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Other Name
SPORTS SHIRT "GALT ROYALS"
Date Range From
1960
Date Range To
1964
Material Type
Artifact
Materials
FABRIC, PAINT, METAL
Catalogue Number
P20140049005
  2 images  
Material Type
Artifact
Other Name
SPORTS SHIRT "GALT ROYALS"
Date Range From
1960
Date Range To
1964
Materials
FABRIC, PAINT, METAL
No. Pieces
1
Height
62
Length
68
Width
48
Description
A GREEN BASKETBALL T-SHIRT WITH WHITE TRIMMING AND WHITE PAINTED NUMBERS AND TEXT. THE FRONT OF THE SHIRT READS “55” AND “GALT ROYALS”. THE BACK READS “55”. THE WHITE TRIMMING FOLLOWS THE BOTTOM EDGE, THE SLEEVE EDGES AND THE COLLAR. THE COLLAR OPENS WITH A METAL ZIPPER, ENDING IN A SMALL SILVER CHAIN. A SMALL WHITE TAG IN THE BACK OF THE COLLAR READS “12” IN RED. EXCELLENT CONDITION: THE COLLAR IS CREASED ON ONE CORNER.
Subjects
CLOTHING-OUTERWEAR
Historical Association
ASSOCIATIONS
HEALTH SERVICES
SPORTS
History
UPON DONATION TO THE MUSEUM, COLLECTIONS TECHNICIAN KEVIN MACLEAN ASKED MEMBERS OF THE GALT SCHOOL OF NURSING (GSN) ALUMNAE TO PROVIDE WRITTEN ANSWERS ON QUESTIONS PERTAINING TO EACH ARTIFACT DONATED IN THE COLLECTION. THE FOLLOWING INFORMATION HAS COME FROM THOSE RESPONSES CORRESPONDING TO EACH INDIVIDUAL ARTIFACT. THIS SHIRT WAS A PART OF THE GALT SCHOOL OF NURSING BASKETBALL UNIFORM. WHILE THE SPECIFIC DATE OF THIS ARTIFACT IS UNKNOWN, IT WOULD HAVE MOST LIKELY BEEN IN USE EARLIER THAT 1965, AS THE NURSING SCHOOL HAD GALT ROYAL UNIFORMS IN THAT YEAR THAT WERE DIFFERENT TO THIS ONE. THE UNIFORM WOULD HAVE BEEN USED BY “STUDENTS WHO WERE ON THE TEAM. BETWEEN 1965-68 ST. MICHAEL STUDENTS WERE [ON THE] TEAM ALSO.” ACCORDING TO THE HISTORY ATTACHED TO THIS ARTIFACT, SPORTS ACTIVITIES FOR THE STUDENTS WERE AN IMPORTANT PART OF THEIR LIVES DURING TRAINING. THIS ARTIFACT IS AMONG A COLLECTION DONATED NEAR THE END OF 2014, BEING THE SECOND WAVE OF GSN ARTIFACTS ACQUIRED BY THE MUSEUM THAT YEAR. WITH THE FIRST WAVE OF GSN ARTIFACTS COLLECTED IN SUMMER 2014, MACLEAN INTERVIEWED THE PAST ARCHIVISTS OF THE GALT SCHOOL OF NURSING COLLECTION, SHIRLEY HIGA, ELAINE HAMILTON, AND SUE KYLLO, ABOUT THEIR INVOLVEMENT WITH THE GSN ALUMNAE ASSOCIATION AND THE HISTORY OF ARTIFACTS DONATED. FOR THAT INFORMATION, PLEASE REFER TO P20140006001. PLEASE SEE THE PERMANENT FILE FOR MORE INFORMATION.
Catalogue Number
P20140049005
Acquisition Date
2014-11
Collection
Museum
Images
Less detail
Other Name
HAIR COMB
Date Range From
1923
Date Range To
1924
Material Type
Artifact
Materials
CORAL
Catalogue Number
P20160042002
  1 image  
Material Type
Artifact
Other Name
HAIR COMB
Date Range From
1923
Date Range To
1924
Materials
CORAL
No. Pieces
1
Length
10
Width
3.4
Description
STRAIGHT-EDGED COMB. AMBER-COLOURED, TRANSLUCENT MATERIAL SPECULATED CORAL BY DONOR. THE HANDLE EDGE IS CURVED AND THE COMB'S LENGTH TAPERS INWARD FROM THE HANDLE EDGE TO TEETH EDGE. TEETH WIDTH APPROX. 0.2 - 0.5 CM. THERE IS A 1.1 CM WIDE EDGE BETWEEN TEETH AND EDGE OF COMB ON EITHER SIDE. CONDITION: SMALL CHIP ON SIDE EDGE AND SLIGHT LOSS OF FINISH ON TEETH.
Subjects
TOILET ARTICLE
Historical Association
PERSONAL CARE
ETHNOGRAPHIC
History
ON 2 DECEMBER 2016, COLLECTIONS TECHNICIAN KEVIN MACLEAN INTERVIEWED THE DONORS, MAKIO (MAC) AND REYKO NISHIYAMA, IN THEIR HOME TO DISCUSS ITEMS THEY WERE DONATING TO THE GALT. THE FOLLOWING INFORMATION HAS BEEN EXTRACTED FROM THAT INTERVIEW: MRS. NISHIYAMA EXPLAINED THIS COMB CAME INTO HER CUSTODY AFTER ITS INITIAL OWNERS – HER PARENTS TAKASHI AND CHIAKI KARAKI – MOVED FROM THEIR RAYMOND HOME TO BRITISH COLUMBIA. SHE SAID, “… [AFTER THE] SIXTY YEARS OF FARMING, MY [PARENTS] DID IN RAYMOND… THEY SELL THE WHOLE THING AND MOVE! I’M LEFT BEHIND IN RAYMOND BY MYSELF, MARRIED… WHEN THEY MOVE TO QUESNEL, B.C [IN THE LATE 1950S], THEY HAD TO LEAVE BEHIND THEIR TRUNK AND IT HAD ALL THE TREASURES IN IT.” OTHER TREASURES FOUND IN THE TRUNK ALONG WITH THE COMB WERE HER MOTHER’S HAIR ORNAMENTS AND A VASE (P20160042001 & 003-004). MRS. NISHIYAMA REMEMBERED, “[MY MOTHER] EXPLAINED TO ME THAT SHE’D KEPT THESE BECAUSE THEY WERE HERS – GIVEN TO HER BY HER PARENTS – AND SHE WANTED ME TO SORT OF TAKE CARE OF THEM… [THEY WERE] NOT ANYTHING TO USE AROUND HERE, ANYWAY, SO WE JUST THOUGHT THEY WERE BEAUTIFUL, AND, ONCE IN A WHILE, WE GET TO SEE IT.” WHEN ASKED IF SHE REMEMBERED HER MOTHER USING THE COMB AND HAIR ACCESSORIES, MRS. NISHIYAMA STATED, “NO. BY THE TIME SHE GOT TO THE FARM, SHE REALIZED THERE’S NO DRESSING UP OR NOTHING. YOU KNOW THE HAIRDOS – THE FANCY HAIRDOS THAT THEY HAD IN JAPAN - THEY WERE LONG GONE, SO THEY JUST WENT BY. I KNOW SHE BRAIDED HER HAIR AND WORE A BUN ON THE BACK OF HER HEAD, FOR YEARS AND YEARS, BEFORE SHE CUT IT SHORT. SO, I JUST REMEMBERED A LITTLE TREASURE THAT SHE HAD IN THE DRAWER… IT WAS IN A SPECIAL SPOT IN THE DRESSER, AND WE ONLY GOT TO SEE IT ONCE IN A WHILE. IT WAS SPECIAL. IT WAS HER TREASURES THAT SHE KEPT.” MRS. NISHIYAMA EXPLAINED THAT HER MOTHER PROBABLY DID NOT USE THE COMB ONCE SHE WAS IN ALBERTA. SHE SAID, “I DOUBT [THEY WERE USED]. IT DOESN’T LOOK SERVICEABLE REALLY, BUT IT’S DAYS BEFORE PLASTIC – AND I KNOW SHE TOLD ME IT WAS A SPECIAL MATERIAL. I MEAN, A SPECIAL NATURAL MATERIAL. WHETHER IT’S CORAL, I’M NOT SURE. I CAN’T SAY THAT. SPEAKING OF THE ITEMS’ USE ONCE THEY WERE IN HER POSSESSION, MRS. NISHIYAMA SAID, “[THEY WERE] NOT REALLY [USED]. I THINK I’VE HAD IT OUT WHEN THEY ASKED FOR IT AT JAPANESE GARDENS. I THINK WE HAD SOMETHING ELSE SOMEWHERE, WHERE WE HAD A DISPLAY… I THINK THAT’S THE ONLY TIMES THAT THEY CAME OUT… THIS (THE COMB) WAS SOMETHING THAT WE ONLY GOT TO SEE OCCASIONALLY.” THE TRUNK, ALONG WITH ITS CONTENTS, WERE BROUGHT TO SOUTHERN ALBERTA FROM JAPAN BY HER MOTHER, CHIAKI KARAKI (NEE KUMAGAI), FOLLOWING HER MARRIAGE TO TAKASHI KARAKI. MRS. NISHIYAMA EXPLAINED HER PARENTS’ MARRIAGE STORY: “… SHE CAME OVER AS A VERY YOUNG BRIDE… NOT QUITE EIGHTEEN… I OFTEN SAID TO MY MOTHER…, ‘HOW IN THE WORLD DID YOUR PARENTS EVER LET YOU GO TO CANADA? YOU DIDN’T KNOW THE LANGUAGE – IT’S A DIFFERENT COUNTRY.’ SHE DIDN’T KNOW ANYTHING ABOUT MY DAD, EXCEPT THAT HE WAS A FARMER. HE’S SEVENTEEN YEARS OLDER THAN SHE WAS THEN. IT DOESN’T MAKE SENSE. SHE JUST SAID, ‘MY PARENTS SAID TO GO, SO I CAME’ … IT TOOK A LOT OF COURAGE…” MRS. NISHIYAMA WENT ON, “ALL JAPANESE MARRIAGES WERE DONE [BY] GO-BETWEENS. THERE WERE, I WOULD SAY, HARDLY ANY, IN FACT, I DON’T THINK THERE WAS ANY… FALLING-IN-LOVE KIND OF THING. THAT WAS JUST NOT EVEN THOUGHT ABOUT… MY DAD’S FOLKS WERE IN THE VILLAGE. THEY WERE FARMERS… THEY HAD A LARGE HOUSE AND THEY RAISED SILKWORMS. MY MOTHER’S FOLKS LIVED IN THE TOWN… SHE COMES FROM A VERY MODEST FAMILY, BUT HER DAD WAS A PAWN BROKER…” A FAMILY HISTORY WRITTEN BY MRS. NISHIYAMA AND HER BROTHER, SUSUMU KARAKI, IN THE BOOK TITLED "NISHIKI: NIKKEI TAPESTRY: A HISTORY OF SOUTHERN ALBERTA JAPANESE CANADIANS" (PUBLISHED 2001), ELABORATES ON THE FAMILY’S STORY. IT STATES THEIR FATHER, TAKASHI KARAKI, WAS BORN ON 1 JULY 1889 IN NAGANO PREFECTURE, JAPAN. THE HISTORY READS, “AFTER GRADUATING FROM HIGH SCHOOL IN 1907… HE LEFT A COMFORTABLE HOME… TO VENTURE OUT FOR A NEW LIFE IN AMERICA.” IT EXPLAINS HE LANDED IN VANCOUVER, AND WAS LURED BY A HIGH SALARY JOB IN SKEENA, BRITISH COLUMBIA. AFTER WORKING IN BRITISH COLUMBIA, THE HISTORY SAYS THAT “IN 1909, HE AND SEVERAL HUNDRED OTHER YOUNG JAPANESE MEN WERE RECRUITED BY AN AGENT OF THE KNIGHT SUGAR COMPANY TO WORK IN THE SUGAR BEET FIELDS IN RAYMOND, [ALBERTA] WITH PROMISES OF GOOD PAY AND EASY WORK...” THE MEN SOON LEARNED THAT THE WORK WAS MUCH MORE DIFFICULT AND THE PAY SIGNIFICANTLY LOWER THAN THEY HAD BEEN INITIALLY BEEN PROMISED, SO MANY RETURNED TO BRITISH COLUMBIA AFTER THEIR CONTRACT YEAR. KARAKI WAS OF THE GROUP THAT DECIDED TO STAY ON WITH THE COMPANY UNTIL ITS CLOSURE IN 1914. AFTER THAT, HE BEGAN A FARMING OPERATION WITH TWO OF THE FRIENDS HE MADE IN THE COMPANY – LEASING LAND FROM FIRST THE KNIGHT SUGAR COMPANY, THEN FROM A LOCAL NAMED ROLLO KINSEY, AND FINALLY FROM THE MCINTYRE RANCH IN MAGRATH. EVEN THOUGH THE PARTNERSHIP DISSOLVED AFTER THE FIRST THREE YEARS, KARAKI PERSISTED UNDER THE TRYING CONDITIONS, AND BY 1918 HE MADE THE DECISION TO MAKE ALBERTA HIS PERMANENT HOME AND TO BECOME A CANADIAN CITIZEN. HE PURCHASED A DRY LAND FARM IN RAYMOND AND FARMED THAT FOR FIVE YEARS BEFORE DECIDING HE WANTED TO GET MARRIED AND RAISE A FAMILY OF HIS OWN. HE RETURNED TO JAPAN IN 1923, WHERE HE MET THROUGH FAMILY AND FRIENDS, CHIAKI KUMAGAI, WHO WAS ALSO FROM THE NAGANO PREFECTURE. THE COUPLE MARRIED IN DECEMBER 1923, AND THE NEWLYWEDS RETURNED TO RAYMOND IN SPRING 1924. IN THE 2016 INTERVIEW, MRS. NISHIYAMA ADDED, “THERE WAS SOMEBODY ELSE. GO-BETWEENS HAD PICKED OUT SOMEONE ELSE FOR HIM, SO SOMEONE ELSE LOOKED AT HIM AND SAID ‘NO, THANK YOU.’ YOU KNOW, SOMETIMES IT WORKS, AND SOMETIMES IT DIDN’T. SO, THEN THEY HAD TO SCROUNGE A LITTLE BIT, AND MY MOTHER’S TOWN WAS NOT SO FAR FROM WHERE DAD’S FAMILY LIVED, SO THEY SAID, ‘WELL, WE’RE NOT THAT FAR APART. WHEN YOU COME HOME FOR A VISIT, YOU WILL BE ABLE TO VISIT.’” WHEN DESCRIBING THE HOME THE COUPLE INTIALLY SETTLED IN, MRS. NISHIYAMA EXPLAINED, “WE [WERE] 8 MILES SOUTH OF RAYMOND, IN WHAT WE CALL THE MAMMOTH SCHOOL DISTRICT… THERE WERE QUITE A FEW JAPANESE FAMILIES IN AND AROUND THAT MAMMOTH SCHOOL DISTRICT, SO WE WERE SORT OF THE MAJORITY.” MRS. NISHIYAMA SAID THAT HER MOTHER SPOKE OFTEN OF HER EARLY DAYS IN SOUTHERN ALBERTA. MRS. NISHIYAMA RECALLED, “IT WAS REALLY VERY LONELY [FOR MY MOTHER]. SHE’S YOUNG; THE CLOSEST NEIGHBOR WAS HALF A MILE AWAY… WHEN SHE GOT TO THE FARM, SHE SAID, ‘YOU SAID OUR NEIGHBORS ARE TAKAGUCHI’S. IS THAT HOUSE OVER THERE OUR NEIGHBORS?’ DAD SAID, ‘NO, THAT’S A CHICKEN COOP. THE NEIGHBOR’S HOUSE IS AWAY OVER THERE.’ FOR HER, THAT’S JUST APPALLING, COMING FROM A TOWN WHERE NEIGHBORS WERE CLOSE…DAD WOULD GET UP ONTO THE FIELD. NO ONE TO TALK TO EVEN. FORTUNATELY, SHE SAID, HER BROTHER-IN-LAW (DAD HAD A YOUNGER BROTHER HELPING HIM AT THAT TIME) – AND HE SAID, ‘GET ON THE BACK OF MY TRACTOR AND (IT WASN’T TRACTOR THEN – IT WAS HORSE AND BUGGY, BUT ANYWAY -) JUST COME AND RIDE THE FIELD WITH ME.’ AND, SHE DID JUST BECAUSE SHE COULDN’T STAND BEING BY HERSELF IN A LONELY OUTPOST, ON THE PRAIRIES, WITH NOTHING TO LOOK AT…” ACCORDING TO THE KARAKI FAMILY HISTORY IN THE NISHIKI BOOK, THE COUPLE RAISED A FAMILY OF SIX CHILDREN INCLUDING THE DONOR, REYKO NISHIYAMA. BY 1956, THEY SOLD THEIR FARM AND RELOCATED TO BRITISH COLUMBIA. TAKASHI PASSED AWAY IN THERE IN 1974 AT THE AGE OF 85 AND CHIAKI PASSED AWAY 14 YEARS LATER IN 1988. PLEASE SEE PERMANENT FILE FOR MORE INFORMATION, INCLUDING FULL INTERVIEW TRANSCRIPTIONS AND COPIES OF THE FAMILY HISTORIES.
Catalogue Number
P20160042002
Acquisition Date
2016-12
Collection
Museum
Images
Less detail
Date Range From
1923
Date Range To
1924
Material Type
Artifact
Materials
BONE, RHINESTONE
Catalogue Number
P20160042003
  1 image  
Material Type
Artifact
Date Range From
1923
Date Range To
1924
Materials
BONE, RHINESTONE
No. Pieces
1
Height
16.3
Length
8.5
Description
FAN-SHAPED HAIR ORNAMENT WITH TWO LARGE PRONGS. CREAM-COLOURED WITH BROWN DAPPLING. 5 WHITE TULIP-SHAPED DESIGNS ON FANNED EDGE OF ORNAMENT WITH GREEN RHINESTONES INLAID IN THE WHITE SECTIONS OF DESIGN. TWO THIN LINES ARE ETCHED ON EITHER SIDE OF EACH WHITE TULIP SECTION. CONDITION: DESIGN FADED WITH ONE GREEN RHINESTONE MISSING ON AN INNER TULIP. SLIGHT LOSS OF FINISH ESPECIALLY AT THE WHITE PORTIONS OF DESIGN. SCUFFED SURFACE OVERALL.
Subjects
ADORNMENT
Historical Association
PERSONAL CARE
ETHNOGRAPHIC
History
ON 2 DECEMBER 2016, COLLECTIONS TECHNICIAN KEVIN MACLEAN INTERVIEWED THE DONORS, MAKIO (MAC) AND REYKO NISHIYAMA, IN THEIR HOME TO DISCUSS ITEMS THEY WERE DONATING TO THE GALT. THE FOLLOWING INFORMATION HAS BEEN EXTRACTED FROM THAT INTERVIEW: MRS. NISHIYAMA EXPLAINED THIS HAIR ORNAMENT AND A MATCHING ONE CAME INTO HER CUSTODY AFTER ITS INITIAL OWNERS – HER PARENTS TAKASHI AND CHIAKI KARAKI – MOVED FROM THEIR RAYMOND HOME TO BRITISH COLUMBIA. SHE SAID, “… [AFTER THE] SIXTY YEARS OF FARMING, MY [PARENTS] DID IN RAYMOND… THEY SELL THE WHOLE THING AND MOVE! I’M LEFT BEHIND IN RAYMOND BY MYSELF, MARRIED… WHEN THEY MOVE TO QUESNEL, B.C [IN THE LATE 1950S], THEY HAD TO LEAVE BEHIND THEIR TRUNK AND IT HAD ALL THE TREASURES IN IT.” OTHER TREASURES FOUND IN THE TRUNK WERE HER MOTHER’S COMB AND A VASE ALSO DONATED WITH THE TWO HAIR ORNAMENTS (P20160042001 & 003-004). MRS. NISHIYAMA REMEMBERED, “[MY MOTHER] EXPLAINED TO ME THAT SHE’D KEPT THESE BECAUSE THEY WERE HERS – GIVEN TO HER BY HER PARENTS – AND SHE WANTED ME TO SORT OF TAKE CARE OF THEM… [THEY] CAME WITH HER WHEN SHE GOT MARRIED… SHE CAME OVER AS A VERY YOUNG BRIDE… [THESE] TWO PIECES ARE HER HAIR ORNAMENTS, AND I’M GUESSING THAT THEY ARE BONE… [THEY WERE] NOT ANYTHING TO USE AROUND HERE, ANYWAY, SO WE JUST THOUGHT THEY WERE BEAUTIFUL, AND, ONCE IN A WHILE, WE GET TO SEE IT.” WHEN ASKED IF SHE REMEMBERED HER MOTHER USING THE COMB AND HAIR ACCESSORIES, MRS. NISHIYAMA STATED, “NO. BY THE TIME SHE GOT TO THE FARM, SHE REALIZED THERE’S NO DRESSING UP OR NOTHING. YOU KNOW THE HAIRDOS – THE FANCY HAIRDOS THAT THEY HAD IN JAPAN - THEY WERE LONG GONE, SO THEY JUST WENT BY. I KNOW SHE BRAIDED HER HAIR AND WORE A BUN ON THE BACK OF HER HEAD, FOR YEARS AND YEARS, BEFORE SHE CUT IT SHORT. SO, I JUST REMEMBERED A LITTLE TREASURE THAT SHE HAD IN THE DRAWER… IT WAS IN A SPECIAL SPOT IN THE DRESSER, AND WE ONLY GOT TO SEE IT ONCE IN A WHILE. IT WAS SPECIAL. IT WAS HER TREASURES THAT SHE KEPT.” SPEAKING OF THE ITEMS’ USE ONCE THEY WERE IN HER POSSESSION, MRS. NISHIYAMA SAID, “[THEY WERE] NOT REALLY [USED]. I THINK I’VE HAD IT OUT WHEN THEY ASKED FOR IT AT JAPANESE GARDENS. I THINK WE HAD SOMETHING ELSE SOMEWHERE, WHERE WE HAD A DISPLAY… I THINK THAT’S THE ONLY TIMES THAT THEY CAME OUT…” THE TRUNK, ALONG WITH ITS CONTENTS, WERE BROUGHT TO SOUTHERN ALBERTA FROM JAPAN BY HER MOTHER, CHIAKI KARAKI (NEE KUMAGAI), FOLLOWING HER MARRIAGE TO TAKASHI KARAKI. MRS. NISHIYAMA EXPLAINED HER PARENTS’ MARRIAGE STORY: “… SHE CAME OVER AS A VERY YOUNG BRIDE… NOT QUITE EIGHTEEN… I OFTEN SAID TO MY MOTHER…, ‘HOW IN THE WORLD DID YOUR PARENTS EVER LET YOU GO TO CANADA? YOU DIDN’T KNOW THE LANGUAGE – IT’S A DIFFERENT COUNTRY.’ SHE DIDN’T KNOW ANYTHING ABOUT MY DAD, EXCEPT THAT HE WAS A FARMER. HE’S SEVENTEEN YEARS OLDER THAN SHE WAS THEN. IT DOESN’T MAKE SENSE. SHE JUST SAID, ‘MY PARENTS SAID TO GO, SO I CAME’ … IT TOOK A LOT OF COURAGE…” MRS. NISHIYAMA WENT ON, “ALL JAPANESE MARRIAGES WERE DONE [BY] GO-BETWEENS. THERE WERE, I WOULD SAY, HARDLY ANY, IN FACT, I DON’T THINK THERE WAS ANY… FALLING-IN-LOVE KIND OF THING. THAT WAS JUST NOT EVEN THOUGHT ABOUT… MY DAD’S FOLKS WERE IN THE VILLAGE. THEY WERE FARMERS… THEY HAD A LARGE HOUSE AND THEY RAISED SILKWORMS. MY MOTHER’S FOLKS LIVED IN THE TOWN… SHE COMES FROM A VERY MODEST FAMILY, BUT HER DAD WAS A PAWN BROKER…” A FAMILY HISTORY WRITTEN BY MRS. NISHIYAMA AND HER BROTHER, SUSUMU KARAKI, IN THE BOOK TITLED "NISHIKI: NIKKEI TAPESTRY: A HISTORY OF SOUTHERN ALBERTA JAPANESE CANADIANS" (PUBLISHED 2001), ELABORATES ON THE FAMILY’S STORY. IT STATES THEIR FATHER, TAKASHI KARAKI, WAS BORN ON 1 JULY 1889 IN NAGANO PREFECTURE, JAPAN. THE HISTORY READS, “AFTER GRADUATING FROM HIGH SCHOOL IN 1907… HE LEFT A COMFORTABLE HOME… TO VENTURE OUT FOR A NEW LIFE IN AMERICA.” IT EXPLAINS HE LANDED IN VANCOUVER, AND WAS LURED BY A HIGH SALARY JOB IN SKEENA, BRITISH COLUMBIA. AFTER WORKING IN BRITISH COLUMBIA, THE HISTORY SAYS THAT “IN 1909, HE AND SEVERAL HUNDRED OTHER YOUNG JAPANESE MEN WERE RECRUITED BY AN AGENT OF THE KNIGHT SUGAR COMPANY TO WORK IN THE SUGAR BEET FIELDS IN RAYMOND, [ALBERTA] WITH PROMISES OF GOOD PAY AND EASY WORK...” THE MEN SOON LEARNED THAT THE WORK WAS MUCH MORE DIFFICULT AND THE PAY SIGNIFICANTLY LOWER THAN THEY HAD BEEN INITIALLY BEEN PROMISED, SO MANY RETURNED TO BRITISH COLUMBIA AFTER THEIR CONTRACT YEAR. KARAKI WAS OF THE GROUP THAT DECIDED TO STAY ON WITH THE COMPANY UNTIL ITS CLOSURE IN 1914. AFTER THAT, HE BEGAN A FARMING OPERATION WITH TWO OF THE FRIENDS HE MADE IN THE COMPANY – LEASING LAND FROM FIRST THE KNIGHT SUGAR COMPANY, THEN FROM A LOCAL NAMED ROLLO KINSEY, AND FINALLY FROM THE MCINTYRE RANCH IN MAGRATH. EVEN THOUGH THE PARTNERSHIP DISSOLVED AFTER THE FIRST THREE YEARS, KARAKI PERSISTED UNDER THE TRYING CONDITIONS, AND BY 1918 HE MADE THE DECISION TO MAKE ALBERTA HIS PERMANENT HOME AND TO BECOME A CANADIAN CITIZEN. HE PURCHASED A DRY LAND FARM IN RAYMOND AND FARMED THAT FOR FIVE YEARS BEFORE DECIDING HE WANTED TO GET MARRIED AND RAISE A FAMILY OF HIS OWN. HE RETURNED TO JAPAN IN 1923, WHERE HE MET THROUGH FAMILY AND FRIENDS, CHIAKI KUMAGAI, WHO WAS ALSO FROM THE NAGANO PREFECTURE. THE COUPLE MARRIED IN DECEMBER 1923, AND THE NEWLYWEDS RETURNED TO RAYMOND IN SPRING 1924. IN THE 2016 INTERVIEW, MRS. NISHIYAMA ADDED, “THERE WAS SOMEBODY ELSE. GO-BETWEENS HAD PICKED OUT SOMEONE ELSE FOR HIM, SO SOMEONE ELSE LOOKED AT HIM AND SAID ‘NO, THANK YOU.’ YOU KNOW, SOMETIMES IT WORKS, AND SOMETIMES IT DIDN’T. SO, THEN THEY HAD TO SCROUNGE A LITTLE BIT, AND MY MOTHER’S TOWN WAS NOT SO FAR FROM WHERE DAD’S FAMILY LIVED, SO THEY SAID, ‘WELL, WE’RE NOT THAT FAR APART. WHEN YOU COME HOME FOR A VISIT, YOU WILL BE ABLE TO VISIT.’” WHEN DESCRIBING THE HOME THE COUPLE INTIALLY SETTLED IN, MRS. NISHIYAMA EXPLAINED, “WE [WERE] 8 MILES SOUTH OF RAYMOND, IN WHAT WE CALL THE MAMMOTH SCHOOL DISTRICT… THERE WERE QUITE A FEW JAPANESE FAMILIES IN AND AROUND THAT MAMMOTH SCHOOL DISTRICT, SO WE WERE SORT OF THE MAJORITY.” MRS. NISHIYAMA SAID THAT HER MOTHER SPOKE OFTEN OF HER EARLY DAYS IN SOUTHERN ALBERTA. MRS. NISHIYAMA RECALLED, “IT WAS REALLY VERY LONELY [FOR MY MOTHER]. SHE’S YOUNG; THE CLOSEST NEIGHBOR WAS HALF A MILE AWAY… WHEN SHE GOT TO THE FARM, SHE SAID, ‘YOU SAID OUR NEIGHBORS ARE TAKAGUCHI’S. IS THAT HOUSE OVER THERE OUR NEIGHBORS?’ DAD SAID, ‘NO, THAT’S A CHICKEN COOP. THE NEIGHBOR’S HOUSE IS AWAY OVER THERE.’ FOR HER, THAT’S JUST APPALLING, COMING FROM A TOWN WHERE NEIGHBORS WERE CLOSE…DAD WOULD GET UP ONTO THE FIELD. NO ONE TO TALK TO EVEN. FORTUNATELY, SHE SAID, HER BROTHER-IN-LAW (DAD HAD A YOUNGER BROTHER HELPING HIM AT THAT TIME) – AND HE SAID, ‘GET ON THE BACK OF MY TRACTOR AND (IT WASN’T TRACTOR THEN – IT WAS HORSE AND BUGGY, BUT ANYWAY -) JUST COME AND RIDE THE FIELD WITH ME.’ AND, SHE DID JUST BECAUSE SHE COULDN’T STAND BEING BY HERSELF IN A LONELY OUTPOST, ON THE PRAIRIES, WITH NOTHING TO LOOK AT…” ACCORDING TO THE KARAKI FAMILY HISTORY IN THE NISHIKI BOOK, THE COUPLE RAISED A FAMILY OF SIX CHILDREN INCLUDING THE DONOR, REYKO NISHIYAMA. BY 1956, THEY SOLD THEIR FARM AND RELOCATED TO BRITISH COLUMBIA. TAKASHI PASSED AWAY IN THERE IN 1974 AT THE AGE OF 85 AND CHIAKI PASSED AWAY 14 YEARS LATER IN 1988. PLEASE SEE PERMANENT FILE FOR MORE INFORMATION, INCLUDING FULL INTERVIEW TRANSCRIPTIONS AND COPIES OF THE FAMILY HISTORIES.
Catalogue Number
P20160042003
Acquisition Date
2016-12
Collection
Museum
Images
Less detail
Date Range From
1923
Date Range To
1924
Material Type
Artifact
Materials
BONE, RHINESTONES
Catalogue Number
P20160042004
  1 image  
Material Type
Artifact
Date Range From
1923
Date Range To
1924
Materials
BONE, RHINESTONES
No. Pieces
1
Length
11
Width
6.5
Description
CROWN-SHAPED HAIR ORNAMENT. SHAPE IS MADE UP OF FOUR TULIP SHAPES. BONE COLOUR IS CREAM WITH BROWN DAPPLING. THE TULIPS ARE WHITE INLAID WITH GREEN RHINESTONES. LEAF-SHAPED DESIGNS ON THE BASE (TWO PER FLOWER) ARE BLACK INLAID WITH PALE BLUE RHINESTONES. FINE LINES ARE ETCHED INTO THE BLACK OF LEAVES AND AROUND THE FLOWER HEADS. CONDITION: DESIGNS ARE SLIGHTLY FADED WITH SLIGHT DIRT ACCUMULATION ON WHITE AREAS OF FLOWERS. TWO GREEN RHINESTONS AND ONE BLUE RHINESTONE MISSING. CLOSING MECHANISM AT BACK IS MISSING. SLIGHT SCUFFS ON OVERALL SURFACE.
