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Date Range From
1920
Date Range To
1930
Material Type
Artifact
Materials
METAL
Catalogue Number
P20170028000
  1 image  
Material Type
Artifact
Date Range From
1920
Date Range To
1930
Materials
METAL
No. Pieces
1
Height
73
Diameter
27
Description
SILVER STANDING FLOOR ASHTRAY WITH ROUND DISH AT TOP SECURED TO SILVER METAL POLE AND ROUND SILVER BASE; TOP DISH HAS SILER ORNATE HANDLE WITH LEAF AND BEADS PATTERN AND RAISED POINT IN CENTER. ROUND BASE HAS FOUR FEET; BASE ORNATELY ENGRAVED WITH FLUTED PATTERN; METAL STAND POLE FIXED TO TOP DISH WITH METAL BRACKET AND TWO SCREWS. SILVER HANDLE TARNISHED; INSIDE DISH IS TARNISHED AND WORN; UNDERSIDE OF BASE IS SOILED; EDGES OF PATTERN ON BASE ARE TARNISHED. OVERALL VERY GOOD CONDITION.
Subjects
HOUSEHOLD ACCESSORY
Historical Association
FURNISHINGS
History
ON AUGUST 23, 2017, COLLECTIONS TECHNICIAN KEVIN MACLEAN INTERVIEWED ANDY AND JO KOCSIS REGARDING THEIR DONATION OF A STANDING, FLOOR-MODEL ASHTRAY. THE ASHTRAY WAS USED IN ANDY KOCSIS’S FATHER’S HOME, AND WAS TAKEN BY ANDY AND JO KOCSIS FOR USE IN THEIR HOME WHEN THEY MOVED. ON THE ORIGINS OF THE ASHTRAY, JO NOTED, “ALL THAT I KNOW ABOUT THEM IS THAT THEY WERE [IN MY PARENTS' HOME AT 109-7TH AVE. SOUTH] WHEN I GOT MARRIED, WHICH WAS 53-54 YEARS AGO. [WE KEPT THEM] IN THE FRONT ROOM.” ANDY ELABORATED, “THEY WERE THERE [IN THE HOME ALREADY]. MY DAD WAS THE OWNER [OF THE HOUSE]. I ALWAYS THOUGHT THEY COME WITH THE HOUSE…[THE ASHTRAY] GOT TIPPED OVER SOMEHOW, IT USED TO HAVE A [DARK BOWL].” ANDY NOTED, “I QUIT [SMOKING] WHEN I WAS THIRTY … YEARS OLD. [JO] SMOKED EVER SINCE SHE WAS SIXTEEN.” ANDY RECALLED HIS FAMILY’S HOME, STATING, “MY DAD [STEVE KOCSIS] BROUGHT US OUT FROM HUNGARY. HE OWNED THE MAYOR [CHARLES A.] MAGRATH HOUSE [AT 109-7TH AVE. SOUTH]…THAT’S HOW WE ENDED UP THERE.” “MIKE ANGYAL [THE OWNER BEFORE MY DAD] WAS A GOOD FRIEND OF HIS, ANOTHER HUNGARIAN, BIG FARMER, SO I GUESS HE HELPED THEM GET INVOLVED. WHEN [DAD] BOUGHT THE HOUSE…THE HUNGARIANS USED TO HAVE BUSINESS THERE. IT WAS A BIG EMPTY LOT AND HE SUB-DIVIDED, SO HE GOT SOME MONEY AND SOLD A BUNCH OF LOTS.” “[MY DAD MADE THEM INTO APARTMENTS BECAUSE] HE COULDN’T LIVE IN ALL OF IT SO HE GOT A BUNCH OF HUNGARIAN COAL MINERS DOWN IN THE BASEMENT. THERE [WERE] SIX OR SEVEN OF THEM. THEY ALL LIVED DOWNSTAIRS. SOME, THEIR WIVES KICKED THEM OUT.” “[IT WAS MADE INTO] FOUR SUITES. WE WERE RENTING FOR A WHILE, WE HAD GOOD TENANTS. THEN THERE WAS ONE COUPLE…THEY STOLE THE LAMP. … SO FINALLY, WE RENTED NO MORE. IT GOT SO BAD. I SAID I CAN’T TAKE THIS ANYMORE.” JO ADDED, “[THERE WERE SUITES] TWO UPSTAIRS, AND THEN THERE WAS ONE ON THE SIDE AND ONE ON THE LOWER FLOORS… MY MOTHER-IN-LAW, WHEN WE GOT MARRIED, MOM KOCSIS, SHE SAID “THIS PLACE I’M IN [IS] TOO BIG” SO SHE MOVED INTO THE SMALLER SUITE ON THE GROUND FLOOR AND WE GOT THE BIGGER SUITE. THEN IT WAS RENTED OUT, THE TOP, UNTIL, THEN THE KIDS GOT BIGGER, BECAUSE WE HAD TWO CHILDREN. THEN WE TOOK OVER THE SUITE AT THE TOP, CLOSED OFF THE KITCHEN, PUT A DOOR THERE. THEN WE HAD HALF OF THE HOUSE…THE OTHER SUITE STAYED EMPTY ‘TIL IT WAS SOLD.” WHEN ASKED ABOUT THEIR MOTIVATIONS TO DONATE THE ASHTRAY, ANDY NOTED, “[IT’S] A KIND OF REMINDER OF…THE OLD TIMES…THE OLD HUNGARIANS USED TO COME AND PLAY POKER IN THE FRONT ROOM…A LOT OF PEOPLE IN THEIR ‘50S.” JO ADDED, “WE’RE HAVING TO SELL OUR [CURRENT] HOME AND WE HAVE NO MORE USE FOR IT…WE WANT IT TO GO…[IT’S] OLD, SO WE’D LIKE [IT] TO GO SOMEWHERE. MY KIDS ARE NOT INTERESTED IN THEM, NOR ARE MY GRANDKIDS. THEY DON’T WANT THIS OLD STUFF.” FOR MORE INFORMATION INCLUDING THE FULL INTERVIEW TRANSCRIPTION, PLEASE SEE THE PERMANENT FILE P20170028000-GA.
Catalogue Number
P20170028000
Acquisition Date
2017-08
Collection
Museum
Images
Less detail
Date Range From
1990
Date Range To
2000
Material Type
Artifact
Materials
FELT, PAINT, WOOD
Catalogue Number
P20170038000
  2 images  
Material Type
Artifact
Date Range From
1990
Date Range To
2000
Materials
FELT, PAINT, WOOD
No. Pieces
1
Length
41.5
Width
88
Description
BLUE FELT BANNER WITH WOOD DOWEL POLE AT END, DOWEL WIDTH 88CM, BANNER WIDTH 74 CM. DOWEL ENDS ARE ROUNDED WITH SCREWS IN ENDS; RIGHT END OF DOWEL AS BLUE LINE AROUND POLE. BANNER IS FELT WITH WHITE FELT SEWN ON IN LETTERS “CFUW”, ROUND FELT MOSAIC OF COULEES UNDER A BLUE SKY BELOW, AND WHITE FELT SEWN TEXT “LETHBRIDGE & REGION”. LOWER EDGE OF BANNER HAS BLUE COTTON STRING TASSELS. BACK OF BANNER HAS WHITE OUTLINES OF LETTERS IN THREAD FROM STITCHING ON FRONT. LOOSE THREAD ON LETTER “G” IN “REGION” TEXT; LETTERS HAVE RED STAINING ON LOWER TEXT; WRINKILING OF FELT ON RIGHT SIDE OF BANNER; OVERALL VERY GOOD CONDITION.
