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Other Name
COVER BAG
Material Type
Artifact
Materials
PLASTIC, INK
Catalogue Number
P20180016002
  1 image  
Material Type
Artifact
Other Name
COVER BAG
Date
2018
Materials
PLASTIC, INK
No. Pieces
1
Height
58.7
Length
45.7
Description
WHITE PLASTIC BAG WITH BLACK TEXT AND BORDER, WITH THE OPENING ACROSS THE BOTTOM. TEXT READS “PAY FOR PARKING AT YELLOW KIOSK” AND “CITY OF LETHBRIDGE” ACCOMPANIED BY THE CITY OF LETHBRIDGE SEAL. THE BLACK SQUARE BORDER AROUND THE TEXT MEASURES 1CM WIDE. BAG HAS A HOLE IN THE BOTTOM LEFT CORNER 2CM FROM THE CORNER OF THE BORDER AND GOES THROUGH BOTH SIDES OF THE BAG; THE HOLE IS RIPPED AT THE EDGES AND MEASURES 1.2CM IN DIAMETER. BAG HAS DIRT ACCRETION AND SOILING ON BOTH SIDES AND SURFACE CREASING. THE REVERSE SIDE OF THE BAG HAS TEXT IN THE BOTTOM LEFT CORNER READING “D0218 FRIESEN PLASTIC INC.” THE INSIDE OF THE BAG HAS A BLUE AND WHITE “COVIDIEN” TAB STUCK ON THE REVERSE SIDE. OVERALL GOOD CONDITION.
Subjects
CONTAINER
Historical Association
TRANSPORTATION
History
BEGINNING APRIL 2018, THE CITY OF LETHBRIDGE REMOVED ITS EXISTING COIN-OPERATED PARKING METERS TO BE REPLACED WITH MULTI-STALL KIOSKS THROUGHOUT ITS DOWNTOWN CORE. THE EXISTING COIN-OPERATED PARKING METERS WERE DECOMMISSIONED AND COVERED WITH PLASTIC BAGS TO INDICATE PARKING PAYMENTS WOULD BE PROCESSED AT THE UPDATED KIOSKS. THE COVER BAG DONATED BY THE CITY OF LETHBRIDGE WAS USED TO MARK DECOMMISSIONED METERS IN DOWNTOWN LETHBRIDGE, AND WAS DONATED FOLLOWING THE REMOVAL OF ALL COIN-OPERATED PARKING METERS IN JUNE 2018. IN DECEMBER 2015, THE CITY OF LETHBRIDGE HOSTED AN INFORMATIONAL SESSION INFORMING LETHBRIDGE RESIDENTS ABOUT AN IMPENDING UPGRADE TO THE DOWNTOWN PARKING SYSTEM. VAL FELLGER WAS THE 2015 INITIATIVE’S PARKING COORDINATOR. FELLGER OUTLINED REASONS FOR UPDATING THE EXISTING PARKING SYSTEM IN A 2018 CITY OF LETHBRIDGE MEDIA RELEASE. THE ANNOUNCEMENT SAYS, “THE PRIMARY OBJECTIVE OF PAID AND TIME ZONED PARKING IN DOWNTOWN LETHBRIDGE IS TO ACHIEVE PARKING TURNOVER WHICH RESULTS IN EQUITABLE AVAILABILITY OF PARKING TO SHOPPERS AND VISITORS TO DOWNTOWN…THERE ARE CURRENTLY A LITTLE OVER 1500 PARKING METERS IN THE DOWNTOWN. APPROXIMATELY 95 PERCENT OF THE PARKING METER INFRASTRUCTURE, PARKING METER HOUSINGS AND SUPPORT POLES ARE GREATER THAN 25 YEARS OLD. THESE HOUSINGS AND POLES ARE STARTING TO SHOW SIGNS OF WEAR AND LOOK UNKEMPT. MANY OF THE METERS CANNOT BE REPROGRAMMED TO ACCEPT NEW COINS OR OTHER PAYMENT OPTIONS.” THE CITY PONDERED THREE OPTIONS FOR THE IMPROVED SYSTEM: 100 PERCENT SINGLE-SPACE METERS WITH FOOT PATROL ENFORCEMENT, 100 PERCENT PAY-BY-PLATE MULTI-SPACE SMART MACHINES WITH MOBILE LICENSE PLATE RECOGNITION ENFORCEMENT, AND A HYBRID SYSTEM COMPRISED OF PAY-BY-PLATE MACHINES WITH MOBILE LICENSE PLATE RECOGNITION ENFORCEMENT AND IN ISOLATED LOCATIONS, INCLUDING BARRIER-FREE PARKING STALLS, SINGLE-SPACE SMART METERS WITH FOOT PATROL ENFORCEMENT. IN THE DOWNTOWN PARKING METER REPLACEMENT PROJECT STAKEHOLDER & PUBLIC ENGAGEMENT REPORT, 80 PERCENT OF THE PUBLIC SELECTED THE HYBRID SYSTEM. IN AUGUST 2017, THE CITY CHOSE A VENDOR, AND BY JUNE 2018 THE NEW SYSTEM WAS UP AND RUNNING. AS A RESULT, 1526 COIN-OPERATED PARKING METERS WERE REMOVED FROM DOWNTOWN STREETS AND 170 MULTI-SPACE KIOSKS WERE INSTALLED. IN A CITY OF LETHBRIDGE MEDIA RELEASE FROM MAY 28, 2018, MAYOR CHRIS SPEARMAN SAYS, “THIS IS ANOTHER SIGN OF HOW OUR CITY IS GROWING UP. WE TALK A LOT ABOUT THE IMPORTANCE OF BEING A “SMART CITY” AND USING TECHNOLOGY TO MAKE US MORE EFFICIENT. THAT’S WHAT THIS NEW SYSTEM DOES.” FELLGER ADDED, “THE KIOSKS ARE SOLAR POWERED MAKING THEM MORE COST EFFECTIVE AND ENVIRONMENTALLY FRIENDLY TO OPERATE THAN THE PREVIOUS PARKING METERS THAT USED AA BATTERIES.” ON DECEMBER 12, 2018, KEVIN MACLEAN INTERVIEWED THE CITY OF LETHBRIDGE’S ACTING PARKING COORDINATOR PHILLIP BERG. BERG ASSISTED FELLGER WITH THE PLANNING OF THE NEW PARKING SYSTEM. CONCERNING THE ROLLOUT OF THE METER REPLACEMENT PROJECT, BERG SAID, “IT WAS PRETTY HECTIC. PEOPLE WERE STILL A LITTLE RESISTANT TO CHANGE. WE HAD CONDITIONED PEOPLE TO A PARKING STYLE FOR THE LAST 50 TO 60 YEARS, AND IN ONE NIGHT WE CHANGED EVERYTHING OVER. SO THERE WAS A LOT OF RESISTANCE.” TO DEAL WITH THE RESISTANCE, BERG KEPT AN OPEN DIALOGUE WITH THE PUBLIC. “THERE WERE TIMES THAT MY PHONE DIDN’T STOP RINGING FOR DAYS, BUT WE’VE MADE A LOT OF CHANGES TO SCREEN DISPLAY AND SIGNAGE. [WE’VE DONE] EVERYTHING WE CAN POSSIBLY DO TO FACILITATE THE BEST PARKING MANAGEMENT STRATEGY WE CAN.” “I DID ALL THE REPAIRS, ALL THE MAINTENANCE AND ANYTHING, ANY PROGRAMMING OR ANYTHING THAT HAPPENED WITH THESE SINGLE SPACE METERS FOR THE LAST EIGHT YEARS. SO ANYTHING FROM RE-BUILDING HOUSINGS, PUTTING THEM TOGETHER FROM DIFFERENT PIECES, TO RE-PROGRAMMING THEM IN 2013 WHEN THE NEW COIN DIMENSIONS CAME OUT. WE HAD TO DO THEM ALL INDIVIDUALLY. AGAIN THESE WERE AT THEIR MAXIMUM CAPABILITIES. THEY HAD BEEN IN PLACE SINCE ABOUT 2000, THE ELECTRONIC PARKING METERS WERE IN PLACE FROM ABOUT 2000 AND WERE WELL PAST THEIR LIFE EXPECTANCY OF ABOUT 5 YEARS. SO, IT WAS TIME TO GO ON AND TRY A NEW TECHNOLOGY. AFTER MANY OPEN HOUSES, THE CITY CITIZENS AND WITH TECHNICAL EXPERTS DECIDED TO TRY IT WITH THE NEW MULTI-SPACE KIOSKS WHICH ALLOWED US A LOT MORE TECHNOLOGICAL OPTIONS. IT ALLOWED US THE ABILITY TO BE ABLE TO CLEAN UP THE STREETSCAPE, ELIMINATE THE PARKING METER POLES THAT WERE DILAPIDATED AND BREAKING DOWN AND PUT IN A NEW PARKING SYSTEM.” “THE PROJECT STARTED IN 2013…IT WAS SEVERAL YEARS IN THE MAKING AND IT WAS…ABOUT 2015…WHERE THE DECISION WAS MADE AND IT WAS PASSED THROUGH THAT WE WERE GOING TO CHANGE OUT THE PARKING SYSTEM. THERE WERE SEVERAL OTHER OPTIONS. THERE WAS UPDATING IT WITH THE SAME STUFF THAT WE HAVE NOW, UPDATING IT WITH A NEW SINGLE SPACE PARKING TECHNOLOGY OR GOING TO A MULTI-SPACE PARKING KIOSK. WHEN ALL THE FACTORS WERE PUT TOGETHER, THE MULTI-SPACE PARKING KIOSKS WERE THE MOST ECONOMICAL AND ALLOWED FOR THE MOST OPTIONS IN THE FUTURE.” WHEN ASKED ABOUT THE DECOMMISSIONING OF THE SINGLE-STALL, COIN-OPERATED PARKING METERS, BERG RECALLED, “APRIL THIS YEAR IT STARTED. WE STARTED INSTALLING ALL THE KIOSKS ON THE STREET, NOT HAVING THEM OPERATIONAL BUT JUST ENSURING THAT THEY WERE ALL OUT ON THE STREET WHILE STILL ALLOWING THE SINGLE SPACE METERS TO CONTINUE TO DO WHAT THEY HAD DONE FOR YEARS. AND THEN IN ONE WEEKEND WE CAME IN AND WE COVERED ALL THE SINGLE SPACE METERS. AND THAT WAS THE LAST WEEKEND IN MAY, COVERED ALL THE SINGLE SPACE PARKING METERS [WITH THE PLASTIC COVER BAGS] AND TURNED ON THE BRAND NEW PARKING KIOSKS.” PLEASE SEE THE PERMANENT FILE P20180016001-GA FOR MORE INFORMATION INCLUDING LETHBRIDGE HERALD ARTICLES, CITY OF LETHBRIDGE MEDIA RELEASES, AND FULL INTERVIEW TRANSCRIPTS.
Catalogue Number
P20180016002
Acquisition Date
2018-07
Collection
Museum
Images
Less detail
Other Name
"VICTORY" SMITH AND WESSON
Date Range From
1955
Date Range To
1965
Material Type
Artifact
Materials
STEEL, WOOD, METAL
Catalogue Number
P20180013000
  2 images  
Material Type
Artifact
Other Name
"VICTORY" SMITH AND WESSON
Date Range From
1955
Date Range To
1965
Materials
STEEL, WOOD, METAL
No. Pieces
1
Length
20.5
Width
3.3
Diameter
1
Description
REVOLVER WITH BLACK STEEL SHORT BARREL, CYLINDER AND FRAME. BARREL HAS FRONT SIGHT PIN AT END; HANDLE IS BROWN WOOD WITH STEEL PLATE RUNNING DOWN THE SIDES AND ACROSS THE BASE. HANDLE HAS METAL PIN ON FRONT THAT RUNS THROUGH THE SIDES OF THE HANDLE. REVOLVER HAS INSCRIPTION STAMPED BESIDE CYLINDER ON RIGHT SIDE, “TRADEMARK S W, REG. U.S. PAT. OFF.”; INSCRIPTION STAMPED BELOW CYLINDER“MADE IN U.S.A.”; INSCRIPTION ON BASE OF HANDLE “611407”; INSCRIPTION ON RIGHT SIDE OF BARREL “.38 767 E.38 S&W CT6, 3.5 IONS”. REVOLVER HAS SILVER TRIGGER AND HAMMER; REVOLVER HAS STEEL CYLINDER RELEASE ON LEFT SIDE; REVOLVER HAS SIX CYLINDERS. STEEL BARREL AND CYLINDER HAVE MINOR WEAR TO FINISH; HANDLE HAS WEAR AROUND BASE; FRAME HAS MINOR SCRATCHES ON LEFT SIDE; OVERALL VERY GOOD CONDITION.
Subjects
ARMAMENT-FIREARM
Historical Association
PROFESSIONS
SAFETY SERVICES
History
ON MAY 29, 2018, COLLECTIONS TECHNICIAN KEVIN MACLEAN INTERVIEWED DUANE KING REGARDING HIS DONATION OF A REVOLVER. THE REVOLVER WAS USED BY POLICE OFFICERS IN PICTURE BUTTE, ALBERTA, AND WAS ACQUIRED BY KING FROM THE TOWN OF PICTURE BUTTE. ON THE REVOLVER, KING ELABORATED, “[THIS HANDGUN] BELONGED TO THE TOWN OF PICTURE BUTTE. I WAS HAVING COFFEE ONE DAY, IN FEBRUARY OF 1980, IN THE COFFEE SHOP IN PICTURE BUTTE, AND THE TOWN SECRETARY WAS THERE, AS USUAL, A WHOLE BUNCH OF US. HE SAID, “I HEAR YOU LIKE GUNS.” ONE THING LED TO ANOTHER, AND I PUT A BID IN [FOR THE HANDGUN], TO THE TOWN COUNCIL, AND THEY ACCEPTED IT. I ENDED UP WITH THE TWO GUNS. THE TOWN SECRETARY’S NAME WAS PIUS RIES. HE’S SINCE PASSED AWAY, BUT HE WAS A WELL-KNOWN MAN IN PICTURE BUTTE.” “THE [THE HANDGUN WAS ONE OF THE ONLY TWO GUNS] THAT THEY HAD. THEY ONLY HAD THE ONE POLICEMAN, AND I KNEW THE MAN WHEN I WAS A BOY GOING TO SCHOOL, GROWING UP. HIS NAME WAS BUCK GELDERT, AND, AS IT TURNS OUT, MY BROTHER-IN-LAW BOUGHT THE POLICE CAR, ONCE THEY GOT RID OF EVERYTHING. I BOUGHT THE GUNS MAINLY BECAUSE THEY WERE THE TOWN OF PICTURE BUTTE POLICE GUNS. NOT TOO MANY PEOPLE REALIZE THAT PICTURE BUTTE DID HAVE A POLICEMAN.” “[THE SMITH AND WESSON WAS A GUN] THAT POLICE FORCES WOULD HAVE USED. I WOULD IMAGINE THAT SMITH AND WESSON IS PROBABLY A VERY POPULAR POLICE GUN.” “THEY KNEW THAT I WAS INTERESTED IN GUNS. I HAD ALWAYS BEEN, SINCE A LITTLE BOY, HAD GUNS. [RIES] APPROACHED ME THAT DAY, AND I WENT TO LOOK AT THE GUNS. I MADE AN OFFER, TO TOWN COUNCIL, AND THEY ACCEPTED IT.” “I MADE A WRITTEN OFFER TO THE TOWN OF PICTURE BUTTE, AND THEY TOOK IT UP AT THEIR NEXT COUNCIL MEETING. THEN IT WAS ADVERTISED IN THE ‘SUNNY SOUTH NEWS’, THAT I HAD DONE THIS, THAT THEY HAD ACCEPTED MY OFFER, AND WHAT THE OFFER WAS. I WENT AND PICKED THE GUNS UP, GAVE THEM THEIR MONEY, AND I’VE HAD THEM EVER SINCE. I’VE NEVER SHOT THEM. THAT’S NOT WHY I BOUGHT THEM…I’VE JUST ALWAYS HAD THEM, AND LOVED THEM.” “[THE TOWN POLICE] MUST HAVE BEEN OUT OF THE TOWN HALL. I WENT TO SCHOOL WITH THE POLICEMAN’S SON, AND I KNEW HIS DAUGHTER. WE ALL WENT TO THE SAME SCHOOL, THE SAME CHURCH, THE SAME SUNDAY SCHOOL. I REMEMBER THE POLICEMAN, BUCK GELDERT. HE WAS A HUGE MAN, AND WHEN HE LEFT PICTURE BUTTE, HE WENT TO COALDALE, AND HE WORKED FOR THE COALDALE POLICE.” KING RECALLED GELDERT, NOTING, “HE HAD A UNIFORM, AND A POLICE CAR WITH A BIG RED SIREN, FLASHING LIGHT, ON THE ROOF…I DON’T REMEMBER HIM WALKING, BUT I REMEMBER HIM DRIVING AROUND TOWN, ESPECIALLY IN THE EVENINGS AND AT NIGHT. ONE NIGHT I WAS GOING HOME IN THE DARK, AND I HIT A HORSE, GRAVEL ROAD, AND I WRECKED THE TRUCK THAT I WAS DRIVING. [BUCK GELDERT] CAME AND HE GAVE ME A RIDE HOME. MY FOLKS WEREN’T ALL THAT HAPPY, BUT HE WAS THERE.” “I REMEMBER HIM PASSING OUT SPEEDING TICKETS. THEY HAD A COURTROOM, AND THEY HAD A JUSTICE OF THE PEACE, OR A MAGISTRATE. YOU WENT THERE TO PAY YOUR TRAFFIC TICKETS, BUT, OTHER THAN THAT, I DON’T REMEMBER ANY BIG CRIME.” “I DON’T KNOW HOW LONG HE WAS THERE IN PICTURE BUTTE. I HAVE NO WAY OF KNOWING THAT. I ONLY REMEMBER HIM BEING IN CHURCH ON SUNDAYS…I REMEMBER HIM BEING IN COALDALE, AND I DON’T KNOW WHEN THAT WAS, BUT IT HAD TO BE AROUND 1960.” KING ELABORATED ON HIS MOTIVATION FOR DONATING THE REVOLVER, STATING, “BECAUSE I’M GETTING OLDER, I WANT [THE REVOLVER] TO BE PRESERVED, AND THERE’S NO BETTER PLACE THAN A MUSEUM. I LIKE THE GALT, SO THAT’S WHY I CHOSE TO DO THIS RIGHT NOW. I JUST WANT THEM PRESERVED. THEY’RE IMPORTANT TO ME, AND I THINK THEY ARE IMPORTANT TO SOUTHERN ALBERTA.” “I WAS BORN, AND GREW UP [IN PICTURE BUTTE]; LIVED AND FARMED. MY FAMILY CAME TO PICTURE BUTTE IN 1929, AND I STILL HAVE FAMILY IN PICTURE BUTTE. PICTURE BUTTE IS WHY THEY ARE SO IMPORTANT TO ME.” “I HAD A LOT OF HANDGUNS [WHEN I LIVED ON THE FARM] AND I’VE GOTTEN RID OF MOST OF THEM…ONCE I MOVED TO THE CITY, I DIDN’T FEEL SAFE WITH THEM IN THE HOUSE. YOU GET BROKE INTO, SOMEBODY STEALS YOUR GUNS AND COMMITS A CRIME, AND IT GOES FROM THERE. I’M GETTING RID OF THE THINGS THAT I WORRY ABOUT, AND [THE] HANDGUN [IS] PART OF THAT. FOR [THIS REVOLVER] TO GO WHERE [IT’S] GOING IS VERY IMPORTANT TO ME.” ACCORDING TO LETHBRIDGE HERALD ARTICLES, WARREN “BUCK” GELDERT BEGAN HIS CAREER IN POLICING WITH THE R.C.M.P. AT THE AGE OF 19. GELDERT SERVED WITH THE LETHBRIDGE POLICE SERVICE BEFORE BEING NAMED CHIEF CONSTABLE FOR THE TOWN OF PICTURE BUTTE IN 1955. GELDERT REMAINED CHIEF CONSTABLE UNTIL 1967, WHEN HE ACCEPTED A POSITION AS RECREATION DIRECTOR IN COALDALE, ALBERTA. KING PURCHASED THE SMITH AND WESSON REVOLVER, AND A .38 COLT IN FEBRUARY, 1980 FROM THE TOWN OF PICTURE BUTTE FOR $175, AND HAD BOTH REVOLVERS REGISTERED IN 1980. FOR MORE INFORMATION INCLUDING THE FULL INTERVIEW TRANSCRIPTION AND LETHBRIDGE HERALD ARTICLES, PLEASE SEE THE PERMANENT FILE P20180013000-GA.
Catalogue Number
P20180013000
Acquisition Date
2018-05
Collection
Museum
Images
Less detail
Date Range From
1899
Date Range To
1968
Material Type
Artifact
Materials
LEATHER, WOOD, METAL
Catalogue Number
P20170010000
  2 images  
Material Type
Artifact
Date Range From
1899
Date Range To
1968
Materials
LEATHER, WOOD, METAL
No. Pieces
12
Height
55.5
Length
28.5
Width
10
Description
A: RIGHT BROWN LEATHER BOOT. THE LEATHER IS ABOUT 2CM THICK, MEASURED FROM THE TOP. WORN BLACK LEATHER SOLE, HEEL AFFIXED WITH WORN METAL NAILS. TWO LACE LINES ARE ON THE BOOT, ONE MEASURES SEVEN HOLES LONG ABOVE THE TOP OF THE FOOT, THE OTHER MEASURING FIVE HOLES LONG ON THE TOP OUTSIDE EDGE OF THE BOOT. THE LACE HOLES ARE RIMMED WITH RED METAL FRAMES. THE SOLE IS WORN, STAINED, AND FRAYED RED. TEXT STAMPED ON THE SOLE READS “A.E. N…ON CO. SYRACCUSE N.Y. U.S.A.” THE BOOTS LEATHER IS WORN ON THE TOE AND SCRATCHED ALL OVER. A CUT IN THE LEATHER SITS ABOVE THE TOE. THE STITCHING AT THE BACK OF THE BOOT HAS TORN OPEN AND AT THE TOP OF THE BOOT, NEXT TO THE LEATHER PULL, THE BOOT IS SPLIT NEXT TO THE SEAM. THE LEATHER INSIDE THE BOOT IS FLAKING OFF IN THE HEEL AND THE INSIDE EDGE. WHITE FABRIC PULL LOOPS SIT ON THE LEFT AND RIGHT INSIDE OF THE BOOT. DIMENSIONS: H: 46 CM, L: 28.5CM, W: 10 CM. CONDITION: GOOD. B: THE TOE-SHAPED PIECE OF THE RIGHT BOOT’S WOOD INSERT. MADE OUT OF THE FOOT-SHAPED PIECE AND A HANDLE PIECE TO FIT INTO THE FRONT LEG INSERT PIECE, ATTACHED TO EACH OTHER WITH TWO LARGE SCREWS. WRITTEN ON TOP OF THE INSERT IN BLACK INK IS THE LETTER “R”. THE VARNISH IS CHIPPED AND DENTED. DIMENSIONS: H: 10 CM, L: 21 CM, W: 8 CM. CONDITION: VERY GOOD. C: THE FRONT PIECE OF THE RIGHT BOOT’S WOOD INSERT. ENDS IN TWO PRONGS TO SLOT OVER THE TOE INSERT OF THE BOOT, A TRACK RUNS ON THE BACK SIDE FOR THE INSERTION OF THE HANDLED INSERT PIECE. STAMPED ONTO THE TOP OF THE WOOD INSERT ARE THE WORDS “ROBINBROS. MONTREAL” AND “MADE IN CANADA”. ON THE LEFT SIDE IS A STAMPED “6” AND ON THE RIGHT SIDE IS A STAMPED “R”. WRITTEN ON THE UNVARNISHED BACK OF THE INSERT IN BLACK INK IS “R” AND “6 R…”. THE VARNISH IS SCRATCHED AND DENTED, JUST AT THE TOP FRONT EDGE. H: 43 CM, L: 5 CM, W: 8.4 CM. CONDITION: VERY GOOD. D: THE BACK PIECE OF THE RIGHT BOOT’S WOOD INSERT. SHAPED LIKE THE BACK OF THE LEG, ENDING IN THE HEEL. THE FLAT FRONT HAS WRITTEN ON IT IN BLACK INK “R”. THE VARNISH IS SCRATCHED AND DIMPLED. STAMPED ONTO THE TOP OF THE WOOD INSERT ARE THE WORDS “ROBINBROS. MONTREAL” AND “MADE IN CANADA”. ON THE TOP LEFT SIDE IS A STAMPED “6” AND ON THE TOP RIGHT SIDE IS A STAMPED “R”. DIMENSIONS: H: 42.5 CM, L: 5.5 CM, W: 9 CM. CONDITION: VERY GOOD. E: THE MIDDLE PIECE OF THE RIGHT BOOT’S WOOD INSERT. THIN, THE INSERT TAPERS FROM THE TOP TO THE HEEL. THE VARNISH IS DARK, MINIMALLY SCRATCHED BUT DENTED AND DIMPLED. DIMENSIONS: H: 44.2 CM, L: 2.2 CM, W: 9 CM. CONDITION: VERY GOOD. F: THE HANDLED PIECE OF THE RIGHT BOOT’S WOOD INSERT, MEANT TO FIT BETWEEN THE FRONT AND MIDDLE INSERT PIECE. THE FRONT OF THE PIECE FITS INTO THE FRONT WOOD INSERT’S TRACK. THE VARNISH IS MOSTLY WORN AWAY, SURVIVING ON THE HANDLE. THE WOOD IS SCRATCHED AND DIMPLED. ON THE BACK OF THE INSERT IN BLACK INK IS THE LETTER “L”. STAMPED ON THE TOP LEFT SIDE IS A STAMPED “6” AND ON THE TOP RIGHT SIDE IS A STAMPED “R”. DIMENSIONS: H: 55 CM, L: 1.6 CM, W: 8.5 CM. CONDITION: GOOD. G: THE LEFT BROWN LEATHER BOOT. THE LEATHER IS ABOUT 2CM THICK, MEASURED FROM THE TOP. WORN BLACK LEATHER SOLE, HEEL AFFIXED WITH WORN SILVER NAILS. TWO LACE LINES ARE ON THE BOOT, ONE MEASURES SEVEN HOLES LONG ABOVE THE TOP OF THE FOOT, THE OTHER MEASURING FIVE HOLES LONG ON THE TOP OUTSIDE EDGE OF THE BOOT. THE LACE HOLES ARE RIMMED WITH RED METAL FRAMES. THE SOLE IS WORN, STAINED, AND FRAYED RED. TEXT STAMPED ON THE SOLE READS “A.E. NETTLET… CO. S…SE N.Y. ...S.A.” THE BOOTS LEATHER IS WORN OVER THE TOP OF THE FOOT, THE SIDE OF THE HEEL, AND SCRATCHED ALL OVER. THE LEATHER INSIDE THE BOOT IS FLAKING OFF IN THE HEEL AND THE INSIDE EDGE. WHITE FABRIC PULL LOOPS SIT ON THE LEFT AND RIGHT INSIDE OF THE BOOT. DIMENSIONS: H: 46 CM, L: 28.8 CM, W: 9.7 CM. CONDITION: GOOD. H: THE TOE SHAPED PIECE OF THE LEFT BOOT’S WOOD INSERT. MADE OUT OF THE FOOT SHAPED PIECE AND A HANDLE PIECE TO FIT INTO THE FRONT LEG INSERT PIECE, ATTACHED TO EACH OTHER WITH TWO LARGE SCREWS. WRITTEN ON TOP OF THE INSERT IN BLACK INK IS THE LETTER “L”. THE VARNISH IS MINIMALLY DENTED. DIMENSIONS: H: 10 CM, L: 21 CM, W: 8 CM. CONDITION: VERY GOOD. I: THE FRONT PIECE OF THE LEFT BOOT’S WOOD INSERT. ENDS IN TWO PRONGS TO SLOT OVER THE TOE INSERT OF THE BOOT, A TRACK RUNS ON THE BACK SIDE FOR THE INSERTION OF THE HANDLED INSERT PIECE. STAMPED ONTO THE TOP OF THE WOOD INSERT ARE THE WORDS “ROBINBROS. MONTREAL” AND “MADE IN CANADA”. ON THE LEFT SIDE IS A STAMPED “6” AND ON THE RIGHT SIDE IS A STAMPED “L”. WRITTEN ON THE UNVARNISHED BACK OF THE INSERT IN BLACK INK IS “L” AND “6 LEFT”. THE VARNISH IS SCRATCHED AND DENTED, MOSTLY AT THE TOP FRONT EDGE. DIMENSIONS: H: 43 CM, L: 5 CM, W: 8.4 CM. CONDITION: GOOD. J: THE BACK PIECE OF THE LEFT BOOT’S WOOD INSERT. SHAPED LIKE THE BACK OF THE LEG, ENDING IN THE HEEL. THE FLAT FRONT HAS WRITTEN ON IT IN BLACK INK “L”. THE VARNISH IS MINIMALLY SCRATCHED AND DIMPLED. STAMPED ONTO THE TOP OF THE WOOD INSERT ARE THE WORDS “ROBINBROS. MONTREAL” AND “MADE IN CANADA”. ON THE TOP LEFT SIDE IS A STAMPED “6” AND ON THE TOP RIGHT SIDE IS A STAMPED “L”. DIMENSIONS: H: 42.5 CM, L: 5.5 CM, W: 9 CM. CONDITION: VERY GOOD. K: THE MIDDLE PIECE OF THE LEFT BOOT’S WOOD INSERT. THIN, THE INSERT TAPERS FROM THE TOP TO THE HEEL. THE VARNISH IS DARK, SCRATCHED AND WORN IN PLACES. A KNOT IN THE WOOD HAS FALLEN OUT AND LEFT A HOLE IN THE TOP OF THE INSERT. DIMENSIONS: H: 44.3 CM, L: 2.5 CM, W: 9 CM. CONDITION: VERY GOOD. L: THE HANDLED PIECE OF THE RIGHT BOOT’S WOOD INSERT, MEANT TO FIT BETWEEN THE FRONT AND MIDDLE INSERT PIECE. THE FRONT OF THE PIECE FITS INTO THE FRONT WOOD INSERT’S TRACK. THE VARNISH IS MOSTLY WORN AWAY, SURVIVING ON THE HANDLE. THE WOOD IS SCRATCHED AND DIMPLED. ON THE BACK OF THE INSERT IN BLACK INK IS THE LETTER “R” WITH TWO LINES DRAWN OVER IT. STAMPED ON THE TOP LEFT SIDE IS A STAMPED “6” AND ON THE TOP RIGHT SIDE IS A STAMPED “L”. ON THE LEFT SIDE OF THE INSERT IS A NAIL, THE TOP GRINDED DOWN. DIMENSIONS: H: 55.5 CM, L: 1.9 CM, W: 8.6 CM. CONDITION: GOOD.
