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Other Name
"LETHBRIDGE HERALD AGENT"
Date Range From
1950
Date Range To
1960
Material Type
Artifact
Materials
TIN, INK
Catalogue Number
P20180004000
  2 images  
Material Type
Artifact
Other Name
"LETHBRIDGE HERALD AGENT"
Date Range From
1950
Date Range To
1960
Materials
TIN, INK
No. Pieces
1
Length
30.6
Width
25.8
Description
METAL SIGN WITH DOUBLE-SIDED PRINTING ON LIGHT BROWN BACKGROUND. SIGN SHOWS BLACK SQUARE BACKGROUND WITH RED TRIM AND LIGHT BROWN TEXT WITH RED TRIM READING “AGENT FOR THE LETHBRIDGE HERALD HERE, THE LETHBRIDGE HERALD SERVES THE SOUTH”; SIGN HAS SMALL BLACK TEXT PRINTED AT BOTTOM RIGHT CORNER “TMOS. DAVIDSON MFG. CO. LTD. MONTREAL”. BACK OF SIGN IS PRINTED THE SAME. SIGN HAS PAPER TAG FIXED WITH BROWN CORD TO HOLE PUNCHED IN SIDE; TAG IS DISCOLORED WHITE AND HAS BLACK HANDWRITTEN TEXT “DAN, LETHBRIDGE HERALD SIGN, $349.95, $250 KEVIN”. BACK OF TAG HAS HANDWRITTEN BLACK TEXT “SOLD” WITH UNDERLINE. SIGN HAS JAGGED METAL EDGE BENT DOWN ON LEFT SIDE; SIGN IS RUSTED FRONT AND BACK AND FADED; SIGN IS SCRATCHED IN FRONT UPPER RIGHT CORNER AND CORRODED LOWER LEFT CORNER. OVERALL GOOD CONDITION.
Subjects
ADVERTISING MEDIUM
Historical Association
BUSINESS
PROFESSIONS
History
ON MARCH 19TH, 2018, COLLECTIONS TECHNICIAN KEVIN MACLEAN CONTACTED DAN PLOURDE, THE "AGENT FOR...HERALD" SIGN'S SELLER. THE SIGN WAS PURCHASED BY THE GALT MUSEUM AT URBAN PRAIRIE ANTIQUE MALL ON MARCH 21, 2018. PLOURDE, A PICKER, LEASES MALL SPACE AT URBAN PRAIRIE AS A LOCATION TO SELL HIS PICKS. PLOURDE TOLD MACLEAN THAT THE HERALD SIGN CAME FROM A RURAL PROPERTY NEAR CHIN LAKE. THE RURAL LOCATION FEATURED "QUONSETS" FULL OF OTHER ITEMS, INCLUDING GAS MEMORABILIA AND FURNITURE. THE ORIGINAL OWNER OF THE SIGN, WHO LIVED AT THE PROPERTY, WAS, SAID PLOURDE, NO LONGER LIVING. THE OWNER, CONTINUED PLOURDE, CONDUCTED HIS OWN PICKING "IN BACK ALLEYS IN LETHBRIDGE 60 YEARS AGO". PLOURDE ATTEMPTED TO SELL THE SIGN IN FORT MACLEAD BEFORE RECOGNIZING THAT ITS MARKET WAS GREATER IN LETHBRIDGE. FOR COPIES OF INFORMATION REGARDING THE SIGN, PLEASE SEE THE PERMANENT FILE P20180004000-GA.
Catalogue Number
P20180004000
Acquisition Date
2018-03
Collection
Museum
Images
Less detail
Other Name
SUPINA SOUVENIR BOWL
Date Range From
1918
Date Range To
1960
Material Type
Artifact
Materials
PORCELAIN
Catalogue Number
P20150016001
  1 image  
Material Type
Artifact
Other Name
SUPINA SOUVENIR BOWL
Date Range From
1918
Date Range To
1960
Materials
PORCELAIN
No. Pieces
1
Height
6
Diameter
21.5
Description
CHINA BOWL WITH AN IRREGULAR RIM THAT EXTENDS A FLORAL PETAL MOTIF ALONG BOWL’S INSIDE EDGE. CENTRE FEATURES COUNTRY LANDSCAPE INCLUDING A COTTAGE, SURROUNDED BY STAMP MARK IN GOLD STENCIL AND SCRIPT, “COMPLIMENTS OF N. F. SUPINA”. GOOD TO VERY GOOD CONDITION. SLIGHT CRACKING IN THE BOTTOM. THE BASE IS SCUFFED AND DIRTY. THERE ARE SOME MARKS ON THE OUTSIDE EDGE.
Subjects
FURNITURE
Historical Association
BUSINESS
COMMEMORATIVE
DOMESTIC
History
EVERAL HORHOZER (NÉE SUPINA) WAS BORN IN LETHBRIDGE IN THE YEAR OF 1927 TO HER PARENTS DONAH (NÉE HILL) AND NICHOLAS SUPINA. SUPINA WAS THE OWNER OF SUPINA’S MERCANTILE ON 13TH STREET NORTH, LETHBRIDGE. COLLECTIONS TECHNICIAN KEVIN MACLEAN CONDUCTED A SERIES OF INTERVIEWS (ON APRIL 2, APRIL 16, AND MAY 7, 2015) WITH HORHOZER REGARDING A GROUP OF ARTIFACTS SHE DONATED TO THE MUSEUM. THE INFORMATION BELOW HAS COME FROM THESE INTERVIEWS AND LETHBRIDGE HERALD RESEARCH REGARDING HORHOZER AND HER FAMILY. THIS BOWL IS A REMINDER OF THE STORE THAT WAS AN INTEGRAL PART OF LIFE IN THE SUPINA FAMILY. HORHOZER REMEMBERS: “MY DAD ALWAYS GAVE A CHRISTMAS GIFT. SO ONE YEAR HE GAVE THE PLATE AND ANOTHER YEAR HE GAVE THIS BOWL AND ACTUALLY THAT’S ALL I KNOW ABOUT IT… [A]LL THE CUSTOMERS, THE ONES THAT DEALT THERE ALL THE TIME [GOT A CHRISTMAS PRESENT]. THE GOOD PAYING ONES AND THE NOT-SO-GOOD PAYING ONES, I THINK THEY PROBABLY EVEN GOT IT TOO, BUT, AS LONG AS THEY WERE CUSTOMERS THEN THEY GOT ONE… MY MOTHER SAVED [IT] FIRSTLY, BECAUSE THEY REALLY MEANT SOMETHING - PART OF THE STORE I GUESS SHE’D SAY. SO, HAD THEM FOR A LONG, LONG TIME… MY MOM HAD ALL KINDS OF ORNAMENTS AROUND AND SHE’D JUST PUT THEM ON A TABLE OR WHATEVER. SHE WOULD CHANGE HER ORNAMENTS EVERY ONCE AND AWHILE, AND THEN SHE’D PUT THESE IN THE CUPBOARD." ABOUT THE HISTORY OF SUPINA’S MERCANTILE, HORHOZER EXPLAINS: “I WAS BORN INTO [THE STORE]. MY DAD STARTED SMALL. HIS DAD HAD A LITTLE CONFECTIONARY; THEN HE TURNED IT INTO A GROCERY STORE AND THEN HE SOLD IT TO MY DAD. MY DAD WAS THE ONE THAT TOOK IT OVER, THAT WAS ALREADY TAKING PLACE WHEN I WAS BORN. THERE WAS NO SPECIFIC MEMORY [OF THAT TRANSITIION] BECAUSE THAT’S ALL I KNEW REALLY.” “… MY DAD WAS BORN IN CZECHOSLOVAKIA. [HIS FAMILY] CAME HERE WHEN HE WAS TWO. [HIS YOUNGER SIBLINGS], THE FIVE BROTHERS AND THE ONE SISTER, WERE ALL BORN IN THAT SAME LITTLE HOUSE THERE. AND THAT’S WHERE MY GRANDPA HAD STARTED THE STORE, IT WAS JUST A CONFECTIONARY. EVENTUALLY IT GREW INTO QUITE A BUSINESS… IN THOSE DAYS, IT WAS HORSE AND BUGGY, SO THEY HAD FIVE HORSES AND BUGGIES THAT WERE RUNNING, WORKING, AND MY UNCLE ALWAYS LOOKED AFTER THE HORSES AND MAINTAINED THEM. THEY’D GO AND THEY’D PICK UP THE ORDER. LOTS OF THE PEOPLE THEN COULDN’T SPEAK ENGLISH, BUT MY DAD COULD SPEAK CZECH, AND THEN THEY’D USUALLY SEND – HE HAD ALL KINDS OF NATIONALITIES WORKING FOR HIM - [A PERSON OF MATCHING ETHNICITY], THAT KNEW THEIR LANGUAGE TO PICK UP THE ORDER. THEY BROUGHT IT BACK TO THE STORE, AND THEN DELIVERED IT BACK TO THE CUSTOMER, THAT WAS REAL SERVICE IN THOSE DAYS, ESPECIALLY WITH HORSE AND BUGGY IN THOSE WINTRY DAYS, AFTER THAT IT DEVELOPED INTO TRUCKS. THERE WERE LOTS OF MINERS IN THOSE DAYS AND WERE GOOD CUSTOMERS… HE