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Other Name
DRESS, WEDDING
Material Type
Artifact
Materials
COTTON, POLYESTER, METAL
Catalogue Number
P20180008002
  2 images  
Material Type
Artifact
Other Name
DRESS, WEDDING
Date
1965
Materials
COTTON, POLYESTER, METAL
No. Pieces
2
Length
134
Width
43
Description
A. WHITE WEDDING DRESS, 134 CM LONG X 43 CM WIDE. DRESS HAS CREAM LACE OVERLAID DOWN FRONT AND AROUND SHOULDERS; FRONT HAS WHITE BOW AT WAIST. SLEEVES ARE POINTED AT CUFFS WITH THREE WHITE CLOTH-COVERED BUTTONS ALONG CUFFS. BACK OF DRESS HAS WHITE METAL ZIPPER RUNNING FROM NECK TO WAIST, AND SILVER FASTENING HOOKS AND LOOPS AT COLLAR AND WAIST. BACK HAS FOUR WHITE SNAP-BUTTONS UNDER LACE AT SHOULDERS FOR FASTENING TRAIN; COLLAR HAS SILVER SNAP BUTTON FOR CLOSING LACE OVERLAY. BACK HEM HAS SLIT UP CENTER. DRESS HAS STAINING AND RIP ON FRONT LEFT SLEEVE; RIGHT SLEEVE HAS STAINING ON BACK; OVERALL EXCELLENT CONDITION. B. TRAIN FOR WEDDING DRESS, 210.4 CM WIDE X 174 CM LONG, DETACHABLE. TRAIN HAS FIVE METAL SNAP BUTTONS AT NECK PAINTED WHITE AT BASES; TRAIN HAS A TRIANGULAR SLIT CUT OUT OF BACK AT LOWER EDGE; CUT-OUT IS OVERLAID WITH CREAM LACE, WITH IVORY BOW AT THE PEAK OF THE CUT-OUT. MACHINE-STITCHED AT EDGES; CREASED; STAINED ALONG INSIDE LOWER EDGE; OVERALL VERY GOOD CONDITION.
Subjects
CLOTHING-OUTERWEAR
CEREMONIAL ARTIFACT
Historical Association
PERSONAL CARE
History
ON APRIL 24, 2018, COLLECTIONS TECHNICIAN KEVIN MACLEAN INTERVIEWED BARB CLARKE REGARDING HER DONATION OF A WEDDING GOWN AND GOING-AWAY ENSEMBLE. THE WEDDING GOWN AND GOING-AWAY ENSEMBLE WERE WORN BY CLARKE FOR HER WEDDING IN 1965. ON HER WEDDING AND HER SELECTION OF THE WEDDING GOWN, CLARKE RECALLED, “I WENT SHOPPING FOR A WEDDING DRESS, AND THIS WAS THE FIRST DRESS I TRIED ON. IT COST ME $75.00. I JUST BOUGHT IT, AND SAID, “OK, IT FITS. I GUESS WE’LL PUT IT AWAY, AND HANG IT UP IN THE CLOSET, AND IT’LL BE READY WHEN WE GET [IT].” AFTER SUMMER SCHOOL–-I GUESS I HAD WORKED HARD–-BUT I HAD LOST SOME WEIGHT. WHEN I STOOD IN THE DRESS THE HEM HUNG ON THE FLOOR, SO FOR THE PICTURES I HAD TO STAND UP ON MY TIPTOES, SO THAT THE DRESS WAS NOT CRUMPLING IN FRONT OF ME.” “[I BOUGHT IT FROM] ONE OF THE DRESS SHOPS ON FOURTH AVE. THERE’S A NUMBER OF DRESS SHOPS ALONG THAT STREET. IT WAS NOT A BIG SHOP; IT WAS NOT A BIG ‘WEDDING DRESS’ SHOP LIKE THEY HAVE NOW. IT WAS JUST A SHOP THAT SEEMED LIKE THEY HAD SOME WEDDING DRESSES IN ONE SECTION.” “[IT] WAS NOT A BIG POUFY DRESS. I JUST WANTED SOMETHING VERY SIMPLE, BUT SOMETHING VERY STRAIGHT AND EASY TO WEAR. I ALWAYS LIKED THE ‘HEAVY LACE’ KINDS OF THINGS. WHEN I FOUND THIS, AND IT WAS 75 DOLLARS, [IT] SEEMED LIKE A LOT OF MONEY, BUT I WAS TEACHING. I HAD ALSO BORROWED SOME MONEY FROM MY DAD TO BUY A CAR, AND I WASN’T MAKING MUCH MONEY. WHEN I WAS STARTING TEACHING, MY COUSIN WHO WAS WORKING IN A BANK MADE MORE MONEY THAN I DID, BUT I HAD TO PAY OFF THE LOAN TO MY DAD FOR THE CAR. BUT I WAS ABLE TO SQUEEZE OUT ENOUGH MONEY TO BUY THIS DRESS.” “THIS WAS SOMEWHAT OF A DEPARTURE BECAUSE IT WAS JUST A STRAIGHT SHEATHE DRESS. MANY OF THEM WERE—I DON’T WANT TO SAY MORE STRAPLESS, BUT THEY HAD MORE ‘BEADING’, MORE ‘NETTING’, MORE POUFY WITH CRINOLINES, AND WIDER DRESSES. I JUST WAS TRYING TO GO AS SIMPLE AS I COULD. THIS ONE HAD THIS NICE LITTLE TRAIN ON IT, SO THAT MADE IT A LITTLE BIT MORE DRESSY AND ELEGANT. IT WAS NOT OVER-THE-TOP WITH POUFINESS. I WAS BRIDESMAID A FEW TIMES-–SO I THOUGHT I WAS NEVER GOING TO BE A BRIDE. MOST OF THE OTHER GIRLS HAD WIDER DRESSES. THIS ONE HAS THE LONG SLEEVES WITH THE LITTLE POINTY THING ON YOUR WRIST AND HAND, AND NOT MANY OF THEM WERE LIKE THAT. MOST OF THEM WERE SHORTER SLEEVES. I’M NOT SURE THAT THIS ONE WOULD BE TOTALLY REPRESENTATIONAL [OF THE FASHION OF THE TIME], BUT IT ALWAYS ACQUIRED MANY COMPLIMENTS AS BEING A VERY NICE DRESS.” ON HER WEDDING, CLARKE ELABORATED, “[I MARRIED] DAVE CLARKE. HE GREW UP AT CASTOR, ALBERTA, WHICH IS 200 MILES NORTH OF TABER, ON HIGHWAY 36. WE MET WHEN WE WERE BOTH TEACHERS. WE MET AT CARSTAIRS. HE WAS TEACHING, AND I STARTED AN INTERNSHIP PROGRAM THERE. WE MET IN THE SPRING, AND THEN I GOT A JOB THERE THAT FALL. WE DATED THROUGHOUT THAT YEAR, AND GOT MARRIED THE FOLLOWING YEAR.” “I GREW UP EAST OF MILK RIVER, IN THE COMMUNITY OF MASINASIN BY WRITING-ON-STONE PARK. I HAD COMPLETED MY HIGH SCHOOL IN MILK RIVER, AND THEN I WENT OFF TO CALGARY TO UNIVERSITY. TWO YEARS OF UNIVERSITY…WAS ALL THAT WAS REQUIRED AT THAT TIME. THERE WAS A TEACHER SHORTAGE, SO YOU COULD GET A JOB AFTER TWO YEARS, WITHOUT YOUR DEGREE, AND THAT’S WHAT I DID. THEN I MET DAVE. WE DECIDED TO GET MARRIED. DAVE WAS HELPING OUT HIS PARENTS AT THEIR FARM IN CASTOR BECAUSE THEY WERE MOVING A HOUSE DURING THAT SUMMER, AND HE WAS HELPING GET THAT HOUSE MOVED FOR HIS PARENTS. I WAS PICKING UP SOME COURSES AT EDMONTON UNIVERSITY. IT JUST HAPPENED THAT I HAD NOT FELT THAT IT WAS IMPORTANT TO HAVE A WEDDING. I JUST THOUGHT WE WOULD JUST GET MARRIED, AND HAVE FAMILY MEMBERS THERE, AND THAT WOULD BE IT. OF COURSE, MY MOM AND DAD SAID, “NO, WE’RE GOING TO HAVE A WEDDING.” SO, I SAID, “WELL, I’M GOING.” AFTER MY YEAR OF SCHOOL TEACHING IN CARSTAIRS THAT FINISHED THE END OF JUNE, I WAS DUE IN EDMONTON FOR MY SUMMER SCHOOL CLASSES. SO, I SAID TO MOM AND DAD, “I GUESS IF YOU WANT A WEDDING, WE’LL TALK BY PHONE, BUT YOU’LL HAVE TO MAKE ALL THE ARRANGEMENTS, AND THE PLANS FOR IT.” SO, THEY DID. WE HAD THE WEDDING.” “[THE WEDDING] WAS ALL THE SAME DAY. THE WEDDING WAS AT ONE O’CLOCK IN THE AFTERNOON [AT SOUTHMINSTER CHURCH]. THEN THE RECEPTION WAS A BIT EARLIER [AT EL RANCHO, WHICH IS NOW THE COAST HOTEL]. THEN WE DROVE DOWN TO THE FARM, AND WE HAD A BIT OF AN ‘OPEN HOUSE’ THERE. THE DANCE WAS AT NINE O’CLOCK [AT THE MASINASIN SCHOOL]. I WAS IN THE [WEDDING] DRESS UNTIL TOWARDS THE END OF THE WEDDING DANCE BECAUSE AT THE WEDDING DANCE YOU HAD TO HAVE YOUR FIRST DANCE WITH YOUR DAD. THEN I WENT BACK TO THE FARM, WHICH WAS ONLY THREE MILES AWAY, AND CHANGED INTO THE GOING AWAY OUTFIT. WE CAME BACK TO THE DANCE, AND SAID GOODBYE TO EVERYBODY THERE, AND THEN WE LEFT FROM THERE.” “IT WOULDN’T HAVE BEEN A COMMUNITY EVENT. I WAS THE YOUNGEST IN MY FAMILY, AND THE ONLY GIRL. MOM AND DAD HAD BEEN VERY ACTIVE IN THE COMMUNITY, AND CERTAINLY HOSTING A WEDDING FOR YOUR DAUGHTER WAS VERY IMPORTANT TO THEM. I GREW UP THINKING, “HUH, IT DOESN’T MATTER TO ME IF I HAVE A WEDDING OR NOT.” BUT IT CERTAINLY WAS TO THEM, AND TO THE EXTENDED FAMILY IT WAS IMPORTANT. I WAS AMAZED – EVEN WHEN I LOOK THROUGH MY WEDDING BOOK NOW – ALL OF THE AUNTS AND UNCLES THAT CAME. SOME CAME FROM THE UNITED STATES, AND DAVE’S UNCLE, WHO WAS MASTER OF CEREMONIES AT THE RECEPTION, WAS THERE FROM EDMONTON. I WAS AMAZED THAT PEOPLE WOULD COME. I DIDN’T THINK THAT I WAS THAT IMPORTANT THAT ANYBODY WOULD COME, BUT IT TURNED OUT TO BE A VERY, VERY NICE OCCASION, EVERYBODY HAD A VERY GOOD TIME. IT WAS CERTAINLY THE INTRODUCTION OF THE TWO FAMILIES TOGETHER. I RECOGNIZED AFTER-–SOME YEARS LATER-–THAT WEDDINGS ARE HAPPY OCCASIONS, AND THAT IF EXTENDED FAMILIES DON’T GET TOGETHER FOR HAPPY OCCASIONS, THEY OFTEN GET TOGETHER JUST FOR FUNERALS AND MORE SAD OCCASIONS. I CERTAINLY UNDERSTAND NOW HOW IMPORTANT IT WAS TO MY PARENTS, AND THAT IT WAS A GOOD OCCASION FOR THE WHOLE EXTENDED FAMILY.” “THE WAY THE SUMMER PROGRESSED, DAVE WAS VERY BUSY WITH HIS PARENTS…AND I WAS BUSY AT SUMMER SCHOOL. IF YOU KNOW ANYTHING ABOUT SUMMER SCHOOL, YOU KNOW THAT YOU ARE CRAMMING, AND TAKING CLASSES, AND YOU’RE DOING EXAMS. EVERYTHING IS FAST BECAUSE YOU ARE TRYING TO GET IT ALL DONE IN 6 WEEKS, AND YOU’RE TRYING TO MAKE SURE THAT YOU ARE GETTING A FULL CREDIT FOR YOUR COURSE. MY FINAL EXAM WAS ON A TUESDAY, AND I PACKED UP MY THINGS, AND WENT TO CASTOR ON THE WEDNESDAY. [I] PICKED UP DAVE, AND WE CAME TO LETHBRIDGE ON THE THURSDAY. WE MET WITH THE MINISTER ON THE THURSDAY, AND HE SAID THAT HE WAS BEGINNING TO WONDER IF THERE WAS A BRIDE AND GROOM BECAUSE HE HADN’T MET US…WE HAD THE REHEARSAL ON FRIDAY; THE WEDDING ON SATURDAY. FOR OUR HONEYMOON, WE WENT DOWN TO SANDPOINT AND COEUR D’ ALENE ON A LITTLE TRIP DOWN THERE. ONE WEEK LATER WE WERE IN A SMALL TOWN, NEIGHBOURING TO CASTOR, WHERE WE HAD TEACHING JOBS BECAUSE THE SCHOOL YEAR WAS TO START. WE HAD NO TIME TO SET UP A LITTLE TEACHERAGE. THE SCHOOL BOARD THERE RENTED US A HOUSE…THAT WAS HOW WE STARTED. IT WASN’T A VERY GRAND BEGINNING.” “[LETHBRIDGE WAS THE MID-POINT] TO ACCOMMODATE THE FAMILIES. MOM HAD MADE THE ARRANGEMENTS, SO I THINK IT MIGHT HAVE BEEN SOMETHING TO DO WITH WHETHER OR NOT THEY COULD HAVE THE RECEPTION CLOSE BY WHERE THE WEDDING TOOK PLACE. BECAUSE I WENT TO SUNDAY SCHOOL AND BELONGED TO THE CHURCH IN MILK RIVER – SO DID MY PARENTS –WE WERE AFFILIATED WITH THE UNITED CHURCH. SOUTHMINSTER WAS DEFINITELY NOT OUR HOME CHURCH AT THAT TIME.” CLARKE SPOKE TO HER MOTIVES FOR KEEPING AND DONATING THE WEDDING GOWN AND GOING-AWAY ENSEMBLE, STATING, “IT’S ALWAYS [BEEN] EASY TO KEEP IT. I DON’T THINK I’M A HOARDER, BUT I DO LOVE SENTIMENTAL THINGS, AND I HAVE MY MOTHER’S WEDDING DRESS AND GOING-AWAY OUTFIT. THEY ARE VALUABLE PIECES. THIS DRESS AND THIS OUTFIT, I HAD IT OUT AT OUR 25TH WEDDING ANNIVERSARY. I COULDN’T WEAR IT MYSELF BECAUSE MY ARMS CHANGED, BUT MY NIECE WORE IT, AND WE HAD A BIG PARTY-–FAMILY PARTY–-FOR OUR 25TH. THEN A FEW YEARS AGO SOUTHMINSTER CHURCH HAD A 100TH ANNIVERSARY, SO WE WERE ALL INVITED TO TAKE WHATEVER WE WANTED FROM OUR OWN HISTORY, AND SO [MY WEDDING] DRESS WAS WORN AT THAT OCCASION AS WELL.” “I’VE HUNG ONTO THESE MATERIALS FOR 52 YEARS, AND NOW I’M DOWNSIZING MY HOME SO THAT I CAN LIVE IN A CONDO. MY HUSBAND DIED LAST YEAR, AND, AS I’M DOWNSIZING, I LOOK THROUGH ALL OF THE THINGS THAT WE HAVE ACQUIRED AND PACKED AROUND WITH US FOR ALL OF OUR MARRIED YEARS. I DECIDED THAT THIS DRESS AND THIS OUTFIT WERE NOT GOING ANYWHERE AS LONG AS IT WAS IN MY STUFF, AND THAT PERHAPS THERE WAS SOME VALUE IN IT HAVING IT AS PROPERTY OF THE MUSEUM.” FOR MORE INFORMATION INCLUDING THE FULL INTERVIEW TRANSCRIPTION AND PHOTOGRAPHS, PLEASE SEE THE PERMANENT FILE P20180008001-GA.
Catalogue Number
P20180008002
Acquisition Date
2018-04
Collection
Museum
Images
Less detail
Date Range From
1915
Date Range To
1920
Material Type
Artifact
Materials
STEEL, IRON
Catalogue Number
P20170034001
  2 images  
Material Type
Artifact
Date Range From
1915
Date Range To
1920
Materials
STEEL, IRON
No. Pieces
1
Length
5
Width
4
Description
SILVER HOMEMADE CROSS SOLDERED TOGETHER AT CENTER; CROSS HAS WIDENED, SQUARE NAIL ENDS WITH HEAD AND ARM POINTS ENGRAVED WITH “W” SHAPE. FRONT OF CROSS HAS ADDITIONAL NAIL BENT OUT IN SHAPE OF BODY ON CROSS; SOLDERED UNDER NAIL HEAD AT CROSS CENTER AND AT END OF NAIL AT BASE OF CROSS. BACK OF CROSS HAS LOOP BENT AND SOLDERED AT ENDS TO TOP AND CENTER OF CROSS. CROSS IS RUSTED AND TARNISHED; OVERALL VERY GOOD CONDITION.
Subjects
CEREMONIAL ARTIFACT
Historical Association
MILITARY
PERSONAL CARE
History
ON NOVEMBER 20, 2017, COLLECTIONS TECHNICIAN KEVIN MACLEAN INTERVIEWED RITA BERLANDO REGARDING HER DONATION OF A GIFTED RING AND CRUCIFIX. BERLANDO WAS GIFTED THE OBJECTS FROM A PREVIOUS EMPLOYER, GLADSTONE VIRUTE, OF LETHBRIDGE. THE CRUCIFIX WAS HANDMADE, FASHIONED FROM MASS-PRODUCED HORSESHOE NAILS. ON THE CRUCIFIX, BERLANDO RECALLED, “I HAVE NO IDEA…HOW [IT] BECAME IN HIS POSSESSION…WHEN HE GAVE [IT] TO ME, I WAS INTRIGUED TO KNOW MORE ABOUT IT BUT HE DIDN’T HAVE TOO MUCH HISTORY ON THEM. NOT TO ME, ANYWAY.” ON GLADSTONE VIRTUE’S MILITARY SERVICE, BERLANDO NOTED, ““I DON’T THINK HE WANTED TO TALK ABOUT IT. I THINK HE HAD A PAST THAT HE WOULD RATHER NOT DISCUSS. IT WAS ALWAYS STRICTLY BUSINESS. IT WAS NEVER SITTING THERE AND DISCUSSING WHAT HIS LIFE WAS OR ANYTHING OF THAT NATURE.” “I DIDN’T KNOW TOO MUCH ABOUT HIM BUT I KNOW THAT HE WAS A MAN THAT PEOPLE RESPECTED, AND FOR HIM TO RESPECT ME, I THINK THAT WAS AN HONOUR.” “I WOULD LOVE TO KNOW HOW THESE TWO LITTLE ITEMS BECAME IN HIS POSSESSION AND WHERE WAS HE WHEN THEY WERE GIVEN TO HIM AND WAS HE PRESENT AT SOME TIME…I JUST FIND THAT HE MUST HAVE HAD THEM IN HIS POSSESSION FOR SOME TIME.” BERLANDO ELABORATED ON HOW THE CRUCIFIX CAME INTO HER POSSESSION, “[THIS ITEM] MEANS AN AWFUL LOT TO ME BECAUSE IT WAS GIVEN AT THE TIME THAT I WAS EMPLOYED WITH THE LAW FIRM OF VIRTUE AND COMPANY. IT WAS MR. GLADSTONE VIRTUE, SEMI-RETIRED WHEN I WAS EMPLOYED THERE, THAT HAD ASKED THAT I GO INTO HIS ROOM AND TAKE LETTERS [AND] NOTES FOR LETTERS THAT HE WISHED TO HAVE TYPED. I WAS HIRED AS A RECEPTIONIST, NOT FEELING THAT I WOULD HAVE THE RESPONSIBILITY AS A SECRETARY, SO I INFORMED HIM THAT I COULD NOT DO THIS DUTY. HE ASKED THAT I GET HIS SECRETARY TO TAKE HIS NOTES. AS THE MONTHS WENT BY, HE BECAME VERY – AND I USE THE WORD ‘ATTACHED’ – BECAUSE HE WOULD ALSO ASK ME TO DO SERVICES FOR HIM, WHICH I WOULD HAVE TO GO TO THE ROYAL BANK TO DO HIS BANKING [AND] HIS INVESTMENTS. WHEN HE WAS NO LONGER TO BE WITH THE FIRM, HE HANDED ME A LITTLE GIFT. THAT GIFT CONSIST[ED] OF A RING AND A CROSS THAT WAS MADE FROM A BELL OF A CHURCH THAT WAS BOMBED IN THE FIRST WAR. THAT MEANT AN AWFUL LOT TO ME SO I HAVE TREASURED IT CONTINUALLY AND [THE GIFTING] HAS TO DATE BACK TO [1965].” “[MR GLADSTONE VIRTURE] MUST HAVE KEPT IT AS A REMEMBRANCE FROM SOMEWHERE IN THE PAST THAT HE HAD THAT HE DID NOT [WANT TO] LEAVE IT TO HIS FAMILY, BUT [WITH] ME. THEREFORE, I DEFINITELY FELT THAT [IT] WAS A GIFT THAT I SHOULD TREASURE AND I HAVE TREASURED, AND I HAVE KEPT IT UNDER LOCK AND KEY. EVEN IN THE TRANSITION OF DOWNSIZING, I LIVED IN FEAR THAT FOR SOME REASON, THERE WERE ITEMS THAT I NO LONGER HAVE. I KEPT THINKING, ‘OH, DEAR LORD, I BETTER MAKE SURE I STILL HAVE THAT GIFT FROM MR. VIRTUE.’ WHEN I FOUND IT, THAT’S WHEN I REALLY SERIOUSLY THOUGHT I HAD TO DO SOMETHING ABOUT THEM.” “AT [THE TIME I WAS HIRED], FINANCES WERE DIFFICULT IN THE FAMILY HOME SO I APPLIED FOR THE POSITION OF RECEPTIONIST. THE POSITION REQUIRED NOT ONLY [WORKING] AS A RECEPTIONIST BUT AS A BOOKKEEPER AND AN OFFICE MANAGER. I HESITATED ONCE I WAS INFORMED OF THIS RESPONSIBILITY, BUT I UNDERTOOK THE POSITION AND DID ALL OF THE REQUIREMENTS THAT WAS EXPECTED OF ME. THE LAW FIRM AT THAT TIME CONSISTED OF CHARLES VIRTUE, WILLIAM RUSSELL, MR. GORDON AND THEN LATER ON, THERE WAS VAUGHN HEMBROFF THAT BECAME PARTNER AND GLENN MORRISON. IT’S ALWAYS MEANT A LOT OF THE PAST HISTORY OF MY LIFE. THINKING HOW I WAS HONOURED TO BE WITH THAT FIRM, THESE LITTLE ITEMS THAT WERE GIVEN TO ME JUST EVEN MEANT ALL THE MORE.” “BUT I REMEMBER DISTINCTLY THAT THEY SAID I COULDN’T LEAVE [IN 1964] UNTIL I HIRED SOMEONE THAT COULD REPLACE ME. THEY GAVE ME THE RESPONSIBILITY OF FINDING SOMEONE. MY INTENTION AT THAT TIME WAS TO LEAVE AND MOVE TO MONTREAL. I WAS LIMITED IN THE TIME THAT THIS RESPONSIBILITY WAS GIVEN, AND I DID SUGGEST A PARTICULAR PERSON BUT SHE ONLY WORKED THERE FOR A SHORT TIME AND THEY DIDN’T FEEL THAT SHE QUALIFIED AND COULD HANDLE THE WORK THAT I HAD TAKEN ON. THEN I HAD TO CONTINUE TO STAY UNTIL THEY FELT COMFORTABLE THAT THERE WAS SOMEONE THAT COULD REPLACE ME AND IT MUST HAVE BEEN 1965 [THAT I LEFT].” “EACH ONE OF THE LAWYERS HAD THEIR OWN PRIVATE SECRETARIES. ONE WOMAN IN PARTICULAR…MARY, WAS EXCELLENT IN TAKING LETTERS AND WAS AN EXCELLENT LAW SECRETARY, BUT COULD NOT DO THE BOOKKEEPING. I UNDERTOOK TO DO THE BOOKKEEPING FOR THE SECRETARIES AND THEREFORE, THERE HAD TO BE, AT LEAST FOUR EXTRA GIRLS AS SECRETARIES THERE. AS THEY INCREASED WITH STAFF, THEY WOULD ALSO HIRE MORE SECRETARIES.” ON MR. GLADSTONE VIRTUE, BERLANDO STATED, “I ADMIRED HIM BECAUSE HE DEMANDED RESPECT, HE DEMANDED PROFESSIONALISM. HE WAS VERY SERIOUS ABOUT HIS CLIENTS AND THEY HAD TO BE TREATED LIKE IT WAS AN HONOUR TO HAVE HIM AS THEIR LAWYER. HE WAS NOT A TALL MAN IN STATURE BUT HE STOOD OUT AS A SPECIAL PERSON…BUT HIS CLIENTS CAME FIRST. HE WOULD NEVER HESITATE TO MAKE SURE THAT IF HE HAD A CLIENT OR HAD AN APPOINTMENT THAT I HAD TO MAKE SURE THEY WERE TAKEN CARE OF. HE USED TO INVEST THROUGH THE ROYAL BANK AND HE WOULD HAVE ME GO DOWN AND MEET WITH THE MANAGER. [I WOULD] LET THEM KNOW THAT I WAS THERE ON BEHALF OF MR. VIRTUE AND PRESENT THEM WITH WHATEVER INFORMATION HE GAVE ME…THEY WERE TO TAKE CARE OF THAT. SO HE REALLY MADE ME HIS PERSONAL PERSON TO LOOK AFTER ALL OF HIS PRIVATE AFFAIRS, WHICH TO ME WAS AN HONOUR…EVEN THE LAWYERS HAD SO MUCH RESPECT FOR HIM. WHEN HE MADE A STATEMENT OR A COMMAND OR MADE INSTRUCTIONS FOR CHANGES, THEY WERE MADE AND THEY HAD TO BE ABIDED.” BERLANDO SPOKE ABOUT HER SENTIMENTS ON DONATING THE CRUCIFIX TO THE MUSEUM, NOTING, “AT THE AGE OF NINETY-ONE, WHICH I HAVE BEEN VERY FORTUNATE TO LIVE THIS LENGTH OF TIME, I HAVE TO TAKE INTO CONSIDERATION MANY ITEMS THAT I FEEL SHOULD BE INHERITED BY MY FAMILY…BUT NOT KNOWING THE IMPORTANCE OF THIS GIFT…[I WISH TO] LEAVE IT TO NO ONE OTHER THAN I FEEL THAT DESERVES TO HAVE IT, [WHICH] WOULD BE THE GALT MUSEUM. I DO WISH TO LEAVE IT TO SOMEONE THAT I THINK MAYBE COULD CARRY ON A LITTLE IMPORTANCE OF THE GIFT THAT WAS HANDED TO ME.” “I THINK THAT IT PUTS SUCH A TRUST IN ME, THAT I FEEL NOW, EVEN IN THE YEARS GONE BY, HOW I’VE ALWAYS WANTED SOMEONE, OR ANYONE THAT HAD ANY CONNECTIONS WITH ME, THAT THEY COULD TRUST ME. THAT I WOULD NEVER WANT TO HURT ANYONE AND I WOULD WANT TO CONTINUE TO HELP PEOPLE. WHEN I HEAR PEOPLE IN DISCUSSION OR IN COMMENTS THAT THEY CAN RECALL THINGS THAT I HAVE DONE FOR THEM THAT I CAN’T REMEMBER…I GUESS IT’S JUST MY NATURE TO BE THAT TYPE OF PERSON. [BUT] IF SOMEONE LIKE MR. VIRTUE COULD TRUST ME, AND THEN CLIENTS CAN TRUST ME, I THINK IT INSTILLED [A] TRUST THAT I’LL CARRY TO MY GRAVE.” ABNER GLADSTONE VIRTUE GRADUATED FROM THE UNIVERSITY OF ALBERTA IN 1913 AND BEGAN HIS CAREER IN LAW SHORTLY BEFORE THE START OF THE FIRST WORLD WAR. IN 1915, VIRTUE ENLISTED IN THE LETHBRIDGE MILITIA UNIT, THE 25TH FIELD ARTILLERY. UPON ITS FORMATION, VIRTUE ENLISTED AS A LIEUTENANT WITH THE LETHBRIDGE 61ST BATTERY THAT JOINED FRONT LINES IN FRANCE IN 1917. VIRTUE RESUMED HIS LAW PRACTICE IN LETHBRIDGE FOLLOWING HIS RETUN FROM THE WAR, AND BECAME A SENIOR PARTNER IN THE FIRM OF VIRTUE, RUSSELL, MORGAN AND VIRTUE. FOR MORE INFORMATION INCLUDING ARTICLES ON THE BELL AND VIRTUE’S INVOLVEMENT FROM THE LETHBRIDGE HERALD, AND THE FULL INTERVIEW TRANSCRIPTION, PLEASE SEE THE PERMANENT FILE P20170034001-GA.