Subjects
ADORNMENT
Historical Association
PERSONAL CARE
ETHNOGRAPHIC
History
ON 2 DECEMBER 2016, COLLECTIONS TECHNICIAN KEVIN MACLEAN INTERVIEWED THE DONORS, MAKIO (MAC) AND REYKO NISHIYAMA, IN THEIR HOME TO DISCUSS ITEMS THEY WERE DONATING TO THE GALT. THE FOLLOWING INFORMATION HAS BEEN EXTRACTED FROM THAT INTERVIEW: MRS. NISHIYAMA EXPLAINED THIS HAIR ORNAMENT AND A MATCHING ONE CAME INTO HER CUSTODY AFTER ITS INITIAL OWNERS – HER PARENTS TAKASHI AND CHIAKI KARAKI – MOVED FROM THEIR RAYMOND HOME TO BRITISH COLUMBIA. SHE SAID, “… [AFTER THE] SIXTY YEARS OF FARMING, MY [PARENTS] DID IN RAYMOND… THEY SELL THE WHOLE THING AND MOVE! I’M LEFT BEHIND IN RAYMOND BY MYSELF, MARRIED… WHEN THEY MOVE TO QUESNEL, B.C [IN THE LATE 1950S], THEY HAD TO LEAVE BEHIND THEIR TRUNK AND IT HAD ALL THE TREASURES IN IT.” OTHER TREASURES FOUND IN THE TRUNK WERE HER MOTHER’S COMB AND A VASE ALSO DONATED WITH THE HAIR ORNAMENTS (P20160042001 & 003-004). MRS. NISHIYAMA REMEMBERED, “[MY MOTHER] EXPLAINED TO ME THAT SHE’D KEPT THESE BECAUSE THEY WERE HERS – GIVEN TO HER BY HER PARENTS – AND SHE WANTED ME TO SORT OF TAKE CARE OF THEM… [THEY] CAME WITH HER WHEN SHE GOT MARRIED… SHE CAME OVER AS A VERY YOUNG BRIDE… [THESE] TWO PIECES ARE HER HAIR ORNAMENTS, AND I’M GUESSING THAT THEY ARE BONE… [THEY WERE] NOT ANYTHING TO USE AROUND HERE, ANYWAY, SO WE JUST THOUGHT THEY WERE BEAUTIFUL, AND, ONCE IN A WHILE, WE GET TO SEE IT.” WHEN ASKED IF SHE REMEMBERED HER MOTHER USING THE COMB AND HAIR ACCESSORIES, MRS. NISHIYAMA STATED, “NO. BY THE TIME SHE GOT TO THE FARM, SHE REALIZED THERE’S NO DRESSING UP OR NOTHING. YOU KNOW THE HAIRDOS – THE FANCY HAIRDOS THAT THEY HAD IN JAPAN - THEY WERE LONG GONE, SO THEY JUST WENT BY. I KNOW SHE BRAIDED HER HAIR AND WORE A BUN ON THE BACK OF HER HEAD, FOR YEARS AND YEARS, BEFORE SHE CUT IT SHORT. SO, I JUST REMEMBERED A LITTLE TREASURE THAT SHE HAD IN THE DRAWER… IT WAS IN A SPECIAL SPOT IN THE DRESSER, AND WE ONLY GOT TO SEE IT ONCE IN A WHILE. IT WAS SPECIAL. IT WAS HER TREASURES THAT SHE KEPT.” SPEAKING OF THE ITEMS’ USE ONCE THEY WERE IN HER POSSESSION, MRS. NISHIYAMA SAID, “[THEY WERE] NOT REALLY [USED]. I THINK I’VE HAD IT OUT WHEN THEY ASKED FOR IT AT JAPANESE GARDENS. I THINK WE HAD SOMETHING ELSE SOMEWHERE, WHERE WE HAD A DISPLAY… I THINK THAT’S THE ONLY TIMES THAT THEY CAME OUT…” THE TRUNK, ALONG WITH ITS CONTENTS, WERE BROUGHT TO SOUTHERN ALBERTA FROM JAPAN BY HER MOTHER, CHIAKI KARAKI (NEE KUMAGAI), FOLLOWING HER MARRIAGE TO TAKASHI KARAKI. MRS. NISHIYAMA EXPLAINED HER PARENTS’ MARRIAGE STORY: “… SHE CAME OVER AS A VERY YOUNG BRIDE… NOT QUITE EIGHTEEN… I OFTEN SAID TO MY MOTHER…, ‘HOW IN THE WORLD DID YOUR PARENTS EVER LET YOU GO TO CANADA? YOU DIDN’T KNOW THE LANGUAGE – IT’S A DIFFERENT COUNTRY.’ SHE DIDN’T KNOW ANYTHING ABOUT MY DAD, EXCEPT THAT HE WAS A FARMER. HE’S SEVENTEEN YEARS OLDER THAN SHE WAS THEN. IT DOESN’T MAKE SENSE. SHE JUST SAID, ‘MY PARENTS SAID TO GO, SO I CAME’ … IT TOOK A LOT OF COURAGE…” MRS. NISHIYAMA WENT ON, “ALL JAPANESE MARRIAGES WERE DONE [BY] GO-BETWEENS. THERE WERE, I WOULD SAY, HARDLY ANY, IN FACT, I DON’T THINK THERE WAS ANY… FALLING-IN-LOVE KIND OF THING. THAT WAS JUST NOT EVEN THOUGHT ABOUT… MY DAD’S FOLKS WERE IN THE VILLAGE. THEY WERE FARMERS… THEY HAD A LARGE HOUSE AND THEY RAISED SILKWORMS. MY MOTHER’S FOLKS LIVED IN THE TOWN… SHE COMES FROM A VERY MODEST FAMILY, BUT HER DAD WAS A PAWN BROKER…” A FAMILY HISTORY WRITTEN BY MRS. NISHIYAMA AND HER BROTHER, SUSUMU KARAKI, IN THE BOOK TITLED "NISHIKI: NIKKEI TAPESTRY: A HISTORY OF SOUTHERN ALBERTA JAPANESE CANADIANS" (PUBLISHED 2001), ELABORATES ON THE FAMILY’S STORY. IT STATES THEIR FATHER, TAKASHI KARAKI, WAS BORN ON 1 JULY 1889 IN NAGANO PREFECTURE, JAPAN. THE HISTORY READS, “AFTER GRADUATING FROM HIGH SCHOOL IN 1907… HE LEFT A COMFORTABLE HOME… TO VENTURE OUT FOR A NEW LIFE IN AMERICA.” IT EXPLAINS HE LANDED IN VANCOUVER, AND WAS LURED BY A HIGH SALARY JOB IN SKEENA, BRITISH COLUMBIA. AFTER WORKING IN BRITISH COLUMBIA, THE HISTORY SAYS THAT “IN 1909, HE AND SEVERAL HUNDRED OTHER YOUNG JAPANESE MEN WERE RECRUITED BY AN AGENT OF THE KNIGHT SUGAR COMPANY TO WORK IN THE SUGAR BEET FIELDS IN RAYMOND, [ALBERTA] WITH PROMISES OF GOOD PAY AND EASY WORK...” THE MEN SOON LEARNED THAT THE WORK WAS MUCH MORE DIFFICULT AND THE PAY SIGNIFICANTLY LOWER THAN THEY HAD BEEN INITIALLY BEEN PROMISED, SO MANY RETURNED TO BRITISH COLUMBIA AFTER THEIR CONTRACT YEAR. KARAKI WAS OF THE GROUP THAT DECIDED TO STAY ON WITH THE COMPANY UNTIL ITS CLOSURE IN 1914. AFTER THAT, HE BEGAN A FARMING OPERATION WITH TWO OF THE FRIENDS HE MADE IN THE COMPANY – LEASING LAND FROM FIRST THE KNIGHT SUGAR COMPANY, THEN FROM A LOCAL NAMED ROLLO KINSEY, AND FINALLY FROM THE MCINTYRE RANCH IN MAGRATH. EVEN THOUGH THE PARTNERSHIP DISSOLVED AFTER THE FIRST THREE YEARS, KARAKI PERSISTED UNDER THE TRYING CONDITIONS, AND BY 1918 HE MADE THE DECISION TO MAKE ALBERTA HIS PERMANENT HOME AND TO BECOME A CANADIAN CITIZEN. HE PURCHASED A DRY LAND FARM IN RAYMOND AND FARMED THAT FOR FIVE YEARS BEFORE DECIDING HE WANTED TO GET MARRIED AND RAISE A FAMILY OF HIS OWN. HE RETURNED TO JAPAN IN 1923, WHERE HE MET THROUGH FAMILY AND FRIENDS, CHIAKI KUMAGAI, WHO WAS ALSO FROM THE NAGANO PREFECTURE. THE COUPLE MARRIED IN DECEMBER 1923, AND THE NEWLYWEDS RETURNED TO RAYMOND IN SPRING 1924. IN THE 2016 INTERVIEW, MRS. NISHIYAMA ADDED, “THERE WAS SOMEBODY ELSE. GO-BETWEENS HAD PICKED OUT SOMEONE ELSE FOR HIM, SO SOMEONE ELSE LOOKED AT HIM AND SAID ‘NO, THANK YOU.’ YOU KNOW, SOMETIMES IT WORKS, AND SOMETIMES IT DIDN’T. SO, THEN THEY HAD TO SCROUNGE A LITTLE BIT, AND MY MOTHER’S TOWN WAS NOT SO FAR FROM WHERE DAD’S FAMILY LIVED, SO THEY SAID, ‘WELL, WE’RE NOT THAT FAR APART. WHEN YOU COME HOME FOR A VISIT, YOU WILL BE ABLE TO VISIT.’” WHEN DESCRIBING THE HOME THE COUPLE INTIALLY SETTLED IN, MRS. NISHIYAMA EXPLAINED, “WE [WERE] 8 MILES SOUTH OF RAYMOND, IN WHAT WE CALL THE MAMMOTH SCHOOL DISTRICT… THERE WERE QUITE A FEW JAPANESE FAMILIES IN AND AROUND THAT MAMMOTH SCHOOL DISTRICT, SO WE WERE SORT OF THE MAJORITY.” MRS. NISHIYAMA SAID THAT HER MOTHER SPOKE OFTEN OF HER EARLY DAYS IN SOUTHERN ALBERTA. MRS. NISHIYAMA RECALLED, “IT WAS REALLY VERY LONELY [FOR MY MOTHER]. SHE’S YOUNG; THE CLOSEST NEIGHBOR WAS HALF A MILE AWAY… WHEN SHE GOT TO THE FARM, SHE SAID, ‘YOU SAID OUR NEIGHBORS ARE TAKAGUCHI’S. IS THAT HOUSE OVER THERE OUR NEIGHBORS?’ DAD SAID, ‘NO, THAT’S A CHICKEN COOP. THE NEIGHBOR’S HOUSE IS AWAY OVER THERE.’ FOR HER, THAT’S JUST APPALLING, COMING FROM A TOWN WHERE NEIGHBORS WERE CLOSE…DAD WOULD GET UP ONTO THE FIELD. NO ONE TO TALK TO EVEN. FORTUNATELY, SHE SAID, HER BROTHER-IN-LAW (DAD HAD A YOUNGER BROTHER HELPING HIM AT THAT TIME) – AND HE SAID, ‘GET ON THE BACK OF MY TRACTOR AND (IT WASN’T TRACTOR THEN – IT WAS HORSE AND BUGGY, BUT ANYWAY -) JUST COME AND RIDE THE FIELD WITH ME.’ AND, SHE DID JUST BECAUSE SHE COULDN’T STAND BEING BY HERSELF IN A LONELY OUTPOST, ON THE PRAIRIES, WITH NOTHING TO LOOK AT…” ACCORDING TO THE KARAKI FAMILY HISTORY IN THE NISHIKI BOOK, THE COUPLE RAISED A FAMILY OF SIX CHILDREN INCLUDING THE DONOR, REYKO NISHIYAMA. BY 1956, THEY SOLD THEIR FARM AND RELOCATED TO BRITISH COLUMBIA. TAKASHI PASSED AWAY IN THERE IN 1974 AT THE AGE OF 85 AND CHIAKI PASSED AWAY 14 YEARS LATER IN 1988. PLEASE SEE PERMANENT FILE FOR MORE INFORMATION, INCLUDING FULL INTERVIEW TRANSCRIPTIONS AND COPIES OF THE FAMILY HISTORIES.
Catalogue Number
P20160042004
Acquisition Date
2016-12
Collection
Museum
Images
Less detail
Other Name
PERPETUAL MEMORY TABLET
Material Type
Artifact
Materials
WOOD, INK
Catalogue Number
P20160042005
  2 images  
Material Type
Artifact
Other Name
PERPETUAL MEMORY TABLET
Date
1949
Materials
WOOD, INK
No. Pieces
1
Height
60.5
Length
12.6
Width
0.6
Description
ONLINE RESEARCH INDICATES THE NAMES FOR THIS TABLET INCLUDE SHIRAKI-IHAI TABLET, MEMORIAL TABLET, OR ANCESTRAL TABLET. THIS TABLET IS MADE UP OF A FINISHED WOODEN BOARD WITH JAPANESE CALLIGRAPHY IN BLACK INK WRITTEN VERTICALLY ON BOTH SIDES OF THE BOARD. HOLE DRILLED THROUGH TOP CENTER OF THE BOARD FOR HANGING. ONE SIDE CONTAINS FOUR VERTICAL ROWS OF CHARACTERS, WHOSE HEIGHT RANGES FROM 1-3 CM. "15" IS MARKED IN PENCIL AT THE BOTTOM LEFT CORNER. THE OPPOSING SIDE CONTAINS 2 VERTICAL ROWS OF CHARACTERS WITH A SINGLE CHARACTER AT THE TOP. CHARACTERS ON THIS SIDE RANGE FROM 3 TO 7 CM IN HEIGHT. CONDITION: THE BOARD HAS SLIGHT SCRATCHING AND SOME MISSING VARNISH OVERALL.
Subjects
CEREMONIAL ARTIFACT
Historical Association
ETHNOGRAPHIC
RELIGION
History
ON 2 DECEMBER 2016, COLLECTIONS TECHNICIAN KEVIN MACLEAN INTERVIEWED THE DONORS, MAKIO (MAC) AND REYKO NISHIYAMA, IN THEIR HOME TO DISCUSS ITEMS THEY WERE DONATING TO THE GALT. THE FOLLOWING INFORMATION HAS BEEN EXTRACTED FROM THAT INTERVIEW: MRS. NISHIYAMA EXPLAINED, “WE BROUGHT [THIS BOARD] FROM RAYMOND AS A MEMORY FOR MAC’S DAD, [KOHEI NISHIYAMA]. IN RAYMOND, AT THE BUDDHIST CHURCH, THERE WAS A YEARLY PERPETUAL MEMORIAL SERVICE FOR ALL THE MEMBERS WHO HAD DIED.” THIS BOARD WAS PART OF THAT SERVICE, MRS. NISHIYAMA CONTINUED, “… [IT] IS LIKE THE DONATION THINGS YOU SEE ON THE WALLS [IN CHURCHES]... [THERE] IS AN OLD JAPANESE CUSTOM TO PUT [THE RECORD OF A MEMORIAL DONATION] ON A BOARD, WITH THE NAME [OF THE DONOR] ON THE BACK, AND WE HONOR THEIR MEMORY EACH YEAR, REGARDLESS OF WHAT YEAR THEY PASSED AWAY. SO WHEN YOUR FAMILY MEMBER DIES, AND YOU WANT TO MAKE SURE THAT THE CHURCH CARRIES ON WITH THE PERPETUAL MEMORY SERVICE, THIS WENT UP AS A SORT OF A RECEIPT… WE HAVE A SPECIAL SERVICE IN DECEMBER ALWAYS… MOST OF THE MEMBERS MAKE A DONATION TOWARDS THAT…" MR. NISHIYAMA EXPLAINED FURTHER, “THEY HAD [THE BOARDS] ON THE CHURCH WALL FOR THE PERPETUAL MEMORY.” AFTER THE INTERVIEW, MRS. NISHIYAMA CLARIFIED THAT MR. NISHIYAMA’S DAD, KOHEI, MADE THE DONATION IN SOMEBODY’S MEMORY IN 1949. IT IS UNKNOWN IN WHOSE MEMORY THIS DONATION WAS MADE. THERE IS JAPANESE CALLIGRAPHY ON BOTH SIDES OF THE BOARD. “IT SAYS HIS DAD CAME FROM NEW WESTMINSTER, SO THIS IS ‘NEW’ ‘WEST’,” MRS. NISHIYAMA EXPLAINED THE JAPANESE CHARACTERS, “… IT MUST SAY THAT HE CAME FROM THE NEW WESTMINSTER BUDDHIST CHURCH (ON THE SIDE WITH THE WORDS IN LARGER SCRIPT)… HE WAS AN ORIGINAL MEMBER THERE, AND THIS WOULD BE HIS NAME RIGHT THERE – KOHEI NISHIYAMA – [ON THE SIDE WITH SMALLER CHARACTERS].” SHE EXPLAINS FURTHER, “THE DATE IS RIGHT HERE – 1949. 1949, JANUARY IS THE DATE THEY RECEIVED THE DONATION…” THE GALT MUSEUM REACHED OUT TO A TRANSLATOR TO INTERPRET THE BOARD. THE INFORMATION PROVIDED STATES THAT THE SIDE OF THE BOARD WITH FOUR LINES OF CHARACTERS BEGINS WITH “MONEY 400 DOLLARS” AT THE TOP. AT THE BOTTOM THE FIRST LEFT LINE INCLUDES THE DONOR NAME. THE MIDDLE LINE INCLUDES THE NAME OF RAYMOND BUDDHIST TEMPLE AMONG OTHER INFORMATION. THE FAR RIGHT ROW SAYS, “1949 FEBRUARY.” ON THE OPPOSITE SIDE IT INCLUDES “ORGANIZE FUNERAL,” THE NAME OF THE TEMPLE, AND “SHOW RESPECT.” IN RESPONSE TO THE QUESTION OF WHO MADE THE BOARD, MR. NISHIYAMA REPLIED, “I WOULD SAY SOMEBODY… AT THE RAYMOND CHURCH [MADE THE BOARD].” MRS. NISHIYAMA ELABORATED ON THAT: “…I KNOW MAC’S DAD DID A LOT OF THE CALLIGRAPHY BECAUSE HE WAS GOOD AT IT. I’M NOT SURE WHO DID THIS.” THEY EXPLAINED THAT IN THE RAYMOND CHURCH, THESE MEMORIAL DONATION BOARDS WOULD BE DISPLAYED “ON THE WALL OF THE CHURCH, INSIDE [AND] UP HIGHER. BUT WHEN THE CHURCH GOT SOLD, I THINK MOST OF IT WENT INTO THE GARBAGE.” THIS BOARD WAS HANGING ON THE WALL OF THE RAYMOND BUDDHIST CHURCH FROM 1949 TO THE TIME THE CHURCH WAS CLOSED IN 2006. MRS. NISHIYAMA EXPLAINED THE ACT OF REMEMBERING AS IT EXISTS TODAY: “FOR INSTANCE, RIGHT NOW THE TEMPLE DOESN’T KEEP TRACK… THE FAMILY HAS TO REMEMBER. SO THIS COMING SUNDAY IS THE FIRST SUNDAY IN DECEMBER, WE CALL SHOTSUKI HOYO, WHICH IS A MEMORIAL DAY, WHICH IS OBSERVED FIRST OF THE MONTH, EVERY MONTH EXCEPT AUGUST, AND SO TECHNICALLY I WOULD BE AT THE TEMPLE TO ATTEND THE MEMORIAL SERVICE. MY DAD DIED IN DECEMBER…” MR. NISHIYAMA ELABORATED ON THE IMPORTANCE OF REMEMBERING, “YOU MUST REMEMBER. IT’S NOT JUST TO REMEMBER; IT’S OUT OF GRATITUDE THAT’S WHAT’S BEHIND IT. YOU ARE GRATEFUL NO MATTER HOW MANY YEARS AGO. HERE WE ARE TODAY BECAUSE OF [THE PEOPLE WHO CAME BEFORE]… IT’S TO SAY, ‘THANK YOU, THANK YOU, THANK YOU’…NONE OF THE CHURCHES DO THIS ANYMORE… IF YOU MAKE A DONATION, THAT’S THAT. IT GOES TO THE TEMPLE, AND THAT’S IT, AND IT’S FORGOTTEN” MRS. NISHIYAMA SAID, “BUT RAYMOND USED TO DO THE PERPETUAL MEMORY SERVICE EVERY YEAR IN DECEMBER, AND IT WAS JUST PART OF THE ROUTINE THAT WE EXPECTED…IT’S TO KEEP THE MEMORY ALIVE. IT’S JUST A PART OF OUR CULTURE.” MRS. NISHIYAMA EXPLAINED THAT OUT OF ALL THE ITEMS THEY COLLECTED FROM THE RAYMOND BUDDHIST CHURCH, THIS MEMORIAL DONATION BOARD HOLDS THE MOST PERSONAL IMPORTANCE: “WHEN YOUR NAME’S ON SOMETHING, WELL, THAT’S MINE, OR OURS.” SPEAKING OF THE CHURCH’S CLOSURE, MRS. NISHIYAMA REMEMBERED, “IT WAS VERY EMOTIONAL. I TELL YOU. I HAVE… A FULL CD OF THE LAST DAY OF THE CHURCH, AND IT WAS LIKE A FUNERAL. WHEN ALL THE SHRINE… WAS DONE – EVERYTHING WAS LOADED ON THE FLAT DECK… AND GOING DOWN THE HIGHWAY, AND WE ALL HAD TEARS IN OUR EYES.: “THIS IS ALL HAPPENING,” MR. NISHIYAMA SAID ABOUT WITNESSING THE CHURCH'S CLOSURE, “IT’S BECAUSE WE LIVE SO LONG [AND WERE ABLE TO SEE IT CLOSE]. WE’RE HEALTHY. IF WE [WERE] GONE 20 YEARS AGO, IT WOULD HAVE ALL BEEN DONE [WITHOUT US SEEING]. WE WOULDN’T HAVE ALL [THESE MEMORIES]. BUT HERE WE ARE. WE HAVE TO BE GRATEFUL EVEN FOR THE ACHES AND PAINS OF OLD AGE. WE’RE HERE.” MRS. NISHIYAMA FINISHED BY SAYING, "FOR ME, IT’S A VALUABLE MEMORY – BOTH CHURCH AND DAD – AND ALL THE WORK – AND HIS DAD - BEAUTIFUL CALLIGRAPHY. SOME OF THE OTHER BOARDS, HE DID THE WRITING ON IT.” A FAMILY HISTORY WAS SUBMITTED TO THE BOOK “NISHIKI: NIKKEI TAPESTRY: A HISTORY OF SOUTHERN ALBERTA JAPANESE CANADIANS” (PUBLISHED 2001) BY MAC AND REYKO NISHIYAMA. ACCORDING TO THAT HISTORY MAC’S FATHER, KOHEI NISHIYAMA, WAS BORN IN KUMAMOTO-KEN, JAPAN ON 10 MAY 1895. HE CAME TO CANADA IN 1915 AND SETTLED IN SAPPERTON, BRITISH COLUMBIA. HE “WORKED FOR THE GREAT NORTHERN RAILWAY FOR 29 YEARS BEFORE BEING EVACUATED FIRST TO A ROAD CAMP AND LATER TO THE TASHME RELOCATION CAMP. IN 1946, AFTER THE WAR ENDED, HE AND HIS FAMILY MOVED TO WELLING, ALBERTA TO WORK ON THE FLOYD WILDE FARM.” THE BOOK CONTINUES: “HE MARRIED HIDE MURAKAMI IN 1918. HIDE WAS ALSO BORN IN KUMAMOTO-KEN, JAPAN ON 16 SEPTEMBER 1898. THEY RAISED A FAMILY OF TWO BOYS AND THREE GIRLS: KAORU BETTY, JACK NOBORU, FUMI ROCY, MAKIO (MAC), AND MAY MISAO…” “AFTER RAISING SUGAR BEETS FOR SEVERAL YEARS WITH HIS FAMILY, KOHEI AND HIDE RETIRED TO THE TOWN OF RAYMOND… KOHEI… AND HIDE WERE BOTH VERY ACTIVE MEMBERS OF THE RAYMOND BUDDHIST CHURCH,” IT STATES IN THE BOOK. AS STATED IN THE BOOK, HIDE PASSED AWAY IN 1968 AND KOHEI PASSED AWAY IN 1983 AT THE AGE OF 88. HIDE’S OBITUARY IN THE LETHBRIDGE HERALD STATES THAT SHE WAS 69 YEARS OLD AT THE TIME OF HER PASSING. THE OBITUARY STATES THAT SHE WAS MARRIED TO MR. NISHIYAMA ON 20 DECEMBER 1918 IN KUMAMOTO CITY. THEY WENT TO NEW WESTMINISTER, BRITISH COLUMBIA TOGETHER IN APRIL 1919. THE OBITUARY OF MAC NISHIYAMA STATES THAT HE WAS BORN IN SAPPERTON, NEW WESTMINISTER, BRITISH COLUMBIA, ON 23 AUGUST 1927 TO KOHEI AND HIDE NISHIYAMA. THE FAMILY WAS INTERNED IN TASHME, BRITISH COLUMBIA DURING THE WAR. THE FAMILY RELOCATED TO SOUTHERN ALBERTA WHEN THE WAR ENDED. IT WAS AT THE RAYMOND BUDDHIST CHURCH WHERE HE MET REYKO KARAKI AND THE COUPLE WAS MARRIED IN 1953. TOGETHER THEY HAD SIX CHILDREN. HE PASSED AWAY ON 28 MAY 2017. PLEASE SEE PERMANENT FILE FOR FURTHER INFORMATION INCLUDING FULL INTERVIEW TRANSCRIPTIONS, COPIES OF THE NIKKEI FAMILY HISTORY, AND BOARD TRANSLATION. FOR ADDITIONAL INFORMATION PLEASE REFERENCE P20030040000, FOR AN INTERVIEW WITH MAC NISHIYAMA REGARDING A CRATE HE DONATED.
Catalogue Number
P20160042005
Acquisition Date
2016-12
Collection
Museum
Images
Less detail
Other Name
"VETS" HOCKEY SWEATER
Date Range From
1920
Date Range To
1930
Material Type
Artifact
Materials
COTTON, WOOL
Catalogue Number
P20180015000
  2 images  
Material Type
Artifact
Other Name
"VETS" HOCKEY SWEATER
Date Range From
1920
Date Range To
1930
Materials
COTTON, WOOL
No. Pieces
1
Length
68.2
Width
48
Description
BLACK TURTLENECK SWEATER WITH OCHRE TRIM AT SLEEVES, NECK, AND WAIST. SWEATER IS WOOL-BLEND KNIT; SWEATER HAS YELLOW FELT LETTERS SEWN ON CHEST “VETS”. BACK OF SWEATER HAS YELLOW OUTLINE FROM MISSING “4” PATCH. SWEATER HAS HOLES ON RIGHT-WEARING SLEEVE BELOW ELBOW AND AT ARMPIT; SWEATER HAS HOLES ON SIDES OF NECK AND AT SIDES OF WAIST; SWEATER HAS HOLES ON LEFT-WEARING SLEEVE BELOW ELBOW, AT CUFF, AND ON FRONT AT SHOULDER. BACK OF SWEATER HAS HOLES OF LEFT-WEARING SLEEVE AND RIGHT-WEARING SLEEVE. SWEATER IS SOILED AND STAINED; FRONT IS FADED ON CHEST. OVERALL GOOD CONDITION.
Subjects
CLOTHING-OUTERWEAR
Historical Association
SPORTS
History
ON JUNE 14, 2018, COLLECTIONS TECHNICIAN KEVIN MACLEAN INTERVIEWED HAROLD PALMER REGARDING HIS DONATION OF A LETHBRIDGE VETS TEAM HOCKEY SWEATER. THE SWEATER BELONGED TO HAROLD PALMER’S FATHER, MURRAY YALE PALMER. ON HIS FATHER’S CONNECTION TO THE SWEATER, HAROLD PALMER RECALLED, “IT WAS IN MY DAD’S HOCKEY BAG AND HE DIED IN 1971. I NEVER REALLY WENT THROUGH STUFF UNTIL JUST RECENTLY…I’VE HAD IT SINCE 1971 IN MY POSSESSION BUT I’VE NEVER DONE ANYTHING WITH IT. [MY FATHER’S] DAD WAS A DOCTOR IN WW I, IN THE FIELD, SO HE WOULD BE VERY FAMILIAR WITH THE WAR EFFORT. HE WOULD BE IN THE HOME AS A YOUNG BOY AND HIS DAD WAS AWAY IN THE SERVICES. HE PLAYED HOCKEY ALL HIS LIFE. HE HAD TOLD ME [ABOUT] VARIOUS TEAMS THAT HE HAD PLAYED FOR AND WHEN HE DIED AT SIXTY-SEVEN YEARS OLD, HE DIED ON THURSDAY AND THEY HAD PLAYED HOCKEY ON MONDAY NIGHT WITH THE OLDTIMERS. WE GREW UP KNOWING THAT DAD PLAYED HOCKEY AND THAT HE ALWAYS HAD A RINK IN THE BACK YARD.” “[MY SON] GOT [THE CONNECTION] THAT THERE WAS A HOCKEY TEAM BY THE NAME OF “VETS” IN LETHBRIDGE FROM 1919…THIS IS WHERE THE SWEATER ORIGINATED FROM THEN, BECAUSE THERE WOULDN’T BE MANY HOCKEY CLUBS CALLED “VETS”.” “[MY FATHER] LIVED IN CLARESHOLM AT ONE TIME BECAUSE HIS DAD WAS A MEDICAL DOCTOR AND HE WOULD BE A YOUNG MAN THEN…HE WAS A RURAL DOCTOR, HE WAS A COUNTRY DOCTOR. THEY DEFINITELY LIVED IN THAT AREA AT ONE TIME.” “MY DAD HAD A RINK IN OUR BACK YARD FROM THE POINT THAT HE BOUGHT THREE LOTS IN RED DEER. [THE] FIRST [LOT] WAS THE HOUSE, THE SECOND ONE WAS PLANED OFF FOR A BASEBALL FIELD AND THEN IT WAS HOCKEY RINK IN THE WINTER TIME.” “[MY FATHER] PASSED AWAY IN RED DEER, AND HE’D BEEN IN RED DEER FROM 1939 TIL HIS PASSING.” PHOTOGRAPHS FROM THE PROVINCIAL ARCHIVES OF ALBERTA NOTES THAT THE LETHBRIDGE VETS WAS CONSIDERED A SENIOR TEAM. THE VETS WON THE 1919-1920 ALBERTA SENIOR PLAYOFFS, HOWEVER LOST IN THE 1919-1920 WESTERN CANADA ALLAN CUP PLAYOFFS. THE VETS COMPETED IN THE 1922-23 ALBERTA SENIOR PLAYOFFS AGAIN. LETHBRIDGE HERALD ARTICLES FROM 1923-1924 LIST PALMER AS A PLAYER FOR THE LETHBRIDGE VETS HOCKEY TEAM, AND IN 1926-1927 LIST MURRAY PALMER AS A PLAYER IN CLARESHOLM, ALBERTA. MURRAY YALE PALMER WAS THE SON OF SPRAGUE MURRAY PALMER AND ARLETTE PALMER. SPRAGUE PALMER WAS A DOCTOR IN LETHBRIDGE AND CLARESHOLM FOLLOWING HIS SERVICE IN WW1 AS A DOCTOR WITH THE 22ND CAVALRY FIELD AMBULANCE. FOR MORE INFORMATION INCLUDING THE FULL INTERVIEW TRANSCRIPT, COPIES OF LETHBRIDGE HERALD ARTICLES, AND COPIES OF PROVINCIAL ARCHIVES OF ALBERTA RECORDS PLEASE SEE THE PERMANENT FILE P20180015000-GA.
