Skip header and navigation

35 records – page 1 of 2.

Date Range From
1976
Date Range To
1977
Material Type
Artifact
Materials
PLASTIC, LEATHER, COTTON
Catalogue Number
P20190023002
  2 images  
Material Type
Artifact
Date Range From
1976
Date Range To
1977
Materials
PLASTIC, LEATHER, COTTON
No. Pieces
3
Height
7
Diameter
9.5
Description
A. COVER FOR STAND, 4.3CM TALL X 8CM WIDE. PLASTIC DOME COVER FOR FITTING TO DISPLAY STAND; CLEAR PLASTIC. YELLOWED WITH SCUFF MARKS ON TOP OF DOME; OVERALL VERY GOOD CONDITION. B. BASEBALL, 6.5CM WIDE. BALL IS WHITE WITH RED STITCHING AT EDGES; BASEBALL IS STAMPED WITH LOGO, “THE CUSHIONED CORK CENTER, SPALDING, REG. U.S. PAT. OFF., MADE IN U.S.A., SEWN IN HAITI”. BASEBALL IS STAMPED WITH FADED TEXT, “OFFICIAL BALL, NATIONAL LEAGUE, CHARLES S. FEENEY PRES.”. BASEBALL IS SIGNED BY: RON KITTLE, DOUG HOGAN, DENNIS [ILLEGIBLE], DEAN CRAIG, DANNY COULON, MIGUEL FRANJAL, MIKE HOWARD, GAIL HENLEY, MIKE ZOURAS, DAMON MIDDLETON, JERRY BASS, JIM NOBLES, DOUGLAS FOSTER, JOHN BUSH, ROCKY CORDOVA, LARRY WRIGHT, JACK LITTRELL, KEN LIKEWISE, DON LEJOHN, TIM JONES, MARK ELLIOTT, MITCH WEBSTER, JESSE BAY, ERIC SCHMIDT, MIKE HOLT. BALL IS YELLOWED; TEXT IS FADED; OVERALL VERY GOOD CONDITION. C. DISPLAY STAND, 7CM TALL X 9.5 CM DIAMETER. STAND HAS GOLD-PAINTED BASE WITH HALF OF CLEAR PLASTIC CASING FOR BASEBALL. BOTTOM OF BASE HAS EMBOSSED TEXT, “SPORTS PRODUCTS CORP., A SUB OF LAICH INDUSTRIES, CLEVELAND, OHIO”. BASE HAS CUT-OUT FOR BOTTOM OF CLEAR PLASTIC CASE. PLASTIC CASE IS YELLOWED; BASE HAS GRIME AND RESIDUE BUILD-UP; OVERALL VERY GOOD CONDITION.
Subjects
SPORTS EQUIPMENT
Historical Association
SPORTS
COMMEMORATIVE
History
ON SEPTEMBER 12, 2019, COLLECTIONS TECHNICIAN KEVIN MACLEAN INTERVIEWED LEE PRINDLE REGARDING HIS DONATION OF LETHBRIDGE BASEBALL MEMORABILIA. ON THE SIGNED BASEBALL, PRINDLE RECALLED, “I WAS [WITH THE TEAM IN] ‘76/’77…I DID NOT SIGN [THE BALL]. [THE PLAYERS] SIGNED [THE BALL] AND GAVE IT TO ME. I WASN’T A PLAYER; I WASN’T ON THE TEAM…THEY DO IT AT THE END OF THE YEAR. THEY DO THAT…FOR COACHES…AND FOR EACH OTHER! EACH OF THE BALL PLAYERS THERE WILL HAVE A BALL THAT’S PROBABLY SIGNED. THEY’LL SIT DOWN WITH THE BOXES OF BALLS AND THE ORGANIZATION WILL PROVIDE THE BALLS FOR NOTHING, OF COURSE, AND THEY’LL SIT DOWN AND DO THAT.” “[OF THE TEAM PLAYERS] I REALLY LIKED CANDY MALDONADO; HE WAS GOOD. BUT, I LIKED THIS MITCH WEBSTER, TOO. NICK HOLT—SOME OF THESE GUYS I CAN BARELY REMEMBER. SOME WERE PITCHERS. I REMEMBER ROCKY CORDOVA…[HE] HAD A GREAT CURVE BALL…LARRY WRIGHT…” “[THE BALL HAS] BEEN ON A SHELF.” ON HIS CONNECTIONS TO BASEBALL AND THE DODGERS, PRINDLE SHARED, “…I HAD WATCHED A LOT OF BASEBALL GAMES…I’M A BASEBALL FAN AND I HAD ALWAYS BEEN A DODGERS FAN…[I WAS WATCHING LOCAL GAMES] AT HENDERSON.” “I GREW UP IN SUNBURST, MONTANA. I CAME TO LETHBRIDGE IN 1967 TO TEACH AT THE COLLEGE…[I] TAUGHT THERE ‘TIL I RETIRED…I WAS WATCHING BASEBALL AND THE [DODGERS] OR THE BASEBALL ORGANIZATION HERE, WHICH WAS WITH THE EXPOS AND THE DODGERS, HAD ABOUT TWENTY GUYS THAT PUT IN A THOUSAND DOLLARS EACH TO START THE TEAM, HEADED BY RENO LIZZI, OF COURSE…THAT WOULD HAVE BEEN 1975, I THINK, WHEN THEY STARTED…THEY GOT INTO THE LEAGUE, AND THE EXPOS WERE JUST STARTING. THEY NEEDED [A] PLACE FOR THEIR FARM CLUBS…SO THE EXPOS CAME HERE FIRST AND I CAN REMEMBER WALT HRINIAK WAS THE FIELD MANAGER WHEN I CAME IN…THE EXPOS CAME UNDER THIS ORGANIZATION…ONE OF THE TWENTY GUYS THAT SEEN ME AT…A NUMBER OF BALLGAMES…SAID, ‘WE’RE LOOKING FOR A GENERAL MANAGER,’ AND BECAUSE I WAS A COLLEGE TEACHER, I HAD SOME TIME OFF IN THE SUMMER SO THAT KIND OF FIT IN WITH MY SCHEDULE…I APPLIED FOR THE JOB, INTERVIEWED, AND THEN I TALKED TO THE BOARD OF GOVERNORS [AT THE COLLEGE] ‘CAUSE I FIGURED THEY NEEDED SOME PERMISSION TO GET OFF BECAUSE IN THE SPRING…IT TAKES A LITTLE BIT AWAY FROM YOUR JOB. THEY SAID, ‘YEAH, GO FOR IT,’ SO THEY GAVE ME THE JOB [OF] GENERAL MANAGER.” “THE GENERAL MANAGER HAS NOTHING TO DO WITH BRINGING IN THE TEAM TO THE ROOKIE LEAGUES. THE MAIN ORGANIZATION, THE VICE PRESIDENT…AND THE GENERAL MANAGER OF THE…DODGERS BRING THEM IN. SO THEY BRING IN THE TEAMS BUT I HAD TO LOOK AFTER EVERYTHING, LIKE BALL BOYS AND LAUNDRY AND TICKETS AND BUS TRIPS AND HOTELS…SO THAT’S WHAT I DID. BUT I HIRED ALL THE STAFF THAT WORKED AT THE BALLPARK, AT HENDERSON; WE WERE ALWAYS AT HENDERSON…I TOOK CARE OF THE MONEY. PAID THE GUYS THEIR MEAL MONEY. WHEN THEY WENT ON THE ROAD THEY GET THEIR MEAL MONEY ALLOWANCE…I DID IT FOR—FIRST YEAR WERE [WITH] THE EXPOS, THE NEXT YEAR WAS WITH THE DODGERS AND THEN I WAS OUT A YEAR AND SOMEBODY ELSE DID IT. THEY WANTED ME BACK SO I CAME BACK FOR ANOTHER YEAR. BOTH YEARS THAT I WAS GENERAL MANAGER, WE WON THE PENNANT. HENLEY WAS A REALLY, REALLY GOOD FIELD MANAGER. HE WAS ACTUALLY ONE OF THE CHIEF SCOUTS FOR THE DODGERS BUT HE WAS A GOOD FIELD MANAGER AND SO I WON IT…I GOT TWO, NICE, REAL PENNANT RINGS FROM THE DODGERS BUT, UNFORTUNATELY, WHEN MY HOUSE WAS BROKEN IN, THEY WERE STOLEN…” “I WORKED—I ENJOYED IT, REALLY. I MET A LOT OF BALL PLAYERS. I MET BALL PLAYERS THAT WENT ON AND PLAYED IN THE MAJORS…LIKE GREG BROCK…I [USED TO] GO TO SPRING TRAINING IN ARIZONA ALL THE TIME AND I’D SEE SOMEBODY DOWN—LIKE GREG BROCK [WHO] WAS PLAYING THEN FOR MILWAUKEE, I THINK, AND I’D…GO TALK TO HIM.” “…THERE WAS BASEBALL UP HERE [IN LETHBRIDGE] BEFORE [THE DODGERS]…I ONLY CAME HERE IN ’67 BUT I KNOW THERE WAS BASEBALL HERE BEFORE AND THE CULTURE OF BASEBALL IS STILL HERE…WE HAVE THE BULLS HERE…THEY BELONG TO THE SOUTHWESTERN BASEBALL LEAGUE [WESTERN CANADIAN BASEBALL LEAGUE] THEY GET GOOD ATTENDANCE…” “I THINK [BASEBALL] HAS [DONE WELL IN LETHBRIDGE] AND ONE OF THE REASONS IS WE HAVE THIS [LEAGUE]…WHERE THE COLLEGE/UNIVERSITY STUDENTS COME [PRAIRIE BASEBALL LEAGUE]…THERE’S A LOT OF INTEREST HERE. OUR LITTLE LEAGUE TEAMS HAVE ALWAYS DONE WELL…[THE KIDS IN THE LITTLE LEAGUE] HAVE HOCKEY AND SOCCER AND A LOT OF STUFF BUT [OUR LITTLE LEAGUE TEAMS HAVE] ALWAYS DONE [WELL]…MY GRANDSON WAS ON A JUNIOR LITTLE LEAGUE TEAM THAT WENT ALL THE WAY TO THE CANADIAN NATIONALS…THERE’S A PRETTY GOOD BASEBALL CULTURE HERE, I THINK. I THINK IT HOLDS ITS WEIGHT…I THINK THE SIZE OF THE COMMUNITY IS GOOD FOR BASEBALL…AFTER WE GOT INTO PIONEER LEAGUE THEN CALGARY DECIDED TO GET INTO IT, TOO…” “RENO LIZZI WAS A HUGE BASEBALL FAN AND A DODGER. IF YOU CUT IN, LIKE TOMMY LASORDA WOULD SAY, HE ‘BLED BLUE’, DODGER BLUE…THE DODGERS AT ONE TIME HAD A FARM CLUB IN SPOKANE. AND [LIZZI] WOULD GO DOWN THERE AND HE’D MEET THESE GUYS. HE MET “BUZZIE” BAVASI, ONE OF THE EARLIER GENERAL MANAGERS…HE JUST TALKED TO ‘EM…[LIZZI] WOULD INVITE THOSE PEOPLE UP HERE TO SPORTSMEN CENTRES…WE COULDN’T GET THE DODGERS AT THAT TIME. I BELIEVE THEY WERE IN GREAT FALLS AT THAT TIME BUT WHEN HE PUT UP THE MONEY, THEN HE JUST PUT OUT SOME FEELERS AND [THE] EXPOS WERE LOOKING FOR A PLACE, THEY GOT IN TOUCH WITH LIZZI, THE BOARD, THEY THOUGHT THIS WOULD BE A GOOD PLACE TO START, AND THEY CAME…AFTER THAT, FINALLY, RENO GOT HIS BELOVED DODGERS TO COME TO LETHBRIDGE…ALTHOUGH THEY HAD BASEBALL HERE BEFORE, IN SOME OTHER KIND OF MIXED LEAGUES…I THINK LIZZI WAS THE MOST IMPORTANT PART OF IT. I GIVE HIM CREDIT FOR THAT.” “ONE OF THE VICE PRESIDENTS…HAD TROUBLE SENDING STUFF ACROSS THE LINE. HE DIDN’T WANT TO PAY ANY DUTY ON IT AND STUFF WOULD COME—[ON] BUSES—THEY WOULD TRY TO ACTUALLY…GO TO GREAT FALLS TO [AN] AWAY GAME AND PUT [A] BUNCH OF NEW BASEBALLS IN AND COME ACROSS THE LINE AND THE CUSTOMS PEOPLE DON’T LIKE THAT AND SO HE WAS HAVING TROUBLE PAYING THAT…THEY HAD PROBLEM WITH THE CROSSING OF THE LINE, THE DIFFERENCE IN DOLLAR…YOU’RE PAYING THESE KIDS LESS…THEY EVENTUALLY LEFT AND THEN OF COURSE, EVENTUALLY…WHEN ARIZONA STARTED…WE HAD A FARM CLUB HERE WITH THE ARIZONA DIAMONDBACKS FOR A COUPLE OF YEARS.” “WE’RE PART OF THE SOUTHWEST SASKATCHEWAN LEAGUE…WITH THE LETHBRIDGE BULLS AND THEY GET GOOD ATTENDANCE AND THEY HAVE DECIDED, WITH HELP WITH SOME SPONSORS, LIKE SPITZ…THEY MAKE A NICE BASEBALL STADIUM OUT OF IT, OVER THERE. IT’S JUST A NICE THING TO DO; TO GO OVER AND SIT THERE BY THE LAKE IN THE EVENING IN THE SUMMERTIME AND WATCH A BASEBALL GAME.” “FOR ME [THE GOLDEN ERA FOR BASEBALL IN LETHBRIDGE], OF COURSE, IT WOULD HAVE BEEN THE TWO YEARS WE WON THE PENNANT…WE HAD A GOOD AVERAGE…GAIL HENLEY HAD A…AFTER THE GAME, WE’D GET TOGETHER WITH THE COACHES, WE’D GO DOWN FOR A PIZZA SOMEWHERE…AND TALK ABOUT THE GAME AND THEY WOULD SAY, ‘WELL –‘, I’D SAY, ‘GEEZ, YOU KNOW THAT FIRST BASEMAN FUMBLED A LOT.’ AND THEY’D SAY, ‘NO, NO, HE’S REALLY GOOD.’ I JUST LIKED THE WAY THAT THEY COULD ANALYZE BALL PLAYERS BECAUSE THEY’RE LOOKING—THESE BALL PLAYERS THAT CAME HERE, THEIR FUTURE, HOPEFULLY, IS IN THE MAJOR LEAGUES; THAT’S WHERE THEY WANNA BE…SOME OF THEM THEY COULD SUMMARIZE RIGHT AWAY AND SOME OF THEM, THEY DIDN’T, BUT THERE’S GUYS LIKE RON KITTLE THAT PLAYED HERE. I NEVER THOUGHT HE’D MAKE IT BUT HE HAD SEVENTEEN HOME RUNS IN HIS CAREER AGAINST BOSTON…IT WAS NICE TO MEET THOSE KIDS…ANDRE DAWSON PLAYED HERE. THAT WAS 1975 SO I DIDN’T KNOW HIM BUT I WATCHED HIM PLAY A LOT…SOME OF THE GUYS THAT PLAYED HERE, WENT ON AND BECAME FAMOUS. ANDRE DAWSON, OF COURSE, IS IN THE HALL OF FAME, SO, I THINK THAT’S GOOD.” AN APRIL 22, 1976 LETHBRIDGE HERALD ARTICLE REFERENCES RENO LIZZI AS THE PRESIDENT OF THE LETHBRIDGE EXPOS MONTREAL’S PIONEER LEAGUE FRANCHISE, WITH PRINDLE REFERENCED AS THE GENERAL MANAGER OF THE LETHBRIDGE EXPOS. ACCORDING TO A MARCH 14, 1979 LETHBRIDGE HERALD ARTICLE, PRINDLE BEGIN AS GENERAL MANAGER FOR THE LETHBRIDGE EXPOS IN 1976, AND REMAINED GENERAL MANAGER WHEN THE LETHBRIDGE DODGERS WERE FORMED IN 1977. FOR MORE INFORMATION INCLUDING THE FULL INTERVIEW TRANSCRIPTION, LETHBRIDGE HERALD ARTICLES, AND INFORMATION ON JIM GILLIAM, PLEASE SEEN THE PERMANENT FILE P20190023001-GA.
Catalogue Number
P20190023002
Acquisition Date
2019-09
Collection
Museum
Images
Less detail
Other Name
R.N. CUFFLINKS
Material Type
Artifact
Materials
METAL, GOLD, IMITATION PEARL
Catalogue Number
P20190011001
  2 images  
Material Type
Artifact
Other Name
R.N. CUFFLINKS
Date
1965
Materials
METAL, GOLD, IMITATION PEARL
No. Pieces
2
Length
2.2
Width
1.9
Description
PAIR OF GOLD CUFFINKS WITH ROUND, FLAT CUFFLINK FACES; CUFFLINK FACES HAVE IMITATION PEARL INLAY SET IN GOLD FRAME, WITH GOLD MEDICAL CADUCEUS SYMBOL SET IN PEARL AND LETTERS “RN” AROUND CADUCEUS. CUFFLINKS HAVE GOLD METAL BACK PLATES, POSTS, HINGE PINS, AND TOGGLES; INSIDE LOWER POST HAS ENGRAVED TEXT, “FOSTER”; INSIDE UPPER POST HAS ENGRAVED TEXT, “PET. PEND. U.S.A.”. CUFFLINKS HAVE MINOR STAINING ON TOGGLES AND POSTS; CUFFLINK FACES HAVE MINOR STAINING ON GOLD FRAMES; OVERALL VERY GOOD CONDITION.
Subjects
CLOTHING-ACCESSORY
Historical Association
COMMEMORATIVE
HEALTH SERVICES
PERSONAL CARE
History
ON JUNE 20, 2019, COLLECTIONS TECHNICIAN KEVIN MACLEAN INTERVIEWED SHARON KIMERY REGARDING HER DONATION OF MATERIALS FROM HER TIME STUDYING AT THE ST. MICHAEL’S SCHOOL OF NURSING. ON THE CUFFLINKS, KIMERY RECALLED, “THE CUFFLINKS…WERE GRADUATING GIFTS…[WHEN I GRADUATED IN 1965 AS] SHARON GEORGESON…THEY WERE GIVEN TO US WHEN WE GRADUATED…WE WORE LONG SLEEVES, AND SO THESE WERE CUFFLINKS ON THE LONG SLEEVES.” “[THE GRADUATION UNIFORM] WAS ALL WHITE…WHITE BIB. WHITE LONG SLEEVES. WHITE SKIRT [I WORE THE CUFFLINKS WITH THE GRADUATION UNIFORM].” KIMERY ELABORATED ON HER TIME STUDYING AT ST. MICHAEL’S SCHOOL OF NURSING, NOTING, “THE TRUTH WAS TO GO INTO NURSING AT ST. MICHAEL’S WAS, THERE WAS MINIMAL CHARGE TO MY PARENTS. IT WAS JUST VERY SIMPLE TO GO, WE LIVED IN LETHBRIDGE. MY PARENTS WERE LONG TERM RESIDENTS. INSTEAD OF GOING AWAY TO SCHOOL WAS BECAUSE OF THE PARENTS, I PRESUME. I JUST THOUGHT THE SISTERS WOULD TREAT ME WELL AND GIVE ME A REAL GOOD EDUCATION AS FAR AS LOOKING AFTER PEOPLE WAS CONCERNED WHICH, IN FACT, THEY DID. IT WAS NOT EASY, I’LL TELL YOU, BUT WELL WORTH THE THREE YEARS I SPENT THERE.” “[I CHOSE ST. MICHAEL’S OVER THE GALT SCHOOL OF NURSING BECAUSE] I JUST THOUGHT IT WOULD BE BETTER. THEY WOULD TREAT ME AS I WANTED TO BE TREATED AS A NURSE-IN-TRAINING AND THEN I WOULD EVENTUALLY TREAT MY PATIENTS THE WAY THEY WANTED ME TO TREAT THEM…THERE’S NO REASON, I JUST KNEW. THERE WASN’T EVEN ANY DISCUSSION ABOUT THE GALT—THE GALT SCHOOL OF NURSING.” “[THE PROGRAM] WAS JUST A REAL STEP FOR ME…THERE WERE SO MANY THINGS THAT WERE NEW TO ME, THAT I NEVER IMAGINED, AND EVERYTHING FROM DAY ONE UNTIL PERHAPS THE END OF THE FIRST YEAR, I WAS SORT OF IN AWE OF ALL THE THINGS THAT WERE GOING TO HAPPEN AND I HAD NO IDEA ABOUT, BUT YOU SETTLE IN, AND YOU ALL OF A SUDDEN DECIDE, THIS IS WHAT IT’S ALL ABOUT AND THIS IS WHAT I WANT. AND OF COURSE YOU HAVE YOUR PREFERENCES AS TO WHERE YOU ARE, AND I CERTAINLY DIDN’T LOVE ALL THE SECTIONS OF NURSING, BUT THE OPERATING ROOM WAS MY THING. I JUST THOUGHT IT’S SUCH CHALLENGE AND SO INTERESTING, EVERY DAY WAS DIFFERENT. I MEAN, LOOKING AFTER PATIENTS WITH DIFFERENT TUBES. IT WASN’T THE SAME DIFFERENT. THERE WERE DIFFERENT CONDITIONS, DIFFERENT WAYS AND DIFFERENT THINGS YOU HAD TO DO.” “[I WAS IN AWE OF] JUST THE WAY PEOPLE NEEDED CARE, AND NEEDED ATTENTION, AND NEEDED TO BE LOOKED AFTER. YOU HAD TO HAVE AN EAR AND TO LISTEN WHETHER IT WAS IMPORTANT OR NOT IMPORTANT TO YOU. YOU HAD TO REALIZE ALL THAT…[I WAS EXPOSED TO THE OPERATING ROOM] IT MIGHT HAVE BEEN IN THE…LATE FIRST OR SECOND YEAR FOR SURE…I WAS SO SCARED OF MAKING A MISTAKE. THINGS WERE SO SPECIAL AND THEY HAD TO BE SO PERFECT. EVERYBODY KNEW EXACTLY WHAT THEY WERE DOING ALL THE TIME. THERE WERE NEVER ANY MISTAKES MADE…EVENTUALLY, I TURNED OUT THE SAME WAY. THERE WAS NO WAY I COULD MAKE A MISTAKE, OR WOULD MAKE A MISTAKE, AND DIDN’T MAKE A MISTAKE BECAUSE YOU CAN’T…[IN] NURSING SOMETIMES YOU MAKE A LITTLE MISTAKE IN CHARTING OR EVEN A LITTLE MISTAKE IN GIVING THE RIGHT CARE…IT’S OKAY, BUT IN THE O.R.—NOT OKAY...” “YOU WENT IN THERE AND YOU WERE ASSIGNED TO CASES, AND YOU LOOKED IT UP IN THE EVENING WHAT YOU WERE GOING TO DO, AND YOU WENT IN THERE AND IF THEY SAID, ‘OKAY, YOU’RE GOING TO SCRUB YOUR HANDS AND HELP’, YOU DID. NOW, IF YOU WERE SCARED, TOO BAD, THAT’S WHAT YOU’RE GOING TO DO TODAY. YOU ALWAYS HAD AN R.N. WITH YOU…YOUR COORDINATOR…ONCE I GOT IN THERE AND WAS DOING IT, I WAS FINE. IT WAS JUST GETTING IN THERE AND DOING IT THAT WAS HARD.” “AT TIMES [IT SEEMED QUASI-MILITARY]…WHEN YOU HAD TO STAND UP AND BE CHECKED BEFORE YOU WENT TO SHIFT; IF YOU HAD HAIR ON YOUR COLLAR, OR SCUFFS ON YOUR SHOES, OR WRINKLES IN YOUR COSTUME…YOU WENT BACK AND REMEDIED IT BEFORE YOU WENT TO BREAKFAST. THIS WAS EARLY, LIKE 6, BECAUSE YOU HAD A LITTLE PRAYER SESSION…AND IF YOU WEREN’T PERFECT, YOU WENT BACK TO YOUR ROOM BEFORE BREAKFAST AND YOU WERE CHECKED AGAIN BEFORE…RULES AND REGULATIONS OF RESIDENCES ARE THE SAME EVERYWHERE, I PRESUME. THERE ARE TIMES FOR FUN TIMES, AND TIME FOR STUDY, AND TIME FOR SLEEP. THAT’S HOW IT WAS THERE.” ON HER FRIENDS AND CLASSMATES DURING HER STUDIES AT ST. MICHAEL’S SCHOOL OF NURSING, KIMERY SHARED, “[DURING SCHOOL] I’M LIVING IN THE RESIDENCE THAT ST. MIKE’S HAD ON 13TH STREET THERE AND 9TH AVENUE. FIRST YEAR, YOU SHARED A ROOM; SECOND YEAR, YOU HAD YOUR OWN ROOM; THIRD YEAR THEY MOVED YOU OUT AND THEY PAID FOR A BASEMENT SUITE SOMEWHERE; AND YOU USUALLY HAD A ROOMMATE OR TWO, OR HOWEVER MANY THE LANDLORD WOULD TAKE. I LIVED ON 13TH STREET WITH TWO OTHER GIRLS IN MY THIRD YEAR.” “JUST LIKE IN ANY SITUATION, THERE ARE GROUPS OF GIRLS…MY GROUP WAS A FEW OF US, 4 OR 5, THAT WERE VERY CLOSE AND DID THINGS TOGETHER…YOU NEVER ALL GET TOGETHER AND ENJOY, UNLESS IT’S A SITUATION WHERE YOU HAVE TO ALL BE TOGETHER. BUT THERE WERE SOME CLASSMATES I DIDN’T FANCY, AND I’M SURE THERE WERE SOME THAT DIDN’T FANCY ME…THAT’S THE WAY LIFE IS, YOU DON’T LIKE EVERYBODY THAT YOU’RE IN A GROUP WITH, FOR SURE. SO THERE WERE 4 OR 5 THAT WERE ALL RIGHT, THAT WE GOT ALONG WELL…WE NEVER BECAME REALLY GOOD FRIENDS. WE WERE TOGETHER FOR 3 YEARS, DOING WHATEVER IT WAS FOR 3 YEARS, BUT AFTER THAT YOU GO YOUR SEPARATE WAYS AND LIVE YOUR LIFE. AND BEING THAT I LEFT SHORTLY AFTER I GRADUATED, I LEFT IN ’66 TO GO TO MONTREAL. BY THE TIME I GOT BACK [THE FRIENDSHIP WAS] GONE.” KIMERY RECALLED THE NUNS AND INSTRUCTORS WHO TAUGHT AT ST. MICHAEL’S SCHOOL OF NURSING, NOTING, “SISTER BEATRICE HAD TO BE THE TOUGHEST SISTER I THINK I‘LL EVER ENCOUNTER…SHE WAS HARD ON YOU ON EVERY PHASE OF YOUR NURSING, WHETHER IT MEANT STANDING IN LINE IN THE MORNING TO CHECK THE WAY YOU LOOKED BEFORE YOU WENT ON DUTY, OR WHETHER IT WAS 9 O’CLOCK AT NIGHT WHEN YOU WERE MAKING TOO DARN MUCH NOISE UPSTAIRS AND YOU SHOULD HAVE BEEN STUDYING. SHE WAS A TOUGH SISTER, BUT I WOULDN’T HAVE TRADED HER FOR ANYONE. AND THERE WAS ANOTHER LITTLE ONE, SISTER PETER MARIE AND SHE USED TO WANDER THE HALLS AND, OH DEAR, IF YOU WEREN’T BEHAVING, YOU WERE IN TROUBLE. NEVER SERIOUS TROUBLE, DON’T GET ME WRONG, BUT THOSE TWO REALLY STICK OUT IN MY MIND BECAUSE THEY WERE THE TWO THAT WERE REALLY LOOKING AFTER US…IN THE FIRST YEAR AND SECOND YEAR.” “[AS TEACHERS, THE SISTERS] WERE FUSSY. YOU HAD TO HAVE IT PERFECT…IF YOU MADE A DRUG ERROR…YOU HAD TO WRITE PAGES AND PAGES AND DO RESEARCH ON THE DRUG THAT YOU’D MADE A MISTAKE ON. THEY…MADE SURE THAT EVERYTHING WAS ‘PERFECT’, THE WAY IT SHOULD BE…IT HAD TO BE PERFECT FOR THE PATIENT. I MEAN, YOU HAD TO BE PERFORMING WELL, BUT YOU HAD TO BE PERFECT FOR THE PATIENT. THAT WAS THE WHOLE THING. YOU WERE LOOKING AFTER PEOPLE. YOU HAD TO MAKE SURE WHAT YOU WERE DOING WAS RIGHT. NO QUESTIONS ASKED ABOUT IT NOT BEING SO.” “[THE SISTERS WOULD] MAKE THE ROUNDS TO THOSE PATIENTS ON THE FLOOR, I DON’T KNOW IF IT WAS HOURLY, BUT OFTEN YOU WOULD SEE…THEY HAD THE LONG SKIRTS…AND YOU’D HEAR THE SWISH, SWISH, AND YOU’D KNOW THAT THEY WERE ABOUT SOMEWHERE—CHECKING…THEY WERE THERE ALL THE TIME—MORNING, EVENING AND EVEN ON NIGHT SHIFT. EVEN WHEN I WORKED THE NIGHT SHIFT AS A STUDENT, THERE WAS ALWAYS A SISTER SOMEWHERE. I PRESUME IF YOU NEEDED THEM OR WERE IN TROUBLE, THEY WOULD HAVE BEEN THERE IMMEDIATELY. IT NEVER HAPPENED BUT I’M SURE THAT’S PART OF THE REASON THERE WAS SOMEBODY AROUND 24-7 NOW THAT I THINK ABOUT IT.” “THE SENIOR NURSES TENDED TO BE A LITTLE TOUGH ON THE SECOND YEAR AND THE FIRST YEAR NURSES…THEY KNOW MORE. THEY’VE BEEN THERE LONGER. THEY DON’T WANT YOU MAKING MISTAKES BECAUSE IT REFLECTS ON THEM…BUT, THAT WAS OKAY TOO. I’D RATHER HAVE SOMEONE TOLD ME THAT SOMETHING WASN’T DONE VERY WELL AT THE TIME…ONE EXAMPLE HERE…[ONE] MORNING, THIRD YEAR NURSE, A PATIENT GOING TO THE O.R. I WENT IN, THOUGHT HE WAS READY. SHE CAME IN AND SAID, ‘DID YOU GIVE HIM MOUTH WASH?’ I SAID, ‘NO.’ [THE SENIOR NURSE ASKED] ‘WHY NOT?’ I DIDN’T HAVE AN ANSWER. I DID IT. I NEVER FORGOT AGAIN. PATIENT GOT MOUTH WASH EVERY DAY…EVERY PATIENT O.R…YOU MADE SURE THEY WERE CLEANED UP IN THE MORNING REGARDLESS…I WAS IN MY FIRST YEAR, I THINK, OR MAYBE SECOND…BUT I STILL REMEMBER THE NURSE…I CAN EVEN REMEMBER HER NAME SO THAT’S THE IMPRESSION IT MAKES ON A STUDENT NURSE TRYING TO LEARN THE HARD WAY. BUT THE HARD WAY’S BETTER THAN NOT AT ALL.” ON HER POST-GRADUATE STUDIES IN NURSING, KIMERY SHARED, “I WENT TO MONTREAL TO THE ROYAL VICTORIA HOSPITAL AND DID A POST GRADUATE COURSE IN OPERATING ROOM TECHNIQUE AND THEN STAYED ON AS STAFF MEMBER THERE…THEN I CAME BACK TO LETHBRIDGE [AND] I WENT BACK TO ST MIKE’S AFTER MY POST GRADUATE…THERE’S LOTS OF CHALLENGES [IN THE OPERATING ROOM]…RIGHT FROM WHEN YOU WENT IN THERE AS A STUDENT…SO MANY THINGS YOU HAD TO KNOW AND DO AND BE AWARE OF AND MAKE SURE YOU’RE RIGHT BECAUSE YOU CAN’T BE WRONG. AND I THOUGHT, ‘YEAH, I CAN DO THIS’. SO I CHOSE TO [WORK IN THE OPERATING ROOM].” “I JUST WANTED TO SEE BIG SURGERY. I WANTED TO SEE HEART SURGERY. I WANTED TO SEE KIDNEY TRANSPLANTS. I WANTED TO SEE BIG STUFF AND I DID…I WAS ON THE KIDNEY TRANSPLANT TEAM. I REPLACED VALVES IN THE CARDIO-VASCULAR…THEY DID BIG SURGERIES, BIG ORTHOPEDIC SURGERIES…BACK IN THE ‘60S TOTAL REPLACEMENTS WERE HUGE...[FOR PEOPLE WHO WANTED MORE, IT WAS] PROBABLY RARE. I MEAN, I WENT ON MY OWN TO MONTREAL. I’D NEVER BEEN OUT OF LETHBRIDGE. I HAD A FRIEND THAT WAS SUPPOSED TO GO AND SHE CANCELLED SO I WENT BY MYSELF…[I WAS] 21.” “[I WAS CONFIDENT GOING TO MONTREAL] BECAUSE I KNEW I CAME FROM A SCHOOL THAT HAD A GOOD O.R., WE HAD ALL THE SPECIALTIES. WE HAD THE OPHTHALMOLOGY, EAR NOSE AND THROAT, PLASTICS AND ORTHOPEDICS, AND UROLOGY AND GENERAL SURGERY ALL HERE IN LETHBRIDGE. SO I KNEW ALL OF THOSE WHEN I WENT THERE. I JUST WANTED MORE. I WANTED BIGGER AND MORE, AND I GOT IT.” “THERE WAS SO MUCH I HAD TO LEARN AND HAD TO DO. [THE EXPERIENCE WORKING AT ST. MICHAEL’S IN LETHBRIDGE] DOESN’T PREPARE YOU WHEN YOU TAKE A JOURNEY LIKE THAT IN YOUR LIFE—A BIG STEP. IT DOESN’T PREPARE YOU. YOU GET THERE AND IT’S A HUGE CITY AND THE RESIDENCE IS HUGE…AND THE HOSPITAL’S HUGE AND THERE’S 15 O.R.’S AND THEY’RE BUSY 24-7 AND YOU’RE NOT PREPARED. YOU CAN’T BE. BUT YOU GET [PREPARED]…I WAS READY. AT FIRST [I WAS] MAYBE A LITTLE SKEPTICAL, I GUESS YOU MIGHT SAY…[THE SCHOOL] FIGURED IT WAS ALL RIGHT FOR ME TO BE THERE [COMING IN FROM A SMALL SCHOOL AND SMALL CITY]…THEY TREATED ME VERY WELL…I HAD SO MANY OPPORTUNITIES…IF IT WAS THERE AND YOU WANTED IT. TAKE IT. SO I DID.” “I DON’T KNOW [WHY THEY ACCEPTED ME INTO THE PROGRAM IN MONTREAL]. I HAVE NO IDEA. I WAS VERY SURPRISED THAT I WAS ACCEPTED ACTUALLY, BECAUSE IF I HADN’T BEEN…I DON’T EVEN KNOW IF I HAD ANOTHER OPTION IN MIND ACTUALLY…THE PROGRAM WAS FINISHED IN ’67 AND I STAYED UNTIL ’69. I CAME [BACK TO LETHBRIDGE] IN ‘70.” “[I FELT LIKE IT WAS A BIG DEAL TO ACCEPT A STUDENT FROM A SMALL CITY LIKE LETHBRIDGE] BASED ON THE OTHER GIRLS THAT WERE IN THE PROGRAM. ONE WAS FROM HALIFAX AND SHE’D BEEN IN NORFOLK, VIRGINIA. THERE WAS ANOTHER ONE THAT WAS FROM THE OTTAWA GENERAL OR SOMEWHERE, AND THERE WAS ONE FROM…SOMEWHERE ABROAD…THE LADIES THAT WERE THERE WERE FAR MORE EXPERIENCED, I GUESS, HAD BEEN IN BIGGER HOSPITALS, DONE BIGGER AND BETTER THINGS THAN I.” “I THINK [THE SCHOOL’S FACULTY] THOUGHT [THE ST. MICHAEL’S PROGRAM] WAS PRETTY…GOOD BECAUSE THE WAY I USED TO SET THE ROOM UP IN THE MORNING, THEY WOULD COME AND JUST SAY, ‘ARE YOU THE ONE FROM ALBERTA, FROM THE SMALL SCHOOL?’ ‘YES, I AM.’ THEY COULD JUST TELL…THAT I WAS FROM A PLACE THAT DID THINGS SPECIAL FOR EVERYBODY ON THE TEAM, FOR THE ANESTHETIST…WE TREATED THEM SPECIAL. SO I TREATED THEM SPECIAL THERE, AND THEY JUST, ‘WHAT IS THIS NOW?’ AND THE DOCTORS, THEY KNEW, THEY COULD TELL JUST BECAUSE THAT’S THE WAY IT WAS IN ST. MICHAEL’S. THIS IS WHY YOU DID IT. THIS IS HOW YOU DID IT AND YOU DID IT EVERY DAY.” ON HER INTEREST IN NURSING AND DECISION TO PURSUE A CAREER IN NURSING, KIMERAY RECALLED, “[I WANTED TO BE A NURSE] BECAUSE I’M JUST REALLY GOOD WITH PEOPLE. PEOPLE ARE WHAT MAKES THE WORLD GO ROUND. I JUST LIKE PEOPLE. I LIKE TO TALK TO THEM. I LIKE TO CARE FOR THEM…YOUNG, MEDIUM AGED OR OLD. ALL GOOD FOR ME. AND WHEN I FIRST WENT THERE, MY FIRST EXPERIENCES WEREN’T THAT EASY BECAUSE I’D REALLY NEVER BEEN LOOKING AFTER ANY KIND OF PEOPLE—[IT WAS] HARD, BUT I JUST LIKE PEOPLE AND I’M EASY WITH PEOPLE…EVEN IN THEIR WORST SITUATIONS, TO THIS DAY, I’M EASY WITH PEOPLE.” “I GUESS MEDICINE WAS FINE BECAUSE THOSE PEOPLE REALLY NEEDED CARE. SURGERY THEY WERE IN DISCOMFORT FOR A WHILE BUT THEN GOT BETTER. MATERNITY I DIDN’T FANCY. PEDIATRICS I DIDN’T FANCY BUT MEDICINE, THEY NEEDED CARE AND SO THAT’S WHY I LIKED IT.” FOR MORE INFORMATION INCLUDING COPIES OF LETHBRIDGE HERALD ARTICLES ABOUT KIMERY AND ST. MICHAEL’S SCHOOL OF NURSING, AND THE FULL INTERVIEW TRANSCRIPTION, PLEASE SEE THE PERMANENT FILE P20190011001-GA.