Catalogue Number
P20170034001
Acquisition Date
2017-11
Collection
Museum
Images
Less detail
Other Name
SANDAL
Date Range From
2010
Date Range To
2017
Material Type
Artifact
Catalogue Number
P20170007006
  2 images  
Material Type
Artifact
Other Name
SANDAL
Date Range From
2010
Date Range To
2017
No. Pieces
2
Length
26.3
Width
9.3
Description
PAIR OF WHITE SANDALS, LADIES’ SIZE 8.5. SANDALS HAVE ANKLE STRAP WITH SILVER BUCKLE AND TOE STRAP WITH A CENTER STRAP CONNECTING TOE STRAP TO ANKLE; INSIDE OF SANDALS IS SILVER; BOTTOM OF SANDALS IS BROWN. LABELS INSIDE SANDALS READ “GEORGE” ON BOTTOM, “8 ½, 29 PADDY, MADE IN CAMBODIA, FABRIQUE EN CAMBODGE, 030829470 36131215 S14” INSIDE ANKLES. INSIDE LININGS HAVE RED/BROWN GRIME BUILDUP AROUND EDGES; ANKLES OF SANDALS ARE WORN AND DISCOLOURED; OVERALL VERY GOOD CONDITION.
Subjects
CLOTHING-FOOTWEAR
Historical Association
ASSOCIATIONS
PERSONAL CARE
History
ON FEBRUARY 22, 2017, COLLECTIONS TECHNICIAN KEVIN MACLEAN INTERVIEWED WILMA WOOD, DAUGHTER OF DOROTHY TAYLOR, ABOUT HER DONATION OF TAYLOR’S ORDER OF ROYAL PURPLE REGALIA. THE REGALIA REPRESENTED TAYLOR’S 50-YEAR INVOLVEMENT WITH THE ORDER OF ROYAL PURPLE FROM BRANDON, MANITOBA TO LETHBRIDGE, ALBERTA. ON THE SANDALS, WOOD ELABORATED, “THESE ARE RELATIVELY NEW SHOES [ABOUT FIVE OR SIX YEARS OLD] THAT WE GOT WHEN SHE WENT TO PARK MEADOWS BECAUSE SHE COULDN’T HAVE HEELS ANY MORE, OR ANY HEIGHT. SHE AND I WENT OUT AND WE FOUND THESE SHOES THAT SHE COULD WEAR TO THE MEETINGS.” WOOD DISCUSSED HER MOTHER’S TIME IN THE ORDER OF ROYAL PURPLE, STATING, “SHE CONSIDERS [THESE OBJECTS IN ACTIVE USE]. SHE IS VERY MUCH A PERSON WHO VALUES THAT SOCIETY. IT HELPED HER A NUMBER OF TIMES. AS YOU GROW OLDER, ALL OF A SUDDEN YOU DISCOVER THAT YOUR BRAIN ISN’T AS ACTIVE AS IT SHOULD BE AND THE MEMORY IS GOING. SHE WOULD PUT HERSELF INTO POSITIONS WITHIN THE ORGANIZATION INCLUDING BEING PRESIDENT, THREE OR FOUR TIMES. SHE HAD TO BE AN ORGANIZER, SHE HAD TO GET HER BRAIN AND KEEP HER BRAIN FUNCTIONING, WHICH I THOUGHT WAS VERY ADMIRABLE FOR A WOMAN HER AGE BECAUSE…SHE WAS IN HER EIGHTIES. SHE RECEIVED HER 50 YEAR PIN, I THINK IT WAS TWO YEARS AGO OR THREE.” “SHE JOINED [THE ORDER OF ROYAL PURPLE] IN BRANDON, MANITOBA WHERE [MY PARENTS] WERE LIVING AT THE TIME, AND MY DAD RETIRED THERE. THEY MOVED HERE TO LETHBRIDGE BECAUSE MY BROTHER LIVED HERE, AND MY UNCLE ART GOOD…HE LIVED HERE AND THEY WANTED TO BE CLOSER TO FAMILY. THEY MOVED TO LETHBRIDGE AND MY DAD DIED SHORTLY AFTER THAT.” “[SHE JOINED] BECAUSE OF HER FRIENDS. SHE HAD A FRIENDSHIP GROUP AND THEY BELONGED. THEY RECRUITED HER.” “WHEN SHE WAS VERY ACTIVE, SHE WAS A MAJOR RECRUITER. SHE WENT OUT AND FOUND YOUNG WOMEN BUT THEY FELL BY THE WAYSIDE BECAUSE OF LIFE. SHE WAS CERTAINLY VERY ACTIVE IN THEIR PROJECTS, ONE OF WHICH WAS FINDING FINANCES TO EDUCATE YOUNG PEOPLE. WHATEVER THEY WERE [DOING], SHE WAS INTO IT FULL TILT BECAUSE THAT’S THE KIND OF PERSON SHE IS…WHATEVER SHE DOES IS FULL BLAST, FULL BORE. SHE NEVER TOLD ME ANY DETAILS ABOUT THE SOCIETY BECAUSE IT’S ONE OF THOSE SECRET SISTERHOODS. SHE WAS ALWAYS VERY PROUD TO BE A MEMBER OF IT.” “THIS [CHAPTER] DID A LOT OF EDUCATIONAL SUPPORT…SHE TRAVELED WITH THEM BECAUSE IT WAS A CANADIAN ORGANIZATION, SO THEY HAD THEIR ANNUAL GENERAL MEETINGS ALL OVER CANADA. SHE CAME OUT TO VANCOUVER TO A MEETING AND I WENT OVER TO VANCOUVER TO MEET HER AND SAY “HOWDY”. SHE WENT OUT TO THE PREMIER’S, AT THAT TIME WAS VANDER ZALM, AND HE HAD THE BIG GARDENS OUT NEAR STEVESTON. SHE WENT OUT THERE AND SHE MET HIM.” “A YEAR AGO ABOUT THIS TIME, THAT’S WHEN [THE ORDER WAS] FOLDING. THE ALBERTA CLUBS WERE ALL IMPLODING, AND I THINK THERE’S ONLY ONE LEFT IN SOUTHERN ALBERTA. IT WAS THE ISSUE THAT THEY WERE ALL OLD PEOPLE AND YOUNG PEOPLE DID NOT WANT TO JOIN THESE KINDS OF ORGANIZATIONS ANY LONGER…[THIS HAPPENED BECAUSE] I THINK WE HAVE MORE LEGAL SUPPORT. THE GOVERNMENT HAS SET UP HEALTH CARE, COMMUNITIES HAVE SET UP ASSISTANCE FOR WOMEN WHO ARE ABUSED, THERE’S DRUG ASSISTANCE. THERE IS MUCH MORE ASSISTANCE AVAILABLE. IN THE EARLY DAYS ON THE PRAIRIES, IF YOU DIDN’T KNOW YOUR NEXT DOOR NEIGHBOR, WHO MIGHT BE TWENTY MILES AWAY, YOU WERE IN DEEP DOO-DOO IF YOU HAD A BIG PROBLEM. THAT’S WHAT THESE SOCIETIES CAME OUT OF WAS THAT NEED. THE NEED PRETTY WELL HAS BEEN TAKEN CARE OF, I THINK. THERE ARE STILL CLUBS BUT THEY’RE DIFFERENT KINDS OF CLUBS NOW.” WHEN ASKED ABOUT HER MOTIVATION FOR DONATING HER MOTHER’S REGALIA TO THE MUSEUM, WOOD NOTED, “MY MOTHER HAS TURNED 99 YEARS OLD IN JANUARY. SHE HAS DEMENTIA AND SO WE’VE HAD TO MOVE HER FROM HER SENIOR’S LODGE ROOM INTO A MORE SECURE ROOM. CONSEQUENTLY THE LAST OF THE THINGS THAT SHE TREASURED OR VALUED MUST BE DISPERSED. MY BROTHER AND I DECIDED THAT, SINCE THE ELKS AND THE ROYAL PURPLE MEANT SO MUCH TO HER, THAT [THESE WERE] THE [OBJECTS] WE WOULD LIKE TO DONATE TO THE MUSEUM. IT DEPICTS A PERIOD OF TIME WHEN THE WOMEN USED THESE ASSOCIATIONS AS A SUPPORT GROUP FOR THEMSELVES. IT WAS ANOTHER ONE OF THESE SECRET SOCIETIES, WHEN IN FACT THEY WERE SISTERHOODS. THEY WERE MEANT MAINLY FOR THEM TO HAVE PEOPLE TO SUPPORT EACH OTHER. SINCE THIS ORGANIZATION HAS BASICALLY COLLAPSED, I THOUGHT IT WAS SOMETHING THAT THE MUSEUM SHOULD HAVE BECAUSE IT DOES SHOW THAT PERIOD OF TIME IN THE SOCIAL HISTORY OF CANADA.” FOR MORE INFORMATION INCLUDING FULL INTERVIEW TRANSCRIPTIONS, PLEASE SEE THE PERMANENT FILE P20170007001-GA.
Catalogue Number
P20170007006
Acquisition Date
2017-02
Collection
Museum
Images
Less detail
Other Name
BIBLE
Date Range From
1950
Date Range To
1960
Material Type
Artifact
Materials
PAPER, LEATHER, INK
Catalogue Number
P20120045012
  2 images  
Material Type
Artifact
Other Name
BIBLE
Date Range From
1950
Date Range To
1960
Materials
PAPER, LEATHER, INK
No. Pieces
2
Height
3.3
Length
20
Width
13
Description
A. BLACK LEATHER COVER WITH COVER TEXT ON SPINE AND FRONT COVER, “HOLY BIBLE” AND AT BASE OF SPINE “CAMBRIDGE”. COVER AND SPINE ARE SCUFFED AND WORN; TOP AND BOTTOM EDGE ARE CURLED IN. PAGES ARE EDGED IN RED. REVERSE OF FIRST PAGE HAS HANDWRITTEN IN BLACK IN “BEST WISH FOR YOUR BIRTHDAY, FROM JOYCE.” OLD AND NEW TESTAMENT BIBLE, “APPOINTED TO BE READ IN CHURCHES”. “PRINTED BY JAMES B. PEACE, M.A., AT THE CAMBRIDGE UNIVERSITY PRESS”, “LONDON: CAMBRIDGE UNIVERSITY PRESS, FETTER LANE, E.C.”. INSIDE BACK COVER HAS STAINING AND SOILING. OVERALL GOOD CONDITION. B. TORN PAGE FROM “HOLY BIBLE”. PAGE 127 AND 128, “NUMBERS 16-18”, “HIS ROD BUDDETH”. PAGE HAS A CREASE ALONG LEFT EDGE.
Subjects
CEREMONIAL ARTIFACT
Historical Association
ASSOCIATIONS
RELIGION
History
ON AUGUST 21, 2018, COLLECTIONS TECHNICIAN INTERVIEWED LLOYD CAREFOOT REGARDING HIS DONATION OF MEMORABILIA RELATED TO COURT WINDY WEST (#562) LETHBRIDGE CHAPTER OF THE INDEPENDENT ORDER OF FORESTERS. CAREFOOT WAS ACTIVELY INVOLVED WITH THE FORESTERS WHILE HE LIVED IN EDMONTON, ALBERTA, AND CONTINUED HIS INVOLVEMENT FOLLOWING HIS MOVE TO LETHBRIDGE IN 1963. ON THE PURPOSE AND HISTORY OF THE BIBLE, CAREFOOT NOTED, “[THE BIBLE] WAS ON THE TABLE [WITH THE CANDLES AT RITUALS].” “[MEMBERS STOPPED USING IT BECAUSE] SOCIETY HAD CHANGED ENOUGH THAT THEY DIDN’T WANT TO BOTHER WITH THAT RITUAL. I SUSPECT THAT’S WHY. [THE RITUALS WERE] KIND OF STRANGE TO ME. BUT I ACCEPTED IT BECAUSE THAT IS PART OF WHAT YOU DID.” WHEN ASKED ABOUT HIS TIME SPENT IN THE FORESTERS, CAREFOOT RECALLED, “WE [WIFE RUTH AND LLOYD] WERE INVITED TO [AN] ACTIVITY. [IN THOSE] DAYS THERE [WERE] SOCIAL PARTIES…SOMEBODY THAT I KNEW INVITED ME TO COME AND I HEARD WHAT THEY WERE DOING. IT WAS SOMETHING THAT RUTH AND I THOUGHT…WOULD BE SOMETHING WE’D LIKE TO BE INVOLVED IN…MY FATHER WAS A MEMBER OF THE CANADIAN ORDER OF FORESTERS WHICH WAS A STAGE BEFORE THE INDEPENDENT ORDER OF FORESTERS.” “I BECAME A MEMBER IN EDMONTON… I WAS ONLY AS ASSOCIATE AT THAT TIME. WHEN WE MOVED DOWN HERE, WE BECAME MEMBERS HERE…MY FIRST WORKDAY WAS THE SECOND OF JANUARY, 1963 [IN LETHBRIDGE]. I WAS A FULL-BLOWN MEMBER IN 1966.” “[I JOINED BECAUSE OF] THE SATISFACTION THAT IT’S A STRONG CHARITABLE WAY OF DOING THINGS TO GIVE BACK. THAT’S PART OF MY PHILOSOPHY; JUST GIVE A LITTLE BACK FOR THE GOOD LIFE I’VE HAD.” “I WAS THE PRESIDENT OF THE LEAGUE…OF [THE] LETHBRIDGE CHAPTER. AND [I] WOUND UP WITH [THE TRUNK] AND IN IT [WERE] THESE THINGS. IT PRE-DATES ME.” “MOST OF THOSE THINGS WERE FOR MY PERSONAL USE…EITHER IN EVENTS OR A POSITION I HELD IN THE FORESTERS. I LOOK AT [THE OBJECTS] AND I SMILE.” REGARDING HIS DONATION, CAREFOOT ELABPRATED, “THE FORESTERS IN THE COMMUNITY DID A LOT OF CHARITY WORK AND I THOUGHT IT WAS A WAY OF COVERING FOR THE FUTURE [ABOUT] THE THINGS THAT WE DID, OR STILL DO. THAT WAS, MORE THAN ANYTHING ELSE, MY REASON FOR [DONATING IT] – A WAY OF PASSING IT ALONG SO IT JUST DIDN’T GET SHOVED IN THE JUNK…TO SOMEBODY IN THE FUTURE, IT INDICATES SOMETHING OF WHAT WE DID AND SOME ILLUSTRATION OF THINGS THAT WE DID. FOR MORE INFORMATION INCLUDING THE FULL INTERVIEW TRANSCRIPTION, PLEASE SEE THE PERMANENT FILE P20120045001-GA.
Catalogue Number
P20120045012
Acquisition Date
2012-12
Collection
Museum
Images
Less detail
Date Range From
1950
Date Range To
1951
Material Type
Artifact
Materials
LEATHER, COTTON LACES
Catalogue Number
P20160021000
  1 image  
Material Type
Artifact
Date Range From
1950
Date Range To
1951
Materials
LEATHER, COTTON LACES
No. Pieces
2
Height
19
Length
26.5
Description
BLACK, LEATHER PAIR OF COWBOY BOOTS. ANKLE-LENGTH WITH A HEIGHT OF 19 CM FROM BOTTOM OF HEEL TO TOP OF BOOT. THE BOOTS ARE 26.5 CM LONG FROM THE TIP OF THE TOE TO THE BACK OF THE HEEL. THE HEEL HEIGHT IS 3 CM MEASURED FROM THE INSIDE CENTER OF THE HEEL. THE BOOTS ARE LACED UP WITH BLACK, FLAT LACES. THERE ARE 10 EYELETS ON EITHER SIDE OF THE SHOE FOR THE LACES. THERE IS DECORATIVE STITCHING IN BLACK THREAD ON THE BOOT WITH A DESIGN ON TOE. IN THE INSIDE RIM OF THE SHOES (AT THE ANKLES) THERE IS A BAND THAT SAYS “JUSTIN’S SINCE 1879 FT. WORTH, TEXAS.” THIS LOGO IS REPEATED AROUND THE RIM 3 TIMES ON BOTH SHOES. THE INSIDE SOLES AND BOTTOM SOLES OF THE SHOES ARE UNMARKED. GOOD CONDITION. THERE IS SLIGHT SCUFFING ON THE LEATHER OF THE SHOE, SPECIFICALLY ON THE TOES AND HEELS OF BOTH SHOES. THE BOTTOM AND INSIDE SOLES ARE WORN FROM USE. THERE IS A CRACK ON THE HEEL OF THE INSIDE SOLE INSERT OF THE LEFT SHOE. THE LEFT SHOE IS SLIGHTLY MISSHAPED (BENT TOWARDS THE INSIDE OF THE SHOE).