Catalogue Number
P20180015000
Acquisition Date
2018-06
Collection
Museum
Images
Less detail
Other Name
RUBBER STAMP SET
Date Range From
1940
Date Range To
1950
Material Type
Artifact
Materials
WOOD, RUBBER, METAL
Catalogue Number
P20170032000
  2 images  
Material Type
Artifact
Other Name
RUBBER STAMP SET
Date Range From
1940
Date Range To
1950
Materials
WOOD, RUBBER, METAL
No. Pieces
327
Height
9.5
Length
35.5
Width
27.5
Description
AA – BOX. H: 9.5 CM. L: 35.5 CM. W: 27.5 CM. FINISHED WOOD BOX, WITH TWO HINGES AND A FRONT CLASP. FR. FRONT CLASP IS BROKEN AND TARNISHED. RIGHT HINGE MISSING LEFTMOST SCREW. LID IS MISSING WOOD FROM THE LEFT HINGE. MISSING VARNISH, SCRATCHES, AND DINGS ON ALL SURFACES. AB – TOP TRAY. H: 2.4 CM. L: 33.5 CM. W: 25.2 CM. WOODEN TRAY WITH EIGHT DIVIDERS; SEVEN ROWS AND ONE SQUARE. FABRIC LOOP ON INNER LEFT WALL. FR. MISSING THE RIGHT SIDE OF THE TRAY, WITH THE BACK WALL AND MIDDLEMOST DIVIDERS LIFTING FROM THE FLOOR OF THE TRAY. STAINED WITH BLACK, GREEN, AND RED INK. FROM AC – DM, ALL ENTRIES ARE WOODEN STAMPS WITH RED RUBBER PADS. AC – “HOUSE” H: 2.5 CM. L: 3.7 CM. W: 3 CM. IMAGE OF A TWO-STORY HOUSE. GD. PAD STAINED BLACK; LIFTING AT CORNERS. HANDLE PARTIALLY STAINED BLACK; MISSING VARNISH. AD – “DOG” H: 2.5 CM. L: 1.7 CM. W: 2.8 CM. LABELED DOG IN SCRATCHED-IN BLUE PEN, STAMP IMAGE OF A HORSE. VG. PAD STAINED BLACK. HANDLE STAINED BLACK; MISSING VARNISH. AE – “CIRCUS” H: 2.5 CM. L: 5.8 CM. W: 3.7 CM. IMAGE OF A TENT WITH THE WORDS “THE BIG SHOW”. GD. PAD STAINED BLACK; LIFTING AT CORNERS. HANDLE STAINED BLACK, GREEN. AF – “XMAS-TREE” H: 2.5 CM. L: 2.7 CM. W: 3 CM. IMAGE OF A PINE TREE WITH CANDLES. GD. PAD STAINED BLACK; LIFTING AT CORNERS. HANDLE MINIMALLY STAINED BLACK; MISSING VARNISH. AG – “FARMER” H: 2.5 CM. L: 2 CM. W: 3 CM. IMAGE OF A MAN WITH A PITCHFORK. VG. PAD STAINED BLACK. HANDLE MINIMALLY STAINED BLACK; MISSING VARNISH. AH – “INDIAN” H: 2.5 CM. L: 2 CM. W: 3.1 CM. IMAGE OF A MAN IN A FEATHER HEADPIECE. VG. PAD STAINED BLACK. HANDLE STAINED BLUE, GREEN; MISSING VARNISH. AI – “SQUIRREL” H: 2.5 CM. L: 2.1 CM. W: 3.1 CM. IMAGE OF A SQUIRREL. VG. PAD STAINED BLACK. HANDLE PARTIALLY STAINED BLACK; MISSING VARNISH. AJ – “SANTA” H: 2.5 CM. L: 3.2 CM. W: 3 CM. IMAGE OF SANTA WITH A BAG OF TOYS. VG. PAD STAINED BLACK. HANDLE MINIMALLY STAINED BLACK; MISSING VARNISH. AK – “APPLE” H: 2.5 CM. L: 3.1 CM. W: 3 CM. IMAGE OF AN APPLE. GD. PAD PARTIALLY STAINED BLACK; LIFTING AT CORNERS. HANDLE STAINED BLACK, RED, GREEN; MISSING VARNISH. AL – “ENGINE” H: 2.5 CM. L: 3.5 CM. W: 3 CM. IMAGE OF A TRAIN ENGINE. VG. PAD STAINED BLACK. HANDLE PARTIALLY STAINED BLACK, GREEN, RED; MISSING VARNISH. AM – “SIR JOHN” H: 2.5 CM. L: 2.2 CM. W: 3 CM. IMAGE OF A MAN’S PORTRAIT. GD. PAD ALMOST COMPLETELY STAINED BLACK; LIFTING AT CORNERS. HANDLE MINIMALLY STAINED GREEN. AN – “TREE” H: 2.5 CM. L: 2.8 CM. W: 3.1 CM. IMAGE OF A TREE. GD. PAD STAINED BLACK; LIFTING AT CORNERS. HANDLE PARTIALLY STAINED BLACK; MISSING VARNISH. AO – “WIGWAM” H: 2.5 CM. L: 2.7 CM. W: 3.1 CM. IMAGE OF A TEEPEE. GD. PAD STAINED BLACK; LIFTING AT CORNERS. HANDLE MINIMALLY STAINED BLACK; MISSING VARNISH. AP – “BARN” H: 2.5 CM. L: 4.2 CM. W: 3.1 CM. IMAGE OF A BARN. GD. PAD STAINED BLACK; LIFTING AT CORNERS. HANDLE MINIMALLY STAINED BLACK; MISSING VARNISH. AQ – “BOAT” H: 2.5 CM. L: 3.7 CM. W: 3 CM. IMAGE OF A SAIL BOAT. GD. PAD STAINED BLACK; LIFTING AT CORNERS. HANDLE STAINED BLACK, GREEN; MISSING VARNISH. AR – “ESKIMO” H: 2.5 CM. L: 2.1 CM. W: 3.1 CM. IMAGE OF A MAN IN A FUR OUTFIT WITH A SPEAR. VG. PAD PARTIALLY STAINED BLACK. HANDLE MINIMALLY STAINED BLACK, GREEN. AS – “MONKEY” H: 2.5 CM. L: 2.9 CM. W: 3 CM. IMAGE OF A MONKEY. VG. PAD STAINED BLACK. HANDLE PARTIALLY STAINED BLACK; MISSING VARNISH. AT – “WHEAT” H: 2.5 CM. L: 2.1 CM. W: 3 CM. IMAGE OF A WHEAT GRAIN. GD. PAD ALMOST COMPLETELY STAINED BLACK; LIFTING AT CORNERS. HANDLE STAINED BLACK, BLUE; MISSING VARNISH. AU – “BOOK” H: 2.5 CM. L: 2.9 CM. W: 3.1 CM. IMAGE OF AN OPEN BOOK. VG. PAD STAINED BLACK. HANDLE PARTIALLY STAINED BLACK. AV – “CORN” H: 2.5 CM. L: 3.3 CM. W: 3.1 CM. IMAGE OF A HEAD OF CORN. VG. PAD STAINED BLACK. HANDLE STAINED BLACK, GREEN. AW – “DOLL” H: 2.5 CM. L: 1.8 CM. W: 3.1 CM. IMAGE OF A DOLL IN DRESS AND BONNET. GD. PAD STAINED BLACK; LIFTING AT CORNERS. HANDLE MINIMALLY STAINED BLACK; MISSING VARNISH. AX – “GEORGE V” H: 2.5 CM. L: 2.7 CM. W: 3 CM. IMAGE OF A BEARDED MAN. GD. PAD STAINED BLACK; LIFTING AT CORNERS. HANDLE HAS ALMOST NONEXISTENT BLACK, RED STAINING. AY – “SEAL” H: 2.5 CM. L: 2.9 CM. W: 3 CM. IMAGE OF A SEAL. GD. PAD PARTIALLY STAINED BLACK; LIFTING AT CORNERS. HANDLE HAS ALMOST NONEXISTENT BLACK STAINING; MISSING VARNISH. AZ – “OWL” H: 2.5 CM. L: 2.5 CM. W: 3 CM. IMAGE OF AN OWL. GD. PAD ALMOST COMPLETELY STAINED BLACK; GLUED DOWN WITH HARD GLUE LEAKING OUT. HANDLE MINIMALLY STAINED BLUE; MISSING VARNISH. BA – “FLAG” H: 2.5 CM. L: 2.9 CM. W: 3.1 CM. IMAGE OF A CANADIAN RED ENSIGN. VG. PAD STAINED BLACK. HANDLE STAINED BLACK, RED; MISSING VARNISH. BB – “CLOWN” H: 2.5 CM. L: 1.8 CM. W: 3.1 CM. IMAGE OF A CLOWN. GD. PAD STAINED BLACK; LIFTING AT CORNERS. HANDLE STAINED BLACK, BLUE, GREEN; MISSING VARNISH. BC – “CIRCLE” H: 2.5 CM. L: 3.2 CM. W: 3 CM. IMAGE OF A CIRCLE. VG. PAD STAINED BLACK. HANDLE STAINED BLACK, BLUE, GREEN, RED; MISSING VARNISH. BD – “IGLOO” H: 2.5 CM. L: 4.2 CM. W: 3.1 CM. IMAGE OF AN IGLOO, WITH A MAN SITTING NEXT TO IT. VG. PAD PARTIALLY STAINED BLACK. HANDLE PARTIALLY STAINED BLACK, RED, GREEN; MISSING VARNISH. BE – “POINTING HAND” H: 3.5 CM. L: 3.6 CM. W: 2.8 CM. IMAGE OF A POINTING HAND. PR. PAD MISSING. HANDLE STAINED BLACK, GREEN; MISSING VARNISH. BF – “BOY” H: 2.5 CM. L: 1.7 CM. W: 3.1 CM. IMAGE OF A BOY WITH A KITE. GD. PAD STAINED BLACK; LIFTING AT CORNERS. HANDLE PARTIALLY STAINED BLACK, BLUE; MISSING VARNISH. BG – “SOLDIER” H: 2.5 CM. L: 1.8 CM. W: 3 CM. IMAGE OF A MAN WITH A GUN. VG. PAD STAINED BLACK. HANDLE PARTIALLY STAINED BLACK; MISSING VARNISH. BH – “FENCE” H: 2.5 CM. L: 2.6 CM. W: 3.1 CM. IMAGE OF A FENCE. GD. PAD PARTIALLY STAINED BLACK; GLUED DOWN WITH HARD GLUE LEAKING OUT. HANDLE PARTIALLY STAINED BLUE, GREEN, RED. BI – “PRINCE” H: 2.5 CM. L: 2.2 CM. W: 3 CM. IMAGE OF A MAN’S PORTRAIT. GD. PAD PARTIALLY STAINED BLACK; LIFTING AT CORNERS. HANDLE MINIMALLY STAINED BLACK; MISSING VARNISH. BJ – “RADIO” H: 2.5 CM. L: 3 CM. W: 3 CM. IMAGE OF A DIAL RADIO. GD. PAD PARTIALLY STAINED BLACK; LIFTING AT CORNERS. HANDLE MINIMALLY STAINED GREEN; MISSING VARNISH. BK – “BALL” H: 2.5 CM. L: 2.9 CM. W: 3 CM. IMAGE OF A STRIPPED BALL. VG. PAD STAINED BLACK. HANDLE PARTIALLY STAINED BLACK, GREEN; MISSING VARNISH. BL – “1” H: 3.8 CM. L: 1.3 CM. W: 2.7 CM. NUMBER 1. GD. PAD STAINED BLACK. HANDLE STAINED BLACK, BLUE; MISSING VARNISH; HANDLE HAS BEEN BROKEN AND GLUED BACK TOGETHER. BM – “2” H: 3.6 CM. L: 1.8 CM. W: 2.8 CM. NUMBER 2. GD. PAD STAINED BLACK. HANDLE STAINED BLACK, BLUE, GREEN; MISSING VARNISH; HANDLE HAS BEEN BROKEN AND GLUED TOGETHER. BN – “3” H: 3.7 CM. L: 2 CM. W: 2.7 CM. NUMBER 3. GD. PAD STAINED BLACK. HANDLE STAINED BLACK, BLUE, GREEN; MISSING VARNISH; HANDLE HAS BEEN BROKEN AND GLUED TOGETHER. BO – “4” H: 3.8 CM. L: 2 CM. W: 2.7 CM. NUMBER 4. FR. PAD STAINED BLACK; LIFTING AT CORNERS. HANDLE STAINED BLACK, GREEN; MISSING VARNISH; HANDLE HAS BEEN BROKEN AND GLUED TOGETHER. BP – “5” H: 3.7 CM. L: 1.7 CM. W: 2.7 CM. NUMBER 5. GD. PAD STAINED BLACK. HANDLE STAINED BLACK, BLUE, GREEN; MISSING VARNISH; HANDLE HAS BEEN BROKEN AND GLUED TOGETHER. BQ – “6” H: 3.7 CM. L: 1.8 CM. W: 2.7 CM. NUMBER 6. VG. PAD STAINED BLACK. HANDLE STAINED BLACK, BLUE; MISSING VARNISH. BR – “7” H: 3.7 CM. L: 1.5 CM. W: 2.7 CM. NUMBER 7. VG. PAD STAINED BLACK. HANDLE STAINED BLACK, GREEN, BLUE; MISSING VARNISH. BS – “8” H: 3.6 CM. L: 1.9 CM. W: 2.6 CM. NUMBER 8. VG. PAD ALMOST COMPLETELY STAINED BLACK. HANDLE STAINED BLACK, GREEN, BLUE; MISSING VARNISH. BT – “9” H: 3.8 CM. L: 1.8 CM. W: 2.7 CM. NUMBER 9. GD. PAD STAINED BLACK. HANDLE STAINED BLACK, BLUE; MISSING VARNISH; HANDLE CRACKED. BU – “O” H: 3.7 CM. L: 1.4 CM. W: 2.8 CM. LOWERCASE O. VG. PAD STAINED BLACK. HANDLE STAINED BLACK; MISSING VARNISH. BV – “A” H: 3.7 CM. L: 2 CM. W: 2.7 CM. CAPITAL A. GD. PAD STAINED BLACK; LIFTING AT CORNERS. HANDLE STAINED BLACK, BLUE; MISSING VARNISH. BW – “A” H: 3.8 CM. L: 1.5 CM. W: 2.9 CM. LOWERCASE A. VG. PAD STAINED BLACK. HANDLE STAINED BLACK; MISSING VARNISH. BX – “B” H: 3.8 CM. L: 1.8 CM. W: 2.8 CM. CAPITAL B. VG. PAD STAINED BLACK. HANDLE PARTIALLY STAINED BLACK; MISSING VARNISH. BY – “B” H: 3.8 CM. L: 1.3 CM. W: 2.8 CM. LOWERCASE B. VG. PAD STAINED BLACK. HANDLE STAINED BLACK, GREEN; MISSING VARNISH. BZ – “C” H: 3.9 CM. L: 1.7 CM. W: 2.8 CM. CAPITAL C. VG. PAD STAINED BLACK. HANDLE STAINED BLACK; MISSING VARNISH. CA – “C” H: 3.7 CM. L: 1.4 CM. W: 2.8 CM. LOWERCASE C. VG. PAD STAINED BLACK. HANDLE STAINED BLACK; MISSING VARNISH. CB – “D” H: 3.8 CM. L: 1.8 CM. W: 2.8 CM. CAPITAL D. VG. PAD STAINED BLACK. HANDLE STAINED BLACK, GREEN, BLUE; MISSING VARNISH. CC – “D” H: 3.8 CM. L: 1.8 CM. W: 2.8 CM. LOWERCASE D. VG. PAD STAINED BLACK. HANDLE STAINED BLACK, RED; MISSING VARNISH. CD – “E” H: 3.8 CM. L: 1.8 CM. W: 2.8 CM. CAPITAL E. GD. PAD STAINED BLACK; GLUED DOWN WITH HARD GLUE LEAKING OUT ONTO HANDLE. HANDLE PARTIALLY STAINED BLACK, GREEN; MISSING VARNISH. CE – “E” H: 3.8 CM. L: 1.3 CM. W: 2.9 CM. LOWERCASE E. VG. PAD STAINED BLACK. HANDLE STAINED BLACK, GREEN; MISSING VARNISH. CF – “F” H: 3.8 CM. L: 1.8 CM. W: 2.8 CM. CAPITAL F. GD. PAD STAINED BLACK; LIFTING AT CORNERS. HANDLE STAINED BLACK, GREEN; MISSING VARNISH. CG – “F” H: 3.8 CM. L: 1.1 CM. W: 2.8 CM. LOWERCASE F. GD. PAD STAINED BLACK; LIFTING CORNERS. HANDLE STAINED BLACK; MISSING VARNISH. CH – “G” H: 3.8 CM. L: 2 CM. W: 2.9 CM. CAPITAL G. VG. PAD STAINED BLACK. HANDLE STAINED BLACK, GREEN; MISSING VARNISH. CI – “G” H: 3.8 CM. L: 1.7 CM. W: 2.9 CM. LOWERCASE G. GD. PAD STAINED BLACK; LIFTING AT CORNERS. HANDLE STAINED BLACK; MISSING VARNISH. CJ – “H” H: 3.9 CM. L: 2 CM. W: 2.8 CM. CAPITAL H. VG. PAD STAINED BLACK. HANDLE STAINED BLACK, GREEN; MISSING VARNISH. CK – “H” H: 3.8 CM. L: 1.6 CM. W: 2.8 CM. LOWERCASE H. VG. PAD STAINED BLACK. HANDLE STAINED BLACK; MISSING VARNISH. CL – “I” H: 3.8 CM. L: 0.8 CM. W: 2.9 CM. CAPITAL I. VG. PAD STAINED BLACK. HANDLE STAINED BLACK; MISSING VARNISH. CM – “I” H: 3.8 CM. L: 0.8 CM. W: 2.9 CM. LOWERCASE I. VG. PAD STAINED BLACK. HANDLE STAINED BLACK; MISSING VARNISH. CN – “J” H: 3.8 CM. L: 1.4 CM. W: 2.8 CM. CAPITAL J. GD. PAD STAINED BLACK; LIFTING AT CORNERS. HANDLE STAINED BLACK; MISSING VARNISH. CO – “J” H: 3.8 CM. L: 1 CM. W: 2.8 CM. LOWERCASE J. VG. PAD STAINED BLACK. HANDLE STAINED BLACK; MISSING VARNISH. CP – “K” H: 3.8 CM. L: 2.1 CM. W: 2.8 CM. CAPITAL K. VG. PAD STAINED BLACK. HANDLE STAINED BLACK; MISSING VARNISH. CQ – “K” H: 3.7 CM. L: 1.6 CM. W: 2.8 CM. LOWERCASE K. VG. PAD STAINED BLACK. HANDLE STAINED BLACK; MISSING VARNISH. CR – “L” H: 3.8 CM. L: 1.9 CM. W: 2.8 CM. CAPITAL L. VG. PAD STAINED BLACK. HANDLE STAINED BLACK, GREEN; MISSING VARNISH. CS – “-” H: 3.8 CM. L: 1.4 CM. W: 1.8 CM. DASH. VG. PAD STAINED BLACK. HANDLE MINIMALLY STAINED BLACK, GREEN; MISSING VARNISH. CT – “M” H: 3.8 CM. L: 2.4 CM. W: 2.8 CM. CAPITAL M. VG. PAD STAINED BLACK. HANDLE STAINED BLACK, BLUE; MISSING VARNISH. CU – “N” H: 3.8 CM. L: 1.6 CM. W: 2.8 CM. CAPITAL N. VG. PAD STAINED BLACK. HANDLE MINIMALLY STAINED BLACK, GREEN, RED; MISSING VARNISH. CV – “N” H: 3.8 CM. L: 1.6 CM. W: 2.8 CM. LOWERCASE N. VG. PAD STAINED BLACK. HANDLE STAINED BLACK, GREEN; MISSING VARNISH. CW – “O” H: 3.9 CM. L: 1.9 CM. W: 2.8 CM. CAPITAL O. VG. PAD STAINED BLACK. HANDLE MINIMALLY STAINED BLACK, GREEN; MISSING VARNISH. CX – “0” H: 3.7 CM. L: 2 CM. W: 2.8 CM. NUMBER 0. GD. PAD STAINED BLACK; GLUED DOWN WITH HARD GLUE LEAKING OUT. HANDLE STAINED BLACK, GREEN, RED; MISSING VARNISH. CY – “P” H: 3.8 CM. L: 1.8 CM. W: 2.8 CM. CAPITAL P. VG. PAD STAINED BLACK. HANDLE MINIMALLY STAINED BLACK, GREEN; MISSING VARNISH. CZ – “P” H: 3.8 CM. L: 1.5 CM. W: 2.8 CM. LOWERCASE P. GD. PAD STAINED BLACK; LIFTING AT CORNERS. HANDLE STAINED BLACK; MISSING VARNISH. DA – “Q” H: 3.7 CM. L: 2 CM. W: 2.8 CM. CAPITAL Q. VG. PAD STAINED BLACK. HANDLE MINIMALLY STAINED BLACK; MISSING VARNISH. DB – “Q” H: 3.8 CM. L: 1.7 CM. W: 2.9 CM. LOWERCASE Q. VG. PAD ALMOST COMPLETELY STAINED BLACK. HANDLE STAINED BLACK; MISSING VARNISH. DC – “R” H: 3.8 CM. L: 2.1 CM. W: 2.8 CM. CAPITAL R. VG. PAD STAINED BLACK. HANDLE MINIMALLY STAINED BLACK; MISSING VARNISH. DD – “R” H: 3.7 CM. L: 1.2 CM. W: 2.8 CM. LOWERCASE R. VG. PAD STAINED BLACK. HANDLE STAINED BLACK, GREEN; MISSING VARNISH. DE – “S” H: 3.7 CM. L: 1.7 CM. W: 2.7 CM. CAPITAL S. VG. PAD STAINED BLACK. HANDLE STAINED BLACK, GREEN; MISSING VARNISH. DF – “T” H: 3.8 CM. L: 1.8 CM. W: 2.8 CM. CAPITAL T. GD. PAD STAINED BLACK; GLUED DOWN WITH HARD GLUE LEAKING OUT. HANDLE MINIMALLY STAINED BLACK; MISSING VARNISH. DG – “U” H: 3.7 CM. L: 2 CM. W: 2.8 CM. CAPITAL U. VG. PAD STAINED BLACK. HANDLE STAINED BLACK, GREEN; MISSING VARNISH. DH – “V” H: 3.4 CM. L: 2 CM. W: 2.8 CM. CAPITAL V. PR. PAD MISSING. HANDLE STAINED BLACK, GREEN; MISSING VARNISH. DI – “W” H: 3.7 CM. L: 3 CM. W: 2.8 CM. CAPITAL W. GD. PAD STAINED BLACK; LIFTING AT CORNERS. HANDLE STAINED BLACK; MISSING VARNISH. DJ – “X” H: 3.8 CM. L: 2 CM. W: 2.8 CM. CAPITAL X. VG. PAD ALMOST COMPLETELY STAINED BLACK. HANDLE MINIMALLY STAINED BLACK, GREEN; MISSING VARNISH. DK – “Z” H: 3.8 CM. L: 1.7 CM. W: 2.7 CM. CAPITAL Z. GD. PAD STAINED BLACK; LIFTING AT CORNERS. HANDLE STAINED BLACK; MISSING VARNISH. DL – “X” H: 3.7 CM. L: 1 CM. W: 1.8 CM. LOWERCASE X. VG. PAD STAINED BLACK. HANDLE STAINED BLACK, GREEN; MISSING VARNISH. DM – “Y” H: 3.8 CM. L: 2 CM. W: 2.8 CM. CAPITAL Y. VG. PAD STAINED BLACK. HANDLE STAINED BLACK, GREEN, RED; MISSING VARNISH. DN – BOTTOM TRAY. H: 2.2 CM. L: 33.5 CM. W: 25.3 CM. WOODEN TRAY WITH SIXTEEN DIVIDERS; FIFTEEN ROWS AND ONE RECTANGLE. FABRIC LOOP ON INNER LEFT WALL. GD. MISSING THE RIGHT SIDE FABRIC LOOP. STAINED WITH BLACK, GREEN, AND BLUE INK. FROM DO – MO, ALL ENTRIES ARE WOODEN STAMPS WITH RED RUBBER PADS. DO – “A” H: 2.2 CM. L: 0.6 CM. W: 0.9 CM. LOWERCASE A. GD. PAD ALMOST COMPLETELY STAINED BLACK; GLUED DOWN WITH HARD GLUE LEAKING OUT ONTO HANDLE. HANDLE MINIMALLY STAINED BLACK. DP – “A” H: 2.2 CM. L: 0.6 CM. W: 0.9 CM. LOWERCASE A. VG. PAD ALMOST COMPLETELY STAINED BLACK. HANDLE MINIMALLY STAINED BLACK, GREEN. DQ – “A” H: 2.2 CM. L: 0.6 CM. W: 0.9 CM. LOWERCASE A. VG. PAD ALMOST COMPLETELY STAINED BLACK. HANDLE MINIMALLY STAINED BLACK, GREEN. DR – “B” H: 2.2 CM. L: 0.6 CM. W: 0.9 CM. LOWERCASE B. VG. PAD ALMOST COMPLETELY STAINED BLACK. HANDLE MINIMALLY STAINED BLACK, GREEN. DS – “B” H: 2.2 CM. L: 0.6 CM. W: 0.9 CM. LOWERCASE B. VG. PAD PARTIALLY STAINED BLACK. HANDLE MINIMALLY STAINED GREEN, BLUE. DT – “C” H: 2.2 CM. L: 0.6 CM. W: 0.9 CM. LOWERCASE C. GD. PAD STAINED BLACK; GLUED DOWN WITH HARD GLUE LEAKING OUT. HANDLE MINIMALLY STAINED BLACK, RED. DU – “C” H: 2.2 CM. L: 0.6 CM. W: 0.9 CM. LOWERCASE C. GD. PAD PARTIALLY STAINED BLACK; LIFTING AT CORNERS; GLUED DOWN WITH HARD GLUE LEAKING OUT. HANDLE MINIMALLY STAINED BLACK, GREEN, RED. DV – “D” H: 2.2 CM. L: 0.6 CM. W: 0.9 CM. LOWERCASE D. GD. PAD ALMOST COMPLETELY STAINED BLACK; PAD GLUED DOWN WITH GLUE LEAKING OUT. HANDLE MINIMALLY STAINED GREEN, BLUE, RED. DW – “D” H: 1.9 CM. L: 0.6 CM. W: 0.9 CM. LOWERCASE D. PR. PAD MISSING. HANDLE HAS ALMOST NONEXISTENT BLACK STAINING. DX – “E” H: 2.2 CM. L: 0.6 CM. W: 0.9 CM. LOWERCASE E. GD. PAD ALMOST COMPLETELY STAINED BLACK; GLUED DOWN WITH HARD GLUE LEAKING OUT. HANDLE MINIMALLY STAINED BLACK, RED. DY – “E” H: 2.2 CM. L: 0.6 CM. W: 0.9 CM. LOWERCASE E. GD. PAD STAINED BLACK; GLUED DOWN WITH HARD GLUE LEAKING OUT ONTO HANDLE. HANDLE STAINED BLACK, RED. DZ – “F” H: 2.2 CM. L: 0.6 CM. W: 0.9 CM. LOWERCASE F. GD. PAD PARTIALLY STAINED BLACK; GLUED DOWN WITH HARD GLUE LEAKING OUT ONTO HANDLE. HANDLE HAS ALMOST NONEXISTENT BLACK, RED STAINING. EA – “G” H: 2.2 CM. L: 0.6 CM. W: 0.9 CM. LOWERCASE G. GD. PAD MINIMALLY STAINED BLACK; GLUED DOWN WITH HARD GLUE LEAKING OUT ONTO HANDLE. HANDLE MINIMALLY STAINED RED. EB – “G” H: 2.2 CM. L: 0.6 CM. W: 0.9 CM. LOWERCASE G. VG. PAD ALMOST COMPLETELY STAINED BLACK. HANDLE MINIMALLY STAINED GREEN; MISSING VARNISH. EC – “H” H: 2.2 CM. L: 0.6 CM. W: 0.9 CM. LOWERCASE H. GD. PAD PARTIALLY STAINED BLACK; GLUED DOWN WITH HARD GLUE LEAKING OUT. HANDLE HAS ALMOST NONEXISTENT BLACK STAINING. ED – “H” H: 1.9 CM. L: 0.6 CM. W: 0.9 CM. LOWERCASE H. PR. PAD MISSING. HANDLE STAINED BLACK, GREEN. EE – “K” H: 2.2 CM. L: 0.6 CM. W: 0.9 CM. LOWERCASE K. GD. PAD PARTIALLY STAINED BLACK; GLUED DOWN WITH HARD GLUE LEAKING OUT ONTO HANDLE. HANDLE HAS ALMOST NONEXISTENT BLACK, GREEN STAINING. EF – “K” H: 2.2 CM. L: 0.6 CM. W: 0.9 CM. LOWERCASE K. GD. PAD MINIMALLY STAINED BLACK; GLUED DOWN WITH HARD GLUE LEAKING OUT ONTO HANDLE. HANDLE HAS ALMOST NONEXISTENT BLUE STAINING. EG – “M” H: 1.9 CM. L: 0.6 CM. W: 0.9 CM. LOWERCASE M. PR. PAD MISSING. HANDLE STAINED GREEN. EH – “M” H: 2.2 CM. L: 0.6 CM. W: 0.9 CM. LOWERCASE M. VG. PAD ALMOST COMPLETELY STAINED BLACK. HANDLE STAINED BLACK, GREEN, RED. EI – “N” H: 2.2 CM. L: 0.6 CM. W: 0.9 CM. LOWERCASE N. GD. PAD ALMOST COMPLETELY STAINED BLACK; GLUED DOWN WITH HARD GLUE LEAKING OUT ONTO HANDLE. HANDLE MINIMALLY STAINED BLACK, GREEN. EJ – “O” H: 2.2 CM. L: 0.6 CM. W: 0.9 CM. LOWERCASE O. VG. PAD ALMOST COMPLETELY STAINED BLACK. HANDLE MINIMALLY STAINED BLACK, RED. EK – “O” H: 2.2 CM. L: 0.6 CM. W: 0.9 CM. LOWERCASE O. VG. PAD ALMOST COMPLETELY STAINED BLACK. HANDLE HAS ALMOST NONEXISTENT GREEN STAINING; MISSING VARNISH. EL – “P” H: 2.2 CM. L: 0.6 CM. W: 0.9 CM. LOWERCASE P. VG. PAD ALMOST COMPLETELY STAINED BLACK. HANDLE HAS ALMOST NONEXISTENT BLACK STAINING. EM – “R” H: 2.2 CM. L: 0.6 CM. W: 0.9 CM. LOWERCASE R. VG. PAD STAINED BLACK. HANDLE MINIMALLY STAINED BLACK, GREEN; MISSING VARNISH. EN – “S” H: 2.2 CM. L: 0.6 CM. W: 0.9 CM. LOWERCASE S. VG. PAD STAINED BLACK. HANDLE MINIMALLY STAINED BLACK, GREEN; MISSING VARNISH. EO – “S” H: 2.2 CM. L: 0.6 CM. W: 0.9 CM. LOWERCASE S. VG. PAD STAINED BLACK. HANDLE HAS ALMOST NONEXISTENT BLACK, BLUE STAINING. EP – “T” H: 2.2 CM. L: 0.6 CM. W: 0.9 CM. LOWERCASE T. VG. PAD ALMOST COMPLETELY STAINED BLACK. HANDLE MINIMALLY STAINED BLACK, RED. EQ – “T” H: 2.2 CM. L: 0.6 CM. W: 0.9 CM. LOWERCASE T. GD. PAD STAINED BLACK; GLUED DOWN WITH HARD GLUE LEAKING OUT ONTO HANDLE. HANDLE HAS ALMOST NONEXISTENT GREEN, RED STAINING. ER – “U” H: 2.2 CM. L: 0.6 CM. W: 0.9 CM. LOWERCASE U. VG. PAD STAINED BLACK. HANDLE MINIMALLY STAINED BLACK, GREEN. ES – “U” H: 2.2 CM. L: 0.6 CM. W: 0.9 CM. LOWERCASE U. GD. PAD ALMOST COMPLETELY STAINED BLACK; GLUED DOWN WITH HARD GLUE LEAKING OUT ONTO HANDLE. HANDLE HAS ALMOST NONEXISTENT BLACK, GREEN STAINING. ET – “V” H: 2.2 CM. L: 0.6 CM. W: 0.9 CM. LOWERCASE V. EX. PAD LOOKS UNUSED. HANDLE HAS ALMOST NONEXISTENT BLUE STAINING. EU – “W” H: 2.2 CM. L: 0.6 CM. W: 0.9 CM. LOWERCASE W. GD. PAD PARTIALLY STAINED BLACK; GLUED DOWN WITH HARD GLUE LEAKING ONTO HANDLE. HANDLE UNSTAINED. EV – “W” H: 2.2 CM. L: 0.6 CM. W: 0.9 CM. LOWERCASE W. VG. PAD PARTIALLY STAINED BLACK. HANDLE HAS ALMOST NONEXISTENT GREEN, BLUE STAINING. EW – “X” H: 2.2 CM. L: 0.6 CM. W: 0.9 CM. LOWERCASE X. VG. PAD PARTIALLY BLACK. HANDLE UNSTAINED. EX – “A” H: 2.2 CM. L: 0.6 CM. W: 0.9 CM. CAPITAL A. VG. PAD ALMOST COMPLETELY STAINED BLACK. HANDLE MINIMALLY STAINED GREEN. EY – “C” H: 2.2 CM. L: 0.6 CM. W: 0.9 CM. CAPITAL C. VG. PAD PARTIALLY STAINED BLACK. HANDLE HAS ALMOST NONEXISTENT BLACK, GREEN STAINING. EZ – “D” H: 2.2 CM. L: 0.6 CM. W: 0.9 CM. CAPITAL D. VG. PAD MINIMALLY STAINED BLACK. HANDLE HAS ALMOST NONEXISTENT GREEN STAINING. FA – “E” H: 2.2 CM. L: 0.6 CM. W: 0.9 CM. CAPITAL E. VG. PAD ALMOST COMPLETELY STAINED BLACK. HANDLE MINIMALLY STAINED GREEN. FB – “H” H: 1.9 CM. L: 0.6 CM. W: 0.9 CM. CAPITAL H. PR. PAD MISSING. HANDLE STAINED BLACK. FC – “I” H: 2.2 CM. L: 0.6 CM. W: 0.9 CM. CAPITAL I. GD. PAD STAINED BLACK; GLUED DOWN WITH HARD GLUE LEAKING OUT. HANDLE MINIMALLY STAINED GREEN, BLUE. FD – “J” H: 2.2 CM. L: 0.6 CM. W: 0.9 CM. CAPITAL J. VG. PAD PARTIALLY STAINED BLACK. HANDLE STAINED BLACK. FE – “L” H: 1.9 CM. L: 0.6 CM. W: 0.9 CM. CAPITAL L. PR. PAD MISSING. HANDLE MINIMALLY STAINED BLACK. FF – “M” H: 2.2 CM. L: 0.7 CM. W: 0.9 CM. CAPITAL M. VG. PAD ALMOST COMPLETELY STAINED BLACK. HANDLE MINIMALLY STAINED BLACK, GREEN. FG – “N” H: 2.2 CM. L: 0.6 CM. W: 0.9 CM. CAPITAL N. GD. PAD HAS ALMOST NONEXISTENT BLACK STAINING; GLUED DOWN WITH HARD GLUE LEAKING OUT ONTO HANDLE. HANDLE HAS ALMOST NONEXISTENT RED STAINING. FH – “O” H: 2.2 CM. L: 0.6 CM. W: 0.9 CM. CAPITAL O. VG. PAD PARTIALLY STAINED BLACK. HANDLE HAS ALMOST NONEXISTENT RED STAINING. FI – “P” H: 2.2 CM. L: 0.6 CM. W: 0.9 CM. CAPITAL P. EX. PAD LOOKS UNUSED. HANDLE MINIMALLY STAINED BLUE, RED. FJ – “Q” H: 2.2 CM. L: 0.6 CM. W: 0.9 CM. CAPITAL Q. VG. PAD LOOKS UNUSED; GLUED DOWN WITH HARD GLUE LEAKING OUT. HANDLE UNSTAINED. FK – “R” H: 2.2 CM. L: 0.6 CM. W: 0.9 CM. CAPITAL R. VG. PAD PARTIALLY STAINED BLACK. HANDLE MINIMALLY STAINED BLACK. FL – “ONE” H: 2.2 CM. L: 1.5 CM. W: 0.9 CM. THE WORD ONE. VG. PAD PARTIALLY STAINED BLACK. HANDLE HAS ALMOST NONEXISTENT BLACK, GREEN STAINING; MISSING VARNISH FM – “TWO” H: 2.2 CM. L: 1.5 CM. W: 0.9 CM. THE WORD TWO. GD. PAD ALMOST COMPLETELY STAINED BLACK; GLUED DOWN WITH HARD GLUE LEAKING OUT. HANDLE MINIMALLY STAINED BLACK, GREEN. FN – “THREE” H: 2.2 CM. L: 2.6 CM. W: 0.9 CM. THE WORD THREE. GD. PAD PARTIALLY STAINED BLACK; GLUED DOWN WITH HARD GLUE LEAKING OUT. HANDLE MINIMALLY STAINED BLACK, GREEN. FO – “FOUR” H: 2.2 CM. L: 2.1 CM. W: 0.9 CM. THE WORD FOUR. GD. PAD PARTIALLY STAINED BLACK; GLUED DOWN WITH HARD GLUE LEAKING OUT ONTO HANDLE. HANDLE STAINED BLACK, GREEN. FP – “SIX” H: 2.2 CM. L: 1.5 CM. W: 0.9 CM. THE WORD SIX. GD. PAD PARTIALLY STAINED BLACK; GLUED DOWN WITH HARD GLUE LEAKING OUT. HANDLE MINIMALLY STAINED BLACK, GREEN. FQ – “SEVEN” H: 2.2 CM. L: 2.6 CM. W: 0.9 CM. THE WORD SEVEN. GD. PAD MINIMALLY STAINED BLACK; GLUED DOWN WITH HARD GLUE LEAKING OUT. HANDLE HAS ALMOST NONEXISTENT BLUE, RED STAINING. FR – “EIGHT” H: 2.2 CM. L: 2.6 CM. W: 0.9 CM. THE WORD EIGHT. GD. PAD MINIMALLY STAINED BLACK; GLUED DOWN WITH HARD GLUE LEAKING OUT. HANDLE HAS ALMOST NONEXISTENT BLACK STAINING FS – “NINE” H: 2.2 CM. L: 2 CM. W: 0.9 CM. THE WORD NINE. GD. PAD LOOKS UNUSED; GLUED DOWN WITH HARD GLUE LEAKING OUT. HANDLE HAS ALMOST NONEXISTENT BLACK STAINING. FT – “TEN” H: 2.2 CM. L: 1.6 CM. W: 0.9 CM. THE WORD TEN. VG. PAD PARTIALLY STAINED BLACK. HANDLE UNSTAINED; MISSING VARNISH. FU – “S” H: 2.2 CM. L: 0.5 CM. W: 0.9 CM. CAPITAL S. GD. PAD ALMOST COMPLETELY STAINED BLACK; GLUED DOWN WITH HARD GLUE LEAKING OUT ONTO HANDLE. HANDLE STAINED GREEN, RED. FV – “T” H: 2.2 CM. L: 0.6 CM. W: 0.9 CM. CAPITAL T. GD. PAD MINIMALLY STAINED BLACK; GLUED DOWN WITH HARD GLUE LEAKING OUT. HANDLE HAS ALMOST NONEXISTENT GREEN STAINING. FW – “U” H: 2.2 CM. L: 0.6 CM. W: 0.9 CM. CAPITAL U. EX. PAD LOOKS UNUSED. HANDLE UNSTAINED. FX – “W” H: 1.9 CM. L: 0.6 CM. W: 0.9 CM. CAPITAL W. PR. PAD MISSING. HANDLE HAS ALMOST NONEXISTENT GREEN STAINING. FY – “V” H: 2.2 CM. L: 0.6 CM. W: 0.9 CM. CAPITAL V. EX. PAD LOOKS UNUSED. HANDLE HAS ALMOST NONEXISTENT BLUE STAINING. FZ – “X” H: 2.2 CM. L: 0.6 CM. W: 0.9 CM. CAPITAL X. VG. PAD MINIMALLY STAINED BLACK. HANDLE STAINED GREEN, RED. GA – “Y” H: 2.2 CM. L: 0.7 CM. W: 0.9 CM. CAPITAL Y. VG. PAD MINIMALLY STAINED BLACK. HANDLE MINIMALLY STAINED GREEN, RED. GB – “1” H: 2.2 CM. L: 0.5 CM. W: 0.9 CM. NUMBER 1. GD. PAD STAINED BLACK; GLUED DOWN WITH HARD GLUE LEAKING OUT. HANDLE MINIMALLY STAINED GREEN, RED. GC – “1” H: 1.9 CM. L: 0.6 CM. W: 0.9 CM. NUMBER 1. PR. PAD MISSING. HANDLE HAS ALMOST NONEXISTENT GREEN, RED STAINING. GD – “1” H: 2.2 CM. L: 0.6 CM. W: 0.9 CM. NUMBER 1. GD. PAD PARTIALLY STAINED BLACK; GLUED DOWN WITH HARD GLUE LEAKING OUT. HANDLE MINIMALLY STAINED BLACK, GREEN, BLUE. GE – “3” H: 1.9 CM. L: 0.6 CM. W: 0.9 CM. NUMBER 3. PR. PAD MISSING. HANDLE