AT ONE TIME EMPLOYED THIRTY-SIX PEOPLE IN THE STORE THERE.” AN ARTICLE IN LETHBRIDGE HERALD PUBLISHED ON MAY 5, 2004 STATES THAT NICK SUPINA PURCHASED THE STORE FROM HIS FATHER, MIKE SUPINA, IN 1918. IN THE INTERVIEW, HORHOZER CONTINUED TO SPEAK ABOUT THE BEGINNING DAYS OF THE SUPINA’S STORE: “MY GRANDPA WAS WORKING IN THE MINE. I DON’T KNOW HOW IT CAME THAT HE HAD THIS LITTLE BUSINESS… IT’S MY DAD THEN THAT HAD TO LOOK AFTER THE FAMILY BECAUSE THEY DIDN’T HAVE ANY MONEY. THERE WAS FIVE BOYS SO HE HAD THEM ALL. THEY WERE ALL CLOSE TOGETHER IN AGE. THERE’S STEVE AND BILLY AND JOHN AND MIKE… UNCLE STEVE, IS THE SECOND, HE’S THE ONE THAT STAYED WITH MY DAD, AND JOHNNY DID TOO. THEN THE OTHER TWO PURSUED THEIR OWN BUSINESSES. BILLY HAD A BUSINESS IN RED DEER AND SMALL BUSINESSES IN TWO OTHER PLACES. THEN MIKE, HE WENT TO THE STATES AND—OH, THAT WAS GEORGE, PARDON ME. HE HAD A SHOE STORE WHICH WAS VERY, VERY SUCCESSFUL. MIKE WAS THE ONLY ONE THAT WASN’T IN BUSINESS. THAT WAS BECAUSE HE WAS IN THE WAR…” THINKING BACK ON HER MEMORIES OF SUPINA’S, HORHOZER DESCRIBES, “[I]N THOSE DAYS YOU HAD GOOD FRUIT. I REMEMBER THE DELICIOUS PEACHES. I HAVEN’T SEEN A PEACH LIKE THAT SINCE… LOTS OF TIMES, THE FRUIT WOULD GO OVER-RIPE, LIKE YOUR APRICOTS AND PEACHES. MY MOTHER WOULD GO AND GET ALL THE OVER-RIPE FRUIT AND TAKE IT HOME AND MAKE BEAUTIFUL PIES AND TAKE THE PIES BACK TO THE STORE AND SELL THEM. SHE WAS A WONDERFUL BAKER. THEY DID EVERYTHING LIKE THAT TO HELP MAKE MORE MONEY. SOMETIMES MY DAD WOULD HAVE A SPECIAL ON, 3 CENTS A LOAF [OF BREAD. I HAD LOTS OF ADS FROM THE STORE, AND YOU’D GET SUCH A KICK OUT OF SEEING HAMBURGER, TWENTY-FIVE CENTS A POUND AND THINGS LIKE THAT. SO, YES I REMEMBER.” HORHOZER BEGAN WORKING AT THE STORE AT THE AGE OF 14: “I WORKED IN THE LADIESWEAR. I LIKED THAT VERY MUCH. THE MEAT DEPARTMENT WAS RIGHT ACROSS FROM THE LADIESWEAR. THAT’S KIND OF HOW I MET JOE. HE WORKED IN THE BUTCHER DEPARTMENT. I REMEMBER THE DAY HE WALKED IN THE STORE, I’LL NEVER FORGET [IT], HE HAD THIS RED CARDIGAN SWEATER ON AND I JUST FELL, HEAD OVER RIGHT THEN. HE WAS JUST STARTING WORK AND I THOUGHT, ‘WELL, THAT’S THE GUY I’M GOING TO MARRY.’” HORHOZER BELIEVED THAT AN IMPORTANT PART OF THE STORE’S SUCCESS WAS “… BECAUSE, [OF] THE SERVICE MAINLY. JUST THINK, GOING THERE, GETTING YOUR ORDERS, BRINGING THEM BACK, DOING THEM UP, THEY’D MAKE SURE THINGS WERE TOP QUALITY. THEY GOT TO KNOW EVERY CUSTOMER, OF COURSE, AND THEY KNEW WHAT THEY LIKED. HE HAD WONDERFUL PEOPLE WORKING FOR HIM. THEY JUST GAVE FANTASTIC SERVICE ALL THE TIME. PLUS, MY DAD WAS GRUFF, BUT HE WAS VERY, VERY KIND TO POOR PEOPLE THAT COULDN’T AFFORD –THERE’S LOTS THAT YEARS AFTER HE HAD PASSED AWAY [PEOPLE] WOULD COME UP TO ME AND SAY, ‘IF IT WASN’T FOR YOUR DAD, JOHNNY WOULDN’T HAVE HAD CHEESE,’ OR SOMETHING. I DIDN’T KNOW A THING ABOUT IT, BECAUSE HE WAS ONE THAT NEVER, EVER TOLD ANYBODY… THEN AT CHRISTMAS TIME HE WOULD GO TO THE STORE AND HE HAD A LIST OF EVERYBODY THAT HE KNEW WAS EXCEPTIONALLY POOR, AND HE WOULD FILL BASKETS. HE WOULD DO IT ALL BY HIMSELF… HE WOULDN’T TELL MY MOTHER AND I. HE WAS SO TIGHT-MOUTHED, FILL ALL THESE BASKETS AND DELIVER THEM TO THE PEOPLE HIMSELF WITHOUT TELLING A SOUL ABOUT IT. HE WAS THAT KIND OF PERSON. HE WAS VERY KIND THAT WAY.” SUPINA’S MERCANTILE SERVED LETHBRIDGE UNTIL IT CLOSED IN 1960. HORHOZER REMAINED IN RETAIL IN VARIOUS SHOPS IN THE CITY, INCLUDING THE DEPARTMENT STORE WOOLCO UNTIL HER RETIREMENT IN 1988. HORHOZER PASSED AWAY IN LETHBRIDGE IN 2016 AT THE AGE OF 88 YEARS OLD. PLEASE SEE THE PERMANENT FILE FOR ADDITIONAL INFORMATION ABOUT SUPINA’S MERCANTILE AND THE LIFE OF EVERAL AND HER FAMILY, WHICH INCLUDES THE FULL INTERVIEW TRANSCRIPT AND LETHBRIDGE HERALD ARTICLES.
Catalogue Number
P20150016001
Acquisition Date
2015-05
Collection
Museum
Images
Less detail
Other Name
"RED DAWN"
Date Range From
1980
Date Range To
1990
Material Type
Artifact
Materials
PAPER, INK
Catalogue Number
P20180029001
Material Type
Artifact
Other Name
"RED DAWN"
Date Range From
1980
Date Range To
1990
Materials
PAPER, INK
No. Pieces
1
Length
104
Width
68.8
Description
POSTER WITH IMAGE ON FRONT OF PURPLE AND BLUE SKY WITH SUNRISE AND PARATROOPERS DESCENDING OVER TOWN OSURROUNDED BY MOUNTAINS AT BOTTOM EDGE. POSTER HAS WHITE BORDERS; POSTER HAS WHITE TEXT PRINTED ON IMAGE “IN OUR TIME NO FOREIGN ARMY HAS EVER OCCUPIED AMERICAN SOIL. UNTIL NOW” AND RED PRINTED TEXT BELOW WITH RUSSIAN SYLLABICS OVER “RED DAWN”; POSTER HAS WHITE CREDITS ALONG BOTTOM EDGE, “A VALKYRIE FILM A SIDNEY BECKERMAN PRODUCTION RED DAWN…” WITH LISTING OF CAST AND CREW MEMBERS. LOWER LEFT CORNER OF IMAGE HAS TEXT WARNING “PG-13, PARENTS ARE STRONGLY CAUTIONED TO GIVE SPECIAL GUIDANCE FOR ATTENDANCE OF CHILDREN UNDER 13, SOME MATERIAL MAY BE INAPPROPRIATE FOR YOUNG CHILDREN”, AND TEXT BESIDE “[COPYRIHT SYMBOL” 1984 UNITED ARTISTS CORPORATION”; LOWER RIGHT CORNER OF IMAGE HAS LOGO “METRO GOLDWYN MAYER UNITED ARTISTS, DIAMOND JUBILEE, SIXTY YEARS OF GREAT ENTERTAINMENT”; POSTER HAS TEXT ALONG LOWER BORDER “PROPERTY OF NATIONAL SCREEN CORPORATION LICENSED FOR USE ONLY IN CONNECTION WITH THE EXHIBITION OF THIS PICTURE AT THE THEATRE LICENSING THIS MATERIAL. LICENSEE AGREES NOT TO TRADE, SELL OR GIVE IT AWAY, OR PERMIT OTHERS TO USE IT, NOR SHALL LICENSEE BE ENTITLED TO ANY CREDIT UPON RETURN OF THIS MATERIAL. THIS MATERIAL EITHER MUST BE RETURNED OR DESTROYED IMMEDIATELY AFTER USE. LITHO. IN U.S.A., RED DAWN 840077”. BACK OF POSTER HAS HANDWRITTEN TEXT IN RED INK IN LOWER LEFT CORNER “KEVIN MCLEAN $2.00” AND HANDWRITTEN TEXT IN BLUE INK “RED DAWN”. POSTER HAS TEARS AT RIGHT AND LEFT EDGES, AND LOWER EDGE; FRONT IS CREASED; BACK OF CORNERS HAS LOSS FROM REMOVAL OF ADHESIVES. OVERALL GOOD CONDITION.
