Height
14.5
Length
76.0
Width
17.4
Description
STEEL HALLIGAN RESCUE TOOL / HALLIGAN BAR / CROWBAR. SILVER COLOURED METAL. ONE END HAS A CLAW WITH A RECESSED NAIL PULLER, WHILE THE OTHER END HAS A DUCKBILL BLADE (OR ADZE) AND A PICK. THE CLAW IS 17.4CM LONG AND IS EMBOSSED WITH: "PARATECH USA 017120 C I" (THE 'C' IS ACTUALLY A COPYRIGHT SYMBOL). THE HANDLE PORTION OF THE TOOL HAS TWO GRIPS, ONE NEAR THE CLAW AND THE SECOND NEAR THE BLADE AND PICK. THE UNDERSIDE OF THE BLADE IS EMBOSSED WITH: "PARATECH USA 017038 C K" (AGAIN, THE 'C' IS A COPYRIGHT SYMBOL). STAMPED INTO THE HANDLE, TO THE CLAW SIDE OF THE MIDDLE, IS "AMR 7" OVERALL IN FAIR TO GOOD CONDITION. THE BLADE AND PICK ARE VERY RUSTY. THE BLADE HAS A SMALL DENT. THE RUST ON THE BLADE AND PICK IS WORSE, BUT THE CLAW END IS ALSO VERY RUSTED. SURFACE RUST ALL OVER THE HANDLE.
Subjects
MULTIPLE USE ARTIFACTS
Historical Association
SAFETY SERVICES
History
THIS HALLIGAN RESCUE TOOL / HALLIGAN BAR / CROWBAR WAS USED BY THE LETHBRIDGE FIRE DEPARTMENT. IN A WRITTEN STATEMENT PROVIDED AT THE TIME OF DONATION, JESSE KURTZ, DEPUTY CHIEF – SUPPORT SERVICES (RETIRED), EXPLAINED THAT THE HALLIGAN TOOL IS A “FORCIBLE ENTRY OR EXIT TOOL USED TO FORCE ENTRY INTO A BUILDING AND ALSO USED FOR FIREFIGHTERS TO FORCE ENTRY OUT OF A BUILDING WHEN STRAPPED. THIS ONE IS STEEL; [NOW] WE HAVE SOME THAT ARE MADE OF TITANIUM AND ARE MUCH LIGHTER.” IN THE SUMMER OF 2015, COLLECTIONS TECHNICIAN KEVIN MACLEAN, CONDUCTED A SERIES OF INTERVIEWS WITH CURRENT AND FORMER MEMBERS OF THE FIRE DEPARTMENT, INCLUDING: CLIFF “CHARLIE” BROWN (HIRED IN 1966, RETIRED 2004), RAYMOND “RAY” PETIT (HIRED 1965, RETIRED 1998), AND TREVOR LAZENBY (HIRED IN 1994). BROWN CALLED IT “JUST ANOTHER FANCY PRY BAR … [THAT] WAS [ON THE TRUCK] WHEN I LEFT.” PETIT AGREED, CALLING IT “A BREAK IN TOOL. IF YOU WANT TO BREAK INTO A HOUSE … CRASH A DOOR, WINDOWS, PRY A DOOR OPEN, JUST A NICE TOOL … I CALL IT THE HOUSE BREAKING TOOLS.” LAZENBY EXPANDED: “THIS GETS USED ALL THE TIME … WHEN IT COMES TO … FORCIBLE ENTRY AND FINDING A MEANS OF EGRESS AND NEEDING A TOOL OF CHOICE, THIS IS PROBABLY THE GO-TO TOOL. YOU CAN PUNCTURE, YOU CAN PRY, YOU CAN BREAK … THERE’S JUST SO MANY USES FOR THIS.” HE CONTINUED: “THE ONLY DRAWBACK WITH THE … OLDER GENERATION HALLIGAN BARS WAS JUST THE FACT THAT THEY WERE JUST SO HEAVY, BUT THE NEWER GENERATION ARE TITANIUM, AND GROSSLY EXPENSIVE BECAUSE OF THAT, AND SO WE DO HAVE A COUPLE OF TITANIUM MODELS BUT OVERALL WE STILL HAVE STEEL ONES ON THE TRUCK FOR THE MOST PART, SO THIS IS ONE OF THE TOOLS THAT WE STILL USE ALL THE TIME. IT COMES OFF THE TRUCK CONSTANTLY.” LAZENBY CONTINUED FURTHER, RELAYING AN INSTANCE WHEN THE HALLIGAN WAS VERY USEFUL: “WE RESPONDED ON AN EMS CALL FOR SOMEONE WHO WAS UNABLE TO ANSWER THE DOOR BECAUSE OF THEIR CONDITION. SO WHEN WE ROLLED UP TO THE HOUSE, THEY HAD A MASSIVE BLACK WROUGHT IRON GATE. IT WAS A SECURITY GATE THAT WAS BOLTED TO THE FRONT OF THAT STRUCTURE OVER THE FRONT DOOR AND WE HAD NO ACCESS, THE WINDOWS WERE BARRED AND EVERYTHING ELSE, WE HAD NO ACCESS INTO THAT STRUCTURE … WE GRABBED WHAT WE NOW KNOW AS THE ‘SET OF IRONS’ AND I HAD THE FLAT HEAD AXE AND MY PARTNER TOOK THE HALLIGAN TOOL AND WE SLIPPED THE FORK IN OVER TOP OF THE BOLTS THAT WERE BEING USED AROUND BASICALLY THE BRICK MOLDING THE FRAME OF THE DOOR AND I STRUCK THE BLADE END UP HERE AND WE WERE ABLE TO ACTUALLY FORCE THE FORK DOWN UNDERNEATH THE BOLT, BETWEEN THE BOLT AND THE WOOD, AND ONE QUICK PRY AND … WE POPPED FOUR BOLTS OFF IN LESS THAN SIXTY SECONDS AND WE WERE INSIDE THE HOUSE. SO I KIND OF WONDERED UP UNTIL THAT POINT ABOUT THE EFFICIENCY OF IT, BECAUSE IT’S NOT SOMETHING THAT WE WANT TO GO AROUND BREAKING THINGS, AND IT UNDERSCORED THE IMPORTANCE OF THE USES AND HOW EFFICIENT THAT TOOL IS ON THE FIRE GROUND. AND NOT JUST FOR FIRE CALLS, BUT THAT WAS AN EMS RUN … VERY USEFUL.” SEE PERMANENT FILE FOR FULL INTERVIEW TRANSCRIPTS AND ADDITIONAL INFORMATION ABOUT THE LETHBRIDGE FIRE DEPARTMENT.
Catalogue Number
P20150010004
Acquisition Date
2015-02
Collection
Museum
Images
Less detail
Date Range From
1970
Date Range To
2015
Material Type
Artifact
Materials
METAL, RUBBER
Catalogue Number
P20150010002
  1 image  
Material Type
Artifact
Date Range From
1970
Date Range To
2015
Materials
METAL, RUBBER
No. Pieces
1
Height
5.6
Length
105.5
Width
27.0
Diameter
4.5
Description
LARGE METAL AND RUBBER BOLT CUTTERS. HANDLE GRIPS ARE 11.2CM LONG PIECES OF BLACK RUBBER. HANDLES ARE A MEDIUM RED, WITH A GREEN STRIPE NEAR THE BLADE ADJUSTMENT BOLTS. WRITTEN IN BLACK MARKER JUST BELOW ONE OF THE STRIPES OF GREEN: "P 4". EMBOSSED JUST ABOVE THIS MARKING IS "U.S. PAT. NO. 2910900". ON THE OPPOSITE SIDE OF THE HANDLE FROM THE "P 4" MARKING IS WHAT REMAINS OF A RECTANGULAR SILVER STICKER. ABOVE THIS STICKER, EMBOSSED IN AN OVAL: "HKP". ON THE OTHER HANDLE, ON THE SAME SIDE OF THE CUTTERS AS THE "HKP" IS EMBOSSED: "TOOL NO. 0590M". THE JAWS OF THE BOLT CUTTERS ARE BLACK AND BOTH SIDES OF THE JAWS ARE EMBOSSED WITH: 2 "HKP" IN AN OVAL AND 2 "NO. 5". STAMPED ON EACH SIDE OF THE JAWS, ONCE PER SIDE, IS "HC - CUTS HARD CHAIN 1/2 CAP". JUST BETWEEN THE JAWS AND BLADES, STAMPED INTO THE METAL, ON THE SAME SIDE AS THE "P 4" MARKING: "MADE BY H.K. PORTER INC. BOSTON, MASS 02143". ONE OF THE BOLTS NEAR THE BLADE, ON THE SILVER STICKER SIDE, IS STAMPED WITH "535X". EMBOSSED ON BOTH SIDES OF THE BLADE, NEAR THE TIP, "U.S. PAT." AND "PEND". OVERALL IN FAIR TO GOOD CONDITION. THE RED FINISH ON THE HANDLES HAS FLAKED OFF AND THERE ARE SECTIONS WHERE THE FINISH IS LOOSE. THE RUBBER HAND GRIPS ARE SCUFFED AND SCRATCHED ALL OVER. SOME RUST ON THE JAWS AND BLADE AREA.
Subjects
METALWORKING T&E
Historical Association
SAFETY SERVICES
History
THESE BOLT CUTTERS WERE USED BY THE LETHBRIDGE FIRE DEPARTMENT. IN A WRITTEN STATEMENT PROVIDED AT THE TIME OF DONATION, JESSE KURTZ, DEPUTY CHIEF – SUPPORT SERVICES (RETIRED), EXPLAINED THAT THEY WOULD BE “USED AT EMERGENCY SCENES TO CUT CHAINS OR PADLOCKS OFF DOORS OR FENCES TO GAIN ACCESS. SIMILAR, BUT LIGHTER [BOLT CUTTERS ARE] STILL USED TODAY.” IN THE SUMMER OF 2015, COLLECTIONS TECHNICIAN KEVIN MACLEAN, CONDUCTED A SERIES OF INTERVIEWS WITH CURRENT AND FORMER MEMBERS OF THE FIRE DEPARTMENT, INCLUDING: CLIFF “CHARLIE” BROWN (HIRED IN 1966, RETIRED 2004), TREVOR LAZENBY (HIRED IN 1994), RAYMOND “RAY” PETIT (HIRED 1965, RETIRED 1998), AND LAWRENCE DZUREN (HIRED 1959, RETIRED 1992). BROWN CALLED THEM “OUR FAVOURITE TOOL … THERE WERE A LOT OF PLACES THAT WE WENT, THE GATES WERE LOCKED, JUST HAD A CHAIN WITH A PADLOCK ON IT. YOU WOULDN’T EVEN THINK TWICE. THESE BOLT CUTTERS ARE FOUR FEET LONG AND HAD SUCH A FULCRUM ON IT – YOU’D JUST CUT THE CHAIN AND IN WE’D GO. WE WOULDN’T EVEN ASK PERMISSION IF IT WAS AN EMERGENCY; WE’D JUST CUT THEM AND IN WE’D GO. WE USED THE BOLT CUTTERS LOTS AND LOTS AND LOTS OF TIMES … WE TRIED NOT TO CUT THE PADLOCK IF WE DIDN’T HAVE TO, BECAUSE THE PADLOCK, THEY HAD A KEY FOR IT; BUT THE CHAIN, WE TRIED TO CUT IT BACK FAR ENOUGH THAT IF THEY HAD TO TAKE THE PADLOCK OFF, THEY COULD STILL USE THE CHAIN. WE TRIED NOT TO DO ANY MORE DAMAGE THAN NECESSARY, BECAUSE PEOPLE THAT WERE HAVING PROBLEMS, HAD ENOUGH DAMAGE WITHOUT US WRECKING MORE THAN NECESSARY.” LAZENBY ADDED: “WE ACTUALLY CARRY THREE SIZES OF THESE AND THIS LOOKS LIKE THE LONGEST … THESE ARE IN SERVICE TODAY AND I BELIEVE THESE WILL BE IN SERVICE FOR MANY, MANY YEARS TO COME.” PETIT AGREED, SAYING: “WE USED IT QUITE OFTEN … EVERY TRUCK HAD ONE … I PROBABLY USED IT 10-12 TIMES AT LEAST. AND IT WAS USUALLY IN THE INDUSTRIAL AREA WHERE THEY HAVE IT ALL FENCED.” DZUREN ALSO AGREED, EXPLAINING HOW USEFUL THE BOLT CUTTERS COULD BE: “EVEN INTO BUILDINGS, THAT SOME BUILDINGS HAD LOCKS ON THE OUTSIDE NATURALLY, SO TO GET IN THERE, RATHER THAN CAUSING TOO MUCH DAMAGE, IN THE OTHER WAY THEY WOULD CUT THE LOCK, OR THE CHAIN LINK, AND GET INTO THE ENCLOSURE OR BUILDING THAT WAY.” SEE PERMANENT FILE FOR FULL INTERVIEW TRANSCRIPTS AND ADDITIONAL INFORMATION ABOUT THE LETHBRIDGE FIRE DEPARTMENT.
Catalogue Number
P20150010002
Acquisition Date
2015-02
Collection
Museum
Images
Less detail
Other Name
ATTIC LADDER
Date Range From
1960
Date Range To
2010
Material Type
Artifact
Materials
METAL, RUBBER
Catalogue Number
P20150010022
  2 images  
Material Type
Artifact
Other Name
ATTIC LADDER
Date Range From
1960
Date Range To
2010
Materials
METAL, RUBBER
No. Pieces
1
Height
314.2
Length
4.9
Width
33.5
Description
ADJUSTABLE LADDER, SIDE RAILS COME TOGETHER TO MAKE THE LADDER MORE COMPACT (LADDER IS ONLY 8.0CM WIDE WHEN THE SIDE RAILS ARE TOGETHER). SILVER COLOURED METAL, WITH ORANGE PAINT, BLACK RUBBER, AND EIGHT RUNGS. ANTI-SLIP SAFETY SHOE ON THE BOTTOM OF BOTH SIDE RAILS. SAFETY SHOE IS BLACK RUBBER ON THE BOTTOM, WITH A PATTERN OF 10 CIRCLES PER SHOE BOTTOM. METAL TEETH ON THE FRONT OF THE SHOE. SHOES ARE ADJUSTABLE, BUT ARE VERY STIFF. BRACE COMES UP FROM THE BOTTOM AND LOCKS TO PREVENT LADDER RAILS FROM COLLAPSING BACK TOGETHER. BOTTOM OF LADDER HAS A 54.5CM SECTION OF BRIGHT ORANGE PAINT AND TOP HAS A 46.0CM SECTION OF BRIGHT ORANGE PAINT. TOP OF ONE RAIL HAS A BLACK RUBBER TOPPER. SMALL BLACK STICKER AT BOTTOM “P1” WITH SEVERAL STICKERS ON THE OPPOSITE RAIL: A ROUGHLY OVAL SHAPED, RED, BLACK, AND SILVER STICKER: “THIS IS A DUO-SAFETY LADDER. DUO-SAFETY LADDER CORP 519 W 9TH AVE. OSHKOSH, WIS.”; THEN A RECTANGULAR RED STICKER WITH WHITE WRITING: “THIS LADDER IS CERTIFIED TO COMPLY WITH N.F.P.A. SPEC 1931-1832; CURRENT EDITION, FOR FIRE DEPARTMENT GROUND LADDERS AND OSHA FIRE LADDER REQUIREMENTS. REFER TO DUO-SAFETY LADDER SAFETY BOOK FOR CARE – USE – MAINTENANCE ON THIS LADDER. DUO-SAFETY LADDER CORP. OSHKOSH, WI 54901”; THEN A WHITE STICKER WITH GOLD WRITING: “10”. THERE IS ALSO A SILVER COLOURED STICKER WITH HANDWRITING ON THIS SAME RAIL, LOCATED BETWEEN THE FIRST AND SECOND RUNGS: “TEST DATE: 25 NOV 2006. LADDER #: ATTIC #18. APPARATUS #: P1. APPARATUS #: P1.” BOTH RAILS HAVE THE FOLLOWING STICKERS, AT ROUGHLY THE MID-POINT OF THE LADDER: RECTANGULAR, WHITE BACKGROUND, BLUE BORDER, BLACK WRITING: “DANGER. FAILURE TO USE, UNDERSTAND, AND FOLLOW PROPER LADDER USAGE INSTRUCTIONS AS MADE AVAILABLE BY DUO-SAFETY LADDER, N.F.P.A., I.S.F.S.I., A.N.S.I., O.S.H.A., ETC. COULD CAUSE SERIOUS INJURY AND/OR DEATH.” RECTANGULAR, WHITE BACKGROUND, BLACK BORDER AND WRITING: “DANGER. WATCH FOR WIRES. THIS LADDER CONDUCTS ELECTRICITY.” RECTANGULAR, YELLOW, WITH BLACK WRITING: CAUTION. SET UP LADDER PROPERLY TO REDUCE SLIP AND OVERHEAD HAZARDS. FOLLOW THESE INSTRUCTIONS. 1. PLACE TOES AGAINST BOTTOM OF LADDER SIDE RAILS. 2. STAND ERECT. 3. EXTEND ARMS STRAIGHT OUT. 4. PALMS OF HANDS SHOULD TOUCH TOP OF RUNG AT SHOULDER LEVEL. OUT -->” STICKER ON THE INSIDE OF FOURTH RUNG FROM THE BOTTOM: WHITE BACKGROUND, BLACK WRITING: “REMOVE LADDER FROM SERVICE AND TEST IF ANY HEAT SENSOR TURNS DARK -->” LADDER IS IN GOOD OVERALL CONDITION. ADJUSTABLE FEET ARE VERY STIFF. LOTS OF SCUFF MARKS ALL OVER LADDER AND SOME STICKERS HAVE BEEN PARTIALLY REMOVED/SCRATCHED.