Subjects
CLOTHING-FOOTWEAR
Historical Association
PERSONAL CARE
History
ON 4 AUGUST 2016, COLLECTIONS TECHNICIAN KEVIN MACLEAN CONDUCTED AN INTERVIEW WITH LAWRENCE BAILIE WITH REGARDS TO THIS PAIR OF COWBOY BOOTS HE DONATED. THE BOOTS HAD PREVIOUSLY BELONGED TO HIS FATHER, RICHARD BAILIE. THE FOLLOWING INFORMATION HAS BEEN EXTRACTED FROM THE INTERVIEW: “THE BOOTS BELONGED TO MY DAD [RICHARD BAILIE], AND MY DAD BOUGHT THEM IN EITHER 1950 OR ’51, IN SHERIDAN, WYOMING. WE WERE DOWN THERE ON A FAMILY HOLIDAY AND WENT TO THE BLACK HILLS, TO WILD BILL HICKOK’S SHOW... I WAS PROBABLY ABOUT… I THINK 13-14… IT WAS A SHORT ONE. MY DAD HAD ACTUALLY BOUGHT A NEW PLYMOUTH CAR, AND SO WE WENT ON A HOLIDAY… WE DIDN’T [GO ON HOLIDAYS] VERY MUCH, BECAUSE WE ALWAYS HAD WORK ON THE FARM, AND IT WAS HARD TO GET AWAY...” IT WAS BECAUSE OF THE RARE OCCASION OF THIS HOLIDAY THAT BAILIE WAS ABLE TO RECALL THE PURCHASE OF THE BOOTS: “I PROBABLY WOULD HAVE REMEMBERED THAT ANYWAYS BECAUSE WE DIDN’T HAVE – THAT WAS ONE OF THE ONLY HOLIDAYS [THAT WE WENT FAR AWAY] – OTHER TIMES WE WOULD MAYBE GO TO WATERTON FOR TWO DAYS, AND THAT WAS THE EXTENT [OF OUR TRAVELS]. THAT’S PROBABLY WHY I REMEMBER IT, BECAUSE IT WAS ONE OF THE FIRST BIG HOLIDAYS THAT WE WENT TOGETHER. AND IT WAS PROBABLY THE LAST ONE TOO – PROBABLY ONE OF THE ONLY ONES. I GOT OLDER AND WE DIDN’T DO THINGS. WE WERE TOO BUSY. WE WORKED. I GUESS MY DAD ALWAYS WANTED TO GO DOWN TO SEE THE BLACK HILLS, AND WE WENT TO YELLOWSTONE PARK, WE CAME BACK THROUGH SHERIDAN, AND WE STOPPED AND WERE SHOPPING. I ALWAYS WANTED COWBOY BOOTS, BECAUSE, UP UNTIL THAT POINT, I DIDN’T HAVE ANY. I THOUGHT I WAS A COWBOY - WELL, I WAS A HALF-WAY. EVERYBODY WANTED TO BE A COWBOY, BUT ANYWAYS I BOUGHT COWBOY BOOTS, AND MY DAD BOUGHT COWBOY BOOTS. THESE WERE HIS GOOD BOOTS – HIS DRESS BOOTS… MY DAD WORE THESE, THEY WERE HIS DANCING BOOTS, AND GOING OUT SPECIAL, YOU KNOW, TO CHURCH OR SOMETHING LIKE THAT. [THESE WERE] HIS SUNDAY BOOTS, SUNDAY SHOES, YEAH…” AS BAILIE RECALLS, HIS FATHER GREW UP ON A RANCH. HE EXPLAINS HIS GRANDFATHER ROBERT BAILIE’S HISTORY HOMESTEADING IN SOUTHERN ALBERTA: “MY GRANDFATHER, WHEN HE HOMESTEADED IN ’09, HE CAME TO WARNER. HE ACTUALLY CAME TO LETHBRIDGE FIRST. HE WENT OUT WITH SOME PEOPLE SELLING LAND, AND HE BOUGHT THIS LAND OUT THERE. HE HAD A HOMESTEAD OUT THERE, BUT HE BOUGHT SOME LAND AND IT WOULD BE, OH MY GOODNESS, APPROXIMATELY 10-12 MILES STRAIGHT EAST OF WARNER. HE HAD IT RIGHT UP AGAINST THE LAKE… MY DAD WAS CONCEIVED ON THE RANCH AND BEING IT WAS 1912, MY GRANDMA (LAURA BAILIE) [WHILE PREGNANT] WENT BACK TO MADISON, WISCONSIN, AND MY DAD WAS BORN THERE. BECAUSE THEY HAD A FAMILY DOCTOR THERE. THEY’D ONLY BEEN HERE FOR A COUPLE OF YEARS, AND THERE WAS NO DOCTORS IN THIS AREA, SO MY GRANDMA WENT BACK BEFORE MY DAD WAS BORN THERE, AND THEN AFTER HE WAS A COUPLE OF WEEKS OLD, OR SO, SHE BROUGHT HIM BACK TO ALBERTA… HIS DAD [ROBERT BAILIE], AT ONE TIME, HAD A HUGE HERD OF CATTLE AND HORSES OUT IN THE KING’S LAKE AREA [ALSO CALLED CROW INDIAN LAKE ON THE MAP], WHERE THEY HOMESTEADED. [IN] THE WINTER OF, I’LL SAY ’29, MY GRANDFATHER WAS PROBABLY A MILLIONAIRE. HE HAD, I CAN’T GIVE YOU NUMBERS, A HEAD OF CATTLE AND HORSES, BUT THEY COULDN’T FEED THEM. MY DAD TELLS STORIES ABOUT RIDING OUT CLOSE TO ’30, AND THERE’S JUST CATTLE AND HORSES ALL OVER, LAYING THERE, WITH THEIR FEET UP IN THE AIR, AND FROZE OVER. THEY STARVED TO DEATH OVER THE WINTER. MY GRANDFATHER LOST PRETTY NEAR EVERYTHING BECAUSE THERE WAS JUST NO FEED. THEY TURNED THEM LOOSE TO LET THEM FIND THEIR OWN FEED AND THEY JUST DIDN’T MAKE IT. BUT MY DAD WAS RAISED ON A RANCH. HE WAS A COWBOY. I CONSIDERED HIM PROBABLY MORE COWBOY THAN MOST COWBOYS ARE TODAY…” PRIOR TO HAVING HIS OWN FAMILY, RICHARD BAILIE “… WAS INTO RODEOS. HE LIKED TO RIDE, HE USED TO RIDE BRONCS… IN ALBERTA. IN THOSE DAYS, THEY HAD NO MONEY TO GO ANYPLACE ELSE, JUST ALBERTA. LOCAL RODEOS... THE LUND BOYS, AND THE ROSSES, AND SOME OF THE OTHER ONES WOULD GET TOGETHER ON A SUNDAY, AND THEY WOULD HAVE THEIR OWN RODEOS… [MY DAD] WAS AN OLD-TIME COWBOY… HE WAS IN ONE OF THE FIRST RODEOS THEY HAD IN RAYMOND. HE USED TO RIDE BRONCS, BEFORE I CAME INTO THE PICTURE, AND AFTER I WAS IN THE PICTURE. MY MOM SHUT HIM DOWN. NO MORE COWBOYING…” WHILE THERE WAS STILL FAMILY PRESENCE ON THE HOMESTEAD WHERE RICHARD BAILIE WAS RAISED, HE MOVED IN 1935 TO THE PLACE WHERE LAWRENCE BAILIE WOULD GROW UP. PRIOR TO PURCHASING HIS LAND, RICHARD MARRIED HIS WIFE, LELAH BAILIE (NEE FLICKENGER), IN 1935 AND IN 1936 LAWRENCE WAS BORN: “… MY DAD BOUGHT SOME LAND IN 1935 BETWEEN SKIFF AND GRASSY LAKE. THAT’S WHEN [MY DAD] STARTED FARMING... HE WAS MIXED FARMING. THEY WERE RANCHING AND WE HAD A LOT OF DRY LAND, AND MY DAD WAS VERY GOOD AT MECHANICS, AND SO HE BECAME A DRY LAND FARMER, AND I GUESS HE WAS SMART ENOUGH TO KNOW THAT THERE WASN’T THAT MUCH MONEY IN [RANCHING]. HE SORT OF SWITCHED FROM BEING A COWBOY TO A DRYLANDER, I GUESS… I CAN REMEMBER THAT WE MOVED FROM OUR LITTLE SHACK WHEN I WAS PROBABLY 4 YEARS OLD – 1939-1940 – TO SKIFF. MY DAD HAD BOUGHT SOME LAND AT SKIFF, BUT I REMEMBER BEING IN OUR TAR-PAPER SHACK - THAT IT GOT VERY COLD, AND AT TIMES, DURING THE NIGHT, WHEN I WAS YOUNG.” BAILIE EXPLAINS THESE BOOTS WERE HIS DAD’S GOOD SUNDAY BOOTS, WHICH HE WOULD WEAR WHEN HE WENT TO DANCES IN THE TOWN. BAILIE EXPLAINS, “HE WOULDN’T WEAR THEM RIDING BRONCS, BECAUSE THEY WERE LACED. HE COULDN’T GET THEM OFF. IF HE EVER GOT STUCK UP IN THE STIRRUP, HE COULDN’T GET HIS FOOT OUT – THEY WERE JUST ‘SHOW.’ … THEY WENT TO CHURCH, OR MOST OF THE TIME, HE’D WEAR THEM TO A DANCE. HE ACTUALLY WORE THESE LATER IN LIFE EVEN. YOU’D GO TO A DANCE, AND WEAR THESE WITH THE WESTERN HEEL. I CAN REMEMBER WHEN I WAS A KID, THAT THE SOCIAL ACTIVITIES OF THAT PART OF THE COUNTRY WOULD BE DANCES, [IN PLACES] LIKE IN HUDSON SCHOOL. THERE’D BE DANCES AT SKIFF, I DON’T KNOW, A FEW A YEAR - ALWAYS AT CHRISTMAS TIME AFTER THE CHRISTMAS CONCERT. THEN THEY WOULD GET TOGETHER AND CELEBRATE MAYBE THE FOURTH OF JULY OR SOMETHING LIKE THAT. THAT WAS THE MAIN SOCIAL THING, PEOPLE GET TOGETHER TO GO TO A DANCE… MY MOM [WAS THE MORE SOCIAL ONE IN THE RELATIONSHIP]. AT THAT TIME, THE MEN USED TO GET AWAY FROM THE FARM A LITTLE BIT MORE OFTEN. LIKE MY DAD USED TO BRING IN CATTLE, OR SOME PIGS, OR SOMETHING INTO LETHBRIDGE TO THE AUCTION MART AND MY MOM WOULDN’T COME. SHE’D BE HOME, LOOKING AFTER THE FARM. WHEN YOU LIVE OUT AT SKIFF, YOU ARE 55 MILES FROM NOWHERE. THERE WASN’T MUCH SOCIAL LIFE IN A COUNTRY STORE, WHICH WE USED TO WALK [TO]. WE’D WALK IN JUST AROUND A MILE TO WALK INTO SKIFF, AND GET GROCERIES THE ODD TIME, AND THEN IF THERE WAS SOMEBODY ELSE IN THE STORE AT THE SAME, MY MOM WOULD GET TO SEE THEM. OTHERWISE, IF IT WASN’T FOR THE SOCIAL, THERE WASN’T A VERY GOOD SOCIAL LIFE." "I DON’T KNOW WHEN WOULD BE THE LAST TIME HE EVER WORE THEM," BAILIE SAID GOING BACK TO HIS FATHER'S BOOTS, "THEY WERE A NOVELTY TO HIM. I DON’T KNOW IF HE WENT DOWN THERE LOOKING FOR THEM, OR IF WE WENT BY THE SHOP AND HE [SAW] THEM. I HAVE NO IDEA WHAT HE PAID FOR THEM. I THINK I PAID ABOUT $12.00 FOR MINE, SOMETHING LIKE THAT.” AS FOR THE COLOUR CHOICE OF THE BOOTS, BAILIE STATES: “WELL, IN THOSE DAYS, BLACK WAS THE COLOR. I GUESS THERE WAS THE ODD GUY HAD SOME REAL FANCY BOOTS, BUT, NO, THERE WASN’T THE COLORS OF - . BLACK WAS IT.” WHEN ASKED WHAT HE THINKS OF WHEN HE SEES HIS FATHER’S COWBOY BOOTS, BAILIE ANSWERED: “IT TAKES ME BACK TO MY CHILDHOOD – GOOD – AND MY DAD. HE WOULD ALWAYS, EVEN WHEN HE WAS OLDER, WEAR A BIG HAT... SOMETIMES HE WAS GOOFING OFF. WE USED TO CUT A LITTLE BIT OF OUR CROP WITH A BINDER, [AND] IF YOU EVER RAN OVER A ROCK IT REALLY BUCKED YOU RIGHT OFF IT. SO HE PLAYED AROUND THE ODD TIME, [AND] HE’D SIT THERE, AND HE’D THROW HIS HEEL LIKE HE WAS RIDING A BUCKING BRONC. PUT HIS HAND UP AND HIT A ROCK AND HE’D PUT ON A SHOW FOR ME. THE BINDER WAS LIKE RIDING A BUCKING BRONC. I LOOK AT THOSE BOOTS, THEY ARE LIKE A MEMORY OF MY DAD THAT I AM VERY PROUD OF… OH, HE WAS A HARDWORKING MAN, AND STRONG. I’M A WIMP COMPARED TO MY DAD... I WAS PROUD OF HIM. HE DID WELL. HE TREATED US WELL, AND LOOKED AFTER HIS FAMILY VERY WELL.” BAILIE AQUIRED THE BOOTS AFTER HIS FATHER MOVED IN THE 1990S: “I CLEANED OUT MY MOM AND DAD’S PLACE, BECAUSE THEY WENT INTO A SENIOR CITIZENS SOMETHING, SO I CLEANED OUT HIS PLACE, AND I SEEN THE BOOTS AND I HAVE NEVER SEEN ANYBODY ELSE WITH THAT TYPE OF BOOT... MY DAD WAS THE ONLY ONE THAT I KNEW THAT HAD A PAIR OF BOOTS LIKE THAT." BAILIE SAYS THAT SINCE THE BOOTS HAVE BEEN IN HIS POSSESSION “THEY HAVE BEEN IN THE GARAGE. I’VE JUST BEEN KEEPING THEM. I DON’T KNOW IF I HAVE EVER WORE THEM OR NOT. I DON’T THINK I HAVE. MY DAD’S FOOT WAS A LITTLE BIGGER THAN MINE, SO NO. I HAVE MY OWN BOOTS, SO I WOULDN’T HAVE WORE THEM.” AS STATED IN HIS OBITURARY IN THE LETHBRIDGE HERALD, RICHARD BAILIE PASSED AWAY IN LETHBRIDGE ON MARCH 28, 2002 AT THE AGE OF 90 YEARS. HE WAS PREDECEASED BY HIS WIFE, LELAH BAILIE, WHO PASSED AWAY IN LETHBRIDGE ON OCTOBER 8, 2001 AT THE AGE OF 86 YEARS. SEE PERMANENT FILE FOR FULL INTERVIEW TRANSCRIPT AND COPIES OF LETHBRIDGE HERALD OBITURARIES.
Catalogue Number
P20160021000
Acquisition Date
2016-08
Collection
Museum
Images
Less detail
Material Type
Artifact
Materials
COTTON
Catalogue Number
P20150016008
  1 image  
Material Type
Artifact
Date
1902
Materials
COTTON
No. Pieces
1
Length
75.5
Width
29.5
Description
CHILD’S BAPTISMAL/CHRISTENING GOWN WITH AN OFF-WHITE COTTON BODY, PLEATED SKIRT WITH EMBROIDERED LEAF AND FLOWER PETAL MOTIF. IT HAS LACE CUFFS AND COLLAR. ADHESIVE MASKING TAPE, “GRANNY SUPINA’S CHRISTENING DRESS 1902, MADE BY GRANNY WOODS”. THERE ARE BUTTONS UP THE BACK TO FASTEN THE DRESS. FAIR TO GOOD CONDITION. SMALL IODINE-COLOURED STAIN ON BACK SKIRT. THERE IS A SMALL STAIN ON THE HEM AND 3 SMALL BURNS ON THE HEM. THERE IS A SMALL HOLE AT THE SIDE OF THE DRESS. THE BOTTOM BUTTON ON THE BACK OF THE DRESS IS MISSING. THERE ARE SMALL TEARS ON THE DRESS’ OPENING ON THE BACK. THERE IS SLIGHT TEARING AND FRAYING AT THE LACE COLLAR.
Subjects
CEREMONIAL ARTIFACT
Historical Association
RELIGION
COMMEMORATIVE
History
EVERAL HORHOZER (NÉE SUPINA) WAS BORN IN LETHBRIDGE IN THE YEAR OF 1927 TO HER PARENTS DONAH (NÉE HILL) AND NICHOLAS SUPINA (OWNER OF SUPINA’S MERCANTILE ON 13TH STREET NORTH, LETHBRIDGE). HORHOZER WAS THE FIRSTBORN OF THE FAMILY AND WAS CHRISTENED IN THIS BAPTISMAL GOWN AT ST. PATRICK’S CHURCH. COLLECTIONS TECHNICIAN KEVIN MACLEAN CONDUCTED A SERIES OF INTERVIEWS (ON APRIL 2, APRIL 16, AND MAY 7, 2015) WITH HORHOZER REGARDING A GROUP OF ARTIFACTS SHE DONATED TO THE MUSEUM. THE INFORMATION BELOW HAS COME FROM THESE INTERVIEWS AND LETHBRIDGE HERALD RESEARCH REGARDING THE HORHOZER FAMILY HISTORY. DONAH HILL MET NICHOLAS SUPINA WHEN HE CAME IN TO DO BUSINESS AT A GROCERY WHOLESALER, SCOTTS, WHERE SHE WORKED. THEY COURTED BEFORE MARRYING ON JUNE 7, 1922. FOR MORE INFORMATION ON THE COUPLE’S WEDDING, PLEASE SEE RECORD P20150016009. DURING THE INTERVIEW, HORHOZER EXPLAINED, “MY MOM WAS NOT CATHOLIC [LIKE MY FATHER WAS], BUT IT’S AMAZING HOW THAT DIDN’T SEEM TO ENTER INTO THEIR MARRIAGE. I THINK THEY MUST HAVE REALLY TALKED IT OVER, PREVIOUS TO THAT, AND MY MOM DIDN’T HAVE A STRONG RELIGION SO THAT HELPED. SHE DIDN’T INTERRUPT IN ANYTHING AT ALL, AND SHE KNEW THAT WE HAD TO BE BROUGHT UP AS CATHOLICS, BUT SHE NEVER ONCE BUTT IN. AND SO MY DAD KNEW MY BROTHER WAS NOT INTERESTED, SO HE JUST SAID TO US KIDS ONE DAY, “WHEN YOU GET OLD ENOUGH, YOU CAN MAKE YOUR OWN DECISION.” MY BROTHER LEFT AND I STAYED WITH MY DAD… MY DAD WAS EXTREMELY STRONG. I WOULD SAY MY HUSBAND TOO, JOE. HE WOULD NEVER MISS CHURCH. AND OF COURSE I WENT TO CHURCH WITH HIM ALL THE TIME AND I BELONGED TO THE CHOIR AND EVERYTHING WHEN I WAS YOUNG. I ALWAYS WENT TO CHURCH AND THAT, BUT, THE CHILDREN DIDN’T. WE WERE STRONG IN THAT WAY THAT WE ATTENDED CHURCH ALL THE TIME BUT, WE WEREN’T - WELL, I DON’T KNOW HOW TO DESCRIBE IT BUT I KNOW SOME PEOPLE KIND OF REALLY LIVED RELIGION AND GO TO CHURCH EVERY MORNING. WELL, NO WE WEREN’T LIKE THAT.” THE GOWN WAS MADE FOR HORHOZER BY HER GRANDMOTHER, DONAH SUPINA’S MOTHER. AFTER HAVING EVERAL, THE SUPINA’S HAD A SON NAMED NICK F. SUPINA. NICHOLAS SUPINA PASSED AWAY AT THE AGE OF 84 ON MARCH 27, 1975. DONAH PASSED AWAY 19 YEARS LATER ON MARCH 8, 1994 AT THE AGE OF 91. NICK PASSED AWAY IN 2012 AND HORHOZER PASSED AWAY IN LETHBRIDGE IN 2016 AT THE AGE OF 88 YEARS OLD. PLEASE SEE THE PERMANENT FILE FOR ADDITIONAL INFORMATION ABOUT SUPINA’S MERCANTILE AND THE LIFE OF EVERAL AND HER FAMILY, WHICH INCLUDES THE FULL INTERVIEW TRANSCRIPT AND LETHBRIDGE HERALD ARTICLES.
Catalogue Number
P20150016008
Acquisition Date
2015-05
Collection
Museum
Images
Less detail
Material Type
Artifact
Materials
TULLE
Catalogue Number
P20150016003
  1 image  
Material Type
Artifact
Date
1949
Materials
TULLE
No. Pieces
1
Length
120
Width
99
Description
WHITE TULLE VEIL WITH WHITE LACE HANDWORK AND TRIM. GOOD CONDITION. THERE ARE SMALL HOLES THROUGHOUT THE TULLE. FOUR SMALL GREEN-COLOURED STAINS. THERE IS SLIGHT FRAYING AT THE EDGES.
Subjects
CEREMONIAL ARTIFACT
Historical Association
PERSONAL CARE
History
EVERAL HORHOZER (NÉE SUPINA) WAS BORN IN LETHBRIDGE IN THE YEAR OF 1927 TO HER PARENTS DONAH (NÉE HILL) AND NICHOLAS SUPINA. SUPINA WAS THE OWNER OF SUPINA’S MERCANTILE ON 13TH STREET NORTH, LETHBRIDGE. COLLECTIONS TECHNICIAN KEVIN MACLEAN CONDUCTED A SERIES OF INTERVIEWS (ON APRIL 2, APRIL 16, AND MAY 7, 2015) WITH HORHOZER REGARDING A GROUP OF ARTIFACTS SHE DONATED TO THE MUSEUM. THE INFORMATION BELOW HAS COME FROM THESE INTERVIEWS AND LETHBRIDGE HERALD RESEARCH REGARDING THE HORHOZER FAMILY HISTORY. THIS WEDDING VEIL WAS WORN BY EVERAL HORHOZER AS SHE MARRIED JOE HORHOZER. EVERAL MET JOE HORHOZER WHEN HE CAME TO SUPINA’S TO WORK. SHE REMEMBERS: “HE WAS HIRED BY MY DAD TO WORK IN THE BUTCHER SHOP [AFTER] HE CAME OFF TOUR. I WORKED IN THE LADIESWEAR. I LIKED THAT VERY MUCH. THE MEAT DEPARTMENT WAS RIGHT ACROSS FROM THE LADIESWEAR. THAT’S KIND OF HOW I MET JOE. HE WORKED IN THE BUTCHER DEPARTMENT. I REMEMBER THE DAY HE WALKED IN THE STORE, I’LL NEVER FORGET [IT], HE HAD THIS RED CARDIGAN SWEATER ON AND I JUST FELL, HEAD OVER RIGHT THEN. HE WAS JUST STARTING WORK AND I THOUGHT, ‘WELL, THAT’S THE GUY I’M GOING TO MARRY.' AND, MY AUNT HAPPENED TO BE VISITING, AND WHEN I WENT HOME FOR LUNCH SHE SAID, ‘OH, HAVE YOU GOT A STEADY BOYFRIEND?’ AND I SAID, ‘NO, BUT I’M GONNA HAVE ONE SOON.’ THAT’S HOW IT ALL HAPPENED. HE DIDN’T HAVE A CAR AT THE TIME AND HE SAYS, ‘I CAN’T TAKE YOU TO THE SHOW OR ANYTHING BECAUSE I DON’T HAVE A CAR,’ BUT, HE SAYS, ‘I’M SAVING FOR ONE, AND AS SOON AS I GET ONE…’ AND HE CAME OVER AND CALLED ON ME. MY DAD WAS THERE, BUT I DON’T THINK MY DAD THOUGHT IT WOULD DEVELOP INTO ANYTHING. MY MOTHER WAS QUITE HAPPY ABOUT HIM AND MY GRANDMA TOO, SHE WAS STAYING WITH US AT THE TIME. SO, ANYWAY THAT’S HOW IT STARTED.” WHEN THEY FIRST ENCOUNTERED EACH OTHER, EVERAL DID NOT KNOW ABOUT JOE’S MUSICAL CAREER: “I THINK IT WAS THAT SAYING, 'LOVE AT FIRST SIGHT,' THAT HAPPENED TO BE IT FOR ME, AND HE SAID IT WAS FOR HIM TOO. THERE MUST HAVE BEEN SOME CHEMISTRY THERE, BUT IT HAD NOTHING TO DO WITH HIM BEING POPULAR OR ANYTHING LIKE THAT. IT TURNED OUT JUST FINE.” HORHOZER GOES ON, “[W]E WENT TOGETHER - WELL IT WAS ABOUT A YEAR BEFORE [GETTING MARRIED]. WE DID BREAK UP FOR A WHILE AND THAT’S WHEN MY [LAUGHS] - THAT WAS KIND OF A CROOKED THING, BUT [MY DAD] WANTED US, OF COURSE, TO BREAK UP, SO IT WAS AROUND VALENTINE’S DAY WE BROKE UP. THEN [MY DAD] TOOK ME TO [MONTREAL]. I SAID, ‘YOU KNOW I’VE ALWAYS WANTED TO GO TO MONTREAL,’ CAUSE THAT’S WHERE HE DID HIS BUYING, SO HE TOOK ME TO MONTREAL. AND WHILE WE’RE IN MONTREAL, JOE’S WRITING TO ME ABOUT EVERY DAY. OTHERWISE I WOULD HAVE NEVER GOT TO GO THERE. SO THEN, I GOT BACK [AND] WE GOT TOGETHER AND THEN THAT’S WHEN WE MARRIED. YES, IT WAS WITHIN THE SAME YEAR, YES.” THE COUPLE MARRIED IN 1949. AS MENTIONED ABOVE THIS VEIL, AS WELL AS A HEADDRESS ALSO DONATED, WAS WORN BY HORHOZER ON THEIR WEDDING DAY. HORHOZER EXPLAINS, “THIS IS WHEN I GOT MARRIED. WE ELOPED, SO I JUST HAD THIS HEADDRESS AND A NICE WHITE SUIT AND THIS VEIL BEHIND IT… I HAD A NICE WHITE SUIT MADE FOR MYSELF; IT WAS VERY NICE. JOE BOUGHT ME AN ORCHID AND IT WAS VERY NICE, BUT NO SUCH THING AS A DRESS OR ANYTHING LIKE THAT… WELL, FOR ONE THING, MY DAD, OF COURSE, WAS TOTALLY AGAINST THE MARRIAGE. I [STILL] WORKED FOR [MY DAD] AND EVERYTHING, BUT HE NEVER SPOKE TO ME FOR FIVE YEARS. HE WAS JUST AGAINST THE MARRIAGE AND SO WE THOUGHT WELL WE’LL SAVE AN AWFUL LOT OF TROUBLE [BY ELOPING]. MY DAD WASN’T ONE YOU COULD TALK TO. PROBABLY IF I WOULD HAVE TALKED TO HIM, I THINK HE WOULD HAVE HAD SOMETHING [LIKE A WEDDING CEREMONY] FOR ME, BUT, I JUST WAS SO KIND OF NERVOUS ABOUT IT. WE JUST THOUGHT THAT WOULD BE THE BEST THING TO DO, WOULD BE TO ELOPE THE THING THAT I FEEL SO BAD ABOUT IS THAT OUR PARENTS WEREN’T THERE. I ALWAYS FELT BAD ABOUT MY MOTHER NOT BEING THERE. JOE AND I WENT TO ST. PATS, AND THAT WAS IN THE BASEMENT, AND WE GOT MARRIED THERE… I HAD TO WAIT. WE WANTED TO GET MARRIED WHEN I WAS 20, BUT THE PRIEST COULDN’T MARRY TILL YOU WERE 21. OF COURSE MY DAD MADE THE PRIEST STICK TO THAT BECAUSE HE WAS FRIENDS WITH FATHER CHRISTIAN, SO WE HAD TO WAIT TILL I WAS 21. [LAUGHS]… THEN ALL WE DID WAS GO TO GREAT FALLS AND THAT WAS THAT. WE DIDN’T HAVE MONEY BECAUSE I DIDN’T GET ANY MONEY AT ALL FROM MY DAD, WE WERE ON OUR OWN SO WE HAD TO BE VERY CAREFUL AT THAT TIME OF WHAT WE SPENT SO WE JUST WENT THERE, AND COME BACK AND STARTED, STARTED OUR LIFE. RENTED A LITTLE PLACE OVER ON THE 3RD AVE. NORTH THERE, AN APARTMENT, SO THAT WAS ABOUT IT.” AFTER THE MARRIAGE, EVERAL’S FATHER DID NOT SPEAK TO NEITHER EVERAL NOR JOE FOR FIVE YEARS. WHEN ASKED WHY HER FATHER WAS AGAINST THE MARRIAGE, HORHOZER REPLIED, “WELL, IT KIND OF SURPRISES ME, BECAUSE HE USED TO HAVE COFFEE WITH JOE ALL THE TIME; THEY WERE GOOD FRIENDS. I GUESS IT’S WAS BECAUSE HIS SISTER MARRIED SOMEBODY THAT WORKED IN THE STORE AND IT TURNED OUT TO BE A COMPLETE DISASTER. HE HAD TO PAY TO GET HER OUT OF THE BIG MESS HE THOUGHT, WELL, THE SAME THING WOULD HAPPEN TO ME. WHEN WE GOT MARRIED THEN [JOE LEFT SUPINA'S], AND HE THEN WORKED FOR EMERSON MOTORS, PLAYING JUST ABOUT EVERY NIGHT. THAT’S WHAT WE BOUGHT OUR HOUSE WITH. HE SAVED US MONEY AND AS SOON AS THE FIRST HOUSES THAT CAME AVAILABLE, THAT YOU COULD PUT A DOWN PAYMENT ON, WE BOUGHT ONE. [MY DAD] CAME TO SEE THE HOUSE, AND THE MINUTE HE SAW THE HOUSE THEN HE WAS HAPPY… HE DID COME ON HIS OWN TO LOOK AT IT. THEN WE INVITED HIM OVER FOR DINNER AND HE CAME. AND THEN MY MOTHER WOULD COME EVERY WEDNESDAY BECAUSE I STARTED WORKING, AND SO SHE’D COME EVERY WEDNESDAY AND MAKE SUPPER AND THAT, AND SO MY DAD WOULD COME. SO FROM THEN ON HE CAME EVERY WEDNESDAY. OH, AT CHRISTMAS OR WHENEVER WE WOULD INVITE HIM… AND HE WAS FINE EVER AFTER THAT.” JOE AND EVERAL HAD TWO CHILDREN TOGETHER: MELODEE MUTCH AND RAE FLANAGAN. JOE HORHOZER PASSED AWAY IN LETHBRIDGE ON OCTOBER 21, 2010 AT THE AGE OF 89 YEARS. HORHOZER WAS THE LAST SURVIVING MEMBER OF THE ALBERTA RANCH BOYS. EVERAL HORHOZER PASSED AWAY IN LETHBRIDGE 6 YEARS LATER ON JUNE 6, 2016 AT THE AGE OF 88 YEARS. PLEASE SEE THE PERMANENT FILE FOR ADDITIONAL INFORMATION INCLUDING FULL INTERVIEW TRANSCRIPTS, LETHBRIDGE HERALD ARTICLES, AND FURTHER PUBLICATIONS.