Subjects
ADVERTISING MEDIUM
Historical Association
BUSINESS
LEISURE
History
ON DECEMBER 21, 2018, GALT MUSEUM CURATOR AIMEE BENOIT INTERVIWED KEVIN MACLEAN REAGARDING HIS DONATION OF PERSONAL OBJECTS. THE OBJECTS DONATED BY MACLEAN REFLECTED HIS LIFE AND IDENTITY THROUGH HIS TIME IN LETHBRIDGE. ON THE “RED DAWN” FILM POSTER, MACLEAN ELABORATED, “THE POSTER [WAS] UP [IN MY ROOM].” “[IN] THE 1980S, AS A KID, AND I DON’T KNOW IF IT WAS JUST ME ‘CAUSE I WAS A NEWS JUNKIE, THE COLD WAR WAS A BIG DEAL IN THE EARLY ‘80S. THERE WERE SHOWS ON TV THAT WERE SCARING THE CRAP OUT OF ME. THERE WAS ONE CALLED THE DAY AFTER AND THAT WAS IN ’83. THEN IN 1984 THIS MOVIE COMES OUT WHICH IS CALLED RED DAWN WHICH IS, AGAIN, ABOUT RUSSIAN COMMUNIST INVASIONS OF NORTH AMERICA. IT’S A SMALL TOWN THAT ALL THESE TROOPS DROP INTO. TO SAY THE LEAST, I WAS SEMI-OBSESSED WITH THE SUBJECT MATTER.” “IF YOU WATCHED THE DAY AFTER…ON ONE HAND, THAT KIND OF SUBJECT MATTER CAN FEEL FOREIGN AND ABSTRACT AND NOT RELEVANT. BUT, IF AT THE SAME TIME YOU’RE A KID, AND YOUR PARENTS ARE WATCHING THE NEWS EVERY NIGHT, AND YOU HAVE AN INTEREST IN WHAT’S GOING ON—A LOT OF KIDS DON’T CARE BUT FOR SOME REASON, I WAS VERY INTERESTED. THEN YOU THOUGHT, “NO, THIS IS A VERY REAL PROSPECT. THIS COULD ACTUALLY HAPPEN.” I WAS TERRIFIED ABOUT IT. BUT, AT THE SAME TIME, I WAS ALSO ATTRACTED TO IT, LIKE A FLAME. IT WAS…ROCKETS…I DON’T KNOW WHAT IT WAS BUT I WAS ACTIVELY INTERESTED IN [THEM]. THEN AT SOME POINT, THAT PIVOTED, WHICH IS WHEN I KNOW I WAS LOOKING AT THE SOLDIER OF FORTUNE MAGAZINES AND THEN I STARTED BUYING COMIC BOOKS…WORLD WAR TWO COMIC BOOKS.” “WE DIDN’T HAVE MUCH TV OUT IN PICTURE BUTTE. [OTHER PEOPLE] PROBABLY HAD LOTS OF CHANNELS IN LETHBRIDGE. ONE CHANNEL WE DID HAVE—I THINK WE ONLY HAD THREE—WAS CBC. I REMEMBER [MY PARENTS] WATCHING THE NATIONAL. I THINK [THERE] WAS [A SHOW] CALLED THE JOURNAL WITH BARBARA FRUM [THAT MY PARENTS] WOULD WATCH AT TEN O’CLOCK EVERY SINGLE NIGHT. I WOULD SNEAK OUT OF MY ROOM AND HIDE BEHIND THE COUCH, AND [THE COLD WAR IS] ON THE NEWS EVERY SINGLE NIGHT.” “IN TERMS OF [THE COLD WAR] MANIFESTING ITSELF LOCALLY…I THINK TRUDEAU’S IN POWER, AND THERE’S A WHOLE DEBATE ABOUT CANADA HAVING NUKES IN THIS COUNTRY. ULTIMATELY, IT DIDN’T HAPPEN. BUT, THE U.S. WAS TESTING CRUISE MISSILES IN ALBERTA, AND NOT FAR FROM MY FRIEND’S HOUSE OUT NEAR PICTURE BUTTE, WHEN THE TALK OF A CRUISE MISSILE BEING TESTED IN ALBERTA WAS IN THE NEWS, ACTIVELY, PEOPLE WERE UNHAPPY AND PROTESTING. A BUNCH OF TRACTOR TRAILERS PULLED UP ON THE TOP OF A HILL, TWO MILES AWAY FROM [MY FRIEND’S] HOUSE, WITH U.S. LICENSE PLATES. OTHERWISE, THEY WERE TOTALLY UNMARKED. THEY BUILT THIS RADAR INSTALLATION UP ON THE TOP OF THE HILL, WHERE IT REMAINED…FOR THREE DAYS OR [SO]…AND THEN IT ALL DISAPPEARED.” “I CAN’T SAY THAT I KNOW FOR A FACT THAT IT WAS RELATED TO CRUISE MISSILE TESTING.” “GENERALLY TO SAY…WITH THESE [OBJECTS] I CAN DRAW A BIT OF A LINE FROM MY HAVING POSSESSED THEM ALL THE WAY, IN SOME FORM…THEY WOULD HAVE HAD AN IMPACT ON [MY] IDENTITY AND WHO I THINK I AM TODAY. I DON’T VALUE THEM BECAUSE THEY DON’T HAVE UTILITY AND THEY DON’T HAVE PRACTICAL VALUE. I DON’T LOOK AT THEM ALL THE TIME, BUT I KNOW THAT THEY HAVE SOME IMPORTANCE LIFE-WISE.” “IN SCHOOL, THERE WAS A GAME THAT WE WERE PLAYING. THIS IS AT A TIME WHEN THERE’S ONE COMPUTER FOR THE ENTIRE SCHOOL. IT WAS AN APPLE…AND IT WAS A WW2-BASED GAME. MY INTEREST, INITIALLY, WAS IN CONTEMPORARY-TYPE STUFF. THEN WE’RE PLAYING THIS GAME WHICH I’M NOT REALLY–IT’S ABSTRACT TO ME. WE’RE JUST PLAYING THIS GAME AND THEN, BECAUSE I’M INTO THIS, I’M BUYING MAGAZINES CALLED SOLDIER OF FORTUNE, AND I CAN REMEMBER FLIPPING THROUGH THE PAGES OF [THE] PROXY WAR IN AFGHANISTAN. [THE RUSSIANS] HAD GONE INTO AFGHANISTAN, AND I SAW A WW2 PICTURE AND I CONNECTED IT TO THIS GAME AND I [THOUGHT], “OH, THIS IS A REAL THING.” THEN, ALL OF A SUDDEN, THIS CONTEMPORARY STUFF IS OF LESSER INTEREST AND THEN IT BECOMES MORE SECOND WORLD WAR INTEREST AFTER THAT.” “MAYBE I STILL AM [THAT PERSON] TODAY A BIT…IN DIFFERENT RESPECTS. [THE OBJECTS] TAKE UP SOME SPACE BUT I COULDN’T LET THEM GO BECAUSE THEY’RE SYMBOLS, IN A WAY. THEY’RE ONLY THAT BECAUSE OF WHAT IS IN MY HEAD, SO I THOUGHT AT SOME POINT IT WAS GOOD TO [DONATE THEM]…IT WOULD HAVE BEEN MAYBE EASIER TO LET SOME OF THIS STUFF GO.” FOR MORE INFORMATION INCLUDING ARTICLES FROM THE LETHBRIDGE HERALD, BRANDON SUN, MEDICINE HAT NEWS, AND THE FULL INTERVIEW TRANSCRIPTION, PLEASE SEE THE PERMANENT FILE P20180029001-GA.
Catalogue Number
P20180029001
Acquisition Date
2018-12
Collection
Museum
Less detail
Other Name
WOOD, LEATHER
Date Range From
1952
Date Range To
1975
Material Type
Artifact
Materials
WOOD, LEATHER, PAINT
Catalogue Number
P20170019000
  2 images  
Material Type
Artifact
Other Name
WOOD, LEATHER
Date Range From
1952
Date Range To
1975
Materials
WOOD, LEATHER, PAINT
No. Pieces
1
Height
100
Length
41
Width
49
Description
WOODEN CHAIR COATED IN A LIGHT WOOD-COLOURED PAINT. LION’S FEET LEGS IN THE FRONT, DETAILS ON FRONT OF THE LEGS NEAR THE GROUND AND NEAR THE SEAT; DECORATED KNOBS ON TOP OF THE SIDES OF CHAIR. THE BACK SUPPORT IS MADE UP OF ONE WIDE PANEL AND ONE THIN PANEL HORIZONTALLY PARALLEL WITH ORNATE DETAIL WITH OVAL IN THE CENTER OF THE BACKREST. BACKREST IS 4 CM IN WIDTH. WOODEN STRIPES BETWEEN BACK LEGS AND ON EITHER SIDE BETWEEN LEGS. CONDITION: VERY GOOD TO EXCELLENT CONDITION: SLIGHT WEAR ALONG CORNERS OF CHAIR; DARKER WOOD COLOUR SHOWS THROUGH THESE WORN SPOTS ESPECIALLY ON THE TOP OF THE CHAIR; GLUED ON CORNER OF BACK OF CHAIR DESIGN NEAR THE TOP RIGHT CORNER.