MINIMALLY STAINED GREEN, RED. GF – “4” H: 1.9 CM. L: 0.7 CM. W: 0.9 CM. NUMBER 4. PR. PAD MISSING. HANDLE MINIMALLY STAINED GREEN. GG – “5” H: 1.9 CM. L: 0.6 CM. W: 0.9 CM. NUMBER 5. GD. PAD PARTIALLY STAINED BLACK; GLUED DOWN WITH HARD GLUE LEAKING OUT ONTO HANDLE. HANDLE HAS ALMOST NONEXISTENT RED STAINING. GH – “7” H: 2.2 CM. L: 0.6 CM. W: 0.9 CM. NUMBER 7. VG. PAD MINIMALLY STAINED BLACK. HANDLE MINIMALLY STAINED GREEN, RED. GI – “8” H: 2.2 CM. L: 0.6 CM. W: 0.9 CM. NUMBER 8. VG. PAD PARTIALLY STAINED BLACK. HANDLE MINIMALLY STAINED GREEN, RED. GJ – “HAD” H: 2.2 CM. L: 1.5 CM. W: 0.9 CM. THE WORD HAD. VG. PAD MINIMALLY STAINED BLACK. HANDLE UNSTAINED; MISSING VARNISH GK – “HAVE” H: 2.2 CM. L: 2.1 CM. W: 0.9 CM. THE WORD HAVE. VG. PAD MINIMALLY STAINED BLACK. HANDLE HAS ALMOST NONEXISTENT BLACK STAINING. GL – “AWAY” H: 2.2 CM. L: 2.1 CM. W: 0.9 CM. THE WORD AWAY. VG. PAD HAS ALMOST NONEXISTENT BLACK STAINING. HANDLE UNSTAINED; MISSING VARNISH GM – “GOOD” H: 2.2 CM. L: 2 CM. W: 0.9 CM. THE WORD GOOD. VG. PAD HAS ALMOST NONEXISTENT BLACK STAINING. HANDLE UNSTAINED; MISSING VARNISH. GN – “DOWN” H: 2.2 CM. L: 2.1 CM. W: 0.9 CM. THE WORD DOWN. GD. PAD ALMOST COMPLETELY STAINED BLACK; LIFTING AT CORNERS. HANDLE MINIMALLY STAINED BLACK, GREEN. GO – “NAME” H: 2.2 CM. L: 2.1 CM. W: 0.9 CM. THE WORD NAME. VG. PAD PARTIALLY STAINED BLACK. HANDLE HAS ALMOST NONEXISTENT BLUE STAINING. GP – “COLOUR” H: 2.2 CM. L: 3.1 CM. W: 0.9 CM. THE WORD COLOUR. GD. PAD HAS BEEN CUT, WITH THE “U” REMOVED AND THE “R” GLUED BACK ON; MINIMALLY STAINED BLACK. HANDLE HAS ALMOST NONEXISTENT BLACK STAINING; MISSING VARNISH. GQ – “BROWN” H: 2.2 CM. L: 2.1 CM. W: 0.9 CM. THE WORD BROWN. VG. PAD PARTIALLY STAINED BLACK. HANDLE MINIMALLY STAINED BLACK. GR – “GREEN” H: 2.2 CM. L: 2.1 CM. W: 0.9 CM. THE WORD GREEN. VG. PAD ALMOST COMPLETELY STAINED BLACK. HANDLE STAINED BLACK; MISSING VARNISH. GS – “RED” H: 2.2 CM. L: 1.5 CM. W: 0.9 CM. THE WORD RED. GD. PAD STAINED BLACK; LIFTING AT CORNERS. HANDLE STAINED BLACK. GT – “ORANGE” H: 2.2 CM. L: 3 CM. W: 0.9 CM. THE WORD ORANGE. VG. PAD MINIMALLY STAINED BLACK. HANDLE UNSTAINED; MISSING VARNISH. GU – “YELLOW” H: 2.2 CM. L: 3.1 CM. W: 0.9 CM. THE WORD YELLOW. VG. PAD ALMOST COMPLETELY STAINED BLACK. HANDLE MINIMALLY STAINED BLACK. GV – “BLUE” H: 2.2 CM. L: 2 CM. W: 0.9 CM. THE WORD BLUE. VG. PAD STAINED BLACK. HANDLE STAINED BLACK, GREEN. GW – “BLACK” H: 2.2 CM. L: 2.1 CM. W: 0.9 CM. THE WORD BLACK. VG. PAD ALMOST COMPLETELY STAINED BLACK. HANDLE STAINED BLACK. GX – “LITTLE” H: 2.2 CM. L: 3.1 CM. W: 0.9 CM. THE WORD LITTLE. VG. PAD PARTIALLY STAINED BLACK. HANDLE MINIMALLY STAINED BLACK, GREEN. GY – “BIG” H: 2.2 CM. L: 1.6 CM. W: 0.9 CM. THE WORD BIG. GD. PAD PARTIALLY STAINED BLACK; LIFTING AT CORNERS. HANDLE STAINED BLACK, GREEN. GZ – “CORN” H: 2.2 CM. L: 2 CM. W: 0.9 CM. THE WORD CORN. VG. PAD MINIMALLY STAINED BLACK. HANDLE PARTIALLY STAINED BLACK; MISSING VARNISH. HA – “APPLE” H: 2.2 CM. L: 2.1 CM. W: 0.9 CM. THE WORD APPLE. VG. PAD MINIMALLY STAINED BLACK. HANDLE HAS ALMOST NONEXISTENT BLACK STAINING. HB – “WHEAT” H: 2.2 CM. L: 2.1 CM. W: 0.9 CM. THE WORD WHEAT. VG. PAD MINIMALLY STAINED BLACK. HANDLE MINIMALLY STAINED BLACK; MISSING VARNISH. HC – “GRASS” H: 2.2 CM. L: 2.1 CM. W: 0.9 CM. THE WORD GRASS. VG. PAD MINIMALLY STAINED BLACK. HANDLE HAS ALMOST NONEXISTENT RED STAINING; MISSING VARNISH. HD – “FLAG” H: 2.2 CM. L: 2.1 CM. W: 0.9 CM. THE WORD FLAG. VG. PAD PARTIALLY STAINED BLACK. HANDLE HAS ALMOST NONEXISTENT GREEN STAINING. HE – “PAPER” H: 2.2 CM. L: 2.5 CM. W: 0.9 CM. THE WORD PAPER. VG. PAD HAS ALMOST NONEXISTENT BLACK STAINING. HANDLE HAS ALMOST NONEXISTENT GREEN, BLUE STAINING. HF – “CAR” H: 2.2 CM. L: 1.6 CM. W: 0.9 CM. THE WORD CAR. GD. PAD PARTIALLY STAINED BLACK; GLUED DOWN WITH HARD GLUE LEAKING OUT. HANDLE HAS ALMOST NONEXISTENT GREEN, BLUE STAINING. HG – “FLOWER” H: 1.9 CM. L: 3 CM. W: 0.9 CM. THE WORD FLOWER. VG. PAD MINIMALLY STAINED BLACK. HANDLE HAS ALMOST NONEXISTENT GREEN, RED STAINING. HH – “STAR” H: 2.2 CM. L: 2.1 CM. W: 0.9 CM. THE WORD STAR. VG. PAD HAS ALMOST NONEXISTENT BLACK STAINING. HANDLE HAS ALMOST NONEXISTENT GREEN STAINING; MISSING VARNISH. HI – “CIRCLE” H: 2.2 CM. L: 3.1 CM. W: 0.9 CM. THE WORD TREE. VG. PAD PARTIALLY STAINED BLACK. HANDLE HAS ALMOST NONEXISTENT BLACK, BLUE STAINING. HJ – “TREE” H: 2.2 CM. L: 2.1 CM. W: 0.9 CM. THE WORD TREE. VG. PAD PARTIALLY STAINED BLACK. HANDLE HAS ALMOST NONEXISTENT GREEN, BLUE STAINING. HK – “SAY” H: 2.2 CM. L: 1.5 CM. W: 0.9 CM. THE WORD SAY. VG. PAD MINIMALLY STAINED BLACK. HANDLE UNSTAINED; MISSING VARNISH. HL – “SAID” H: 2.2 CM. L: 2.1 CM. W: 0.9 CM. THE WORD SAID. VG. PAD MINIMALLY STAINED BLACK. HANDLE HAS ALMOST NONEXISTENT BLACK, RED STAINING. HM – “BALL” H: 2.2 CM. L: 2.1 CM. W: 0.9 CM. THE WORD BALL. VG. PAD PARTIALLY STAINED BLACK. HANDLE MINIMALLY STAINED BLACK. HN – “CIRCUS” H: 2.2 CM. L: 3.1 CM. W: 0.9 CM. THE WORD CIRCUS. VG. PAD PARTIALLY STAINED BLACK. HANDLE MINIMALLY STAINED GREEN. HO – “CLOWN” H: 2.2 CM. L: 2.6 CM. W: 0.9 CM. THE WORD CLOWN. VG. PAD MINIMALLY STAINED BLACK. HANDLE HAS ALMOST NONEXISTENT BLUE STAINING. HP – “IGLOO” H: 2.2 CM. L: 2.6 CM. W: 0.9 CM. THE WORD IGLOO. VG. PAD MINIMALLY STAINED BLACK, GREEN. HANDLE HAS ALMOST NONEXISTENT BLUE STAINING; MISSING VARNISH. HQ – “WIGWAM” H: 2.2 CM. L: 3.1 CM. W: 0.9 CM. THE WORD WIGWAM. VG. PAD MINIMALLY STAINED BLACK. HANDLE MINIMALLY STAINED BLACK, RED. HR – “SCHOOL” H: 2.2 CM. L: 3 CM. W: 0.9 CM. THE WORD SCHOOL. VG. PAD PARTIALLY STAINED BLACK. HANDLE MINIMALLY STAINED GREEN; MISSING VARNISH. HS – “SOME” H: 2.2 CM. L: 2.1 CM. W: 0.9 CM. THE WORD SOME. VG. PAD MINIMALLY STAINED BLACK. HANDLE HAS ALMOST NONEXISTENT BLUE STAINING; MISSING VARNISH. HT – “WAS” H: 2.2 CM. L: 1.5 CM. W: 0.9 CM. THE WORD WAS. VG. PAD MINIMALLY STAINED BLACK. HANDLE HAS ALMOST NONEXISTENT BLACK, RED STAINING. HU – “MET” H: 2.2 CM. L: 1.6 CM. W: 0.9 CM. THE WORD MET. VG. PAD HAS ALMOST NONEXISTENT BLACK STAINING. HANDLE UNSTAINED. HV – “CAME” H: 2.2 CM. L: 2 CM. W: 0.9 CM. THE WORD CAME. GD. PAD MINIMALLY STAINED BLACK; GLUED DOWN WITH HARD GLUE LEAKING OUT ONTO HANDLE. HANDLE HAS ALMOST NONEXISTENT BLACK, BLUE STAINING. HW – “RAN” H: 2.2 CM. L: 1.6 CM. W: 0.9 CM. THE WORD RAN. VG. PAD MINIMALLY STAINED BLACK. HANDLE HAS ALMOST NONEXISTENT BLUE STAINING; MISSING VARNISH. HX – “COME” H: 1.9 CM. L: 2.1 CM. W: 0.9 CM. THE WORD COME. VG. PAD PARTIALLY STAINED BLACK. HANDLE STAINED BLACK, GREEN, BLUE; MISSING VARNISH. HY – “DID” H: 2.2 CM. L: 1.6 CM. W: 0.9 CM. THE WORD DID. VG. PAD PARTIALLY STAINED BLACK. HANDLE MINIMALLY STAINED BLACK. HZ – “MADE” H: 2.2 CM. L: 2 CM. W: 0.9 CM. THE WORD MADE. VG. PAD HAS ALMOST NONEXISTENT BLACK STAINING. HANDLE HAS ALMOST NONEXISTENT BLACK STAINING; MISSING VARNISH. IA – “SEE” H: 2.2 CM. L: 1.6 CM. W: 0.9 CM. THE WORD SEE. GD. PAD ALMOST COMPLETELY STAINED BLACK; LIFTING AT CORNERS. HANDLE MINIMALLY STAINED GREEN, RED. IB – “WENT” H: 2.2 CM. L: 2.1 CM. W: 0.9 CM. THE WORD WENT. VG. PAD HAS ALMOST NONEXISTENT BLACK STAINING. HANDLE UNSTAINED IC – “SAW” H: 2.2 CM. L: 1.5 CM. W: 0.9 CM. THE WORD SAW. GD. PAD MINIMALLY STAINED BLACK; GLUED DOWN WITH HARD GLUE LEAKING OUT. HANDLE HAS ALMOST NONEXISTENT BLACK, GREEN STAINING; MISSING VARNISH. ID – “JUMP” H: 2.2 CM. L: 2.1 CM. W: 0.9 CM. THE WORD JUMP. VG. PAD ALMOST COMPLETELY STAINED BLACK. HANDLE HAS ALMOST NONEXISTENT BLACK, GREEN STAINING. IE – “PLAY” H: 2.2 CM. L: 2 CM. W: 0.9 CM. THE WORD PLAY. VG. PAD MINIMALLY STAINED BLACK. HANDLE STAINED GREEN. IF – “LOOK” H: 2.2 CM. L: 2 CM. W: 0.9 CM. THE WORD LOOK. GD. PAD PARTIALLY STAINED BLACK; MISSING A CORNER. HANDLE HAS ALMOST NONEXISTENT BLACK, GREEN STAINING. IG – “LONG” H: 1.9 CM. L: 2 CM. W: 0.9 CM. THE WORD LONG. EX. PAD LOOKS UNUSED. HANDLE UNSTAINED. IH – “THEM” H: 2.2 CM. L: 2 CM. W: 0.9 CM. THE WORD THEM. EX. PAD LOOKS UNUSED. HANDLE UNSTAINED. II – “AFTER” H: 2.2 CM. L: 2.5 CM. W: 0.9 CM. THE WORD AFTER. VG. PAD HAS ALMOST NONEXISTENT BLACK STAINING. HANDLE HAS ALMOST NONEXISTENT BLACK STAINING. IJ – “WANT” H: 2.2 CM. L: 2.2 CM. W: 0.9 CM. THE WORD WANT. VG. PAD MINIMALLY STAINED BLACK. HANDLE MINIMALLY STAINED GREEN, RED. IK – “WILL” H: 2.2 CM. L: 2 CM. W: 0.9 CM. THE WORD WILL. VG. PAD MINIMALLY STAINED BLACK. HANDLE HAS ALMOST NONEXISTENT BLACK, RED STAINING; MISSING VARNISH. IL – “MAKE” H: 2.2 CM. L: 2.1 CM. W: 0.9 CM. THE WORD MAKE. VG. PAD PARTIALLY STAINED BLACK. HANDLE MINIMALLY STAINED GREEN; MISSING VARNISH. IM – “CAN” H: 2.2 CM. L: 1.6 CM. W: 0.9 CM. THE WORD CAN. VG. PAD MINIMALLY STAINED BLACK. HANDLE MINIMALLY STAINED BLACK, GREEN. IN – “ARE” H: 2.2 CM. L: 1.6 CM. W: 0.9 CM. THE WORD ARE. VG. PAD MINIMALLY STAINED BLACK. HANDLE UNSTAINED. IO – “WERE” H: 2.2 CM. L: 2.1 CM. W: 0.9 CM. THE WORD WERE. VG. PAD MINIMALLY STAINED BLACK. HANDLE HAS ALMOST NONEXISTENT GREEN STAINING. IP – “LIKE” H: 2.2 CM. L: 2.1 CM. W: 0.9 CM. THE WORD LIKE. VG. PAD PARTIALLY STAINED BLACK. HANDLE UNSTAINED IQ – “READ” H: 2.2 CM. L: 2 CM. W: 0.9 CM. THE WORD READ. VG. PAD HAS ALMOST NONEXISTENT BLACK STAINING. HANDLE HAS ALMOST NONEXISTENT BLACK STAINING; MISSING VARNISH. IR – “RADIO” H: 2.2 CM. L: 2.5 CM. W: 0.9 CM. THE WORD RADIO. VG. PAD MINIMALLY STAINED BLACK. HANDLE HAS ALMOST NONEXISTENT RED STAINING. IS – “AEROPLANE” H: 2.2 CM. L: 4.6 CM. W: 0.9 CM. THE WORD AEROPLANE. VG. PAD MINIMALLY STAINED BLACK. HANDLE HAS ALMOST NONEXISTENT BLACK, GREEN STAINING; MISSING VARNISH. IT – “FLY” H: 2.2 CM. L: 1.5 CM. W: 0.9 CM. THE WORD FLY. VG. PAD MINIMALLY STAINED BLACK. HANDLE UNSTAINED; MISSING VARNISH. IU – “BOAT” H: 2.2 CM. L: 2.2 CM. W: 0.9 CM. THE WORD BOAT. VG. PAD PARTIALLY STAINED BLACK. HANDLE MINIMALLY STAINED BLACK. IV – “RIDE” H: 2.2 CM. L: 2.1 CM. W: 0.9 CM. THE WORD RIDE. GD. PAD MINIMALLY STAINED BLACK; GLUED DOWN WITH HARD GLUE LEAKING OUT ONTO HANDLE. HANDLE MINIMALLY STAINED BLACK; MISSING VARNISH. IW – “FENCE” H: 2.2 CM. L: 2.1 CM. W: 0.9 CM. THE WORD FENCE. VG. PAD MINIMALLY STAINED BLACK. HANDLE STAINED RED; MISSING VARNISH. IX – “TURKEY” H: 1.9 CM. L: 3 CM. W: 0.9 CM. THE WORD TURKEY. VG. PAD MINIMALLY STAINED BLACK, GREEN. HANDLE HAS ALMOST NONEXISTENT BLUE, RED STAINING. IY – “WITH” H: 2.2 CM. L: 2.1 CM. W: 0.9 CM. THE WORD WITH. VG. PAD MINIMALLY STAINED BLACK. HANDLE UNSTAINED; MISSING VARNISH. IZ – “LIVE” H: 2.2 CM. L: 2.1 CM. W: 0.9 CM. THE WORD LIVE. VG. PAD MINIMALLY BLACK, GREEN. HANDLE HAS ALMOST NONEXISTENT BLACK, GREEN STAINING. JA – “MORNING” H: 2.2 CM. L: 3.6 CM. W: 0.9 CM. THE WORD MORNING. VG. PAD PARTIALLY STAINED BLACK, PURPLE. HANDLE STAINED BLACK, PURPLE. JB – “OLD” H: 2.2 CM. L: 1.5 CM. W: 0.9 CM. THE WORD OLD. GD. PAD HAS ALMOST NONEXISTENT BLACK STAINING; GLUED DOWN WITH HARD GLUE LEAKING OUT. HANDLE UNSTAINED JC – “MAY” H: 2.2 CM. L: 1.6 CM. W: 0.9 CM. THE WORD MAY. VG. PAD MINIMALLY STAINED BLACK. HANDLE HAS ALMOST NONEXISTENT BLACK STAINING. JD – “TOO” H: 2.2 CM. L: 1.5 CM. W: 0.9 CM. THE WORD TOO. VG. PAD HAS ALMOST NONEXISTENT BLACK STAINING. HANDLE MINIMALLY STAINED GREEN, BLUE. JE – “ALL” H: 2.2 CM. L: 1.6 CM. W: 0.9 CM. THE WORD ALL. VG. PAD MINIMALLY STAINED BLACK. HANDLE UNSTAINED. JF – “FARM” H: 2.2 CM. L: 2.1 CM. W: 0.9 CM. THE WORD FARM. VG. PAD PARTIALLY STAINED BLACK. HANDLE STAINED BLACK, GREEN, RED; MISSING VARNISH. JG – “HEN” H: 1.9 CM. L: 1.6 CM. W: 0.9 CM. THE WORD HEN. VG. PAD ALMOST COMPLETELY STAINED BLACK. HANDLE HAS ALMOST NONEXISTENT BLACK STAINING. JH – “CAT” H: 2.2 CM. L: 1.6 CM. W: 0.9 CM. THE WORD CAT. GD. PAD STAINED BLACK; GLUED DOWN WITH HARD GLUE LEAKING OUT ONTO HANDLE. HANDLE STAINED BLACK, BLUE. JI – “RABBIT” H: 2.2 CM. L: 3 CM. W: 0.9 CM. THE WORD RABBIT. VG. PAD MINIMALLY STAINED BLACK. HANDLE HAS ALMOST NONEXISTENT BLACK, RED STAINING. JJ – “COW” H: 2.2 CM. L: 1.6 CM. W: 0.9 CM. THE WORD COW. VG. PAD PARTIALLY STAINED BLACK. HANDLE MINIMALLY STAINED BLACK; MISSING VARNISH. JK – “DONKEY” H: 2.2 CM. L: 3.1 CM. W: 0.9 CM. THE WORD DONKEY. VG. PAD HAS ALMOST NONEXISTENT BLACK STAINING. HANDLE HAS ALMOST NONEXISTENT BLACK STAINING. JL – “HORSE” H: 2.2 CM. L: 2.5 CM. W: 0.9 CM. THE WORD HORSE. VG. PAD PARTIALLY STAINED BLACK. HANDLE STAINED BLACK, BLUE; MISSING VARNISH. JM – “SHEEP” H: 2.2 CM. L: 2.6 CM. W: 0.9 CM. THE WORD SHEEP. VG. PAD HAS ALMOST NONEXISTENT BLACK STAINING. HANDLE HAS ALMOST NONEXISTENT BLACK STAINING; MISSING VARNISH. JN – “GOAT” H: 2.2 CM. L: 2 CM. W: 0.9 CM. THE WORD GOAT. VG. PAD MINIMALLY STAINED BLACK. HANDLE HAS ALMOST NONEXISTENT BLUE STAINING; MISSING VARNISH. JO – “ROOSTER” H: 2.2 CM. L: 3.5 CM. W: 0.9 CM. THE WORD ROOSTER. GD. PAD MINIMALLY STAINED BLACK; LIFTING AT CORNERS. HANDLE HAS ALMOST NONEXISTENT GREEN STAINING; MISSING VARNISH. JP – “TIGER” H: 2.2 CM. L: 2.5 CM. W: 0.9 CM. THE WORD TIGER. VG. PAD MINIMALLY STAINED BLACK. HANDLE HAS ALMOST NONEXISTENT BLACK STAINING. JQ – “BEAR” H: 2.2 CM. L: 2 CM. W: 0.9 CM. THE WORD BEAR. VG. PAD MINIMALLY STAINED BLACK. HANDLE HAS ALMOST NONEXISTENT BLACK STAINING. JR – “BIRD” H: 2.2 CM. L: 2 CM. W: 0.9 CM. THE WORD BIRD. VG. PAD PARTIALLY STAINED BLACK. HANDLE HAS ALMOST NONEXISTENT BLACK STAINING; MISSING VARNISH. JS – “MONKEY” H: 2.2 CM. L: 3.1 CM. W: 0.9 CM. THE WORD MONKEY. VG. PAD MINIMALLY STAINED BLACK. HANDLE HAS ALMOST NONEXISTENT BLACK, RED STAINING. JT – “SEAL” H: 2.2 CM. L: 2.1 CM. W: 0.9 CM. THE WORD SEAL. VG. PAD MINIMALLY STAINED BLACK. HANDLE HAS ALMOST NONEXISTENT BLACK, RED STAINING; MISSING VARNISH. JU – “GOOSE” H: 2.2 CM. L: 2.6 CM. W: 0.9 CM. THE WORD GOOSE. VG. PAD MINIMALLY STAINED BLACK. HANDLE HAS ALMOST NONEXISTENT BLACK, RED; MISSING VARNISH. JV – “DOG” H: 2.2 CM. L: 1.6 CM. W: 0.9 CM. THE WORD DOG. VG. PAD ALMOST COMPLETELY STAINED BLACK. HANDLE STAINED BLACK, BLUE. JW – “SQUIRREL” H: 2.2 CM. L: 4.1 CM. W: 0.9 CM. THE WORD SQUIRREL. VG. PAD MINIMALLY STAINED BLACK. HANDLE UNSTAINED. JX – “PIG” H: 1.9 CM. L: 1.6 CM. W: 0.9 CM. THE WORD PIG. VG. PAD PARTIALLY STAINED BLACK. HANDLE STAINED BLACK. JY – “BARN” H: 2.2 CM. L: 2.1 CM. W: 0.9 CM. THE WORD BARN. VG. PAD PARTIALLY STAINED BLACK. HANDLE STAINED BLACK, BLUE, PURPLE. JZ – “SISTER” H: 2.2 CM. L: 3.1 CM. W: 0.9 CM. THE WORD SISTER. VG. PAD HAS ALMOST NONEXISTENT BLACK STAINING. HANDLE UNSTAINED. KA – “BROTHER” H: 2.2 CM. L: 3.5 CM. W: 0.9 CM. THE WORD BROTHER. VG. PAD MINIMALLY STAINED BLACK. HANDLE HAS ALMOST NONEXISTENT GREEN STAINING. KB – “BABY” H: 2.2 CM. L: 2.1 CM. W: 0.9 CM. THE WORD BABY. VG. PAD ALMOST COMPLETELY STAINED BLACK. HANDLE PARTIALLY STAINED BLACK, GREEN. KC – “CHILDREN” H: 2.2 CM. L: 4.1 CM. W: 0.9 CM. THE WORD CHILDREN. VG. PAD PARTIALLY STAINED BLACK. HANDLE HAS ALMOST NONEXISTENT BLACK STAINING. KD – “MOTHER” H: 2.2 CM. L: 3.1 CM. W: 0.9 CM. THE WORD MOTHER. VG. PAD PARTIALLY STAINED BLACK. HANDLE HAS ALMOST NONEXISTENT BLACK, RED STAINING. KE – “FATHER” H: 2.2 CM. L: 3.1 CM. W: 0.9 CM. THE WORD FATHER. VG. PAD PARTIALLY STAINED BLACK. HANDLE MINIMALLY STAINED BLACK. KF – “GIRL” H: 2.2 CM. L: 2.1 CM. W: 0.9 CM. THE WORD GIRL. VG. PAD ALMOST COMPLETELY STAINED BLACK. HANDLE MINIMALLY STAINED BLACK; MISSING VARNISH. KG – “BOY” H: 1.9 CM. L: 1.6 CM. W: 0.9 CM. THE WORD BOY. VG. PAD ALMOST COMPLETELY STAINED BLACK. HANDLE STAINED BLACK, RED. KH – “MAN” H: 2.2 CM. L: 1.6 CM. W: 0.9 CM. THE WORD MAN. VG. PAD MINIMALLY STAINED BLACK. HANDLE UNSTAINED; MISSING VARNISH. KI – “HE” H: 2.2 CM. L: 1.1 CM. W: 0.9 CM. THE CAPITALIZED WORD HE. VG. PAD PARTIALLY STAINED BLACK. HANDLE HAS ALMOST NONEXISTENT BLACK STAINING. KJ – “HE” H: 2.2 CM. L: 1 CM. W: 0.9 CM. THE WORD HE. VG. PAD HAS ALMOST NONEXISTENT BLACK STAINING. HANDLE UNSTAINED. KK – “SHE” H: 1.9 CM. L: 1.6 CM. W: 0.9 CM. THE CAPITALIZED WORD SHE. PR. PAD MISSING. HANDLE HAS ALMOST NONEXISTENT BLACK, RED STAINING; MISSING VARNISH. KL – “SHE” H: 2.2 CM. L: 1.5 CM. W: 0.9 CM. THE WORD SHE. VG. PAD PARTIALLY STAINED BLACK. HANDLE HAS ALMOST NONEXISTENT BLACK STAINING. KM – “HIS” H: 2.2 CM. L: 1.6 CM. W: 0.9 CM. THE CAPITALIZED WORD HIS. VG. PAD HAS ALMOST NONEXISTENT BLACK STAINING. HANDLE HAS ALMOST NONEXISTENT BLACK STAINING. KN – “HIS” H: 2.2 CM. L: 1.6 CM. W: 0.9 CM. THE WORD HIS. VG. PAD MINIMALLY STAINED BLACK. HANDLE HAS ALMOST NONEXISTENT BLACK STAINING. KO – “HER” H: 2.2 CM. L: 1.6 CM. W: 0.9 CM. THE CAPITALIZED WORD HER. VG. PAD HAS ALMOST NONEXISTENT BLACK STAINING. HANDLE UNSTAINED. KP – “HER” H: 2.2 CM. L: 1.6 CM. W: 0.9 CM. THE WORD HER. VG. PAD MINIMALLY STAINED BLACK. HANDLE HAS ALMOST NONEXISTENT BLUE STAINING. KQ – “THEY” H: 2.2 CM. L: 2.1 CM. W: 0.9 CM. THE WORD THEY. VG. PAD HAS ALMOST NONEXISTENT BLACK STAINING. HANDLE UNSTAINED. KR – “ME” H: 2.2 CM. L: 1.1 CM. W: 0.9 CM. THE WORD ME. VG. PAD MINIMALLY STAINED BLACK. HANDLE HAS ALMOST NONEXISTENT GREEN STAINING. KS – “YOU” H: 2.2 CM. L: 1.6 CM. W: 0.9 CM. THE WORD YOU. VG. PAD PARTIALLY STAINED BLACK. HANDLE HAS ALMOST NONEXISTENT GREEN STAINING; MISSING VARNISH. KT – “YOU” H: 2.2 CM. L: 1.5 CM. W: 0.9 CM. THE CAPITALIZED WORD YOU. VG. PAD MINIMALLY STAINED BLACK. HANDLE HAS ALMOST NONEXISTENT GREEN STAINING; MISSING VARNISH. KU – “YOUR” H: 2.2 CM. L: 2.1 CM. W: 0.9 CM. THE WORD YOUR. VG. PAD HAS ALMOST NONEXISTENT BLACK STAINING. HANDLE HAS ALMOST NONEXISTENT BLUE STAINING; MISSING VARNISH. KV – “IT” H: 2.2 CM. L: 1.1 CM. W: 0.9 CM. THE CAPITALIZED WORD IT. VG. PAD MINIMALLY STAINED BLACK. HANDLE HAS ALMOST NONEXISTENT BLACK STAINING; MISSING VARNISH. KW – “WE” H: 2.2 CM. L: 1 CM. W: 0.9 CM. THE WORD WE. VG. PAD PARTIALLY STAINED BLACK. HANDLE STAINED GREEN, BLUE; MISSING VARNISH. KX – “TELL” H: 1.9 CM. L: 2.1 CM. W: 0.9 CM. THE CAPITALIZED WORD TELL. EX. PAD LOOKS UNUSED. HANDLE HAS ALMOST NONEXISTENT BLUE, RED STAINING. KY – “CUT” H: 2.2 CM. L: 1.6 CM. W: 0.9 CM. THE CAPITALIZED WORD CUT. VG. PAD HAS ALMOST NONEXISTENT BLACK STAINING. HANDLE HAS ALMOST NONEXISTENT BLACK, BLUE, RED STAINING. KZ – “DRAW” H: 2.2 CM. L: 2 CM. W: 0.9 CM. THE CAPITALIZED WORD DRAW. VG. PAD PARTIALLY STAINED BLACK. HANDLE STAINED GREEN, BLUE. LA – “MAY” H: 2.2 CM. L: 1.5 CM. W: 0.9 CM. THE NAME MAY. VG. PAD MINIMALLY STAINED BLACK. HANDLE UNSTAINED. LB – “BILLY” H: 2.2 CM. L: 2.5 CM. W: 0.9 CM. THE NAME BILLY. VG. PAD MINIMALLY STAINED BLACK. HANDLE HAS ALMOST NONEXISTENT GREEN, BLUE STAINING. LC – “FIND” H: 2.2 CM. L: 2 CM. W: 0.9 CM. THE CAPITALIZED WORD FIND. VG. PAD MINIMALLY STAINED BLACK. HANDLE STAINED GREEN. LD – “MOLLY” H: 2.2 CM. L: 2.6 CM. W: 0.9 CM. THE NAME MOLLY. VG. PAD MINIMALLY STAINED BLACK. HANDLE HAS ALMOST NONEXISTENT GREEN, BLUE, RED, PURPLE STAINING. LE – “THIS” H: 2.2 CM. L: 2 CM. W: 0.9 CM. THE CAPITALIZED WORD THIS. VG. PAD MINIMALLY STAINED BLACK. HANDLE HAS ALMOST NONEXISTENT BLACK STAINING. LF – “SANTA CLAUS” H: 2.2 CM. L: 5.3 CM. W: 0.9 CM. THE NAME SANTA CLAUS. VG. PAD PARTIALLY STAINED BLACK. HANDLE HAS ALMOST NONEXISTENT GREEN, RED STAINING. LG – “WHEN” H: 1.9 CM. L: 2.1 CM. W: 0.9 CM. THE CAPITALIZED WORD WHEN. VG. PAD MINIMALLY STAINED BLACK. HANDLE HAS ALMOST NONEXISTENT RED STAINING; MISSING VARNISH. LH – “COUNT” H: 2.2 CM. L: 2.6 CM. W: 0.9 CM. THE CAPITALIZED WORD COUNT. VG. PAD HAS ALMOST NONEXISTENT BLACK. HANDLE HAS ALMOST NONEXISTENT BLUE STAINING. LI – “WHY” H: 2.2 CM. L: 1.5 CM. W: 0.9 CM. THE CAPITALIZED WORD WHY. VG. PAD MINIMALLY STAINED BLACK. HANDLE HAS ALMOST NONEXISTENT BLUE STAINING. LJ – “THEY” H: 2.2 CM. L: 2 CM. W: 0.9 CM. THE CAPITALIZED WORD THEY. VG. PAD PARTIALLY STAINED BLACK. HANDLE HAS ALMOST NONEXISTENT GREEN, BLUE, RED STAINING. LK – “YES” H: 1.9 CM. L: 1.6 CM. W: 0.9 CM. THE CAPITALIZED WORD YES. VG. PAD PARTIALLY STAINED BLACK. HANDLE PARTIALLY STAINED GREEN. LL – “PASTE” H: 2.2 CM. L: 1.5 CM. W: 0.9 CM. THE CAPITALIZED WORD PASTE. GD. PAD HAS ALMOST NONEXISTENT BLACK STAINING; GLUED DOWN WITH HARD GLUE LEAKING OUT. HANDLE UNSTAINED. LM – “CAN” H: 2.2 CM. L: 1.6 CM. W: 0.9 CM. THE CAPITALIZED WORD CAN. VG. PAD MINIMALLY STAINED BLACK. HANDLE HAS ALMOST NONEXISTENT BLACK, BLUE STAINING. LN – “INDIAN” H: 2.2 CM. L: 3.1 CM. W: 0.9 CM. THE CAPITALIZED WORD INDIAN. VG. PAD ALMOST COMPLETELY STAINED BLACK. HANDLE STAINED BLACK, GREEN, BLUE. LO – “DO” H: 2.2 CM. L: 1 CM. W: 0.9 CM. THE CAPITALIZED WORD DO. VG. PAD PARTIALLY STAINED BLACK. HANDLE HAS ALMOST NONEXISTENT GREEN, BLUE STAINING. LP – “THE” H: 2.2 CM. L: 1.5 CM. W: 0.9 CM. THE CAPITALIZED WORD THE. VG. PAD PARTIALLY STAINED BLACK. HANDLE MINIMALLY STAINED GREEN. LQ – “HOW” H: 2.2 CM. L: 2.1 CM. W: 0.9 CM. THE CAPITALIZED WORD HOW. VG. PAD MINIMALLY STAINED BLACK. HANDLE HAS ALMOST NONEXISTENT BLACK STAINING; MISSING VARNISH. LR – “WHAT” H: 2.2 CM. L: 2.1 CM. W: 0.9 CM. THE CAPITALIZED WORD WHAT. VG. PAD MINIMALLY STAINED BLACK. HANDLE HAS ALMOST NONEXISTENT BLUE, RED STAINING; MISSING VARNISH. LS – “GIVE” H: 2.2 CM. L: 2.1 CM. W: 0.9 CM. THE CAPITALIZED WORD GIVE. VG. PAD MINIMALLY STAINED BLACK. HANDLE HAS ALMOST NONEXISTENT GREEN STAINING; MISSING VARNISH. LT – “?” H: 2.2 CM. L: 0.6 CM. W: 0.9 CM. QUESTION MARK. VG. PAD STAINED BLACK. HANDLE MINIMALLY STAINED GREEN; MISSING VARNISH. LU – “.” H: 2.2 CM. L: 0.6 CM. W: 0.9 CM. PERIOD. GD. PAD ALMOST COMPLETELY STAINED BLACK; GLUED DOWN WITH HARD GLUE LEAKING OUT ONTO HANDLE. HANDLE HAS ALMOST NONEXISTENT BLACK, RED STAINING. LV – “+” H: 2.2 CM. L: 0.6 CM. W: 0.9 CM. PLUS SIGN. GD. PAD PARTIALLY STAINED BLACK; GLUED DOWN WITH HARD GLUE LEAKING OUT ONTO HANDLE. HANDLE MINIMALLY STAINED RED. LW – “-” H: 2.2 CM. L: 0.6 CM. W: 0.9 CM. MINUS SIGN. GD. PAD ALMOST COMPLETELY STAINED BLACK; GLUED DOWN WITH HARD GLUE LEAKING OUT ONTO HANDLE. HANDLE MINIMALLY STAINED GREEN, BLUE. LX – “AND” H: 1.9 CM. L: 1.5 CM. W: 0.9 CM. THE WORD AND. VG. PAD PARTIALLY STAINED BLACK. HANDLE STAINED GREEN, BLUE. LY – “MY” H: 2.2 CM. L: 1.1 CM. W: 0.9 CM. THE WORD MY. VG. PAD PARTIALLY STAINED BLACK. HANDLE STAINED GREEN, BLUE. LZ – “ING” H: 2.2 CM. L: 1.5 CM. W: 0.9 CM. THE LETTERS ING. VG. PAD HAS ALMOST NONEXISTENT BLACK STAINING. HANDLE HAS ALMOST NONEXISTENT GREEN STAINING; MISSING VARNISH. MA – “ED” H: 2.2 CM. L: 1 CM. W: 0.9 CM. THE LETTERS ED. GD. PAD HAS ALMOST NONEXISTENT BLACK STAINING; GLUED DOWN WITH HARD GLUE LEAKING OUT ONTO HANDLE. HANDLE UNSTAINED. MB – “THE” H: 2.2 CM. L: 1.5 CM. W: 0.9 CM. THE WORD THE. VG. PAD PARTIALLY STAINED BLACK. HANDLE MINIMALLY STAINED GREEN, BLUE. MC – “IT” H: 2.2 CM. L: 1 CM. W: 0.9 CM. THE WORD IT. VG. PAD ALMOST COMPLETELY STAINED BLACK. HANDLE MINIMALLY STAINED GREEN; MISSING VARNISH. MD – “AM” H: 2.2 CM. L: 1.2 CM. W: 0.9 CM. THE WORD AM. GD. PAD PARTIALLY STAINED BLACK; GLUED DOWN WITH HARD GLUE LEAKING OUT. HANDLE HAS ALMOST NONEXISTENT BLUE STAINING. ME – “HAS” H: 2.2 CM. L: 1.6 CM. W: 0.9 CM. THE WORD HAS. VG. PAD PARTIALLY STAINED BLACK. HANDLE HAS ALMOST NONEXISTENT BLACK STAINING; MISSING VARNISH. MF – “NO” H: 2.2 CM. L: 1.1 CM. W: 0.9 CM. THE WORD NO. VG. PAD ALMOST COMPLETELY STAINED BLACK. HANDLE HAS ALMOST NONEXISTENT BLACK, GREEN STAINING; MISSING VARNISH. MG – “TO” H: 1.9 CM. L: 1.2 CM. W: 0.9 CM. THE WORD TO. GD. PAD PARTIALLY STAINED BLACK; GLUED DOWN WITH HARD GLUE LEAKING OUT. HANDLE HAS ALMOST NONEXISTENT GREEN STAINING. MH – “ON” H: 2.2 CM. L: 1.2 CM. W: 0.9 CM. THE WORD ON. GD. PAD ALMOST COMPLETELY STAINED BLACK; LIFTING AT THE CORNERS. HANDLE HAS ALMOST NONEXISTENT BLACK, BLUE STAINING. MI – “AN” H: 2.2 CM. L: 1 CM. W: 0.9 CM. THE WORD AN. VG. PAD ALMOST COMPLETELY STAINED BLACK. HANDLE HAS ALMOST NONEXISTENT GREEN STAINING. MJ – “GO” H: 2.2 CM. L: 1.1 CM. W: 0.9 CM. THE WORD GO. VG. PAD PARTIALLY STAINED BLACK. HANDLE STAINED BLACK, GREEN; MISSING VARNISH. MK – “IN” H: 1.9 CM. L: 1 CM. W: 0.9 CM. THE WORD IN. VG. PAD ALMOST COMPLETELY STAINED BLACK. HANDLE UNSTAINED; MISSING VARNISH. ML – “PRETTY” H: 2.2 CM. L: 3.1 CM. W: 0.9 CM. THE CAPITALIZED WORD PRETTY. PR. PAD MISSING. HANDLE UNSTAINED. MM – “BROWNIE” H: 2.2 CM. L: 3.5 CM. W: 0.9 CM. THE CAPITALIZED WORD BROWNIE. PR. PAD MISSING. HANDLE HAS ALMOST NONEXISTENT BLUE STAINING. MN – “DOLL” H: 0.2 CM. L: 2 CM. W: 0.9 CM. THE WORD DOLL. PR. PAD PARTIALLY STAINED BLACK. HANDLE MISSING. MO – “H” H: 0.2 CM. L: 0.6 CM. W: 0.9 CM. CAPITAL H. PR. PAD HAS ALMOST NONEXISTENT BLACK STAINING. HANDLE MISSING.