Catalogue Number
P20150016003
Acquisition Date
2015-05
Collection
Museum
Images
Less detail
Other Name
ACME BOOT
Date Range From
1937
Date Range To
1962
Material Type
Artifact
Materials
LEATHER
Catalogue Number
P20150016005
  1 image  
Material Type
Artifact
Other Name
ACME BOOT
Date Range From
1937
Date Range To
1962
Materials
LEATHER
No. Pieces
2
Height
28.5
Length
30.5
Description
A-B: RED COWBOY BOOTS (LEFT AND RIGHT BOOT). THE LEATHER BOOT BODIES ARE RED WITH GOLD ACCENTS AND GOLD OPENING TRIMS. LEATHER SOLES HAVE BEEN RE-HEELED. INTERIORS LABELLED “ACME BOOT” AND INK STAMPED, “MADE IN THE USA”. GOOD CONDITION. ON BOTH BOOTS, THERE IS A RED DYE LOSS IN VARIOUS PLACES, ESPECIALLY AT THE TOES. SOME OF THE GOLD ACCENTS ARE SCUFFED. REGULAR WEAR TO THE BOTTOM SOLES. THERE IS WEAR TO THE INSIDE SOLES (MORE SEVERELY ON BOOT A). BOTH BOOTS ARE MISSHAPEN (BOOT B TO A GREATER EXTENT). ON BOOT A, THERE IS A LOOSE THREAD ON THE TOE DESIGN. THERE IS A LOOSE YELLOW THREAD ON THE INSIDE HEEL ON BOOT B.
Subjects
CLOTHING-FOOTWEAR
Historical Association
PERSONAL CARE
PROFESSIONS
LEISURE
History
EVERAL HORHOZER (NÉE SUPINA) WAS BORN IN LETHBRIDGE IN THE YEAR OF 1927 TO HER PARENTS DONAH (NÉE HILL) AND NICHOLAS SUPINA. SUPINA WAS THE OWNER OF SUPINA’S MERCANTILE ON 13TH STREET NORTH, LETHBRIDGE. THESE COWBOY BOOTS WERE PART OF THE STAGE OUTFIT WORN BY JOE HORHOZER WHEN HE WAS THE ACCORDION PLAYER AND MUSIC ARRANGER FOR A WELL-KNOWN LETHBRIDGE MUSICAL GROUP CALLED THE ALBERTA RANCH BOYS. THE GROUP FORMED IN THE SUMMER OF 1937 WITH MEMBERS LOUIS (LOU) GONZY, MATT (BUCK) WASOWICH, PETER (CURLY) GURLOCK, REMO BACEDA, AND ‘LITTLE JOE’ HORHOZER. COLLECTIONS TECHNICIAN KEVIN MACLEAN CONDUCTED A SERIES OF INTERVIEWS (ON APRIL 2, APRIL 16, AND MAY 7, 2015) WITH HORHOZER REGARDING A GROUP OF ARTIFACTS SHE DONATED TO THE MUSEUM. THE INFORMATION BELOW HAS COME FROM THESE INTERVIEWS AND LETHBRIDGE HERALD RESEARCH REGARDING THE HORHOZER FAMILY HISTORY. IN THE INTERVIEW, HORHOZER EXPLAINED SHE MET HER HUSBAND, JOE HORHOZER, WHEN HE CAME TO WORK FOR SUPINA’S MERCANTILE. FOR THE STORY OF HOW THEY MET, PLEASE SEE RECORDS P20150016003 AND P20150016004. WHEN DESCRIBING HER HUSBAND'S MUSIC CAREER, HORHOZER SAID, “I WOULD CALL HIM THE LEAD INSTRUMENT BECAUSE AN ACCORDION IS, EH? AND HE WAS EXCEPTIONALLY GIFTED WITH THE ACCORDION; THAT’S WHAT EVERYBODY SAID, THAT THERE ISN’T ANYONE, AT LEAST AROUND THIS COUNTRY, THAT COULD COMPARE WITH HIM.” DESCRIBED IN THEIR SOUVENIR BOOK PUBLISHED IN 1941 AS “PROFESSIONAL RADIO ENTERTAINERS”, THE ‘ALBERTA RANCH BOYS’ WERE FORMED WHEN THE LOCAL EXHIBITION AND STAMPEDE PARADE WAS FOUND WANTING FOR A “COWBOY BAND” AS PART OF ITS LINEUP. ACCOLADES FOR THE PARADE ACT FOLLOWED, INSPIRING THE GROUP “TO EMBARK ON THE LONG ROAD TO FAME AND FORTUNE”. IN A YEAR’S TIME – AND AFTER TOURING THROUGH ALBERTA AND BC – THE BAND ENDED UP IN VANCOUVER. THERE IT ESTABLISHED ITSELF, ACCORDING TO THE BOOKLET, AS “WESTERN CANADA’S MOST VERSATILE STAGE AND DANCE FAVOURITE,” BROADCASTING ITS COWBOY MELODIES FOR OVER TWO CONTINUOUS YEARS VIA CKWX (VANCOUVER’S LARGEST RADIO STUDIO AT THE TIME). DURING THE WAR, IT DONATED ITS TALENTS TO THE PROMOTION OF WAR SAVINGS CERTIFICATES. ONE VICTORY RALLY SONG FOR STAMPS WAS “WE’VE BOUGHT THEM BEFORE AND WE’LL BUY THEM AGAIN.” BY EARLY JAN-FEB 1943, THE BAND HAD PEAKED. ONE MEMBER IS REPORTED TO HAVE ENLISTED IN THE CANADIAN ARMY WHILE OTHERS, ACCORDING TO THE DONOR, “GOT SICK”. “THEY DID A LOT IN TORONTO.” RECALLED EVERAL IN AN INTERVIEW. “[IT WAS FROM] TORONTO THEN THEY COULD HAVE GONE [TO NEW YORK] - THAT’S WHERE THEY WERE OFFERED THE BIG JOB OF RECORDING AND BEING ON TV…BUT THEN [JOE] SAYS THAT HE DOESN’T CARE, BECAUSE HE SAYS IF HE WOULD HAVE WENT, HE WOULDN’T HAVE MET ME, SO, I MEAN, THAT WAS A NICE THING TO SAY. HE SAYS LIFE TURNED OUT GOOD FOR HIM.” EVERAL WAS NOT AWARE OF THIS AT THE TIME OF THEIR MEETING. AFTER FINDING OUT, SHE SAID, “WELL, I THOUGHT, GEE WHIZ, WELL, HE JUST ISN’T AN EVERYDAY JOE AND EVERYBODY IN TOWN KNEW HIM AND ADMIRED HIM. YEAH, IT MADE ME A LITTLE MORE HAPPY.” THESE RED COWBOY BOOTS WERE PART OF THE COSTUME JOE HORHOZER WORE WHEN HE PERFORMED WITH THE ALBERTA RANCH BOYS, AND LATER THE 'COUNTRY CAPERS,' A LETHBRIDGE-BASED BAND FOR WHICH HE PLAYED THE ACCORDION BEGINNING IN 1958. IT WAS EVERAL WHO DYED THEM THE BRIGHT RED COLOUR: “HE ASKED ME [TO DYE THE BOOTS]. HE SAID HE WANTED TO CHANGE, THEY WERE GETTING TO LOOK KIND OF SHABBY, AND I DON’T KNOW WHY HE PICKED RED, BUT THAT’S WHAT HE DID SO, THAT’S WHAT I - ACTUALLY THESE STOOD UP QUITE WELL [LAUGHS]. THE REGULAR COLOUR WAS - I THINK THEY WERE BLACK-LIKE. BLACK WITH WHITE... THOSE WERE THE ONLY BOOTS THAT HE HAD.” OF THE PERFORMANCE COSTUME EVERAL HORHOZER SAID: “WHEN THEY STARTED PLAYING AT THE TRIANON THEN, I TELL YOU, THEY START WEARING MORE BAND [CLOTHES] - LIKE THEY HAD DIFFERENT BLAZERS, COLOURED BLAZERS – BLUE ONES AND RED ONES AND ALL WORE BLAZERS THEN ‘CAUSE THEY WANTED TO BECOME LIKE A DANCE BAND, I GUESS YOU’D SAY.” “HE WOULD NEVER FORGET THAT TIME [WITH THE RANCH BOYS],” HORHOZER SAID OF HER HUSBAND, “HE TALKED ABOUT IT ALL THE TIME. HOW THEY MET SO MANY [PEOPLE], LIKE THEY’D PLAY AT PRIVATE PARTIES FOR WEALTHY PEOPLE. HE ABSOLUTELY LOVED HIS MUSIC. HE LIVED FOR HIS MUSIC.” BACK HERE IN LETHBRIDGE IN 1958, EVERAL’S HUSBAND JOE WENT ON TO PERFORM WITH THE COUNTRY CAPERS, PLAYING ACCORDION FOR A WEEKLY BROADCAST VIA THE LOCAL TV STATION CJLH. IN 1961, THE STATION AND THE BROADCAST WERE PRESENTED WITH A NATIONAL LIBERTY AWARD FOR “TV STATION SHOWMANSHIP” AND “BEST LOCAL PROGRAMMING.” IN HIS TIME, ‘LITTLE JOE’ PLAYED WITH ROY ROGERS, GENE AUTRY AND TOMMY HUNTER. HE DIED IN 2010 AT AGE 89. EVERAL HORHOZER PASSED AWAY IN LETHBRIDGE 6 YEARS LATER ON JUNE 6, 2016 AT THE AGE OF 88 YEARS. PLEASE SEE THE PERMANENT FILE FOR ADDITIONAL INFORMATION INCLUDING FULL INTERVIEW TRANSCRIPTS, LETHBRIDGE HERALD ARTICLES, AND FURTHER PUBLICATIONS.
Catalogue Number
P20150016005
Acquisition Date
2015-05
Collection
Museum
Images
Less detail
Material Type
Artifact
Materials
LATEX
Catalogue Number
P20180006001
  2 images  
Material Type
Artifact
Date
2017
Materials
LATEX
No. Pieces
1
Length
12
Width
4.8
Description
RUBBER RED BALLOON WITH WHITE LOGO “CANADA 150” WITH 2017 CANADA 150 MAPLE LEAF ABOVE TEXT, DEFLATED; ROUND BALLOON WITH CIRCULAR OPENING AT END OF CYLINDRICAL STEM; OPENING HAS RUBBER ROLL AROUND EDGE. BALLOON HAS TEARS AT BACK EDGES AND TOP; BALLOON HAS SOLILING INSIDE OPENING AND AROUND RIM; BALLOON IS FADED ON FRONT; OVERALL VERY GOOD CONDITION.
Subjects
CEREMONIAL ARTIFACT
Historical Association
COMMEMORATIVE
History
ON MARCH 29, 2018, COLLECTIONS TECHNICIAN KEVIN MACLEAN INTERVIWEED LORI HARASEM AND JENNIE SUDO REGARDING THE CITY OF LETHBRIDGE DONATION OF CANADA 150 MEMORABILIA. HARASEM AND SUDO WERE INVOLVED WITH ORGANIZING THE JULY 1, 2017 EVENTS FOR CANADA 150, WITH SUDO ACTING AS CHAIR FOR THE LETHBRIDGE CANADA DAY COMMITTEE WITH THE CITY OF LETHBRIDGE AND HARASEM AS A MEMBER OF THE COMMITTEE. ON THE BALLOON, HARASEM ELABORATED, “THOSE WERE GIVEN OUT AT THE CANADA 150 PAVILION AND THAT WAS SO THAT PEOPLE WOULD COME TO THE PAVILION [WITH THE GLOWSTICKS]…[WE HAD] HELIUM BALLOONS AND GAVE THOSE ALL OUT." “WE PURCHASED THE BALLOONS AND THE GLOW STICKS [THEY’RE COMMERCIAL, MASS-PRODUCED]… FROM TORONTO. I THINK THE COMPANY THAT I ORDERED THEM FROM…WAS BUBBLE-GUM.” HARASEM AND SUDO RECALLED THEIR TIME PLANNING AND ORGANIZING THE 2017 EVENTS, WITH SUDO NOTING ABOUT THE PLANNING COMMITTEE, “THE LETHBRIDGE CANADA-DAY COMMITTEE IS A COMMITTEE THAT’S MADE UP OF CITY OF LETHBRIDGE EMPLOYEES IN PART WITH COMMUNITY VOLUNTEERS. MY POSITION AS THE COORDINATOR OF RECREATION AND CULTURE, I AM AUTOMATICALLY VOLUNTEERED FOR THIS COMMITTEE ALONG WITH OUR RECREATION AND CULTURE TEAM. THE CHAIRING RESPONSIBILITIES FOR THAT COMMITTEE GET ROTATED BETWEEN OUR TEAM MEMBERS EVERY TWO YEARS AND MY YEAR JUST SO HAPPENED TO FALL ON THIS VERY IMPORTANT, NOSTALGIC YEAR FOR CANADA’S 150.” “[THE COMMITTEE IS] ALWAYS IN EXISTENCE. I THINK [THERE] WAS A LOT OF PRESSURE, BUT REALLY GREAT PRESSURE. I WAS VERY PROUD TO BE ABLE TO BE PART OF THE COMMITTEE. AND BEING ABLE TO LEAD THE TEAM FOR MY VERY FIRST TURN AT CHAIRING THE COMMITTEE. I FELT A LOT OF PRIDE TO BE ABLE TO SHOW THAT OUR COMMUNITY CAN COME TOGETHER AND CELEBRATE CANADA’S 150.” “[THE] COMMITTEE [WAS] COMPRISED OF THE RECREATION AND CULTURE TEAM, WHICH WAS TWO MANAGERS, LORI HARASEM AND JASON FREUND, MYSELF AS THE CHAIR FOR [2017]. WE ALSO [HAD] MARLENE LAPOINTE, SARAH BURTON, SCOTT CARPENTER AND ONE OF OUR TEMPORARY EMPLOYEES, ERIC SHARP, [AS] PART OF THE COMMITTEE AS FAR AS THE CITY OF LETHBRIDGE SIDE GOES. WE ALSO HAD THREE PUBLIC VOLUNTEERS FROM THE COMMUNITY. WE HAD ADELLE HARRINGTON, BOBBY MCCALLUM AND DAVID FRITZ WHO ALSO PLAYED A HUGE ROLE IN HELPING COORDINATE SOME OF THE ACTIVITIES THERE.” “AS SOON AS CANADA DAY 2016 ENDED, WE WERE ALREADY THINKING ABOUT WHAT WE WERE GOING TO BRING BACK, WHAT KIND OF BUDGET WE WERE GOING TO NEED, WHAT KIND OF ACTIVITIES WE WERE GOING TO HAVE, HOW WE WERE GOING TO MAKE IT SPECIAL, AND MAKE IT STAND OUT THE NEXT YEAR…FOR THE REST OF THE CANADA DAY [EVENTS], THE ONES THAT AREN’T CANADA 150 OR STAND-OUT, WE WOULD PROBABLY ONLY START [PLANNING] ABOUT SIX MONTHS IN ADVANCE. BUT, THE PLANNING PROCESS FOR CANADA DAY, PERIOD, IS QUITE LONG AND STRENUOUS. WE HAVE TO THINK ABOUT SOME PRETTY TIGHT TIMELINES WHEN WE’RE TALKING ABOUT PLANNING AN EVENT THAT BIG. WE DEFINITELY NEEDED THE FULL YEAR TO PLAN CANADA 150.” “CURRENTLY, THE ONLY SPECIAL EVENT THAT THE CITY OF LETHBRIDGE REALLY HOSTS, AS A CORPORATION, IS THE CANADA DAY EVENT. WE RELY ON OUR COMMUNITY GROUPS TO DO MOST OF OUR OTHER SPECIAL EVENTS. ON THE EVENTS PLANNED, HARASEM RECALLED, “IN ALL HONESTY, FOR THE CANADA DAY ACTIVITIES ITSELF, THOUGH I’M ON THE COMMITTEE, I’M NOT AS INVOLVED WITH THAT AS OTHER THINGS THAT I OVERSAW THAT LASTED FROM JANUARY 1ST TO DECEMBER 31ST. SEEING JENNIE AND THE TEAM AND HOW MUCH THEY WORKED…THEY EVEN CHANGED THE LAYOUT AT HENDERSON LAKE THAT HAD BEEN THE SAME WAY FOREVER AND WE HAD TO GO TO SENIOR LEADERS OF THE CITY AND ASK FOR EXTRA MONEY BECAUSE THE BUDGET FOR CANADA DAY HASN’T CHANGED FOR TWELVE OR FIFTEEN YEARS. TO PUT ON SOMETHING THAT WE KNEW THE PUBLIC EXPECTED A LOT [FROM]…[WAS] MY BIGGEST ROLE WITH THE CANADA DAY. IT WAS A HUGE AMOUNT OF WORK AND IT WAS SO SUCCESSFUL, ESPECIALLY ON THE SOCIAL MEDIA SIDE. AT THE CITY, WE’RE USED TO SEEING A LOT OF NEGATIVE COMMENTS. OUR COMMUNICATIONS TEAM HAS SAID THAT THE MOST POSITIVE COMMENTS THEY’VE EVER HAD ON ANYTHING THAT THEY’VE EVER POSTED ON THEIR FACEBOOK WAS AFTER THE CANADA DAY. I THINK THAT THEIR TEAM, JENNIE’S TEAM, DID AMAZING AT MEETING THE EXPECTATIONS OF THE PUBLIC WHICH WERE VERY HIGH.” “I CAME IN [WITH THE COMMUNITY GROUPS ORGANIZING]. WE HAD A GRANT, ‘CANADA 150’. WE HAD EXTRA FUNDING INJECTED INTO OUR BUDGET FOR 2017 [AT] OUR REQUEST, SO THAT WE COULD HELP LOCAL GROUPS THAT WERE ALREADY DOING EVENTS TO THEME IT AROUND CANADA 150. NORMALLY, THE CITY’S RULES IS YOU CAN ONLY GET ONE GRANT FOR ANY EVENT, EVEN THOUGH THERE’S MULTIPLE GRANTS AVAILABLE. BUT, FOR CANADA 150, WE ALLOWED GROUPS TO GET THEIR NORMAL GRANT, AND WE ALLOWED THEM TO ASK FOR UP TO $750 EXTRA, AND THAT WOULD ALLOW THEM TO THEN THEME THEIR EVENT. WE DIDN’T CARE HOW THEY DID THAT. IF THEY WANTED TO USE $750 TO BUY RED AND WHITE CUPCAKES AND BALLOONS [THEY COULD]. WE HAD [AT THE] JAPANESE GARDEN A HUNDRED AND FIFTY JAPANESE DANCERS PERFORMING AND THEY BOUGHT SPECIAL RED MATCHING JACKETS WITH THE MONEY THEY GOT. IT WAS OUR WAY OF ENCOURAGING THE COMMUNITY TO CELEBRATE CANADA 150 ALL YEAR-ROUND. BECAUSE ALL WE DO IS CANADA DAY, WE HAD TO FIND A WAY TO HELP THE COMMUNITY CELEBRATE CANADA 150 AND TO PUT IT IN THE PUBLIC’S EYES ALL YEAR-ROUND IN ANY WAY WE COULD. WE HAD A LOT OF GROUPS AND A LOT OF EVENTS. THERE WAS THIRTY-EIGHT EVENTS THAT RECEIVED FUNDING OVER THE COURSE OF THE YEAR, SO THERE WAS SOMETHING EVERY MONTH OF THE YEAR.” “DURING, “PRETTY, WITTY AND GAY”, WHICH IS AN EVENT THE LGBTQ COMMUNITY PUTS ON IN FEBRUARY/MARCH, THEY USED THEIR FUNDING TO [HAVE] A BIG BULLETIN BOARD WHERE PEOPLE [COULD] WRITE DOWN THEIR THOUGHTS ABOUT WHAT IT WAS LIKE TO BE GAY IN CANADA. AND TO SHARE THEIR FEELINGS ON [BEING GAY IN CANADA] TO CONNECT BECAUSE, OBVIOUSLY, WE’RE A MORE OPEN-MINDED COUNTRY AROUND THAT THAN MOST OF THE WORLD. THAT, TO ME, WAS A REALLY UNIQUE WAY TO CELEBRATE CANADA’S 150TH.” “WE ALSO HAD A SMALL THEATRE GROUP COME TOGETHER, A COLLECTIVE THAT HAD NEVER EXISTED BEFORE. THEY PUT ON A VERY CONTROVERSIAL PLAY ABOUT FORMER PRIME MINISTER STEPHEN HARPER WHICH I WENT TO SEE AND IT WAS PRETTY SMALL. IT WASN’T THIS HUGE PLAY WHICH IS DONE IN CASA IN THE BLACK BOX [THE COMMUNITY ATB ROOM] BUT IT WAS FUNNY. IT WAS VERY CONTROVERSIAL AND WE DID PUT SOME MONEY BEHIND THAT.” “[THERE WAS] UPPER VICTORIA PARK NEIGHBOURS. I HAD SO MANY NEIGHBOUR DAYS. BUT WITH NEIGHBOUR DAY BEING A VERY POPULAR EVENT IN JUNE, AND WE’VE GOT MORE NEIGHBOURHOOD ASSOCIATIONS FORMING, WE REALLY ENCOURAGED THE NEIGHBOURHOODS TO APPLY FOR THE GRANT. MOST OF THE NEIGHBOURHOOD ASSOCIATIONS, AT THIS POINT, THEIR NEIGHBOUR DAY EVENTS ARE PRETTY SMALL, UNDER A HUNDRED PEOPLE. BUT IT’S THE PERFECT PLACE TO CELEBRATE CANADA DAY AND CELEBRATE YOUR NEIGHBOURS. OF COURSE, UPPER VICTORIA PARK IS THE ‘GO BIG OR GO HOME’ NEIGHBOURHOOD ASSOCIATION FOR NEIGHBOUR DAY. IT’S EXCITING WHENEVER WE’RE ABLE TO SUPPORT THE THEME OF THE EVENT IN ANY WAY BECAUSE WE KNOW THAT PEOPLE FROM EVEN OUTSIDE LETHBRIDGE ATTEND THAT EVENT. WE’RE NOT JUST SUPPORTING THE MEMBERS OF UPPER VICTORIA PARK NEIGHBOURHOOD ASSOCIATION WHEN WE SUPPORT SOMETHING, SO IT WAS NEAT TO BE ABLE TO PUT SOME MONEY THERE.” “OF COURSE, WINTER LIGHTS FESTIVAL AT JAPANESE GARDEN IS A VERY NEW EVENT. THIS WAS ONLY ITS SECOND YEAR, EVER. THOUGH IT IS A TRADITIONAL, JAPANESE, CULTURAL WINTER EVENT, WE