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Material Type
Artifact
Materials
COTTON
Catalogue Number
P20150016008
  1 image  
Material Type
Artifact
Date
1902
Materials
COTTON
No. Pieces
1
Length
75.5
Width
29.5
Description
CHILD’S BAPTISMAL/CHRISTENING GOWN WITH AN OFF-WHITE COTTON BODY, PLEATED SKIRT WITH EMBROIDERED LEAF AND FLOWER PETAL MOTIF. IT HAS LACE CUFFS AND COLLAR. ADHESIVE MASKING TAPE, “GRANNY SUPINA’S CHRISTENING DRESS 1902, MADE BY GRANNY WOODS”. THERE ARE BUTTONS UP THE BACK TO FASTEN THE DRESS. FAIR TO GOOD CONDITION. SMALL IODINE-COLOURED STAIN ON BACK SKIRT. THERE IS A SMALL STAIN ON THE HEM AND 3 SMALL BURNS ON THE HEM. THERE IS A SMALL HOLE AT THE SIDE OF THE DRESS. THE BOTTOM BUTTON ON THE BACK OF THE DRESS IS MISSING. THERE ARE SMALL TEARS ON THE DRESS’ OPENING ON THE BACK. THERE IS SLIGHT TEARING AND FRAYING AT THE LACE COLLAR.
Subjects
CEREMONIAL ARTIFACT
Historical Association
RELIGION
COMMEMORATIVE
History
EVERAL HORHOZER (NÉE SUPINA) WAS BORN IN LETHBRIDGE IN THE YEAR OF 1927 TO HER PARENTS DONAH (NÉE HILL) AND NICHOLAS SUPINA (OWNER OF SUPINA’S MERCANTILE ON 13TH STREET NORTH, LETHBRIDGE). HORHOZER WAS THE FIRSTBORN OF THE FAMILY AND WAS CHRISTENED IN THIS BAPTISMAL GOWN AT ST. PATRICK’S CHURCH. COLLECTIONS TECHNICIAN KEVIN MACLEAN CONDUCTED A SERIES OF INTERVIEWS (ON APRIL 2, APRIL 16, AND MAY 7, 2015) WITH HORHOZER REGARDING A GROUP OF ARTIFACTS SHE DONATED TO THE MUSEUM. THE INFORMATION BELOW HAS COME FROM THESE INTERVIEWS AND LETHBRIDGE HERALD RESEARCH REGARDING THE HORHOZER FAMILY HISTORY. DONAH HILL MET NICHOLAS SUPINA WHEN HE CAME IN TO DO BUSINESS AT A GROCERY WHOLESALER, SCOTTS, WHERE SHE WORKED. THEY COURTED BEFORE MARRYING ON JUNE 7, 1922. FOR MORE INFORMATION ON THE COUPLE’S WEDDING, PLEASE SEE RECORD P20150016009. DURING THE INTERVIEW, HORHOZER EXPLAINED, “MY MOM WAS NOT CATHOLIC [LIKE MY FATHER WAS], BUT IT’S AMAZING HOW THAT DIDN’T SEEM TO ENTER INTO THEIR MARRIAGE. I THINK THEY MUST HAVE REALLY TALKED IT OVER, PREVIOUS TO THAT, AND MY MOM DIDN’T HAVE A STRONG RELIGION SO THAT HELPED. SHE DIDN’T INTERRUPT IN ANYTHING AT ALL, AND SHE KNEW THAT WE HAD TO BE BROUGHT UP AS CATHOLICS, BUT SHE NEVER ONCE BUTT IN. AND SO MY DAD KNEW MY BROTHER WAS NOT INTERESTED, SO HE JUST SAID TO US KIDS ONE DAY, “WHEN YOU GET OLD ENOUGH, YOU CAN MAKE YOUR OWN DECISION.” MY BROTHER LEFT AND I STAYED WITH MY DAD… MY DAD WAS EXTREMELY STRONG. I WOULD SAY MY HUSBAND TOO, JOE. HE WOULD NEVER MISS CHURCH. AND OF COURSE I WENT TO CHURCH WITH HIM ALL THE TIME AND I BELONGED TO THE CHOIR AND EVERYTHING WHEN I WAS YOUNG. I ALWAYS WENT TO CHURCH AND THAT, BUT, THE CHILDREN DIDN’T. WE WERE STRONG IN THAT WAY THAT WE ATTENDED CHURCH ALL THE TIME BUT, WE WEREN’T - WELL, I DON’T KNOW HOW TO DESCRIBE IT BUT I KNOW SOME PEOPLE KIND OF REALLY LIVED RELIGION AND GO TO CHURCH EVERY MORNING. WELL, NO WE WEREN’T LIKE THAT.” THE GOWN WAS MADE FOR HORHOZER BY HER GRANDMOTHER, DONAH SUPINA’S MOTHER. AFTER HAVING EVERAL, THE SUPINA’S HAD A SON NAMED NICK F. SUPINA. NICHOLAS SUPINA PASSED AWAY AT THE AGE OF 84 ON MARCH 27, 1975. DONAH PASSED AWAY 19 YEARS LATER ON MARCH 8, 1994 AT THE AGE OF 91. NICK PASSED AWAY IN 2012 AND HORHOZER PASSED AWAY IN LETHBRIDGE IN 2016 AT THE AGE OF 88 YEARS OLD. PLEASE SEE THE PERMANENT FILE FOR ADDITIONAL INFORMATION ABOUT SUPINA’S MERCANTILE AND THE LIFE OF EVERAL AND HER FAMILY, WHICH INCLUDES THE FULL INTERVIEW TRANSCRIPT AND LETHBRIDGE HERALD ARTICLES.
Catalogue Number
P20150016008
Acquisition Date
2015-05
Collection
Museum
Images
Less detail
Material Type
Artifact
Materials
TULLE
Catalogue Number
P20150016003
  1 image  
Material Type
Artifact
Date
1949
Materials
TULLE
No. Pieces
1
Length
120
Width
99
Description
WHITE TULLE VEIL WITH WHITE LACE HANDWORK AND TRIM. GOOD CONDITION. THERE ARE SMALL HOLES THROUGHOUT THE TULLE. FOUR SMALL GREEN-COLOURED STAINS. THERE IS SLIGHT FRAYING AT THE EDGES.
Subjects
CEREMONIAL ARTIFACT
Historical Association
PERSONAL CARE
History
EVERAL HORHOZER (NÉE SUPINA) WAS BORN IN LETHBRIDGE IN THE YEAR OF 1927 TO HER PARENTS DONAH (NÉE HILL) AND NICHOLAS SUPINA. SUPINA WAS THE OWNER OF SUPINA’S MERCANTILE ON 13TH STREET NORTH, LETHBRIDGE. COLLECTIONS TECHNICIAN KEVIN MACLEAN CONDUCTED A SERIES OF INTERVIEWS (ON APRIL 2, APRIL 16, AND MAY 7, 2015) WITH HORHOZER REGARDING A GROUP OF ARTIFACTS SHE DONATED TO THE MUSEUM. THE INFORMATION BELOW HAS COME FROM THESE INTERVIEWS AND LETHBRIDGE HERALD RESEARCH REGARDING THE HORHOZER FAMILY HISTORY. THIS WEDDING VEIL WAS WORN BY EVERAL HORHOZER AS SHE MARRIED JOE HORHOZER. EVERAL MET JOE HORHOZER WHEN HE CAME TO SUPINA’S TO WORK. SHE REMEMBERS: “HE WAS HIRED BY MY DAD TO WORK IN THE BUTCHER SHOP [AFTER] HE CAME OFF TOUR. I WORKED IN THE LADIESWEAR. I LIKED THAT VERY MUCH. THE MEAT DEPARTMENT WAS RIGHT ACROSS FROM THE LADIESWEAR. THAT’S KIND OF HOW I MET JOE. HE WORKED IN THE BUTCHER DEPARTMENT. I REMEMBER THE DAY HE WALKED IN THE STORE, I’LL NEVER FORGET [IT], HE HAD THIS RED CARDIGAN SWEATER ON AND I JUST FELL, HEAD OVER RIGHT THEN. HE WAS JUST STARTING WORK AND I THOUGHT, ‘WELL, THAT’S THE GUY I’M GOING TO MARRY.' AND, MY AUNT HAPPENED TO BE VISITING, AND WHEN I WENT HOME FOR LUNCH SHE SAID, ‘OH, HAVE YOU GOT A STEADY BOYFRIEND?’ AND I SAID, ‘NO, BUT I’M GONNA HAVE ONE SOON.’ THAT’S HOW IT ALL HAPPENED. HE DIDN’T HAVE A CAR AT THE TIME AND HE SAYS, ‘I CAN’T TAKE YOU TO THE SHOW OR ANYTHING BECAUSE I DON’T HAVE A CAR,’ BUT, HE SAYS, ‘I’M SAVING FOR ONE, AND AS SOON AS I GET ONE…’ AND HE CAME OVER AND CALLED ON ME. MY DAD WAS THERE, BUT I DON’T THINK MY DAD THOUGHT IT WOULD DEVELOP INTO ANYTHING. MY MOTHER WAS QUITE HAPPY ABOUT HIM AND MY GRANDMA TOO, SHE WAS STAYING WITH US AT THE TIME. SO, ANYWAY THAT’S HOW IT STARTED.” WHEN THEY FIRST ENCOUNTERED EACH OTHER, EVERAL DID NOT KNOW ABOUT JOE’S MUSICAL CAREER: “I THINK IT WAS THAT SAYING, 'LOVE AT FIRST SIGHT,' THAT HAPPENED TO BE IT FOR ME, AND HE SAID IT WAS FOR HIM TOO. THERE MUST HAVE BEEN SOME CHEMISTRY THERE, BUT IT HAD NOTHING TO DO WITH HIM BEING POPULAR OR ANYTHING LIKE THAT. IT TURNED OUT JUST FINE.” HORHOZER GOES ON, “[W]E WENT TOGETHER - WELL IT WAS ABOUT A YEAR BEFORE [GETTING MARRIED]. WE DID BREAK UP FOR A WHILE AND THAT’S WHEN MY [LAUGHS] - THAT WAS KIND OF A CROOKED THING, BUT [MY DAD] WANTED US, OF COURSE, TO BREAK UP, SO IT WAS AROUND VALENTINE’S DAY WE BROKE UP. THEN [MY DAD] TOOK ME TO [MONTREAL]. I SAID, ‘YOU KNOW I’VE ALWAYS WANTED TO GO TO MONTREAL,’ CAUSE THAT’S WHERE HE DID HIS BUYING, SO HE TOOK ME TO MONTREAL. AND WHILE WE’RE IN MONTREAL, JOE’S WRITING TO ME ABOUT EVERY DAY. OTHERWISE I WOULD HAVE NEVER GOT TO GO THERE. SO THEN, I GOT BACK [AND] WE GOT TOGETHER AND THEN THAT’S WHEN WE MARRIED. YES, IT WAS WITHIN THE SAME YEAR, YES.” THE COUPLE MARRIED IN 1949. AS MENTIONED ABOVE THIS VEIL, AS WELL AS A HEADDRESS ALSO DONATED, WAS WORN BY HORHOZER ON THEIR WEDDING DAY. HORHOZER EXPLAINS, “THIS IS WHEN I GOT MARRIED. WE ELOPED, SO I JUST HAD THIS HEADDRESS AND A NICE WHITE SUIT AND THIS VEIL BEHIND IT… I HAD A NICE WHITE SUIT MADE FOR MYSELF; IT WAS VERY NICE. JOE BOUGHT ME AN ORCHID AND IT WAS VERY NICE, BUT NO SUCH THING AS A DRESS OR ANYTHING LIKE THAT… WELL, FOR ONE THING, MY DAD, OF COURSE, WAS TOTALLY AGAINST THE MARRIAGE. I [STILL] WORKED FOR [MY DAD] AND EVERYTHING, BUT HE NEVER SPOKE TO ME FOR FIVE YEARS. HE WAS JUST AGAINST THE MARRIAGE AND SO WE THOUGHT WELL WE’LL SAVE AN AWFUL LOT OF TROUBLE [BY ELOPING]. MY DAD WASN’T ONE YOU COULD TALK TO. PROBABLY IF I WOULD HAVE TALKED TO HIM, I THINK HE WOULD HAVE HAD SOMETHING [LIKE A WEDDING CEREMONY] FOR ME, BUT, I JUST WAS SO KIND OF NERVOUS ABOUT IT. WE JUST THOUGHT THAT WOULD BE THE BEST THING TO DO, WOULD BE TO ELOPE THE THING THAT I FEEL SO BAD ABOUT IS THAT OUR PARENTS WEREN’T THERE. I ALWAYS FELT BAD ABOUT MY MOTHER NOT BEING THERE. JOE AND I WENT TO ST. PATS, AND THAT WAS IN THE BASEMENT, AND WE GOT MARRIED THERE… I HAD TO WAIT. WE WANTED TO GET MARRIED WHEN I WAS 20, BUT THE PRIEST COULDN’T MARRY TILL YOU WERE 21. OF COURSE MY DAD MADE THE PRIEST STICK TO THAT BECAUSE HE WAS FRIENDS WITH FATHER CHRISTIAN, SO WE HAD TO WAIT TILL I WAS 21. [LAUGHS]… THEN ALL WE DID WAS GO TO GREAT FALLS AND THAT WAS THAT. WE DIDN’T HAVE MONEY BECAUSE I DIDN’T GET ANY MONEY AT ALL FROM MY DAD, WE WERE ON OUR OWN SO WE HAD TO BE VERY CAREFUL AT THAT TIME OF WHAT WE SPENT SO WE JUST WENT THERE, AND COME BACK AND STARTED, STARTED OUR LIFE. RENTED A LITTLE PLACE OVER ON THE 3RD AVE. NORTH THERE, AN APARTMENT, SO THAT WAS ABOUT IT.” AFTER THE MARRIAGE, EVERAL’S FATHER DID NOT SPEAK TO NEITHER EVERAL NOR JOE FOR FIVE YEARS. WHEN ASKED WHY HER FATHER WAS AGAINST THE MARRIAGE, HORHOZER REPLIED, “WELL, IT KIND OF SURPRISES ME, BECAUSE HE USED TO HAVE COFFEE WITH JOE ALL THE TIME; THEY WERE GOOD FRIENDS. I GUESS IT’S WAS BECAUSE HIS SISTER MARRIED SOMEBODY THAT WORKED IN THE STORE AND IT TURNED OUT TO BE A COMPLETE DISASTER. HE HAD TO PAY TO GET HER OUT OF THE BIG MESS HE THOUGHT, WELL, THE SAME THING WOULD HAPPEN TO ME. WHEN WE GOT MARRIED THEN [JOE LEFT SUPINA'S], AND HE THEN WORKED FOR EMERSON MOTORS, PLAYING JUST ABOUT EVERY NIGHT. THAT’S WHAT WE BOUGHT OUR HOUSE WITH. HE SAVED US MONEY AND AS SOON AS THE FIRST HOUSES THAT CAME AVAILABLE, THAT YOU COULD PUT A DOWN PAYMENT ON, WE BOUGHT ONE. [MY DAD] CAME TO SEE THE HOUSE, AND THE MINUTE HE SAW THE HOUSE THEN HE WAS HAPPY… HE DID COME ON HIS OWN TO LOOK AT IT. THEN WE INVITED HIM OVER FOR DINNER AND HE CAME. AND THEN MY MOTHER WOULD COME EVERY WEDNESDAY BECAUSE I STARTED WORKING, AND SO SHE’D COME EVERY WEDNESDAY AND MAKE SUPPER AND THAT, AND SO MY DAD WOULD COME. SO FROM THEN ON HE CAME EVERY WEDNESDAY. OH, AT CHRISTMAS OR WHENEVER WE WOULD INVITE HIM… AND HE WAS FINE EVER AFTER THAT.” JOE AND EVERAL HAD TWO CHILDREN TOGETHER: MELODEE MUTCH AND RAE FLANAGAN. JOE HORHOZER PASSED AWAY IN LETHBRIDGE ON OCTOBER 21, 2010 AT THE AGE OF 89 YEARS. HORHOZER WAS THE LAST SURVIVING MEMBER OF THE ALBERTA RANCH BOYS. EVERAL HORHOZER PASSED AWAY IN LETHBRIDGE 6 YEARS LATER ON JUNE 6, 2016 AT THE AGE OF 88 YEARS. PLEASE SEE THE PERMANENT FILE FOR ADDITIONAL INFORMATION INCLUDING FULL INTERVIEW TRANSCRIPTS, LETHBRIDGE HERALD ARTICLES, AND FURTHER PUBLICATIONS.
Catalogue Number
P20150016003
Acquisition Date
2015-05
Collection
Museum
Images
Less detail
Material Type
Artifact
Materials
LATEX
Catalogue Number
P20180006001
  2 images  
Material Type
Artifact
Date
2017
Materials
LATEX
No. Pieces
1
Length
12
Width
4.8
Description
RUBBER RED BALLOON WITH WHITE LOGO “CANADA 150” WITH 2017 CANADA 150 MAPLE LEAF ABOVE TEXT, DEFLATED; ROUND BALLOON WITH CIRCULAR OPENING AT END OF CYLINDRICAL STEM; OPENING HAS RUBBER ROLL AROUND EDGE. BALLOON HAS TEARS AT BACK EDGES AND TOP; BALLOON HAS SOLILING INSIDE OPENING AND AROUND RIM; BALLOON IS FADED ON FRONT; OVERALL VERY GOOD CONDITION.
Subjects
CEREMONIAL ARTIFACT
Historical Association
COMMEMORATIVE
History
ON MARCH 29, 2018, COLLECTIONS TECHNICIAN KEVIN MACLEAN INTERVIWEED LORI HARASEM AND JENNIE SUDO REGARDING THE CITY OF LETHBRIDGE DONATION OF CANADA 150 MEMORABILIA. HARASEM AND SUDO WERE INVOLVED WITH ORGANIZING THE JULY 1, 2017 EVENTS FOR CANADA 150, WITH SUDO ACTING AS CHAIR FOR THE LETHBRIDGE CANADA DAY COMMITTEE WITH THE CITY OF LETHBRIDGE AND HARASEM AS A MEMBER OF THE COMMITTEE. ON THE BALLOON, HARASEM ELABORATED, “THOSE WERE GIVEN OUT AT THE CANADA 150 PAVILION AND THAT WAS SO THAT PEOPLE WOULD COME TO THE PAVILION [WITH THE GLOWSTICKS]…[WE HAD] HELIUM BALLOONS AND GAVE THOSE ALL OUT." “WE PURCHASED THE BALLOONS AND THE GLOW STICKS [THEY’RE COMMERCIAL, MASS-PRODUCED]… FROM TORONTO. I THINK THE COMPANY THAT I ORDERED THEM FROM…WAS BUBBLE-GUM.” HARASEM AND SUDO RECALLED THEIR TIME PLANNING AND ORGANIZING THE 2017 EVENTS, WITH SUDO NOTING ABOUT THE PLANNING COMMITTEE, “THE LETHBRIDGE CANADA-DAY COMMITTEE IS A COMMITTEE THAT’S MADE UP OF CITY OF LETHBRIDGE EMPLOYEES IN PART WITH COMMUNITY VOLUNTEERS. MY POSITION AS THE COORDINATOR OF RECREATION AND CULTURE, I AM AUTOMATICALLY VOLUNTEERED FOR THIS COMMITTEE ALONG WITH OUR RECREATION AND CULTURE TEAM. THE CHAIRING RESPONSIBILITIES FOR THAT COMMITTEE GET ROTATED BETWEEN OUR TEAM MEMBERS EVERY TWO YEARS AND MY YEAR JUST SO HAPPENED TO FALL ON THIS VERY IMPORTANT, NOSTALGIC YEAR FOR CANADA’S 150.” “[THE COMMITTEE IS] ALWAYS IN EXISTENCE. I THINK [THERE] WAS A LOT OF PRESSURE, BUT REALLY GREAT PRESSURE. I WAS VERY PROUD TO BE ABLE TO BE PART OF THE COMMITTEE. AND BEING ABLE TO LEAD THE TEAM FOR MY VERY FIRST TURN AT CHAIRING THE COMMITTEE. I FELT A LOT OF PRIDE TO BE ABLE TO SHOW THAT OUR COMMUNITY CAN COME TOGETHER AND CELEBRATE CANADA’S 150.” “[THE] COMMITTEE [WAS] COMPRISED OF THE RECREATION AND CULTURE TEAM, WHICH WAS TWO MANAGERS, LORI HARASEM AND JASON FREUND, MYSELF AS THE CHAIR FOR [2017]. WE ALSO [HAD] MARLENE LAPOINTE, SARAH BURTON, SCOTT CARPENTER AND ONE OF OUR TEMPORARY EMPLOYEES, ERIC SHARP, [AS] PART OF THE COMMITTEE AS FAR AS THE CITY OF LETHBRIDGE SIDE GOES. WE ALSO HAD THREE PUBLIC VOLUNTEERS FROM THE COMMUNITY. WE HAD ADELLE HARRINGTON, BOBBY MCCALLUM AND DAVID FRITZ WHO ALSO PLAYED A HUGE ROLE IN HELPING COORDINATE SOME OF THE ACTIVITIES THERE.” “AS SOON AS CANADA DAY 2016 ENDED, WE WERE ALREADY THINKING ABOUT WHAT WE WERE GOING TO BRING BACK, WHAT KIND OF BUDGET WE WERE GOING TO NEED, WHAT KIND OF ACTIVITIES WE WERE GOING TO HAVE, HOW WE WERE GOING TO MAKE IT SPECIAL, AND MAKE IT STAND OUT THE NEXT YEAR…FOR THE REST OF THE CANADA DAY [EVENTS], THE ONES THAT AREN’T CANADA 150 OR STAND-OUT, WE WOULD PROBABLY ONLY START [PLANNING] ABOUT SIX MONTHS IN ADVANCE. BUT, THE PLANNING PROCESS FOR CANADA DAY, PERIOD, IS QUITE LONG AND STRENUOUS. WE HAVE TO THINK ABOUT SOME PRETTY TIGHT TIMELINES WHEN WE’RE TALKING ABOUT PLANNING AN EVENT THAT BIG. WE DEFINITELY NEEDED THE FULL YEAR TO PLAN CANADA 150.” “CURRENTLY, THE ONLY SPECIAL EVENT THAT THE CITY OF LETHBRIDGE REALLY HOSTS, AS A CORPORATION, IS THE CANADA DAY EVENT. WE RELY ON OUR COMMUNITY GROUPS TO DO MOST OF OUR OTHER SPECIAL EVENTS. ON THE EVENTS PLANNED, HARASEM RECALLED, “IN ALL HONESTY, FOR THE CANADA DAY ACTIVITIES ITSELF, THOUGH I’M ON THE COMMITTEE, I’M NOT AS INVOLVED WITH THAT AS OTHER THINGS THAT I OVERSAW THAT LASTED FROM JANUARY 1ST TO DECEMBER 31ST. SEEING JENNIE AND THE TEAM AND HOW MUCH THEY WORKED…THEY EVEN CHANGED THE LAYOUT AT HENDERSON LAKE THAT HAD BEEN THE SAME WAY FOREVER AND WE HAD TO GO TO SENIOR LEADERS OF THE CITY AND ASK FOR EXTRA MONEY BECAUSE THE BUDGET FOR CANADA DAY HASN’T CHANGED FOR