Subjects
HOUSEHOLD ACCESSORY
Historical Association
DECORATIVE ARTS
ASSOCIATIONS
History
ON APRIL 16, 2018, COLLECTIONS TECHNICIAN KEVIN MACLEAN INTERVIEWED KATHYRN YOSHIDA AND ROSE JURISICH REGARDING THE DONATION OF A WALL BANNER FROM THE CANADIAN FEDERATION OF UNIVERSITY WOMEN [CFUW]. YOSHIDA AND JURISICH WERE MEMBERS OF THE LETHBRIDGE CHAPTER OF THE CFUW WHEN THE HANGING WAS MADE IN THE 1990S. ON THE WALL BANNER, JURISICH RECALLED, “I THINK THAT [LAURIE] KAMINSKI MADE IT…SHE HASN’T BEEN A MEMBER FOR A LONG TIME… LAURIE MADE IT I THINK IN [PROBABLY THE ‘90S]. WE HAVE A NEW BANNER NOW THAT’S CURRENT. I DON’T REMEMBER WHO ELSE LAURIE DID IT [WITH]. SHE DIDN’T DO IT HERSELF, SHE DID IT WITH A COMMITTEE. BUT I DON’T REMEMBER WHO IT WAS.” “[WE USED THIS AT] PRAIRIE MEETINGS, WHERE WE ALL MET, AND THEY THOUGHT THAT EACH CLUB SHOULD HAVE A BANNER. THAT’S WHY WE GOT IT, AND THEN WE DIDN’T USE IT, I GUESS, BECAUSE IT’S HERE. I DON’T THINK [THE BANNER WAS IN USE] UP UNTIL 2010.” YOSHIDA ADDED, “I THINK [WE USED THE BANNER AT] MORE PROVINCIAL MEETINGS, NOT FOR THE GENERAL MONTHLY MEETINGS, BUT FOR ANYTHING A LITTLE BIT MORE SPECIAL.” “I REALLY LIKE [THE BANNER]…THE PRAIRIE AND THE COULEES. THERE’S A DIFFERENT…GRAPHIC ON THE NEW [BANNER]. THE NEW ONE WAS JUST UNVEILED A COUPLE YEARS AGO.” MACLEAN INTERVIEWED BARBARA DOYLE ON DECEMEBER 22, 2017 REGARDING HER TIME WITH THE CANADIAN FEDERATION OF UNIVERSITY WOMEN AND ON THE WALL BANNER. ON THE BANNER, DOYLE NOTED, “WE [USED] IT WHEN WE [WERE HAVING] A GATHERING OF PEOPLE FOR ONE THING—[THE] AGM. SOMETIMES, WE HOST [THE AGM], JUST THE ALBERTA ONE. IT GOES TO DIFFERENT CITIES, SO WE PUT [THE BANNER] UP THERE, WHEN SOMETHING LIKE THAT [HAPPENS].” “I THINK THIS IS JUST THE ‘HOME’ THING, AND THEY ALL HAVE A ‘HOME’ PLACE THERE, TOO. WHEREVER THEY ARE GOING, THERE IS PROBABLY SOMETHING LIKE [THIS BANNER DISPLAYED] TOO.” “I THINK I DO [REMEMBER THE BANNER BEING ON DISPLAY], BECAUSE I THINK [THE] NEW ONE HAS BEEN IN THE WORKS IN THE LAST FIVE YEARS.” “[WHEN I FIRST STARTED, THE BANNER] WOULD JUST HANG IT IN THE HOUSE, WHEN THERE WAS A MEETING… IT WOULD BE FOLDED UP AND PUT IN THE CLOSET.” YOSHIDA ELABORATED ON THE HISTORY OF THE CANADIAN FEDERATION OF UNIVERSITY WOMEN IN LETHBRIDGE, NOTING, “WE USED TO MEET AT THE [ATCO] GAS COMPANY [BUILDING]…IN THE 70S AND 80S…WE HAD TO GO DOWN STAIRS, AND I THINK THE STAIRS BECAME A PROBLEM FOR SOME OF OUR WOMEN. FROM THE GAS COMPANY [WE WENT] TO THE BULLMAN.” JURISICH ADDED, “WE WERE ALSO AT SAVE-ON-FOODS. [ATCO HAD] AN AUDITORIUM DOWNSTAIRS. THAT WAS QUITE LARGE. THEY [HAD] A VERY LARGE ROOM DOWNSTAIRS WITH A KITCHEN. IT WAS ACTUALLY VERY NICE EXCEPT THAT THE STAIRS WERE LIKE GOING INTO THE DEPTHS. THE STEPS WERE VERY STEEP AND VERY LONG. AND NO ELEVATOR.” DOYLE NOTED, “WE DON’T HAVE A BUILDING. BOOK CLUB IS AT PEOPLE’S HOUSES. WE ROTATE, AND WE HAVE A LITTLE, NOT A LUNCH, BUT NIBBLEY’S, (THAT’S FINGER FOOD), THERE. I DON’T KNOW WHERE THE BRIDGE GOES – THE BRIDGE PEOPLE. I THINK MAYBE TO THE SENIOR’S, ON THE SOUTH SIDE…WE USED TO GO TO THE POLICE STATION, BECAUSE THEY HAD A ROOM THERE, AND THEY LET US HAVE OUR MEETINGS THERE. I THINK IT WAS USUALLY MONTHLY THAT WE WERE DOING SOMETHING THERE.” “THAT SPACE [AT THE POLICE STATION] IS GONE, AND I WAS TOTALLY OUT OF IT THIS PAST SEMESTER, BECAUSE I WAS SO BUSY…I DON’T KNOW WHERE THEY WENT.” ON HER TIME WITH THE GROUP, JURISICH RECALLED, “I MOVED HERE IN 1971 AND A FRIEND BROUGHT ME TO THE ORGANIZATION. SHE THOUGHT I WOULD BE INTERESTED IN A MEMBERSHIP. IT WAS LIKE-MINDED WOMEN AND WE HAD A LOT OF DISCUSSIONS ABOUT WHITE PAPERS AND [OTHER TOPICS].” “AN UNDERGRADUATE DEGREE WAS FINE [TO BE A MEMBER], JUST SO LONG AS YOU HAD A DEGREE. THEY DIDN’T HAVE NURSING DEGREES AT ONE TIME, IT WAS JUST REGISTERED NURSE WHICH WASN’T CONSIDERED A DEGREE. NOW THEY HAVE NURSING DEGREES. BUT IF YOU HAD THAT KIND OF EDUCATION, THEN YOU WERE AN ASSOCIATE MEMBER…THEY ALSO WERE QUITE RESTRICTIVE AS TO LEGITIMATE UNIVERSITIES, AND THEY DON’T HAVE ANY OF THAT ANYMORE.” “I REMEMBER WHEN WE STUDIED THE WHITE PAPER ON THE MURDOCH CASE, WHERE THAT WOMAN WAS MARRIED FOR…FORTY YEARS OR SOMETHING AND THEY LIVED ON A FARM. HE LEFT SO THEY CHANGED THE LAWS ABOUT WOMEN CONTRIBUTING TO LIFE AND I THINK THE CHANGE WAS IN THE ‘70S OR ‘80S.” “THE SCHOOL SYSTEM [WAS AN IMPORTANT TOPIC] WHEN THEY WERE INTRODUCING THE GIFTED PROGRAM. I REMEMBER GOING TO MEETINGS ABOUT THAT AND REPORTING BACK.” “[OUR ACTIVISM] VARIES [BY] THE ISSUE, WE WERE VERY ACTIVE WITH THE ANTI-FRACKING. WE WERE DEMONSTRATING ON THE STREETS FOR THAT…I THINK WE WERE MORE INVOLVED WITH DISCUSSING THINGS. I DON’T THINK THE ADVOCACY WAS GREATER [THEN]. I THINK IT’S GREATER NOW.” “I REMEMBER THAT WE USED TO WRITE LETTERS AND THINGS, I THINK AT THE TIME. WE STILL DO THAT ACTUALLY.” “THE MEETINGS ARE ON SATURDAY, THAT’S TO ACCOMMODATE ANYBODY THAT’S WORKING THAT CAN COME. OTHERWISE THEY WOULD PROBABLY BE WORKING OTHER DAYS. THAT WAS PROBABLY WHY, ORIGINALLY, IT WAS DECIDED TO HAVE IT ON THE SATURDAY. SATURDAY AT NOON ACTUALLY. IT USED TO BE IN THE EVENING ALL THE TIME, THIRD MONDAY OF THE MONTH.” “FOR ME IT WAS THE FIRST ORGANIZATION THAT I WAS INTRODUCED TO AND I WAS WORKING. I HAD A WORKING LIFE AND A HOME LIFE WHERE I HAD CHILDREN. I DID BELONG TO SOMETHING ELSE AT ONE TIME, I THINK THE HOME EC ASSOCIATION. I ENJOYED THE PEOPLE IN IT AND IT WAS INTERESTING FOR ME. IT WAS DIFFERENT THAN ANYTHING I HAD DONE, SO THAT’S WHY I CONTINUED.” YOSHIDA ADDED, “I BECAME A MEMBER