Subjects
CLOTHING-FOOTWEAR
Historical Association
PERSONAL CARE
MILITARY
PROFESSIONS
LEISURE
History
THIS PAIR OF RIDING BOOTS BELONGED TO MURRAY NELSON, THE BROTHER DONOR KATHRYN HINMAN. TO LEARN MORE ABOUT THE HISTORY OF THESE BOOTS AND THEIR OWNER, GALT COLLECTIONS TECHNICIAN KEVIN MACLEAN INTERVIEWED HINMAN AT THE MUSEUM ON MARCH 20, 2017. THE FOLLOWING INFORMATION HAS BEEN EXTRACTED FROM THAT INTERVIEW: “THE PREVIOUS OWNER OF THESE BOOTS WAS MY BROTHER, MURRAY [NELSON],” HINMAN BEGAN, “HE PASSED AWAY AT THE END OF NOVEMBER 2015… HE WAS A LOCAL MUSICIAN. HE CAME INTO THE POSSESSION OF THESE BOOTS FROM MY GRANDFATHER, GEORGE S. BROWN, WHO WAS LIEUTENANT COLONEL GEORGE S. BROWN. MY GRANDDAD WAS A GREAT FRIEND OF BRIGADIER GENERAL STEWART. GRANDDAD CAME INTO POSSESSION OF THESE BOOTS AT SOME POINT FROM DR. STEWART AND WHEN MY BROTHER WAS ABOUT EIGHTEEN, MY GRANDFATHER PASSED THEM ON TO HIM.” “[MURRAY DID] TELL ME THAT HE WAS IN THE GARAGE OUT AT THE FARM, WHICH IS ACTUALLY BROWN ROAD JUST OFF THE COUTTS’ HIGHWAY AND THAT WAS WHERE MY GRANDFATHER’S ACREAGE WAS. ON THAT ACREAGE, THERE WAS A GARAGE [AMONG] MANY BUILDINGS. MURRAY HAD SAID GRANDDAD HAD TAKEN HIM INTO THE GARAGE AND WHEN MURRAY EXPRESSED AN INTEREST IN [THE BOOTS THERE] GRANDDAD SAID, ‘YUP, YOU CAN HAVE THEM. THEY WERE GENERAL STEWART’S FROM THE BOER WAR. TAKE GOOD CARE OF THEM.’” “[MY BROTHER] USED TO WEAR THEM PLAYING IN BANDS WHEN HE WAS EIGHTEEN AND UP,” HINMAN CONTINUED, “[THEY WERE] PART OF HIS DRESS CODE… THEY’RE LOVELY BOOTS. THE STORY WAS THAT THEY WERE FROM THE BOER WAR, WHICH PUTS THEM OVER ONE HUNDRED YEARS OLD… [MY BROTHER] PROBABLY ACQUIRED [THESE BOOTS WHEN] MY GRANDFATHER PASSED AWAY IN 1968. MURRAY WOULD HAVE BEEN EIGHTEEN [THAT YEAR]. HE WAS IN HIS ELEMENT PLAYING WITH THE BANDS, EXPERIMENTING WITH ALL DIFFERENT KINDS OF MUSIC [AT THAT TIME]. I REMEMBER HIM LOOKING VERY COOL WEARING THEM. ALTHOUGH THESE ARE A VERY SMALL SIZE, RIGHT? SO I’M SURE THEY WERE A LITTLE PINCHEY.” “[MY BROTHER HAD] LONG HAIR – WELL EVERYBODY HAD LONG HAIR IN THE 60’S AND 70’S. [HE WAS] VERY COOL AND AT THAT POINT TOO MY DAD (BILL NELSON) HAD ACQUIRED A SMALL MGA, BURGUNDY-COLOURED, AND [MY BROTHER] USED TO BOMB AROUND AND GO TO BAND PRACTICE IN THAT. OH YEAH, HE WAS NOTORIOUS,” HINMAN LAUGHED, REMEMBERING. WHEN ASKED ABOUT HER BROTHER, HINMAN REPLIED, “MY BROTHER WAS BORN IN 1950. HE WAS JUST A LITTLE OVER SIXTY-FIVE WHEN HE PASSED AWAY. HE WAS AN ACTIVE MUSIC TEACHER AND LOCAL GUITAR TEACHER IN TOWN. YOU COULD SEE HIM BUSKING ON THE STREETS IN FRONT OF THE PENNY COFFEE HOUSE AND IN FRONT OF ESQUIRE’S COFFEE HOUSE. EVERYBODY KNEW HIM. HE USED TO BUSK AT THE FARMER’S MARKET ON FIFTH STREET ON FIRST FRIDAYS. HE PLAYED IN BANDS FOREVER.” “[HE WAS IN A] ROCK’N ROLL BAND. HE WAS IN SO MANY BANDS OVER THE YEARS AND I DON’T KNOW THE NAMES OF THE EARLY BANDS. ONE OF [THE BANDS HE PLAYED WITH] WAS KRANDEL’S KLOUD MACHINE, ONE OF THEM WAS THE SHAMAN, AND THEN HE MOVED TO VANCOUVER FOR A COUPLE OF YEARS AND PLAYED IN VANCOUVER – UP AND DOWN THE WEST COAST. WHEN HE CAME BACK FROM THE COAST, HE JUST PLAYED EVERYWHERE IN SOUTHERN ALBERTA WITH VARIOUS PEOPLE… ANYWAY HE WAS VERY WELL KNOWN IN THE BAND SCENE AND HE HAD A RECORDING STUDIO. THAT WAS A PASSION. HE CALLED HIS RECORDING STUDIO, AARDVARK RECORDINGS. HE HAD HIS FIRST RECORDING STUDIO IN THE BASEMENT OF KRUEGER’S MUSIC, WHERE HE TAUGHT MUSIC FOR BILL KRUEGER. THEN HE MOVED ALL HIS STUFF OVER AND HE WAS IN THE BASEMENT OF THE TRIANON FOR YEARS TEACHING RECORDING AND THEN HE GOT INVOLVED IN TECHNOLOGY, SO HE STARTED FIXING COMPUTERS AND DID COMPUTER PROGRAMMING. HE KIND OF USED TECHNOLOGY IN THE RECORDING STUDIO. HE HAD THIS HUGE SOUND BOARD WITH ALL THE SWITCHES AND WHATEVER AND HE HAD TONS OF LIKE STACKS OF MACHINES [FOR RECORDING],” HINMAN REMEMBERED. “[MY BROTHER] HAD A REPUTATION,” HINMAN WENT ON, “[PEOPLE WOULD SAY TO ME], ‘OH YOUR MURRAY’S SISTER.’ IT WAS GREAT AND ACTUALLY MY HUSBAND WAS BORN IN CARDSTON AND HE HAD A BAND THAT HE USED TO PLAY IN SOUTHERN ALBERTA WITH. WE HAVE AN ACTUAL RECORDING FROM THE BASEMENT RECORDING STUDIO AT KRUEGER’S, WHEN [MY BROTHER] RECORDED WITH MY HUSBAND’S BAND. IT WAS GREAT.” WHEN ASKED ABOUT THE MUSICAL INFLUENCE WITHIN HER FAMILY, HINMAN EXPLAINED, “MY MOM (MARGARET NELSON) WAS A LOCAL MUSIC TEACHER. SHE WAS A PIANO TEACHER. MY DAD’S MOTHER WAS KATE MARQUIS NELSON, WHO WAS A LOCAL PIANO TEACHER SO [WE HAD INFLUENCE] FROM BOTH ENDS. WE ALL GREW UP IN OUR HOUSEHOLD WITH MUSIC. I HAVE A DEGREE IN MUSIC AND I’M A MUSIC TEACHER AND MY YOUNGER BROTHER, MARK, PLAYS CLASSICAL GUITAR. WE HAD MUSIC EVERYWHERE. I HAVE SOME PICTURES AT HOME OF THE THREE KIDS WITH A DRUM SET AND I’M ON THE KEYBOARD AND MURRAY IS PLAYING GUITAR AND, EVEN A PICTURE OF MY MOM SITTING AT THE DRUMS TAKING PART IN THE MERRIMENT IN OUR BASEMENT.” “MY DAD PLAYED IN THE SYMPHONY. IN FACT, MY MOM AND DAD REVIVED THE SYMPHONY IN THE EARLY ‘60S. SO IT WAS JUST NATURAL FOR MURRAY TO [BE MUSICAL]. HE PLAYED EVERYTHING. HE PLAYED BANJO WITH MUSICAL THEATRE ONE YEAR, AND TAUGHT BANJO. HE THOUGHT THAT HE WAS THE ‘ONLY’ BANJO TEACHER IN LETHBRIDGE. HE [ALSO] THOUGHT THAT HE WAS THE ONLY REAL GOOD GUITARIST TEACHER IN LETHBRIDGE TOO,” HINMAN LAUGHED. “SO ANYWAY,” SHE CONTINUED, “IT WAS A STRUGGLE FINANCIALLY. MUSIC IS NOT AN EASY, AN EASY PROFESSION TO BE IN, A PERFORMING MUSICIAN. HE QUIT HIGH SCHOOL WHEN HE WAS PROBABLY SIXTEEN, BUT IN HIS MID TO LATE TWENTIES, HE FINISHED HIS DIPLOMA AND HE STARTED NURSING AT THE COLLEGE. HE DID PRETTY WELL [THERE], BUT HE DIDN’T DEAL WELL WITH AUTHORITY, SO HE DIDN’T FINISH IT. BUT [THROUGH THAT HE] GOT A LOT OF GOOD PRACTICAL KNOWLEDGE. [AFTERWARDS] PROCEEDED TO PURSUE HIS PASSION, WHICH WAS MUSIC. IN THE LAST FEW YEARS OF HIS LIFE HE FIXED THOSE COMPUTER SIGNS THAT SIT ON THE SIDE OF THE ROAD. HE WOULD FIX THE MOTHER BOARD… HE JUST DID WHAT HE WANTED. HE LIVED IS LIFE HIS WAY.” TO THE QUESTION OF WHY HER GRANDFATHER, GEORGE S. BROWN, RECEIVED THE BOOTS FROM GENERAL JOHN SMITH STEWART, HINMAN ANSWERED, “THE ONLY REASON I CAN THINK OF IS THAT BECAUSE THEY WERE GREAT FRIENDS… [IF GENERAL STEWART PASSED AWAY IN THE 1970S], THAT WOULD HAVE BEEN AFTER MY GRANDFATHER [DIED]. I KNOW THAT THEY WERE INVOLVED IN THE MILITARY STUFF LOCALLY. ELLA STEWART AND MY GRANDMOTHER WERE GREAT FRIENDS. SOMEHOW [THESE BOOTS WERE] JUST PASSED ALONG TO GRANDDAD.” “WHEN MURRAY WAS DIAGNOSED WITH THE CANCER IN JUNE OF 2015, I KNEW THAT THERE WAS SOME ITEMS THAT HE HAD THAT I NEEDED TO RETRIEVE BECAUSE THEY WERE FAMILY HISTORY,” HINMAN REMEMBERED, “[AMONG THOSE TREASURED THINGS WERE] GENERAL STEWART’S BOOTS, SO I RETRIEVED THEM IN JULY… [MURRAY SAID], ‘TAKE THEM. DO WHAT YOU NEED TO DO WITH THEM.’” “[ONE REASON MY BROTHER HELD ON TO THE BOOTS WAS] HE WAS VERY CLOSE TO MY GRANDPARENTS, BECAUSE HE USED TO SPEND A LOT OF TIME OUT AT THE FARM,” HINMAN EXPLAINED, “I THINK THAT HE JUST COULDN’T BRING HIMSELF TO PART WITH THEM, BECAUSE THEY WERE PART OF HIS FAMILY HISTORY. IT WAS A SPECIAL KIND OF THING BECAUSE GRANDDAD HAD ACTUALLY PASSED THEM TO HIM.” MURRAY NELSON’S OBITUARY WAS PUBLISHED ON THE MARTIN BROTHERS FUNERAL CHAPELS WEBSITE. IT STATES, “WILLIAM MURRAY NELSON, AGE 65, PASSED AWAY PEACEFULLY AT THE LETHBRIDGE REGIONAL HOSPITAL ON SUNDAY, NOVEMBER 29, 2015, AFTER A VALIANT BATTLE WITH CANCER. MUSICIAN, PERFORMER, TEACHER, MENTOR, SOUND GUY, RECORDING GUY, VIDEO GUY, COMPUTER GUY, SIGN GUY; HE WAS A MAN WHO LIVED LIFE HIS WAY, ON HIS TERMS, DOING WHAT HE LOVED.” AN ARTICLE PUBLISHED IN THE LETHBRIDGE HERALD ON DECEMBER 9, 2015, SHORTLY AFTER THE MUSICIAN’S DEATH STATES THAT AT A LOCAL MUSIC SHOW, PROMINENT LEHTBRIDGE SONGWRITER, LEEROY STAGGER, BEGAN THE SHOW WITH A TRIBUTE TO NELSON. TO FURTHER UNDERSCORE NELSON’S REPUTATION IN THE CITY, A DECEMBER 23, 2015 ARTICLE TITLED, “2015 WAS A MEMORABLE YEAR FOR CITY MUSIC SCENE,” WRITTEN FOR THE LETHBRIDGE HERALD BY RICHARD AMERY STATED, “LETHBRIDGE SAID GOODBYE TO MURRAY NELSON, WHO PASSED AWAY FROM CANCER THIS YEAR. NELSON WAS ONE OF THE SCENE’S MORE PROMINENT PERFORMERS ON STAGE PERFORMING SOLO AND WITH A VARIETY OF BANDS AS WELL AS BUSKING ON THE STREETS ALL OVER LETHBRIDGE…HIS MEMORY WILL LIVE ON IN THE STUDENTS HE TAUGHT AND THE SOULS HE TOUCHED ON STAGE OR JUST CHATTING AT VARIOUS WATER HOLES.” PLEASE SEE PERMANENT FILE FOR MORE INFORMATION, INCLUDING FULL INTERVIEW TRANSCRIPTION AND THE COPIES OF LETHBRIDGE HERALD ARTICLES REFERENCED.
Catalogue Number
P20170010000
Acquisition Date
2017-03
Collection
Museum
Images
Less detail
Other Name
SPORTS SHIRT "GALT ROYALS"
Date Range From
1960
Date Range To
1964
Material Type
Artifact
Materials
FABRIC, PAINT, METAL
Catalogue Number
P20140049005
  2 images  
Material Type
Artifact
Other Name
SPORTS SHIRT "GALT ROYALS"
Date Range From
1960
Date Range To
1964
Materials
FABRIC, PAINT, METAL
No. Pieces
1
Height
62
Length
68
Width
48
Description
A GREEN BASKETBALL T-SHIRT WITH WHITE TRIMMING AND WHITE PAINTED NUMBERS AND TEXT. THE FRONT OF THE SHIRT READS “55” AND “GALT ROYALS”. THE BACK READS “55”. THE WHITE TRIMMING FOLLOWS THE BOTTOM EDGE, THE SLEEVE EDGES AND THE COLLAR. THE COLLAR OPENS WITH A METAL ZIPPER, ENDING IN A SMALL SILVER CHAIN. A SMALL WHITE TAG IN THE BACK OF THE COLLAR READS “12” IN RED. EXCELLENT CONDITION: THE COLLAR IS CREASED ON ONE CORNER.
Subjects
CLOTHING-OUTERWEAR
Historical Association
ASSOCIATIONS
HEALTH SERVICES
SPORTS
History
UPON DONATION TO THE MUSEUM, COLLECTIONS TECHNICIAN KEVIN MACLEAN ASKED MEMBERS OF THE GALT SCHOOL OF NURSING (GSN) ALUMNAE TO PROVIDE WRITTEN ANSWERS ON QUESTIONS PERTAINING TO EACH ARTIFACT DONATED IN THE COLLECTION. THE FOLLOWING INFORMATION HAS COME FROM THOSE RESPONSES CORRESPONDING TO EACH INDIVIDUAL ARTIFACT. THIS SHIRT WAS A PART OF THE GALT SCHOOL OF NURSING BASKETBALL UNIFORM. WHILE THE SPECIFIC DATE OF THIS ARTIFACT IS UNKNOWN, IT WOULD HAVE MOST LIKELY BEEN IN USE EARLIER THAT 1965, AS THE NURSING SCHOOL HAD GALT ROYAL UNIFORMS IN THAT YEAR THAT WERE DIFFERENT TO THIS ONE. THE UNIFORM WOULD HAVE BEEN USED BY “STUDENTS WHO WERE ON THE TEAM. BETWEEN 1965-68 ST. MICHAEL STUDENTS WERE [ON THE] TEAM ALSO.” ACCORDING TO THE HISTORY ATTACHED TO THIS ARTIFACT, SPORTS ACTIVITIES FOR THE STUDENTS WERE AN IMPORTANT PART OF THEIR LIVES DURING TRAINING. THIS ARTIFACT IS AMONG A COLLECTION DONATED NEAR THE END OF 2014, BEING THE SECOND WAVE OF GSN ARTIFACTS ACQUIRED BY THE MUSEUM THAT YEAR. WITH THE FIRST WAVE OF GSN ARTIFACTS COLLECTED IN SUMMER 2014, MACLEAN INTERVIEWED THE PAST ARCHIVISTS OF THE GALT SCHOOL OF NURSING COLLECTION, SHIRLEY HIGA, ELAINE HAMILTON, AND SUE KYLLO, ABOUT THEIR INVOLVEMENT WITH THE GSN ALUMNAE ASSOCIATION AND THE HISTORY OF ARTIFACTS DONATED. FOR THAT INFORMATION, PLEASE REFER TO P20140006001. PLEASE SEE THE PERMANENT FILE FOR MORE INFORMATION.
Catalogue Number
P20140049005
Acquisition Date
2014-11
Collection
Museum
Images
Less detail
Other Name
"A7 RANCHE 100 ANNIVERSARY"
Material Type
Artifact
Materials
WOOD, PAINT
Catalogue Number
P20140032002
  2 images  
Material Type
Artifact
Other Name
"A7 RANCHE 100 ANNIVERSARY"
Date
1986
Materials
WOOD, PAINT
No. Pieces
1
Height
19.5
Diameter
5.7
Description
BROWN GLASS BEER BOTTLE WITH A LIP FOR A TWIST-OFF CAP (NO CAP). "85" IS IN RAISED LETTERS OF GLASS AT THE BASE OF THE BOTTLE. THERE IS A SEAM VISIBLE DOWN THE CENTER HALVES OF THE BOTTLE WHERE IT HAS BEEN FUSED TOGETHER. CREAM-COLOURED RECTANGULAR LABEL WITH GOLD TRIM PASTED TO ONE SIDE OF THE BOTTLE. LABEL READS "a7" WITHIN A RED DIAGONAL STRIPE RUNNING UP THE WIDTH OF THE LABEL WITH "BEER" PRINTED BELOW. THE BOTTOM OF THE LABEL READS: "BREWED AND BOTTLED IN CARLING O'KEEFE BREWERIES CALGARY, ALBERTA" IN ALTERNATING BLACK AND RED FONT. THERE IS A STAMP THAT STATES "100 YEAR ANNIVERSARY 1886-1986" IN THE UPPER LEFT SECTION OF THE LABEL. CONDITION: SLIGHT WRINKLE VERTICALLY DOWN THE RIGHT SIDE OF THE LABEL. SLIGHT SCUFFING ON THE GLASS OF BOTTLE.
Subjects
FOOD SERVICE T&E
MERCHANDISING T&E
Historical Association
COMMEMORATIVE
INDUSTRY
History
A NOTE ABOUT THIS BOTTLE WAS WRITTEN BY THE DONOR, FRANK LIGHTBOUND, AND PROVIDED TO THE MUSEUM AT THE TIME OF DONATION STATES: “THE SPECIAL LABEL ON THIS BOTTLE IS ONE OF A FEW HUNDRED PRINTED TO HELP CELEBRATE THE 100TH ANNIVERSARY (1886-1986) OF THE A7 RANCHE (OLD SPELLING), THE SOUTHERN PORTION OF WHICH BORDERS THE OLDMAN RIVER NORTH OF LUNDBRECK IN THE MAYCROFT AREA. THE RANCH WAS ESTABLISHED BY A. E. CROSS OF BIG 4 STAMPEDE FAME AND THE FORMER CALGARY BREWING/MALTING CO. (HORSESHOE AND BUFFALO LABEL). THE RANCH IS STILL OWNED BY THE CROSS FAMILY. THE BEER WAS SERVED DURING THE CELEBRATION BAR-B-Q AND THIS BOTTLE WAS GIVEN TO ME BY VAL DENNIS, SOUTH RANCH FOREMAN AT THE TIME.” ON 22 MARCH 2017, GALT COLLECTIONS TECHNICIAN KEVIN MACLEAN INTERVIEWED LIGHTBOUND ABOUT HIS DONATION OF THE 100TH ANNIVERSARY COMMEMORATIVE BOTTLE FROM A7 RANCHE BREWERY. THIS BOTTLE COMMEMORATES THE 100TH ANNIVERSARY OF THE A7 RANCHE. OF THAT, LIGHTBOUND STATES, “WELL, I MUST HAVE ACQUIRED IT SOON AFTER THAT THEN – IN 1986. IT WASN’T GIVEN TO ME DIRECTLY. I KNEW THE FOREMAN OF THE SOUTHERN BRANCH OF THE A7 RANCHE [VAL DENNIS], AND HE HAD SEVERAL OF THEM, AND HE GAVE ME ONE...THE DENNIS FAMILY HAVE A RANCH ON THE OLD MAN RIVER JUST OUTSIDE THE FOREST RESERVE, WHICH IS ACROSS THE ROAD FROM THE A7 RANCHE.” THE BOTTLE WAS GIVEN TO LIGHTBOUND EMPTY. WHEN ASKED WHY HE WAS COMPELLED TO SAVE IT, LIGHTBOUND REPLIED, “WELL, [IT REPRESENTS] AN INTERESTING PART OF THE COUNTRY. I WAS AT THE GAP RANGER STATION FOR FIVE YEARS AND THE DENNIS FAMILY HAD THE FIRST RANCH EAST OF THE FOREST RESERVE, ON THE NORTH SIDE OF THE ROAD, BETWEEN THE ROAD AND THE RIVER. I GOT TO KNOW THE FAMILY BACK AROUND 1965 AND THIS WAS [FROM] 1985. I STILL VISIT WITH THEM AND I HELPED THEM WITH THEIR RANCHING OPERATION...I SAW ALL THE FAMILY GROW UP, ALL THE KIDS GROW UP. VAL WAS ONE. WHEN I FIRST MET HIM, HE WAS A KID IN GRADE SCHOOL, AND NOW I THINK HE’S ABOUT 60 YEARS OLD, AND HE’S NEARING RETIREMENT AS AN RCMP OFFICER. SO A LOT OF YEARS HAVE PASSED. SO, OUT OF THE GOODNESS OF HIS HEART, HE THOUGHT I’D LIKE TO HAVE THAT BOTTLE AND I TOOK IT, AND I HAD IT DISPLAYED—IT WASN’T IN THE LIVING ROOM—BUT IT WAS IN THE CUPBOARD AREA IN THE DINING AREA.” ACCORDING TO THE A7 RANCHE HISTORY PROVIDED ON THEIR WEBSITE (ACCESSED ON 4 MAY 2018), THE RANCH’S FOUNDER – ALFRED ERNEST CROSS – “PICKED THE ‘A7’ BRAND TO SYMBOLIZE HIMSELF AND HIS SIX SIBLINGS. IT IS SAID TO BE THE OLDEST RANCH IN CANADA STILL IN THE HANDS OF THE ORIGINAL OWNERS, RIGHT THROUGH TO PRESENT-DAY OWNER JOHN CROSS.” THE WEBSITE CONTINUES, “A. E. CROSS IS BEST KNOWN FOR BEING ONE OF THE “BIG FOUR” CATTLEMEN WHO FOUNDED THE CALGARY STAMPEDE IN 1912. HOWEVER, HE HAD MANY OTHER BUSINESS, PUBLIC, AND CHARITABLE INTERESTS, LIKE THE CALGARY BREWING AND MALTING COMPANY, OIL AND GAS, AND THE BUDDING MOTION PICTURE INDUSTRY. CROSS ALSO SERVED AS THE MLA FOR EAST CALGARY IN THE LEGISLATIVE ASSEMBLY OF THE NORTH-WEST TERRITORIES...” PLEASE SEE PERMANENT FILE FOR MORE INFORMATION INCLUDING FULL INTERVIEW TRANSCRIPTION, A7 HISTORY AND DONOR’S NOTE.