Subjects
REGULATIVE & PROTECTIVE T&E
Historical Association
SAFETY SERVICES
History
THIS ATTIC LADDER WAS USED BY THE LETHBRIDGE FIRE DEPARTMENT. IN A WRITTEN STATEMENT PROVIDED AT THE TIME OF DONATION, JESSE KURTZ, DEPUTY CHIEF – SUPPORT SERVICES (RETIRED), EXPLAINED THAT THE LADDER WAS “USED TO ACCESS ATTIC SPACES THROUGH SMALL ACCESS HOLES IN CEILINGS. USED WHEN WE DID NOT WANT TO PULL A CEILING DOWN AFTER A FIRE TO ENSURE THAT THE FIRE IN THE ATTIC WAS OUT.” HE CONTINUED SAYING THAT THIS LADDER WAS DECOMMISSIONED BECAUSE IT IS “OLD AND WORN OUT. ALL LADDERS MUST MEET MINIMUM ACCEPTANCE STANDARDS.” IN THE SUMMER OF 2015, COLLECTIONS TECHNICIAN KEVIN MACLEAN, CONDUCTED A SERIES OF INTERVIEWS WITH CURRENT AND FORMER MEMBERS OF THE FIRE DEPARTMENT, INCLUDING: CLIFF “CHARLIE” BROWN (HIRED IN 1966, RETIRED 2004), TREVOR LAZENBY (HIRED IN 1994), AND LAWRENCE DZUREN (HIRED 1959, RETIRED 1992). BROWN EXPLAINED THAT THIS IS “WHAT WE CALL A LITTLE ATTIC LADDER, TO GET BACK INTO A TIGHT PLACE WHERE YOU COULDN’T BRING A BIG LADDER IN … YOU COULD GET IT UP INTO THE ATTIC SO YOU COULD CHECK WHAT WAS IN THE ATTIC.” LAZENBY ELABORATED: “THIS IS A FOLDING ATTIC LADDER … THE RUNGS THAT SEPARATE THE TWO BEAM SECTIONS ARE ACTUALLY HINGED IN NATURE AND SO IT FOLDS UP AND FITS IN, TYPICALLY, A LITTLE COMPARTMENT ON THE BACK END OF THE TRUCK BECAUSE HAVE SOME LONG, LATERAL STORAGE THERE. THESE SURPRISINGLY GET USED A FAIR AMOUNT, STILL.” HE CONTINUED SAYING “THEY’RE NARROW ENOUGH THAT THEY’RE ALMOST DIFFICULT TO CLIMB WITH YOUR BIG FIRE BOOTS ON.” LAZENBY EXPLAINED THAT THE LADDERS IN USE PRESENTLY ARE VERY SIMILAR TO THIS MODEL: “YOU CAN TELL BY LOOKING AT IT IT’S AN OLDER PIECE BUT THE CONSTRUCTION IS ESSENTIALLY THE SAME. THEY MIGHT BE USING SLIGHTLY LIGHTER MATERIALS NOW, BUT FROM WHAT I CAN SEE, THEY’RE BASICALLY THE SAME.” HE ADDED THAT HE WAS OFTEN THE ONE USING THE LADDER: “BECAUSE I WAS NEVER ONE OF THE BIGGER GUYS ON THE JOB, AND ESPECIALLY WHEN I STARTED I WAS PROBABLY TWENTY POUNDS LIGHTER THAN I AM NOW, IF THEY NEEDED SOMEONE TO GET INTO A SMALLER SPACE, I WAS THAT GUY, TYPICALLY, BECAUSE WHEN YOU WEIGHT 250 [POUNDS] AND YOU THROW THE SCBA ON AND ALL THE EQUIPMENT, IT’S DEFINITELY TOUGH FOR SOME OF THOSE GUYS TO GET THROUGH THAT ACCESS. SO, YES, I’VE BEEN IN MY FAIR SHARE OF ATTICS AND THAT’S THE ONLY MEANS TO GET UP THERE.” LAZENBY EXPLAINED THE IMPORTANCE OF USING THE LADDER: “ANY TIME A FIRE VENTS OUT OF A WINDOW AND TOUCHES ANY PART OF THE SOFFIT, IT’S INCUMBENT THAT YOU HAVE TO ABSOLUTELY CHECK THAT BECAUSE IF YOU DON’T AND YOU’RE OPERATING UNDERNEATH AN ATTIC FIRE, THAT’S A VERY, VERY UNSAFE PLACE TO BE.” DZUREN ADDED: “THAT’S A COLLAPSIBLE LADDER. IT’S KIND OF LIKE A SCISSOR TYPE OF LADDER. IT WAS VERY COMPACT, YOU COULD STORE IT ON ONE OF YOUR VEHICLES WITHOUT IT TAKING UP TOO MUCH ROOM … YOU’D CARRY THAT INTO YOUR HOUSE IF AN OFFICER WANTED YOU TO GO UP INTO AN ATTIC … IT WAS EASY TO TRANSPORT AND ONCE YOU GOT IT INTO THE OPENING YOU COULD JUST GIVE IT A SWITCH AND IT WOULD OPEN UP AND YOU COULD JUST CLIMB RIGHT UP TO THE SPOT THERE.” SEE PERMANENT FILE FOR FULL INTERVIEW TRANSCRIPTS AND ADDITIONAL INFORMATION ABOUT THE LETHBRIDGE FIRE DEPARTMENT.
Catalogue Number
P20150010022
Acquisition Date
2015-02
Collection
Museum
Images
Less detail
Other Name
CTV AUDIO BOARD/CONSOLE
Date Range From
1985
Date Range To
2014
Material Type
Artifact
Materials
METAL, WOOD, PLASTIC
Catalogue Number
P20160013000
  2 images  
Material Type
Artifact
Other Name
CTV AUDIO BOARD/CONSOLE
Date Range From
1985
Date Range To
2014
Materials
METAL, WOOD, PLASTIC
No. Pieces
2 1
Height
40.5
Length
71.5
Width
44.5
Description
A: AUDIO BOARD. RECTANGULAR SHAPED BASE. MEDIUM BLUE METAL BOTTOM WITH MEDIUM BROWN WOOD AND PLASTIC UPPER PORTION. UPPER PORTION SITS ON A DIAGONAL INCLINE, WITH A SILVER COLOURED METAL STRIP ALONG THE BOTTOM. ABOVE THIS ARE FOUR RECTANGULAR HOLES: TWO LEFT MOST RECTANGLES ARE EMPTY AND REVEAL THE BOARD MODULES BENEATH. THE NEXT TWO RECTANGLES EACH HAVE WHITE BUTTONS IN THEM: FOUR WHITE BUTTONS LABELED BLANK, “START”, “STOP”, “RESET” IN ONE, WITH TWO IN THE NEXT: :”FULL TRK.” AND “HALF TRK.” JUST ABOVE THIS IS A LINE OF EIGHT LARGE CIRCULAR BLACK AND SILVER KNOBS NEAR BOTTOM OF THE CONSOLE. TO THE RIGHT OF THE KNOBS ARE THREE SMALL CIRCULAR SILVER COLOURED KNOBS, LABELED FROM TOP: “HDST”, “FX SEND”, “MONITOR”, AND THEN 10 SMALL SQUARE BUTTONS, LABELED FROM TOP: “CUE”, “CH8”, “CH7”, “CH6”, “CH5”, “CH4”, “CH3”, “CH2”, “CH1”, “PGM”. IMMEDIATELY TO THE RIGHT OF THIS LINE OF BUTTONS IS A LONG RECTANGLE WITH TEXT: “FX SEND SELECT”. ABOVE THE EIGHT LARGE KNOBS IS A STRIP OF SILVER METAL WITH A SERIES OF OFF-WHITE BUTTONS ABOVE. THE STRIP IS LABELED, FROM LEFT TO RIGHT: “CDP”, “RSWR-24”, “CASS”, “MIC 1”, “MIC 2”, “DIGICART”, “FX RTN”, “COMPUTER CH1”, “COMPUTER CH2”, “EDIT B”. JUST ABOVE “EDIT B” IS A COUNTER, WHICH IS PRESENTLY STOPPED AT “666”. AT THE VERY TOP OF THE BOARD, IS A RECTANGULAR SECTION, WHICH IS 63.5CM LONG AND 9.7CM TALL. IN THIS SECTION, THERE ARE TWO SQUARE SPEAKERS ON EITHER END. BELOW THE LEFT SPEAKER IS AN EMBOSSED MAKERS LABEL: “MCCURDY RADIO INDUSTRIES LIMITED.” A VU METER IS IN THE CENTRE. IT’S BACKGROUND HAS YELLOWED, HAS A SCALE IN BLACK AND RED INK. REVERSE IS MOSTLY MEDIUM BLUE METAL, WITH A HINGED UPPER PORTION THAT IS TOPPED IN WOOD. ALONG THE BACK THERE ARE TEN VENTILATION SECTIONS: EACH HAS THREE HORIZONTAL LINES. TOP LEFT CORNER IS A BLACK AND SILVER LABEL: “MCCURDY RADIO INDUSTRIES LIMITED. TORONTO, ONTARIO CANADA. MODEL NO. SS4388A. SERIAL # C505084. 117 V. ___ VA. 60 CPS.” A SHORT, LIGHT GREY CORD WITH A BLUE TIP, COMES OUT OF THE RIGHT SIDE OF THE BACK. TOP RIGHT CORNER IS A SILVER COLOURED METAL CIRCLE, WITH A LIGHT GREEN CENTRE. THE LIGHT GREEN CENTRE HAS THREE HOLES. ABOVE THE HOLES IS A SMALL BUTTON “PUSH”. EMBOSSED IN THE METAL BELOW THE THREE HOLES: “SWITCHCRAFT”. A BLACK POWER CORD COMES OUT OF THE BOTTOM OF THE UNIT. OVERALL GOOD TO VERY GOOD CONDITION. UNIT IS SLIGHTLY DISCOULOURED/STAINED. A FEW SMALL SCRATCHES IN THE SURFACE, ESPECIALLY ON THE TOP WOODEN PORTION. B: A COMB BOUND MANUAL WITH BLUE PLASTIC COVERS. A CUT OUT IN THE FRONT COVER SHOWS THE FRONT PAGE, DISPLAYING THE TITLE “INSTRUCTIONS SS4 388A CFCN COMMUNICATIONS CALGARY ALBERTA 760083C.” THE BLUE FRONT COVER ITSELF READS “MCCURDY RADIO INDUSTRIES LIMITED”, AND “MCCURDY RADIO INDUSTRIES INCORPORATED”, EACH FOLLOWED BY AN ADDRESS. THE BOOK IS DIVIDED BY PALE BLUE DIVIDERS INTO SIX SECTIONS. EACH SECTION IS AN INSTRUCTION MANUAL COMPLETE WITH DIAGRAMS, FOR A COMPONENT OF THE SS4388A, WITH THE FIRST SECTION BEING A MANUAL FOR THE SS4388A AS A WHOLE. AT THE BACK OF THE BOOKLET SIT A NUMBER OF LOOSE PAGES, SOME WITH HOLES FOR THE COMB BINDING, SOME FOLD OUT DIAGRAMS. DIMENSIONS OF MANUAL ARE: LENGTH 25.9 CM; HEIGHT 31.1 CM; WIDTH 25.9. CONDITION: THE PAGES AND DIVIDERS STICKING OUT OF THE BOOK IS BENT AND CURLED, WORN SOFT. THE FRONT COVER IN SPLITTING AT THE BOTTOM CORNERS.
Subjects
TELECOMMUNICATION T&E
Historical Association
BUSINESS
History
THE FOLLOWING INFORMATION COMES FROM AN INTERVIEW WITH DARREN KRONLUND CONDUCTED BY KEVIN MACLEAN IN MAY 2016, BROADCAST TECHNICAL ENGINEER & IT SUPPORT AT CTV IN LETHBRIDGE. DARREN STARTED WORKING FOR CTV IN 1989. AT THAT TIME, THERE WERE FOUR BROADCAST ENGINEERS AND NOW DARREN IS THE ONLY ONE. CTV OFFERED THE CONSOLE TO THE MUSEUM BECAUSE, ACCORDING TO DARREN, “ALTHOUGH IT STILL WORKS AND FUNCTIONS, IT HAS BECOME NOT RELEVANT ANYMORE BECAUSE WE’RE IN A DIGITAL WORLD NOW. THAT’S THE MAIN REASON. IT HASN’T BEEN USED BY US IN, 2016, IN PROBABLY 18 MONTHS - IT’S BEEN USED NOT THAT LONG AGO. IT TOOK US RIGHT THROUGH, AND INCLUDING THE TRANSITION INTO DIGITAL. IT WAS PART OF THAT [TIME], WHERE WE WOULD VOICE THROUGH THE BOARD, WHICH IS IN THE ANALOG WORLD, AND WE PUT SOME EQUIPMENT IN LINE THAT WOULD CONVERT ANALOG TO DIGITAL, AND GET IT INTO OUR COMPUTERS, AND WE COULD E-MAIL IT, SO IT WAS USED EVEN THEN.” THE CONVERSION TO DIGITAL FROM ANALOG STARTED IN THE SPRING OF 2014 AND THE PRIMARY DELAY IN CONVERTING ENTIRELY TO DIGITAL WAS THE COST: “THAT’S A LOT OF MONEY TO GET ALL OF THE EQUIPMENT, ALL AT ONCE, AND MAKE THE SWITCH OVER, AND THEN STILL PUT OUT NEWSCASTS, AND SO THAT WAS JUST FINDING THE RIGHT TIME TO JUMP, AND IT TURNED OUT THAT IT WAS A BUDGET YEAR THAT SOME CAPITAL BECAME AVAILABLE, AND LET’S MAKE THE JUMP. SO, WE WENT OUT AND BOUGHT THE EQUIPMENT, SO THAT WE COULD GATHER IT IN DIGITAL, EDIT IT IN DIGITAL, AND THEN HAVE THE MEANS TO FILE IN DIGITAL. AND THAT WAS ACTUALLY ALL DONE LIKE WITHIN 3 MONTHS. THAT WAS A QUICK LITTLE PROJECT. AND, THIS WAS STILL WORKING. IT JUST FILLED A NEED ALL THROUGH THAT." DARREN RELATED THAT, AT THE TIME OF THE INTERVIEW, CTV WAS “PROBABLY 80% DIGITAL.” FURTHER CONVERSION IS HELD UP DUE TO COST: “IF WE HAD THE MONEY TO DO IT, WE WOULD. WE STILL HAVE SOME VIDEO EQUIPMENT THAT WE ARE USING ANALOG HERE, WHERE IT’S TAKING ABOUT FOUR PIECES OF EQUIPMENT TO ACHIEVE STUFF, BECAUSE WE HAVE TO BRING THE DIGITAL WORLD BACK TO ANALOG. IT’S KIND OF REVERSE, BUT COST-WISE, IT DOESN’T MAKE SENSE TO REPLACE IT WHEN WE HAVE SOMETHING WORKING ALTHOUGH IT’S GOING TO TAKE SOMETHING FAILING IN THAT CHAIN TO MAYBE PROMPT THE … MOVE OVER TO DIGITAL THERE. SO, WE STILL HAVE SOME EQUIPMENT THAT IS IN THE OLD ANALOG WORLD, BUT RIGHT NOW IT HAS GONE SO FAR AS WE ARE CONVERTING DIGITAL TO ANALOG AND IT COMES DOWN TO US MONITORING IT. OUR MONITORING EQUIPMENT IS IN THE ANALOG WORLD.” DARREN EXPLAINED WHY THIS BOARD CONTINUED TO BE USED, DURING THE TRANSITION TO DIGITAL: “EVERYTHING COMES DOWN TO MONEY, AND TO REPLACE IT WITH THE DIGITAL WORLD, AT THE COST, AND WE COULD ACHIEVE IT JUST BY BUYING SOME IN-LINE EQUIPMENT, AND GET THE SAME RESULTS, SO, IT STILL FUNCTIONS AND WORKED, AND DID WHAT WE REQUIRED WHICH WAS TO MIX SIGNALS, OR EVEN JUST TO TAKE A SIGNAL AND GET IT WHERE WE WANTED, WHICH WAS THROUGH THIS OTHER EQUIPMENT, TO DO THE CONVERSION, AND IT JUST WORKED, AND IT DIDN’T MAKE SENSE TO PUT A BUNCH OF MONEY INTO SOMETHING TO REPLACE THE WHOLE CONSOLE WHEN WE DIDN’T NEED TO.” THE BOARD CAME FROM A ROOM CALLED THE AUDIO BOOTH, WHICH IS “USED FOR VOICING. IT’S GOT A SM4, I THINK, MICROPHONE WHICH IS A VERY EXPENSIVE MIC, AND IT’S COMMON THROUGHOUT THE BROADCAST INDUSTRY, AND THE ROOM ITSELF IS ACOUSTICALLY-TREATED SO THAT, YOU KNOW, YOU DON’T WANT NOISE FROM OUTSIDE COMING IN. SO, EVEN THE TELEPHONE HAS A FLASHING LIGHT IF IT’S RINGING. IF YOU NEED TO GET HOLD OF SOMEBODY IN THE AUDIO BOOTH, IT FLASHES. IT’S JUST A ROOM SPECIALLY DESIGNED FOR VOICING.” DARREN EXPLAINED HOW THE CONSOLE ENDED UP AT CTV: “THE MANUAL TELLS ME THAT IT WAS BRAND-NEW IN 1972, AND, I’VE TALKED TO A FEW PEOPLE. THE PEOPLE THAT ORIGINALLY PROBABLY BOUGHT THIS, IT WAS USED UP IN CALGARY FOR A NUMBER OF YEARS, AND I DON’T HAVE THE HISTORY FROM CALGARY. BUT, I’M GOING TO GUESS THAT, SOMEWHERE, PROBABLY, IF IT WAS NEW IN 1972, AND I CAME ONBOARD HERE IN ’89, SO, SOMEWHERE IN THE ‘80’S, PROBABLY MID ‘80’S, I’M GUESSING THAT WE RECEIVED IT, AND PUT IT INTO USE – I’M PRETTY SURE DIRECTLY INTO AN AUDIO BOOTH. THE AUDIO BOOTH MIGHT NOT HAVE BEEN THERE AT THE TIME, BECAUSE, I KNOW, WHEN I CAME, THERE WAS ANOTHER BOARD, VERY SIMILAR TO THIS, THAT WAS IN A CONTROL ROOM, AND IT WAS USED AS PART OF PRODUCTION.” DARREN DOESN’T FIND HIMSELF FEELING VERY NOSTALGIC ABOUT OLD EQUIPMENT: “THE MORE PROBLEMS THEY CREATE, THE LESS ATTACHED I AM TO THEM, (LAUGHS) BECAUSE PART OF MY JOB IS TO KEEP THEM RUNNING. TO TELL YOU THE TRUTH, ACTUALLY I WOULD BE QUITE FOND OF THIS, BECAUSE I RARELY, IN ALL MY YEARS, I CAN’T EVEN REMEMBER, MAYBE 2 OR 3 TIMES, I’VE HAD TO DEAL WITH PROBLEMS WITH IT. SO IT HAS PROBABLY BEEN, IF NOT THE MOST RELIABLE, RIGHT UP THERE. AND, ONE OF THE THINGS I WAS GOING TO MENTION, WITH THESE, THE COMPONENTS ARE ALL DISCRETE. EACH BOARD HAS DISCRETE COMPONENTS, MEANING INDIVIDUAL TRANSISTORS. WHEREAS NOWADAYS BOARDS, THEY HAVE CHIPS AND IC’S, YOU DON’T SEE THAT ON THESE. YOU SEE – YOU’D WORK ON THESE; AND YOU’D LOOK AT A SCHEMATIC, AND YOU WOULD ISOLATE IT RIGHT DOWN TO A RESISTOR, OR A CAPACITOR AND TODAY, YOU CAN’T WORK ON EQUIPMENT. IT’S MORE DISPOSABLE TODAY.” DARREN SEES THIS TRANSITION AS BOTH “GOOD AND BAD. THIS LEVEL OF TROUBLESHOOTING IS REWARDING WHEN YOU ‘GET IT’, BUT IT CAN BE PRETTY FRUSTRATING WHEN YOU ARE JUST KIND OF CHASING YOUR TAIL, WHERE WITH THE NEW STUFF, IT’S MORE BOARD REPLACEMENT, AND IT’S A LOT QUICKER PROCESS. BUT ALSO, THE REASON I SAY IT’S MORE DISPOSABLE, BECAUSE, YOU DON’T SPEND THE TIME ON IT LIKE YOU WOULD HERE, BECAUSE THE TIME THAT IT TAKES AT THIS BOARD, THEY JUST DON’T SUPPLY YOU BOARDS ANYMORE. THEY WOULD SEND LOANERS AND SUPPORT FOR STUFF WAS A LOT BETTER BACK THEN. NOW, IT’S BECOME A DISPOSABLE WORLD. IF YOU DON’T HAVE A CARD, YOU BUY A NEW CARD, AND THAT KIND OF THING. COMPONENTS JUST HAD MORE LONGEVITY. THIS ERA – I STILL HAVE SOME DISTRIBUTION AMPS THAT ARE STILL IN SERVICE AND THEY OUTLIVE STUFF THAT WAS BOUGHT 10 YEARS AFTER THEM. THERE’S A LOT MORE RESILIENCY TO STUFF THAT WAS BUILT THEN.” SEE PERMANENT FILE FOR COPY OF INTERVIEW TRANSCRIPT.