Subjects
WRITTEN COMMUNICATION T&E
Historical Association
EDUCATION
History
DONOR RITA MEDVE RETIRED FROM TEACHING IN 2010 AFTER SERVING 35 YEARS WITH SCHOOL DISTRICT 51. THIS STAMP BOX WAS USED IN HER CLASSROOMS FOR THE ENTIRE PERIOD. THE FOLLOWING INFORMATION ABOUT THIS STAMP BOX COMES FROM AN INTERVIEW WITH MEDVE THAT WAS CONDUCTED BY COLLECTIONS TECHNICIAN KEVIN MACLEAN ON OCTOBER 18, 2017: MEDVE BEGAN AT WESTMINSTER SCHOOL IN 1973 AND, AFTER MOVING THROUGH ANOTHER SIX SCHOOLS, RETURNED THERE FOR THE FINAL 21 YEARS OF HER CAREER. SHE WAS INTRODUCED TO WESTMINSTER SCHOOL AS A RESULT OF HER STUDIES IN EDUCATION AT THE UNIVERSITY OF LETHBRIDGE, INTERNING AT WESTMINSTER WITH GRADE 6 TEACHER FUMI TAMAGI. FOLLOWING THE COMPLETION OF HER STUDIES, SHE WAS INVITED TO APPLY FOR THE POSITION VACATED BY TAMAGI WHO WAS TRANSFERRING TO A DIFFERENT SCHOOL. THIS STAMP BOX WAS A PRESENT FROM TAMAGI TO MEDVE UPON THE AWARDING OF MEDVE'S NEW TEACHING POSITION. MEDVE RECALLED TAMAGI USING IT HERSELF AS ONE OF HER TEACHING TOOLS. TALKING ABOUT TAMAGI IN THE CLASSROOM MEDVE STATES, “THE CHILDREN ALL LOVED HER. SHE HAD CONTROL OVER THE CLASSROOM AND I LEARNED A LOT FROM HER… SHE HELPED ME WORK WITH CHILDREN WHO HAD CHALLENGES. THAT’S WHEN I KNEW THAT I ACTUALLY NEEDED TO BE IN SPECIAL EDUCATION, BESIDES MY PHYSICAL EDUCATION THAT I WAS MAJORING IN. THERE WERE CHILDREN IN HER CLASSROOM THAT HAD CHALLENGES, BUT NOT AGGRESSIVENESS, SO SHE SHOWED ME DIFFERENT WAYS OF HANDLING DIFFERENT CHALLENGES AND SHE TAUGHT ME TO TEACH TO THE CHILDREN, NOT TO THE CURRICULUM; AND THAT’S HOW I TAUGHT MY 35 YEARS OF TEACHING.” THE STAMPS WERE USED IN THE CLASSROOM TO ASSIST IN THE TEACHING OF KIDS WITH LEARNING CHALLENGES AND THOSE LEARNING ENGLISH AS A SECOND LANGUAGE. MEDVE STATES, “I REMEMBER [TAMAGI] GIVING IT TO ME TO USE WITH THE SPECIAL NEEDS STUDENTS, BECAUSE IT WAS HELPING THEM WITH THEIR SPELLING, THEIR READING. ESL STUDENTS WOULD - WE WOULD GIVE THEM A PICTURE, AND THEN WE’D USE THE STAMP TO SHOW WHAT THAT WORD WAS, THAT RELATED TO THE PICTURE. … IT WAS ONE OF THE MOST IMPORTANT THINGS IN THAT CLASSROOM TO THEM, BECAUSE IT WAS PHYSICAL, USING ALL YOUR KINESTHETICS - FEELING, TOUCHING.” ON TEACHING SPECIAL NEEDS CHILDREN THROUGHOUT HER CAREER SHE STATES, “FOR 15 YEARS, I TAUGHT SPECIAL EDUCATION IN A CONFINED ROOM – A NORMAL CLASSROOM SETTING – AND I WOULD HAVE, ON AVERAGE, ABOUT 12 STUDENTS WORKING WITH ME. I ALSO TAUGHT PHYSED TO THE REGULAR CHILDREN, AT DIFFERENT TIMES OF THE DAY. … AFTER 15 YEARS, I WENT INTO A REGULAR CLASSROOM, BUT, BECAUSE I HAD SPECIAL ED BACKGROUND, AND NOT A LOT OF PEOPLE DID, AT THAT TIME, I WOULD BE GIFTED WITH MANY CHALLENGED STUDENTS, MANY. LIKE, FOR EXAMPLE, OUT OF 28 CHILDREN, I MIGHT HAVE 12 CHALLENGED STUDENTS…” FUMIKO “FUMI” TAMAGI PASSED AWAY DECEMBER 15TH, 2015 AT 93 YEARS. FOR MORE INFORMATION, INCLUDING REFERENCED INTERVIEW TRANSCRIPTIONS PLEASE SEE THIS RECORD’S PERMANENT FILE.
Catalogue Number
P20170032000
Acquisition Date
2017-10
Collection
Museum
Images
Less detail
Other Name
JACKET, SHIRT AND SKIRT
Material Type
Artifact
Materials
COTTON, POLYESTER, METAL
Catalogue Number
P20180008001
  2 images  
Material Type
Artifact
Other Name
JACKET, SHIRT AND SKIRT
Date
1965
Materials
COTTON, POLYESTER, METAL
No. Pieces
3
Length
60
Width
41.5
Description
A. CREAM WOMAN’S SUIT JACKET, 60 CM LONG X 41.5 CM WIDE. JACKET LINED WITH CREAM COTTON FABRIC; JACKET HAS THREE CREAM CLOTH-COVERED BUTTONS DOWN LEFT-WEARING SIDE AND THREE CREAM CLOTH-COVERED BUTTONS DOWN RIGHT-WEARING SIDE, WITH TWO STRAPS WITH SINGLE BUTTON HOLES EXTENDING FROM LEFT AND RIGHT SIDES AT WAIST. JACKET HAS STAIN BELOW BUTTON HOLE ON RIGHT-WEARING WAIST STRAP; OVERALL EXCELLENT CONDITION. B. SHIRT, 46.8 CM LONG X 39 CM WIDE. CREAM COTTON-BLEND SHIRT WITH SILVER ZIPPER RUNNING DOWN BACK; ZIPPER HAS CLOTH COVERING. SHIRT IS SLEEVELESS WITH MACHINE STITCHING ALONG HEM, NECK AND ARM HOLES. SHIRT HAS FOLDED STITCHING UP SIDES AND DIAGONALLY FROM HEM TO CENTER OF CHEST. SHIRT HAS STAINING ON FRONT AND UNDER SLEEVE HOLES; OVERALL VERY GOOD CONDITION. C. SKIRT, 58 CM LONG X 38 CM WIDE. CREAM COTTON-BLEND FABRIC WITH SILVER ZIPPER RUNNING DOWN SIDE AND TWO SILVER HOOKS INSIDE WAIST WITH TWO SILVER LOOPS ON TAB AT WAIST. SKIRT WIDENS AT HEM; SKIRT HAS CREAM INNER LINING. SEAMS ARE MACHINE STITCHED. PINK STAIN ON LEFT-WEARING SIDE; CREASES DOWN FRONT AND BACK; OVERALL EXCELLENT CONDITION.
Subjects
CLOTHING-OUTERWEAR
Historical Association
PERSONAL CARE
History
ON APRIL 24, 2018, COLLECTIONS TECHNICIAN KEVIN MACLEAN INTERVIEWED BARB CLARKE REGARDING HER DONATION OF A WEDDING DRESS AND GOING-AWAY ENSEMBLE. THE WEDDING GOWN AND GOING-AWAY ENSEMBLE WERE WORN BY CLARKE FOR HER WEDDING IN 1965. ON HER WEDDING AND HER SELECTION OF THE GOING-AWAY ENSEMBLE, CLARKE RECALLED, “IT’S BEEN WORN A FEW TIMES…THE WEDDING WAS AUGUST 21, 1965. IT HAPPENED HERE IN SOUTHMINSTER CHURCH, AND REVEREND JOHN O’NEAL WAS THE MINISTER.” “MY SISTER-IN-LAW [JOAN HUGHSON] AND I HAD GONE TO UNIVERSITY TOGETHER. HER BABY WAS BORN IN JULY, AND DAVE [CLARKE] AND I WERE GETTING MARRIED IN AUGUST. SHE WAS AN EXTREMELY GOOD SEAMSTRESS, SO SHE MADE MY GOING-AWAY OUTFIT FOR ME. I BOUGHT A VOGUE PATTERN, FOUND THE FABRIC, AND SHE MADE THE DRESS, OR THE GOING-AWAY OUTFIT.” ON HER WEDDING, CLARKE ELABORATED, “[I MARRIED] DAVE CLARKE. HE GREW UP AT CASTOR, ALBERTA, WHICH IS 200 MILES NORTH OF TABER, ON HIGHWAY 36. WE MET WHEN WE WERE BOTH TEACHERS. WE MET AT CARSTAIRS. HE WAS TEACHING, AND I STARTED AN INTERNSHIP PROGRAM THERE. WE MET IN THE SPRING, AND THEN I GOT A JOB THERE THAT FALL. WE DATED THROUGHOUT THAT YEAR, AND GOT MARRIED THE FOLLOWING YEAR.” “I GREW UP EAST OF MILK RIVER, IN THE COMMUNITY OF MASINASIN BY WRITING-ON-STONE PARK. I HAD COMPLETED MY HIGH SCHOOL IN MILK RIVER, AND THEN I WENT OFF TO CALGARY TO UNIVERSITY. TWO YEARS OF UNIVERSITY…WAS ALL THAT WAS REQUIRED AT THAT TIME. THERE WAS A TEACHER SHORTAGE, SO YOU COULD GET A JOB AFTER TWO YEARS, WITHOUT YOUR DEGREE, AND THAT’S WHAT I DID. THEN I MET DAVE. WE DECIDED TO GET MARRIED. DAVE WAS HELPING OUT HIS PARENTS AT THEIR FARM IN CASTOR BECAUSE THEY WERE MOVING A HOUSE DURING THAT SUMMER, AND HE WAS HELPING GET THAT HOUSE MOVED FOR HIS PARENTS. I WAS PICKING UP SOME COURSES AT EDMONTON UNIVERSITY. IT JUST HAPPENED THAT I HAD NOT FELT THAT IT WAS IMPORTANT TO HAVE A WEDDING. I JUST THOUGHT WE WOULD JUST GET MARRIED, AND HAVE FAMILY MEMBERS THERE, AND THAT WOULD BE IT. OF COURSE, MY MOM AND DAD SAID, 'NO, WE’RE GOING TO HAVE A WEDDING.' SO, I SAID, 'WELL, I’M GOING.' AFTER MY YEAR OF SCHOOL TEACHING IN CARSTAIRS THAT FINISHED THE END OF JUNE, I WAS DUE IN EDMONTON FOR MY SUMMER SCHOOL CLASSES. SO, I SAID TO MOM AND DAD, 'I GUESS IF YOU WANT A WEDDING, WE’LL TALK BY PHONE, BUT YOU’LL HAVE TO MAKE ALL THE ARRANGEMENTS, AND THE PLANS FOR IT.' SO, THEY DID. WE HAD THE WEDDING.” “[THE WEDDING] WAS ALL THE SAME DAY. THE WEDDING WAS AT ONE O’CLOCK IN THE AFTERNOON [AT SOUTHMINSTER CHURCH]. THEN THE RECEPTION WAS A BIT EARLIER [AT EL RANCHO, WHICH IS NOW THE COAST HOTEL]. THEN WE DROVE DOWN TO THE FARM, AND WE HAD A BIT OF AN ‘OPEN HOUSE’ THERE. THE DANCE WAS AT NINE O’CLOCK [AT THE MASINASIN SCHOOL]. I WAS IN THE [WEDDING] DRESS UNTIL TOWARDS THE END OF THE WEDDING DANCE BECAUSE AT THE WEDDING DANCE YOU HAD TO HAVE YOUR FIRST DANCE WITH YOUR DAD. THEN I WENT BACK TO THE FARM, WHICH WAS ONLY THREE MILES AWAY, AND CHANGED INTO THE GOING AWAY OUTFIT. WE CAME BACK TO THE DANCE, AND SAID GOODBYE TO EVERYBODY THERE, AND THEN WE LEFT FROM THERE.” “IT WOULDN’T HAVE BEEN A COMMUNITY EVENT. I WAS THE YOUNGEST IN MY FAMILY, AND THE ONLY GIRL. MOM AND DAD HAD BEEN VERY ACTIVE IN THE COMMUNITY, AND CERTAINLY HOSTING A WEDDING FOR YOUR DAUGHTER WAS VERY IMPORTANT TO THEM. I GREW UP THINKING, 'HUH, IT DOESN’T MATTER TO ME IF I HAVE A WEDDING OR NOT.' BUT IT CERTAINLY WAS TO THEM, AND TO THE EXTENDED FAMILY IT WAS IMPORTANT. I WAS AMAZED – EVEN WHEN I LOOK THROUGH MY WEDDING BOOK NOW – ALL OF THE AUNTS AND UNCLES THAT CAME. SOME CAME FROM THE UNITED STATES, AND DAVE’S UNCLE, WHO WAS MASTER OF CEREMONIES AT THE RECEPTION, WAS THERE FROM EDMONTON. I WAS AMAZED THAT PEOPLE WOULD COME. I DIDN’T THINK THAT I WAS THAT IMPORTANT THAT ANYBODY WOULD COME, BUT IT TURNED OUT TO BE A VERY, VERY NICE OCCASION, EVERYBODY HAD A VERY GOOD TIME. IT WAS CERTAINLY THE INTRODUCTION OF THE TWO FAMILIES TOGETHER. I RECOGNIZED AFTER-–SOME YEARS LATER-–THAT WEDDINGS ARE HAPPY OCCASIONS, AND THAT IF EXTENDED FAMILIES DON’T GET TOGETHER FOR HAPPY OCCASIONS, THEY OFTEN GET TOGETHER JUST FOR FUNERALS AND MORE SAD OCCASIONS. I CERTAINLY UNDERSTAND NOW HOW IMPORTANT IT WAS TO MY PARENTS, AND THAT IT WAS A GOOD OCCASION FOR THE WHOLE EXTENDED FAMILY.” “THE WAY THE SUMMER PROGRESSED, DAVE WAS VERY BUSY WITH HIS PARENTS…AND I WAS BUSY AT SUMMER SCHOOL. IF YOU KNOW ANYTHING ABOUT SUMMER SCHOOL, YOU KNOW THAT YOU ARE CRAMMING, AND TAKING CLASSES, AND YOU’RE DOING EXAMS. EVERYTHING IS FAST BECAUSE YOU ARE TRYING TO GET IT ALL DONE IN 6 WEEKS, AND YOU’RE TRYING TO MAKE SURE THAT YOU ARE GETTING A FULL CREDIT FOR YOUR COURSE. MY FINAL EXAM WAS ON A TUESDAY, AND I PACKED UP MY THINGS, AND WENT TO CASTOR ON THE WEDNESDAY. [I] PICKED UP DAVE, AND WE CAME TO LETHBRIDGE ON THE THURSDAY. WE MET WITH THE MINISTER ON THE THURSDAY, AND HE SAID THAT HE WAS BEGINNING TO WONDER IF THERE WAS A BRIDE AND GROOM BECAUSE HE HADN’T MET US…WE HAD THE REHEARSAL ON FRIDAY; THE WEDDING ON SATURDAY. FOR OUR HONEYMOON, WE WENT DOWN TO SANDPOINT AND COEUR D’ ALENE ON A LITTLE TRIP DOWN THERE. ONE WEEK LATER WE WERE IN A SMALL TOWN, NEIGHBOURING TO CASTOR, WHERE WE HAD TEACHING JOBS BECAUSE THE SCHOOL YEAR WAS TO START. WE HAD NO TIME TO SET UP A LITTLE TEACHERAGE. THE SCHOOL BOARD THERE RENTED US A HOUSE…THAT WAS HOW WE STARTED. IT WASN’T A VERY GRAND BEGINNING.” “[LETHBRIDGE WAS THE MID-POINT] TO ACCOMMODATE THE FAMILIES. MOM HAD MADE THE ARRANGEMENTS, SO I THINK IT MIGHT HAVE BEEN SOMETHING TO DO WITH WHETHER OR NOT THEY COULD HAVE THE RECEPTION CLOSE [TO SOUTHMINSTER CHURCH]. BECAUSE I WENT TO SUNDAY SCHOOL AND BELONGED TO THE CHURCH IN MILK RIVER – SO DID MY PARENTS –WE WERE AFFILIATED WITH THE UNITED CHURCH. SOUTHMINSTER WAS DEFINITELY NOT OUR HOME CHURCH AT THAT TIME.” CLARKE SPOKE TO HER MOTIVES FOR KEEPING AND DONATING THE WEDDING GOWN AND GOING-AWAY ENSEMBLE, STATING, “IT’S ALWAYS [BEEN] EASY TO KEEP IT. I DON’T THINK I’M A HOARDER, BUT I DO LOVE SENTIMENTAL THINGS, AND I HAVE MY MOTHER’S WEDDING DRESS AND GOING-AWAY OUTFIT. THEY ARE VALUABLE PIECES. THIS DRESS AND THIS OUTFIT, I HAD IT OUT AT OUR 25TH WEDDING ANNIVERSARY. I COULDN’T WEAR IT MYSELF BECAUSE MY ARMS CHANGED, BUT MY NIECE WORE IT, AND WE HAD A BIG PARTY-–FAMILY PARTY–-FOR OUR 25TH. THEN A FEW YEARS AGO SOUTHMINSTER CHURCH HAD A 100TH ANNIVERSARY, SO WE WERE ALL INVITED TO TAKE WHATEVER WE WANTED FROM OUR OWN HISTORY, AND SO [MY WEDDING] DRESS WAS WORN AT THAT OCCASION AS WELL.” “I’VE HUNG ONTO THESE MATERIALS FOR 52 YEARS, AND NOW I’M DOWNSIZING MY HOME SO THAT I CAN LIVE IN A CONDO. MY HUSBAND DIED LAST YEAR, AND, AS I’M DOWNSIZING, I LOOK THROUGH ALL OF THE THINGS THAT WE HAVE ACQUIRED AND PACKED AROUND WITH US FOR ALL OF OUR MARRIED YEARS. I DECIDED THAT THIS DRESS AND THIS OUTFIT WERE NOT GOING ANYWHERE AS LONG AS IT WAS IN MY STUFF, AND THAT PERHAPS THERE WAS SOME VALUE IN IT HAVING IT AS PROPERTY OF THE MUSEUM.” FOR MORE INFORMATION INCLUDING THE FULL INTERVIEW TRANSCRIPTION AND PHOTOGRAPHS, PLEASE SEE THE PERMANENT FILE P20180008001-GA.
Catalogue Number
P20180008001
Acquisition Date
2018-04
Collection
Museum
Images
Less detail
Other Name
DRESS, WEDDING
Material Type
Artifact
Materials
COTTON, POLYESTER, METAL
Catalogue Number
P20180008002
  2 images  
Material Type
Artifact
Other Name
DRESS, WEDDING
Date
1965
Materials
COTTON, POLYESTER, METAL
No. Pieces
2
Length
134
Width
43
Description
A. WHITE WEDDING DRESS, 134 CM LONG X 43 CM WIDE. DRESS HAS CREAM LACE OVERLAID DOWN FRONT AND AROUND SHOULDERS; FRONT HAS WHITE BOW AT WAIST. SLEEVES ARE POINTED AT CUFFS WITH THREE WHITE CLOTH-COVERED BUTTONS ALONG CUFFS. BACK OF DRESS HAS WHITE METAL ZIPPER RUNNING FROM NECK TO WAIST, AND SILVER FASTENING HOOKS AND LOOPS AT COLLAR AND WAIST. BACK HAS FOUR WHITE SNAP-BUTTONS UNDER LACE AT SHOULDERS FOR FASTENING TRAIN; COLLAR HAS SILVER SNAP BUTTON FOR CLOSING LACE OVERLAY. BACK HEM HAS SLIT UP CENTER. DRESS HAS STAINING AND RIP ON FRONT LEFT SLEEVE; RIGHT SLEEVE HAS STAINING ON BACK; OVERALL EXCELLENT CONDITION. B. TRAIN FOR WEDDING DRESS, 210.4 CM WIDE X 174 CM LONG, DETACHABLE. TRAIN HAS FIVE METAL SNAP BUTTONS AT NECK PAINTED WHITE AT BASES; TRAIN HAS A TRIANGULAR SLIT CUT OUT OF BACK AT LOWER EDGE; CUT-OUT IS OVERLAID WITH CREAM LACE, WITH IVORY BOW AT THE PEAK OF THE CUT-OUT. MACHINE-STITCHED AT EDGES; CREASED; STAINED ALONG INSIDE LOWER EDGE; OVERALL VERY GOOD CONDITION.
Subjects
CLOTHING-OUTERWEAR
CEREMONIAL ARTIFACT
Historical Association
PERSONAL CARE
History
ON APRIL 24, 2018, COLLECTIONS TECHNICIAN KEVIN MACLEAN INTERVIEWED BARB CLARKE REGARDING HER DONATION OF A WEDDING GOWN AND GOING-AWAY ENSEMBLE. THE WEDDING GOWN AND GOING-AWAY ENSEMBLE WERE WORN BY CLARKE FOR HER WEDDING IN 1965. ON HER WEDDING AND HER SELECTION OF THE WEDDING GOWN, CLARKE RECALLED, “I WENT SHOPPING FOR A WEDDING DRESS, AND THIS WAS THE FIRST DRESS I TRIED ON. IT COST ME $75.00. I JUST BOUGHT IT, AND SAID, 'OK, IT FITS. I GUESS WE’LL PUT IT AWAY, AND HANG IT UP IN THE CLOSET, AND IT’LL BE READY WHEN WE GET [IT].' AFTER SUMMER SCHOOL–-I GUESS I HAD WORKED HARD–-BUT I HAD LOST SOME WEIGHT. WHEN I STOOD IN THE DRESS THE HEM HUNG ON THE FLOOR, SO FOR THE PICTURES I HAD TO STAND UP ON MY TIPTOES, SO THAT THE DRESS WAS NOT CRUMPLING IN FRONT OF ME.” “[I BOUGHT IT FROM] ONE OF THE DRESS SHOPS ON FOURTH AVE. THERE’S A NUMBER OF DRESS SHOPS ALONG THAT STREET. IT WAS NOT A BIG SHOP; IT WAS NOT A BIG ‘WEDDING DRESS’ SHOP LIKE THEY HAVE NOW. IT WAS JUST A SHOP THAT SEEMED LIKE THEY HAD SOME WEDDING DRESSES IN ONE SECTION.” “[IT] WAS NOT A BIG POUFY DRESS. I JUST WANTED SOMETHING VERY SIMPLE, BUT SOMETHING VERY STRAIGHT AND EASY TO WEAR. I ALWAYS LIKED THE ‘HEAVY LACE’ KINDS OF THINGS. WHEN I FOUND THIS, AND IT WAS 75 DOLLARS, [IT] SEEMED LIKE A LOT OF MONEY, BUT I WAS TEACHING. I HAD ALSO BORROWED SOME MONEY FROM MY DAD TO BUY A CAR, AND I WASN’T MAKING MUCH MONEY. WHEN I WAS STARTING TEACHING, MY COUSIN WHO WAS WORKING IN A BANK MADE MORE MONEY THAN I DID, BUT I HAD TO PAY OFF THE LOAN TO MY DAD FOR THE CAR. BUT I WAS ABLE TO SQUEEZE OUT ENOUGH MONEY TO BUY THIS DRESS.” “THIS WAS SOMEWHAT OF A DEPARTURE BECAUSE IT WAS JUST A STRAIGHT SHEATHE DRESS. MANY OF THEM WERE—I DON’T WANT TO SAY MORE STRAPLESS, BUT THEY HAD MORE ‘BEADING’, MORE ‘NETTING’, MORE POUFY WITH CRINOLINES, AND WIDER DRESSES. I JUST WAS TRYING TO GO AS SIMPLE AS I COULD. THIS ONE HAD THIS NICE LITTLE TRAIN ON IT, SO THAT MADE IT A LITTLE BIT MORE DRESSY AND ELEGANT. IT WAS NOT OVER-THE-TOP WITH POUFINESS. I WAS BRIDESMAID A FEW TIMES-–SO I THOUGHT I WAS NEVER GOING TO BE A BRIDE. MOST OF THE OTHER GIRLS HAD WIDER DRESSES. THIS ONE HAS THE LONG SLEEVES WITH THE LITTLE POINTY THING ON YOUR WRIST AND HAND, AND NOT MANY OF THEM WERE LIKE THAT. MOST OF THEM WERE SHORTER SLEEVES. I’M NOT SURE THAT THIS ONE WOULD BE TOTALLY REPRESENTATIONAL [OF THE FASHION OF THE TIME], BUT IT ALWAYS ACQUIRED MANY COMPLIMENTS AS BEING A VERY NICE DRESS.” ON HER WEDDING, CLARKE ELABORATED, “[I MARRIED] DAVE CLARKE. HE GREW UP AT CASTOR, ALBERTA, WHICH IS 200 MILES NORTH OF TABER, ON HIGHWAY 36. WE MET WHEN WE WERE BOTH TEACHERS. WE MET AT CARSTAIRS. HE WAS TEACHING, AND I STARTED AN INTERNSHIP PROGRAM THERE. WE MET IN THE SPRING, AND THEN I GOT A JOB THERE THAT FALL. WE DATED THROUGHOUT THAT YEAR, AND GOT MARRIED THE FOLLOWING YEAR.” “I GREW UP EAST OF MILK RIVER, IN THE COMMUNITY OF MASINASIN BY WRITING-ON-STONE PARK. I HAD COMPLETED MY HIGH SCHOOL IN MILK RIVER, AND THEN I WENT OFF TO CALGARY TO UNIVERSITY. TWO YEARS OF UNIVERSITY…WAS ALL THAT WAS REQUIRED AT THAT TIME. THERE WAS A TEACHER SHORTAGE, SO YOU COULD GET A JOB AFTER TWO YEARS, WITHOUT YOUR DEGREE, AND THAT’S WHAT I DID. THEN I MET DAVE. WE DECIDED TO GET MARRIED. DAVE WAS HELPING OUT HIS PARENTS AT THEIR FARM IN CASTOR BECAUSE THEY WERE MOVING A HOUSE DURING THAT SUMMER, AND HE WAS HELPING GET THAT HOUSE MOVED FOR HIS PARENTS. I WAS PICKING UP SOME COURSES AT EDMONTON UNIVERSITY. IT JUST HAPPENED THAT I HAD NOT FELT THAT IT WAS IMPORTANT TO HAVE A WEDDING. I JUST THOUGHT WE WOULD JUST GET MARRIED, AND HAVE FAMILY MEMBERS THERE, AND THAT WOULD BE IT. OF COURSE, MY MOM AND DAD SAID, 'NO, WE’RE GOING TO HAVE A WEDDING.' SO, I SAID, 'WELL, I’M GOING.' AFTER MY YEAR OF SCHOOL TEACHING IN CARSTAIRS THAT FINISHED THE END OF JUNE, I WAS DUE IN EDMONTON FOR MY SUMMER SCHOOL CLASSES. SO, I SAID TO MOM AND DAD, 'I GUESS IF YOU WANT A WEDDING, WE’LL TALK BY PHONE, BUT YOU’LL HAVE TO MAKE ALL THE ARRANGEMENTS, AND THE PLANS FOR IT.' SO, THEY DID. WE HAD THE WEDDING.” “[THE WEDDING] WAS ALL THE SAME DAY. THE WEDDING WAS AT ONE O’CLOCK IN THE AFTERNOON [AT SOUTHMINSTER CHURCH]. THEN THE RECEPTION WAS A BIT EARLIER [AT EL RANCHO, WHICH IS NOW THE COAST HOTEL]. THEN WE DROVE DOWN TO THE FARM, AND WE HAD A BIT OF AN ‘OPEN HOUSE’ THERE. THE DANCE WAS AT NINE O’CLOCK [AT THE MASINASIN SCHOOL]. I WAS IN THE [WEDDING] DRESS UNTIL TOWARDS THE END OF THE WEDDING DANCE BECAUSE AT THE WEDDING DANCE YOU HAD TO HAVE YOUR FIRST DANCE WITH YOUR DAD. THEN I WENT BACK TO THE FARM, WHICH WAS ONLY THREE MILES AWAY, AND CHANGED INTO THE GOING AWAY OUTFIT. WE CAME BACK TO THE DANCE, AND SAID GOODBYE TO EVERYBODY THERE, AND THEN WE LEFT FROM THERE.” “IT WOULDN’T HAVE BEEN A COMMUNITY EVENT. I WAS THE YOUNGEST IN MY FAMILY, AND THE ONLY GIRL. MOM AND DAD HAD BEEN VERY ACTIVE IN THE COMMUNITY, AND CERTAINLY HOSTING A WEDDING FOR YOUR DAUGHTER WAS VERY IMPORTANT TO THEM. I GREW UP THINKING, 'HUH, IT DOESN’T MATTER TO ME IF I HAVE A WEDDING OR NOT.' BUT IT CERTAINLY WAS TO THEM, AND TO THE EXTENDED FAMILY IT WAS IMPORTANT. I WAS AMAZED – EVEN WHEN I LOOK THROUGH MY WEDDING BOOK NOW – ALL OF THE AUNTS AND UNCLES THAT CAME. SOME CAME FROM THE UNITED STATES, AND DAVE’S UNCLE, WHO WAS MASTER OF CEREMONIES AT THE RECEPTION, WAS THERE FROM EDMONTON. I WAS AMAZED THAT PEOPLE WOULD COME. I DIDN’T THINK THAT I WAS THAT IMPORTANT THAT ANYBODY WOULD COME, BUT IT TURNED OUT TO BE A VERY, VERY NICE OCCASION, EVERYBODY HAD A VERY GOOD TIME. IT WAS CERTAINLY THE INTRODUCTION OF THE TWO FAMILIES TOGETHER. I RECOGNIZED AFTER-–SOME YEARS LATER-–THAT WEDDINGS ARE HAPPY OCCASIONS, AND THAT IF EXTENDED FAMILIES DON’T GET TOGETHER FOR HAPPY OCCASIONS, THEY OFTEN GET TOGETHER JUST FOR FUNERALS AND MORE SAD OCCASIONS. I CERTAINLY UNDERSTAND NOW HOW IMPORTANT IT WAS TO MY PARENTS, AND THAT IT WAS A GOOD OCCASION FOR THE WHOLE EXTENDED FAMILY.” “THE WAY THE SUMMER PROGRESSED, DAVE WAS VERY BUSY WITH HIS PARENTS…AND I WAS BUSY AT SUMMER SCHOOL. IF YOU KNOW ANYTHING ABOUT SUMMER SCHOOL, YOU KNOW THAT YOU ARE CRAMMING, AND TAKING CLASSES, AND YOU’RE DOING EXAMS. EVERYTHING IS FAST BECAUSE YOU ARE TRYING TO GET IT ALL DONE IN 6 WEEKS, AND YOU’RE TRYING TO MAKE SURE THAT YOU ARE GETTING A FULL CREDIT FOR YOUR COURSE. MY FINAL EXAM WAS ON A TUESDAY, AND I PACKED UP MY THINGS, AND WENT TO CASTOR ON THE WEDNESDAY. [I] PICKED UP DAVE, AND WE CAME TO LETHBRIDGE ON THE THURSDAY. WE MET WITH THE MINISTER ON THE THURSDAY, AND HE SAID THAT HE WAS BEGINNING TO WONDER IF THERE WAS A BRIDE AND GROOM BECAUSE HE HADN’T MET US…WE HAD THE REHEARSAL ON FRIDAY; THE WEDDING ON SATURDAY. FOR OUR HONEYMOON, WE WENT DOWN TO SANDPOINT AND COEUR D’ ALENE ON A LITTLE TRIP DOWN THERE. ONE WEEK LATER WE WERE IN A SMALL TOWN, NEIGHBOURING TO CASTOR, WHERE WE HAD TEACHING JOBS BECAUSE THE SCHOOL YEAR WAS TO START. WE HAD NO TIME TO SET UP A LITTLE TEACHERAGE. THE SCHOOL BOARD THERE RENTED US A HOUSE…THAT WAS HOW WE STARTED. IT WASN’T A VERY GRAND BEGINNING.” “[LETHBRIDGE WAS THE MID-POINT] TO ACCOMMODATE THE FAMILIES. MOM HAD MADE THE ARRANGEMENTS, SO I THINK IT MIGHT HAVE BEEN SOMETHING TO DO WITH WHETHER OR NOT THEY COULD HAVE THE RECEPTION CLOSE [TO SOUTHMINSTER CHURCH]. BECAUSE I WENT TO SUNDAY SCHOOL AND BELONGED TO THE CHURCH IN MILK RIVER – SO DID MY PARENTS –WE WERE AFFILIATED WITH THE UNITED CHURCH. SOUTHMINSTER WAS DEFINITELY NOT OUR HOME CHURCH AT THAT TIME.” CLARKE SPOKE TO HER MOTIVES FOR KEEPING AND DONATING THE WEDDING GOWN AND GOING-AWAY ENSEMBLE, STATING, “IT’S ALWAYS [BEEN] EASY TO KEEP IT. I DON’T THINK I’M A HOARDER, BUT I DO LOVE SENTIMENTAL THINGS, AND I HAVE MY MOTHER’S WEDDING DRESS AND GOING-AWAY OUTFIT. THEY ARE VALUABLE PIECES. THIS DRESS AND THIS OUTFIT, I HAD IT OUT AT OUR 25TH WEDDING ANNIVERSARY. I COULDN’T WEAR IT MYSELF BECAUSE MY ARMS CHANGED, BUT MY NIECE WORE IT, AND WE HAD A BIG PARTY-–FAMILY PARTY–-FOR OUR 25TH. THEN A FEW YEARS AGO SOUTHMINSTER CHURCH HAD A 100TH ANNIVERSARY, SO WE WERE ALL INVITED TO TAKE WHATEVER WE WANTED FROM OUR OWN HISTORY, AND SO [MY WEDDING] DRESS WAS WORN AT THAT OCCASION AS WELL.” “I’VE HUNG ONTO THESE MATERIALS FOR 52 YEARS, AND NOW I’M DOWNSIZING MY HOME SO THAT I CAN LIVE IN A CONDO. MY HUSBAND DIED LAST YEAR, AND, AS I’M DOWNSIZING, I LOOK THROUGH ALL OF THE THINGS THAT WE HAVE ACQUIRED AND PACKED AROUND WITH US FOR ALL OF OUR MARRIED YEARS. I DECIDED THAT THIS DRESS AND THIS OUTFIT WERE NOT GOING ANYWHERE AS LONG AS IT WAS IN MY STUFF, AND THAT PERHAPS THERE WAS SOME VALUE IN IT HAVING IT AS PROPERTY OF THE MUSEUM.” FOR MORE INFORMATION INCLUDING THE FULL INTERVIEW TRANSCRIPTION AND PHOTOGRAPHS, PLEASE SEE THE PERMANENT FILE P20180008001-GA.