Catalogue Number
P20190011001
Acquisition Date
2019-06
Collection
Museum
Images
Less detail
Date Range From
1961
Date Range To
1965
Material Type
Artifact
Materials
METAL, BRASS, PAINT
Catalogue Number
P20190011002
  2 images  
Material Type
Artifact
Date Range From
1961
Date Range To
1965
Materials
METAL, BRASS, PAINT
No. Pieces
1
Length
5
Width
1.5
Description
BRASS METAL BROOCH WITH BAR-PIN CLASP; BROOCH HAS GOLD-COLOURED RECTANGULAR BAR FOR FRONT, WITH BLUE CROSS IN CENTER. CROSS HAS GOLD BANNER RUNNING ACROSS THE FRONT WITH BLUE TEXT “S M H”. BACK OF BROOCH HAS ENGRAVED TEXT “STER 3 OF G, G.F.”. BROOCH HAS MINOR TARNISHING AROUND POSTS OF BAR-PIN AND ON BACK OF CROSS; OVERALL VERY GOOD CONDITION.
Subjects
CLOTHING-ACCESSORY
Historical Association
COMMEMORATIVE
HEALTH SERVICES
PERSONAL CARE
History
ON JUNE 20, 2019, COLLECTIONS TECHNICIAN KEVIN MACLEAN INTERVIEWED SHARON KIMERY REGARDING HER DONATION OF MATERIALS FROM HER TIME STUDYING AT THE ST. MICHAEL’S SCHOOL OF NURSING. ON THE BROOCH, KIMERY RECALLED, “YOU [GOT THE BROOCH] AFTER YOUR FIRST YEAR. IT’S CALLED A BANDING BARRING CEREMONY AND IT FASTENED AT THE TOP OF YOUR COLLAR OF YOUR UNIFORM. AND THAT JUST SHOWED THAT YOU MADE IT THROUGH THE FIRST YEAR AND THAT YOU HAVE A BAND AND A BROOCH NOW…YOU WORE IT UNTIL YOU GRADUATED.” “[IT SIGNIFIED RANK AND SENIORITY] BECAUSE YOUR FIRST YEAR YOU DON’T HAVE ANYTHING, YOU DON’T HAVE A BAND ON THE CAP, YOU DON’T HAVE ANYTHING. AFTER FIRST YEAR YOU GET THIS AND A YELLOW BAND AND THEN A BLUE ONE AND THEN A BLACK.” KIMERY ELABORATED ON HER TIME STUDYING AT ST. MICHAEL’S SCHOOL OF NURSING, NOTING, “THE TRUTH WAS TO GO INTO NURSING AT ST. MICHAEL’S WAS, THERE WAS MINIMAL CHARGE TO MY PARENTS. IT WAS JUST VERY SIMPLE TO GO, WE LIVED IN LETHBRIDGE. MY PARENTS WERE LONG TERM RESIDENTS. INSTEAD OF GOING AWAY TO SCHOOL WAS BECAUSE OF THE PARENTS, I PRESUME. I JUST THOUGHT THE SISTERS WOULD TREAT ME WELL AND GIVE ME A REAL GOOD EDUCATION AS FAR AS LOOKING AFTER PEOPLE WAS CONCERNED WHICH, IN FACT, THEY DID. IT WAS NOT EASY, I’LL TELL YOU, BUT WELL WORTH THE THREE YEARS I SPENT THERE.” “[I CHOSE ST. MICHAEL’S OVER THE GALT SCHOOL OF NURSING BECAUSE] I JUST THOUGHT IT WOULD BE BETTER. THEY WOULD TREAT ME AS I WANTED TO BE TREATED AS A NURSE-IN-TRAINING AND THEN I WOULD EVENTUALLY TREAT MY PATIENTS THE WAY THEY WANTED ME TO TREAT THEM…THERE’S NO REASON, I JUST KNEW. THERE WASN’T EVEN ANY DISCUSSION ABOUT THE GALT—THE GALT SCHOOL OF NURSING.” “[THE PROGRAM] WAS JUST A REAL STEP FOR ME…THERE WERE SO MANY THINGS THAT WERE NEW TO ME, THAT I NEVER IMAGINED, AND EVERYTHING FROM DAY ONE UNTIL PERHAPS THE END OF THE FIRST YEAR, I WAS SORT OF IN AWE OF ALL THE THINGS THAT WERE GOING TO HAPPEN AND I HAD NO IDEA ABOUT, BUT YOU SETTLE IN, AND YOU ALL OF A SUDDEN DECIDE, THIS IS WHAT IT’S ALL ABOUT AND THIS IS WHAT I WANT. AND OF COURSE YOU HAVE YOUR PREFERENCES AS TO WHERE YOU ARE, AND I CERTAINLY DIDN’T LOVE ALL THE SECTIONS OF NURSING, BUT THE OPERATING ROOM WAS MY THING. I JUST THOUGHT IT’S SUCH CHALLENGE AND SO INTERESTING, EVERY DAY WAS DIFFERENT. I MEAN, LOOKING AFTER PATIENTS WITH DIFFERENT TUBES. IT WASN’T THE SAME DIFFERENT. THERE WERE DIFFERENT CONDITIONS, DIFFERENT WAYS AND DIFFERENT THINGS YOU HAD TO DO.” “[I WAS IN AWE OF] JUST THE WAY PEOPLE NEEDED CARE, AND NEEDED ATTENTION, AND NEEDED TO BE LOOKED AFTER. YOU HAD TO HAVE AN EAR AND TO LISTEN WHETHER IT WAS IMPORTANT OR NOT IMPORTANT TO YOU. YOU HAD TO REALIZE ALL THAT…[I WAS EXPOSED TO THE OPERATING ROOM] IT MIGHT HAVE BEEN IN THE…LATE FIRST OR SECOND YEAR FOR SURE…I WAS SO SCARED OF MAKING A MISTAKE. THINGS WERE SO SPECIAL AND THEY HAD TO BE SO PERFECT. EVERYBODY KNEW EXACTLY WHAT THEY WERE DOING ALL THE TIME. THERE WERE NEVER ANY MISTAKES MADE…EVENTUALLY, I TURNED OUT THE SAME WAY. THERE WAS NO WAY I COULD MAKE A MISTAKE, OR WOULD MAKE A MISTAKE, AND DIDN’T MAKE A MISTAKE BECAUSE YOU CAN’T…[IN] NURSING SOMETIMES YOU MAKE A LITTLE MISTAKE IN CHARTING OR EVEN A LITTLE MISTAKE IN GIVING THE RIGHT CARE…IT’S OKAY, BUT IN THE O.R.—NOT OKAY...” “YOU WENT IN THERE AND YOU WERE ASSIGNED TO CASES, AND YOU LOOKED IT UP IN THE EVENING WHAT YOU WERE GOING TO DO, AND YOU WENT IN THERE AND IF THEY SAID, ‘OKAY, YOU’RE GOING TO SCRUB YOUR HANDS AND HELP’, YOU DID. NOW, IF YOU WERE SCARED, TOO BAD, THAT’S WHAT YOU’RE GOING TO DO TODAY. YOU ALWAYS HAD AN R.N. WITH YOU…YOUR COORDINATOR…ONCE I GOT IN THERE AND WAS DOING IT, I WAS FINE. IT WAS JUST GETTING IN THERE AND DOING IT THAT WAS HARD.” “AT TIMES [IT SEEMED QUASI-MILITARY]…WHEN YOU HAD TO STAND UP AND BE CHECKED BEFORE YOU WENT TO SHIFT; IF YOU HAD HAIR ON YOUR COLLAR, OR SCUFFS ON YOUR SHOES, OR WRINKLES IN YOUR COSTUME…YOU WENT BACK AND REMEDIED IT BEFORE YOU WENT TO BREAKFAST. THIS WAS EARLY, LIKE 6, BECAUSE YOU HAD A LITTLE PRAYER SESSION…AND IF YOU WEREN’T PERFECT, YOU WENT BACK TO YOUR ROOM BEFORE BREAKFAST AND YOU WERE CHECKED AGAIN BEFORE…RULES AND REGULATIONS OF RESIDENCES ARE THE SAME EVERYWHERE, I PRESUME. THERE ARE TIMES FOR FUN TIMES, AND TIME FOR STUDY, AND TIME FOR SLEEP. THAT’S HOW IT WAS THERE.” ON HER FRIENDS AND CLASSMATES DURING HER STUDIES AT ST. MICHAEL’S SCHOOL OF NURSING, KIMERY SHARED, “[DURING SCHOOL] I’M LIVING IN THE RESIDENCE THAT ST. MIKE’S HAD ON 13TH STREET THERE AND 9TH AVENUE. FIRST YEAR, YOU SHARED A ROOM; SECOND YEAR, YOU HAD YOUR OWN ROOM; THIRD YEAR THEY MOVED YOU OUT AND THEY PAID FOR A BASEMENT SUITE SOMEWHERE; AND YOU USUALLY HAD A ROOMMATE OR TWO, OR HOWEVER MANY THE LANDLORD WOULD TAKE. I LIVED ON 13TH STREET WITH TWO OTHER GIRLS IN MY THIRD YEAR.” “JUST LIKE IN ANY SITUATION, THERE ARE GROUPS OF GIRLS…MY GROUP WAS A FEW OF US, 4 OR 5, THAT WERE VERY CLOSE AND DID THINGS TOGETHER…YOU NEVER ALL GET TOGETHER AND ENJOY, UNLESS IT’S A SITUATION WHERE YOU HAVE TO ALL BE TOGETHER. BUT THERE WERE SOME CLASSMATES I DIDN’T FANCY, AND I’M SURE THERE WERE SOME THAT DIDN’T FANCY ME…THAT’S THE WAY LIFE IS, YOU DON’T LIKE EVERYBODY THAT YOU’RE IN A GROUP WITH, FOR SURE. SO THERE WERE 4 OR 5 THAT WERE ALL RIGHT, THAT WE GOT ALONG WELL…WE NEVER BECAME REALLY GOOD FRIENDS. WE WERE TOGETHER FOR 3 YEARS, DOING WHATEVER IT WAS FOR 3 YEARS, BUT AFTER THAT YOU GO YOUR SEPARATE WAYS AND LIVE YOUR LIFE. AND BEING THAT I LEFT SHORTLY AFTER I GRADUATED, I LEFT IN ’66 TO GO TO MONTREAL. BY THE TIME I GOT BACK [THE FRIENDSHIP WAS] GONE.” KIMERY RECALLED THE NUNS AND INSTRUCTORS WHO TAUGHT AT ST. MICHAEL’S SCHOOL OF NURSING, NOTING, “SISTER BEATRICE HAD TO BE THE TOUGHEST SISTER I THINK I‘LL EVER ENCOUNTER…SHE WAS HARD ON YOU ON EVERY PHASE OF YOUR NURSING, WHETHER IT MEANT STANDING IN LINE IN THE MORNING TO CHECK THE WAY YOU LOOKED BEFORE YOU WENT ON DUTY, OR WHETHER IT WAS 9 O’CLOCK AT NIGHT WHEN YOU WERE MAKING TOO DARN MUCH NOISE UPSTAIRS AND YOU SHOULD HAVE BEEN STUDYING. SHE WAS A TOUGH SISTER, BUT I WOULDN’T HAVE TRADED HER FOR ANYONE. AND THERE WAS ANOTHER LITTLE ONE, SISTER PETER MARIE AND SHE USED TO WANDER THE HALLS AND, OH DEAR, IF YOU WEREN’T BEHAVING, YOU WERE IN TROUBLE. NEVER SERIOUS TROUBLE, DON’T GET ME WRONG, BUT THOSE TWO REALLY STICK OUT IN MY MIND BECAUSE THEY WERE THE TWO THAT WERE REALLY LOOKING AFTER US…IN THE FIRST YEAR AND SECOND YEAR.” “[AS TEACHERS, THE SISTERS] WERE FUSSY. YOU HAD TO HAVE IT PERFECT…IF YOU MADE A DRUG ERROR…YOU HAD TO WRITE PAGES AND PAGES AND DO RESEARCH ON THE DRUG THAT YOU’D MADE A MISTAKE ON. THEY…MADE SURE THAT EVERYTHING WAS ‘PERFECT’, THE WAY IT SHOULD BE…IT HAD TO BE PERFECT FOR THE PATIENT. I MEAN, YOU HAD TO BE PERFORMING WELL, BUT YOU HAD TO BE PERFECT FOR THE PATIENT. THAT WAS THE WHOLE THING. YOU WERE LOOKING AFTER PEOPLE. YOU HAD TO MAKE SURE WHAT YOU WERE DOING WAS RIGHT. NO QUESTIONS ASKED ABOUT IT NOT BEING SO.” “[THE SISTERS WOULD] MAKE THE ROUNDS TO THOSE PATIENTS ON THE FLOOR, I DON’T KNOW IF IT WAS HOURLY, BUT OFTEN YOU WOULD SEE…THEY HAD THE LONG SKIRTS…AND YOU’D HEAR THE SWISH, SWISH, AND YOU’D KNOW THAT THEY WERE ABOUT SOMEWHERE—CHECKING…THEY WERE THERE ALL THE TIME—MORNING, EVENING AND EVEN ON NIGHT SHIFT. EVEN WHEN I WORKED THE NIGHT SHIFT AS A STUDENT, THERE WAS ALWAYS A SISTER SOMEWHERE. I PRESUME IF YOU NEEDED THEM OR WERE IN TROUBLE, THEY WOULD HAVE BEEN THERE IMMEDIATELY. IT NEVER HAPPENED BUT I’M SURE THAT’S PART OF THE REASON THERE WAS SOMEBODY AROUND 24-7 NOW THAT I THINK ABOUT IT.” “THE SENIOR NURSES TENDED TO BE A LITTLE TOUGH ON THE SECOND YEAR AND THE FIRST YEAR NURSES…THEY KNOW MORE. THEY’VE BEEN THERE LONGER. THEY DON’T WANT YOU MAKING MISTAKES BECAUSE IT REFLECTS ON THEM…BUT, THAT WAS OKAY TOO. I’D RATHER HAVE SOMEONE TOLD ME THAT SOMETHING WASN’T DONE VERY WELL AT THE TIME…ONE EXAMPLE HERE…[ONE] MORNING, THIRD YEAR NURSE, A PATIENT GOING TO THE O.R. I WENT IN, THOUGHT HE WAS READY. SHE CAME IN AND SAID, ‘DID YOU GIVE HIM MOUTH WASH?’ I SAID, ‘NO.’ [THE SENIOR NURSE ASKED] ‘WHY NOT?’ I DIDN’T HAVE AN ANSWER. I DID IT. I NEVER FORGOT AGAIN. PATIENT GOT MOUTH WASH EVERY DAY…EVERY PATIENT O.R…YOU MADE SURE THEY WERE CLEANED UP IN THE MORNING REGARDLESS…I WAS IN MY FIRST YEAR, I THINK, OR MAYBE SECOND…BUT I STILL REMEMBER THE NURSE…I CAN EVEN REMEMBER HER NAME SO THAT’S THE IMPRESSION IT MAKES ON A STUDENT NURSE TRYING TO LEARN THE HARD WAY. BUT THE HARD WAY’S BETTER THAN NOT AT ALL.” ON HER POST-GRADUATE STUDIES IN NURSING, KIMERY SHARED, “I WENT TO MONTREAL TO THE ROYAL VICTORIA HOSPITAL AND DID A POST GRADUATE COURSE IN OPERATING ROOM TECHNIQUE AND THEN STAYED ON AS STAFF MEMBER THERE…THEN I CAME BACK TO LETHBRIDGE [AND] I WENT BACK TO ST MIKE’S AFTER MY POST GRADUATE…THERE’S LOTS OF CHALLENGES [IN THE OPERATING ROOM]…RIGHT FROM WHEN YOU WENT IN THERE AS A STUDENT…SO MANY THINGS YOU HAD TO KNOW AND DO AND BE AWARE OF AND MAKE SURE YOU’RE RIGHT BECAUSE YOU CAN’T BE WRONG. AND I THOUGHT, ‘YEAH, I CAN DO THIS’. SO I CHOSE TO [WORK IN THE OPERATING ROOM].” “I JUST WANTED TO SEE BIG SURGERY. I WANTED TO SEE HEART SURGERY. I WANTED TO SEE KIDNEY TRANSPLANTS. I WANTED TO SEE BIG STUFF AND I DID…I WAS ON THE KIDNEY TRANSPLANT TEAM. I REPLACED VALVES IN THE CARDIO-VASCULAR…THEY DID BIG SURGERIES, BIG ORTHOPEDIC SURGERIES…BACK IN THE ‘60S TOTAL REPLACEMENTS WERE HUGE...[FOR PEOPLE WHO WANTED MORE, IT WAS] PROBABLY RARE. I MEAN, I WENT ON MY OWN TO MONTREAL. I’D NEVER BEEN OUT OF LETHBRIDGE. I HAD A FRIEND THAT WAS SUPPOSED TO GO AND SHE CANCELLED SO I WENT BY MYSELF…[I WAS] 21.” “[I WAS CONFIDENT GOING TO MONTREAL] BECAUSE I KNEW I CAME FROM A SCHOOL THAT HAD A GOOD O.R., WE HAD ALL THE SPECIALTIES. WE HAD THE OPHTHALMOLOGY, EAR NOSE AND THROAT, PLASTICS AND ORTHOPEDICS, AND UROLOGY AND GENERAL SURGERY ALL HERE IN LETHBRIDGE. SO I KNEW ALL OF THOSE WHEN I WENT THERE. I JUST WANTED MORE. I WANTED BIGGER AND MORE, AND I GOT IT.” “THERE WAS SO MUCH I HAD TO LEARN AND HAD TO DO. [THE EXPERIENCE WORKING AT ST. MICHAEL’S IN LETHBRIDGE] DOESN’T PREPARE YOU WHEN YOU TAKE A JOURNEY LIKE THAT IN YOUR LIFE—A BIG STEP. IT DOESN’T PREPARE YOU. YOU GET THERE AND IT’S A HUGE CITY AND THE RESIDENCE IS HUGE…AND THE HOSPITAL’S HUGE AND THERE’S 15 O.R.’S AND THEY’RE BUSY 24-7 AND YOU’RE NOT PREPARED. YOU CAN’T BE. BUT YOU GET [PREPARED]…I WAS READY. AT FIRST [I WAS] MAYBE A LITTLE SKEPTICAL, I GUESS YOU MIGHT SAY…[THE SCHOOL] FIGURED IT WAS ALL RIGHT FOR ME TO BE THERE [COMING IN FROM A SMALL SCHOOL AND SMALL CITY]…THEY TREATED ME VERY WELL…I HAD SO MANY OPPORTUNITIES…IF IT WAS THERE AND YOU WANTED IT. TAKE IT. SO I DID.” “I DON’T KNOW [WHY THEY ACCEPTED ME INTO THE PROGRAM IN MONTREAL]. I HAVE NO IDEA. I WAS VERY SURPRISED THAT I WAS ACCEPTED ACTUALLY, BECAUSE IF I HADN’T BEEN…I DON’T EVEN KNOW IF I HAD ANOTHER OPTION IN MIND ACTUALLY…THE PROGRAM WAS FINISHED IN ’67 AND I STAYED UNTIL ’69. I CAME [BACK TO LETHBRIDGE] IN ‘70.” “[I FELT LIKE IT WAS A BIG DEAL TO ACCEPT A STUDENT FROM A SMALL CITY LIKE LETHBRIDGE] BASED ON THE OTHER GIRLS THAT WERE IN THE PROGRAM. ONE WAS FROM HALIFAX AND SHE’D BEEN IN NORFOLK, VIRGINIA. THERE WAS ANOTHER ONE THAT WAS FROM THE OTTAWA GENERAL OR SOMEWHERE, AND THERE WAS ONE FROM…SOMEWHERE ABROAD…THE LADIES THAT WERE THERE WERE FAR MORE EXPERIENCED, I GUESS, HAD BEEN IN BIGGER HOSPITALS, DONE BIGGER AND BETTER THINGS THAN I.” “I THINK [THE SCHOOL’S FACULTY] THOUGHT [THE ST. MICHAEL’S PROGRAM] WAS PRETTY…GOOD BECAUSE THE WAY I USED TO SET THE ROOM UP IN THE MORNING, THEY WOULD COME AND JUST SAY, ‘ARE YOU THE ONE FROM ALBERTA, FROM THE SMALL SCHOOL?’ ‘YES, I AM.’ THEY COULD JUST TELL…THAT I WAS FROM A PLACE THAT DID THINGS SPECIAL FOR EVERYBODY ON THE TEAM, FOR THE ANESTHETIST…WE TREATED THEM SPECIAL. SO I TREATED THEM SPECIAL THERE, AND THEY JUST, ‘WHAT IS THIS NOW?’ AND THE DOCTORS, THEY KNEW, THEY COULD TELL JUST BECAUSE THAT’S THE WAY IT WAS IN ST. MICHAEL’S. THIS IS WHY YOU DID IT. THIS IS HOW YOU DID IT AND YOU DID IT EVERY DAY.” ON HER INTEREST IN NURSING AND DECISION TO PURSUE A CAREER IN NURSING, KIMERAY RECALLED, “[I WANTED TO BE A NURSE] BECAUSE I’M JUST REALLY GOOD WITH PEOPLE. PEOPLE ARE WHAT MAKES THE WORLD GO ROUND. I JUST LIKE PEOPLE. I LIKE TO TALK TO THEM. I LIKE TO CARE FOR THEM…YOUNG, MEDIUM AGED OR OLD. ALL GOOD FOR ME. AND WHEN I FIRST WENT THERE, MY FIRST EXPERIENCES WEREN’T THAT EASY BECAUSE I’D REALLY NEVER BEEN LOOKING AFTER ANY KIND OF PEOPLE—[IT WAS] HARD, BUT I JUST LIKE PEOPLE AND I’M EASY WITH PEOPLE…EVEN IN THEIR WORST SITUATIONS, TO THIS DAY, I’M EASY WITH PEOPLE.” “I GUESS MEDICINE WAS FINE BECAUSE THOSE PEOPLE REALLY NEEDED CARE. SURGERY THEY WERE IN DISCOMFORT FOR A WHILE BUT THEN GOT BETTER. MATERNITY I DIDN’T FANCY. PEDIATRICS I DIDN’T FANCY BUT MEDICINE, THEY NEEDED CARE AND SO THAT’S WHY I LIKED IT.” FOR MORE INFORMATION INCLUDING COPIES OF LETHBRIDGE HERALD ARTICLES ABOUT KIMERY AND ST. MICHAEL’S SCHOOL OF NURSING, AND THE FULL INTERVIEW TRANSCRIPTION, PLEASE SEE THE PERMANENT FILE P20190011001-GA.
Catalogue Number
P20190011002
Acquisition Date
2019-06
Collection
Museum
Images
Less detail
Material Type
Artifact
Materials
GOLD, METAL, ENAMEL
Catalogue Number
P20190011003
  2 images  
Material Type
Artifact
Date
1965
Materials
GOLD, METAL, ENAMEL
No. Pieces
1
Height
0.5
Diameter
2.9
Description
GOLD PIN WITH BAR-PIN CLASP ON BACK; PIN IS ROUND WITH SHIELD IN CENTER ON FRONT. FRONT OF PIN HAS BLUE ENAMEL BORDER WITH GOLD TEXT, “SCIENCE, SERVICE, SANCTITY, ST. MICHAEL’S SCHOOL OF NURSING”; FRONT OF PIN HAS BLUE ENAMEL CROSS WITH SHIELD OVERLAID IN CENTER; SHIELD IN CENTER HAS BLUE ENAMEL TOP BAR WITH GOLD LAMP, AND WHITE MID-SECTION WITH A BLUE CROSS AND OVERLAID RED SHIELD IN THE CENTER WITH A GOLD CROSS. BACK OF THE PIN HAS ENGRAVED TEXT IN THE CENTER, “F. GEORGESON 1965” AND ENGRAVED TEXT AT LOWER EDGE, “[ILLEGIBLE] 10 K”. BACK OF PIN HAS MINOR TARNISHING AROUND POSTS OF BAR-PIN; FRONT OF PIN HAS CHIPPED ENAMEL AND MINOR TARNISHING; OVERALL VERY GOOD CONDITION.
Subjects
PERSONAL SYMBOL
Historical Association
COMMEMORATIVE
HEALTH SERVICES
PERSONAL CARE
History
ON JUNE 20, 2019, COLLECTIONS TECHNICIAN KEVIN MACLEAN INTERVIEWED SHARON KIMERY REGARDING HER DONATION OF MATERIALS FROM HER TIME STUDYING AT THE ST. MICHAEL’S SCHOOL OF NURSING. ON THE PIN, KIMERY RECALLED, “THE PIN YOU DIDN’T GET ‘TIL YOU GRADUATED…THAT WENT ON THE UNIFORM WHEN YOU GRADUATED…[THE GRADUATION UNIFORM] WAS ALL WHITE…WHITE BIB. WHITE LONG SLEEVES. WHITE SKIRT…” “I WORE THE PIN WHEN I WORKED IN THE O.R. WHEN I GRADUATED. I WORKED IN THE O.R. FOR A COUPLE OF YEARS AFTER I GRADUATED…WE WORE IT ON OUR UNIFORMS IN THE O.R…I ONLY WORE IT ONE YEAR.” KIMERY ELABORATED ON HER TIME STUDYING AT ST. MICHAEL’S SCHOOL OF NURSING, NOTING, “THE TRUTH WAS TO GO INTO NURSING AT ST. MICHAEL’S WAS, THERE WAS MINIMAL CHARGE TO MY PARENTS. IT WAS JUST VERY SIMPLE TO GO, WE LIVED IN LETHBRIDGE. MY PARENTS WERE LONG TERM RESIDENTS. INSTEAD OF GOING AWAY TO SCHOOL WAS BECAUSE OF THE PARENTS, I PRESUME. I JUST THOUGHT THE SISTERS WOULD TREAT ME WELL AND GIVE ME A REAL GOOD EDUCATION AS FAR AS LOOKING AFTER PEOPLE WAS CONCERNED WHICH, IN FACT, THEY DID. IT WAS NOT EASY, I’LL TELL YOU, BUT WELL WORTH THE THREE YEARS I SPENT THERE.” “[I CHOSE ST. MICHAEL’S OVER THE GALT SCHOOL OF NURSING BECAUSE] I JUST THOUGHT IT WOULD BE BETTER. THEY WOULD TREAT ME AS I WANTED TO BE TREATED AS A NURSE-IN-TRAINING AND THEN I WOULD EVENTUALLY TREAT MY PATIENTS THE WAY THEY WANTED ME TO TREAT THEM…THERE’S NO REASON, I JUST KNEW. THERE WASN’T EVEN ANY DISCUSSION ABOUT THE GALT—THE GALT SCHOOL OF NURSING.” “[THE PROGRAM] WAS JUST A REAL STEP FOR ME…THERE WERE SO MANY THINGS THAT WERE NEW TO ME, THAT I NEVER IMAGINED, AND EVERYTHING FROM DAY ONE UNTIL PERHAPS THE END OF THE FIRST YEAR, I WAS SORT OF IN AWE OF ALL THE THINGS THAT WERE GOING TO HAPPEN AND I HAD NO IDEA ABOUT, BUT YOU SETTLE IN, AND YOU ALL OF A SUDDEN DECIDE, THIS IS WHAT IT’S ALL ABOUT AND THIS IS WHAT I WANT. AND OF COURSE YOU HAVE YOUR PREFERENCES AS TO WHERE YOU ARE, AND I CERTAINLY DIDN’T LOVE ALL THE SECTIONS OF NURSING, BUT THE OPERATING ROOM WAS MY THING. I JUST THOUGHT IT’S SUCH CHALLENGE AND SO INTERESTING, EVERY DAY WAS DIFFERENT. I MEAN, LOOKING AFTER PATIENTS WITH DIFFERENT TUBES. IT WASN’T THE SAME DIFFERENT. THERE WERE DIFFERENT CONDITIONS, DIFFERENT WAYS AND DIFFERENT THINGS YOU HAD TO DO.” “[I WAS IN AWE OF] JUST THE WAY PEOPLE NEEDED CARE, AND NEEDED ATTENTION, AND NEEDED TO BE LOOKED AFTER. YOU HAD TO HAVE AN EAR AND TO LISTEN WHETHER IT WAS IMPORTANT OR NOT IMPORTANT TO YOU. YOU HAD TO REALIZE ALL THAT…[I WAS EXPOSED TO THE OPERATING ROOM] IT MIGHT HAVE BEEN IN THE…LATE FIRST OR SECOND YEAR FOR SURE…I WAS SO SCARED OF MAKING A MISTAKE. THINGS WERE SO SPECIAL AND THEY HAD TO BE SO PERFECT. EVERYBODY KNEW EXACTLY WHAT THEY WERE DOING ALL THE TIME. THERE WERE NEVER ANY MISTAKES MADE…EVENTUALLY, I TURNED OUT THE SAME WAY. THERE WAS NO WAY I COULD MAKE A MISTAKE, OR WOULD MAKE A MISTAKE, AND DIDN’T MAKE A MISTAKE BECAUSE YOU CAN’T…[IN] NURSING SOMETIMES YOU MAKE A LITTLE MISTAKE IN CHARTING OR EVEN A LITTLE MISTAKE IN GIVING THE RIGHT CARE…IT’S OKAY, BUT IN THE O.R.—NOT OKAY...” “YOU WENT IN THERE AND YOU WERE ASSIGNED TO CASES, AND YOU LOOKED IT UP IN THE EVENING WHAT YOU WERE GOING TO DO, AND YOU WENT IN THERE AND IF THEY SAID, ‘OKAY, YOU’RE GOING TO SCRUB YOUR HANDS AND HELP’, YOU DID. NOW, IF YOU WERE SCARED, TOO BAD, THAT’S WHAT YOU’RE GOING TO DO TODAY. YOU ALWAYS HAD AN R.N. WITH YOU…YOUR COORDINATOR…ONCE I GOT IN THERE AND WAS DOING IT, I WAS FINE. IT WAS JUST GETTING IN THERE AND DOING IT THAT WAS HARD.” “AT TIMES [IT SEEMED QUASI-MILITARY]…WHEN YOU HAD TO STAND UP AND BE CHECKED BEFORE YOU WENT TO SHIFT; IF YOU HAD HAIR ON YOUR COLLAR, OR SCUFFS ON YOUR SHOES, OR WRINKLES IN YOUR COSTUME…YOU WENT BACK AND REMEDIED IT BEFORE YOU WENT TO BREAKFAST. THIS WAS EARLY, LIKE 6, BECAUSE YOU HAD A LITTLE PRAYER SESSION…AND IF YOU WEREN’T PERFECT, YOU WENT BACK TO YOUR ROOM BEFORE BREAKFAST AND YOU WERE CHECKED AGAIN BEFORE…RULES AND REGULATIONS OF RESIDENCES ARE THE SAME EVERYWHERE, I PRESUME. THERE ARE TIMES FOR FUN TIMES, AND TIME FOR STUDY, AND TIME FOR SLEEP. THAT’S HOW IT WAS THERE.” ON HER FRIENDS AND CLASSMATES DURING HER STUDIES AT ST. MICHAEL’S SCHOOL OF NURSING, KIMERY SHARED, “[DURING SCHOOL] I’M LIVING IN THE RESIDENCE THAT ST. MIKE’S HAD ON 13TH STREET THERE AND 9TH AVENUE. FIRST YEAR, YOU SHARED A ROOM; SECOND YEAR, YOU HAD YOUR OWN ROOM; THIRD YEAR THEY MOVED YOU OUT AND THEY PAID FOR A BASEMENT SUITE SOMEWHERE; AND YOU USUALLY HAD A ROOMMATE OR TWO, OR HOWEVER MANY THE LANDLORD WOULD TAKE. I LIVED ON 13TH STREET WITH TWO OTHER GIRLS IN MY THIRD YEAR.” “JUST LIKE IN ANY SITUATION, THERE ARE GROUPS OF GIRLS…MY GROUP WAS A FEW OF US, 4 OR 5, THAT WERE VERY CLOSE AND DID THINGS TOGETHER…YOU NEVER ALL GET TOGETHER AND ENJOY, UNLESS IT’S A SITUATION WHERE YOU HAVE TO ALL BE TOGETHER. BUT THERE WERE SOME CLASSMATES I DIDN’T FANCY, AND I’M SURE THERE WERE SOME THAT DIDN’T FANCY ME…THAT’S THE WAY LIFE IS, YOU DON’T LIKE EVERYBODY THAT YOU’RE IN A GROUP WITH, FOR SURE. SO THERE WERE 4 OR 5 THAT WERE ALL RIGHT, THAT WE GOT ALONG WELL…WE NEVER BECAME REALLY GOOD FRIENDS. WE WERE TOGETHER FOR 3 YEARS, DOING WHATEVER IT WAS FOR 3 YEARS, BUT AFTER THAT YOU GO YOUR SEPARATE WAYS AND LIVE YOUR LIFE. AND BEING THAT I LEFT SHORTLY AFTER I GRADUATED, I LEFT IN ’66 TO GO TO MONTREAL. BY THE TIME I GOT BACK [THE FRIENDSHIP WAS] GONE.” KIMERY RECALLED THE NUNS AND INSTRUCTORS WHO TAUGHT AT ST. MICHAEL’S SCHOOL OF NURSING, NOTING, “SISTER BEATRICE HAD TO BE THE TOUGHEST SISTER I THINK I‘LL EVER ENCOUNTER…SHE WAS HARD ON YOU ON EVERY PHASE OF YOUR NURSING, WHETHER IT MEANT STANDING IN LINE IN THE MORNING TO CHECK THE WAY YOU LOOKED BEFORE YOU WENT ON DUTY, OR WHETHER IT WAS 9 O’CLOCK AT NIGHT WHEN YOU WERE MAKING TOO DARN MUCH NOISE UPSTAIRS AND YOU SHOULD HAVE BEEN STUDYING. SHE WAS A TOUGH SISTER, BUT I WOULDN’T HAVE TRADED HER FOR ANYONE. AND THERE WAS ANOTHER LITTLE ONE, SISTER PETER MARIE AND SHE USED TO WANDER THE HALLS AND, OH DEAR, IF YOU WEREN’T BEHAVING, YOU WERE IN TROUBLE. NEVER SERIOUS TROUBLE, DON’T GET ME WRONG, BUT THOSE TWO REALLY STICK OUT IN MY MIND BECAUSE THEY WERE THE TWO THAT WERE REALLY LOOKING AFTER US…IN THE FIRST YEAR AND SECOND YEAR.” “[AS TEACHERS, THE SISTERS] WERE FUSSY. YOU HAD TO HAVE IT PERFECT…IF YOU MADE A DRUG ERROR…YOU HAD TO WRITE PAGES AND PAGES AND DO RESEARCH ON THE DRUG THAT YOU’D MADE A MISTAKE ON. THEY…MADE SURE THAT EVERYTHING WAS ‘PERFECT’, THE WAY IT SHOULD BE…IT HAD TO BE PERFECT FOR THE PATIENT. I MEAN, YOU HAD TO BE PERFORMING WELL, BUT YOU HAD TO BE PERFECT FOR THE PATIENT. THAT WAS THE WHOLE THING. YOU WERE LOOKING AFTER PEOPLE. YOU HAD TO MAKE SURE WHAT YOU WERE DOING WAS RIGHT. NO QUESTIONS ASKED ABOUT IT NOT BEING SO.” “[THE SISTERS WOULD] MAKE THE ROUNDS TO THOSE PATIENTS ON THE FLOOR, I DON’T KNOW IF IT WAS HOURLY, BUT OFTEN YOU WOULD SEE…THEY HAD THE LONG SKIRTS…AND YOU’D HEAR THE SWISH, SWISH, AND YOU’D KNOW THAT THEY WERE ABOUT SOMEWHERE—CHECKING…THEY WERE THERE ALL THE TIME—MORNING, EVENING AND EVEN ON NIGHT SHIFT. EVEN WHEN I WORKED THE NIGHT SHIFT AS A STUDENT, THERE WAS ALWAYS A SISTER SOMEWHERE. I PRESUME IF YOU NEEDED THEM OR WERE IN TROUBLE, THEY WOULD HAVE BEEN THERE IMMEDIATELY. IT NEVER HAPPENED BUT I’M SURE THAT’S PART OF THE REASON THERE WAS SOMEBODY AROUND 24-7 NOW THAT I THINK ABOUT IT.” “THE SENIOR NURSES TENDED TO BE A LITTLE TOUGH ON THE SECOND YEAR AND THE FIRST YEAR NURSES…THEY KNOW MORE. THEY’VE BEEN THERE LONGER. THEY DON’T WANT YOU MAKING MISTAKES BECAUSE IT REFLECTS ON THEM…BUT, THAT WAS OKAY TOO. I’D RATHER HAVE SOMEONE TOLD ME THAT SOMETHING WASN’T DONE VERY WELL AT THE TIME…ONE EXAMPLE HERE…[ONE] MORNING, THIRD YEAR NURSE, A PATIENT GOING TO THE O.R. I WENT IN, THOUGHT HE WAS READY. SHE CAME IN AND SAID, ‘DID YOU GIVE HIM MOUTH WASH?’ I SAID, ‘NO.’ [THE SENIOR NURSE ASKED] ‘WHY NOT?’ I DIDN’T HAVE AN ANSWER. I DID IT. I NEVER FORGOT AGAIN. PATIENT GOT MOUTH WASH EVERY DAY…EVERY PATIENT O.R…YOU MADE SURE THEY WERE CLEANED UP IN THE MORNING REGARDLESS…I WAS IN MY FIRST YEAR, I THINK, OR MAYBE SECOND…BUT I STILL REMEMBER THE NURSE…I CAN EVEN REMEMBER HER NAME SO THAT’S THE IMPRESSION IT MAKES ON A STUDENT NURSE TRYING TO LEARN THE HARD WAY. BUT THE HARD WAY’S BETTER THAN NOT AT ALL.” ON HER POST-GRADUATE STUDIES IN NURSING, KIMERY SHARED, “I WENT TO MONTREAL TO THE ROYAL VICTORIA HOSPITAL AND DID A POST GRADUATE COURSE IN OPERATING ROOM TECHNIQUE AND THEN STAYED ON AS STAFF MEMBER THERE…THEN I CAME BACK TO LETHBRIDGE [AND] I WENT BACK TO ST MIKE’S AFTER MY POST GRADUATE…THERE’S LOTS OF CHALLENGES [IN THE OPERATING ROOM]…RIGHT FROM WHEN YOU WENT IN THERE AS A STUDENT…SO MANY THINGS YOU HAD TO KNOW AND DO AND BE AWARE OF AND MAKE SURE YOU’RE RIGHT BECAUSE YOU CAN’T BE WRONG. AND I THOUGHT, ‘YEAH, I CAN DO THIS’. SO I CHOSE TO [WORK IN THE OPERATING ROOM].” “I JUST WANTED TO SEE BIG SURGERY. I WANTED TO SEE HEART SURGERY. I WANTED TO SEE KIDNEY TRANSPLANTS. I WANTED TO SEE BIG STUFF AND I DID…I WAS ON THE KIDNEY TRANSPLANT TEAM. I REPLACED VALVES IN THE CARDIO-VASCULAR…THEY DID BIG SURGERIES, BIG ORTHOPEDIC SURGERIES…BACK IN THE ‘60S TOTAL REPLACEMENTS WERE HUGE...[FOR PEOPLE WHO WANTED MORE, IT WAS] PROBABLY RARE. I MEAN, I WENT ON MY OWN TO MONTREAL. I’D NEVER BEEN OUT OF LETHBRIDGE. I HAD A FRIEND THAT WAS SUPPOSED TO GO AND SHE CANCELLED SO I WENT BY MYSELF…[I WAS] 21.” “[I WAS CONFIDENT GOING TO MONTREAL] BECAUSE I KNEW I CAME FROM A SCHOOL THAT HAD A GOOD O.R., WE HAD ALL THE SPECIALTIES. WE HAD THE OPHTHALMOLOGY, EAR NOSE AND THROAT, PLASTICS AND ORTHOPEDICS, AND UROLOGY AND GENERAL SURGERY ALL HERE IN LETHBRIDGE. SO I KNEW ALL OF THOSE WHEN I WENT THERE. I JUST WANTED MORE. I WANTED BIGGER AND MORE, AND I GOT IT.” “THERE WAS SO MUCH I HAD TO LEARN AND HAD TO DO. [THE EXPERIENCE WORKING AT ST. MICHAEL’S IN LETHBRIDGE] DOESN’T PREPARE YOU WHEN YOU TAKE A JOURNEY LIKE THAT IN YOUR LIFE—A BIG STEP. IT DOESN’T PREPARE YOU. YOU GET THERE AND IT’S A HUGE CITY AND THE RESIDENCE IS HUGE…AND THE HOSPITAL’S HUGE AND THERE’S 15 O.R.’S AND THEY’RE BUSY 24-7 AND YOU’RE NOT PREPARED. YOU CAN’T BE. BUT YOU GET [PREPARED]…I WAS READY. AT FIRST [I WAS] MAYBE A LITTLE SKEPTICAL, I GUESS YOU MIGHT SAY…[THE SCHOOL] FIGURED IT WAS ALL RIGHT FOR ME TO BE THERE [COMING IN FROM A SMALL SCHOOL AND SMALL CITY]…THEY TREATED ME VERY WELL…I HAD SO MANY OPPORTUNITIES…IF IT WAS THERE AND YOU WANTED IT. TAKE IT. SO I DID.” “I DON’T KNOW [WHY THEY ACCEPTED ME INTO THE PROGRAM IN MONTREAL]. I HAVE NO IDEA. I WAS VERY SURPRISED THAT I WAS ACCEPTED ACTUALLY, BECAUSE IF I HADN’T BEEN…I DON’T EVEN KNOW IF I HAD ANOTHER OPTION IN MIND ACTUALLY…THE PROGRAM WAS FINISHED IN ’67 AND I STAYED UNTIL ’69. I CAME [BACK TO LETHBRIDGE] IN ‘70.” “[I FELT LIKE IT WAS A BIG DEAL TO ACCEPT A STUDENT FROM A SMALL CITY LIKE LETHBRIDGE] BASED ON THE OTHER GIRLS THAT WERE IN THE PROGRAM. ONE WAS FROM HALIFAX AND SHE’D BEEN IN NORFOLK, VIRGINIA. THERE WAS ANOTHER ONE THAT WAS FROM THE OTTAWA GENERAL OR SOMEWHERE, AND THERE WAS ONE FROM…SOMEWHERE ABROAD…THE LADIES THAT WERE THERE WERE FAR MORE EXPERIENCED, I GUESS, HAD BEEN IN BIGGER HOSPITALS, DONE BIGGER AND BETTER THINGS THAN I.” “I THINK [THE SCHOOL’S FACULTY] THOUGHT [THE ST. MICHAEL’S PROGRAM] WAS PRETTY…GOOD BECAUSE THE WAY I USED TO SET THE ROOM UP IN THE MORNING, THEY WOULD COME AND JUST SAY, ‘ARE YOU THE ONE FROM ALBERTA, FROM THE SMALL SCHOOL?’ ‘YES, I AM.’ THEY COULD JUST TELL…THAT I WAS FROM A PLACE THAT DID THINGS SPECIAL FOR EVERYBODY ON THE TEAM, FOR THE ANESTHETIST…WE TREATED THEM SPECIAL. SO I TREATED THEM SPECIAL THERE, AND THEY JUST, ‘WHAT IS THIS NOW?’ AND THE DOCTORS, THEY KNEW, THEY COULD TELL JUST BECAUSE THAT’S THE WAY IT WAS IN ST. MICHAEL’S. THIS IS WHY YOU DID IT. THIS IS HOW YOU DID IT AND YOU DID IT EVERY DAY.” ON HER INTEREST IN NURSING AND DECISION TO PURSUE A CAREER IN NURSING, KIMERAY RECALLED, “[I WANTED TO BE A NURSE] BECAUSE I’M JUST REALLY GOOD WITH PEOPLE. PEOPLE ARE WHAT MAKES THE WORLD GO ROUND. I JUST LIKE PEOPLE. I LIKE TO TALK TO THEM. I LIKE TO CARE FOR THEM…YOUNG, MEDIUM AGED OR OLD. ALL GOOD FOR ME. AND WHEN I FIRST WENT THERE, MY FIRST EXPERIENCES WEREN’T THAT EASY BECAUSE I’D REALLY NEVER BEEN LOOKING AFTER ANY KIND OF PEOPLE—[IT WAS] HARD, BUT I JUST LIKE PEOPLE AND I’M EASY WITH PEOPLE…EVEN IN THEIR WORST SITUATIONS, TO THIS DAY, I’M EASY WITH PEOPLE.” “I GUESS MEDICINE WAS FINE BECAUSE THOSE PEOPLE REALLY NEEDED CARE. SURGERY THEY WERE IN DISCOMFORT FOR A WHILE BUT THEN GOT BETTER. MATERNITY I DIDN’T FANCY. PEDIATRICS I DIDN’T FANCY BUT MEDICINE, THEY NEEDED CARE AND SO THAT’S WHY I LIKED IT.” FOR MORE INFORMATION INCLUDING COPIES OF LETHBRIDGE HERALD ARTICLES ABOUT KIMERY AND ST. MICHAEL’S SCHOOL OF NURSING, AND THE FULL INTERVIEW TRANSCRIPTION, PLEASE SEE THE PERMANENT FILE P20190011001-GA.