Catalogue Number
P20160013000
Acquisition Date
2016-05
Collection
Museum
Images
Less detail
Other Name
CAMPAIGN SIGN
Date Range From
2012
Date Range To
2015
Material Type
Artifact
Materials
WOOD, COROPLAST, PAPER
Catalogue Number
P20150036000
  2 images  
Material Type
Artifact
Other Name
CAMPAIGN SIGN
Date Range From
2012
Date Range To
2015
Materials
WOOD, COROPLAST, PAPER
No. Pieces
1
Height
151.7
Length
122.5
Width
6.5
Description
SIGN. WOODEN FRAME, COROPLAST SIGN, COVERED IN CRAFT PAPER. STENCILED ONTO PAPER, HORIZONTALLY ACROSS SIGN: “GREAT JOB SHANNON + SUPPORTERS!” HANDWRITTEN, VERTICALLY, TO THE RIGHT OF THE EXCLAMATION POINT: “GO SHANNON”. SEVERAL DOODLES ALL OVER SIGN, ESPECIALLY ABOVE AND BELOW “GREAT”. COLOURS INCLUDE YELLOW, GREEN, BLACK, FLORESCENT ORANGE, AND FLORESCENT PINK. FACE WITH PINK HAIR AND BLACK EARRINGS ON LEFT SIDE OF SIGN. GREEN PAINTERS TAPE AND FOUR CLEAR HEADED PUSH PINS HOLD CRAFT PAPER ON COROPLAST SIGN AND WOODEN FRAME. SCREW WITH A PIECE OF WIRE WRAPPED AROUND IT ON TOP CENTRE OF SIGN. WOODEN LEGS COME TO A POINT AND BOTH LEGS ARE DIRTY: THE LEFT LEG HAS DIRT APPROXIMATELY 17CM UP THE LEG, WHILE THE RIGHT HAS APPROXIMATELY 28CM OF DIRT UP THE LEG. COROPLAST CAMPAIGN SIGN VISIBLE ON REVERSE IS PRIMARILY ORANGE, WITH DARK GREEN. “ELECT SHANNON PHILLIPS ALBERTANDP.CA” AND “ALBERTA’S NDP” IN WHITE LETTERING, WITH BLACK SHADOW EFFECT. GOOD CONDITION. HANDWRITING AND DOODLES ARE VERY FADED, ESPECIALLY THE FLORESCENT ORANGE AND PINK. PAPER IS RIPPED ALONG THE BOTTOM OF THE SIGN, WHERE IT MEETS THE WOODEN FRAME.
Subjects
VISUAL COMMUNICATION T&E
Historical Association
POLITICS
History
THE FOLLOWING INFORMATION COMES FROM AN INTERVIEW CONDUCTED BY JANE EDMUNDSON WITH JAMES MCDOWELL IN DECEMBER 2015, THE SELF-DESCRIBED SIGN PERSON FOR SHANNON PHILLIP’S 2015 PROVINCIAL ELECTION CAMPAIGN. JAMES DESCRIBED HIS ROLE WITH THE CAMPAIGN: “I WAS IN CHARGE OF KINDA THE SIGN CREW AND MAKING SURE THAT WE GOT UP ALL THE SIGN REQUESTS THAT PEOPLE BROUGHT IN AND THEN ON THE PUBLIC PROPERTIES TOWARDS THE END OF THE CAMPAIGN.” JAMES ALSO ASSISTED WITH SHANNON’S 2012 ELECTION CAMPAIGN, WHICH IS WHERE THIS SIGN ORIGINATES FROM. IN DESCRIBING THE SIGN AND THE DETAILS BEHIND ITS CREATION, JAMES HAD THE FOLLOWING TO SAY: “SO THE SIGN IS ACTUALLY COVERED WITH PAPER AND BRAD BOWERS’ CHILDREN … IN 2012 TOWARDS THE END OF THE CAMPAIGN WROTE ON IT AND JUST SAID, YOU KNOW, ‘CONGRATULATIONS SHANNON AND TEAM.’” HE CONTINUED: “SO, IT WAS DONE BY KIDS AND WHEN I WAS CLEANING UP IN 2012 IT WAS ACTUALLY ON THEIR LAWN, AND I WAS GATHERING SIGNS, AND I DROVE UP AND THERE WAS THIS SIGN. AND THEY ARE QUITE, ON 6TH AVENUE BY LONDON MARKET SO THEY HAVE A GOOD LITTLE LOCATION THERE THAT A LOT OF PEOPLE SEE. SO THEY WERE JUST THANKING EVERYONE FOR THEIR HARD WORK BACK IN 2012. AND EVEN THOUGH WE DIDN’T WIN THERE HAD BEEN A LOT OF GOOD LEGWORK DONE. SHANNON BUILT A REALLY GOOD BASE AND THE COMMUNITY WAS EXCITED FOR HER SO IT WAS REALLY NEAT THAT BRAD’S CHILDREN DID THIS TO THANK SHANNON AND EVERYONE THAT HELPED OUT. AND, SO I GRABBED THAT SIGN, THREW IT IN MY TRUCK WITH THE REST AND AS WE WERE CLEANING UP I WENT, WELL, WE’RE NOT GONNA TAKE IT APART. LIKE IT WAS JUST ONE OF THOSE SIGNS THAT – LET’S JUST KEEP THIS WHOLE. ‘CAUSE I COULD HAVE JUST RIPPED THE PAPER OFF AND THROWN IT OUT BUT IT SEEMED ... IMPORTANT TO KEEP ‘CAUSE I KNEW SHE’D RUN AGAIN.” JAMES EXPLAINED HIS MOTIVATION TO KEEP THE SIGN: “I THINK ONE OF THE REASONS I KEPT IT WAS ‘CAUSE IT WAS DONE BY CHILDREN, IT WAS UNIQUE AND IT WAS A ‘THANK YOU’, BECAUSE PART OF DOING SIGNS, WE ACTUALLY DEAL WITH A LOT OF VANDALISM, A LOT OF WRECKED SIGNS DAILY. SO THIS WAS A NICE CHANGE OF PEOPLE NOT DESTROYING A SIGN BUT ENHANCING A SIGN AND THE BOWER CHILDREN DID IT, SO IT WAS REALLY GREAT.” JAMES EXPLAINED WHERE THIS SIGN, AND OTHERS, WERE STORED BETWEEN THE 2012 AND 2015 CAMPAIGNS: THEY WERE STORED BY “JACQUELINE PREYDE AND HER PARTNER, MICHAEL STINGL. THEY HAVE A GARAGE AND THEY WERE STORED THERE … WE HAD SMALL, LAWN-SIZED SIGNS AND THEN WE HAD MEDIUM SIZE AND THEN WE HAD THE LARGE, YOU KNOW, KINDA 3 X 5 FOOT SIGNS – SO DIFFERENT SIZES. IT’S INTERESTING TO STORE THEM ALL BUT WE ARE NO LONGER USING JACQUELINE’S GARAGE. LISA LAMBERT HAS FOUND US A SHED WHERE WE’RE STORING THE LAST ROUND ‘CAUSE JACQUELINE’S GARAGE WAS GREAT BUT IT WAS ACTUALLY UP A SET OF STAIRS INTO AN ATTIC AND JUST REALLY ‘NOT FUN’. THE BIG SIGNS – THE STRUCTURE FOR THEM IS STORED UP THERE RIGHT NOW BUT I DON’T THINK THERE’S ANY, MARIA’S OR SHANNON’S SIGNS, IN JACQUELINE’S GARAGE AT THE MOMENT.” JAMES INDICATED THAT THE CAMPAIGN SIGNS COME FROM A CENTRAL LOCATION: “I THINK THEY ALL GO/ORDER OUT OF THE SAME COMPANY. I THINK IT’S ACTUALLY A SPECIFIC COMPANY THAT THE NDP USE ‘CAUSE IT’S A UNIONIZED PRINTING COMPANY – STICKING WITH THEIR ROOTS THAT WAY.” HE EXPLAINED THAT SOME SIGNS WERE RE-USED FROM THE 2012 CAMPAIGN BUT “THEY DIDN’T HAVE THE RACHEL NOTLEY LOGO ON THE OLD ONES, SO THEY WERE LACKING. SO WE TRIED TO USE THOSE EARLY IN THE CAMPAIGN BUT THEN WE DEFINITELY GOT INTO THE NEW LOOK. AND WE DID HAVE TO ORDER MORE.” WORKING WITH THE SIGNS WAS A PHYSICAL JOB, AS JAMES EXPLAINED: “PUTTING THE SIGNS TOGETHER IS A LOT OF REPETITIVE ACTION WITH THE DRILL GUN AND SCREWS. AND THEN, YEAH, HOPPING IN AND OUT OF A TRUCK AND POUNDING THEM IN. ASSEMBLING THE BIG SIGNS, YOU KNOW, TOOK A BIT TO POUND THE STAKES IN. IT’S VERY WINDY HERE IN LETHBRIDGE, AS ANYONE WHO WILL BE LISTENING TO THIS PROBABLY KNOWS, SO WE REALLY HAD TO ANCHOR THEM DOWN; SO THERE WAS SOME PHYSICAL WORK TO POUND REBAR STAKES INTO THE GROUND. IT WAS ACTUALLY HARDER PROBABLY REMOVING THEM AFTER THEY’D BEEN IN FOR 3-4 WEEKS MAYBE.” HE CONTINUED: “IT TOOK US A WEEK TO GATHER THEM UP AND THEN, EVEN THEN, A COUPLE OF WEEKS AFTER THAT PEOPLE WOULD, ‘HEY, I’VE GOT A SIGN STILL.’” JAMES ALSO INDICATED THAT SOME PEOPLE CHOSE TO KEEP THE SIGNS AS A SOUVENIR: “I WAS ACTUALLY TAKING SOME OFF LAWNS AND PEOPLE WOULD RUN OUT AND GO, ‘NO, I WANT TO KEEP THAT.’ IT’S LIKE, ‘OK, HERE YOU GO.’ RIGHT? A LOT OF PEOPLE WERE REALLY WANTED TO KEEP THE, YOU KNOW, ‘CAUSE WELL, NDP VICTORY IN LETHBRIDGE – FIRST TIME - HUGE.” JANE ASKED JAMES HOW THE 2015 CAMPAIGN DIFFERED FROM 2012: “CERTAINLY THE MOMENTUM. I MEAN SHANNON HAD BUILT A REALLY GOOD BASE IN 2012; HAD DONE A LOT OF GREAT WORK AND THAT MOMENTUM JUST SEEMED TO CARRY. THE CAMPAIGN TEAM THEMSELVES, SHANNON AND ALL THE DOOR KNOCKERS, NEVER QUIT. I THINK FROM 2012 THEY KEPT OUT THERE - SO WE JUST HAD LOTS OF SUPPORT. IT WAS HARD TO KEEP UP WITH SIGNS. I’VE NEVER SEEN SO MANY NDP SIGNS GO UP IN LETHBRIDGE. IT WAS LIKE WOW! I’VE LIVED HERE FOR 30 YEARS NOW AND, YOU KNOW, IT’S ALWAYS BEEN A ‘BLUE’ CONSERVATIVE AREA SO IT WAS SO NICE TO SEE THAT PEOPLE WERE, YOU KNOW, WANTING TO EMBRACE A DIFFERENT PHILOSOPHY, I GUESS, AND ROAD. SO, YEAH, MOMENTUM WAS HUGE. JUST THE NUMBER OF REQUESTS DAILY WAS INCREDIBLE. SO WE PROBABLY PUT UP CLOSE TO 2,500 SIGNS IN THE SECOND CAMPAIGN COMPARED TO WELL, YOU KNOW, DOUBLED WHAT WE DID IN 2012.” JAMES NOT ONLY ASSISTED WITH SHANNON’S CAMPAIGN, HE ALSO HELPED OUT IN THE EAST LETHBRIDGE RIDING: “I HELPED OUT A BIT. I ACTUALLY VOTE EAST, I LIVE IN EAST, SO NO, I DID HELP OUT MARIA [FITZPATRICK] WHEN I COULD. YOU KNOW, NOT NEAR AS MUCH ‘CAUSE SHANNON – SHE CAME TO ME AND ASKED ME IF I WOULD DO THIS IN 2015 AND I SAID, “YES, I’D TAKE THAT PART ON.” BUT I TRIED TO LEND A HAND TO EAST WHEN I COULD. YOU KNOW, JUST EVEN DRIVING AROUND IF I SAW A BROKEN SIGN I’D GO FIX IT ... WE SORT OF GOT CAUGHT UP WITH SHANNON’S AND I KNOW MARIA WAS NEEDING HELP SO I SPENT A COUPLE DAYS JUST TRYING TO GET THEM CAUGHT UP.” SHANNON’S VICTORY PARTY WAS HELD AT THE GALT MUSEUM. JAMES DESCRIBED THE EVENING: “WELL, IT WAS JUST FUN. IT WAS EXCITING BECAUSE THE PLACE WAS PACKED. I’VE NEVER SEEN THAT MANY PEOPLE AT AN ELECTION PARTY FOR THE NDP IN LETHBRIDGE. SO, JUST THE EXCITEMENT. I THINK, YOU KNOW, GOING INTO IT, WE WERE REALLY CONFIDENT WE WERE GONNA WIN BUT THEN THE FACT THAT MARIA WON TOO - THAT LETHBRIDGE WENT COMPLETELY NDP WAS INCREDIBLE. SO YEAH, JUST I MEAN, IT WAS JUST UNPRECEDENTED. I THINK WE WERE ALL A LITTLE STUNNED BECAUSE EVEN AS WE SAW WHAT WAS HAPPENING PROVINCIALLY, NOBODY PREDICTED THAT ... THERE WAS A LITTLE BIT OF SHOCK AND AWE.” JAMES BROUGHT THIS PARTICULAR SIGN TO THE GALT FOR ELECTION NIGHT: “I CAME OVER, I DON’T KNOW, 2 O’CLOCK IN THE AFTERNOON AND MADE 3 LITTLE TOWERS WITH HER SMALLER SIGNS – HER LAWN SIGNS – AND MADE THESE TOWERS THAT WE PUT IN THE ROOM AND THEN I HAD HUNG ON TO THIS SIGN FROM THE 2012 CAMPAIGN. IT WAS STORED, I THINK I STORED IT AT JACQUELINE’S, BUT I KNEW I HAD THAT AND I JUST FELT THAT IT NEEDED TO COME OVER AGAIN SO I THREW IT IN MY TRUCK AND I BROUGHT IT HERE.” HE CONTINUED, DESCRIBING THE MOOD OF THE PARTY: “OH WELL, JUST ELATION. I MEAN, JUST EVERYONE WAS SO HAPPY AND ... LIKE I SAID, SHOCKED EVERYBODY. IT TOOK ME A DAY OR TWO TO REALIZE WE’D WON. IN FACT, WE WERE IN THE OFFICE I THINK THE NEXT DAY OR A COUPLE OF DAYS LATER KINDA PACKING UP THE OFFICE – I HELPED WITH THE CLEANUP THERE, WELL MAINLY SIGNS AND SIGN DEBRIS THAT WAS IN THE OFFICE. WE HAD ALL THIS OFFICE STUFF AND KEITH MCLAUGHLIN, SHANNON’S OFFICIAL CAMPAIGN MANAGER, WAS SAYING, ‘OH, WHERE ARE WE GOING TO PUT THIS? SHANNON REALLY DOESN’T WANT TO TAKE IT TO HER HOUSE.’ AND I SAID, ‘WELL, WE COULD PUT IT OVER IN THE STORAGE SHED AND YOU CAN PICK IT UP, YOU KNOW, NEXT TIME WE RUN.’ AND KEITH GOES, ‘JAMES, REMEMBER WE WON. WE’RE GONNA HAVE AN OFFICE.’ AND I WENT, ‘OH, YEAH.’ SO REALLY, I THINK THE ELECTION PARTY WAS PARTLY THAT – IT WAS JUST KINDA LIKE, 'PINCH ME. DID THIS REALLY HAPPEN?'” SEE PERMANENT FILE FOR A TRANSCRIPT OF THE INTERVIEW CONDUCTED WITH JAMES MCDOWELL. GALT STAFF FURTHER INTERVIEWED THE HONOURABLE SHANNON PHILLIPS, GOVERNMENT OF ALBERTA MINISTER OF ENVIRONMENT AND PARKS AND MEMBER OF THE LEGISLATIVE ASSEMBLY OF ALBERTA FOR THE CONSTITUENCY OF LETHBRIDGE WEST ON DECEMBER 16, 2016. THE FOCUS OF THE INTERVIEW WAS THE HONOURABLE MINISTER’S MEMORIES OF THE DONATED SIGN AS WELL AS MEMORIES ON HER 2015 ELECTION CAMPAIGN AND HER ELECTION WIN. FOR A TRANSCRIPT OF THIS INTERVIEW, PLEASE SEE THIS DONATION’S PERMANENT FILE.
Catalogue Number
P20150036000
Acquisition Date
2015-12
Collection
Museum
Images
Less detail
Other Name
"MARQUIS HOTEL"
Date Range From
1928
Date Range To
2015
Material Type
Artifact
Materials
CERAMIC, PAINT
Catalogue Number
P20150037000
  1 image  
Material Type
Artifact
Other Name
"MARQUIS HOTEL"
Date Range From
1928
Date Range To
2015
Materials
CERAMIC, PAINT
No. Pieces
1
Height
5.08
Width
12.4
Description
BLACK, CERAMIC ASHTRAY. THE INSIDE OPENING OF THE ASHTRAY IS 6.4 CM. THE LETTERING ON THE TOP SAYS “THE MARQUIS HOTEL, LETHBRIDGE, ALBERTA, CANADA.” THERE IS AN ABSTRACTED FLORAL DESIGN ON EITHER SIDE OF THIS LETTERING. THE FLOWERS ARE PAINTED RED AND THEIR STEMS PAINTED GREEN. THIS WORDING AND DESIGN REPEATS ON THE OPPOSITE SIDE. THE LETTERING ON THE BOTTOM SAYS, “MADE IN JAPAN 29.” VERY GOOD CONDITION. USED WITH SOME WEAR APPARENT. BLACK PAINT IS WEARING OFF ON SOME PARTS OF THE SURFACE. SIGNIFICANT WEAR TO THE RED AND GREEN PAINT OF THE DECALS.
Subjects
HOUSEHOLD ACCESSORY
Historical Association
DOMESTIC
BUSINESS
History
ON DECEMBER 16, 2015, DONOR CHRIS MORRISON INFORMED COLLECTIONS TECHNICIAN KEVIN MACLEAN THAT SHE CAME INTO POSSESSION OF THE ASHTRAY WHEN SHE AND HER HUSBAND BECAME STEWARDS OF A WATERTON CABIN IN 1976. THE CABIN, LOCATED AT 103 CAMERON FALLS, WAS OWNED BY HER MOTHER-IN-LAW DOROTHY MORRISON (D. 1995). IT WAS AMONG ASSORTED FURNISHINGS LEFT BEHIND WHEN DOROTHY MOVED OUT AND CHRIS MOVED IN. THE DONOR’S RECOLLECTION OF THE ASHTRAY’S USE IMMEDIATELY PRIOR TO IT BECOMING HER PROPERTY WAS AS A CONTAINER. MORRISON SAID, “IT WAS IN A [CABIN] WASHSTAND AND USED TO HOLD LITTLE OBJECTS LIKE ROLLED UP KEROSENE LANTERN TAPE WICKS”. ACCORDING TO MORRISON, IT WAS ALSO KNOWN AS “GRANDPA’S ASHTRAY”. GRANDPA REFERS TO JAMES J. MORRISON OF LETHBRIDGE. “HE ONLY SMOKED CIGARS” SAID THE DONOR, WHEREAS HER MOTHER-IN-LAW DOROTHY DID NOT SMOKE AT ALL. THE ASHTRAY’S USE AS A CONTAINER FOR LANTERN WICKS AND SMALL ITEMS CONTINUED RIGHT UP TO THE DAY THAT IT WAS OFFERED TO THE GALT IN 2015. ACCORDING TO HER OBITUARY IN THE LETHBRIDGE HERALD, DOROTHY MORRISON, PASSED AWAY IN LETHBRIDGE ON NOVEMBER 26, 1995 AT THE AGE OF 83 YEARS. JAMES JACOB MORRISON, DOROTHY’S FATHER-IN-LAW, PASSED ON FEBRUARY 18TH, 1975 AT AGE 93. THE ASHTRAY IS MARKED WITH “MARQUIS HOTEL,” WHICH COULD REFER TO THE LETHBRIDGE HOTEL THAT OPENED IN JUNE 1928. REALIZING A NEED FOR A FIRST-CLASS HOTEL IN LETHBRIDGE, ESPECIALLY ONE WITH A BANQUET HALL, THE BUSINESSMEN OF THE BOARD OF TRADE COMMITTED THEMSELVES TO THE HOTEL IN 1927. AFTER ITS OPENING, THE BOARD OF TRADE WOULD HOLD THEIR REGULAR, NOON-HOUR MEETINGS AT THE HOTEL FOR MANY YEARS TO COME. THE HOTEL CLOSED ITS DOORS IN 1985 AND THE BUILDING WAS DEMOLISHED IN 1988. THIS INFORMATION COMES FROM LETHBRIDGE HERALD ARTICLES AND A WRITE-UP ABOUT THE HOTEL IN THE PUBLICATION TITLED "WHERE WAS IT? A GUIDE TO EARLY LETHBRIDGE BUILDINGS," BY IRMA DOGTEROM. PLEASE SEE PERMANENT FILE FOR MORE INFORMATION INCLUDING LETHBRIDGE HERALD ARTICLES AND A COPY OF THE INFORMATION FROM THE PUBLICATION CITED ABOVE.