Catalogue Number
P20180008002
Acquisition Date
2018-04
Collection
Museum
Images
Less detail
Date Range From
1950
Date Range To
1960
Material Type
Artifact
Materials
COTTON, SILK, PLASTIC
Catalogue Number
P20170003000
  2 images  
Material Type
Artifact
Date Range From
1950
Date Range To
1960
Materials
COTTON, SILK, PLASTIC
No. Pieces
2
Length
51
Width
25.5
Description
IVORY AND PALE BLUE ROMPER; TWO PIECES, IVORY TOP AND BLUE SHORTS ATTACHED WITH SIX OPAQUE WHITE BUTTONS. TOP HAS FOUR IVORY BUTTONS RUNNING DOWN THE FRONT; SLEEVES HAVE A SINGLE WHITE BUTTON AT CUFFS. TOP HAS ELASTIC WAIST. BOTTOMS LINED WITH WHITE COTTON FABRIC; SEAMS ALONG LEGS AND SHOULDERS MACHINE-STITCHED WITH WHITE THREAD. FRONT HAS STITCHED WAVE-LINE PATTERN AND DOUBLE-LINE BORDERS ON LEFT AND RIGHT SIDES. FRONT IS CREASED AT TOP AND FADED ON BOTTOM; OVERALL VERY GOOD CONDITION.
Subjects
CLOTHING-OUTERWEAR
Historical Association
PERSONAL CARE
History
ON JANUARY 31M 2017, COLLECTIONS TECHNICIAN KEVIN MACLEAN INTERVIEWED TREVOR BENNETT ABOUT HIS DONATION OF A CHILD’S ROMPER. ACCORDING TO BENNETT, THE ROMPER WAS HAND-MADE BY HIS MATERNAL GRANDMOTHER IN ENGLAND AND WAS SENT TO LETHBRIDGE FOR HIS WEAR. WHEN ASKED ABOUT THE USE AND HISTORY OF THE ROMPER, BENNETT ELABORATED, “I HAVE SOME PICTURES OF ME WEARING THE SATIN SET. I DON’T REMEMBER WEARING THEM, BUT I HAVE A PICTURE OF ME WEARING THIS, AND BEING HELD, OR PUSHED…BY MY GRANDFATHER...HIS NAME WAS MICHAEL JOHN BENNETT. HE WAS A MAJOR FROM THE FIRST WORLD WAR.” “THEY WOULD HAVE BEEN [MADE] BY MY GRANDMOTHER WHO LIVED IN ENGLAND. SHE LIVED IN A LITTLE VILLAGE CALLED CURBRIDGE THAT WAS NEAR WHITNEY AND I KNOW MY PARENTS, AND MY GRANDPARENTS WERE MARRIED IN ST. MARY’S CHURCH IN WHITNEY.” “I CAN TELL [IT’S HOME-MADE] BY TURNING THE LINING OUT. THERE’S NO STITCHING ON THE BACK THAT INDICATES THAT IT CAME FROM ANY KIND OF STORE. I WOULD SAY IT WAS STITCHED ON A SEWING MACHINE THAT MY GRANDMOTHER HAD, AND I CAN JUST BARELY REMEMBER HER. WE WENT TO ENGLAND IN 1951, AND I STAYED WITH HER. SHE USED TO MAKE PLASTICINE TOYS FOR ME.” “MY GRANDMOTHER USED TO MAKE CLOTHING AND THINGS, AND SELL, AND SHE HAD A FAIR AMOUNT OF MACHINERY. I CAN REMEMBER SITTING AROUND IT, AND BEING TOLD TO KEEP MY HANDS AWAY FROM THINGS, THAT WAY I COULDN’T GET HURT BY THE MACHINERY.” “[I WORE THIS] EASILY FIFTY YEARS AGO. I REMEMBER THE SATIN SET, BECAUSE I USED TO HATE WEARING SATIN, AND I REMEMBER THE OTHER COTTON SET…I COULD WEAR THAT, AND I COULD BE IN THE GARDEN. IT DIDN’T MATTER IF IT GOT DIRTY, BECAUSE IT WAS WASHABLE. THE SATIN WASN’T WASHABLE, AND IF YOU WERE OUT IN THE GARDEN AND YOU GOT IT REALLY DIRTY, IT CAME WITH A PUNISHMENT.” “I PROBABLY WORE THESE ABOUT AGE TWO, AND I PROBABLY HAD OUTGROWN THEM BY THE TIME I WAS THREE AND A HALF.” BENNETT RECALLED HOW HE CAME INTO POSSESSION OF THE ROMPER, NOTING, “MY PARENTS DIED ABOUT TWENTY YEARS AGO. THEY HAD A CONDOMINIUM THAT WAS ABSOLUTELY FULL OF STUFF – SOME OF WHICH HAS FOUND ITS WAY DOWN HERE. [I] GOT A LEATHER CASE THAT MY MOTHER HAD PUT HER NAME ON IN A BLACK PAINT, AND I JUST DIDN’T FEEL LIKE OPENING ANY MORE BOXES, SO IT SAT IN THE FURNACE ROOM FOR TWENTY YEARS.” “I JUST HAD HAD ENOUGH OF SORTING THROUGH MY PARENT’S STUFF, AND DEALING WITH ALL SORTS OF THINGS, AND FINDING WHERE SHE HAD LEFT PARTS OF THINGS, AND MEETING WITH HER FRIENDS…THIS WAS LIGHT, AND I THOUGHT I’LL IGNORE IT FOR A WHILE. A WHILE BECAME MUCH LONGER THAN I EXPECTED. MY WIFE AND I HAD THINGS TO SAY ABOUT NOT TIDYING IT UP, SO IT [WAS] TIDIED UP.” “THEY WERE IN [THAT] SUITCASE THAT HASN’T BEEN OPENED FOR DECADES. I COULDN’T GET THE LOCKS OPEN BECAUSE…THEY WERE LOCKED, AND I DON’T HAVE A KEY. I TOOK IT TO A STORE WHERE I KNOW A PERSON…AND WE CUT THE LOCKS OFF THE CASE, AND ALL THAT WAS IN THEM WAS A VERY OLD, AND TIRED PLASTIC BAG, WITH SOME LITTLE BOY’S CLOTHES, THAT WOULD HAVE FITTED ME WHEN I WAS ABOUT TWO.” “I RECOGNIZED THEM BECAUSE THE PANTS ARE BUTTONED TO THE TOPS, AND THAT JUST SORT OF PREVENTS LITTLE BOYS FROM CRAWLING OUT OF THEIR CLOTHES. I KNOW I WAS NOT THE BEST LITTLE KID. I DIDN’T LIKE CLOTHES. I WAS MUCH HAPPIER NOT BOTHERING WITH CLOTHES.” “[WHEN I WORE THE OUTFIT] I WAS LIVING IN THE FIRST HOUSE MY PARENTS HAD – 1818 5TH AVENUE NORTH – A WOODEN HOUSE THAT WAS DISTINGUISHABLE FROM THE NEIGHBORS, BECAUSE IT HAD FOUR, BIG ROUND PILLARS ON THE FRONT VERANDA. IT STILL STANDS. IT WAS BUILT ABOUT 1900…THE BACKYARD, I REMEMBER, WAS ONE GREAT BIG VEGETABLE GARDEN. MY PARENT’S GREW THEIR OWN VEGETABLES, BECAUSE IT WAS THE THING THAT WAS DONE, BUT THEY DIDN’T HAVE A LOT OF MONEY IN THOSE DAYS, SO IF YOU COULD GROW YOUR THINGS, AND PICKLE THEM, YOU HAD MONEY IN THE BANK FOR OTHER THINGS.” “I REMEMBER NOT LIKING WHERE WE LIVED. I DIDN’T LIKE THE NEIGHBOR ON ONE SIDE. SHE SPOKE ONLY GERMAN, AND SHE USED TO HIT ME IF I PUT MY HANDS ON THE FENCE, AND SHE QUITE FREQUENTLY TURNED HER GARDEN HOSE ON ME. IT WAS A HOUSE THAT MY PARENTS COULD AFFORD TO BUY. I THINK THEY PAID $4000.00 FOR IT, AND THEY WERE THERE FOR ’48, ’49 – FOUR YEARS - AND MANAGED TO BUY A REALLY NICE HOUSE IN SOUTH LETHBRIDGE.” “[THE NEW HOUSE WAS] 1509 13TH STREET SOUTH. I CAN REMEMBER WHEN WE MOVED THERE. HALF WAY THROUGH THE LOT NEXT DOOR WAS A SIGN THAT SAID LETHBRIDGE CITY LIMITS. THAT CHANGED RATHER QUICKLY, AND IT BECAME A NEW SUBDIVISION. ONE OF OUR NEIGHBORS WAS A.L.H. SOMERVILLE, CITY MANAGER.” WHEN ASKED ABOUT HIS MOTHER’S CHOICE OF CLOTHING FOR HIM AS A CHILD, BENNETT RECALLED, “SHE ALWAYS BOUGHT CLOTHES, AND SHE QUITE FREQUENTLY WOULD BUY CLOTHING FROM A SECOND-HAND STORE. SHE WAS ALL ABOUT MAKING MONEY GO AS FAR AS IT COULD GO.” “HER FAVORITE STORE WAS THE T. EATON COMPANY, AND SHE WENT THERE AS FREQUENTLY AS CONVENIENT, BECAUSE THEY ALWAYS HAD A SALE ON. YOU COULD ALWAYS DIDDLE A LITTLE BIT WITH THE SALESMAN, AND GET IT FOR A LITTLE BIT CHEAPER THAN THE SALES PRICE, IF YOU WERE GOOD AT THAT, AND SHE WAS GOOD AT THAT. SHE WAS VERY GOOD AT GETTING THE PRICE THAT SHE THOUGHT SOMETHING WAS WORTH.” FOR MORE INFORMATION INCLUDING THE FULL INTERVIEW TRANSCRIPTION, PLEASE SEE PERMANENT FILE P20170003000-GA.
Catalogue Number
P20170003000
Acquisition Date
2017-01
Collection
Museum
Images
Less detail
Date Range From
1980
Date Range To
2015
Material Type
Artifact
Materials
POLYESTER, WOOL, METAL
Catalogue Number
P20170007001
  2 images  
Material Type
Artifact
Date Range From
1980
Date Range To
2015
Materials
POLYESTER, WOOL, METAL
No. Pieces
1
Length
74
Width
50
Description
PURPLE BLAZER JACKET WITH PURPLE LINING; FRONT LAPELS OF JACKET ARE DECORATED WITH PINS. FRONT LEFT AND RIGHT POCKETS LINED WITH GREY PATTERNED FABRIC; FRONT POCKETS HAVE WHITE AND PURPLE “LETHBRIDGE, NO. 32, OORP” AND “BRANDON, NO. 138, OORP” DIAMOND BADGES SEWN ON, WITH WHITE STAG IN CENTER OF TEXT. INSIDE OF BLAZER HAS BLACK TAG WITH WHITE STITCHED TEXT AT BACK OF COLLAR, “MADE IN / FABRIQUE EN CANADA”. TWO POCKETS SEWN INTO BLAZER LINING WITH WHITE CLOTH LINING; INSIDE RIGHT-WEARING INNER POCKET IS WHITE TAG WITH BILINGUAL (FRENCH AND ENGLISH) TEXT “MADE IN CANADA, CA – 00023, 55% POLYESTER, 45% WOOL DRY CLEAN ONLY”. OUTSIDE OF RIGHT-WEARING INNER POCKET HAS TAG SEWN ON; BLACK WITH WHITE TEXT “VETEMENTS, CLOTHES” AND GOLD-STITCHED TEXT BETWEEN WHITE READING “BILTMORE” AND GOLD AND WHITE LOGO IN UPPER LEFT CORNER “LP”. TWO GOLD CHECKERED BUTTONS DOWN FRONT OF BLAZER AND TWO AT EACH CUFF. BLAZER HAS FADING ON INSIDE OF CUFFS, AND STAINING ON FRONT LEFT-WEARING SIDE; OVERALL VERY GOOD CONDITION. ON FRONT RIGHT-WEARING LAPEL, PINS INCLUDE: GOLD-FINISHED PIN WITH RED AND WHITE CANADA FLAG AND BLUE AND WHITE CROSS FLAG; GOLD-FINISHED FLYING DOVE PIN; RED AND WHITE CANADA FLAG PIN; WHITE PLASTIC NAME TAG WITH SILVER ORDER OF ROYAL PURPLE SEAL AND BLACK TEXT “LETHBRIDGE LODGE NO. 32, DOROTHY TAYLOR”; GOLD-FINISHED PIN GREY, WHITE AND PEACH IMAGE OF WOMAN AND BLACK TEXT ABOVE IMAGE “DEAF DETECTION” AND BLACK TEXT BELOW IMAGE “PHOEBE MCCULLOUGH, 1896-1971”; GOLD-FINISHED PIN OF MAPLE LEAF WITH GOLD ORDER OF ROYAL PURPLE STAG ON A PURPLE BACKGROUND SURROUNDED BY GOLD LETTERS “OORP”; GOLD-FINISHED PIN WITH BAR SHAPED LIKE BOW AND HANGING SEAL OF THE ORDER OF ROYAL PURPLE; GOLD-FINISHED PIN WITH GOLD BORDER AROUND PURPLE AND YELLOW FLOWERS ON GREEN BACKGROUND, WITH ENGRAVED TEXT ON BORDER “MANITOBA ROYAL PURPLE ASSOCIATION”. ON LEFT-WEARING LAPEL IS PURPLE RIBBON WITH GOLD-FINISHED ATTACHMENT TO JACKET AND WHITE FRINGE, ON RIBBON GOLD-FINISHED PINS INCLUDE: TWO GOLD BARS ATTACHED WITH CHAIN AND HANGING ORNATE SEAL OF THE ORDER OF ROYAL PURPLE, TEXT ON TOP BAR READS “BRANDON LODGE NO. 138”, LOWER BAR TEXT READS “1998-1999”; BAR PIN WITH PURPLE TEXT “15 YRS” AND ORDER OF ROYAL PURPLE SEAL IN CENTER; BAR PIN WITH TWO TEXT BANNERS TO THE UPPER LEFT AND LOWER RIGHT OF ORDER OF ROYAL PURPLE SEAL, UPPER BANNER READS “20” AND LOWER BANNER READS “YRS”; OVAL PIN WITH ORDER OF ROYAL PURPLE SEAL IN CENTER AND BOTTOM BANNER READING “LIFE MEMBER”; FLOWER PIN WITH ORDER OF ROYAL PURPLE SEAL IN CENTER AND SIX HANGING BARS THAT READ “25 YEARS”, “30 YEARS”, “35 YEARS”, “40 YEARS”, “45 YEARS”, “50 YEARS”.
Subjects
CLOTHING-OUTERWEAR
Historical Association
ASSOCIATIONS
PERSONAL CARE
History
ON FEBRUARY 22, 2017, COLLECTIONS TECHNICIAN KEVIN MACLEAN INTERVIEWED WILMA WOOD, DAUGHTER OF DOROTHY TAYLOR, ABOUT HER DONATION OF TAYLOR’S ORDER OF ROYAL PURPLE REGALIA. THE REGALIA REPRESENTED TAYLOR’S 50-YEAR INVOLVEMENT WITH THE ORDER OF ROYAL PURPLE FROM BRANDON, MANITOBA TO LETHBRIDGE, ALBERTA. WHEN ASKED ABOUT HER MOTHER’S BLAZER, WOOD RECALLED, “[MY MOTHER WAS WEARING THIS] WITHIN THE [PAST] TWO OR THREE YEARS, AS YOU CAN SEE, SHE HAD IT ON WHEN SHE RECEIVED HER 50 YEAR PIN. I THINK SHE WENT TO ONE MORE ACTIVITY BEFORE SHE COULDN’T ANYMORE BECAUSE SHE’S BEEN WHEELCHAIR BOUND FOR 15 YEARS. IT GOT MORE AND MORE DIFFICULT FOR HER TO GET OUT.” MACLEAN ADDITIONALLY INTERVIEWED ANN MARIE MCDONALD OF THE LETHBRIDGE ORDER OF ROYAL PURPLE ON JUNE 6, 2017. ON THE BLAZER, MCDONALD ELABORATED, “WHEN I JOINED IN ’89, THEY WERE MOVING INTO THE NEW JACKETS…WE USED TO PASS DOWN JACKETS. WE USED TO HAVE A CUPBOARD. IF A LADY PASSED AWAY, YOU’D DRY-CLEAN HER JACKET, AND PUT IT INTO THE CUPBOARD…PROBABLY ABOUT 1985 THEY STARTED REPLACING THE JACKETS. I KNOW [THIS WAS DOROTHY’S JACKET] ORIGINALLY, IT HAD PIPING ON IT, AND…IT HAD BRANDON. SHE WORE THE BRANDON [BADGE] ON IT – THEN, SHE OBVIOUSLY GOT THE NEW JACKET MADE, AND THEN PUT THE [PATCH] ON HER POCKETS. IN THOSE DAYS, BEFORE I JOINED ROYAL PURPLE, YOU HAD A PATCH. YOU ALWAYS WORE THE PATCH OF YOUR LODGE ON YOUR JACKET.” “YOU WEAR WHAT ARE CALLED YOUR JEWELS ON YOUR LEFT SIDE. THIS [RIBBON WITH HER YEARS] WOULD BE A JEWEL.” “SHE WAS HONORABLE ROYAL LADY IN BRANDON, IN, POSSIBLY, 1975-76, THAT’S WHEN SHE WOULD HAVE BEEN IN.” MCDONALD ELABORATED ON THE PINS ON TAYLOR’S BLAZER, NOTING, “EACH YEAR THAT YOU STAY IN LODGE, THEY GIVE YOU A BAR. I’M THINKING MAYBE SHE DIDN’T [A BAR PIN] FROM OUR LODGE, BECAUSE SHE WAS ALREADY AN HONORED ROYAL LADY IN BRANDON. SHE JUST TOOK THE BAR, AND HAD THE BAR PUT ON HER OLD PIN – HER BRANDON PIN.” “BARS WERE [GIVEN] IF, FOR EXAMPLE, YOU WERE ON THE DRILL TEAM. YOU WOULD GET A BAR EVERY YEAR THAT YOU’RE ON THE DRILL TEAM. IF YOU WERE OUR PIANIST, YOU GOT A BAR EVERY YEAR THAT YOU STAYED AS PIANIST. SHE WAS OBVIOUSLY ON THE DRILL TEAM FOR 3 YEARS HERE. EVERY YEAR THEY GIVE YOU 1, UP TO 10. EVERY 5 YEARS YOU GOT A BAR.” “[THE CLASP PIN] IS HER 15TH YEAR BAR, SO WHEN SHE WAS IN OUR LODGE 15 YEARS…ALTHOUGH I’M NOT SURE WITH DOROTHY, IF THEY COMBINED HERS OR NOT. I KNOW THEY COMBINED HERS FOR HER 50TH. YOU WOULD WEAR IT ON [THE] RIBBON. ON THE LEFT HAND SIDE. THE LEFT SIDE IS WHAT WE CONSIDER IS OVER YOUR HEART. YOU WEAR ALL YOUR JEWELS OVER YOUR HEART.” “[THE MAPLE LEAF] IS AN INSTALLATION PIN. WHEN YOU JOIN THE LODGE, THEY GIVE YOU AN INSTALLATION PIN. THEY WANT ACKNOWLEDGE [YOUR INSTALLATION], IT’S NOT SOMETHING YOU EARN. IT’S KIND OF “WELCOME TO THE LODGE”. SHE WOULD WEAR THIS…ON HER REGALIA [LEFT] SIDE.” “NOW [THE PINS ON THE RIGHT SIDE] I DON’T KNOW WHAT [THEY ALL] ARE. DEAF DETECTION…ARE PINS, IN OUR ORGANIZATION THEY PUT OUT TONS OF PINS AND THEN SELL THEM. THERE WAS SOME FUND-RAISER FOR DEAF DETECTION, AND SHE BOUGHT A PIN.” “[THE PURPLE FLORAL PIN] IS A MANITOBA ROYAL PURPLE ASSOCIATION. SHE WOULDN’T HAVE [WORN THIS ON HER REGALIA] BECAUSE…THEY SELL THE PINS AND THEY MAKE MONEY. HER PERFECT ATTENDANCE [PIN], 5 YEARS SHE COULD WEAR ON HER REGALIA PIN. THERE IS A KEEPSAKE [PIN] THAT THEY HAD WHEN THEY HAD THEIR YEAR 2000…[YOU] BOUGHT THE PIN TO SUPPORT THE LODGE. THERE IS A BRANDON PIN. SHE WOULDN’T WEAR IT WITH HER REGALIA THOUGH…IT’S PURCHASED FOR BRANDON. [THERE IS] THE 12TH COLLECTION EDITION OF ROYAL PURPLE. THE BIRD [HAS NO SIGNIFICANCE] WITH OUR LODGE. ON DOROTHY TAYLOR’S INVOLVEMENT IN THE ORDER OF ROYAL PURPLE, MCDONALD RECALLED, “SHE WOULD HAVE BEEN IN OUR LODGE BY [1989]. SHE WAS A DUAL MEMBER OF OUR LODGE. SHE PAID HER DUES TO BRANDON, AND SHE PAID TO US FOR MANY YEARS, BECAUSE SHE LOVED BRANDON, AND HER HEART WAS IN BRANDON. SHE HAD FRIENDS, TOO, LADIES IN BRANDON THAT SHE STAYED REALLY GOOD FRIENDS WITH…WHEN SHE WAS HONORABLE ROYAL LADY, [THE BAR PIN] WASN’T THERE. [THE REST] ARE ALL FUND-RAISERS…[THERE IS ONE FOR] FUND FOR CHILDREN, WHICH WAS OUR NATIONAL CHARITY.” WOOD DISCUSSED HER MOTHER’S TIME IN THE ORDER OF ROYAL PURPLE, STATING, “SHE CONSIDERS [THESE OBJECTS IN ACTIVE USE]. SHE IS VERY MUCH A PERSON WHO VALUES THAT SOCIETY. IT HELPED HER A NUMBER OF TIMES. AS YOU GROW OLDER, ALL OF A SUDDEN YOU DISCOVER THAT YOUR BRAIN ISN’T AS ACTIVE AS IT SHOULD BE AND THE MEMORY IS GOING. SHE WOULD PUT HERSELF INTO POSITIONS WITHIN THE ORGANIZATION INCLUDING BEING PRESIDENT, THREE OR FOUR TIMES. SHE HAD TO BE AN ORGANIZER, SHE HAD TO GET HER BRAIN AND KEEP HER BRAIN FUNCTIONING, WHICH I THOUGHT WAS VERY ADMIRABLE FOR A WOMAN HER AGE BECAUSE…SHE WAS IN HER EIGHTIES. SHE RECEIVED HER 50 YEAR PIN, I THINK IT WAS TWO YEARS AGO OR THREE.” “SHE JOINED [THE ORDER OF ROYAL PURPLE] IN BRANDON, MANITOBA WHERE [MY PARENTS] WERE LIVING AT THE TIME, AND MY DAD RETIRED THERE. THEY MOVED HERE TO LETHBRIDGE BECAUSE MY BROTHER LIVED HERE, AND MY UNCLE ART GOOD…HE LIVED HERE AND THEY WANTED TO BE CLOSER TO FAMILY. THEY MOVED TO LETHBRIDGE AND MY DAD DIED SHORTLY AFTER THAT.” “[SHE JOINED] BECAUSE OF HER FRIENDS. SHE HAD A FRIENDSHIP GROUP AND THEY BELONGED. THEY RECRUITED HER.” “WHEN SHE WAS VERY ACTIVE, SHE WAS A MAJOR RECRUITER. SHE WENT OUT AND FOUND YOUNG WOMEN BUT THEY FELL BY THE WAYSIDE BECAUSE OF LIFE. SHE WAS CERTAINLY VERY ACTIVE IN THEIR PROJECTS, ONE OF WHICH WAS FINDING FINANCES TO EDUCATE YOUNG PEOPLE. WHATEVER THEY WERE [DOING], SHE WAS INTO IT FULL TILT BECAUSE THAT’S THE KIND OF PERSON SHE IS…WHATEVER SHE DOES IS FULL BLAST, FULL BORE. SHE NEVER TOLD ME ANY DETAILS ABOUT THE SOCIETY BECAUSE IT’S ONE OF THOSE SECRET SISTERHOODS. SHE WAS ALWAYS VERY PROUD TO BE A MEMBER OF IT.” “THIS [CHAPTER] DID A LOT OF EDUCATIONAL SUPPORT…SHE TRAVELED WITH THEM BECAUSE IT WAS A CANADIAN ORGANIZATION, SO THEY HAD THEIR ANNUAL GENERAL MEETINGS ALL OVER CANADA. SHE CAME OUT TO VANCOUVER TO A MEETING AND I WENT OVER TO VANCOUVER TO MEET HER AND SAY “HOWDY”. SHE WENT OUT TO THE PREMIER’S, AT THAT TIME WAS VANDER ZALM, AND HE HAD THE BIG GARDENS OUT NEAR STEVESTON. SHE WENT OUT THERE AND SHE MET HIM.” “A YEAR AGO ABOUT THIS TIME, THAT’S WHEN [THE ORDER WAS] FOLDING. THE ALBERTA CLUBS WERE ALL IMPLODING, AND I THINK THERE’S ONLY ONE LEFT IN SOUTHERN ALBERTA. IT WAS THE ISSUE THAT THEY WERE ALL OLD PEOPLE AND YOUNG PEOPLE DID NOT WANT TO JOIN THESE KINDS OF ORGANIZATIONS ANY LONGER…[THIS HAPPENED BECAUSE] I THINK WE HAVE MORE LEGAL SUPPORT. THE GOVERNMENT HAS SET UP HEALTH CARE, COMMUNITIES HAVE SET UP ASSISTANCE FOR WOMEN WHO ARE ABUSED, THERE’S DRUG ASSISTANCE. THERE IS MUCH MORE ASSISTANCE AVAILABLE. IN THE EARLY DAYS ON THE PRAIRIES, IF YOU DIDN’T KNOW YOUR NEXT DOOR NEIGHBOR, WHO MIGHT BE TWENTY MILES AWAY, YOU WERE IN DEEP DOO-DOO IF YOU HAD A BIG PROBLEM. THAT’S WHAT THESE SOCIETIES CAME OUT OF WAS THAT NEED. THE NEED PRETTY WELL HAS BEEN TAKEN CARE OF, I THINK. THERE ARE STILL CLUBS BUT THEY’RE DIFFERENT KINDS OF CLUBS NOW.” WHEN ASKED ABOUT HER MOTIVATION FOR DONATING HER MOTHER’S REGALIA TO THE MUSEUM, WOOD NOTED, “MY MOTHER HAS TURNED 99 YEARS OLD IN JANUARY. SHE HAS DEMENTIA AND SO WE’VE HAD TO MOVE HER FROM HER SENIOR’S LODGE ROOM INTO A MORE SECURE ROOM. CONSEQUENTLY THE LAST OF THE THINGS THAT SHE TREASURED OR VALUED MUST BE DISPERSED. MY BROTHER AND I DECIDED THAT, SINCE THE ELKS AND THE ROYAL PURPLE MEANT SO MUCH TO HER, THAT [THESE WERE] THE [OBJECTS] WE WOULD LIKE TO DONATE TO THE MUSEUM. IT DEPICTS A PERIOD OF TIME WHEN THE WOMEN USED THESE ASSOCIATIONS AS A SUPPORT GROUP FOR THEMSELVES. IT WAS ANOTHER ONE OF THESE SECRET SOCIETIES, WHEN IN FACT THEY WERE SISTERHOODS. THEY WERE MEANT MAINLY FOR THEM TO HAVE PEOPLE TO SUPPORT EACH OTHER. SINCE THIS ORGANIZATION HAS BASICALLY COLLAPSED, I THOUGHT IT WAS SOMETHING THAT THE MUSEUM SHOULD HAVE BECAUSE IT DOES SHOW THAT PERIOD OF TIME IN THE SOCIAL HISTORY OF CANADA.” FOR MORE INFORMATION INCLUDING FULL INTERVIEW TRANSCRIPTIONS, PLEASE SEE THE PERMANENT FILE P20170007001-GA.
Catalogue Number
P20170007001
Acquisition Date
2017-02
Collection
Museum
Images
Less detail
Date Range From
1980
Date Range To
2015
Material Type
Artifact
Materials
COTTON, PLASTIC
Catalogue Number
P20170007002
  2 images  
Material Type
Artifact
Date Range From
1980
Date Range To
2015
Materials
COTTON, PLASTIC
No. Pieces
1
Length
67
Width
44
Description
WHITE LINEN BLOUSE WITH SIX WHITE PLASTIC BUTTONS RUNNING DOWN FRONT, AND ONE AT EACH CUFF. BLOUSE HAS FLORAL-PATTERNED EMBROIDERED LINING OVER BUTTON HOLES DOWN FRONT, AND FLORAL-PATTERNED EMBROIDERY AT COLLAR. INSIDE COLLAR OF BLOUSE HAS WHITE TAG WITH YELLOW AND BLACK TEXT “ELITE, INTERNATIONAL, CA – 00034. INSIDE LEFT-WEARING SIDE OF BLOUSE IS WHITE TAG WITH BLACK TEXT “18” AND TWO WHITE PLASTIC BUTTONS. BLOUSE SHOWS LITTLE SIGNS OF WEAR; OVERALL EXCELLENT CONDITION.
Subjects
CLOTHING-OUTERWEAR
Historical Association
ASSOCIATIONS
PERSONAL CARE
History
ON FEBRUARY 22, 2017, COLLECTIONS TECHNICIAN KEVIN MACLEAN INTERVIEWED WILMA WOOD, DAUGHTER OF DOROTHY TAYLOR, ABOUT HER DONATION OF TAYLOR’S ORDER OF ROYAL PURPLE REGALIA. THE REGALIA REPRESENTED TAYLOR’S 50-YEAR INVOLVEMENT WITH THE ORDER OF ROYAL PURPLE FROM BRANDON, MANITOBA TO LETHBRIDGE, ALBERTA. WOOD DISCUSSED HER MOTHER’S TIME IN THE ORDER OF ROYAL PURPLE, STATING, “SHE CONSIDERS [THESE OBJECTS IN ACTIVE USE]. SHE IS VERY MUCH A PERSON WHO VALUES THAT SOCIETY. IT HELPED HER A NUMBER OF TIMES. AS YOU GROW OLDER, ALL OF A SUDDEN YOU DISCOVER THAT YOUR BRAIN ISN’T AS ACTIVE AS IT SHOULD BE AND THE MEMORY IS GOING. SHE WOULD PUT HERSELF INTO POSITIONS WITHIN THE ORGANIZATION INCLUDING BEING PRESIDENT, THREE OR FOUR TIMES. SHE HAD TO BE AN ORGANIZER, SHE HAD TO GET HER BRAIN AND KEEP HER BRAIN FUNCTIONING, WHICH I THOUGHT WAS VERY ADMIRABLE FOR A WOMAN HER AGE BECAUSE…SHE WAS IN HER EIGHTIES. SHE RECEIVED HER 50 YEAR PIN, I THINK IT WAS TWO YEARS AGO OR THREE.” “SHE JOINED [THE ORDER OF ROYAL PURPLE] IN BRANDON, MANITOBA WHERE [MY PARENTS] WERE LIVING AT THE TIME, AND MY DAD RETIRED THERE. THEY MOVED HERE TO LETHBRIDGE BECAUSE MY BROTHER LIVED HERE, AND MY UNCLE ART GOOD…HE LIVED HERE AND THEY WANTED TO BE CLOSER TO FAMILY. THEY MOVED TO LETHBRIDGE AND MY DAD DIED SHORTLY AFTER THAT.” “[SHE JOINED] BECAUSE OF HER FRIENDS. SHE HAD A FRIENDSHIP GROUP AND THEY BELONGED. THEY RECRUITED HER.” “WHEN SHE WAS VERY ACTIVE, SHE WAS A MAJOR RECRUITER. SHE WENT OUT AND FOUND YOUNG WOMEN BUT THEY FELL BY THE WAYSIDE BECAUSE OF LIFE. SHE WAS CERTAINLY VERY ACTIVE IN THEIR PROJECTS, ONE OF WHICH WAS FINDING FINANCES TO EDUCATE YOUNG PEOPLE. WHATEVER THEY WERE [DOING], SHE WAS INTO IT FULL TILT BECAUSE THAT’S THE KIND OF PERSON SHE IS…WHATEVER SHE DOES IS FULL BLAST, FULL BORE. SHE NEVER TOLD ME ANY DETAILS ABOUT THE SOCIETY BECAUSE IT’S ONE OF THOSE SECRET SISTERHOODS. SHE WAS ALWAYS VERY PROUD TO BE A MEMBER OF IT.” “THIS [CHAPTER] DID A LOT OF EDUCATIONAL SUPPORT…SHE TRAVELED WITH THEM BECAUSE IT WAS A CANADIAN ORGANIZATION, SO THEY HAD THEIR ANNUAL GENERAL MEETINGS ALL OVER CANADA. SHE CAME OUT TO VANCOUVER TO A MEETING AND I WENT OVER TO VANCOUVER TO MEET HER AND SAY “HOWDY”. SHE WENT OUT TO THE PREMIER’S, AT THAT TIME WAS VANDER ZALM, AND HE HAD THE BIG GARDENS OUT NEAR STEVESTON. SHE WENT OUT THERE AND SHE MET HIM.” “A YEAR AGO ABOUT THIS TIME, THAT’S WHEN [THE ORDER WAS] FOLDING. THE ALBERTA CLUBS WERE ALL IMPLODING, AND I THINK THERE’S ONLY ONE LEFT IN SOUTHERN ALBERTA. IT WAS THE ISSUE THAT THEY WERE ALL OLD PEOPLE AND YOUNG PEOPLE DID NOT WANT TO JOIN THESE KINDS OF ORGANIZATIONS ANY LONGER…[THIS HAPPENED BECAUSE] I THINK WE HAVE MORE LEGAL SUPPORT. THE GOVERNMENT HAS SET UP HEALTH CARE, COMMUNITIES HAVE SET UP ASSISTANCE FOR WOMEN WHO ARE ABUSED, THERE’S DRUG ASSISTANCE. THERE IS MUCH MORE ASSISTANCE AVAILABLE. IN THE EARLY DAYS ON THE PRAIRIES, IF YOU DIDN’T KNOW YOUR NEXT DOOR NEIGHBOR, WHO MIGHT BE TWENTY MILES AWAY, YOU WERE IN DEEP DOO-DOO IF YOU HAD A BIG PROBLEM. THAT’S WHAT THESE SOCIETIES CAME OUT OF WAS THAT NEED. THE NEED PRETTY WELL HAS BEEN TAKEN CARE OF, I THINK. THERE ARE STILL CLUBS BUT THEY’RE DIFFERENT KINDS OF CLUBS NOW.” WHEN ASKED ABOUT HER MOTIVATION FOR DONATING HER MOTHER’S REGALIA TO THE MUSEUM, WOOD NOTED, “MY MOTHER HAS TURNED 99 YEARS OLD IN JANUARY. SHE HAS DEMENTIA AND SO WE’VE HAD TO MOVE HER FROM HER SENIOR’S LODGE ROOM INTO A MORE SECURE ROOM. CONSEQUENTLY THE LAST OF THE THINGS THAT SHE TREASURED OR VALUED MUST BE DISPERSED. MY BROTHER AND I DECIDED THAT, SINCE THE ELKS AND THE ROYAL PURPLE MEANT SO MUCH TO HER, THAT [THESE WERE] THE [OBJECTS] WE WOULD LIKE TO DONATE TO THE MUSEUM. IT DEPICTS A PERIOD OF TIME WHEN THE WOMEN USED THESE ASSOCIATIONS AS A SUPPORT GROUP FOR THEMSELVES. IT WAS ANOTHER ONE OF THESE SECRET SOCIETIES, WHEN IN FACT THEY WERE SISTERHOODS. THEY WERE MEANT MAINLY FOR THEM TO HAVE PEOPLE TO SUPPORT EACH OTHER. SINCE THIS ORGANIZATION HAS BASICALLY COLLAPSED, I THOUGHT IT WAS SOMETHING THAT THE MUSEUM SHOULD HAVE BECAUSE IT DOES SHOW THAT PERIOD OF TIME IN THE SOCIAL HISTORY OF CANADA.” FOR MORE INFORMATION INCLUDING FULL INTERVIEW TRANSCRIPTIONS, PLEASE SEE THE PERMANENT FILE P20170007001-GA.