WERE ABLE TO GIVE THEM SOME FUNDING, TOO, BECAUSE THEY ACTUALLY [HAD] THE FIRST EVENT IN 2017 BECAUSE THEY START IN EARLY DECEMBER AND GO TILL FEBRUARY. THEY WERE THE LAST EVENT, ‘CAUSE THEY WERE ON NEW YEAR’S EVE IN 2017. THAT FESTIVAL, THE FIRST TWO YEARS OF IT, KICKED OFF THE BEGINNING OF CANADA 150 AND ENDED CANADA 150 FOR US. IT WAS NEAT TO HAVE SUCH AN IMPORTANT CULTURAL GROUP AND ATTRACTION IN LETHBRIDGE…BE THE FOCUS OF THAT. THERE WERE EVENTS OF ALL SIZES. WE EVEN HAD THE DOGS THAT [ON] THE LAST DAY OF OPERATIONS [AT WESTMINSTER POOL] IS JUST FOR DOGS. EVEN THE HUMANE SOCIETY GOT MONEY TO [HAVE] DOG CANDIES THAT WERE RED AND WHITE…DOG TREATS DECORATED WITH RED AND WHITE BALLOONS AND RIBBONS. I WENT TO IT AND IT WAS HILARIOUS. THE DOGS [TOOK] OVER THE POOL AND THEY’RE SO HAPPY, IN CELEBRATION OF CANADA’S 150TH.” “WE ALSO HAD FREE SWIMMING AND SKATING THROUGHOUT THE YEAR THAT THE CITY SPONSORED AS A CELEBRATION. THAT WAS BECAUSE WE OBVIOUSLY WANT PEOPLE TO BE ACTIVE AND WE WANT PEOPLE TO USE OUR FACILITIES, AND WE KNOW THAT COSTS CAN BE A BARRIER. EVERY MONTH WE HAD AT LEAST ONE FREE SWIMMING WHERE THE FIRST HUNDRED AND FIFTY PEOPLE WERE FREE. IN THE SUMMER THAT INCLUDED BOTH OF THE OUTDOOR POOLS, HENDERSON AND WESTMINSTER. HENDERSON WAS REALLY POPULAR ‘CAUSE IT’S ONLY SECOND YEAR OF OPERATIONS…IT’S STILL [A] VERY POPULAR PLACE TO GO. THEN, WE HAD FREE SKATING AT ALL OUR ARENAS, INCLUDING THE NEW ATB CENTRE AND WE HAD THOSE AT LEAST [ONCE] A WEEK THROUGHOUT THE WHOLE YEAR. THOUSANDS OF PEOPLE IN LETHBRIDGE GOT TO PARTICIPATE IN SWIMMING OR SKATING FOR FREE AS [PART OF THE] CELEBRATION. AT SOME OF THOSE, WE HANDED OUT LITTLE CANADA FLAGS OR CANADA TATTOOS OR HAD BALLOONS.” ON THE DONATION OF CANADA 150 MATERIALS TO THE MUSEUM, HARASEM NOTED, “I BELIEVE THAT THIS IS IMPORTANT TO GO TO THE GALT BECAUSE I KNOW THAT WHEN WE FIRST REALIZED WE NEEDED TO DO SOMETHING TO CELEBRATE THE 150TH, THE FIRST THING WE DID WAS LOOK BACK TO SEE WHAT HAPPENED AT THE 100TH AND WHAT WE HAD IN THE MUSEUM AND ELSEWHERE IN LETHBRIDGE FOR CELEBRATIONS THAT OCCURRED AT THAT TIME. [WE WERE LOOKING TO] SEE IF THERE WERE THINGS THAT WE COULD MIMIC OR SHOULD KNOW ABOUT. WE USED A LOT OF PHOTOS THROUGH OUR REC AND CULTURE GUIDE FOR THAT YEAR TO REMIND PEOPLE THAT, FIFTY YEARS AGO WAS THE BIG CENTENNIAL. WE THOUGHT THAT WHEN THE 200TH COMES, THAT PEOPLE WOULD PROBABLY BE WANTING TO LOOK BACK TO 2017 TO SEE WHAT HAD HAPPENED.” SUDO ADDED, “I THINK CANADA’S SESQUICENTENNIAL [150TH ANNIVERSARY] WAS VERY IMPORTANT TO REMEMBER BECAUSE FIFTY YEARS IS A LONG TIME AND A LOT HAPPENS IN FIFTY YEARS. IT’S GREAT TO BE ABLE TO LOOK BACK AT ALL OF THE THINGS THAT WE DID FOR CANADA’S SESQUICENTENNIAL AND REMEMBER ALL OF THE HARD WORK, AND THE COMMUNITY COMING TOGETHER AND SHOWING THEIR CANADIAN PRIDE.” FOR MORE INFORMATION INCLUDING THE FULL INTERVIEW TRANSCRIPTION, PLEASE SEE THE PERMANENT FILE P20180006007-GA.
Catalogue Number
P20180006001
Acquisition Date
2018-03
Collection
Museum
Images
Less detail
Material Type
Artifact
Materials
PLASTIC, DYE
Catalogue Number
P20180006002
  1 image  
Material Type
Artifact
Date
2017
Materials
PLASTIC, DYE
No. Pieces
1
Length
50
Diameter
0.9
Description
WHITE OPAQUE GLOW-STICK TUBE ATTACHED TO TIED RED RIBBON; GLOW-STICK HAS CAP ON END WITH LOOP FOR ATTACHED RIBBON. FRONT OF GLOW-STICK HAS BLACK LOGO “CANADA 150” WITH IMAGE OF 2017 CANADA 150 MAPLE LEAF; GLOW-STICK CONTAINS INTACT LIQUID. GLOW-STICK HAS MINOR BLACK AND BROWN STAINING ON FRONT; OVERALL EXCELLENT CONDITION.
Subjects
CEREMONIAL ARTIFACT
Historical Association
COMMEMORATIVE
History
ON MARCH 29, 2018, COLLECTIONS TECHNICIAN KEVIN MACLEAN INTERVIWEED LORI HARASEM AND JENNIE SUDO REGARDING THE CITY OF LETHBRIDGE DONATION OF CANADA 150 MEMORABILIA. HARASEM AND SUDO WERE INVOLVED WITH ORGANIZING THE JULY 1, 2017 EVENTS FOR CANADA 150, WITH SUDO ACTING AS CHAIR FOR THE LETHBRIDGE CANADA DAY COMMITTEE WITH THE CITY OF LETHBRIDGE AND HARASEM AS A MEMBER OF THE COMMITTEE. ON THE GLOWSTICK, HARASEM ELABORATED, “THOSE WERE GIVEN OUT AT THE CANADA 150 PAVILION SO THAT PEOPLE WOULD COME TO THE PAVILION. THEN WHEN THEY WENT OUTSIDE IN THE EVENING TO GO ON THE RIDES AT WHOOP-UP DAYS, THEY’D HAVE A GLOW STICK TO PROMOTE THE PAVILION. WE HANDED THOSE OUT, AND WE ALSO HAD BALLOONS AND HELIUM BALLOONS AND GAVE THOSE ALL OUT." “[THEY WERE] COMMERCIAL, MASS-PRODUCED…THEY WERE FROM TORONTO. I THINK THE COMPANY THAT I ORDERED THEM FROM…WAS BUBBLE-GUM.” HARASEM AND SUDO RECALLED THEIR TIME PLANNING AND ORGANIZING THE 2017 EVENTS, WITH SUDO NOTING ABOUT THE PLANNING COMMITTEE, “THE LETHBRIDGE CANADA-DAY COMMITTEE IS A COMMITTEE THAT’S MADE UP OF CITY OF LETHBRIDGE EMPLOYEES IN PART WITH COMMUNITY VOLUNTEERS. MY POSITION AS THE COORDINATOR OF RECREATION AND CULTURE, I AM AUTOMATICALLY VOLUNTEERED FOR THIS COMMITTEE ALONG WITH OUR RECREATION AND CULTURE TEAM. THE CHAIRING RESPONSIBILITIES FOR THAT COMMITTEE GET ROTATED BETWEEN OUR TEAM MEMBERS EVERY TWO YEARS AND MY YEAR JUST SO HAPPENED TO FALL ON THIS VERY IMPORTANT, NOSTALGIC YEAR FOR CANADA’S 150.” “[THE COMMITTEE IS] ALWAYS IN EXISTENCE. I THINK [THERE] WAS A LOT OF PRESSURE, BUT REALLY GREAT PRESSURE. I WAS VERY PROUD TO BE ABLE TO BE PART OF THE COMMITTEE. AND BEING ABLE TO LEAD THE TEAM FOR MY VERY FIRST TURN AT CHAIRING THE COMMITTEE. I FELT A LOT OF PRIDE TO BE ABLE TO SHOW THAT OUR COMMUNITY CAN COME TOGETHER AND CELEBRATE CANADA’S 150.” “[THE] COMMITTEE [WAS] COMPRISED OF THE RECREATION AND CULTURE TEAM, WHICH WAS TWO MANAGERS, LORI HARASEM AND JASON FREUND, MYSELF AS THE CHAIR FOR [2017]. WE ALSO [HAD] MARLENE LAPOINTE, SARAH BURTON, SCOTT CARPENTER AND ONE OF OUR TEMPORARY EMPLOYEES, ERIC SHARP, [AS] PART OF THE COMMITTEE AS FAR AS THE CITY OF LETHBRIDGE SIDE GOES. WE ALSO HAD THREE PUBLIC VOLUNTEERS FROM THE COMMUNITY. WE HAD ADELLE HARRINGTON, BOBBY MCCALLUM AND DAVID FRITZ WHO ALSO PLAYED A HUGE ROLE IN HELPING COORDINATE SOME OF THE ACTIVITIES THERE.” “AS SOON AS CANADA DAY 2016 ENDED, WE WERE ALREADY THINKING ABOUT WHAT WE WERE GOING TO BRING BACK, WHAT KIND OF BUDGET WE WERE GOING TO NEED, WHAT KIND OF ACTIVITIES WE WERE GOING TO HAVE, HOW WE WERE GOING TO MAKE IT SPECIAL, AND MAKE IT STAND OUT THE NEXT YEAR…FOR THE REST OF THE CANADA DAY [EVENTS], THE ONES THAT AREN’T CANADA 150 OR STAND-OUT, WE WOULD PROBABLY ONLY START [PLANNING] ABOUT SIX MONTHS IN ADVANCE. BUT, THE PLANNING PROCESS FOR CANADA DAY, PERIOD, IS QUITE LONG AND STRENUOUS. WE HAVE TO THINK ABOUT SOME PRETTY TIGHT TIMELINES WHEN WE’RE TALKING ABOUT PLANNING AN EVENT THAT BIG. WE DEFINITELY NEEDED THE FULL YEAR TO PLAN CANADA 150.” “CURRENTLY, THE ONLY SPECIAL EVENT THAT THE CITY OF LETHBRIDGE REALLY HOSTS, AS A CORPORATION, IS THE CANADA DAY EVENT. WE RELY ON OUR COMMUNITY GROUPS TO DO MOST OF OUR OTHER SPECIAL EVENTS. ON THE EVENTS PLANNED, HARASEM RECALLED, “IN ALL HONESTY, FOR THE CANADA DAY ACTIVITIES ITSELF, THOUGH I’M ON THE COMMITTEE, I’M NOT AS INVOLVED WITH THAT AS OTHER THINGS THAT I OVERSAW THAT LASTED FROM JANUARY 1ST TO DECEMBER 31ST. SEEING JENNIE AND THE TEAM AND HOW MUCH THEY WORKED…THEY EVEN CHANGED THE LAYOUT AT HENDERSON LAKE THAT HAD BEEN THE SAME WAY FOREVER AND WE HAD TO GO TO SENIOR LEADERS OF THE CITY AND ASK FOR EXTRA MONEY BECAUSE THE BUDGET FOR CANADA DAY HASN’T CHANGED FOR TWELVE OR FIFTEEN YEARS. TO PUT ON SOMETHING THAT WE KNEW THE PUBLIC EXPECTED A LOT [FROM]…[WAS] MY BIGGEST ROLE WITH THE CANADA DAY. IT WAS A HUGE AMOUNT OF WORK AND IT WAS SO SUCCESSFUL, ESPECIALLY ON THE SOCIAL MEDIA SIDE. AT THE CITY, WE’RE USED TO SEEING A LOT OF NEGATIVE COMMENTS. OUR COMMUNICATIONS TEAM HAS SAID THAT THE MOST POSITIVE COMMENTS THEY’VE EVER HAD ON ANYTHING THAT THEY’VE EVER POSTED ON THEIR FACEBOOK WAS AFTER THE CANADA DAY. I THINK THAT THEIR TEAM, JENNIE’S TEAM, DID AMAZING AT MEETING THE EXPECTATIONS OF THE PUBLIC WHICH WERE VERY HIGH.” “I CAME IN [WITH THE COMMUNITY GROUPS ORGANIZING]. WE HAD A GRANT, ‘CANADA 150’. WE HAD EXTRA FUNDING INJECTED INTO OUR BUDGET FOR 2017 [AT] OUR REQUEST, SO THAT WE COULD HELP LOCAL GROUPS THAT WERE ALREADY DOING EVENTS TO THEME IT AROUND CANADA 150. NORMALLY, THE CITY’S RULES IS YOU CAN ONLY GET ONE GRANT FOR ANY EVENT, EVEN THOUGH THERE’S MULTIPLE GRANTS AVAILABLE. BUT, FOR CANADA 150, WE ALLOWED GROUPS TO GET THEIR NORMAL GRANT, AND WE ALLOWED THEM TO ASK FOR UP TO $750 EXTRA, AND THAT WOULD ALLOW THEM TO THEN THEME THEIR EVENT. WE DIDN’T CARE HOW THEY DID THAT. IF THEY WANTED TO USE $750 TO BUY RED AND WHITE CUPCAKES AND BALLOONS [THEY COULD]. WE HAD [AT THE] JAPANESE GARDEN A HUNDRED AND FIFTY JAPANESE DANCERS PERFORMING AND THEY BOUGHT SPECIAL RED MATCHING JACKETS WITH THE MONEY THEY GOT. IT WAS OUR WAY OF ENCOURAGING THE COMMUNITY TO CELEBRATE CANADA 150 ALL YEAR-ROUND. BECAUSE ALL WE DO IS CANADA DAY, WE HAD TO FIND A WAY TO HELP THE COMMUNITY CELEBRATE CANADA 150 AND TO PUT IT IN THE PUBLIC’S EYES ALL YEAR-ROUND IN ANY WAY WE COULD. WE HAD A LOT OF GROUPS AND A LOT OF EVENTS. THERE WAS THIRTY-EIGHT EVENTS THAT RECEIVED FUNDING OVER THE COURSE OF THE YEAR, SO THERE WAS SOMETHING EVERY MONTH OF THE YEAR.” “DURING, “PRETTY, WITTY AND GAY”, WHICH IS AN EVENT THE LGBTQ COMMUNITY PUTS ON IN FEBRUARY/MARCH, THEY USED THEIR FUNDING TO [HAVE] A BIG BULLETIN BOARD WHERE PEOPLE [COULD] WRITE DOWN THEIR THOUGHTS ABOUT WHAT IT WAS LIKE TO BE GAY IN CANADA. AND TO SHARE THEIR FEELINGS ON [BEING GAY IN CANADA] TO CONNECT BECAUSE, OBVIOUSLY, WE’RE A MORE OPEN-MINDED COUNTRY AROUND THAT THAN MOST OF THE WORLD. THAT, TO ME, WAS A REALLY UNIQUE WAY TO CELEBRATE CANADA’S 150TH.” “WE ALSO HAD A SMALL THEATRE GROUP COME TOGETHER, A COLLECTIVE THAT HAD NEVER EXISTED BEFORE. THEY PUT ON A VERY CONTROVERSIAL PLAY ABOUT FORMER PRIME MINISTER STEPHEN HARPER WHICH I WENT TO SEE AND IT WAS PRETTY SMALL. IT WASN’T THIS HUGE PLAY WHICH IS DONE IN CASA IN THE BLACK BOX [THE COMMUNITY ATB ROOM] BUT IT WAS FUNNY. IT WAS VERY CONTROVERSIAL AND WE DID PUT SOME MONEY BEHIND THAT.” “[THERE WAS] UPPER VICTORIA PARK NEIGHBOURS. I HAD SO MANY NEIGHBOUR DAYS. BUT WITH NEIGHBOUR DAY BEING A VERY POPULAR EVENT IN JUNE, AND WE’VE GOT MORE NEIGHBOURHOOD ASSOCIATIONS FORMING, WE REALLY ENCOURAGED THE NEIGHBOURHOODS TO APPLY FOR THE GRANT. MOST OF THE NEIGHBOURHOOD ASSOCIATIONS, AT THIS POINT, THEIR NEIGHBOUR DAY EVENTS ARE PRETTY SMALL, UNDER A HUNDRED PEOPLE. BUT IT’S THE PERFECT PLACE TO CELEBRATE CANADA DAY AND CELEBRATE YOUR NEIGHBOURS. OF COURSE, UPPER VICTORIA PARK IS THE ‘GO BIG OR GO HOME’ NEIGHBOURHOOD ASSOCIATION FOR NEIGHBOUR DAY. IT’S EXCITING WHENEVER WE’RE ABLE TO SUPPORT THE THEME OF THE EVENT IN ANY WAY BECAUSE WE KNOW THAT PEOPLE FROM EVEN OUTSIDE LETHBRIDGE ATTEND THAT EVENT. WE’RE NOT JUST SUPPORTING THE MEMBERS OF UPPER VICTORIA PARK NEIGHBOURHOOD ASSOCIATION WHEN WE SUPPORT SOMETHING, SO IT WAS NEAT TO BE ABLE TO PUT SOME MONEY THERE.” “OF COURSE, WINTER LIGHTS FESTIVAL AT JAPANESE GARDEN IS A VERY NEW EVENT. THIS WAS ONLY ITS SECOND YEAR, EVER. THOUGH IT IS A TRADITIONAL, JAPANESE, CULTURAL WINTER EVENT, WE WERE ABLE TO GIVE THEM SOME FUNDING, TOO, BECAUSE THEY ACTUALLY [HAD] THE FIRST EVENT IN 2017 BECAUSE THEY START IN EARLY DECEMBER AND GO TILL FEBRUARY. THEY WERE THE LAST EVENT, ‘CAUSE THEY WERE ON NEW YEAR’S EVE IN 2017. THAT FESTIVAL, THE FIRST TWO YEARS OF IT, KICKED OFF THE BEGINNING OF CANADA 150 AND ENDED CANADA 150 FOR US. IT WAS NEAT TO HAVE SUCH AN IMPORTANT CULTURAL GROUP AND ATTRACTION IN LETHBRIDGE…BE THE FOCUS OF THAT. THERE WERE EVENTS OF ALL SIZES. WE EVEN HAD THE DOGS THAT [ON] THE LAST DAY OF OPERATIONS [AT WESTMINSTER POOL] IS JUST FOR DOGS. EVEN THE HUMANE SOCIETY GOT MONEY TO [HAVE] DOG CANDIES THAT WERE RED AND WHITE…DOG TREATS DECORATED WITH RED AND WHITE BALLOONS AND RIBBONS. I WENT TO IT AND IT WAS HILARIOUS. THE DOGS [TOOK] OVER THE POOL AND THEY’RE SO HAPPY, IN CELEBRATION OF CANADA’S 150TH.” “WE ALSO HAD FREE SWIMMING AND SKATING THROUGHOUT THE YEAR THAT THE CITY SPONSORED AS A CELEBRATION. THAT WAS BECAUSE WE OBVIOUSLY WANT PEOPLE TO BE ACTIVE AND WE WANT PEOPLE TO USE OUR FACILITIES, AND WE KNOW THAT COSTS CAN BE A BARRIER. EVERY MONTH WE HAD AT LEAST ONE FREE SWIMMING WHERE THE FIRST HUNDRED AND FIFTY PEOPLE WERE FREE. IN THE SUMMER THAT INCLUDED BOTH OF THE OUTDOOR POOLS, HENDERSON AND WESTMINSTER. HENDERSON WAS REALLY POPULAR ‘CAUSE IT’S ONLY SECOND YEAR OF OPERATIONS…IT’S STILL [A] VERY POPULAR PLACE TO GO. THEN, WE HAD FREE SKATING AT ALL OUR ARENAS, INCLUDING THE NEW ATB CENTRE AND WE HAD THOSE AT LEAST [ONCE] A WEEK THROUGHOUT THE WHOLE YEAR. THOUSANDS OF PEOPLE IN LETHBRIDGE GOT TO PARTICIPATE IN SWIMMING OR SKATING FOR FREE AS [PART OF THE] CELEBRATION. AT SOME OF THOSE, WE HANDED OUT LITTLE CANADA FLAGS OR CANADA TATTOOS OR HAD BALLOONS.” ON THE DONATION OF CANADA 150 MATERIALS TO THE MUSEUM, HARASEM NOTED, “I BELIEVE THAT THIS IS IMPORTANT TO GO TO THE GALT BECAUSE I KNOW THAT WHEN WE FIRST REALIZED WE NEEDED TO DO SOMETHING TO CELEBRATE THE 150TH, THE FIRST THING WE DID WAS LOOK BACK TO SEE WHAT HAPPENED AT THE 100TH AND WHAT WE HAD IN THE MUSEUM AND ELSEWHERE IN LETHBRIDGE FOR CELEBRATIONS THAT OCCURRED AT THAT TIME. [WE WERE LOOKING TO] SEE IF THERE WERE THINGS THAT WE COULD MIMIC OR SHOULD KNOW ABOUT. WE USED A LOT OF PHOTOS THROUGH OUR REC AND CULTURE GUIDE FOR THAT YEAR TO REMIND PEOPLE THAT, FIFTY YEARS AGO WAS THE BIG CENTENNIAL. WE THOUGHT THAT WHEN THE 200TH COMES, THAT PEOPLE WOULD PROBABLY BE WANTING TO LOOK BACK TO 2017 TO SEE WHAT HAD HAPPENED.” SUDO ADDED, “I THINK CANADA’S SESQUICENTENNIAL [150TH ANNIVERSARY] WAS VERY IMPORTANT TO REMEMBER BECAUSE FIFTY YEARS IS A LONG TIME AND A LOT HAPPENS IN FIFTY YEARS. IT’S GREAT TO BE ABLE TO LOOK BACK AT ALL OF THE THINGS THAT WE DID FOR CANADA’S SESQUICENTENNIAL AND REMEMBER ALL OF THE HARD WORK, AND THE COMMUNITY COMING TOGETHER AND SHOWING THEIR CANADIAN PRIDE.” FOR MORE INFORMATION INCLUDING THE FULL INTERVIEW TRANSCRIPTION, PLEASE SEE THE PERMANENT FILE P20180006007-GA.