Catalogue Number
P20140032002
Acquisition Date
2014-08
Collection
Museum
Images
Less detail
Date Range From
1950
Date Range To
1960
Material Type
Artifact
Materials
METAL, VELVET, WOOD
Catalogue Number
P20180002000
  2 images  
Material Type
Artifact
Date Range From
1950
Date Range To
1960
Materials
METAL, VELVET, WOOD
No. Pieces
6
Height
2
Length
18.2
Width
9.5
Description
A. CASE, 18.2 CM LONG X 9.5 CM WIDE; CASE IS COMPRISED OF WOODEN PANELS BOUND WITH CLOTH SPINE; BROWN SYNTHETIC-LEATHER OUTSIDE WITH BLUE VELVET LINING. TOP HAS WORN SILVER NUMBERS IN LOWER RIGHT CORNER “12 [ILLEGIBLE] 4”. INSIDE OF CASE HAS CLOTH TAG ADHERED TO LID WITH BLACK TEXT “L.E. SALKELD”. TOP OF CASE HAS BLUE STAIN AT RIGHT SIDE; CASE EXTERIOR IS SEVERELY WORN WITH FINISH PEELED AND SCUFFED; OVERALL VERY GOOD CONDITION. B. DRAFTING COMPASS, 14.1CM LONG X 1.4CM WIDE. SILVER COMPASS WITH A POINTED STRAIGHT LEG AND ROUNDED, ADJUSTABLE DRAWING LEG. COMPASS HAS TURN-KNOB FOR ADJUSTING LEAD IN THE DRAWING LEG. MID-SECTION OF COMPASS IS TAPERED IN ON BOTH LEGS; FRONT OF COMPASS HINGE HAS ENGRAVED TEXT “O.R.P”; COMPASS HAS HANDLE AT TOP OF HINGE. COMPASS STRAIGHT LEG IS BLACKENED ON THE TIP AND DRAWING LEG IS TARNISHED; OVERALL VERY GOOD CONDITION. C. DRARFTING DIVIDER, 14.2 CM LONG X 1.4 CM WIDE. SILVER DIVIDER WITH TWO POINTED LEGS; MID-SECTION OF DIVIDER IS TAPERED IN ON BOTH LEGS; FRONT OF DIVIDER HINGE HAS ENGRAVED TEXT “O.R.P”; COMPASS HAS HANDLE AT TOP OF HINGE. DIVIDER IS TARNISHED ON INSIDE OF LEGS AND HAS ADHERED SOILING ON BACK OF LEGS; OVERALL VERY GOOD CONDITION. D. BOW COMPASS, 9.4 CM LONG X 2.9 CM WIDE. SILVER BOW COMPASS WITH ADJUSTABLE TURN KNOBS ON POINTED STRAIGHT LEG AND DRAWING LEG. COMPASS HINGE RUNS ACROSS MID-SECTION WITH RING ATTACHED TO TOP AS THE BASE FOR HANDLE. HINGE HAS ADJUSTABLE TURN-KNOB ON SIDE. LEGS ARE TARNISHED ON OUTSIDE; OVERALL VERY GOOD CONDITION. E. EXTENSION ROD, 10.5 CM LONG X 0.7 CM WIDE. SILVER EXTENSION ROD WITH NARROW LEG AND CUT-OUT UP CENTER OF ROD END. TOP OF ROD HAS ADJUSTABLE KNOB ND CUT-OUT DOWN CENTER OF ROD TOP. ROD HAS TARNISHING AROUND ADJUSTABLE KNOB; OVERALL VERY GOOD CONDITION. F. RULING PEN, 13 CM LONG X 1.2 CM WIDE. SILVER RULING PEN WITH DARKER ENGRAVED CROSS-HATCHED HANDLE. END TIP HAS ADJUSTABLE TURNING KNOB ACROSS POINTS. INSIDE OF RULING PEN END POINTS ARE TARNISHED; ADJUSTABLE TURNING KNOB IS TARNISHED AND RUSTED; OVERALL VERY GOOD CONDITION.
Subjects
DRAFTING T&E
Historical Association
PROFESSIONS
History
ON FEBRUARY 18, 2018, COLLECTIONS TECHNICIAN KEVIN MACLEAN INTERVIEWED ELAINE MCENTEE REGARDING HER DONATION OF A DRAFTING SET. THE SET WAS USED BY HER FATHER, LEONARD E.SALKELD, THROUGHOUT HIS CAREER AS AN ENGINEER. ON HER MEMORIES OF THE DRAFTING SET, MCENTEE RECALLED, “[THE SET] WOULD HAVE BEEN HIS FOR HIS LIFETIME, THROUGH UNIVERSITY, AND ALL THE TIME.” “I DIDN’T SEE THEM TILL LATER. THEY ALSO HAD, GROWING UP [IN BRITISH COLUMBIA]…THEY DID THEIR DRAFTING AND THEIR MAPS/BLUEPRINTS, BUT HE DID MAPS THAT [WERE] ON LINEN, AND THEN IT WAS WAXED. WHEN THEY WERE DONE WITH THOSE MAPS, MOM WOULD WASH THEM, WASH THE WAX OUT, AND USE THE LINEN. I STILL HAVE SOME OF THAT LINEN. THE OTHER THING THAT I REMEMBER IS - OUR SCRAP PAPER THAT WE DREW ON, WAS OLD MAPS, (THE DRAFTING MAPS THEY DREW UP ALL BY HAND), AND MOM WOULD IRON THEM. SHE’D TAKE THESE ROLLS [OF PAPER], IRON THEM FLAT, CUT THEM IN SQUARES, AND THAT’S WHAT WE DREW ON AS KIDS.” “[MY FATHER, LEONARD SALKELD] HAD A CIVIL ENGINEERING DEGREE. HE FOUGHT IN WORLD WAR TWO, CAME HOME, AND GOT HIS UNIVERSITY DEGREE. HE DIDN’T WANT LAND, [HE WANTED] HIS UNIVERSITY DEGREE. INTERESTINGLY ENOUGH, HE HAD TO FIGHT FOR THAT, BECAUSE HE CAME HOME ‘SHELL-SHOCKED’, AND THEY DIDN’T KNOW ENOUGH ABOUT THAT THEN. BECAUSE HE WASN’T PHYSICALLY IMPAIRED, THEY THOUGHT HE DIDN’T DESERVE ANY VETERAN’S BENEFITS. ONE OF HIS FAMILY MEMBERS WAS A M.P., SO THEY WENT TO THE MEMBER OF PARLIAMENT, GOT HIM HIS VETERAN’S BENEFITS, AND, AT THAT POINT, HE DIDN’T WANT TO FARM. HE’D COME FROM A FARM, AND HE DIDN’T WANT LAND, SO HE CHOSE THE UNIVERSITY AND TOOK HIS DEGREE IN CIVIL ENGINEERING” MCENTEE ELABORATED ON HER FATHER’S EXPERIENCES IN SOUTHERN ALBERTA, NOTING, “HE DID WORK FOR THE PFRA – A LOT OF WORK HERE, AND A LOT OF WORK ON THE ST. MARY’S IRRIGATION DISTRICT. WE LIVED IN ARROWWOOD FOR 4 OR 5 YEARS, TILL WE MOVED TO B.C. DAD WORKED ON A SIPHON OUT OF VAUXHALL. THIS WOULD HAVE BEEN IN [1951-1955]. IT WAS AFTER THE DROUGHT ON THE PRAIRIES, AND THEY WERE PUTTING IN THE IRRIGATION, AND REHABILITATING THE PRAIRIES. SO HE DID THAT, AND THEN HE WENT ON TO WORK ON THE COLUMBIA RIVER SYSTEM, IN ALL OF B.C. WE SPENT 5 YEARS HERE. [I REMEMBER] I WAS 2, AND HE TOOK ME TO WORK LOTS, BECAUSE MOM WOULD COME AND STAY IN A MOTEL NEAR THE CAMP, WHERE THE GUYS WERE ALL WORKING OR BOARDING AT HOMES.” “SHE TRAVELED WITH HIM UNTIL I STARTED SCHOOL. SO I KNEW THE NAMES OF ALL THE HEAVY EQUIPMENT THAT HE DROVE. BY THE TIME I WAS 3, I COULD SAY ALL THE NAMES OF ALL THE HEAVY EQUIPMENT THAT THEY USED TO MOVE THE LAND, AND DIG THE CANALS. I SAW DAMS BEING BUILT, AND WATERWAYS TURNED OFF, AND WATERWAYS TURNED ON, AND GREW UP KNOWING THAT, FOR 5 YEARS, UNTIL I WENT TO SCHOOL. LATER, I MET MY HUSBAND, AND HE IS FROM MONTREAL. HE TOLD ME THAT ONE YEAR THEY TURNED OFF NIAGARA FALLS TO REPAIR THEM. HE DID NOT KNOW MY DAD WAS A CIVIL ENGINEER, AND THAT I HAD SEEN DAMS BEING BUILT, AND WATER MOVING, AND TURBINES, AND TURBINES RUNNING, AND SOME NOT RUNNING. IT WAS TOTALLY WITHIN MY BRAIN POWER TO PERCEIVE THAT NIAGARA FALLS COULD BE TURNED OFF, AND HE JUST THOUGHT THAT WAS SUCH A HILARIOUS JOKE, UNTIL I TOLD HIM WHAT MY DAD DID, AND ALL THAT I HAD SEEN AS I WAS GROWING UP. JUST RECENTLY THEY HAD THE CELEBRATION OF THE ST. MARY’S IRRIGATION DISTRICT, AND I WAS GOING TO ASK MY MOM IF SHE WANTED TO COME OUT AND PARTICIPATE IN IT, IF DAD HAD WORKED ON IT OR NOT. SHE SAID, “OH, MAN, I WOULD HAVE COME…YOUR DAD DID WORK ON IT.”” “BECAUSE WE TRAVELED WITH DAD, AND MOVED AROUND WITH HIM ON HIS WORKSITES, UNTIL I WAS 5, I SAW HIS WORK, AND I KNEW WHAT HE WAS DOING, AT A YOUNG AGE. FOR THAT REASON [THE DRAFTING SET] WAS IMPORTANT TO ME.” “[NOW] I’M PACKING, AND MOVING – AND FOUND [THE DRAFTING SET] AGAIN. I HAD BROUGHT IT HOME FROM MY MOM’S PLACE, AFTER DAD’S FUNERAL. I NEVER REALLY KNEW WHAT I WAS GOING TO DO WITH IT, BUT I FOUND IT AGAIN, AND I THOUGHT, “MAN, HE WORKED IN SOUTHERN ALBERTA HERE.” SO I BROUGHT IT IN [TO THE MUSEUM]…I THINK THEY WOULD BE WELL-CARED-FOR, AND APPRECIATED [HERE]. TO DO ANYTHING ELSE WITH THEM – I DON’T KNOW. NOBODY’S GOING TO BUY THEM AT A GARAGE SALE…I DON’T KNOW THAT THEY’D EVEN KNOW HOW TO USE THEM ANYMORE. I WANT THEM TO GO SOMEWHERE THEY’RE APPRECIATED.” FOR MORE INFORMATION INCLUDING THE FULL INTERVIEW TRANSCRIPTION, PLEASE SEE THE PERMANENT FILE P20180002000-GA.
Catalogue Number
P20180002000
Acquisition Date
2018-02
Collection
Museum
Images
Less detail
Other Name
"VETS" HOCKEY SWEATER
Date Range From
1920
Date Range To
1930
Material Type
Artifact
Materials
COTTON, WOOL
Catalogue Number
P20180015000
  2 images  
Material Type
Artifact
Other Name
"VETS" HOCKEY SWEATER
Date Range From
1920
Date Range To
1930
Materials
COTTON, WOOL
No. Pieces
1
Length
68.2
Width
48
Description
BLACK TURTLENECK SWEATER WITH OCHRE TRIM AT SLEEVES, NECK, AND WAIST. SWEATER IS WOOL-BLEND KNIT; SWEATER HAS YELLOW FELT LETTERS SEWN ON CHEST “VETS”. BACK OF SWEATER HAS YELLOW OUTLINE FROM MISSING “4” PATCH. SWEATER HAS HOLES ON RIGHT-WEARING SLEEVE BELOW ELBOW AND AT ARMPIT; SWEATER HAS HOLES ON SIDES OF NECK AND AT SIDES OF WAIST; SWEATER HAS HOLES ON LEFT-WEARING SLEEVE BELOW ELBOW, AT CUFF, AND ON FRONT AT SHOULDER. BACK OF SWEATER HAS HOLES OF LEFT-WEARING SLEEVE AND RIGHT-WEARING SLEEVE. SWEATER IS SOILED AND STAINED; FRONT IS FADED ON CHEST. OVERALL GOOD CONDITION.
Subjects
CLOTHING-OUTERWEAR
Historical Association
SPORTS
History
ON JUNE 14, 2018, COLLECTIONS TECHNICIAN KEVIN MACLEAN INTERVIEWED HAROLD PALMER REGARDING HIS DONATION OF A LETHBRIDGE VETS TEAM HOCKEY SWEATER. THE SWEATER BELONGED TO HAROLD PALMER’S FATHER, MURRAY YALE PALMER. ON HIS FATHER’S CONNECTION TO THE SWEATER, HAROLD PALMER RECALLED, “IT WAS IN MY DAD’S HOCKEY BAG AND HE DIED IN 1971. I NEVER REALLY WENT THROUGH STUFF UNTIL JUST RECENTLY…I’VE HAD IT SINCE 1971 IN MY POSSESSION BUT I’VE NEVER DONE ANYTHING WITH IT. [MY FATHER’S] DAD WAS A DOCTOR IN WW I, IN THE FIELD, SO HE WOULD BE VERY FAMILIAR WITH THE WAR EFFORT. HE WOULD BE IN THE HOME AS A YOUNG BOY AND HIS DAD WAS AWAY IN THE SERVICES. HE PLAYED HOCKEY ALL HIS LIFE. HE HAD TOLD ME [ABOUT] VARIOUS TEAMS THAT HE HAD PLAYED FOR AND WHEN HE DIED AT SIXTY-SEVEN YEARS OLD, HE DIED ON THURSDAY AND THEY HAD PLAYED HOCKEY ON MONDAY NIGHT WITH THE OLDTIMERS. WE GREW UP KNOWING THAT DAD PLAYED HOCKEY AND THAT HE ALWAYS HAD A RINK IN THE BACK YARD.” “[MY SON] GOT [THE CONNECTION] THAT THERE WAS A HOCKEY TEAM BY THE NAME OF “VETS” IN LETHBRIDGE FROM 1919…THIS IS WHERE THE SWEATER ORIGINATED FROM THEN, BECAUSE THERE WOULDN’T BE MANY HOCKEY CLUBS CALLED “VETS”.” “[MY FATHER] LIVED IN CLARESHOLM AT ONE TIME BECAUSE HIS DAD WAS A MEDICAL DOCTOR AND HE WOULD BE A YOUNG MAN THEN…HE WAS A RURAL DOCTOR, HE WAS A COUNTRY DOCTOR. THEY DEFINITELY LIVED IN THAT AREA AT ONE TIME.” “MY DAD HAD A RINK IN OUR BACK YARD FROM THE POINT THAT HE BOUGHT THREE LOTS IN RED DEER. [THE] FIRST [LOT] WAS THE HOUSE, THE SECOND ONE WAS PLANED OFF FOR A BASEBALL FIELD AND THEN IT WAS HOCKEY RINK IN THE WINTER TIME.” “[MY FATHER] PASSED AWAY IN RED DEER, AND HE’D BEEN IN RED DEER FROM 1939 TIL HIS PASSING.” PHOTOGRAPHS FROM THE PROVINCIAL ARCHIVES OF ALBERTA NOTES THAT THE LETHBRIDGE VETS WAS CONSIDERED A SENIOR TEAM. THE VETS WON THE 1919-1920 ALBERTA SENIOR PLAYOFFS, HOWEVER LOST IN THE 1919-1920 WESTERN CANADA ALLAN CUP PLAYOFFS. THE VETS COMPETED IN THE 1922-23 ALBERTA SENIOR PLAYOFFS AGAIN. LETHBRIDGE HERALD ARTICLES FROM 1923-1924 LIST PALMER AS A PLAYER FOR THE LETHBRIDGE VETS HOCKEY TEAM, AND IN 1926-1927 LIST MURRAY PALMER AS A PLAYER IN CLARESHOLM, ALBERTA. MURRAY YALE PALMER WAS THE SON OF SPRAGUE MURRAY PALMER AND ARLETTE PALMER. SPRAGUE PALMER WAS A DOCTOR IN LETHBRIDGE AND CLARESHOLM FOLLOWING HIS SERVICE IN WW1 AS A DOCTOR WITH THE 22ND CAVALRY FIELD AMBULANCE. FOR MORE INFORMATION INCLUDING THE FULL INTERVIEW TRANSCRIPT, COPIES OF LETHBRIDGE HERALD ARTICLES, AND COPIES OF PROVINCIAL ARCHIVES OF ALBERTA RECORDS PLEASE SEE THE PERMANENT FILE P20180015000-GA.
Catalogue Number
P20180015000
Acquisition Date
2018-06
Collection
Museum
Images
Less detail
Other Name
GUN OIL
Date Range From
1935
Date Range To
1950
Material Type
Artifact
Materials
GLASS, CORK, OIL
Catalogue Number
P20190002003
  2 images  
Material Type
Artifact
Other Name
GUN OIL
Date Range From
1935
Date Range To
1950
Materials
GLASS, CORK, OIL
No. Pieces
1
Height
10.4
Length
3.5
Width
4.6
Description
GLASS BOTTLE CONTAINING AMBER OIL, WITH CRACKED AND TORN CORK IN TOP OPENING. BOTTLE HAS ROUND NECK, DOMED TOP AND SQUARE BODY; BOTTLE HAS BLUE AND WHITE LABEL ON FRONT. FRONT LABEL BLUE BACKGROUND WITH WHITE CROWN ABOVE WHITE SHIELD WITH RED AND BLUE TEXT; LABEL IS TORN ACROSS SHIELD MAKING RED TEXT INDECIPHERABLE, BLUE TEXT BELOW READS “PURE VANILLA”; SHIELD HAS WHITE DOTS AROUND BASE AND WHITE TEXT BELOW “FLAVORING EXTRACTS, CAMPBELL BROS & WILSON LIMITED, WINNIPEG – CANADA, EST. 1882”. BACK OF BOTTLE HAS EMBOSSED IN GLASS “2 FL. OZ”. BASE OF BOTTLE HAS EMBOSSED IN GLASS “1, 4818, FDJ” WITH “D” IN A DIAMOND. CORK IS TORN OFF AT THE TOP OF THE BOTTLE NECK; LABEL IS WORN AND DISCOLORED; OVERALL VERY GOOD CONDITION.
Subjects
CONTAINER
Historical Association
SAFETY SERVICES
History
ON JANUARY 10, 2019, COLLECTIONS TECHNICIAN KEVIN MACLEAN INTERVIEWED JEAN BUCHANAN REGARDING HER DONATION OF A REVOLVER AND FIREARM ACCESSORIES. THE FIREARM WAS USED BY BUCHANAN’S FATHER, EDWARD ETTERSHANK BUCHANAN, DURING HIS CAREER WITH THE ALBERTA PROVINCIAL POLICE AND ROYAL CANADIAN MOUNTED POLICE. BUCHANAN ELABORATED ON THE USE OF THE GUN OIL, NOTING, “[DAD HAD A BAG] BECAUSE, IN HIS YOUNGER DAYS, HE OFTEN HAD TO GO OUT ON HORSEBACK. HE’D BE GONE, HUNTING DOWN A MURDERER, AND HE MIGHT HAVE HAD A GUIDE WITH HIM. HE TOOK SOME OF HIS CLEANING EQUIPMENT FOR THE REVOLVER, AND HIS RIFLE, TOO…HE COULD PACK HIS LUNCH…KNIVES, SURVIVAL, AND HIS DIRTY OLD CLEANING CLOTH THAT HE USED, AND AN OLD BOTTLE OF GUN OIL, SO HE COULD CLEAN THE GUN IN CASE HE HAPPENED TO DROP IT IN SOME MUD. YOU NEVER KNOW [WHAT MIGHT HAPPEN] WHEN YOU’RE OUT…YOU HAVE TO KEEP YOUR GUN VERY CLEAN. HE KEPT EVERYTHING VERY CLEAN…YOU HAVE TO KEEP THE GUN CLEAN IF YOU’RE GOING TO USE IT, BECAUSE YOU COULD DAMAGE IT IF YOU HAVE ANY DIRT IN THE BARREL.” ON HER FATHER’S REVOLVER, BUCHANAN RECALLED, “[MY DAD] USED [THE SMITH AND WESSON REVOLVER]…STARTING IN 1932, WITH THE RCMP, MAY BE WHEN HE GOT THAT GUN. HE HAD IT REGISTERED IN 1940, AND GETTING ANOTHER 5 YEARS REGISTRATION IT MUST HAVE BEEN 1935. [THE GUN] WAS HIS SIDEARM…HIS SERVICE WEAPON…HE HAD THAT ALL THE TIME…IT WOULD GO RIGHT ON HIS BELT THERE.” “[DAD KEPT THE GUN] IN [MY PARENTS’] BEDROOM. RIGHT ON THE BEDROOM CLOSET DOOR, RIGHT OPEN. I NEVER TOUCHED IT, BECAUSE HE HAD GIVEN ME MY TRAINING AND LET ME USE IT WHEN I WAS YOUNG. I HAD RESPECT FOR IT, AND I HAD NO SPECIAL CURIOSITY, WHICH IS A GOOD THING. [DAD KNEW I WAS] AN ADVENTUROUS PERSON, BUT I NEVER EVER TOUCHED IT, OUT OF COMPLETE RESPECT FOR DAD AND WHAT HE HAD THERE.” “ALL I CAN REMEMBER [IS HE HAD TWO HANDGUNS OR SIDEARMS]…HE DIDN’T GO OUT PRACTICING VERY MUCH; HE DIDN’T HAVE TO. HE COULD PASS HIS MARKSMANSHIP, AND THEN, EVERY TIME THERE WERE THINGS AT REGINA DEPOT TRAINING COURSES (UPGRADING, REFRESHER COURSES) THEY DID THEIR MARKSMANSHIP THERE, TOO. THEY WERE ALWAYS TESTED ON THEIR MARKSMANSHIP, AT REGINA DEPOT.” “I THINK [THE REVOLVER HAD] QUITE A BIT [OF MEANING TO MY DAD], BECAUSE HE HAD IT IN HIS HOUSE. IT WAS REALLY STRANGE BECAUSE I ASKED HIM WHERE IT WAS, WHEN HE SHOWED ME THE PAPERS, AND HE HAD IT IN A SHOE BOX IN HIS BEDROOM CLOSET. YOU DIDN’T HAVE TO HAVE GREAT [HIDING] PLACES FOR IT IN THOSE DAYS, BUT THAT’S WHERE HE KEPT IT. HE MADE SURE IT WAS THERE, AND HE KNEW WHERE IT WAS.” “[I HAVE NO] KNOWLEDGE ABOUT HIM HAVING TO FIRE THIS WEAPON…AT ANYONE. IF HE WOULD HAVE, HE WOULD HAVE FIRED TO MISS SOMEONE, JUST AS A WARNING SHOT. HE DEFINITELY WENT FOR WARNING SHOTS, BUT HE NEVER SHOT ANYBODY WITH IT." “[HE WOULD HAVE STOPPED CARRYING THE GUN] AT THE VERY END OF 1950, WHEN HE RETIRED FROM THE R.C.M.P.” “[I’VE HAD THE REVOLVER] SINCE 1998—THE PASSING OF MY FATHER, BECAUSE I WAS THE SOLE EXECUTRIX. IT WAS AUTOMATICALLY MY RESPONSIBILITY TO TAKE ALL OF HIS FIREARMS, IN MY POSSESSION.” “I WAS RESPONSIBLE FOR [THE CARE OF] IT, AND IT WAS A REAL KEEPSAKE. [THE GUN WAS] WAS VERY PERSONAL, BECAUSE I’M SURE [MY DAD] OWNED THAT EVEN BY BACK IN 1935, [WHEN] HE WAS IN WESTLOCK, IN CHARGE OF THE DETACHMENT THERE FOR 10 YEARS. IT WAS OF SENTIMENTAL VALUE BECAUSE HE TOOK ME OUT (I’M PRETTY SURE I WAS 8 YEARS OLD, WHEN HE HAD ME IN THE BACKYARD)—WE HAD FARMLAND AND FOREST—AND HE HAD A TARGET PRACTICE OUT THERE. HE HAD ME USE THAT FIREARM. HE SHOWED ME HOW TO USE IT, HOW TO AIM, AND HOW TO HANDLE IT SAFELY. I ALWAYS RESPECTED THAT, AND THAT WAS GOOD. THAT’S THE ORIGINAL HOLSTER FOR THAT GUN, WHICH YOU CAN SEE IS LOOPED, TO PUT ON HIS BELT. HE ALSO CARRIED A .32 COLT SEMI-AUTOMATIC.” “I’VE ALWAYS APPRECIATED REVOLVERS, AND RIFLES. IT’S NEVER BEEN ANYTHING THAT I THOUGHT ANY DANGER OF. YOU LEARN THE SAFETY, AND YOU TAKE YOUR COURSE. I HAVE MY COURSE DONE, AND I PASSED IT WITH FLYING COLORS. I HAD MY PERMIT TO HAVE IT. I HAVE TAKEN IT OUT, ON MY OWN ACREAGE, AND FIRED IT A BIT, BUT IT ISN’T SOMETHING I WANT TO DO. IT’S A SENTIMENTAL THING THAT I CAN NOW FEEL I’D LIKE TO HAVE IT IN YOUR MUSEUM. I KNOW IT’S NOW IN A SAFE PLACE, SO I DON’T HAVE TO WORRY ABOUT IT EVER FALLING INTO THE WRONG HANDS. AND, IF I WANT TO COME AND VISIT IT, I CAN COME AND SEE IT.” ON JUNE 8, 2018, MACLEAN INTERVIEWED BUCHANAN REGARDING HER FATHER’S CAREER WITH THE ALBERTA PROVINCIAL POLICE AND ROYAL CANADIAN MOUNTED POLICE. BUCHANAN ELABORATED ON HER FATHER’S HISTORY, “[MY DAD WAS EDWARD BUCHANAN, WHO RETIRED AT THE RANK OF] SENIOR STAFF SERGEANT…HE RETIRED IN 1950 FROM THE [R.C.M.P].” “HE JOINED THE A.P.P. WHEN HE WAS TWENTY AND HE WAS STATIONED OUT NEAR ST. PAUL. IN ’21, HE MET MY MOTHER IN EDMONTON…BUT HE STAYED AT ST. PAUL AND THEN AFTER, HE GOT POSTED TO GRANDE PRAIRIE. HE WAS GOING TO GO TO GRANDE PRAIRIE BUT THEN IN ’22, THEY GOT MARRIED. A.P.P. HAD NO RESTRICTIONS ON THEIR MEMBERS GETTING MARRIED, LIKE THE R.C.M.P. HE DIDN’T HAVE TO WAIT TO GET MARRIED…THAT’S WHEN THEY WENT OUT TO BRAINARD.” “EVEN IN THE A.P.P., TO START WITH, HE HAD SOME SERVICE DOWN HERE AT THE LETHBRIDGE PRISON…BRINGING PRISONERS DOWN AND THEN MAYBE, AT THE VERY FIRST WINTER AS A ROOKIE, HE WAS ON JOB TO BE ON GUARD AT THE STATION. IT WASN’T LONG AND HE WAS SENT OUT TO ST. PAUL AND INTO MORE OF THE REAL POLICING.” “WHEN HE WAS IN THE A.P.P. [IN 1932] HE WAS THE TOP CLASS OF [THE] A.P.P. THAT AUTOMATICALLY WERE ACCEPTED INTO THE R.C.M.P. HE WAS PUT IN CHARGE, WHEN HE WAS IN THE A.P.P.