Catalogue Number
P20150037000
Acquisition Date
2015-12
Collection
Museum
Images
Less detail
Other Name
BERBER SHOE EDUKAN
Date Range From
2009
Date Range To
2015
Material Type
Artifact
Materials
LEATHER, THREAD, RUBBER
Catalogue Number
P20160011000
  1 image  
Material Type
Artifact
Other Name
BERBER SHOE EDUKAN
Date Range From
2009
Date Range To
2015
Materials
LEATHER, THREAD, RUBBER
No. Pieces
2
Length
28.5
Description
PAIR OF DARK BROWN LEATHER SHOES. TWO PANELS OF LEATHER MAKE UP EACH SHOE (ONE FRONT PIECE AND ONE PIECE FOR THE HEEL). THE LEATHER IS STITCHED TOGETHER WITH A STIFF, LIGHT-COLOURED THREAD. THERE IS A LIGHT BROWN, LEATHER THREAD FOR THE TRIM OF THE SHOE THAT GOES AROUND TO CONNECT THE TWO LEATHER PIECES THAT MAKE UP THE SHOE. THE INSOLE IS A LIGHT-COLOURED LEATHER. THE BACK OF THE HEEL IS HIGHER THAN THE REST OF THE SHOE AND IS FOLDED DOWN INSIDE THE SHOE. LIGHT BROWN BOTTOM SOLE WITH BLACK RUBBER LINING THE TOP OF THE SOLE. GOOD CONDITION. ON BOTH SHOES THERE IS LIGHT SCUFFING NEAR THE TOES. THE SOLES ARE WORN FROM WEAR, ESPECIALLY NEAR THE TOES AND HEELS. ON THE LEFT SHOE VARNISH COATING IS UNEVEN. THERE IS A SMALL OF BUILD-UP OF THE VARNISH AT THE BACK HEEL. AT THE FRONT TOE, THERE IS A PIECE OF THE BLACK SECTION OF THE SOLE COMING OUT. ON THE RIGHT SHOE, THERE IS WEAR OF THE BROWN VARNISH AT THE TOP OF THE TOE. VARNISH AT THE BACK HEEL IS UNEVEN AT HEEL. INSOLE IS CRACKING SLIGHTLY. BOTTOM SECTION OF SOLE IS LIFTING OFF THE SHOE AND THERE IS A SHINY SUBSTANCE ON VARIOUS PLACES OF THE SOLE.
Subjects
CLOTHING-FOOTWEAR
Historical Association
PERSONAL CARE
ETHNOGRAPHIC
History
THESE SHOES WERE DONATED TO THE GALT MUSEUM & ARCHIVES AFTER BEING FEATURED IN THE GALT’S EXHIBITION TITLED, "CHANGING PLACES: IMMIGRATION & DIVERSITY," THAT RAN FROM OCTOBER 31, 2015 TO JANUARY 17, 2016. THE DONOR, JAWAD ABOUCHA, WAS INTERVIEWED BY CURATOR WENDY AITKENS, ON JUNE 4, 2015 IN PREPARATION FOR THAT EXHIBITION. ANOTHER INTERVIEW WITH ABOUCHA WAS CONDUCTED BY COLLECTIONS TECHNICIAN KEVIN MACLEAN ON APRIL 26, 2016 DURING THE ACQUISITION PROCESS. THE FOLLOWING INFORMATION IS A COMBINATION OF QUOTATIONS BY ABOUCHA EXTRACTED FROM BOTH INTERVIEWS: “I’M FROM MOROCCO AND MORE PRECISELY FROM SOUTHERN MOROCCO I WAS BORN IN A CITY CALLED TIZNIT… IT’S A CITY PROBABLY AS SMALL AS LETHBRIDGE. IT IS WHERE I WAS BORN AND RAISED… I WOULD SAY I BOUGHT [THESE SHOES] IN THE YEAR 2009… I LIVED IN FRANCE FOR FOUR YEARS SO THAT’S WHERE I BOUGHT THEM WHEN I WENT TO MOROCCO TO VISIT FAMILY… I JUST GO HOME ONCE EVERY TWO YEARS AND THEN IN MOROCCO I LIKE TO BUY THINGS THAT WOULD REMEMBER ME OF MOROCCO AND ONE OF THE THINGS I LIKE TO BUY IS SLIPPERS THAT I CAN WEAR INDOORS… I KEPT THEM [IN FRANCE AND WHEN I] MOVED TO CANADA [I] BROUGHT THEM WITH ME… … [I]N THE WINTER TIME I CAN WEAR THEM INDOORS, BUT IN THE SUMMERTIME I CAN WEAR LIKE WHEN I’M IN BACKYARD FOR EXAMPLE. I THINK WHEN I BROUGHT THEM HERE [IN] AUGUST LAST YEAR I THINK I WAS USING THEM PROBABLY IN THE SUMMERTIME.” “[THE SHOES ARE] CALLED EDUKAN FROM SOUTHERN MOROCCO… PEOPLE MOSTLY WEAR THE SHOES WHEN IT’S SUNNY OUTSIDE AND BEAUTIFUL AND THEN YOU CAN JUST WEAR THESE ONES… [THE SHOES] SYMBOLIZE SOMETHING OF MY CULTURAL BACKGROUND… I THINK IT IS THE SHAPE AND THEY’RE ALSO MADE OF, I THINK, IT’S ANIMAL SKIN… THEY’RE MADE IN MOROCCO BUT ESPECIALLY THEY SYMBOLIZE MY BACKGROUND BECAUSE THEY’RE MADE IN SOUTHERN MOROCCO AND THEY’RE [ALSO] CALLED BERBER SHOES AND PEOPLE DO WEAR THEM LIKE IN THE MOUNTAINS. I DON’T KNOW FOR HOW MANY CENTURIES PEOPLE USE TO MAKE THESE SHOES BUT WHEN YOU GO TO SMALL CITIES OR IN THE MOUNTAINS THERE ARE PEOPLE WHO MAKE THESE SHOES LIKE BY HAND. I PICKED UP THIS COLOUR WHEN I BOUGHT THEM BECAUSE I THINK THIS COLOUR DOESN’T GET CHANGED VERY QUICK WHEN THERE IS DIRT AND STUFF. THESE SHOES IN MOROCCO SYMBOLIZE THE BERBER CULTURE… I HAVE THE OTHER PICTURE IN MY MIND THAT PEOPLE MAKING [THEM] BY HAND AND THE WAY THEY CUT THE SKIN AND MAKE IT AND THEY PAINT IT AND THEY PUT THE GLUE. THAT’S THE WHOLE WORK OF THESE PEOPLE [WHO ARE] MAKING THESE SORT OF SHOES [AND] I THINK ABOUT IT.” ABOUCHA FURTHER DISCUSSES THE PURCHASE OF THE SHOES IN MOROCCO, INCLUDING THEIR COST: “I WOULD SAY AROUND IN CANADIAN MONEY IT WOULD PROBABLY BE FIFTEEN DOLLARS, WHICH IS NOT TOO EXPENSIVE BACK HOME BUT IT IS A VERY REASONABLE PRICE FOR THEM... MOSTLY SOME [VENDORS] ONLY SELL SHOES BUT IT’S A LOT OF DIFFERENT KINDS, COLOUR[S] FOR MALE OF FEMALES AND THERE IS DIFFERENT TYPES AND I LIKE THE WAY THEY ARRANGE THEM TOGETHER IN FRONT OF THE STORE. PEOPLE WHO SELL THESE SHOES, LIKE DIFFERENT MERCHANTS, THEY ALL GATHER IN ONE PART OF WHAT WE CALL BACK HOME “A SOUK” WHICH IS A NAME FOR THE TRADITIONAL MARKET… BACK HOME WE CAN ALWAYS TAKE THESE ONES AND REPAIR THEM FOR VERY CHEAP AND MOST PEOPLE DO THAT. I HAD THE OPTION ACTUALLY TO TAKE THEM BACK HOME AND REPAIR THEM AND BRING THEM BACK BUT AT THE PRICE OF FIFTEEN DOLLARS, [IT] IS NOT SO MUCH, I CAN BUY A PAIR OF NEW ONES THAT KEEP ME FOR FIVE MORE YEARS SO I DONATE THESE ONES TO GALT MUSEUM.” ABOUCHA GOES ON TO TALK ABOUT THE SIGNIFICANCE OF THE SHOES BEING FROM HIS BIRTH COUNTRY AS HE LIVES ABROAD: “I LEFT MOROCCO WHEN I WAS TWENTY-ONE AND I’M THIRTY YEARS OLD NOW. I’VE BEEN LIVING ABROAD FOR NINE YEARS. I STILL HAVE A LOT OF FAMILY MEMBERS LIVING IN MOROCCO… MY MOM, FATHER-IN-LAW, MY SISTER, MY YOUNGER BROTHER, MY GRANDPARENTS, MY UNCLES, THAT’S ON MY DAD’S SIDE [ARE STILL IN MOROCCO]. ON MY MOM’S SIDE, ALL MY UNCLES ARE LIVING IN FRANCE. MY OLDER BROTHER ALSO LIVES IN FRANCE… I STILL SPEAK THE LANGUAGE, STILL HAVE LOTS OF MEMORIES AND STORIES OF CHILDHOOD AND ADULTHOOD AND SOME OF UNIVERSITY SO I SPENT QUITE A LOT OF TIME IN MOROCCO. IT’S A COUNTRY WHERE I WAS BORN AND RAISED. SO I HAVE SOME THINGS THAT ONCE IN A WHILE WHEN I LOOK AT IT, [AND THEY] REMIND ME OF WHERE I COME FROM… [I] REMEMBER WHERE I COME FROM WHEN I SEE [THE SHOES]. I THINK OF BACK HOME, I THINK OF WHERE I WAS RAISED AND THE PEOPLE WHO MADE THEM AND THE FAMILY MEMBERS THAT WEAR THEM ESPECIALLY MY GRANDFATHER. HE WEARS THEM LOTS, AND I’M VERY CLOSE TO HIM.” AT THE TIME OF THE INTERVIEW WITH MACLEAN, ABOUCHA HAD BEEN IN CANADA FOR ABOUT FOUR AND A HALF YEARS: “I DIDN’T IMMIGRATE TO CANADA STRAIGHT FROM MOROCCO. I ALSO LIVED IN FRANCE FOR 4 YEARS WHILE I DID PART OF MY STUDIES THERE. WHEN I WAS IN MOROCCO I WENT TO THE UNIVERSITY IN ANOTHER CITY CALLED AGADIR. THERE IS NO UNIVERSITY IN TIZNIT. SO I HAD TO MOVE TO AGADIR AND I DID MY BACHELOR’S IN CHEMISTRY. AND THEN LOTS OF PEOPLE IN MOROCCO GO TO ANOTHER PLACE TO FINISH THEIR STUDIES. THEY USUALLY CHOOSE TO GO TO FRANCE BECAUSE WE ALSO LEARN FRENCH. SO I DECIDED TO GO AND HAVE AN EXPERIENCE SOMEWHERE ELSE AND GET A DEGREE AND PRACTICE MY FRENCH. I WENT TO FRANCE, THAT WAS IN 2007, AND I LIVED THERE FOR 4 YEARS AND I GOT MY MASTER’S IN ENVIRONMENTAL SCIENCES. I WORKED FOR A BIT AND THEN AFTER LIVING THERE FOR 4 YEARS I THOUGHT I PROBABLY NEEDED TO GO SOMEWHERE ELSE... AND ONE OF THE REASONS I MOVED TO CANADA WAS BECAUSE I USED TO HAVE A REALLY GOOD ENGLISH TEACHER IN MOROCCO. I LIKED ENGLISH AND I ALWAYS WANTED TO GO TO AN ENGLISH-SPEAKING COUNTRY, SO I DECIDED TO GO TO CANADA. I [CONSIDERED] OTHER PLACES BUT I KNEW ABOUT CANADA AND I COULD USE MY QUALIFICATIONS SO I CAME HERE AND GAVE IT A TRY AND THAT’S WHAT I DID… I APPLIED FOR PERMANENT RESIDENCY BEFORE I MOVED TO CANADA, WHILE I WAS IN FRANCE I GOT IT SO I MOVED TO STRAIGHT TO CANADA. I AM WHAT IS CALLED A PERMANENT RESIDENT AND I THINK THAT USED TO BE CALLED A LANDED IMMIGRANT BEFORE… I CAME TO MONTREAL FIRST BECAUSE I HAVE SOME FRIENDS WHO LIVE THERE. I LIVED THERE FOR A COUPLE OF MONTHS… AND THEN I DECIDED TO MOVE TO ALBERTA BECAUSE THERE WERE JOBS HERE AND I KNEW I WOULD PRACTICE MY ENGLISH HERE [TOO]. I MOVED HERE [IN] ABOUT FEBRUARY 2012.” “… I MOVED [TO LETHBRIDGE] ON MY OWN BECAUSE I GOT USED TO BEING BY MYSELF AND I HAD THAT EXPERIENCE LIKE IN FRANCE. I WASN’T SCARED OF MOVING HERE WITHOUT ANYBODY… I LIKE THAT ADVENTURE. I AM VERY ORGANIZED WHEN IT COMES TO MOVING TO A NEW PLACE. I DO LOTS OF RESEARCH AND THEN I GET ORGANIZED. I TAKE MY TIME TO MAKE A DECISION. I JUST ASSUME IT AND I GO AND SEE WHAT HAPPENS... I AM WORKING IN POWER ENGINEERING. I DID CHEMISTRY AND ENVIRONMENTAL SCIENCES BUT WHEN I MOVED HERE, WHILE TRYING TO GET MY DESIGNATIONS, I CHOOSE TO GO ANOTHER FIELD WHICH WAS SOMEWHAT BETTER RELATED TO WHAT I DID BEFORE WHICH IS POWER ENGINEERING. I’M WORKING NOW AS A POWER ENGINEER – STILL TAKING COURSES. I ALWAYS LIKE TO LEARN. I HAD LOTS OF UPS AND DOWNS WHEN I MOVED HERE WITH JOBS. IT WAS HARD TO GET A JOB IN THE BEGINNING BUT NOW IT’S GETTING BETTER... IT’S VERY DIFFERENT HERE IN CANADA… THERE ARE A LOT OF PROFESSIONAL REGULATIONS HERE SO YOU HAVE TO PROBABLY GO AND WRITE SOME MORE EXAMINATIONS AND GET YOUR QUALIFICATIONS RECOGNIZED BEFORE YOU CAN LOOK FOR A JOB. THAT'S ONE OF THE PROBLEMS, A LOT OF IMMIGRANTS HAVE TO FACE THAT. [BUT] THERE ARE LOTS OF SERVICES HERE FOR IMMIGRANTS AND THEY HELP PEOPLE WRITING RESUMES AND COVER LETTERS, GETTING THEIR QUALIFICATIONS RECOGNIZED. THERE IS A SERVICE HERE CALLED “FLEXIBILITY” AND THEY HELPED ME A LOT… I MET A MARGARET LISTER [AT FLEXIBILITY], AND SHE HELPED ME A LOT. SHE GOT ME IN CONTACT WITH PEOPLE, WITH EMPLOYERS. SHE HELPED ME LOTS WITH MY RESUME, MY COVER LETTER…” “I THINK LETHBRIDGE IS A VERY EXCEPTIONAL PLACE. IT WAS NOT EASY TO MEET PEOPLE HERE FOR ME… IT’S A DIFFERENT COMMUNITY. I’VE LIVED IN DIFFERENT CITIES. I’VE LIVED IN CALGARY AND MONTREAL AND DIFFERENT PLACES BEFORE. I USED TO LIVE IN SMALL CITIES OR TOWNS LIKE THIS BUT ALSO ONE OF THE THINGS I NOTICE IN LETHBRIDGE, IT CAN BE CONSERVATIVE A BIT. AND I WAS NOT USED TO THAT AND IT WAS ALSO A CHALLENGE LIVING IN A CITY LIKE THIS. BUT WE CAN ALWAYS MEET PEOPLE WITH WHOM WE CAN SHARE SAME VALUES. IT TAKES SOME TIME, YES... I WAS USED TO HAVING LOTS OF FRIENDS AND WHEN I MOVED TO LETHBRIDGE, I THINK IT WAS THE FIRST TIME I REALIZED IT WAS HARD TO MEET FRIENDS. THAT WAS THE CASE NOT ONLY FOR ME BUT ALSO FOR THE PEOPLE FROM THE COUNTRY. I ALSO THINK IT IS A GOOD THING THAT THIS IS A UNIVERSITY TOWN. SO THERE’S LOTS OF STUDENTS AND I CAN MEET DIFFERENT PEOPLE BUT IT WAS DEFINITELY HARD IN THE BEGINNING. IT TOOK ME ALMOST 2 YEARS JUST TO MEET FRIENDS AND HAVE SOME CONTACTS… I DIDN’T REALLY HAVE A PROBLEM WITH COMMUNICATING WITH PEOPLE HERE. DEFINITELY, WHEN I JUST MOVED HERE MY ENGLISH WAS NOT AS GOOD AS IT IS NOW. AND THAT’S ONE OF MY GOALS IN MOVING TO ALBERTA AND NOW IT’S GOOD. IT’S GOOD. HAVING FRIENDS ALSO HELPS.” “EVERY WEEK I MEET PEOPLE COMING FROM A DIFFERENT PLACE – BC OR ONTARIO OR OVERSEAS. I THINK THE POPULATION IS CHANGING. I THINK THERE IS MORE AND MORE [PEOPLE] FROM DIFFERENT PLACES COMING TO CALGARY OR TO LETHBRIDGE AND THAT HAS AN IMPACT ON THE BALANCE. IT IS ALSO GOOD FOR DIVERSITY [IN] THE PROVINCE…[THERE ARE] AT LEAST 10 PEOPLE HERE FROM MOROCCO. MOST OF THE PEOPLE FROM MOROCCO LIVE IN MONTREAL BECAUSE THEY SPEAK FRENCH, SO IT IS ALSO WHY THEY CHOOSE TO GO TO QUEBEC INSTEAD OF COMING TO ALBERTA… WHEN IT COMES TO LETHBRIDGE [DIVERSITY] HELPS THEM DEFINITELY BECAUSE THERE’S NOT A LOT OF PEOPLE COMING FROM DIFFERENT PLACES WHEN IT COMES TO LETHBRIDGE. BUT IT’S CHANGING BECAUSE PEOPLE GET TO KNOW OTHER CULTURES. [IT] BRINGS PEOPLE TOGETHER [TO] GET TO KNOW OTHERS – THAT ALSO HELPS WITH STEREOTYPES - IMMIGRANTS, PEOPLE COMING FROM A DIFFERENT RELIGION, RACE. IT HELPS PEOPLE GETTING TO KNOW THE WORLD – LIKE WITHOUT HAVING TO GO ABROAD.” WHEN ASKED ABOUT THE EXISTANCE OF MISCONCEPTIONS ABOUT MUSLIM BELIEFS IN LETHBRIDGE, ABOUCHA RESPONDED, “THERE IS STILL [MISCONCEPTIONS]. I THINKS IT HAS SOMETHING TO DO WITH THE MEDIA. THAT’S ONE OF THE REASONS WHY I MENTIONED THAT AS MORE PEOPLE ARE COMING HERE, [IT] IS GOING TO CHANGE THE WAY PEOPLE HERE SEE IMMIGRANTS. BUT THERE ARE STILL THOSE STEREOTYPES. BUT I ALSO BELIEVE THERE ARE NOT ONLY STEREOTYPES ABOUT MUSLIMS, BUT THERE ARE STEREOTYPES ABOUT ALL ETHNICITIES AND ALL RELIGIONS. IT IS, I THINK, IT IS PART OF THE REALITY IN THE WORLD.” PLEASE SEE THE PERMANENT FILE FOR MORE INFORMATION INCLUDING FULL INTERVIEW TRANSCRIPTIONS.