TWELVE OR FIFTEEN YEARS. TO PUT ON SOMETHING THAT WE KNEW THE PUBLIC EXPECTED A LOT [FROM]…[WAS] MY BIGGEST ROLE WITH THE CANADA DAY. IT WAS A HUGE AMOUNT OF WORK AND IT WAS SO SUCCESSFUL, ESPECIALLY ON THE SOCIAL MEDIA SIDE. AT THE CITY, WE’RE USED TO SEEING A LOT OF NEGATIVE COMMENTS. OUR COMMUNICATIONS TEAM HAS SAID THAT THE MOST POSITIVE COMMENTS THEY’VE EVER HAD ON ANYTHING THAT THEY’VE EVER POSTED ON THEIR FACEBOOK WAS AFTER THE CANADA DAY. I THINK THAT THEIR TEAM, JENNIE’S TEAM, DID AMAZING AT MEETING THE EXPECTATIONS OF THE PUBLIC WHICH WERE VERY HIGH.” “I CAME IN [WITH THE COMMUNITY GROUPS ORGANIZING]. WE HAD A GRANT, ‘CANADA 150’. WE HAD EXTRA FUNDING INJECTED INTO OUR BUDGET FOR 2017 [AT] OUR REQUEST, SO THAT WE COULD HELP LOCAL GROUPS THAT WERE ALREADY DOING EVENTS TO THEME IT AROUND CANADA 150. NORMALLY, THE CITY’S RULES IS YOU CAN ONLY GET ONE GRANT FOR ANY EVENT, EVEN THOUGH THERE’S MULTIPLE GRANTS AVAILABLE. BUT, FOR CANADA 150, WE ALLOWED GROUPS TO GET THEIR NORMAL GRANT, AND WE ALLOWED THEM TO ASK FOR UP TO $750 EXTRA, AND THAT WOULD ALLOW THEM TO THEN THEME THEIR EVENT. WE DIDN’T CARE HOW THEY DID THAT. IF THEY WANTED TO USE $750 TO BUY RED AND WHITE CUPCAKES AND BALLOONS [THEY COULD]. WE HAD [AT THE] JAPANESE GARDEN A HUNDRED AND FIFTY JAPANESE DANCERS PERFORMING AND THEY BOUGHT SPECIAL RED MATCHING JACKETS WITH THE MONEY THEY GOT. IT WAS OUR WAY OF ENCOURAGING THE COMMUNITY TO CELEBRATE CANADA 150 ALL YEAR-ROUND. BECAUSE ALL WE DO IS CANADA DAY, WE HAD TO FIND A WAY TO HELP THE COMMUNITY CELEBRATE CANADA 150 AND TO PUT IT IN THE PUBLIC’S EYES ALL YEAR-ROUND IN ANY WAY WE COULD. WE HAD A LOT OF GROUPS AND A LOT OF EVENTS. THERE WAS THIRTY-EIGHT EVENTS THAT RECEIVED FUNDING OVER THE COURSE OF THE YEAR, SO THERE WAS SOMETHING EVERY MONTH OF THE YEAR.” “DURING, “PRETTY, WITTY AND GAY”, WHICH IS AN EVENT THE LGBTQ COMMUNITY PUTS ON IN FEBRUARY/MARCH, THEY USED THEIR FUNDING TO [HAVE] A BIG BULLETIN BOARD WHERE PEOPLE [COULD] WRITE DOWN THEIR THOUGHTS ABOUT WHAT IT WAS LIKE TO BE GAY IN CANADA. AND TO SHARE THEIR FEELINGS ON [BEING GAY IN CANADA] TO CONNECT BECAUSE, OBVIOUSLY, WE’RE A MORE OPEN-MINDED COUNTRY AROUND THAT THAN MOST OF THE WORLD. THAT, TO ME, WAS A REALLY UNIQUE WAY TO CELEBRATE CANADA’S 150TH.” “WE ALSO HAD A SMALL THEATRE GROUP COME TOGETHER, A COLLECTIVE THAT HAD NEVER EXISTED BEFORE. THEY PUT ON A VERY CONTROVERSIAL PLAY ABOUT FORMER PRIME MINISTER STEPHEN HARPER WHICH I WENT TO SEE AND IT WAS PRETTY SMALL. IT WASN’T THIS HUGE PLAY WHICH IS DONE IN CASA IN THE BLACK BOX [THE COMMUNITY ATB ROOM] BUT IT WAS FUNNY. IT WAS VERY CONTROVERSIAL AND WE DID PUT SOME MONEY BEHIND THAT.” “[THERE WAS] UPPER VICTORIA PARK NEIGHBOURS. I HAD SO MANY NEIGHBOUR DAYS. BUT WITH NEIGHBOUR DAY BEING A VERY POPULAR EVENT IN JUNE, AND WE’VE GOT MORE NEIGHBOURHOOD ASSOCIATIONS FORMING, WE REALLY ENCOURAGED THE NEIGHBOURHOODS TO APPLY FOR THE GRANT. MOST OF THE NEIGHBOURHOOD ASSOCIATIONS, AT THIS POINT, THEIR NEIGHBOUR DAY EVENTS ARE PRETTY SMALL, UNDER A HUNDRED PEOPLE. BUT IT’S THE PERFECT PLACE TO CELEBRATE CANADA DAY AND CELEBRATE YOUR NEIGHBOURS. OF COURSE, UPPER VICTORIA PARK IS THE ‘GO BIG OR GO HOME’ NEIGHBOURHOOD ASSOCIATION FOR NEIGHBOUR DAY. IT’S EXCITING WHENEVER WE’RE ABLE TO SUPPORT THE THEME OF THE EVENT IN ANY WAY BECAUSE WE KNOW THAT PEOPLE FROM EVEN OUTSIDE LETHBRIDGE ATTEND THAT EVENT. WE’RE NOT JUST SUPPORTING THE MEMBERS OF UPPER VICTORIA PARK NEIGHBOURHOOD ASSOCIATION WHEN WE SUPPORT SOMETHING, SO IT WAS NEAT TO BE ABLE TO PUT SOME MONEY THERE.” “OF COURSE, WINTER LIGHTS FESTIVAL AT JAPANESE GARDEN IS A VERY NEW EVENT. THIS WAS ONLY ITS SECOND YEAR, EVER. THOUGH IT IS A TRADITIONAL, JAPANESE, CULTURAL WINTER EVENT, WE WERE ABLE TO GIVE THEM SOME FUNDING, TOO, BECAUSE THEY ACTUALLY [HAD] THE FIRST EVENT IN 2017 BECAUSE THEY START IN EARLY DECEMBER AND GO TILL FEBRUARY. THEY WERE THE LAST EVENT, ‘CAUSE THEY WERE ON NEW YEAR’S EVE IN 2017. THAT FESTIVAL, THE FIRST TWO YEARS OF IT, KICKED OFF THE BEGINNING OF CANADA 150 AND ENDED CANADA 150 FOR US. IT WAS NEAT TO HAVE SUCH AN IMPORTANT CULTURAL GROUP AND ATTRACTION IN LETHBRIDGE…BE THE FOCUS OF THAT. THERE WERE EVENTS OF ALL SIZES. WE EVEN HAD THE DOGS THAT [ON] THE LAST DAY OF OPERATIONS [AT WESTMINSTER POOL] IS JUST FOR DOGS. EVEN THE HUMANE SOCIETY GOT MONEY TO [HAVE] DOG CANDIES THAT WERE RED AND WHITE…DOG TREATS DECORATED WITH RED AND WHITE BALLOONS AND RIBBONS. I WENT TO IT AND IT WAS HILARIOUS. THE DOGS [TOOK] OVER THE POOL AND THEY’RE SO HAPPY, IN CELEBRATION OF CANADA’S 150TH.” “WE ALSO HAD FREE SWIMMING AND SKATING THROUGHOUT THE YEAR THAT THE CITY SPONSORED AS A CELEBRATION. THAT WAS BECAUSE WE OBVIOUSLY WANT PEOPLE TO BE ACTIVE AND WE WANT PEOPLE TO USE OUR FACILITIES, AND WE KNOW THAT COSTS CAN BE A BARRIER. EVERY MONTH WE HAD AT LEAST ONE FREE SWIMMING WHERE THE FIRST HUNDRED AND FIFTY PEOPLE WERE FREE. IN THE SUMMER THAT INCLUDED BOTH OF THE OUTDOOR POOLS, HENDERSON AND WESTMINSTER. HENDERSON WAS REALLY POPULAR ‘CAUSE IT’S ONLY SECOND YEAR OF OPERATIONS…IT’S STILL [A] VERY POPULAR PLACE TO GO. THEN, WE HAD FREE SKATING AT ALL OUR ARENAS, INCLUDING THE NEW ATB CENTRE AND WE HAD THOSE AT LEAST [ONCE] A WEEK THROUGHOUT THE WHOLE YEAR. THOUSANDS OF PEOPLE IN LETHBRIDGE GOT TO PARTICIPATE IN SWIMMING OR SKATING FOR FREE AS [PART OF THE] CELEBRATION. AT SOME OF THOSE, WE HANDED OUT LITTLE CANADA FLAGS OR CANADA TATTOOS OR HAD BALLOONS.” ON THE DONATION OF CANADA 150 MATERIALS TO THE MUSEUM, HARASEM NOTED, “I BELIEVE THAT THIS IS IMPORTANT TO GO TO THE GALT BECAUSE I KNOW THAT WHEN WE FIRST REALIZED WE NEEDED TO DO SOMETHING TO CELEBRATE THE 150TH, THE FIRST THING WE DID WAS LOOK BACK TO SEE WHAT HAPPENED AT THE 100TH AND WHAT WE HAD IN THE MUSEUM AND ELSEWHERE IN LETHBRIDGE FOR CELEBRATIONS THAT OCCURRED AT THAT TIME. [WE WERE LOOKING TO] SEE IF THERE WERE THINGS THAT WE COULD MIMIC OR SHOULD KNOW ABOUT. WE USED A LOT OF PHOTOS THROUGH OUR REC AND CULTURE GUIDE FOR THAT YEAR TO REMIND PEOPLE THAT, FIFTY YEARS AGO WAS THE BIG CENTENNIAL. WE THOUGHT THAT WHEN THE 200TH COMES, THAT PEOPLE WOULD PROBABLY BE WANTING TO LOOK BACK TO 2017 TO SEE WHAT HAD HAPPENED.” SUDO ADDED, “I THINK CANADA’S SESQUICENTENNIAL [150TH ANNIVERSARY] WAS VERY IMPORTANT TO REMEMBER BECAUSE FIFTY YEARS IS A LONG TIME AND A LOT HAPPENS IN FIFTY YEARS. IT’S GREAT TO BE ABLE TO LOOK BACK AT ALL OF THE THINGS THAT WE DID FOR CANADA’S SESQUICENTENNIAL AND REMEMBER ALL OF THE HARD WORK, AND THE COMMUNITY COMING TOGETHER AND SHOWING THEIR CANADIAN PRIDE.” FOR MORE INFORMATION INCLUDING THE FULL INTERVIEW TRANSCRIPTION, PLEASE SEE THE PERMANENT FILE P20180006007-GA.
Catalogue Number
P20180006001
Acquisition Date
2018-03
Collection
Museum
Images
Less detail
Material Type
Artifact
Materials
PLASTIC, DYE
Catalogue Number
P20180006002
  1 image  
Material Type
Artifact
Date
2017
Materials
PLASTIC, DYE
No. Pieces
1
Length
50
Diameter
0.9
Description
WHITE OPAQUE GLOW-STICK TUBE ATTACHED TO TIED RED RIBBON; GLOW-STICK HAS CAP ON END WITH LOOP FOR ATTACHED RIBBON. FRONT OF GLOW-STICK HAS BLACK LOGO “CANADA 150” WITH IMAGE OF 2017 CANADA 150 MAPLE LEAF; GLOW-STICK CONTAINS INTACT LIQUID. GLOW-STICK HAS MINOR BLACK AND BROWN STAINING ON FRONT; OVERALL EXCELLENT CONDITION.