—FIRST HE STARTED OUT IN CHARGE OF BRAINARD—HORSE LAKE—A LITTLE PLACE NEAR THE HORSE LAKE INDIAN RESERVATION. THEY CLOSED THAT DOWN AND TRANSFERRED HIM TO WEMBLEY, A LITTLE VILLAGE, AND HE WAS THE ONLY ONE IN CHARGE, THE ONLY OFFICER IN CHARGE OF WEMBLEY. THAT’S WHEN THAT 1932 [CHANGE] CAME ALONG AND HE JUST CHANGED THE SIGN UP THERE FROM A.P.P. TO R.C.M.P. AND WENT FROM THERE.” “IN ’32, IT WAS R.C.M.P. AND THAT STAYED R.C.M.P. UNTIL ’34. THEN HE WAS TRANSFERRED TO TAKE CHARGE OF THE WESTLOCK DETACHMENT WHICH WAS A BIG AREA. [THERE] WAS NO DETACHMENT IN BARRHEAD. HE HAD A HUGE AREA THERE TO COVER.” “[A.P.P. MEMBERS] WERE NOT AUTOMATICALLY TAKEN INTO THE R.C.M.P. THEY HAD THREE CATEGORIES THERE, OF THE A.P.P. MEMBERS…[THERE WERE] ONES THAT WERE NOT ACCEPTABLE, THAT THEY HADN’T DONE A VERY GOOD JOB IN THE A.P.P.; THEY SHOWED UP, GOOFIN’ AROUND, DOING THINGS THEY SHOULDN’T BE DOING. THEY WERE NOT ACCEPTABLE. THEN THERE [WERE THE ONES THAT] COULD BE GIVEN A LITTLE TRIAL RUN. THEY COULD APPLY. THEN THERE [WERE] ONES THAT COULD GET IN FOR A FULL YEAR AND THEN RE-APPLY. THEY’D BE ACCEPTED FOR A YEAR. THEN THERE’S THE TOP GRADE AND [THEY] WERE AUTOMATICALLY ACCEPTABLE. DAD WAS RIGHT UP THERE IN THAT TOP GRADE.” “A.P.P. MEMBERS WERE TRAINED BY THE NORTHWEST MOUNTED POLICE, NOT SOME GOOFBALLS THAT DIDN’T KNOW WHAT THEY WERE DOING. THESE WERE TRAINED BY THE BEST-TRAINED POLICE OFFICERS.” “ASSISTANT COMMISSIONER HANCOCK KNEW DAD REALLY WELL, HE’D EVEN BEEN IN THE A.P.P. HE CALLED DAD INTO THE OFFICE AND HE SAID, “BUCK, [DAD WAS EDWARD ETTERSHANK BUCHANAN BUT THEY CALLED HIM ‘BUCK’, A LOT] I WAS GOING TO SEND YOU DOWN TO TAKE CHARGE OF THE RED DEER DETACHMENT BUT I’VE HAD SO MUCH PROBLEM GETTING SOMEBODY TO GO DOWN TO TAKE THE LETHBRIDGE DETACHMENT…YOU’RE THE ONLY ONE, I THINK, THAT CAN HANDLE THE SITUATION WE’VE GOT DOWN THERE. THERE’S A LOT OF PROBLEMS AND I’M SURE YOU’RE THE ONLY ONE THAT CAN HANDLE IT. WILL YOU GO?” “[WE CAME DOWN HERE IN] ’44…I NEVER HAD ANY PROBLEM [WITH THE MOVE]. I WAS ALWAYS ADVENTUROUS. I HAD LOTS OF FRIENDS BUT I WAS ALWAYS HAPPY TO GO.” “WE RENTED A HOUSE ON 538 – 7TH STREET. IT’S ALL TORN DOWN NOW. DAD HAD TO COME DOWN A MONTH OR SO AHEAD OF US AND THEN HE COULDN’T FIND A HOUSE READY, SO WE CAME DOWN AND STAYED IN A HOTEL FOR ABOUT TWO MONTHS. I HAD TO START GRADE TEN; I WAS ONLY FOURTEEN, HERE. THAT WAS, TO ME, THE ONLY SAD PART OF MY LIFE, LEAVING THE WESTLOCK SCHOOL AND STARTING LCI. THE PERSONALIZATION WAS GONE WITH THE TEACHERS.” “[DAD] HAD TO OVERSEE THE POW CAMPS…HE TALKED ABOUT THE POW’S IN THIS RESPECT, THAT THERE WAS A LOT OF VERY GOOD GERMANS THAT WERE IN THERE. [THEY] WOULDN’T HAVE CHOSEN TO EVEN BE IN THE GERMAN ARMY…THEY WERE CONSCRIPTED OVER IN GERMANY, THEY DIDN’T HAVE ANY CHOICE, AND THEY WERE VERY DECENT, GOOD GUYS. HE RESPECTED THEM FOR THAT AND HELPED THEM, [GAVE] THEM ADVICE, “YOU KNOW, YOU GOTTA GO BACK TO GERMANY AND THEN APPLY TO COME BACK.” THERE WAS A TRUST THERE TO LET SOME OF THEM OUT TO WORK…‘CAUSE THERE [WAS] A LABOUR SHORTAGE FOR THE FARMERS AND THEY NEEDED THAT HELP. SOME OF THOSE FARMERS WERE VERY PLEASED TO GET SOME OF THESE GERMANS, AND SOME OF THE FARMERS’ DAUGHTERS WERE VERY PLEASED TO GET THAT, TOO. THEN THERE’S SOME LATER MARRIAGES AFTER THAT. IT WOULD BE A SHAME TO CONDEMN ALL THOSE POW’S BECAUSE A LOT OF THEM WERE VERY DECENT, GOOD, MORAL FELLOWS THAT DIDN’T WANT TO BE INVOLVED WITH ANY KILLING.” “HE WAS A PLAIN STAFF SERGEANT, NCO, SECOND IN CHARGE OF THE SUBDIVISION.” “[THEN HE] WENT BACK TO EDMONTON [TO RETIRE IN 1950], HIS HOME CITY WHERE HIS PARENTS WERE AND A LOT OF FRIENDS. HE JOINED THE R.C.M. P. VETS BUT WITH HIS RECORD, THE ATTORNEY GENERAL’S DEPARTMENT WERE NOT GOING TO LET HIM LOOSE. THEY MADE IT A FIRST APPOINTMENT OF AN INSPECTOR OF JAILS FOR THE PRISONS OF ALBERTA WHICH, AT THAT TIME, THERE WERE ONLY TWO: LETHBRIDGE AND FORT SASKATCHEWAN. [THE] ONLY PLACE IN FORT SASKATCHEWAN WAS FOR WOMEN, SO [WOMEN] HAD TO GO ALL THE WAY TO FORT SASKATCHEWAN, EVEN IF [THEY] WAS FROM LETHBRIDGE. THAT WASN’T A VERY GOOD DEAL, SO DAD COULD SEE A REAL NEED [FOR WORK]. IT WAS A REAL MESS WHEN HE LOOKED AT THE PRISONS.” “HE REALIZED, BEING AN R.C.M.P., THAT MANY OF THE YOUNG CITY POLICE, TOWN SHERIFFS, SOME OF THESE MAGISTRATES, THEY MESSED THINGS UP. HE STARTED A TRAINING SCHOOL FOR THESE MUNICIPAL POLICE AND THAT JUST WENT TERRIFICALLY. THEY HAD [THE SCHOOLS] IN CALGARY AND IN EDMONTON TWICE A YEAR. THEY HAD A BIG GROUP FROM MEDICINE HAT COME UP AND [TAKE] THE SCHOOLING, LETHBRIDGE CAME UP, AND SOME OF THE PRISON GUARDS TOOK [THE TRAINING], TOO.” “[HE] WORKED ON THAT FOR FIFTEEN/SIXTEEN YEARS. AFTER TWELVE YEARS, HE WAS SO BUSY THAT THEY MADE HIM SUPERINTENDENT OF PRISONS BECAUSE…THE FIRST THING HE HAD TO DO WAS TO DEVELOP THE PRISONS FOR ALBERTA. TWO WAS NOT SUFFICIENT.” “[DAD’S] PERSONALITY WAS ALWAYS QUIET, FIRM, NO-NONSENSE, HUMOROUS, BUT HE WAS NEVER ARROGANT. I NEVER HEARD HIM SWEAR OR GET MAD AT ANYBODY, NOT EVEN PRISONERS. HE HANDLED THEM VERY QUIETLY, AND VERY FIRMLY. THE STAFF…ALL LOVED HIM. I [HAVE] LETTERS AND THEY CAME ALL THE WAY UP TO THEIR ANNIVERSARIES LATER IN EDMONTON…“YOU’RE THE BEST BOSS WE EVER HAD.” ALL HE HAD WAS A VISION OF WHAT NEEDED TO BE DONE…HE COULD GO AND EXPLAIN THE NEED FOR THE JAILS, WHAT IT WOULD COST AND WHAT IT NEEDED TO FIX THE PROBLEM. HE NEVER HAD PROBLEM GETTING EXACTLY WHAT HE NEEDED FROM THEM.” ON THE DONATION OF THE REVOLVER AND AMMUNITION, BUCHANAN NOTED, “MY DAD KNEW I WOULD LOOK AFTER [HIS BELONGINGS] AND WANTED TO GET IT TO A MUSEUM. [DAD KNEW] THAT I WASN’T ONE TO PUT IT IN MY BASEMENT TO HAVE GOODNESS-KNOWS-WHAT-HAPPEN TO IT. HE HAD LEFT ALL OF THAT IN CHARGE OF ME. I WAS THE SOLE EXECUTOR OF THE ESTATE.” “I AM NOW AT THE YOUNG AGE OF 88; I’M NOT WORRIED ABOUT LIVING ANOTHER 10 YEARS. I DIDN’T WANT THE CHANCE OF ANYBODY STEALING IT, OR GETTING THEIR HANDS ON IT, SO I WANTED TO MAKE SURE YOU GOT IT. AND, I DON’T NEED IT, SO WHY KEEP IT? IF I GET LONESOME, AND WANT TO SEE IT, I’LL COME TO THE MUSEUM AND LOOK AT IT.” “I’LL FEEL HAPPY, TO KNOW IT’S GOT A GOOD HOME. I DON’T HAVE TO WORRY ABOUT IT.” FOR MORE INFORMATION INCLUDING THE FULL TRANSCRIPTIONS FROM INTERVIEWS AND LETHBRIDGE HERALD ARTICLES, PLEASE SEE THE PERMANENT FILE P20190002001-GA.
Catalogue Number
P20190002003
Acquisition Date
2019-01
Collection
Museum
Images
Less detail
Other Name
JACKET, SHIRT AND SKIRT
Material Type
Artifact
Materials
COTTON, POLYESTER, METAL
Catalogue Number
P20180008001
  2 images  
Material Type
Artifact
Other Name
JACKET, SHIRT AND SKIRT
Date
1965
Materials
COTTON, POLYESTER, METAL
No. Pieces
3
Length
60
Width
41.5
Description
A. CREAM WOMAN’S SUIT JACKET, 60 CM LONG X 41.5 CM WIDE. JACKET LINED WITH CREAM COTTON FABRIC; JACKET HAS THREE CREAM CLOTH-COVERED BUTTONS DOWN LEFT-WEARING SIDE AND THREE CREAM CLOTH-COVERED BUTTONS DOWN RIGHT-WEARING SIDE, WITH TWO STRAPS WITH SINGLE BUTTON HOLES EXTENDING FROM LEFT AND RIGHT SIDES AT WAIST. JACKET HAS STAIN BELOW BUTTON HOLE ON RIGHT-WEARING WAIST STRAP; OVERALL EXCELLENT CONDITION. B. SHIRT, 46.8 CM LONG X 39 CM WIDE. CREAM COTTON-BLEND SHIRT WITH SILVER ZIPPER RUNNING DOWN BACK; ZIPPER HAS CLOTH COVERING. SHIRT IS SLEEVELESS WITH MACHINE STITCHING ALONG HEM, NECK AND ARM HOLES. SHIRT HAS FOLDED STITCHING UP SIDES AND DIAGONALLY FROM HEM TO CENTER OF CHEST. SHIRT HAS STAINING ON FRONT AND UNDER SLEEVE HOLES; OVERALL VERY GOOD CONDITION. C. SKIRT, 58 CM LONG X 38 CM WIDE. CREAM COTTON-BLEND FABRIC WITH SILVER ZIPPER RUNNING DOWN SIDE AND TWO SILVER HOOKS INSIDE WAIST WITH TWO SILVER LOOPS ON TAB AT WAIST. SKIRT WIDENS AT HEM; SKIRT HAS CREAM INNER LINING. SEAMS ARE MACHINE STITCHED. PINK STAIN ON LEFT-WEARING SIDE; CREASES DOWN FRONT AND BACK; OVERALL EXCELLENT CONDITION.
Subjects
CLOTHING-OUTERWEAR
Historical Association
PERSONAL CARE
History
ON APRIL 24, 2018, COLLECTIONS TECHNICIAN KEVIN MACLEAN INTERVIEWED BARB CLARKE REGARDING HER DONATION OF A WEDDING DRESS AND GOING-AWAY ENSEMBLE. THE WEDDING GOWN AND GOING-AWAY ENSEMBLE WERE WORN BY CLARKE FOR HER WEDDING IN 1965. ON HER WEDDING AND HER SELECTION OF THE GOING-AWAY ENSEMBLE, CLARKE RECALLED, “IT’S BEEN WORN A FEW TIMES…THE WEDDING WAS AUGUST 21, 1965. IT HAPPENED HERE IN SOUTHMINSTER CHURCH, AND REVEREND JOHN O’NEAL WAS THE MINISTER.” “MY SISTER-IN-LAW [JOAN HUGHSON] AND I HAD GONE TO UNIVERSITY TOGETHER. HER BABY WAS BORN IN JULY, AND DAVE [CLARKE] AND I WERE GETTING MARRIED IN AUGUST. SHE WAS AN EXTREMELY GOOD SEAMSTRESS, SO SHE MADE MY GOING-AWAY OUTFIT FOR ME. I BOUGHT A VOGUE PATTERN, FOUND THE FABRIC, AND SHE MADE THE DRESS, OR THE GOING-AWAY OUTFIT.” ON HER WEDDING, CLARKE ELABORATED, “[I MARRIED] DAVE CLARKE. HE GREW UP AT CASTOR, ALBERTA, WHICH IS 200 MILES NORTH OF TABER, ON HIGHWAY 36. WE MET WHEN WE WERE BOTH TEACHERS. WE MET AT CARSTAIRS. HE WAS TEACHING, AND I STARTED AN INTERNSHIP PROGRAM THERE. WE MET IN THE SPRING, AND THEN I GOT A JOB THERE THAT FALL. WE DATED THROUGHOUT THAT YEAR, AND GOT MARRIED THE FOLLOWING YEAR.” “I GREW UP EAST OF MILK RIVER, IN THE COMMUNITY OF MASINASIN BY WRITING-ON-STONE PARK. I HAD COMPLETED MY HIGH SCHOOL IN MILK RIVER, AND THEN I WENT OFF TO CALGARY TO UNIVERSITY. TWO YEARS OF UNIVERSITY…WAS ALL THAT WAS REQUIRED AT THAT TIME. THERE WAS A TEACHER SHORTAGE, SO YOU COULD GET A JOB AFTER TWO YEARS, WITHOUT YOUR DEGREE, AND THAT’S WHAT I DID. THEN I MET DAVE. WE DECIDED TO GET MARRIED. DAVE WAS HELPING OUT HIS PARENTS AT THEIR FARM IN CASTOR BECAUSE THEY WERE MOVING A HOUSE DURING THAT SUMMER, AND HE WAS HELPING GET THAT HOUSE MOVED FOR HIS PARENTS. I WAS PICKING UP SOME COURSES AT EDMONTON UNIVERSITY. IT JUST HAPPENED THAT I HAD NOT FELT THAT IT WAS IMPORTANT TO HAVE A WEDDING. I JUST THOUGHT WE WOULD JUST GET MARRIED, AND HAVE FAMILY MEMBERS THERE, AND THAT WOULD BE IT. OF COURSE, MY MOM AND DAD SAID, 'NO, WE’RE GOING TO HAVE A WEDDING.' SO, I SAID, 'WELL, I’M GOING.' AFTER MY YEAR OF SCHOOL TEACHING IN CARSTAIRS THAT FINISHED THE END OF JUNE, I WAS DUE IN EDMONTON FOR MY SUMMER SCHOOL CLASSES. SO, I SAID TO MOM AND DAD, 'I GUESS IF YOU WANT A WEDDING, WE’LL TALK BY PHONE, BUT YOU’LL HAVE TO MAKE ALL THE ARRANGEMENTS, AND THE PLANS FOR IT.' SO, THEY DID. WE HAD THE WEDDING.” “[THE WEDDING] WAS ALL THE SAME DAY. THE WEDDING WAS AT ONE O’CLOCK IN THE AFTERNOON [AT SOUTHMINSTER CHURCH]. THEN THE RECEPTION WAS A BIT EARLIER [AT EL RANCHO, WHICH IS NOW THE COAST HOTEL]. THEN WE DROVE DOWN TO THE FARM, AND WE HAD A BIT OF AN ‘OPEN HOUSE’ THERE. THE DANCE WAS AT NINE O’CLOCK [AT THE MASINASIN SCHOOL]. I WAS IN THE [WEDDING] DRESS UNTIL TOWARDS THE END OF THE WEDDING DANCE BECAUSE AT THE WEDDING DANCE YOU HAD TO HAVE YOUR FIRST DANCE WITH YOUR DAD. THEN I WENT BACK TO THE FARM, WHICH WAS ONLY THREE MILES AWAY, AND CHANGED INTO THE GOING AWAY OUTFIT. WE CAME BACK TO THE DANCE, AND SAID GOODBYE TO EVERYBODY THERE, AND THEN WE LEFT FROM THERE.” “IT WOULDN’T HAVE BEEN A COMMUNITY EVENT. I WAS THE YOUNGEST IN MY FAMILY, AND THE ONLY GIRL. MOM AND DAD HAD BEEN VERY ACTIVE IN THE COMMUNITY, AND CERTAINLY HOSTING A WEDDING FOR YOUR DAUGHTER WAS VERY IMPORTANT TO THEM. I GREW UP THINKING, 'HUH, IT DOESN’T MATTER TO ME IF I HAVE A WEDDING OR NOT.' BUT IT CERTAINLY WAS TO THEM, AND TO THE EXTENDED FAMILY IT WAS IMPORTANT. I WAS AMAZED – EVEN WHEN I LOOK THROUGH MY WEDDING BOOK NOW – ALL OF THE AUNTS AND UNCLES THAT CAME. SOME CAME FROM THE UNITED STATES, AND DAVE’S UNCLE, WHO WAS MASTER OF CEREMONIES AT THE RECEPTION, WAS THERE FROM EDMONTON. I WAS AMAZED THAT PEOPLE WOULD COME. I DIDN’T THINK THAT I WAS THAT IMPORTANT THAT ANYBODY WOULD COME, BUT IT TURNED OUT TO BE A VERY, VERY NICE OCCASION, EVERYBODY HAD A VERY GOOD TIME. IT WAS CERTAINLY THE INTRODUCTION OF THE TWO FAMILIES TOGETHER. I RECOGNIZED AFTER-–SOME YEARS LATER-–THAT WEDDINGS ARE HAPPY OCCASIONS, AND THAT IF EXTENDED FAMILIES DON’T GET TOGETHER FOR HAPPY OCCASIONS, THEY OFTEN GET TOGETHER JUST FOR FUNERALS AND MORE SAD OCCASIONS. I CERTAINLY UNDERSTAND NOW HOW IMPORTANT IT WAS TO MY PARENTS, AND THAT IT WAS A GOOD OCCASION FOR THE WHOLE EXTENDED FAMILY.” “THE WAY THE SUMMER PROGRESSED, DAVE WAS VERY BUSY WITH HIS PARENTS…AND I WAS BUSY AT SUMMER SCHOOL. IF YOU KNOW ANYTHING ABOUT SUMMER SCHOOL, YOU KNOW THAT YOU ARE CRAMMING, AND TAKING CLASSES, AND YOU’RE DOING EXAMS. EVERYTHING IS FAST BECAUSE YOU ARE TRYING TO GET IT ALL DONE IN 6 WEEKS, AND YOU’RE TRYING TO MAKE SURE THAT YOU ARE GETTING A FULL CREDIT FOR YOUR COURSE. MY FINAL EXAM WAS ON A TUESDAY, AND I PACKED UP MY THINGS, AND WENT TO CASTOR ON THE WEDNESDAY. [I] PICKED UP DAVE, AND WE CAME TO LETHBRIDGE ON THE THURSDAY. WE MET WITH THE MINISTER ON THE THURSDAY, AND HE SAID THAT HE WAS BEGINNING TO WONDER IF THERE WAS A BRIDE AND GROOM BECAUSE HE HADN’T MET US…WE HAD THE REHEARSAL ON FRIDAY; THE WEDDING ON SATURDAY. FOR OUR HONEYMOON, WE WENT DOWN TO SANDPOINT AND COEUR D’ ALENE ON A LITTLE TRIP DOWN THERE. ONE WEEK LATER WE WERE IN A SMALL TOWN, NEIGHBOURING TO CASTOR, WHERE WE HAD TEACHING JOBS BECAUSE THE SCHOOL YEAR WAS TO START. WE HAD NO TIME TO SET UP A LITTLE TEACHERAGE. THE SCHOOL BOARD THERE RENTED US A HOUSE…THAT WAS HOW WE STARTED. IT WASN’T A VERY GRAND BEGINNING.” “[LETHBRIDGE WAS THE MID-POINT] TO ACCOMMODATE THE FAMILIES. MOM HAD MADE THE ARRANGEMENTS, SO I THINK IT MIGHT HAVE BEEN SOMETHING TO DO WITH WHETHER OR NOT THEY COULD HAVE THE RECEPTION CLOSE [TO SOUTHMINSTER CHURCH]. BECAUSE I WENT TO SUNDAY SCHOOL AND BELONGED TO THE CHURCH IN MILK RIVER – SO DID MY PARENTS –WE WERE AFFILIATED WITH THE UNITED CHURCH. SOUTHMINSTER WAS DEFINITELY NOT OUR HOME CHURCH AT THAT TIME.” CLARKE SPOKE TO HER MOTIVES FOR KEEPING AND DONATING THE WEDDING GOWN AND GOING-AWAY ENSEMBLE, STATING, “IT’S ALWAYS [BEEN] EASY TO KEEP IT. I DON’T THINK I’M A HOARDER, BUT I DO LOVE SENTIMENTAL THINGS, AND I HAVE MY MOTHER’S WEDDING DRESS AND GOING-AWAY OUTFIT. THEY ARE VALUABLE PIECES. THIS DRESS AND THIS OUTFIT, I HAD IT OUT AT OUR 25TH WEDDING ANNIVERSARY. I COULDN’T WEAR IT MYSELF BECAUSE MY ARMS CHANGED, BUT MY NIECE WORE IT, AND WE HAD A BIG PARTY-–FAMILY PARTY–-FOR OUR 25TH. THEN A FEW YEARS AGO SOUTHMINSTER CHURCH HAD A 100TH ANNIVERSARY, SO WE WERE ALL INVITED TO TAKE WHATEVER WE WANTED FROM OUR OWN HISTORY, AND SO [MY WEDDING] DRESS WAS WORN AT THAT OCCASION AS WELL.” “I’VE HUNG ONTO THESE MATERIALS FOR 52 YEARS, AND NOW I’M DOWNSIZING MY HOME SO THAT I CAN LIVE IN A CONDO. MY HUSBAND DIED LAST YEAR, AND, AS I’M DOWNSIZING, I LOOK THROUGH ALL OF THE THINGS THAT WE HAVE ACQUIRED AND PACKED AROUND WITH US FOR ALL OF OUR MARRIED YEARS. I DECIDED THAT THIS DRESS AND THIS OUTFIT WERE NOT GOING ANYWHERE AS LONG AS IT WAS IN MY STUFF, AND THAT PERHAPS THERE WAS SOME VALUE IN IT HAVING IT AS PROPERTY OF THE MUSEUM.” FOR MORE INFORMATION INCLUDING THE FULL INTERVIEW TRANSCRIPTION AND PHOTOGRAPHS, PLEASE SEE THE PERMANENT FILE P20180008001-GA.
Catalogue Number
P20180008001
Acquisition Date
2018-04
Collection
Museum
Images
Less detail
Other Name
DRESS, WEDDING
Material Type
Artifact
Materials
COTTON, POLYESTER, METAL
Catalogue Number
P20180008002
  2 images  
Material Type
Artifact
Other Name
DRESS, WEDDING
Date
1965
Materials
COTTON, POLYESTER, METAL
No. Pieces
2
Length
134
Width
43
Description
A. WHITE WEDDING DRESS, 134 CM LONG X 43 CM WIDE. DRESS HAS CREAM LACE OVERLAID DOWN FRONT AND AROUND SHOULDERS; FRONT HAS WHITE BOW AT WAIST. SLEEVES ARE POINTED AT CUFFS WITH THREE WHITE CLOTH-COVERED BUTTONS ALONG CUFFS. BACK OF DRESS HAS WHITE METAL ZIPPER RUNNING FROM NECK TO WAIST, AND SILVER FASTENING HOOKS AND LOOPS AT COLLAR AND WAIST. BACK HAS FOUR WHITE SNAP-BUTTONS UNDER LACE AT SHOULDERS FOR FASTENING TRAIN; COLLAR HAS SILVER SNAP BUTTON FOR CLOSING LACE OVERLAY. BACK HEM HAS SLIT UP CENTER. DRESS HAS STAINING AND RIP ON FRONT LEFT SLEEVE; RIGHT SLEEVE HAS STAINING ON BACK; OVERALL EXCELLENT CONDITION. B. TRAIN FOR WEDDING DRESS, 210.4 CM WIDE X 174 CM LONG, DETACHABLE. TRAIN HAS FIVE METAL SNAP BUTTONS AT NECK PAINTED WHITE AT BASES; TRAIN HAS A TRIANGULAR SLIT CUT OUT OF BACK AT LOWER EDGE; CUT-OUT IS OVERLAID WITH CREAM LACE, WITH IVORY BOW AT THE PEAK OF THE CUT-OUT. MACHINE-STITCHED AT EDGES; CREASED; STAINED ALONG INSIDE LOWER EDGE; OVERALL VERY GOOD CONDITION.