Catalogue Number
P20190011003
Acquisition Date
2019-06
Collection
Museum
Images
Less detail
Other Name
ST. MICHAEL'S HOSPITAL
Material Type
Artifact
Materials
GOLD, ONYX
Catalogue Number
P20190011004
  2 images  
Material Type
Artifact
Other Name
ST. MICHAEL'S HOSPITAL
Date
1965
Materials
GOLD, ONYX
No. Pieces
1
Height
1.6
Length
2
Width
1.3
Description
GOLD RING WITH RECTANGULAR ONYX RING FACE; RING HAS NARROW BAND AND TEXT ENGRAVED ON THE INSIDE, “10 K, 8”. RING FACE HAS RECTANGULAR ONYX STONE SET IN GOLD FRAME, WITH GOLD LETTERS ON ONYX “S M H”; RING BAND SPLITS INTO TWO PRONGS AT THE SIDES OF THE RING FACE, AND DUAL PRONGS ATTACH TO THE RING FACE. RING HAS MINOR STAINING INSIDE FRONT DUAL PRONGS; OVERALL EXCELLENT CONDITION.
Subjects
CLOTHING-ACCESSORY
Historical Association
COMMEMORATIVE
HEALTH SERVICES
PERSONAL CARE
History
ON JUNE 20, 2019, COLLECTIONS TECHNICIAN KEVIN MACLEAN INTERVIEWED SHARON KIMERY REGARDING HER DONATION OF MATERIALS FROM HER TIME STUDYING AT THE ST. MICHAEL’S SCHOOL OF NURSING. ON THE ST. MICHAEL’S HOSPITAL RING, KIMERY RECALLED, “THE CUFFLINKS…AND THE RING WITH ‘SMH’… WERE GRADUATING GIFTS…[WHEN I GRADUATED FROM ST. MICHAEL’S SCHOOL OF NURSING IN 1965 AS] SHARON GEORGESON.” “I [WORE THE RING] UNTIL…THE OTHER ONE [THE O.R. RING] WAS MADE…[IN] I’M GOING TO SAY, ‘70 BECAUSE I WAS BACK [IN LETHBRIDGE] THEN.” KIMERY ELABORATED ON HER TIME STUDYING AT ST. MICHAEL’S SCHOOL OF NURSING, NOTING, “THE TRUTH WAS TO GO INTO NURSING AT ST. MICHAEL’S WAS, THERE WAS MINIMAL CHARGE TO MY PARENTS. IT WAS JUST VERY SIMPLE TO GO, WE LIVED IN LETHBRIDGE. MY PARENTS WERE LONG TERM RESIDENTS. INSTEAD OF GOING AWAY TO SCHOOL WAS BECAUSE OF THE PARENTS, I PRESUME. I JUST THOUGHT THE SISTERS WOULD TREAT ME WELL AND GIVE ME A REAL GOOD EDUCATION AS FAR AS LOOKING AFTER PEOPLE WAS CONCERNED WHICH, IN FACT, THEY DID. IT WAS NOT EASY, I’LL TELL YOU, BUT WELL WORTH THE THREE YEARS I SPENT THERE.” “[I CHOSE ST. MICHAEL’S OVER THE GALT SCHOOL OF NURSING BECAUSE] I JUST THOUGHT IT WOULD BE BETTER. THEY WOULD TREAT ME AS I WANTED TO BE TREATED AS A NURSE-IN-TRAINING AND THEN I WOULD EVENTUALLY TREAT MY PATIENTS THE WAY THEY WANTED ME TO TREAT THEM…THERE’S NO REASON, I JUST KNEW. THERE WASN’T EVEN ANY DISCUSSION ABOUT THE GALT—THE GALT SCHOOL OF NURSING.” “[THE PROGRAM] WAS JUST A REAL STEP FOR ME…THERE WERE SO MANY THINGS THAT WERE NEW TO ME, THAT I NEVER IMAGINED, AND EVERYTHING FROM DAY ONE UNTIL PERHAPS THE END OF THE FIRST YEAR, I WAS SORT OF IN AWE OF ALL THE THINGS THAT WERE GOING TO HAPPEN AND I HAD NO IDEA ABOUT, BUT YOU SETTLE IN, AND YOU ALL OF A SUDDEN DECIDE, THIS IS WHAT IT’S ALL ABOUT AND THIS IS WHAT I WANT. AND OF COURSE YOU HAVE YOUR PREFERENCES AS TO WHERE YOU ARE, AND I CERTAINLY DIDN’T LOVE ALL THE SECTIONS OF NURSING, BUT THE OPERATING ROOM WAS MY THING. I JUST THOUGHT IT’S SUCH CHALLENGE AND SO INTERESTING, EVERY DAY WAS DIFFERENT. I MEAN, LOOKING AFTER PATIENTS WITH DIFFERENT TUBES. IT WASN’T THE SAME DIFFERENT. THERE WERE DIFFERENT CONDITIONS, DIFFERENT WAYS AND DIFFERENT THINGS YOU HAD TO DO.” “[I WAS IN AWE OF] JUST THE WAY PEOPLE NEEDED CARE, AND NEEDED ATTENTION, AND NEEDED TO BE LOOKED AFTER. YOU HAD TO HAVE AN EAR AND TO LISTEN WHETHER IT WAS IMPORTANT OR NOT IMPORTANT TO YOU. YOU HAD TO REALIZE ALL THAT…[I WAS EXPOSED TO THE OPERATING ROOM] IT MIGHT HAVE BEEN IN THE…LATE FIRST OR SECOND YEAR FOR SURE…I WAS SO SCARED OF MAKING A MISTAKE. THINGS WERE SO SPECIAL AND THEY HAD TO BE SO PERFECT. EVERYBODY KNEW EXACTLY WHAT THEY WERE DOING ALL THE TIME. THERE WERE NEVER ANY MISTAKES MADE…EVENTUALLY, I TURNED OUT THE SAME WAY. THERE WAS NO WAY I COULD MAKE A MISTAKE, OR WOULD MAKE A MISTAKE, AND DIDN’T MAKE A MISTAKE BECAUSE YOU CAN’T…[IN] NURSING SOMETIMES YOU MAKE A LITTLE MISTAKE IN CHARTING OR EVEN A LITTLE MISTAKE IN GIVING THE RIGHT CARE…IT’S OKAY, BUT IN THE O.R.—NOT OKAY...” “YOU WENT IN THERE AND YOU WERE ASSIGNED TO CASES, AND YOU LOOKED IT UP IN THE EVENING WHAT YOU WERE GOING TO DO, AND YOU WENT IN THERE AND IF THEY SAID, ‘OKAY, YOU’RE GOING TO SCRUB YOUR HANDS AND HELP’, YOU DID. NOW, IF YOU WERE SCARED, TOO BAD, THAT’S WHAT YOU’RE GOING TO DO TODAY. YOU ALWAYS HAD AN R.N. WITH YOU…YOUR COORDINATOR…ONCE I GOT IN THERE AND WAS DOING IT, I WAS FINE. IT WAS JUST GETTING IN THERE AND DOING IT THAT WAS HARD.” “AT TIMES [IT SEEMED QUASI-MILITARY]…WHEN YOU HAD TO STAND UP AND BE CHECKED BEFORE YOU WENT TO SHIFT; IF YOU HAD HAIR ON YOUR COLLAR, OR SCUFFS ON YOUR SHOES, OR WRINKLES IN YOUR COSTUME…YOU WENT BACK AND REMEDIED IT BEFORE YOU WENT TO BREAKFAST. THIS WAS EARLY, LIKE 6, BECAUSE YOU HAD A LITTLE PRAYER SESSION…AND IF YOU WEREN’T PERFECT, YOU WENT BACK TO YOUR ROOM BEFORE BREAKFAST AND YOU WERE CHECKED AGAIN BEFORE…RULES AND REGULATIONS OF RESIDENCES ARE THE SAME EVERYWHERE, I PRESUME. THERE ARE TIMES FOR FUN TIMES, AND TIME FOR STUDY, AND TIME FOR SLEEP. THAT’S HOW IT WAS THERE.” ON HER FRIENDS AND CLASSMATES DURING HER STUDIES AT ST. MICHAEL’S SCHOOL OF NURSING, KIMERY SHARED, “[DURING SCHOOL] I’M LIVING IN THE RESIDENCE THAT ST. MIKE’S HAD ON 13TH STREET THERE AND 9TH AVENUE. FIRST YEAR, YOU SHARED A ROOM; SECOND YEAR, YOU HAD YOUR OWN ROOM; THIRD YEAR THEY MOVED YOU OUT AND THEY PAID FOR A BASEMENT SUITE SOMEWHERE; AND YOU USUALLY HAD A ROOMMATE OR TWO, OR HOWEVER MANY THE LANDLORD WOULD TAKE. I LIVED ON 13TH STREET WITH TWO OTHER GIRLS IN MY THIRD YEAR.” “JUST LIKE IN ANY SITUATION, THERE ARE GROUPS OF GIRLS…MY GROUP WAS A FEW OF US, 4 OR 5, THAT WERE VERY CLOSE AND DID THINGS TOGETHER…YOU NEVER ALL GET TOGETHER AND ENJOY, UNLESS IT’S A SITUATION WHERE YOU HAVE TO ALL BE TOGETHER. BUT THERE WERE SOME CLASSMATES I DIDN’T FANCY, AND I’M SURE THERE WERE SOME THAT DIDN’T FANCY ME…THAT’S THE WAY LIFE IS, YOU DON’T LIKE EVERYBODY THAT YOU’RE IN A GROUP WITH, FOR SURE. SO THERE WERE 4 OR 5 THAT WERE ALL RIGHT, THAT WE GOT ALONG WELL…WE NEVER BECAME REALLY GOOD FRIENDS. WE WERE TOGETHER FOR 3 YEARS, DOING WHATEVER IT WAS FOR 3 YEARS, BUT AFTER THAT YOU GO YOUR SEPARATE WAYS AND LIVE YOUR LIFE. AND BEING THAT I LEFT SHORTLY AFTER I GRADUATED, I LEFT IN ’66 TO GO TO MONTREAL. BY THE TIME I GOT BACK [THE FRIENDSHIP WAS] GONE.” KIMERY RECALLED THE NUNS AND INSTRUCTORS WHO TAUGHT AT ST. MICHAEL’S SCHOOL OF NURSING, NOTING, “SISTER BEATRICE HAD TO BE THE TOUGHEST SISTER I THINK I‘LL EVER ENCOUNTER…SHE WAS HARD ON YOU ON EVERY PHASE OF YOUR NURSING, WHETHER IT MEANT STANDING IN LINE IN THE MORNING TO CHECK THE WAY YOU LOOKED BEFORE YOU WENT ON DUTY, OR WHETHER IT WAS 9 O’CLOCK AT NIGHT WHEN YOU WERE MAKING TOO DARN MUCH NOISE UPSTAIRS AND YOU SHOULD HAVE BEEN STUDYING. SHE WAS A TOUGH SISTER, BUT I WOULDN’T HAVE TRADED HER FOR ANYONE. AND THERE WAS ANOTHER LITTLE ONE, SISTER PETER MARIE AND SHE USED TO WANDER THE HALLS AND, OH DEAR, IF YOU WEREN’T BEHAVING, YOU WERE IN TROUBLE. NEVER SERIOUS TROUBLE, DON’T GET ME WRONG, BUT THOSE TWO REALLY STICK OUT IN MY MIND BECAUSE THEY WERE THE TWO THAT WERE REALLY LOOKING AFTER US…IN THE FIRST YEAR AND SECOND YEAR.” “[AS TEACHERS, THE SISTERS] WERE FUSSY. YOU HAD TO HAVE IT PERFECT…IF YOU MADE A DRUG ERROR…YOU HAD TO WRITE PAGES AND PAGES AND DO RESEARCH ON THE DRUG THAT YOU’D MADE A MISTAKE ON. THEY…MADE SURE THAT EVERYTHING WAS ‘PERFECT’, THE WAY IT SHOULD BE…IT HAD TO BE PERFECT FOR THE PATIENT. I MEAN, YOU HAD TO BE PERFORMING WELL, BUT YOU HAD TO BE PERFECT FOR THE PATIENT. THAT WAS THE WHOLE THING. YOU WERE LOOKING AFTER PEOPLE. YOU HAD TO MAKE SURE WHAT YOU WERE DOING WAS RIGHT. NO QUESTIONS ASKED ABOUT IT NOT BEING SO.” “[THE SISTERS WOULD] MAKE THE ROUNDS TO THOSE PATIENTS ON THE FLOOR, I DON’T KNOW IF IT WAS HOURLY, BUT OFTEN YOU WOULD SEE…THEY HAD THE LONG SKIRTS…AND YOU’D HEAR THE SWISH, SWISH, AND YOU’D KNOW THAT THEY WERE ABOUT SOMEWHERE—CHECKING…THEY WERE THERE ALL THE TIME—MORNING, EVENING AND EVEN ON NIGHT SHIFT. EVEN WHEN I WORKED THE NIGHT SHIFT AS A STUDENT, THERE WAS ALWAYS A SISTER SOMEWHERE. I PRESUME IF YOU NEEDED THEM OR WERE IN TROUBLE, THEY WOULD HAVE BEEN THERE IMMEDIATELY. IT NEVER HAPPENED BUT I’M SURE THAT’S PART OF THE REASON THERE WAS SOMEBODY AROUND 24-7 NOW THAT I THINK ABOUT IT.” “THE SENIOR NURSES TENDED TO BE A LITTLE TOUGH ON THE SECOND YEAR AND THE FIRST YEAR NURSES…THEY KNOW MORE. THEY’VE BEEN THERE LONGER. THEY DON’T WANT YOU MAKING MISTAKES BECAUSE IT REFLECTS ON THEM…BUT, THAT WAS OKAY TOO. I’D RATHER HAVE SOMEONE TOLD ME THAT SOMETHING WASN’T DONE VERY WELL AT THE TIME…ONE EXAMPLE HERE…[ONE] MORNING, THIRD YEAR NURSE, A PATIENT GOING TO THE O.R. I WENT IN, THOUGHT HE WAS READY. SHE CAME IN AND SAID, ‘DID YOU GIVE HIM MOUTH WASH?’ I SAID, ‘NO.’ [THE SENIOR NURSE ASKED] ‘WHY NOT?’ I DIDN’T HAVE AN ANSWER. I DID IT. I NEVER FORGOT AGAIN. PATIENT GOT MOUTH WASH EVERY DAY…EVERY PATIENT O.R…YOU MADE SURE THEY WERE CLEANED UP IN THE MORNING REGARDLESS…I WAS IN MY FIRST YEAR, I THINK, OR MAYBE SECOND…BUT I STILL REMEMBER THE NURSE…I CAN EVEN REMEMBER HER NAME SO THAT’S THE IMPRESSION IT MAKES ON A STUDENT NURSE TRYING TO LEARN THE HARD WAY. BUT THE HARD WAY’S BETTER THAN NOT AT ALL.” ON HER POST-GRADUATE STUDIES IN NURSING, KIMERY SHARED, “I WENT TO MONTREAL TO THE ROYAL VICTORIA HOSPITAL AND DID A POST GRADUATE COURSE IN OPERATING ROOM TECHNIQUE AND THEN STAYED ON AS STAFF MEMBER THERE…THEN I CAME BACK TO LETHBRIDGE [AND] I WENT BACK TO ST MIKE’S AFTER MY POST GRADUATE…THERE’S LOTS OF CHALLENGES [IN THE OPERATING ROOM]…RIGHT FROM WHEN YOU WENT IN THERE AS A STUDENT…SO MANY THINGS YOU HAD TO KNOW AND DO AND BE AWARE OF AND MAKE SURE YOU’RE RIGHT BECAUSE YOU CAN’T BE WRONG. AND I THOUGHT, ‘YEAH, I CAN DO THIS’. SO I CHOSE TO [WORK IN THE OPERATING ROOM].” “I JUST WANTED TO SEE BIG SURGERY. I WANTED TO SEE HEART SURGERY. I WANTED TO SEE KIDNEY TRANSPLANTS. I WANTED TO SEE BIG STUFF AND I DID…I WAS ON THE KIDNEY TRANSPLANT TEAM. I REPLACED VALVES IN THE CARDIO-VASCULAR…THEY DID BIG SURGERIES, BIG ORTHOPEDIC SURGERIES…BACK IN THE ‘60S TOTAL REPLACEMENTS WERE HUGE...[FOR PEOPLE WHO WANTED MORE, IT WAS] PROBABLY RARE. I MEAN, I WENT ON MY OWN TO MONTREAL. I’D NEVER BEEN OUT OF LETHBRIDGE. I HAD A FRIEND THAT WAS SUPPOSED TO GO AND SHE CANCELLED SO I WENT BY MYSELF…[I WAS] 21.” “[I WAS CONFIDENT GOING TO MONTREAL] BECAUSE I KNEW I CAME FROM A SCHOOL THAT HAD A GOOD O.R., WE HAD ALL THE SPECIALTIES. WE HAD THE OPHTHALMOLOGY, EAR NOSE AND THROAT, PLASTICS AND ORTHOPEDICS, AND UROLOGY AND GENERAL SURGERY ALL HERE IN LETHBRIDGE. SO I KNEW ALL OF THOSE WHEN I WENT THERE. I JUST WANTED MORE. I WANTED BIGGER AND MORE, AND I GOT IT.” “THERE WAS SO MUCH I HAD TO LEARN AND HAD TO DO. [THE EXPERIENCE WORKING AT ST. MICHAEL’S IN LETHBRIDGE] DOESN’T PREPARE YOU WHEN YOU TAKE A JOURNEY LIKE THAT IN YOUR LIFE—A BIG STEP. IT DOESN’T PREPARE YOU. YOU GET THERE AND IT’S A HUGE CITY AND THE RESIDENCE IS HUGE…AND THE HOSPITAL’S HUGE AND THERE’S 15 O.R.’S AND THEY’RE BUSY 24-7 AND YOU’RE NOT PREPARED. YOU CAN’T BE. BUT YOU GET [PREPARED]…I WAS READY. AT FIRST [I WAS] MAYBE A LITTLE SKEPTICAL, I GUESS YOU MIGHT SAY…[THE SCHOOL] FIGURED IT WAS ALL RIGHT FOR ME TO BE THERE [COMING IN FROM A SMALL SCHOOL AND SMALL CITY]…THEY TREATED ME VERY WELL…I HAD SO MANY OPPORTUNITIES…IF IT WAS THERE AND YOU WANTED IT. TAKE IT. SO I DID.” “I DON’T KNOW [WHY THEY ACCEPTED ME INTO THE PROGRAM IN MONTREAL]. I HAVE NO IDEA. I WAS VERY SURPRISED THAT I WAS ACCEPTED ACTUALLY, BECAUSE IF I HADN’T BEEN…I DON’T EVEN KNOW IF I HAD ANOTHER OPTION IN MIND ACTUALLY…THE PROGRAM WAS FINISHED IN ’67 AND I STAYED UNTIL ’69. I CAME [BACK TO LETHBRIDGE] IN ‘70.” “[I FELT LIKE IT WAS A BIG DEAL TO ACCEPT A STUDENT FROM A SMALL CITY LIKE LETHBRIDGE] BASED ON THE OTHER GIRLS THAT WERE IN THE PROGRAM. ONE WAS FROM HALIFAX AND SHE’D BEEN IN NORFOLK, VIRGINIA. THERE WAS ANOTHER ONE THAT WAS FROM THE OTTAWA GENERAL OR SOMEWHERE, AND THERE WAS ONE FROM…SOMEWHERE ABROAD…THE LADIES THAT WERE THERE WERE FAR MORE EXPERIENCED, I GUESS, HAD BEEN IN BIGGER HOSPITALS, DONE BIGGER AND BETTER THINGS THAN I.” “I THINK [THE SCHOOL’S FACULTY] THOUGHT [THE ST. MICHAEL’S PROGRAM] WAS PRETTY…GOOD BECAUSE THE WAY I USED TO SET THE ROOM UP IN THE MORNING, THEY WOULD COME AND JUST SAY, ‘ARE YOU THE ONE FROM ALBERTA, FROM THE SMALL SCHOOL?’ ‘YES, I AM.’ THEY COULD JUST TELL…THAT I WAS FROM A PLACE THAT DID THINGS SPECIAL FOR EVERYBODY ON THE TEAM, FOR THE ANESTHETIST…WE TREATED THEM SPECIAL. SO I TREATED THEM SPECIAL THERE, AND THEY JUST, ‘WHAT IS THIS NOW?’ AND THE DOCTORS, THEY KNEW, THEY COULD TELL JUST BECAUSE THAT’S THE WAY IT WAS IN ST. MICHAEL’S. THIS IS WHY YOU DID IT. THIS IS HOW YOU DID IT AND YOU DID IT EVERY DAY.” ON HER INTEREST IN NURSING AND DECISION TO PURSUE A CAREER IN NURSING, KIMERAY RECALLED, “[I WANTED TO BE A NURSE] BECAUSE I’M JUST REALLY GOOD WITH PEOPLE. PEOPLE ARE WHAT MAKES THE WORLD GO ROUND. I JUST LIKE PEOPLE. I LIKE TO TALK TO THEM. I LIKE TO CARE FOR THEM…YOUNG, MEDIUM AGED OR OLD. ALL GOOD FOR ME. AND WHEN I FIRST WENT THERE, MY FIRST EXPERIENCES WEREN’T THAT EASY BECAUSE I’D REALLY NEVER BEEN LOOKING AFTER ANY KIND OF PEOPLE—[IT WAS] HARD, BUT I JUST LIKE PEOPLE AND I’M EASY WITH PEOPLE…EVEN IN THEIR WORST SITUATIONS, TO THIS DAY, I’M EASY WITH PEOPLE.” “I GUESS MEDICINE WAS FINE BECAUSE THOSE PEOPLE REALLY NEEDED CARE. SURGERY THEY WERE IN DISCOMFORT FOR A WHILE BUT THEN GOT BETTER. MATERNITY I DIDN’T FANCY. PEDIATRICS I DIDN’T FANCY BUT MEDICINE, THEY NEEDED CARE AND SO THAT’S WHY I LIKED IT.” FOR MORE INFORMATION INCLUDING COPIES OF LETHBRIDGE HERALD ARTICLES ABOUT KIMERY AND ST. MICHAEL’S SCHOOL OF NURSING, AND THE FULL INTERVIEW TRANSCRIPTION, PLEASE SEE THE PERMANENT FILE P20190011001-GA.
Catalogue Number
P20190011004
Acquisition Date
2019-06
Collection
Museum
Images
Less detail
Date Range From
1965
Date Range To
1967
Material Type
Artifact
Materials
GOLD
Catalogue Number
P20190011005
  2 images  
Material Type
Artifact
Date Range From
1965
Date Range To
1967
Materials
GOLD
No. Pieces
1
Height
1.5
Length
1.8
Width
1.9
Description
GOLD RING WITH TAPERED BANDS AND OVAL FACE; THE RING FACE HAS AN OVAL WITH THE EMBOSSED PROFILE OF A NURSE, AND WIDE BANDS THAT TAPER FROM SIDES OF THE RING FACE. BAND HAS TWO SMALL, ENGRAVED LEAVES ON SIDES OF THE RING FACE. INSIDE RING BAND HAS MINOR STAINING AND WEAR; RING FACE HAS MINOR TARNISHING AROUND THE EMBOSSED PROFILE; OVERALL VERY GOOD CONDITION.