Catalogue Number
P20160011000
Acquisition Date
2016-02
Collection
Museum
Images
Less detail
Other Name
HMV LISTENING STATION
Date Range From
1994
Date Range To
2017
Material Type
Artifact
Materials
ALUMINIUM, GLASS, RUBBER
Catalogue Number
P20170004001
  2 images  
Material Type
Artifact
Other Name
HMV LISTENING STATION
Date Range From
1994
Date Range To
2017
Materials
ALUMINIUM, GLASS, RUBBER
No. Pieces
4
Height
29.5
Length
20.5
Width
5.6
Description
A- LISTENING STATION FOR COMPACT DISCS (CDS) WITH A BRUSHED ALUMINUM FRONT ON BLACK HOUSING. IT HOLDS UP TO THREE DISCS. THE FRONT READS “HMV” IN A CIRCLE AREA. CIRCULAR, GLASS WINDOW TO DISPLAY THE CURRENT DISC. A CONTROL PANEL WITH BUTTONS ON THE FRONT BOTTOM SECTION OF THE LISTENING STATION. A BLACK METAL HOOK EXTENDING FROM THE BOTTOM OF THE MACHINE FOR HOLDING HEADPHONES. TWO STICKERS ON BACK: ONE READS “MB-K300.” THERE ARE HOLES IN THE BACK TO MOUNT THE MACHINE TO A SUPPORT, SUCH AS A WALL. A KEY HOLE ON THE LEFT SIDE AND HINGES ON THE RIGHT. INSIDE OF THE MACHINE INCLUDES A GREEN CIRCUIT BOARD, MACHINE INSTRUCTIONS, AND OUTLETS FOR HEADPHONES. THE SERIAL NUMBER IS “SERIAL NO. V65111019”. GOOD TO VERY GOOD CONDITION. SCUFFING AND DIRT ON OVERALL SURFACE. THERE IS ADHESIVE ON THE TOP LEFT EDGE OF THE MACHINE. SLIGHT SCRATCHING ON THE GLASS AND SLIGHT SCRATCHES TO THE BACK. PAIR OF HEADPHONES ARE ATTACHED TO THE LISTENING STATION. THEY ARE PRIMARILY BLACK PLASTIC WITH A PADDED HEADBAND AND EAR PADS. “RIGHT” INDICATED ON THE RIGHT SIDE OF THE HEADPHONES. A THICK PROTECTIVE COVERING MADE OF RUBBER COATING THE AUXILIARY CABLE. AT THE END OF THE CABLE IS A METAL HEADPHONE JACK. THE HEADPHONES ARE MARKED WITH “PRO-705”. DIAMETER OF THE EAR PADS IS 9.7 CM. THE HEADBAND LENGTH IS ADJUSTABLE WITH A 42 CM MAXIMUM. THE CABLE IS 134 CM LONG. GOOD CONDITION. GENERAL WEAR TO THE HEADPHONES. SLIGHT DUST, LOSS OF SOME BLACK FINISH OF THE HEADPHONES. AT LEAST TWO VISIBLE HOLES IN THE RUBBER COATING OF THE CABLE. B- BLACK METAL FRAME WITH 3 SLOTS TO HOLD CD CASES. ONE LENGTH END IS OPEN TO INSERT THE CDS. BACK OF THE FRAME HAS SIX SCREW HOLES (2 ON EITHER SIDE OF EACH OF THE THREE SECTIONS) FOR WALL ATTACHMENT. THE JOINTS ARE WELDED AT THE BACK. THE OVERALL DIMENSIONS ARE 44.5 X 13.2 X 1.5 CM. EACH SECTION IS 14.3 CM WIDE. EACH SECTION IS MADE WITH INDIVIDUAL PIECES OF METAL, WELDED TOGETHER AT THE BACK ON TWO METAL BANDS. GOOD TO VERY GOOD CONDITION. SLIGHT SCRATCHES TO THE PAINT. DUST COLLECTING AT EDGES, CORNERS, AND JOINTS. GENERAL WEAR FROM USE. C- LISTENING STATION KEY. SMALL, STAINLESS STEEL KEY WITH CYLINDER END “NO 1”. HOLE AT THE BOW END. THE LONG EDGE OF THE BOW HAS 3 GROVES ON THE RIGHT SIDE. THE KEY IS 3.1 CM IN LENGTH AND 2 CM IN WIDTH. GOOD TO VERY GOOD CONDITION. WEAR ON BOW. RUSTING/WEAR TO FINISH ON KEY.
Subjects
SOUND COMMUNICATION T&E
Historical Association
RETAIL TRADE
History
IN THE EARLY MONTHS OF 2017, THE MUSIC FRANCHISE HMV CANADA BEGAN TO THE PROCESS OF CLOSING DOWN ALL 120 OF THEIR STORES ACROSS CANADA. AFTER 30 YEARS OF BUSINESS, THE COMPANY WENT INTO RECEIVERSHIP. PARK PLACE MALL IN DOWNTOWN LETHBRIDGE HAD AN HMV LOCATION OF ITS OWN, WHICH ACCORDING TO LETHBRIDGE HERALD ADVERTISEMENTS OPENED IN 1994. UPON THE STORE'S CLOSURE THE MUSEUM COLLECTED A LISTENING STATION FROM THE LOCATION. ON FEBRUARY 27, 2017, IN AN INTERVIEW WITH COLLECTIONS TECHNICIAN KEVIN MACLEAN, THE MANAGER OF THE HMV LETHBRIDGE, BRENDAN FRIZZLEY, REFLECTED ON HIS PAST EXPERIENCE AT THE MUSIC STORE, THE SIGNIFICANCE OF MUSIC STORES, AND ON THE RECEIVERSHIP PERIOD. FRIZZLEY COMMENTED ON THE LISTENING STATION, “WELL, I THINK THE INTERESTING THING ABOUT THAT [LISTENING STATION] IS THAT IT GOT MOVED SO THAT THERE WOULD BE ROOM FOR A POSTER RACK, AND I THINK THAT THAT’S SORT OF AN INDICATION OF THE WAY THAT PEOPLE CHANGE, LISTENING TO MUSIC, BECAUSE THE LISTENING STATIONS ARE HUGE. THEY’RE A THING THAT PEOPLE WOULD COME UP TO [AND THEY] WOULDN’T HAVE ANY IDEA ABOUT AN ARTIST [THEN] THEY GOT MOVED. I THINK A LOT OF PEOPLE WERE SORT OF LIKE 'OH, WHY IS THERE LESS OF [THE STATIONS]?' BECAUSE NOBODY USED THEM ANYMORE. PEOPLE ARE ALREADY STREAMING, OR FAMILIARIZING THEMSELVES WITH ARTISTS IN AN INFINITE NUMBER OF WAYS, AND THE CD STORE IS FOR SORT OF THE END PURCHASE. YOU ALREADY MADE A DECISION AS TO WHAT YOU WANT RATHER THAN THE EXPLORATION SIDE OF IT, WHICH IS NOT HOW PEOPLE DO MUSIC ANYMORE... EVEN THE SUPPLIERS AREN’T AS INVESTED AS GETTING THESE FILLED. IT USED TO BE THAT WE WOULD GET THESE MAIL BOXES, AND IT WOULD BE FULL OF CDS. WE WOULD LOAD THEM UP, AND THEY WOULD SAY, ‘THESE ONES GO HERE AND THESE ONES GO HERE,’ AND THAT’S WHERE ALL THE PICTURES WOULD COME FROM. AND [THEN] THE BOXES GET SMALLER AND SMALLER, AND THE NUMBER OF ARTISTS THAT THEY’RE WORRIED ABOUT PROMOTING THAT WAY BECOMES FEWER AND FEWER. IT’S JUST NOT AN ANGLE THAT THEY NEEDED TO PUSH AN ARTIST ANYMORE. SO, THAT WAS IT. THERE USED TO BE SIX AND, I THINK, BY THE TIME WE’RE DONE THERE WAS THREE THAT WERE BEING CONSTANTLY UPDATED.” ACCORDING TO AN ARTICLE PUBLISHED IN 2001 BY STRATEGYONLINE.CA, HMV BEGAN USING LISTENING STATIONS AS A MARKETING STRATEGY IN 1988, ALSO THE YEAR THE RETAILER ARRIVED IN CANADA. FRIZZLEY WORKED AT HMV FOR 8 YEARS. HE EXPLAINED HOW HE BEGAN HIS JOB AT HMV, “I HAD HAD A JOB AT A CALL CENTER THAT HAD BEEN HERE. IT HAD SHUT DOWN, AND I HAD SORT OF GONE OFF ONE DIRECTION, AND STARTED SELLING SPEAKERS. A SORT OF CO-WORKER OF MINE STARTED MANAGING THIS PLACE AND HE WAS COMPLAINING BECAUSE HE COULDN’T FIND AN ASSISTANT MANAGER. IN MY HEAD, I HAD [A] FLASH OF, 'I COULD WORK IN A RECORD STORE,' AND HE JUST HIRED ME. UNFORTUNATELY MY OLD FRIEND [LOST HIS MANAGEMENT JOB]... SOMEBODY IMPORTANT ENOUGH FELT THAT I HAD THE RIGHT SORT OF ATTITUDE FOR THIS, AND SO THEY KEPT ME ON. THEY BROUGHT IN [A FELLOW] FROM THE MEDICINE HAT STORE AND HE ... TURNED THE STORE AROUND AND ... HE GOT PROMOTED TO GO RUN THE STORE AT SOUTH CENTER IN CALGARY, AND THIS BECAME MINE. THAT WAS ABOUT FIVE YEARS AGO.” WHEN DISCUSSING THE SHIFT IN SALES FROM THE BEGINNING OF HIS CAREER IN THE MUSIC STORE TO THE CLOSING OF THE FRANCHISE, FRIZZLEY SAID, “I FEEL THAT SHIFT WAS ALREADY OCCURRING WHEN I STARTED. I [HEARD STORIES FROM] EVEN THREE, FOUR YEARS BEFORE I STARTED [WHEN] THEY WOULD PULL ALL THE MANAGERS FROM EVERY HMV INTO A SORT OF PERSONAL CONCERT OF [THE] CANADIAN MUSIC INDUSTRY... THERE WOULD BE THIS MEET-AND-GREET WITH ALL THE EXECUTIVES AND PRIVATE CONCERTS FROM THE TOP ARTISTS. THAT WAS THE IDEA OF WHAT A MUSIC STORE WAS AND HOW IMPORTANT IT WAS TO THE MARKETING OF MUSIC. THE SHIFT THAT WAS STARTING TO HAPPEN ALREADY WAS THIS IDEA THAT THE MUSIC STORE WASN’T RESPONSIBLE FOR MARKETING ANYMORE. IT MAY HAVE BEEN RESPONSIBLE FOR SELLING [MUSIC], AND I DON’T THINK THAT EVER CHANGED." "PEOPLE ALWAYS WANTED TO TELL ME HOW CDS WERE DYING AND TO AN EXTENT - SURE - BUT NO MORE THAN ANYTHING PHYSICAL. [CDS] STILL HAVE THEIR AUDIENCE, AND THAT WAS TRUE IN 2009 WHEN I STARTED... THERE’S STILL A MARKET FOR THEM... BUT, THE IDEA THAT CD STORES DROVE CUSTOMER’S PURCHASING IS ON THE WAY OUT, AND I THINK THAT THERE WOULD BE LESS PUSH FROM THE LABELS... IN SETTING UP BIG BANNERS [TO MARKET MUSIC]. WHEN I STARTED, MUSICIANS AND THE MUSIC SIDE OF IT HAD PAID FOR THE BANNERS, AND BY THE TIME [OF THE CLOSURE], IT WAS BANNERS FOR MOVIES THAT WE WEREN’T EVEN SELLING. WE WERE THE ‘YOU’VE ALREADY DECIDED WHAT YOU’RE BUYING. COME IN HERE IF YOU ARE BUYING CDS OR RECORDS AND YOU BUY THEM,’ AND THAT’S REALLY DIFFERENT THAN MYSELF, OR ANY OF MY STAFF HERE, CURATING PEOPLE’S MUSIC EXPERIENCE, WHICH I THINK EVERYONE, FROM A CERTAIN AGE, HAS HAD THAT EXPERIENCE OF GOING TO A RECORD STORE, AND A RECORD STORE EMPLOYEE TELLING THEM WHAT TO LISTEN TO... I THINK THAT THAT DIED WELL BEFORE I WAS HERE, BUT I THINK THE LABEL SLOWLY RESPONDED TO THE FACT THAT THAT WAS JUST REALITY. THE LISTENING POST IS A GREAT EXAMPLE OF THAT SORT OF LIMPING OUT FROM THAT SORT OF EXPERIENCE, WHERE A MUSIC STORE DEFINED WHAT PEOPLE WERE LISTENING TO - AS MUCH AS A RADIO STATION DID - TO JUST A PLACE WHERE YOU BOUGHT MUSIC…" "I THINK THE NATURE OF PEOPLE’S RELATIONSHIP WITH THE MUSIC STORE IS REALLY DIFFERENT AND SO PEOPLE WOULD GET VERY PERSONALLY OFFENDED AS THE CHANGES HAPPENED. AND, FOR ME, I ALWAYS KEPT IN MY MIND THAT THE STORE, NO MATTER WHAT THE CHANGES HAPPENED - THE TOYS AND ALL THAT OTHER STUFF - FACILITATED ME BEING ABLE TO HAVE A CD SELECTION; FACILITATED THE ABILITY FOR ME TO SAY, 'HEY, YOU SHOULD CHECK THIS OUT. I DON’T EVEN CARRY IT IN THE STORE, BUT I CAN ORDER IT FOR YOU, AND YOU’RE GOING TO LOVE IT.' SO, AS THE SHIFT STARTED TO HAPPEN, WE PULLED BACK FROM CDS A LITTLE BIT, ESPECIALLY IN THE GENRES THAT JUST STOPPED SELLING, AND THAT SORT OF HAPPENED SLOWLY.” FRIZZLEY RECALLS THE EVENTS THAT TOOK PLACE LEADING UP TO AND AFTER THE COMPANY ANNOUNCED IT HAD WENT INTO RECEIVERSHIP. WHEN ASKED IF HE HAD ANY INDICATION THAT HIS STORE - ALONG WITH EVERY HMV STORE IN CANADA - WOULD BE CLOSING, FRIZZLEY ANSWERED, “NONE WHATSOEVER. IT WAS A SLOWER CHRISTMAS FROM A MALL PERSPECTIVE. IT’S DIFFICULT BECAUSE CORPORATE FINANCIALS ARE VERY DIFFERENT THAN STORE FINANCIALS. BUT WHEN I WAS LOOKING AT MY NUMBERS IT WAS CERTAINLY A STORE THAT COULD’VE CONTINUED TO HAVE RUN. THERE WAS NO INDICATION WHATSOEVER. THERE WAS SOME SLIGHT BUYING DIFFERENCES, AS IN THE PRODUCT THAT WAS COMING [INTO] THE STORE. LOOKING BACK ON IT NOW, IT WAS PROBABLY BECAUSE OF THE DETERIORATING RELATIONSHIPS WE HAD WITH OUR SUPPLIERS. BUT IT WAS ANOTHER PROFITABLE YEAR FOR ME. I MEAN, EVERY YEAR THAT I’VE RUN THIS STORE, I’VE BEEN IN TOP FIVE MOST PROFITABLE STORES IN TERMS OF A PERCENTAGE OF EVERY DOLLAR THAT COMES IN - WHAT BECOMES PROFIT... IF YOU LOOK AT THE CONDITIONS THAT RESULTED IN US CEASING TO EXIST, IT’S A SPECIFIC WAY THAT IT CAME ABOUT. [FROM] THE RESTRUCTURING TO THE PURCHASE [OF THE COMPANY] BACK IN 2011 WHEN WE ACTUALLY ALL THOUGHT THAT WE WERE ALL LOSING OUR JOBS… [HMV WAS] HEMORRHAGING MONEY FOR A NUMBER OF DIFFERENT REASONS. THE CANADIAN ARM WAS NOT DOING PARTICULARLY WELL EITHER, AND THEY NEEDED CASH TO PROVE TO THE BANK THAT [IT COULD] REPAY [ITS] DEBTS. THEY HAD ENOUGH SALES; THEY HAD ENOUGH BUSINESS; EVERYTHING WAS FINE, EXCEPT THEY DIDN’T HAVE ENOUGH CASH ON HAND – SO THEY JUST NEEDED TO HAVE MONEY IN AN ACCOUNT SOMEWHERE. SO, THEY SOLD HMV CANADA OFF FOR BASICALLY A SONG, TO THIS COMPANY CALLED HILCO. HILCO IS A RESTRUCTURING COMPANY... THEY ARE SO GOOD AT LIQUIDATING COMPANIES, THAT THEY, ODDLY, BECAME RIGHT DOWN THE CHAIN SOME WAYS, AND STARTED THEIR WORK TO DO IT… THIS COMPANY BOUGHT US IN 2011. [WE THOUGHT,] 'THAT’S THE END OF US – THEY ARE GOING TO LIQUIDATE US, AND THAT WILL BE THAT.' WE HAD SOME VERY PASSIONATE PEOPLE INVOLVED, AND THEY PITCHED THIS IDEA AS TO WHAT HMV COULD BE AND THAT WAS TO HAVE THE VIDEO GAME SIDE OF IT AND THE MERCHANDISE STUFF. AND WE DID IT. IT DID PHENOMENAL FOR US… WE ALSO WORKED WITH ALL THE SUPPLIERS TO GET BETTER MARGINS; SO, IN FACT, A CD COST $10.00, INSTEAD OF THE $20.00 IT TRADITIONALLY DID, WHEN I STARTED HERE. THAT’S A THING THAT THEY SORT OF NEGOTIATED IN WITH OUR SUPPLIERS." REMEMBERING THE DAY THAT FRIZZLEY LEARNED THE NEWS OF THE COMPANY’S CLOSURE, HE SAID, “SO, I WOKE UP AND CHECKED MY PHONE, AND I SEE THAT I AM REMOVED FROM BEING AN ADMINISTRATOR ON THE STORE’S FACEBOOK PAGE. I’M SORT OF THROWN BY THAT. I DON’T POST A LOT ON THE STORE’S FACEBOOK PAGE, BUT WHEN I DO THERE’S SOME JOKES IN THERE AND I SHOW OFF THE NEW STUFF. I POSTED SOMETHING ON THERE FOR THE FIRST TIME IN A WHILE, AND I GOT A LOT OF LIKES AND SHARES, AND IT’S ALL GOOD... I WAKE UP, AND I’M NOT THE ADMINISTRATOR ON THAT PAGE ANYMORE… I’M SORT OF THROWN BY THAT, AND I’M LIKE, 'WHY WOULD THEY EVER MOVE ME? ARE THEY GETTING RID OF ALL OF THESE?” I LOOK, 'NO, THE PAGE IS STILL THERE.' SEEMS STRANGE. IT OCCURS TO ME THAT MAYBE SOMEBODY DIDN’T GET THE JOKE THAT I MADE, FROM HEAD OFFICE OR SOMETHING… AND, SO I AM CONFUSED. I’M THINKING I MAY HAVE TO ARGUE WITH SOME SORT OF HEAD OFFICE PERSON WHEN I COME TO WORK THAT AFTERNOON. SO I COME IN AND JOHN TELLS ME THAT 'SHIT’S HIT THE FAN.' AND I’M CONFUSED, AND I’M LIKE, 'IS THERE AN E-MAIL FOR ME ABOUT THIS, THAT I’M GOING TO HAVE TO FIGHT WITH?' AND I’M READY TO PICK UP THE PHONE AND START ARGUING WHEN HE SAID, 'NO, LOOK AT THIS NEWS ARTICLE.' AND, THAT IS HOW WE HEARD … [THE] BREAKING THE NEWS. AND MY BOSS AT THE TIME [SAID], 'I WILL FIND OUT WHAT’S GOING ON. I DON’T KNOW ANYTHING EITHER.' MY BOSS WAS ONE OF FIVE REGIONAL MANAGERS, SO HE IS VERY HIGH UP. HE CALLED TO FIND OUT WHAT WAS GOING ON, THAT’S WHEN THEY TOLD HIM HE DIDN’T HAVE A JOB ANYMORE... TO BE FAIR, THIS WAS FLOWING FROM A POINT OF SECURE DEBT, FORCED TO LIQUIDATION. NOBODY HAD ANY IDEA... ALL OF US HERE FOUND OUT THAT DAY, AND IT WAS REAL LATER IN THAT EVENING, AT THAT POINT I WAS SELLING GIFT CARDS, SUGGESTING TO CUSTOMERS THAT THEY REDEEM THEIR PEER POINTS AS QUICKLY AS POSSIBLE, THAT WE KNEW. [IN] THREE DAYS’ TIME, THE GOING OUT OF BUSINESS SALE STARTED… I’M A MUSIC GUY, BUT I’M ALSO VERY WORRIED ABOUT MY STAFF. THAT’S ALWAYS BEEN A THING THAT I’VE BEEN WIRED TO, AND SO IT WAS MAKING SURE THAT PEOPLE [GOT] PAID - HOW TO DO THIS. SOME E-MAILS THAT I GOT SENT WERE VERY VAGUE… SO, IT’S A LOT OF MOVING PARTS, BECAUSE THERE IS A RECEIVERSHIP, WHICH IS THE COMPANY LEGALLY RESPONSIBLE FOR MANAGING THE FINANCIALS, AND THEY SOLICIT A LIQUIDATOR, WHICH IS THE PEOPLE THAT ACTUALLY KNOW HOW TO PROPERLY SHUT DOWN A STORE, BUT NOBODY IS WORKING FOR HMV PROPER ANYMORE, BECAUSE HMV DOESN’T REALLY EXIST, AT SOME FUNDAMENTAL LEVEL. THERE’S A LOT OF PARTS EVERYONE WOULD LIKE TO PASS ON TO EVERYONE ELSE, AS TO THINGS LIKE SEVERANCES, BONUSES, AND THINGS LIKE THAT. NOBODY [WANTED] TO COMMIT TO ANYTHING.” ACCORDING TO HMV’S WEBSITE THE FINAL DAY OF ALL STORES WAS APRIL 14, 2017 WITH SOME STORES CLOSING THEIR DOORS PRIOR TO THAT. PLEASE SEE PERMANENT RECORD FOR ADDITIONAL INFORMATION, INCLUDING THE FULL INTERVIEW TRANSCRIPT AND ARTICLES REGARDING THE RECEIVERSHIP AND LIQUIDATION OF HMV CANADA.