Subjects
CLOTHING-OUTERWEAR
CEREMONIAL ARTIFACT
Historical Association
PERSONAL CARE
History
ON APRIL 24, 2018, COLLECTIONS TECHNICIAN KEVIN MACLEAN INTERVIEWED BARB CLARKE REGARDING HER DONATION OF A WEDDING GOWN AND GOING-AWAY ENSEMBLE. THE WEDDING GOWN AND GOING-AWAY ENSEMBLE WERE WORN BY CLARKE FOR HER WEDDING IN 1965. ON HER WEDDING AND HER SELECTION OF THE WEDDING GOWN, CLARKE RECALLED, “I WENT SHOPPING FOR A WEDDING DRESS, AND THIS WAS THE FIRST DRESS I TRIED ON. IT COST ME $75.00. I JUST BOUGHT IT, AND SAID, 'OK, IT FITS. I GUESS WE’LL PUT IT AWAY, AND HANG IT UP IN THE CLOSET, AND IT’LL BE READY WHEN WE GET [IT].' AFTER SUMMER SCHOOL–-I GUESS I HAD WORKED HARD–-BUT I HAD LOST SOME WEIGHT. WHEN I STOOD IN THE DRESS THE HEM HUNG ON THE FLOOR, SO FOR THE PICTURES I HAD TO STAND UP ON MY TIPTOES, SO THAT THE DRESS WAS NOT CRUMPLING IN FRONT OF ME.” “[I BOUGHT IT FROM] ONE OF THE DRESS SHOPS ON FOURTH AVE. THERE’S A NUMBER OF DRESS SHOPS ALONG THAT STREET. IT WAS NOT A BIG SHOP; IT WAS NOT A BIG ‘WEDDING DRESS’ SHOP LIKE THEY HAVE NOW. IT WAS JUST A SHOP THAT SEEMED LIKE THEY HAD SOME WEDDING DRESSES IN ONE SECTION.” “[IT] WAS NOT A BIG POUFY DRESS. I JUST WANTED SOMETHING VERY SIMPLE, BUT SOMETHING VERY STRAIGHT AND EASY TO WEAR. I ALWAYS LIKED THE ‘HEAVY LACE’ KINDS OF THINGS. WHEN I FOUND THIS, AND IT WAS 75 DOLLARS, [IT] SEEMED LIKE A LOT OF MONEY, BUT I WAS TEACHING. I HAD ALSO BORROWED SOME MONEY FROM MY DAD TO BUY A CAR, AND I WASN’T MAKING MUCH MONEY. WHEN I WAS STARTING TEACHING, MY COUSIN WHO WAS WORKING IN A BANK MADE MORE MONEY THAN I DID, BUT I HAD TO PAY OFF THE LOAN TO MY DAD FOR THE CAR. BUT I WAS ABLE TO SQUEEZE OUT ENOUGH MONEY TO BUY THIS DRESS.” “THIS WAS SOMEWHAT OF A DEPARTURE BECAUSE IT WAS JUST A STRAIGHT SHEATHE DRESS. MANY OF THEM WERE—I DON’T WANT TO SAY MORE STRAPLESS, BUT THEY HAD MORE ‘BEADING’, MORE ‘NETTING’, MORE POUFY WITH CRINOLINES, AND WIDER DRESSES. I JUST WAS TRYING TO GO AS SIMPLE AS I COULD. THIS ONE HAD THIS NICE LITTLE TRAIN ON IT, SO THAT MADE IT A LITTLE BIT MORE DRESSY AND ELEGANT. IT WAS NOT OVER-THE-TOP WITH POUFINESS. I WAS BRIDESMAID A FEW TIMES-–SO I THOUGHT I WAS NEVER GOING TO BE A BRIDE. MOST OF THE OTHER GIRLS HAD WIDER DRESSES. THIS ONE HAS THE LONG SLEEVES WITH THE LITTLE POINTY THING ON YOUR WRIST AND HAND, AND NOT MANY OF THEM WERE LIKE THAT. MOST OF THEM WERE SHORTER SLEEVES. I’M NOT SURE THAT THIS ONE WOULD BE TOTALLY REPRESENTATIONAL [OF THE FASHION OF THE TIME], BUT IT ALWAYS ACQUIRED MANY COMPLIMENTS AS BEING A VERY NICE DRESS.” ON HER WEDDING, CLARKE ELABORATED, “[I MARRIED] DAVE CLARKE. HE GREW UP AT CASTOR, ALBERTA, WHICH IS 200 MILES NORTH OF TABER, ON HIGHWAY 36. WE MET WHEN WE WERE BOTH TEACHERS. WE MET AT CARSTAIRS. HE WAS TEACHING, AND I STARTED AN INTERNSHIP PROGRAM THERE. WE MET IN THE SPRING, AND THEN I GOT A JOB THERE THAT FALL. WE DATED THROUGHOUT THAT YEAR, AND GOT MARRIED THE FOLLOWING YEAR.” “I GREW UP EAST OF MILK RIVER, IN THE COMMUNITY OF MASINASIN BY WRITING-ON-STONE PARK. I HAD COMPLETED MY HIGH SCHOOL IN MILK RIVER, AND THEN I WENT OFF TO CALGARY TO UNIVERSITY. TWO YEARS OF UNIVERSITY…WAS ALL THAT WAS REQUIRED AT THAT TIME. THERE WAS A TEACHER SHORTAGE, SO YOU COULD GET A JOB AFTER TWO YEARS, WITHOUT YOUR DEGREE, AND THAT’S WHAT I DID. THEN I MET DAVE. WE DECIDED TO GET MARRIED. DAVE WAS HELPING OUT HIS PARENTS AT THEIR FARM IN CASTOR BECAUSE THEY WERE MOVING A HOUSE DURING THAT SUMMER, AND HE WAS HELPING GET THAT HOUSE MOVED FOR HIS PARENTS. I WAS PICKING UP SOME COURSES AT EDMONTON UNIVERSITY. IT JUST HAPPENED THAT I HAD NOT FELT THAT IT WAS IMPORTANT TO HAVE A WEDDING. I JUST THOUGHT WE WOULD JUST GET MARRIED, AND HAVE FAMILY MEMBERS THERE, AND THAT WOULD BE IT. OF COURSE, MY MOM AND DAD SAID, 'NO, WE’RE GOING TO HAVE A WEDDING.' SO, I SAID, 'WELL, I’M GOING.' AFTER MY YEAR OF SCHOOL TEACHING IN CARSTAIRS THAT FINISHED THE END OF JUNE, I WAS DUE IN EDMONTON FOR MY SUMMER SCHOOL CLASSES. SO, I SAID TO MOM AND DAD, 'I GUESS IF YOU WANT A WEDDING, WE’LL TALK BY PHONE, BUT YOU’LL HAVE TO MAKE ALL THE ARRANGEMENTS, AND THE PLANS FOR IT.' SO, THEY DID. WE HAD THE WEDDING.” “[THE WEDDING] WAS ALL THE SAME DAY. THE WEDDING WAS AT ONE O’CLOCK IN THE AFTERNOON [AT SOUTHMINSTER CHURCH]. THEN THE RECEPTION WAS A BIT EARLIER [AT EL RANCHO, WHICH IS NOW THE COAST HOTEL]. THEN WE DROVE DOWN TO THE FARM, AND WE HAD A BIT OF AN ‘OPEN HOUSE’ THERE. THE DANCE WAS AT NINE O’CLOCK [AT THE MASINASIN SCHOOL]. I WAS IN THE [WEDDING] DRESS UNTIL TOWARDS THE END OF THE WEDDING DANCE BECAUSE AT THE WEDDING DANCE YOU HAD TO HAVE YOUR FIRST DANCE WITH YOUR DAD. THEN I WENT BACK TO THE FARM, WHICH WAS ONLY THREE MILES AWAY, AND CHANGED INTO THE GOING AWAY OUTFIT. WE CAME BACK TO THE DANCE, AND SAID GOODBYE TO EVERYBODY THERE, AND THEN WE LEFT FROM THERE.” “IT WOULDN’T HAVE BEEN A COMMUNITY EVENT. I WAS THE YOUNGEST IN MY FAMILY, AND THE ONLY GIRL. MOM AND DAD HAD BEEN VERY ACTIVE IN THE COMMUNITY, AND CERTAINLY HOSTING A WEDDING FOR YOUR DAUGHTER WAS VERY IMPORTANT TO THEM. I GREW UP THINKING, 'HUH, IT DOESN’T MATTER TO ME IF I HAVE A WEDDING OR NOT.' BUT IT CERTAINLY WAS TO THEM, AND TO THE EXTENDED FAMILY IT WAS IMPORTANT. I WAS AMAZED – EVEN WHEN I LOOK THROUGH MY WEDDING BOOK NOW – ALL OF THE AUNTS AND UNCLES THAT CAME. SOME CAME FROM THE UNITED STATES, AND DAVE’S UNCLE, WHO WAS MASTER OF CEREMONIES AT THE RECEPTION, WAS THERE FROM EDMONTON. I WAS AMAZED THAT PEOPLE WOULD COME. I DIDN’T THINK THAT I WAS THAT IMPORTANT THAT ANYBODY WOULD COME, BUT IT TURNED OUT TO BE A VERY, VERY NICE OCCASION, EVERYBODY HAD A VERY GOOD TIME. IT WAS CERTAINLY THE INTRODUCTION OF THE TWO FAMILIES TOGETHER. I RECOGNIZED AFTER-–SOME YEARS LATER-–THAT WEDDINGS ARE HAPPY OCCASIONS, AND THAT IF EXTENDED FAMILIES DON’T GET TOGETHER FOR HAPPY OCCASIONS, THEY OFTEN GET TOGETHER JUST FOR FUNERALS AND MORE SAD OCCASIONS. I CERTAINLY UNDERSTAND NOW HOW IMPORTANT IT WAS TO MY PARENTS, AND THAT IT WAS A GOOD OCCASION FOR THE WHOLE EXTENDED FAMILY.” “THE WAY THE SUMMER PROGRESSED, DAVE WAS VERY BUSY WITH HIS PARENTS…AND I WAS BUSY AT SUMMER SCHOOL. IF YOU KNOW ANYTHING ABOUT SUMMER SCHOOL, YOU KNOW THAT YOU ARE CRAMMING, AND TAKING CLASSES, AND YOU’RE DOING EXAMS. EVERYTHING IS FAST BECAUSE YOU ARE TRYING TO GET IT ALL DONE IN 6 WEEKS, AND YOU’RE TRYING TO MAKE SURE THAT YOU ARE GETTING A FULL CREDIT FOR YOUR COURSE. MY FINAL EXAM WAS ON A TUESDAY, AND I PACKED UP MY THINGS, AND WENT TO CASTOR ON THE WEDNESDAY. [I] PICKED UP DAVE, AND WE CAME TO LETHBRIDGE ON THE THURSDAY. WE MET WITH THE MINISTER ON THE THURSDAY, AND HE SAID THAT HE WAS BEGINNING TO WONDER IF THERE WAS A BRIDE AND GROOM BECAUSE HE HADN’T MET US…WE HAD THE REHEARSAL ON FRIDAY; THE WEDDING ON SATURDAY. FOR OUR HONEYMOON, WE WENT DOWN TO SANDPOINT AND COEUR D’ ALENE ON A LITTLE TRIP DOWN THERE. ONE WEEK LATER WE WERE IN A SMALL TOWN, NEIGHBOURING TO CASTOR, WHERE WE HAD TEACHING JOBS BECAUSE THE SCHOOL YEAR WAS TO START. WE HAD NO TIME TO SET UP A LITTLE TEACHERAGE. THE SCHOOL BOARD THERE RENTED US A HOUSE…THAT WAS HOW WE STARTED. IT WASN’T A VERY GRAND BEGINNING.” “[LETHBRIDGE WAS THE MID-POINT] TO ACCOMMODATE THE FAMILIES. MOM HAD MADE THE ARRANGEMENTS, SO I THINK IT MIGHT HAVE BEEN SOMETHING TO DO WITH WHETHER OR NOT THEY COULD HAVE THE RECEPTION CLOSE [TO SOUTHMINSTER CHURCH]. BECAUSE I WENT TO SUNDAY SCHOOL AND BELONGED TO THE CHURCH IN MILK RIVER – SO DID MY PARENTS –WE WERE AFFILIATED WITH THE UNITED CHURCH. SOUTHMINSTER WAS DEFINITELY NOT OUR HOME CHURCH AT THAT TIME.” CLARKE SPOKE TO HER MOTIVES FOR KEEPING AND DONATING THE WEDDING GOWN AND GOING-AWAY ENSEMBLE, STATING, “IT’S ALWAYS [BEEN] EASY TO KEEP IT. I DON’T THINK I’M A HOARDER, BUT I DO LOVE SENTIMENTAL THINGS, AND I HAVE MY MOTHER’S WEDDING DRESS AND GOING-AWAY OUTFIT. THEY ARE VALUABLE PIECES. THIS DRESS AND THIS OUTFIT, I HAD IT OUT AT OUR 25TH WEDDING ANNIVERSARY. I COULDN’T WEAR IT MYSELF BECAUSE MY ARMS CHANGED, BUT MY NIECE WORE IT, AND WE HAD A BIG PARTY-–FAMILY PARTY–-FOR OUR 25TH. THEN A FEW YEARS AGO SOUTHMINSTER CHURCH HAD A 100TH ANNIVERSARY, SO WE WERE ALL INVITED TO TAKE WHATEVER WE WANTED FROM OUR OWN HISTORY, AND SO [MY WEDDING] DRESS WAS WORN AT THAT OCCASION AS WELL.” “I’VE HUNG ONTO THESE MATERIALS FOR 52 YEARS, AND NOW I’M DOWNSIZING MY HOME SO THAT I CAN LIVE IN A CONDO. MY HUSBAND DIED LAST YEAR, AND, AS I’M DOWNSIZING, I LOOK THROUGH ALL OF THE THINGS THAT WE HAVE ACQUIRED AND PACKED AROUND WITH US FOR ALL OF OUR MARRIED YEARS. I DECIDED THAT THIS DRESS AND THIS OUTFIT WERE NOT GOING ANYWHERE AS LONG AS IT WAS IN MY STUFF, AND THAT PERHAPS THERE WAS SOME VALUE IN IT HAVING IT AS PROPERTY OF THE MUSEUM.” FOR MORE INFORMATION INCLUDING THE FULL INTERVIEW TRANSCRIPTION AND PHOTOGRAPHS, PLEASE SEE THE PERMANENT FILE P20180008001-GA.
Catalogue Number
P20180008002
Acquisition Date
2018-04
Collection
Museum
Images
Less detail
Other Name
"LETHBRIDGE HERALD AGENT"
Date Range From
1950
Date Range To
1960
Material Type
Artifact
Materials
TIN, INK
Catalogue Number
P20180004000
  2 images  
Material Type
Artifact
Other Name
"LETHBRIDGE HERALD AGENT"
Date Range From
1950
Date Range To
1960
Materials
TIN, INK
No. Pieces
1
Length
30.6
Width
25.8
Description
METAL SIGN WITH DOUBLE-SIDED PRINTING ON LIGHT BROWN BACKGROUND. SIGN SHOWS BLACK SQUARE BACKGROUND WITH RED TRIM AND LIGHT BROWN TEXT WITH RED TRIM READING “AGENT FOR THE LETHBRIDGE HERALD HERE, THE LETHBRIDGE HERALD SERVES THE SOUTH”; SIGN HAS SMALL BLACK TEXT PRINTED AT BOTTOM RIGHT CORNER “TMOS. DAVIDSON MFG. CO. LTD. MONTREAL”. BACK OF SIGN IS PRINTED THE SAME. SIGN HAS JAGGED METAL EDGE BENT DOWN ON LEFT SIDE; SIGN IS RUSTED FRONT AND BACK AND FADED; SIGN IS SCRATCHED IN FRONT UPPER RIGHT CORNER AND CORRODED LOWER LEFT CORNER. OVERALL GOOD CONDITION.
Subjects
ADVERTISING MEDIUM
Historical Association
BUSINESS
PROFESSIONS
History
ON MARCH 19TH, 2018, COLLECTIONS TECHNICIAN KEVIN MACLEAN CONTACTED DAN PLOURDE, THE "AGENT FOR...HERALD" SIGN'S SELLER. THE SIGN WAS PURCHASED BY THE GALT MUSEUM AT URBAN PRAIRIE ANTIQUE MALL ON MARCH 21, 2018. PLOURDE, A PICKER, LEASES MALL SPACE AT URBAN PRAIRIE AS A LOCATION TO SELL HIS PICKS. PLOURDE TOLD MACLEAN THAT THE HERALD SIGN CAME FROM A RURAL PROPERTY NEAR CHIN LAKE. THE RURAL LOCATION FEATURED "QUONSETS" FULL OF OTHER ITEMS, INCLUDING GAS MEMORABILIA AND FURNITURE. THE ORIGINAL OWNER OF THE SIGN, WHO LIVED AT THE PROPERTY WAS NO LONGER LIVING. THE OWNER, CONTINUED PLOURDE, CONDUCTED HIS OWN PICKING "IN BACK ALLEYS IN LETHBRIDGE 60 YEARS AGO". PLOURDE ATTEMPTED TO SELL THE SIGN IN FORT MACLEAD BEFORE RECOGNIZING THAT ITS MARKET WAS GREATER IN LETHBRIDGE. FOR COPIES OF INFORMATION REGARDING THE SIGN, PLEASE SEE THE PERMANENT FILE P20180004000-GA.
Catalogue Number
P20180004000
Acquisition Date
2018-03
Collection
Museum
Images
Less detail
Date Range From
1980
Date Range To
2000
Material Type
Artifact
Materials
PLASTIC, STEEL, GLASS
Catalogue Number
P20180005000
  2 images  
Material Type
Artifact
Date Range From
1980
Date Range To
2000
Materials
PLASTIC, STEEL, GLASS
No. Pieces
1
Height
30.5
Length
57
Width
11.3
Description
CAMCORDER COMPRISED OF LENS, BETACAM DECK, AND COLOR CAMERA. BETACAM DECK AT BACK OF CAMERA IS TWO-TONE GREY WITH TWO PLUG-INS FOR “AUDIO IN, CH-1, CH-2” AND ONE PLUG-IN FOR “DC-IN, 12V”. BETACAM DECK HAS TWO BLACK SLIDE BUTTONS ON TOP LABELLED IN WHITE “EJECT” AND “REW”. BETACAM DECK HAS GREY METAL HANDLE AT TOP THAT FASTENS TO BETA CASSETTE DECK. BETACAM DECK HAS YELLOWED PLASTIC WINDOW ON SIDE TO VIEW INSIDE MECHANISMS; BELOW WINDOW IS GREEN, RED AND BLUE DECAL READING “45 NEWS, 45”. REVERSE SIDE HAS SILVER “POWER ON/OF” SWITCH ABOVE METER MEASURING BATTERY CHARGE, “SONY VU”; BETACAM DECK HAS TWO ROUND BLACK BUTTONS LABELLED “RESET” AND “LIGHT” ABOVE BLACK SWITCH LABELLED “TAPE TIMER, TIME CODE”; SIDE HAS DIGITAL DISPLAY SCREEN READING “HOUR, MIN, SEC”. SIDE HAS ROW OF SIX RED LIGHTS NEAR BOTTOM LABELLED WITH WORN WHITE PAINT WITH FIRST TWO ILLEGIBLE, “HUMID, SLACK, TAPE END, BATTERY”. SIDE HAS PANEL THAT OPENS AT BOTTOM EDGE WITH SIX DARK GREY BUTTONS LABELLED IN PAIRS “HOUR, MINUTE, SECOND” AND TWO BLACK SWITCHES LABELLED “U-BIT, TIME” AND “REC RUN, FREE RUN”. SIDE HAS SILVER PLATE FIXED READING “SONY”. BACK OF BETACAM DECK HAS SILVER LABEL WITH RED, GREEN AND BLUE LOGO “45 CFCN TELEVISION”; BACK HAS BLACK LABEL WITH SILVER TEXT “SONY BETACAM, MODEL BVV-1, VIDEOCASSETTE BETACAM DECK, DCIN, 12V, 10W, NO. 11085, SONY CORPORATION, MADE IN JAPAN, 3-676-119-01”. TOP OF BETACAM DECK HAS BLACK LABEL WITH SILVER TEXT “SAVE MODE ONLY”. COLOR CAMERA IN MID-SECTION IS LIGHT GREY WITH SMALL PIECE OF SILVER TAPE FIXED TO TOP. SIDE OF CAMERA HAS YELLOW LABEL WITH BLACK “1”; SIDE HAS DARK GREY CONTROL PANEL AT BOTTON EDGE WITH EMBOSSED TEXT AND SILVER SWITCHES AND BUTTONS, “AUTO WHITE BAL, CAMERA, PRE HEAT/ON, VTR, SAVE/STOP, GAIN, 12/6/0, OUTPUT, BASS/CAM, WHITE BAL, PRE SET/AUTO”. SIDE HAS DARK GREY BUTTON ABOVE CONTROL PANEL LABELLED “VTR START”. SIDE HAS SILVER FITTING BESIDE PANEL LABELLED “PEDESTAL”. SIDE HAS SILVER LABEL WITH WORN BLACK TEXT “SONY MODEL NO. BVP-1, COLOR VIDEO CAMERA, DC, 12V, 11W, NO. 10505”. SIDE HAS SILVER LABEL WITH BLACK TEXT “FILTER, 1 3200’K, 2 5200’K + 1/4ND, 3 5200’K, 4 6800’K”. REVERSE SIDE HAS BLACK PLATE FIXED WITH SILVER TEXT “SONY” ABOVE BLACK LABEL WITH RED, GREEN, BLUE AND WHITE LOGO “TRINICON”. SIDE HAS SILVER FITTING AT LOWER EDGE WITH EMBOSSED LABEL “MONITOR OUT”; LOWER EDGE HAS SILVER KEY HOLE WITH EMBOSSED LABEL “BATTERY”. CAMERA HAS ATTACHED BLACK ABOVE-VIEWFINDER WITH RUBBER GUARD OVER GLASS LENS. VIEWFINDER IS FIXED TO FRONT OF CAMERA; VIEWFINDER HAS WHITE TAPE ATTACHED TO TOP WITH BLUE HANDWRITTEN TEXT “PASS JULZ DAMAGE TO TUBE OR MULT.PLER”. BACK OF VIEWFINDER HAS SILVER SWITCH “TALLY, ON/OF” AND TWO BLACK METAL TURN-KNOBS “BRIGHT, CONTR”. FRONT OF VIEWFINDER HAS BLACK PLATE ATTACHED WITH SILVER TEXT “SONY”. BLACK LENS AT FRONT FIXED IN LENS STAND WITH LEATHER STRAP ON SIDE AND BLACK PLASTIC BUTTONS “VTR, RET, IRIS M”; SIDE OF LENS STAND HAS BLACK SWITCHES “W/T” AND “IRIS, A/M”. LENS HAS WHITE LABEL AROUND MID-SECTION “CANON MACRO TV ZOOMJ13X9C, 9-117MM, 1.1.6, NO.80581, CANON, JAPAN”. LENS ROTATES TO ADJUST FOCUS AND DEPTH. BETACAM HAS WEAR ON LABELS AND DISCOLORATION ON PLASTIC WINDOW; COLOR CAMERA HAS WEAR ON LABELS AND ADHESIVE RESIDUE ON SIDE; HANDLE ON TOP HAS WORN AND CHIPPED PAINT; VIEWFINDER IS WORN; OVERALL VERY GOOD CONDITION.
Subjects
TELECOMMUNICATION T&E
Historical Association
PROFESSIONS
BUSINESS
History
ON MARCH 22, 2018, COLLECTIONS TECHNICIAN KEVIN MACLEAN INTERVIEWED DARREN KRONLUND REGARDING HIS DONATION OF A SONY BVV-1 BETACAM AND CAMCORDER. THE CAMCORDER WAS USED IN THE 1980S BY THE CTV LETHBRIDGE FILM CREW. ON THE FUNCTION OF THE CAMERA IN THE CTV STUDIO, KRONLUND ELABORATED, “THE TECHNOLOGY WITH CAMERAS PROGRESSED QUICKER THAN THE DECKS DID. THESE CAMERAS AND DECKS ARE USED FOR ELECTRONIC FIELD PRODUCTION [AND ARE] CALLED THE EFP CAMERAS. THE DECKS KIND [ARE] THAT TECHNOLOGY WHICH THE MAJORITY OF STATIONS USED FOR THE LONGEST TIME [IN] SONY BETA CAM FORMAT. THAT’S WHAT THE DECK IS, BUT THE CAMERAS THEMSELVES HAD AT ONE TIME THREE TUBES FOR COLOUR CAMERAS. THEN TECHNOLOGY CAME WHERE THEY COULD DO IT WITH JUST SENSORS…SO YOU DIDN’T HAVE TUBES. IT WAS MORE SENSITIVE TO LIGHT AND THAT WAS AN IMPROVEMENT. YOU DIDN’T HAVE TO HAVE TO BRING A BUNCH OF LIGHTS ALONG WITH YOUR SHOOTS. AS THOSE CAMERAS CAME OUT, THEY JUST DID SUCH A BETTER JOB, THAT THESE CAMERAS WERE NO LONGER USED. ALTHOUGH THEY WORKED, THEY WOULD JUST GET STORED AND NEWER TECHNOLOGY, BETTER PICTURES AND LIGHTER [WOULD BE USED].” “[THIS CAMERA] IS A COMPOSITE. AS TECHNOLOGY EVOLVED, THEY COULD SUPPLY [THE] UPPER HALF, THE CAMERA HALF, [AND] YOU COULD CONTINUE TO USE THE OLDER DECK.” TO ME [THE DECK AND CAMERA] ARE DIFFERENT [AGES]. I THINK THE DECK IS NEWER THAN THE CAMERA. OTHERWISE THEY’D BE THE SAME COLOUR. I CAN’T REMEMBER THE OLD, ORIGINAL DECK BUT YOU COULD SWAP OUT DECKS BECAUSE THEY DID MAKE IMPROVEMENTS WITH DECKS AS WELL. THERE WAS A TIME THEY USED METAL TAPES WHICH WAS FOR AUDIO. IT HELPED, YOU COULD GET BETTER AUDIO QUALITY. THEY CALLED THEM METAL, IT’S JUST METAL PARTICLES IN THE TAPE.” “I WOULD SAY THIS CAMERA PROBABLY GOT USED, I’M GOING TO GUESS ’84…IT MIGHT HAVE BEEN IN SERVICE WHEN I GOT HERE…I PROBABLY SERVICED THE] CAMERA AND/OR DECK…[BY 1990 IT WAS] PROBABLY REPLACED WITH THE NEWEST TECHNOLOGY. NOT THE NEWEST TECHNOLOGY BUT NEWEST TO US, CALGARY WOULD HAVE HAD THE NEWEST TECHNOLOGY.” “BETA WAS THE STAPLE FORMAT FOR VIDEO FOR MANY YEARS. PROBABLY LEADING RIGHT UP TO INTO THE DIGITAL WORLD IT WAS THE KING. PANASONIC HAD A FORMAT [TOO]…HITACHI HAD THEIR OWN TOO, BUT THEY EVEN MADE THEIR CAMERAS COMPATIBLE WITH BETA DECKS THAT’S HOW BIG INFLUENCE [WAS]. SOME SMALLER, INDEPENDENT STATIONS MAYBE WENT WITH SOME OF THAT STUFF, BUT I’D SAY 90% OF THE INDUSTRY WAS BETA.” “IT WAS [FOR] REPORTERS. IT WAS FOR NEWS AND VIDEO PRODUCTION.” KRONLUND ELABORATED ON THE CAMERA’S HISTORY IN PRODUCTION, NOTING, “IT’S BEEN IN THE BASEMENT FOR PROBABLY [TEN YEARS]…I FOUND IT IN AN OLD SHIPPING CONTAINER. THERE’S BEEN NUMEROUS UPGRADES TO CAMERAS SINCE THEN, SO NOTHING WAS DONE WITH IT. THE LAST TIME IT WAS USED I’M GOING TO GUESS [WAS] ROUGHLY TEN YEARS AGO, MAYBE MORE.” “I DOUBT YOU WOULD FIND ANYONE USING IT, BUT I WOULDN’T BE SURPRISED IF SOMEBODY HAD IT IN THEIR BASEMENT [FOR] THE SAME REASON OURS WAS. JUST OUT OF SIGHT, OUT OF MIND AND YOU’RE JUST GOING ABOUT YOUR DAY–TO-DAY BUSINESS, UNTIL YOU START CLEANING OUT THINGS AND YOU GO, “OH YEAH, THE OLD BBB1.”” “[WE ACQUIRED EQUIPMENT] USUALLY USED. CALGARY WOULD GET THE NEW STUFF AND THEN THE WORKING STUFF THAT THEY WERE REPLACING WOULD COME DOWN TO US, FOR THE MOST PART. THE CAMERAS WE HAVE NOW WERE BOUGHT BRAND NEW, STATE-OF THE-ART, SO THAT WAS NICE. IT IS NICE FOR THAT, BUT THIS WAS PROBABLY PRE-DATED EVEN ME AND I HAVE BEEN HERE TWENTY-EIGHT YEARS. IT WAS PROBABLY THE CAMERA THEY WERE USING, IF NOT AT THE TIME, BUT LIKELY BEFORE I STARTED.” “THIS [CAMERA] FUNCTIONS TODAY. I’M SURE YOU COULD MAKE PICTURES WITH IT, BUT THE USE OF IT WOULD PROBABLY BE, I’M GOING TO GUESS, MAYBE FIVE OR SIX YEARS. THEN [THE] BUDGETS WOULD [GROW], THEY GOT THIS NEW TECHNOLOGY YOU CAN SHOOT UNDER LESS LIGHT. IT’S A LIGHTER CAMERA AND [THEY] HAVE THESE BENEFITS, SO THEY WOULD BUDGET IN TO UPDATE THE CAMERAS AND DECKS. THROUGH THAT CYCLE, THAT IS WHEN WE WOULD PROBABLY GET A COUPLE OF NEW CAMERAS, THE OLDER STUFF WE’D PUT IN THE BASEMENT.” “I’M [NOW] CLEANING OUT OLD EQUIPMENT, BECAUSE IT BUILDS UP AND WE RUN OUT OF ROOM. IT’S SOMETHING HARD TO GET RID OF BECAUSE THEY’RE ALWAYS WORKING AND USUALLY WORKING AND FUNCTIONING FINE, BUT TECHNOLOGY PROGRESSES AND THEY BECOME BIGGER AND BETTER--OR THERE BECOMES BIGGER AND BETTER WAYS OF DOING THE SAME JOB. IT JUST GETS OUTDATED AND HITS THE SHELF. [I] HATE TO SEE IT JUST GET RECYCLED.” “I’M NOT REALLY THAT TYPE OF [NOSTALGIC] PERSON. THE CAMERAS TODAY ARE ALL DIGITAL, THEY GO RIGHT TO A SD CARD IN DIGITAL FORMAT. THERE’S NO MECHANICAL PARTS AND THAT’S PART OF THE REASON I WAS EMPLOYED BECAUSE SO MUCH OF WHAT I DID WAS BECAUSE PARTS WEAR OUT AND NEED TO BE FIXED AND REPLACED, WHERE THE NEW CAMERAS…IT’S NOT MUCH YOU CAN DO IF IT’S IN DIGITAL FORMAT AND [HAS] NO MECHANICAL MOVING PARTS. I DON’T MISS WORKING ON THEM, THAT COULD BE FRUSTRATING BECAUSE A LOT OF TINY LITTLE GEARS AND TIMING…YOU CAN SPEND HOURS AND NOT GET ANYWHERE, AND THEN FINALLY SHIP IT OUT TO THE MANUFACTURER BECAUSE YOU JUST COULDN’T GET ANYWHERE. YOU SPENT A WEEK WORKING ON IT AND NOW YOU’VE GOT TO, IN THE END, PAY SOMEONE TO DO IT. THOSE ARE FRUSTRATIONS, BUT IT IS SATISFYING WHEN YOU DO FIX A PROBLEM AND ARE ABLE TO FIX IT. BUT THOSE DAYS ARE BEHIND US AND I CAN’T SAY I MISS THEM. IT’S JUST DIFFERENT WAYS OF MAINTAINING CAMERAS NOW.” “IT’S HARD TO THROW OUT BECAUSE THE VALUE OF IT IS LIKE BUYING A CAR…AT THAT TIME. THAT’S WHAT YOU’RE DOING IS PUTTING A CAR ON YOUR SHOULDER, MAYBE NOT QUITE A CAR, BUT I’M GOING TO GUESS THIS CAMERA WAS PROBABLY FIFTEEN THOUSAND DOLLARS BACK THEN. THAT’S A LOT OF MONEY.” FOR MORE INFORMATION INCLUDING THE FULL INTERVIEW TRANSCRIPTION, PLEASE SEE THE PERMANENT FILE P20180005000-GA.
