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Date Range From
1976
Date Range To
1977
Material Type
Artifact
Materials
PLASTIC, LEATHER, COTTON
Catalogue Number
P20190023002
  2 images  
Material Type
Artifact
Date Range From
1976
Date Range To
1977
Materials
PLASTIC, LEATHER, COTTON
No. Pieces
3
Height
7
Diameter
9.5
Description
A. COVER FOR STAND, 4.3CM TALL X 8CM WIDE. PLASTIC DOME COVER FOR FITTING TO DISPLAY STAND; CLEAR PLASTIC. YELLOWED WITH SCUFF MARKS ON TOP OF DOME; OVERALL VERY GOOD CONDITION. B. BASEBALL, 6.5CM WIDE. BALL IS WHITE WITH RED STITCHING AT EDGES; BASEBALL IS STAMPED WITH LOGO, “THE CUSHIONED CORK CENTER, SPALDING, REG. U.S. PAT. OFF., MADE IN U.S.A., SEWN IN HAITI”. BASEBALL IS STAMPED WITH FADED TEXT, “OFFICIAL BALL, NATIONAL LEAGUE, CHARLES S. FEENEY PRES.”. BASEBALL IS SIGNED BY: RON KITTLE, DOUG HOGAN, DENNIS [ILLEGIBLE], DEAN CRAIG, DANNY COULON, MIGUEL FRANJAL, MIKE HOWARD, GAIL HENLEY, MIKE ZOURAS, DAMON MIDDLETON, JERRY BASS, JIM NOBLES, DOUGLAS FOSTER, JOHN BUSH, ROCKY CORDOVA, LARRY WRIGHT, JACK LITTRELL, KEN LIKEWISE, DON LEJOHN, TIM JONES, MARK ELLIOTT, MITCH WEBSTER, JESSE BAY, ERIC SCHMIDT, MIKE HOLT. BALL IS YELLOWED; TEXT IS FADED; OVERALL VERY GOOD CONDITION. C. DISPLAY STAND, 7CM TALL X 9.5 CM DIAMETER. STAND HAS GOLD-PAINTED BASE WITH HALF OF CLEAR PLASTIC CASING FOR BASEBALL. BOTTOM OF BASE HAS EMBOSSED TEXT, “SPORTS PRODUCTS CORP., A SUB OF LAICH INDUSTRIES, CLEVELAND, OHIO”. BASE HAS CUT-OUT FOR BOTTOM OF CLEAR PLASTIC CASE. PLASTIC CASE IS YELLOWED; BASE HAS GRIME AND RESIDUE BUILD-UP; OVERALL VERY GOOD CONDITION.
Subjects
SPORTS EQUIPMENT
Historical Association
SPORTS
COMMEMORATIVE
History
ON SEPTEMBER 12, 2019, COLLECTIONS TECHNICIAN KEVIN MACLEAN INTERVIEWED LEE PRINDLE REGARDING HIS DONATION OF LETHBRIDGE BASEBALL MEMORABILIA. ON THE SIGNED BASEBALL, PRINDLE RECALLED, “I WAS [WITH THE TEAM IN] ‘76/’77…I DID NOT SIGN [THE BALL]. [THE PLAYERS] SIGNED [THE BALL] AND GAVE IT TO ME. I WASN’T A PLAYER; I WASN’T ON THE TEAM…THEY DO IT AT THE END OF THE YEAR. THEY DO THAT…FOR COACHES…AND FOR EACH OTHER! EACH OF THE BALL PLAYERS THERE WILL HAVE A BALL THAT’S PROBABLY SIGNED. THEY’LL SIT DOWN WITH THE BOXES OF BALLS AND THE ORGANIZATION WILL PROVIDE THE BALLS FOR NOTHING, OF COURSE, AND THEY’LL SIT DOWN AND DO THAT.” “[OF THE TEAM PLAYERS] I REALLY LIKED CANDY MALDONADO; HE WAS GOOD. BUT, I LIKED THIS MITCH WEBSTER, TOO. NICK HOLT—SOME OF THESE GUYS I CAN BARELY REMEMBER. SOME WERE PITCHERS. I REMEMBER ROCKY CORDOVA…[HE] HAD A GREAT CURVE BALL…LARRY WRIGHT…” “[THE BALL HAS] BEEN ON A SHELF.” ON HIS CONNECTIONS TO BASEBALL AND THE DODGERS, PRINDLE SHARED, “…I HAD WATCHED A LOT OF BASEBALL GAMES…I’M A BASEBALL FAN AND I HAD ALWAYS BEEN A DODGERS FAN…[I WAS WATCHING LOCAL GAMES] AT HENDERSON.” “I GREW UP IN SUNBURST, MONTANA. I CAME TO LETHBRIDGE IN 1967 TO TEACH AT THE COLLEGE…[I] TAUGHT THERE ‘TIL I RETIRED…I WAS WATCHING BASEBALL AND THE [DODGERS] OR THE BASEBALL ORGANIZATION HERE, WHICH WAS WITH THE EXPOS AND THE DODGERS, HAD ABOUT TWENTY GUYS THAT PUT IN A THOUSAND DOLLARS EACH TO START THE TEAM, HEADED BY RENO LIZZI, OF COURSE…THAT WOULD HAVE BEEN 1975, I THINK, WHEN THEY STARTED…THEY GOT INTO THE LEAGUE, AND THE EXPOS WERE JUST STARTING. THEY NEEDED [A] PLACE FOR THEIR FARM CLUBS…SO THE EXPOS CAME HERE FIRST AND I CAN REMEMBER WALT HRINIAK WAS THE FIELD MANAGER WHEN I CAME IN…THE EXPOS CAME UNDER THIS ORGANIZATION…ONE OF THE TWENTY GUYS THAT SEEN ME AT…A NUMBER OF BALLGAMES…SAID, ‘WE’RE LOOKING FOR A GENERAL MANAGER,’ AND BECAUSE I WAS A COLLEGE TEACHER, I HAD SOME TIME OFF IN THE SUMMER SO THAT KIND OF FIT IN WITH MY SCHEDULE…I APPLIED FOR THE JOB, INTERVIEWED, AND THEN I TALKED TO THE BOARD OF GOVERNORS [AT THE COLLEGE] ‘CAUSE I FIGURED THEY NEEDED SOME PERMISSION TO GET OFF BECAUSE IN THE SPRING…IT TAKES A LITTLE BIT AWAY FROM YOUR JOB. THEY SAID, ‘YEAH, GO FOR IT,’ SO THEY GAVE ME THE JOB [OF] GENERAL MANAGER.” “THE GENERAL MANAGER HAS NOTHING TO DO WITH BRINGING IN THE TEAM TO THE ROOKIE LEAGUES. THE MAIN ORGANIZATION, THE VICE PRESIDENT…AND THE GENERAL MANAGER OF THE…DODGERS BRING THEM IN. SO THEY BRING IN THE TEAMS BUT I HAD TO LOOK AFTER EVERYTHING, LIKE BALL BOYS AND LAUNDRY AND TICKETS AND BUS TRIPS AND HOTELS…SO THAT’S WHAT I DID. BUT I HIRED ALL THE STAFF THAT WORKED AT THE BALLPARK, AT HENDERSON; WE WERE ALWAYS AT HENDERSON…I TOOK CARE OF THE MONEY. PAID THE GUYS THEIR MEAL MONEY. WHEN THEY WENT ON THE ROAD THEY GET THEIR MEAL MONEY ALLOWANCE…I DID IT FOR—FIRST YEAR WERE [WITH] THE EXPOS, THE NEXT YEAR WAS WITH THE DODGERS AND THEN I WAS OUT A YEAR AND SOMEBODY ELSE DID IT. THEY WANTED ME BACK SO I CAME BACK FOR ANOTHER YEAR. BOTH YEARS THAT I WAS GENERAL MANAGER, WE WON THE PENNANT. HENLEY WAS A REALLY, REALLY GOOD FIELD MANAGER. HE WAS ACTUALLY ONE OF THE CHIEF SCOUTS FOR THE DODGERS BUT HE WAS A GOOD FIELD MANAGER AND SO I WON IT…I GOT TWO, NICE, REAL PENNANT RINGS FROM THE DODGERS BUT, UNFORTUNATELY, WHEN MY HOUSE WAS BROKEN IN, THEY WERE STOLEN…” “I WORKED—I ENJOYED IT, REALLY. I MET A LOT OF BALL PLAYERS. I MET BALL PLAYERS THAT WENT ON AND PLAYED IN THE MAJORS…LIKE GREG BROCK…I [USED TO] GO TO SPRING TRAINING IN ARIZONA ALL THE TIME AND I’D SEE SOMEBODY DOWN—LIKE GREG BROCK [WHO] WAS PLAYING THEN FOR MILWAUKEE, I THINK, AND I’D…GO TALK TO HIM.” “…THERE WAS BASEBALL UP HERE [IN LETHBRIDGE] BEFORE [THE DODGERS]…I ONLY CAME HERE IN ’67 BUT I KNOW THERE WAS BASEBALL HERE BEFORE AND THE CULTURE OF BASEBALL IS STILL HERE…WE HAVE THE BULLS HERE…THEY BELONG TO THE SOUTHWESTERN BASEBALL LEAGUE [WESTERN CANADIAN BASEBALL LEAGUE] THEY GET GOOD ATTENDANCE…” “I THINK [BASEBALL] HAS [DONE WELL IN LETHBRIDGE] AND ONE OF THE REASONS IS WE HAVE THIS [LEAGUE]…WHERE THE COLLEGE/UNIVERSITY STUDENTS COME [PRAIRIE BASEBALL LEAGUE]…THERE’S A LOT OF INTEREST HERE. OUR LITTLE LEAGUE TEAMS HAVE ALWAYS DONE WELL…[THE KIDS IN THE LITTLE LEAGUE] HAVE HOCKEY AND SOCCER AND A LOT OF STUFF BUT [OUR LITTLE LEAGUE TEAMS HAVE] ALWAYS DONE [WELL]…MY GRANDSON WAS ON A JUNIOR LITTLE LEAGUE TEAM THAT WENT ALL THE WAY TO THE CANADIAN NATIONALS…THERE’S A PRETTY GOOD BASEBALL CULTURE HERE, I THINK. I THINK IT HOLDS ITS WEIGHT…I THINK THE SIZE OF THE COMMUNITY IS GOOD FOR BASEBALL…AFTER WE GOT INTO PIONEER LEAGUE THEN CALGARY DECIDED TO GET INTO IT, TOO…” “RENO LIZZI WAS A HUGE BASEBALL FAN AND A DODGER. IF YOU CUT IN, LIKE TOMMY LASORDA WOULD SAY, HE ‘BLED BLUE’, DODGER BLUE…THE DODGERS AT ONE TIME HAD A FARM CLUB IN SPOKANE. AND [LIZZI] WOULD GO DOWN THERE AND HE’D MEET THESE GUYS. HE MET “BUZZIE” BAVASI, ONE OF THE EARLIER GENERAL MANAGERS…HE JUST TALKED TO ‘EM…[LIZZI] WOULD INVITE THOSE PEOPLE UP HERE TO SPORTSMEN CENTRES…WE COULDN’T GET THE DODGERS AT THAT TIME. I BELIEVE THEY WERE IN GREAT FALLS AT THAT TIME BUT WHEN HE PUT UP THE MONEY, THEN HE JUST PUT OUT SOME FEELERS AND [THE] EXPOS WERE LOOKING FOR A PLACE, THEY GOT IN TOUCH WITH LIZZI, THE BOARD, THEY THOUGHT THIS WOULD BE A GOOD PLACE TO START, AND THEY CAME…AFTER THAT, FINALLY, RENO GOT HIS BELOVED DODGERS TO COME TO LETHBRIDGE…ALTHOUGH THEY HAD BASEBALL HERE BEFORE, IN SOME OTHER KIND OF MIXED LEAGUES…I THINK LIZZI WAS THE MOST IMPORTANT PART OF IT. I GIVE HIM CREDIT FOR THAT.” “ONE OF THE VICE PRESIDENTS…HAD TROUBLE SENDING STUFF ACROSS THE LINE. HE DIDN’T WANT TO PAY ANY DUTY ON IT AND STUFF WOULD COME—[ON] BUSES—THEY WOULD TRY TO ACTUALLY…GO TO GREAT FALLS TO [AN] AWAY GAME AND PUT [A] BUNCH OF NEW BASEBALLS IN AND COME ACROSS THE LINE AND THE CUSTOMS PEOPLE DON’T LIKE THAT AND SO HE WAS HAVING TROUBLE PAYING THAT…THEY HAD PROBLEM WITH THE CROSSING OF THE LINE, THE DIFFERENCE IN DOLLAR…YOU’RE PAYING THESE KIDS LESS…THEY EVENTUALLY LEFT AND THEN OF COURSE, EVENTUALLY…WHEN ARIZONA STARTED…WE HAD A FARM CLUB HERE WITH THE ARIZONA DIAMONDBACKS FOR A COUPLE OF YEARS.” “WE’RE PART OF THE SOUTHWEST SASKATCHEWAN LEAGUE…WITH THE LETHBRIDGE BULLS AND THEY GET GOOD ATTENDANCE AND THEY HAVE DECIDED, WITH HELP WITH SOME SPONSORS, LIKE SPITZ…THEY MAKE A NICE BASEBALL STADIUM OUT OF IT, OVER THERE. IT’S JUST A NICE THING TO DO; TO GO OVER AND SIT THERE BY THE LAKE IN THE EVENING IN THE SUMMERTIME AND WATCH A BASEBALL GAME.” “FOR ME [THE GOLDEN ERA FOR BASEBALL IN LETHBRIDGE], OF COURSE, IT WOULD HAVE BEEN THE TWO YEARS WE WON THE PENNANT…WE HAD A GOOD AVERAGE…GAIL HENLEY HAD A…AFTER THE GAME, WE’D GET TOGETHER WITH THE COACHES, WE’D GO DOWN FOR A PIZZA SOMEWHERE…AND TALK ABOUT THE GAME AND THEY WOULD SAY, ‘WELL –‘, I’D SAY, ‘GEEZ, YOU KNOW THAT FIRST BASEMAN FUMBLED A LOT.’ AND THEY’D SAY, ‘NO, NO, HE’S REALLY GOOD.’ I JUST LIKED THE WAY THAT THEY COULD ANALYZE BALL PLAYERS BECAUSE THEY’RE LOOKING—THESE BALL PLAYERS THAT CAME HERE, THEIR FUTURE, HOPEFULLY, IS IN THE MAJOR LEAGUES; THAT’S WHERE THEY WANNA BE…SOME OF THEM THEY COULD SUMMARIZE RIGHT AWAY AND SOME OF THEM, THEY DIDN’T, BUT THERE’S GUYS LIKE RON KITTLE THAT PLAYED HERE. I NEVER THOUGHT HE’D MAKE IT BUT HE HAD SEVENTEEN HOME RUNS IN HIS CAREER AGAINST BOSTON…IT WAS NICE TO MEET THOSE KIDS…ANDRE DAWSON PLAYED HERE. THAT WAS 1975 SO I DIDN’T KNOW HIM BUT I WATCHED HIM PLAY A LOT…SOME OF THE GUYS THAT PLAYED HERE, WENT ON AND BECAME FAMOUS. ANDRE DAWSON, OF COURSE, IS IN THE HALL OF FAME, SO, I THINK THAT’S GOOD.” AN APRIL 22, 1976 LETHBRIDGE HERALD ARTICLE REFERENCES RENO LIZZI AS THE PRESIDENT OF THE LETHBRIDGE EXPOS MONTREAL’S PIONEER LEAGUE FRANCHISE, WITH PRINDLE REFERENCED AS THE GENERAL MANAGER OF THE LETHBRIDGE EXPOS. ACCORDING TO A MARCH 14, 1979 LETHBRIDGE HERALD ARTICLE, PRINDLE BEGIN AS GENERAL MANAGER FOR THE LETHBRIDGE EXPOS IN 1976, AND REMAINED GENERAL MANAGER WHEN THE LETHBRIDGE DODGERS WERE FORMED IN 1977. FOR MORE INFORMATION INCLUDING THE FULL INTERVIEW TRANSCRIPTION, LETHBRIDGE HERALD ARTICLES, AND INFORMATION ON JIM GILLIAM, PLEASE SEEN THE PERMANENT FILE P20190023001-GA.
Catalogue Number
P20190023002
Acquisition Date
2019-09
Collection
Museum
Images
Less detail
Other Name
R.N. CUFFLINKS
Material Type
Artifact
Materials
METAL, GOLD, IMITATION PEARL
Catalogue Number
P20190011001
  2 images  
Material Type
Artifact
Other Name
R.N. CUFFLINKS
Date
1965
Materials
METAL, GOLD, IMITATION PEARL
No. Pieces
2
Length
2.2
Width
1.9
Description
PAIR OF GOLD CUFFINKS WITH ROUND, FLAT CUFFLINK FACES; CUFFLINK FACES HAVE IMITATION PEARL INLAY SET IN GOLD FRAME, WITH GOLD MEDICAL CADUCEUS SYMBOL SET IN PEARL AND LETTERS “RN” AROUND CADUCEUS. CUFFLINKS HAVE GOLD METAL BACK PLATES, POSTS, HINGE PINS, AND TOGGLES; INSIDE LOWER POST HAS ENGRAVED TEXT, “FOSTER”; INSIDE UPPER POST HAS ENGRAVED TEXT, “PET. PEND. U.S.A.”. CUFFLINKS HAVE MINOR STAINING ON TOGGLES AND POSTS; CUFFLINK FACES HAVE MINOR STAINING ON GOLD FRAMES; OVERALL VERY GOOD CONDITION.