Catalogue Number
P20170004001
Acquisition Date
2017-02
Collection
Museum
Images
Less detail
Date Range From
1980
Date Range To
2010
Material Type
Artifact
Materials
WOOD, INK
Catalogue Number
P20140032001
  2 images  
Material Type
Artifact
Date Range From
1980
Date Range To
2010
Materials
WOOD, INK
No. Pieces
1
Height
8.9
Length
90.7
Width
2.5
Description
RECTANGULAR WOODEN SIGN WITH THE RIGHT EDGE COMING TO A POINT AT END (LIKE AN ARROW). "BELLY RIVER STATION' PAINTED IN BLACK, BLOCK LETTERS. LETTERS ARE SLIGHTLY RAISED FROM SURFACE. THE WOOD IS WEATHERED AND GREY IN COLOUR. APPROX. 8 NAIL HOLES AT CENTER WITH SEVERAL OTHER, SMALLER HOLES AND NOTCHES OVER THE SURFACE OF SIGN. CONDITION: NAIL HOLES ARE RUST-STAINED. DIRT STAINS ON BOTTOM CENTER. SECTION OF WHITE PAINT ON BACK. BLACK PAINT OF LETTERS HAVE MODERATE TO SEVERE FADING.
Subjects
VISUAL COMMUNICATION T&E
Historical Association
TRANSPORTATION
History
A NOTE WRITTEN BY THE DONOR, FRANK LIGHTBOUND, AND PROVIDED TO THE MUSEUM AT THE TIME OF DONATION STATES: “[SIGN] DISCOVERED AT THE JUNCTION OF TWO OLD TRAILS IN THE PIKE HAVEN AREA SOUTHWEST OF CARDSTON ADJACENT TO WATERTON PARK. THIS AREA WAS AT ONE TIME PART OF WATERTON LAKES NATIONAL PARK. AT THE TIME OF DISCOVERY, EARLY 1980S, I WAS EMPLOYED AS A RANGER WITH THE ALBERTA FOREST SERVICE IN THE CROWSNEST FOREST. HAVING WORKED ON A TRAIL CREW AND A SEASON MANNING THE SOFA MTN. FIRE LOOKOUT IN THE EARLY 1950S, I WAS FAMILIAR WITH THE OLD WARDEN STATION AND THE BELLY RIVER DISTRICT. THE STATION AND THE LOOKOUT NO LONGER EXIST.” ON 22 MARCH 2017, GALT COLLECTIONS TECHNICIAN KEVIN MACLEAN INTERVIEWED LIGHTBOUND ABOUT HIS DONATION OF THE SIGN. THE FOLLOWING INFORMATION HAS BEEN EXTRACTED FROM THE INTERVIEW: LIGHTBOUND EXPLAINED THAT THE ARTIFACT WAS IN HIS POSSESSION FOR “PROBABLY 30 YEARS, [WHERE] IT WAS DISPLAYED IN [HIS] LIVING ROOM IN FRONT OF THE FIRE PLACE.” ABOUT HOW HE CAME INTO POSSESSION OF THE SIGN, LIGHTBOUND SAID, “WELL, I HAD SPENT SOME TIME WORKING IN WATERTON PARK, AND AT ONE POINT I SPENT A SUMMER ON THE SOFA MOUNTAIN LOOKOUT WHICH IS IN THE BELLY RIVER DISTRICT. AND AT THE TIME I CAME ACROSS THIS SIGN I WAS WITH THE ALBERTA FOREST SERVICE, DOING SOME WORK IN THE POLL HAVEN REGION SOUTHWEST OF CARDSTON." "AT ONE TIME, I THINK BACK IN THE EARLY 1900S, THAT POLL HAVEN AREA WAS INCLUDED INSIDE OF THE WATERTON PARK BOUNDARIES—IT WAS PART OF THE PARK. AND I WAS DOING SOME WORK IN THERE, AND I CAME TO AN OLD TRAIL WHERE THERE WAS ALL WINDFALL AND TREES DOWN ALL OVER IT, AND I NOTICED ONE TREE HAD A SIGN ATTACHED TO IT. IT WAS FACING DOWN, I GOT CURIOUS AND I WENT OVER THERE AND PRIED IT OFF THE TREE. AND HERE IT WAS AN OLD SIGN POINTING THE TRAIL TO THE BELLY RIVER RANGER STATION. AND SO, AT THAT POINT, THEY WERE MAKING USE OF TRAILS IN THE POLL HAVEN AREA WHICH WAS, AS I SAID, PART OF WATERTON LAKES NATIONAL PARK AND THIS WAS POINTING TO THE NEAREST WARDEN STATION, [WHICH WAS ACTIVE] AT THE TIME… I GOT THE SIGN. [BUT THE TRAIL] WAS OBLITERATED.” LATER IN THE INTERVIEW, LIGHTBOUND STATED HE CAME ACROSS THE SIGN “PROBABLY IN THE EARLY ’80S.” A FOOTNOTE WRITTEN BY THE TRANSCRIBER AND WATERTON HISTORIAN, CHRIS MORRISON, STATES: “POLL HAVEN, A 16-SQUARE MILE PARCEL OF LAND, WAS LOCATED ON THE EXTREME EASTERN EDGE OF THE PARK. IT WAS PART OF THE GOVERNMENT’S 1914 ENLARGEMENT OF WATERTON. IT WAS WITHDRAWN FROM PARK BOUNDARIES IN 1947 BY ACT OF PARLIAMENT TO PERMIT A LAND EXCHANGE WITH THE PROVINCE OF ALBERTA TO ALLOW THE EXPANSION ELK ISLAND NATIONAL PARK TO THE NORTH. THE NAME POLL HAVEN IS STILL IN USE AND IS A COMMUNITY PASTURE FOR LOCAL RANCHERS.” LIGHTBOUND DESCRIBED HIS JOB ACTIVITIES BY SAYING, “[IN THE] FOREST SERVICE, THERE’S NUMEROUS ACTIVITIES GOING ON IN DIFFERENT DISTRICTS AND AT THAT POINT… I WAS... CHECKING THE TIMBER PERMITS AND THE GRAZING ACTIVITY. BUT ALSO, THERE’S FIRE CONTROL OF COURSE, YOU’RE ALWAYS LOOKING FOR SMOKE POPPING OUT SOMEWHERE. AND WE WERE ASSISTING FISH AND WILDLIFE AND THAT PRETTY WELL COVERS THAT AREA DOWN IN THERE. I WAS POSTED IN BLAIRMORE IN THE CROWSNEST PASS AT THE TIME, SO I DIDN’T GO OUT THERE VERY OFTEN… I DROVE OUT THERE FROM BLAIRMORE OF COURSE AND I PARKED THE TRUCK AND WAS ON FOOT AFTER THAT… " WHEN ASKED IF HE ENJOYED HIS JOB, LIGHTBOUND REPLIED, “OH I SURE DID! ... [I ENJOYED] BEING OUTDOORS MOST OF THE TIME, AND THE PHYSICAL ACTIVITY AND QUITE OFTEN YOU’RE A LONG WAYS FROM THE OFFICE, SO NOBODY WAS TELLING YOU WHAT TO DO… I STARTED BACK IN THE EARLY ’50S, AND I WAS STILL THERE IN 1985.” LIGHTBOUND SPOKE TO WHY HE CHOOSE TO COLLECT THE SIGN FROM THE TREE: “WELL, I KNEW WHY IT WAS THERE, WHY IT HAD BEEN PUT THERE, AND IT MEANT SOMETHING TO ME. AND I THOUGHT IF I DON’T RESCUE THIS SIGN, IT’LL JUST BE THERE UNTIL IT ROTS, BECAUSE NOBODY ELSE IS GOING TO CLAMBER THROUGH ALL THIS DEADFALL LOOKING FOR IT… IT WAS KIND OF A REMINDER OR SOUVENIR OF MY DAYS OUT THERE.” THINKING ABOUT THE HISTORY WITH THE SIGN, LIGHTBOUND CONTINUED, “WELL, I WONDERED HOW LONG IT HAD BEEN THERE. I KNEW THAT THE POLL HAVEN AREA HAD BEEN INCLUDED IN THE PARK AT ONE TIME ALTHOUGH I WASN’T AWARE OF THE DATES. AND IT CROSSED MY MIND TOO, I WONDERED HOW MANY TRAVELERS HAD COME ALONG ON HORSEBACK OR WITH THEIR PACKHORSES AND WHAT HAVE YOU, HEADING FOR WATERTON LAKES PARK AND WONDERING WHEN THEY’D COME ACROSS A LITTLE BIT OF CIVILIZATION. AND HERE WAS SOMETHING TO ENCOURAGE THEM.” OF THE HISTORY OF BELLY RIVER STATION, MORRISON NOTES, “THE FIRST BELLY RIVER WARDEN STATION WAS BUILT IN 1917 AND WAS CONNECTED TO PARK HEADQUARTERS BY TELEPHONE. A WARDEN STATION CONTINUED TO SERVE THE AREA THROUGH TO THE EARLY 1970 WHEN OUTLYING WARDEN RESIDENCES WERE DISCONTINUED AND WARDENS WERE MOVED INTO THE TOWN SITE. THE DATES OF THE TRAILS TO THIS SITE IS NOT RECORDED IN THE WLNP [WATERTON LAKES NATIONAL PARK] ARCHIVES SPECIFICALLY BUT THE TRAILS WOULD HAVE BEEN BUILT (OR IMPROVED) AROUND 1917 FOR ACCESS TO THE STATION AND TO HAUL SUPPLIES FOR HUMANS AND HORSES. A ROUGH TOTE ROAD HAD BEEN BUILT NORTH TO MOUNTAIN VIEW YEARS BEFORE (NO DATE AVAILABLE) AND WAS USED AS A ROUTE TO GLACIER NATIONAL PARK, MONTANA. PLEASE SEE PERMANENT FILE FOR MORE INFORMATION INCLUDING FULL, ANNOTATED INTERVIEW TRANSCRIPTION AND DONOR’S NOTE.
Catalogue Number
P20140032001
Acquisition Date
2014-08
Collection
Museum
Images
Less detail

Riders of the Plains Fonds. 1996-2015

https://collections.galtmuseum.com/en/permalink/descriptions88847
Description Level
Fonds
Accession No.
20161020
Physical Description
3 photos, 3 posters, 3 CDs, 1 Floppy Disk, and 75 cm of textual records.
Scope and Content
20161020001: Financial Statements (1997) 20161020002: Financial Statements (1998) 20161020003: Financial Statements (1999) 20161020004: Financial Statements (2000) 20161020005: FInancial Statements (2001) 20161020006: Financial Statements (2002) 20161020007: Financial Statements (2003) 20161020008:…
Description Level
Fonds
Creator
Riders of the Plains Society
Physical Description
3 photos, 3 posters, 3 CDs, 1 Floppy Disk, and 75 cm of textual records.
History / Biographical
In 1996, a group of riding enthusiasts, amateur historians, and community minded volunteers formed the Riders of the Plains Commemorative Troop. The ROTP’s original purpose was to recreate the riding traditions of the North West Mounted Police, with trail rides and commemorative wagon treks, and participation in public events with period uniforms, drills, firearms, and horses and tack. The six original members of the Troop formed a non-profit society in 1996 with two purposes:
To preserve and protect the history of the North West Mounted Police
To advance the education of the public as it relates to the history of the NWMP. Members participated as a commemorative troop in various events across Western Canada and Montana, including:
NWMP Boundary Commission Wagon Trek, 1997 and 1998
RCMP 125 March West, 1999
Due North wagon trek of the Whoop-Up Trail, 2000-2001
Fort Whoop-Up annual Wild West Weekend, one of the largest re-enactments events in Western Canada. The troop participated in several films, including:
Parks Canada production of the “Battle of Batoche”
CBC production of “Canada, a People’s History”
History Channel’s “The Great March West”
A Scattering of Seeds’ “Nevitt”. In addition, the troop travelled to Batoche, Saskatchewan, Battleford, Saskatchewan, Fort Steele, British Columbia, Fort Walsh, Saskatchewan, Rawleigh, Alberta, and Fort Benton, Montana. They were trained in firearms drill, horsemanship and infantry drill. As early as 1997, the ROTP received a lease on the original site of the Macleod NWMP Barracks, which was home to the North West Mounted Police, the Royal North West Mounted Police and the present day Royal Canadian Mounted Police during the period 1884 to 1922. The ROTP immediately began to plan for restoration and preservation of the site, including recreating the historic flagpole, identifying building sites, gathering of artifacts, conducting research, and building a dedicated membership and an array of alliances. ROTP efforts resulted in the declaration and protection of the site as a Provincial Historic Resource in 2001. Subsequently, the ROTP proposal for funding under the Centennial Legacy Program was approved, providing $1.6 million dollars for reconstruction and restoration of site structures to the late 1890’s period. In addition, the ROTP raised $250,000 in various forms to assist the project. Concurrent with the design and construction of the three reconstructed buildings and the development of the site itself, the ROTP worked hard to accumulate historical and interpretive materials relating to the Barracks period. Replica uniforms and saddles were commissioned. The ROTP celebrated the Official Opening of the Barracks in August of 2005. Unfortunately, relationships with the Fort Macleod Historic Area Society and the Town of Fort Macleod began to sour soon afterwards, culminating in an unfortunate lawsuit in July of 2007 against the ROTP, Fort Whoop Up and two individuals. This, in turn, resulted in a forensic audit, completed in July, 2008 by the Government of Alberta, which found no evidence of fraud, personal gain, or illegal use on the part of the ROTP. The audit also indicated that the major inventory items (uniforms, saddles, firearms and wagons) were properly accounted for.
Custodial History
These records were donated to the Galt Museum and Archives by Barbara Cavers of Lethbridge, Alberta.
Scope and Content
20161020001: Financial Statements (1997) 20161020002: Financial Statements (1998) 20161020003: Financial Statements (1999) 20161020004: Financial Statements (2000) 20161020005: FInancial Statements (2001) 20161020006: Financial Statements (2002) 20161020007: Financial Statements (2003) 20161020008: Financial Statements (2004) 20161020009: Financial Statements (2005) 20161020010: Financial Statements (2006) 20161020011: Financial Statements (2008) 20161020012: Audit (2007-2008) 20161020013: Donations 20161020014: Investments 20161020015: Request for Business Number 20161020016: Legacy Agreement 20161020017: Legacy Requistitions (2001-2002) 20161020018: Legacy Requistions (2003) 20161020019: Legacy Requisitions (2004) 20161020020: Legacy Requisitions (2005-2006) 20161020021: C.I.P. Grant (2004) 20161020022: Canada Revenue 20161020023: "With the Mounties in the Boot and Saddle Days" Research and Correspondence 20161020024: "With the Mounties in the Boot and Saddle Days" Manuscript 20161020025: Lease 20161020026: Membership (2 Photos) 20161020027: Bylaws 20161020028: Alberta Museum Association 20161020029: Museum Affirmation Program 20161020030: Final Report Historical Resource Impact Mitigation (2004) 20161020031: R.O.T.P. Membership Application Forms 20161020032: Articles of Incorporation/Continuance, Annual Returns 20161020033: Directors Minutes, Contracts,Unanimous Shareholder Agreements 20161020034: Business Plan (January 1, 2008 - December 31, 2012) 20161020035: R.O.T.P. Minutes (1995-1996) 20161020036: R.O.T.P. Minutes (1997-1998) 20161020037: R.O.T.P. Minutes (1999-2000) 20161020038: R.O.T.P. Minutes (2001) 20161020039: R.O.T.P. Minutes (2002) 20161020040: R.O.T.P. Minutes (2003) 20161020041: R.O.T.P. Minutes (2004) 20161020042: R.O.T.P. Minutes (2005) 20161020043: R.O.T.P. Minutes (2006) 20161020044: R.O.T.P. Minutes (2007) 20161020045: R.O.T.P. Minutes (2008) Part 1 20161020046: R.O.T.P. Minutes (2008) Part 2 20161020047: R.O.T.P. Minutes (2009) 20161020048: R.O.T.P. Minutes (2010) 20161020049: R.O.T.P. Minutes (2012) 20161020050: R.O.T.P. Minutes (2013) 20161020051: R.O.T.P. Minutes (2014) 20161020052: R.O.T.P. Minutes (2015) 20161020053: Outgoing Loans 20161020054: R.O.T.P. Master Copies 20161020055: Alberta Historic Resources 20161020056: Alberta Registries 20161020057: Collections Policy 20161020058: Dora Degenstein 20161020059: Firearms 20161020060: Harness Shop 20161020061: Hirano & Heaton (Quote on Relocation of Harness Shop) 20161020062: History of Barracks 20161020063: Lawsuit Part 1 20161020064: Lawsuit Part 2 20161020065: Mural 20161020066: Site Interpretation and Information Sheet 20161020067: Town of Fort MacLeod Part 1 20161020068: Town of Fort MacLeod Part 2 20161020069: Transfer of Assets 20161020070: Jail Barn 20161020071: Architecture 20161020072: Accession and Loan Records (Haultain Collection) 20161020073: Guest Book 20161020074: Letters with Mayor of Fort MacLeod 20161020075: Site Details 20161020076: Transfer of Custody from Glenbow 20161020077: Sale of Presbyterian Church 20161020078: Management Plan 20161020079: Alberta 2005 Centennial Initiative 20161020080: Annual Reports (2003, 2004, 2005) 20161020081: Kit (1 Photo) 20161020082: Finance Report (2002-2003) 20161020083: Request for $5000.00 20161020084: Operations Overview (2005-2007) 20161020085: Misc. Finances 20161020086: Accession Records (Legacy) 20161020087: Accession Records (R.O.T.P.) 20161020088: Accession Records (D.D. on Loan) 20161020089: Accession Records (Roxanne Linderman) 20161020090: Accession Records (Fort Whoop-Up) 20161020091: Records of Glenbow Inventory 20161020092: Contents List (Drawers) 20161020093: Inventory (Fort Whoop-Up Items at Fort Whoop-Up) 20161020094: Barracks Inventory (Fort Whoop-Up Items) 20161020095: Salvage Chinook Ltd. Agreement and Societies Act 20161020096: Volunteer Logs 20161020097: Barb Cavers 20161020098: Glenbow Archives 20161020099: Legacy Grant Applications 20161020100: Supporting Research Material 20161020101: Reenactment March West Posters (R.C.M.P.) (3 Posters) 20161020102: R.O.T.P. Backup Disc (September 20, 2004) (1 CD) 20161020103: Commercial Data Part 1 (1 CD) 20161020104: Commercial Data Part 2 (1 CD) 20161020105: Canada Customs and Revenue Agency (January 1, 2003) (1 floppy disk)
Accession No.