Subjects
CLOTHING-ACCESSORY
Historical Association
COMMEMORATIVE
HEALTH SERVICES
PERSONAL CARE
History
ON JUNE 20, 2019, COLLECTIONS TECHNICIAN KEVIN MACLEAN INTERVIEWED SHARON KIMERY REGARDING HER DONATION OF MATERIALS FROM HER TIME STUDYING AT THE ST. MICHAEL’S SCHOOL OF NURSING. ON THE O.R. NURSE’S RING, KIMERY RECALLED, “IT WAS JUST MADE BECAUSE WE JUST WANTED PEOPLE TO KNOW THAT WE WERE O.R. NURSES, A SELECT BRAND OF NURSES THAT HAD CHOSEN THIS PATH. AND WE WANTED IT NOT TO BE FOR EVERYONE SO SOMEONE SAID, ‘WELL, LET’S GET SOMETHING DESIGNED.’ SO WE THOUGHT THE BEST DESIGN WOULD BE AN O.R. HEAD WITH THE MASK AND THE TURBAN. SO WE TOOK IT TO FOSTER’S JEWELRY AND THEY MADE THIS UP FOR US. NOW I KNOW THAT PROBABLY EVERY O.R. NURSE AT ST. MIKE’S AT THAT TIME BOUGHT ONE. I’M NOT SO SURE THAT IT WENT TO THE GALT OR ANYWHERE ELSE. I CAN’T VOUCH FOR THAT. I JUST KNOW THAT THE STAFF, AT THAT TIME, WE ALL GOT ONE JUST BECAUSE IT WAS A SIGNATURE OF WHAT WE WERE AND WHAT WE DID.” “[THERE WERE] 15, APPROXIMATELY [MADE]…[THE RING IS] 10 CARAT [GOLD]…I THINK ONE PERSON DESIGNED IT AND SAID, ‘WHAT DO YOU THINK?’ AND WE SAID, ‘GOOD, PERFECT.’ SO SHE WENT AHEAD WITH IT.” “[I WORE THE RING] ALL THE TIME…SOCIALLY, WEAR IT TO WORK, PUT IT ON THE SHELF, PUT IT BACK ON WHEN YOU LEFT WORK, 24-7…WHEN YOU’RE OUT AND ABOUT…WE WORE THEM ALL THE TIME.” “I DON’T KNOW WHEN I STOPPED [WEARING THE RING]. I PRESUME WHEN I WENT TO MONTREAL I STOPPED. AND I PROBABLY WORE IT WHEN I CAME BACK…IT WAS IN A BOX WITH THE OTHER [PIECES FROM MY TIME AT ST. MICHAEL’S SCHOOL OF NURSING].” KIMERY ELABORATED ON HER TIME STUDYING AT ST. MICHAEL’S SCHOOL OF NURSING, NOTING, “THE TRUTH WAS TO GO INTO NURSING AT ST. MICHAEL’S WAS, THERE WAS MINIMAL CHARGE TO MY PARENTS. IT WAS JUST VERY SIMPLE TO GO, WE LIVED IN LETHBRIDGE. MY PARENTS WERE LONG TERM RESIDENTS. INSTEAD OF GOING AWAY TO SCHOOL WAS BECAUSE OF THE PARENTS, I PRESUME. I JUST THOUGHT THE SISTERS WOULD TREAT ME WELL AND GIVE ME A REAL GOOD EDUCATION AS FAR AS LOOKING AFTER PEOPLE WAS CONCERNED WHICH, IN FACT, THEY DID. IT WAS NOT EASY, I’LL TELL YOU, BUT WELL WORTH THE THREE YEARS I SPENT THERE.” “[I CHOSE ST. MICHAEL’S OVER THE GALT SCHOOL OF NURSING BECAUSE] I JUST THOUGHT IT WOULD BE BETTER. THEY WOULD TREAT ME AS I WANTED TO BE TREATED AS A NURSE-IN-TRAINING AND THEN I WOULD EVENTUALLY TREAT MY PATIENTS THE WAY THEY WANTED ME TO TREAT THEM…THERE’S NO REASON, I JUST KNEW. THERE WASN’T EVEN ANY DISCUSSION ABOUT THE GALT—THE GALT SCHOOL OF NURSING.” “[THE PROGRAM] WAS JUST A REAL STEP FOR ME…THERE WERE SO MANY THINGS THAT WERE NEW TO ME, THAT I NEVER IMAGINED, AND EVERYTHING FROM DAY ONE UNTIL PERHAPS THE END OF THE FIRST YEAR, I WAS SORT OF IN AWE OF ALL THE THINGS THAT WERE GOING TO HAPPEN AND I HAD NO IDEA ABOUT, BUT YOU SETTLE IN, AND YOU ALL OF A SUDDEN DECIDE, THIS IS WHAT IT’S ALL ABOUT AND THIS IS WHAT I WANT. AND OF COURSE YOU HAVE YOUR PREFERENCES AS TO WHERE YOU ARE, AND I CERTAINLY DIDN’T LOVE ALL THE SECTIONS OF NURSING, BUT THE OPERATING ROOM WAS MY THING. I JUST THOUGHT IT’S SUCH CHALLENGE AND SO INTERESTING, EVERY DAY WAS DIFFERENT. I MEAN, LOOKING AFTER PATIENTS WITH DIFFERENT TUBES. IT WASN’T THE SAME DIFFERENT. THERE WERE DIFFERENT CONDITIONS, DIFFERENT WAYS AND DIFFERENT THINGS YOU HAD TO DO.” “[I WAS IN AWE OF] JUST THE WAY PEOPLE NEEDED CARE, AND NEEDED ATTENTION, AND NEEDED TO BE LOOKED AFTER. YOU HAD TO HAVE AN EAR AND TO LISTEN WHETHER IT WAS IMPORTANT OR NOT IMPORTANT TO YOU. YOU HAD TO REALIZE ALL THAT…[I WAS EXPOSED TO THE OPERATING ROOM] IT MIGHT HAVE BEEN IN THE…LATE FIRST OR SECOND YEAR FOR SURE…I WAS SO SCARED OF MAKING A MISTAKE. THINGS WERE SO SPECIAL AND THEY HAD TO BE SO PERFECT. EVERYBODY KNEW EXACTLY WHAT THEY WERE DOING ALL THE TIME. THERE WERE NEVER ANY MISTAKES MADE…EVENTUALLY, I TURNED OUT THE SAME WAY. THERE WAS NO WAY I COULD MAKE A MISTAKE, OR WOULD MAKE A MISTAKE, AND DIDN’T MAKE A MISTAKE BECAUSE YOU CAN’T…[IN] NURSING SOMETIMES YOU MAKE A LITTLE MISTAKE IN CHARTING OR EVEN A LITTLE MISTAKE IN GIVING THE RIGHT CARE…IT’S OKAY, BUT IN THE O.R.—NOT OKAY...” “YOU WENT IN THERE AND YOU WERE ASSIGNED TO CASES, AND YOU LOOKED IT UP IN THE EVENING WHAT YOU WERE GOING TO DO, AND YOU WENT IN THERE AND IF THEY SAID, ‘OKAY, YOU’RE GOING TO SCRUB YOUR HANDS AND HELP’, YOU DID. NOW, IF YOU WERE SCARED, TOO BAD, THAT’S WHAT YOU’RE GOING TO DO TODAY. YOU ALWAYS HAD AN R.N. WITH YOU…YOUR COORDINATOR…ONCE I GOT IN THERE AND WAS DOING IT, I WAS FINE. IT WAS JUST GETTING IN THERE AND DOING IT THAT WAS HARD.” “AT TIMES [IT SEEMED QUASI-MILITARY]…WHEN YOU HAD TO STAND UP AND BE CHECKED BEFORE YOU WENT TO SHIFT; IF YOU HAD HAIR ON YOUR COLLAR, OR SCUFFS ON YOUR SHOES, OR WRINKLES IN YOUR COSTUME…YOU WENT BACK AND REMEDIED IT BEFORE YOU WENT TO BREAKFAST. THIS WAS EARLY, LIKE 6, BECAUSE YOU HAD A LITTLE PRAYER SESSION…AND IF YOU WEREN’T PERFECT, YOU WENT BACK TO YOUR ROOM BEFORE BREAKFAST AND YOU WERE CHECKED AGAIN BEFORE…RULES AND REGULATIONS OF RESIDENCES ARE THE SAME EVERYWHERE, I PRESUME. THERE ARE TIMES FOR FUN TIMES, AND TIME FOR STUDY, AND TIME FOR SLEEP. THAT’S HOW IT WAS THERE.” ON HER FRIENDS AND CLASSMATES DURING HER STUDIES AT ST. MICHAEL’S SCHOOL OF NURSING, KIMERY SHARED, “[DURING SCHOOL] I’M LIVING IN THE RESIDENCE THAT ST. MIKE’S HAD ON 13TH STREET THERE AND 9TH AVENUE. FIRST YEAR, YOU SHARED A ROOM; SECOND YEAR, YOU HAD YOUR OWN ROOM; THIRD YEAR THEY MOVED YOU OUT AND THEY PAID FOR A BASEMENT SUITE SOMEWHERE; AND YOU USUALLY HAD A ROOMMATE OR TWO, OR HOWEVER MANY THE LANDLORD WOULD TAKE. I LIVED ON 13TH STREET WITH TWO OTHER GIRLS IN MY THIRD YEAR.” “JUST LIKE IN ANY SITUATION, THERE ARE GROUPS OF GIRLS…MY GROUP WAS A FEW OF US, 4 OR 5, THAT WERE VERY CLOSE AND DID THINGS TOGETHER…YOU NEVER ALL GET TOGETHER AND ENJOY, UNLESS IT’S A SITUATION WHERE YOU HAVE TO ALL BE TOGETHER. BUT THERE WERE SOME CLASSMATES I DIDN’T FANCY, AND I’M SURE THERE WERE SOME THAT DIDN’T FANCY ME…THAT’S THE WAY LIFE IS, YOU DON’T LIKE EVERYBODY THAT YOU’RE IN A GROUP WITH, FOR SURE. SO THERE WERE 4 OR 5 THAT WERE ALL RIGHT, THAT WE GOT ALONG WELL…WE NEVER BECAME REALLY GOOD FRIENDS. WE WERE TOGETHER FOR 3 YEARS, DOING WHATEVER IT WAS FOR 3 YEARS, BUT AFTER THAT YOU GO YOUR SEPARATE WAYS AND LIVE YOUR LIFE. AND BEING THAT I LEFT SHORTLY AFTER I GRADUATED, I LEFT IN ’66 TO GO TO MONTREAL. BY THE TIME I GOT BACK [THE FRIENDSHIP WAS] GONE.” KIMERY RECALLED THE NUNS AND INSTRUCTORS WHO TAUGHT AT ST. MICHAEL’S SCHOOL OF NURSING, NOTING, “SISTER BEATRICE HAD TO BE THE TOUGHEST SISTER I THINK I‘LL EVER ENCOUNTER…SHE WAS HARD ON YOU ON EVERY PHASE OF YOUR NURSING, WHETHER IT MEANT STANDING IN LINE IN THE MORNING TO CHECK THE WAY YOU LOOKED BEFORE YOU WENT ON DUTY, OR WHETHER IT WAS 9 O’CLOCK AT NIGHT WHEN YOU WERE MAKING TOO DARN MUCH NOISE UPSTAIRS AND YOU SHOULD HAVE BEEN STUDYING. SHE WAS A TOUGH SISTER, BUT I WOULDN’T HAVE TRADED HER FOR ANYONE. AND THERE WAS ANOTHER LITTLE ONE, SISTER PETER MARIE AND SHE USED TO WANDER THE HALLS AND, OH DEAR, IF YOU WEREN’T BEHAVING, YOU WERE IN TROUBLE. NEVER SERIOUS TROUBLE, DON’T GET ME WRONG, BUT THOSE TWO REALLY STICK OUT IN MY MIND BECAUSE THEY WERE THE TWO THAT WERE REALLY LOOKING AFTER US…IN THE FIRST YEAR AND SECOND YEAR.” “[AS TEACHERS, THE SISTERS] WERE FUSSY. YOU HAD TO HAVE IT PERFECT…IF YOU MADE A DRUG ERROR…YOU HAD TO WRITE PAGES AND PAGES AND DO RESEARCH ON THE DRUG THAT YOU’D MADE A MISTAKE ON. THEY…MADE SURE THAT EVERYTHING WAS ‘PERFECT’, THE WAY IT SHOULD BE…IT HAD TO BE PERFECT FOR THE PATIENT. I MEAN, YOU HAD TO BE PERFORMING WELL, BUT YOU HAD TO BE PERFECT FOR THE PATIENT. THAT WAS THE WHOLE THING. YOU WERE LOOKING AFTER PEOPLE. YOU HAD TO MAKE SURE WHAT YOU WERE DOING WAS RIGHT. NO QUESTIONS ASKED ABOUT IT NOT BEING SO.” “[THE SISTERS WOULD] MAKE THE ROUNDS TO THOSE PATIENTS ON THE FLOOR, I DON’T KNOW IF IT WAS HOURLY, BUT OFTEN YOU WOULD SEE…THEY HAD THE LONG SKIRTS…AND YOU’D HEAR THE SWISH, SWISH, AND YOU’D KNOW THAT THEY WERE ABOUT SOMEWHERE—CHECKING…THEY WERE THERE ALL THE TIME—MORNING, EVENING AND EVEN ON NIGHT SHIFT. EVEN WHEN I WORKED THE NIGHT SHIFT AS A STUDENT, THERE WAS ALWAYS A SISTER SOMEWHERE. I PRESUME IF YOU NEEDED THEM OR WERE IN TROUBLE, THEY WOULD HAVE BEEN THERE IMMEDIATELY. IT NEVER HAPPENED BUT I’M SURE THAT’S PART OF THE REASON THERE WAS SOMEBODY AROUND 24-7 NOW THAT I THINK ABOUT IT.” “THE SENIOR NURSES TENDED TO BE A LITTLE TOUGH ON THE SECOND YEAR AND THE FIRST YEAR NURSES…THEY KNOW MORE. THEY’VE BEEN THERE LONGER. THEY DON’T WANT YOU MAKING MISTAKES BECAUSE IT REFLECTS ON THEM…BUT, THAT WAS OKAY TOO. I’D RATHER HAVE SOMEONE TOLD ME THAT SOMETHING WASN’T DONE VERY WELL AT THE TIME…ONE EXAMPLE HERE…[ONE] MORNING, THIRD YEAR NURSE, A PATIENT GOING TO THE O.R. I WENT IN, THOUGHT HE WAS READY. SHE CAME IN AND SAID, ‘DID YOU GIVE HIM MOUTH WASH?’ I SAID, ‘NO.’ [THE SENIOR NURSE ASKED] ‘WHY NOT?’ I DIDN’T HAVE AN ANSWER. I DID IT. I NEVER FORGOT AGAIN. PATIENT GOT MOUTH WASH EVERY DAY…EVERY PATIENT O.R…YOU MADE SURE THEY WERE CLEANED UP IN THE MORNING REGARDLESS…I WAS IN MY FIRST YEAR, I THINK, OR MAYBE SECOND…BUT I STILL REMEMBER THE NURSE…I CAN EVEN REMEMBER HER NAME SO THAT’S THE IMPRESSION IT MAKES ON A STUDENT NURSE TRYING TO LEARN THE HARD WAY. BUT THE HARD WAY’S BETTER THAN NOT AT ALL.” ON HER POST-GRADUATE STUDIES IN NURSING, KIMERY SHARED, “I WENT TO MONTREAL TO THE ROYAL VICTORIA HOSPITAL AND DID A POST GRADUATE COURSE IN OPERATING ROOM TECHNIQUE AND THEN STAYED ON AS STAFF MEMBER THERE…THEN I CAME BACK TO LETHBRIDGE [AND] I WENT BACK TO ST MIKE’S AFTER MY POST GRADUATE…THERE’S LOTS OF CHALLENGES [IN THE OPERATING ROOM]…RIGHT FROM WHEN YOU WENT IN THERE AS A STUDENT…SO MANY THINGS YOU HAD TO KNOW AND DO AND BE AWARE OF AND MAKE SURE YOU’RE RIGHT BECAUSE YOU CAN’T BE WRONG. AND I THOUGHT, ‘YEAH, I CAN DO THIS’. SO I CHOSE TO [WORK IN THE OPERATING ROOM].” “I JUST WANTED TO SEE BIG SURGERY. I WANTED TO SEE HEART SURGERY. I WANTED TO SEE KIDNEY TRANSPLANTS. I WANTED TO SEE BIG STUFF AND I DID…I WAS ON THE KIDNEY TRANSPLANT TEAM. I REPLACED VALVES IN THE CARDIO-VASCULAR…THEY DID BIG SURGERIES, BIG ORTHOPEDIC SURGERIES…BACK IN THE ‘60S TOTAL REPLACEMENTS WERE HUGE...[FOR PEOPLE WHO WANTED MORE, IT WAS] PROBABLY RARE. I MEAN, I WENT ON MY OWN TO MONTREAL. I’D NEVER BEEN OUT OF LETHBRIDGE. I HAD A FRIEND THAT WAS SUPPOSED TO GO AND SHE CANCELLED SO I WENT BY MYSELF…[I WAS] 21.” “[I WAS CONFIDENT GOING TO MONTREAL] BECAUSE I KNEW I CAME FROM A SCHOOL THAT HAD A GOOD O.R., WE HAD ALL THE SPECIALTIES. WE HAD THE OPHTHALMOLOGY, EAR NOSE AND THROAT, PLASTICS AND ORTHOPEDICS, AND UROLOGY AND GENERAL SURGERY ALL HERE IN LETHBRIDGE. SO I KNEW ALL OF THOSE WHEN I WENT THERE. I JUST WANTED MORE. I WANTED BIGGER AND MORE, AND I GOT IT.” “THERE WAS SO MUCH I HAD TO LEARN AND HAD TO DO. [THE EXPERIENCE WORKING AT ST. MICHAEL’S IN LETHBRIDGE] DOESN’T PREPARE YOU WHEN YOU TAKE A JOURNEY LIKE THAT IN YOUR LIFE—A BIG STEP. IT DOESN’T PREPARE YOU. YOU GET THERE AND IT’S A HUGE CITY AND THE RESIDENCE IS HUGE…AND THE HOSPITAL’S HUGE AND THERE’S 15 O.R.’S AND THEY’RE BUSY 24-7 AND YOU’RE NOT PREPARED. YOU CAN’T BE. BUT YOU GET [PREPARED]…I WAS READY. AT FIRST [I WAS] MAYBE A LITTLE SKEPTICAL, I GUESS YOU MIGHT SAY…[THE SCHOOL] FIGURED IT WAS ALL RIGHT FOR ME TO BE THERE [COMING IN FROM A SMALL SCHOOL AND SMALL CITY]…THEY TREATED ME VERY WELL…I HAD SO MANY OPPORTUNITIES…IF IT WAS THERE AND YOU WANTED IT. TAKE IT. SO I DID.” “I DON’T KNOW [WHY THEY ACCEPTED ME INTO THE PROGRAM IN MONTREAL]. I HAVE NO IDEA. I WAS VERY SURPRISED THAT I WAS ACCEPTED ACTUALLY, BECAUSE IF I HADN’T BEEN…I DON’T EVEN KNOW IF I HAD ANOTHER OPTION IN MIND ACTUALLY…THE PROGRAM WAS FINISHED IN ’67 AND I STAYED UNTIL ’69. I CAME [BACK TO LETHBRIDGE] IN ‘70.” “[I FELT LIKE IT WAS A BIG DEAL TO ACCEPT A STUDENT FROM A SMALL CITY LIKE LETHBRIDGE] BASED ON THE OTHER GIRLS THAT WERE IN THE PROGRAM. ONE WAS FROM HALIFAX AND SHE’D BEEN IN NORFOLK, VIRGINIA. THERE WAS ANOTHER ONE THAT WAS FROM THE OTTAWA GENERAL OR SOMEWHERE, AND THERE WAS ONE FROM…SOMEWHERE ABROAD…THE LADIES THAT WERE THERE WERE FAR MORE EXPERIENCED, I GUESS, HAD BEEN IN BIGGER HOSPITALS, DONE BIGGER AND BETTER THINGS THAN I.” “I THINK [THE SCHOOL’S FACULTY] THOUGHT [THE ST. MICHAEL’S PROGRAM] WAS PRETTY…GOOD BECAUSE THE WAY I USED TO SET THE ROOM UP IN THE MORNING, THEY WOULD COME AND JUST SAY, ‘ARE YOU THE ONE FROM ALBERTA, FROM THE SMALL SCHOOL?’ ‘YES, I AM.’ THEY COULD JUST TELL…THAT I WAS FROM A PLACE THAT DID THINGS SPECIAL FOR EVERYBODY ON THE TEAM, FOR THE ANESTHETIST…WE TREATED THEM SPECIAL. SO I TREATED THEM SPECIAL THERE, AND THEY JUST, ‘WHAT IS THIS NOW?’ AND THE DOCTORS, THEY KNEW, THEY COULD TELL JUST BECAUSE THAT’S THE WAY IT WAS IN ST. MICHAEL’S. THIS IS WHY YOU DID IT. THIS IS HOW YOU DID IT AND YOU DID IT EVERY DAY.” ON HER INTEREST IN NURSING AND DECISION TO PURSUE A CAREER IN NURSING, KIMERAY RECALLED, “[I WANTED TO BE A NURSE] BECAUSE I’M JUST REALLY GOOD WITH PEOPLE. PEOPLE ARE WHAT MAKES THE WORLD GO ROUND. I JUST LIKE PEOPLE. I LIKE TO TALK TO THEM. I LIKE TO CARE FOR THEM…YOUNG, MEDIUM AGED OR OLD. ALL GOOD FOR ME. AND WHEN I FIRST WENT THERE, MY FIRST EXPERIENCES WEREN’T THAT EASY BECAUSE I’D REALLY NEVER BEEN LOOKING AFTER ANY KIND OF PEOPLE—[IT WAS] HARD, BUT I JUST LIKE PEOPLE AND I’M EASY WITH PEOPLE…EVEN IN THEIR WORST SITUATIONS, TO THIS DAY, I’M EASY WITH PEOPLE.” “I GUESS MEDICINE WAS FINE BECAUSE THOSE PEOPLE REALLY NEEDED CARE. SURGERY THEY WERE IN DISCOMFORT FOR A WHILE BUT THEN GOT BETTER. MATERNITY I DIDN’T FANCY. PEDIATRICS I DIDN’T FANCY BUT MEDICINE, THEY NEEDED CARE AND SO THAT’S WHY I LIKED IT.” FOR MORE INFORMATION INCLUDING COPIES OF LETHBRIDGE HERALD ARTICLES ABOUT KIMERY AND ST. MICHAEL’S SCHOOL OF NURSING, AND THE FULL INTERVIEW TRANSCRIPTION, PLEASE SEE THE PERMANENT FILE P20190011001-GA.
Catalogue Number
P20190011005
Acquisition Date
2019-06
Collection
Museum
Images
Less detail
Other Name
"GALT SCHOOL OF NURSING"
Material Type
Artifact
Materials
CERAMIC
Catalogue Number
P20140049006
  1 image  
Material Type
Artifact
Other Name
"GALT SCHOOL OF NURSING"
Date
1979
Materials
CERAMIC
No. Pieces
1
Height
8.5
Length
12
Diameter
8.9
Description
A CREAM-COLOURED CERAMIC MUG. ON ONE SIDE IS THE INSIGNIA OF THE GALT SCHOOL OF NURSING, WHICH IS COLOURED YELLOW, GREEN, AND RED. IN THE CENTER OF THE INSIGNIA IS A RED CROSS. THE TEXT READS “GALT SCHOOL OF NURSING, LETHBRIDGE ALTA”, “FESTINA LENTE”, AND “1910-1979”. AROUND THE LIP OF THE MUG RUNS A GOLD RING. THE BOTTOM OF THE MUG READS “DECORATED IN CANADA BY …EMORE CHINA & GLASS” AND “CREEMORE, ONT”. VERY GOOD CONDITION: SLIGHT WEAR TO GOLD RIM.
Subjects
HOUSEHOLD ACCESSORY
Historical Association
ASSOCIATIONS
HEALTH SERVICES
COMMEMORATIVE
History
UPON DONATION TO THE MUSEUM, COLLECTIONS TECHNICIAN KEVIN MACLEAN ASKED MEMBERS OF THE GALT SCHOOL OF NURSING (GSN) ALUMNAE TO PROVIDE WRITTEN ANSWERS ON QUESTIONS PERTAINING TO EACH ARTIFACT DONATED IN THE COLLECTION. THE FOLLOWING INFORMATION HAS COME FROM THOSE RESPONSES CORRESPONDING TO EACH INDIVIDUAL ARTIFACT. ACCORDING TO THE HISTORY, “THIS IS A COFFEE CUP COMMEMORATING THE CLOSING OF THE NURSING SCHOOL. THE ALUMNAE PURCHASED THEM AND SOLD THEM… [THE MUGS] WERE DESIGNED AND MADE IN 1979.” IT CONTINUES, “[THE] GALT GRADS BOUGHT THESE MUGS… [AS] A MEMENTO OF THE CLOSING OF THE SCHOOL.” THIS ARTIFACT IS AMONG A COLLECTION DONATED NEAR THE END OF 2014, BEING THE SECOND WAVE OF GSN ARTIFACTS ACQUIRED BY THE MUSEUM THAT YEAR. WITH THE FIRST WAVE OF GSN ARTIFACTS COLLECTED IN SUMMER 2014, MACLEAN INTERVIEWED THE PAST ARCHIVISTS OF THE GALT SCHOOL OF NURSING COLLECTION, SHIRLEY HIGA, ELAINE HAMILTON, AND SUE KYLLO, ABOUT THEIR INVOLVEMENT WITH THE GSN ALUMNAE ASSOCIATION AND THE HISTORY OF ARTIFACTS DONATED. FOR THAT INFORMATION, PLEASE REFER TO P20140006001. PLEASE SEE THE PERMANENT FILE FOR MORE INFORMATION.
Catalogue Number
P20140049006
Acquisition Date
2014-11
Collection
Museum
Images
Less detail
Other Name
"A7 RANCHE 100 ANNIVERSARY"
Material Type
Artifact
Materials
WOOD, PAINT
Catalogue Number
P20140032002
  2 images  
Material Type
Artifact
Other Name
"A7 RANCHE 100 ANNIVERSARY"
Date
1986
Materials
WOOD, PAINT
No. Pieces
1
Height
19.5
Diameter
5.7
Description
BROWN GLASS BEER BOTTLE WITH A LIP FOR A TWIST-OFF CAP (NO CAP). "85" IS IN RAISED LETTERS OF GLASS AT THE BASE OF THE BOTTLE. THERE IS A SEAM VISIBLE DOWN THE CENTER HALVES OF THE BOTTLE WHERE IT HAS BEEN FUSED TOGETHER. CREAM-COLOURED RECTANGULAR LABEL WITH GOLD TRIM PASTED TO ONE SIDE OF THE BOTTLE. LABEL READS "a7" WITHIN A RED DIAGONAL STRIPE RUNNING UP THE WIDTH OF THE LABEL WITH "BEER" PRINTED BELOW. THE BOTTOM OF THE LABEL READS: "BREWED AND BOTTLED IN CARLING O'KEEFE BREWERIES CALGARY, ALBERTA" IN ALTERNATING BLACK AND RED FONT. THERE IS A STAMP THAT STATES "100 YEAR ANNIVERSARY 1886-1986" IN THE UPPER LEFT SECTION OF THE LABEL. CONDITION: SLIGHT WRINKLE VERTICALLY DOWN THE RIGHT SIDE OF THE LABEL. SLIGHT SCUFFING ON THE GLASS OF BOTTLE.
Subjects
FOOD SERVICE T&E
MERCHANDISING T&E
Historical Association
COMMEMORATIVE
INDUSTRY
History
A NOTE ABOUT THIS BOTTLE WAS WRITTEN BY THE DONOR, FRANK LIGHTBOUND, AND PROVIDED TO THE MUSEUM AT THE TIME OF DONATION STATES: “THE SPECIAL LABEL ON THIS BOTTLE IS ONE OF A FEW HUNDRED PRINTED TO HELP CELEBRATE THE 100TH ANNIVERSARY (1886-1986) OF THE A7 RANCHE (OLD SPELLING), THE SOUTHERN PORTION OF WHICH BORDERS THE OLDMAN RIVER NORTH OF LUNDBRECK IN THE MAYCROFT AREA. THE RANCH WAS ESTABLISHED BY A. E. CROSS OF BIG 4 STAMPEDE FAME AND THE FORMER CALGARY BREWING/MALTING CO. (HORSESHOE AND BUFFALO LABEL). THE RANCH IS STILL OWNED BY THE CROSS FAMILY. THE BEER WAS SERVED DURING THE CELEBRATION BAR-B-Q AND THIS BOTTLE WAS GIVEN TO ME BY VAL DENNIS, SOUTH RANCH FOREMAN AT THE TIME.” ON 22 MARCH 2017, GALT COLLECTIONS TECHNICIAN KEVIN MACLEAN INTERVIEWED LIGHTBOUND ABOUT HIS DONATION OF THE 100TH ANNIVERSARY COMMEMORATIVE BOTTLE FROM A7 RANCHE BREWERY. THIS BOTTLE COMMEMORATES THE 100TH ANNIVERSARY OF THE A7 RANCHE. OF THAT, LIGHTBOUND STATES, “WELL, I MUST HAVE ACQUIRED IT SOON AFTER THAT THEN – IN 1986. IT WASN’T GIVEN TO ME DIRECTLY. I KNEW THE FOREMAN OF THE SOUTHERN BRANCH OF THE A7 RANCHE [VAL DENNIS], AND HE HAD SEVERAL OF THEM, AND HE GAVE ME ONE...THE DENNIS FAMILY HAVE A RANCH ON THE OLD MAN RIVER JUST OUTSIDE THE FOREST RESERVE, WHICH IS ACROSS THE ROAD FROM THE A7 RANCHE.” THE BOTTLE WAS GIVEN TO LIGHTBOUND EMPTY. WHEN ASKED WHY HE WAS COMPELLED TO SAVE IT, LIGHTBOUND REPLIED, “WELL, [IT REPRESENTS] AN INTERESTING PART OF THE COUNTRY. I WAS AT THE GAP RANGER STATION FOR FIVE YEARS AND THE DENNIS FAMILY HAD THE FIRST RANCH EAST OF THE FOREST RESERVE, ON THE NORTH SIDE OF THE ROAD, BETWEEN THE ROAD AND THE RIVER. I GOT TO KNOW THE FAMILY BACK AROUND 1965 AND THIS WAS [FROM] 1985. I STILL VISIT WITH THEM AND I HELPED THEM WITH THEIR RANCHING OPERATION...I SAW ALL THE FAMILY GROW UP, ALL THE KIDS GROW UP. VAL WAS ONE. WHEN I FIRST MET HIM, HE WAS A KID IN GRADE SCHOOL, AND NOW I THINK HE’S ABOUT 60 YEARS OLD, AND HE’S NEARING RETIREMENT AS AN RCMP OFFICER. SO A LOT OF YEARS HAVE PASSED. SO, OUT OF THE GOODNESS OF HIS HEART, HE THOUGHT I’D LIKE TO HAVE THAT BOTTLE AND I TOOK IT, AND I HAD IT DISPLAYED—IT WASN’T IN THE LIVING ROOM—BUT IT WAS IN THE CUPBOARD AREA IN THE DINING AREA.” ACCORDING TO THE A7 RANCHE HISTORY PROVIDED ON THEIR WEBSITE (ACCESSED ON 4 MAY 2018), THE RANCH’S FOUNDER – ALFRED ERNEST CROSS – “PICKED THE ‘A7’ BRAND TO SYMBOLIZE HIMSELF AND HIS SIX SIBLINGS. IT IS SAID TO BE THE OLDEST RANCH IN CANADA STILL IN THE HANDS OF THE ORIGINAL OWNERS, RIGHT THROUGH TO PRESENT-DAY OWNER JOHN CROSS.” THE WEBSITE CONTINUES, “A. E. CROSS IS BEST KNOWN FOR BEING ONE OF THE “BIG FOUR” CATTLEMEN WHO FOUNDED THE CALGARY STAMPEDE IN 1912. HOWEVER, HE HAD MANY OTHER BUSINESS, PUBLIC, AND CHARITABLE INTERESTS, LIKE THE CALGARY BREWING AND MALTING COMPANY, OIL AND GAS, AND THE BUDDING MOTION PICTURE INDUSTRY. CROSS ALSO SERVED AS THE MLA FOR EAST CALGARY IN THE LEGISLATIVE ASSEMBLY OF THE NORTH-WEST TERRITORIES...” PLEASE SEE PERMANENT FILE FOR MORE INFORMATION INCLUDING FULL INTERVIEW TRANSCRIPTION, A7 HISTORY AND DONOR’S NOTE.
Catalogue Number
P20140032002
Acquisition Date
2014-08
Collection
Museum
Images
Less detail
Other Name
BASKETBALL TEAM PATCH "LCI CLIPPERS"
Date Range From
1955
Date Range To
1956
Material Type
Artifact
Materials
FELT, THREAD
Catalogue Number
P20160045001
  2 images  
Material Type
Artifact
Other Name
BASKETBALL TEAM PATCH "LCI CLIPPERS"
Date Range From
1955
Date Range To
1956
Materials
FELT, THREAD
No. Pieces
1
Height
12.7
Length
12.6
Width
0.6
Description
GREEN AND YELLOW CIRCULAR TERRY CLOTH AND FELT PATCH THAT READS "LCI CLIPPERS" IN CURSIVE-STYLE FOLLOWED BY "55 56" ALL IN GREEN CHARACTERS. THE PATCH INCLUDES AN IMAGE OF A BASKETBALL NET MADE WITH YELLOW FELT AND BLACK STITCHING. THE IMAGE AND WORDS ARE SUPPORTED BY A GREEN FELT AND PALE YELLOW FELT BASE. A TERRY CLOTH-LIKE YELLOW FILLS THE CIRCLULAR CENTER OF PATCH. BACK SIDE OF STITCHING VISIBLE. GOOD TO VERY GOOD CONDITION: FOUR LOOSE THREADS (ONE ON THE BACK OF THE "C" IN "LCi", ONE ON THE TOP CURVE OF PATCH, AND ONE ON THE BOTTOM CURVE OF THE "C" IN "CLIPPERS"; GENERAL DISCOLORATION AND SURFACE DIRT OVERALL.
Subjects
PERSONAL SYMBOL
Historical Association
SPORTS
COMMEMORATIVE
History
IN EARLY 2016, LLOYD YAMAGISHI DONATED TWO LETHBRIDGE COLLEGIATE INSTITUTE (L. C. I.) CLIPPERS BADGES TO THE GALT MUSEUM. IN CORRESPONDENCE WITH THE MUSEUM, YAMAGISHI STATED, “I CAME ACROSS THE BADGES A NUMBER OF YEARS AGO WHEN WE MOVED MY NOW DECEASED MOTHER FROM HER HOME TO MARTHA’S HOUSE. I DIDN’T TOSS AWAY THE BADGES THINKING THEY BELONGED TO MY OLDER SISTER, SINCE SHE WAS THE ONLY SIBLING THAT ATTENDED LCI… THE BADGES WERE NOT HERS.” IT IS UNKNOWN WHO THE BADGES BELONGED TO. THEY READ, “LCI CLIPPERS 55 56” AND “PROV. CHAMPS 1956”. IT IS KNOWN THAT THE CLIPPERS WAS THE GIRLS’ BASKETBALL TEAM FOR LCI. THE 1956 LCI YEARBOOK TITLED “SPOTLITE” READS, “ON APRIL 10TH, THE CLIPPER QUEENS, COACHED BY MARGE CLARK, ENDED A TREMENDOUS BASKETBALL SEASON BY WINNING THE PROVINCIAL “A” GIRLS BASKETBALL CROWN. THE QUEENS RECORDED A LONG STRING OF PLAYOFF VICTORIES. THEY KNOCKED OVER THEIR FIRST VICTIMS, NOBLEFORD, TO GAIN THE LETHBRIDGE NORTHERN BASKETBALL LEAGUE TROPHY AND THE RIGHT TO ENTER THE SOUTHERN ALBERTA PLAYOFFS. THEN THE QUEENS SWAMPED VULCAN, WARNER AND TABER IN RAPID ORDER, RACKING UP SOME OF THE MOST ONE-SIDED SCORES EVER SEEN IN THE SOUTH. THE CENTRAL ALBERTA CHAMPIONSHIP TEAM, LACOMBE, WAS THE NEXT VICTIM TO FALL BEFORE THE QUEENS’ STEADY ATTACK, AS THE NORTHERNERS BOWED OUT IN TWO STRAIGHT GAMES. THE CLIPPER QUEENS THEN RETURNED HOME TO DEFEAT THE CAMROSE COMETS 83-24 AND 75-30 IN A TWO-OUT-OF-THREE SERIES. THIS FEAT CROWNED THEM PROVINCIAL CHAMPS OF 1955-56.” THE YEARBOOK LISTS THE PLAYERS OF THAT YEAR’S TEAM AS FOLLOWS: CAROLE PONECH (CAPTAIN), BEV COWARD (FORWARD, BETTY BEIMLER (FORWARD), BERNICE COWARD (GUARD), MAY LEISHMAN (GUARD), MARIANNE SNOWDON (FORWARD), CAROL LARSON (GUARD), SHIRON ERICKSON (CENTRE), JOYCE GOLIA (GUARD), AND DONALDA POZZI (FORWARD). THE BOOKS STATES THE COACH, MISS MARGE CLARK, WAS IN HER SECOND YEAR AS “THE QUEENS’ MENTOR.” THE TEAM MANAGER THAT YEAR WAS MYRNA VOSBURGH. PLEASE SEE PERMANENT FILE FOR MORE INFORMATION, INCLUDING THE DONOR CORRESPONDENCE. THE LCI 1956 YEARBOOK CITED ABOVE IS HOUSED IN THE GALT ARCHIVES (20001046000).
Catalogue Number
P20160045001
Acquisition Date
2016-01
Collection
Museum
Images
Less detail
Other Name
BASKETBALL CHAMPIONSHIP PATCH "LCI CLIPPERS"
Material Type
Artifact
Materials
FELT, THREAD, TERRY CLOTH
Catalogue Number
P20160045002
  2 images  
Material Type
Artifact
Other Name
BASKETBALL CHAMPIONSHIP PATCH "LCI CLIPPERS"
Date
1956
Materials
FELT, THREAD, TERRY CLOTH
No. Pieces
1
Height
15
Length
14.8
Width
0.6
Description
GREEN FELT AND TERRY CLOTH PATCH WITH YELLOW EMBROIDERY THAT READS "PROV. CHAMPS" ON THE TOP OF THE PATCH. GREEN FELT BASE SUPPORTING A GREEN TERRY CLOTH FABRIC. YELLOW-TRIMMED BANNER WITH GREEN INSIDE ON THE BOTTOM THAT READS "LCI CLIPPERS". YELLOW CIRCLE IN THE CENTRE WITH GREEN INSIDE. FEMALE BASKETBALL PLAYER IN CENTRE MADE FROM WHITE AND BLACK STITCHING. SHE IS THROWING A BASKETBALL TOWARDS A NET ABOVE THE CIRCLE. A DIAGONAL "1956" IS IN YELLOW CHARACTERS TO THE PLAYER'S RIGHT. BACK SHOWS BACKSIDE OF STITCHING (ROUGH). VERY GOOD CONDITION: SLIGHT SNAGGING ON FRONT; LOOSE THREADS ON BACK.
Subjects
PERSONAL SYMBOL
Historical Association
SPORTS
COMMEMORATIVE
History
IN EARLY 2016, LLOYD YAMAGISHI DONATED TWO LETHBRIDGE COLLEGIATE INSTITUTE (L. C. I.) CLIPPERS BADGES TO THE GALT MUSEUM. IN CORRESPONDENCE WITH THE MUSEUM, YAMAGISHI STATED, “I CAME ACROSS THE BADGES A NUMBER OF YEARS AGO WHEN WE MOVED MY NOW DECEASED MOTHER FROM HER HOME TO MARTHA’S HOUSE. I DIDN’T TOSS AWAY THE BADGES THINKING THEY BELONGED TO MY OLDER SISTER, SINCE SHE WAS THE ONLY SIBLING THAT ATTENDED LCI… THE BADGES WERE NOT HERS.” IT IS UNKNOWN WHO THE BADGES BELONGED TO. THEY READ, “LCI CLIPPERS 55 56” AND “PROV. CHAMPS 1956”. IT IS KNOWN THAT THE CLIPPERS WAS THE GIRLS’ BASKETBALL TEAM FOR LCI. THE 1956 LCI YEARBOOK TITLED “SPOTLITE” READS, “ON APRIL 10TH, THE CLIPPER QUEENS, COACHED BY MARGE CLARK, ENDED A TREMENDOUS BASKETBALL SEASON BY WINNING THE PROVINCIAL “A” GIRLS BASKETBALL CROWN. THE QUEENS RECORDED A LONG STRING OF PLAYOFF VICTORIES. THEY KNOCKED OVER THEIR FIRST VICTIMS, NOBLEFORD, TO GAIN THE LETHBRIDGE NORTHERN BASKETBALL LEAGUE TROPHY AND THE RIGHT TO ENTER THE SOUTHERN ALBERTA PLAYOFFS. THEN THE QUEENS SWAMPED VULCAN, WARNER AND TABER IN RAPID ORDER, RACKING UP SOME OF THE MOST ONE-SIDED SCORES EVER SEEN IN THE SOUTH. THE CENTRAL ALBERTA CHAMPIONSHIP TEAM, LACOMBE, WAS THE NEXT VICTIM TO FALL BEFORE THE QUEENS’ STEADY ATTACK, AS THE NORTHERNERS BOWED OUT IN TWO STRAIGHT GAMES. THE CLIPPER QUEENS THEN RETURNED HOME TO DEFEAT THE CAMROSE COMETS 83-24 AND 75-30 IN A TWO-OUT-OF-THREE SERIES. THIS FEAT CROWNED THEM PROVINCIAL CHAMPS OF 1955-56.” THE YEARBOOK LISTS THE PLAYERS OF THAT YEAR’S TEAM AS FOLLOWS: CAROLE PONECH (CAPTAIN), BEV COWARD (FORWARD, BETTY BEIMLER (FORWARD), BERNICE COWARD (GUARD), MAY LEISHMAN (GUARD), MARIANNE SNOWDON (FORWARD), CAROL LARSON (GUARD), SHIRON ERICKSON (CENTRE), JOYCE GOLIA (GUARD), AND DONALDA POZZI (FORWARD). THE BOOKS STATES THE COACH, MISS MARGE CLARK, WAS IN HER SECOND YEAR AS “THE QUEENS’ MENTOR.” THE TEAM MANAGER THAT YEAR WAS MYRNA VOSBURGH. PLEASE SEE PERMANENT FILE FOR MORE INFORMATION, INCLUDING THE DONOR CORRESPONDENCE. THE LCI 1956 YEARBOOK CITED ABOVE IS HOUSED IN THE GALT ARCHIVES (20001046000).