Subjects
CEREMONIAL ARTIFACT
Historical Association
COMMEMORATIVE
History
ON MARCH 29, 2018, COLLECTIONS TECHNICIAN KEVIN MACLEAN INTERVIWEED LORI HARASEM AND JENNIE SUDO REGARDING THE CITY OF LETHBRIDGE DONATION OF CANADA 150 MEMORABILIA. HARASEM AND SUDO WERE INVOLVED WITH ORGANIZING THE JULY 1, 2017 EVENTS FOR CANADA 150, WITH SUDO ACTING AS CHAIR FOR THE LETHBRIDGE CANADA DAY COMMITTEE WITH THE CITY OF LETHBRIDGE AND HARASEM AS A MEMBER OF THE COMMITTEE. ON THE GLOWSTICK, HARASEM ELABORATED, “THOSE WERE GIVEN OUT AT THE CANADA 150 PAVILION SO THAT PEOPLE WOULD COME TO THE PAVILION. THEN WHEN THEY WENT OUTSIDE IN THE EVENING TO GO ON THE RIDES AT WHOOP-UP DAYS, THEY’D HAVE A GLOW STICK TO PROMOTE THE PAVILION. WE HANDED THOSE OUT, AND WE ALSO HAD BALLOONS AND HELIUM BALLOONS AND GAVE THOSE ALL OUT." “[THEY WERE] COMMERCIAL, MASS-PRODUCED…THEY WERE FROM TORONTO. I THINK THE COMPANY THAT I ORDERED THEM FROM…WAS BUBBLE-GUM.” HARASEM AND SUDO RECALLED THEIR TIME PLANNING AND ORGANIZING THE 2017 EVENTS, WITH SUDO NOTING ABOUT THE PLANNING COMMITTEE, “THE LETHBRIDGE CANADA-DAY COMMITTEE IS A COMMITTEE THAT’S MADE UP OF CITY OF LETHBRIDGE EMPLOYEES IN PART WITH COMMUNITY VOLUNTEERS. MY POSITION AS THE COORDINATOR OF RECREATION AND CULTURE, I AM AUTOMATICALLY VOLUNTEERED FOR THIS COMMITTEE ALONG WITH OUR RECREATION AND CULTURE TEAM. THE CHAIRING RESPONSIBILITIES FOR THAT COMMITTEE GET ROTATED BETWEEN OUR TEAM MEMBERS EVERY TWO YEARS AND MY YEAR JUST SO HAPPENED TO FALL ON THIS VERY IMPORTANT, NOSTALGIC YEAR FOR CANADA’S 150.” “[THE COMMITTEE IS] ALWAYS IN EXISTENCE. I THINK [THERE] WAS A LOT OF PRESSURE, BUT REALLY GREAT PRESSURE. I WAS VERY PROUD TO BE ABLE TO BE PART OF THE COMMITTEE. AND BEING ABLE TO LEAD THE TEAM FOR MY VERY FIRST TURN AT CHAIRING THE COMMITTEE. I FELT A LOT OF PRIDE TO BE ABLE TO SHOW THAT OUR COMMUNITY CAN COME TOGETHER AND CELEBRATE CANADA’S 150.” “[THE] COMMITTEE [WAS] COMPRISED OF THE RECREATION AND CULTURE TEAM, WHICH WAS TWO MANAGERS, LORI HARASEM AND JASON FREUND, MYSELF AS THE CHAIR FOR [2017]. WE ALSO [HAD] MARLENE LAPOINTE, SARAH BURTON, SCOTT CARPENTER AND ONE OF OUR TEMPORARY EMPLOYEES, ERIC SHARP, [AS] PART OF THE COMMITTEE AS FAR AS THE CITY OF LETHBRIDGE SIDE GOES. WE ALSO HAD THREE PUBLIC VOLUNTEERS FROM THE COMMUNITY. WE HAD ADELLE HARRINGTON, BOBBY MCCALLUM AND DAVID FRITZ WHO ALSO PLAYED A HUGE ROLE IN HELPING COORDINATE SOME OF THE ACTIVITIES THERE.” “AS SOON AS CANADA DAY 2016 ENDED, WE WERE ALREADY THINKING ABOUT WHAT WE WERE GOING TO BRING BACK, WHAT KIND OF BUDGET WE WERE GOING TO NEED, WHAT KIND OF ACTIVITIES WE WERE GOING TO HAVE, HOW WE WERE GOING TO MAKE IT SPECIAL, AND MAKE IT STAND OUT THE NEXT YEAR…FOR THE REST OF THE CANADA DAY [EVENTS], THE ONES THAT AREN’T CANADA 150 OR STAND-OUT, WE WOULD PROBABLY ONLY START [PLANNING] ABOUT SIX MONTHS IN ADVANCE. BUT, THE PLANNING PROCESS FOR CANADA DAY, PERIOD, IS QUITE LONG AND STRENUOUS. WE HAVE TO THINK ABOUT SOME PRETTY TIGHT TIMELINES WHEN WE’RE TALKING ABOUT PLANNING AN EVENT THAT BIG. WE DEFINITELY NEEDED THE FULL YEAR TO PLAN CANADA 150.” “CURRENTLY, THE ONLY SPECIAL EVENT THAT THE CITY OF LETHBRIDGE REALLY HOSTS, AS A CORPORATION, IS THE CANADA DAY EVENT. WE RELY ON OUR COMMUNITY GROUPS TO DO MOST OF OUR OTHER SPECIAL EVENTS. ON THE EVENTS PLANNED, HARASEM RECALLED, “IN ALL HONESTY, FOR THE CANADA DAY ACTIVITIES ITSELF, THOUGH I’M ON THE COMMITTEE, I’M NOT AS INVOLVED WITH THAT AS OTHER THINGS THAT I OVERSAW THAT LASTED FROM JANUARY 1ST TO DECEMBER 31ST. SEEING JENNIE AND THE TEAM AND HOW MUCH THEY WORKED…THEY EVEN CHANGED THE LAYOUT AT HENDERSON LAKE THAT HAD BEEN THE SAME WAY FOREVER AND WE HAD TO GO TO SENIOR LEADERS OF THE CITY AND ASK FOR EXTRA MONEY BECAUSE THE BUDGET FOR CANADA DAY HASN’T CHANGED FOR TWELVE OR FIFTEEN YEARS. TO PUT ON SOMETHING THAT WE KNEW THE PUBLIC EXPECTED A LOT [FROM]…[WAS] MY BIGGEST ROLE WITH THE CANADA DAY. IT WAS A HUGE AMOUNT OF WORK AND IT WAS SO SUCCESSFUL, ESPECIALLY ON THE SOCIAL MEDIA SIDE. AT THE CITY, WE’RE USED TO SEEING A LOT OF NEGATIVE COMMENTS. OUR COMMUNICATIONS TEAM HAS SAID THAT THE MOST POSITIVE COMMENTS THEY’VE EVER HAD ON ANYTHING THAT THEY’VE EVER POSTED ON THEIR FACEBOOK WAS AFTER THE CANADA DAY. I THINK THAT THEIR TEAM, JENNIE’S TEAM, DID AMAZING AT MEETING THE EXPECTATIONS OF THE PUBLIC WHICH WERE VERY HIGH.” “I CAME IN [WITH THE COMMUNITY GROUPS ORGANIZING]. WE HAD A GRANT, ‘CANADA 150’. WE HAD EXTRA FUNDING INJECTED INTO OUR BUDGET FOR 2017 [AT] OUR REQUEST, SO THAT WE COULD HELP LOCAL GROUPS THAT WERE ALREADY DOING EVENTS TO THEME IT AROUND CANADA 150. NORMALLY, THE CITY’S RULES IS YOU CAN ONLY GET ONE GRANT FOR ANY EVENT, EVEN THOUGH THERE’S MULTIPLE GRANTS AVAILABLE. BUT, FOR CANADA 150, WE ALLOWED GROUPS TO GET THEIR NORMAL GRANT, AND WE ALLOWED THEM TO ASK FOR UP TO $750 EXTRA, AND THAT WOULD ALLOW THEM TO THEN THEME THEIR EVENT. WE DIDN’T CARE HOW THEY DID THAT. IF THEY WANTED TO USE $750 TO BUY RED AND WHITE CUPCAKES AND BALLOONS [THEY COULD]. WE HAD [AT THE] JAPANESE GARDEN A HUNDRED AND FIFTY JAPANESE DANCERS PERFORMING AND THEY BOUGHT SPECIAL RED MATCHING JACKETS WITH THE MONEY THEY GOT. IT WAS OUR WAY OF ENCOURAGING THE COMMUNITY TO CELEBRATE CANADA 150 ALL YEAR-ROUND. BECAUSE ALL WE DO IS CANADA DAY, WE HAD TO FIND A WAY TO HELP THE COMMUNITY CELEBRATE CANADA 150 AND TO PUT IT IN THE PUBLIC’S EYES ALL YEAR-ROUND IN ANY WAY WE COULD. WE HAD A LOT OF GROUPS AND A LOT OF EVENTS. THERE WAS THIRTY-EIGHT EVENTS THAT RECEIVED FUNDING OVER THE COURSE OF THE YEAR, SO THERE WAS SOMETHING EVERY MONTH OF THE YEAR.” “DURING, “PRETTY, WITTY AND GAY”, WHICH IS AN EVENT THE LGBTQ COMMUNITY PUTS ON IN FEBRUARY/MARCH, THEY USED THEIR FUNDING TO [HAVE] A BIG BULLETIN BOARD WHERE PEOPLE [COULD] WRITE DOWN THEIR THOUGHTS ABOUT WHAT IT WAS LIKE TO BE GAY IN CANADA. AND TO SHARE THEIR FEELINGS ON [BEING GAY IN CANADA] TO CONNECT BECAUSE, OBVIOUSLY, WE’RE A MORE OPEN-MINDED COUNTRY AROUND THAT THAN MOST OF THE WORLD. THAT, TO ME, WAS A REALLY UNIQUE WAY TO CELEBRATE CANADA’S 150TH.” “WE ALSO HAD A SMALL THEATRE GROUP COME TOGETHER, A COLLECTIVE THAT HAD NEVER EXISTED BEFORE. THEY PUT ON A VERY CONTROVERSIAL PLAY ABOUT FORMER PRIME MINISTER STEPHEN HARPER WHICH I WENT TO SEE AND IT WAS PRETTY SMALL. IT WASN’T THIS HUGE PLAY WHICH IS DONE IN CASA IN THE BLACK BOX [THE COMMUNITY ATB ROOM] BUT IT WAS FUNNY. IT WAS VERY CONTROVERSIAL AND WE DID PUT SOME MONEY BEHIND THAT.” “[THERE WAS] UPPER VICTORIA PARK NEIGHBOURS. I HAD SO MANY NEIGHBOUR DAYS. BUT WITH NEIGHBOUR DAY BEING A VERY POPULAR EVENT IN JUNE, AND WE’VE GOT MORE NEIGHBOURHOOD ASSOCIATIONS FORMING, WE REALLY ENCOURAGED THE NEIGHBOURHOODS TO APPLY FOR THE GRANT. MOST OF THE NEIGHBOURHOOD ASSOCIATIONS, AT THIS POINT, THEIR NEIGHBOUR DAY EVENTS ARE PRETTY SMALL, UNDER A HUNDRED PEOPLE. BUT IT’S THE PERFECT PLACE TO CELEBRATE CANADA DAY AND CELEBRATE YOUR NEIGHBOURS. OF COURSE, UPPER VICTORIA PARK IS THE ‘GO BIG OR GO HOME’ NEIGHBOURHOOD ASSOCIATION FOR NEIGHBOUR DAY. IT’S EXCITING WHENEVER WE’RE ABLE TO SUPPORT THE THEME OF THE EVENT IN ANY WAY BECAUSE WE KNOW THAT PEOPLE FROM EVEN OUTSIDE LETHBRIDGE ATTEND THAT EVENT. WE’RE NOT JUST SUPPORTING THE MEMBERS OF UPPER VICTORIA PARK NEIGHBOURHOOD ASSOCIATION