Subjects
FURNITURE
Historical Association
FURNISHINGS
PROFESSIONS
History
ON MAY 16TH, 2017 COLLECTIONS TECHNICIAN KEVIN MACLEAN INTERVIEWED DONOR GERALD TODD ABOUT A CHAIR HE DONATED TO THE GALT MUSEUM. TODD BEGAN, “I GOT [THE CHAIR] FROM MY DAD WILLIAM (BILL) TODD. WHEN MY DAD PASSED AWAY, MY MOTHER PASSED IT ON TO ME. I USED IT AT MY DESK AT HOME, WHERE I WOULD SIT ON IT NOW AND THEN TO DO MY PAPERWORK.” HE CONTINUED, “MY DAD GOT [THE CHAIR] FROM [WHEN] HE WAS THE PUBLIC SUPERINTENDENT FOR THE PUBLIC WORKS DEPARTMENT OF ALBERTA. [HE WAS IN THIS POSITION WHEN] THEY WERE RENOVATING THE COURTHOUSE IN LETHBRIDGE – JUST EAST OF CITY HALL – AND WHEN THEY WERE DEMOLISHING THINGS IN THERE, THEY FOUND [THIS CHAIR]. THEY TOLD MY DAD TO THROW IT AWAY, BUT INSTEAD HE ASKED IF HE COULD HAVE IT. THEY TOLD HIM ‘YEAH TAKE IT,’ AND SO HE DID. HE PROBABLY RECEIVED THE CHAIR IN THE MID-1960S – I THINK THAT’S WHEN THEY STARTED TO REVAMP THE COURTHOUSE. I KNOW HE DIED IN ’76, SO I’M JUST GUESSING. IT COULD HAVE BEEN SOONER OR A LITTLE LATER [WHEN HE RECEIVED IT]. BUT AT THAT TIME I WASN’T REALLY INTERESTED IN THE CHAIR MYSELF, [SO I NEVER LEARNED WHAT JUDGES SAT IN IT]… ALL HE TOLD ME [ABOUT IT] WAS THAT IT WAS A JUDGE’S CHAIR IN THE COURTHOUSE. AS FAR AS ANYTHING ELSE GOES, I DON’T KNOW. I THOUGHT, ‘WELL, IT’S JUST A CHAIR’ [I DID NOT BECOME INTERESTED IN IT UNTIL] MY MOTHER SAID, ‘DO YOU WANT THE CHAIR?’ MAYBE SIX MONTHS OR SO [AFTER MY DAD’S PASSING]. I SAID, ‘SURE. DO YOU KNOW ANYTHING ABOUT IT?’ AND SHE SAID, ‘NO, YOUR DAD NEVER TOLD ME. HE JUST BROUGHT IT HOME, PUT IT BY HIS DESK AND THAT WAS IT.’ IT WAS SORT OF A REMEMBRANCE OF MY DAD WORKING.” “[MY DAD] WORKED FOR THE PUBLIC WORKS DEPARTMENT [WITH THE PROVINCE OF ALBERTA] STARTING IN THE ‘50S,” TODD EXPLAINED, “HE WORKED FOR I DON’T KNOW HOW MANY YEARS AND THEN BECAME THE SUPERINTENDENT FOR PUBLIC WORKS FOR SOUTHERN ALBERTA. ANYWHERE THERE WAS A GOVERNMENT BUILDING – FROM THE [CROWSNEST] PASS, TO MEDICINE HAT, TO LETHBRIDGE, AND ALL OVER SOUTHERN ALBERTA – HE WAS IN CHARGE OF THE MAINTENANCE AND REPAIRS.” TODD EXPLAINED THIS CHAIR IS THE ONLY THING FROM A BUILDING HIS FATHER WORKED IN THAT HE ENDED UP BRINGING HOME: “IT WAS JUST ONE ITEM OUT OF PROBABLY MANY THINGS BEING THROWN AWAY. HE JUST HAD ROOM FOR THE CHAIR, SO THAT’S ALL HE TOOK. THEY THREW AWAY THE DESK AND THE JUDGE’S CABINETS, WHICH HE WAS QUITE UPSET [ABOUT], BUT [HE COULD NOT KEEP IT ALL].” WHEN ASKED ABOUT WHY, OUT OF EVERYTHING, HIS FATHER WOULD HAVE SELECTED THIS CHAIR TO BRING TO HOME, TODD SPECULATED, “I THINK IT WAS BECAUSE IT WAS A UNIQUE CHAIR TO HIM AND IT WAS SAT ON BY A JUDGE IN THE COURTHOUSE. [MY FATHER] LIKED THE CHAIR. HE SAT IN IT QUITE A BIT AND IT BRINGS LITTLE MEMORIES OF HIM TO ME. I’D WATCH HIM GO DOWN AND SIT IN THE CHAIR IN THE BASEMENT, WHICH WAS FINISHED. [IT WAS WHERE HE] HAD HIS DESK [AND WHERE HE WOULD] TINKER AROUND. [THE CHAIR] WAS SOMETHING [MY DAD HAD] FOR REMEMBERING HIS WORK. IT WOULD BRING BACK MEMORIES TO MY DAD OF WHAT HE HAD DONE.” “MY DAD WAS IN POLITICS BEFORE. HE DID QUITE A BIT OF WORK WITH THE ALBERTA GOVERNMENT – THE SOCIAL CREDIT GOVERNMENT IT WAS – AND HE HAD JOHN LANDERYOU HERE IN LETHBRIDGE, HARTLEY FROM FORT MACLEOD, AND OTHER FELLAS THAT I DON’T REMEMBER THAT HE ASSOCIATED WITH. HE TOOK IN A LOT OF FUNCTIONS WITH THE GOVERNMENT,” TODD STATED, REMEMBERING HIS FATHER, “MY DAD WAS A GREAT GUY. HE WAS ALWAYS GOOD TO ME. HE GOT ALONG WITH PEOPLE VERY WELL. HE WAS VERY KNOWLEDGEABLE. HE COULD SIT DOWN AND TALK TO ANYBODY.” “[DONATING MY FATHER’S CHAIR TO THE MUSEUM] MAKES ME FEEL GREAT, BECAUSE IT [WILL BE SOMEWHERE] WHERE PEOPLE ARE GOING TO GET TO LOOK AT IT [AND CONNECT WITH ITS HISTORY].” THE OBITUARY OF WILLIAM TODD WAS PUBLISHED IN THE APRIL 29, 1975 EDITION OF THE LETHBRIDGE HERALD. IT READ, “BORN IN BUTTE, MONTANA… TODD CAME TO CANADA WITH HIS PARENTS AT THE AGE OF TWO. HIS PARENTS HOMESTEADED IN THE NEWLANDS DISTRICT SIXTEEN MILES NORTH OF LETHBRIDGE WHERE HE LIVED AND WORKED UNTIL 1920 WHEN HE LEFT THE FARM AND WORKED IN A COAL MINE IN COMMERCE, AND LATER IN COALHURST, WHERE HE MET AND MARRIED MARY (BABE) VICKERS IN 1931. AFTER A SHORT TIME THEY MOVED BACK TO HIS PARENTS’ FARM, WHERE HE FARMED AS WELL AS [WORKED] IN THE COAL MINE AT SHAUGHNESSY.” IT CONTINUES, “IN 1945, HE MOVED TO NOBLEFORD WHERE HE OPERATED THE TODD BROTHERS SEED CLEANING PLANT. IN 1956, HE MOVED TO LETHBRIDGE… HE WAS A VERY ARDENT WORKER FOR BETTER GOVERNMENT FOR ALBERTA AND SPENT A GREAT DEAL OF TIME TO THAT END.” WILLIAM AND MARY TODD HAD ONE SON, DONOR GERALD TODD. WILLIAM TODD PASSED AWAY IN LETHBRIDGE ON APRIL 26TH, 1975 AT THE AGE OF 72 YEARS. A BRIEF HISTORY OF LETHBRIDGE COURTHOUSES TITLED, “BETTER GET TO KNOW A BUILDING -- LETHBRIDGE’S 1952 COURTHOUSE,” WAS PUBLISHED ON JANUARY 30, 2016 BY THE LETHBRIDGE HISTORICAL SOCIETY FOR THEIR FACEBOOK PAGE. THE FOLLOWING INFORMATION HAS BEEN EXTRACTED FROM THAT POST: “LETHBRIDGE’S ‘OLD COURTHOUSE’ LOCATED AT 4 AVENUE AND 11 STREET SOUTH IS ACTUALLY THE 3RD COURTHOUSE LETHBRIDGE HAS HAD. IT WAS OPENED OFFICIALLY IN SEPTEMBER 1952 AND SERVED AS A COURTHOUSE UNTIL 1983 WHEN IT WAS SUPERSEDED BY THE PRESENT COURTHOUSE ON 4 STREET SOUTH. WHILE THE 1952 COURTHOUSE WAS BUILT AS A PROVINCIAL COURTHOUSE, THE ARCHITECTS WERE FROM LETHBRIDGE AND THE DESIGN AND PLACEMENT WAS DONE TO TIE IN WITH THE CITY OF LETHBRIDGE’S URBAN RENEWAL PLANS AND THE CITY’S PLANS FOR CIVIC CENTRE... THE NEW 1952 COURTHOUSE BECAME THE ‘OLD COURTHOUSE’ IN JUNE 1983 WHEN THE COURTHOUSE ON 4 STREET SOUTH WAS BUILT TO REPLACE IT." PLEASE SEE PERMANENT FILE FOR MORE INFORMATION INCLUDING FULL INTERVIEW TRANSCRIPTION, LETHBRIDGE HERALD OBITUARY, AND LETHBRIDGE HISTORICAL SOCIETY TEXT.