Subjects
CLOTHING-ACCESSORY
Historical Association
COMMEMORATIVE
HEALTH SERVICES
PERSONAL CARE
History
ON JUNE 20, 2019, COLLECTIONS TECHNICIAN KEVIN MACLEAN INTERVIEWED SHARON KIMERY REGARDING HER DONATION OF MATERIALS FROM HER TIME STUDYING AT THE ST. MICHAEL’S SCHOOL OF NURSING. ON THE CUFFLINKS, KIMERY RECALLED, “THE CUFFLINKS…WERE GRADUATING GIFTS…[WHEN I GRADUATED IN 1965 AS] SHARON GEORGESON…THEY WERE GIVEN TO US WHEN WE GRADUATED…WE WORE LONG SLEEVES, AND SO THESE WERE CUFFLINKS ON THE LONG SLEEVES.” “[THE GRADUATION UNIFORM] WAS ALL WHITE…WHITE BIB. WHITE LONG SLEEVES. WHITE SKIRT [I WORE THE CUFFLINKS WITH THE GRADUATION UNIFORM].” KIMERY ELABORATED ON HER TIME STUDYING AT ST. MICHAEL’S SCHOOL OF NURSING, NOTING, “THE TRUTH WAS TO GO INTO NURSING AT ST. MICHAEL’S WAS, THERE WAS MINIMAL CHARGE TO MY PARENTS. IT WAS JUST VERY SIMPLE TO GO, WE LIVED IN LETHBRIDGE. MY PARENTS WERE LONG TERM RESIDENTS. INSTEAD OF GOING AWAY TO SCHOOL WAS BECAUSE OF THE PARENTS, I PRESUME. I JUST THOUGHT THE SISTERS WOULD TREAT ME WELL AND GIVE ME A REAL GOOD EDUCATION AS FAR AS LOOKING AFTER PEOPLE WAS CONCERNED WHICH, IN FACT, THEY DID. IT WAS NOT EASY, I’LL TELL YOU, BUT WELL WORTH THE THREE YEARS I SPENT THERE.” “[I CHOSE ST. MICHAEL’S OVER THE GALT SCHOOL OF NURSING BECAUSE] I JUST THOUGHT IT WOULD BE BETTER. THEY WOULD TREAT ME AS I WANTED TO BE TREATED AS A NURSE-IN-TRAINING AND THEN I WOULD EVENTUALLY TREAT MY PATIENTS THE WAY THEY WANTED ME TO TREAT THEM…THERE’S NO REASON, I JUST KNEW. THERE WASN’T EVEN ANY DISCUSSION ABOUT THE GALT—THE GALT SCHOOL OF NURSING.” “[THE PROGRAM] WAS JUST A REAL STEP FOR ME…THERE WERE SO MANY THINGS THAT WERE NEW TO ME, THAT I NEVER IMAGINED, AND EVERYTHING FROM DAY ONE UNTIL PERHAPS THE END OF THE FIRST YEAR, I WAS SORT OF IN AWE OF ALL THE THINGS THAT WERE GOING TO HAPPEN AND I HAD NO IDEA ABOUT, BUT YOU SETTLE IN, AND YOU ALL OF A SUDDEN DECIDE, THIS IS WHAT IT’S ALL ABOUT AND THIS IS WHAT I WANT. AND OF COURSE YOU HAVE YOUR PREFERENCES AS TO WHERE YOU ARE, AND I CERTAINLY DIDN’T LOVE ALL THE SECTIONS OF NURSING, BUT THE OPERATING ROOM WAS MY THING. I JUST THOUGHT IT’S SUCH CHALLENGE AND SO INTERESTING, EVERY DAY WAS DIFFERENT. I MEAN, LOOKING AFTER PATIENTS WITH DIFFERENT TUBES. IT WASN’T THE SAME DIFFERENT. THERE WERE DIFFERENT CONDITIONS, DIFFERENT WAYS AND DIFFERENT THINGS YOU HAD TO DO.” “[I WAS IN AWE OF] JUST THE WAY PEOPLE NEEDED CARE, AND NEEDED ATTENTION, AND NEEDED TO BE LOOKED AFTER. YOU HAD TO HAVE AN EAR AND TO LISTEN WHETHER IT WAS IMPORTANT OR NOT IMPORTANT TO YOU. YOU HAD TO REALIZE ALL THAT…[I WAS EXPOSED TO THE OPERATING ROOM] IT MIGHT HAVE BEEN IN THE…LATE FIRST OR SECOND YEAR FOR SURE…I WAS SO SCARED OF MAKING A MISTAKE. THINGS WERE SO SPECIAL AND THEY HAD TO BE SO PERFECT. EVERYBODY KNEW EXACTLY WHAT THEY WERE DOING ALL THE TIME. THERE WERE NEVER ANY MISTAKES MADE…EVENTUALLY, I TURNED OUT THE SAME WAY. THERE WAS NO WAY I COULD MAKE A MISTAKE, OR WOULD MAKE A MISTAKE, AND DIDN’T MAKE A MISTAKE BECAUSE YOU CAN’T…[IN] NURSING SOMETIMES YOU MAKE A LITTLE MISTAKE IN CHARTING OR EVEN A LITTLE MISTAKE IN GIVING THE RIGHT CARE…IT’S OKAY, BUT IN THE O.R.—NOT OKAY...” “YOU WENT IN THERE AND YOU WERE ASSIGNED TO CASES, AND YOU LOOKED IT UP IN THE EVENING WHAT YOU WERE GOING TO DO, AND YOU WENT IN THERE AND IF THEY SAID, ‘OKAY, YOU’RE GOING TO SCRUB YOUR HANDS AND HELP’, YOU DID. NOW, IF YOU WERE SCARED, TOO BAD, THAT’S WHAT YOU’RE GOING TO DO TODAY. YOU ALWAYS HAD AN R.N. WITH YOU…YOUR COORDINATOR…ONCE I GOT IN THERE AND WAS DOING IT, I WAS FINE. IT WAS JUST GETTING IN THERE AND DOING IT THAT WAS HARD.” “AT TIMES [IT SEEMED QUASI-MILITARY]…WHEN YOU HAD TO STAND UP AND BE CHECKED BEFORE YOU WENT TO SHIFT; IF YOU HAD HAIR ON YOUR COLLAR, OR SCUFFS ON YOUR SHOES, OR WRINKLES IN YOUR COSTUME…YOU WENT BACK AND REMEDIED IT BEFORE YOU WENT TO BREAKFAST. THIS WAS EARLY, LIKE 6, BECAUSE YOU HAD A LITTLE PRAYER SESSION…AND IF YOU WEREN’T PERFECT, YOU WENT BACK TO YOUR ROOM BEFORE BREAKFAST AND YOU WERE CHECKED AGAIN BEFORE…RULES AND REGULATIONS OF RESIDENCES ARE THE SAME EVERYWHERE, I PRESUME. THERE ARE TIMES FOR FUN TIMES, AND TIME FOR STUDY, AND TIME FOR SLEEP. THAT’S HOW IT WAS THERE.” ON HER FRIENDS AND CLASSMATES DURING HER STUDIES AT ST. MICHAEL’S SCHOOL OF NURSING, KIMERY SHARED, “[DURING SCHOOL] I’M LIVING IN THE RESIDENCE THAT ST. MIKE’S HAD ON 13TH STREET THERE AND 9TH AVENUE. FIRST YEAR, YOU SHARED A ROOM; SECOND YEAR, YOU HAD YOUR OWN ROOM; THIRD YEAR THEY MOVED YOU OUT AND THEY PAID FOR A BASEMENT SUITE SOMEWHERE; AND YOU USUALLY HAD A ROOMMATE OR TWO, OR HOWEVER MANY THE LANDLORD WOULD TAKE. I LIVED ON 13TH STREET WITH TWO OTHER GIRLS IN MY THIRD YEAR.” “JUST LIKE IN ANY SITUATION, THERE ARE GROUPS OF GIRLS…MY GROUP WAS A FEW OF US, 4 OR 5, THAT WERE VERY CLOSE AND DID THINGS TOGETHER…YOU NEVER ALL GET TOGETHER AND ENJOY, UNLESS IT’S A SITUATION WHERE YOU HAVE TO ALL BE TOGETHER. BUT THERE WERE SOME CLASSMATES I DIDN’T FANCY, AND I’M SURE THERE WERE SOME THAT DIDN’T FANCY ME…THAT’S THE WAY LIFE IS, YOU DON’T LIKE EVERYBODY THAT YOU’RE IN A GROUP WITH, FOR SURE. SO THERE WERE 4 OR 5 THAT WERE ALL RIGHT, THAT WE GOT ALONG WELL…WE NEVER BECAME REALLY GOOD FRIENDS. WE WERE TOGETHER FOR 3 YEARS, DOING WHATEVER IT WAS FOR 3 YEARS, BUT AFTER THAT YOU GO YOUR SEPARATE WAYS AND LIVE YOUR LIFE. AND