WHEN WE SUPPORT SOMETHING, SO IT WAS NEAT TO BE ABLE TO PUT SOME MONEY THERE.” “OF COURSE, WINTER LIGHTS FESTIVAL AT JAPANESE GARDEN IS A VERY NEW EVENT. THIS WAS ONLY ITS SECOND YEAR, EVER. THOUGH IT IS A TRADITIONAL, JAPANESE, CULTURAL WINTER EVENT, WE WERE ABLE TO GIVE THEM SOME FUNDING, TOO, BECAUSE THEY ACTUALLY [HAD] THE FIRST EVENT IN 2017 BECAUSE THEY START IN EARLY DECEMBER AND GO TILL FEBRUARY. THEY WERE THE LAST EVENT, ‘CAUSE THEY WERE ON NEW YEAR’S EVE IN 2017. THAT FESTIVAL, THE FIRST TWO YEARS OF IT, KICKED OFF THE BEGINNING OF CANADA 150 AND ENDED CANADA 150 FOR US. IT WAS NEAT TO HAVE SUCH AN IMPORTANT CULTURAL GROUP AND ATTRACTION IN LETHBRIDGE…BE THE FOCUS OF THAT. THERE WERE EVENTS OF ALL SIZES. WE EVEN HAD THE DOGS THAT [ON] THE LAST DAY OF OPERATIONS [AT WESTMINSTER POOL] IS JUST FOR DOGS. EVEN THE HUMANE SOCIETY GOT MONEY TO [HAVE] DOG CANDIES THAT WERE RED AND WHITE…DOG TREATS DECORATED WITH RED AND WHITE BALLOONS AND RIBBONS. I WENT TO IT AND IT WAS HILARIOUS. THE DOGS [TOOK] OVER THE POOL AND THEY’RE SO HAPPY, IN CELEBRATION OF CANADA’S 150TH.” “WE ALSO HAD FREE SWIMMING AND SKATING THROUGHOUT THE YEAR THAT THE CITY SPONSORED AS A CELEBRATION. THAT WAS BECAUSE WE OBVIOUSLY WANT PEOPLE TO BE ACTIVE AND WE WANT PEOPLE TO USE OUR FACILITIES, AND WE KNOW THAT COSTS CAN BE A BARRIER. EVERY MONTH WE HAD AT LEAST ONE FREE SWIMMING WHERE THE FIRST HUNDRED AND FIFTY PEOPLE WERE FREE. IN THE SUMMER THAT INCLUDED BOTH OF THE OUTDOOR POOLS, HENDERSON AND WESTMINSTER. HENDERSON WAS REALLY POPULAR ‘CAUSE IT’S ONLY SECOND YEAR OF OPERATIONS…IT’S STILL [A] VERY POPULAR PLACE TO GO. THEN, WE HAD FREE SKATING AT ALL OUR ARENAS, INCLUDING THE NEW ATB CENTRE AND WE HAD THOSE AT LEAST [ONCE] A WEEK THROUGHOUT THE WHOLE YEAR. THOUSANDS OF PEOPLE IN LETHBRIDGE GOT TO PARTICIPATE IN SWIMMING OR SKATING FOR FREE AS [PART OF THE] CELEBRATION. AT SOME OF THOSE, WE HANDED OUT LITTLE CANADA FLAGS OR CANADA TATTOOS OR HAD BALLOONS.” ON THE DONATION OF CANADA 150 MATERIALS TO THE MUSEUM, HARASEM NOTED, “I BELIEVE THAT THIS IS IMPORTANT TO GO TO THE GALT BECAUSE I KNOW THAT WHEN WE FIRST REALIZED WE NEEDED TO DO SOMETHING TO CELEBRATE THE 150TH, THE FIRST THING WE DID WAS LOOK BACK TO SEE WHAT HAPPENED AT THE 100TH AND WHAT WE HAD IN THE MUSEUM AND ELSEWHERE IN LETHBRIDGE FOR CELEBRATIONS THAT OCCURRED AT THAT TIME. [WE WERE LOOKING TO] SEE IF THERE WERE THINGS THAT WE COULD MIMIC OR SHOULD KNOW ABOUT. WE USED A LOT OF PHOTOS THROUGH OUR REC AND CULTURE GUIDE FOR THAT YEAR TO REMIND PEOPLE THAT, FIFTY YEARS AGO WAS THE BIG CENTENNIAL. WE THOUGHT THAT WHEN THE 200TH COMES, THAT PEOPLE WOULD PROBABLY BE WANTING TO LOOK BACK TO 2017 TO SEE WHAT HAD HAPPENED.” SUDO ADDED, “I THINK CANADA’S SESQUICENTENNIAL [150TH ANNIVERSARY] WAS VERY IMPORTANT TO REMEMBER BECAUSE FIFTY YEARS IS A LONG TIME AND A LOT HAPPENS IN FIFTY YEARS. IT’S GREAT TO BE ABLE TO LOOK BACK AT ALL OF THE THINGS THAT WE DID FOR CANADA’S SESQUICENTENNIAL AND REMEMBER ALL OF THE HARD WORK, AND THE COMMUNITY COMING TOGETHER AND SHOWING THEIR CANADIAN PRIDE.” FOR MORE INFORMATION INCLUDING THE FULL INTERVIEW TRANSCRIPTION, PLEASE SEE THE PERMANENT FILE P20180006007-GA.
Catalogue Number
P20180006002
Acquisition Date
2018-03
Collection
Museum
Images
Less detail
Other Name
GHST LETHBRIDGE
Material Type
Artifact
Materials
FELT, THREAD
Catalogue Number
P20140049004
  2 images  
Material Type
Artifact
Other Name
GHST LETHBRIDGE
Date
1913
Materials
FELT, THREAD
No. Pieces
1
Height
25
Length
77
Width
0.3
Description
A YELLOW AND GREEN FELT PENNANT. MACHINE SEWN IN WITH FELT IS THE TEXT “GHTS LETHBRIDGE”. FOUR FELT RIBBONS, TWO GREEN, TWO YELLOW, SIT AS TIES AT THE WIDE END OF THE PENNANT, HAND CUT BUT APPROXIMATELY 17.5 CM LONG AND 1.5 CM WIDE. ATTACHED TO THE BACK IS A PIECE OF MASKING TAPE, ON WHICH IS HANDWRITTEN “MADE BY MRS TAYLOR”. GOOD CONDITION: THE POINT OF THE PENNANT IS FALLING APART AS THE FELT PULLS APART.
Subjects
CEREMONIAL ARTIFACT
Historical Association
COMMEMORATIVE
ASSOCIATIONS
HEALTH SERVICES
History
UPON DONATION TO THE MUSEUM, COLLECTIONS TECHNICIAN KEVIN MACLEAN ASKED MEMBERS OF THE GALT SCHOOL OF NURSING (GSN) ALUMNAE TO PROVIDE WRITTEN ANSWERS ON QUESTIONS PERTAINING TO EACH ARTIFACT DONATED IN THE COLLECTION. THE FOLLOWING INFORMATION HAS COME FROM THOSE RESPONSES CORRESPONDING TO EACH INDIVIDUAL ARTIFACT. THIS BANNER WAS DONATED TO THE GALT SCHOOL OF NURSING ALUMNAE BY ELIZABETH TAYLOR (NEE PATTESON), WHO WAS A PART OF THE FIRST CLASS OF THE GSN. IT WAS OBTAINED BY TAYLOR IN 1913, BUT ITS USE IN THE HOSPITAL IS UNKNOWN. THE WRITER OF THE ARTIFACT’S HISTORY BELIEVES, “[TAYLOR] PROBABLY RECEIVED [THE BANNER] EITHER DURING TRAINING OR WHEN SHE GRADUATED.” ACCORDING TO A PROFILE IN THE DECEMBER 4, 1981 ISSUE OF THE LETHBRIDGE HERALD AND GALT ARCHIVES RECORD 19971065002, ELIZABETH PATTESON WAS BORN IN FORT MACLEOD IN 1891 – HER FATHER, THOMAS EDWARD PATTESON, WAS A STAFF SERGEANT WITH THE NWMP. THE FAMILY MOVED TO LETHBRIDGE IN 1904, AND ELIZABETH BEGAN HER TRAINING AT THE GALT SCHOOL OF NURSING IN 1910. AFTER GRADUATION IN 1913 SHE NURSED IN SOUTHERN ALBERTA BEFORE MOVING TO EDMONTON IN 1914, WHERE SHE MET AND MARRIED LT. ARNOLD TAYLOR. ELIZABETH ENLISTED AND WENT OVERSEAS WITH THE CANADIAN ARMY SERVICE CORPS, WORKING WITH THE BRITISH RED CROSS AND GIVING BIRTH TO A SON, JOHN, IN HASLEMERE, ENGLAND. IN 1919 THE FAMILY RETURNED TO CANADA AND SETTLED IN EDMONTON. IN 1920 TAYLOR JOINED THE OVERSEAS NURSING SISTERS, WHICH SUPPORTED VETERANS IN HOSPITALS, AND WORKED FOR YEARS WITH THE CANADIAN NATIONAL INSTITUTE FOR THE BLIND AND GIRL GUIDES. A 1991 LETHBRIDGE HERALD ARTICLE ABOUT THE CELEBRATION OF THE GALT HOSPITAL CENTENNIAL MENTIONS PATTESON TAYLOR AS EXPECTED TO ATTEND THE CEREMONY AT AGE 99, THE LAST SURVIVING MEMBER OF THE FIRST GALT SCHOOL OF NURSING CLASS. THIS ARTIFACT IS AMONG A COLLECTION DONATED NEAR THE END OF 2014, BEING THE SECOND WAVE OF GSN ARTIFACTS ACQUIRED BY THE MUSEUM THAT YEAR. WITH THE FIRST WAVE OF GSN ARTIFACTS COLLECTED IN SUMMER 2014, MACLEAN INTERVIEWED THE PAST ARCHIVISTS OF THE GALT SCHOOL OF NURSING COLLECTION, SHIRLEY HIGA, ELAINE HAMILTON, AND SUE KYLLO, ABOUT THEIR INVOLVEMENT WITH THE GSN ALUMNAE ASSOCIATION AND THE HISTORY OF ARTIFACTS DONATED. FOR THAT INFORMATION, PLEASE REFER TO P20140006001. PLEASE SEE THE PERMANENT FILE FOR MORE INFORMATION.
Catalogue Number
P20140049004
Acquisition Date
2014-11
Collection
Museum
Images
Less detail
Other Name
TEA TOWEL, LETHBRIDGE HANDICRAFT GUILD OF WEAVERS
Material Type
Artifact
Materials
COTTON
Catalogue Number
P20140037000
  1 image  
Material Type
Artifact
Other Name
TEA TOWEL, LETHBRIDGE HANDICRAFT GUILD OF WEAVERS
Date
2014
Materials
COTTON
No. Pieces
1
Length
82
Width
39
Description
PLAID, HANDWOVEN TEA TOWEL MADE UP OF VARIOUS PLAID PATTERNS. THE BASE THROUGHOUT THE TOWEL IS A SYMMETRICAL PATTERN OF BANDS (DARK BLUE, LIGHT BLUE, GREEN, YELLOW, ORANGE, RED, PINK, DARK PURPLE, AND LIGHT PURPLE). THERE IS A CARDBOARD TAG ATTACHED THAT READS, “LETHBRIDGE HANDICRAFT…” PRINTED IN BLACK INK AND “GALT TOWEL… GUILD WEAVERS” HANDWRITTEN IN BLUE INK. THE REVERSE OF THE CARD HAS CARE INSTRUCTIONS. THE TOWEL IS 82 CM BY 39 CM. EXCELLENT CONDITION. CREASED AT THE FOLDS.