Catalogue Number
P20170019000
Acquisition Date
2017-05
Collection
Museum
Images
Less detail
Other Name
FOLDING CHAIR STRETCHER
Date Range From
1970
Date Range To
2005
Material Type
Artifact
Materials
METAL, VINYL, NYLON
Catalogue Number
P20150010023
  1 image  
Material Type
Artifact
Other Name
FOLDING CHAIR STRETCHER
Date Range From
1970
Date Range To
2005
Materials
METAL, VINYL, NYLON
No. Pieces
4
Height
14.4
Length
221.5
Width
51.2
Description
EMERGENCY FOLDING CHAIR STRETCHER. ADJUSTABLE, MEDIUM BURGUNDY COLOURED VINYL WITH SILVER COLOURED METAL, AND FOUR BLACK RUBBER WHEELS. OUTER RECTANGULAR FRAME WITH A SMALLER, ADJUSTABLE FRAME WITHIN. STRETCHER HAS THREE STRAPS: TWO WINE COLOURED NYLON SEATBELT STYLE STRAPS, WITH METAL AND BLACK PLASTIC BUCKLES, ON THE UPPER BODY. BLACK PLASTIC BUCKLE AT CHEST HEIGHT HAS "FERNO" IN GREY. THIRD BUCKLE IS A BLACK NYLON AND PLASTIC BUCKLE, ON THE LOWER BODY. BACK OF PLASTIC BUCKLE IS EMBOSSED WITH "ACCULOC CSR-10 A.C.W. ASIA, WOONSOCKET RI". RED STICKER WITH WHITE WRITING ON RIGTH SIDE OF STRETCHER, AT WAIST AREA, READS "FERNO". TWO RUBBER FEET AT THE FOOT END OF STRETCHER TO STABILIZE STRETCHER WHEN FULLY EXTENDED. VINYL IS IN TWO PIECES AND CAN BE REMOVED FROM INNER FRAME. GOLD COLOURED ZIPPERS AND SILVER COLOURED SNAPS HOLD VINYL IN PLACE. THERE ARE TWO GOLD ZIPPERS ON THE BACK OF THE FOOT PORTION, BOTH RUNNING VERTICALLY. THERE ARE ALSO TWO GOLD ZIPPERS ON THE BACK OF THE UPPER BODY PORTION, WITH ONE RUNNING HORIZONTALLY AND ONE VERTICALLY. METAL LABEL RIVETED ONTO FRAME AT FOOT OF STRETCHER READS "FERNO - WASHINGTON, INC. WILMINGTON, OHIO, U.S.A. SERIAL NUMBER 07-052255." FOUR FOLDABLE HANDLES, TWO AT HEAD AND TWO AT FEET. HANDLES HAVE TEXTURED BLACK PLASTIC GRIPS. GRIPS EMBOSSED WITH "HUNTWILDE CORPORATION". LOWER HANDLES (AT FOOT) HAVE METAL CYLINDERS THAT SLIDE OVER THE JOINT TO PREVENT HANDLES FROM FOLDING BACK IN. CROSSBAR AT KNEE AREA HAS A SMALL RECTANGULAR PIECE THAT SWINGS OUT AND ONTO A BOLT WHEN STRETCHER IS FOLDED INTO SITTING POSITION, WHICH PREVENTS STRETCHER FROM GOING BACK TO A LAYING DOWN POSITION. UPPER BODY PORTION CAN BE ADJUSTED TO FOUR DIFFERENT POSITIONS: LAYING TOTALLY FLAT TO SITTING AT AN APPROXIMATELY 45 DEGREE ANGLE. AT SHOULDER AREA ON RIGHT SIDE THERE IS A TRIANGULAR SHAPED CLIP, WHICH RELEASES THE UPPER BODY PORTION AND ALLOWS IT TO BE ADJUSTED TO A SITTING POSITION. VERY GOOD TO EXCELLENT CONDITION. VINYL IS STRUCTURALLY VERY GOOD, WITH NO RIPS OR TEARS. SCUFF MARKS AND BLACK STAINS ALL OVER, ESPECIALLY ALONG THE EDGES. METAL FRAME IN VERY GOOD CONDITION. WHEELS AT THE FOOT ARE WORN MORE THAN THOSE AT THE HEAD.
Subjects
LAND TRANSPORTATION-HUMAN-POWERED
Historical Association
SAFETY SERVICES
History
THIS EMERGENCY FOLDING STRETCHER WAS USED BY THE LETHBRIDGE FIRE DEPARTMENT. IN A WRITTEN STATEMENT PROVIDED AT THE TIME OF DONATION, JESSE KURTZ, DEPUTY CHIEF – SUPPORT SERVICES (RETIRED), EXPLAINED THAT THE STRETCHER WAS “USED PRIMARILY IN AMBULANCES FOR MOVING PATIENTS DOWN STAIRS OR AROUND TIGHT CORNERS. WE USE A MORE STAIR FRIENDLY VERSION NOW.” IN THE SUMMER OF 2015, COLLECTIONS TECHNICIAN KEVIN MACLEAN, CONDUCTED A SERIES OF INTERVIEWS WITH CURRENT AND FORMER MEMBERS OF THE FIRE DEPARTMENT, INCLUDING: CLIFF “CHARLIE” BROWN (HIRED IN 1966, RETIRED 2004), TREVOR LAZENBY (HIRED IN 1994), RAYMOND “RAY” PETIT (HIRED 1965, RETIRED 1998), AND LAWRENCE DZUREN (HIRED 1959, RETIRED 1992). BROWN EXPLAINED: “IT WAS MORE OR LESS TO TAKE PEOPLE DOWN STAIRS. SIT THEM UP, STRAP THEM IN, HAD WHEELS ON IT. IT WAS FOR A PERSON THAT DIDN’T HAVE ANY SERIOUS INJURIES MORE OR LESS … IT WAS LIKE A LITTLE CHAIR, FOLD UP, SIT THEM DOWN … GO DOWN THE STAIRS ONE AT A TIME – THUNK, THUNK, THUNK, THUNK.” LAZENBY EXPANDED SAYING: “I HATED THIS STRETCHER. THIS WAS A FOLDING STRETCHER … ACTUALLY THE OLD STAIR-CHAIR, BASICALLY. THEY HAVE MODERNIZED AND IMPROVED THIS DRAMATICALLY. BUT THIS PUZZLE OF A STRETCHER – YOU USED TO BE ABLE TO SET IT UP SO THAT IT CAME INTO A CHAIR … ANY TIME YOU WENT UP INTO AN APARTMENT BUILDING THAT WAS UNDER THREE STORIES, THERE’S NO ELEVATOR, SO YOU SOMETIMES HAD TO CARRY PEOPLE DOWN THREE FLIGHTS OF STAIRS. THIS WAS THE CHAIR OF CHOICE A LOT OF TIMES, IT WAS THE STRETCHER OF CHOICE, BECAUSE IT WAS LIGHTER THAN THE OTHER ONE AND IT WAS EASIER TO MANEUVER AROUND CORNERS … IT WAS A PUZZLE TO PUT TOGETHER AND TO TAKE APART AND I JUST NEVER EVER – I HATED THIS THING. TO THIS DAY, WHEN THE PARAMEDICS SAY ‘WE’RE GONNA NEED THE STAIR CHAIR’, I GRIT MY TEETH AND I CRINGE A LITTLE BIT, I THINK BECAUSE I THINK OF THIS THING, EVEN THOUGH THE NEW ONE IS WAY BETTER. THIS WAS IN SERVICE WHEN I GOT HERE AND I WOULD SAY THAT THIS WAS IN SERVICE ON THE AMBULANCES UNTIL ABOUT … 7 YEARS AGO, GIVE OR TAKE. SO THE BETTER PART OF 15 YEARS THAT THAT WAS IN SERVICE WHILE I WAS HERE.” HE CONTINUED: “THE WORST PART ABOUT THIS IS THAT WHEN YOU PUT A PATIENT ON IT AND YOU LIFTED THEM UP TO GO DOWN THE STAIRS, IT FELT UNSTABLE ENOUGH FOR THEM THAT THEY ALWAYS WANTED TO PUT THEIR ARMS OUT, AND THE SECOND THAT THEY GRABBED ON TO SOMETHING, WELL THEN YOUR CENTRE OF GRAVITY IS LOST AND THEN YOU WERE REALLY IN IT. LIKE YOU THOUGHT, ‘GEEZ, WE COULD ACTUALLY DROP THIS GUY.’ BUT THAT’S WHAT I DISLIKED PROBABLY THE MOST ABOUT THIS THING, OUTSIDE OF HAVING TO PUT IT TOGETHER.” PETIT ADDED: “IF YOU GO TO THE BUILDINGS UP HERE ON LONDON ROAD, SOME TWO STORY BUILDINGS AND THE STAIRS ARE VERY NARROW AND VERY TIGHT, WE USED TO USE THIS TYPE. SO IN OTHER WORDS, INSTEAD OF PUTTING HIM ON A STRETCHER, YOU’D PUT HIM ON THE SEAT. ONE GUY GETS AT THE BACK AND ONE GUY GETS AT THE FRONT AND TAKE THE PERSON DOWN … OVER THE YEARS I GOT A BAD BACK AND GUESS WHERE I GOT THE BAD BACK FROM? IT WAS LIFTING, DOING THINGS LIKE THIS, BECAUSE IT WAS VERY CUMBERSOME.” DZUREN AGREED: “THAT’S JUST A CONFINED SPACE STRETCHER … YOU CAN’T [ALWAYS] GET THE BIG STRETCHER IN, SO YOU CAN PUT THEM ON THAT PARTICULAR ONE. IN AN ELEVATOR, YOU CAN’T GET THAT BIG ONE IN THERE. SOME OF THE ELEVATORS, THE RESIDENTIAL ONES, THEY DON’T, AT LEAST IN THE DAYS GONE BY, THEY DIDN’T THINK ABOUT HAVING TO ACCOMMODATE STRETCHERS. I WOULD PROBABLY SAY IT’S A RARE OCCASION THAT WE HAD TO USE THAT. CAUSE A LOT OF TIMES … IF THE PERSON WAS FAIRLY PHYSICALLY OKAY, YOU COULD TAKE HIM OUT, JUST HOLD HIM. ONE GUY BY THE ARMS, ONE GUY BY THE LEGS, WE HAD A TECHNIQUE THERE WHERE YOU COULD QUITE EASILY TAKE HIM OUT THAT WAY WITHOUT DOING HIM ANY HARM, YOU KNOW. IF HE HAD A BROKEN ARM, WELL, WE COULDN’T DO THAT, SO YOU’D HAVE TO USE ONE OF THOSE.” SEE PERMANENT FILE FOR FULL INTERVIEW TRANSCRIPTS AND ADDITIONAL INFORMATION ABOUT THE LETHBRIDGE FIRE DEPARTMENT.