Catalogue Number
P20180005000
Acquisition Date
2018-03
Collection
Museum
Images
Less detail
Date Range From
1950
Date Range To
1960
Material Type
Artifact
Materials
COTTON, SILK, PLASTIC
Catalogue Number
P20170003000
  2 images  
Material Type
Artifact
Date Range From
1950
Date Range To
1960
Materials
COTTON, SILK, PLASTIC
No. Pieces
2
Length
51
Width
25.5
Description
IVORY AND PALE BLUE ROMPER; TWO PIECES, IVORY TOP AND BLUE SHORTS ATTACHED WITH SIX OPAQUE WHITE BUTTONS. TOP HAS FOUR IVORY BUTTONS RUNNING DOWN THE FRONT; SLEEVES HAVE A SINGLE WHITE BUTTON AT CUFFS. TOP HAS ELASTIC WAIST. BOTTOMS LINED WITH WHITE COTTON FABRIC; SEAMS ALONG LEGS AND SHOULDERS MACHINE-STITCHED WITH WHITE THREAD. FRONT HAS STITCHED WAVE-LINE PATTERN AND DOUBLE-LINE BORDERS ON LEFT AND RIGHT SIDES. FRONT IS CREASED AT TOP AND FADED ON BOTTOM; OVERALL VERY GOOD CONDITION.
Subjects
CLOTHING-OUTERWEAR
Historical Association
PERSONAL CARE
History
ON JANUARY 31M 2017, COLLECTIONS TECHNICIAN KEVIN MACLEAN INTERVIEWED TREVOR BENNETT ABOUT HIS DONATION OF A CHILD’S ROMPER. ACCORDING TO BENNETT, THE ROMPER WAS HAND-MADE BY HIS MATERNAL GRANDMOTHER IN ENGLAND AND WAS SENT TO LETHBRIDGE FOR HIS WEAR. WHEN ASKED ABOUT THE USE AND HISTORY OF THE ROMPER, BENNETT ELABORATED, “I HAVE SOME PICTURES OF ME WEARING THE SATIN SET. I DON’T REMEMBER WEARING THEM, BUT I HAVE A PICTURE OF ME WEARING THIS, AND BEING HELD, OR PUSHED…BY MY GRANDFATHER...HIS NAME WAS MICHAEL JOHN BENNETT. HE WAS A MAJOR FROM THE FIRST WORLD WAR.” “THEY WOULD HAVE BEEN [MADE] BY MY GRANDMOTHER WHO LIVED IN ENGLAND. SHE LIVED IN A LITTLE VILLAGE CALLED CURBRIDGE THAT WAS NEAR WHITNEY AND I KNOW MY PARENTS, AND MY GRANDPARENTS WERE MARRIED IN ST. MARY’S CHURCH IN WHITNEY.” “I CAN TELL [IT’S HOME-MADE] BY TURNING THE LINING OUT. THERE’S NO STITCHING ON THE BACK THAT INDICATES THAT IT CAME FROM ANY KIND OF STORE. I WOULD SAY IT WAS STITCHED ON A SEWING MACHINE THAT MY GRANDMOTHER HAD, AND I CAN JUST BARELY REMEMBER HER. WE WENT TO ENGLAND IN 1951, AND I STAYED WITH HER. SHE USED TO MAKE PLASTICINE TOYS FOR ME.” “MY GRANDMOTHER USED TO MAKE CLOTHING AND THINGS, AND SELL, AND SHE HAD A FAIR AMOUNT OF MACHINERY. I CAN REMEMBER SITTING AROUND IT, AND BEING TOLD TO KEEP MY HANDS AWAY FROM THINGS, THAT WAY I COULDN’T GET HURT BY THE MACHINERY.” “[I WORE THIS] EASILY FIFTY YEARS AGO. I REMEMBER THE SATIN SET, BECAUSE I USED TO HATE WEARING SATIN, AND I REMEMBER THE OTHER COTTON SET…I COULD WEAR THAT, AND I COULD BE IN THE GARDEN. IT DIDN’T MATTER IF IT GOT DIRTY, BECAUSE IT WAS WASHABLE. THE SATIN WASN’T WASHABLE, AND IF YOU WERE OUT IN THE GARDEN AND YOU GOT IT REALLY DIRTY, IT CAME WITH A PUNISHMENT.” “I PROBABLY WORE THESE ABOUT AGE TWO, AND I PROBABLY HAD OUTGROWN THEM BY THE TIME I WAS THREE AND A HALF.” BENNETT RECALLED HOW HE CAME INTO POSSESSION OF THE ROMPER, NOTING, “MY PARENTS DIED ABOUT TWENTY YEARS AGO. THEY HAD A CONDOMINIUM THAT WAS ABSOLUTELY FULL OF STUFF – SOME OF WHICH HAS FOUND ITS WAY DOWN HERE. [I] GOT A LEATHER CASE THAT MY MOTHER HAD PUT HER NAME ON IN A BLACK PAINT, AND I JUST DIDN’T FEEL LIKE OPENING ANY MORE BOXES, SO IT SAT IN THE FURNACE ROOM FOR TWENTY YEARS.” “I JUST HAD HAD ENOUGH OF SORTING THROUGH MY PARENT’S STUFF, AND DEALING WITH ALL SORTS OF THINGS, AND FINDING WHERE SHE HAD LEFT PARTS OF THINGS, AND MEETING WITH HER FRIENDS…THIS WAS LIGHT, AND I THOUGHT I’LL IGNORE IT FOR A WHILE. A WHILE BECAME MUCH LONGER THAN I EXPECTED. MY WIFE AND I HAD THINGS TO SAY ABOUT NOT TIDYING IT UP, SO IT [WAS] TIDIED UP.” “THEY WERE IN [THAT] SUITCASE THAT HASN’T BEEN OPENED FOR DECADES. I COULDN’T GET THE LOCKS OPEN BECAUSE…THEY WERE LOCKED, AND I DON’T HAVE A KEY. I TOOK IT TO A STORE WHERE I KNOW A PERSON…AND WE CUT THE LOCKS OFF THE CASE, AND ALL THAT WAS IN THEM WAS A VERY OLD, AND TIRED PLASTIC BAG, WITH SOME LITTLE BOY’S CLOTHES, THAT WOULD HAVE FITTED ME WHEN I WAS ABOUT TWO.” “I RECOGNIZED THEM BECAUSE THE PANTS ARE BUTTONED TO THE TOPS, AND THAT JUST SORT OF PREVENTS LITTLE BOYS FROM CRAWLING OUT OF THEIR CLOTHES. I KNOW I WAS NOT THE BEST LITTLE KID. I DIDN’T LIKE CLOTHES. I WAS MUCH HAPPIER NOT BOTHERING WITH CLOTHES.” “[WHEN I WORE THE OUTFIT] I WAS LIVING IN THE FIRST HOUSE MY PARENTS HAD – 1818 5TH AVENUE NORTH – A WOODEN HOUSE THAT WAS DISTINGUISHABLE FROM THE NEIGHBORS, BECAUSE IT HAD FOUR, BIG ROUND PILLARS ON THE FRONT VERANDA. IT STILL STANDS. IT WAS BUILT ABOUT 1900…THE BACKYARD, I REMEMBER, WAS ONE GREAT BIG VEGETABLE GARDEN. MY PARENT’S GREW THEIR OWN VEGETABLES, BECAUSE IT WAS THE THING THAT WAS DONE, BUT THEY DIDN’T HAVE A LOT OF MONEY IN THOSE DAYS, SO IF YOU COULD GROW YOUR THINGS, AND PICKLE THEM, YOU HAD MONEY IN THE BANK FOR OTHER THINGS.” “I REMEMBER NOT LIKING WHERE WE LIVED. I DIDN’T LIKE THE NEIGHBOR ON ONE SIDE. SHE SPOKE ONLY GERMAN, AND SHE USED TO HIT ME IF I PUT MY HANDS ON THE FENCE, AND SHE QUITE FREQUENTLY TURNED HER GARDEN HOSE ON ME. IT WAS A HOUSE THAT MY PARENTS COULD AFFORD TO BUY. I THINK THEY PAID $4000.00 FOR IT, AND THEY WERE THERE FOR ’48, ’49 – FOUR YEARS - AND MANAGED TO BUY A REALLY NICE HOUSE IN SOUTH LETHBRIDGE.” “[THE NEW HOUSE WAS] 1509 13TH STREET SOUTH. I CAN REMEMBER WHEN WE MOVED THERE. HALF WAY THROUGH THE LOT NEXT DOOR WAS A SIGN THAT SAID LETHBRIDGE CITY LIMITS. THAT CHANGED RATHER QUICKLY, AND IT BECAME A NEW SUBDIVISION. ONE OF OUR NEIGHBORS WAS A.L.H. SOMERVILLE, CITY MANAGER.” WHEN ASKED ABOUT HIS MOTHER’S CHOICE OF CLOTHING FOR HIM AS A CHILD, BENNETT RECALLED, “SHE ALWAYS BOUGHT CLOTHES, AND SHE QUITE FREQUENTLY WOULD BUY CLOTHING FROM A SECOND-HAND STORE. SHE WAS ALL ABOUT MAKING MONEY GO AS FAR AS IT COULD GO.” “HER FAVORITE STORE WAS THE T. EATON COMPANY, AND SHE WENT THERE AS FREQUENTLY AS CONVENIENT, BECAUSE THEY ALWAYS HAD A SALE ON. YOU COULD ALWAYS DIDDLE A LITTLE BIT WITH THE SALESMAN, AND GET IT FOR A LITTLE BIT CHEAPER THAN THE SALES PRICE, IF YOU WERE GOOD AT THAT, AND SHE WAS GOOD AT THAT. SHE WAS VERY GOOD AT GETTING THE PRICE THAT SHE THOUGHT SOMETHING WAS WORTH.” FOR MORE INFORMATION INCLUDING THE FULL INTERVIEW TRANSCRIPTION, PLEASE SEE PERMANENT FILE P20170003000-GA.
Catalogue Number
P20170003000
Acquisition Date
2017-01
Collection
Museum
Images
Less detail
Date Range From
1980
Date Range To
2015
Material Type
Artifact
Materials
POLYESTER, WOOL, METAL
Catalogue Number
P20170007001
  2 images  
Material Type
Artifact
Date Range From
1980
Date Range To
2015
Materials
POLYESTER, WOOL, METAL
No. Pieces
1
Length
74
Width
50
Description
PURPLE BLAZER JACKET WITH PURPLE LINING; FRONT LAPELS OF JACKET ARE DECORATED WITH PINS. FRONT LEFT AND RIGHT POCKETS LINED WITH GREY PATTERNED FABRIC; FRONT POCKETS HAVE WHITE AND PURPLE “LETHBRIDGE, NO. 32, OORP” AND “BRANDON, NO. 138, OORP” DIAMOND BADGES SEWN ON, WITH WHITE STAG IN CENTER OF TEXT. INSIDE OF BLAZER HAS BLACK TAG WITH WHITE STITCHED TEXT AT BACK OF COLLAR, “MADE IN / FABRIQUE EN CANADA”. TWO POCKETS SEWN INTO BLAZER LINING WITH WHITE CLOTH LINING; INSIDE RIGHT-WEARING INNER POCKET IS WHITE TAG WITH BILINGUAL (FRENCH AND ENGLISH) TEXT “MADE IN CANADA, CA – 00023, 55% POLYESTER, 45% WOOL DRY CLEAN ONLY”. OUTSIDE OF RIGHT-WEARING INNER POCKET HAS TAG SEWN ON; BLACK WITH WHITE TEXT “VETEMENTS, CLOTHES” AND GOLD-STITCHED TEXT BETWEEN WHITE READING “BILTMORE” AND GOLD AND WHITE LOGO IN UPPER LEFT CORNER “LP”. TWO GOLD CHECKERED BUTTONS DOWN FRONT OF BLAZER AND TWO AT EACH CUFF. BLAZER HAS FADING ON INSIDE OF CUFFS, AND STAINING ON FRONT LEFT-WEARING SIDE; OVERALL VERY GOOD CONDITION. ON FRONT RIGHT-WEARING LAPEL, PINS INCLUDE: GOLD-FINISHED PIN WITH RED AND WHITE CANADA FLAG AND BLUE AND WHITE CROSS FLAG; GOLD-FINISHED FLYING DOVE PIN; RED AND WHITE CANADA FLAG PIN; WHITE PLASTIC NAME TAG WITH SILVER ORDER OF ROYAL PURPLE SEAL AND BLACK TEXT “LETHBRIDGE LODGE NO. 32, DOROTHY TAYLOR”; GOLD-FINISHED PIN GREY, WHITE AND PEACH IMAGE OF WOMAN AND BLACK TEXT ABOVE IMAGE “DEAF DETECTION” AND BLACK TEXT BELOW IMAGE “PHOEBE MCCULLOUGH, 1896-1971”; GOLD-FINISHED PIN OF MAPLE LEAF WITH GOLD ORDER OF ROYAL PURPLE STAG ON A PURPLE BACKGROUND SURROUNDED BY GOLD LETTERS “OORP”; GOLD-FINISHED PIN WITH BAR SHAPED LIKE BOW AND HANGING SEAL OF THE ORDER OF ROYAL PURPLE; GOLD-FINISHED PIN WITH GOLD BORDER AROUND PURPLE AND YELLOW FLOWERS ON GREEN BACKGROUND, WITH ENGRAVED TEXT ON BORDER “MANITOBA ROYAL PURPLE ASSOCIATION”. ON LEFT-WEARING LAPEL IS PURPLE RIBBON WITH GOLD-FINISHED ATTACHMENT TO JACKET AND WHITE FRINGE, ON RIBBON GOLD-FINISHED PINS INCLUDE: TWO GOLD BARS ATTACHED WITH CHAIN AND HANGING ORNATE SEAL OF THE ORDER OF ROYAL PURPLE, TEXT ON TOP BAR READS “BRANDON LODGE NO. 138”, LOWER BAR TEXT READS “1998-1999”; BAR PIN WITH PURPLE TEXT “15 YRS” AND ORDER OF ROYAL PURPLE SEAL IN CENTER; BAR PIN WITH TWO TEXT BANNERS TO THE UPPER LEFT AND LOWER RIGHT OF ORDER OF ROYAL PURPLE SEAL, UPPER BANNER READS “20” AND LOWER BANNER READS “YRS”; OVAL PIN WITH ORDER OF ROYAL PURPLE SEAL IN CENTER AND BOTTOM BANNER READING “LIFE MEMBER”; FLOWER PIN WITH ORDER OF ROYAL PURPLE SEAL IN CENTER AND SIX HANGING BARS THAT READ “25 YEARS”, “30 YEARS”, “35 YEARS”, “40 YEARS”, “45 YEARS”, “50 YEARS”.
Subjects
CLOTHING-OUTERWEAR
Historical Association
ASSOCIATIONS
PERSONAL CARE
History
ON FEBRUARY 22, 2017, COLLECTIONS TECHNICIAN KEVIN MACLEAN INTERVIEWED WILMA WOOD, DAUGHTER OF DOROTHY TAYLOR, ABOUT HER DONATION OF TAYLOR’S ORDER OF ROYAL PURPLE REGALIA. THE REGALIA REPRESENTED TAYLOR’S 50-YEAR INVOLVEMENT WITH THE ORDER OF ROYAL PURPLE FROM BRANDON, MANITOBA TO LETHBRIDGE, ALBERTA. WHEN ASKED ABOUT HER MOTHER’S BLAZER, WOOD RECALLED, “[MY MOTHER WAS WEARING THIS] WITHIN THE [PAST] TWO OR THREE YEARS, AS YOU CAN SEE, SHE HAD IT ON WHEN SHE RECEIVED HER 50 YEAR PIN. I THINK SHE WENT TO ONE MORE ACTIVITY BEFORE SHE COULDN’T ANYMORE BECAUSE SHE’S BEEN WHEELCHAIR BOUND FOR 15 YEARS. IT GOT MORE AND MORE DIFFICULT FOR HER TO GET OUT.” MACLEAN ADDITIONALLY INTERVIEWED ANN MARIE MCDONALD OF THE LETHBRIDGE ORDER OF ROYAL PURPLE ON JUNE 6, 2017. ON THE BLAZER, MCDONALD ELABORATED, “WHEN I JOINED IN ’89, THEY WERE MOVING INTO THE NEW JACKETS…WE USED TO PASS DOWN JACKETS. WE USED TO HAVE A CUPBOARD. IF A LADY PASSED AWAY, YOU’D DRY-CLEAN HER JACKET, AND PUT IT INTO THE CUPBOARD…PROBABLY ABOUT 1985 THEY STARTED REPLACING THE JACKETS. I KNOW [THIS WAS DOROTHY’S JACKET] ORIGINALLY, IT HAD PIPING ON IT, AND…IT HAD BRANDON. SHE WORE THE BRANDON [BADGE] ON IT – THEN, SHE OBVIOUSLY GOT THE NEW JACKET MADE, AND THEN PUT THE [PATCH] ON HER POCKETS. IN THOSE DAYS, BEFORE I JOINED ROYAL PURPLE, YOU HAD A PATCH. YOU ALWAYS WORE THE PATCH OF YOUR LODGE ON YOUR JACKET.” “YOU WEAR WHAT ARE CALLED YOUR JEWELS ON YOUR LEFT SIDE. THIS [RIBBON WITH HER YEARS] WOULD BE A JEWEL.” “SHE WAS HONORABLE ROYAL LADY IN BRANDON, IN, POSSIBLY, 1975-76, THAT’S WHEN SHE WOULD HAVE BEEN IN.” MCDONALD ELABORATED ON THE PINS ON TAYLOR’S BLAZER, NOTING, “EACH YEAR THAT YOU STAY IN LODGE, THEY GIVE YOU A BAR. I’M THINKING MAYBE SHE DIDN’T [A BAR PIN] FROM OUR LODGE, BECAUSE SHE WAS ALREADY AN HONORED ROYAL LADY IN BRANDON. SHE JUST TOOK THE BAR, AND HAD THE BAR PUT ON HER OLD PIN – HER BRANDON PIN.” “BARS WERE [GIVEN] IF, FOR EXAMPLE, YOU WERE ON THE DRILL TEAM. YOU WOULD GET A BAR EVERY YEAR THAT YOU’RE ON THE DRILL TEAM. IF YOU WERE OUR PIANIST, YOU GOT A BAR EVERY YEAR THAT YOU STAYED AS PIANIST. SHE WAS OBVIOUSLY ON THE DRILL TEAM FOR 3 YEARS HERE. EVERY YEAR THEY GIVE YOU 1, UP TO 10. EVERY 5 YEARS YOU GOT A BAR.” “[THE CLASP PIN] IS HER 15TH YEAR BAR, SO WHEN SHE WAS IN OUR LODGE 15 YEARS…ALTHOUGH I’M NOT SURE WITH DOROTHY, IF THEY COMBINED HERS OR NOT. I KNOW THEY COMBINED HERS FOR HER 50TH. YOU WOULD WEAR IT ON [THE] RIBBON. ON THE LEFT HAND SIDE. THE LEFT SIDE IS WHAT WE CONSIDER IS OVER YOUR HEART. YOU WEAR ALL YOUR JEWELS OVER YOUR HEART.” “[THE MAPLE LEAF] IS AN INSTALLATION PIN. WHEN YOU JOIN THE LODGE, THEY GIVE YOU AN INSTALLATION PIN. THEY WANT ACKNOWLEDGE [YOUR INSTALLATION], IT’S NOT SOMETHING YOU EARN. IT’S KIND OF “WELCOME TO THE LODGE”. SHE WOULD WEAR THIS…ON HER REGALIA [LEFT] SIDE.” “NOW [THE PINS ON THE RIGHT SIDE] I DON’T KNOW WHAT [THEY ALL] ARE. DEAF DETECTION…ARE PINS, IN OUR ORGANIZATION THEY PUT OUT TONS OF PINS AND THEN SELL THEM. THERE WAS SOME FUND-RAISER FOR DEAF DETECTION, AND SHE BOUGHT A PIN.” “[THE PURPLE FLORAL PIN] IS A MANITOBA ROYAL PURPLE ASSOCIATION. SHE WOULDN’T HAVE [WORN THIS ON HER REGALIA] BECAUSE…THEY SELL THE PINS AND THEY MAKE MONEY. HER PERFECT ATTENDANCE [PIN], 5 YEARS SHE COULD WEAR ON HER REGALIA PIN. THERE IS A KEEPSAKE [PIN] THAT THEY HAD WHEN THEY HAD THEIR YEAR 2000…[YOU] BOUGHT THE PIN TO SUPPORT THE LODGE. THERE IS A BRANDON PIN. SHE WOULDN’T WEAR IT WITH HER REGALIA THOUGH…IT’S PURCHASED FOR BRANDON. [THERE IS] THE 12TH COLLECTION EDITION OF ROYAL PURPLE. THE BIRD [HAS NO SIGNIFICANCE] WITH OUR LODGE. ON DOROTHY TAYLOR’S INVOLVEMENT IN THE ORDER OF ROYAL PURPLE, MCDONALD RECALLED, “SHE WOULD HAVE BEEN IN OUR LODGE BY [1989]. SHE WAS A DUAL MEMBER OF OUR LODGE. SHE PAID HER DUES TO BRANDON, AND SHE PAID TO US FOR MANY YEARS, BECAUSE SHE LOVED BRANDON, AND HER HEART WAS IN BRANDON. SHE HAD FRIENDS, TOO, LADIES IN BRANDON THAT SHE STAYED REALLY GOOD FRIENDS WITH…WHEN SHE WAS HONORABLE ROYAL LADY, [THE BAR PIN] WASN’T THERE. [THE REST] ARE ALL FUND-RAISERS…[THERE IS ONE FOR] FUND FOR CHILDREN, WHICH WAS OUR NATIONAL CHARITY.” WOOD DISCUSSED HER MOTHER’S TIME IN THE ORDER OF ROYAL PURPLE, STATING, “SHE CONSIDERS [THESE OBJECTS IN ACTIVE USE]. SHE IS VERY MUCH A PERSON WHO VALUES THAT SOCIETY. IT HELPED HER A NUMBER OF TIMES. AS YOU GROW OLDER, ALL OF A SUDDEN YOU DISCOVER THAT YOUR BRAIN ISN’T AS ACTIVE AS IT SHOULD BE AND THE MEMORY IS GOING. SHE WOULD PUT HERSELF INTO POSITIONS WITHIN THE ORGANIZATION INCLUDING BEING PRESIDENT, THREE OR FOUR TIMES. SHE HAD TO BE AN ORGANIZER, SHE HAD TO GET HER BRAIN AND KEEP HER BRAIN FUNCTIONING, WHICH I THOUGHT WAS VERY ADMIRABLE FOR A WOMAN HER AGE BECAUSE…SHE WAS IN HER EIGHTIES. SHE RECEIVED HER 50 YEAR PIN, I THINK IT WAS TWO YEARS AGO OR THREE.” “SHE JOINED [THE ORDER OF ROYAL PURPLE] IN BRANDON, MANITOBA WHERE [MY PARENTS] WERE LIVING AT THE TIME, AND MY DAD RETIRED THERE. THEY MOVED HERE TO LETHBRIDGE BECAUSE MY BROTHER LIVED HERE, AND MY UNCLE ART GOOD…HE LIVED HERE AND THEY WANTED TO BE CLOSER TO FAMILY. THEY MOVED TO LETHBRIDGE AND MY DAD DIED SHORTLY AFTER THAT.” “[SHE JOINED] BECAUSE OF HER FRIENDS. SHE HAD A FRIENDSHIP GROUP AND THEY BELONGED. THEY RECRUITED HER.” “WHEN SHE WAS VERY ACTIVE, SHE WAS A MAJOR RECRUITER. SHE WENT OUT AND FOUND YOUNG WOMEN BUT THEY FELL BY THE WAYSIDE BECAUSE OF LIFE. SHE WAS CERTAINLY VERY ACTIVE IN THEIR PROJECTS, ONE OF WHICH WAS FINDING FINANCES TO EDUCATE YOUNG PEOPLE. WHATEVER THEY WERE [DOING], SHE WAS INTO IT FULL TILT BECAUSE THAT’S THE KIND OF PERSON SHE IS…WHATEVER SHE DOES IS FULL BLAST, FULL BORE. SHE NEVER TOLD ME ANY DETAILS ABOUT THE SOCIETY BECAUSE IT’S ONE OF THOSE SECRET SISTERHOODS. SHE WAS ALWAYS VERY PROUD TO BE A MEMBER OF IT.” “THIS [CHAPTER] DID A LOT OF EDUCATIONAL SUPPORT…SHE TRAVELED WITH THEM BECAUSE IT WAS A CANADIAN ORGANIZATION, SO THEY HAD THEIR ANNUAL GENERAL MEETINGS ALL OVER CANADA. SHE CAME OUT TO VANCOUVER TO A MEETING AND I WENT OVER TO VANCOUVER TO MEET HER AND SAY “HOWDY”. SHE WENT OUT TO THE PREMIER’S, AT THAT TIME WAS VANDER ZALM, AND HE HAD THE BIG GARDENS OUT NEAR STEVESTON. SHE WENT OUT THERE AND SHE MET HIM.” “A YEAR AGO ABOUT THIS TIME, THAT’S WHEN [THE ORDER WAS] FOLDING. THE ALBERTA CLUBS WERE ALL IMPLODING, AND I THINK THERE’S ONLY ONE LEFT IN SOUTHERN ALBERTA. IT WAS THE ISSUE THAT THEY WERE ALL OLD PEOPLE AND YOUNG PEOPLE DID NOT WANT TO JOIN THESE KINDS OF ORGANIZATIONS ANY LONGER…[THIS HAPPENED BECAUSE] I THINK WE HAVE MORE LEGAL SUPPORT. THE GOVERNMENT HAS SET UP HEALTH CARE, COMMUNITIES HAVE SET UP ASSISTANCE FOR WOMEN WHO ARE ABUSED, THERE’S DRUG ASSISTANCE. THERE IS MUCH MORE ASSISTANCE AVAILABLE. IN THE EARLY DAYS ON THE PRAIRIES, IF YOU DIDN’T KNOW YOUR NEXT DOOR NEIGHBOR, WHO MIGHT BE TWENTY MILES AWAY, YOU WERE IN DEEP DOO-DOO IF YOU HAD A BIG PROBLEM. THAT’S WHAT THESE SOCIETIES CAME OUT OF WAS THAT NEED. THE NEED PRETTY WELL HAS BEEN TAKEN CARE OF, I THINK. THERE ARE STILL CLUBS BUT THEY’RE DIFFERENT KINDS OF CLUBS NOW.” WHEN ASKED ABOUT HER MOTIVATION FOR DONATING HER MOTHER’S REGALIA TO THE MUSEUM, WOOD NOTED, “MY MOTHER HAS TURNED 99 YEARS OLD IN JANUARY. SHE HAS DEMENTIA AND SO WE’VE HAD TO MOVE HER FROM HER SENIOR’S LODGE ROOM INTO A MORE SECURE ROOM. CONSEQUENTLY THE LAST OF THE THINGS THAT SHE TREASURED OR VALUED MUST BE DISPERSED. MY BROTHER AND I DECIDED THAT, SINCE THE ELKS AND THE ROYAL PURPLE MEANT SO MUCH TO HER, THAT [THESE WERE] THE [OBJECTS] WE WOULD LIKE TO DONATE TO THE MUSEUM. IT DEPICTS A PERIOD OF TIME WHEN THE WOMEN USED THESE ASSOCIATIONS AS A SUPPORT GROUP FOR THEMSELVES. IT WAS ANOTHER ONE OF THESE SECRET SOCIETIES, WHEN IN FACT THEY WERE SISTERHOODS. THEY WERE MEANT MAINLY FOR THEM TO HAVE PEOPLE TO SUPPORT EACH OTHER. SINCE THIS ORGANIZATION HAS BASICALLY COLLAPSED, I THOUGHT IT WAS SOMETHING THAT THE MUSEUM SHOULD HAVE BECAUSE IT DOES SHOW THAT PERIOD OF TIME IN THE SOCIAL HISTORY OF CANADA.” FOR MORE INFORMATION INCLUDING FULL INTERVIEW TRANSCRIPTIONS, PLEASE SEE THE PERMANENT FILE P20170007001-GA.