Subjects
MAINTENANCE T&E
Historical Association
ASSOCIATIONS
COMMEMORATIVE
DOMESTIC
TRADES
History
AN EXHIBITION AT THE GALT MUSEUM AND ARCHIVES TITLED WOVEN IN TIME CELEBRATING 65 YEARS WITH LETHBRIDGE WEAVERS WAS ORGANIZED BY GALT CURATOR WENDY AITKENS IN PARTNERSHIP WITH THE LETHBRIDGE HANDICRAFT GUILD OF WEAVERS. THIS EXHIBITION RAN FROM JUNE 7 TO SEPTEMBER 1, 2014 AND DISPLAYED THE HISTORY OF THE GUILD WITHIN THE COMMUNITY SINCE ITS RE-ESTABLISHMENT IN 1949. THIS EXHIBITION INCLUDED BOTH HERITAGE AND RECENT WEAVINGS, ARCHIVAL MATERIAL, DEMONSTRATION VIDEOS, AND WEAVERS WHO SAT AT A LOOM IN THE EXHIBIT CREATING 6 COTTON TEA TOWELS. OF THESE TOWELS, ONE WAS CHOSE FOR DONATION TO THE MUSEUM. THIS TEA TOWEL SHOWS SEVERAL DESIGNS CREATED BY THE WEAVERS WHO SAT AT THE LOOM IN THE EXHIBIT. IT WAS CREATED AS A WEAVING DEMONSTRATION WITH AT LEAST SEVEN WEAVERS DESIGNING THE PATTERN AND WORKING ON IT. THE FOLLOWING INFORMATION ABOUT THE LETHBRIDGE HANDICRAFT GUILD OF WEAVERS HAS BEEN TAKEN FROM TEXTS WRITTEN FOR THE EXHIBITION BY AITKENS: “IN THE PAST, FUNCTIONAL HOUSEHOLD ITEMS SUCH AS CLOTHING, BEDDING AND OTHER NECESSITIES WERE WOVEN BY HAND, ON HOMEMADE LOOMS. WITH THE INDUSTRIAL REVOLUTION, MASS PRODUCED WOVEN PRODUCTS EMPLOYED MANY PEOPLE IN FACTORIES MAKING THINGS THAT THEY WOULD HAVE MADE EARLIER AT HOME. AS TIME PASSED THERE WAS A GROWING FEAR THAT THE SKILLS AND KNOWLEDGE REQUIRED TO PRODUCE HANDMADE WOVEN ARTICLES WOULD BE LOST. CONSEQUENTLY, FOLLOWED MOVEMENTS IN BRITAIN, SEVERAL WOMEN IN MONTREAL FORMED THE CANADIAN HANDICRAFTS GUILD [CHG] IN 1905 TO PRESERVE THESE TRADITIONAL ART AND CRAFT SKILLS. … BY THE LATE 1800S, MEN AND WOMEN WERE RECOGNIZED FOR THEIR ADVANCED SKILL IN WEAVING, AND GUILDS WERE ESTABLISHED IN COMMUNITIES ACROSS CANADA, INCLUDING EDMONTON, VANCOUVER, AND WINNIPEG. GUILDS ALSO ENCOURAGED PRODUCTION OF FURNITURE, JEWELRY DESIGN, LEATHER AND IRON WORK, AS WELL AS OTHER ARTISTIC ENDEAVOURS. THE NATIONAL GUILD TRANSFERRED ITS ASSETS TO THE QUEBEC PROVINCIAL BRANCH OF THE CHG IN 1936. THE LETHBRIDGE BRANCH OF THE CHG WAS FOUNDED IN 1935. IT WAS DISCONTINUED DURING WWII BECAUSE RED CROSS PROJECTS, WHICH SUPPORTED SOLDIERS OVERSEAS, WERE THE PRIORITY. AFTER THE WAR IN 1949, ELEVEN LOCAL WOMEN REBUILT THE CHG AND OFFERED COURSES IN NEEDLEWORK, LEATHERWORK, COPPER TOOLING, GLOVE MAKING, POTTERY, ALUMINUM ETCHING, AND OTHER CRAFTS INCLUDING, IN 1951, WEAVING. MEETINGS AND CLASSES WERE HELD IN THE CANADIAN WESTERN NATURAL GAS COMPANY BUILDING [420 – 6 ST. S] AND THE RED CROSS ROOMS [1160 – 7 AVE S] UNTIL 1964 WHEN THE GUILD MOVED TO THE BOWMAN ARTS CENTRE [811 – 5 AVE. S].” “SINCE 1951, WHEN WEAVING BECAME A POPULAR ACTIVITY IN THE LETHBRIDGE HANDICRAFT GUILD, MEMBERS PRACTICED THEIR ART, TAUGHT OTHERS HOW TO WEAVE, AND SHARED THEIR PIECES WITH THE PUBLIC THROUGH SHOWS AND SALES. INITIALLY, 16 BOX LOOMS WERE PURCHASED FROM EATON’S FOR EVERYONE TO USE. IN 1954, GUILD MEMBERS SAVED LABELS FROM SOUP CANS AND WHEN THEY TURNED THEIR LABELS IN TO THE CAMPBELL COMPANY THEY RECEIVED $165 TO PURCHASE A FLOOR LOOM. TODAY, THE GUILD OWNS MANY LOOMS OF VARYING SIZES. THE LETHBRIDGE GUILD HAS ALWAYS OPERATED AS A CO-OPERATIVE. ALL THE LOOMS ARE OWNED BY THE GUILD AND THEY ARE SET UP WITH A COMMON WARP (THE LONG THREADS ON THE LOOM) FOR ALL MEMBERS TO USE. GUILD MEMBERS WORK TOGETHER TO PLAN GROUP PROJECTS SUCH AS A FRIENDSHIP BED COVERLET, TEA TOWELS AND PLACE MATS. MEMBERS USE TRADITIONAL FIBRES SUCH AS COTTON, LINEN AND WOOL BUT THEY ALSO EXPERIMENT WITH YARNS MADE FROM YAK, DOG AND POSSUM HAIR. THEY ALSO USED RIBBONS, ZIPPERS AND VHS TAPES TO CREATE IMAGINATIVE WORKS OF ART. IN THE EARLY 2000S, GUILD MEMBERS ASKED CITY COUNCIL FOR PERMISSION TO DEVELOP AN OFFICIAL TARTAN FOR LETHBRIDGE. MONTHS OF WEAVING SAMPLES, CHOOSING THE PERFECT PATTERN, AND GETTING COUNCIL APPROVAL RESULTED IN A SPECTACULAR TARTAN WHICH WAS UNIQUE IN THE WORLD. THE TARTAN WAS OFFICIALLY CERTIFIED BY THE SCOTTISH TARTAN SOCIETY. KNOWLEDGEABLE LOCAL WEAVERS TAUGHT ADULTS AND CHILDREN THE ART OF WEAVING, SPINNING, AND DYING. MASTER WEAVERS FROM OUTSIDE LETHBRIDGE HAVE BEEN BROUGHT IN TO EXPAND THE TECHNIQUES AND STYLES OF GUILD MEMBERS. THE GUILD RECEIVED INTERNATIONAL RECOGNITION FROM INTERWEAVE PRESS WHEN IT WON THE FIBERHEARTS AWARD IN 2005 FOR ITS UNIQUE MENTORSHIP PROGRAM. THE $500 RECEIVED WITH THE AWARD ALLOWED NOVICE WEAVERS TO LEARN FROM EXPERIENCED WEAVERS.” PLEASE SEE PERMANENT FILE FOR MORE INFORMATION.
Catalogue Number
P20140037000
Acquisition Date
2014-09
Collection
Museum
Images
Less detail
Material Type
Artifact
Materials
PAPER, RIBBON, SEQUINS, FOIL, STYROFOAM, FELT, COTTON, METAL, PLASTIC
Catalogue Number
P20150022004
  1 image  
Material Type
Artifact
Date
1998
Materials
PAPER, RIBBON, SEQUINS, FOIL, STYROFOAM, FELT, COTTON, METAL, PLASTIC
No. Pieces
7
Height
17
Diameter
8
Description
ALL CHRISTMAS ORNAMENTS HAVE A ROUND STYROFOAM CENTRE. A: CHRISTMAS ORNAMENT. GOLD PAPER ON BODY, GATHERED AT THE TOP, WITH NARROW GOLD RIBBON (WITH PURPLE SPOTS PAINTED ON) AND WITH WIDE, FLEXIBLE GOLD RIBBON, WITH SMALL STARS IN THE FABRIC. SMALL SILVER COLOURED BUTTERFLY EARRING AFFIXED ON ONE OF FOUR PIECES OF WIDE GOLD RIBBON. HAND DRAWN MISTLETOE ALL THE WAY AROUND ORNAMENT, BELOW THE RIBBON. METAL WIRE FOR HANGING ORNAMENT. SMALL PAPER TAG ATTACHED READS: "LYNNE GREGSON 'CAN YOU FIND THE BUTTERFLY?'" DESIGNED BY LYNNE GREGSON, AN ARTIST KNOWN FOR HIDING BUTTERFLIES WITHIN HER WORKS. VERY GOOD CONDITION. B: CHRISTMAS ORNAMENT. GOLD SEQUINS ON BODY, WITH BLACK SEQUINS FORMING A JUDO BELT AROUND CENTRE OF ORNAMENT. TOPPED WITH FLEXIBLE GOLD FABRIC RIBBON AND FLEXIBLE GOLD WIRE WITH PLASTIC GOLD COLOURED STARS ATTACHED. CANADIAN OLYMPIC PIN ON GOLD FABRIC RIBBON, ABOVE TIE OF BLACK BELT. METAL WIRE FOR HANGING ORNAMENT. SMALL PAPER TAG ATTACHED READS: "JOE MELI". DESIGNED BY JOE MELI, A FOUR TIME OLYMPIAN. VERY GOOD CONDITION. C: CHRISTMAS ORNAMENT. GOLD AND SILVER COLOURED. BODY PRIMARILY MADE OF SILVER COLOURED STRAIGHT PINS, PUSHED INTO STYROFOAM BALL. VERTICLE STRIPES AROUND BALL: EIGHT STRIPES OF A SILVER/GOLD/BLACK RIBBON, FOUR STRIPES OF SILVER STRAIGHT PINS, AND FOUR STRIPES OF SILVER STRAIGHT PINS, WITH GOLD COLOURED THUMB TACKS. GOLD THREAD WOVEN ALL AROUND BALL. SILVER COLOURED CORDING FOR HANGING ORNAMENT. SMALL PAPER TAG ATTACHED READS: "LESLIE ROBINSON-GREENE '98" DESIGNED BY LESLIE ROBINSON-GREENE, A COSTUMER AT THE UNIVERSITY OF LETHBRIDGE DRAMA DEPARTMENT. VERY GOOD CONDITION. GOLD THREAD LOOSE IN PLACES, BUT IS STILL ATTACHED TO ORNAMENT. D: CHRISTMAS ORNAMENT. GREEN SEQUINS WITH WHITE STRAIGHT PINS PUSHED INTO STYROFOAM BALL. WHITE SATIN ROSETTES AT TOP OF ORNAMENT. METAL WIRE FOR HANGING ATTACHED TO VERY NARROW WHITE SATIN RIBBON. SMALL PAPER TAG ATTACHED READS: "FIRST SNOWFLAKES - DORY ROSSITER" DESIGNED BY DORY ROSSITER, A BROADCASTER WITH CTV NEWS. VERY GOOD CONDITION. E: CHRISTMAS ORNAMENT. BLUE FOIL PAPER BODY. SINGLE PIECE OF NARROW SILVER COLOURED RIBBON VERTICALLY AROUND ORNAMENT. STRAND OF PLASTIC CHRISTMAS LIGHTS VERTICALLY AROUND ORNAMENT, PERPENDICULAR TO SILVER RIBBON. LIGHTS ARE RED, YELLOW, GREEN, BLUE, AND PURPLE. STRAND OF LIGHTS GATHERED AT THE TOP OF ORNAMENT, WITH FIVE METAL BELLS (2 VERY SMALL, 2 SMALL, 1 MEDIUM SIZED), AND TWO PLASTIC, GOLD-COLOURED VIOLINS. SEVENTEEN SILVER COLOURED 16TH-NOTES STUCK ONTO BLUE FOIL. SILVER RIBBON FOR HANGING. SMALL PAPER TAG ATTACHED READS: "MIKE LEBLANC CJOC" DESIGNED BY MIKE LEBLANC, WHO WORKED FOR CJOC. VERY GOOD CONDITION. APPEARS THAT SEVERAL 16TH-NOTES HAVE FALLEN OFF OVER THE YEARS. FOIL IS SILVER WHERE THESE NOTES HAVE FALLEN OFF. SOME GLUE REMAINS IN THESE LOCATIONS. F: CHRISTMAS ORNAMENT. BLUE SPARKLES, WITH GOLD COLOURED "CFCN - CTV" PINS STUCK INTO THE STYROFOAM BALL. SEVERAL ITEMS DEOCRATE THE TOP OF THE ORNAMENT: GOLD COLOURED PINECONE; THREE PLASTIC PINE SPRIGS; GREEN PLASTIC LEAVES WITH SPARKLES; BLUE PLASTIC APPLE WITH SPARKLES; FOUR BLUE BERRIES ON LONG GREEN STEMS; GOLD COLOURED MICROPHONE; AND A SMALL, BLUE, FOIL WRAPPED (WITH GOLD STRING RIBBON) GIFT. NO HANGING SYSTEM. SMALL PAPER TAG ATTACHED READS: "TERRY VOGT, CFCN-TV" DESIGNED BY TERRY VOGT, WHO WORKED AT CFCN. (AS OF 2016, HE REMAINS WITH CTV NEWS) GOOD CONDITION. SPARKLES COME OFF WITH MINIMAL HANDLING. G: CHRISTMAS ORNAMENT. OFF-WHITE COTTON FABRIC, STRAIGHT PINNED ONTO STYROFOAM BALL AT TOP. FABRIC HANGS DOWN, LEAVING STYROFOAM EXPOSED AT BOTTOM OF ORNAMENT. PIECE OF BLACK STRING TIED WITH A SQUARE KNOT, HORIZONTALLY AROUND ORNAMENT. TOPPED WITH A LARGE WHITE POM-POM, ON TOP OF WHICH IS A HAT MADE OF RED FELT, A SMALL WHITE POM-POM, AND WHITE PIPE CLEANER. GIVES THE APPEARANCE OF SANTA WEARING A JUDOGI. WRITTEN ON FRONT OF JUDOGI: "LETHBRIDGE JUDO CLUB" WITH JAPANESE CHARACTERS ON REVERSE. NO PAPER TAG ATTACHED. DESIGNED BY YOSH SENDA, FOUNDER OF THE LETHBRIDGE KYODOKAN JUDO CLUB. FAIR TO GOOD CONDITION: LARGE POM-POM VERY LOOSELY ATTACHED TO MAIN PART OF ORNAMENT.