Catalogue Number
P20150010023
Acquisition Date
2015-02
Collection
Museum
Images
Less detail
Date Range From
1940
Date Range To
1950
Material Type
Artifact
Materials
PAPER, GLASS, WOOD
Catalogue Number
P20150034000
  2 images  
Material Type
Artifact
Date Range From
1940
Date Range To
1950
Materials
PAPER, GLASS, WOOD
No. Pieces
1
Height
2.0
Length
77.7
Width
62.7
Description
FRAMED SANDWICH MENU. MEDIUM RED/BROWN STAINED WOODEN FRAME. MENU IS ON A PIECE OF HEAVY BLACK PAPER, SIMILAR TO BRISTOL BOARD, BEHIND GLASS. MENU ITEMS HAVE BEEN HAND PAINTED ON WITH WHITE AND LIGHT GREEN PAINT. TEXT READS, FROM TOP: “SANDWICHES. COLD HAM 10¢. FRIED HAM 15¢. HAMBURGERS 10¢. BUTTERED TOAST 10¢. DOUGHNUTS 2 FOR 5¢. CAKE OR PIE 10¢. TEA COFFEE OR MILK 5¢.” NO BACKING ON FRAME. MENU IS HELD IN FRAME WITH 19 FINISHING NAILS. SILVER COLOURED METAL EYE HOOK IN CENTRE TOP OF FRAME FOR HANGING PURPOSES. POOR TO FAIR CONDITION. MENU SHOWS SIGNS OF WATER DAMAGE ALL OVER, BUT ESPECIALLY ALONG THE RIGHT HAND SIDE OF THE MENU, WHERE PRICES ARE LISTED. POSTER BOARD HAS RIPPED ALONG THE EDGES, ESPECIALLY IN TOP LEFT HAND CORNER. WATER DAMAGE IS ESPECIALLY EVIDENT ON THE BACK OF THE SIGN.
Subjects
ADVERTISING MEDIUM
Historical Association
RETAIL TRADE
History
THE FOLLOWING INFORMATION COMES FROM AN INTERVIEW CONDUCTED BY KEVIN MACLEAN IN DECEMBER 2015 WITH THE DONOR, REBECCA HOLAND, FROM LETHBRIDGE HERALD ARTICLES, AND FROM THE HENDERSON DIRECTORIES. IN HER INTERVIEW, REBECCA PROVIDED THE FOLLOWING INFORMATION ABOUT THE SIGN: “I HAD A RESTAURANT CALLED THE TUMBLEWEED CAFÉ. IT WAS LOCATED IN AN HISTORIC BUILDING ON 9TH AVENUE NORTH AND WHEN I OPENED IT A FELLOW CAME IN, WHOSE NAME I DO NOT KNOW. HE SAID ‘THIS LOOKS LIKE A GOOD PLACE FOR THIS SIGN.’ THE SIGN THAT HE GAVE ME THAT’S BEFORE US TODAY, HE TOLD ME WAS FROM THE WONDER CAFÉ THAT USED TO BE ON 13 STREET NORTH. AND HE GUESSED FROM THE PRICES ON THE MENU – HE THOUGHT IT WOULD BE BEFORE THE SECOND WORLD WAR. AND THAT’S ALL I REMEMBER. I DON’T KNOW HIS NAME AND I THANKED HIM, AND HUNG IT UP.” REBECCA LEFT THE SIGN HANGING IN THE CAFÉ FOR APPROXIMATELY THREE YEARS. THE SIGN THEN WENT WITH HER TO THE BEAVER MINES GENERAL STORE, WHERE IT HUNG FOR ABOUT 10 YEARS. REBECCA SAID “AND I JUST SOLD THAT STORE AND AM PACKING UP MY LIFE AND I THOUGHT POSSIBLY THE GALT MUSEUM MIGHT HAVE A USED FOR THIS.” WHEN ASKED WHY SHE TOOK THE SIGN WITH HER TO THE BEAVER MINES GENERAL STORE, SHE SAID: “I GUESS I DO HAVE A SOFT SPOT FOR SOME NOSTALGIA AND THE FACT THAT IT IS REAL AND THAT IT IS HAND PAINTED AND THAT SO MANY PEOPLE TODAY, WHEN THEY SEE IT, THEY GET A CHUCKLE AT THE PRICES. SO I THINK THERE’S AN ELEMENT OF FUN AND AN ELEMENT OF NOSTALGIA.” AN ARTICLE PUBLISHED ON FEBRUARY 27, 1998 DISCUSSES THE OPENING OF THE TUMBLEWEED CAFÉ, OPERATED BY REBECCA HOLAND AND HER BUSINESS PARTNER, CHARLENE NESBITT, AND LOCATED AT 707 9 AVENUE NORTH. “HOLAND WAS PROGRAM SERVICES COORDINATOR FOR FORT WHOOP-UP … NEITHER WOMAN HAD FORMAL RESTAURANT TRAINING BUT EACH BRINGS HER OWN SKILLS TO THE VENTURE.” IT CONTINUES: “TUMBLEWEED IS IN A FORMER GROCERY STORE BUILDING IN 1914 AND OWNED INITIALLY BY JOHN BERTE. AN OLD PHOTO SHOWS THE BERTE FAMILY POSING ON THE FRONT STEPS. DAUGHTER MILLIE LUCIANO STILL LIVES NEXT DOOR … THE J. BERTE GROCERY STORE HAD ONCE BEEN THE HUB OF THE NEIGHBOURHOOD, SAYS HOLAND, THANKS IN PART TO THE FACT IT HOUSED THE ONLY TELEPHONE IN STAFFORDVILLE … TUMBLEWEED CAFÉ IS ATTRACTING REGULAR CUSTOMERS WHO POP IN FOR COFFEE AND A SLICE OF PIE OR SOME OF HOLAND’S CHOCOLATE SWIRL CHEESECAKE. THE CAFÉ’S HOMEMADE BREAD AND SOUPS ARE ALSO BECOMING ITS TRADEMARKS.” ACCORDING TO THE HENDERSON DIRECTORIES, THE WONDER CAFÉ WAS LOCATED AT 432 13 STREET NORTH AND WAS OPERATED BY LOU ED HONG FROM 1939 UNTIL 1954. FROM 1955 TO 1960 THE CAFÉ WAS KNOWN AS WONDER CONFECTIONARY. THEN IN 1961 TO 1960, IT WAS OPERATED BY GLEN E. KERNEY AS WONDER CONFECTIONARY. IN 1971, WONDER CONFECTIONARY WAS OPERATED BY JOSEPH BOISVENUE. IN 1972 THE PROPERTY WAS VACANT AND SUBSEQUENTLY USED FOR OTHER PURPOSES. A NOTICE FROM THE LETHBRIDGE HERALD, PUBLISHED AUGUST 12, 1939, READS AS FOLLOWS: “LOU HONG HAS PURCHASED THE SNACK SHACK COFFEE SHOP, 13TH STREET NORTH, AND HAS CHANGED THE NAME TO WONDER CAFÉ.” AN ADVERTISEMENT FROM AUGUST 14, 1939 READS: “BUSINESS CHANGE. I HAVE PURCHASED THE SNACK SHACK COFFEE SHOP AND HAVE ADDED GROCERIES AND CONFECTIONARY. I WILL CONTINUE TO SERVE LUNCHES, ICE CREAM DISHES AND COLD DRINKS. YOU WILL LIKE THE SERVICE. THE BUSINESS WILL IN FUTURE BE KNOWN AS WONDER CAFÉ. 13TH ST. AND 5TH AVE. N. PH. 2155. LOU HONG, PROP.” SEE PERMANENT FILE FOR HERALD ARTICLES AND A TRANSCRIPT OF THE INTERVIEW.