Catalogue Number
P20170007002
Acquisition Date
2017-02
Collection
Museum
Images
Less detail
Date Range From
1980
Date Range To
2015
Material Type
Artifact
Materials
POLYESTER, COTTON
Catalogue Number
P20170007003
  1 image  
Material Type
Artifact
Date Range From
1980
Date Range To
2015
Materials
POLYESTER, COTTON
No. Pieces
1
Length
71.5
Width
40
Description
WHITE PLEATED SKIRT WITH ELASTIC WAIST; INSIDE BACK OF SKIRT HAS GREY TAG WITH BLACK TEXT “TRADITION, SEARS”. WHITE TAG UNDERNEATH HAS BLACK AND RED TEXT “100% POLYESTER, CA – 02945, MODELE/STYLE 207902, LOT, 2 ½, TAILLE/SIZE, 16, FABRIQUE AU/MADE IN CANADA, EXCLUSIVE OF TRIM”. FRONT OF SKIRT IS STAINED ON RIGHT-WEARING AND LEFT-WEARING SIDES; OVERALL VERY GOOD CONDITION.
Subjects
CLOTHING-OUTERWEAR
Historical Association
ASSOCIATIONS
PERSONAL CARE
History
ON FEBRUARY 22, 2017, COLLECTIONS TECHNICIAN KEVIN MACLEAN INTERVIEWED WILMA WOOD, DAUGHTER OF DOROTHY TAYLOR, ABOUT HER DONATION OF TAYLOR’S ORDER OF ROYAL PURPLE REGALIA. THE REGALIA REPRESENTED TAYLOR’S 50-YEAR INVOLVEMENT WITH THE ORDER OF ROYAL PURPLE FROM BRANDON, MANITOBA TO LETHBRIDGE, ALBERTA. WOOD DISCUSSED HER MOTHER’S TIME IN THE ORDER OF ROYAL PURPLE, STATING, “SHE CONSIDERS [THESE OBJECTS IN ACTIVE USE]. SHE IS VERY MUCH A PERSON WHO VALUES THAT SOCIETY. IT HELPED HER A NUMBER OF TIMES. AS YOU GROW OLDER, ALL OF A SUDDEN YOU DISCOVER THAT YOUR BRAIN ISN’T AS ACTIVE AS IT SHOULD BE AND THE MEMORY IS GOING. SHE WOULD PUT HERSELF INTO POSITIONS WITHIN THE ORGANIZATION INCLUDING BEING PRESIDENT, THREE OR FOUR TIMES. SHE HAD TO BE AN ORGANIZER, SHE HAD TO GET HER BRAIN AND KEEP HER BRAIN FUNCTIONING, WHICH I THOUGHT WAS VERY ADMIRABLE FOR A WOMAN HER AGE BECAUSE…SHE WAS IN HER EIGHTIES. SHE RECEIVED HER 50 YEAR PIN, I THINK IT WAS TWO YEARS AGO OR THREE.” “SHE JOINED [THE ORDER OF ROYAL PURPLE] IN BRANDON, MANITOBA WHERE [MY PARENTS] WERE LIVING AT THE TIME, AND MY DAD RETIRED THERE. THEY MOVED HERE TO LETHBRIDGE BECAUSE MY BROTHER LIVED HERE, AND MY UNCLE ART GOOD…HE LIVED HERE AND THEY WANTED TO BE CLOSER TO FAMILY. THEY MOVED TO LETHBRIDGE AND MY DAD DIED SHORTLY AFTER THAT.” “[SHE JOINED] BECAUSE OF HER FRIENDS. SHE HAD A FRIENDSHIP GROUP AND THEY BELONGED. THEY RECRUITED HER.” “WHEN SHE WAS VERY ACTIVE, SHE WAS A MAJOR RECRUITER. SHE WENT OUT AND FOUND YOUNG WOMEN BUT THEY FELL BY THE WAYSIDE BECAUSE OF LIFE. SHE WAS CERTAINLY VERY ACTIVE IN THEIR PROJECTS, ONE OF WHICH WAS FINDING FINANCES TO EDUCATE YOUNG PEOPLE. WHATEVER THEY WERE [DOING], SHE WAS INTO IT FULL TILT BECAUSE THAT’S THE KIND OF PERSON SHE IS…WHATEVER SHE DOES IS FULL BLAST, FULL BORE. SHE NEVER TOLD ME ANY DETAILS ABOUT THE SOCIETY BECAUSE IT’S ONE OF THOSE SECRET SISTERHOODS. SHE WAS ALWAYS VERY PROUD TO BE A MEMBER OF IT.” “THIS [CHAPTER] DID A LOT OF EDUCATIONAL SUPPORT…SHE TRAVELED WITH THEM BECAUSE IT WAS A CANADIAN ORGANIZATION, SO THEY HAD THEIR ANNUAL GENERAL MEETINGS ALL OVER CANADA. SHE CAME OUT TO VANCOUVER TO A MEETING AND I WENT OVER TO VANCOUVER TO MEET HER AND SAY “HOWDY”. SHE WENT OUT TO THE PREMIER’S, AT THAT TIME WAS VANDER ZALM, AND HE HAD THE BIG GARDENS OUT NEAR STEVESTON. SHE WENT OUT THERE AND SHE MET HIM.” “A YEAR AGO ABOUT THIS TIME, THAT’S WHEN [THE ORDER WAS] FOLDING. THE ALBERTA CLUBS WERE ALL IMPLODING, AND I THINK THERE’S ONLY ONE LEFT IN SOUTHERN ALBERTA. IT WAS THE ISSUE THAT THEY WERE ALL OLD PEOPLE AND YOUNG PEOPLE DID NOT WANT TO JOIN THESE KINDS OF ORGANIZATIONS ANY LONGER…[THIS HAPPENED BECAUSE] I THINK WE HAVE MORE LEGAL SUPPORT. THE GOVERNMENT HAS SET UP HEALTH CARE, COMMUNITIES HAVE SET UP ASSISTANCE FOR WOMEN WHO ARE ABUSED, THERE’S DRUG ASSISTANCE. THERE IS MUCH MORE ASSISTANCE AVAILABLE. IN THE EARLY DAYS ON THE PRAIRIES, IF YOU DIDN’T KNOW YOUR NEXT DOOR NEIGHBOR, WHO MIGHT BE TWENTY MILES AWAY, YOU WERE IN DEEP DOO-DOO IF YOU HAD A BIG PROBLEM. THAT’S WHAT THESE SOCIETIES CAME OUT OF WAS THAT NEED. THE NEED PRETTY WELL HAS BEEN TAKEN CARE OF, I THINK. THERE ARE STILL CLUBS BUT THEY’RE DIFFERENT KINDS OF CLUBS NOW.” WHEN ASKED ABOUT HER MOTIVATION FOR DONATING HER MOTHER’S REGALIA TO THE MUSEUM, WOOD NOTED, “MY MOTHER HAS TURNED 99 YEARS OLD IN JANUARY. SHE HAS DEMENTIA AND SO WE’VE HAD TO MOVE HER FROM HER SENIOR’S LODGE ROOM INTO A MORE SECURE ROOM. CONSEQUENTLY THE LAST OF THE THINGS THAT SHE TREASURED OR VALUED MUST BE DISPERSED. MY BROTHER AND I DECIDED THAT, SINCE THE ELKS AND THE ROYAL PURPLE MEANT SO MUCH TO HER, THAT [THESE WERE] THE [OBJECTS] WE WOULD LIKE TO DONATE TO THE MUSEUM. IT DEPICTS A PERIOD OF TIME WHEN THE WOMEN USED THESE ASSOCIATIONS AS A SUPPORT GROUP FOR THEMSELVES. IT WAS ANOTHER ONE OF THESE SECRET SOCIETIES, WHEN IN FACT THEY WERE SISTERHOODS. THEY WERE MEANT MAINLY FOR THEM TO HAVE PEOPLE TO SUPPORT EACH OTHER. SINCE THIS ORGANIZATION HAS BASICALLY COLLAPSED, I THOUGHT IT WAS SOMETHING THAT THE MUSEUM SHOULD HAVE BECAUSE IT DOES SHOW THAT PERIOD OF TIME IN THE SOCIAL HISTORY OF CANADA.” FOR MORE INFORMATION INCLUDING FULL INTERVIEW TRANSCRIPTIONS, PLEASE SEE THE PERMANENT FILE P20170007001-GA.
Catalogue Number
P20170007003
Acquisition Date
2017-02
Collection
Museum
Images
Less detail
Date Range From
1880
Date Range To
1890
Material Type
Artifact
Materials
COTTON, LEATHER, GLASS
Catalogue Number
P20170002000
  2 images  
Material Type
Artifact
Date Range From
1880
Date Range To
1890
Materials
COTTON, LEATHER, GLASS
No. Pieces
1
Length
103.2
Width
5
Description
BEADED BELT WITH A GEOMETRIC PATTERN SET AGAINST A GREEN BEADED BACKGROUND. PATTERN ALTERNATES BETWEEN TWO MIRRORED BLACK, YELLOW, BLUE TRIANGLES WITH THEIR BASES AT EITHER WIDTH END OF THE BELT MEETING IN THE CENTER AT THEIR POINTS AND LARGE RED AND BLUE WITH A GREEN CENTERED TRIANGLES WITH THEIR BASE AT ONE WIDTH END AND THEIR POINTS EXTENDED TO THE OPPOSING END. BEADS ARE SEWN INTO A COTTON, CANVAS FABRIC. TWO ANIMAL HIDE TIES (EACH A DIFFERENT LENGTH FROM 6.2 TO 11.8) ON EACH END AT EACH CORNER OF BELT. BACK SIDE IS RAW FABRIC WITH SEAM AT CENTER CONNECTING THE TWO HALVES. ENDS ARE HEMMED WITH TIES SEWN TO THE OUTSIDE. CONDITION: SEVERE DISCOLOURATION TO FABRIC BACKING AND SEVERE WEAR TO ANIMAL HIDE TIES. MANY LOSS THREADS OVER ENTIRE SURFACE OF BACK. BEADS AND BEADING IN EXCELLENT CONDITION OVERALL.
Subjects
INDIGENOUS
Historical Association
ETHNOGRAPHIC
History
UPON THE DONATION OF THIS BELT TO THE GALT MUSEUM, THE DONOR – PATRICIA LYNCH-STAUNTON – EXPLAINED THAT THIS BELT BELONGED TO ALFRED HARDWICH LYNCH-STAUNTON, WHO SERVED IN THE ROYAL CANADIAN MOUNTED POLICE IN FORT MACLEOD. HE RANCHED IN THE LUNDBRECK AREA AND SUPPLIED HORSES TO THE MOUNTIES. THE DONOR SAID THAT SHE HAD “NO KNOWLEDGE OF HOW [ALFRED HARDWICK] CAME INTO POSSESSION OF THE BELT. A NOTE ON THE INITIAL DOCUMENTATION ATTRIBUTES THE DATE OF THIS BELT TO CA. 1880-1890. THE ACTING CURATOR OF THE NATIVE NORTH AMERICAN DEPARTMENT OF THE GLENBOW, JOANNE SCHMIDT, AGREED WITH THE DONOR’S BELIEF THAT THE BELT WAS BLACKFOOT. THROUGH THE COMPARISON OF THE BEADED MOCCASINS AND BELTS IN THE GLENBOW’S COLLECTION WITH THIS BELT, SCHMIDT EXPLAINED THAT THE DESIGN ON THE BELT WAS MOSTLY FOUND ON THOSE FROM SIKSIKA, BUT SHE HAS ALSO SEEN THE DESIGN IN PIIKANI AND KAINAI BEADWORK THOUGH THERE ARE NOT MANY EXAMPLES IN THE COLLECTION. ALSO BY USING THE GLENBOW’S COLLECTION AS A POINT OF REFERENCE, THE CURATOR BELIEVES THAT THE BELT IS SIMILAR IN APPEARANCE TO THOSE OF THE 19TH CENTURY TO EARLY 20TH-CENTURY MUSEUM HOLDINGS. SCHMIDT ALSO PROVIDED AN EXPLANATION OF THE DESIGN FROM THE CANADIAN MUSEUM OF HISTORY. IT STATES, “ONE OF THE EARLIEST DESIGNS USED WAS ‘MIISTA-TSIKA-TUKSIIN,’ OR MOUNTAIN DESIGN. OTHER DESIGNS INCLUDED SQUARES, DIAMONDS, BARS, SLOTTED BARS AND STRIPES… TODAY SUCH DESIGNS ARE CALLED ‘MAAH-TOOHM-MOOWA-KA-NA-SKSIN,’ OR FIRST DESIGNS.” IT WAS FURTHER EXPLAINED THAT A COMPLICATING FACTOR IN IDENTIFYING THE BELT’S ORIGINS IS THE FACT THAT THE BLACKFOOT TENDED TO USE WHITE OR BLUE AS THE BACKGROUND COLOUR, NOT GREEN AS IS PRESENTED IN THE LYNCH-STAUNTON DONATION. ON 19 JANUARY 2017, MUSEUM STAFF FURTHER CONSULTED WITH RYAN HEAVY HEAD, FORMER DIRECTOR OF KAINAI STUDIES AT RED CROW COMMUNITY COLLEGE, REGARDING THE BELT’S DESIGN. HE EXPLAINED, “THE GREEN BACKGROUND IS ATYPICAL OF BLACKFOOT BEADWORK, WHICH IS NORMALLY BLUE. THE ‘MOUNTAIN DESIGN’ [DISPLAYED ON THE BELT] IS A COMMON MOTIF IN BLACKFOOT BEADWORK, BUT AGAIN THE COLOURS ARE NOT TYPICAL IN THIS EXAMPLE.” RYAN SPECULATED THAT DURING THE TIME OF DISEASE (WHEN THIS BELT APPEARS TO HAVE ORIGINATED) THERE WAS SOME DISRUPTION IN TRADITIONAL LIFE AND THAT COULD BE REFLECTED IN THE COLOUR CHOICES. ALTERNATIVELY, THE BELT MAY HAVE BEEN MADE BY THE GROS VENTRES FROM NORTHEAST MONTANA. THE DONOR, PATRICIA LYNCH-STAUNTON, IS THE GREAT-GRANDDAUGHTER OF ALFRED HARDWICK LYNCH-STAUNTON. THIS BELT WAS PASSED DOWN THROUGH THE FAMILY, FIRST FROM A. H. LYNCH-STAUNTON, THEN TO THE DONOR’S GRANDFATHER, F. C. LYNCH-STAUNTON, THEN TO HER FATHER, A. G. LYNCH-STAUNTON, FINALLY TO THE DONOR WHO BROUGHT IT TO THE MUSEUM. THE FOLLOWING INFORMATION COMES FROM THE “A. H. LYNCH-STAUNTON FAMILY HISTORY” WRITTEN FOR THE MUSEUM USING ONLINE SOURCES, THE GLENBOW ARCHIVES, AND THE BOOK TITLED “HISTORY OF THE EARLY DAYS OF PINCHER CREEK AND SOUTHERN MOUNTAINS OF ALBERTA.” “ALFRED HARDWICK LYNCH-STAUNTON (1860-1932) WAS BORN IN HAMILTON, ON AND CAME TO FORT MACLEOD IN 1877 TO JOIN THE NWMP. ACCORDING TO THE PINCHER CREEK HISTORICAL SOCIETY, HE WAS SENT TO ESTABLISH A HORSE BREEDING FARM AT PINCHER CREEK IN 1878. AFTER RETIRING FROM THE NWMP IN 1880, LYNCH-STAUNTON STATED THE FIRST CATTLE RANCH IN THE PINCHER CREEK AREA WITH JAMES BRUNEAU AND ISSAC MAY, AND LATER HOMESTEADED WEST OF TOWN. ALONG WITH HIS RANCH, LYNCH-STAUNTON MARRIED SARAH MARY BLAKE (1864-1933) IN 1890 AND THEY HAVE FIVE CHILDREN: VICTORIA, FRANDA, FRANCIS, JOHN, AND D’ARCY… A.H.’S BROTHER RICHARD LYNCH-STAUNTON (1867-1961) CAME AS FAR WEST AS MEDICINE HAT IN 1883 WITH HIS FATHER, F. H. LYNCH-STAUNTON, WHO WAS IN CHARGE OF THE SURVEY PARTY. RICHARD CAME WEST AGAIN, TO PINCHER CREEK, IN 1885 OR 1886. IN ABOUT 1900, HE ACQUIRED LAND NORTH OF LUNDBRECK, ON TODD CREEEK, WHICH BECAME THE ANTELOPE BUTTE RANCH. RICHARD AND A. H. WERE IN PARTNERSHIP FOR A NUMBER OF YEARS IN CATTLE-RANCHING AND, ACCORDING TO THE DONOR, WITH THE BUTCHER SHOP. IN 1901, RICHARD MARRIED ISABELLE MARY WILSON (1868-1971), AND THEIR SON FRANK LYNCH-STAUNTON (1905-1990), ALBERTA’S 11TH LIEUTENANT GOVERNOR FROM 1979 TO 1985. LYNCH-STAUNTON DESCENDANTS CONTINUE TO RANCH IN THE LUNDBRECK/PINCHER CREEK AREA.” PLEASE SEE PERMANENT FILE FOR MORE INFORMATION, INCLUDING CORRESPONDENCE WITH DONOR AND PEOPLE CITED IN ABOVE HISTORY.
Catalogue Number
P20170002000
Acquisition Date
2016-12
Collection
Museum
Images
Less detail
Other Name
SHORT SLEEVED, "MARATHON OF HOPE TERRY FOX"
Material Type
Artifact
Materials
COTTON
Catalogue Number
P20160024000
  1 image  
Material Type
Artifact
Other Name
SHORT SLEEVED, "MARATHON OF HOPE TERRY FOX"
Date
1981
Materials
COTTON
No. Pieces
1
Length
64.5
Width
48.5
Description
T-SHIRT MADE OF WHITE COTTON WITH RED TRIM AND PRINT. THE CAPTION READS, “MARATHON OF HOPE TERRY FOX GIVE FOR CANCER RESEARCH CANADIAN CANCER SOCIETY” ; LOGO DEPICTS TERRY FOX RUNNING, IMPOSED ON A MAP OF CANADA AND ENCLOSED BY A MAPLE LEAF. FAIR CONDITION. THE WHITE COTTON IS YELLOWING OVERALL. ON THE FRONT THERE ARE SEVERE BROWN STAINS AT THE RIGHT HIP OF THE SHIRT. SLIGHT RED STAIN AT THE CENTER, BOTTOM OF THE FRONT SIDE. ON THE BACK SIDE, THERE IS SEVERE BROWN STAINING AT THE LEFT HIP AND ON THE UPPER LEFT SHOULDER. SLIGHT DARK BROWN ON THE BOTTOM, LEFT OF CENTER.
Subjects
CLOTHING-OUTERWEAR
Historical Association
COMMEMORATIVE
ASSOCIATIONS
SPORTS
History
THIS T-SHIRT IS AN ARTIFACT THAT WAS DONATED TO THE GALT MUSEUM AND ARCHIVES ARCHIVAL COLLECTION IN NOVEMBER OF 1981 BY PAULINE APPLETON. IN AUGUST 2016, THIS ARTIFACT WAS TRANSFERRED TO COLLECTIONS. THE FOLLOWING INFORMATION HAS BEEN TAKEN FROM THE ORIGINAL ACQUISITION RECORD AND FURTHER RESEARCH INTO THE LIFE OF TERRY FOX: THE SHIRT [WAS USED] TO PROMOTE THE CROSS-CANADA RUN OF TERRY FOX, BEGINNING IN NANAIMO, BRITISH COLUMBIA. FOX, A CANCER PATIENT, JOGGED HALF-WAY ACROSS CANADA IN THE SUMMER OF 1980 TO RAISE FUNDS FOR CANCER RESEARCH. HE RAN 5, 373KM BEFORE HE WAS FORCED TO END HIS RUN BECAUSE HIS CANCER HAD APPEARED IN HIS LUNGS. FOX PASSED AWAY ON JUNE 28, 1981. ACCORDING TO HER LETHBRIDGE HERALD OBITUARY, PAULINE APPLETON (NEE SCHMUNK), PASSED AWAY ON JANUARY 22, 1999. SHE WAS FROM MEDICINE HAT, ALBERTA. SHE WAS BORN IN WINNIPEG, MANITOBA ON NOVEMBER 12, 1915 TO HER PARENTS, DAVID AND ANNA ELIZABETH SCHMUNK. THEY LATER MOVED TO A FARM IN LEADER, SASKATCHEWAN. APPLETON MOVED TO CALGARY WITH HER TWO OLDER SISTERS, WHERE SHE MARRIED ERNEST J. “HAPPY” APPLETON IN 1938. DURING WORLD WAR II, SHE LIVED IN NEW WESTMINSTER, B.C. UNTIL HER HUSBAND COMPLETED HIS MILITARY SERVICES IN EUROPE. FOLLOWING THAT, PAULINE AND ERNEST MOVED TO LETHBRIDGE, ALBERTA WHERE ERNEST WORKED AT MOLSONS BREWERY UNTIL RETIREMENT. PAULINE WORKED AS A CASHIER AND RECEPTIONIST AT A GOLF COURSE IN LETHBRIDGE FOR SEVERAL YEARS. THE COUPLE MOVED TO MEDICINE HAT YEARS AFTER ERNEST’S RETIREMENT. ERNEST PASSED AWAY ON AUGUST 3, 1994. FOR MORE INFORMATION ON INITIAL DONATION AND FULL OBITUARY PLEASE SEE PERMANENT FILE.
Catalogue Number
P20160024000
Acquisition Date
1981-11
Collection
Museum
Images
Less detail
Other Name
MAHJONG SET
Material Type
Artifact
Materials
PLASTIC
Catalogue Number
P20150028000
  2 images  
Material Type
Artifact
Other Name
MAHJONG SET
Date
1987
Materials
PLASTIC
No. Pieces
159
Height
9.6
Length
23
Width
23
Description
A – G: 7 STANDARD 6-SIDED DICE. 6 OF THE DICE HAVE BLACK DOTS ON A WHITE BACKGROUND, EXCEPT RED DOTS FOR THE ONE AND THE FOUR ON ALL DICE. THE SEVENTH DIE IS THE SAME AS THE FIRST SIX BUT WITH BROWN DOTS INSTEAD OF BLACK. THE DICE ARE 1.4 CM CUBED WITH ROUNDED EDGES. GOOD CONDITION: NORMAL WEAR FROM USE. H-I: A DIRECTIONAL PIECE CUBE (LIKE A DIE) AND A HOLDER. THERE ARE RED CHINESE CHARACTERS ON 4 OF THE 6 SIDES OF THE WHITE CUBE. THE DIE IS 1.2 CM CUBED. THE PIECE’S CIRCULAR HOLDER HAS A RED TOP AND A WHITE BASE WITH A CUBE INSERT IN THE CENTER OF THE TOP THAT FITS THE DIRECTIONAL PIECE. THE HOLDER IS IN FAIR TO GOOD CONDITION. IT IS WELL WORN AND THE EDGES ARE YELLOWING. FAIR TO GOOD CONDITION WITH SOME WEAR TO THE CHARACTERS AND THE CORNERS OF THE DIE. J-BBBBBBB: MAHJONG GAME SET. 144 TILES PLUS 4 BLANK SPARES (148 TILES TOTAL). THERE ARE 108 SIMPLE TILES (OF THE 3 SUITS: DOTS, BAMBOO, AND CHARACTERS), THERE ARE 28 HONOURS TILES (16 WINDS AND 16 DRAGONS), AND THERE ARE TWO SETS OF BONUS TILES (FLOWERS AND SEASONS) EACH WITH 4 TILES IN THE SET. EACH TILE IS 3.5 X 2.8 X 2.1 CM. VERY GOOD TO EXCELLENT CONDITION WITH SLIGHT SCUFFING ON THE TILES. CCCCCCC – DDDDDDD: GREEN RUBBERMAID PLASTIC CONTAINER WITH A WHITE PLASTIC LID FOR THE MAHJONG SET’S CASE. THE BOTTOM OF THE CONTAINER READS “RUBBERMAID 4 QUARTS” “J-3204”. THE DIMENSIONS OF THE CONTAINER ARE 23 X 23 X 9.6 CM. THE DIMENSIONS OF THE LID ARE 23 X 24.5 X 1.5 CM. GOOD CONDITION. THE OVERALL SURFACE OF BOTH THE CONTAINER AND THE LID ARE SCRATCHED. ON THE LID, THE TOP COATING OF PLASTIC IS PEELING OFF. THERE IS ADHESIVE TAPE RESIDUE IN ONE CORNER.
Subjects
GAME
Historical Association
ETHNOGRAPHIC
LEISURE
History
ON NOVEMBER 10, 2015, COLLECTIONS TECHNICIAN KEVIN MACLEAN INTERVIEWED RICHARD LOO AT THE GALT MUSEUM REGARDING A MAHJONG SET HE WAS DONATING TO THE MUSEUM. THE FOLLOWING INFORMATION HAS BEEN EXTRACTED FROM THAT INTERVIEW: MAHJONG IS A TILE-BASED GAME THAT ORIGINATED IN CHINA. LOO RECALLS ACQUIRING THE SET APPROXIMATELY 30 OR 40 YEARS AGO. HE SAID HE GOT THEM, “WHEN I WENT BACK TO HONG KONG. LET’S SEE – ’87. I WENT TO HONG KONG IN ’87. I BOUGHT SEVERAL [MAHJONG] SETS… TO GIVE TO THE KIDS IF THEY WERE INTERESTED. HERE, THEY ARE NOT AVAILABLE – NOT IN THIS CITY. YOU CAN GET IT IN CALGARY, BUT, IF I BROUGHT IT BACK FROM CHINA, IT’S A BETTER DEAL FOR ME… I STILL HAVE A COUPLE OF SETS AT HOME. I GIVE SOME TO MY FRIENDS; SOME TO THE KIDS.” WHEN ASKED ABOUT HIS USE OF GAME SET, LOO EXPLAINED, “I USE IT NOT TOO MANY TIMES… THEY COME IN A CASE – LIKE A BRIEFCASE - JUST FLIMSY STUFF. IF IT WAS USED SO LONG, IT WOULD JUST GO IN PIECES. SO I PUT IT INTO CONTAINERS – KEEPS A BETTER SHAPE, THAT’S ALL.” HE EXPLAINS THAT THE GAME IS PLAYED, “MOSTLY AT HOME. TO FOOL AROUND; JUST TO KILL TIME,” AND THAT THE SET DONATED WAS A PERSONAL SET THAT HAS ALWAYS BEEN AT LOO’S HOUSE. “THERE ARE SO MANY DIFFERENT STYLES OF PLAY. WHEN I CAME, IN THOSE DAYS, WE PLAYED A DIFFERENT WAY, AND AFTER YOU STAYED FOR A LITTLE WHILE, THEY PLAYED A DIFFERENT WAY… YOU PLAY THIS GAME MORE GENERALLY FOR ENTERTAINMENT, KILLING TIME; THE PURPOSE IS NOT TO MAKE MONEY… SEE, I REMEMBER THOSE DAYS, WHEN I WAS YOUNG – JUST A KID THOSE DAYS, IN THE OLD COUNTRY, OLD DAYS. IN THE NEW YEAR, I SAW FOUR OLDER GENTLEMEN PLAY THESE GAMES, BUT I DON’T UNDERSTAND…. WE CALL IT OLD STYLE. NOBODY IS INTERESTED IN PLAYING OLD STYLE ANYMORE. [IT IS] QUITE COMPLICATED... THEY PLAY THIS ONE, JUST LIKE YOU PLAY RUMMY, BUT YOU HAVE TO USE YOUR HEAD A LITTLE BIT. SOMETIMES YOU’VE GOT LUCK TOO." LOO SAYS HE DOES NOT MISS PLAYING THE GAME, “FOR MY AGE, NO. RIGHT NOW, NOT INTERESTED - [I'VE] GOT OTHER THINGS TO DO. YOU PLAY FOR SO LONG, AND THEN, [YOU ARE] NOT INTERESTED ANYMORE. WE USED TO PLAY THIS ON NEW YEAR’S EVE, TILL THE NEXT MORNING. [WE WOULD] START ON NEW YEAR’S EVE TILL TOMORROW MORNING, 6 OR 7 O’CLOCK. NOT ANYMORE. WE PLAYED AT ALBERT’S PLACE, BOW ON TONG…” THE FOLLOWING BIOGRAPHICAL INFORMATION ABOUT RICHARD LOO HAS BEEN TAKEN FROM THE ARTIFACT RECORDS P20110031*: LOO ARRIVED IN LETHBRIDGE IN 1953, HAVING LEFT THE MAINLAND OF CHINA IN 1949. LOO'S GRANDFATHER HAD MOVED TO CANADA IN EITHER LATE 1800S OR THE EARLY 1900S AND HAD HAD TO PAY THE HEAD TAX. HIS GRANDFATHER WORKED AS A COOK IN RESTAURANTS, EITHER IN LETHBRIDGE OR IN TABER (ACCORDING TO LOO, HIS GRANDFATHER WORKED THROUGH THE WAR YEARS IN TABER). LOO’S GRANDFATHER HAD PLANNED ON MOVING BACK TO CHINA WHEN HE RETIRED, BUT THEN THE COMMUNISTS TOOK OVER, AND HE ELECTED TO STAY. AT THAT TIME, HE INVITED LOO TO MOVE TO LETHBRIDGE AS WELL. LOO LEFT HONG KONG, AFTER LIVING THERE FOR 8 MONTHS, ON A FRIDAY AFTERNOON AT 2PM LOCAL TIME. HE ARRIVED IN LETHBRIDGE SUNDAY AFTERNOON. HE WAS LUCKY IN THAT HE WAS ABLE TO GET HIS FLIGHTS ON SALE. NORMALLY A TICKET FROM HONG KONG TO VANCOUVER WOULD HAVE COST $700, BUT LOO WAS ABLE TO SECURE A FLIGHT FOR ONLY $500. HE ALSO INDICATED THAT HIS FLIGHT TO LETHBRIDGE WAS ONLY $39.95. ON RECALLING HIS FIRST TIME IN LETHBRIDGE, LOO RECOUNTED THE FOLLOWING STORY: “SO, BY THE TIME I GOT TO THE AIRPORT, I DIDN’T KNOW HOW TO SAY [ANYTHING]. DIDN’T KNOW – MAYBE COULD SAY ‘GOOD MORNING’ – THAT’S ALL I COULD SAY, JUST HOW TO SAY ‘HELLO.' IN THE MEANTIME, THE FELLOW AT THE AIRPORT MUST HAVE KNOWN ZEKE, YOU KNOW ZEKE QUAN [OWNER OF] THE LOTUS INN [RESTAURANT], AND HE PHONED HIM UP. HE SAYS, ‘ZEKE.’ I DIDN’T KNOW WHAT HE WAS TALKING ABOUT – NOTHING. AND THEN HE SAYS, ‘HEY, THIS IS A CHINA BOY HERE. WHAT ARE YOU GOING TO DO WITH HIM?’ SO, ZEKE SAYS, ‘OH, JUST TAKE HIM TO CHINATOWN AND DUMP HIM.’ NOW, I DIDN’T KNOW THOSE, NOT UNTIL LATER ON. ZEKE’S SON GO TO SAME SCHOOL I DID – CENTRAL SCHOOL.” LOO INITIALLY LIVED IN THE NATIONAL LEAGUE SOCIETY BUILDING FOR SEVERAL YEARS, OCCUPYING A ROOM THAT HAD BEEN RECENTLY VACATED BY ANOTHER MAN NAMED LOO WHO HAD GONE TO WORK IN PICTURE BUTTE. LOO RECALLED THAT THE SOCIETY WAS A GOOD PLACE TO FEEL A SENSE OF COMMUNITY AND THAT IT WAS A WELCOMING PLACE FOR NEW CHINESE IMMIGRANTS, A PLACE WHERE THEY WEREN’T DISCRIMINATED AGAINST. PLEASE SEE PERMANENT FILE FOR MORE INFORMATION, INCLUDING FULL INTERVIEW TRANSCRIPTION
Catalogue Number
P20150028000
Acquisition Date
2015-11
Collection
Museum
Images
Less detail
Other Name
BLANKET
Date Range From
1920
Date Range To
1990
Material Type
Artifact
Materials
RAW FLAX YARN
Catalogue Number
P20160003007
  2 images  
Material Type
Artifact
Other Name
BLANKET
Date Range From
1920
Date Range To
1990
Materials
RAW FLAX YARN
No. Pieces
1
Length
139
Width
99.5
Description
HAND-WOVEN BLANKET MADE FROM RAW FLAX. THE BLANKET IS COMPOSED OF 2 SECTIONS OF THE SAME SIZE OF MATERIAL THAT ARE JOINED TOGETHER WITH A SEAM AT THE CENTER. ON THE FRONT SIDE (WITH NEAT SIDE OF THE STITCHING AND PATCHES), THERE ARE THREE PATCHES ON THE BLANKET MADE FROM LIGHTER, RAW-COLOURED MATERIAL. ONE SECTION OF THE FABRIC HAS TWO OF THE PATCHES ALIGNED VERTICALLY NEAR THE CENTER SEAM. THE AREA SHOWING ON ONE PATCH IS 3 CM X 5 CM AND THE OTHER IS SHOWING 5 CM X 6 CM. ON THE OPPOSITE SECTION THERE IS ONE PATCH THAT IS 16 CM X 8.5 CM SEWN AT THE EDGE OF THE BLANKET. THE BLANKET IS HEMMED ON BOTH SHORT SIDES. ON THE OPPOSING/BACK SIDE OF THE BLANKET, THE FULL PIECES OF THE FABRIC FOR THE PATCHES ARE SHOWING. THE SMALLER PATCH OF THE TWO ON THE ONE HALF-SECTION OF THE BLANKET IS 8CM X 10 CM AND THE OTHER PATCH ON THAT SIDE IS 14CM X 15CM. THE PATCH ON THE OTHER HALF-SECTION IS THE SAME SIZE AS WHEN VIEWED FROM THE FRONT. THERE IS A SEVERELY FADED BLUE STAMP ON THIS PATCH’S FABRIC. FAIR CONDITION. THERE IS RED STAINING THAT CAN BE SEEN FROM BOTH SIDES OF THE BLANKET AT THE CENTER SEAM, NEAR THE EDGE OF THE BLANKET AT THE SIDE WITH 2 PATCHES (CLOSER TO THE LARGER PATCH), AND NEAR THE SMALL PATCH AT THE END FURTHER FROM THE CENTER. THERE IS A HOLE WITH MANY LOOSE THREADS SURROUNDING NEAR THE CENTER OF THE HALF SECTION WITH ONE PATCH. THERE ARE VARIOUS THREADS COMING LOOSE AT MULTIPLE POINTS OF THE BLANKET.