Subjects
CEREMONIAL ARTIFACT
Historical Association
DOMESTIC
History
THESE CHRISTMAS ORNAMENTS CAME FROM A HOLIDAY ARTISTAN MARKET HELD AT THE SOUTHERN ALBERTA ART GALLERY (SAAG) WHERE THE DONOR WORKED (FROM 1992-2003). IN AN ORAL INTERVIEW WITH THE DONOR, ANINE VONKEMAN, CONDUCTED BY KEVIN MACLEAN IN JUNE 2015, ANINE EXPLAINED THAT THE ORNAMENTS CAME FROM A “CELEBRITY CHRISTMAS TREE RAFFLE … WE WOULD GO INTO THE COMMUNITY AND ASK LOCAL CELEBRITIES … TO DECORATE AN ORNAMENT OF CHOICE ... AND SO THIS PARTICULAR YEAR, IT WAS A STYROFOAM BALL.” THE TREE AND ORNAMENTS WERE RAFFLED OFF AND ANINE’S FATHER, WIM, WON. SHE RECOUNTED THE EVENT SAYING: “MY PARENTS CAME TO THE SALE RELIGIOUSLY EVERY YEAR AND THEY WOULD BUY THEIR RAFFLE TICKET. AND BRIAN GALLANT WAS SANTA, WHO’S A VOLUNTEER FOR SAAG … AND IT WAS HIS JOB TO PULL THE RAFFLE TICKET OUT TO ANNOUNCE THE WINNTER. AND AT THIS PARTICULAR EVENT, MASON [DONOR’S SON] WAS THERE, AND HE WAS JUST LITTLE AND SO SANTA LET MASON PULL THE NAME … AND SANTA GAVE IT TO ME TO ANNOUNCE ON THE MIC TO EVERYBODY WHO WAS THERE WHO HAD WONT THE TREE AND IT WAS MY DAD. SO INSTEAD OF SAYING, ‘AND THE WINNER OF THE TREE IS WIM VONKEMAN’ I SAID ‘THE WINNER OF THE TREE IS’ – AND THEN I LOOKED AT THE PIECE OF PAPER – ‘MY DAD!’ AND I GOT SOME FLACK OVER THAT FROM MY BOSS, JOAN STEBBINS AT THE TIME, BUT WHATEVER, IT WAS LEGITIMATE.” ANINE CONTINUED, SAYING “SO MY PARENTS PUT THE TREE UP IN THEIR HOUSE IN PICTURE BUTTE FOR YEARS AND THEN WHEN MY DAD PASSED AWAY AND MY MOM MOVED INTO LETHBRIDGE IN 2008 SHE NEEDED TO DOWNSIZE SO SHE GAVE ME THE TREE. AND SOME OF THE ORNAMENTS HAD DETERIRORATED AND THEN AT MY HOUSE SOME OF THEM DETERIORATED EVEN FURTHER … THE ONES THAT I SALVAGED ARE OF PEOPLE THAT I THOUGHT WERE OF PARTICULAR IMPORTANCE TO THE COMMUNITY.” ANINE WAS BORN IN HOLLAND IN 1967 AND EMIGRATED TO CANADA WITH HER PARENTS (WIM AND TRUDY) AND TWO BROTHERS (ALWIN AND HERWIN) IN NOVEMBER 1981, FOLLOWING A FAMILY VACATION TO CANADA IN 1979. HER FAMILY SETTLED IN THE PICTURE BUTTE AREA TO FARM. HER FATHER HELPED TO ESTABLISH THE DUTCH-CANADIAN CLUB AND THE GALT 8 MINE SOCIETY. ANINE CAME TO LETHBRIDGE IN 1986 TO ATTEND THE UNIVERSITY OF LETHBRIDGE (U OF L) AND STARTED WORKING AT SAAG IN 1992, TWO WEEKS AFTER GRADUATING FROM THE U OF L. SHE BEGAN AS THE PUBLIC PROGRAMS COORDINATOR AND “WAS DOING MEDIA STUFF, VOLUNTEER COORDINATION, SPECIAL EVENTS COORDINATION AND STARTED THE ART AUCTION.” BY 2004 ANINE WAS WORKING AT THE GALT AS MARKETING/COMMUNICATIONS OFFICER. SEE PERMANENT FILE FOR FULL INTERVIEW TRANSCRIPTS AND SEE P20150005000 FOR ADDITIONAL INFORMATION ON THE VONKEMAN FAMILY.
Catalogue Number
P20150022004
Acquisition Date
2015-06
Collection
Museum
Images
Less detail
Date Range From
1906
Date Range To
1949
Material Type
Artifact
Materials
WOOD, GLASS
Catalogue Number
P20160040000
  2 images  
Material Type
Artifact
Date Range From
1906
Date Range To
1949
Materials
WOOD, GLASS
No. Pieces
1
Height
7
Length
60.5
Width
30.2
Description
WASHBOARD WITH WOODEN FRAME AND A GREEN-TINTED GLASS GRATE. THE FRONT OF THE WASHBOARD HAS A RIDGE AT THE TOP – LIKELY USED FOR SUPPORT – WHICH IS APPROXIMATELY 6.7 CM DEEP. THE UPPER SECTION OF THE WASHBOARD IS WOODEN WITH SEVERELY FADED BLACK LETTERING THAT READS “MANUFACTURED BY…” THERE IS A CURVED STRIP OF WOOD ACROSS THE BOTTOM OF THE UPPER SECTION AND ANOTHER WOODEN PIECE BELOW THAT WITH THREE RIDGES. THE GLASS HAS A HORIZONTAL GRATE AND IS TEXTURED. THERE IS A HORIZONTAL WOODEN PIECE OF WOOD SUPPORTING THE GLASS AT ITS BASE. THE SIDES OF THE WOODEN FRAME EXTEND ABOUT 13.5 CM BEYOND THE GLASS TO ACT AS THE WASHBOARD’S LEGS. ON THE BACK THERE IS A FLAT PIECE OF WOOD NAILED TO THE FRAME ON THE UPPER SECTION. THE BRAND’S STAMP ON THIS BOARD IS FADED. THERE ARE SEVERELY FADED RED LETTERS AT THE UPPER SECTION OF THIS BOARD WITH A WORD SPECULATED TO BEGIN WITH THE LETTER “E”. UNDERNEATH THE RED INK LETTERS IS “MANUFACTURED BY THE CANADIAN WOODENWARE CO. WINNIPEG ST. THOMAS MONTREAL” STAMPED IN BLACK INK. THE NAILS AROUND THE PERIMETER OF THIS UPPER BOARD VARY IN SIZES. THE BACK SIDE OF THE GLASS GRATE IS SMOOTH. GOOD CONDITION. THERE IS REMNANTS OF SOAP ACCUMULATING AT THE SIDES OF THE GLASS OF THE WASHBOARD. THERE IS SOAP SCUM RUNNING ALONG THE GLASS OF THE BACK OF THE GRATE. THE WOOD FRAME IS WORN AND ROUGH OVER THE GENERAL SURFACE, ESPECIALLY ON THE FRONT, UPPER SECTION. THERE IS A PART OF THE WOOD MISSING FROM THE TOP LEFT OF THE RIDGE. THERE IS AN ACCRETION OF BEIGE PAINT ON THE BACK OF THE GLASS GRATE.
Subjects
MAINTENANCE T&E
Historical Association
DOMESTIC
History
THIS WASHBOARD CAME TO THE MUSEUM FROM DONOR, LOUISE VERES, WHO RECALLED ITS USE BY HER MOTHER, HELEN LUCILLE BORGGARD (NEE SORGARD). IN AN EMAIL SENT IN NOVEMBER 2016 TO COLLECTIONS TECHNICIAN KEVIN MACLEAN, LOUISE WROTE OF THE ARTIFACT’S HISTORY AND THE PROCESS OF WASHING CLOTHING BEFORE THE EXISTENCE OF AUTOMATED WASHING MACHINES: “DURING THE FIRST PART OF THE 1900[S], MONDAY WAS ALWAYS CONSIDERED WASH DAY IN OUR FAMILY. WHEN MY GRANDMOTHER CAME TO CANADA IN 1906 AND WHEN MY MOM WAS FIRST MARRIED IN 1934 CLOTHES HAD TO BE WASHED BY HAND. FOR THIS CHORE THEY HAD TWO BIG GALVANIZED TUBS. ONE TUB HAD HOME MADE LYE SOAP ADDED FOR WASHING THE DIRTY CLOTHES AND ONE WITHOUT SOAP FOR RINSING TO GET THE SOAP OUT. THE TUBS WERE SET ON A BENCH IN THE MIDDLE OF THE KITCHEN CLOSE TO THE STOVE WHERE THE WATER WAS HEATED IN BUCKETS. IF THERE WERE DIRTY COLLARS OR SOILED KNEES THEY WERE SCRUBBED ON THIS WASHBOARD AND IF THERE WAS GREASE ON CLOTHES, LARD WAS APPLIED TO THE GREASE AND THEN THAT SOILED AREA WAS VIGOROUSLY RUBBED OVER THE WASHBOARD. THE ARTICLE WAS SWISHED AROUND IN THE SOAPY WATER AND PUT THROUGH THE WRINGER THAT SAT IN THE MIDDLE OF THE STAND. IF YOU DIDN’T HAVE A WRINGER YOU WRUNG AS MUCH WATER AS YOU COULD BY HAND. THE CLOTHES DROPPED INTO THE OTHER TUB THAT HAD CLEAR, COLD RINSE WATER IN IT. THEN YOU PUT THE RINSED CLOTHES THROUGH THE WRINGER, CAUGHT THEM, GAVE THEM A GOOD SHAKE, PUT THEM IN A WICKER BASKET AND CARRIED THE WASHED CLOTHES OUTSIDE AND HUNG THEM ON THE CLOTHES LINES. THE CLOTHES WERE CLIPPED ON THE LINE WITH WOODEN CLOTHES PEGS. SOMETIMES MOM USED A PRODUCT CALLED BLUING THAT WAS PUT INTO THE RINSE WATER, THE BLUING WAS TO MAKE THE WHITES SEEM EXTRA WHITE ALTHOUGH WHEN YOU HUNG THEM OUTSIDE TO DRY BY SUN THEY WOULD GET BLEACHED AND WERE WHITER THAN WHITE. I SUSPECT THEY WERE WHITER THAN MOST WHITE CLOTHES TODAY. IN THE WINTER, OR IF THERE WAS BAD WEATHER, SHE WOULD HANG THE WET CLOTHES AROUND THE HOUSE ON ANYTHING THAT WOULD GIVE THEM AIR AND A CHANCE TO DRY. IF SHE HUNG THEM OUT AND THE WIND CAME UP THEY WOULD SOMETIMES LOOSEN THEMSELVES FROM THE CLOTHES PINS AND FALL INTO THE DIRT OR GRASS THAT LAY UNDERNEATH. THEN THEY WOULD HAVE TO BE REWASHED. YOU HAD TO BE EXTRA CAREFUL IN THE WINTER WHEN HANGING CLOTHES OUTSIDE. SOMETIMES A COLD WIND WOULD BLOW IN AND YOUR FROZEN CLOTHES ON THE LINE WOULD CRACK OR BE SHREDDED, PERHAPS DOWN THE MIDDLE OF SHIRTS OR SHEETS. IF YOU WERE GOING AWAY FOR THE AFTERNOON YOU USUALLY TOOK THE CLOTHES OFF THE LINE FIRST, EVEN IF THEY WEREN’T DRY. THIS WAS ALL VERY TIME CONSUMING, BUT IT WORKED. THE CLOTHES SMELLED INTOXICATINGLY WONDERFUL WHEN THEY CAME IN OFF THE LINE AND