IN 1968, THE YEAR THAT WE CAME TO LETHBRIDGE, AND I WAS BROUGHT TO THE MEETING BY ANOTHER FACULTY MEMBER’S WIFE, JENNIFER BUTTERFIELD. I THINK SHE KNEW THAT WE WERE NEW TO TOWN AND WE DIDN’T REALLY KNOW ANYBODY. SHE REALLY DID A VERY NICE JOB OF INTRODUCING ME TO LETHBRIDGE AND WHERE THE MEAT MARKET AND VALUE VILLAGE [WERE], PLACES TO SHOP AND PLACES TO GO. CFUW WAS ONE PLACE THAT SHE BROUGHT ME TO. AT THE TIME, I WAS NOT ONLY NEW TO TOWN, BUT I WAS A STAY-AT-HOME WITH A BABY AND DIDN’T HAVE MUCH SOCIAL EXPERIENCES. THIS GROUP MET ONCE A MONTH AND IT WAS MY EVENING OUT AND, AS ROSE SAID, THEY HAD EXCELLENT SPEAKERS ABOUT [TOPICS], PEOPLE FROM THE COMMUNITY WHO WOULD COME AND TALK. IT WAS MY INTELLECTUAL EVENING, IT WAS AWAY FROM DIAPERS AND BABIES AND A CHANCE TO BE WITH ADULTS. THAT, FOR ME, REALLY SERVED A VERY IMPORTANT PURPOSE. AT THAT TIME I DIDN’T REALLY KNOW WHAT IT STOOD FOR AND THE PROVINCIAL OR NATIONAL AGENDAS, IT WAS JUST THAT IT WAS NICE.” “MANY WERE [IN THE] UNIVERSITY WOMEN’S CLUB. AT THE TIME, YOU HAD TO BE A GRADUATE OF A UNIVERSITY OR HAVE A DIPLOMA[TO BE A] FULL-FLEDGED MEMBER. I THINK THEY’RE DESPERATE FOR MEMBERS, BECAUSE I THINK THIS GROUP, AS OTHER GROUPS/CLUBS ARE NOTICING A DECLINE IN INTEREST THAT THEY HAVE TAKEN THAT [REQUIREMENT] AWAY. WHEN ROSE SAYS LIKE-MINDED PEOPLE, THE WOMEN WERE EDUCATED, THEY WERE KEEN, AT THAT TIME IT WAS THE WOMEN’S MOVEMENT, MS MAGAZINE WAS BIG, THE PLACE OF WOMEN AND EQUAL MEMBERS. WE’RE STILL WORKING ON IT…I REMEMBER WHEN IT WAS REALLY IMPORTANT…ALL ALONG IT HAS ALWAYS BEEN [ABOUT] THE STATUS OF WOMEN.” “DAYCARE WAS [AN] IMPORTANT [TOPIC] AT ONE TIME… SOMETIMES THE WOMEN IN OUR GROUP ARE INVOLVED IN OTHER AGENCIES OR GROUPS, SO IT KIND OF MESHES, AND I’M NOT SURE WHERE ONE BEGINS AND THE OTHER ENDS.” “[I JOINED THE GROUP BECAUSE] I GUESS NOBODY ELSE ASKED ME TO JOIN ANYTHING. ALTHOUGH, WHEN YOU ARE A ONE-CAR FAMILY AND YOU HAVE A BABY AND YOU ARE…TRADING, LIKE, I’LL LOOK AFTER YOUR CHILD THIS AFTERNOON SO THAT YOU CAN DO THIS AND THEN IT’S MY TURN, I WAS IN THAT SORT OF SITUATION. I GUESS I WASN’T INTERESTED IN PURSUING OTHER THINGS LIKE KINETTES, THE ‘Y’.” DOYLE ELABORATED ON HER TIME WITH THE CANADIAN FEDERATION OF UNIVERSITY WOMEN, STATING, “I WAS ASKED TO JOIN [THE GROUP BY A FRIEND, PATTY JOHNSON, ABOUT 2008], AND I ENJOY IT VERY MUCH. IT’S A WOMEN’S GROUP, AND WE COLLECT MONEY, FOR A [SCHOLARSHIP]…WE DO TWO SCHOLARSHIPS A YEAR, AND IT’S ALSO A FRIENDSHIP GET-TOGETHER, AND A LEARNING PROCESS. WE HAVE PEOPLE COME IN, AND [TELL] US WHAT’S GOING ON, AND WHAT’S GOING ON IN THE CITY…IT’S REALLY QUITE ENJOYABLE.” “I HAVE TWO DEGREES, SO I ENJOY THE COMPANY OF PEOPLE, THAT WE HAVE A LOT TO TALK ABOUT. I LIKE THE FACT THAT WE ARE GIVING BACK, TO THE KNOWLEDGE THAT WE LEARNED, IN THE FORM OF SCHOLARSHIPS.” “WHEN THIS STARTED, AND IT’S BEEN GOING IN LETHBRIDGE UNDER A DIFFERENT NAME, THE WIVES OF THE PROFESSORS THAT MOVED INTO TOWN, AND THE UNIVERSITY OF LETHBRIDGE WAS FORMED. THEY WERE THE ONES THAT STARTED THIS CHAPTER.” “I THINK MOST OF THE WOMEN THAT MARRIED WERE HOUSEWIVES, AFTER THEY WERE MARRIED, AND HAVING CHILDREN, BUT THEY HAVE DEGREES. THAT WAS THE REQUIREMENT FOR BELONGING – THAT YOU HAD A DEGREE, BUT JUST IN THE NEAR PAST NOW [ABOUT 2 – 3 - 4 YEARS], THE DOORS ARE OPEN TO ALL WOMEN NOW. THERE ARE A FEW PROFESSIONALS IN OTHER AREAS, AND SOME, WE DON’T ASK. IF THEY WANT TO JOIN, THAT’S FINE.” “THEY HAVE A PRESIDENT, VICE-PRESIDENT, SECRETARY. I’M FINDING, AS WE ARE ALL FINDING, AS WE ARE AGING, WE HAVE VERY FEW YOUNGER PEOPLE, BECAUSE THEY ARE ALL AT UNIVERSITY, AND VERY BUSY. THE ONES THAT HAVE JOBS, THEY ARE VERY BUSY TOO. AS WE AGE, WE ARE ALL ACTIVE, AND IT KEEPS US REALLY ACTIVE. IT’S GOOD TO GET OUT, AND BE WITH OTHER PEOPLE.” “WE DO HAVE PEOPLE IN THE GROUP THAT GO TO OTHER THINGS THAT ARE GOING ON, IN DIFFERENT PROVINCES. THEY SOMETIMES DO THE NATIONAL ONE, EVEN, AND FLY SOMEWHERE, AND THAT GOES ON ONCE A YEAR. IT’S CERTAINLY A WORTHWHILE GROUP, AND REALLY QUITE ACTIVE. WE HAVE A YOUNG PRESIDENT NOW, SHE IS DOING HER PHD, AND HER MOTHER IS A PROF [AT THE UNIVERSITY OF LETHBRIDGE].” “I THINK [THE GROUP IS RAISING AWARENESS] THAT TIMES ARE CHANGING. IT HAS BEEN, IN THE PAST, KIND OF SNOBBISH, HAVING TO BE VETTED IN, SO THIS IS REALLY GOOD, AND IT’S WORKED WELL. WE HAVE GOT SOME WONDERFUL PEOPLE WORKING IN [THE GROUP]…WHEN THEY HAD THE WOMEN’S PARADE, THE WOMEN’S PROTEST…THERE WAS A NUMBER OF US THAT PARTICIPATED IN THAT, AND THEY MADE THE HATS FOR IT. WE ARE ACTIVE IN THINGS LIKE THAT, THAT PERTAIN TO WOMEN.” “IT’S LIKE WOMEN ARE RISING, AND THAT SEEMS QUITE APPARENT. I AM IN THE UNIVERSITY BUILDING ENOUGH THAT I SEE IT AMONG THE YOUNG WOMEN. BOY, THEY DON’T LET ANYTHING GO BY. THEY’RE ACTUALLY REALLY QUITE GOOD, I THINK…[SEEING THAT MAKES ME FEEL] REALLY GOOD. IT’S ABOUT TIME. WE HAVE LOTS OF ENGAGEMENT WITH WOMEN—THE PEOPLE AROUND TOWN, WHO ARE THE ‘SHAKERS’ HERE, AND THEY SHAKE THINGS UP. THAT’S REALLY GOOD.” ACCORDING TO LETHBRIDGE HERALD ARTICLES, THE CANADIAN FEDERATION OF UNIVERSITY WOMEN FORMED A CHAPTER IN LETHBRIDGE IN 1944. DR. URSILLA MACDONNELL, DEAN OF WOMEN AT THE UNIVERSITY OF MANITOBA, SPOKE TO A GROUP OF LETHBRIDGE WOMEN ON FORMING A CHAPTER. BY 1958, THE LETHBRIDGE CHAPTER WAS SENDING REPRESENTATIVES FOR THE CANADIAN FEDERATION OF UNIVERSITY WOMEN’S NATIONAL CONVENTION. FOR MORE INFORMATION INCLUDING COPIES OF LETHBRIDGE HERALD ARTICLES AND THE FULL INTERVIEW TRANSCRIPTION, PLEASE SEE THE PERMANENT FILE P20170038000-GA.