Catalogue Number
P20170007001
Acquisition Date
2017-02
Collection
Museum
Images
Less detail
Date Range From
1980
Date Range To
2015
Material Type
Artifact
Materials
COTTON, PLASTIC
Catalogue Number
P20170007002
  2 images  
Material Type
Artifact
Date Range From
1980
Date Range To
2015
Materials
COTTON, PLASTIC
No. Pieces
1
Length
67
Width
44
Description
WHITE LINEN BLOUSE WITH SIX WHITE PLASTIC BUTTONS RUNNING DOWN FRONT, AND ONE AT EACH CUFF. BLOUSE HAS FLORAL-PATTERNED EMBROIDERED LINING OVER BUTTON HOLES DOWN FRONT, AND FLORAL-PATTERNED EMBROIDERY AT COLLAR. INSIDE COLLAR OF BLOUSE HAS WHITE TAG WITH YELLOW AND BLACK TEXT “ELITE, INTERNATIONAL, CA – 00034. INSIDE LEFT-WEARING SIDE OF BLOUSE IS WHITE TAG WITH BLACK TEXT “18” AND TWO WHITE PLASTIC BUTTONS. BLOUSE SHOWS LITTLE SIGNS OF WEAR; OVERALL EXCELLENT CONDITION.
Subjects
CLOTHING-OUTERWEAR
Historical Association
ASSOCIATIONS
PERSONAL CARE
History
ON FEBRUARY 22, 2017, COLLECTIONS TECHNICIAN KEVIN MACLEAN INTERVIEWED WILMA WOOD, DAUGHTER OF DOROTHY TAYLOR, ABOUT HER DONATION OF TAYLOR’S ORDER OF ROYAL PURPLE REGALIA. THE REGALIA REPRESENTED TAYLOR’S 50-YEAR INVOLVEMENT WITH THE ORDER OF ROYAL PURPLE FROM BRANDON, MANITOBA TO LETHBRIDGE, ALBERTA. WOOD DISCUSSED HER MOTHER’S TIME IN THE ORDER OF ROYAL PURPLE, STATING, “SHE CONSIDERS [THESE OBJECTS IN ACTIVE USE]. SHE IS VERY MUCH A PERSON WHO VALUES THAT SOCIETY. IT HELPED HER A NUMBER OF TIMES. AS YOU GROW OLDER, ALL OF A SUDDEN YOU DISCOVER THAT YOUR BRAIN ISN’T AS ACTIVE AS IT SHOULD BE AND THE MEMORY IS GOING. SHE WOULD PUT HERSELF INTO POSITIONS WITHIN THE ORGANIZATION INCLUDING BEING PRESIDENT, THREE OR FOUR TIMES. SHE HAD TO BE AN ORGANIZER, SHE HAD TO GET HER BRAIN AND KEEP HER BRAIN FUNCTIONING, WHICH I THOUGHT WAS VERY ADMIRABLE FOR A WOMAN HER AGE BECAUSE…SHE WAS IN HER EIGHTIES. SHE RECEIVED HER 50 YEAR PIN, I THINK IT WAS TWO YEARS AGO OR THREE.” “SHE JOINED [THE ORDER OF ROYAL PURPLE] IN BRANDON, MANITOBA WHERE [MY PARENTS] WERE LIVING AT THE TIME, AND MY DAD RETIRED THERE. THEY MOVED HERE TO LETHBRIDGE BECAUSE MY BROTHER LIVED HERE, AND MY UNCLE ART GOOD…HE LIVED HERE AND THEY WANTED TO BE CLOSER TO FAMILY. THEY MOVED TO LETHBRIDGE AND MY DAD DIED SHORTLY AFTER THAT.” “[SHE JOINED] BECAUSE OF HER FRIENDS. SHE HAD A FRIENDSHIP GROUP AND THEY BELONGED. THEY RECRUITED HER.” “WHEN SHE WAS VERY ACTIVE, SHE WAS A MAJOR RECRUITER. SHE WENT OUT AND FOUND YOUNG WOMEN BUT THEY FELL BY THE WAYSIDE BECAUSE OF LIFE. SHE WAS CERTAINLY VERY ACTIVE IN THEIR PROJECTS, ONE OF WHICH WAS FINDING FINANCES TO EDUCATE YOUNG PEOPLE. WHATEVER THEY WERE [DOING], SHE WAS INTO IT FULL TILT BECAUSE THAT’S THE KIND OF PERSON SHE IS…WHATEVER SHE DOES IS FULL BLAST, FULL BORE. SHE NEVER TOLD ME ANY DETAILS ABOUT THE SOCIETY BECAUSE IT’S ONE OF THOSE SECRET SISTERHOODS. SHE WAS ALWAYS VERY PROUD TO BE A MEMBER OF IT.” “THIS [CHAPTER] DID A LOT OF EDUCATIONAL SUPPORT…SHE TRAVELED WITH THEM BECAUSE IT WAS A CANADIAN ORGANIZATION, SO THEY HAD THEIR ANNUAL GENERAL MEETINGS ALL OVER CANADA. SHE CAME OUT TO VANCOUVER TO A MEETING AND I WENT OVER TO VANCOUVER TO MEET HER AND SAY “HOWDY”. SHE WENT OUT TO THE PREMIER’S, AT THAT TIME WAS VANDER ZALM, AND HE HAD THE BIG GARDENS OUT NEAR STEVESTON. SHE WENT OUT THERE AND SHE MET HIM.” “A YEAR AGO ABOUT THIS TIME, THAT’S WHEN [THE ORDER WAS] FOLDING. THE ALBERTA CLUBS WERE ALL IMPLODING, AND I THINK THERE’S ONLY ONE LEFT IN SOUTHERN ALBERTA. IT WAS THE ISSUE THAT THEY WERE ALL OLD PEOPLE AND YOUNG PEOPLE DID NOT WANT TO JOIN THESE KINDS OF ORGANIZATIONS ANY LONGER…[THIS HAPPENED BECAUSE] I THINK WE HAVE MORE LEGAL SUPPORT. THE GOVERNMENT HAS SET UP HEALTH CARE, COMMUNITIES HAVE SET UP ASSISTANCE FOR WOMEN WHO ARE ABUSED, THERE’S DRUG ASSISTANCE. THERE IS MUCH MORE ASSISTANCE AVAILABLE. IN THE EARLY DAYS ON THE PRAIRIES, IF YOU DIDN’T KNOW YOUR NEXT DOOR NEIGHBOR, WHO MIGHT BE TWENTY MILES AWAY, YOU WERE IN DEEP DOO-DOO IF YOU HAD A BIG PROBLEM. THAT’S WHAT THESE SOCIETIES CAME OUT OF WAS THAT NEED. THE NEED PRETTY WELL HAS BEEN TAKEN CARE OF, I THINK. THERE ARE STILL CLUBS BUT THEY’RE DIFFERENT KINDS OF CLUBS NOW.” WHEN ASKED ABOUT HER MOTIVATION FOR DONATING HER MOTHER’S REGALIA TO THE MUSEUM, WOOD NOTED, “MY MOTHER HAS TURNED 99 YEARS OLD IN JANUARY. SHE HAS DEMENTIA AND SO WE’VE HAD TO MOVE HER FROM HER SENIOR’S LODGE ROOM INTO A MORE SECURE ROOM. CONSEQUENTLY THE LAST OF THE THINGS THAT SHE TREASURED OR VALUED MUST BE DISPERSED. MY BROTHER AND I DECIDED THAT, SINCE THE ELKS AND THE ROYAL PURPLE MEANT SO MUCH TO HER, THAT [THESE WERE] THE [OBJECTS] WE WOULD LIKE TO DONATE TO THE MUSEUM. IT DEPICTS A PERIOD OF TIME WHEN THE WOMEN USED THESE ASSOCIATIONS AS A SUPPORT GROUP FOR THEMSELVES. IT WAS ANOTHER ONE OF THESE SECRET SOCIETIES, WHEN IN FACT THEY WERE SISTERHOODS. THEY WERE MEANT MAINLY FOR THEM TO HAVE PEOPLE TO SUPPORT EACH OTHER. SINCE THIS ORGANIZATION HAS BASICALLY COLLAPSED, I THOUGHT IT WAS SOMETHING THAT THE MUSEUM SHOULD HAVE BECAUSE IT DOES SHOW THAT PERIOD OF TIME IN THE SOCIAL HISTORY OF CANADA.” FOR MORE INFORMATION INCLUDING FULL INTERVIEW TRANSCRIPTIONS, PLEASE SEE THE PERMANENT FILE P20170007001-GA.
Catalogue Number
P20170007002
Acquisition Date
2017-02
Collection
Museum
Images
Less detail
Date Range From
1980
Date Range To
2015
Material Type
Artifact
Materials
POLYESTER, COTTON
Catalogue Number
P20170007003
  1 image  
Material Type
Artifact
Date Range From
1980
Date Range To
2015
Materials
POLYESTER, COTTON
No. Pieces
1
Length
71.5
Width
40
Description
WHITE PLEATED SKIRT WITH ELASTIC WAIST; INSIDE BACK OF SKIRT HAS GREY TAG WITH BLACK TEXT “TRADITION, SEARS”. WHITE TAG UNDERNEATH HAS BLACK AND RED TEXT “100% POLYESTER, CA – 02945, MODELE/STYLE 207902, LOT, 2 ½, TAILLE/SIZE, 16, FABRIQUE AU/MADE IN CANADA, EXCLUSIVE OF TRIM”. FRONT OF SKIRT IS STAINED ON RIGHT-WEARING AND LEFT-WEARING SIDES; OVERALL VERY GOOD CONDITION.
Subjects
CLOTHING-OUTERWEAR
Historical Association
ASSOCIATIONS
PERSONAL CARE
History
ON FEBRUARY 22, 2017, COLLECTIONS TECHNICIAN KEVIN MACLEAN INTERVIEWED WILMA WOOD, DAUGHTER OF DOROTHY TAYLOR, ABOUT HER DONATION OF TAYLOR’S ORDER OF ROYAL PURPLE REGALIA. THE REGALIA REPRESENTED TAYLOR’S 50-YEAR INVOLVEMENT WITH THE ORDER OF ROYAL PURPLE FROM BRANDON, MANITOBA TO LETHBRIDGE, ALBERTA. WOOD DISCUSSED HER MOTHER’S TIME IN THE ORDER OF ROYAL PURPLE, STATING, “SHE CONSIDERS [THESE OBJECTS IN ACTIVE USE]. SHE IS VERY MUCH A PERSON WHO VALUES THAT SOCIETY. IT HELPED HER A NUMBER OF TIMES. AS YOU GROW OLDER, ALL OF A SUDDEN YOU DISCOVER THAT YOUR BRAIN ISN’T AS ACTIVE AS IT SHOULD BE AND THE MEMORY IS GOING. SHE WOULD PUT HERSELF INTO POSITIONS WITHIN THE ORGANIZATION INCLUDING BEING PRESIDENT, THREE OR FOUR TIMES. SHE HAD TO BE AN ORGANIZER, SHE HAD TO GET HER BRAIN AND KEEP HER BRAIN FUNCTIONING, WHICH I THOUGHT WAS VERY ADMIRABLE FOR A WOMAN HER AGE BECAUSE…SHE WAS IN HER EIGHTIES. SHE RECEIVED HER 50 YEAR PIN, I THINK IT WAS TWO YEARS AGO OR THREE.” “SHE JOINED [THE ORDER OF ROYAL PURPLE] IN BRANDON, MANITOBA WHERE [MY PARENTS] WERE LIVING AT THE TIME, AND MY DAD RETIRED THERE. THEY MOVED HERE TO LETHBRIDGE BECAUSE MY BROTHER LIVED HERE, AND MY UNCLE ART GOOD…HE LIVED HERE AND THEY WANTED TO BE CLOSER TO FAMILY. THEY MOVED TO LETHBRIDGE AND MY DAD DIED SHORTLY AFTER THAT.” “[SHE JOINED] BECAUSE OF HER FRIENDS. SHE HAD A FRIENDSHIP GROUP AND THEY BELONGED. THEY RECRUITED HER.” “WHEN SHE WAS VERY ACTIVE, SHE WAS A MAJOR RECRUITER. SHE WENT OUT AND FOUND YOUNG WOMEN BUT THEY FELL BY THE WAYSIDE BECAUSE OF LIFE. SHE WAS CERTAINLY VERY ACTIVE IN THEIR PROJECTS, ONE OF WHICH WAS FINDING FINANCES TO EDUCATE YOUNG PEOPLE. WHATEVER THEY WERE [DOING], SHE WAS INTO IT FULL TILT BECAUSE THAT’S THE KIND OF PERSON SHE IS…WHATEVER SHE DOES IS FULL BLAST, FULL BORE. SHE NEVER TOLD ME ANY DETAILS ABOUT THE SOCIETY BECAUSE IT’S ONE OF THOSE SECRET SISTERHOODS. SHE WAS ALWAYS VERY PROUD TO BE A MEMBER OF IT.” “THIS [CHAPTER] DID A LOT OF EDUCATIONAL SUPPORT…SHE TRAVELED WITH THEM BECAUSE IT WAS A CANADIAN ORGANIZATION, SO THEY HAD THEIR ANNUAL GENERAL MEETINGS ALL OVER CANADA. SHE CAME OUT TO VANCOUVER TO A MEETING AND I WENT OVER TO VANCOUVER TO MEET HER AND SAY “HOWDY”. SHE WENT OUT TO THE PREMIER’S, AT THAT TIME WAS VANDER ZALM, AND HE HAD THE BIG GARDENS OUT NEAR STEVESTON. SHE WENT OUT THERE AND SHE MET HIM.” “A YEAR AGO ABOUT THIS TIME, THAT’S WHEN [THE ORDER WAS] FOLDING. THE ALBERTA CLUBS WERE ALL IMPLODING, AND I THINK THERE’S ONLY ONE LEFT IN SOUTHERN ALBERTA. IT WAS THE ISSUE THAT THEY WERE ALL OLD PEOPLE AND YOUNG PEOPLE DID NOT WANT TO JOIN THESE KINDS OF ORGANIZATIONS ANY LONGER…[THIS HAPPENED BECAUSE] I THINK WE HAVE MORE LEGAL SUPPORT. THE GOVERNMENT HAS SET UP HEALTH CARE, COMMUNITIES HAVE SET UP ASSISTANCE FOR WOMEN WHO ARE ABUSED, THERE’S DRUG ASSISTANCE. THERE IS MUCH MORE ASSISTANCE AVAILABLE. IN THE EARLY DAYS ON THE PRAIRIES, IF YOU DIDN’T KNOW YOUR NEXT DOOR NEIGHBOR, WHO MIGHT BE TWENTY MILES AWAY, YOU WERE IN DEEP DOO-DOO IF YOU HAD A BIG PROBLEM. THAT’S WHAT THESE SOCIETIES CAME OUT OF WAS THAT NEED. THE NEED PRETTY WELL HAS BEEN TAKEN CARE OF, I THINK. THERE ARE STILL CLUBS BUT THEY’RE DIFFERENT KINDS OF CLUBS NOW.” WHEN ASKED ABOUT HER MOTIVATION FOR DONATING HER MOTHER’S REGALIA TO THE MUSEUM, WOOD NOTED, “MY MOTHER HAS TURNED 99 YEARS OLD IN JANUARY. SHE HAS DEMENTIA AND SO WE’VE HAD TO MOVE HER FROM HER SENIOR’S LODGE ROOM INTO A MORE SECURE ROOM. CONSEQUENTLY THE LAST OF THE THINGS THAT SHE TREASURED OR VALUED MUST BE DISPERSED. MY BROTHER AND I DECIDED THAT, SINCE THE ELKS AND THE ROYAL PURPLE MEANT SO MUCH TO HER, THAT [THESE WERE] THE [OBJECTS] WE WOULD LIKE TO DONATE TO THE MUSEUM. IT DEPICTS A PERIOD OF TIME WHEN THE WOMEN USED THESE ASSOCIATIONS AS A SUPPORT GROUP FOR THEMSELVES. IT WAS ANOTHER ONE OF THESE SECRET SOCIETIES, WHEN IN FACT THEY WERE SISTERHOODS. THEY WERE MEANT MAINLY FOR THEM TO HAVE PEOPLE TO SUPPORT EACH OTHER. SINCE THIS ORGANIZATION HAS BASICALLY COLLAPSED, I THOUGHT IT WAS SOMETHING THAT THE MUSEUM SHOULD HAVE BECAUSE IT DOES SHOW THAT PERIOD OF TIME IN THE SOCIAL HISTORY OF CANADA.” FOR MORE INFORMATION INCLUDING FULL INTERVIEW TRANSCRIPTIONS, PLEASE SEE THE PERMANENT FILE P20170007001-GA.
Catalogue Number
P20170007003
Acquisition Date
2017-02
Collection
Museum
Images
Less detail
Other Name
CARTON, MILK
Date Range From
1957
Date Range To
1970
Material Type
Artifact
Materials
PAPER, INK
Catalogue Number
P20160019000
  1 image  
Material Type
Artifact
Other Name
CARTON, MILK
Date Range From
1957
Date Range To
1970
Materials
PAPER, INK
No. Pieces
1
Height
24
Length
7.4
Width
7.2
Description
CARDBOARD MILK CARTON. SIDE ONE HAS “HOMOGENIZED MILK” ON TOP FOLD IN GREEN BLOCK LETTERING. FADED, BLACK INK STAMP ON THIS FOLD SAYS “?A 2 -45.” ON THE MAIN SECTION OF THIS SIDE THERE IS THE PURITY LOGO (“PURITY” IN PURPLE CURSIVE FONT), A PURPLE AND GREEN FLOWER, AND THE WORDS “CREAM IN EVERY DROP” IN PURPLE CURSIVE. ON THE BASE OF THIS PANEL IT SAYS “… HEAD OFFICE LETHBRIDGE.” THE OPPOSING SIDE (SIDE 3) IS SIMILAR, BUT WITH THE INDICATION OF “NET CONTENTS ONE QUART” AT THE BASE OF THE PANEL. SIDE 2’S TOP FOLD SAYS, “THE CONTAINER COVERED BY CANADIAN PATENTS 1941 – 395.645 1957 – 542-432… MANUFACTURED UNDER LICENSE FROM EX-CELL-O CORPORATION.” THE MAIN SECTION HAS THE PURITY LOGO AND THE SLOGANS “IT’S PURE. THAT’S SURE” AND “YOURS TO LOVE. OURS TO PROTECT.” ADDITIONALLY THIS SIDE INDICATED THAT THE MILK IS “PASTURIZED” AND IS “NOT LESS THAN 3.25% B.F.” PARALLEL TO THAT IS SIDE 4 WITH A TOP FOLD THAT HAS “SPOUT” MARKED ON IT. ON THE TOP FOLD, IT SAYS “PUREPAK” “YOUR PERSONAL MILK CONTAINER.” THE MAIN SECTION OF THIS HAS A GREEN ILLUSTRATION OF A CHURCH WITH “ATTEND THE CHURCH OF YOUR CHOICE…” ON THE BOTTOM OF THE CARTON, THERE ARE NUMBERS AND/OR LETTERS THAT WERE STAMPED INTO THE BOTTOM. A “W” IS VISIBLE. GOOD CONDITION. COLOUR OF CARDBOARD HAS YELLOWED OVERALL. THERE ARE VARIOUS STAINS ON THE SURFACE. BLACK STAINING AROUND THE CHURCH ILLUSTRATION. THE TOP FLAP OF THE CARTON IS DETERIORATING (BENT/TORN) WITH NOTICEABLE LOSS OF MATERIAL ON ONE SIDE’S CORNER.
Subjects
CONTAINER
Historical Association
BUSINESS
INDUSTRY
History
THE DONOR, HANK VROOM, FOUND THE MILK CARTON IN LETHBRIDGE APPROXIMATELY A DECADE BEFORE THE DATE OF DONATION (JULY 2016), AS A RESULT OF HIS CITY EMPLOYMENT AS A GARBAGE TRUCK DRIVER. THE LOCATION OF THE FIND IS UNKNOWN. IN THE TIME SINCE HIS POSSESSION, THE CARTON HAS BEEN IN A PLASTIC BAG IN A CUPBOARD. ACCORDING TO ADDITIONAL RESEARCH INTO THE EXISTENCE OF THIS TYPE OF MILK CARTON AND BRAND, IT IS ESTIMATED THAT THIS CARTON ORIGINATED PRIOR TO THE MID-1970S BECAUSE MILK MEASUREMENTS WERE CHANGED FROM QUARTS TO LITERS AROUND THAT TIME AND THIS CARTON’S MEASUREMENT IS INDICATED IN QUARTS. IN THE LATE 1950’S, PURITY DAIRY ADVERTISED BEING 100% PURE-PAK, MEANING THAT ALL MILK PRODUCTS CAME IN CARDBOARD CARTONS. BLOW MOLD PLASTIC CONTAINERS REPLACED CARDBOARD SHORTLY AFTER. WITH THE INDICATION OF THE 1957 PATENT NUMBER ON THE CARTON, THIS PLACES THE DATE OF THE MILK CARTON BETWEEN 1957 AND THE 1970S. THE FOLLOWING INFORMATION ABOUT PURITY DAIRY IS FROM THE RECORD FOR ARTIFACT P20070013001: SIMONIE (SAM) FABBI STARTED FABBI DAIRY IN 1923 IN LETHBRIDGE. HE WAS AN ITALIAN IMMIGRANT WHO BEGAN THE BUSINESS WITH THREE COWS AND SOME LARD BUCKETS. THE DAIRY WAS LOCATED AT 12 STREET B NORTH. AT THAT TIME, MILK WAS TRANSPORTED USING LARD PAILS OR CANS, WHICH, WITH THE HELP OF SAM’S SONS, WOULD BE LADLED INTO CUSTOMER’S CONTAINERS. FABBI DAIRY EXPANDED TO THE SOUTHSIDE DAIRY HILL IN THE EARLY 1930S. SHORTLY AFTERWARDS, FABBI DAIRY BOUGHT CITY DAIRY. SONS STAN AND ROMEO BOUGHT THE BUSINESS FROM THEIR FATHER IN 1936. AT THIS POINT, MILK WAS PACKAGED AND SOLD IN GLASS BOTTLES IN PINT, QUART OR GALLON SIZES. THE DAIRY HAD ITS OWN COWS, WHICH WERE MILKED DAILY AND WOULD PASTURE IN THE COULEES. BY 1936, HOWEVER, MILK AND CREAM WERE BROUGHT IN FROM OFFSITE. BETWEEN 1939 AND 1944, THE FABBI DAIRY BOUGHT PAVAN DAIRY AND THE BELLEVUE DAIRY. AT THAT POINT IN TIME, MANY SMALL DAIRIES WERE SUBJECT TO PASTEURIZATION LAWS, AND CHOSE TO CLOSE DOWN RATHER THAN CONVERT. FABBI DAIRY PURCHASED MAJESTIC THEATRE IN THE LATE 1930S OR EARLY 1940S FOR $10,000 FROM MAYOR SHACKERFORD, CONVERTING IT INTO A MILK BOTTLING PLANT. FABBI DAIRY CHANGED ITS NAME TO PURITY DAIRY, AND EXPANDED THROUGHOUT THE LATE 1940S AND 1950S, OPENING UP BUSINESSES IN MEDICINE HAT (1948), CALGARY (1950), EDMONTON (1950), CRANBROOK (1958), RED DEER AND TABER. ALL THESE LOCATIONS HAD DAIRIES EXCEPT FOR TABER, WHICH HAD A DEPOT. ACCORDING TO KEN FABBI, STAN FABBI’S SON, STAN AND ROMEO ESTABLISHED A DAIRY IN CALGARY WITHOUT A LICENSE. THE ONLY WAY TO OBTAIN A LICENSE FOR A DAIRY AT THAT TIME WAS TO BUY OUT AN EXISTING DAIRY. EXPANSION WAS SEEN AS NECESSARY TO THE FABBI BROTHERS, IF THEY WERE TO REMAIN IN BUSINESS. THE PURITY DAIRY IN CALGARY WAS DEEMED ILLEGAL, AND IN THE EARLY 1960S, STAN AND ROMEO FABBI WERE HANDCUFFED AND ARRESTED. PUBLIC SYMPATHY FOR THE FABBI BROTHERS ENABLED THEM TO PURCHASE A LICENSE AFTER THE INCIDENT. PURITY DAIRY HAD MANY INNOVATIVE PRODUCTS THAT OTHER DAIRIES IN TOWN DID NOT HAVE, LIKELY CONTRIBUTING TO THE DAIRY’S POPULARITY WITH THE PUBLIC. PURITY DAIRY WAS THE FIRST DAIRY IN WESTERN CANADA TO RELY SOLELY ON THE USE OF MILK TANKERS, WHICH VISITED VARIOUS LOCALS TO PICK UP MILK AND BRING IT TO THE DAIRY. PRIOR TO 1957, FARMERS WERE REQUIRED TO DELIVER MILK IN CANS TO THE DAIRY THEMSELVES. PURITY DAIRY HAD A SUBSTANTIAL FLEET OF RETAIL DELIVERY VEHICLES. IN ITS EARLY DAYS, HORSES WERE AN INTEGRAL PART OF THE DELIVERY SYSTEM. AT ONE POINT, 17 HORSES WERE BEING USED FOR DELIVERY PURPOSES. IN 1959, PURITY DAIRY REPLACED ITS LAST THREE HORSES WITH DELIVERY TRUCKS. IN THE 1950S, PURITY DIARY BEGAN TO STREAMLINE PRODUCTION. BUTTER WAS PRODUCED IN MEDICINE HAT, WHILE THE LETHBRIDGE BRANCH PRODUCED ICE CREAM, NOVELTIES, BUTTER MILK, AND SOUR CREAM, IN ADDITION TO MILK AND COTTAGE CHEESE. THE EDMONTON PLANT SHARED MILK PRODUCTION WITH LETHBRIDGE, AND BECAME THE SOLE PRODUCER OF BLOW MOLD PLASTIC FOR PURITY DAIRY. BUSINESS BEGAN TO FALL IN THE 1960S, AND IN 1971 STAN AND ROMEO FABBI SOLD PURITY DAIRY TO CO-OP DAIRY, WHICH WAS SUBSEQUENTLY KNOWN AS PURITY CO-OP LTD. BEFORE THE SALE, PURITY DAIRY EMPLOYED ABOUT 200 FULL-TIME STAFF AND SUPPLIED MILK PRODUCTS TO THOUSANDS OF ALBERTANS DAILY. THE LETHBRIDGE PLANT EMPLOYED ABOUT 70 PEOPLE, AND MANUFACTURED ICE CREAM CONFECTIONS, COTTAGE CHEESE, BUTTER, YOGURT, BUTTERMILK, SOUR CREAM, AND FRUIT DRINKS. STAN’S WIFE, NETTI, SAID OF THE SALE, “WE LOST EVERYTHING…WE EXPANDED TOO FAST. I TOLD STAN ‘WHO CARES? I’VE GOT YOU AND WE STILL HAVE THREE MEALS A DAY.’” IN 1972, PURITY CO-OP LTD WAS BOUGHT OUT BY PALM DAIRY, WHICH WAS CLOSED DOWN FOLLOWING A DRAMATIC EXPLOSION IN 1978. IT REOPENED AT A DIFFERENT LOCATION ONE YEAR LATER. IN THE INTERIM, PRODUCTS WERE SHIPPED IN FROM THE CALGARY PLANT. STAN AND ROMEO FABBI DIED IN 1992 AND 1991, RESPECTIVELY. THIS INFORMATION WAS GATHERED IN 2008-09 FROM ANTOINETTE AND KEN FABBI, STAN’S WIFE AND SON, RESPECTIVELY, AND FROM THE LETHBRIDGE HERALD ARCHIVES. FOR MORE INFORMATION, SEE PERMANENT FILE FOR P20070013001. SEE PERMANENT FILE FOR P20160019000 FOR ADDITIONAL LETHBRIDGE HERALD CLIPPINGS, PRINT RESEARCH, AND PATENT DOCUMENTS.