IF THEY STILL WEREN’T DRY YOU HUNG THEM ON LINES IN THE HOUSE. THEN MOM GOT HER FIRST WASHING MACHINE. IT HAD AN ELECTRIC MOTOR ATTACHED AND IT WOULD AGITATE THE CLOTHES IN THE WATER, THEN YOU COULD WRING THE CLOTHES OUT WITH WRINGER AND THEY WOULD FALL INTO A TUB OF COLD RISE WATER. YOU WOULD AGITATE THEM AROUND BY HAND TO RINSE THEM AND PUT THEM THROUGH THE WRINGER AGAIN. THAT PROCESS SEEMED LIKE A PIECE OF CAKE AS IT GOT MUCH MORE OF THE WATER OUT. THAT PROGRESSED TO AN AUTOMATIC WASHING MACHINE YOU PLUGGED INTO AN ELECTRIC CIRCUIT AND YOU SIMPLY DID IT THE WAY WE ARE USED TO TODAY. YOU WOULD BE SURPRISED AT THE TIME IT TOOK TO WASH AND DRY THE CLOTHES BEFORE THE NEW AUTOMATIC WASHERS WE USE TODAY CAME INTO EXISTENCE.” IN ADDITION TO THE INFORMATION PROVIDED BY VERES IN THE EMAIL REFERRED TO ABOVE, SHE WAS INTERVIEWED BY MACLEAN AT THE TIME OF DONATION (NOVEMBER 2016). THE FOLLOWING EXCERPT HAS BEEN EXTRACTED FROM THAT INTERVIEW: “MY FIRST NAME IS MARJORIE… BUT I GO BY MY SECOND NAME, WHICH IS LOUISE… I WAS BORN IN 1938.” “MY MOM’S NAME IS HELEN LUCILLE BORGGARD, AND HER MARRIED NAME WAS SORGARD… SORGARD IS NORWEGIAN, AND BORGGARD IS DANISH… MY MOTHER TOOK [THE WASHBOARD] OVER FROM MY GRANDMOTHER. MY GRANDMOTHER AND MY GRANDFATHER CAME IN 1906. THEY USED THE WASHBOARD AND THEN THEY GAVE IT TO HER. THEY HAD 10 CHILDREN. I’M SURE IT WAS WELL-USED. MY MOTHER MARRIED IN 1935 AND SHE TOOK THE WASHBOARD AND USED IT UNTIL 1949 WHEN WE MOVED FROM THE FARM TO GRASSY LAKE IN TURIN AND IRON SPRINGS. SHE FINALLY HAD ELECTRICITY AND RUNNING WATER, AND UP TO THAT POINT IT WAS 'PACK YOUR OWN WATER IN A BUCKET AND HEAT IT ON THE STOVE.' AND, SOMETIMES, WRING THE CLOTHES OUT. THEY DIDN’T HAVE ANY MODERN CONVENIENCE AT ALL. [FOLLOWING THESE MODERN CONVENIENCES,] THE WASHBOARD WAS PUT IN A BACK ROOM, BUT IT WAS KEPT. THEN THEY MOVED TO RIONDEL, B.C., AND THEY GAVE ME THE WASHBOARD…” “[T]HE WASHBOARD HAS A LOT OF MEMORIES FOR ME, I GUESS MAINLY BECAUSE WE USED IT EVERY MONDAY. WE WASHED OUR CLOTHES, AND WHEN THEY WERE DIRTY, WE SCRUBBED THEM ON THIS WASHBOARD… IT REALLY WORKED WELL. I GUESS IT’S BECAUSE MY MOM WORKED REALLY HARD.” “I’VE PROBABLY HAD IT FOR 35 YEARS. MY MOTHER DIED 4 YEARS AGO AT 98 [YEARS]. I’M IN A FAMILY OF 4 CHILDREN, AND 3 OF THEM WERE BOYS, AND THEY WEREN’T TOO INTERESTED IN THE WASHBOARD, BUT IT JUST SEEMED LIKE IT WAS PART OF THE FAMILY AND IT DESERVED A HOME… I KNOW I DON’T WASH CLOTHES LIKE THAT ANYMORE. WHEN YOU LOOK AT IT [YOU CAN] SEE THE MARKS FROM THE LYE SOAP THAT WAS USED WHEN THEY SCRUBBED ON THE BOARD, AND THE USE THAT IT’S GONE THROUGH. YOU CAN TELL THAT IT HAS BEEN MENDED, BUT IT’S STILL IN REALLY GOOD SHAPE. I JUST THOUGHT THAT I WANTED IT QUITE BADLY [AND] I GOT IT.” SHE CONTINUED TO RECOUNT HER MEMORIES OF THE WASHBOARD, “I GUESS MOST WHAT I REMEMBER IS THE STOVE - HAVING THESE BUCKETS OF WATER ON THEM BEING HEATED FOR WASHING THE CLOTHES. THIS WATER HAD TO BE PACKED BY BUCKET FROM THE CISTERN. THEN THERE WERE TWO BIG GALVANIZED TUBS [THAT] SAT ON A BENCH. ON ONE SIDE SHE PUT LYE SOAP IN IT AND SHE SWISHED IT AROUND. WHEN SHE SAW SOME SOILS, SHE WOULD RUN THE CLOTHES OVER THE WASHBOARD AND THEY WOULD COME OUT REALLY CLEAN. THEN SHE WOULD PUT THE CLOTHES INTO THE RINSE WATER AND IT HAD BLUING IN IT. THAT WAS FOR THE WHITE CLOTHES, AT LEAST. THAT WAS COLD WATER, THOUGH. THEN THEY HAD TO PACK ALL THIS WATER OUT ... TO FEED THE PIGS BECAUSE WE DIDN’T HAVE VERY MUCH WATER. NO ONE HAD VERY MUCH WATER. WATER WAS A REALLY VALUABLE COMMODITY. THE WASHBOARD WAS HOW WE KEPT UP WITH CLEAN CLOTHES.” WHEN ASKED IF SHE HAD A ROLE IN THE LAUNDRY PROCESS AS A CHILD, VERES EXPLAINED, “NO. IF [MOM] HAD WATER ON THE STOVE, I WASN’T ALLOWED CLOSE. AT 10, I WAS TOO SMALL TO BE HELPING VERY MUCH, BUT I DO REMEMBER HER DOING THIS. THEN YOU TOOK THE CLOTHES OUT TO THE CLOTHES LINE; HUNG IT ON THE CLOTHES LINE WITH CLIPS OR PINS. SOMETIMES THE WIND WOULD COME UP IN THE SUMMER AND THE CLOTHES WOULD BLOW, AND THEY WOULD FALL ONTO THE GROUND, INTO THE DIRT, OR THE GRASS, AND SHE’D HAVE TO PICK THEM UP, BRING THEM BACK INTO THE HOUSE; SHAKE ALL THE DIRT OFF AND WASH THEM ALL OVER AGAIN. IN THE WINTER, WHEN SHE HUNG THEM ON THE LINE PERHAPS IT WAS A CHINOOK AND A NICE DAY. BUT, IF IT TURNED COLD, THE CLOTHES FROZE BEFORE THEY DRIED ON THE LINE. THEY WOULD BE FLAPPING AWAY, BUT THEY WOULD CRACK AND BREAK. THE SHIRTS WOULD CRACK DOWN THE MIDDLE OF THE BACK AND BE SHREDDED, AND THE SHEETS WOULD BE SHREDDED, AND THERE WASN’T MONEY TO BUY ANYMORE. YOU HAD TO BE VERY CAREFUL. BEFORE YOU WENT TO TOWN. YOU’D TAKE THEM OFF, EVEN IF THEY WERE STILL WET, AND MAYBE DRY THEM IN THE HOUSE ON ANOTHER LINE. IT WASN’T AN EASY CHORE AND THIS HAPPENED EVERY MONDAY. THEN YOU IRONED THEM WITH THESE BIG FLAT IRONS…” VERES THEN BEGAN TO TALK ABOUT HER FAMILY’S EARLIER HISTORY: “MY GRANDMOTHER, AGNES NANCY SORGARD, WAS A MATTHEWS… BORN IN INDIANA. HER MOM AND DAD HAD COME FROM IRELAND [AND] HAD A HOMESTEAD IN NORTH DAKOTA, AND [IT] WAS NEXT TO WHERE MY GRANDFATHER WAS [WHERE] THEY MET. HE WAS FROM NORWAY... THEY MARRIED, HAD 3 CHILDREN THERE, [THEN] CAME TO ALBERTA.” VERES WAS TOLD THAT THE WASHBOARD FIRST BELONGED TO HER GRANDMOTHER. “MY GRANDMOTHER, AFTER MY MOM MARRIED, PROBABLY HAD A WASHING MACHINE THAT WAS RUN BY KEROSENE. SO SHE PROBABLY DIDN’T NEED [THE WASHBOARD] ANYMORE. IF YOU HAD A FAIRLY DECENT WRINGER, YOU COULD WRING THE WATER OUT OF THE CLOTHES AND A LOT OF THE SOILED PART WOULD COME OUT. MY GRANDPA PROBABLY WASN’T FARMING AS MUCH THEN, AND WE ENDED UP WITH [THE WASHBOARD], SO THAT WAS GOOD.” THE DONOR’S MOTHER, LUCILLE (SORGARD) BORGGARD, CONTRIBUTED TO THE FAMILY HISTORY BOOK TITLED, “IT’S A LONG WAY FROM KILLYCOLPY: A HISTORY OF THE MATTHEWS FAMILY”. THIS WRITTEN ACCOUNT OF BORGGARD’S HISTORY ILLUSTRATES HER OWN HARD WORK THAT HER DAUGHTER RECALLED. IN THE HISTORY BORGGARD WROTE, “I WAS BORN ON FEBRUARY 4, 1914 TO GEORGE AND AGNES SORGARD, THE SEVENTH CHILD IN A FAMILY OF TEN. MY FAMILY HAD COME FROM MINOT, NORTH DAKOTA IN 1907 TO HOMESTEAD IN THE TURIN DISTRICT. AFTER FARMING IN TURIN FOR SEVERAL YEARS MY DAD SOLD HIS HOMESTEAD TO THE JOHN KOENEN FAMILY AND MOVED TO A SMALL RANCH ON THE NORTH SIDE OF THE LITTLE BOW RIVER WHERE THEY LIVED UNTIL 1916. IN THE SPRING THE RIVER WOULD OVER-RUN ITS BANKS MAKING IT IMPOSSIBLE FOR THE CHILDREN TO GO TO SCHOOL SO MY DAD BUILT A HOUSE ON THE SOUTH SIDE OF THE RIVER WHERE WE LIVED UNTIL 1927... IN 1928, WE MOVED FROM THE HOME BY OUR BELOVED RIVER TO A FARM TWO MILES NORTH OF IRON SPRINGS.” “I WORKED AT HOME AND MY SISTER CARRIE AND I COOKED ON MY DAD’S COOK-CAR DURING THE HARVEST. THEY WERE LONG DAYS, RISING AT FOUR THIRTY FOR AN EARLY BREAKFAST AND WE DID NOT GET TO BED TILL TEN O’CLOCK. WE HAD TO MAKE BREAD AND DO ALL THE BAKING. WE MOVED FROM FARM TO FARM DOING ALL THE THRESHING IN THE DISTRICT FOR THE FARMERS…” ACCORDING TO HER OBITUARY IN THE LETHBRIDGE HERALD, HELEN LUCILLE BORGGARD PASSED AWAY ON JUNE 13, 2012. HER OBITUARY STATES HER HUSBAND CLARENCE PASSED AWAY IN 1994. PLEASE SEE THE PERMANENT FILE FOR MORE INFORMATION INCLUDING FULL INTERVIEW TRANSCRIPTION, FAMILY HISTORY, AND OBITUARY.
Catalogue Number
P20160040000
Acquisition Date
2016-11
Collection
Museum
Images
Less detail

8 records – page 1 of 1.