BEING THAT I LEFT SHORTLY AFTER I GRADUATED, I LEFT IN ’66 TO GO TO MONTREAL. BY THE TIME I GOT BACK [THE FRIENDSHIP WAS] GONE.” KIMERY RECALLED THE NUNS AND INSTRUCTORS WHO TAUGHT AT ST. MICHAEL’S SCHOOL OF NURSING, NOTING, “SISTER BEATRICE HAD TO BE THE TOUGHEST SISTER I THINK I‘LL EVER ENCOUNTER…SHE WAS HARD ON YOU ON EVERY PHASE OF YOUR NURSING, WHETHER IT MEANT STANDING IN LINE IN THE MORNING TO CHECK THE WAY YOU LOOKED BEFORE YOU WENT ON DUTY, OR WHETHER IT WAS 9 O’CLOCK AT NIGHT WHEN YOU WERE MAKING TOO DARN MUCH NOISE UPSTAIRS AND YOU SHOULD HAVE BEEN STUDYING. SHE WAS A TOUGH SISTER, BUT I WOULDN’T HAVE TRADED HER FOR ANYONE. AND THERE WAS ANOTHER LITTLE ONE, SISTER PETER MARIE AND SHE USED TO WANDER THE HALLS AND, OH DEAR, IF YOU WEREN’T BEHAVING, YOU WERE IN TROUBLE. NEVER SERIOUS TROUBLE, DON’T GET ME WRONG, BUT THOSE TWO REALLY STICK OUT IN MY MIND BECAUSE THEY WERE THE TWO THAT WERE REALLY LOOKING AFTER US…IN THE FIRST YEAR AND SECOND YEAR.” “[AS TEACHERS, THE SISTERS] WERE FUSSY. YOU HAD TO HAVE IT PERFECT…IF YOU MADE A DRUG ERROR…YOU HAD TO WRITE PAGES AND PAGES AND DO RESEARCH ON THE DRUG THAT YOU’D MADE A MISTAKE ON. THEY…MADE SURE THAT EVERYTHING WAS ‘PERFECT’, THE WAY IT SHOULD BE…IT HAD TO BE PERFECT FOR THE PATIENT. I MEAN, YOU HAD TO BE PERFORMING WELL, BUT YOU HAD TO BE PERFECT FOR THE PATIENT. THAT WAS THE WHOLE THING. YOU WERE LOOKING AFTER PEOPLE. YOU HAD TO MAKE SURE WHAT YOU WERE DOING WAS RIGHT. NO QUESTIONS ASKED ABOUT IT NOT BEING SO.” “[THE SISTERS WOULD] MAKE THE ROUNDS TO THOSE PATIENTS ON THE FLOOR, I DON’T KNOW IF IT WAS HOURLY, BUT OFTEN YOU WOULD SEE…THEY HAD THE LONG SKIRTS…AND YOU’D HEAR THE SWISH, SWISH, AND YOU’D KNOW THAT THEY WERE ABOUT SOMEWHERE—CHECKING…THEY WERE THERE ALL THE TIME—MORNING, EVENING AND EVEN ON NIGHT SHIFT. EVEN WHEN I WORKED THE NIGHT SHIFT AS A STUDENT, THERE WAS ALWAYS A SISTER SOMEWHERE. I PRESUME IF YOU NEEDED THEM OR WERE IN TROUBLE, THEY WOULD HAVE BEEN THERE IMMEDIATELY. IT NEVER HAPPENED BUT I’M SURE THAT’S PART OF THE REASON THERE WAS SOMEBODY AROUND 24-7 NOW THAT I THINK ABOUT IT.” “THE SENIOR NURSES TENDED TO BE A LITTLE TOUGH ON THE SECOND YEAR AND THE FIRST YEAR NURSES…THEY KNOW MORE. THEY’VE BEEN THERE LONGER. THEY DON’T WANT YOU MAKING MISTAKES BECAUSE IT REFLECTS ON THEM…BUT, THAT WAS OKAY TOO. I’D RATHER HAVE SOMEONE TOLD ME THAT SOMETHING WASN’T DONE VERY WELL AT THE TIME…ONE EXAMPLE HERE…[ONE] MORNING, THIRD YEAR NURSE, A PATIENT GOING TO THE O.R. I WENT IN, THOUGHT HE WAS READY. SHE CAME IN AND SAID, ‘DID YOU GIVE HIM MOUTH WASH?’ I SAID, ‘NO.’ [THE SENIOR NURSE ASKED] ‘WHY NOT?’ I DIDN’T HAVE AN ANSWER. I DID IT. I NEVER FORGOT AGAIN. PATIENT GOT MOUTH WASH EVERY DAY…EVERY PATIENT O.R…YOU MADE SURE THEY WERE CLEANED UP IN THE MORNING REGARDLESS…I WAS IN MY FIRST YEAR, I THINK, OR MAYBE SECOND…BUT I STILL REMEMBER THE NURSE…I CAN EVEN REMEMBER HER NAME SO THAT’S THE IMPRESSION IT MAKES ON A STUDENT NURSE TRYING TO LEARN THE HARD WAY. BUT THE HARD WAY’S BETTER THAN NOT AT ALL.” ON HER POST-GRADUATE STUDIES IN NURSING, KIMERY SHARED, “I WENT TO MONTREAL TO THE ROYAL VICTORIA HOSPITAL AND DID A POST GRADUATE COURSE IN OPERATING ROOM TECHNIQUE AND THEN STAYED ON AS STAFF MEMBER THERE…THEN I CAME BACK TO LETHBRIDGE [AND] I WENT BACK TO ST MIKE’S AFTER MY POST GRADUATE…THERE’S LOTS OF CHALLENGES [IN THE OPERATING ROOM]…RIGHT FROM WHEN YOU WENT IN THERE AS A STUDENT…SO MANY THINGS YOU HAD TO KNOW AND DO AND BE AWARE OF AND MAKE SURE YOU’RE RIGHT BECAUSE YOU CAN’T BE WRONG. AND I THOUGHT, ‘YEAH, I CAN DO THIS’. SO I CHOSE TO [WORK IN THE OPERATING ROOM].” “I JUST WANTED TO SEE BIG SURGERY. I WANTED TO SEE HEART SURGERY. I WANTED TO SEE KIDNEY TRANSPLANTS. I WANTED TO SEE BIG STUFF AND I DID…I WAS ON THE KIDNEY TRANSPLANT TEAM. I REPLACED VALVES IN THE CARDIO-VASCULAR…THEY DID BIG SURGERIES, BIG ORTHOPEDIC SURGERIES…BACK IN THE ‘60S TOTAL REPLACEMENTS WERE HUGE...[FOR PEOPLE WHO WANTED MORE, IT WAS] PROBABLY RARE. I MEAN, I WENT ON MY OWN TO MONTREAL. I’D NEVER BEEN OUT OF LETHBRIDGE. I HAD A FRIEND THAT WAS SUPPOSED TO GO AND SHE CANCELLED SO I WENT BY MYSELF…[I WAS] 21.” “[I WAS CONFIDENT GOING TO MONTREAL] BECAUSE I KNEW I CAME FROM A SCHOOL THAT HAD A GOOD O.R., WE HAD ALL THE SPECIALTIES. WE HAD THE OPHTHALMOLOGY, EAR NOSE AND THROAT, PLASTICS AND ORTHOPEDICS, AND UROLOGY AND GENERAL SURGERY ALL HERE IN LETHBRIDGE. SO I KNEW ALL OF THOSE WHEN I WENT THERE. I JUST WANTED MORE. I WANTED BIGGER AND MORE, AND I GOT IT.” “THERE WAS SO MUCH I HAD TO LEARN AND HAD TO DO. [THE EXPERIENCE WORKING AT ST. MICHAEL’S IN LETHBRIDGE] DOESN’T PREPARE YOU WHEN YOU TAKE A JOURNEY LIKE THAT IN YOUR LIFE—A BIG STEP. IT DOESN’T PREPARE YOU. YOU GET THERE AND IT’S A HUGE CITY AND THE RESIDENCE IS HUGE…AND THE HOSPITAL’S HUGE AND THERE’S 15 O.R.’S AND THEY’RE BUSY 24-7 AND YOU’RE NOT PREPARED. YOU CAN’T BE. BUT YOU GET [PREPARED]…I WAS READY. AT FIRST [I WAS] MAYBE A LITTLE SKEPTICAL, I GUESS YOU MIGHT SAY…[THE SCHOOL] FIGURED IT WAS ALL RIGHT FOR ME TO BE THERE [COMING IN FROM A SMALL SCHOOL AND SMALL CITY]…THEY TREATED ME VERY WELL…I HAD SO MANY OPPORTUNITIES…IF IT WAS THERE AND YOU WANTED IT. TAKE IT. SO I DID.” “I DON’T KNOW [WHY THEY ACCEPTED ME INTO THE PROGRAM IN MONTREAL]. I HAVE NO IDEA. I WAS VERY SURPRISED THAT I WAS ACCEPTED ACTUALLY, BECAUSE IF I HADN’T BEEN…I DON’T