Catalogue Number
P20180006002
Acquisition Date
2018-03
Collection
Museum
Images
Less detail
Other Name
GHST LETHBRIDGE
Material Type
Artifact
Materials
FELT, THREAD
Catalogue Number
P20140049004
  2 images  
Material Type
Artifact
Other Name
GHST LETHBRIDGE
Date
1913
Materials
FELT, THREAD
No. Pieces
1
Height
25
Length
77
Width
0.3
Description
A YELLOW AND GREEN FELT PENNANT. MACHINE SEWN IN WITH FELT IS THE TEXT “GHTS LETHBRIDGE”. FOUR FELT RIBBONS, TWO GREEN, TWO YELLOW, SIT AS TIES AT THE WIDE END OF THE PENNANT, HAND CUT BUT APPROXIMATELY 17.5 CM LONG AND 1.5 CM WIDE. ATTACHED TO THE BACK IS A PIECE OF MASKING TAPE, ON WHICH IS HANDWRITTEN “MADE BY MRS TAYLOR”. GOOD CONDITION: THE POINT OF THE PENNANT IS FALLING APART AS THE FELT PULLS APART.
Subjects
CEREMONIAL ARTIFACT
Historical Association
COMMEMORATIVE
ASSOCIATIONS
HEALTH SERVICES
History
UPON DONATION TO THE MUSEUM, COLLECTIONS TECHNICIAN KEVIN MACLEAN ASKED MEMBERS OF THE GALT SCHOOL OF NURSING (GSN) ALUMNAE TO PROVIDE WRITTEN ANSWERS ON QUESTIONS PERTAINING TO EACH ARTIFACT DONATED IN THE COLLECTION. THE FOLLOWING INFORMATION HAS COME FROM THOSE RESPONSES CORRESPONDING TO EACH INDIVIDUAL ARTIFACT. THIS BANNER WAS DONATED TO THE GALT SCHOOL OF NURSING ALUMNAE BY ELIZABETH TAYLOR (NEE PATTESON), WHO WAS A PART OF THE FIRST CLASS OF THE GSN. IT WAS OBTAINED BY TAYLOR IN 1913, BUT ITS USE IN THE HOSPITAL IS UNKNOWN. THE WRITER OF THE ARTIFACT’S HISTORY BELIEVES, “[TAYLOR] PROBABLY RECEIVED [THE BANNER] EITHER DURING TRAINING OR WHEN SHE GRADUATED.” ACCORDING TO A PROFILE IN THE DECEMBER 4, 1981 ISSUE OF THE LETHBRIDGE HERALD AND GALT ARCHIVES RECORD 19971065002, ELIZABETH PATTESON WAS BORN IN FORT MACLEOD IN 1891 – HER FATHER, THOMAS EDWARD PATTESON, WAS A STAFF SERGEANT WITH THE NWMP. THE FAMILY MOVED TO LETHBRIDGE IN 1904, AND ELIZABETH BEGAN HER TRAINING AT THE GALT SCHOOL OF NURSING IN 1910. AFTER GRADUATION IN 1913 SHE NURSED IN SOUTHERN ALBERTA BEFORE MOVING TO EDMONTON IN 1914, WHERE SHE MET AND MARRIED LT. ARNOLD TAYLOR. ELIZABETH ENLISTED AND WENT OVERSEAS WITH THE CANADIAN ARMY SERVICE CORPS, WORKING WITH THE BRITISH RED CROSS AND GIVING BIRTH TO A SON, JOHN, IN HASLEMERE, ENGLAND. IN 1919 THE FAMILY RETURNED TO CANADA AND SETTLED IN EDMONTON. IN 1920 TAYLOR JOINED THE OVERSEAS NURSING SISTERS, WHICH SUPPORTED VETERANS IN HOSPITALS, AND WORKED FOR YEARS WITH THE CANADIAN NATIONAL INSTITUTE FOR THE BLIND AND GIRL GUIDES. A 1991 LETHBRIDGE HERALD ARTICLE ABOUT THE CELEBRATION OF THE GALT HOSPITAL CENTENNIAL MENTIONS PATTESON TAYLOR AS EXPECTED TO ATTEND THE CEREMONY AT AGE 99, THE LAST SURVIVING MEMBER OF THE FIRST GALT SCHOOL OF NURSING CLASS. THIS ARTIFACT IS AMONG A COLLECTION DONATED NEAR THE END OF 2014, BEING THE SECOND WAVE OF GSN ARTIFACTS ACQUIRED BY THE MUSEUM THAT YEAR. WITH THE FIRST WAVE OF GSN ARTIFACTS COLLECTED IN SUMMER 2014, MACLEAN INTERVIEWED THE PAST ARCHIVISTS OF THE GALT SCHOOL OF NURSING COLLECTION, SHIRLEY HIGA, ELAINE HAMILTON, AND SUE KYLLO, ABOUT THEIR INVOLVEMENT WITH THE GSN ALUMNAE ASSOCIATION AND THE HISTORY OF ARTIFACTS DONATED. FOR THAT INFORMATION, PLEASE REFER TO P20140006001. PLEASE SEE THE PERMANENT FILE FOR MORE INFORMATION.
Catalogue Number
P20140049004
Acquisition Date
2014-11
Collection
Museum
Images
Less detail
Other Name
BERBER SHOE EDUKAN
Date Range From
2009
Date Range To
2015
Material Type
Artifact
Materials
LEATHER, THREAD, RUBBER
Catalogue Number
P20160011000
  1 image  
Material Type
Artifact
Other Name
BERBER SHOE EDUKAN
Date Range From
2009
Date Range To
2015
Materials
LEATHER, THREAD, RUBBER
No. Pieces
2
Length
28.5
Description
PAIR OF DARK BROWN LEATHER SHOES. TWO PANELS OF LEATHER MAKE UP EACH SHOE (ONE FRONT PIECE AND ONE PIECE FOR THE HEEL). THE LEATHER IS STITCHED TOGETHER WITH A STIFF, LIGHT-COLOURED THREAD. THERE IS A LIGHT BROWN, LEATHER THREAD FOR THE TRIM OF THE SHOE THAT GOES AROUND TO CONNECT THE TWO LEATHER PIECES THAT MAKE UP THE SHOE. THE INSOLE IS A LIGHT-COLOURED LEATHER. THE BACK OF THE HEEL IS HIGHER THAN THE REST OF THE SHOE AND IS FOLDED DOWN INSIDE THE SHOE. LIGHT BROWN BOTTOM SOLE WITH BLACK RUBBER LINING THE TOP OF THE SOLE. GOOD CONDITION. ON BOTH SHOES THERE IS LIGHT SCUFFING NEAR THE TOES. THE SOLES ARE WORN FROM WEAR, ESPECIALLY NEAR THE TOES AND HEELS. ON THE LEFT SHOE VARNISH COATING IS UNEVEN. THERE IS A SMALL OF BUILD-UP OF THE VARNISH AT THE BACK HEEL. AT THE FRONT TOE, THERE IS A PIECE OF THE BLACK SECTION OF THE SOLE COMING OUT. ON THE RIGHT SHOE, THERE IS WEAR OF THE BROWN VARNISH AT THE TOP OF THE TOE. VARNISH AT THE BACK HEEL IS UNEVEN AT HEEL. INSOLE IS CRACKING SLIGHTLY. BOTTOM SECTION OF SOLE IS LIFTING OFF THE SHOE AND THERE IS A SHINY SUBSTANCE ON VARIOUS PLACES OF THE SOLE.
Subjects
CLOTHING-FOOTWEAR
Historical Association
PERSONAL CARE
ETHNOGRAPHIC
History
THESE SHOES WERE DONATED TO THE GALT MUSEUM & ARCHIVES AFTER BEING FEATURED IN THE GALT’S EXHIBITION TITLED, "CHANGING PLACES: IMMIGRATION & DIVERSITY," THAT RAN FROM OCTOBER 31, 2015 TO JANUARY 17, 2016. THE DONOR, JAWAD ABOUCHA, WAS INTERVIEWED BY CURATOR WENDY AITKENS, ON JUNE 4, 2015 IN PREPARATION FOR THAT EXHIBITION. ANOTHER INTERVIEW WITH ABOUCHA WAS CONDUCTED BY COLLECTIONS TECHNICIAN KEVIN MACLEAN ON APRIL 26, 2016 DURING THE ACQUISITION PROCESS. THE FOLLOWING INFORMATION IS A COMBINATION OF QUOTATIONS BY ABOUCHA EXTRACTED FROM BOTH INTERVIEWS: “I’M FROM MOROCCO AND MORE PRECISELY FROM SOUTHERN MOROCCO I WAS BORN IN A CITY CALLED TIZNIT… IT’S A CITY PROBABLY AS SMALL AS LETHBRIDGE. IT IS WHERE I WAS BORN AND RAISED… I WOULD SAY I BOUGHT [THESE SHOES] IN THE YEAR 2009… I LIVED IN FRANCE FOR FOUR YEARS SO THAT’S WHERE I BOUGHT THEM WHEN I WENT TO MOROCCO TO VISIT FAMILY… I JUST GO HOME ONCE EVERY TWO YEARS AND THEN IN MOROCCO I LIKE TO BUY THINGS THAT WOULD REMEMBER ME OF MOROCCO AND ONE OF THE THINGS I LIKE TO BUY IS SLIPPERS THAT I CAN WEAR INDOORS… I KEPT THEM [IN FRANCE AND WHEN I] MOVED TO CANADA [I] BROUGHT THEM WITH ME… … [I]N THE WINTER TIME I CAN WEAR THEM INDOORS, BUT IN THE SUMMERTIME I CAN WEAR LIKE WHEN I’M IN BACKYARD FOR EXAMPLE. I THINK WHEN I BROUGHT THEM HERE [IN] AUGUST LAST YEAR I THINK I WAS USING THEM PROBABLY IN THE SUMMERTIME.” “[THE SHOES ARE] CALLED EDUKAN FROM SOUTHERN MOROCCO… PEOPLE MOSTLY WEAR THE SHOES WHEN IT’S SUNNY OUTSIDE AND BEAUTIFUL AND THEN YOU CAN JUST WEAR THESE ONES… [THE SHOES] SYMBOLIZE SOMETHING OF MY CULTURAL BACKGROUND… I THINK IT IS THE SHAPE AND THEY’RE ALSO MADE OF, I THINK, IT’S ANIMAL SKIN… THEY’RE MADE IN MOROCCO BUT ESPECIALLY THEY SYMBOLIZE MY BACKGROUND BECAUSE THEY’RE MADE IN SOUTHERN MOROCCO AND THEY’RE [ALSO] CALLED BERBER SHOES AND PEOPLE DO WEAR THEM LIKE IN THE MOUNTAINS. I DON’T KNOW FOR HOW MANY CENTURIES PEOPLE USE TO MAKE THESE SHOES BUT WHEN YOU GO TO SMALL CITIES OR IN THE MOUNTAINS THERE ARE PEOPLE WHO MAKE THESE SHOES LIKE BY HAND. I PICKED UP THIS COLOUR WHEN I BOUGHT THEM BECAUSE I THINK THIS COLOUR DOESN’T GET CHANGED VERY QUICK WHEN THERE IS DIRT AND STUFF. THESE SHOES IN MOROCCO SYMBOLIZE THE BERBER CULTURE… I HAVE THE OTHER PICTURE IN MY MIND THAT PEOPLE MAKING [THEM] BY HAND AND THE WAY THEY CUT THE SKIN AND MAKE IT AND THEY PAINT IT AND THEY PUT THE GLUE. THAT’S THE WHOLE WORK OF THESE PEOPLE [WHO ARE] MAKING THESE SORT OF SHOES [AND] I THINK ABOUT IT.” ABOUCHA FURTHER DISCUSSES THE PURCHASE OF THE SHOES IN MOROCCO, INCLUDING THEIR COST: “I WOULD SAY AROUND IN CANADIAN MONEY IT WOULD PROBABLY BE FIFTEEN DOLLARS, WHICH IS NOT TOO EXPENSIVE BACK HOME BUT IT IS A VERY REASONABLE PRICE FOR THEM... MOSTLY SOME [VENDORS] ONLY SELL SHOES BUT IT’S A LOT OF DIFFERENT KINDS, COLOUR[S] FOR MALE OF FEMALES AND THERE IS DIFFERENT TYPES AND I LIKE THE WAY THEY ARRANGE THEM TOGETHER IN FRONT OF THE STORE. PEOPLE WHO SELL THESE SHOES, LIKE DIFFERENT MERCHANTS, THEY ALL GATHER IN ONE PART OF WHAT WE CALL BACK HOME “A SOUK” WHICH IS A NAME FOR THE TRADITIONAL MARKET… BACK HOME WE CAN ALWAYS TAKE THESE ONES AND REPAIR THEM FOR VERY CHEAP AND MOST PEOPLE DO THAT. I HAD THE OPTION ACTUALLY TO TAKE THEM BACK HOME AND REPAIR THEM AND BRING THEM BACK BUT AT THE PRICE OF FIFTEEN DOLLARS, [IT] IS NOT SO MUCH, I CAN BUY A PAIR OF NEW ONES THAT KEEP ME FOR FIVE MORE YEARS SO I DONATE THESE ONES TO GALT MUSEUM.” ABOUCHA GOES ON TO TALK ABOUT THE SIGNIFICANCE OF THE SHOES BEING FROM HIS BIRTH COUNTRY AS HE LIVES ABROAD: “I LEFT MOROCCO WHEN I WAS TWENTY-ONE AND I’M THIRTY YEARS OLD NOW. I’VE BEEN LIVING ABROAD FOR NINE YEARS. I STILL HAVE A LOT OF FAMILY MEMBERS LIVING IN MOROCCO… MY MOM, FATHER-IN-LAW, MY SISTER, MY YOUNGER BROTHER, MY GRANDPARENTS, MY UNCLES, THAT’S ON MY DAD’S SIDE [ARE STILL IN MOROCCO]. ON MY MOM’S SIDE, ALL MY UNCLES ARE LIVING IN FRANCE. MY OLDER BROTHER ALSO LIVES IN FRANCE… I STILL SPEAK THE LANGUAGE, STILL HAVE LOTS OF MEMORIES AND STORIES OF CHILDHOOD AND ADULTHOOD AND SOME OF UNIVERSITY SO I SPENT QUITE A LOT OF TIME IN MOROCCO. IT’S A COUNTRY WHERE I WAS BORN AND RAISED. SO I HAVE SOME THINGS THAT ONCE IN A WHILE WHEN I LOOK AT IT, [AND THEY] REMIND ME OF WHERE I COME FROM… [I] REMEMBER WHERE I COME FROM WHEN I SEE [THE SHOES]. I THINK OF BACK HOME, I THINK OF WHERE I WAS RAISED AND THE PEOPLE WHO MADE THEM AND THE FAMILY MEMBERS THAT WEAR THEM ESPECIALLY MY GRANDFATHER. HE WEARS THEM LOTS, AND I’M VERY CLOSE TO HIM.” AT THE TIME OF THE INTERVIEW WITH MACLEAN, ABOUCHA HAD BEEN IN CANADA FOR ABOUT FOUR AND A HALF YEARS: “I DIDN’T IMMIGRATE TO CANADA STRAIGHT FROM MOROCCO. I ALSO LIVED IN FRANCE FOR 4 YEARS WHILE I DID PART OF MY STUDIES THERE. WHEN I WAS IN MOROCCO I WENT TO THE UNIVERSITY IN ANOTHER CITY CALLED AGADIR. THERE IS NO UNIVERSITY IN TIZNIT. SO I HAD TO MOVE TO AGADIR AND I DID MY BACHELOR’S IN CHEMISTRY. AND THEN LOTS OF PEOPLE IN MOROCCO GO TO ANOTHER PLACE TO FINISH THEIR STUDIES. THEY USUALLY CHOOSE TO GO TO FRANCE BECAUSE WE ALSO LEARN FRENCH. SO I DECIDED TO GO AND HAVE AN EXPERIENCE SOMEWHERE ELSE AND GET A DEGREE AND PRACTICE MY FRENCH. I WENT TO FRANCE, THAT WAS IN 2007, AND I LIVED THERE FOR 4 YEARS AND I GOT MY MASTER’S IN ENVIRONMENTAL SCIENCES. I WORKED FOR A BIT AND THEN AFTER LIVING THERE FOR 4 YEARS I THOUGHT I PROBABLY NEEDED TO GO SOMEWHERE ELSE... AND ONE OF THE REASONS I MOVED TO CANADA WAS BECAUSE I USED TO HAVE A REALLY GOOD ENGLISH TEACHER IN MOROCCO. I LIKED ENGLISH AND I ALWAYS WANTED TO GO TO AN ENGLISH-SPEAKING COUNTRY, SO I DECIDED TO GO TO CANADA. I [CONSIDERED] OTHER PLACES BUT I KNEW ABOUT CANADA AND I COULD USE MY QUALIFICATIONS SO I CAME HERE AND GAVE IT A TRY AND THAT’S WHAT I DID… I APPLIED FOR PERMANENT RESIDENCY BEFORE I MOVED TO CANADA, WHILE I WAS IN FRANCE I GOT IT SO I MOVED TO STRAIGHT TO CANADA. I AM WHAT IS CALLED A PERMANENT RESIDENT AND I THINK THAT USED TO BE CALLED A LANDED IMMIGRANT BEFORE… I CAME TO MONTREAL FIRST BECAUSE I HAVE SOME FRIENDS WHO LIVE THERE. I LIVED THERE FOR A COUPLE OF MONTHS… AND THEN I DECIDED TO MOVE TO ALBERTA BECAUSE THERE WERE JOBS HERE AND I KNEW I WOULD PRACTICE MY ENGLISH HERE [TOO]. I MOVED HERE [IN] ABOUT FEBRUARY 2012.” “… I MOVED [TO LETHBRIDGE] ON MY OWN BECAUSE I GOT USED TO BEING BY MYSELF AND I HAD THAT EXPERIENCE LIKE IN FRANCE. I WASN’T SCARED OF MOVING HERE WITHOUT ANYBODY… I LIKE THAT ADVENTURE. I AM VERY ORGANIZED WHEN IT COMES TO MOVING TO A NEW PLACE. I DO LOTS OF RESEARCH AND THEN I GET ORGANIZED. I TAKE MY TIME TO MAKE A DECISION. I JUST ASSUME IT AND I GO AND SEE WHAT HAPPENS... I AM WORKING IN POWER ENGINEERING. I DID CHEMISTRY AND ENVIRONMENTAL SCIENCES BUT WHEN I MOVED HERE, WHILE TRYING TO GET MY DESIGNATIONS, I CHOOSE TO GO ANOTHER FIELD WHICH WAS SOMEWHAT BETTER RELATED TO WHAT I DID BEFORE WHICH IS POWER ENGINEERING. I’M WORKING NOW AS A POWER ENGINEER – STILL TAKING COURSES. I ALWAYS LIKE TO LEARN. I HAD LOTS OF UPS AND DOWNS WHEN I MOVED HERE WITH JOBS. IT WAS HARD TO GET A JOB IN THE BEGINNING BUT NOW IT’S GETTING BETTER... IT’S VERY DIFFERENT HERE IN CANADA… THERE ARE A LOT OF PROFESSIONAL REGULATIONS HERE SO YOU HAVE TO PROBABLY GO AND WRITE SOME MORE EXAMINATIONS AND GET YOUR QUALIFICATIONS RECOGNIZED BEFORE YOU CAN LOOK FOR A JOB. THAT'S ONE OF THE PROBLEMS, A LOT OF IMMIGRANTS HAVE TO FACE THAT. [BUT] THERE ARE LOTS OF SERVICES HERE FOR IMMIGRANTS AND THEY HELP PEOPLE WRITING RESUMES AND COVER LETTERS, GETTING THEIR QUALIFICATIONS RECOGNIZED. THERE IS A SERVICE HERE CALLED “FLEXIBILITY” AND THEY HELPED ME A LOT… I MET A MARGARET LISTER [AT FLEXIBILITY], AND SHE HELPED ME A LOT. SHE GOT ME IN CONTACT WITH PEOPLE, WITH EMPLOYERS. SHE HELPED ME LOTS WITH MY RESUME, MY COVER LETTER…” “I THINK LETHBRIDGE IS A VERY EXCEPTIONAL PLACE. IT WAS NOT EASY TO MEET PEOPLE HERE FOR ME… IT’S A DIFFERENT COMMUNITY. I’VE LIVED IN DIFFERENT CITIES. I’VE LIVED IN CALGARY AND MONTREAL AND DIFFERENT PLACES BEFORE. I USED TO LIVE IN SMALL CITIES OR TOWNS LIKE THIS BUT ALSO ONE OF THE THINGS I NOTICE IN LETHBRIDGE, IT CAN BE CONSERVATIVE A BIT. AND I WAS NOT USED TO THAT AND IT WAS ALSO A CHALLENGE LIVING IN A CITY LIKE THIS. BUT WE CAN ALWAYS MEET PEOPLE WITH WHOM WE CAN SHARE SAME VALUES. IT TAKES SOME TIME, YES... I WAS USED TO HAVING LOTS OF FRIENDS AND WHEN I MOVED TO LETHBRIDGE, I THINK IT WAS THE FIRST TIME I REALIZED IT WAS HARD TO MEET FRIENDS. THAT WAS THE CASE NOT ONLY FOR ME BUT ALSO FOR THE PEOPLE FROM THE COUNTRY. I ALSO THINK IT IS A GOOD THING THAT THIS IS A UNIVERSITY TOWN. SO THERE’S LOTS OF STUDENTS AND I CAN MEET DIFFERENT PEOPLE BUT IT WAS DEFINITELY HARD IN THE BEGINNING. IT TOOK ME ALMOST 2 YEARS JUST TO MEET FRIENDS AND HAVE SOME CONTACTS… I DIDN’T REALLY HAVE A PROBLEM WITH COMMUNICATING WITH PEOPLE HERE. DEFINITELY, WHEN I JUST MOVED HERE MY ENGLISH WAS NOT AS GOOD AS IT IS NOW. AND THAT’S ONE OF MY GOALS IN MOVING TO ALBERTA AND NOW IT’S GOOD. IT’S GOOD. HAVING FRIENDS ALSO HELPS.” “EVERY WEEK I MEET PEOPLE COMING FROM A DIFFERENT PLACE – BC OR ONTARIO OR OVERSEAS. I THINK THE POPULATION IS CHANGING. I THINK THERE IS MORE AND MORE [PEOPLE] FROM DIFFERENT PLACES COMING TO CALGARY OR TO LETHBRIDGE AND THAT HAS AN IMPACT ON THE BALANCE. IT IS ALSO GOOD FOR DIVERSITY [IN] THE PROVINCE…[THERE ARE] AT LEAST 10 PEOPLE HERE FROM MOROCCO. MOST OF THE PEOPLE FROM MOROCCO LIVE IN MONTREAL BECAUSE THEY SPEAK FRENCH, SO IT IS ALSO WHY THEY CHOOSE TO GO TO QUEBEC INSTEAD OF COMING TO ALBERTA… WHEN IT COMES TO LETHBRIDGE [DIVERSITY] HELPS THEM DEFINITELY BECAUSE THERE’S NOT A LOT OF PEOPLE COMING FROM DIFFERENT PLACES WHEN IT COMES TO LETHBRIDGE. BUT IT’S CHANGING BECAUSE PEOPLE GET TO KNOW OTHER CULTURES. [IT] BRINGS PEOPLE TOGETHER [TO] GET TO KNOW OTHERS – THAT ALSO HELPS WITH STEREOTYPES - IMMIGRANTS, PEOPLE COMING FROM A DIFFERENT RELIGION, RACE. IT HELPS PEOPLE GETTING TO KNOW THE WORLD – LIKE WITHOUT HAVING TO GO ABROAD.” WHEN ASKED ABOUT THE EXISTANCE OF MISCONCEPTIONS ABOUT MUSLIM BELIEFS IN LETHBRIDGE, ABOUCHA RESPONDED, “THERE IS STILL [MISCONCEPTIONS]. I THINKS IT HAS SOMETHING TO DO WITH THE MEDIA. THAT’S ONE OF THE REASONS WHY I MENTIONED THAT AS MORE PEOPLE ARE COMING HERE, [IT] IS GOING TO CHANGE THE WAY PEOPLE HERE SEE IMMIGRANTS. BUT THERE ARE STILL THOSE STEREOTYPES. BUT I ALSO BELIEVE THERE ARE NOT ONLY STEREOTYPES ABOUT MUSLIMS, BUT THERE ARE STEREOTYPES ABOUT ALL ETHNICITIES AND ALL RELIGIONS. IT IS, I THINK, IT IS PART OF THE REALITY IN THE WORLD.” PLEASE SEE THE PERMANENT FILE FOR MORE INFORMATION INCLUDING FULL INTERVIEW TRANSCRIPTIONS.