Catalogue Number
P20170038000
Acquisition Date
2017-12
Collection
Museum
Images
Less detail
Other Name
"GALT SCHOOL OF NURSING"
Material Type
Artifact
Materials
CERAMIC
Catalogue Number
P20140049006
  1 image  
Material Type
Artifact
Other Name
"GALT SCHOOL OF NURSING"
Date
1979
Materials
CERAMIC
No. Pieces
1
Height
8.5
Length
12
Diameter
8.9
Description
A CREAM-COLOURED CERAMIC MUG. ON ONE SIDE IS THE INSIGNIA OF THE GALT SCHOOL OF NURSING, WHICH IS COLOURED YELLOW, GREEN, AND RED. IN THE CENTER OF THE INSIGNIA IS A RED CROSS. THE TEXT READS “GALT SCHOOL OF NURSING, LETHBRIDGE ALTA”, “FESTINA LENTE”, AND “1910-1979”. AROUND THE LIP OF THE MUG RUNS A GOLD RING. THE BOTTOM OF THE MUG READS “DECORATED IN CANADA BY …EMORE CHINA & GLASS” AND “CREEMORE, ONT”. VERY GOOD CONDITION: SLIGHT WEAR TO GOLD RIM.
Subjects
HOUSEHOLD ACCESSORY
Historical Association
ASSOCIATIONS
HEALTH SERVICES
COMMEMORATIVE
History
UPON DONATION TO THE MUSEUM, COLLECTIONS TECHNICIAN KEVIN MACLEAN ASKED MEMBERS OF THE GALT SCHOOL OF NURSING (GSN) ALUMNAE TO PROVIDE WRITTEN ANSWERS ON QUESTIONS PERTAINING TO EACH ARTIFACT DONATED IN THE COLLECTION. THE FOLLOWING INFORMATION HAS COME FROM THOSE RESPONSES CORRESPONDING TO EACH INDIVIDUAL ARTIFACT. ACCORDING TO THE HISTORY, “THIS IS A COFFEE CUP COMMEMORATING THE CLOSING OF THE NURSING SCHOOL. THE ALUMNAE PURCHASED THEM AND SOLD THEM… [THE MUGS] WERE DESIGNED AND MADE IN 1979.” IT CONTINUES, “[THE] GALT GRADS BOUGHT THESE MUGS… [AS] A MEMENTO OF THE CLOSING OF THE SCHOOL.” THIS ARTIFACT IS AMONG A COLLECTION DONATED NEAR THE END OF 2014, BEING THE SECOND WAVE OF GSN ARTIFACTS ACQUIRED BY THE MUSEUM THAT YEAR. WITH THE FIRST WAVE OF GSN ARTIFACTS COLLECTED IN SUMMER 2014, MACLEAN INTERVIEWED THE PAST ARCHIVISTS OF THE GALT SCHOOL OF NURSING COLLECTION, SHIRLEY HIGA, ELAINE HAMILTON, AND SUE KYLLO, ABOUT THEIR INVOLVEMENT WITH THE GSN ALUMNAE ASSOCIATION AND THE HISTORY OF ARTIFACTS DONATED. FOR THAT INFORMATION, PLEASE REFER TO P20140006001. PLEASE SEE THE PERMANENT FILE FOR MORE INFORMATION.
Catalogue Number
P20140049006
Acquisition Date
2014-11
Collection
Museum
Images
Less detail
Date Range From
1950
Date Range To
1960
Material Type
Artifact
Materials
SILK, COTTON
Catalogue Number
P20120045006
  2 images  
Material Type
Artifact
Date Range From
1950
Date Range To
1960
Materials
SILK, COTTON
No. Pieces
1
Length
186
Width
60
Description
IVORY TABLE RUNNER WITH GOLD FRINGING AT BOTH ENDS; RUNNER HAS CREAM STITCHING AROUND EDGES. ABOVE GOLD FRINGE AT EACH END IS AN EMBROIDERED INDEPENDENT ORDER OF FORESTERS CREST. CREST IS ON A ROYAL BLUE FLOWER EDGED WITH GOLD, AND SHOWS THE ORDER CROSS, EDGED IN GOLD, WITH FOUR POINTS IN INDIGO AND RED, AND A WHITE CIRCLE IN CENTER WITH TEXT “I.O.F.” ON AN INDIGO BAR WITH GOLD EDGING ACROSS THE CENTER. TABLE RUNNER HAS DARK STAINING AND WEAR MARKS ON BOTH SIDES; RUNNER IS CREASED FROM FOLDS ON BOTH SIDES. OVERALL VERY GOOD CONDITION.
Subjects
HOUSEHOLD ACCESSORY
Historical Association
ASSOCIATIONS
History
ON AUGUST 21, 2018, COLLECTIONS TECHNICIAN INTERVIEWED LLOYD CAREFOOT REGARDING HIS DONATION OF MEMORABILIA RELATED TO COURT WINDY WEST (#562) LETHBRIDGE CHAPTER OF THE INDEPENDENT ORDER OF FORESTERS. CAREFOOT WAS ACTIVELY INVOLVED WITH THE FORESTERS WHILE HE LIVED IN EDMONTON, ALBERTA, AND CONTINUED HIS INVOLVEMENT FOLLOWING HIS MOVE TO LETHBRIDGE IN 1963. ON THE PURPOSE AND HISTORY OF THE TABLE RUNNER, CAREFOOT NOTED, “THAT WOULD BE A TABLE RUNNER. THAT WOULD BE [USED] WHEN THEY WERE…DOING [THE] RITUAL. WE DIDN’T USE THIS AT EVERY MEETING. THIS WAS A THING THAT THEY USED WHEN THEY HAD THE RITUAL WHERE THEY PUT ON THEIR HAT AND THEIR GOWNS.” “THERE WOULD BE MORE THAN ONE BECAUSE THEY HAD A TABLE WITH SOME OF THE [RITUAL] ITEMS ON…I NEVER WAS EVER INVOLVED WHEN THEY WERE DOING THAT.” “[MEMBERS STOPPED USING IT BECAUSE] SOCIETY HAD CHANGED ENOUGH THAT THEY DIDN’T WANT TO BOTHER WITH THAT RITUAL. I SUSPECT THAT’S WHY. [THE RITUALS WERE] KIND OF STRANGE TO ME. BUT I ACCEPTED IT BECAUSE THAT IS PART OF WHAT YOU DID.” WHEN ASKED ABOUT HIS TIME SPENT IN THE FORESTERS, CAREFOOT RECALLED, “WE [WIFE RUTH AND LLOYD] WERE INVITED TO [AN] ACTIVITY. [IN THOSE] DAYS THERE [WERE] SOCIAL PARTIES…SOMEBODY THAT I KNEW INVITED ME TO COME AND I HEARD WHAT THEY WERE DOING. IT WAS SOMETHING THAT RUTH AND I THOUGHT…WOULD BE SOMETHING WE’D LIKE TO BE INVOLVED IN…MY FATHER WAS A MEMBER OF THE CANADIAN ORDER OF FORESTERS WHICH WAS A STAGE BEFORE THE INDEPENDENT ORDER OF FORESTERS.” “I BECAME A MEMBER IN EDMONTON… I WAS ONLY AS ASSOCIATE AT THAT TIME. WHEN WE MOVED DOWN HERE, WE BECAME MEMBERS HERE…MY FIRST WORKDAY WAS THE SECOND OF JANUARY, 1963 [IN LETHBRIDGE]. I WAS A FULL-BLOWN MEMBER IN 1966.” “[I JOINED BECAUSE OF] THE SATISFACTION THAT IT’S A STRONG CHARITABLE WAY OF DOING THINGS TO GIVE BACK. THAT’S PART OF MY PHILOSOPHY; JUST GIVE A LITTLE BACK FOR THE GOOD LIFE I’VE HAD.” “I WAS THE PRESIDENT OF THE LEAGUE…OF [THE] LETHBRIDGE CHAPTER. AND [I] WOUND UP WITH [THE TRUNK] AND IN IT [WERE] THESE THINGS. IT PRE-DATES ME.” “MOST OF THOSE THINGS WERE FOR MY PERSONAL USE…EITHER IN EVENTS OR A POSITION I HELD IN THE FORESTERS. I LOOK AT [THE OBJECTS] AND I SMILE.” REGARDING HIS DONATION, CAREFOOT ELABPRATED, “THE FORESTERS IN THE COMMUNITY DID A LOT OF CHARITY WORK AND I THOUGHT IT WAS A WAY OF COVERING FOR THE FUTURE [ABOUT] THE THINGS THAT WE DID, OR STILL DO. THAT WAS, MORE THAN ANYTHING ELSE, MY REASON FOR [DONATING IT] – A WAY OF PASSING IT ALONG SO IT JUST DIDN’T GET SHOVED IN THE JUNK…TO SOMEBODY IN THE FUTURE, IT INDICATES SOMETHING OF WHAT WE DID AND SOME ILLUSTRATION OF THINGS THAT WE DID. FOR MORE INFORMATION INCLUDING THE FULL INTERVIEW TRANSCRIPTION, PLEASE SEE THE PERMANENT FILE P20120045001-GA.