EVEN KNOW IF I HAD ANOTHER OPTION IN MIND ACTUALLY…THE PROGRAM WAS FINISHED IN ’67 AND I STAYED UNTIL ’69. I CAME [BACK TO LETHBRIDGE] IN ‘70.” “[I FELT LIKE IT WAS A BIG DEAL TO ACCEPT A STUDENT FROM A SMALL CITY LIKE LETHBRIDGE] BASED ON THE OTHER GIRLS THAT WERE IN THE PROGRAM. ONE WAS FROM HALIFAX AND SHE’D BEEN IN NORFOLK, VIRGINIA. THERE WAS ANOTHER ONE THAT WAS FROM THE OTTAWA GENERAL OR SOMEWHERE, AND THERE WAS ONE FROM…SOMEWHERE ABROAD…THE LADIES THAT WERE THERE WERE FAR MORE EXPERIENCED, I GUESS, HAD BEEN IN BIGGER HOSPITALS, DONE BIGGER AND BETTER THINGS THAN I.” “I THINK [THE SCHOOL’S FACULTY] THOUGHT [THE ST. MICHAEL’S PROGRAM] WAS PRETTY…GOOD BECAUSE THE WAY I USED TO SET THE ROOM UP IN THE MORNING, THEY WOULD COME AND JUST SAY, ‘ARE YOU THE ONE FROM ALBERTA, FROM THE SMALL SCHOOL?’ ‘YES, I AM.’ THEY COULD JUST TELL…THAT I WAS FROM A PLACE THAT DID THINGS SPECIAL FOR EVERYBODY ON THE TEAM, FOR THE ANESTHETIST…WE TREATED THEM SPECIAL. SO I TREATED THEM SPECIAL THERE, AND THEY JUST, ‘WHAT IS THIS NOW?’ AND THE DOCTORS, THEY KNEW, THEY COULD TELL JUST BECAUSE THAT’S THE WAY IT WAS IN ST. MICHAEL’S. THIS IS WHY YOU DID IT. THIS IS HOW YOU DID IT AND YOU DID IT EVERY DAY.” ON HER INTEREST IN NURSING AND DECISION TO PURSUE A CAREER IN NURSING, KIMERAY RECALLED, “[I WANTED TO BE A NURSE] BECAUSE I’M JUST REALLY GOOD WITH PEOPLE. PEOPLE ARE WHAT MAKES THE WORLD GO ROUND. I JUST LIKE PEOPLE. I LIKE TO TALK TO THEM. I LIKE TO CARE FOR THEM…YOUNG, MEDIUM AGED OR OLD. ALL GOOD FOR ME. AND WHEN I FIRST WENT THERE, MY FIRST EXPERIENCES WEREN’T THAT EASY BECAUSE I’D REALLY NEVER BEEN LOOKING AFTER ANY KIND OF PEOPLE—[IT WAS] HARD, BUT I JUST LIKE PEOPLE AND I’M EASY WITH PEOPLE…EVEN IN THEIR WORST SITUATIONS, TO THIS DAY, I’M EASY WITH PEOPLE.” “I GUESS MEDICINE WAS FINE BECAUSE THOSE PEOPLE REALLY NEEDED CARE. SURGERY THEY WERE IN DISCOMFORT FOR A WHILE BUT THEN GOT BETTER. MATERNITY I DIDN’T FANCY. PEDIATRICS I DIDN’T FANCY BUT MEDICINE, THEY NEEDED CARE AND SO THAT’S WHY I LIKED IT.” FOR MORE INFORMATION INCLUDING COPIES OF LETHBRIDGE HERALD ARTICLES ABOUT KIMERY AND ST. MICHAEL’S SCHOOL OF NURSING, AND THE FULL INTERVIEW TRANSCRIPTION, PLEASE SEE THE PERMANENT FILE P20190011001-GA.
Catalogue Number
P20190011001
Acquisition Date
2019-06
Collection
Museum
Images
Less detail
Date Range From
1961
Date Range To
1965
Material Type
Artifact
Materials
METAL, BRASS, PAINT
Catalogue Number
P20190011002
  2 images  
Material Type
Artifact
Date Range From
1961
Date Range To
1965
Materials
METAL, BRASS, PAINT
No. Pieces
1
Length
5
Width
1.5
Description
BRASS METAL BROOCH WITH BAR-PIN CLASP; BROOCH HAS GOLD-COLOURED RECTANGULAR BAR FOR FRONT, WITH BLUE CROSS IN CENTER. CROSS HAS GOLD BANNER RUNNING ACROSS THE FRONT WITH BLUE TEXT “S M H”. BACK OF BROOCH HAS ENGRAVED TEXT “STER 3 OF G, G.F.”. BROOCH HAS MINOR TARNISHING AROUND POSTS OF BAR-PIN AND ON BACK OF CROSS; OVERALL VERY GOOD CONDITION.
Subjects
CLOTHING-ACCESSORY
Historical Association
COMMEMORATIVE
HEALTH SERVICES
PERSONAL CARE
History
ON JUNE 20, 2019, COLLECTIONS TECHNICIAN KEVIN MACLEAN INTERVIEWED SHARON KIMERY REGARDING HER DONATION OF MATERIALS FROM HER TIME STUDYING AT THE ST. MICHAEL’S SCHOOL OF NURSING. ON THE BROOCH, KIMERY RECALLED, “YOU [GOT THE BROOCH] AFTER YOUR FIRST YEAR. IT’S CALLED A BANDING BARRING CEREMONY AND IT FASTENED AT THE TOP OF YOUR COLLAR OF YOUR UNIFORM. AND THAT JUST SHOWED THAT YOU MADE IT THROUGH THE FIRST YEAR AND THAT YOU HAVE A BAND AND A BROOCH NOW…YOU WORE IT UNTIL YOU GRADUATED.” “[IT SIGNIFIED RANK AND SENIORITY] BECAUSE YOUR FIRST YEAR YOU DON’T HAVE ANYTHING, YOU DON’T HAVE A BAND ON THE CAP, YOU DON’T HAVE ANYTHING. AFTER FIRST YEAR YOU GET THIS AND A YELLOW BAND AND THEN A BLUE ONE AND THEN A BLACK.” KIMERY ELABORATED ON HER TIME STUDYING AT ST. MICHAEL’S SCHOOL OF NURSING, NOTING, “THE TRUTH WAS TO GO INTO NURSING AT ST. MICHAEL’S WAS, THERE WAS MINIMAL CHARGE TO MY PARENTS. IT WAS JUST VERY SIMPLE TO GO, WE LIVED IN LETHBRIDGE. MY PARENTS WERE LONG TERM RESIDENTS. INSTEAD OF GOING AWAY TO SCHOOL WAS BECAUSE OF THE PARENTS, I PRESUME. I JUST THOUGHT THE SISTERS WOULD TREAT ME WELL AND GIVE ME A REAL GOOD EDUCATION AS FAR AS LOOKING AFTER PEOPLE WAS CONCERNED WHICH, IN FACT, THEY DID. IT WAS NOT EASY, I’LL TELL YOU, BUT WELL WORTH THE THREE YEARS I SPENT THERE.” “[I CHOSE ST. MICHAEL’S OVER THE GALT SCHOOL OF NURSING BECAUSE] I JUST THOUGHT IT WOULD BE BETTER. THEY WOULD TREAT ME AS I WANTED TO BE TREATED AS A NURSE-IN-TRAINING AND THEN I WOULD EVENTUALLY TREAT MY PATIENTS THE WAY THEY WANTED ME TO TREAT THEM…THERE’S NO REASON, I JUST KNEW. THERE WASN’T EVEN ANY DISCUSSION ABOUT THE GALT—THE GALT SCHOOL OF NURSING.” “[THE PROGRAM] WAS JUST A REAL STEP FOR ME…THERE WERE SO MANY THINGS THAT WERE NEW TO ME, THAT I NEVER IMAGINED, AND EVERYTHING FROM DAY ONE UNTIL PERHAPS THE END OF THE FIRST YEAR, I WAS SORT OF IN AWE OF ALL THE THINGS THAT WERE GOING TO HAPPEN AND I HAD NO IDEA ABOUT, BUT YOU SETTLE IN, AND YOU ALL OF A SUDDEN DECIDE, THIS IS WHAT IT’S ALL ABOUT AND THIS IS WHAT I WANT. AND OF COURSE YOU HAVE YOUR PREFERENCES AS TO WHERE YOU ARE, AND I CERTAINLY DIDN’T LOVE ALL THE SECTIONS OF NURSING, BUT THE OPERATING ROOM WAS MY THING. I JUST THOUGHT IT’S SUCH CHALLENGE AND SO INTERESTING, EVERY DAY WAS DIFFERENT. I MEAN, LOOKING AFTER PATIENTS