Catalogue Number
P20160011000
Acquisition Date
2016-02
Collection
Museum
Images
Less detail
Material Type
Artifact
Materials
PAPER, RIBBON, SEQUINS, FOIL, STYROFOAM, FELT, COTTON, METAL, PLASTIC
Catalogue Number
P20150022004
  1 image  
Material Type
Artifact
Date
1998
Materials
PAPER, RIBBON, SEQUINS, FOIL, STYROFOAM, FELT, COTTON, METAL, PLASTIC
No. Pieces
7
Height
17
Diameter
8
Description
ALL CHRISTMAS ORNAMENTS HAVE A ROUND STYROFOAM CENTRE. A: CHRISTMAS ORNAMENT. GOLD PAPER ON BODY, GATHERED AT THE TOP, WITH NARROW GOLD RIBBON (WITH PURPLE SPOTS PAINTED ON) AND WITH WIDE, FLEXIBLE GOLD RIBBON, WITH SMALL STARS IN THE FABRIC. SMALL SILVER COLOURED BUTTERFLY EARRING AFFIXED ON ONE OF FOUR PIECES OF WIDE GOLD RIBBON. HAND DRAWN MISTLETOE ALL THE WAY AROUND ORNAMENT, BELOW THE RIBBON. METAL WIRE FOR HANGING ORNAMENT. SMALL PAPER TAG ATTACHED READS: "LYNNE GREGSON 'CAN YOU FIND THE BUTTERFLY?'" DESIGNED BY LYNNE GREGSON, AN ARTIST KNOWN FOR HIDING BUTTERFLIES WITHIN HER WORKS. VERY GOOD CONDITION. B: CHRISTMAS ORNAMENT. GOLD SEQUINS ON BODY, WITH BLACK SEQUINS FORMING A JUDO BELT AROUND CENTRE OF ORNAMENT. TOPPED WITH FLEXIBLE GOLD FABRIC RIBBON AND FLEXIBLE GOLD WIRE WITH PLASTIC GOLD COLOURED STARS ATTACHED. CANADIAN OLYMPIC PIN ON GOLD FABRIC RIBBON, ABOVE TIE OF BLACK BELT. METAL WIRE FOR HANGING ORNAMENT. SMALL PAPER TAG ATTACHED READS: "JOE MELI". DESIGNED BY JOE MELI, A FOUR TIME OLYMPIAN. VERY GOOD CONDITION. C: CHRISTMAS ORNAMENT. GOLD AND SILVER COLOURED. BODY PRIMARILY MADE OF SILVER COLOURED STRAIGHT PINS, PUSHED INTO STYROFOAM BALL. VERTICLE STRIPES AROUND BALL: EIGHT STRIPES OF A SILVER/GOLD/BLACK RIBBON, FOUR STRIPES OF SILVER STRAIGHT PINS, AND FOUR STRIPES OF SILVER STRAIGHT PINS, WITH GOLD COLOURED THUMB TACKS. GOLD THREAD WOVEN ALL AROUND BALL. SILVER COLOURED CORDING FOR HANGING ORNAMENT. SMALL PAPER TAG ATTACHED READS: "LESLIE ROBINSON-GREENE '98" DESIGNED BY LESLIE ROBINSON-GREENE, A COSTUMER AT THE UNIVERSITY OF LETHBRIDGE DRAMA DEPARTMENT. VERY GOOD CONDITION. GOLD THREAD LOOSE IN PLACES, BUT IS STILL ATTACHED TO ORNAMENT. D: CHRISTMAS ORNAMENT. GREEN SEQUINS WITH WHITE STRAIGHT PINS PUSHED INTO STYROFOAM BALL. WHITE SATIN ROSETTES AT TOP OF ORNAMENT. METAL WIRE FOR HANGING ATTACHED TO VERY NARROW WHITE SATIN RIBBON. SMALL PAPER TAG ATTACHED READS: "FIRST SNOWFLAKES - DORY ROSSITER" DESIGNED BY DORY ROSSITER, A BROADCASTER WITH CTV NEWS. VERY GOOD CONDITION. E: CHRISTMAS ORNAMENT. BLUE FOIL PAPER BODY. SINGLE PIECE OF NARROW SILVER COLOURED RIBBON VERTICALLY AROUND ORNAMENT. STRAND OF PLASTIC CHRISTMAS LIGHTS VERTICALLY AROUND ORNAMENT, PERPENDICULAR TO SILVER RIBBON. LIGHTS ARE RED, YELLOW, GREEN, BLUE, AND PURPLE. STRAND OF LIGHTS GATHERED AT THE TOP OF ORNAMENT, WITH FIVE METAL BELLS (2 VERY SMALL, 2 SMALL, 1 MEDIUM SIZED), AND TWO PLASTIC, GOLD-COLOURED VIOLINS. SEVENTEEN SILVER COLOURED 16TH-NOTES STUCK ONTO BLUE FOIL. SILVER RIBBON FOR HANGING. SMALL PAPER TAG ATTACHED READS: "MIKE LEBLANC CJOC" DESIGNED BY MIKE LEBLANC, WHO WORKED FOR CJOC. VERY GOOD CONDITION. APPEARS THAT SEVERAL 16TH-NOTES HAVE FALLEN OFF OVER THE YEARS. FOIL IS SILVER WHERE THESE NOTES HAVE FALLEN OFF. SOME GLUE REMAINS IN THESE LOCATIONS. F: CHRISTMAS ORNAMENT. BLUE SPARKLES, WITH GOLD COLOURED "CFCN - CTV" PINS STUCK INTO THE STYROFOAM BALL. SEVERAL ITEMS DEOCRATE THE TOP OF THE ORNAMENT: GOLD COLOURED PINECONE; THREE PLASTIC PINE SPRIGS; GREEN PLASTIC LEAVES WITH SPARKLES; BLUE PLASTIC APPLE WITH SPARKLES; FOUR BLUE BERRIES ON LONG GREEN STEMS; GOLD COLOURED MICROPHONE; AND A SMALL, BLUE, FOIL WRAPPED (WITH GOLD STRING RIBBON) GIFT. NO HANGING SYSTEM. SMALL PAPER TAG ATTACHED READS: "TERRY VOGT, CFCN-TV" DESIGNED BY TERRY VOGT, WHO WORKED AT CFCN. (AS OF 2016, HE REMAINS WITH CTV NEWS) GOOD CONDITION. SPARKLES COME OFF WITH MINIMAL HANDLING. G: CHRISTMAS ORNAMENT. OFF-WHITE COTTON FABRIC, STRAIGHT PINNED ONTO STYROFOAM BALL AT TOP. FABRIC HANGS DOWN, LEAVING STYROFOAM EXPOSED AT BOTTOM OF ORNAMENT. PIECE OF BLACK STRING TIED WITH A SQUARE KNOT, HORIZONTALLY AROUND ORNAMENT. TOPPED WITH A LARGE WHITE POM-POM, ON TOP OF WHICH IS A HAT MADE OF RED FELT, A SMALL WHITE POM-POM, AND WHITE PIPE CLEANER. GIVES THE APPEARANCE OF SANTA WEARING A JUDOGI. WRITTEN ON FRONT OF JUDOGI: "LETHBRIDGE JUDO CLUB" WITH JAPANESE CHARACTERS ON REVERSE. NO PAPER TAG ATTACHED. DESIGNED BY YOSH SENDA, FOUNDER OF THE LETHBRIDGE KYODOKAN JUDO CLUB. FAIR TO GOOD CONDITION: LARGE POM-POM VERY LOOSELY ATTACHED TO MAIN PART OF ORNAMENT.
Subjects
CEREMONIAL ARTIFACT
Historical Association
DOMESTIC
History
THESE CHRISTMAS ORNAMENTS CAME FROM A HOLIDAY ARTISTAN MARKET HELD AT THE SOUTHERN ALBERTA ART GALLERY (SAAG) WHERE THE DONOR WORKED (FROM 1992-2003). IN AN ORAL INTERVIEW WITH THE DONOR, ANINE VONKEMAN, CONDUCTED BY KEVIN MACLEAN IN JUNE 2015, ANINE EXPLAINED THAT THE ORNAMENTS CAME FROM A “CELEBRITY CHRISTMAS TREE RAFFLE … WE WOULD GO INTO THE COMMUNITY AND ASK LOCAL CELEBRITIES … TO DECORATE AN ORNAMENT OF CHOICE ... AND SO THIS PARTICULAR YEAR, IT WAS A STYROFOAM BALL.” THE TREE AND ORNAMENTS WERE RAFFLED OFF AND ANINE’S FATHER, WIM, WON. SHE RECOUNTED THE EVENT SAYING: “MY PARENTS CAME TO THE SALE RELIGIOUSLY EVERY YEAR AND THEY WOULD BUY THEIR RAFFLE TICKET. AND BRIAN GALLANT WAS SANTA, WHO’S A VOLUNTEER FOR SAAG … AND IT WAS HIS JOB TO PULL THE RAFFLE TICKET OUT TO ANNOUNCE THE WINNTER. AND AT THIS PARTICULAR EVENT, MASON [DONOR’S SON] WAS THERE, AND HE WAS JUST LITTLE AND SO SANTA LET MASON PULL THE NAME … AND SANTA GAVE IT TO ME TO ANNOUNCE ON THE MIC TO EVERYBODY WHO WAS THERE WHO HAD WONT THE TREE AND IT WAS MY DAD. SO INSTEAD OF SAYING, ‘AND THE WINNER OF THE TREE IS WIM VONKEMAN’ I SAID ‘THE WINNER OF THE TREE IS’ – AND THEN I LOOKED AT THE PIECE OF PAPER – ‘MY DAD!’ AND I GOT SOME FLACK OVER THAT FROM MY BOSS, JOAN STEBBINS AT THE TIME, BUT WHATEVER, IT WAS LEGITIMATE.” ANINE CONTINUED, SAYING “SO MY PARENTS PUT THE TREE UP IN THEIR HOUSE IN PICTURE BUTTE FOR YEARS AND THEN WHEN MY DAD PASSED AWAY AND MY MOM MOVED INTO LETHBRIDGE IN 2008 SHE NEEDED TO DOWNSIZE SO SHE GAVE ME THE TREE. AND SOME OF THE ORNAMENTS HAD DETERIRORATED AND THEN AT MY HOUSE SOME OF THEM DETERIORATED EVEN FURTHER … THE ONES THAT I SALVAGED ARE OF PEOPLE THAT I THOUGHT WERE OF PARTICULAR IMPORTANCE TO THE COMMUNITY.” ANINE WAS BORN IN HOLLAND IN 1967 AND EMIGRATED TO CANADA WITH HER PARENTS (WIM AND TRUDY) AND TWO BROTHERS (ALWIN AND HERWIN) IN NOVEMBER 1981, FOLLOWING A FAMILY VACATION TO CANADA IN 1979. HER FAMILY SETTLED IN THE PICTURE BUTTE AREA TO FARM. HER FATHER HELPED TO ESTABLISH THE DUTCH-CANADIAN CLUB AND THE GALT 8 MINE SOCIETY. ANINE CAME TO LETHBRIDGE IN 1986 TO ATTEND THE UNIVERSITY OF LETHBRIDGE (U OF L) AND STARTED WORKING AT SAAG IN 1992, TWO WEEKS AFTER GRADUATING FROM THE U OF L. SHE BEGAN AS THE PUBLIC PROGRAMS COORDINATOR AND “WAS DOING MEDIA STUFF, VOLUNTEER COORDINATION, SPECIAL EVENTS COORDINATION AND STARTED THE ART AUCTION.” BY 2004 ANINE WAS WORKING AT THE GALT AS MARKETING/COMMUNICATIONS OFFICER. SEE PERMANENT FILE FOR FULL INTERVIEW TRANSCRIPTS AND SEE P20150005000 FOR ADDITIONAL INFORMATION ON THE VONKEMAN FAMILY.
Catalogue Number
P20150022004
Acquisition Date
2015-06
Collection
Museum
Images
Less detail
Other Name
SOCK, KNEE
Date Range From
1940
Date Range To
1950
Material Type
Artifact
Materials
COTTON
Catalogue Number
P20150013019
  1 image  
Material Type
Artifact
Other Name
SOCK, KNEE
Date Range From
1940
Date Range To
1950
Materials
COTTON
No. Pieces
2
Length
54
Width
11
Description
PAIR OF MEDIUM-LIGHT BROWN KNEE SOCKS. HEELS AND TOES ARE VARIGATED YARN (MEDIUM-LIGHT BROWN AND LIGHTER BROWN). CUFFS OF BOTH SOCKS STRETCHED OUT. A: SLIGHTLY SHORTER, MEASURES 50.5CM IN LENGTH. SMALL REPAIR AT TOP OF HEEL. B: SEVERAL SMALL BLACK STAINS ON SOLE OF SOCK.
Subjects
CLOTHING-FOOTWEAR
Historical Association
PERSONAL CARE
History
THESE SOCKS BELONGED TO ROBERT ALLAN SMITH (THE DONOR) AS A CHILD AND WAS SAVED FOR DONATION TO THE MUSEUM BY HIS MOTHER, PHYLLIS SMITH. THE FOLLOWING INFORMATION ON THE SMITH FAMILY WAS PROVIDED BY THE DONOR AT THE TIME OF DONATION. BEGINNING IN THE 1940S, THE SMITH FAMILY RESIDED AT 1254 7 AVENUE SOUTH. PHYLLIS REMAINED IN THE HOUSE UNTIL HER DEATH AT 104 YEARS OF AGE, ON SEPTEMBER 26, 2009. WHILE CLEANING UP HIS MOTHER’S HOUSE, THE DONOR CAME ACROSS SEVERAL BAGS MARKED ‘FOR MUSEUM’. THE ITEMS WERE USED BY THE DONOR FROM AN INFANT UNTIL THE AGE OF APPROXIMATELY 9 YEARS OLD. IN THE INTERVIEW, KEVIN ASKS IF ROBERT FELT HIS CHILDHOOD WAS IDYLLIC. ROBERT RESPONDS, SAYING: “FOR ME IT WAS. I MEAN, I WAS BORN IN WARTIME STILL AND MAYBE IT WASN’T IDYLLIC FOR MY PARENTS, BUT IT WAS FOR ME. AND THE NEIGHBOURHOODS WERE DIFFERENT THEN. YOU WERE JUST LET OUT THE DOOR AND YOU WENT OUT TO PLAY WITH THE NEIGHBOURHOOD KIDS AND THERE WERE NO CONCERNS THAT THE PARENTS HAVE TODAY. YES, A VERY HAPPY TIME, I WOULD SAY.” ROBERT WAS BORN IN OCTOBER 1940 TO PHYLLIS (NEE GROSS) AND ALLAN F. SMITH, AT ST. MICHAEL’S HOSPITAL. PHYLLIS WAS BORN TO FELIX AND MAGDALENA (NEE FETTIG) GROSS IN HARVEY, ND AND MOVED WITH HER FAMILY TO A FARM IN THE GRASSY LAKE AREA. SHE MOVED INTO LETHBRIDGE AND ATTENDED ST. BASIL’S SCHOOL IN THE 1910s. ALLAN WAS BORN IN ECHO BAY, ON, TO REV D.B. AND MRS. SMITH. HIS FATHER WAS A UNITED CHURCH MINISTER AND MOVED THE FAMILY TO EDMONTON. ALLAN WAS OFFERED A JOB AT WESTERN GROCERS IN LETHBRIDGE AND MET PHYLLIS WHILE IN THE CITY. THEY WERE MARRIED ON SEPTEMBER 2, 1939. ROBERT IS AN ONLY CHILD AND SUFFERED FROM RHEUMATIC FEVER AS A CHILD. HE BELIEVES THIS MAY BE PART OF THE REASON HIS MOTHER SAVED THESE ITEMS. HE EXPLAINS, SAYING: “I’M AN ONLY CHILD AND THEY WOULD BE MORE MEANINGFUL AND I WENT THROUGH A CHILDHOOD ILLNESS. I HAD RHEUMATIC FEVER. I MIGHT NOT HAVE SURVIVED. SOME OTHER KIDS DIDN’T SURVIVE, BUT I DID.” HE ALSO DESCRIBES HIS MOTHER AS BEING “A SAVER OF THINGS. HAVING GONE THROUGH THE DEPRESSION … THEY SAVED LOTS OF STUFF … ANYTHING THEY THINK THEY MIGHT USE IN THE FUTURE WAS SAVED.” PHYLLIS WAS ALSO A MEMBER OF THE LETHBRIDGE HISTORICAL SOCIETY IN THE 1970s AND WORKED AT THE GALT MUSEUM AS PART OF THE HISTORICAL SOCIETY. ACCORDING TO THE LETHBRIDGE HERALD, ROBERT RECEIVED MANY AWARDS WHILE IN HIGH SCHOOL AND UNIVERSITY, INCLUDING THE SCHLUMBERGER OF CANADA SCHOLARSHIP FOR PROFICIENCY IN ENGINEERING, A GOLD MEDAL FROM THE ASSOCIATION OF PROFESSIONAL ENGINEERS OF ALBERTA, AND RECEIVED THE HIGHEST GENERAL AVERAGE IN GRADUATION IN ELECTRICAL ENGINEERING AT THE UNIVERSITY OF ALBERTA. SEE PERMANENT FILE FOR FULL INTERVIEW TRANSCRIPTS AND COPIES OF LETHBRIDGE HERALD ARTICLES.
Catalogue Number
P20150013019
Acquisition Date
2015-03
Collection
Museum
Images
Less detail
Other Name
WHAT THE FRACK HAPPENED?
Material Type
Artifact
Materials
COTTON, POLYESTER, PLASTIC
Catalogue Number
P20160014000
  2 images  
Material Type
Artifact
Other Name
WHAT THE FRACK HAPPENED?