Catalogue Number
P20160045002
Acquisition Date
2016-01
Collection
Museum
Images
Less detail
Other Name
RUBBER STAMP SET
Date Range From
1940
Date Range To
1950
Material Type
Artifact
Materials
WOOD, RUBBER, METAL
Catalogue Number
P20170032000
  2 images  
Material Type
Artifact
Other Name
RUBBER STAMP SET
Date Range From
1940
Date Range To
1950
Materials
WOOD, RUBBER, METAL
No. Pieces
327
Height
9.5
Length
35.5
Width
27.5
Description
AA – BOX. H: 9.5 CM. L: 35.5 CM. W: 27.5 CM. FINISHED WOOD BOX, WITH TWO HINGES AND A FRONT CLASP. FR. FRONT CLASP IS BROKEN AND TARNISHED. RIGHT HINGE MISSING LEFTMOST SCREW. LID IS MISSING WOOD FROM THE LEFT HINGE. MISSING VARNISH, SCRATCHES, AND DINGS ON ALL SURFACES. AB – TOP TRAY. H: 2.4 CM. L: 33.5 CM. W: 25.2 CM. WOODEN TRAY WITH EIGHT DIVIDERS; SEVEN ROWS AND ONE SQUARE. FABRIC LOOP ON INNER LEFT WALL. FR. MISSING THE RIGHT SIDE OF THE TRAY, WITH THE BACK WALL AND MIDDLEMOST DIVIDERS LIFTING FROM THE FLOOR OF THE TRAY. STAINED WITH BLACK, GREEN, AND RED INK. FROM AC – DM, ALL ENTRIES ARE WOODEN STAMPS WITH RED RUBBER PADS. AC – “HOUSE” H: 2.5 CM. L: 3.7 CM. W: 3 CM. IMAGE OF A TWO-STORY HOUSE. GD. PAD STAINED BLACK; LIFTING AT CORNERS. HANDLE PARTIALLY STAINED BLACK; MISSING VARNISH. AD – “DOG” H: 2.5 CM. L: 1.7 CM. W: 2.8 CM. LABELED DOG IN SCRATCHED-IN BLUE PEN, STAMP IMAGE OF A HORSE. VG. PAD STAINED BLACK. HANDLE STAINED BLACK; MISSING VARNISH. AE – “CIRCUS” H: 2.5 CM. L: 5.8 CM. W: 3.7 CM. IMAGE OF A TENT WITH THE WORDS “THE BIG SHOW”. GD. PAD STAINED BLACK; LIFTING AT CORNERS. HANDLE STAINED BLACK, GREEN. AF – “XMAS-TREE” H: 2.5 CM. L: 2.7 CM. W: 3 CM. IMAGE OF A PINE TREE WITH CANDLES. GD. PAD STAINED BLACK; LIFTING AT CORNERS. HANDLE MINIMALLY STAINED BLACK; MISSING VARNISH. AG – “FARMER” H: 2.5 CM. L: 2 CM. W: 3 CM. IMAGE OF A MAN WITH A PITCHFORK. VG. PAD STAINED BLACK. HANDLE MINIMALLY STAINED BLACK; MISSING VARNISH. AH – “INDIAN” H: 2.5 CM. L: 2 CM. W: 3.1 CM. IMAGE OF A MAN IN A FEATHER HEADPIECE. VG. PAD STAINED BLACK. HANDLE STAINED BLUE, GREEN; MISSING VARNISH. AI – “SQUIRREL” H: 2.5 CM. L: 2.1 CM. W: 3.1 CM. IMAGE OF A SQUIRREL. VG. PAD STAINED BLACK. HANDLE PARTIALLY STAINED BLACK; MISSING VARNISH. AJ – “SANTA” H: 2.5 CM. L: 3.2 CM. W: 3 CM. IMAGE OF SANTA WITH A BAG OF TOYS. VG. PAD STAINED BLACK. HANDLE MINIMALLY STAINED BLACK; MISSING VARNISH. AK – “APPLE” H: 2.5 CM. L: 3.1 CM. W: 3 CM. IMAGE OF AN APPLE. GD. PAD PARTIALLY STAINED BLACK; LIFTING AT CORNERS. HANDLE STAINED BLACK, RED, GREEN; MISSING VARNISH. AL – “ENGINE” H: 2.5 CM. L: 3.5 CM. W: 3 CM. IMAGE OF A TRAIN ENGINE. VG. PAD STAINED BLACK. HANDLE PARTIALLY STAINED BLACK, GREEN, RED; MISSING VARNISH. AM – “SIR JOHN” H: 2.5 CM. L: 2.2 CM. W: 3 CM. IMAGE OF A MAN’S PORTRAIT. GD. PAD ALMOST COMPLETELY STAINED BLACK; LIFTING AT CORNERS. HANDLE MINIMALLY STAINED GREEN. AN – “TREE” H: 2.5 CM. L: 2.8 CM. W: 3.1 CM. IMAGE OF A TREE. GD. PAD STAINED BLACK; LIFTING AT CORNERS. HANDLE PARTIALLY STAINED BLACK; MISSING VARNISH. AO – “WIGWAM” H: 2.5 CM. L: 2.7 CM. W: 3.1 CM. IMAGE OF A TEEPEE. GD. PAD STAINED BLACK; LIFTING AT CORNERS. HANDLE MINIMALLY STAINED BLACK; MISSING VARNISH. AP – “BARN” H: 2.5 CM. L: 4.2 CM. W: 3.1 CM. IMAGE OF A BARN. GD. PAD STAINED BLACK; LIFTING AT CORNERS. HANDLE MINIMALLY STAINED BLACK; MISSING VARNISH. AQ – “BOAT” H: 2.5 CM. L: 3.7 CM. W: 3 CM. IMAGE OF A SAIL BOAT. GD. PAD STAINED BLACK; LIFTING AT CORNERS. HANDLE STAINED BLACK, GREEN; MISSING VARNISH. AR – “ESKIMO” H: 2.5 CM. L: 2.1 CM. W: 3.1 CM. IMAGE OF A MAN IN A FUR OUTFIT WITH A SPEAR. VG. PAD PARTIALLY STAINED BLACK. HANDLE MINIMALLY STAINED BLACK, GREEN. AS – “MONKEY” H: 2.5 CM. L: 2.9 CM. W: 3 CM. IMAGE OF A MONKEY. VG. PAD STAINED BLACK. HANDLE PARTIALLY STAINED BLACK; MISSING VARNISH. AT – “WHEAT” H: 2.5 CM. L: 2.1 CM. W: 3 CM. IMAGE OF A WHEAT GRAIN. GD. PAD ALMOST COMPLETELY STAINED BLACK; LIFTING AT CORNERS. HANDLE STAINED BLACK, BLUE; MISSING VARNISH. AU – “BOOK” H: 2.5 CM. L: 2.9 CM. W: 3.1 CM. IMAGE OF AN OPEN BOOK. VG. PAD STAINED BLACK. HANDLE PARTIALLY STAINED BLACK. AV – “CORN” H: 2.5 CM. L: 3.3 CM. W: 3.1 CM. IMAGE OF A HEAD OF CORN. VG. PAD STAINED BLACK. HANDLE STAINED BLACK, GREEN. AW – “DOLL” H: 2.5 CM. L: 1.8 CM. W: 3.1 CM. IMAGE OF A DOLL IN DRESS AND BONNET. GD. PAD STAINED BLACK; LIFTING AT CORNERS. HANDLE MINIMALLY STAINED BLACK; MISSING VARNISH. AX – “GEORGE V” H: 2.5 CM. L: 2.7 CM. W: 3 CM. IMAGE OF A BEARDED MAN. GD. PAD STAINED BLACK; LIFTING AT CORNERS. HANDLE HAS ALMOST NONEXISTENT BLACK, RED STAINING. AY – “SEAL” H: 2.5 CM. L: 2.9 CM. W: 3 CM. IMAGE OF A SEAL. GD. PAD PARTIALLY STAINED BLACK; LIFTING AT CORNERS. HANDLE HAS ALMOST NONEXISTENT BLACK STAINING; MISSING VARNISH. AZ – “OWL” H: 2.5 CM. L: 2.5 CM. W: 3 CM. IMAGE OF AN OWL. GD. PAD ALMOST COMPLETELY STAINED BLACK; GLUED DOWN WITH HARD GLUE LEAKING OUT. HANDLE MINIMALLY STAINED BLUE; MISSING VARNISH. BA – “FLAG” H: 2.5 CM. L: 2.9 CM. W: 3.1 CM. IMAGE OF A CANADIAN RED ENSIGN. VG. PAD STAINED BLACK. HANDLE STAINED BLACK, RED; MISSING VARNISH. BB – “CLOWN” H: 2.5 CM. L: 1.8 CM. W: 3.1 CM. IMAGE OF A CLOWN. GD. PAD STAINED BLACK; LIFTING AT CORNERS. HANDLE STAINED BLACK, BLUE, GREEN; MISSING VARNISH. BC – “CIRCLE” H: 2.5 CM. L: 3.2 CM. W: 3 CM. IMAGE OF A CIRCLE. VG. PAD STAINED BLACK. HANDLE STAINED BLACK, BLUE, GREEN, RED; MISSING VARNISH. BD – “IGLOO” H: 2.5 CM. L: 4.2 CM. W: 3.1 CM. IMAGE OF AN IGLOO, WITH A MAN SITTING NEXT TO IT. VG. PAD PARTIALLY STAINED BLACK. HANDLE PARTIALLY STAINED BLACK, RED, GREEN; MISSING VARNISH. BE – “POINTING HAND” H: 3.5 CM. L: 3.6 CM. W: 2.8 CM. IMAGE OF A POINTING HAND. PR. PAD MISSING. HANDLE STAINED BLACK, GREEN; MISSING VARNISH. BF – “BOY” H: 2.5 CM. L: 1.7 CM. W: 3.1 CM. IMAGE OF A BOY WITH A KITE. GD. PAD STAINED BLACK; LIFTING AT CORNERS. HANDLE PARTIALLY STAINED BLACK, BLUE; MISSING VARNISH. BG – “SOLDIER” H: 2.5 CM. L: 1.8 CM. W: 3 CM. IMAGE OF A MAN WITH A GUN. VG. PAD STAINED BLACK. HANDLE PARTIALLY STAINED BLACK; MISSING VARNISH. BH – “FENCE” H: 2.5 CM. L: 2.6 CM. W: 3.1 CM. IMAGE OF A FENCE. GD. PAD PARTIALLY STAINED BLACK; GLUED DOWN WITH HARD GLUE LEAKING OUT. HANDLE PARTIALLY STAINED BLUE, GREEN, RED. BI – “PRINCE” H: 2.5 CM. L: 2.2 CM. W: 3 CM. IMAGE OF A MAN’S PORTRAIT. GD. PAD PARTIALLY STAINED BLACK; LIFTING AT CORNERS. HANDLE MINIMALLY STAINED BLACK; MISSING VARNISH. BJ – “RADIO” H: 2.5 CM. L: 3 CM. W: 3 CM. IMAGE OF A DIAL RADIO. GD. PAD PARTIALLY STAINED BLACK; LIFTING AT CORNERS. HANDLE MINIMALLY STAINED GREEN; MISSING VARNISH. BK – “BALL” H: 2.5 CM. L: 2.9 CM. W: 3 CM. IMAGE OF A STRIPPED BALL. VG. PAD STAINED BLACK. HANDLE PARTIALLY STAINED BLACK, GREEN; MISSING VARNISH. BL – “1” H: 3.8 CM. L: 1.3 CM. W: 2.7 CM. NUMBER 1. GD. PAD STAINED BLACK. HANDLE STAINED BLACK, BLUE; MISSING VARNISH; HANDLE HAS BEEN BROKEN AND GLUED BACK TOGETHER. BM – “2” H: 3.6 CM. L: 1.8 CM. W: 2.8 CM. NUMBER 2. GD. PAD STAINED BLACK. HANDLE STAINED BLACK, BLUE, GREEN; MISSING VARNISH; HANDLE HAS BEEN BROKEN AND GLUED TOGETHER. BN – “3” H: 3.7 CM. L: 2 CM. W: 2.7 CM. NUMBER 3. GD. PAD STAINED BLACK. HANDLE STAINED BLACK, BLUE, GREEN; MISSING VARNISH; HANDLE HAS BEEN BROKEN AND GLUED TOGETHER. BO – “4” H: 3.8 CM. L: 2 CM. W: 2.7 CM. NUMBER 4. FR. PAD STAINED BLACK; LIFTING AT CORNERS. HANDLE STAINED BLACK, GREEN; MISSING VARNISH; HANDLE HAS BEEN BROKEN AND GLUED TOGETHER. BP – “5” H: 3.7 CM. L: 1.7 CM. W: 2.7 CM. NUMBER 5. GD. PAD STAINED BLACK. HANDLE STAINED BLACK, BLUE, GREEN; MISSING VARNISH; HANDLE HAS BEEN BROKEN AND GLUED TOGETHER. BQ – “6” H: 3.7 CM. L: 1.8 CM. W: 2.7 CM. NUMBER 6. VG. PAD STAINED BLACK. HANDLE STAINED BLACK, BLUE; MISSING VARNISH. BR – “7” H: 3.7 CM. L: 1.5 CM. W: 2.7 CM. NUMBER 7. VG. PAD STAINED BLACK. HANDLE STAINED BLACK, GREEN, BLUE; MISSING VARNISH. BS – “8” H: 3.6 CM. L: 1.9 CM. W: 2.6 CM. NUMBER 8. VG. PAD ALMOST COMPLETELY STAINED BLACK. HANDLE STAINED BLACK, GREEN, BLUE; MISSING VARNISH. BT – “9” H: 3.8 CM. L: 1.8 CM. W: 2.7 CM. NUMBER 9. GD. PAD STAINED BLACK. HANDLE STAINED BLACK, BLUE; MISSING VARNISH; HANDLE CRACKED. BU – “O” H: 3.7 CM. L: 1.4 CM. W: 2.8 CM. LOWERCASE O. VG. PAD STAINED BLACK. HANDLE STAINED BLACK; MISSING VARNISH. BV – “A” H: 3.7 CM. L: 2 CM. W: 2.7 CM. CAPITAL A. GD. PAD STAINED BLACK; LIFTING AT CORNERS. HANDLE STAINED BLACK, BLUE; MISSING VARNISH. BW – “A” H: 3.8 CM. L: 1.5 CM. W: 2.9 CM. LOWERCASE A. VG. PAD STAINED BLACK. HANDLE STAINED BLACK; MISSING VARNISH. BX – “B” H: 3.8 CM. L: 1.8 CM. W: 2.8 CM. CAPITAL B. VG. PAD STAINED BLACK. HANDLE PARTIALLY STAINED BLACK; MISSING VARNISH. BY – “B” H: 3.8 CM. L: 1.3 CM. W: 2.8 CM. LOWERCASE B. VG. PAD STAINED BLACK. HANDLE STAINED BLACK, GREEN; MISSING VARNISH. BZ – “C” H: 3.9 CM. L: 1.7 CM. W: 2.8 CM. CAPITAL C. VG. PAD STAINED BLACK. HANDLE STAINED BLACK; MISSING VARNISH. CA – “C” H: 3.7 CM. L: 1.4 CM. W: 2.8 CM. LOWERCASE C. VG. PAD STAINED BLACK. HANDLE STAINED BLACK; MISSING VARNISH. CB – “D” H: 3.8 CM. L: 1.8 CM. W: 2.8 CM. CAPITAL D. VG. PAD STAINED BLACK. HANDLE STAINED BLACK, GREEN, BLUE; MISSING VARNISH. CC – “D” H: 3.8 CM. L: 1.8 CM. W: 2.8 CM. LOWERCASE D. VG. PAD STAINED BLACK. HANDLE STAINED BLACK, RED; MISSING VARNISH. CD – “E” H: 3.8 CM. L: 1.8 CM. W: 2.8 CM. CAPITAL E. GD. PAD STAINED BLACK; GLUED DOWN WITH HARD GLUE LEAKING OUT ONTO HANDLE. HANDLE PARTIALLY STAINED BLACK, GREEN; MISSING VARNISH. CE – “E” H: 3.8 CM. L: 1.3 CM. W: 2.9 CM. LOWERCASE E. VG. PAD STAINED BLACK. HANDLE STAINED BLACK, GREEN; MISSING VARNISH. CF – “F” H: 3.8 CM. L: 1.8 CM. W: 2.8 CM. CAPITAL F. GD. PAD STAINED BLACK; LIFTING AT CORNERS. HANDLE STAINED BLACK, GREEN; MISSING VARNISH. CG – “F” H: 3.8 CM. L: 1.1 CM. W: 2.8 CM. LOWERCASE F. GD. PAD STAINED BLACK; LIFTING CORNERS. HANDLE STAINED BLACK; MISSING VARNISH. CH – “G” H: 3.8 CM. L: 2 CM. W: 2.9 CM. CAPITAL G. VG. PAD STAINED BLACK. HANDLE STAINED BLACK, GREEN; MISSING VARNISH. CI – “G” H: 3.8 CM. L: 1.7 CM. W: 2.9 CM. LOWERCASE G. GD. PAD STAINED BLACK; LIFTING AT CORNERS. HANDLE STAINED BLACK; MISSING VARNISH. CJ – “H” H: 3.9 CM. L: 2 CM. W: 2.8 CM. CAPITAL H. VG. PAD STAINED BLACK. HANDLE STAINED BLACK, GREEN; MISSING VARNISH. CK – “H” H: 3.8 CM. L: 1.6 CM. W: 2.8 CM. LOWERCASE H. VG. PAD STAINED BLACK. HANDLE STAINED BLACK; MISSING VARNISH. CL – “I” H: 3.8 CM. L: 0.8 CM. W: 2.9 CM. CAPITAL I. VG. PAD STAINED BLACK. HANDLE STAINED BLACK; MISSING VARNISH. CM – “I” H: 3.8 CM. L: 0.8 CM. W: 2.9 CM. LOWERCASE I. VG. PAD STAINED BLACK. HANDLE STAINED BLACK; MISSING VARNISH. CN – “J” H: 3.8 CM. L: 1.4 CM. W: 2.8 CM. CAPITAL J. GD. PAD STAINED BLACK; LIFTING AT CORNERS. HANDLE STAINED BLACK; MISSING VARNISH. CO – “J” H: 3.8 CM. L: 1 CM. W: 2.8 CM. LOWERCASE J. VG. PAD STAINED BLACK. HANDLE STAINED BLACK; MISSING VARNISH. CP – “K” H: 3.8 CM. L: 2.1 CM. W: 2.8 CM. CAPITAL K. VG. PAD STAINED BLACK. HANDLE STAINED BLACK; MISSING VARNISH. CQ – “K” H: 3.7 CM. L: 1.6 CM. W: 2.8 CM. LOWERCASE K. VG. PAD STAINED BLACK. HANDLE STAINED BLACK; MISSING VARNISH. CR – “L” H: 3.8 CM. L: 1.9 CM. W: 2.8 CM. CAPITAL L. VG. PAD STAINED BLACK. HANDLE STAINED BLACK, GREEN; MISSING VARNISH. CS – “-” H: 3.8 CM. L: 1.4 CM. W: 1.8 CM. DASH. VG. PAD STAINED BLACK. HANDLE MINIMALLY STAINED BLACK, GREEN; MISSING VARNISH. CT – “M” H: 3.8 CM. L: 2.4 CM. W: 2.8 CM. CAPITAL M. VG. PAD STAINED BLACK. HANDLE STAINED BLACK, BLUE; MISSING VARNISH. CU – “N” H: 3.8 CM. L: 1.6 CM. W: 2.8 CM. CAPITAL N. VG. PAD STAINED BLACK. HANDLE MINIMALLY STAINED BLACK, GREEN, RED; MISSING VARNISH. CV – “N” H: 3.8 CM. L: 1.6 CM. W: 2.8 CM. LOWERCASE N. VG. PAD STAINED BLACK. HANDLE STAINED BLACK, GREEN; MISSING VARNISH. CW – “O” H: 3.9 CM. L: 1.9 CM. W: 2.8 CM. CAPITAL O. VG. PAD STAINED BLACK. HANDLE MINIMALLY STAINED BLACK, GREEN; MISSING VARNISH. CX – “0” H: 3.7 CM. L: 2 CM. W: 2.8 CM. NUMBER 0. GD. PAD STAINED BLACK; GLUED DOWN WITH HARD GLUE LEAKING OUT. HANDLE STAINED BLACK, GREEN, RED; MISSING VARNISH. CY – “P” H: 3.8 CM. L: 1.8 CM. W: 2.8 CM. CAPITAL P. VG. PAD STAINED BLACK. HANDLE MINIMALLY STAINED BLACK, GREEN; MISSING VARNISH. CZ – “P” H: 3.8 CM. L: 1.5 CM. W: 2.8 CM. LOWERCASE P. GD. PAD STAINED BLACK; LIFTING AT CORNERS. HANDLE STAINED BLACK; MISSING VARNISH. DA – “Q” H: 3.7 CM. L: 2 CM. W: 2.8 CM. CAPITAL Q. VG. PAD STAINED BLACK. HANDLE MINIMALLY STAINED BLACK; MISSING VARNISH. DB – “Q” H: 3.8 CM. L: 1.7 CM. W: 2.9 CM. LOWERCASE Q. VG. PAD ALMOST COMPLETELY STAINED BLACK. HANDLE STAINED BLACK; MISSING VARNISH. DC – “R” H: 3.8 CM. L: 2.1 CM. W: 2.8 CM. CAPITAL R. VG. PAD STAINED BLACK. HANDLE MINIMALLY STAINED BLACK; MISSING VARNISH. DD – “R” H: 3.7 CM. L: 1.2 CM. W: 2.8 CM. LOWERCASE R. VG. PAD STAINED BLACK. HANDLE STAINED BLACK, GREEN; MISSING VARNISH. DE – “S” H: 3.7 CM. L: 1.7 CM. W: 2.7 CM. CAPITAL S. VG. PAD STAINED BLACK. HANDLE STAINED BLACK, GREEN; MISSING VARNISH. DF – “T” H: 3.8 CM. L: 1.8 CM. W: 2.8 CM. CAPITAL T. GD. PAD STAINED BLACK; GLUED DOWN WITH HARD GLUE LEAKING OUT. HANDLE MINIMALLY STAINED BLACK; MISSING VARNISH. DG – “U” H: 3.7 CM. L: 2 CM. W: 2.8 CM. CAPITAL U. VG. PAD STAINED BLACK. HANDLE STAINED BLACK, GREEN; MISSING VARNISH. DH – “V” H: 3.4 CM. L: 2 CM. W: 2.8 CM. CAPITAL V. PR. PAD MISSING. HANDLE STAINED BLACK, GREEN; MISSING VARNISH. DI – “W” H: 3.7 CM. L: 3 CM. W: 2.8 CM. CAPITAL W. GD. PAD STAINED BLACK; LIFTING AT CORNERS. HANDLE STAINED BLACK; MISSING VARNISH. DJ – “X” H: 3.8 CM. L: 2 CM. W: 2.8 CM. CAPITAL X. VG. PAD ALMOST COMPLETELY STAINED BLACK. HANDLE MINIMALLY STAINED BLACK, GREEN; MISSING VARNISH. DK – “Z” H: 3.8 CM. L: 1.7 CM. W: 2.7 CM. CAPITAL Z. GD. PAD STAINED BLACK; LIFTING AT CORNERS. HANDLE STAINED BLACK; MISSING VARNISH. DL – “X” H: 3.7 CM. L: 1 CM. W: 1.8 CM. LOWERCASE X. VG. PAD STAINED BLACK. HANDLE STAINED BLACK, GREEN; MISSING VARNISH. DM – “Y” H: 3.8 CM. L: 2 CM. W: 2.8 CM. CAPITAL Y. VG. PAD STAINED BLACK. HANDLE STAINED BLACK, GREEN, RED; MISSING VARNISH. DN – BOTTOM TRAY. H: 2.2 CM. L: 33.5 CM. W: 25.3 CM. WOODEN TRAY WITH SIXTEEN DIVIDERS; FIFTEEN ROWS AND ONE RECTANGLE. FABRIC LOOP ON INNER LEFT WALL. GD. MISSING THE RIGHT SIDE FABRIC LOOP. STAINED WITH BLACK, GREEN, AND BLUE INK. FROM DO – MO, ALL ENTRIES ARE WOODEN STAMPS WITH RED RUBBER PADS. DO – “A” H: 2.2 CM. L: 0.6 CM. W: 0.9 CM. LOWERCASE A. GD. PAD ALMOST COMPLETELY STAINED BLACK; GLUED DOWN WITH HARD GLUE LEAKING OUT ONTO HANDLE. HANDLE MINIMALLY STAINED BLACK. DP – “A” H: 2.2 CM. L: 0.6 CM. W: 0.9 CM. LOWERCASE A. VG. PAD ALMOST COMPLETELY STAINED BLACK. HANDLE MINIMALLY STAINED BLACK, GREEN. DQ – “A” H: 2.2 CM. L: 0.6 CM. W: 0.9 CM. LOWERCASE A. VG. PAD ALMOST COMPLETELY STAINED BLACK. HANDLE MINIMALLY STAINED BLACK, GREEN. DR – “B” H: 2.2 CM. L: 0.6 CM. W: 0.9 CM. LOWERCASE B. VG. PAD ALMOST COMPLETELY STAINED BLACK. HANDLE MINIMALLY STAINED BLACK, GREEN. DS – “B” H: 2.2 CM. L: 0.6 CM. W: 0.9 CM. LOWERCASE B. VG. PAD PARTIALLY STAINED BLACK. HANDLE MINIMALLY STAINED GREEN, BLUE. DT – “C” H: 2.2 CM. L: 0.6 CM. W: 0.9 CM. LOWERCASE C. GD. PAD STAINED BLACK; GLUED DOWN WITH HARD GLUE LEAKING OUT. HANDLE MINIMALLY STAINED BLACK, RED. DU – “C” H: 2.2 CM. L: 0.6 CM. W: 0.9 CM. LOWERCASE C. GD. PAD PARTIALLY STAINED BLACK; LIFTING AT CORNERS; GLUED DOWN WITH HARD GLUE LEAKING OUT. HANDLE MINIMALLY STAINED BLACK, GREEN, RED. DV – “D” H: 2.2 CM. L: 0.6 CM. W: 0.9 CM. LOWERCASE D. GD. PAD ALMOST COMPLETELY STAINED BLACK; PAD GLUED DOWN WITH GLUE LEAKING OUT. HANDLE MINIMALLY STAINED GREEN, BLUE, RED. DW – “D” H: 1.9 CM. L: 0.6 CM. W: 0.9 CM. LOWERCASE D. PR. PAD MISSING. HANDLE HAS ALMOST NONEXISTENT BLACK STAINING. DX – “E” H: 2.2 CM. L: 0.6 CM. W: 0.9 CM. LOWERCASE E. GD. PAD ALMOST COMPLETELY STAINED BLACK; GLUED DOWN WITH HARD GLUE LEAKING OUT. HANDLE MINIMALLY STAINED BLACK, RED. DY – “E” H: 2.2 CM. L: 0.6 CM. W: 0.9 CM. LOWERCASE E. GD. PAD STAINED BLACK; GLUED DOWN WITH HARD GLUE LEAKING OUT ONTO HANDLE. HANDLE STAINED BLACK, RED. DZ – “F” H: 2.2 CM. L: 0.6 CM. W: 0.9 CM. LOWERCASE F. GD. PAD PARTIALLY STAINED BLACK; GLUED DOWN WITH HARD GLUE LEAKING OUT ONTO HANDLE. HANDLE HAS ALMOST NONEXISTENT BLACK, RED STAINING. EA – “G” H: 2.2 CM. L: 0.6 CM. W: 0.9 CM. LOWERCASE G. GD. PAD MINIMALLY STAINED BLACK; GLUED DOWN WITH HARD GLUE LEAKING OUT ONTO HANDLE. HANDLE MINIMALLY STAINED RED. EB – “G” H: 2.2 CM. L: 0.6 CM. W: 0.9 CM. LOWERCASE G. VG. PAD ALMOST COMPLETELY STAINED BLACK. HANDLE MINIMALLY STAINED GREEN; MISSING VARNISH. EC – “H” H: 2.2 CM. L: 0.6 CM. W: 0.9 CM. LOWERCASE H. GD. PAD PARTIALLY STAINED BLACK; GLUED DOWN WITH HARD GLUE LEAKING OUT. HANDLE HAS ALMOST NONEXISTENT BLACK STAINING. ED – “H” H: 1.9 CM. L: 0.6 CM. W: 0.9 CM. LOWERCASE H. PR. PAD MISSING. HANDLE STAINED BLACK, GREEN. EE – “K” H: 2.2 CM. L: 0.6 CM. W: 0.9 CM. LOWERCASE K. GD. PAD PARTIALLY STAINED BLACK; GLUED DOWN WITH HARD GLUE LEAKING OUT ONTO HANDLE. HANDLE HAS ALMOST NONEXISTENT BLACK, GREEN STAINING. EF – “K” H: 2.2 CM. L: 0.6 CM. W: 0.9 CM. LOWERCASE K. GD. PAD MINIMALLY STAINED BLACK; GLUED DOWN WITH HARD GLUE LEAKING OUT ONTO HANDLE. HANDLE HAS ALMOST NONEXISTENT BLUE STAINING. EG – “M” H: 1.9 CM. L: 0.6 CM. W: 0.9 CM. LOWERCASE M. PR. PAD MISSING. HANDLE STAINED GREEN. EH – “M” H: 2.2 CM. L: 0.6 CM. W: 0.9 CM. LOWERCASE M. VG. PAD ALMOST COMPLETELY STAINED BLACK. HANDLE STAINED BLACK, GREEN, RED. EI – “N” H: 2.2 CM. L: 0.6 CM. W: 0.9 CM. LOWERCASE N. GD. PAD ALMOST COMPLETELY STAINED BLACK; GLUED DOWN WITH HARD GLUE LEAKING OUT ONTO HANDLE. HANDLE MINIMALLY STAINED BLACK, GREEN. EJ – “O” H: 2.2 CM. L: 0.6 CM. W: 0.9 CM. LOWERCASE O. VG. PAD ALMOST COMPLETELY STAINED BLACK. HANDLE MINIMALLY STAINED BLACK, RED. EK – “O” H: 2.2 CM. L: 0.6 CM. W: 0.9 CM. LOWERCASE O. VG. PAD ALMOST COMPLETELY STAINED BLACK. HANDLE HAS ALMOST NONEXISTENT GREEN STAINING; MISSING VARNISH. EL – “P” H: 2.2 CM. L: 0.6 CM. W: 0.9 CM. LOWERCASE P. VG. PAD ALMOST COMPLETELY STAINED BLACK. HANDLE HAS ALMOST NONEXISTENT BLACK STAINING. EM – “R” H: 2.2 CM. L: 0.6 CM. W: 0.9 CM. LOWERCASE R. VG. PAD STAINED BLACK. HANDLE MINIMALLY STAINED BLACK, GREEN; MISSING VARNISH. EN – “S” H: 2.2 CM. L: 0.6 CM. W: 0.9 CM. LOWERCASE S. VG. PAD STAINED BLACK. HANDLE MINIMALLY STAINED BLACK, GREEN; MISSING VARNISH. EO – “S” H: 2.2 CM. L: 0.6 CM. W: 0.9 CM. LOWERCASE S. VG. PAD STAINED BLACK. HANDLE HAS ALMOST NONEXISTENT BLACK, BLUE STAINING. EP – “T” H: 2.2 CM. L: 0.6 CM. W: 0.9 CM. LOWERCASE T. VG. PAD ALMOST COMPLETELY STAINED BLACK. HANDLE MINIMALLY STAINED BLACK, RED. EQ – “T” H: 2.2 CM. L: 0.6 CM. W: 0.9 CM. LOWERCASE T. GD. PAD STAINED BLACK; GLUED DOWN WITH HARD GLUE LEAKING OUT ONTO HANDLE. HANDLE HAS ALMOST NONEXISTENT GREEN, RED STAINING. ER – “U” H: 2.2 CM. L: 0.6 CM. W: 0.9 CM. LOWERCASE U. VG. PAD STAINED BLACK. HANDLE MINIMALLY STAINED BLACK, GREEN. ES – “U” H: 2.2 CM. L: 0.6 CM. W: 0.9 CM. LOWERCASE U. GD. PAD ALMOST COMPLETELY STAINED BLACK; GLUED DOWN WITH HARD GLUE LEAKING OUT ONTO HANDLE. HANDLE HAS ALMOST NONEXISTENT BLACK, GREEN STAINING. ET – “V” H: 2.2 CM. L: 0.6 CM. W: 0.9 CM. LOWERCASE V. EX. PAD LOOKS UNUSED. HANDLE HAS ALMOST NONEXISTENT BLUE STAINING. EU – “W” H: 2.2 CM. L: 0.6 CM. W: 0.9 CM. LOWERCASE W. GD. PAD PARTIALLY STAINED BLACK; GLUED DOWN WITH HARD GLUE LEAKING ONTO HANDLE. HANDLE UNSTAINED. EV – “W” H: 2.2 CM. L: 0.6 CM. W: 0.9 CM. LOWERCASE W. VG. PAD PARTIALLY STAINED BLACK. HANDLE HAS ALMOST NONEXISTENT GREEN, BLUE STAINING. EW – “X” H: 2.2 CM. L: 0.6 CM. W: 0.9 CM. LOWERCASE X. VG. PAD PARTIALLY BLACK. HANDLE UNSTAINED. EX – “A” H: 2.2 CM. L: 0.6 CM. W: 0.9 CM. CAPITAL A. VG. PAD ALMOST COMPLETELY STAINED BLACK. HANDLE MINIMALLY STAINED GREEN. EY – “C” H: 2.2 CM. L: 0.6 CM. W: 0.9 CM. CAPITAL C. VG. PAD PARTIALLY STAINED BLACK. HANDLE HAS ALMOST NONEXISTENT BLACK, GREEN STAINING. EZ – “D” H: 2.2 CM. L: 0.6 CM. W: 0.9 CM. CAPITAL D. VG. PAD MINIMALLY STAINED BLACK. HANDLE HAS ALMOST NONEXISTENT GREEN STAINING. FA – “E” H: 2.2 CM. L: 0.6 CM. W: 0.9 CM. CAPITAL E. VG. PAD ALMOST COMPLETELY STAINED BLACK. HANDLE MINIMALLY STAINED GREEN. FB – “H” H: 1.9 CM. L: 0.6 CM. W: 0.9 CM. CAPITAL H. PR. PAD MISSING. HANDLE STAINED BLACK. FC – “I” H: 2.2 CM. L: 0.6 CM. W: 0.9 CM. CAPITAL I. GD. PAD STAINED BLACK; GLUED DOWN WITH HARD GLUE LEAKING OUT. HANDLE MINIMALLY STAINED GREEN, BLUE. FD – “J” H: 2.2 CM. L: 0.6 CM. W: 0.9 CM. CAPITAL J. VG. PAD PARTIALLY STAINED BLACK. HANDLE STAINED BLACK. FE – “L” H: 1.9 CM. L: 0.6 CM. W: 0.9 CM. CAPITAL L. PR. PAD MISSING. HANDLE MINIMALLY STAINED BLACK. FF – “M” H: 2.2 CM. L: 0.7 CM. W: 0.9 CM. CAPITAL M. VG. PAD ALMOST COMPLETELY STAINED BLACK. HANDLE MINIMALLY STAINED BLACK, GREEN. FG – “N” H: 2.2 CM. L: 0.6 CM. W: 0.9 CM. CAPITAL N. GD. PAD HAS ALMOST NONEXISTENT BLACK STAINING; GLUED DOWN WITH HARD GLUE LEAKING OUT ONTO HANDLE. HANDLE HAS ALMOST NONEXISTENT RED STAINING. FH – “O” H: 2.2 CM. L: 0.6 CM. W: 0.9 CM. CAPITAL O. VG. PAD PARTIALLY STAINED BLACK. HANDLE HAS ALMOST NONEXISTENT RED STAINING. FI – “P” H: 2.2 CM. L: 0.6 CM. W: 0.9 CM. CAPITAL P. EX. PAD LOOKS UNUSED. HANDLE MINIMALLY STAINED BLUE, RED. FJ – “Q” H: 2.2 CM. L: 0.6 CM. W: 0.9 CM. CAPITAL Q. VG. PAD LOOKS UNUSED; GLUED DOWN WITH HARD GLUE LEAKING OUT. HANDLE UNSTAINED. FK – “R” H: 2.2 CM. L: 0.6 CM. W: 0.9 CM. CAPITAL R. VG. PAD PARTIALLY STAINED BLACK. HANDLE MINIMALLY STAINED BLACK. FL – “ONE” H: 2.2 CM. L: 1.5 CM. W: 0.9 CM. THE WORD ONE. VG. PAD PARTIALLY STAINED BLACK. HANDLE HAS ALMOST NONEXISTENT BLACK, GREEN STAINING; MISSING VARNISH FM – “TWO” H: 2.2 CM. L: 1.5 CM. W: 0.9 CM. THE WORD TWO. GD. PAD ALMOST COMPLETELY STAINED BLACK; GLUED DOWN WITH HARD GLUE LEAKING OUT. HANDLE MINIMALLY STAINED BLACK, GREEN. FN – “THREE” H: 2.2 CM. L: 2.6 CM. W: 0.9 CM. THE WORD THREE. GD. PAD PARTIALLY STAINED BLACK; GLUED DOWN WITH HARD GLUE LEAKING OUT. HANDLE MINIMALLY STAINED BLACK, GREEN. FO – “FOUR” H: 2.2 CM. L: 2.1 CM. W: 0.9 CM. THE WORD FOUR. GD. PAD PARTIALLY STAINED BLACK; GLUED DOWN WITH HARD GLUE LEAKING OUT ONTO HANDLE. HANDLE STAINED BLACK, GREEN. FP – “SIX” H: 2.2 CM. L: 1.5 CM. W: 0.9 CM. THE WORD SIX. GD. PAD PARTIALLY STAINED BLACK; GLUED DOWN WITH HARD GLUE LEAKING OUT. HANDLE MINIMALLY STAINED BLACK, GREEN. FQ – “SEVEN” H: 2.2 CM. L: 2.6 CM. W: 0.9 CM. THE WORD SEVEN. GD. PAD MINIMALLY STAINED BLACK; GLUED DOWN WITH HARD GLUE LEAKING OUT. HANDLE HAS ALMOST NONEXISTENT BLUE, RED STAINING. FR – “EIGHT” H: 2.2 CM. L: 2.6 CM. W: 0.9 CM. THE WORD EIGHT. GD. PAD MINIMALLY STAINED BLACK; GLUED DOWN WITH HARD GLUE LEAKING OUT. HANDLE HAS ALMOST NONEXISTENT BLACK STAINING FS – “NINE” H: 2.2 CM. L: 2 CM. W: 0.9 CM. THE WORD NINE. GD. PAD LOOKS UNUSED; GLUED DOWN WITH HARD GLUE LEAKING OUT. HANDLE HAS ALMOST NONEXISTENT BLACK STAINING. FT – “TEN” H: 2.2 CM. L: 1.6 CM. W: 0.9 CM. THE WORD TEN. VG. PAD PARTIALLY STAINED BLACK. HANDLE UNSTAINED; MISSING VARNISH. FU – “S” H: 2.2 CM. L: 0.5 CM. W: 0.9 CM. CAPITAL S. GD. PAD ALMOST COMPLETELY STAINED BLACK; GLUED DOWN WITH HARD GLUE LEAKING OUT ONTO HANDLE. HANDLE STAINED GREEN, RED. FV – “T” H: 2.2 CM. L: 0.6 CM. W: 0.9 CM. CAPITAL T. GD. PAD MINIMALLY STAINED BLACK; GLUED DOWN WITH HARD GLUE LEAKING OUT. HANDLE HAS ALMOST NONEXISTENT GREEN STAINING. FW – “U” H: 2.2 CM. L: 0.6 CM. W: 0.9 CM. CAPITAL U. EX. PAD LOOKS UNUSED. HANDLE UNSTAINED. FX – “W” H: 1.9 CM. L: 0.6 CM. W: 0.9 CM. CAPITAL W. PR. PAD MISSING. HANDLE HAS ALMOST NONEXISTENT GREEN STAINING. FY – “V” H: 2.2 CM. L: 0.6 CM. W: 0.9 CM. CAPITAL V. EX. PAD LOOKS UNUSED. HANDLE HAS ALMOST NONEXISTENT BLUE STAINING. FZ – “X” H: 2.2 CM. L: 0.6 CM. W: 0.9 CM. CAPITAL X. VG. PAD MINIMALLY STAINED BLACK. HANDLE STAINED GREEN, RED. GA – “Y” H: 2.2 CM. L: 0.7 CM. W: 0.9 CM. CAPITAL Y. VG. PAD MINIMALLY STAINED BLACK. HANDLE MINIMALLY STAINED GREEN, RED. GB – “1” H: 2.2 CM. L: 0.5 CM. W: 0.9 CM. NUMBER 1. GD. PAD STAINED BLACK; GLUED DOWN WITH HARD GLUE LEAKING OUT. HANDLE MINIMALLY STAINED GREEN, RED. GC – “1” H: 1.9 CM. L: 0.6 CM. W: 0.9 CM. NUMBER 1. PR. PAD MISSING. HANDLE HAS ALMOST NONEXISTENT GREEN, RED STAINING. GD – “1” H: 2.2 CM. L: 0.6 CM. W: 0.9 CM. NUMBER 1. GD. PAD PARTIALLY STAINED BLACK; GLUED DOWN WITH HARD GLUE LEAKING OUT. HANDLE MINIMALLY STAINED BLACK, GREEN, BLUE. GE – “3” H: 1.9 CM. L: 0.6 CM. W: 0.9 CM. NUMBER 3. PR. PAD MISSING. HANDLE