WITH DIFFERENT TUBES. IT WASN’T THE SAME DIFFERENT. THERE WERE DIFFERENT CONDITIONS, DIFFERENT WAYS AND DIFFERENT THINGS YOU HAD TO DO.” “[I WAS IN AWE OF] JUST THE WAY PEOPLE NEEDED CARE, AND NEEDED ATTENTION, AND NEEDED TO BE LOOKED AFTER. YOU HAD TO HAVE AN EAR AND TO LISTEN WHETHER IT WAS IMPORTANT OR NOT IMPORTANT TO YOU. YOU HAD TO REALIZE ALL THAT…[I WAS EXPOSED TO THE OPERATING ROOM] IT MIGHT HAVE BEEN IN THE…LATE FIRST OR SECOND YEAR FOR SURE…I WAS SO SCARED OF MAKING A MISTAKE. THINGS WERE SO SPECIAL AND THEY HAD TO BE SO PERFECT. EVERYBODY KNEW EXACTLY WHAT THEY WERE DOING ALL THE TIME. THERE WERE NEVER ANY MISTAKES MADE…EVENTUALLY, I TURNED OUT THE SAME WAY. THERE WAS NO WAY I COULD MAKE A MISTAKE, OR WOULD MAKE A MISTAKE, AND DIDN’T MAKE A MISTAKE BECAUSE YOU CAN’T…[IN] NURSING SOMETIMES YOU MAKE A LITTLE MISTAKE IN CHARTING OR EVEN A LITTLE MISTAKE IN GIVING THE RIGHT CARE…IT’S OKAY, BUT IN THE O.R.—NOT OKAY...” “YOU WENT IN THERE AND YOU WERE ASSIGNED TO CASES, AND YOU LOOKED IT UP IN THE EVENING WHAT YOU WERE GOING TO DO, AND YOU WENT IN THERE AND IF THEY SAID, ‘OKAY, YOU’RE GOING TO SCRUB YOUR HANDS AND HELP’, YOU DID. NOW, IF YOU WERE SCARED, TOO BAD, THAT’S WHAT YOU’RE GOING TO DO TODAY. YOU ALWAYS HAD AN R.N. WITH YOU…YOUR COORDINATOR…ONCE I GOT IN THERE AND WAS DOING IT, I WAS FINE. IT WAS JUST GETTING IN THERE AND DOING IT THAT WAS HARD.” “AT TIMES [IT SEEMED QUASI-MILITARY]…WHEN YOU HAD TO STAND UP AND BE CHECKED BEFORE YOU WENT TO SHIFT; IF YOU HAD HAIR ON YOUR COLLAR, OR SCUFFS ON YOUR SHOES, OR WRINKLES IN YOUR COSTUME…YOU WENT BACK AND REMEDIED IT BEFORE YOU WENT TO BREAKFAST. THIS WAS EARLY, LIKE 6, BECAUSE YOU HAD A LITTLE PRAYER SESSION…AND IF YOU WEREN’T PERFECT, YOU WENT BACK TO YOUR ROOM BEFORE BREAKFAST AND YOU WERE CHECKED AGAIN BEFORE…RULES AND REGULATIONS OF RESIDENCES ARE THE SAME EVERYWHERE, I PRESUME. THERE ARE TIMES FOR FUN TIMES, AND TIME FOR STUDY, AND TIME FOR SLEEP. THAT’S HOW IT WAS THERE.” ON HER FRIENDS AND CLASSMATES DURING HER STUDIES AT ST. MICHAEL’S SCHOOL OF NURSING, KIMERY SHARED, “[DURING SCHOOL] I’M LIVING IN THE RESIDENCE THAT ST. MIKE’S HAD ON 13TH STREET THERE AND 9TH AVENUE. FIRST YEAR, YOU SHARED A ROOM; SECOND YEAR, YOU HAD YOUR OWN ROOM; THIRD YEAR THEY MOVED YOU OUT AND THEY PAID FOR A BASEMENT SUITE SOMEWHERE; AND YOU USUALLY HAD A ROOMMATE OR TWO, OR HOWEVER MANY THE LANDLORD WOULD TAKE. I LIVED ON 13TH STREET WITH TWO OTHER GIRLS IN MY THIRD YEAR.” “JUST LIKE IN ANY SITUATION, THERE ARE GROUPS OF GIRLS…MY GROUP WAS A FEW OF US, 4 OR 5, THAT WERE VERY CLOSE AND DID THINGS TOGETHER…YOU NEVER ALL GET TOGETHER AND ENJOY, UNLESS IT’S A SITUATION WHERE YOU HAVE TO ALL BE TOGETHER. BUT THERE WERE SOME CLASSMATES I DIDN’T FANCY, AND I’M SURE THERE WERE SOME THAT DIDN’T FANCY ME…THAT’S THE WAY LIFE IS, YOU DON’T LIKE EVERYBODY THAT YOU’RE IN A GROUP WITH, FOR SURE. SO THERE WERE 4 OR 5 THAT WERE ALL RIGHT, THAT WE GOT ALONG WELL…WE NEVER BECAME REALLY GOOD FRIENDS. WE WERE TOGETHER FOR 3 YEARS, DOING WHATEVER IT WAS FOR 3 YEARS, BUT AFTER THAT YOU GO YOUR SEPARATE WAYS AND LIVE YOUR LIFE. AND BEING THAT I LEFT SHORTLY AFTER I GRADUATED, I LEFT IN ’66 TO GO TO MONTREAL. BY THE TIME I GOT BACK [THE FRIENDSHIP WAS] GONE.” KIMERY RECALLED THE NUNS AND INSTRUCTORS WHO TAUGHT AT ST. MICHAEL’S SCHOOL OF NURSING, NOTING, “SISTER BEATRICE HAD TO BE THE TOUGHEST SISTER I THINK I‘LL EVER ENCOUNTER…SHE WAS HARD ON YOU ON EVERY PHASE OF YOUR NURSING, WHETHER IT MEANT STANDING IN LINE IN THE MORNING TO CHECK THE WAY YOU LOOKED BEFORE YOU WENT ON DUTY, OR WHETHER IT WAS 9 O’CLOCK AT NIGHT WHEN YOU WERE MAKING TOO DARN MUCH NOISE UPSTAIRS AND YOU SHOULD HAVE BEEN STUDYING. SHE WAS A TOUGH SISTER, BUT I WOULDN’T HAVE TRADED HER FOR ANYONE. AND THERE WAS ANOTHER LITTLE ONE, SISTER PETER MARIE AND SHE USED TO WANDER THE HALLS AND, OH DEAR, IF YOU WEREN’T BEHAVING, YOU WERE IN TROUBLE. NEVER SERIOUS TROUBLE, DON’T GET ME WRONG, BUT THOSE TWO REALLY STICK OUT IN MY MIND BECAUSE THEY WERE THE TWO THAT WERE REALLY LOOKING AFTER US…IN THE FIRST YEAR AND SECOND YEAR.” “[AS TEACHERS, THE SISTERS] WERE FUSSY. YOU HAD TO HAVE IT PERFECT…IF YOU MADE A DRUG ERROR…YOU HAD TO WRITE PAGES AND PAGES AND DO RESEARCH ON THE DRUG THAT YOU’D MADE A MISTAKE ON. THEY…MADE SURE THAT EVERYTHING WAS ‘PERFECT’, THE WAY IT SHOULD BE…IT HAD TO BE PERFECT FOR THE PATIENT. I MEAN, YOU HAD TO BE PERFORMING WELL, BUT YOU HAD TO BE PERFECT FOR THE PATIENT. THAT WAS THE WHOLE THING. YOU WERE LOOKING AFTER PEOPLE. YOU HAD TO MAKE SURE WHAT YOU WERE DOING WAS RIGHT. NO QUESTIONS ASKED ABOUT IT NOT BEING SO.” “[THE SISTERS WOULD] MAKE THE ROUNDS TO THOSE PATIENTS ON THE FLOOR, I DON’T KNOW IF IT WAS HOURLY, BUT OFTEN YOU WOULD SEE…THEY HAD THE LONG SKIRTS…AND YOU’D HEAR THE SWISH, SWISH, AND YOU’D KNOW THAT THEY WERE ABOUT SOMEWHERE—CHECKING…THEY WERE THERE ALL THE TIME—MORNING, EVENING AND EVEN ON NIGHT SHIFT. EVEN WHEN I WORKED THE NIGHT SHIFT AS A STUDENT, THERE WAS ALWAYS A SISTER SOMEWHERE. I PRESUME IF YOU NEEDED THEM OR WERE IN TROUBLE, THEY WOULD HAVE BEEN THERE IMMEDIATELY. IT NEVER HAPPENED BUT I’M SURE THAT’S PART OF THE REASON THERE WAS SOMEBODY AROUND 24-7 NOW THAT I THINK ABOUT IT.” “THE SENIOR NURSES TENDED TO BE A LITTLE TOUGH ON THE SECOND YEAR AND THE FIRST YEAR NURSES…THEY KNOW MORE. THEY’VE BEEN THERE LONGER. THEY DON’T WANT YOU MAKING MISTAKES BECAUSE IT REFLECTS ON THEM…BUT, THAT WAS OKAY TOO. I’D RATHER HAVE SOMEONE TOLD ME THAT SOMETHING WASN’T DONE VERY WELL AT THE TIME…ONE EXAMPLE HERE…[ONE] MORNING, THIRD YEAR NURSE, A PATIENT GOING TO THE O.R. I WENT IN, THOUGHT HE WAS READY. SHE CAME IN AND SAID, ‘DID YOU GIVE HIM MOUTH WASH?’ I SAID, ‘NO.’ [THE SENIOR NURSE ASKED] ‘WHY NOT?’ I DIDN’T HAVE AN ANSWER. I DID IT. I NEVER FORGOT AGAIN. PATIENT GOT MOUTH WASH EVERY DAY…EVERY PATIENT O.R…YOU MADE SURE THEY WERE CLEANED UP IN THE MORNING REGARDLESS…I WAS IN MY FIRST YEAR, I THINK, OR MAYBE SECOND…BUT I STILL REMEMBER THE NURSE…I CAN EVEN REMEMBER HER NAME SO THAT’S THE IMPRESSION IT MAKES ON A STUDENT NURSE TRYING TO LEARN THE HARD WAY. BUT THE HARD WAY’S BETTER THAN NOT AT ALL.” ON HER POST-GRADUATE STUDIES IN NURSING, KIMERY SHARED, “I WENT TO MONTREAL TO THE ROYAL VICTORIA HOSPITAL AND DID A POST GRADUATE COURSE IN OPERATING ROOM TECHNIQUE AND THEN STAYED ON AS STAFF MEMBER THERE…THEN I CAME BACK TO LETHBRIDGE [AND] I WENT BACK TO ST MIKE’S AFTER MY POST GRADUATE…THERE’S LOTS OF CHALLENGES [IN THE OPERATING ROOM]…RIGHT FROM WHEN YOU WENT IN THERE AS A STUDENT…SO MANY THINGS YOU HAD TO KNOW AND DO AND BE AWARE OF AND MAKE SURE YOU’RE RIGHT BECAUSE YOU CAN’T BE WRONG. AND I THOUGHT, ‘YEAH, I CAN DO THIS’. SO I CHOSE TO [WORK IN THE OPERATING ROOM].” “I JUST WANTED TO SEE BIG SURGERY. I WANTED TO SEE HEART SURGERY. I WANTED TO SEE KIDNEY TRANSPLANTS. I WANTED TO SEE BIG STUFF AND I DID…I WAS ON THE KIDNEY TRANSPLANT TEAM. I REPLACED VALVES IN THE CARDIO-VASCULAR…THEY DID BIG SURGERIES, BIG ORTHOPEDIC SURGERIES…BACK IN THE ‘60S TOTAL REPLACEMENTS WERE HUGE...[FOR PEOPLE WHO WANTED MORE, IT WAS] PROBABLY RARE. I MEAN, I WENT ON MY OWN TO MONTREAL. I’D NEVER BEEN OUT OF LETHBRIDGE. I HAD A FRIEND THAT WAS SUPPOSED TO GO AND SHE CANCELLED SO I WENT BY MYSELF…[I WAS] 21.” “[I WAS CONFIDENT GOING TO MONTREAL] BECAUSE I KNEW I CAME FROM A SCHOOL THAT HAD A GOOD O.R., WE HAD ALL THE SPECIALTIES. WE HAD THE OPHTHALMOLOGY, EAR NOSE AND THROAT, PLASTICS AND ORTHOPEDICS, AND UROLOGY AND GENERAL SURGERY ALL HERE IN LETHBRIDGE. SO I KNEW ALL OF THOSE WHEN I WENT THERE. I JUST WANTED MORE. I WANTED BIGGER AND MORE, AND I GOT IT.” “THERE WAS SO MUCH I HAD TO LEARN AND HAD TO DO. [THE EXPERIENCE WORKING AT ST. MICHAEL’S IN LETHBRIDGE] DOESN’T PREPARE YOU WHEN YOU TAKE A JOURNEY LIKE THAT IN YOUR LIFE—A BIG STEP. IT DOESN’T PREPARE YOU. YOU GET THERE AND IT’S A HUGE CITY AND THE RESIDENCE IS HUGE…AND THE HOSPITAL’S HUGE AND THERE’S 15 O.R.’S AND THEY’RE BUSY 24-7 AND YOU’RE NOT PREPARED. YOU CAN’T BE. BUT YOU GET [PREPARED]…I WAS READY. AT FIRST [I WAS] MAYBE A LITTLE SKEPTICAL, I GUESS YOU MIGHT SAY…[THE SCHOOL] FIGURED IT WAS ALL RIGHT FOR ME TO BE THERE [COMING IN FROM A SMALL SCHOOL AND SMALL CITY]…THEY TREATED ME VERY WELL…I HAD SO MANY OPPORTUNITIES…IF IT WAS THERE AND YOU WANTED IT. TAKE IT. SO I DID.” “I DON’T KNOW [WHY THEY ACCEPTED ME INTO THE PROGRAM IN MONTREAL]. I HAVE NO IDEA. I WAS VERY SURPRISED THAT I WAS ACCEPTED ACTUALLY, BECAUSE IF I HADN’T BEEN…I DON’T EVEN KNOW IF I HAD ANOTHER OPTION IN MIND ACTUALLY…THE PROGRAM WAS FINISHED IN ’67 AND I STAYED UNTIL ’69. I CAME [BACK TO LETHBRIDGE] IN ‘70.” “[I FELT LIKE IT WAS A BIG DEAL TO ACCEPT A STUDENT FROM A SMALL CITY LIKE LETHBRIDGE] BASED ON THE OTHER GIRLS THAT WERE IN THE PROGRAM. ONE WAS FROM HALIFAX AND SHE’D BEEN IN NORFOLK, VIRGINIA. THERE WAS ANOTHER ONE THAT WAS FROM THE OTTAWA GENERAL OR SOMEWHERE, AND THERE WAS ONE FROM…SOMEWHERE ABROAD…THE LADIES THAT WERE THERE WERE FAR MORE EXPERIENCED, I GUESS, HAD BEEN IN BIGGER HOSPITALS, DONE BIGGER AND BETTER THINGS THAN I.” “I THINK [THE SCHOOL’S FACULTY] THOUGHT [THE ST. MICHAEL’S PROGRAM] WAS PRETTY…GOOD BECAUSE THE WAY I USED TO SET THE ROOM UP IN THE MORNING, THEY WOULD COME AND JUST SAY, ‘ARE YOU THE ONE FROM ALBERTA, FROM THE SMALL SCHOOL?’ ‘YES, I AM.’ THEY COULD JUST TELL…THAT I WAS FROM A PLACE THAT DID THINGS SPECIAL FOR EVERYBODY ON THE TEAM, FOR THE ANESTHETIST…WE TREATED THEM SPECIAL. SO I TREATED THEM SPECIAL THERE, AND THEY JUST, ‘WHAT IS THIS NOW?’ AND THE DOCTORS, THEY KNEW, THEY COULD TELL JUST BECAUSE THAT’S THE WAY IT WAS IN ST. MICHAEL’S. THIS IS WHY YOU DID IT. THIS IS HOW YOU DID IT AND YOU DID IT EVERY DAY.” ON HER INTEREST IN NURSING AND DECISION TO PURSUE A CAREER IN NURSING, KIMERAY RECALLED, “[I WANTED TO BE A NURSE] BECAUSE I’M JUST REALLY GOOD WITH PEOPLE. PEOPLE ARE WHAT MAKES THE WORLD GO ROUND. I JUST LIKE PEOPLE. I LIKE TO TALK TO THEM. I LIKE TO CARE FOR THEM…YOUNG, MEDIUM AGED OR OLD. ALL GOOD FOR ME. AND WHEN I FIRST WENT THERE, MY FIRST EXPERIENCES WEREN’T THAT EASY BECAUSE I’D REALLY NEVER BEEN LOOKING AFTER ANY KIND OF PEOPLE—[IT WAS] HARD, BUT I JUST LIKE PEOPLE AND I’M EASY WITH PEOPLE…EVEN IN THEIR WORST SITUATIONS, TO THIS DAY, I’M EASY WITH PEOPLE.” “I GUESS MEDICINE WAS FINE BECAUSE THOSE PEOPLE REALLY NEEDED CARE. SURGERY THEY WERE IN DISCOMFORT FOR A WHILE BUT THEN GOT BETTER. MATERNITY I DIDN’T FANCY. PEDIATRICS I DIDN’T FANCY BUT MEDICINE, THEY NEEDED CARE AND SO THAT’S WHY I LIKED IT.” FOR MORE INFORMATION INCLUDING COPIES OF LETHBRIDGE HERALD ARTICLES ABOUT KIMERY AND ST. MICHAEL’S SCHOOL OF NURSING, AND THE FULL INTERVIEW TRANSCRIPTION, PLEASE SEE THE PERMANENT FILE P20190011001-GA.