Catalogue Number
P20160019000
Acquisition Date
2016-07
Collection
Museum
Images
Less detail
Other Name
SHORT SLEEVED, "MARATHON OF HOPE TERRY FOX"
Material Type
Artifact
Materials
COTTON
Catalogue Number
P20160024000
  1 image  
Material Type
Artifact
Other Name
SHORT SLEEVED, "MARATHON OF HOPE TERRY FOX"
Date
1981
Materials
COTTON
No. Pieces
1
Length
64.5
Width
48.5
Description
T-SHIRT MADE OF WHITE COTTON WITH RED TRIM AND PRINT. THE CAPTION READS, “MARATHON OF HOPE TERRY FOX GIVE FOR CANCER RESEARCH CANADIAN CANCER SOCIETY” ; LOGO DEPICTS TERRY FOX RUNNING, IMPOSED ON A MAP OF CANADA AND ENCLOSED BY A MAPLE LEAF. FAIR CONDITION. THE WHITE COTTON IS YELLOWING OVERALL. ON THE FRONT THERE ARE SEVERE BROWN STAINS AT THE RIGHT HIP OF THE SHIRT. SLIGHT RED STAIN AT THE CENTER, BOTTOM OF THE FRONT SIDE. ON THE BACK SIDE, THERE IS SEVERE BROWN STAINING AT THE LEFT HIP AND ON THE UPPER LEFT SHOULDER. SLIGHT DARK BROWN ON THE BOTTOM, LEFT OF CENTER.
Subjects
CLOTHING-OUTERWEAR
Historical Association
COMMEMORATIVE
ASSOCIATIONS
SPORTS
History
THIS T-SHIRT IS AN ARTIFACT THAT WAS DONATED TO THE GALT MUSEUM AND ARCHIVES ARCHIVAL COLLECTION IN NOVEMBER OF 1981 BY PAULINE APPLETON. IN AUGUST 2016, THIS ARTIFACT WAS TRANSFERRED TO COLLECTIONS. THE FOLLOWING INFORMATION HAS BEEN TAKEN FROM THE ORIGINAL ACQUISITION RECORD AND FURTHER RESEARCH INTO THE LIFE OF TERRY FOX: THE SHIRT [WAS USED] TO PROMOTE THE CROSS-CANADA RUN OF TERRY FOX, BEGINNING IN NANAIMO, BRITISH COLUMBIA. FOX, A CANCER PATIENT, JOGGED HALF-WAY ACROSS CANADA IN THE SUMMER OF 1980 TO RAISE FUNDS FOR CANCER RESEARCH. HE RAN 5, 373KM BEFORE HE WAS FORCED TO END HIS RUN BECAUSE HIS CANCER HAD APPEARED IN HIS LUNGS. FOX PASSED AWAY ON JUNE 28, 1981. ACCORDING TO HER LETHBRIDGE HERALD OBITUARY, PAULINE APPLETON (NEE SCHMUNK), PASSED AWAY ON JANUARY 22, 1999. SHE WAS FROM MEDICINE HAT, ALBERTA. SHE WAS BORN IN WINNIPEG, MANITOBA ON NOVEMBER 12, 1915 TO HER PARENTS, DAVID AND ANNA ELIZABETH SCHMUNK. THEY LATER MOVED TO A FARM IN LEADER, SASKATCHEWAN. APPLETON MOVED TO CALGARY WITH HER TWO OLDER SISTERS, WHERE SHE MARRIED ERNEST J. “HAPPY” APPLETON IN 1938. DURING WORLD WAR II, SHE LIVED IN NEW WESTMINSTER, B.C. UNTIL HER HUSBAND COMPLETED HIS MILITARY SERVICES IN EUROPE. FOLLOWING THAT, PAULINE AND ERNEST MOVED TO LETHBRIDGE, ALBERTA WHERE ERNEST WORKED AT MOLSONS BREWERY UNTIL RETIREMENT. PAULINE WORKED AS A CASHIER AND RECEPTIONIST AT A GOLF COURSE IN LETHBRIDGE FOR SEVERAL YEARS. THE COUPLE MOVED TO MEDICINE HAT YEARS AFTER ERNEST’S RETIREMENT. ERNEST PASSED AWAY ON AUGUST 3, 1994. FOR MORE INFORMATION ON INITIAL DONATION AND FULL OBITUARY PLEASE SEE PERMANENT FILE.
Catalogue Number
P20160024000
Acquisition Date
1981-11
Collection
Museum
Images
Less detail
Other Name
ALBERTA RANCH BOYS UNIFORM PANTS
Date Range From
1937
Date Range To
1962
Material Type
Artifact
Materials
SYNTHETIC FABRIC
Catalogue Number
P20150016007
  2 images  
Material Type
Artifact
Other Name
ALBERTA RANCH BOYS UNIFORM PANTS
Date Range From
1937
Date Range To
1962
Materials
SYNTHETIC FABRIC
No. Pieces
1
Length
104.5
Width
35.5
Description
MEN’S PANTS, COMMERCIALLY MADE. KHAKI-COLOURED, SYNTHETIC FABRIC BODY WITH BLUE FABRIC ACCENTS AT SEAT, THE BELT LOOPS, SCALLOPED POCKET FLAPS AND CENTER LEG STRIPE. INSIDE WAISTBAND AND POCKET LINING DISPLAY MULTIPLE HAND INK MARKINGS, INCLUDING NUMBERS AND “HORHOZER”. ATTACHED TO THE HEM OF THE PANTS ARE ELASTIC STIRRUPS (ONE BLACK AND ONE KHAKI-COLOURED). THERE IS A STRONG CREASE DOWN THE CENTER OF THE PANTS. FAIR TO GOOD CONDITION. ON THE RIGHT SIDE THERE IS A STAIN AND SLIGHT TEARING AT THE BOTTOM HEM. THERE IS A STAIN AT THE KNEE, AND TEARING AT THE POCKET. THE BOTTOM BUTTON OF THE FLY HAS BEEN LOST. THERE IS TEARING AT THE CROTCH SEAM. ON THE LEFT SIDE, THERE IS TEARING NEAR THE POCKET. THERE IS SLIGHT STAINING ON THE OVERALL SURFACE OF THE PANTS.
Subjects
CLOTHING-OUTERWEAR
Historical Association
PERSONAL CARE
LEISURE
PROFESSIONS
History
EVERAL HORHOZER (NÉE SUPINA) WAS BORN IN LETHBRIDGE IN THE YEAR OF 1927 TO HER PARENTS DONAH (NÉE HILL) AND NICHOLAS SUPINA. SUPINA WAS THE OWNER OF SUPINA’S MERCANTILE ON 13TH STREET NORTH, LETHBRIDGE. THESE PANTS WERE PART OF THE STAGE OUTFIT WORN BY JOE HORHOZER WHEN HE WAS THE ACCORDION PLAYER AND MUSIC ARRANGER FOR A WELL-KNOWN LETHBRIDGE MUSICAL GROUP CALLED THE ALBERTA RANCH BOYS. THE GROUP FORMED IN THE SUMMER OF 1937 WITH MEMBERS LOUIS (LOU) GONZY, MATT (BUCK) WASOWICH, PETER (CURLY) GURLOCK, REMO BACEDA, AND ‘LITTLE JOE’ HORHOZER. COLLECTIONS TECHNICIAN KEVIN MACLEAN CONDUCTED A SERIES OF INTERVIEWS (ON APRIL 2, APRIL 16, AND MAY 7, 2015) WITH HORHOZER REGARDING A GROUP OF ARTIFACTS SHE DONATED TO THE MUSEUM. THE INFORMATION BELOW HAS COME FROM THESE INTERVIEWS AND LETHBRIDGE HERALD RESEARCH REGARDING THE HORHOZER FAMILY HISTORY. IN THE INTERVIEW, HORHOZER DESCRIBED HOW SHE MET HER HUSBAND, JOE HORHOZER, WHEN HE CAME TO WORK FOR SUPINA’S MERCANTILE. FOR THE STORY OF HOW THEY MET, PLEASE SEE RECORDS P20150016003 AND P20150016004. JOE HORHOZER WAS THE ACCORDION PLAYER AND MUSIC ARRANGER FOR A WELL-KNOWN LETHBRIDGE MUSICAL GROUP CALLED THE ALBERTA RANCH BOYS. THE GROUP FORMED IN THE SUMMER OF 1937 WITH MEMBERS LOUIS (LOU) GONZY, MATT (BUCK) WASOWICH, PETER (CURLY) GURLOCK, REMO BACEDA, AND ‘LITTLE JOE’ HORHOZER. HORHOZER SAYS OF HER HUSBAND: “I WOULD CALL HIM THE LEAD INSTRUMENT BECAUSE AN ACCORDION IS, EH? AND HE WAS EXCEPTIONALLY GIFTED WITH THE ACCORDION; THAT’S WHAT EVERYBODY SAID, THAT THERE ISN’T ANYONE, AT LEAST AROUND THIS COUNTRY, THAT COULD COMPARE WITH HIM.” DESCRIBED IN THEIR SOUVENIR BOOK PUBLISHED IN 1941 AS “PROFESSIONAL RADIO ENTERTAINERS”, THE ‘ALBERTA RANCH BOYS’ WERE FORMED WHEN THE LOCAL EXHIBITION AND STAMPEDE PARADE WAS FOUND WANTING FOR A “COWBOY BAND” AS PART OF ITS LINEUP. ACCOLADES FOR THE PARADE ACT FOLLOWED, INSPIRING THE GROUP “TO EMBARK ON THE LONG ROAD TO FAME AND FORTUNE”. IN A YEAR’S TIME – AND AFTER TOURING THROUGH ALBERTA AND BC – THE BAND ENDED UP IN VANCOUVER. THERE, IT ESTABLISHED ITSELF, ACCORDING TO THE BOOKLET, AS “WESTERN CANADA’S MOST VERSATILE STAGE AND DANCE FAVOURITE,” BROADCASTING ITS COWBOY MELODIES FOR OVER TWO CONTINUOUS YEARS VIA CKWX (VANCOUVER’S LARGEST RADIO STUDIO AT THE TIME). DURING THE WAR, IT DONATED ITS TALENTS TO THE PROMOTION OF WAR SAVINGS CERTIFICATES. ONE VICTORY RALLY SONG FOR STAMPS WAS “WE’VE BOUGHT THEM BEFORE AND WE’LL BUY THEM AGAIN.” BY EARLY JAN-FEB 1943, THE BAND HAD PEAKED. ONE MEMBER IS REPORTED TO HAVE ENLISTED IN THE CANADIAN ARMY WHILE OTHERS, ACCORDING TO THE DONOR, “GOT SICK”. “THEY DID A LOT IN TORONTO.” RECALLED EVERAL IN AN INTERVIEW. “[IT WAS FROM] TORONTO THEN THEY COULD HAVE GONE [TO NEW YORK] - THAT’S WHERE THEY WERE OFFERED THE BIG JOB OF RECORDING AND BEING ON TV…BUT THEN [JOE] SAYS THAT HE DOESN’T CARE, BECAUSE HE SAYS IF HE WOULD HAVE WENT, HE WOULDN’T HAVE MET ME, SO, I MEAN, THAT WAS A NICE THING TO SAY. HE SAYS LIFE TURNED OUT GOOD FOR HIM.” EVERAL WAS NOT AWARE OF THIS AT THE TIME OF THEIR MEETING. AFTER FINDING OUT, SHE SAID, “WELL, I THOUGHT, GEE WHIZ, HE JUST ISN’T AN EVERYDAY JOE AND EVERYBODY IN TOWN KNEW HIM AND ADMIRED HIM. YEAH, IT MADE ME A LITTLE MORE HAPPY.” OF THE PERFORMANCE COSTUME EVERAL HORHOZER SAID: “THEY WORE [THE SAME UNIFORM] WHEN THEY PLAYED AT THE TRIANON FOR A WHILE AND THEY JUST STARTED TO USE SUITS … WELL HE DIDN’T WANT - SEE, WHEN THEY STARTED PLAYING AT THE TRIANON. THEN I TELL YOU, THEY START WEARING MORE BAND [CLOTHING] - LIKE, THEY HAD DIFFERENT BLAZERS, COLOURED BLAZERS – BLUE ONES AND RED ONES AND ALL WORE BLAZERS THEN. ‘CAUSE THEY WANTED TO BECOME LIKE A DANCE BAND, I GUESS YOU’D SAY.” “HE WOULD NEVER FORGET THAT TIME [WITH THE RANCH BOYS],” HORHOZER SAID OF HER HUSBAND, “HE TALKED ABOUT IT ALL THE TIME. HOW THEY MET SO MANY [PEOPLE], LIKE THEY’D PLAY AT PRIVATE PARTIES FOR WEALTHY PEOPLE. HE ABSOLUTELY LOVED HIS MUSIC. HE LIVED FOR HIS MUSIC.” BACK HERE IN LETHBRIDGE IN 1958, EVERAL’S HUSBAND JOE WENT ON TO PERFORM WITH THE COUNTRY CAPERS, PLAYING ACCORDION FOR A WEEKLY BROADCAST VIA THE LOCAL TV STATION CJLH. IN 1961, THE STATION AND THE BROADCAST WERE PRESENTED WITH A NATIONAL LIBERTY AWARD FOR “TV STATION SHOWMANSHIP” AND “BEST LOCAL PROGRAMMING.” IN HIS TIME, ‘LITTLE JOE’ PLAYED WITH ROY ROGERS, GENE AUTRY, AND TOMMY HUNTER. HE DIED IN 2010 AT AGE 89. EVERAL HORHOZER PASSED AWAY IN LETHBRIDGE 6 YEARS LATER ON JUNE 6, 2016 AT THE AGE OF 88 YEARS. PLEASE SEE THE PERMANENT FILE FOR ADDITIONAL INFORMATION INCLUDING FULL INTERVIEW TRANSCRIPTS, LETHBRIDGE HERALD ARTICLES, AND FURTHER PUBLICATIONS.
Catalogue Number
P20150016007
Acquisition Date
2015-05
Collection
Museum
Images
Less detail
Other Name
WEDDING DRESS
Material Type
Artifact
Materials
CHEESECLOTH, SILK
Catalogue Number
P20150016009
  2 images  
Material Type
Artifact
Other Name
WEDDING DRESS
Date
1922
Materials
CHEESECLOTH, SILK
No. Pieces
1
Length
113
Width
48
Description
WEDDING DRESS MADE FROM OFF-WHITE CHEESECLOTH BODY WITH A SILK BAND, TIES AND FLOWERS AT WAIST. EMBROIDERED STRIPS OF LACE FORM MEDIUM-SIZED TRIANGULAR EMBELLISHMENTS AT BASE OF SKIRT AND ON SHORT SLEEVES. ADHESIVE MASKING TAPE MARKED “GRANNY SUPINA’S WEDDING DRESS 1921, MADE BY GRANNY WOODS”. REPORT OF WEDDING IN THE LETHBRIDGE HERALD FROM 1922 CALLS MATERIAL WHITE SILK VOILE. THE LENGTH IS 113 CM. THE WIDTH ACROSS THE SHOULDERS IS 48 CM AND THE SLEEVES ARE 35.5 CM LONG. FAIR CONDITION. THERE IS A SMALL BROWN STAIN ON THE LEFT SLEEVE. A HOLE ON THE CHEST NEAR THE COLLAR. THERE ARE 2 LARGE, WATERMARK-LIKE STAINS ON THE FRONT OF THE SKIRT. THERE ARE 2 HOLES NEAR THE LACE EMBELLISHMENT AT THE BOTTOM OF THE DRESS (FRONT SIDE). SOME OF THE LACE IS COMING LOOSE AT THE EMBELLISHMENT. ENDS OF THE TIES AT THE WAIST ARE FRAYING. SMALL HOLES AT THE BACK COLLAR. SMALL, DARK BROWN STAIN ON THE BACK OF THE SKIRT. SLIGHT FRAYING AT THE COLLAR AND AT THE HEM. SMALL IODINE STAIN ON THE RIGHT SLEEVE.
Subjects
CLOTHING-OUTERWEAR
Historical Association
PERSONAL CARE
COMMEMORATIVE
History
DONOR EVERAL HORHOZER (NÉE SUPINA) WAS BORN IN LETHBRIDGE IN THE YEAR OF 1927 TO HER PARENTS DONAH (NÉE HILL) AND NICHOLAS SUPINA. SUPINA WAS THE OWNER OF SUPINA’S MERCANTILE ON 13TH STREET NORTH, LETHBRIDGE. THIS WEDDING DRESS BELONGED TO HORHOZER'S MOTHER, DONAH SUPINA, WHO WORE IT ON HER JUNE 7, 1922 WEDDING DAY. COLLECTIONS TECHNICIAN KEVIN MACLEAN CONDUCTED A SERIES OF INTERVIEWS (ON APRIL 2, APRIL 16, AND MAY 7, 2015) WITH HORHOZER REGARDING A GROUP OF ARTIFACTS SHE DONATED TO THE MUSEUM. THE INFORMATION BELOW HAS COME FROM THESE INTERVIEWS AND LETHBRIDGE HERALD RESEARCH REGARDING THE HORHOZER FAMILY HISTORY. "FIRST OF ALL MY MOTHER HAD SAVED [THE WEDDING DRESS] FOR SO MANY YEARS," HORHOZER BEGAN, "SHE GAVE [IT] TO ME SO [IT WAS] VERY IMPORTANT TO HER, AND MORE IMPORTANT TO ME THEN, BECAUSE HER MOTHER MADE THEM BY HAND, [SO IT MEANT] EVEN THAT MUCH MORE TO HER, OF COURSE…” “SHE WAS VERY FRUGAL... HER MOTHER AND [DONAH, MY MOTHER,] WERE LEFT TO FEND FOR THEMSELVES BECAUSE HER FATHER PASSED AWAY. THEY WERE OUT ON THE LEASE; YOU KNOW HOW GOVERNMENT GAVE THEM LEASE LAND; WELL HER MOTHER AND HER LIVED THERE. SHE DID HAVE TWO BROTHERS, BUT THEY WERE MUCH OLDER AND THEY WERE ALREADY IN THE SERVICE, SO THERE WAS JUST HER AND HER MOTHER THAT LIVED OUT THERE. THEY HAD A COOK CAR AND THEY COOKED FOR ALL THE HELP ON THE FARM [IN DEL BONITA]. THEY AT LEAST MADE A LIVING DOING THAT. THAT’S HOW MY MOTHER LEARNED TO - SHE WAS AN EXCELLENT COOK CAUSE SHE WOULD COOK RIGHT ALONG WITH MY GRANDMA. SHE WAS ABOUT THIRTEEN YEARS OLD WHEN SHE WAS BAKING BREAD, DOING ALL THAT SORT OF THING…” THIS HANDMADE WEDDING DRESS WAS WORN BY DONAH ON THE DAY OF HER WEDDING. THE DRESS WAS LATER KEPT WITH GREAT CARE BY DONAH, AND THEN LATER EVERAL. “MY GRANDMA MADE THE [WEDDING] DRESS FOR MY MOTHER. [S]HE WAS SENTIMENTAL BECAUSE HER MOTHER HAD HAND-STITCHED EVERY ONE OF THOSE THINGS. BESIDES COOKING FOR PEOPLE, SHE SEWED FOR PEOPLE, MADE THEIR WEDDING DRESSES AND THINGS LIKE THAT.” HORHOZER TELLS THE STORY OF HER PARENT’S FIRST MEETING: “MY MOTHER, SHE WENT TO GARBUTT’S BUSINESS COLLEGE AND BECAME A SECRETARY AND SHE GOT A JOB AT - IT WAS CALLED SCOTTS - IT WAS A GROCERY WHOLESALE. IT WAS BY WHERE THE INTERNATIONAL WAS, PLUNKETT AND SAVAGE. [MY FATHER, NICHOLAS 'NICK' SUPINA,] WOULD GO THERE TO BUY HIS THINGS, OF COURSE, AND THAT’S WHERE HE MET HER. AND THEN HE ASKED HER TO GO TO THIS DANCE THAT THE KNIGHTS OF COLUMBUS WERE HAVING, AND THAT’S HOW IT STARTED… [THE HILL’S] HAD THIS COOK CAR, AND FUNNY STORY, SHE ALWAYS TELLS ME THAT THEY HAD TO CLEAN OUT THE PIPES ON THE STOVE BECAUSE, THEY GOT FULL OF COAL DUST, SO SHE WAS JUST COVERED IN COAL DUST AND MY DAD DRIVES OUT THERE TO SEE HER, ‘COURSE PAST MAGRATH THERE, AND SHE WAS JUST COVERED AND HE’S ALL DRESSED UP, OF COURSE. BUT, OBVIOUSLY IT DIDN’T MAKE ANY DIFFERENCE. I CAN IMAGINE HOW SHE FELT. BUT, THOSE THINGS HAPPEN. I HAVE NO IDEA HOW LONG THEY COURTED. I DON’T THINK IT WAS A TERRIBLY LONG TIME. PROBABLY, JUST BY GUESSING, I’D SAY 6 MONTHS.” OF THE YOUNG COUPLE’S MARRIAGE, HORHOZER SAID, “WELL, THEY HAD A VERY SMALL WEDDING AND THEY GOT MARRIED IN ST. PAT’S, WHICH OF COURSE WAS JUST A BASEMENT AT THE TIME. THEN THEY HAD WHAT THEY CALL A WEDDING BREAKFAST I THINK, AT HIS MOTHER’S HOUSE. THEY DID NOT HAVE A BIG WEDDING OR ANYTHING, AND THEY JUST HAD ALL THE FAMILY AND A FEW OF THE CLOSE SALE MANAGERS. BUT THEN THEY HAD A BEAUTIFUL HONEYMOON. THEY WENT TO THE STATES AND - IT’S WAY DOWN SOUTH THERE - LOUISIANA AND ALL THROUGH THAT COUNTRY THERE. THEY HAD A BEAUTIFUL HONEYMOON AND THAT’S ABOUT ALL I KNOW ABOUT IT.” HORHOZER SPOKE OF HER GRANDMOTHER’S SKILL AS THE MAKER OF THE WEDDING DRESS: “WELL, SHE HAD SO MANY SKILLS. SHE’S A PAINTER, YOU KNOW, THESE BEAUTIFUL PAINTINGS HERE, SHE PAINTED THOSE. THE MIDDLE ONE (SHE POINTS) IS THEIR HOUSE WITH THEIR GARDEN [IN MAGRATH] AND ALL THAT. SHE JUST WAS TALENTED IN EVERYTHING. SHE MADE LOTS OF MONEY. SHE MADE WEDDING DRESSES FOR PEOPLE THAT REALLY HAD MONEY. AND SO SHE DID WELL ON THAT AND THEY CANNED ALL KINDS OF FOOD. THERE WASN’T REALLY ANYTHING SHE COULDN’T DO; SHE WAS VERY TALENTED… [W]E ALL REALLY LOVED MY GRANDMA; SHE WAS A LOVELY LADY. AND I ALWAYS ENVIED THE FACT THAT I NEVER GOT ANY OF HER TALENT.” THE SUPINA’S REMAINED TOGETHER UNTIL NICHOLAS SUPINA PASSED AWAY AT THE AGE OF 84 ON MARCH 27, 1975. DONAH PASSED AWAY 19 YEARS LATER ON MARCH 8, 1994 AT THE AGE OF 91. HORHOZER PASSED AWAY IN LETHBRIDGE IN 2016 AT THE AGE OF 88 YEARS OLD. PLEASE SEE THE PERMANENT FILE FOR ADDITIONAL INFORMATION ABOUT SUPINA’S MERCANTILE AND THE LIFE OF EVERAL AND HER FAMILY, WHICH INCLUDES THE FULL INTERVIEW TRANSCRIPT AND LETHBRIDGE HERALD ARTICLES.
Catalogue Number
P20150016009
Acquisition Date
2015-05
Collection
Museum
Images
Less detail

41 records – page 1 of 3.