Date
2014
Materials
COTTON, POLYESTER, PLASTIC
No. Pieces
3
Length
77.7
Width
86.8
Description
.1: VEST. PATCHWORK OF VARIETY OF MATERIALS AND TEXTURES. CLOSES AT FRONT WITH A LARGE BLUE, CIRCULAR, CONVEX BUTTON, WITH THREE SMALL STONES IN THE CENTRE OF THE BUTTON. A PIECE OF VELVET TRIM LOOPS AROUND THE BUTTON TO CLOSE. A WHITE PAPER TAG (P20160014000.2) HANGS FROM THIS BUTTON. FRONT DEPICTS A NATURE SCENE. ALONG TOP OF VEST, FABRIC IS PINK AND PURPLE, POSSIBLY DEPICTING A SUNRISE OR SUNSET. ON WEARER’S LEFT THERE IS A NATURE SCENE OF A PINE TREE AND ROCKS, WHICH HAS BEEN APPLIQUED AND EMBROIDERED ONTO VEST. LIGHT BROWN YARN DEPICTS THE TREE’S ROOTS, WHICH GO DOWN FROM THE TREE INTO A GREEN SECTION ON THE VEST. THERE ARE SEVERAL BUTTONS AND SMALL ROCKS OF VARIOUS COLOURS SEWN ONTO THIS GREEN SECTION. BELOW THIS IS A BLUE STRIPE, THEN A SECTION OF MULTIPLE SHADES OF BROWN, INCLUDING ONE SECTION THAT IS VERY TEXTURED AND IS LIKELY PAINTED/DYED TYVEK. THE WEARER’S LEFT SIDE DEPICTS A FARMING SCENE WITH MOUNTAINS IN THE BACKGROUND. BELOW THAT IS A CONTINUATION OF THE BLUE STRIPE FROM THE RIGHT SIDE. THEN THERE IS A SECTION OF MULTIPLE SHADES OF BROWN AND PURPLE. THERE IS ALSO ANOTHER SECTION OF PAINTED/DYED TYVEK ON THIS SIDE, WHICH IS PURPLE IN COLOUR AND THERE ARE SEQUINS, BUTTONS, AND SMALL ROCKS SEWN INTO AND ONTO THIS PURPLE SECTION. BACK OF VEST DEPICTS CONSEQUENCES OF FRACKING. TOP OF VEST ON BACK IS A SHADE OF PURPLE/PINK, WITH BLACK NETTING OVER IT. THERE ARE TWO BRIDGE TRUSSES ON THE WEARER’S RIGHT SIDE AND TWO GAS RIGS ON THE WEARER’S LEFT SIDE. BELOW THIS IS A STRIPE OF GOLD RIBBON, WITH 5 GOLD COLOURED KEYS AND FIVE SQUARE WOODEN BUTTONS ATTACHED HORIZONTALLY ACROSS THE VEST. BELOW GOLD STRIPE IS A PATCHWORK OF A VARIETY OF MATERIALS AND TEXTURES AND COLOURS INCLUDE VARIOUS SHADES OF PURPLE, GREEN, BLUE, RED, PINK, YELLOW, AND BROWN. MOST OF THE DIFFERENT PIECES OF MATERIAL ARE BORDERED WITH A RED FRINGE TRIM. ON WEARER’S LEFT SIDE, BELOW ARM HOLE, IS A SMALL SECTION OF BLUE FABRIC WITH THREE SMALL SEA SHELLS SEWN ON. BOTTOM RIGHT HAND CORNER OF THE BACK OF VEST HAS A MEDIUM SIZED WHITE AND RED BUTTON (P20160014000.3). INSIDE OF VEST LINED WITH BLACK NETTING ON THE FRONT AND WITH GOLD, BLACK, AND RED NETTING ON THE BACK. .2: TAG. WHITE, HEAVY PAPER. HANDWRITTEN IN BLUE INK “CREATED BY CHERYL ATKINSON, BEV HALL, FRANCES SCHULTZ.” REVERSE HAS HANDWRITTEN IN BLUE INK “ART VEST. $200.XX” WITH 26-14 TYPED IN BLACK INK. 3.8CM LONG X 6.5CM WIDE .3: BUTTON: ROUND BUTTON, WHITE BACKGROUND. DEPICTS A GAS RIG WITH A RED DIAGONAL LINE ACROSS THE RIG. TEXT OF BUTTON READS: “WWW.NODRILLINGLETHBRIDGE.CA”. 6.5CM DIAMETER
Subjects
CLOTHING-OUTERWEAR
Historical Association
DECORATIVE ARTS
History
THE FOLLOWING INFORMATION COMES FROM AN INTERVIEW WITH THE DONOR, CHERYL ATKINSON, CONDUCTED BY KEVIN MACLEAN IN MAY 2016. THIS VEST WAS CREATED AS PART OF AN ART GARMENT CHALLENGE PUT FORWARD BY THE TEXTILE SURFACE DESIGN GUILD. CHERYL WAS BOTH A PARTICIPANT AND AN ORGANIZER OF THIS ART CHALLENGE. CHERYL INDICATED THAT “PART OF THE CHALLENGE WAS TO WORK WITH OTHER MEMBERS OF THE GROUP WHO, MAYBE YOU HADN’T SPENT TIME TRYING TO WORK COLLABORATIVELY WITH.” IN JANUARY 2014 THE GUILD GOT TOGETHER TO DETERMINE THE WORKING GROUPS AND THE THEMES THAT WOULD BE WORKED ON, BASED ON “WHAT THEIR INTERESTS WERE IN LIFE. SO, SOME PEOPLE CHOSE GARDENING, ANOTHER GROUP DID ART, LIKE PURE ART, AND OUR GROUP CHOSE THE ENVIRONMENT. AND, AT THE TIME, THE ENVIRONMENT IN LETHBRIDGE WAS UNDER THREAT, IN QUESTION BECAUSE THERE WAS A COMPANY THAT WAS PLANNING TO DO DIRECTIONAL DRILLING, FRACKING, IN WEST LETHBRIDGE, AND ONE OF THE MEMBERS WHO JOINED OUR GROUP WAS PARTICULARLY CONCERNED ABOUT IT, SO WE THOUGHT THAT WOULD BE A GOOD SOURCE OF INSPIRATION FOR OUR ART GARMENT.” PART OF THE REASON THE GUILD WANTED TO DO A COLLABORATIVE PROJECT LIKE THIS IS BECAUSE THE GROUP HAD GROWN CONSIDERABLY IN SIZE: “OUR GROUP HAS EXPANDED A LOT. IN THE LAST NUMBER OF YEARS WE WENT FROM A GROUP OF ABOUT FIFTEEN PEOPLE TO A GROUP OF ABOUT FORTY PEOPLE, SO IT’S HARD TO GET TO KNOW FORTY PEOPLE INTIMATELY, SO WE WERE TRYING TO FIND A WAY TO CONNECT WITH EACH OTHER, LEARN MORE ABOUT OUR INTERESTS. AND SO, WE JUST, LIKE, HAD A CONVERSATION AND PEOPLE WERE TALKING ABOUT THINGS THEY WERE INTERESTED IN, AND THEN WE STARTED, I THINK WE PASSED AROUND A LIST OF, JUST LIKE A SHEET THAT PEOPLE WOULD WRITE DOWN KIND OF TOPICS OF THEIR INTEREST, AND THEN WE JUST STARTED MATCHING THEM UP, AND THEN WE PUT, WE DIDN’T WANT TO HAVE LIKE TEN PEOPLE ON ONE PROJECT AND ONE ON ANOTHER, SO WE TRIED TO SORT OF SPLIT THEM UP IF PEOPLE PUT DOWN MORE THAN ONE AREA OF INTEREST. SO, ENVIRONMENT JUST TURNED OUT TO BE FRANCES [SCHULTZ], BEV [HALL] AND I SO.” CHERYL INDICATED THAT THE ENVIRONMENT WAS ESPECIALLY IMPORTANT TO GROUP MEMBER BEV HALL: “I THINK THAT THE ISSUE ABOUT THE FRACKING CAME UP AS WE DISCUSSED, LIKE, WHAT WE WERE GOING TO DO ABOUT THE VEST … BEV FOR INSTANCE, LOVES TO HIKE IN THE MOUNTAINS AND THAT SHE FEELS CONNECTED TO THE NATURAL ENVIRONMENT IN SOUTHERN ALBERTA. AND I AM INTERESTED IN THINGS LIKE HERITAGE PLANTS AND NATIVE SPECIES AND THINGS LIKE THAT. I DON’T THINK ANY OF US HAD ANY, LIKE, WE’RE NOT TRAINED ENVIRONMENTALISTS IN ANY WAY. IT JUST SEEMED THAT THAT WAS AN AREA OF INTEREST THAT WE COULD USE AS A FOCUS FOR ART.” TO CREATE THE VEST, THE THREE WOMEN DIVIDED UP THE WORK: “WE DECIDED THAT TOGETHER WE WOULD MAKE A PATTERN AND CREATE THE SHAPE OF THE GARMENT. AND THEN, WE HAD A VERY TIGHT TIME PRESSURE, WE HAD SIX WEEKS TO FINISH IT … SO, WE DECIDED TO PARCEL IT OUT INTO PIECES. SO, FRANCES DID THE BACK, BEV DID THE SHOULDER AREA AT THE FRONT, AND I DID THE LOWER AREA AT THE FRONT. AND THEN BEV SEWED IT TOGETHER, AND THEN I EMBELLISHED IT AT THE END.” TO MAKE THE VEST, THE WOMEN USED FABRIC FROM THEIR COLLECTIONS: “WE KIND OF LOOKED AT THE MATERIALS THAT WE HAD, AND WE HAD QUITE A SELECTION! … AND TRIED TO DECIDE WHAT KINDS OF COLOURS OR TEXTURES, THINGS THAT WE COULD DRAW FROM ON OUR OWN PIECES, AND SOMETIMES WE SHARED THEM WITH THE OTHER PEOPLE THAT WERE – YOU KNOW, IF A PIECE OF MY FABRIC FIT BETTER IN BEV’S AREA, THEN I JUST GAVE HER, AND SHE COULD DECIDE WHETHER SHE’D USE IT OR NOT. AND THEN WE EACH TOOK OUR BITS HOME. BEV DID HER PART FIRST, AND THEN I ADDED MINE TO IT, SO SHE STARTED ON THE FRONT AND THEN I ADDED LATER, AND FRANCES DID THE BACK INDEPENDENTLY OF EACH OTHER. SO WE REALLY DIDN’T KNOW WHAT THE WHOLE PIECE WAS GOING TO LOOK LIKE UNTIL IT CAME TOGETHER AS ONE. AND THEN, ONCE THE PIECE WAS TOGETHER, IT WAS MEANT TO BE SHOWED AT THE TEXTILE GUILD MEETING IN MARCH, AND WE HAD A LITTLE FASHION SHOW, AND WE SHOWED IT OFF, AND RESULTING FROM THE PIECES THAT CAME TOGETHER AT THAT TIME, WE HAD A, WE WERE INVITED TO SHOW THE ARTWORK IN THE DISPLAY CASES AT CASA FOR SIX WEEKS.” CHERYL DESCRIBES THE PIECE: “SO THE IMAGERY IN THE PIECE, AT THE FRONT, WE HAVE THE NATURAL ENVIRONMENT OF SOUTHERN ALBERTA REPRESENTED ON THE TOP, THE SHOULDER AREAS. SO, THE MOUNTAINS, THE COULEES, THE TREES, THE VALLEY, THE WATER. AND THEN IT GOES DOWN TO THE LOWER, WHAT WE WOULD IMAGINE THE UNDERGROUND LAYERS LOOK LIKE IN THE EARTH, THE GEOLOGY, THE WATER TRAVELLING UNDERGROUND, THE ROCKS THE SOIL, THINGS LIKE THAT. AND THEN ON THE BACK SIDE OF THE VEST, WE SEE ALL OF THAT DISRUPTED DURING THE FRACKING PROCESS. WE SEE FRACTURING HAPPENING. THE WATER AND THE EARTH ARE GETTING ALL MIXED TOGETHER AND DAMAGED AND, THE BIG EMBELLISHMENT ACROSS THE BACK, THERE IS A SERIES OF GOLD KEYS RIGHT ACROSS THE BACK OF THE VEST, AND THEY ARE, ACTUALLY, WE HAD JUST MOVED OUT OF THE BOWMAN ARTS CENTRE AT THAT PERIOD IN TIME, AND WE HAD A LOT OF STUDIO KEYS LEFT OVER THAT WE DIDN’T KNOW WHAT TO DO WITH, SO WE JUST SEWED THEM ON THERE, AND THEY REPRESENT THE DRILLING COMPANY THAT WAS PROPOSING TO DO THE FRACKING IN WEST LETHBRIDGE. SO, IT’S SUBTLE, BUT THERE IS KIND OF A MESSAGE THERE. AND THERE’S ALSO A BUTTON ON THE BACK FROM THE ANTI-FRACKING CAMPAIGN.” CHERYL WAS MADE CUSTODIAN OF THE VEST BECAUSE SHE WAS “SORT OF THE PROJECT LEADER … IT WAS ALSO MEANT TO FIT ME, SO I THINK THAT’S ALSO WHY I AM THE ONE THAT HAS CUSTODY OF IT.” SHE IS PROUD OF HOW THE GROUP COLLABORATION TURNED OUT AND FINDS IT A LITTLE DIFFICULT TO PART WITH THE VEST: “IT IS HARD TO PART WITH IT, BUT I CAN’T, I MEAN IT’S SORT OF A SNAPSHOT IN TIME. I MEAN IT WAS SOMETHING THAT WAS VERY CURRENT AND IMPORTANT, AND I THINK WE ADDED SOMETHING TO THE CONVERSATION BY HAVING THIS ON DISPLAY AT THE TIME WHERE DECISION MAKING WAS HAPPENING. BUT I DON’T REALLY KNOW, LIKE I’M NOT GOING TO WEAR IT TO CHURCH ON SUNDAY OR SOMETHING, (LAUGHS) SO, I DON’T REALLY KNOW WHAT ELSE TO DO WITH IT SO.” INCLUDED IN THE DONATION PAPER WORK IS A SMALL DESCRIPTION OF THE VEST, FROM WHEN IT WAS DISPLAYED. THE TEXT READS AS FOLLOWS: “WHAT THE FRACK HAPPENED? CHERYL ATKINSON, BEV HALL, FRANCES SCHULTZ OUR WORLD IS A FRAGILE HOME. HOW WE EXPLOIT IT CAN HAVE DRASTIC EFFECTS FAR INTO THE FUTURE. THIS GARMENT IS AN ARTISTIC RESPONSE TO THE CURRENT, MAJOR ISSUE FACING THE CITY OF LETHBRIDGE. THE FRONT DEPICTS THE NATURAL GEO-LANDSCAPE OF THE CITY – PRISTINE SCENERY ABOVE GROUND AND THE MANY DIFFERENT GEOLOGIC LAYERS UNDERGROUND. THE BACK ATTEMPTS TO DEPICT WHAT FRACKING MIGHT DO TO THESE GEOLOGIC LAYERS, AS WELL AS THE THREAT TO THE SURFACE. HOUSES AND THE UNIVERSITY SIT AMONG OIL WELLS WITH THE GOLDEN KEYS SYMBOLIC OF THE SOURCE OF THE THREAT. MANY SURFACE DESIGN TECHNIQUES HAVE BEEN USED. THESE INCLUDE INDIGO DYEING, SHIBORI DYEING AND DISCHARGING, VEGETABLE PRINTING, TYVEK PAINTING WITH HEAT MOLDING, WAX BATIK, DYE PRINTING, BEADING, EMBROIDERY, COUCHING, MARBLING, ETC.” IN THE TEXTILE SURFACE DESIGN GUILD SPRING 2014 NEWSLETTER THE EXHIBIT IS DESCRIBED: “VESTED INTERESTS IS A COLLECTION OF ART GARMENTS CREATED COLLABORATIVELY BY TSDG MEMBERS. EACH VEST LOBBIES PASSIONATELY FOR A PERSONAL INTEREST HELD BY THE CREATIVE TEAM BEHIND ITS DESIGN. ON DISPLAY IN THE 2ND FLOOR SHOWCASE AT CASA UNTIL APRIL 26.” SEE PERMANENT FILE FOR COPY OF INTERVIEW TRANSCRIPT, THE EXHIBIT DISPLAY TEXT, AND THE TEXTILE SURFACE DESIGN GUILD SPRING 2014 NEWSLETTER.
Catalogue Number
P20160014000
Acquisition Date
2016-05
Collection
Museum
Images
Less detail
Date Range From
1940
Date Range To
1950
Material Type
Artifact
Materials
COTTON, NYLON
Catalogue Number
P20150013007
  1 image  
Material Type
Artifact
Date Range From
1940
Date Range To
1950
Materials
COTTON, NYLON
No. Pieces
2
Length
18.5
Width
7.2
Description
A: YELLOW NYLON SOCK WITH REINFORCED COTTON TOE AND HEEL. SMALL BROWN STAIN ON BOTTOM CENTRE OF FOOT. CUFF IS SLIGHTLY STRETCHED OUT. B: YELLOW NYLON SOCK WITH REINFORCED COTTON TOE AND HEEL. CUFF IS SLIGHTLY STRETCHED OUT.
Subjects
CLOTHING-FOOTWEAR
Historical Association
PERSONAL CARE
History
THESE SOCKS BELONGED TO ROBERT ALLAN SMITH (THE DONOR) AS A CHILD AND WAS SAVED FOR DONATION TO THE MUSEUM BY HIS MOTHER, PHYLLIS SMITH. THE FOLLOWING INFORMATION ON THE SMITH FAMILY WAS PROVIDED BY THE DONOR AT THE TIME OF DONATION. BEGINNING IN THE 1940S, THE SMITH FAMILY RESIDED AT 1254 7 AVENUE SOUTH. PHYLLIS REMAINED IN THE HOUSE UNTIL HER DEATH AT 104 YEARS OF AGE, ON SEPTEMBER 26, 2009. WHILE CLEANING UP HIS MOTHER’S HOUSE, THE DONOR CAME ACROSS SEVERAL BAGS MARKED ‘FOR MUSEUM’. THE ITEMS WERE USED BY THE DONOR FROM AN INFANT UNTIL THE AGE OF APPROXIMATELY 9 YEARS OLD. IN THE INTERVIEW, KEVIN ASKS IF ROBERT FELT HIS CHILDHOOD WAS IDYLLIC. ROBERT RESPONDS, SAYING: “FOR ME IT WAS. I MEAN, I WAS BORN IN WARTIME STILL AND MAYBE IT WASN’T IDYLLIC FOR MY PARENTS, BUT IT WAS FOR ME. AND THE NEIGHBOURHOODS WERE DIFFERENT THEN. YOU WERE JUST LET OUT THE DOOR AND YOU WENT OUT TO PLAY WITH THE NEIGHBOURHOOD KIDS AND THERE WERE NO CONCERNS THAT THE PARENTS HAVE TODAY. YES, A VERY HAPPY TIME, I WOULD SAY.” ROBERT WAS BORN IN OCTOBER 1940 TO PHYLLIS (NEE GROSS) AND ALLAN F. SMITH, AT ST. MICHAEL’S HOSPITAL. PHYLLIS WAS BORN TO FELIX AND MAGDALENA (NEE FETTIG) GROSS IN HARVEY, ND AND MOVED WITH HER FAMILY TO A FARM IN THE GRASSY LAKE AREA. SHE MOVED INTO LETHBRIDGE AND ATTENDED ST. BASIL’S SCHOOL IN THE 1910s. ALLAN WAS BORN IN ECHO BAY, ON, TO REV D.B. AND MRS. SMITH. HIS FATHER WAS A UNITED CHURCH MINISTER AND MOVED THE FAMILY TO EDMONTON. ALLAN WAS OFFERED A JOB AT WESTERN GROCERS IN LETHBRIDGE AND MET PHYLLIS WHILE IN THE CITY. THEY WERE MARRIED ON SEPTEMBER 2, 1939. ROBERT IS AN ONLY CHILD AND SUFFERED FROM RHEUMATIC FEVER AS A CHILD. HE BELIEVES THIS MAY BE PART OF THE REASON HIS MOTHER SAVED THESE ITEMS. HE EXPLAINS, SAYING: “I’M AN ONLY CHILD AND THEY WOULD BE MORE MEANINGFUL AND I WENT THROUGH A CHILDHOOD ILLNESS. I HAD RHEUMATIC FEVER. I MIGHT NOT HAVE SURVIVED. SOME OTHER KIDS DIDN’T SURVIVE, BUT I DID.” HE ALSO DESCRIBES HIS MOTHER AS BEING “A SAVER OF THINGS. HAVING GONE THROUGH THE DEPRESSION … THEY SAVED LOTS OF STUFF … ANYTHING THEY THINK THEY MIGHT USE IN THE FUTURE WAS SAVED.” PHYLLIS WAS ALSO A MEMBER OF THE LETHBRIDGE HISTORICAL SOCIETY IN THE 1970s AND WORKED AT THE GALT MUSEUM AS PART OF THE HISTORICAL SOCIETY. ACCORDING TO THE LETHBRIDGE HERALD, ROBERT RECEIVED MANY AWARDS WHILE IN HIGH SCHOOL AND UNIVERSITY, INCLUDING THE SCHLUMBERGER OF CANADA SCHOLARSHIP FOR PROFICIENCY IN ENGINEERING, A GOLD MEDAL FROM THE ASSOCIATION OF PROFESSIONAL ENGINEERS OF ALBERTA, AND RECEIVED THE HIGHEST GENERAL AVERAGE IN GRADUATION IN ELECTRICAL ENGINEERING AT THE UNIVERSITY OF ALBERTA. SEE PERMANENT FILE FOR FULL INTERVIEW TRANSCRIPTS AND COPIES OF LETHBRIDGE HERALD ARTICLES.
Catalogue Number
P20150013007
Acquisition Date
2015-03
Collection
Museum
Images
Less detail
Other Name
BABY SHOE
Date Range From
1940
Date Range To
1950
Material Type
Artifact
Materials
LEATHER, COTTON
Catalogue Number
P20150013008
  2 images  
Material Type
Artifact
Other Name
BABY SHOE
Date Range From
1940
Date Range To
1950
Materials
LEATHER, COTTON
No. Pieces
2
Height
5.5
Length
13.5
Width
6.5
Description
PAIR OF WHITE LEATHER TODDLER'S SHOES. STRAP WITH ROUND, WHITE BUTTON GOES AROUND ANKLE. LINED WITH WHITE COTTON FABRIC. INSIDE SOLE OF SHOE IS PINK LEATHER WITH A PIECE OF WHITE LEATHER AT HEEL OF SOLE. EXTERIOR SOLE IS WHITE LEATHER WITH A SCALLOPED EDGE. STAMPED WITH '4' ON THE EXTERIOR SOLE. STAMPED INSIDE RIGHT SIDE "4 0497". BOTH SHOES HAVE SLIGHT BEND BETWEEN HEEL AND CENTRE OF SOLE, WHERE THE "4" IS STAMPED ON BOTTOM. A: LEFT SHOE. LEATHER SCUFFED AT TOE. SMALL CRACKS IN LEATHER, ESPECIALLY ON UPPER TOE, SOLE OF TOE, AND AROUND ANKLE STRAP. B: RIGHT SHOE. PIECE OF WHITE LEATHER INSIDE SOLE OF SHOE IS STAMPED "PACKARD; CMT - BABY - SHU; MADE IN CANADA". LEATHER SCUFFED AT TOE. SMALL CRACKS IN LEATHER, ESPECIALLY ON UPPER TOE AND AROUND ANKLE STRAP.
Subjects
CLOTHING-FOOTWEAR
Historical Association
PERSONAL CARE
History
THESE SHOES BELONGED TO ROBERT ALLAN SMITH (THE DONOR) AS A CHILD AND WAS SAVED FOR DONATION TO THE MUSEUM BY HIS MOTHER, PHYLLIS SMITH. THE FOLLOWING INFORMATION ON THE SMITH FAMILY WAS PROVIDED BY THE DONOR AT THE TIME OF DONATION. BEGINNING IN THE 1940S, THE SMITH FAMILY RESIDED AT 1254 7 AVENUE SOUTH. PHYLLIS REMAINED IN THE HOUSE UNTIL HER DEATH AT 104 YEARS OF AGE, ON SEPTEMBER 26, 2009. WHILE CLEANING UP HIS MOTHER’S HOUSE, THE DONOR CAME ACROSS SEVERAL BAGS MARKED ‘FOR MUSEUM’. THE ITEMS WERE USED BY THE DONOR FROM AN INFANT UNTIL THE AGE OF APPROXIMATELY 9 YEARS OLD. IN THE INTERVIEW, KEVIN ASKS IF ROBERT FELT HIS CHILDHOOD WAS IDYLLIC. ROBERT RESPONDS, SAYING: “FOR ME IT WAS. I MEAN, I WAS BORN IN WARTIME STILL AND MAYBE IT WASN’T IDYLLIC FOR MY PARENTS, BUT IT WAS FOR ME. AND THE NEIGHBOURHOODS WERE DIFFERENT THEN. YOU WERE JUST LET OUT THE DOOR AND YOU WENT OUT TO PLAY WITH THE NEIGHBOURHOOD KIDS AND THERE WERE NO CONCERNS THAT THE PARENTS HAVE TODAY. YES, A VERY HAPPY TIME, I WOULD SAY.” ROBERT WAS BORN IN OCTOBER 1940 TO PHYLLIS (NEE GROSS) AND ALLAN F. SMITH, AT ST. MICHAEL’S HOSPITAL. PHYLLIS WAS BORN TO FELIX AND MAGDALENA (NEE FETTIG) GROSS IN HARVEY, ND AND MOVED WITH HER FAMILY TO A FARM IN THE GRASSY LAKE AREA. SHE MOVED INTO LETHBRIDGE AND ATTENDED ST. BASIL’S SCHOOL IN THE 1910s. ALLAN WAS BORN IN ECHO BAY, ON, TO REV D.B. AND MRS. SMITH. HIS FATHER WAS A UNITED CHURCH MINISTER AND MOVED THE FAMILY TO EDMONTON. ALLAN WAS OFFERED A JOB AT WESTERN GROCERS IN LETHBRIDGE AND MET PHYLLIS WHILE IN THE CITY. THEY WERE MARRIED ON SEPTEMBER 2, 1939. ROBERT IS AN ONLY CHILD AND SUFFERED FROM RHEUMATIC FEVER AS A CHILD. HE BELIEVES THIS MAY BE PART OF THE REASON HIS MOTHER SAVED THESE ITEMS. HE EXPLAINS, SAYING: “I’M AN ONLY CHILD AND THEY WOULD BE MORE MEANINGFUL AND I WENT THROUGH A CHILDHOOD ILLNESS. I HAD RHEUMATIC FEVER. I MIGHT NOT HAVE SURVIVED. SOME OTHER KIDS DIDN’T SURVIVE, BUT I DID.” HE ALSO DESCRIBES HIS MOTHER AS BEING “A SAVER OF THINGS. HAVING GONE THROUGH THE DEPRESSION … THEY SAVED LOTS OF STUFF … ANYTHING THEY THINK THEY MIGHT USE IN THE FUTURE WAS SAVED.” PHYLLIS WAS ALSO A MEMBER OF THE LETHBRIDGE HISTORICAL SOCIETY IN THE 1970s AND WORKED AT THE GALT MUSEUM AS PART OF THE HISTORICAL SOCIETY. ACCORDING TO THE LETHBRIDGE HERALD, ROBERT RECEIVED MANY AWARDS WHILE IN HIGH SCHOOL AND UNIVERSITY, INCLUDING THE SCHLUMBERGER OF CANADA SCHOLARSHIP FOR PROFICIENCY IN ENGINEERING, A GOLD MEDAL FROM THE ASSOCIATION OF PROFESSIONAL ENGINEERS OF ALBERTA, AND RECEIVED THE HIGHEST GENERAL AVERAGE IN GRADUATION IN ELECTRICAL ENGINEERING AT THE UNIVERSITY OF ALBERTA. SEE PERMANENT FILE FOR FULL INTERVIEW TRANSCRIPTS AND COPIES OF LETHBRIDGE HERALD ARTICLES.
Catalogue Number
P20150013008
Acquisition Date
2015-03
Collection
Museum
Images
Less detail

17 records – page 1 of 1.