Subjects
AGRICULTURAL T&E
BEDDING
Historical Association
AGRICULTURE
DOMESTIC
ETHNOGRAPHIC
History
THE KONKINS WERE A RUSSIAN-SPEAKING FAMILY FROM THE TOWN OF SHOULDICE, ALBERTA, NEAR CALGARY. THEY AND MANY OTHER RUSSIAN FAMILIES COMPOSED THAT TOWN’S DOUKHOBOR COLONY. IT WAS THERE WILLIAM KONKIN MARRIED ELIZABETH WISHLOW. IN 1928, THEIR DAUGHTER, ELSIE WAS BORN. THEY LATER MOVED TO A FARM IN VAUXHALL, ALBERTA. THE PRECEDING AND FOLLOWING INFORMATION HAS BEEN EXTRACTED FROM A TWO-PART INTERVIEW WITH DONOR ELSIE MORRIS, WHICH WAS CONDUCTED BY COLLECTIONS TECHNICIAN KEVIN MACLEAN ON FEBRUARY 17, 2016. ADDITIONAL INFORMATION COMES FROM FAMILY HISTORIES AND TEXTS PROVIDED BY THE DONOR. A FULL HISTORY OF THE KONKIN FAMILY CAN BE FOUND WITH THE RECORD P20160003001. ACCORDING TO A NOTE THAT WAS ATTACHED TO THIS LIGHTWEIGHT BLANKET AT THE TIME OF ACQUISITION THE BLANKET IS BELIEVED TO HAVE BEEN MADE C. 1920S. MORRIS SAYS HER MEMORY OF THE BLANKET DATES AS FAR BACK AS SHE CAN REMEMBER: “RIGHT INTO THE ‘30S, ‘40S AND ‘50S BECAUSE MY MOTHER DID THAT RIGHT UP UNTIL NEAR THE END. I USE THAT EVEN IN LETHBRIDGE WHEN I HAD A GARDEN. [THIS TYPE OF BLANKET] WAS USED FOR TWO PURPOSES. IT WAS EITHER PUT ON THE BED UNDERNEATH THE MATTRESS THE LADIES MADE OUT OF WOOL AND OR ELSE IT WAS USED, A DIFFERENT PIECE OF CLOTH WOULD BE USED FOR FLAILING THINGS. [THE] FLAIL ACTUALLY GOES WITH IT AND THEY BANG ON THE SEEDS AND IT WOULD TAKE THE HULLS OFF… IT’S HAND WOVEN AND IT’S MADE OUT OF POOR QUALITY FLAX… IT’S UNBLEACHED, DEFINITELY… RAW LINEN." THIS SPECIFIC BLANKET WAS USED FOR SEEDS MORRIS RECALLS: “…IT HAD TO BE A WINDY DAY… WE WOULD PICK DRIED PEAS OR BEANS OR WHATEVER BEET SEEDS AND WE WOULD BEAT AWAY AND THEN WE WOULD STAND UP, HOLD IT UP AND THE BREEZE WOULD BLOW THE HULLS OFF AND THE SEEDS WOULD GO STRAIGHT DOWN [ONTO THE BLANKET.” THE SEEDS WOULD THEN BE CARRIED ON THE BLANKET AND THEN PUT INTO A PAIL. OF THE BLANKET’S CLEAN STATE, MORRIS EXPLAINS, “THEY’RE ALWAYS WASHED AFTER THEY’RE FINISHED USING THEM.” WHEN SHE LOOKS AT THIS ARTIFACT, MORRIS SAYS: “I FEEL LIKE I’M OUT ON THE FARM, I SEE FIELDS AND FIELDS OF FLAX, BLUE FLAX. BUT THAT’S NOT WHAT SHE USED IT FOR. SHE DID USE IT IF SHE WANTED A LITTLE BIT OF THE FLAX THEN SHE’D POUND THE FLAX, BUT THAT WASN’T OFTEN. IT WAS MOSTLY BEANS AND PEAS.” IT IS UNKNOWN WHO WOVE THIS BLANKET. PLEASE SEE THE PERMANENT FILE FOR MORE INFORMATION INCLUDING FULL INTERVIEW TRANSCRIPTION, OBITUARIES, PHOTOGRAPHS, AND FAMILY HISTORIES.
Catalogue Number
P20160003007
Acquisition Date
2016-02
Collection
Museum
Images
Less detail
Date Range From
1907
Date Range To
1995
Material Type
Artifact
Materials
WOOD, METAL, VARNISH
Catalogue Number
P20160003008
  2 images  
Material Type
Artifact
Date Range From
1907
Date Range To
1995
Materials
WOOD, METAL, VARNISH
No. Pieces
1
Height
107
Diameter
54.5
Description
WOODEN SPINNING WHEEL COATED WITH RED WOOD VARNISH. THE BOBBIN IS APPROX. 11.5CM IN LENGTH AND APPROX. 9CM IN DIAMETER. THERE IS SOME HANDSPUN, WHITE YARN REMAINING ON THE BOBBIN, IN ADDITION TO A SMALL AMOUNT OF GREEN YARN. THE SPINNING WHEEL IS FULLY ASSEMBLED. ON EITHER SIDE OF THE FLYER THERE ARE 10 METAL HOOKS. ON THE LEFT SIDE ONE OF THE 10 HOOKS IS PARTIALLY BROKEN OFF. ON THE FRONT MAIDEN, A WHITE STRING IS TIED AROUND A FRONT KNOB WITH A METAL WIRE BENT LIKE A HOOK (POSSIBLY TO PULL YARN THROUGH THE METAL ORIFICE ATTACHED TO FLYER). LONG SECTION OF RED YARN LOOPED AROUND THE SPINNING WHEEL (MAY BE DRIVE BAND). TREADLE IS TIED TO THE FOOTMAN WITH A DARK GREY, FLAT STRING THAT IS 5MM IN WIDTH. GOOD CONDITION. TREADLE IS WELL WORN WITH VARNISH WORN OFF AND METAL NAIL HEADS EXPOSED.
Subjects
TEXTILEWORKING T&E
Historical Association
DOMESTIC
ETHNOGRAPHIC
History
THE KONKINS WERE A RUSSIAN-SPEAKING FAMILY FROM THE TOWN OF SHOULDICE, ALBERTA, NEAR CALGARY. THEY AND MANY OTHER RUSSIAN FAMILIES COMPOSED THAT TOWN’S DOUKHOBOR COLONY. IT WAS THERE WILLIAM KONKIN MARRIED ELIZABETH WISHLOW. IN 1928, THEIR DAUGHTER, ELSIE WAS BORN. THEY LATER MOVED TO A FARM IN VAUXHALL, ALBERTA. THE PRECEDING AND FOLLOWING INFORMATION HAS BEEN EXTRACTED FROM A TWO-PART INTERVIEW WITH DONOR ELSIE MORRIS, WHICH WAS CONDUCTED BY COLLECTIONS TECHNICIAN KEVIN MACLEAN ON FEBRUARY 17, 2016. ADDITIONAL INFORMATION COMES FROM FAMILY HISTORIES AND TEXTS PROVIDED BY THE DONOR. A FULL HISTORY OF THE KONKIN FAMILY CAN BE FOUND WITH THE RECORD P20160003001. MORRIS ACQUIRED THIS SPINNING WHEEL FROM HER MOTHER AT THE SAME TIME SHE ACQUIRED THE RUG (P20160003006-GA). SHE EXPLAINS: “I ASKED HER IF I COULD USE THE SPINNING WHEEL – SHE TAUGHT ME HOW TO SPIN. AND SHE ALSO TAUGHT ME HOW TO WEAVE, ACTUALLY MY GRANDMOTHER DID THAT MORE SO THAN MY MOTHER. AND I BELONG TO THE WEAVERS’ GUILD, SO I THOUGHT THAT I BETTER DO SOME SPINNING. AND I DID SOME, SO THAT’S WHY I’VE GOT IT HERE AND MOTHER SAID NOT TO BOTHER BRINGING IT BECAUSE SHE WASN’T GOING TO DO ANYMORE SPINNING. SHE HAD LOTS AND LOTS OF YARN THAT SHE DID. SO IT’S BEEN SITTING HERE; IT WAS IN THE BASEMENT.” THE WHEEL WAS MADE FOR ELIZABETH KONKIN WHEN SHE WAS A CHILD IN BRITISH COLUMBIA. MORRIS EXPLAINED THAT: “… [THE SPINNING WHEEL] WAS MADE ESPECIALLY FOR HER. SHE WAS VERY YOUNG. AND THAT IS THE CADILLAC OF SPINNING WHEELS… BECAUSE SHE KNEW WHO THE SPINNERS WERE, WHO THE SPINNING WHEEL CARPENTERS WERE. AND THERE WAS ONE PARTICULAR MAN AND HER MOTHER SAID, ‘WE’LL GO TO THAT ONE.’ AND THEN IN TURN, IN PAYMENT, SHE WOVE HIM ENOUGH MATERIAL TO MAKE A SUIT – A LINEN ONE… [T]HEY DIDN’T LIVE IN CASTELLAR, THEY LIVED IN ANOTHER PLACE. IT’S CALLED - IN RUSSIAN IT IS CALLED OOTISCHENIA. IT’S WHERE THE BIG – ONE OF THE BIG DAMS IS. IF YOU EVER GO ON THAT ROAD, THERE’LL BE DAMS – I THINK ABOUT 3 HUGE ONES… NEAR CASTELLAR, YEAH.” WHEN ASKED ABOUT THE TIME THE WHEEL WAS BUILT FOR HER MOTHER, MORRIS ANSWERED: “… [S]HE GOT IT LONG BEFORE [HER MARRIAGE].” SHE EXPLAINED THAT PRIOR TO MARRYING, GIRLS WOULD PUT TOGETHER TROUSSEAUS “AND THEY MAKE ALL KINDS OF FANCY THINGS WHICH THEY NEVER USE.” MORRIS RECALLS THE SPINNING WHEEL BEING USED WITHIN HER FAMILY’S HOME IN SHOULDICE AND IN THE LEAN-TO AREA IN THEIR HOME AT VAUXHALL: ‘WELL I THINK [THE SKILL IS] IN THE GENES ACTUALLY. BECAUSE MOST FAMILIES WOVE, AND THEY CERTAINLY SPUN, AS FAR AS I REMEMBER. I KNOW EVERY FALL THE LOOM WOULD COME OUT AND WE WERE LIVING WITH MY GRANDPARENTS ON MY DAD’S [SIDE]. WE LIVED UPSTAIRS, AND EVERY WINTER THEY’D HAUL THAT HUGE LOOM INTO THE BATHHOUSE – THE STEAM BATHHOUSE – BECAUSE THERE WAS NO ROOM ANYWHERE ELSE. AND THEY – THE LADIES SET IT UP AND IN THE SUMMERTIME. THEY TORE THE RAGS FOR THE RUGS, OR SPUN THEM. [FOR] WHATEVER THEY WERE GOING TO MAKE. MY MOM WAS SPINNING WHEN I WAS OLD. [S]HE USED MAKE MITTENS AND SOCKS FOR THE KIDS FOR MY CHILDREN AND SO WHEN SHE DIED THERE WAS A WHOLE STACK OF THESE MITTENS AND SOCKS AND I’VE BEEN GIVING IT TO MY GRAND[KIDS AND] MY GREAT GRANDKIDS” MORRIS ALSO USED THIS SPINNING WHEEL MANY TIMES HERSELF. SHE SAID, “IT WAS VERY EASY TO SPIN AND WHEN YOU TRY SOMEBODY ELSE’S SPINNING WHEEL YOU KNOW THE DIFFERENCE RIGHT AWAY. IT’S LIKE DRIVING A CADILLAC AND THEN DRIVING AN OLD FORD. IT’S JUST, IT’S SMOOTH. OUR SON, I TOLD YOU HE WAS VERY CLEVER, HE TRIED SPINNING AND HE SAID IT WAS JUST A VERY, VERY GOOD SPINNING WHEEL. WHEN I WAS IN THE GUILD I TRIED DOING [WHAT] MY MOTHER TAUGHT ME HOW TO SPIN FINE THREAD AND I WANTED HEAVY THREAD BECAUSE NOW [THEY'RE] MAKING THESE WALL HANGINGS. THEY USE THREAD AS THICK AS TWO FINGERS SO I DID THAT AND I DYED IT. I WENT OUT AND CREATED MY OWN DYES. THAT WAS FUN AND THEN I HAVE A SAMPLER OF ALL THE DYES I MADE… I STOPPED SPINNING SHORTLY BEFORE I STOPPED WEAVING… I LOVED WEAVING. FIRST OF ALL I LEARNED HOW TO EMBROIDER. I LIKED THAT THEN I LEARNED HOW CROCHET, I LIKED THAT. THEN I LEARNED HOW TO KNIT AND THAT WAS TOPS. THEN ONE DAY I WAS VISITING MY FRIEND, FRANCES, AND SHE WAS GOING TO THE BOWMAN AND I SAID, 'WHERE ARE YOU GOING?' SHE SAID 'I’M GOING THERE TO WEAVE.' I SAID, 'I DIDN’T KNOW YOU COULD WEAVE?' SHE SAID, 'OH YES,' AND I SAID ‘IS IT HARD?' SHE SAID, ‘NO,” SO I WENT THERE AND I SAW THE THINGS SHE WOVE. THEY WERE BEAUTIFUL AND SO I JOINED THE GROUP AND THEN OF COURSE I WANTED TO HAVE SOME OF THE STUFF I HAD SPUN MYSELF AND DYED MYSELF AND NOBODY ELSE WANTED. THEN I DECIDED, ‘ALRIGHT, I’VE WOVEN ALL THESE THINGS, WOVE MYSELF A SUIT, LONG SKIRT YOU NAME IT. PLACE MATS GALORE. THIS LITTLE RUNNER,’ AND I THOUGHT, ‘WELL, WHAT AM I GOING TO DO WITH THE REST BECAUSE NOBODY WANTS HOMESPUN STUFF. THEY WANT TO GO TO WALMART OR SOME PLACE AND BUY SOMETHING READYMADE,’ SO I GAVE UP SPINNING AND WEAVING… I STOPPED AFTER I MADE MY SUIT. THAT MUST HAVE BEEN ABOUT TWENTY YEARS AGO, EASILY.” MORRIS’ MOTHER WOULD WEAVE IN SHOULDICE, BUT “[I]N VAUXHALL, NO, SHE WASN’T [WEAVING]. SHE DIDN’T HAVE A LOOM.” MORRIS SAID IN SHOULDICE, “I LEARNED HOW TO THROW THE SHUTTLE BACK AND FORTH TO WEAVE RUGS BECAUSE I USED TO SIT THERE WATCHING MY GRANDMOTHER AND SHE LET ME DO THAT, AND THEN YOU SEE WHEN I GOT SO INTERESTED IN WEAVING THAT I BOUGHT A LOOM, SITTING DOWN IN THE BASEMENT. I’VE BEEN TRYING TO SELL IT EVER SINCE AND NOBODY WANTS IT. I OFFERED TO GIVE IT FOR FREE AND NOBODY WANTS IT BECAUSE THEY DON’T HAVE SPACE FOR IT.” PLEASE SEE THE PERMANENT FILE FOR MORE INFORMATION INCLUDING FULL INTERVIEW TRANSCRIPTION, OBITUARIES, PHOTOGRAPHS, AND FAMILY HISTORIES.
Catalogue Number
P20160003008
Acquisition Date
2016-02
Collection
Museum
Images
Less detail
Other Name
ALBERTA RANCH BOYS UNIFORM PANTS
Date Range From
1937
Date Range To
1962
Material Type
Artifact
Materials
SYNTHETIC FABRIC
Catalogue Number
P20150016007
  2 images  
Material Type
Artifact
Other Name
ALBERTA RANCH BOYS UNIFORM PANTS
Date Range From
1937
Date Range To
1962
Materials
SYNTHETIC FABRIC
No. Pieces
1
Length
104.5
Width
35.5
Description
MEN’S PANTS, COMMERCIALLY MADE. KHAKI-COLOURED, SYNTHETIC FABRIC BODY WITH BLUE FABRIC ACCENTS AT SEAT, THE BELT LOOPS, SCALLOPED POCKET FLAPS AND CENTER LEG STRIPE. INSIDE WAISTBAND AND POCKET LINING DISPLAY MULTIPLE HAND INK MARKINGS, INCLUDING NUMBERS AND “HORHOZER”. ATTACHED TO THE HEM OF THE PANTS ARE ELASTIC STIRRUPS (ONE BLACK AND ONE KHAKI-COLOURED). THERE IS A STRONG CREASE DOWN THE CENTER OF THE PANTS. FAIR TO GOOD CONDITION. ON THE RIGHT SIDE THERE IS A STAIN AND SLIGHT TEARING AT THE BOTTOM HEM. THERE IS A STAIN AT THE KNEE, AND TEARING AT THE POCKET. THE BOTTOM BUTTON OF THE FLY HAS BEEN LOST. THERE IS TEARING AT THE CROTCH SEAM. ON THE LEFT SIDE, THERE IS TEARING NEAR THE POCKET. THERE IS SLIGHT STAINING ON THE OVERALL SURFACE OF THE PANTS.
Subjects
CLOTHING-OUTERWEAR
Historical Association
PERSONAL CARE
LEISURE
PROFESSIONS
History
EVERAL HORHOZER (NÉE SUPINA) WAS BORN IN LETHBRIDGE IN THE YEAR OF 1927 TO HER PARENTS DONAH (NÉE HILL) AND NICHOLAS SUPINA. SUPINA WAS THE OWNER OF SUPINA’S MERCANTILE ON 13TH STREET NORTH, LETHBRIDGE. THESE PANTS WERE PART OF THE STAGE OUTFIT WORN BY JOE HORHOZER WHEN HE WAS THE ACCORDION PLAYER AND MUSIC ARRANGER FOR A WELL-KNOWN LETHBRIDGE MUSICAL GROUP CALLED THE ALBERTA RANCH BOYS. THE GROUP FORMED IN THE SUMMER OF 1937 WITH MEMBERS LOUIS (LOU) GONZY, MATT (BUCK) WASOWICH, PETER (CURLY) GURLOCK, REMO BACEDA, AND ‘LITTLE JOE’ HORHOZER. COLLECTIONS TECHNICIAN KEVIN MACLEAN CONDUCTED A SERIES OF INTERVIEWS (ON APRIL 2, APRIL 16, AND MAY 7, 2015) WITH HORHOZER REGARDING A GROUP OF ARTIFACTS SHE DONATED TO THE MUSEUM. THE INFORMATION BELOW HAS COME FROM THESE INTERVIEWS AND LETHBRIDGE HERALD RESEARCH REGARDING THE HORHOZER FAMILY HISTORY. IN THE INTERVIEW, HORHOZER DESCRIBED HOW SHE MET HER HUSBAND, JOE HORHOZER, WHEN HE CAME TO WORK FOR SUPINA’S MERCANTILE. FOR THE STORY OF HOW THEY MET, PLEASE SEE RECORDS P20150016003 AND P20150016004. JOE HORHOZER WAS THE ACCORDION PLAYER AND MUSIC ARRANGER FOR A WELL-KNOWN LETHBRIDGE MUSICAL GROUP CALLED THE ALBERTA RANCH BOYS. THE GROUP FORMED IN THE SUMMER OF 1937 WITH MEMBERS LOUIS (LOU) GONZY, MATT (BUCK) WASOWICH, PETER (CURLY) GURLOCK, REMO BACEDA, AND ‘LITTLE JOE’ HORHOZER. HORHOZER SAYS OF HER HUSBAND: “I WOULD CALL HIM THE LEAD INSTRUMENT BECAUSE AN ACCORDION IS, EH? AND HE WAS EXCEPTIONALLY GIFTED WITH THE ACCORDION; THAT’S WHAT EVERYBODY SAID, THAT THERE ISN’T ANYONE, AT LEAST AROUND THIS COUNTRY, THAT COULD COMPARE WITH HIM.” DESCRIBED IN THEIR SOUVENIR BOOK PUBLISHED IN 1941 AS “PROFESSIONAL RADIO ENTERTAINERS”, THE ‘ALBERTA RANCH BOYS’ WERE FORMED WHEN THE LOCAL EXHIBITION AND STAMPEDE PARADE WAS FOUND WANTING FOR A “COWBOY BAND” AS PART OF ITS LINEUP. ACCOLADES FOR THE PARADE ACT FOLLOWED, INSPIRING THE GROUP “TO EMBARK ON THE LONG ROAD TO FAME AND FORTUNE”. IN A YEAR’S TIME – AND AFTER TOURING THROUGH ALBERTA AND BC – THE BAND ENDED UP IN VANCOUVER. THERE, IT ESTABLISHED ITSELF, ACCORDING TO THE BOOKLET, AS “WESTERN CANADA’S MOST VERSATILE STAGE AND DANCE FAVOURITE,” BROADCASTING ITS COWBOY MELODIES FOR OVER TWO CONTINUOUS YEARS VIA CKWX (VANCOUVER’S LARGEST RADIO STUDIO AT THE TIME). DURING THE WAR, IT DONATED ITS TALENTS TO THE PROMOTION OF WAR SAVINGS CERTIFICATES. ONE VICTORY RALLY SONG FOR STAMPS WAS “WE’VE BOUGHT THEM BEFORE AND WE’LL BUY THEM AGAIN.” BY EARLY JAN-FEB 1943, THE BAND HAD PEAKED. ONE MEMBER IS REPORTED TO HAVE ENLISTED IN THE CANADIAN ARMY WHILE OTHERS, ACCORDING TO THE DONOR, “GOT SICK”. “THEY DID A LOT IN TORONTO.” RECALLED EVERAL IN AN INTERVIEW. “[IT WAS FROM] TORONTO THEN THEY COULD HAVE GONE [TO NEW YORK] - THAT’S WHERE THEY WERE OFFERED THE BIG JOB OF RECORDING AND BEING ON TV…BUT THEN [JOE] SAYS THAT HE DOESN’T CARE, BECAUSE HE SAYS IF HE WOULD HAVE WENT, HE WOULDN’T HAVE MET ME, SO, I MEAN, THAT WAS A NICE THING TO SAY. HE SAYS LIFE TURNED OUT GOOD FOR HIM.” EVERAL WAS NOT AWARE OF THIS AT THE TIME OF THEIR MEETING. AFTER FINDING OUT, SHE SAID, “WELL, I THOUGHT, GEE WHIZ, HE JUST ISN’T AN EVERYDAY JOE AND EVERYBODY IN TOWN KNEW HIM AND ADMIRED HIM. YEAH, IT MADE ME A LITTLE MORE HAPPY.” OF THE PERFORMANCE COSTUME EVERAL HORHOZER SAID: “THEY WORE [THE SAME UNIFORM] WHEN THEY PLAYED AT THE TRIANON FOR A WHILE AND THEY JUST STARTED TO USE SUITS … WELL HE DIDN’T WANT - SEE, WHEN THEY STARTED PLAYING AT THE TRIANON. THEN I TELL YOU, THEY START WEARING MORE BAND [CLOTHING] - LIKE, THEY HAD DIFFERENT BLAZERS, COLOURED BLAZERS – BLUE ONES AND RED ONES AND ALL WORE BLAZERS THEN. ‘CAUSE THEY WANTED TO BECOME LIKE A DANCE BAND, I GUESS YOU’D SAY.” “HE WOULD NEVER FORGET THAT TIME [WITH THE RANCH BOYS],” HORHOZER SAID OF HER HUSBAND, “HE TALKED ABOUT IT ALL THE TIME. HOW THEY MET SO MANY [PEOPLE], LIKE THEY’D PLAY AT PRIVATE PARTIES FOR WEALTHY PEOPLE. HE ABSOLUTELY LOVED HIS MUSIC. HE LIVED FOR HIS MUSIC.” BACK HERE IN LETHBRIDGE IN 1958, EVERAL’S HUSBAND JOE WENT ON TO PERFORM WITH THE COUNTRY CAPERS, PLAYING ACCORDION FOR A WEEKLY BROADCAST VIA THE LOCAL TV STATION CJLH. IN 1961, THE STATION AND THE BROADCAST WERE PRESENTED WITH A NATIONAL LIBERTY AWARD FOR “TV STATION SHOWMANSHIP” AND “BEST LOCAL PROGRAMMING.” IN HIS TIME, ‘LITTLE JOE’ PLAYED WITH ROY ROGERS, GENE AUTRY, AND TOMMY HUNTER. HE DIED IN 2010 AT AGE 89. EVERAL HORHOZER PASSED AWAY IN LETHBRIDGE 6 YEARS LATER ON JUNE 6, 2016 AT THE AGE OF 88 YEARS. PLEASE SEE THE PERMANENT FILE FOR ADDITIONAL INFORMATION INCLUDING FULL INTERVIEW TRANSCRIPTS, LETHBRIDGE HERALD ARTICLES, AND FURTHER PUBLICATIONS.
Catalogue Number
P20150016007
Acquisition Date
2015-05
Collection
Museum
Images
Less detail
Other Name
WEDDING DRESS
Material Type
Artifact
Materials
CHEESECLOTH, SILK
Catalogue Number
P20150016009
  2 images  
Material Type
Artifact
Other Name
WEDDING DRESS
Date
1922
Materials
CHEESECLOTH, SILK
No. Pieces
1
Length
113
Width
48
Description
WEDDING DRESS MADE FROM OFF-WHITE CHEESECLOTH BODY WITH A SILK BAND, TIES AND FLOWERS AT WAIST. EMBROIDERED STRIPS OF LACE FORM MEDIUM-SIZED TRIANGULAR EMBELLISHMENTS AT BASE OF SKIRT AND ON SHORT SLEEVES. ADHESIVE MASKING TAPE MARKED “GRANNY SUPINA’S WEDDING DRESS 1921, MADE BY GRANNY WOODS”. REPORT OF WEDDING IN THE LETHBRIDGE HERALD FROM 1922 CALLS MATERIAL WHITE SILK VOILE. THE LENGTH IS 113 CM. THE WIDTH ACROSS THE SHOULDERS IS 48 CM AND THE SLEEVES ARE 35.5 CM LONG. FAIR CONDITION. THERE IS A SMALL BROWN STAIN ON THE LEFT SLEEVE. A HOLE ON THE CHEST NEAR THE COLLAR. THERE ARE 2 LARGE, WATERMARK-LIKE STAINS ON THE FRONT OF THE SKIRT. THERE ARE 2 HOLES NEAR THE LACE EMBELLISHMENT AT THE BOTTOM OF THE DRESS (FRONT SIDE). SOME OF THE LACE IS COMING LOOSE AT THE EMBELLISHMENT. ENDS OF THE TIES AT THE WAIST ARE FRAYING. SMALL HOLES AT THE BACK COLLAR. SMALL, DARK BROWN STAIN ON THE BACK OF THE SKIRT. SLIGHT FRAYING AT THE COLLAR AND AT THE HEM. SMALL IODINE STAIN ON THE RIGHT SLEEVE.
Subjects
CLOTHING-OUTERWEAR
Historical Association
PERSONAL CARE
COMMEMORATIVE
History
DONOR EVERAL HORHOZER (NÉE SUPINA) WAS BORN IN LETHBRIDGE IN THE YEAR OF 1927 TO HER PARENTS DONAH (NÉE HILL) AND NICHOLAS SUPINA. SUPINA WAS THE OWNER OF SUPINA’S MERCANTILE ON 13TH STREET NORTH, LETHBRIDGE. THIS WEDDING DRESS BELONGED TO HORHOZER'S MOTHER, DONAH SUPINA, WHO WORE IT ON HER JUNE 7, 1922 WEDDING DAY. COLLECTIONS TECHNICIAN KEVIN MACLEAN CONDUCTED A SERIES OF INTERVIEWS (ON APRIL 2, APRIL 16, AND MAY 7, 2015) WITH HORHOZER REGARDING A GROUP OF ARTIFACTS SHE DONATED TO THE MUSEUM. THE INFORMATION BELOW HAS COME FROM THESE INTERVIEWS AND LETHBRIDGE HERALD RESEARCH REGARDING THE HORHOZER FAMILY HISTORY. "FIRST OF ALL MY MOTHER HAD SAVED [THE WEDDING DRESS] FOR SO MANY YEARS," HORHOZER BEGAN, "SHE GAVE [IT] TO ME SO [IT WAS] VERY IMPORTANT TO HER, AND MORE IMPORTANT TO ME THEN, BECAUSE HER MOTHER MADE THEM BY HAND, [SO IT MEANT] EVEN THAT MUCH MORE TO HER, OF COURSE…” “SHE WAS VERY FRUGAL... HER MOTHER AND [DONAH, MY MOTHER,] WERE LEFT TO FEND FOR THEMSELVES BECAUSE HER FATHER PASSED AWAY. THEY WERE OUT ON THE LEASE; YOU KNOW HOW GOVERNMENT GAVE THEM LEASE LAND; WELL HER MOTHER AND HER LIVED THERE. SHE DID HAVE TWO BROTHERS, BUT THEY WERE MUCH OLDER AND THEY WERE ALREADY IN THE SERVICE, SO THERE WAS JUST HER AND HER MOTHER THAT LIVED OUT THERE. THEY HAD A COOK CAR AND THEY COOKED FOR ALL THE HELP ON THE FARM [IN DEL BONITA]. THEY AT LEAST MADE A LIVING DOING THAT. THAT’S HOW MY MOTHER LEARNED TO - SHE WAS AN EXCELLENT COOK CAUSE SHE WOULD COOK RIGHT ALONG WITH MY GRANDMA. SHE WAS ABOUT THIRTEEN YEARS OLD WHEN SHE WAS BAKING BREAD, DOING ALL THAT SORT OF THING…” THIS HANDMADE WEDDING DRESS WAS WORN BY DONAH ON THE DAY OF HER WEDDING. THE DRESS WAS LATER KEPT WITH GREAT CARE BY DONAH, AND THEN LATER EVERAL. “MY GRANDMA MADE THE [WEDDING] DRESS FOR MY MOTHER. [S]HE WAS SENTIMENTAL BECAUSE HER MOTHER HAD HAND-STITCHED EVERY ONE OF THOSE THINGS. BESIDES COOKING FOR PEOPLE, SHE SEWED FOR PEOPLE, MADE THEIR WEDDING DRESSES AND THINGS LIKE THAT.” HORHOZER TELLS THE STORY OF HER PARENT’S FIRST MEETING: “MY MOTHER, SHE WENT TO GARBUTT’S BUSINESS COLLEGE AND BECAME A SECRETARY AND SHE GOT A JOB AT - IT WAS CALLED SCOTTS - IT WAS A GROCERY WHOLESALE. IT WAS BY WHERE THE INTERNATIONAL WAS, PLUNKETT AND SAVAGE. [MY FATHER, NICHOLAS 'NICK' SUPINA,] WOULD GO THERE TO BUY HIS THINGS, OF COURSE, AND THAT’S WHERE HE MET HER. AND THEN HE ASKED HER TO GO TO THIS DANCE THAT THE KNIGHTS OF COLUMBUS WERE HAVING, AND THAT’S HOW IT STARTED… [THE HILL’S] HAD THIS COOK CAR, AND FUNNY STORY, SHE ALWAYS TELLS ME THAT THEY HAD TO CLEAN OUT THE PIPES ON THE STOVE BECAUSE, THEY GOT FULL OF COAL DUST, SO SHE WAS JUST COVERED IN COAL DUST AND MY DAD DRIVES OUT THERE TO SEE HER, ‘COURSE PAST MAGRATH THERE, AND SHE WAS JUST COVERED AND HE’S ALL DRESSED UP, OF COURSE. BUT, OBVIOUSLY IT DIDN’T MAKE ANY DIFFERENCE. I CAN IMAGINE HOW SHE FELT. BUT, THOSE THINGS HAPPEN. I HAVE NO IDEA HOW LONG THEY COURTED. I DON’T THINK IT WAS A TERRIBLY LONG TIME. PROBABLY, JUST BY GUESSING, I’D SAY 6 MONTHS.” OF THE YOUNG COUPLE’S MARRIAGE, HORHOZER SAID, “WELL, THEY HAD A VERY SMALL WEDDING AND THEY GOT MARRIED IN ST. PAT’S, WHICH OF COURSE WAS JUST A BASEMENT AT THE TIME. THEN THEY HAD WHAT THEY CALL A WEDDING BREAKFAST I THINK, AT HIS MOTHER’S HOUSE. THEY DID NOT HAVE A BIG WEDDING OR ANYTHING, AND THEY JUST HAD ALL THE FAMILY AND A FEW OF THE CLOSE SALE MANAGERS. BUT THEN THEY HAD A BEAUTIFUL HONEYMOON. THEY WENT TO THE STATES AND - IT’S WAY DOWN SOUTH THERE - LOUISIANA AND ALL THROUGH THAT COUNTRY THERE. THEY HAD A BEAUTIFUL HONEYMOON AND THAT’S ABOUT ALL I KNOW ABOUT IT.” HORHOZER SPOKE OF HER GRANDMOTHER’S SKILL AS THE MAKER OF THE WEDDING DRESS: “WELL, SHE HAD SO MANY SKILLS. SHE’S A PAINTER, YOU KNOW, THESE BEAUTIFUL PAINTINGS HERE, SHE PAINTED THOSE. THE MIDDLE ONE (SHE POINTS) IS THEIR HOUSE WITH THEIR GARDEN [IN MAGRATH] AND ALL THAT. SHE JUST WAS TALENTED IN EVERYTHING. SHE MADE LOTS OF MONEY. SHE MADE WEDDING DRESSES FOR PEOPLE THAT REALLY HAD MONEY. AND SO SHE DID WELL ON THAT AND THEY CANNED ALL KINDS OF FOOD. THERE WASN’T REALLY ANYTHING SHE COULDN’T DO; SHE WAS VERY TALENTED… [W]E ALL REALLY LOVED MY GRANDMA; SHE WAS A LOVELY LADY. AND I ALWAYS ENVIED THE FACT THAT I NEVER GOT ANY OF HER TALENT.” THE SUPINA’S REMAINED TOGETHER UNTIL NICHOLAS SUPINA PASSED AWAY AT THE AGE OF 84 ON MARCH 27, 1975. DONAH PASSED AWAY 19 YEARS LATER ON MARCH 8, 1994 AT THE AGE OF 91. HORHOZER PASSED AWAY IN LETHBRIDGE IN 2016 AT THE AGE OF 88 YEARS OLD. PLEASE SEE THE PERMANENT FILE FOR ADDITIONAL INFORMATION ABOUT SUPINA’S MERCANTILE AND THE LIFE OF EVERAL AND HER FAMILY, WHICH INCLUDES THE FULL INTERVIEW TRANSCRIPT AND LETHBRIDGE HERALD ARTICLES.
Catalogue Number
P20150016009
Acquisition Date
2015-05
Collection
Museum
Images
Less detail

37 records – page 1 of 2.