Catalogue Number
P20120045006
Acquisition Date
2012-12
Collection
Museum
Images
Less detail
Date Range From
1950
Date Range To
1960
Material Type
Artifact
Materials
COTTON
Catalogue Number
P20120045007
  2 images  
Material Type
Artifact
Date Range From
1950
Date Range To
1960
Materials
COTTON
No. Pieces
1
Length
54
Width
64.5
Description
SQUARE BURGUNDY TABLE COVERING; COTTON AND VELVET; EDGES ARE CURLING IN TO BACK. BACK IS STAINED AND FADED. TOP EDGE HAS FRAYING AND LOOSE THREADS; BOTTOM EDGE HAS LOSS OF THREADS AND LOOSENED FROM SEAM AT LEFT SIDE. LEFT EDGE IS TORN, HAS NO SEAM, AND IS CURLING TO BACK. FRONT IS FADED ALONG TOP EDGE INTO CENTER. OVERALL GOOD CONDITION.
Subjects
HOUSEHOLD ACCESSORY
Historical Association
ASSOCIATIONS
History
ON AUGUST 21, 2018, COLLECTIONS TECHNICIAN INTERVIEWED LLOYD CAREFOOT REGARDING HIS DONATION OF MEMORABILIA RELATED TO COURT WINDY WEST (#562) LETHBRIDGE CHAPTER OF THE INDEPENDENT ORDER OF FORESTERS. CAREFOOT WAS ACTIVELY INVOLVED WITH THE FORESTERS WHILE HE LIVED IN EDMONTON, ALBERTA, AND CONTINUED HIS INVOLVEMENT FOLLOWING HIS MOVE TO LETHBRIDGE IN 1963. ON THE PURPOSE AND HISTORY OF THE TABLE COVERING, CAREFOOT NOTED, “THAT’S THE TABLECLOTH WE USED…WHEN THEY SET THEIR TABLE…[THERE] WAS A CENTERPIECE THAT DEMONSTRATED THIS WAS THE INDEPENDENT ORDER OF FORESTERS.” “WHEN THEY SET UP THEIR ROOM, FOR THE RITUAL, THEY HAD LITTLE TABLES AND THIS WAS THE COVER FOR THAT LITTLE TABLE. THIS WAS CHIEF RANGER’S.” “[MEMBERS STOPPED USING IT BECAUSE] SOCIETY HAD CHANGED ENOUGH THAT THEY DIDN’T WANT TO BOTHER WITH THAT RITUAL. I SUSPECT THAT’S WHY. [THE RITUALS WERE] KIND OF STRANGE TO ME. BUT I ACCEPTED IT BECAUSE THAT IS PART OF WHAT YOU DID.” WHEN ASKED ABOUT HIS TIME SPENT IN THE FORESTERS, CAREFOOT RECALLED, “WE [WIFE RUTH AND LLOYD] WERE INVITED TO [AN] ACTIVITY. [IN THOSE] DAYS THERE [WERE] SOCIAL PARTIES…SOMEBODY THAT I KNEW INVITED ME TO COME AND I HEARD WHAT THEY WERE DOING. IT WAS SOMETHING THAT RUTH AND I THOUGHT…WOULD BE SOMETHING WE’D LIKE TO BE INVOLVED IN…MY FATHER WAS A MEMBER OF THE CANADIAN ORDER OF FORESTERS WHICH WAS A STAGE BEFORE THE INDEPENDENT ORDER OF FORESTERS.” “I BECAME A MEMBER IN EDMONTON… I WAS ONLY AS ASSOCIATE AT THAT TIME. WHEN WE MOVED DOWN HERE, WE BECAME MEMBERS HERE…MY FIRST WORKDAY WAS THE SECOND OF JANUARY, 1963 [IN LETHBRIDGE]. I WAS A FULL-BLOWN MEMBER IN 1966.” “[I JOINED BECAUSE OF] THE SATISFACTION THAT IT’S A STRONG CHARITABLE WAY OF DOING THINGS TO GIVE BACK. THAT’S PART OF MY PHILOSOPHY; JUST GIVE A LITTLE BACK FOR THE GOOD LIFE I’VE HAD.” “I WAS THE PRESIDENT OF THE LEAGUE…OF [THE] LETHBRIDGE CHAPTER. AND [I] WOUND UP WITH [THE TRUNK] AND IN IT [WERE] THESE THINGS. IT PRE-DATES ME.” “MOST OF THOSE THINGS WERE FOR MY PERSONAL USE…EITHER IN EVENTS OR A POSITION I HELD IN THE FORESTERS. I LOOK AT [THE OBJECTS] AND I SMILE.” REGARDING HIS DONATION, CAREFOOT ELABPRATED, “THE FORESTERS IN THE COMMUNITY DID A LOT OF CHARITY WORK AND I THOUGHT IT WAS A WAY OF COVERING FOR THE FUTURE [ABOUT] THE THINGS THAT WE DID, OR STILL DO. THAT WAS, MORE THAN ANYTHING ELSE, MY REASON FOR [DONATING IT] – A WAY OF PASSING IT ALONG SO IT JUST DIDN’T GET SHOVED IN THE JUNK…TO SOMEBODY IN THE FUTURE, IT INDICATES SOMETHING OF WHAT WE DID AND SOME ILLUSTRATION OF THINGS THAT WE DID. FOR MORE INFORMATION INCLUDING THE FULL INTERVIEW TRANSCRIPTION, PLEASE SEE THE PERMANENT FILE P20120045001-GA.
Catalogue Number
P20120045007
Acquisition Date
2012-12
Collection
Museum
Images
Less detail
Other Name
"MARQUIS HOTEL"
Date Range From
1928
Date Range To
2015
Material Type
Artifact
Materials
CERAMIC, PAINT
Catalogue Number
P20150037000
  1 image  
Material Type
Artifact
Other Name
"MARQUIS HOTEL"
Date Range From
1928
Date Range To
2015
Materials
CERAMIC, PAINT
No. Pieces
1
Height
5.08
Width
12.4
Description
BLACK, CERAMIC ASHTRAY. THE INSIDE OPENING OF THE ASHTRAY IS 6.4 CM. THE LETTERING ON THE TOP SAYS “THE MARQUIS HOTEL, LETHBRIDGE, ALBERTA, CANADA.” THERE IS AN ABSTRACTED FLORAL DESIGN ON EITHER SIDE OF THIS LETTERING. THE FLOWERS ARE PAINTED RED AND THEIR STEMS PAINTED GREEN. THIS WORDING AND DESIGN REPEATS ON THE OPPOSITE SIDE. THE LETTERING ON THE BOTTOM SAYS, “MADE IN JAPAN 29.” VERY GOOD CONDITION. USED WITH SOME WEAR APPARENT. BLACK PAINT IS WEARING OFF ON SOME PARTS OF THE SURFACE. SIGNIFICANT WEAR TO THE RED AND GREEN PAINT OF THE DECALS.