MINIMALLY STAINED GREEN, RED. GF – “4” H: 1.9 CM. L: 0.7 CM. W: 0.9 CM. NUMBER 4. PR. PAD MISSING. HANDLE MINIMALLY STAINED GREEN. GG – “5” H: 1.9 CM. L: 0.6 CM. W: 0.9 CM. NUMBER 5. GD. PAD PARTIALLY STAINED BLACK; GLUED DOWN WITH HARD GLUE LEAKING OUT ONTO HANDLE. HANDLE HAS ALMOST NONEXISTENT RED STAINING. GH – “7” H: 2.2 CM. L: 0.6 CM. W: 0.9 CM. NUMBER 7. VG. PAD MINIMALLY STAINED BLACK. HANDLE MINIMALLY STAINED GREEN, RED. GI – “8” H: 2.2 CM. L: 0.6 CM. W: 0.9 CM. NUMBER 8. VG. PAD PARTIALLY STAINED BLACK. HANDLE MINIMALLY STAINED GREEN, RED. GJ – “HAD” H: 2.2 CM. L: 1.5 CM. W: 0.9 CM. THE WORD HAD. VG. PAD MINIMALLY STAINED BLACK. HANDLE UNSTAINED; MISSING VARNISH GK – “HAVE” H: 2.2 CM. L: 2.1 CM. W: 0.9 CM. THE WORD HAVE. VG. PAD MINIMALLY STAINED BLACK. HANDLE HAS ALMOST NONEXISTENT BLACK STAINING. GL – “AWAY” H: 2.2 CM. L: 2.1 CM. W: 0.9 CM. THE WORD AWAY. VG. PAD HAS ALMOST NONEXISTENT BLACK STAINING. HANDLE UNSTAINED; MISSING VARNISH GM – “GOOD” H: 2.2 CM. L: 2 CM. W: 0.9 CM. THE WORD GOOD. VG. PAD HAS ALMOST NONEXISTENT BLACK STAINING. HANDLE UNSTAINED; MISSING VARNISH. GN – “DOWN” H: 2.2 CM. L: 2.1 CM. W: 0.9 CM. THE WORD DOWN. GD. PAD ALMOST COMPLETELY STAINED BLACK; LIFTING AT CORNERS. HANDLE MINIMALLY STAINED BLACK, GREEN. GO – “NAME” H: 2.2 CM. L: 2.1 CM. W: 0.9 CM. THE WORD NAME. VG. PAD PARTIALLY STAINED BLACK. HANDLE HAS ALMOST NONEXISTENT BLUE STAINING. GP – “COLOUR” H: 2.2 CM. L: 3.1 CM. W: 0.9 CM. THE WORD COLOUR. GD. PAD HAS BEEN CUT, WITH THE “U” REMOVED AND THE “R” GLUED BACK ON; MINIMALLY STAINED BLACK. HANDLE HAS ALMOST NONEXISTENT BLACK STAINING; MISSING VARNISH. GQ – “BROWN” H: 2.2 CM. L: 2.1 CM. W: 0.9 CM. THE WORD BROWN. VG. PAD PARTIALLY STAINED BLACK. HANDLE MINIMALLY STAINED BLACK. GR – “GREEN” H: 2.2 CM. L: 2.1 CM. W: 0.9 CM. THE WORD GREEN. VG. PAD ALMOST COMPLETELY STAINED BLACK. HANDLE STAINED BLACK; MISSING VARNISH. GS – “RED” H: 2.2 CM. L: 1.5 CM. W: 0.9 CM. THE WORD RED. GD. PAD STAINED BLACK; LIFTING AT CORNERS. HANDLE STAINED BLACK. GT – “ORANGE” H: 2.2 CM. L: 3 CM. W: 0.9 CM. THE WORD ORANGE. VG. PAD MINIMALLY STAINED BLACK. HANDLE UNSTAINED; MISSING VARNISH. GU – “YELLOW” H: 2.2 CM. L: 3.1 CM. W: 0.9 CM. THE WORD YELLOW. VG. PAD ALMOST COMPLETELY STAINED BLACK. HANDLE MINIMALLY STAINED BLACK. GV – “BLUE” H: 2.2 CM. L: 2 CM. W: 0.9 CM. THE WORD BLUE. VG. PAD STAINED BLACK. HANDLE STAINED BLACK, GREEN. GW – “BLACK” H: 2.2 CM. L: 2.1 CM. W: 0.9 CM. THE WORD BLACK. VG. PAD ALMOST COMPLETELY STAINED BLACK. HANDLE STAINED BLACK. GX – “LITTLE” H: 2.2 CM. L: 3.1 CM. W: 0.9 CM. THE WORD LITTLE. VG. PAD PARTIALLY STAINED BLACK. HANDLE MINIMALLY STAINED BLACK, GREEN. GY – “BIG” H: 2.2 CM. L: 1.6 CM. W: 0.9 CM. THE WORD BIG. GD. PAD PARTIALLY STAINED BLACK; LIFTING AT CORNERS. HANDLE STAINED BLACK, GREEN. GZ – “CORN” H: 2.2 CM. L: 2 CM. W: 0.9 CM. THE WORD CORN. VG. PAD MINIMALLY STAINED BLACK. HANDLE PARTIALLY STAINED BLACK; MISSING VARNISH. HA – “APPLE” H: 2.2 CM. L: 2.1 CM. W: 0.9 CM. THE WORD APPLE. VG. PAD MINIMALLY STAINED BLACK. HANDLE HAS ALMOST NONEXISTENT BLACK STAINING. HB – “WHEAT” H: 2.2 CM. L: 2.1 CM. W: 0.9 CM. THE WORD WHEAT. VG. PAD MINIMALLY STAINED BLACK. HANDLE MINIMALLY STAINED BLACK; MISSING VARNISH. HC – “GRASS” H: 2.2 CM. L: 2.1 CM. W: 0.9 CM. THE WORD GRASS. VG. PAD MINIMALLY STAINED BLACK. HANDLE HAS ALMOST NONEXISTENT RED STAINING; MISSING VARNISH. HD – “FLAG” H: 2.2 CM. L: 2.1 CM. W: 0.9 CM. THE WORD FLAG. VG. PAD PARTIALLY STAINED BLACK. HANDLE HAS ALMOST NONEXISTENT GREEN STAINING. HE – “PAPER” H: 2.2 CM. L: 2.5 CM. W: 0.9 CM. THE WORD PAPER. VG. PAD HAS ALMOST NONEXISTENT BLACK STAINING. HANDLE HAS ALMOST NONEXISTENT GREEN, BLUE STAINING. HF – “CAR” H: 2.2 CM. L: 1.6 CM. W: 0.9 CM. THE WORD CAR. GD. PAD PARTIALLY STAINED BLACK; GLUED DOWN WITH HARD GLUE LEAKING OUT. HANDLE HAS ALMOST NONEXISTENT GREEN, BLUE STAINING. HG – “FLOWER” H: 1.9 CM. L: 3 CM. W: 0.9 CM. THE WORD FLOWER. VG. PAD MINIMALLY STAINED BLACK. HANDLE HAS ALMOST NONEXISTENT GREEN, RED STAINING. HH – “STAR” H: 2.2 CM. L: 2.1 CM. W: 0.9 CM. THE WORD STAR. VG. PAD HAS ALMOST NONEXISTENT BLACK STAINING. HANDLE HAS ALMOST NONEXISTENT GREEN STAINING; MISSING VARNISH. HI – “CIRCLE” H: 2.2 CM. L: 3.1 CM. W: 0.9 CM. THE WORD TREE. VG. PAD PARTIALLY STAINED BLACK. HANDLE HAS ALMOST NONEXISTENT BLACK, BLUE STAINING. HJ – “TREE” H: 2.2 CM. L: 2.1 CM. W: 0.9 CM. THE WORD TREE. VG. PAD PARTIALLY STAINED BLACK. HANDLE HAS ALMOST NONEXISTENT GREEN, BLUE STAINING. HK – “SAY” H: 2.2 CM. L: 1.5 CM. W: 0.9 CM. THE WORD SAY. VG. PAD MINIMALLY STAINED BLACK. HANDLE UNSTAINED; MISSING VARNISH. HL – “SAID” H: 2.2 CM. L: 2.1 CM. W: 0.9 CM. THE WORD SAID. VG. PAD MINIMALLY STAINED BLACK. HANDLE HAS ALMOST NONEXISTENT BLACK, RED STAINING. HM – “BALL” H: 2.2 CM. L: 2.1 CM. W: 0.9 CM. THE WORD BALL. VG. PAD PARTIALLY STAINED BLACK. HANDLE MINIMALLY STAINED BLACK. HN – “CIRCUS” H: 2.2 CM. L: 3.1 CM. W: 0.9 CM. THE WORD CIRCUS. VG. PAD PARTIALLY STAINED BLACK. HANDLE MINIMALLY STAINED GREEN. HO – “CLOWN” H: 2.2 CM. L: 2.6 CM. W: 0.9 CM. THE WORD CLOWN. VG. PAD MINIMALLY STAINED BLACK. HANDLE HAS ALMOST NONEXISTENT BLUE STAINING. HP – “IGLOO” H: 2.2 CM. L: 2.6 CM. W: 0.9 CM. THE WORD IGLOO. VG. PAD MINIMALLY STAINED BLACK, GREEN. HANDLE HAS ALMOST NONEXISTENT BLUE STAINING; MISSING VARNISH. HQ – “WIGWAM” H: 2.2 CM. L: 3.1 CM. W: 0.9 CM. THE WORD WIGWAM. VG. PAD MINIMALLY STAINED BLACK. HANDLE MINIMALLY STAINED BLACK, RED. HR – “SCHOOL” H: 2.2 CM. L: 3 CM. W: 0.9 CM. THE WORD SCHOOL. VG. PAD PARTIALLY STAINED BLACK. HANDLE MINIMALLY STAINED GREEN; MISSING VARNISH. HS – “SOME” H: 2.2 CM. L: 2.1 CM. W: 0.9 CM. THE WORD SOME. VG. PAD MINIMALLY STAINED BLACK. HANDLE HAS ALMOST NONEXISTENT BLUE STAINING; MISSING VARNISH. HT – “WAS” H: 2.2 CM. L: 1.5 CM. W: 0.9 CM. THE WORD WAS. VG. PAD MINIMALLY STAINED BLACK. HANDLE HAS ALMOST NONEXISTENT BLACK, RED STAINING. HU – “MET” H: 2.2 CM. L: 1.6 CM. W: 0.9 CM. THE WORD MET. VG. PAD HAS ALMOST NONEXISTENT BLACK STAINING. HANDLE UNSTAINED. HV – “CAME” H: 2.2 CM. L: 2 CM. W: 0.9 CM. THE WORD CAME. GD. PAD MINIMALLY STAINED BLACK; GLUED DOWN WITH HARD GLUE LEAKING OUT ONTO HANDLE. HANDLE HAS ALMOST NONEXISTENT BLACK, BLUE STAINING. HW – “RAN” H: 2.2 CM. L: 1.6 CM. W: 0.9 CM. THE WORD RAN. VG. PAD MINIMALLY STAINED BLACK. HANDLE HAS ALMOST NONEXISTENT BLUE STAINING; MISSING VARNISH. HX – “COME” H: 1.9 CM. L: 2.1 CM. W: 0.9 CM. THE WORD COME. VG. PAD PARTIALLY STAINED BLACK. HANDLE STAINED BLACK, GREEN, BLUE; MISSING VARNISH. HY – “DID” H: 2.2 CM. L: 1.6 CM. W: 0.9 CM. THE WORD DID. VG. PAD PARTIALLY STAINED BLACK. HANDLE MINIMALLY STAINED BLACK. HZ – “MADE” H: 2.2 CM. L: 2 CM. W: 0.9 CM. THE WORD MADE. VG. PAD HAS ALMOST NONEXISTENT BLACK STAINING. HANDLE HAS ALMOST NONEXISTENT BLACK STAINING; MISSING VARNISH. IA – “SEE” H: 2.2 CM. L: 1.6 CM. W: 0.9 CM. THE WORD SEE. GD. PAD ALMOST COMPLETELY STAINED BLACK; LIFTING AT CORNERS. HANDLE MINIMALLY STAINED GREEN, RED. IB – “WENT” H: 2.2 CM. L: 2.1 CM. W: 0.9 CM. THE WORD WENT. VG. PAD HAS ALMOST NONEXISTENT BLACK STAINING. HANDLE UNSTAINED IC – “SAW” H: 2.2 CM. L: 1.5 CM. W: 0.9 CM. THE WORD SAW. GD. PAD MINIMALLY STAINED BLACK; GLUED DOWN WITH HARD GLUE LEAKING OUT. HANDLE HAS ALMOST NONEXISTENT BLACK, GREEN STAINING; MISSING VARNISH. ID – “JUMP” H: 2.2 CM. L: 2.1 CM. W: 0.9 CM. THE WORD JUMP. VG. PAD ALMOST COMPLETELY STAINED BLACK. HANDLE HAS ALMOST NONEXISTENT BLACK, GREEN STAINING. IE – “PLAY” H: 2.2 CM. L: 2 CM. W: 0.9 CM. THE WORD PLAY. VG. PAD MINIMALLY STAINED BLACK. HANDLE STAINED GREEN. IF – “LOOK” H: 2.2 CM. L: 2 CM. W: 0.9 CM. THE WORD LOOK. GD. PAD PARTIALLY STAINED BLACK; MISSING A CORNER. HANDLE HAS ALMOST NONEXISTENT BLACK, GREEN STAINING. IG – “LONG” H: 1.9 CM. L: 2 CM. W: 0.9 CM. THE WORD LONG. EX. PAD LOOKS UNUSED. HANDLE UNSTAINED. IH – “THEM” H: 2.2 CM. L: 2 CM. W: 0.9 CM. THE WORD THEM. EX. PAD LOOKS UNUSED. HANDLE UNSTAINED. II – “AFTER” H: 2.2 CM. L: 2.5 CM. W: 0.9 CM. THE WORD AFTER. VG. PAD HAS ALMOST NONEXISTENT BLACK STAINING. HANDLE HAS ALMOST NONEXISTENT BLACK STAINING. IJ – “WANT” H: 2.2 CM. L: 2.2 CM. W: 0.9 CM. THE WORD WANT. VG. PAD MINIMALLY STAINED BLACK. HANDLE MINIMALLY STAINED GREEN, RED. IK – “WILL” H: 2.2 CM. L: 2 CM. W: 0.9 CM. THE WORD WILL. VG. PAD MINIMALLY STAINED BLACK. HANDLE HAS ALMOST NONEXISTENT BLACK, RED STAINING; MISSING VARNISH. IL – “MAKE” H: 2.2 CM. L: 2.1 CM. W: 0.9 CM. THE WORD MAKE. VG. PAD PARTIALLY STAINED BLACK. HANDLE MINIMALLY STAINED GREEN; MISSING VARNISH. IM – “CAN” H: 2.2 CM. L: 1.6 CM. W: 0.9 CM. THE WORD CAN. VG. PAD MINIMALLY STAINED BLACK. HANDLE MINIMALLY STAINED BLACK, GREEN. IN – “ARE” H: 2.2 CM. L: 1.6 CM. W: 0.9 CM. THE WORD ARE. VG. PAD MINIMALLY STAINED BLACK. HANDLE UNSTAINED. IO – “WERE” H: 2.2 CM. L: 2.1 CM. W: 0.9 CM. THE WORD WERE. VG. PAD MINIMALLY STAINED BLACK. HANDLE HAS ALMOST NONEXISTENT GREEN STAINING. IP – “LIKE” H: 2.2 CM. L: 2.1 CM. W: 0.9 CM. THE WORD LIKE. VG. PAD PARTIALLY STAINED BLACK. HANDLE UNSTAINED IQ – “READ” H: 2.2 CM. L: 2 CM. W: 0.9 CM. THE WORD READ. VG. PAD HAS ALMOST NONEXISTENT BLACK STAINING. HANDLE HAS ALMOST NONEXISTENT BLACK STAINING; MISSING VARNISH. IR – “RADIO” H: 2.2 CM. L: 2.5 CM. W: 0.9 CM. THE WORD RADIO. VG. PAD MINIMALLY STAINED BLACK. HANDLE HAS ALMOST NONEXISTENT RED STAINING. IS – “AEROPLANE” H: 2.2 CM. L: 4.6 CM. W: 0.9 CM. THE WORD AEROPLANE. VG. PAD MINIMALLY STAINED BLACK. HANDLE HAS ALMOST NONEXISTENT BLACK, GREEN STAINING; MISSING VARNISH. IT – “FLY” H: 2.2 CM. L: 1.5 CM. W: 0.9 CM. THE WORD FLY. VG. PAD MINIMALLY STAINED BLACK. HANDLE UNSTAINED; MISSING VARNISH. IU – “BOAT” H: 2.2 CM. L: 2.2 CM. W: 0.9 CM. THE WORD BOAT. VG. PAD PARTIALLY STAINED BLACK. HANDLE MINIMALLY STAINED BLACK. IV – “RIDE” H: 2.2 CM. L: 2.1 CM. W: 0.9 CM. THE WORD RIDE. GD. PAD MINIMALLY STAINED BLACK; GLUED DOWN WITH HARD GLUE LEAKING OUT ONTO HANDLE. HANDLE MINIMALLY STAINED BLACK; MISSING VARNISH. IW – “FENCE” H: 2.2 CM. L: 2.1 CM. W: 0.9 CM. THE WORD FENCE. VG. PAD MINIMALLY STAINED BLACK. HANDLE STAINED RED; MISSING VARNISH. IX – “TURKEY” H: 1.9 CM. L: 3 CM. W: 0.9 CM. THE WORD TURKEY. VG. PAD MINIMALLY STAINED BLACK, GREEN. HANDLE HAS ALMOST NONEXISTENT BLUE, RED STAINING. IY – “WITH” H: 2.2 CM. L: 2.1 CM. W: 0.9 CM. THE WORD WITH. VG. PAD MINIMALLY STAINED BLACK. HANDLE UNSTAINED; MISSING VARNISH. IZ – “LIVE” H: 2.2 CM. L: 2.1 CM. W: 0.9 CM. THE WORD LIVE. VG. PAD MINIMALLY BLACK, GREEN. HANDLE HAS ALMOST NONEXISTENT BLACK, GREEN STAINING. JA – “MORNING” H: 2.2 CM. L: 3.6 CM. W: 0.9 CM. THE WORD MORNING. VG. PAD PARTIALLY STAINED BLACK, PURPLE. HANDLE STAINED BLACK, PURPLE. JB – “OLD” H: 2.2 CM. L: 1.5 CM. W: 0.9 CM. THE WORD OLD. GD. PAD HAS ALMOST NONEXISTENT BLACK STAINING; GLUED DOWN WITH HARD GLUE LEAKING OUT. HANDLE UNSTAINED JC – “MAY” H: 2.2 CM. L: 1.6 CM. W: 0.9 CM. THE WORD MAY. VG. PAD MINIMALLY STAINED BLACK. HANDLE HAS ALMOST NONEXISTENT BLACK STAINING. JD – “TOO” H: 2.2 CM. L: 1.5 CM. W: 0.9 CM. THE WORD TOO. VG. PAD HAS ALMOST NONEXISTENT BLACK STAINING. HANDLE MINIMALLY STAINED GREEN, BLUE. JE – “ALL” H: 2.2 CM. L: 1.6 CM. W: 0.9 CM. THE WORD ALL. VG. PAD MINIMALLY STAINED BLACK. HANDLE UNSTAINED. JF – “FARM” H: 2.2 CM. L: 2.1 CM. W: 0.9 CM. THE WORD FARM. VG. PAD PARTIALLY STAINED BLACK. HANDLE STAINED BLACK, GREEN, RED; MISSING VARNISH. JG – “HEN” H: 1.9 CM. L: 1.6 CM. W: 0.9 CM. THE WORD HEN. VG. PAD ALMOST COMPLETELY STAINED BLACK. HANDLE HAS ALMOST NONEXISTENT BLACK STAINING. JH – “CAT” H: 2.2 CM. L: 1.6 CM. W: 0.9 CM. THE WORD CAT. GD. PAD STAINED BLACK; GLUED DOWN WITH HARD GLUE LEAKING OUT ONTO HANDLE. HANDLE STAINED BLACK, BLUE. JI – “RABBIT” H: 2.2 CM. L: 3 CM. W: 0.9 CM. THE WORD RABBIT. VG. PAD MINIMALLY STAINED BLACK. HANDLE HAS ALMOST NONEXISTENT BLACK, RED STAINING. JJ – “COW” H: 2.2 CM. L: 1.6 CM. W: 0.9 CM. THE WORD COW. VG. PAD PARTIALLY STAINED BLACK. HANDLE MINIMALLY STAINED BLACK; MISSING VARNISH. JK – “DONKEY” H: 2.2 CM. L: 3.1 CM. W: 0.9 CM. THE WORD DONKEY. VG. PAD HAS ALMOST NONEXISTENT BLACK STAINING. HANDLE HAS ALMOST NONEXISTENT BLACK STAINING. JL – “HORSE” H: 2.2 CM. L: 2.5 CM. W: 0.9 CM. THE WORD HORSE. VG. PAD PARTIALLY STAINED BLACK. HANDLE STAINED BLACK, BLUE; MISSING VARNISH. JM – “SHEEP” H: 2.2 CM. L: 2.6 CM. W: 0.9 CM. THE WORD SHEEP. VG. PAD HAS ALMOST NONEXISTENT BLACK STAINING. HANDLE HAS ALMOST NONEXISTENT BLACK STAINING; MISSING VARNISH. JN – “GOAT” H: 2.2 CM. L: 2 CM. W: 0.9 CM. THE WORD GOAT. VG. PAD MINIMALLY STAINED BLACK. HANDLE HAS ALMOST NONEXISTENT BLUE STAINING; MISSING VARNISH. JO – “ROOSTER” H: 2.2 CM. L: 3.5 CM. W: 0.9 CM. THE WORD ROOSTER. GD. PAD MINIMALLY STAINED BLACK; LIFTING AT CORNERS. HANDLE HAS ALMOST NONEXISTENT GREEN STAINING; MISSING VARNISH. JP – “TIGER” H: 2.2 CM. L: 2.5 CM. W: 0.9 CM. THE WORD TIGER. VG. PAD MINIMALLY STAINED BLACK. HANDLE HAS ALMOST NONEXISTENT BLACK STAINING. JQ – “BEAR” H: 2.2 CM. L: 2 CM. W: 0.9 CM. THE WORD BEAR. VG. PAD MINIMALLY STAINED BLACK. HANDLE HAS ALMOST NONEXISTENT BLACK STAINING. JR – “BIRD” H: 2.2 CM. L: 2 CM. W: 0.9 CM. THE WORD BIRD. VG. PAD PARTIALLY STAINED BLACK. HANDLE HAS ALMOST NONEXISTENT BLACK STAINING; MISSING VARNISH. JS – “MONKEY” H: 2.2 CM. L: 3.1 CM. W: 0.9 CM. THE WORD MONKEY. VG. PAD MINIMALLY STAINED BLACK. HANDLE HAS ALMOST NONEXISTENT BLACK, RED STAINING. JT – “SEAL” H: 2.2 CM. L: 2.1 CM. W: 0.9 CM. THE WORD SEAL. VG. PAD MINIMALLY STAINED BLACK. HANDLE HAS ALMOST NONEXISTENT BLACK, RED STAINING; MISSING VARNISH. JU – “GOOSE” H: 2.2 CM. L: 2.6 CM. W: 0.9 CM. THE WORD GOOSE. VG. PAD MINIMALLY STAINED BLACK. HANDLE HAS ALMOST NONEXISTENT BLACK, RED; MISSING VARNISH. JV – “DOG” H: 2.2 CM. L: 1.6 CM. W: 0.9 CM. THE WORD DOG. VG. PAD ALMOST COMPLETELY STAINED BLACK. HANDLE STAINED BLACK, BLUE. JW – “SQUIRREL” H: 2.2 CM. L: 4.1 CM. W: 0.9 CM. THE WORD SQUIRREL. VG. PAD MINIMALLY STAINED BLACK. HANDLE UNSTAINED. JX – “PIG” H: 1.9 CM. L: 1.6 CM. W: 0.9 CM. THE WORD PIG. VG. PAD PARTIALLY STAINED BLACK. HANDLE STAINED BLACK. JY – “BARN” H: 2.2 CM. L: 2.1 CM. W: 0.9 CM. THE WORD BARN. VG. PAD PARTIALLY STAINED BLACK. HANDLE STAINED BLACK, BLUE, PURPLE. JZ – “SISTER” H: 2.2 CM. L: 3.1 CM. W: 0.9 CM. THE WORD SISTER. VG. PAD HAS ALMOST NONEXISTENT BLACK STAINING. HANDLE UNSTAINED. KA – “BROTHER” H: 2.2 CM. L: 3.5 CM. W: 0.9 CM. THE WORD BROTHER. VG. PAD MINIMALLY STAINED BLACK. HANDLE HAS ALMOST NONEXISTENT GREEN STAINING. KB – “BABY” H: 2.2 CM. L: 2.1 CM. W: 0.9 CM. THE WORD BABY. VG. PAD ALMOST COMPLETELY STAINED BLACK. HANDLE PARTIALLY STAINED BLACK, GREEN. KC – “CHILDREN” H: 2.2 CM. L: 4.1 CM. W: 0.9 CM. THE WORD CHILDREN. VG. PAD PARTIALLY STAINED BLACK. HANDLE HAS ALMOST NONEXISTENT BLACK STAINING. KD – “MOTHER” H: 2.2 CM. L: 3.1 CM. W: 0.9 CM. THE WORD MOTHER. VG. PAD PARTIALLY STAINED BLACK. HANDLE HAS ALMOST NONEXISTENT BLACK, RED STAINING. KE – “FATHER” H: 2.2 CM. L: 3.1 CM. W: 0.9 CM. THE WORD FATHER. VG. PAD PARTIALLY STAINED BLACK. HANDLE MINIMALLY STAINED BLACK. KF – “GIRL” H: 2.2 CM. L: 2.1 CM. W: 0.9 CM. THE WORD GIRL. VG. PAD ALMOST COMPLETELY STAINED BLACK. HANDLE MINIMALLY STAINED BLACK; MISSING VARNISH. KG – “BOY” H: 1.9 CM. L: 1.6 CM. W: 0.9 CM. THE WORD BOY. VG. PAD ALMOST COMPLETELY STAINED BLACK. HANDLE STAINED BLACK, RED. KH – “MAN” H: 2.2 CM. L: 1.6 CM. W: 0.9 CM. THE WORD MAN. VG. PAD MINIMALLY STAINED BLACK. HANDLE UNSTAINED; MISSING VARNISH. KI – “HE” H: 2.2 CM. L: 1.1 CM. W: 0.9 CM. THE CAPITALIZED WORD HE. VG. PAD PARTIALLY STAINED BLACK. HANDLE HAS ALMOST NONEXISTENT BLACK STAINING. KJ – “HE” H: 2.2 CM. L: 1 CM. W: 0.9 CM. THE WORD HE. VG. PAD HAS ALMOST NONEXISTENT BLACK STAINING. HANDLE UNSTAINED. KK – “SHE” H: 1.9 CM. L: 1.6 CM. W: 0.9 CM. THE CAPITALIZED WORD SHE. PR. PAD MISSING. HANDLE HAS ALMOST NONEXISTENT BLACK, RED STAINING; MISSING VARNISH. KL – “SHE” H: 2.2 CM. L: 1.5 CM. W: 0.9 CM. THE WORD SHE. VG. PAD PARTIALLY STAINED BLACK. HANDLE HAS ALMOST NONEXISTENT BLACK STAINING. KM – “HIS” H: 2.2 CM. L: 1.6 CM. W: 0.9 CM. THE CAPITALIZED WORD HIS. VG. PAD HAS ALMOST NONEXISTENT BLACK STAINING. HANDLE HAS ALMOST NONEXISTENT BLACK STAINING. KN – “HIS” H: 2.2 CM. L: 1.6 CM. W: 0.9 CM. THE WORD HIS. VG. PAD MINIMALLY STAINED BLACK. HANDLE HAS ALMOST NONEXISTENT BLACK STAINING. KO – “HER” H: 2.2 CM. L: 1.6 CM. W: 0.9 CM. THE CAPITALIZED WORD HER. VG. PAD HAS ALMOST NONEXISTENT BLACK STAINING. HANDLE UNSTAINED. KP – “HER” H: 2.2 CM. L: 1.6 CM. W: 0.9 CM. THE WORD HER. VG. PAD MINIMALLY STAINED BLACK. HANDLE HAS ALMOST NONEXISTENT BLUE STAINING. KQ – “THEY” H: 2.2 CM. L: 2.1 CM. W: 0.9 CM. THE WORD THEY. VG. PAD HAS ALMOST NONEXISTENT BLACK STAINING. HANDLE UNSTAINED. KR – “ME” H: 2.2 CM. L: 1.1 CM. W: 0.9 CM. THE WORD ME. VG. PAD MINIMALLY STAINED BLACK. HANDLE HAS ALMOST NONEXISTENT GREEN STAINING. KS – “YOU” H: 2.2 CM. L: 1.6 CM. W: 0.9 CM. THE WORD YOU. VG. PAD PARTIALLY STAINED BLACK. HANDLE HAS ALMOST NONEXISTENT GREEN STAINING; MISSING VARNISH. KT – “YOU” H: 2.2 CM. L: 1.5 CM. W: 0.9 CM. THE CAPITALIZED WORD YOU. VG. PAD MINIMALLY STAINED BLACK. HANDLE HAS ALMOST NONEXISTENT GREEN STAINING; MISSING VARNISH. KU – “YOUR” H: 2.2 CM. L: 2.1 CM. W: 0.9 CM. THE WORD YOUR. VG. PAD HAS ALMOST NONEXISTENT BLACK STAINING. HANDLE HAS ALMOST NONEXISTENT BLUE STAINING; MISSING VARNISH. KV – “IT” H: 2.2 CM. L: 1.1 CM. W: 0.9 CM. THE CAPITALIZED WORD IT. VG. PAD MINIMALLY STAINED BLACK. HANDLE HAS ALMOST NONEXISTENT BLACK STAINING; MISSING VARNISH. KW – “WE” H: 2.2 CM. L: 1 CM. W: 0.9 CM. THE WORD WE. VG. PAD PARTIALLY STAINED BLACK. HANDLE STAINED GREEN, BLUE; MISSING VARNISH. KX – “TELL” H: 1.9 CM. L: 2.1 CM. W: 0.9 CM. THE CAPITALIZED WORD TELL. EX. PAD LOOKS UNUSED. HANDLE HAS ALMOST NONEXISTENT BLUE, RED STAINING. KY – “CUT” H: 2.2 CM. L: 1.6 CM. W: 0.9 CM. THE CAPITALIZED WORD CUT. VG. PAD HAS ALMOST NONEXISTENT BLACK STAINING. HANDLE HAS ALMOST NONEXISTENT BLACK, BLUE, RED STAINING. KZ – “DRAW” H: 2.2 CM. L: 2 CM. W: 0.9 CM. THE CAPITALIZED WORD DRAW. VG. PAD PARTIALLY STAINED BLACK. HANDLE STAINED GREEN, BLUE. LA – “MAY” H: 2.2 CM. L: 1.5 CM. W: 0.9 CM. THE NAME MAY. VG. PAD MINIMALLY STAINED BLACK. HANDLE UNSTAINED. LB – “BILLY” H: 2.2 CM. L: 2.5 CM. W: 0.9 CM. THE NAME BILLY. VG. PAD MINIMALLY STAINED BLACK. HANDLE HAS ALMOST NONEXISTENT GREEN, BLUE STAINING. LC – “FIND” H: 2.2 CM. L: 2 CM. W: 0.9 CM. THE CAPITALIZED WORD FIND. VG. PAD MINIMALLY STAINED BLACK. HANDLE STAINED GREEN. LD – “MOLLY” H: 2.2 CM. L: 2.6 CM. W: 0.9 CM. THE NAME MOLLY. VG. PAD MINIMALLY STAINED BLACK. HANDLE HAS ALMOST NONEXISTENT GREEN, BLUE, RED, PURPLE STAINING. LE – “THIS” H: 2.2 CM. L: 2 CM. W: 0.9 CM. THE CAPITALIZED WORD THIS. VG. PAD MINIMALLY STAINED BLACK. HANDLE HAS ALMOST NONEXISTENT BLACK STAINING. LF – “SANTA CLAUS” H: 2.2 CM. L: 5.3 CM. W: 0.9 CM. THE NAME SANTA CLAUS. VG. PAD PARTIALLY STAINED BLACK. HANDLE HAS ALMOST NONEXISTENT GREEN, RED STAINING. LG – “WHEN” H: 1.9 CM. L: 2.1 CM. W: 0.9 CM. THE CAPITALIZED WORD WHEN. VG. PAD MINIMALLY STAINED BLACK. HANDLE HAS ALMOST NONEXISTENT RED STAINING; MISSING VARNISH. LH – “COUNT” H: 2.2 CM. L: 2.6 CM. W: 0.9 CM. THE CAPITALIZED WORD COUNT. VG. PAD HAS ALMOST NONEXISTENT BLACK. HANDLE HAS ALMOST NONEXISTENT BLUE STAINING. LI – “WHY” H: 2.2 CM. L: 1.5 CM. W: 0.9 CM. THE CAPITALIZED WORD WHY. VG. PAD MINIMALLY STAINED BLACK. HANDLE HAS ALMOST NONEXISTENT BLUE STAINING. LJ – “THEY” H: 2.2 CM. L: 2 CM. W: 0.9 CM. THE CAPITALIZED WORD THEY. VG. PAD PARTIALLY STAINED BLACK. HANDLE HAS ALMOST NONEXISTENT GREEN, BLUE, RED STAINING. LK – “YES” H: 1.9 CM. L: 1.6 CM. W: 0.9 CM. THE CAPITALIZED WORD YES. VG. PAD PARTIALLY STAINED BLACK. HANDLE PARTIALLY STAINED GREEN. LL – “PASTE” H: 2.2 CM. L: 1.5 CM. W: 0.9 CM. THE CAPITALIZED WORD PASTE. GD. PAD HAS ALMOST NONEXISTENT BLACK STAINING; GLUED DOWN WITH HARD GLUE LEAKING OUT. HANDLE UNSTAINED. LM – “CAN” H: 2.2 CM. L: 1.6 CM. W: 0.9 CM. THE CAPITALIZED WORD CAN. VG. PAD MINIMALLY STAINED BLACK. HANDLE HAS ALMOST NONEXISTENT BLACK, BLUE STAINING. LN – “INDIAN” H: 2.2 CM. L: 3.1 CM. W: 0.9 CM. THE CAPITALIZED WORD INDIAN. VG. PAD ALMOST COMPLETELY STAINED BLACK. HANDLE STAINED BLACK, GREEN, BLUE. LO – “DO” H: 2.2 CM. L: 1 CM. W: 0.9 CM. THE CAPITALIZED WORD DO. VG. PAD PARTIALLY STAINED BLACK. HANDLE HAS ALMOST NONEXISTENT GREEN, BLUE STAINING. LP – “THE” H: 2.2 CM. L: 1.5 CM. W: 0.9 CM. THE CAPITALIZED WORD THE. VG. PAD PARTIALLY STAINED BLACK. HANDLE MINIMALLY STAINED GREEN. LQ – “HOW” H: 2.2 CM. L: 2.1 CM. W: 0.9 CM. THE CAPITALIZED WORD HOW. VG. PAD MINIMALLY STAINED BLACK. HANDLE HAS ALMOST NONEXISTENT BLACK STAINING; MISSING VARNISH. LR – “WHAT” H: 2.2 CM. L: 2.1 CM. W: 0.9 CM. THE CAPITALIZED WORD WHAT. VG. PAD MINIMALLY STAINED BLACK. HANDLE HAS ALMOST NONEXISTENT BLUE, RED STAINING; MISSING VARNISH. LS – “GIVE” H: 2.2 CM. L: 2.1 CM. W: 0.9 CM. THE CAPITALIZED WORD GIVE. VG. PAD MINIMALLY STAINED BLACK. HANDLE HAS ALMOST NONEXISTENT GREEN STAINING; MISSING VARNISH. LT – “?” H: 2.2 CM. L: 0.6 CM. W: 0.9 CM. QUESTION MARK. VG. PAD STAINED BLACK. HANDLE MINIMALLY STAINED GREEN; MISSING VARNISH. LU – “.” H: 2.2 CM. L: 0.6 CM. W: 0.9 CM. PERIOD. GD. PAD ALMOST COMPLETELY STAINED BLACK; GLUED DOWN WITH HARD GLUE LEAKING OUT ONTO HANDLE. HANDLE HAS ALMOST NONEXISTENT BLACK, RED STAINING. LV – “+” H: 2.2 CM. L: 0.6 CM. W: 0.9 CM. PLUS SIGN. GD. PAD PARTIALLY STAINED BLACK; GLUED DOWN WITH HARD GLUE LEAKING OUT ONTO HANDLE. HANDLE MINIMALLY STAINED RED. LW – “-” H: 2.2 CM. L: 0.6 CM. W: 0.9 CM. MINUS SIGN. GD. PAD ALMOST COMPLETELY STAINED BLACK; GLUED DOWN WITH HARD GLUE LEAKING OUT ONTO HANDLE. HANDLE MINIMALLY STAINED GREEN, BLUE. LX – “AND” H: 1.9 CM. L: 1.5 CM. W: 0.9 CM. THE WORD AND. VG. PAD PARTIALLY STAINED BLACK. HANDLE STAINED GREEN, BLUE. LY – “MY” H: 2.2 CM. L: 1.1 CM. W: 0.9 CM. THE WORD MY. VG. PAD PARTIALLY STAINED BLACK. HANDLE STAINED GREEN, BLUE. LZ – “ING” H: 2.2 CM. L: 1.5 CM. W: 0.9 CM. THE LETTERS ING. VG. PAD HAS ALMOST NONEXISTENT BLACK STAINING. HANDLE HAS ALMOST NONEXISTENT GREEN STAINING; MISSING VARNISH. MA – “ED” H: 2.2 CM. L: 1 CM. W: 0.9 CM. THE LETTERS ED. GD. PAD HAS ALMOST NONEXISTENT BLACK STAINING; GLUED DOWN WITH HARD GLUE LEAKING OUT ONTO HANDLE. HANDLE UNSTAINED. MB – “THE” H: 2.2 CM. L: 1.5 CM. W: 0.9 CM. THE WORD THE. VG. PAD PARTIALLY STAINED BLACK. HANDLE MINIMALLY STAINED GREEN, BLUE. MC – “IT” H: 2.2 CM. L: 1 CM. W: 0.9 CM. THE WORD IT. VG. PAD ALMOST COMPLETELY STAINED BLACK. HANDLE MINIMALLY STAINED GREEN; MISSING VARNISH. MD – “AM” H: 2.2 CM. L: 1.2 CM. W: 0.9 CM. THE WORD AM. GD. PAD PARTIALLY STAINED BLACK; GLUED DOWN WITH HARD GLUE LEAKING OUT. HANDLE HAS ALMOST NONEXISTENT BLUE STAINING. ME – “HAS” H: 2.2 CM. L: 1.6 CM. W: 0.9 CM. THE WORD HAS. VG. PAD PARTIALLY STAINED BLACK. HANDLE HAS ALMOST NONEXISTENT BLACK STAINING; MISSING VARNISH. MF – “NO” H: 2.2 CM. L: 1.1 CM. W: 0.9 CM. THE WORD NO. VG. PAD ALMOST COMPLETELY STAINED BLACK. HANDLE HAS ALMOST NONEXISTENT BLACK, GREEN STAINING; MISSING VARNISH. MG – “TO” H: 1.9 CM. L: 1.2 CM. W: 0.9 CM. THE WORD TO. GD. PAD PARTIALLY STAINED BLACK; GLUED DOWN WITH HARD GLUE LEAKING OUT. HANDLE HAS ALMOST NONEXISTENT GREEN STAINING. MH – “ON” H: 2.2 CM. L: 1.2 CM. W: 0.9 CM. THE WORD ON. GD. PAD ALMOST COMPLETELY STAINED BLACK; LIFTING AT THE CORNERS. HANDLE HAS ALMOST NONEXISTENT BLACK, BLUE STAINING. MI – “AN” H: 2.2 CM. L: 1 CM. W: 0.9 CM. THE WORD AN. VG. PAD ALMOST COMPLETELY STAINED BLACK. HANDLE HAS ALMOST NONEXISTENT GREEN STAINING. MJ – “GO” H: 2.2 CM. L: 1.1 CM. W: 0.9 CM. THE WORD GO. VG. PAD PARTIALLY STAINED BLACK. HANDLE STAINED BLACK, GREEN; MISSING VARNISH. MK – “IN” H: 1.9 CM. L: 1 CM. W: 0.9 CM. THE WORD IN. VG. PAD ALMOST COMPLETELY STAINED BLACK. HANDLE UNSTAINED; MISSING VARNISH. ML – “PRETTY” H: 2.2 CM. L: 3.1 CM. W: 0.9 CM. THE CAPITALIZED WORD PRETTY. PR. PAD MISSING. HANDLE UNSTAINED. MM – “BROWNIE” H: 2.2 CM. L: 3.5 CM. W: 0.9 CM. THE CAPITALIZED WORD BROWNIE. PR. PAD MISSING. HANDLE HAS ALMOST NONEXISTENT BLUE STAINING. MN – “DOLL” H: 0.2 CM. L: 2 CM. W: 0.9 CM. THE WORD DOLL. PR. PAD PARTIALLY STAINED BLACK. HANDLE MISSING. MO – “H” H: 0.2 CM. L: 0.6 CM. W: 0.9 CM. CAPITAL H. PR. PAD HAS ALMOST NONEXISTENT BLACK STAINING. HANDLE MISSING.