20161020
Collection
Archive
Less detail
Date Range
1967-2012
Accession No.
20161044000
Physical Description
2112 photographs, 31 negatives, 5 cm of textual records, 9 newspaper clippings, 3 magazine clippings, 17 oversize items, 1 restricted file.
Scope and Content
2016.1044.001-017: Separation Sheets – 18th Legislative Assembly of Alberta – 1975-1979 – 19th Legislative Assembly of Alberta – 1972-1982 - 20th Legislative Assembly of Alberta – 1982-1986 – 21st Legislative Assembly of Alberta – 1986-1989 – 22nd Legislative Assembly of Alberta – 1989-1993 – Alber…
Date Range
1967-2012
Physical Description
2112 photographs, 31 negatives, 5 cm of textual records, 9 newspaper clippings, 3 magazine clippings, 17 oversize items, 1 restricted file.
History / Biographical
John Gogo was a member of the Legislative Assembly of Alberta from 1975 to 1993 representing the Progressive Conservatives and West Lethbridge. He served in the Canadian Armed Forces from 1949 to 1962 and saw combat in the Korean War. Gogo was the Minister of Advanced Education from 1985 to 1992. In May 2007 he was awarded an honorary degree from the University of Lethbridge. John Gogo died in 2015.
Scope and Content
2016.1044.001-017: Separation Sheets – 18th Legislative Assembly of Alberta – 1975-1979 – 19th Legislative Assembly of Alberta – 1972-1982 - 20th Legislative Assembly of Alberta – 1982-1986 – 21st Legislative Assembly of Alberta – 1986-1989 – 22nd Legislative Assembly of Alberta – 1989-1993 – Alberta Advanced Education – John Gogo – Minister of Advanced Education – 1989-1992 – Large Poster Board – Big Brothers “Best Friend” – Medal for Honorary Chairman John Gogo – Bowl for Millions – 1982 – 21st Legislature – Government Caucus Group Photo – 1986-1989 – Lethbridge Kiwanis Music Festival Photo – 1991 – Signed photo of Peter Lougheed addressed to John and Joyce Gogo – August 1989 – Photo of John Gogo and Peter Lougheed – Written on by Peter Lougheed – 1985 – Certificate proclaiming John Gogo to be the 495th member of the Legislative Assembly of Alberta – May 1975 – Board of Govenors University of Alberta Thank You plaque – Date Unknown – “Happy 2nd Anniversary” photo montage – Dates Unknown – Gogo family photo – Date Unknown – Gogo family photo – Date Unknown – Box of 15 oversized photographs – Dates Unknown – Will (Restricted) – Appointment with Pat McMillan – Email correspondence with Shannon Donkersgoed – Peterson & Purvis Re: Wills – Planning Session – Last Will and Testament – 2012. 2016.1044.019: Miscellaneous Newspaper clippings – Peak Performance Camp at LCC – July 1986 – Gogo plays politics by his own rules – Date Unknown – AUPE replies to Gogo – The ATA News – September 1979 2016.1044.020: Scouts Canada – In Appreciation of John Gogo – Friend of Camp Impeesa – Tom MacLachlan, President – Rick Ross, Commissioner – Bob Dyer, Executive Director – Ian Woodman, VP Administration – Date Unknown. 2016.1044.021: Jeux Canada Games – 1975 – 1 Photo – 12 Illustrations – Certificate of Appreciation Awarded to John Gogo – Lottery Chairman – Charles G. Virtue. 2016.1044.022: Financial Statement – 1975 Canada Winter Games Lottery – April 16, 1974-April 30, 1976 – Auditors’ Report – Statement of Income – Administration Expenses. 2016.1044.023: Appreciation Night – April 21, 1993 – Miscellaneous Letters. 2016.1044.024: Nomination Papers – 1978-1979. 2016.1044.025: Congratulations – Appreciation and Recognition – Certificates – Thanks – 1967-2012. 2016.1044.026: 18th Legislative Assembly – Envelope Addressed to Joyce Gogo – Province of Alberta 18th Legislature Third Session Alberta Hansard – Orders of the Day – Alberta Energy Company Ltd. Notice of General Meeting of Shareholders – Memo: CBC Television Provincial Affairs – Government Caucus Edmonton-Ottewell News “I will not be a candidate in the next Alberta election” John Ashton – John Gogo Campaign Advertisement The Lethbridge Herald – Alberta Speech From the Throne – 1978. 2016.1044.027: University of Lethbridge – Spring 2007 Convocation – Chancellor’s Dinner – John Gogo – Honorary Degree Recipients. 2016.1044.028: John Gogo – Lethbridge West – Progressive Conservative (PC) Candidate – Pamphlet – Date Unknown. 2016.1044.029: Korea Veterans – Letter from the President of the Republic of Korea – 2010 – Message of Remembrance Herald clipping – Date Unknown – Korea Veterans Association of Canada Minutes of General Meeting – May 2005 – Extract from Alberta Hansard Korea War Veterans Day – April 2005 – Legislative Assembly Alberta Korea Voluntary Service Assembly – November 1990 – Letter from the President of the Republic of Korea – June 2000 – Province of Alberta 22nd Legislature Second Session Debate of Korean Voluntary Service Medals – November 1990. 2016.1044.030: AADAC – Alcohol, Drugs and Tabacco: An International Perspective-Past, Present and Future – The 34th International Congress on Alcoholism and Drug Dependence – The Calgary Convention Centre – August 1985. 2016.1044.031: 22nd Legislature – 1989 – 1 Photo. 2016.1044.032: Signed photo of Premier Ralph Klein – 1 Photo – Date Unknown. 2016.1044.033: Cheque Presentations Photo Album - “Keep in Touch Society” – Cheque Presentation to University of Lethbridge Hockey Team – September 1985 – Lethbridge Fair Parade – August 1983 – Brooks AADAC Office Official Opening – C.P.A. bursaries presentation – November 1984 – Blue Sky Lodge Official Opening – December 1986 – Presentation of cheque to the Lethbridge Amateur Swim Club – Max Bell Aquatic Centre – January 1986 – Lethbridge Fair Parade – August 1982 – Lethbridge Fair Parade – 100th Anniversary – July 1985 – Lethbridge Fair Parade – July 1984 – AADAC Napi Lodge opening – June 1982 – International Council on Alcohol and Drugs – August 1985 – Opening of College Fitness – March 1980 – Opening New ??? Research Station – Park Place Sod Turning – March 1987 – Opening of the Provincial Building – June 1977 – Alberta Sports Council cheque presentation to the Lethbridge Cosmos Soccer Club – October 1988 – Cheque presentation to Library – November 1989 – ’75 Chargers Soccer Team – July 1989 – Alberta Historical Resources Foundation Heritage Awards Banquet – Lethbridge Lodge Hotel – May 1989 – Alberta Sports Council cheque presentation to Lethbridge Track and Field Club – December 1989 – Plaque Presentation – Lethbridge Housing Authority – November 1989 – Community Facility Enhancement Program – cheque presentation to Benny Pawn for the Columbus Club – December 1989 – Alberta Sports Council cheque presentation to Lethbridge and District Wheat Chair Association – December 1989 – Alberta Sports Council cheque presentation to Wheat Chair Basketball Association – December 1989 – Annual Meeting – December 1989 – Community Facility Enhancement Program cheque presentation to the Westminster Neighbourhood Association – December 1989 – Community Facility Enhancement Program cheque presentation to Nicholas Sheran Community School – December 1987 – Lethbridge Community College $11.4 million Physical Education Complex – February 1990 – 4-H Awards – March 1990 – Dean Cooper retirement – April 1990 – Alberta Sports Council Lethbridge Big League Baseball $1200 protective screens – April 1990 – Alberta Sports Council cheque presentation $200 water polo nets and balls – April 1990 – Alberta Sports Council cheque presentation $800 for isokinetic resistance machine and paddles – Oldman River Canoe and Kayak Association – April 1990 – Community Facilities Enhancement Program – Southminster Church – March 1990 – Wildrose Foundation Lethbridge Family Services – May 1990 – Community Facilities Enhancement Program Norcrest Little League Baseball Association – May 1990 – 105 Photos. 2016.1044.034: 34th I.C.A.A. Congress – August 1985 – 103 Photos. 2016.1044.035: Meet the Minister Photo Album – Marine Yohenas – Joyce Gogo – Rosemary Fodder – Leah Waters – John Gogo – Michael Carr – Derek Rogusky – Brad Mattson – Dan Sanders – Jerry Kirchner – Ms. Gangapg – Frank Chalfoux – Lynn Falwell – Mr. & Mrs. Les Young – MLA Breakfast – Myles Bourke – Brad Mattson – Betty Bourke – George Seigl – Keith Derkmond – Joe Mathews – Doug MacLeod – Keith DeArnond – Shelby MacLeod – The New Three R’s Session – Michael Lorner – Pam Cholak – Jim Dinning – Norm Weiss – Art Sanford – Don LeBaron – Lethbridge Track and Field – Lorita Ichikawa – Moran Marchant – 1990 – Norcrest Little League Baseball CFEP Grant – Alberta Sports Council – Linda Case – Oldman River Canoe & Kayak Association – South Minister Church CFEP Grant – Lethbridge Big League Baseball – Southern Alberta Progressive Conservative (PC) Association BBQ – June 1991 – Premier Don Getty – Margaret Getty – Bernice Kirchner – Gerald Mezei – Pano Karkanis – Dave Rossiter – Howard Tennent – Marina Seigl – L.C.I. Jazz Choir & Band – Sherry Warne – Randy Smith – Marion Maichant – Heather Ferguson – Duncan Rand – Andy Anderson – Richard Davidson – Barb Sterdy – Mrs. Pitt – Marg Culler – Shelley Karbonik – Justin Penny – Brad Wong – Fred Bradley – Bruce Tannas – Elizabeth DeArmond – Angus Short – Leah and Tim Waters – Emma Hewlitt – Jeanette Pitt – Mrs. Dalby – Rick Dalby – Doug and Sandra Heglan – Ruby and Ted Hill – Barb Steardy – Official Opening of Legion Terrace – Blaine Thacker – Eric Plausteiner – Ruth Elzinga - World Citizens Centre – Louella Cronkite – 1967 – Track and Field Club – Cricket Club – Official Opening Alta-Sask Challenge – 1991 – Pratt & Whitney Canada Sod Turning – 1992 – Minister’s Conference (CMEC) 1990 – 223 Photos – 1 Newspaper Clipping. 2016.1044.036: 1989-1990 Photo Album – Swearing in of Government Caucus – April 1989 – Tour of Alberta College of Art and Design (ACAD) – May 1989 – Sir Fredrick Haultain Awards – Government House – Dr. Ray T. Berg, Dr. William O. Mitchell, Dr. Thomas D. Baker – June 1989 – Sir Frederick Haultain Prize pamphlet and menu – Tour of AVC-Lesser Slave Lake – Grouard Campus – May 1989 – Sod Turning Grand Prairie Regional College Phase II – May 1989 – Great Alberta Water Challenge Legislature North Amitheatre – June 1989 – Celebrity Chef for Klondike Breakfast Royal Alexandra Hospital – July 1989 – Official opening of the Mount Royal College Campus Expansion Phase II – August 1989 – Tour of Keyano College Fort McMurray – August 1989 – Presentation: Hon. John Gogo and Bob Barrett – 55th CMEC Meeting in Toronto – September 1989 – Live Telecast Forum University of Alberta Campus – September 1989 – Opening of Alberta Treasury Branch – September 1989 – Tour of Ontario College of Art – September 1989 – Tour of Olds College – October 1989 – Tour of the Banff Centre – October 1989 – Farewell Party for Ms. Jane Simmons – November 1989 – Tour of Fairview College – November 1989 – Alberta School Trustees Association Firing Line of Cabinet Ministers – November 1989 – Harley-Davidson Shop – Seasons Greeting Card of Phase II Project at Mount Royal College – 1990 – Council of Ministers of Education at Toronto – February 1990 – Council of Board Chairmen Public Colleges and Technical Institutes of Alberta – February 1990 – Presentation of CFEP cheque Canadian Francophone Association – December 1989 – AVC-Calgary 25th Anniversary Celebrations – February 1990 – Official opening Lloydminster Campus Lakeland College – May 1990 – Premier’s Dinner Calgary – May 1990 – Memo: Congratulations on Bill 27 – June 1990 – ACIFA Conference at Kananaskis – May 1990 – Education Week Allan Watson School – 1990 – Remarks University of Alberta Convocation – June 1990 – Education Week Nicholas Sheran Community School – 1990 – Installation of Dr. Sandy McTaggart, Chancellor, University of Alberta – June 1990 – AVC-Calgary Presentation to Awards Winners – July 1990 – AVC-Calgary Business Graduating Class – July 1990 – Sir Frederick Haultain Prize pamphlet 1990 – AVC-Calgary Announcements that AVC’s will be known as colleges – July 1990 – AVC-Calgary Learning Resource Centre – July 1990 – AVC-Lac La Biche Student Residences Lounge – August 1990 – AVC-Lac La Biche Student Residences – August 1990 – AVC-Lac La Biche Handicraft Room – 1990 – Tour of Canadian Union College, College Heights, Alberta – August 1990 – Lunch of Senior Administrative Staff AVC-Edmonton – August 1990 – Tour AVC-Edmonton Correctional Inmate Program (Integration into the Workforce and Community) – August 1990 – Winnifred Stewart Campus ESL Students – August 1990 – 42nd Conference UNESCO/IBE on Education and Literacy, Geneva Switzerland – September 1990 – Annual Students Forum, Chateau Louis Convention Centre – October 1990 – Keyano College Fort McMurrary Opening the Arts Centre – September 1990 – University of Alberta Business Administration Graduate Study Class – October 1990 – Mini Cabinet Tour, Banff-Cochrane Constituency, Media Availability Session, Green Gables-Canmore – October 1990 – Korean Veterans Luncheon and Reception, Edmonton Journal – November 1990 – Christmas card – 1990 – Presentation Received from the Alberta Association for Adult Literacy to the Legislative Library, “Book Voyage” – December 1990 – 177 Photos. 2016.1044.037: Minister of Advanced Education Photo Album – Official Opening of Nuclear Magnetic Resanator at University of Lethbridge – February 1991 – Students’ Union University of Alberta, March on the Legislature newspaper clippings – March 1991 – Canadian Council of Ministers of Education Meeting – February 1991 – Minister’s Birthday Celebrations 227 Legislature Building – February 1991 – Student Rally – Birthday Night Red Deer Progressive Association – February 1991 – Official Opening 4th Floor Expansion Scurfield Hall University of Calgary – March 1991 – Presentation of T-shirt Red Deer College – February 1991 – Guest Speaker MacDonald-Cartier Club – March 1991 – Students Forum Mount Royal College Students Union Centre – March 1991 – Installation of Mr. Gordon Towers as the thirteenth Lieutenant Governor of the Province of Alberta pamphlet – March 1991 – Opening Celebration of University of Lethbridge’s Library Automated System – March 1991 – Winners if the University of Lethbridge Library Poster Contest – March 1991 – Happy Minister Busy at Work in His Office – March 1991 – Dedication of Peace River Campus Fairview College – April 1991 – Swearing-In Ceremony of Hon. Gordon Tower as Lieutenant Governor – March 1991 – Happy Anniversary card 1991 – Progressive Conservative Convention Edmonton Convention Centre – April 1991 – ACTISEC Annual Convention Red Deer College – May 1991 – Students Service Conference Lethbridge Community College – May 1991 – Dedication of Recreation Centre Fairview College – May 1991 – Alberta College-Institute Faculties Association Vermilion Alberta – June 1991 – Minister at “PLAY” Rundle Park Golf Course – June 1991 – Retirement Farewell for Dorthy Rowles, President Grande Prairie Regional College – June 1991 – AADAC Northern Alberta Treatment Centre Grande Prairie – June 1991 – Minister’s Tour Marvel College Edmonton Alberta – July 1991 – Sod Turning Grant MacEwan Community College Edmonton Alberta – July 1991 – 1991 Sir Frederick Haultain Prize – July 1991 – 1991 Sir Frederick Haultain Prize pamphlet – July 1991 – Augustana University College Convocation (former Camrose Lutheran University College) – September 1991 – Long Service Awards Grouard Campus AVC-Lesser Slave Lake Grouard Alberta – September 1991 – Tour Trout lake Campus AVC-Lesser Slave Lake Trout Lake Alberta – September 1991 – Tour of Newly Constructed AVC-Lesser Slave Lake – September 1991 – Tour/Meeting Okanagan University Kelowna British Columbia – September 1991 – Tour Concordia College Edmonton College – September 1991 – Sod Turning of Professional Faculties Building University of Calgary – October 1991 – Announcement of Pratt and Whitney – November 1991 – Tour of Tyrrell Museum – November 1991 – Opening of Phase II Expansion of Grande Prairie Regional College – November 1991 – Alberta College of Art and Design (ACAD) – November 1991 – Presentation of CMEC Pins – December 1991 – Council of Ministers of Education Canada (CMEC) Toronto – December 1991 – Education sampling plan picks up steam, The Globe and Mail – December 1991 – National school tests agreed, The Toronto Sun – December 1991 – National testing on 3 Rs soon a reality, The Edmonton Journal – December 1991 – Department of Advanced Education Christmas Party Edmonton Alberta – December 1991 – United Way Book Presentation to Dr. Gail Babcock – Christmas cards – Long Service Award Presentation to Kay Cox, 16 years of service, Students Finance Board of Calgary – February 1992 – Political Cartoon, Edmonton Southsider – April 1992 – Students rally for degree status, Red Deer Advocate – March 1992 – Students vow to keep pressure, The Edmonton Sunday Sun – March 1992 – Students’ showdown with the minister, The Edmonton Journal – March 1992 – Annual ACTISEC Conference Southern Alberta Institute of Technology (S.A.I.T.) – May 1992 – Keeping in Touch Lethbridge West – 1991 – Newfoundland eyes school reform, The Globe and Mail – May 1992 – Joining to reshape education, The Globe and Mail – May 1992 – Government of Alberta Ministerial Statement – July 1992 – Government of Alberta Backgrounder Alberta Heritage Scholarship Program Review – July 1992 – Achieving Excellence The Alberta Heritage Scholarship Fund – Presentation of CMEC pin to Hon. Minister Paul Duffle Toronto – May 1992 – Presentation of CMEC pin to Hon. Rosemary Vodrey – May 1992 – National Literacy Coordination Group Fort Edmonton Park Talking Book Presentation – May 1992 – Signing of Memorandum of Understanding on Environmental Education Washington D.C. – September 1992 – Will Rogers Statue Capitol Building Washington D.C. – September 1992 – Senate Chamber Capitol Building Washington D.C. – September 1992 – Lincoln Monument Washington D.C. – September 1992 – CMEC Meeting Winnipeg Manitoba – September 1992 – Presentation of CMEC pin to Hon. Chris Decker – September 1992 – Presentation of CMEC pin to Hon. Guy LeBlanc – September 1992 – 1992 Adult Learner Awards – October 1992 – Sod Turning for the Joint Training Centre Keyano College and Syncrude Canada – November 1992 – Calgary Apprenticeship Awards – November 1992 – 142 Photos. 