Subjects
HOUSEHOLD ACCESSORY
Historical Association
DOMESTIC
BUSINESS
History
ON DECEMBER 16, 2015, DONOR CHRIS MORRISON INFORMED COLLECTIONS TECHNICIAN KEVIN MACLEAN THAT SHE CAME INTO POSSESSION OF THE ASHTRAY WHEN SHE AND HER HUSBAND BECAME STEWARDS OF A WATERTON CABIN IN 1976. THE CABIN, LOCATED AT 103 CAMERON FALLS, WAS OWNED BY HER MOTHER-IN-LAW DOROTHY MORRISON (D. 1995). IT WAS AMONG ASSORTED FURNISHINGS LEFT BEHIND WHEN DOROTHY MOVED OUT AND CHRIS MOVED IN. THE DONOR’S RECOLLECTION OF THE ASHTRAY’S USE IMMEDIATELY PRIOR TO IT BECOMING HER PROPERTY WAS AS A CONTAINER. MORRISON SAID, “IT WAS IN A [CABIN] WASHSTAND AND USED TO HOLD LITTLE OBJECTS LIKE ROLLED UP KEROSENE LANTERN TAPE WICKS”. ACCORDING TO MORRISON, IT WAS ALSO KNOWN AS “GRANDPA’S ASHTRAY”. GRANDPA REFERS TO JAMES J. MORRISON OF LETHBRIDGE. “HE ONLY SMOKED CIGARS” SAID THE DONOR, WHEREAS HER MOTHER-IN-LAW DOROTHY DID NOT SMOKE AT ALL. THE ASHTRAY’S USE AS A CONTAINER FOR LANTERN WICKS AND SMALL ITEMS CONTINUED RIGHT UP TO THE DAY THAT IT WAS OFFERED TO THE GALT IN 2015. ACCORDING TO HER OBITUARY IN THE LETHBRIDGE HERALD, DOROTHY MORRISON, PASSED AWAY IN LETHBRIDGE ON NOVEMBER 26, 1995 AT THE AGE OF 83 YEARS. JAMES JACOB MORRISON, DOROTHY’S FATHER-IN-LAW, PASSED ON FEBRUARY 18TH, 1975 AT AGE 93. THE ASHTRAY IS MARKED WITH “MARQUIS HOTEL,” WHICH COULD REFER TO THE LETHBRIDGE HOTEL THAT OPENED IN JUNE 1928. REALIZING A NEED FOR A FIRST-CLASS HOTEL IN LETHBRIDGE, ESPECIALLY ONE WITH A BANQUET HALL, THE BUSINESSMEN OF THE BOARD OF TRADE COMMITTED THEMSELVES TO THE HOTEL IN 1927. AFTER ITS OPENING, THE BOARD OF TRADE WOULD HOLD THEIR REGULAR, NOON-HOUR MEETINGS AT THE HOTEL FOR MANY YEARS TO COME. THE HOTEL CLOSED ITS DOORS IN 1985 AND THE BUILDING WAS DEMOLISHED IN 1988. THIS INFORMATION COMES FROM LETHBRIDGE HERALD ARTICLES AND A WRITE-UP ABOUT THE HOTEL IN THE PUBLICATION TITLED "WHERE WAS IT? A GUIDE TO EARLY LETHBRIDGE BUILDINGS," BY IRMA DOGTEROM. PLEASE SEE PERMANENT FILE FOR MORE INFORMATION INCLUDING LETHBRIDGE HERALD ARTICLES AND A COPY OF THE INFORMATION FROM THE PUBLICATION CITED ABOVE.
Catalogue Number
P20150037000
Acquisition Date
2015-12
Collection
Museum
Images
Less detail
Other Name
JAPANESE CERAMIC VASE
Date Range From
1923
Date Range To
1956
Material Type
Artifact
Materials
CERAMIC
Catalogue Number
P20160042001
  2 images  
Material Type
Artifact
Other Name
JAPANESE CERAMIC VASE
Date Range From
1923
Date Range To
1956
Materials
CERAMIC
No. Pieces
1
Height
32.5
Length
17.5
Diameter
17.5
Description
BLACK AND SILVER GLAZED, CERAMIC VASE WITH RED AND GOLD DESIGNS PAINTED ON OPPOSITE SIDES OF THE VASE. ONE DESIGN SHOWCASES A CRANE FLYING TOWARDS A TREE BRANCH, WHILE THE OTHER SHOWCASES TWO CRANES PERCHED ON A LARGE TREE BRANCH BENEATH A RED DISC/MOON. “MADE IN JAPAN” IS STAMPED INTO BASE OF VASE. CONDITION: THE LIP OF THE VASE HAS A 4.3 CM CHIP AND IS MISSING 7.6 CM ALONG TOP EDGE. LOOSE OF PAINT AND OVERALL FINISH OF DESIGN. SLIGHT CHIPPING AROUND BASE.
Subjects
HOUSEHOLD ACCESSORY
Historical Association
DOMESTIC
FURNISHINGS
ETHNOGRAPHIC
History
ON 2 DECEMBER 2016, COLLECTIONS TECHNICIAN KEVIN MACLEAN INTERVIEWED THE DONORS, MAKIO (MAC) AND REYKO NISHIYAMA, IN THEIR HOME TO DISCUSS ITEMS THEY WERE DONATING TO THE GALT. THE FOLLOWING INFORMATION HAS BEEN EXTRACTED FROM THAT INTERVIEW: MRS. NISHIYAMA EXPLAINED THAT THIS VASE CAME INTO HER CUSTODY AFTER ITS INITIAL OWNERS – HER PARENTS TAKASHI AND CHIAKI KARAKI – MOVED FROM THEIR RAYMOND HOME TO BRITISH COLUMBIA. SHE SAID, “… [AFTER THE] SIXTY YEARS OF FARMING, MY [PARENTS] DID IN RAYMOND… THEY SELL THE WHOLE THING AND MOVE! I’M LEFT BEHIND IN RAYMOND BY MYSELF, MARRIED… WHEN THEY MOVE TO QUESNEL, B.C [IN THE LATE 1950S], THEY HAD TO LEAVE BEHIND THEIR TRUNK AND IT HAD ALL THE TREASURES IN IT.” THIS VASE WAS VISIBLE THROUGHOUT MRS. NISHIYAMA’S CHILDHOOD. SHE EXPLAINED, “[THE VASE] WAS MORE AN EVERYDAY THING.” IT WAS PLACED BY THE DOOR OF THE FARM HOUSE. AND “[THE] ONLY THING THAT WAS IN THERE WAS [MY MOTHER’S] UMBRELLA.” OTHER TREASURES FOUND IN THE TRUNK WERE HER MOTHER’S HAIR ORNAMENTS AND COMB ALSO DONATED WITH THE VASE (P20160042002-004). THE TRUNK, ALONG WITH ITS CONTENTS, WERE BROUGHT TO SOUTHERN ALBERTA FROM JAPAN BY HER MOTHER, CHIAKI KARAKI (NEE KUMAGAI), FOLLOWING HER MARRIAGE TO TAKASHI KARAKI. MRS. NISHIYAMA EXPLAINED HER PARENTS’ MARRIAGE STORY: “… SHE CAME OVER AS A VERY YOUNG BRIDE… NOT QUITE EIGHTEEN… I OFTEN SAID TO MY MOTHER…, ‘HOW IN THE WORLD DID YOUR PARENTS EVER LET YOU GO TO CANADA? YOU DIDN’T KNOW THE LANGUAGE – IT’S A DIFFERENT COUNTRY.’ SHE DIDN’T KNOW ANYTHING ABOUT MY DAD, EXCEPT THAT HE WAS A FARMER. HE’S SEVENTEEN YEARS OLDER THAN SHE WAS THEN. IT DOESN’T MAKE SENSE. SHE JUST SAID, ‘MY PARENTS SAID TO GO, SO I CAME’ … IT TOOK A LOT OF COURAGE…” MRS. NISHIYAMA WENT ON, “ALL JAPANESE MARRIAGES WERE DONE [BY] GO-BETWEENS. THERE WERE, I WOULD SAY, HARDLY ANY, IN FACT, I DON’T THINK THERE WAS ANY… FALLING-IN-LOVE KIND OF THING. THAT WAS JUST NOT EVEN THOUGHT ABOUT… MY DAD’S FOLKS WERE IN THE VILLAGE. THEY WERE FARMERS… THEY HAD A LARGE HOUSE AND THEY RAISED SILKWORMS. MY MOTHER’S FOLKS LIVED IN THE TOWN… SHE COMES FROM A VERY MODEST FAMILY, BUT HER DAD WAS A PAWN BROKER…” A FAMILY HISTORY WRITTEN BY MRS. NISHIYAMA AND HER BROTHER, SUSUMU KARAKI, IN THE BOOK TITLED "NISHIKI: NIKKEI TAPESTRY: A HISTORY OF SOUTHERN ALBERTA JAPANESE CANADIANS" (PUBLISHED 2001), ELABORATES ON THE FAMILY’S STORY. IT STATES THEIR FATHER, TAKASHI KARAKI, WAS BORN ON 1 JULY 1889 IN NAGANO PREFECTURE, JAPAN. THE HISTORY READS, “AFTER GRADUATING FROM HIGH SCHOOL IN 1907… HE LEFT A COMFORTABLE HOME… TO VENTURE OUT FOR A NEW LIFE IN AMERICA.” IT EXPLAINS HE LANDED IN VANCOUVER, AND WAS LURED BY A HIGH SALARY JOB IN SKEENA, BRITISH COLUMBIA. AFTER WORKING IN BRITISH COLUMBIA, THE HISTORY SAYS THAT “IN 1909, HE AND SEVERAL HUNDRED OTHER YOUNG JAPANESE MEN WERE RECRUITED BY AN AGENT OF THE KNIGHT SUGAR COMPANY TO WORK IN THE SUGAR BEET FIELDS IN RAYMOND, [ALBERTA] WITH PROMISES OF GOOD PAY AND EASY WORK...” THE MEN SOON LEARNED THAT THE WORK WAS MUCH MORE DIFFICULT AND THE PAY SIGNIFICANTLY LOWER THAN THEY HAD BEEN INITIALLY BEEN PROMISED, SO MANY RETURNED TO BRITISH COLUMBIA AFTER THEIR CONTRACT YEAR. KARAKI WAS OF THE GROUP THAT DECIDED TO STAY ON WITH THE COMPANY UNTIL ITS CLOSURE IN 1914. AFTER THAT, HE BEGAN A FARMING OPERATION WITH TWO OF THE FRIENDS HE MADE IN THE COMPANY – LEASING LAND FROM FIRST THE KNIGHT SUGAR COMPANY, THEN FROM A LOCAL NAMED ROLLO KINSEY, AND FINALLY FROM THE MCINTYRE RANCH IN MAGRATH. EVEN THOUGH THE PARTNERSHIP DISSOLVED AFTER THE FIRST THREE YEARS, KARAKI PERSISTED UNDER THE TRYING CONDITIONS, AND BY 1918 HE MADE THE DECISION TO MAKE ALBERTA HIS PERMANENT HOME AND TO BECOME A CANADIAN CITIZEN. HE PURCHASED A DRY LAND FARM IN RAYMOND AND FARMED THAT FOR FIVE YEARS BEFORE DECIDING HE WANTED TO GET MARRIED AND RAISE A FAMILY OF HIS OWN. HE RETURNED TO JAPAN IN 1923, WHERE HE MET THROUGH FAMILY AND FRIENDS, CHIAKI KUMAGAI, WHO WAS ALSO FROM THE NAGANO PREFECTURE. THE COUPLE MARRIED IN DECEMBER 1923, AND THE NEWLYWEDS RETURNED TO RAYMOND IN SPRING 1924. IN THE 2016 INTERVIEW, MRS. NISHIYAMA ADDED, “THERE WAS SOMEBODY ELSE. GO-BETWEENS HAD PICKED OUT SOMEONE ELSE FOR HIM, SO SOMEONE ELSE LOOKED AT HIM AND SAID ‘NO, THANK YOU.’ YOU KNOW, SOMETIMES IT WORKS, AND SOMETIMES IT DIDN’T. SO, THEN THEY HAD TO SCROUNGE A LITTLE BIT, AND MY MOTHER’S TOWN WAS NOT SO FAR FROM WHERE DAD’S FAMILY LIVED, SO THEY SAID, ‘WELL, WE’RE NOT THAT FAR APART. WHEN YOU COME HOME FOR A VISIT, YOU WILL BE ABLE TO VISIT.’” WHEN DESCRIBING THE HOME THE COUPLE INTIALLY SETTLED IN, MRS. NISHIYAMA EXPLAINED, “WE [WERE] 8 MILES SOUTH OF RAYMOND, IN WHAT WE CALL THE MAMMOTH SCHOOL DISTRICT… THERE WERE QUITE A FEW JAPANESE FAMILIES IN AND AROUND THAT MAMMOTH SCHOOL DISTRICT, SO WE WERE SORT OF THE MAJORITY.” MRS. NISHIYAMA SAID THAT HER MOTHER SPOKE OFTEN OF HER EARLY DAYS IN SOUTHERN ALBERTA. MRS. NISHIYAMA RECALLED, “IT WAS REALLY VERY LONELY [FOR MY MOTHER]. SHE’S YOUNG; THE CLOSEST NEIGHBOR WAS HALF A MILE AWAY… WHEN SHE GOT TO THE FARM, SHE SAID, ‘YOU SAID OUR NEIGHBORS ARE TAKAGUCHI’S. IS THAT HOUSE OVER THERE OUR NEIGHBORS?’ DAD SAID, ‘NO, THAT’S A CHICKEN COOP. THE NEIGHBOR’S HOUSE IS AWAY OVER THERE.’ FOR HER, THAT’S JUST APPALLING, COMING FROM A TOWN WHERE NEIGHBORS WERE CLOSE…DAD WOULD GET UP ONTO THE FIELD. NO ONE TO TALK TO EVEN. FORTUNATELY, SHE SAID, HER BROTHER-IN-LAW (DAD HAD A YOUNGER BROTHER HELPING HIM AT THAT TIME) – AND HE SAID, ‘GET ON THE BACK OF MY TRACTOR AND (IT WASN’T TRACTOR THEN – IT WAS HORSE AND BUGGY, BUT ANYWAY -) JUST COME AND RIDE THE FIELD WITH ME.’ AND, SHE DID JUST BECAUSE SHE COULDN’T STAND BEING BY HERSELF IN A LONELY OUTPOST, ON THE PRAIRIES, WITH NOTHING TO LOOK AT…” ACCORDING TO THE KARAKI FAMILY HISTORY IN THE NISHIKI BOOK, THE COUPLE RAISED A FAMILY OF SIX CHILDREN INCLUDING THE DONOR, REYKO NISHIYAMA. BY 1956, THEY SOLD THEIR FARM AND RELOCATED TO BRITISH COLUMBIA. TAKASHI PASSED AWAY IN THERE IN 1974 AT THE AGE OF 85 AND CHIAKI PASSED AWAY 14 YEARS LATER IN 1988. PLEASE SEE PERMANENT FILE FOR MORE INFORMATION, INCLUDING FULL INTERVIEW TRANSCRIPTIONS AND COPIES OF THE FAMILY HISTORIES.
Catalogue Number
P20160042001
Acquisition Date
2016-12
Collection
Museum
Images
Less detail
Other Name
TEA TOWEL, LETHBRIDGE HANDICRAFT GUILD OF WEAVERS
Material Type
Artifact
Materials
COTTON
Catalogue Number
P20140037000
  1 image  
Material Type
Artifact
Other Name
TEA TOWEL, LETHBRIDGE HANDICRAFT GUILD OF WEAVERS
Date
2014
Materials
COTTON
No. Pieces
1
Length
82
Width
39
Description
PLAID, HANDWOVEN TEA TOWEL MADE UP OF VARIOUS PLAID PATTERNS. THE BASE THROUGHOUT THE TOWEL IS A SYMMETRICAL PATTERN OF BANDS (DARK BLUE, LIGHT BLUE, GREEN, YELLOW, ORANGE, RED, PINK, DARK PURPLE, AND LIGHT PURPLE). THERE IS A CARDBOARD TAG ATTACHED THAT READS, “LETHBRIDGE HANDICRAFT…” PRINTED IN BLACK INK AND “GALT TOWEL… GUILD WEAVERS” HANDWRITTEN IN BLUE INK. THE REVERSE OF THE CARD HAS CARE INSTRUCTIONS. THE TOWEL IS 82 CM BY 39 CM. EXCELLENT CONDITION. CREASED AT THE FOLDS.