Subjects
WRITTEN COMMUNICATION T&E
Historical Association
EDUCATION
History
DONOR RITA MEDVE RETIRED FROM TEACHING IN 2010 AFTER SERVING 35 YEARS WITH SCHOOL DISTRICT 51. THIS STAMP BOX WAS USED IN HER CLASSROOMS FOR THE ENTIRE PERIOD. THE FOLLOWING INFORMATION ABOUT THIS STAMP BOX COMES FROM AN INTERVIEW WITH MEDVE THAT WAS CONDUCTED BY COLLECTIONS TECHNICIAN KEVIN MACLEAN ON OCTOBER 18, 2017: MEDVE BEGAN AT WESTMINSTER SCHOOL IN 1973 AND, AFTER MOVING THROUGH ANOTHER SIX SCHOOLS, RETURNED THERE FOR THE FINAL 21 YEARS OF HER CAREER. SHE WAS INTRODUCED TO WESTMINSTER SCHOOL AS A RESULT OF HER STUDIES IN EDUCATION AT THE UNIVERSITY OF LETHBRIDGE, INTERNING AT WESTMINSTER WITH GRADE 6 TEACHER FUMI TAMAGI. FOLLOWING THE COMPLETION OF HER STUDIES, SHE WAS INVITED TO APPLY FOR THE POSITION VACATED BY TAMAGI WHO WAS TRANSFERRING TO A DIFFERENT SCHOOL. THIS STAMP BOX WAS A PRESENT FROM TAMAGI TO MEDVE UPON THE AWARDING OF MEDVE'S NEW TEACHING POSITION. MEDVE RECALLED TAMAGI USING IT HERSELF AS ONE OF HER TEACHING TOOLS. TALKING ABOUT TAMAGI IN THE CLASSROOM MEDVE STATES, “THE CHILDREN ALL LOVED HER. SHE HAD CONTROL OVER THE CLASSROOM AND I LEARNED A LOT FROM HER… SHE HELPED ME WORK WITH CHILDREN WHO HAD CHALLENGES. THAT’S WHEN I KNEW THAT I ACTUALLY NEEDED TO BE IN SPECIAL EDUCATION, BESIDES MY PHYSICAL EDUCATION THAT I WAS MAJORING IN. THERE WERE CHILDREN IN HER CLASSROOM THAT HAD CHALLENGES, BUT NOT AGGRESSIVENESS, SO SHE SHOWED ME DIFFERENT WAYS OF HANDLING DIFFERENT CHALLENGES AND SHE TAUGHT ME TO TEACH TO THE CHILDREN, NOT TO THE CURRICULUM; AND THAT’S HOW I TAUGHT MY 35 YEARS OF TEACHING.” THE STAMPS WERE USED IN THE CLASSROOM TO ASSIST IN THE TEACHING OF KIDS WITH LEARNING CHALLENGES AND THOSE LEARNING ENGLISH AS A SECOND LANGUAGE. MEDVE STATES, “I REMEMBER [TAMAGI] GIVING IT TO ME TO USE WITH THE SPECIAL NEEDS STUDENTS, BECAUSE IT WAS HELPING THEM WITH THEIR SPELLING, THEIR READING. ESL STUDENTS WOULD - WE WOULD GIVE THEM A PICTURE, AND THEN WE’D USE THE STAMP TO SHOW WHAT THAT WORD WAS, THAT RELATED TO THE PICTURE. … IT WAS ONE OF THE MOST IMPORTANT THINGS IN THAT CLASSROOM TO THEM, BECAUSE IT WAS PHYSICAL, USING ALL YOUR KINESTHETICS - FEELING, TOUCHING.” ON TEACHING SPECIAL NEEDS CHILDREN THROUGHOUT HER CAREER SHE STATES, “FOR 15 YEARS, I TAUGHT SPECIAL EDUCATION IN A CONFINED ROOM – A NORMAL CLASSROOM SETTING – AND I WOULD HAVE, ON AVERAGE, ABOUT 12 STUDENTS WORKING WITH ME. I ALSO TAUGHT PHYSED TO THE REGULAR CHILDREN, AT DIFFERENT TIMES OF THE DAY. … AFTER 15 YEARS, I WENT INTO A REGULAR CLASSROOM, BUT, BECAUSE I HAD SPECIAL ED BACKGROUND, AND NOT A LOT OF PEOPLE DID, AT THAT TIME, I WOULD BE GIFTED WITH MANY CHALLENGED STUDENTS, MANY. LIKE, FOR EXAMPLE, OUT OF 28 CHILDREN, I MIGHT HAVE 12 CHALLENGED STUDENTS…” FUMIKO “FUMI” TAMAGI PASSED AWAY DECEMBER 15TH, 2015 AT 93 YEARS. FOR MORE INFORMATION, INCLUDING REFERENCED INTERVIEW TRANSCRIPTIONS PLEASE SEE THIS RECORD’S PERMANENT FILE.
Catalogue Number
P20170032000
Acquisition Date
2017-10
Collection
Museum
Images
Less detail
Other Name
"ALBERTA GAMES"
Material Type
Artifact
Materials
NYLON, POLYESTER, COTTON
Catalogue Number
P20170011000
  2 images  
Material Type
Artifact
Other Name
"ALBERTA GAMES"
Date
1981
Materials
NYLON, POLYESTER, COTTON
No. Pieces
1
Length
180
Width
87
Description
FLAG WITH RED AND BLUE COLOUR BLOCK BACKGROUND; COLOURS DIVIDED IN CENTER BY WHITE 1981 ALBERTA SUMMER GAMES TORCH LOGO; FLAG HAS WHITE TEXT ALONG LOWER EDGE “ALBERTA GAMES”. FLAG HAS WHITE MACHINE STITCHING ALONG EDGES; LEFT EDGE HAS WHITE BORDER ALONG HOIST, WITH WHITE CORD EXTENDING FROM LOWER CORNER AND WOOD GROMMET ATTACHED TO UPPER CORNER WITH WHITE CORD. FRONT LEFT CORNER HAS TORN WHITE ADHESIVE LABEL, WITH BLACK INK REMNANTS ON LABEL. BACK IS REVERSE-PRINTED. BACK HAS WHITE TAG IN UPPER RIGHT CORNER WITH BLUE TEXT IN ENGLISH AND FRENCH “CANADIANA REG’D.; MISSISSAUGA, ONT.; 100% NYLON; MADE IN CANADA”. BACK UPPER RIGHT CORNER STAMPED IN BLACK INK “ALBERTA GAMES; 3-6”. FLAG IS CREASED AND DISCOLOURED FROM LIGHT DAMAGE; FLAG HAS MINOR THREAD FRAYING ALONG EDGES; OVERALL VERY GOOD CONDITION.
Subjects
VISUAL COMMUNICATION T&E
Historical Association
SPORTS
COMMEMORATIVE
History
IN 2017, THE LETHBRIDGE PUBLIC LIBRARY DONATED A FLAG FROM THE 1981 ALBERTA SUMMER GAMES TO THE GALT MUSEUM. FROM AUGUST 6-8, 1981, LETHBRIDGE HOSTED THE ALBERTA SUMMER GAMES, A PROVINCIAL COMPETITION FOR VARIOUS SPORTS AND AGES THAT INCLUDED TENNIS, HORSESHOES, BASEBALL, SOFTBALL, TRACK AND FIELD, ARCHERY, AND MORE. THE GAMES INCLUDED COMPETITIONS IN MUSIC AND THEATRE AND WERE OPEN TO PARTICIPANTS AGES 13 AND OLDER. IT IS PRESUMED THAT THE LETHBRIDGE PUBLIC LIBRARY COLLECTED THE FLAG FOR DISPLAY DURING THE 1981 ALBERTA SUMMER GAMES. THE LETHBRIDGE PUBLIC LIBRARY HOSTED VARIOUS PROGRAMS DURING THE 1981 GAMES INCLUDING A “COLLECTOR’S DAY”, THEATRE PRODUCTIONS, AND FILM SCREENINGS WITH TIES TO THEMES OF SPORTS AND COMPETITIONS. IN ADDITION TO THE 1981 ALBERTA SUMMER GAMES, LETHBRIDGE HAS HOSTED THE 1971 CANADA WINTER GAMES AND THE 2012 ALBERTA SUMMER GAMES. FOR MORE INFORMATION INCLUDING COPIES OF LETHBRIDGE HERALD ARTICLES ON THE LIBRARY AND ITS PROGRAMS DURING THE 1981 ALBERTA SUMMER GAMES, PLEASE SEE THE PERMANENT FILE P20170011000-GA.
Catalogue Number
P20170011000
Acquisition Date
2017-03
Collection
Museum
Images
Less detail
Other Name
SHORT SLEEVED, "MARATHON OF HOPE TERRY FOX"
Material Type
Artifact
Materials
COTTON
Catalogue Number
P20160024000
  1 image  
Material Type
Artifact
Other Name
SHORT SLEEVED, "MARATHON OF HOPE TERRY FOX"
Date
1981
Materials
COTTON
No. Pieces
1
Length
64.5
Width
48.5
Description
T-SHIRT MADE OF WHITE COTTON WITH RED TRIM AND PRINT. THE CAPTION READS, “MARATHON OF HOPE TERRY FOX GIVE FOR CANCER RESEARCH CANADIAN CANCER SOCIETY” ; LOGO DEPICTS TERRY FOX RUNNING, IMPOSED ON A MAP OF CANADA AND ENCLOSED BY A MAPLE LEAF. FAIR CONDITION. THE WHITE COTTON IS YELLOWING OVERALL. ON THE FRONT THERE ARE SEVERE BROWN STAINS AT THE RIGHT HIP OF THE SHIRT. SLIGHT RED STAIN AT THE CENTER, BOTTOM OF THE FRONT SIDE. ON THE BACK SIDE, THERE IS SEVERE BROWN STAINING AT THE LEFT HIP AND ON THE UPPER LEFT SHOULDER. SLIGHT DARK BROWN ON THE BOTTOM, LEFT OF CENTER.
Subjects
CLOTHING-OUTERWEAR
Historical Association
COMMEMORATIVE
ASSOCIATIONS
SPORTS
History
THIS T-SHIRT IS AN ARTIFACT THAT WAS DONATED TO THE GALT MUSEUM AND ARCHIVES ARCHIVAL COLLECTION IN NOVEMBER OF 1981 BY PAULINE APPLETON. IN AUGUST 2016, THIS ARTIFACT WAS TRANSFERRED TO COLLECTIONS. THE FOLLOWING INFORMATION HAS BEEN TAKEN FROM THE ORIGINAL ACQUISITION RECORD AND FURTHER RESEARCH INTO THE LIFE OF TERRY FOX: THE SHIRT [WAS USED] TO PROMOTE THE CROSS-CANADA RUN OF TERRY FOX, BEGINNING IN NANAIMO, BRITISH COLUMBIA. FOX, A CANCER PATIENT, JOGGED HALF-WAY ACROSS CANADA IN THE SUMMER OF 1980 TO RAISE FUNDS FOR CANCER RESEARCH. HE RAN 5, 373KM BEFORE HE WAS FORCED TO END HIS RUN BECAUSE HIS CANCER HAD APPEARED IN HIS LUNGS. FOX PASSED AWAY ON JUNE 28, 1981. ACCORDING TO HER LETHBRIDGE HERALD OBITUARY, PAULINE APPLETON (NEE SCHMUNK), PASSED AWAY ON JANUARY 22, 1999. SHE WAS FROM MEDICINE HAT, ALBERTA. SHE WAS BORN IN WINNIPEG, MANITOBA ON NOVEMBER 12, 1915 TO HER PARENTS, DAVID AND ANNA ELIZABETH SCHMUNK. THEY LATER MOVED TO A FARM IN LEADER, SASKATCHEWAN. APPLETON MOVED TO CALGARY WITH HER TWO OLDER SISTERS, WHERE SHE MARRIED ERNEST J. “HAPPY” APPLETON IN 1938. DURING WORLD WAR II, SHE LIVED IN NEW WESTMINSTER, B.C. UNTIL HER HUSBAND COMPLETED HIS MILITARY SERVICES IN EUROPE. FOLLOWING THAT, PAULINE AND ERNEST MOVED TO LETHBRIDGE, ALBERTA WHERE ERNEST WORKED AT MOLSONS BREWERY UNTIL RETIREMENT. PAULINE WORKED AS A CASHIER AND RECEPTIONIST AT A GOLF COURSE IN LETHBRIDGE FOR SEVERAL YEARS. THE COUPLE MOVED TO MEDICINE HAT YEARS AFTER ERNEST’S RETIREMENT. ERNEST PASSED AWAY ON AUGUST 3, 1994. FOR MORE INFORMATION ON INITIAL DONATION AND FULL OBITUARY PLEASE SEE PERMANENT FILE.
Catalogue Number
P20160024000
Acquisition Date
1981-11
Collection
Museum
Images
Less detail
Material Type
Artifact
Materials
COTTON
Catalogue Number
P20150016008
  1 image  
Material Type
Artifact
Date
1902
Materials
COTTON
No. Pieces
1
Length
75.5
Width
29.5
Description
CHILD’S BAPTISMAL/CHRISTENING GOWN WITH AN OFF-WHITE COTTON BODY, PLEATED SKIRT WITH EMBROIDERED LEAF AND FLOWER PETAL MOTIF. IT HAS LACE CUFFS AND COLLAR. ADHESIVE MASKING TAPE, “GRANNY SUPINA’S CHRISTENING DRESS 1902, MADE BY GRANNY WOODS”. THERE ARE BUTTONS UP THE BACK TO FASTEN THE DRESS. FAIR TO GOOD CONDITION. SMALL IODINE-COLOURED STAIN ON BACK SKIRT. THERE IS A SMALL STAIN ON THE HEM AND 3 SMALL BURNS ON THE HEM. THERE IS A SMALL HOLE AT THE SIDE OF THE DRESS. THE BOTTOM BUTTON ON THE BACK OF THE DRESS IS MISSING. THERE ARE SMALL TEARS ON THE DRESS’ OPENING ON THE BACK. THERE IS SLIGHT TEARING AND FRAYING AT THE LACE COLLAR.
Subjects
CEREMONIAL ARTIFACT
Historical Association
RELIGION
COMMEMORATIVE
History
EVERAL HORHOZER (NÉE SUPINA) WAS BORN IN LETHBRIDGE IN THE YEAR OF 1927 TO HER PARENTS DONAH (NÉE HILL) AND NICHOLAS SUPINA (OWNER OF SUPINA’S MERCANTILE ON 13TH STREET NORTH, LETHBRIDGE). HORHOZER WAS THE FIRSTBORN OF THE FAMILY AND WAS CHRISTENED IN THIS BAPTISMAL GOWN AT ST. PATRICK’S CHURCH. COLLECTIONS TECHNICIAN KEVIN MACLEAN CONDUCTED A SERIES OF INTERVIEWS (ON APRIL 2, APRIL 16, AND MAY 7, 2015) WITH HORHOZER REGARDING A GROUP OF ARTIFACTS SHE DONATED TO THE MUSEUM. THE INFORMATION BELOW HAS COME FROM THESE INTERVIEWS AND LETHBRIDGE HERALD RESEARCH REGARDING THE HORHOZER FAMILY HISTORY. DONAH HILL MET NICHOLAS SUPINA WHEN HE CAME IN TO DO BUSINESS AT A GROCERY WHOLESALER, SCOTTS, WHERE SHE WORKED. THEY COURTED BEFORE MARRYING ON JUNE 7, 1922. FOR MORE INFORMATION ON THE COUPLE’S WEDDING, PLEASE SEE RECORD P20150016009. DURING THE INTERVIEW, HORHOZER EXPLAINED, “MY MOM WAS NOT CATHOLIC [LIKE MY FATHER WAS], BUT IT’S AMAZING HOW THAT DIDN’T SEEM TO ENTER INTO THEIR MARRIAGE. I THINK THEY MUST HAVE REALLY TALKED IT OVER, PREVIOUS TO THAT, AND MY MOM DIDN’T HAVE A STRONG RELIGION SO THAT HELPED. SHE DIDN’T INTERRUPT IN ANYTHING AT ALL, AND SHE KNEW THAT WE HAD TO BE BROUGHT UP AS CATHOLICS, BUT SHE NEVER ONCE BUTT IN. AND SO MY DAD KNEW MY BROTHER WAS NOT INTERESTED, SO HE JUST SAID TO US KIDS ONE DAY, “WHEN YOU GET OLD ENOUGH, YOU CAN MAKE YOUR OWN DECISION.” MY BROTHER LEFT AND I STAYED WITH MY DAD… MY DAD WAS EXTREMELY STRONG. I WOULD SAY MY HUSBAND TOO, JOE. HE WOULD NEVER MISS CHURCH. AND OF COURSE I WENT TO CHURCH WITH HIM ALL THE TIME AND I BELONGED TO THE CHOIR AND EVERYTHING WHEN I WAS YOUNG. I ALWAYS WENT TO CHURCH AND THAT, BUT, THE CHILDREN DIDN’T. WE WERE STRONG IN THAT WAY THAT WE ATTENDED CHURCH ALL THE TIME BUT, WE WEREN’T - WELL, I DON’T KNOW HOW TO DESCRIBE IT BUT I KNOW SOME PEOPLE KIND OF REALLY LIVED RELIGION AND GO TO CHURCH EVERY MORNING. WELL, NO WE WEREN’T LIKE THAT.” THE GOWN WAS MADE FOR HORHOZER BY HER GRANDMOTHER, DONAH SUPINA’S MOTHER. AFTER HAVING EVERAL, THE SUPINA’S HAD A SON NAMED NICK F. SUPINA. NICHOLAS SUPINA PASSED AWAY AT THE AGE OF 84 ON MARCH 27, 1975. DONAH PASSED AWAY 19 YEARS LATER ON MARCH 8, 1994 AT THE AGE OF 91. NICK PASSED AWAY IN 2012 AND HORHOZER PASSED AWAY IN LETHBRIDGE IN 2016 AT THE AGE OF 88 YEARS OLD. PLEASE SEE THE PERMANENT FILE FOR ADDITIONAL INFORMATION ABOUT SUPINA’S MERCANTILE AND THE LIFE OF EVERAL AND HER FAMILY, WHICH INCLUDES THE FULL INTERVIEW TRANSCRIPT AND LETHBRIDGE HERALD ARTICLES.
Catalogue Number
P20150016008
Acquisition Date
2015-05
Collection
Museum
Images
Less detail
Other Name
WEDDING DRESS
Material Type
Artifact
Materials
CHEESECLOTH, SILK
Catalogue Number
P20150016009
  2 images  
Material Type
Artifact
Other Name
WEDDING DRESS
Date
1922
Materials
CHEESECLOTH, SILK
No. Pieces
1
Length
113
Width
48
Description
WEDDING DRESS MADE FROM OFF-WHITE CHEESECLOTH BODY WITH A SILK BAND, TIES AND FLOWERS AT WAIST. EMBROIDERED STRIPS OF LACE FORM MEDIUM-SIZED TRIANGULAR EMBELLISHMENTS AT BASE OF SKIRT AND ON SHORT SLEEVES. ADHESIVE MASKING TAPE MARKED “GRANNY SUPINA’S WEDDING DRESS 1921, MADE BY GRANNY WOODS”. REPORT OF WEDDING IN THE LETHBRIDGE HERALD FROM 1922 CALLS MATERIAL WHITE SILK VOILE. THE LENGTH IS 113 CM. THE WIDTH ACROSS THE SHOULDERS IS 48 CM AND THE SLEEVES ARE 35.5 CM LONG. FAIR CONDITION. THERE IS A SMALL BROWN STAIN ON THE LEFT SLEEVE. A HOLE ON THE CHEST NEAR THE COLLAR. THERE ARE 2 LARGE, WATERMARK-LIKE STAINS ON THE FRONT OF THE SKIRT. THERE ARE 2 HOLES NEAR THE LACE EMBELLISHMENT AT THE BOTTOM OF THE DRESS (FRONT SIDE). SOME OF THE LACE IS COMING LOOSE AT THE EMBELLISHMENT. ENDS OF THE TIES AT THE WAIST ARE FRAYING. SMALL HOLES AT THE BACK COLLAR. SMALL, DARK BROWN STAIN ON THE BACK OF THE SKIRT. SLIGHT FRAYING AT THE COLLAR AND AT THE HEM. SMALL IODINE STAIN ON THE RIGHT SLEEVE.
Subjects
CLOTHING-OUTERWEAR
Historical Association
PERSONAL CARE
COMMEMORATIVE
History
DONOR EVERAL HORHOZER (NÉE SUPINA) WAS BORN IN LETHBRIDGE IN THE YEAR OF 1927 TO HER PARENTS DONAH (NÉE HILL) AND NICHOLAS SUPINA. SUPINA WAS THE OWNER OF SUPINA’S MERCANTILE ON 13TH STREET NORTH, LETHBRIDGE. THIS WEDDING DRESS BELONGED TO HORHOZER'S MOTHER, DONAH SUPINA, WHO WORE IT ON HER JUNE 7, 1922 WEDDING DAY. COLLECTIONS TECHNICIAN KEVIN MACLEAN CONDUCTED A SERIES OF INTERVIEWS (ON APRIL 2, APRIL 16, AND MAY 7, 2015) WITH HORHOZER REGARDING A GROUP OF ARTIFACTS SHE DONATED TO THE MUSEUM. THE INFORMATION BELOW HAS COME FROM THESE INTERVIEWS AND LETHBRIDGE HERALD RESEARCH REGARDING THE HORHOZER FAMILY HISTORY. "FIRST OF ALL MY MOTHER HAD SAVED [THE WEDDING DRESS] FOR SO MANY YEARS," HORHOZER BEGAN, "SHE GAVE [IT] TO ME SO [IT WAS] VERY IMPORTANT TO HER, AND MORE IMPORTANT TO ME THEN, BECAUSE HER MOTHER MADE THEM BY HAND, [SO IT MEANT] EVEN THAT MUCH MORE TO HER, OF COURSE…” “SHE WAS VERY FRUGAL... HER MOTHER AND [DONAH, MY MOTHER,] WERE LEFT TO FEND FOR THEMSELVES BECAUSE HER FATHER PASSED AWAY. THEY WERE OUT ON THE LEASE; YOU KNOW HOW GOVERNMENT GAVE THEM LEASE LAND; WELL HER MOTHER AND HER LIVED THERE. SHE DID HAVE TWO BROTHERS, BUT THEY WERE MUCH OLDER AND THEY WERE ALREADY IN THE SERVICE, SO THERE WAS JUST HER AND HER MOTHER THAT LIVED OUT THERE. THEY HAD A COOK CAR AND THEY COOKED FOR ALL THE HELP ON THE FARM [IN DEL BONITA]. THEY AT LEAST MADE A LIVING DOING THAT. THAT’S HOW MY MOTHER LEARNED TO - SHE WAS AN EXCELLENT COOK CAUSE SHE WOULD COOK RIGHT ALONG WITH MY GRANDMA. SHE WAS ABOUT THIRTEEN YEARS OLD WHEN SHE WAS BAKING BREAD, DOING ALL THAT SORT OF THING…” THIS HANDMADE WEDDING DRESS WAS WORN BY DONAH ON THE DAY OF HER WEDDING. THE DRESS WAS LATER KEPT WITH GREAT CARE BY DONAH, AND THEN LATER EVERAL. “MY GRANDMA MADE THE [WEDDING] DRESS FOR MY MOTHER. [S]HE WAS SENTIMENTAL BECAUSE HER MOTHER HAD HAND-STITCHED EVERY ONE OF THOSE THINGS. BESIDES COOKING FOR PEOPLE, SHE SEWED FOR PEOPLE, MADE THEIR WEDDING DRESSES AND THINGS LIKE THAT.” HORHOZER TELLS THE STORY OF HER PARENT’S FIRST MEETING: “MY MOTHER, SHE WENT TO GARBUTT’S BUSINESS COLLEGE AND BECAME A SECRETARY AND SHE GOT A JOB AT - IT WAS CALLED SCOTTS - IT WAS A GROCERY WHOLESALE. IT WAS BY WHERE THE INTERNATIONAL WAS, PLUNKETT AND SAVAGE. [MY FATHER, NICHOLAS 'NICK' SUPINA,] WOULD GO THERE TO BUY HIS THINGS, OF COURSE, AND THAT’S WHERE HE MET HER. AND THEN HE ASKED HER TO GO TO THIS DANCE THAT THE KNIGHTS OF COLUMBUS WERE HAVING, AND THAT’S HOW IT STARTED… [THE HILL’S] HAD THIS COOK CAR, AND FUNNY STORY, SHE ALWAYS TELLS ME THAT THEY HAD TO CLEAN OUT THE PIPES ON THE STOVE BECAUSE, THEY GOT FULL OF COAL DUST, SO SHE WAS JUST COVERED IN COAL DUST AND MY DAD DRIVES OUT THERE TO SEE HER, ‘COURSE PAST MAGRATH THERE, AND SHE WAS JUST COVERED AND HE’S ALL DRESSED UP, OF COURSE. BUT, OBVIOUSLY IT DIDN’T MAKE ANY DIFFERENCE. I CAN IMAGINE HOW SHE FELT. BUT, THOSE THINGS HAPPEN. I HAVE NO IDEA HOW LONG THEY COURTED. I DON’T THINK IT WAS A TERRIBLY LONG TIME. PROBABLY, JUST BY GUESSING, I’D SAY 6 MONTHS.” OF THE YOUNG COUPLE’S MARRIAGE, HORHOZER SAID, “WELL, THEY HAD A VERY SMALL WEDDING AND THEY GOT MARRIED IN ST. PAT’S, WHICH OF COURSE WAS JUST A BASEMENT AT THE TIME. THEN THEY HAD WHAT THEY CALL A WEDDING BREAKFAST I THINK, AT HIS MOTHER’S HOUSE. THEY DID NOT HAVE A BIG WEDDING OR ANYTHING, AND THEY JUST HAD ALL THE FAMILY AND A FEW OF THE CLOSE SALE MANAGERS. BUT THEN THEY HAD A BEAUTIFUL HONEYMOON. THEY WENT TO THE STATES AND - IT’S WAY DOWN SOUTH THERE - LOUISIANA AND ALL THROUGH THAT COUNTRY THERE. THEY HAD A BEAUTIFUL HONEYMOON AND THAT’S ABOUT ALL I KNOW ABOUT IT.” HORHOZER SPOKE OF HER GRANDMOTHER’S SKILL AS THE MAKER OF THE WEDDING DRESS: “WELL, SHE HAD SO MANY SKILLS. SHE’S A PAINTER, YOU KNOW, THESE BEAUTIFUL PAINTINGS HERE, SHE PAINTED THOSE. THE MIDDLE ONE (SHE POINTS) IS THEIR HOUSE WITH THEIR GARDEN [IN MAGRATH] AND ALL THAT. SHE JUST WAS TALENTED IN EVERYTHING. SHE MADE LOTS OF MONEY. SHE MADE WEDDING DRESSES FOR PEOPLE THAT REALLY HAD MONEY. AND SO SHE DID WELL ON THAT AND THEY CANNED ALL KINDS OF FOOD. THERE WASN’T REALLY ANYTHING SHE COULDN’T DO; SHE WAS VERY TALENTED… [W]E ALL REALLY LOVED MY GRANDMA; SHE WAS A LOVELY LADY. AND I ALWAYS ENVIED THE FACT THAT I NEVER GOT ANY OF HER TALENT.” THE SUPINA’S REMAINED TOGETHER UNTIL NICHOLAS SUPINA PASSED AWAY AT THE AGE OF 84 ON MARCH 27, 1975. DONAH PASSED AWAY 19 YEARS LATER ON MARCH 8, 1994 AT THE AGE OF 91. HORHOZER PASSED AWAY IN LETHBRIDGE IN 2016 AT THE AGE OF 88 YEARS OLD. PLEASE SEE THE PERMANENT FILE FOR ADDITIONAL INFORMATION ABOUT SUPINA’S MERCANTILE AND THE LIFE OF EVERAL AND HER FAMILY, WHICH INCLUDES THE FULL INTERVIEW TRANSCRIPT AND LETHBRIDGE HERALD ARTICLES.
Catalogue Number
P20150016009
Acquisition Date
2015-05
Collection
Museum
Images
Less detail
Material Type
Artifact
Materials
WOOL, DYE
Catalogue Number
P20160003006
  2 images  
Material Type
Artifact
Date
1929
Materials
WOOL, DYE
No. Pieces
1
Length
182.5
Width
117.5
Description
HAND-WOVEN RUG MADE FROM HAND-DYED, HANDSPUN WOOL. THERE IS A 3-4 CM WIDE BLACK BORDER AROUND ALL LENGTHS OF THE RUG, WITH FRINGE ON THE SHORT ENDS. INSIDE THE BLACK BORDER IS A SINGLE WOVEN BORDER OF LIGHT BLUE WOOL. INSIDE OF THIS BORDER IS A PATTERN SET ON A DARK BURGUNDY-COLOURED BACKGROUND. THERE IS A BLUE FLOWER IN THE CENTER OF THE RUG. ON ONE END THE DATE “1924” IS WOVEN IN RAW-COLOURED WOOL. THE “9” HAS BEEN WOVEN UPSIDE DOWN. ON THE OPPOSITE END OF THE RUG, THE INITIALS “ ” FOR THE NAME LISAVETA PETROVNA WISHLOW, ARE WOVEN IN LIGHT BLUE. THERE ARE 20 HARPS COLOURED EITHER BLUE, ORANGE, PINK, OR YELLOW AROUND ALL LENGTHS OF THE RUG. UNDER THE HARPS IS A GREEN VINE PATTERN AND A RED DECORATIVE BORDER. THE DESIGN ELEMENTS ARE LAID OUT SYMMETRICALLY OVER THE RUG AND CONSIST OF FLOWERS, DUCKS, AND BUTTERFLIES. VERY GOOD TO EXCELLENT CONDITION. SLIGHT WEAR TO THE WOOL FROM USE.
Subjects
FLOOR COVERING
Historical Association
DOMESTIC
ETHNOGRAPHIC
History
THE KONKINS WERE A RUSSIAN-SPEAKING FAMILY FROM THE TOWN OF SHOULDICE, ALBERTA, NEAR CALGARY. THEY AND MANY OTHER RUSSIAN FAMILIES COMPOSED THAT TOWN’S DOUKHOBOR COLONY. IT WAS THERE WILLIAM KONKIN MARRIED ELIZABETH WISHLOW. IN 1928, THEIR DAUGHTER, ELSIE WAS BORN. THEY LATER MOVED TO A FARM IN VAUXHALL, ALBERTA. THE PRECEDING AND FOLLOWING INFORMATION HAS BEEN EXTRACTED FROM A TWO-PART INTERVIEW WITH DONOR ELSIE MORRIS, WHICH WAS CONDUCTED BY COLLECTIONS TECHNICIAN KEVIN MACLEAN ON FEBRUARY 17, 2016. ADDITIONAL INFORMATION COMES FROM FAMILY HISTORIES AND TEXTS PROVIDED BY THE DONOR. A FULL HISTORY OF THE KONKIN FAMILY CAN BE FOUND WITH THE RECORD P20160003001. THIS RUG WAS HAND-WOVEN BY ELIZABETH KONKIN IN 1924. THE RUG WAS USED AS A WALL COVER IN THE WINTER AND ACTED AS AN INSULATOR. LATER IT WAS USED ON THE FLOOR AT CHRISTMASTIME. IT WAS INHERITED BY MORRIS PRIOR TO THE PASSING OF HER MOTHER: “I CAME INTO POSSESSION [OF IT] FROM MY MOTHER. SHE DIED IN 2003 AND I GOT THE RUG SLIGHTLY BEFORE THEN AND YES THAT WOULD BE ABOUT THE TIME… I HAVE NO OTHER SIBLINGS AND SO OBVIOUSLY EVERYTHING SHE MADE WOULD GO TO ME. MY SON SAID HE WOULD LIKE TO HAVE THE RUG, BUT CHANGED HIS MIND. HIS WIFE WAS NOT KEEN ON HAVING IT, SO I HAD TO DO SOMETHING WITH IT. TO ME IT IS A VERY BEAUTIFUL RUG AND I WANTED IT SOME PLACE WHERE IT WON’T GET TRASHED BY DOGS OR ANIMALS.” AFTER ACQUIRING THE RUG, MORRIS PLACED IT ON THE FLOOR OF HER HOME IN LETHBRIDGE: “THE LINO [ON THE FLOOR] STARTED TO WEAR OUT AND I THOUGHT YOU CAN’T PUT A RUG LIKE THAT ON ANOTHER LINO. IT JUST DOESN’T GO. BUT I DO LIKE HARDWOOD SO WE HAD HARDWOOD PUT THROUGHOUT THE BEDROOMS. THE LAST ROOM IS MY OFFICE, FIRST OF ALL, I HAD THE RUG IN THIS BEDROOM AND THEN IT WASN’T VERY CONVENIENT TO CLEAN BECAUSE THERE WASN’T THAT MUCH SPACE SO I PUT IT IN MY OFFICE WHERE I LOVED IT, BUT I KEPT STUMBLING OVER IT. I THOUGHT I MIGHT BREAK A LEG IF I DO THIS SO I BETTER GET RID OF IT… THE HARDWOOD WAS PUT IN BEFORE THE GST WENT IN. I DIDN’T HAVE THE RUG THEN BUT I THOUGHT THAT I WOULD BE GETTING THE RUG AND SO I WOULD HAVE IT HARDWOOD… WAS IT 1995? ANYWAY BEFORE GST WENT IN.” THE RUG HAD BEEN PRESENT THROUGHOUT MORRIS’ LIFE – FROM TIME SPENT ON THE DOUKHOBOR COLONY IN SHOULDICE, ALBERTA TO LIFE ON A FARM OUTSIDE OF VAUXHALL, ALBERTA: “I CAN REMEMBER WHEN I WAS BORN. THE RUG WAS IN MY PARENT’S HOME. WE LIVED ON A DOUKHOBOR COLONY, WE HAD MUD PLASTERED WALLS AND OUR HOUSE WAS WELL BUILT. MY DAD BUILT IT. SOME OF THE HOUSES ONLY HAD ONE LAYER OF WOOD AND THEY WERE VERY COLD, HOWEVER OUR BEDROOMS HAD WALLS ON THE NORTH SIDE. IN WINTER THEY GOT CHILLY, SO EVERY WINTER THEY WOULD NAIL UP THIS RUG UP AGAINST THE WALL. IT STAYED THERE FOR THE WINTER. FOR SUMMER IT CAME DOWN, I DON’T [KNOW] WHERE SHE STORED IT, I THINK POSSIBLY IN ONE OF THE BIGGER TRUNKS AND THEN TOOK IT OUT… THIS HOME [WHERE THE RUG WAS PLACED], IT’S OUTSIDE OF VAUXHALL. WE LEFT THE COLONY, MOVED TO VAUXHALL AND MOVED THE HOUSE. THE HOUSE WAS EXPANDED AND THEN WE LIVED IN THAT HOUSE. I LEFT HOME AND MY PARENTS HAD A HOUSE IN LETHBRIDGE WHICH DAD BUILT ALSO AND HE SOLD THE FARM. THEY ASKED IF WE WANTED TO GO AND WE DIDN’T. SO THEY SOLD THE FARM AND THERE WAS A BEAUTIFUL POND WHERE WE SWAM AND BOATED AND WE HAD LOTS OF TREES AROUND THE HOUSE. IT WAS ABOUT AN ACREAGE IF NOT MORE AND WHEN HE SOLD IT THE NEW OWNERS, VERY FRUGAL PEOPLE, [THEY] BURNT DOWN THE HOUSE, THE STEAM BATHROOM, THE GARAGE, THE WORKS. NOW MIND THEY WERE OLD STATE BY NOW AND THEY PLOWED [IT ALL INTO] IN THE POND BECAUSE THEY WANTED TO MAKE MONEY FROM THE GRAIN [FIELDS], SO WHEN I WENT THERE A COUPLE OF YEARS LATER, [I WAS] SURPRISED EVERYTHING WAS GONE, SO THAT WAS THAT." THE RUG MAY HAVE BEEN WOVEN BY MORRIS’ MOTHER ON THE DOUKHOBOR COLONY IN SHOULDICE OR DURING THE WINTER SPENT IN COWLEY: “… IT COULD HAVE BEEN WOVEN IN COWLEY BECAUSE THEY STAYED IN COWLEY FOR THE WINTER BUT I CAN’T BE TOO SURE. IT ALSO COULD HAVE BEEN MADE ON THE COLONY… TWENTY MILES EAST OF MOSSLEIGH.” ELIZABETH KONKIN WAS MARRIED IN 1927, SO THE INITIALS WOVEN ON THE RUG ARE OF HER MAIDEN NAME: “THAT’S AN “L” [ ] THAT’S LISAVETA (SIC.) BUT HER NAME IS YALALISAVETA (SIC.) BUT SHE PUT DOWN LISAVETA. PETROVNA THAT’S A “P” [ ] THAT’S DAUGHTER OF PETRO AND WISHLOW [ ] THAT WAS HER MAIDEN NAME. ... [AFTER MAKING THE RUG] THERE WAS SOME WARP LEFT OVER. … WARP IS THE STUFF THAT RUNS DOWN AND WEFT IS WHAT YOU PUT IN BETWEEN WITH A SHUTTLE BUT THIS WASN’T PUT IN WITH A SHUTTLE. EACH INDIVIDUAL THREAD WAS KNOTTED. IT’S LIKE DIFFAGHAN (SIC.) - A SWEDISH METHOD - AND THAT’S HOW IT WAS DONE. IF THERE WAS SOME LEFT OVER AND HER MOM INSISTED THAT SHE DO ANOTHER RUG. WELL SHE DIDN’T WANT TO DO IT. SHE SAYS “YOU MAKE IT FOR YOUR BROTHER.” SHE FELT HIS WIFE SHOULD DO HER OWN HOPE CHEST BUT SHE DID AND THE INTERESTING THING IS THAT HIS RUG THEY USED IT ON THE FLOOR. MY MOTHER DIDN’T USE THIS ONE ON THE FLOOR EXCEPT AT CHRISTMAS TIME SO THE WISHLOW FAMILY WHO HAD THE OTHER RUG, THE MOTHER WASN’T TOO KEENLY INTERESTED IN IT. THEY HAD IT IN THE LIVING ROOM AND THEN IT WENT UP FOR SALE TO A PLACE THAT WAS OWNED BY A MAN NAMED, HIS LAST NAME WAS EWASHEN (SIC.) …THAT’S [THE RUG’S] TWIN, YES.” MORRIS THEN GOES ON TO DESCRIBE SOME OF THE OTHER PATTERNING FOUND ON THE RUG: “OKAY THOSE ARE HARPS. SHE HAD PATTERNS TO GET THEM FROM OTHER WEAVERS AND THEN SHE’D TRACE THEM OUT. I DON’T KNOW WHAT SHE USED TO TRACE THEM ON THE WARP [WITH] AND THEN SHE’D WEAVE AWAY WITH THE THREAD THAT WERE THE WEFT. SHE PUT THE DESIGNS HERSELF ONTO THE RUG” THE RUG WAS BROUGHT TO LETHBRIDGE WHEN ELIZABETH AND WILLIAM KONKIN RETIRED THERE: “I WAS TEACHING SCHOOL IN COALDALE WHEN THEY MOVED AND DAD MADE THE HOUSE IN NORTH LETHBRIDGE… THE HOUSE IS NICELY BUILT AND IT’S WARM, IT’S COMFORTABLE SO THERE’S NO USE PUTTING IT UP ON THE WALL. EVERY CHRISTMAS SHE’D TAKE IT OUT AND WE’D ROLL AROUND ON THIS RUG AND SHE WOULD HANG IT UP AFTER THE NEW YEAR SO I SAID TO HER ‘WHY DON’T YOU PUT IT ON THE FLOOR?’ AND SHE SAID, 'WELL I DON’T WANT TO MESS IT UP.' HOWEVER, I SAID, 'WELL I’M GOING TO PUT IT ON THE FLOOR,' SO THAT’S WHERE IT WAS UNTIL I STARTED STUMBLING OVER IT.” AMONG THE OTHER ARTIFACTS DONATED BY MORRIS THAT WERE OWNED BY HER MOTHER, THE RUG WAS A SIGNIFIER OF THE HARD WORK REQUIRED WITHIN THE DOUKHOBOR LIFESTYLE: “[THE BLANKET AND THE SPINNING WHEEL] MEANT A LOT WELL AFTER THE WAR AND THINGS WERE CHEAP. THEY DIDN’T HAVE TO WEAVE THEIR OWN STUFF. PRIOR TO THAT, NOT IN MY MOTHER’S TIME EVEN BEFORE THAT MY GRANDMOTHER’S TIME, EVERY GIRL HAD TO WEAVE A TROUSSEAU FOR HERSELF TO LAST A LIFETIME BECAUSE SHE STARTED HAVING CHILDREN AND SHE WOULDN’T HAVE THE TIME TO DO IT. THERE WERE THINGS THAT WERE ANCIENT THAT WERE USED AND USED UNTIL THEY DIED HOWEVER, IN MY MOTHER’S DAY THEY KNITTED THEIR OWN SOCKS, THEY MADE THEIR OWN QUILTS. THE MEN DID THE BUILDING AND THEY LIVED OFF THE GARDENS BECAUSE THEY WERE VEGETARIANS SO THEY DIDN’T HAVE TO WORRY ABOUT MEAT. THEY BOUGHT EGGS FROM THE NEIGHBOURS WHO WERE FARMERS. THE INTERESTING THING THERE WAS THAT THEY WEREN’T SUPPOSED TO EAT MEAT AND I ATE MEAT WHEN I WAS CLOSE TO TWENTY. WHEN I TELL MY VEGETARIAN RELATIVES WHAT ABOUT YOUR SHOES AND YOU’VE GOT LEATHER, COWHIDE WHATEVER AND THEY COULDN’T COME UP WITH AN ANSWER SO… THEY REPRESENTED HARD WORK THAT’S, THIS TAKES A LONG TIME WHEN YOU THINK OF EVERY KNOT THAT HAD TO BE TIED AND IT WAS PART OF HER TROUSSEAU. THE SPINNING WHEEL MEANT A LOT BECAUSE YOU HAD TO SPIN THE WOOL SO.” PLEASE SEE THE PERMANENT FILE FOR MORE INFORMATION INCLUDING FULL INTERVIEW TRANSCRIPTION, OBITUARIES, PHOTOGRAPHS, AND FAMILY HISTORIES.