2016.1044.038: Reunion Club – July 2000 – 21 Photos. 2016.1044.039: Presentation of Lethbridge Soft Ball – West Winds – Paradise Canyon – United Way – Kick off – Larry Tamaki – Deb Wells – Alderman LeBaron – Joe Feller – Duane Spitzer – Doug Munton – Derek Rogusky – Pat Shimbashi – Dr. Kimnibugh – Roy Christensen – 19 Photos. 2016.1044.040: Olympic Torch – February 5, 1988 – 12 Photos – 26 Negatives. 2016.1044.041: Rotary Club – Unknown Dinner and Awards Ceremony – 69 Photos. 2016.1044.042: Official opening of campaign office – Election day and night – Campaign office – 1989 – 78 Photos. 2016.1044.043: Korea Veterans – Presentation of Medals – Legion – 165 Photos – Date Unknown. 2016.1044.044: 18 Years – Thank You/Farewell Dinner – El Rancho Motor Hotel – April 1992 – 1 Newspaper Clipping – 81 Photos. 2016.1044.045: Headshots – 59 Photos – Dates Unknown. 2016.1044.046: Large Pictures – Part 1/2 – Big Brothers and Big Sisters – Rotary BBQ tickets – Dennis Edvardson – Sandi Saillian – Brenda Perkins – John Haggins – Valerie Potuzak – Jim Salisbury – May 1983 – Opening of the Heritage Lodge – Larry Shaben (Minister of Housing) – September 1983 – Senator Buchanan School – Carrie Elliott – Geoff Bradshaw – Annual Leave – Lethbridge Army – John Wicky – Dennis Gobe – January 1990 – Drug Roundup – Pearl Boyce – Peter Kooy – March 1989 – Presentation of Fitness Equipment to the College – March 1986 – University of Lethbridge Dining Room – Brad Stanilton – Linda Wood – Jerry Roosebor – April 1986 – Presentation of $3000.00 by Alberta Sports Council to support clinic for swimmers – Sylvia Bernice – Art Batty – Wilma Winter – Opening of Campaign ’86 Office – April 1986 – Getty Rally – Don Getty – April 1986 – Motel Magic – Art Batty – April 1986 – Purple Cross Awareness Week – Keith Collins – Stanley Stook – Blaine Nye – May 1986 – Keep in Social Way Roundup – Henrietta Hatt – Royal Bank of Canada 100th Birthday – Dave Crawford – Alexander Welderuer Park – Norm Weess – Joyce Gaibairi – June 1986 – Mid-town Toyota Opening – Sito Sinclair – Dave Whetham – Danny LaLonde – John Boras – Sarg Souyer – Presentation of $2500.00 to the Lethbridge Minor Softball – Michael Johes – Doug Aspeslet – July 1986 – Cheque for the College Peak Performance Camp – July 1986 – Centre Site Announcement – City of Coaldale – August 1986 – AU West Charter Service –Shannon Greer – David Carpenter – Leroy Fjordfotten – Geoff Price – Rob Doncan – Gary Probe – September 1986 – Official Opening Crowsnest Corridor – Al Adair – Dick Johnston – October 1986 – Cheque presentation – Rocks for Jr. Curlers – Owen Crocker – October 1986 – Class of 75 – 15th Anniversary – Tom Donelly – Tom Lysons – Bob Bogle – Larry Shaben – Fred Bradley – John Walker – Dick Johnston – Teena Schmidt – Dallas Schmidt – Neil Webber – Myrna Derieu – Alan Hyland – Dianne Hyland – Jim Horsman – Joyce & John Gogo – Janice Johansen – 1 Photo – 1990 – 1 Newspaper Clipping – 44 Photos. 2016.1044.047: Large Pictures – Part 2/2 – BMX bike cheque presentation – Pat Kenneth – Trevor Olson – Michael Ollier – Tony Olson – Legislative Assembly – Local Enterprise Guest – Martin Connolly – Bill Cousins – Stan Sawicki – December 1986 – University of Lethbridge Theatre Sport – Dan Laplante – Don Achster – December 1986 – 67th ??? Parliament – David Harriott – December 1986 – Cheque Presentation Alberta Sports Council Badminton Program – Ron St. Jean – March 1988 – 10th Anniversary Hungarian Association – John Boras – Ron Forester – March 1987 – Sod Turning Centre Site – Lorne Kramble – David Carpenter – John Simpson – James Bullock – March 1987 – Cheque presentation Inuit Art – Howard Tennant – Jeffery Spalding – June 1987 – 13th Street North Off-Ramp Opening – Bill Cousins – Ed Parker – November 1987 – Official opening of Nicholas Sheran Ice Centre – Nic Smith – November 1987 – Presentation of cheque to University of Lethbridge – Endowment and Incentive Fund – Dennis O’Connell – May 1988 – Lethbridge West Breakfast – Blaine Thacker – Rick Orman – June 1988 – Cheque presentation to Health Unit – Don LeBaron – July 1988 – Popson Park Opening – Wendy Ellert – David Carpenter – August 1988 – Cheque Presentation to Harbour House from Wild Rose Foundation – Kathy Norton – Brenda Hill – August 1988 – Visiting Students from Japan – Naoko Mitsunaga – Akihiro Ishii – August 1988 – Opening Kiwanis Ridgewood Neighborhood Park – September 1987 – Official opening theatre unit – October 1987 – Bridge City Lawn Bowling Club – Cheque Presentation – Mary Gearesilk – Joan Hassin – Harry Hopkins – October 1988 – Boys and Girls Club – Alberta Sports Council cheque presentation for floor hockey equipment – October 1988 – Citizens of the years honors from the Lethbridge Jaycees – Dave Berlando – Helen Morgan – February 1989 – Cheque presentation to University of Lethbridge – Howard Tennant – February 1989 – City of Lethbridge Awards – Gerald Ward – John Brewster – February 1989 – Official opening of campaign office – Reed Ellison – A. W. Shackelford – February 1989 – cheque presentation to the BMX Club (CFEP) – Lynn Demchuk – Megan Demchuk – Sod Turning Ceremony – University of Lethbridge Students’ Union – Rex Little – Ron Oxley – April 1989 – University Tour – April 1989 – Lethbridge Community College Convocation Ceremony – Charles S. Noble Award – Brent Nielson – Allan Hall – Jack Burger – April 1989 – Flag presentation of members of the Lethbridge 175 Chargers Soccer Team – June 1989 – Presentation of plaques to the curling club – Bob Houus – Jack Price – Presentation of cheque from Recreation, Parks and Wildlife Foundation to University of Lethbridge Research Services – Ray McHugh – Howard Tennant – David Hughes – August 1989 – Pioneer Pemmican Club cheque presentation – Winnie Dixon – September 1989 – Education Week – Pancake Breakfast – Johnnie Hawden – Alan Watson – April 1990 – Education Week Nicholas Sheran – April 1990 – Official opening of Turcotte Hall – May 1990 – Lethbridge Symphony Association cheque presentation – Aaron Au – June 1990 – 3 magazine clippings – 49 Photos. 2016.1044.048: Miscellaneous Photos Part 1/6 – AADAC – 1981, 1983, 1985 – Interiors and exterior – Cielo Grande – Septic Overflow – 1992-1993, 1998, 2002 – 119 Photos. 2016.1044.049: Miscellaneous Photos Part 2/6 – John Gogo Presenting cheque to Company 18 Air Defence Levy – January 2011 – 39th Field Bty. R.C.A. reunion – September 2005 – Friday Night Social – Date Unknown – Receiving Alberta Medal from Lt. Gov. Normie Kwong with MLA Bridget Pastor – December 2005 – Remembrance Day ceremony – Date Unknown – The Korea Veterans National Wall of Remembrance – Date Unknown – West Wind Gymnastics – Date Unknown – 134 Photos. 2016.1044.050: Miscellaneous Photos Part 3/6 – Alberta Sports Council cheque presentation to First Baptist Church Noon Hour Program – August 1990 – Lethbridge & District Exhibition – Date Unknown – Vote Gogo Johnston Bilboard – Date Unknown – Farewell Dinner El Rancho Motor Hotel – April 1992 – University of Lethbridge Honorary Degree Conferral – 2007 – Korea War Veterans – Date Unknown – Nancy Betkowski – Date Unknown – St. Michael’s Health Centre Sod Turning – Date Unknown – Korean War Monument Montana – April 2000 – 167 Photos. 2016.1044.051: Miscellaneous Photos Part 4/6 – Vacation photos – Dates Unknown – P.C. meeting/Happy Birthday John Gogo – Date Unknown – Opening of Campaign Office – Date Unknown – Jeux Canada Games – Date Unknown – Old Library – January 1975 – Park Place Mall – Date Unknown – Education Business – Date Unknown – Heritage Day Lethbridge Sportsplex – Date Unknown – Korea War Veterans Association 37th Anniversary – June 1987 – Legion Terrace Official Opening – June 1990 – Korea Veterans Association Cactus Unit #64 – Date Unknown – Remembrance Day – Date Unknown – Alberta Sports Council cheque presentation to St. Francis Archery Club – December 1991 – Merry Christmas Mister Gogo From University of Lethbridge Students – Date Unknown – Alberta Sports Council cheque presentation to Denice Pauga – May 1990 – Lethbridge West MLA 1992 cake gathering – Date Unknown – 2005 Alberta Centennial Medal – December 2005 – 100 Years of Democracy Legislative Assembly of Alberta – Dates Unknown – 4 negatives – 141 Photos. 2016.1044.052: Miscellaneous Photos Part 5 – Miner Library Opening – Date Unknown – University of Lethbridge Unknown Sod Turning – Date Unknown – Quebec City Chateau Frontinac – August 1974 – Olds College – October 1990 – Sri Lanka – June 1981 – Election Night – March 1989 – Get Around – Date Unknown – Opening of Cheedreu(?) – 1988 – Day to relax after election – November 1982 – Art Gallery – May 1983 – Downtown Christmas Parade – November 1988 – Olympic Torch – February 1988 – Prince Rupert/looking at grain – October 1988 – Mrs. Ohshead’s 100th Birthday – July 1977 – U.N. cemetery and other sites in Korea – November 1985 – 1 negative – 202 Photos.
Accession No.
20161044000
Collection
Archive
Less detail

Lethbridge Artists Club - "Faces of Significance".

https://collections.galtmuseum.com/en/permalink/descriptions89016
Date Range
2016
Description Level
Item
Accession No.
20161074
Physical Description
1 softcover book
Scope and Content
"Lethbridge Artists Club: Faces of Significance. 80th Anniversary Portrait Competition". The publication was produced in connection with a public exhibition ("Faces of Significance", May 7 - October 2, 2016) at the Galt Museum and Archives, Lethbridge.
Date Range
2016
Description Level
Item
Physical Description
1 softcover book
Scope and Content
"Lethbridge Artists Club: Faces of Significance. 80th Anniversary Portrait Competition". The publication was produced in connection with a public exhibition ("Faces of Significance", May 7 - October 2, 2016) at the Galt Museum and Archives, Lethbridge.
Accession No.
20161074
Collection
Archive
Less detail

Post-WW II Dutch Immigrants in Southern Alberta - Oral History Project.

https://collections.galtmuseum.com/en/permalink/descriptions89347
Date Range
2014
Description Level
Item
Accession No.
20161107
Physical Description
One 17 page booklet. 1 CD.
Scope and Content
Interviews with seven postwar Dutch immigrants conducted by Lisa L. Schalk as part of her Master of Arts thesis at the University of Lethbridge during the summer of 2014. Interviews were digitally recorded. Those interviewed were: Gerard Schalk, Alice Tams, Hugo and Elizabeth Van Seters, Gilbert …
Date Range
2014
Description Level
Item
Physical Description
One 17 page booklet. 1 CD.
Scope and Content
Interviews with seven postwar Dutch immigrants conducted by Lisa L. Schalk as part of her Master of Arts thesis at the University of Lethbridge during the summer of 2014. Interviews were digitally recorded. Those interviewed were: Gerard Schalk, Alice Tams, Hugo and Elizabeth Van Seters, Gilbert and Johanna Grisnich, and Cornelius and Lena Van Pelt.
Accession No.
20161107
Collection
Archive
Less detail
Date Range
2002-2016
Description Level
Item
Accession No.
20171007
Physical Description
8 pamphlets
Scope and Content
Take-out menus from the following Lethbridge restaurants: East Side Mario's, 3720 Mayor Magrath Drive South; Top Pizza & Spaghetti House, 11th Street & 4th Avenue South; Regent Restaurant, 1255 3 Avenue South; Henotic Restaurant & Lounge, Old Fire Hall #1, 402 - 2 Avenue South; Dionysios Mediterra…
Date Range
2002-2016
Description Level
Item
Physical Description
8 pamphlets
Scope and Content
Take-out menus from the following Lethbridge restaurants: East Side Mario's, 3720 Mayor Magrath Drive South; Top Pizza & Spaghetti House, 11th Street & 4th Avenue South; Regent Restaurant, 1255 3 Avenue South; Henotic Restaurant & Lounge, Old Fire Hall #1, 402 - 2 Avenue South; Dionysios Mediterranean Grill, 635 - 13 Street North; Mandarin Restaurant, 1624 Mayor Magrath Drive South; Shanghai Restaurant, 610 - 3 Avenue South; Treats Eatery, 1104 Mayor Magrath Drive South.
Accession No.
20171007
Collection
Archive
Less detail

Oral History Project: Students’ Reproductive Rights Activism in Southern Alberta during the 1960s and 1970s

https://collections.galtmuseum.com/en/permalink/descriptions89560
Date Range
2012-2015
Accession No.
20171019
Physical Description
[All materials submitted in digital form]
Scope and Content
The materials contain digital copies of the audio interviews, transcripts and consent forms. The interviewees include Judith Burgess, Larry Hannant, Luba Lisun, Mary Bochenko, Rita Moir, and Terri Forbis.
Date Range
2012-2015
Creator
Karissa Patton
Physical Description
[All materials submitted in digital form]
History / Biographical
Karissa Patton developed and carried out the project as part of her honours thesis at the University of Lethbridge. The thesis entitled "Community, Contraception, and Controversy: A History of the Lethbridge Birth Control and Information Centre (LBCIC) in the in 1970s" examines the history of the LBCIC founded in 1972 and closed in 1978. The oral history interviews collected with members of the Lethbridge community became one of the core primary sources for the research. The project was supervised by Dr. Carol Williams, Department of History and Women and Gender Studies, University of Lethbridge.
Custodial History
Donated to the Galt Museum & Archives in 2017
Scope and Content
The materials contain digital copies of the audio interviews, transcripts and consent forms. The interviewees include Judith Burgess, Larry Hannant, Luba Lisun, Mary Bochenko, Rita Moir, and Terri Forbis.
Accession No.
20171019
Collection
Archive
Less detail
Date Range
1912-2012
Description Level
Fonds
Accession No.
20171025
Physical Description
2 cm of textual records, over 200 photographs
Scope and Content
2017.1025/001 Okutake Family Photographs: Tomomi Okutake, Tsura Okutake, Chiyoryo Ishimine, Toshiko Ishimine, Tomotaka Ishimine, Choryo Ishimine, Toshiko Higa, Chiyosei Genka, Yoneko Genka, Chiyotasu Genka, Dorothy Goshinmon, Chiyoki Okutake, Chotei Okutake, Art Okutake, Pat Okutake, Chokei Okutake…
Date Range
1912-2012
Description Level
Fonds
Creator
Okutake family
Physical Description
2 cm of textual records, over 200 photographs
History / Biographical
Tomomi Okutake originally immigrated to Canada in 1907, and was employed with the CPR in Vancouver. He then moved to Hardiville, Alberta in 1911, and resided there until enlisting with the Princess Pat Canadian Infantry in 1917. After serving two years in Britain and France, he was honourably discharged, receiving the British War Medal and Victory Medal. Upon his return to Canada, Tomomi began his work in the No. 6 coal mine. In 1930, he travelled back to Japan to marry Tsuru Genka, and together they moved back to Hardieville where Tomomi continued his work. The No. 8 coal mine site was moved to Lethbridge shortly after, where he continued as a miner until his retirement in 1953. Once Japanese citizens were allowed to live in Lethbridge, the couple moved into the city. Tomomi and Tsuru Okutake resided in the City of Lethbridge from 1961 until Tomomi’s passing in 1971. Throughout his time in Alberta, Tomomi became a founding member of the Lethbridge Buddhist Temple and the Lethbridge Honpa Buddhist Temple. He also played a big part in being the interpreter or spokesperson for those who couldn’t speak English in the Okinawan community. After Tomomi passed away, Tsuru enrolled at the Community College to learn English as a second language. She joined the Senior Centre and learned new skills such as weaving and dancing. In her final years, she lived in the Taber Long Term Care unit where she later passed away in 1990. The Okutake family had two adopted daughters, Patricia Yuriko (Sassa) and Esther Tsuru (Ayukawa).
Scope and Content
2017.1025/001 Okutake Family Photographs: Tomomi Okutake, Tsura Okutake, Chiyoryo Ishimine, Toshiko Ishimine, Tomotaka Ishimine, Choryo Ishimine, Toshiko Higa, Chiyosei Genka, Yoneko Genka, Chiyotasu Genka, Dorothy Goshinmon, Chiyoki Okutake, Chotei Okutake, Art Okutake, Pat Okutake, Chokei Okutake, Guiso Oshiro, Vicki Okutake. 2017.1025/002 Citizens certificate, statement of service, passport, biography, etc. 2017.1025/003 Biographies of Issei Pioneers from Okinawa to Southern Alberta.
Accession No.
20171025
Collection
Archive
Less detail
Date Range
2014
Description Level
Item
Accession No.
20171027
Physical Description
One 15 x 23 cm. black and white photograph. One 15 x 23 cm. colour photograph.
Scope and Content
The photographs show a young man, Liam Wallace, playing the bagpipes next to "Mother Canada", part of the Canadian National Vimy Memorial in Vimy, France. The photographs were taken by Rod Scott.
Date Range
2014
Description Level
Item
Physical Description
One 15 x 23 cm. black and white photograph. One 15 x 23 cm. colour photograph.
Scope and Content
The photographs show a young man, Liam Wallace, playing the bagpipes next to "Mother Canada", part of the Canadian National Vimy Memorial in Vimy, France. The photographs were taken by Rod Scott.
Accession No.
20171027
Collection
Archive
Less detail

59 records – page 1 of 3.