Subjects
MAINTENANCE T&E
Historical Association
ASSOCIATIONS
COMMEMORATIVE
DOMESTIC
TRADES
History
AN EXHIBITION AT THE GALT MUSEUM AND ARCHIVES TITLED "WOVEN IN TIME: CELEBRATING 65 YEARS WITH LETHBRIDGE WEAVERS" WAS ORGANIZED BY GALT CURATOR WENDY AITKENS IN PARTNERSHIP WITH THE LETHBRIDGE HANDICRAFT GUILD OF WEAVERS. THE EXHIBITION RAN FROM JUNE 7 TO SEPTEMBER 1, 2014 AND DISPLAYED THE HISTORY OF THE GUILD WITHIN THE COMMUNITY SINCE ITS RE-ESTABLISHMENT IN 1949. THE EXHIBITION INCLUDED BOTH HERITAGE AND RECENT WEAVINGS, ARCHIVAL MATERIAL, DEMONSTRATION VIDEOS, AND WEAVERS WHO SAT AT A LOOM IN THE EXHIBIT CREATING 6 COTTON TEA TOWELS. OF THESE TOWELS, ONE WAS CHOSE FOR DONATION TO THE MUSEUM. THIS TEA TOWEL SHOWS SEVERAL DESIGNS CREATED BY THE WEAVERS WHO SAT AT THE LOOM IN THE EXHIBIT. IT WAS CREATED AS A WEAVING DEMONSTRATION WITH AT LEAST SEVEN WEAVERS DESIGNING THE PATTERN AND WORKING ON IT. THE FOLLOWING INFORMATION ABOUT THE LETHBRIDGE HANDICRAFT GUILD OF WEAVERS HAS BEEN TAKEN FROM TEXTS WRITTEN FOR THE EXHIBITION BY AITKENS: “IN THE PAST, FUNCTIONAL HOUSEHOLD ITEMS SUCH AS CLOTHING, BEDDING AND OTHER NECESSITIES WERE WOVEN BY HAND, ON HOMEMADE LOOMS. WITH THE INDUSTRIAL REVOLUTION, MASS PRODUCED WOVEN PRODUCTS EMPLOYED MANY PEOPLE IN FACTORIES MAKING THINGS THAT THEY WOULD HAVE MADE EARLIER AT HOME. AS TIME PASSED THERE WAS A GROWING FEAR THAT THE SKILLS AND KNOWLEDGE REQUIRED TO PRODUCE HANDMADE WOVEN ARTICLES WOULD BE LOST. CONSEQUENTLY, FOLLOWED MOVEMENTS IN BRITAIN, SEVERAL WOMEN IN MONTREAL FORMED THE CANADIAN HANDICRAFTS GUILD [CHG] IN 1905 TO PRESERVE THESE TRADITIONAL ART AND CRAFT SKILLS. … BY THE LATE 1800S, MEN AND WOMEN WERE RECOGNIZED FOR THEIR ADVANCED SKILL IN WEAVING, AND GUILDS WERE ESTABLISHED IN COMMUNITIES ACROSS CANADA, INCLUDING EDMONTON, VANCOUVER, AND WINNIPEG. GUILDS ALSO ENCOURAGED PRODUCTION OF FURNITURE, JEWELRY DESIGN, LEATHER AND IRON WORK, AS WELL AS OTHER ARTISTIC ENDEAVOURS. THE NATIONAL GUILD TRANSFERRED ITS ASSETS TO THE QUEBEC PROVINCIAL BRANCH OF THE CHG IN 1936. "THE LETHBRIDGE BRANCH OF THE CHG WAS FOUNDED IN 1935. IT WAS DISCONTINUED DURING WWII BECAUSE RED CROSS PROJECTS, WHICH SUPPORTED SOLDIERS OVERSEAS, WERE THE PRIORITY. AFTER THE WAR IN 1949, ELEVEN LOCAL WOMEN REBUILT THE CHG AND OFFERED COURSES IN NEEDLEWORK, LEATHERWORK, COPPER TOOLING, GLOVE MAKING, POTTERY, ALUMINUM ETCHING, AND OTHER CRAFTS INCLUDING, IN 1951, WEAVING. MEETINGS AND CLASSES WERE HELD IN THE CANADIAN WESTERN NATURAL GAS COMPANY BUILDING [420 – 6 ST. S] AND THE RED CROSS ROOMS [1160 – 7 AVE S] UNTIL 1964 WHEN THE GUILD MOVED TO THE BOWMAN ARTS CENTRE [811 – 5 AVE. S]. “SINCE 1951, WHEN WEAVING BECAME A POPULAR ACTIVITY IN THE LETHBRIDGE HANDICRAFT GUILD, MEMBERS PRACTICED THEIR ART, TAUGHT OTHERS HOW TO WEAVE, AND SHARED THEIR PIECES WITH THE PUBLIC THROUGH SHOWS AND SALES. INITIALLY, 16 BOX LOOMS WERE PURCHASED FROM EATON’S FOR EVERYONE TO USE. IN 1954, GUILD MEMBERS SAVED LABELS FROM SOUP CANS AND WHEN THEY TURNED THEIR LABELS IN TO THE CAMPBELL COMPANY THEY RECEIVED $165 TO PURCHASE A FLOOR LOOM. TODAY, THE GUILD OWNS MANY LOOMS OF VARYING SIZES. "THE LETHBRIDGE GUILD HAS ALWAYS OPERATED AS A CO-OPERATIVE. ALL THE LOOMS ARE OWNED BY THE GUILD AND THEY ARE SET UP WITH A COMMON WARP (THE LONG THREADS ON THE LOOM) FOR ALL MEMBERS TO USE. GUILD MEMBERS WORK TOGETHER TO PLAN GROUP PROJECTS SUCH AS A FRIENDSHIP BED COVERLET, TEA TOWELS AND PLACE MATS. MEMBERS USE TRADITIONAL FIBRES SUCH AS COTTON, LINEN AND WOOL BUT THEY ALSO EXPERIMENT WITH YARNS MADE FROM YAK, DOG AND POSSUM HAIR. THEY ALSO USED RIBBONS, ZIPPERS AND VHS TAPES TO CREATE IMAGINATIVE WORKS OF ART. "IN THE EARLY 2000S, GUILD MEMBERS ASKED CITY COUNCIL FOR PERMISSION TO DEVELOP AN OFFICIAL TARTAN FOR LETHBRIDGE. MONTHS OF WEAVING SAMPLES, CHOOSING THE PERFECT PATTERN, AND GETTING COUNCIL APPROVAL RESULTED IN A SPECTACULAR TARTAN WHICH WAS UNIQUE IN THE WORLD. THE TARTAN WAS OFFICIALLY CERTIFIED BY THE SCOTTISH TARTAN SOCIETY. "KNOWLEDGEABLE LOCAL WEAVERS TAUGHT ADULTS AND CHILDREN THE ART OF WEAVING, SPINNING, AND DYING. MASTER WEAVERS FROM OUTSIDE LETHBRIDGE HAVE BEEN BROUGHT IN TO EXPAND THE TECHNIQUES AND STYLES OF GUILD MEMBERS. THE GUILD RECEIVED INTERNATIONAL RECOGNITION FROM INTERWEAVE PRESS WHEN IT WON THE FIBERHEARTS AWARD IN 2005 FOR ITS UNIQUE MENTORSHIP PROGRAM. THE $500 RECEIVED WITH THE AWARD ALLOWED NOVICE WEAVERS TO LEARN FROM EXPERIENCED WEAVERS.” PLEASE SEE PERMANENT FILE FOR MORE INFORMATION.
Catalogue Number
P20140037000
Acquisition Date
2014-09
Collection
Museum
Images
Less detail

8 records – page 1 of 1.