Catalogue Number
P20150034000
Acquisition Date
2015-12
Collection
Museum
Images
Less detail
Other Name
LIBRARY CARD CATALOGUE
Date Range From
1965
Date Range To
2010
Material Type
Artifact
Materials
WOOD, PAPER, METAL
Catalogue Number
P20140025001
  2 images  
Material Type
Artifact
Other Name
LIBRARY CARD CATALOGUE
Date Range From
1965
Date Range To
2010
Materials
WOOD, PAPER, METAL
No. Pieces
31
Height
100.75
Length
103.25
Width
46
Description
.1 – WOOD CABINET CONTAINING 30 DRAWERS IN SIX ROWS (.2 - .31). CABINET’S FOUR LEGS AND EDGES ARE SQUARED, WITH THREE METAL ANGLED BRACKETS AND TWO WOODEN CORNER BRACES ATTACHING THE CABINET BODY TO THE LEGS. WOOD IS STAINED BLONDE. STAMPED TEXT IN BLUE INK ON UNDERSIDE OF CABINET READS "MADE IN CANADA". GENERAL WEAR AND SCUFFS OVERALL, ESPECIALLY ALONG TOP FRONT EDGE AND BOTTOM FRONT SKIRTING PANEL. DRIPS OF WHITE PAINT ON EDGES OF BOTH FRONT LEGS AND CABINET BACK EDGES. OVERALL GOOD CONDITION. 100.75 X 46 X 103.25 ALL DRAWERS (.2 - .31) ARE WOOD WITH BRASS LABELPLATES AND MEASURE 9.75 X 14.5 X 41. .2 – FULL OF CATALOGUE CARDS WITH TYPED AND HANDWRITTEN NOTES ON BOTH SIDES. HANDWRITTEN DRAWER LABEL READS “LYRICS INDEX”. DRAWER ROD IS IN PLACE; METAL FILING CLIP INSIDE DRAWER AT BACK. .3 – FULL OF CATALOGUE CARDS WITH TYPED AND HANDWRITTEN NOTES ON BOTH SIDES. HANDWRITTEN DRAWER LABEL READS “LYRICS INDEX”. DRAWER ROD IS IN PLACE; METAL FILING CLIP INSIDE DRAWER AT BACK. .4 – EMPTY EXCEPT FOR METAL FILING CLIP INSIDE DRAWER AT BACK. NO LABEL OR DRAWER ROD. .5 – HALF FULL OF LOOSE CATALOGUE CARDS WITH TYPED AND HANDWRITTEN NOTES ON BOTH SIDES. NO LABEL OR DRAWER ROD; METAL FILING CLIP INSIDE DRAWER AT BACK. .6 - EMPTY EXCEPT FOR METAL FILING CLIP INSIDE DRAWER AT BACK. NO LABEL OR DRAWER ROD. .7 - FULL OF CATALOGUE CARDS WITH TYPED AND HANDWRITTEN NOTES ON BOTH SIDES. HANDWRITTEN DRAWER LABEL READS “LYRICS INDEX”. NO DRAWER ROD; METAL FILING CLIP INSIDE DRAWER AT BACK. .8 - FULL OF CATALOGUE CARDS WITH TYPED AND HANDWRITTEN NOTES ON BOTH SIDES. HANDWRITTEN DRAWER LABEL READS “LYRICS INDEX”. DRAWER ROD IS IN PLACE; METAL FILING CLIP INSIDE DRAWER AT BACK. DRAWER ROD BRACKET IS MISSING ONE SCREW AND HANGS LOOSE. .9 - FULL OF CATALOGUE CARDS WITH TYPED AND HANDWRITTEN NOTES ON BOTH SIDES. HANDWRITTEN DRAWER LABEL READS “LYRICS INDEX”. NO DRAWER ROD; METAL FILING CLIP INSIDE DRAWER AT BACK. .10 - FULL OF CATALOGUE CARDS WITH TYPED AND HANDWRITTEN NOTES ON BOTH SIDES. HANDWRITTEN DRAWER LABEL READS “LYRICS INDEX”. NO DRAWER ROD; METAL FILING CLIP INSIDE DRAWER AT BACK. .11 - EMPTY EXCEPT FOR METAL FILING CLIP INSIDE DRAWER AT BACK. NO LABEL; DRAWER ROD IN PLACE. .12 - FULL OF CATALOGUE CARDS WITH TYPED AND HANDWRITTEN NOTES ON BOTH SIDES. HANDWRITTEN DRAWER LABEL IS FADED AND ILLEGIBLE. DRAWER ROD IS IN PLACE; METAL FILING CLIP INSIDE DRAWER AT BACK. .13 - FULL OF CATALOGUE CARDS WITH TYPED AND HANDWRITTEN NOTES ON BOTH SIDES. HANDWRITTEN DRAWER LABEL READS “L.H. NEWS 1989”. DRAWER ROD IS IN PLACE; METAL FILING CLIP INSIDE DRAWER AT BACK. .14 - FULL OF CATALOGUE CARDS WITH TYPED AND HANDWRITTEN NOTES ON BOTH SIDES. HANDWRITTEN DRAWER LABEL READS “L.H. NEWS 1989”. DRAWER ROD IS IN PLACE; METAL FILING CLIP INSIDE DRAWER AT BACK. .15 - FULL OF CATALOGUE CARDS WITH TYPED AND HANDWRITTEN NOTES ON BOTH SIDES. HANDWRITTEN DRAWER LABEL READS “L.H. NEWS 1989”. NO DRAWER ROD; METAL FILING CLIP INSIDE DRAWER AT BACK. .16 - FULL OF CATALOGUE CARDS WITH TYPED AND HANDWRITTEN NOTES ON BOTH SIDES. HANDWRITTEN DRAWER LABEL READS “L.H. NEWS 1989”. NO DRAWER ROD; METAL FILING CLIP INSIDE DRAWER AT BACK. .17 - FULL OF CATALOGUE CARDS WITH TYPED AND HANDWRITTEN NOTES ON BOTH SIDES. HANDWRITTEN DRAWER LABEL READS “L.H. NEWS 1990”. NO DRAWER ROD; METAL FILING CLIP INSIDE DRAWER AT BACK. .18 - FULL OF CATALOGUE CARDS WITH TYPED AND HANDWRITTEN NOTES ON BOTH SIDES. HANDWRITTEN DRAWER LABEL READS “L.H. NEWS 1989”. DRAWER ROD IS IN PLACE; METAL FILING CLIP INSIDE DRAWER AT BACK. .19 - FULL OF CATALOGUE CARDS WITH TYPED AND HANDWRITTEN NOTES ON BOTH SIDES. HANDWRITTEN DRAWER LABEL READS “L.H. BIOGRAPHY 1989 A-J”. DRAWER ROD IS IN PLACE; METAL FILING CLIP INSIDE DRAWER AT BACK. .20 - FULL OF CATALOGUE CARDS WITH TYPED AND HANDWRITTEN NOTES ON BOTH SIDES. HANDWRITTEN DRAWER LABEL READS “L.H. BIOGRAPHY 1989 J-S”. DRAWER ROD IS IN PLACE; METAL FILING CLIP INSIDE DRAWER AT BACK. .21 – HALF FULL OF CATALOGUE CARDS WITH TYPED AND HANDWRITTEN NOTES ON BOTH SIDES. HANDWRITTEN DRAWER LABEL READS “L.H. BIOGRAPHY 1989 S-Z”. DRAWER ROD IS IN PLACE; METAL FILING CLIP INSIDE DRAWER AT BACK. .22 - FULL OF CATALOGUE CARDS WITH TYPED AND HANDWRITTEN NOTES ON BOTH SIDES. HANDWRITTEN DRAWER LABEL READS “L.H. BIOGRAPHY 1990 A-K DONE”. DRAWER ROD IS IN PLACE; METAL FILING CLIP INSIDE DRAWER AT BACK. .23 - FULL OF CATALOGUE CARDS WITH TYPED AND HANDWRITTEN NOTES ON BOTH SIDES. NO LABEL. DRAWER ROD IS IN PLACE; METAL FILING CLIP INSIDE DRAWER AT BACK. .24 - FULL OF CATALOGUE CARDS WITH TYPED AND HANDWRITTEN NOTES ON BOTH SIDES. HANDWRITTEN DRAWER LABEL READS “L.H. AUTHORITY”. DRAWER ROD IS IN PLACE; METAL FILING CLIP INSIDE DRAWER AT BACK. .25 - FULL OF CATALOGUE CARDS WITH TYPED AND HANDWRITTEN NOTES ON BOTH SIDES. HANDWRITTEN DRAWER LABEL READS “L.H. AUTHORITY”. DRAWER ROD IS IN PLACE; METAL FILING CLIP INSIDE DRAWER AT BACK. .26 - FULL OF CATALOGUE CARDS WITH TYPED AND HANDWRITTEN NOTES ON BOTH SIDES. HANDWRITTEN DRAWER LABEL IS FADED AND ILLEGIBLE. DRAWER ROD IS IN PLACE; METAL FILING CLIP INSIDE DRAWER AT BACK. .27 - FULL OF CATALOGUE CARDS WITH TYPED AND HANDWRITTEN NOTES ON BOTH SIDES. HANDWRITTEN DRAWER LABEL IS FADED AND ILLEGIBLE. DRAWER ROD IS IN PLACE; METAL FILING CLIP INSIDE DRAWER AT BACK. .28 - FULL OF CATALOGUE CARDS WITH TYPED AND HANDWRITTEN NOTES ON BOTH SIDES. HANDWRITTEN DRAWER LABEL IS FADED AND ILLEGIBLE. DRAWER ROD IS IN PLACE; METAL FILING CLIP INSIDE DRAWER AT BACK. .29 - FULL OF CATALOGUE CARDS WITH TYPED AND HANDWRITTEN NOTES ON BOTH SIDES. HANDWRITTEN DRAWER LABEL READS “CDN… PLAY ANALYTICS”. DRAWER ROD IS IN PLACE; METAL FILING CLIP INSIDE DRAWER AT BACK. .30 - FULL OF CATALOGUE CARDS WITH TYPED AND HANDWRITTEN NOTES ON BOTH SIDES. HANDWRITTEN DRAWER LABEL READS “PLAY ANALYTICS”. DRAWER ROD IS IN PLACE; METAL FILING CLIP INSIDE DRAWER AT BACK. .31 - FULL OF CATALOGUE CARDS WITH TYPED AND HANDWRITTEN NOTES ON BOTH SIDES. HANDWRITTEN DRAWER LABEL READS “PLAY ANALYTICS”. DRAWER ROD IS IN PLACE; METAL FILING CLIP INSIDE DRAWER AT BACK.