Catalogue Number
P20160003006
Acquisition Date
2016-02
Collection
Museum
Images
Less detail
Other Name
"H.M.C.S. LADY NELSON"
Date Range From
1944
Date Range To
1950
Material Type
Artifact
Materials
FELT, COTTON, PAINT
Catalogue Number
P20160017002
  2 images  
Material Type
Artifact
Other Name
"H.M.C.S. LADY NELSON"
Date Range From
1944
Date Range To
1950
Materials
FELT, COTTON, PAINT
No. Pieces
1
Length
67.6
Width
18.7
Description
GREEN FELT PENNANT WITH TWO WHITE FELT TIES SECURED IN LOWER LEFT CORNER WITH METAL STAPLE; PENNANT HAS METAL STAPLE IN UPPER LEFT CORNER. PENNANT FRONT HAS WHITE AND BLUE PAINTED IMAGE OF A MILITARY MEDICAL SHIP BESIDE YELLOW AND ORANGE TEXT “H.M.C.S. LADY NELSON” AND YELLOW AND ORANGE ANCHOR. FRONT IS FADED FROM LIGHT EXPOSURE WITH MINOR SOILING; OVERALL VERY GOOD CONDITION.
Subjects
CEREMONIAL ARTIFACT
Historical Association
MILITARY
COMMEMORATIVE
History
ON SEPTEMBER 16, 2016, COLLECTIONS TECHNICIAN KEVIN MACLEAN INTERVIEWED CHRIS AINSCOUGH REGARDING HIS DONATION OF A COLLECTION OF MILITARY OBJECTS. THE OBJECTS BELONGED TO AISNCOUGH’S GRANDFATHER AND FATHER, WILLIAM GEORGE AINSCOUGH (FIRST WORLD WAR) AND REED WILSON AINSCOUGH (SECOND WORLD WAR AND POST-WAR). ON HIS FATHER’S, REED WILSON AINSCOUGH’S, MILITARY SERVICE, CHRIS AINSCOUGH RECALLED, “THE ONLY STORIES THAT I EVER REMEMBER HIM TELLING ME WAS, THEY WERE IN LONDON, AND THEY CLIMBED UP A CHURCH TOWER—IT WAS TWIN TOWERS ON THIS CHURCH…I WAS LOOKING AT A PICTURE OF IT IN A BOOK, AND HE SAYS, YES, THAT HE AND A COUPLE OF GUYS WERE ON LEAVE, AND THEY CLIMBED UP TO THE TOP OF THIS TOWER—THEY HAD TO SQUIRM THEIR WAY TO THE TOP, AND, ALL OF A SUDDEN, THE AIR RAID SIRENS WENT, AND THEY WERE HUSTLING TO GET DOWN, AND THEY GOT DOWN TO THE STREET, AND THE OTHER SPIRE WAS GONE. THERE’S THAT, AND I DID ASK HIM WHAT HAPPENED TO HIM WHEN HE GOT WOUNDED. HE DIDN’T GO INTO VERY MUCH DETAIL ON IT, BUT JUST SAID THAT THEY WERE OUT ON A SORTIE—HE WAS A FORWARD OBSERVATION OFFICER…THAT’S A WICKED JOB BECAUSE YOU’RE IN FRONT OF EVERYBODY, AND HE SAID, HE HEARD A BURST OF MACHINE-GUN. THEY STARTED RUNNING DOWN THIS ROAD, AND THEY USED TO SKIP THE BULLETS DOWN THIS ROAD, APPARENTLY, AND THOSE GERMAN MACHINE-GUNS WERE 10 SHOTS FOR EVERY BROWNING—AND HE SAID, ALL OF A SUDDEN, HE HAD A BURNING IN HIS LEG AND HE HOPPED ALONG, AND THAT WAS IT. IT DAMAGED HIS LEG SO BADLY THAT HE COULDN’T GO BACK, SO THOSE ARE THE TWO STORIES. AINSCOUGH ELABORATED ON HIS MOTIVES FOR DONATING THE COLLECTION, STATING, “I THINK [THE OBJECTS ARE] A BIG PART OF SOUTH ALBERTA’S HISTORY. DAD WAS VERY ACTIVE IN THE MILITARY AND THE MILITIA FOR MANY YEARS. I THINK THAT’S THE BIGGEST PART [OF WANTING TO DONATE THE OBJECTS]…IT’S DIVESTING, BECAUSE AFTER MY DAD DIED [IN 1992], MY MOTHER STAYED IN THE HOUSE FOR ABOUT 5 YEARS, AND THEN SHE MOVED OUT TO THE COAST. IT WAS AT THAT TIME, WHEN WE WERE GOING THROUGH THE STUFF IN THE HOUSE, THAT WE THOUGHT THIS IS A GOOD TIME TO GET IT DOWN TO SOMEPLACE LIKE THE GALT THAT WOULD LOOK AFTER IT.” THE DONOR’S GREAT GRANDFATHER, WILLIAM THOMAS AINSCOUGH, MARRIED MARGARET A. AINSCOUGH IN 1878 AND EMIGRATED FROM SMITHFIELD, UTAH TO CANADA IN 1898, BRINGING SIX CHILDREN, AGED 1 TO 18, WITH THEM. WILLIAM GEORGE AINSCOUGH, THE DONOR’S GRANDFATHER, WAS AMONG THE CHILDREN (BORN 1885). THE AINSCOUGHS INITIALLY SETTLED IN WHISKEY GAP, ALBERTA, BEFORE RELOCATING TO WOOLFORD, ALBERTA. ACCORDING A RESUME FOR REED W. AINSCOUGH INCLUDED IN THE PERMANENT FILE, REED WILSON AINSCOUGH WAS BORN ON JUNE 21, 1918 IN CARDSTON, ALBERTA. IN 1940, REED AINSCOUGH JOINED THE 93RD BATTERY OF THE ROYAL CANADIAN ARTILLERY [RCA] STATIONED AT FORT MACLEOD, ALBERTA, AND WAS PROMOTED TO A SECOND LIEUTENANT. REED AINSCOUGH WAS POSTED OVERSEAS IN 1942 AND SERVED UNTIL HIS DISCHARGE ON JANUARY 8, 1946. LETHBRIDGE HERALD ARTICLES REPORTED REED AINSCOUGH AS BEING IN THE THICK OF THE FIGHTING IN FRANCE, NOTABLY AT CAEN. IT WAS REPORTED IN THE LETHBRIDGE HERALD IN 1944 THAT REED AINSCOUGH WAS PROMOTED TO CAPTAIN, AND WAS WOUNDED IN HIS LEG IN OCTOBER 1944. REED AINSCOUGH WAS SENT TO BELGIUM FOR SURGERY AND TO BE HOSPITALIZED, AND WAS RETURNED TO CANADA ON THE HOSPITAL SHIP H.M.C.S. LADY NELSON IN 1945. IN 1947, REED AINSCOUGH BECAME THE BATTERY COMMANDER OF THE 93RD BATTERY RCA, AND SERVED AS THE COMMANDER UNTIL 1959, BEING PROMOTED TO MAJOR IN 1951. IN 1959, UPON A TRANSFER WITH HIS EMPLOYMENT AT CANADA LIFE, HE MOVED TO MEDICINE HAT, ALBERTA, AND JOINED THE SOUTH ALBERTA LIGHT HORSE AS A SQUADRON COMMANDER IN 1961. IN 1964, HE WAS PROMOTED TO LIEUTENANT COLONEL AND COMMANDER OF THE SOUTH ALBERTA LIGHT HORSE, AND WAS APPOINTED AIDE-DE-CAMP TO LIEUTENANT GOVERNOR GRANT MACEWAN UNTIL HIS RETIREMENT. ON OCTOBER 20, 1993, REED WILSON AINSCOUGH PASSED AWAY IN LETHBRIDGE. FOR MORE INFORMATION INCLUDING FAMILY MILITARY SERVICE FILES, NEWSPAPER CLIPPINGS ON WILLIAM GEORGE AND REED AINSCOUGH, A RESUME FOR REED AINSCOUGH, AND THE FULL INTERVIEW TRANSCRIPTION, PLEASE SEE THE PERMANENT FILE P20160017001-GA.
Catalogue Number
P20160017002
Acquisition Date
2016-06
Collection
Museum
Images
Less detail
Other Name
PIN CARD W / ASSORTED PINS
Date Range From
1950
Date Range To
1993
Material Type
Artifact
Materials
FELT, PAPER, METAL
Catalogue Number
P20160017004
  2 images  
Material Type
Artifact
Other Name
PIN CARD W / ASSORTED PINS
Date Range From
1950
Date Range To
1993
Materials
FELT, PAPER, METAL
No. Pieces
1
Length
14.8
Width
13.4
Description
GREY CARDBOARD PIN CARD LINED WITH RED FELT ON FRONT, IN THE SHAPE OF A MAPLE LEAF. PIN CARD HAS PINS ATTACHED INCLUDING: “LIONS INTERNATIONAL” SERVICE PIN COMPRISED OF GOLD SHIELD WITH VIOLET CENTER AND GOLD “L”, WITH RED, WHITE, AND BLUE CHEVRON BELOW SHIELD AND THREE VIOLET CHEVRONS BELOW, WITH BRASS BACKING; BOY SCOUTS PIN COMPRISED OF UNPAINTED FLEUR DE LIS ON YELLOW BACKGROUND WITH GREEN BANNER BELOW AND TEXT “GROUP COMMITTEE”, WITH TARNISHED SILVER BACKING; SECOND DIVISION OFFICERS MILITARY PIN OF VIOLET WITH SYMBOL OF “C” WITH TWO LINES THROUGH IT ON FRONT, WITH BRASS BACKING; TARNISHED “GENERAL SERVICE” PIN COMPRISED OF SHIELD WITH THREE MAPLE LEAVES ON FRONT AND TEXT “GENERAL SERVICE” ALONG LOWER EDGE OF SHIELD, WITH BRASS BACKING; ROYAL CANADIAN LEGION 25 YEARS PIN COMPRISED OF GOLD SHIELD WITH WHITE CENTER AND RED MAPLE LEAF, WITH GOLD “25” ON MAPLE LEAF, AND VIOLET BANNER BELOW WITH GOLD TEXT “LEGION”, WITH BRASS BACKING; ROTARY CLUB PIN COMPRISED OF GOLD WHEEL WITH VIOLET RING AROUND OUTER EDGE OF WHEEL AND GOLD TEXT “ROTARY INTERNATIONAL”, WITH GOLD BACKING; CANADIAN HEART ASSOCIATION PIN COMPRISED OF GOLD HEART WITH RED FRONT, WHITE MAPLE LEAF IN CENTER, AND BLACK TORCH WITH YELLOW FLAME ON LEAF, WITH NO BACKING; ALBERTA CIVIEL DEFENSE PIN COMPRISED OF ALBERTA SHIELD BETWEEN GOLD LETTERS ON VIOLET BACKGROUNDS “C” AND “D”, WITH BRASS BACKING; TARNISHING DOMINION LEGION PIN COMPRISED OF ROUND SHIELD WITH BLUE AND RED BRITISH FLAG IN CENTER WITH MAPLE LEAF OVERLAID, AND TEXT AROUND EDGES “DOMINION GENERAL SERVICE LEAGUE, CANADIAN, LEGION”, WITH BRASS BACKING; SMALL MASONIC PIN COMPRISED OF MASONIC COMPASS WITH VIOLET CENTER AND EMBOSSED “G”, WITH SILVER BACKING; GOLD LIONS CLUB PAST PRESIDENT PIN COMPRISED OF GOLD SHIELD WITH VIOLET CENTER, EMBOSSED “L” AND GOLD BANNER ACROSS FRONT WITH TEXT “PAST PRES” AND TEXT EMBOSSED AT TOP AND BOTTOM EDGES OF SHIELD “LIONS CLUB”, PIN HAS ATTACHMENT OF GOLD BANNER WITH EMBOSSED TEXT “100% ATTENDANCE” AND SHIELD BELOW BANNER WITH WHITE BACKGROUND AND GOLD TEXT “20”, WITH SILVER BACKING. CARDBOARD BACKING ON CARD IS PEELING IN LOWER RIGHT CORNERS; BACK HAS CUTS DOWN RIGHT AND LEFT EDGES; STEM OF MAPLE LEAF IS SEVERELY CREASED AND BENT. OVERALL VERY GOOD CONDITION.
Subjects
PERSONAL SYMBOL
Historical Association
COMMEMORATIVE
ASSOCIATIONS
History
ON SEPTEMBER 16, 2016, COLLECTIONS TECHNICIAN KEVIN MACLEAN INTERVIEWED CHRIS AINSCOUGH REGARDING HIS DONATION OF A COLLECTION OF MILITARY OBJECTS. THE OBJECTS BELONGED TO AISNCOUGH’S GRANDFATHER AND FATHER, WILLIAM GEORGE AINSCOUGH (FIRST WORLD WAR) AND REED WILSON AINSCOUGH (SECOND WORLD WAR AND POST-WAR). THE DONOR’S GREAT GRANDFATHER, WILLIAM THOMAS AINSCOUGH, MARRIED MARGARET A. AINSCOUGH IN 1878 AND EMIGRATED FROM SMITHFIELD, UTAH TO CANADA IN 1898, BRINGING SIX CHILDREN, AGED 1 TO 18, WITH THEM. WILLIAM GEORGE AINSCOUGH, THE DONOR’S GRANDFATHER, WAS AMONG THE CHILDREN (BORN 1885). THE AINSCOUGHS INITIALLY SETTLED IN WHISKEY GAP, ALBERTA, BEFORE RELOCATING TO WOOLFORD, ALBERTA. ACCORDING A RESUME FOR REED W. AINSCOUGH INCLUDED IN THE PERMANENT FILE, REED WILSON AINSCOUGH WAS BORN ON JUNE 21, 1918 IN CARDSTON, ALBERTA. IN 1940, REED AINSCOUGH JOINED THE 93RD BATTERY OF THE ROYAL CANADIAN ARTILLERY [RCA] STATIONED AT FORT MACLEOD, ALBERTA, AND WAS PROMOTED TO A SECOND LIEUTENANT. REED AINSCOUGH WAS POSTED OVERSEAS IN 1942 AND SERVED UNTIL HIS DISCHARGE ON JANUARY 8, 1946. LETHBRIDGE HERALD ARTICLES REPORTED REED AINSCOUGH AS BEING IN THE THICK OF THE FIGHTING IN FRANCE, NOTABLY AT CAEN. IT WAS REPORTED IN THE LETHBRIDGE HERALD IN 1944 THAT REED AINSCOUGH WAS PROMOTED TO CAPTAIN, AND WAS WOUNDED IN HIS LEG IN OCTOBER 1944. REED AINSCOUGH WAS SENT TO BELGIUM FOR SURGERY AND TO BE HOSPITALIZED, AND WAS RETURNED TO CANADA ON THE HOSPITAL SHIP H.M.C.S. LADY NELSON IN 1945. IN 1947, REED AINSCOUGH BECAME THE BATTERY COMMANDER OF THE 93RD BATTERY RCA, AND SERVED AS THE COMMANDER UNTIL 1959, BEING PROMOTED TO MAJOR IN 1951. IN 1959, UPON A TRANSFER WITH HIS EMPLOYMENT AT CANADA LIFE, HE MOVED TO MEDICINE HAT, ALBERTA, AND JOINED THE SOUTH ALBERTA LIGHT HORSE AS A SQUADRON COMMANDER IN 1961. IN 1964, HE WAS PROMOTED TO LIEUTENANT COLONEL AND COMMANDER OF THE SOUTH ALBERTA LIGHT HORSE, AND WAS APPOINTED AIDE-DE-CAMP TO LIEUTENANT GOVERNOR GRANT MACEWAN UNTIL HIS RETIREMENT. REED AINSCOUGH WAS PROMOTED TO BRANCH MANAGER OF CANADA LIFE IN LETHBRIDGE, ALBERTA, IN 1969 AND MOVED TO LETHBRIDGE. REED AINSCOUGH WAS A MEMBER OF THE MASONIC LODGE, LODGE OF PERFECTION, ROSE CROIX, CONSISTORY, SHRINE, ORDER OF THE EASTERN STAR, AND SERVED AS THE MASTER OF THE LODGE OF PERFECTION UNTIL 1977. ACCORDING TO HIS LETHBRIDGE HERALD OBITUARY, REED AINSCOUGH WAS ALSO ACTIVE WITH THE FORT MACLEOD CHAMBER OF COMMERCE, LIONS’ CLUB, HISTORICAL ASSOCIATION, AND FORT MACLEOD MUSEUM DURING HIS TIME LIVING IN FORT MACLEOD. IN MEDICINE HAT, AISNCOUGH SERVED AS PRESIDENT OF THE HEART AND STROKE ASSOCIATION, AND ACTED AS A SENATOR FOR THE UNIVERSITY OF LETHBRIDGE UPON MOVING TO THE CITY. ON OCTOBER 20, 1993, REED WILSON AINSCOUGH PASSED AWAY IN LETHBRIDGE. AINSCOUGH ELABORATED ON HIS MOTIVES FOR DONATING THE COLLECTION, STATING, “I THINK [THE OBJECTS ARE] A BIG PART OF SOUTH ALBERTA’S HISTORY. DAD WAS VERY ACTIVE IN THE MILITARY AND THE MILITIA FOR MANY YEARS. I THINK THAT’S THE BIGGEST PART [OF WANTING TO DONATE THE OBJECTS]…IT’S DIVESTING, BECAUSE AFTER MY DAD DIED [IN 1992], MY MOTHER STAYED IN THE HOUSE FOR ABOUT 5 YEARS, AND THEN SHE MOVED OUT TO THE COAST. IT WAS AT THAT TIME, WHEN WE WERE GOING THROUGH THE STUFF IN THE HOUSE, THAT WE THOUGHT THIS IS A GOOD TIME TO GET IT DOWN TO SOMEPLACE LIKE THE GALT THAT WOULD LOOK AFTER IT.” FOR MORE INFORMATION INCLUDING FAMILY MILITARY SERVICE FILES, NEWSPAPER CLIPPINGS ON WILLIAM GEORGE AND REED AINSCOUGH, A RESUME FOR REED AINSCOUGH, AND THE FULL INTERVIEW TRANSCRIPTION, PLEASE SEE THE PERMANENT FILE P20160017001-GA.
Catalogue Number
P20160017004
Acquisition Date
2016-06
Collection
Museum
Images
Less detail
Other Name
32 DEGREE SCOTTSH RITE
Date Range From
1950
Date Range To
1993
Material Type
Artifact
Materials
GOLD, COTTON, BRASS
Catalogue Number
P20160017005
  2 images  
Material Type
Artifact
Other Name
32 DEGREE SCOTTSH RITE
Date Range From
1950
Date Range To
1993
Materials
GOLD, COTTON, BRASS
No. Pieces
1
Length
39
Width
14.3
Description
GOLD MEDAL ATTACHED TO RED COLLAR RIBBON WITH GOLD BORDERS. MEDAL SHAPED AT GOLD CROSS WITH CROSS PAINTED RED. CENTER OF CROSS HAS FOUR GOLD TRIANGLES SURROUNDING CIRCULAR CENTER PIECE; CENTER PIECE HAS LAUREL BRANCHES AROUND A BLUE BACKGROUND WITH “32” IN PAINTED IN GOLD. MEDAL IS ATTACHED TO COLLAR RIBBON WITH BRASS RINGS. COLLAR RIBBON HAS SILVER RING AND HOOK FOR SECURING RIBBON; BACK OF RIBBON IS WHITE WITH GOLD BORDERS. BACK OF MEDAL IS GOLD. RIBBON HAS MINOR CREASING; OVERALL EXCELLENT CONDITION.
Subjects
PERSONAL SYMBOL
Historical Association
COMMEMORATIVE
ASSOCIATIONS
History
ON SEPTEMBER 16, 2016, COLLECTIONS TECHNICIAN KEVIN MACLEAN INTERVIEWED CHRIS AINSCOUGH REGARDING HIS DONATION OF A COLLECTION OF MILITARY OBJECTS. THE OBJECTS BELONGED TO AISNCOUGH’S GRANDFATHER AND FATHER, WILLIAM GEORGE AINSCOUGH (FIRST WORLD WAR) AND REED WILSON AINSCOUGH (SECOND WORLD WAR AND POST-WAR). THE DONOR’S GREAT GRANDFATHER, WILLIAM THOMAS AINSCOUGH, MARRIED MARGARET A. AINSCOUGH IN 1878 AND EMIGRATED FROM SMITHFIELD, UTAH TO CANADA IN 1898, BRINGING SIX CHILDREN, AGED 1 TO 18, WITH THEM. WILLIAM GEORGE AINSCOUGH, THE DONOR’S GRANDFATHER, WAS AMONG THE CHILDREN (BORN 1885). THE AINSCOUGHS INITIALLY SETTLED IN WHISKEY GAP, ALBERTA, BEFORE RELOCATING TO WOOLFORD, ALBERTA. ACCORDING A RESUME FOR REED W. AINSCOUGH INCLUDED IN THE PERMANENT FILE, REED WILSON AINSCOUGH WAS BORN ON JUNE 21, 1918 IN CARDSTON, ALBERTA. IN 1940, REED AINSCOUGH JOINED THE 93RD BATTERY OF THE ROYAL CANADIAN ARTILLERY [RCA] STATIONED AT FORT MACLEOD, ALBERTA, AND WAS PROMOTED TO A SECOND LIEUTENANT. REED AINSCOUGH WAS POSTED OVERSEAS IN 1942 AND SERVED UNTIL HIS DISCHARGE ON JANUARY 8, 1946. LETHBRIDGE HERALD ARTICLES REPORTED REED AINSCOUGH AS BEING IN THE THICK OF THE FIGHTING IN FRANCE, NOTABLY AT CAEN. IT WAS REPORTED IN THE LETHBRIDGE HERALD IN 1944 THAT REED AINSCOUGH WAS PROMOTED TO CAPTAIN, AND WAS WOUNDED IN HIS LEG IN OCTOBER 1944. REED AINSCOUGH WAS SENT TO BELGIUM FOR SURGERY AND TO BE HOSPITALIZED, AND WAS RETURNED TO CANADA ON THE HOSPITAL SHIP H.M.C.S. LADY NELSON IN 1945. IN 1947, REED AINSCOUGH BECAME THE BATTERY COMMANDER OF THE 93RD BATTERY RCA, AND SERVED AS THE COMMANDER UNTIL 1959, BEING PROMOTED TO MAJOR IN 1951. IN 1959, UPON A TRANSFER WITH HIS EMPLOYMENT AT CANADA LIFE, HE MOVED TO MEDICINE HAT, ALBERTA, AND JOINED THE SOUTH ALBERTA LIGHT HORSE AS A SQUADRON COMMANDER IN 1961. IN 1964, HE WAS PROMOTED TO LIEUTENANT COLONEL AND COMMANDER OF THE SOUTH ALBERTA LIGHT HORSE, AND WAS APPOINTED AIDE-DE-CAMP TO LIEUTENANT GOVERNOR GRANT MACEWAN UNTIL HIS RETIREMENT. REED AINSCOUGH WAS PROMOTED TO BRANCH MANAGER OF CANADA LIFE IN LETHBRIDGE, ALBERTA, IN 1969 AND MOVED TO LETHBRIDGE. REED AINSCOUGH WAS A MEMBER OF THE MASONIC LODGE, LODGE OF PERFECTION, ROSE CROIX, CONSISTORY, SHRINE, ORDER OF THE EASTERN STAR, AND SERVED AS THE MASTER OF THE LODGE OF PERFECTION UNTIL 1977. ACCORDING TO HIS LETHBRIDGE HERALD OBITUARY, REED AINSCOUGH WAS ALSO ACTIVE WITH THE FORT MACLEOD CHAMBER OF COMMERCE, LIONS’ CLUB, HISTORICAL ASSOCIATION, AND FORT MACLEOD MUSEUM DURING HIS TIME LIVING IN FORT MACLEOD. IN MEDICINE HAT, AISNCOUGH SERVED AS PRESIDENT OF THE HEART AND STROKE ASSOCIATION, AND ACTED AS A SENATOR FOR THE UNIVERSITY OF LETHBRIDGE UPON MOVING TO THE CITY. ON OCTOBER 20, 1993, REED WILSON AINSCOUGH PASSED AWAY IN LETHBRIDGE. AINSCOUGH ELABORATED ON HIS MOTIVES FOR DONATING THE COLLECTION, STATING, “I THINK [THE OBJECTS ARE] A BIG PART OF SOUTH ALBERTA’S HISTORY. DAD WAS VERY ACTIVE IN THE MILITARY AND THE MILITIA FOR MANY YEARS. I THINK THAT’S THE BIGGEST PART [OF WANTING TO DONATE THE OBJECTS]…IT’S DIVESTING, BECAUSE AFTER MY DAD DIED [IN 1992], MY MOTHER STAYED IN THE HOUSE FOR ABOUT 5 YEARS, AND THEN SHE MOVED OUT TO THE COAST. IT WAS AT THAT TIME, WHEN WE WERE GOING THROUGH THE STUFF IN THE HOUSE, THAT WE THOUGHT THIS IS A GOOD TIME TO GET IT DOWN TO SOMEPLACE LIKE THE GALT THAT WOULD LOOK AFTER IT.” FOR MORE INFORMATION INCLUDING FAMILY MILITARY SERVICE FILES, NEWSPAPER CLIPPINGS ON WILLIAM GEORGE AND REED AINSCOUGH, A RESUME FOR REED AINSCOUGH, AND THE FULL INTERVIEW TRANSCRIPTION, PLEASE SEE THE PERMANENT FILE P20160017001-GA.
Catalogue Number
P20160017005
Acquisition Date
2016-06
Collection
Museum
Images
Less detail
Other Name
"14TH DEGREE" MASONIC MEDAL
Material Type
Artifact
Materials
BRASS, PAPER, COTTON
Catalogue Number
P20160017010
  2 images  
Material Type
Artifact
Other Name
"14TH DEGREE" MASONIC MEDAL
Date
1978
Materials
BRASS, PAPER, COTTON
No. Pieces
1
Length
12.8
Width
7.8
Description
TRIANGULAR MASONIC MEDAL ON RED RIBBON FIXED TO PAPER CARD. FRONT OF CARD HAS SYMBOL OF TRIANGLE WITH FLAME IN CENTER WITH TEXT BELOW “VALLEY OF LETHBRIDGE, REED AISNCOUGH”. UPPER EDGE OF CARD IS TAPED. MEDAL HAS RED RIBBON WITH TWO BRASS BARS; UPPER BAR HAS BLACK BACKGROUND WITH EMBOSSED TEXT “PTPGM”; LOWER BAR HAS ENGRAVED TEXT “LETHBRIDGE”. MEDAL ATTACHED TO RIBBON WITH BRASS RING. MEDAL IS BRASS WITH ONE BLACK AND ONE WHITE TRIANGLE DEPICTED ON FRONT SURROUNDING JEWEL IN CENTER; TRIANGLES HAVE BRASS SYMBOLS IN CORNERS; CENTER JEWEL HAS BRASS SYMBOLS ATTACHED TO FRONT; MEDAL HAS RED TEXT ALONG LOWER EDGE “LODGE OF PERFECTION”. BACK OF MEDAL HAS ENGRAVED TEXT “ILL. BRO. R.W. AINSCOUGH 32 [DEGREE SYMBOL], T.R.G.M. 1977-78”. BACK OF CARD HAS TAPE ALONG UPPER EDGE. MEDAL AND BARS ARE TARNISHED; TEXT AT BOTTOM OF MEDAL FADING AND WORN; CARD HAS STAINING AND SOILING AT TAPE; OVERALL VERY GOOD CONDITION.
Subjects
PERSONAL SYMBOL
Historical Association
ASSOCIATIONS
COMMEMORATIVE
History
ON SEPTEMBER 16, 2016, COLLECTIONS TECHNICIAN KEVIN MACLEAN INTERVIEWED CHRIS AINSCOUGH REGARDING HIS DONATION OF A COLLECTION OF MILITARY OBJECTS. THE OBJECTS BELONGED TO AISNCOUGH’S GRANDFATHER AND FATHER, WILLIAM GEORGE AINSCOUGH (FIRST WORLD WAR) AND REED WILSON AINSCOUGH (SECOND WORLD WAR AND POST-WAR). ACCORDING A RESUME FOR REED W. AINSCOUGH INCLUDED IN THE PERMANENT FILE, REED WILSON AINSCOUGH WAS BORN ON JUNE 21, 1918 IN CARDSTON, ALBERTA. IN 1940, REED AINSCOUGH JOINED THE 93RD BATTERY OF THE ROYAL CANADIAN ARTILLERY [RCA] STATIONED AT FORT MACLEOD, ALBERTA, AND WAS PROMOTED TO A SECOND LIEUTENANT. REED AINSCOUGH WAS POSTED OVERSEAS IN 1942 AND SERVED UNTIL HIS DISCHARGE ON JANUARY 8, 1946. LETHBRIDGE HERALD ARTICLES REPORTED REED AINSCOUGH AS BEING IN THE THICK OF THE FIGHTING IN FRANCE, NOTABLY AT CAEN. IT WAS REPORTED IN THE LETHBRIDGE HERALD IN 1944 THAT REED AINSCOUGH WAS PROMOTED TO CAPTAIN, AND WAS WOUNDED IN HIS LEG IN OCTOBER 1944. REED AINSCOUGH WAS SENT TO BELGIUM FOR SURGERY AND TO BE HOSPITALIZED, AND WAS RETURNED TO CANADA ON THE HOSPITAL SHIP H.M.C.S. LADY NELSON IN 1945. IN 1947, REED AINSCOUGH BECAME THE BATTERY COMMANDER OF THE 93RD BATTERY RCA, AND SERVED AS THE COMMANDER UNTIL 1959, BEING PROMOTED TO MAJOR IN 1951. IN 1959, UPON A TRANSFER WITH HIS EMPLOYMENT AT CANADA LIFE, HE MOVED TO MEDICINE HAT, ALBERTA, AND JOINED THE SOUTH ALBERTA LIGHT HORSE AS A SQUADRON COMMANDER IN 1961. IN 1964, HE WAS PROMOTED TO LIEUTENANT COLONEL AND COMMANDER OF THE SOUTH ALBERTA LIGHT HORSE, AND WAS APPOINTED AIDE-DE-CAMP TO LIEUTENANT GOVERNOR GRANT MACEWAN UNTIL HIS RETIREMENT. REED AINSCOUGH WAS PROMOTED TO BRANCH MANAGER OF CANADA LIFE IN LETHBRIDGE, ALBERTA, IN 1969 AND MOVED TO LETHBRIDGE. REED AINSCOUGH WAS A MEMBER OF THE MASONIC LODGE, LODGE OF PERFECTION, ROSE CROIX, CONSISTORY, SHRINE, ORDER OF THE EASTERN STAR, AND SERVED AS THE MASTER OF THE LODGE OF PERFECTION UNTIL 1977. ACCORDING TO HIS LETHBRIDGE HERALD OBITUARY, REED AINSCOUGH WAS ALSO ACTIVE WITH THE FORT MACLEOD CHAMBER OF COMMERCE, LIONS’ CLUB, HISTORICAL ASSOCIATION, AND FORT MACLEOD MUSEUM DURING HIS TIME LIVING IN FORT MACLEOD. IN MEDICINE HAT, AISNCOUGH SERVED AS PRESIDENT OF THE HEART AND STROKE ASSOCIATION, AND ACTED AS A SENATOR FOR THE UNIVERSITY OF LETHBRIDGE UPON MOVING TO THE CITY. ON OCTOBER 20, 1993, REED WILSON AINSCOUGH PASSED AWAY IN LETHBRIDGE. AINSCOUGH ELABORATED ON HIS MOTIVES FOR DONATING THE COLLECTION, STATING, “I THINK [THE OBJECTS ARE] A BIG PART OF SOUTH ALBERTA’S HISTORY. DAD WAS VERY ACTIVE IN THE MILITARY AND THE MILITIA FOR MANY YEARS. I THINK THAT’S THE BIGGEST PART [OF WANTING TO DONATE THE OBJECTS]…IT’S DIVESTING, BECAUSE AFTER MY DAD DIED [IN 1992], MY MOTHER STAYED IN THE HOUSE FOR ABOUT 5 YEARS, AND THEN SHE MOVED OUT TO THE COAST. IT WAS AT THAT TIME, WHEN WE WERE GOING THROUGH THE STUFF IN THE HOUSE, THAT WE THOUGHT THIS IS A GOOD TIME TO GET IT DOWN TO SOMEPLACE LIKE THE GALT THAT WOULD LOOK AFTER IT.” THE DONOR’S GREAT GRANDFATHER, WILLIAM THOMAS AINSCOUGH, MARRIED MARGARET A. AINSCOUGH IN 1878 AND EMIGRATED FROM SMITHFIELD, UTAH TO CANADA IN 1898, BRINGING SIX CHILDREN, AGED 1 TO 18, WITH THEM. WILLIAM GEORGE AINSCOUGH, THE DONOR’S GRANDFATHER, WAS AMONG THE CHILDREN (BORN 1885). THE AINSCOUGHS INITIALLY SETTLED IN WHISKEY GAP, ALBERTA, BEFORE RELOCATING TO WOOLFORD, ALBERTA. FOR MORE INFORMATION INCLUDING FAMILY MILITARY SERVICE FILES, NEWSPAPER CLIPPINGS ON WILLIAM GEORGE AND REED AINSCOUGH, A RESUME FOR REED AINSCOUGH, AND THE FULL INTERVIEW TRANSCRIPTION, PLEASE SEE THE PERMANENT FILE P20160017001-GA.
Catalogue Number
P20160017010
Acquisition Date
2016-06
Collection
Museum
Images
Less detail

35 records – page 1 of 2.