Subjects
FURNITURE
DATA PROCESSING T&E
Historical Association
EDUCATION
FURNISHINGS
History
THIS CARD CATALOGUE WAS PRODUCED AND USED BY STAFF AT THE LETHBRIDGE PUBLIC LIBRARY. ON MAY 1, 2015 COLLECTIONS TECHNICIAN KEVIN MACLEAN INTERVIEWED LINDA MCELRAVY, WHO WORKED AT THE LIBRARY’S MAIN BRANCH STARTING IN 1978, RETIRING FROM HER POSITION AS ASSOCIATE DIRECTOR OF PUBLIC SERVICES IN 2008. MCELRAVY EXPLAINED THE CATALOGUING PROCESS AND SUGGESTED THAT IT MAY HAVE BEEN HOUSED IN THE LIBRARY’S SENATOR BUCHANAN ROOM (A REFERENCE RESOURCE OF LOCAL HISTORIES AND GENEALOGIES) AT ONE TIME. MCELRAVY SAID: “WE USED [CARD CATALOGUES] PRIOR TO AUTOMATING OUR CATALOGUE WHICH WOULD HAVE BEEN IN THE EARLY ‘80S… THERE ARE AT LEAST THREE INDEXES [INSIDE THIS SPECIFIC CATALOGUE]… WE USED TO CREATE CARD INDEXES FOR COLLECTIONS AND THINGS THAT YOU COULDN’T FIND… THROUGH NORMAL CATALOGUING PROCESSES. SO, THE FIRST ONE IS… THE SONG INDEX AND THAT WAS MADE UP OF ANALYTICS OF SHEET MUSIC MAGAZINE AND COLLECTIONS AND SONGS – ALL MUSIC AS OPPOSED TO JUST THE LYRICS. SO WE WOULD TAKE COLLECTIONS OF SONGS IN OUR LIBRARY COLLECTION, WE DIDN’T USE ANYTHING THAT WAS NOT AVAILABLE AT THE LETHBRIDGE PUBLIC LIBRARY – SO IT WASN’T A GENERAL THING IT WAS SPECIFIC, A SPECIFIC TOOL TO OUR COLLECTION… IF SOMEONE WANTED A PARTICULAR PIECE OF MUSIC… WE WOULD BE ABLE TO FIND THAT HERE RATHER THAN PEOPLE STANDING AT THE SHELF, LEAFING THROUGH ALL OF THAT… [AT] THE OTHER END OF THE BANK OF CARDS IS THE PLAY INDEX AND THAT’S THE SAME IDEA – THERE WOULD BE ‘AUTHOR’, ‘PLAYWRIGHT’ AND ‘TITLE’ CARDS PUT IN FOR EACH OF THE PLAYS IN COLLECTIONS THAT WE HAD AT LPL. AND THE MIDDLE ONE WAS THE INDEX TO THE LETHBRIDGE HERALD – I THINK SOME OF IT GOES BACK TO ’99 AND BEFORE AND FOR THAT ONE THE STAFF WOULD CUT OUT ARTICLES FROM THE LETHBRIDGE HERALD AND THEN THEY WOULD PUT SUBJECT HEADINGS ON THEM AND MAKE A CORRESPONDING CARD FOR THE CATALOGUE SO THAT THAT WOULD GIVE PEOPLE ACCESS TO THAT [FILE]...” MCELRAVY CONTINUED: “I THINK [THE AUTOMATION OF THE LIBRARY CATALOGUE] WAS IN THE MID ‘80S… [AFTER THAT PROCESS] I’M NOT SURE HOW OFTEN THEY USED [THE CARD CATALOGUES] ANYMORE… PERHAPS IT WAS JUST A QUESTION OF HANGING ON TO IT FOR THE SAKE OF HANGING ON TO IT.. I DON’T SUPPOSE REALLY FOR TOO LONG AFTER THAT IT WOULD [HAVE BEEN] USEFUL… [THE CARD CATALOGUE] REPRESENTS A LOT OF WORK… IT WAS EXPENSIVE TIME-WISE, IT WAS EXPENSIVE MATERIALS-WISE AND IT WAS EXPENSIVE SPACE-WISE… EVEN WITH THE DIGITIZED, AUTOMATED CATALOGUE, THOSE GENERIC ENTRIES DIDN’T NECESSARILY HAVE ANALYTICS… SO THAT’S WHY WE CONTINUED WITH THIS FOR A WHILE AND THEN EVENTUALLY IT JUST SEEMED TO BE NOT WORTH THE EFFORT TO DO IT… IT JUST SEEMED SAD TO ME THAT IT WAS ALMOST LIKE IT WASN’T RECOGNIZED BECAUSE IT WAS TOO OLD – IT HAD HAD ITS DAY BUT THERE’S NO PURPOSE FOR IT ANYMORE… I THINK THAT THIS CERTAINLY SERVED ITS PURPOSE FOR ITS TIME AND IT’S PART OF THE CONTEXT OF THE PERIOD… I OFTEN THINK TODAY WITH INTERNET AND WITH ALL THE ONLINE ACCESS THAT PEOPLE HAVE TO INFORMATION… WHEN YOU HAVE A QUESTION WHAT DO PEOPLE DO NOW? THEY PULL OUT THEIR PHONE, AND THEY GOOGLE, AND THEY GET THE ANSWER. WHEREAS, BEFORE ANY OF THIS HAPPENED THAT WAS WHAT THE LIBRARY DID, THAT WAS THE ROLE OF THE REFERENCE DEPARTMENT. THE LIBRARY IS THERE NOT JUST TO PROVIDE RECREATIONAL READING BUT TO PROVIDE INFORMATION. I’M NOT SAYING THEY’RE NOT DOING THAT ANYMORE, THEY ARE, IN A VERY MUCH MORE SOPHISTICATED WAY BUT THIS WAS ONE OF THE WAYS THAT WE HANDLED THE NEED TO PROVIDE INFORMATION TO PEOPLE.” THE FOLLOWING BRIEF HISTORY OF THE LETHBRIDGE PUBLIC LIBRARY WAS DEVELOPED WITH INFORMATION FROM THE LIBRARY’S WEBSITE. IN 1911 A CITY BYLAW WAS PASSED FOR THE PROVISION OF A LOCAL LIBRARY TO BE ESTABLISHED, AND EIGHT YEARS LATER LETHBRIDGE’S FIRST LIBRARY SERVICE WAS OPERATED OUT OF TWO ROOMS IN THE YMCA BUILDING. IN 1922, THE CARNEGIE LIBRARY BUILDING IN GALT GARDENS OPENED, WITH AN EXTENSION ADDED IN 1951. IN 1956 A NORTH BRANCH WAS OPENED, AND A SOUTH BRANCH FOLLOWED IN 1974. THE LETHBRIDGE PUBLIC LIBRARY MAIN BRANCH ON STAFFORD DRIVE SOUTH WAS COMPLETED IN 1974, WITH AN EXTENSION AND THE ESTABLISHMENT OF THE CHINOOK ARCH REGIONAL LIBRARY SYSTEM IN 1992. IN 1989 THE LIBRARY ADOPTED THE DYNIX AUTOMATED CATALOGUE SYSTEM, AND IN 1997 INTRODUCED PUBLIC INTERNET ACCESS COMPUTERS. IN 2010, THE CROSSINGS BRANCH OPENED IN WEST LETHBRIDGE. SEE PERMANENT FILE FOR HARDCOPIES OF FULL INTERVIEW TRANSCRIPT AND ONLINE SOURCE MATERIAL.
Catalogue Number
P20140025001
Acquisition Date
2014-07
Collection
Museum
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