Catalogue Number
P20190011002
Acquisition Date
2019-06
Collection
Museum
Images
Less detail
Material Type
Artifact
Materials
GOLD, METAL, ENAMEL
Catalogue Number
P20190011003
  2 images  
Material Type
Artifact
Date
1965
Materials
GOLD, METAL, ENAMEL
No. Pieces
1
Height
0.5
Diameter
2.9
Description
GOLD PIN WITH BAR-PIN CLASP ON BACK; PIN IS ROUND WITH SHIELD IN CENTER ON FRONT. FRONT OF PIN HAS BLUE ENAMEL BORDER WITH GOLD TEXT, “SCIENCE, SERVICE, SANCTITY, ST. MICHAEL’S SCHOOL OF NURSING”; FRONT OF PIN HAS BLUE ENAMEL CROSS WITH SHIELD OVERLAID IN CENTER; SHIELD IN CENTER HAS BLUE ENAMEL TOP BAR WITH GOLD LAMP, AND WHITE MID-SECTION WITH A BLUE CROSS AND OVERLAID RED SHIELD IN THE CENTER WITH A GOLD CROSS. BACK OF THE PIN HAS ENGRAVED TEXT IN THE CENTER, “F. GEORGESON 1965” AND ENGRAVED TEXT AT LOWER EDGE, “[ILLEGIBLE] 10 K”. BACK OF PIN HAS MINOR TARNISHING AROUND POSTS OF BAR-PIN; FRONT OF PIN HAS CHIPPED ENAMEL AND MINOR TARNISHING; OVERALL VERY GOOD CONDITION.
Subjects
PERSONAL SYMBOL
Historical Association
COMMEMORATIVE
HEALTH SERVICES
PERSONAL CARE
History
ON JUNE 20, 2019, COLLECTIONS TECHNICIAN KEVIN MACLEAN INTERVIEWED SHARON KIMERY REGARDING HER DONATION OF MATERIALS FROM HER TIME STUDYING AT THE ST. MICHAEL’S SCHOOL OF NURSING. ON THE PIN, KIMERY RECALLED, “THE PIN YOU DIDN’T GET ‘TIL YOU GRADUATED…THAT WENT ON THE UNIFORM WHEN YOU GRADUATED…[THE GRADUATION UNIFORM] WAS ALL WHITE…WHITE BIB. WHITE LONG SLEEVES. WHITE SKIRT…” “I WORE THE PIN WHEN I WORKED IN THE O.R. WHEN I GRADUATED. I WORKED IN THE O.R. FOR A COUPLE OF YEARS AFTER I GRADUATED…WE WORE IT ON OUR UNIFORMS IN THE O.R…I ONLY WORE IT ONE YEAR.” KIMERY ELABORATED ON HER TIME STUDYING AT ST. MICHAEL’S SCHOOL OF NURSING, NOTING, “THE TRUTH WAS TO GO INTO NURSING AT ST. MICHAEL’S WAS, THERE WAS MINIMAL CHARGE TO MY PARENTS. IT WAS JUST VERY SIMPLE TO GO, WE LIVED IN LETHBRIDGE. MY PARENTS WERE LONG TERM RESIDENTS. INSTEAD OF GOING AWAY TO SCHOOL WAS BECAUSE OF THE PARENTS, I PRESUME. I JUST THOUGHT THE SISTERS WOULD TREAT ME WELL AND GIVE ME A REAL GOOD EDUCATION AS FAR AS LOOKING AFTER PEOPLE WAS CONCERNED WHICH, IN FACT, THEY DID. IT WAS NOT EASY, I’LL TELL YOU, BUT WELL WORTH THE THREE YEARS I SPENT THERE.” “[I CHOSE ST. MICHAEL’S OVER THE GALT SCHOOL OF NURSING BECAUSE] I JUST THOUGHT IT WOULD BE BETTER. THEY WOULD TREAT ME AS I WANTED TO BE TREATED AS A NURSE-IN-TRAINING AND THEN I WOULD EVENTUALLY TREAT MY PATIENTS THE WAY THEY WANTED ME TO TREAT THEM…THERE’S NO REASON, I JUST KNEW. THERE WASN’T EVEN ANY DISCUSSION ABOUT THE GALT—THE GALT SCHOOL OF NURSING.” “[THE PROGRAM] WAS JUST A REAL STEP FOR ME…THERE WERE SO MANY THINGS THAT WERE NEW TO ME, THAT I NEVER IMAGINED, AND EVERYTHING FROM DAY ONE UNTIL PERHAPS THE END OF THE FIRST YEAR, I WAS SORT OF IN AWE OF ALL THE THINGS THAT WERE GOING TO HAPPEN AND I HAD NO IDEA ABOUT, BUT YOU SETTLE IN, AND YOU ALL OF A SUDDEN DECIDE, THIS IS WHAT IT’S ALL ABOUT AND THIS IS WHAT I WANT. AND OF COURSE YOU HAVE YOUR PREFERENCES AS TO WHERE YOU ARE, AND I CERTAINLY DIDN’T LOVE ALL THE SECTIONS OF NURSING, BUT THE OPERATING ROOM WAS MY THING. I JUST THOUGHT IT’S SUCH CHALLENGE AND SO INTERESTING, EVERY DAY WAS DIFFERENT. I MEAN, LOOKING AFTER PATIENTS WITH DIFFERENT TUBES. IT WASN’T THE SAME DIFFERENT. THERE WERE DIFFERENT CONDITIONS, DIFFERENT WAYS AND DIFFERENT THINGS YOU HAD TO DO.” “[I WAS IN AWE OF] JUST THE WAY PEOPLE NEEDED CARE, AND NEEDED ATTENTION, AND NEEDED TO BE LOOKED AFTER. YOU HAD TO HAVE AN EAR AND TO LISTEN WHETHER IT WAS IMPORTANT OR NOT IMPORTANT TO YOU. YOU HAD TO REALIZE ALL THAT…[I WAS EXPOSED TO THE OPERATING ROOM] IT MIGHT HAVE BEEN IN THE…LATE FIRST OR SECOND YEAR FOR SURE…I WAS SO SCARED OF MAKING A MISTAKE. THINGS WERE SO SPECIAL AND THEY HAD TO BE SO PERFECT. EVERYBODY KNEW EXACTLY WHAT THEY WERE DOING ALL THE TIME. THERE WERE NEVER ANY MISTAKES MADE…EVENTUALLY, I TURNED OUT THE SAME WAY. THERE WAS NO WAY I COULD MAKE A MISTAKE, OR WOULD MAKE A MISTAKE, AND DIDN’T MAKE A MISTAKE BECAUSE YOU CAN’T…[IN] NURSING SOMETIMES YOU MAKE A LITTLE MISTAKE IN CHARTING OR EVEN A LITTLE MISTAKE IN GIVING THE RIGHT CARE…IT’S OKAY, BUT IN THE O.R.—NOT OKAY...” “YOU WENT IN THERE AND YOU WERE ASSIGNED TO CASES, AND YOU LOOKED IT UP IN THE EVENING WHAT YOU WERE GOING TO DO, AND YOU WENT IN THERE AND IF THEY SAID, ‘OKAY, YOU’RE GOING TO SCRUB YOUR HANDS AND HELP’, YOU DID. NOW, IF YOU WERE SCARED, TOO BAD, THAT’S WHAT YOU’RE GOING TO DO TODAY. YOU ALWAYS HAD AN R.N. WITH YOU…YOUR COORDINATOR…ONCE I GOT IN THERE AND WAS DOING IT, I WAS FINE. IT WAS JUST GETTING IN THERE AND DOING IT THAT WAS HARD.” “AT TIMES [IT SEEMED QUASI-MILITARY]…WHEN YOU HAD TO STAND UP AND BE CHECKED BEFORE YOU WENT TO SHIFT; IF YOU HAD HAIR ON YOUR COLLAR, OR SCUFFS ON YOUR SHOES, OR WRINKLES IN YOUR COSTUME…YOU WENT BACK AND REMEDIED IT BEFORE YOU WENT TO BREAKFAST. THIS WAS EARLY, LIKE 6, BECAUSE YOU HAD A LITTLE PRAYER SESSION…AND IF YOU WEREN’T PERFECT, YOU WENT BACK TO YOUR ROOM BEFORE BREAKFAST AND YOU WERE CHECKED AGAIN BEFORE…RULES AND REGULATIONS OF RESIDENCES ARE THE SAME EVERYWHERE, I PRESUME. THERE ARE TIMES FOR FUN TIMES, AND TIME FOR STUDY, AND TIME FOR SLEEP. THAT’S HOW IT WAS THERE.” ON HER FRIENDS AND CLASSMATES DURING HER STUDIES AT ST. MICHAEL’S SCHOOL OF NURSING, KIMERY SHARED, “[DURING SCHOOL] I’M LIVING IN THE RESIDENCE THAT ST. MIKE’S HAD ON 13TH STREET THERE AND 9TH AVENUE. FIRST YEAR, YOU SHARED A ROOM; SECOND YEAR, YOU HAD YOUR OWN ROOM; THIRD YEAR THEY MOVED YOU OUT AND THEY PAID FOR A BASEMENT SUITE SOMEWHERE; AND YOU USUALLY HAD A ROOMMATE OR TWO, OR HOWEVER MANY THE LANDLORD WOULD TAKE. I LIVED ON 13TH STREET WITH TWO OTHER GIRLS IN MY THIRD YEAR.” “JUST LIKE IN ANY SITUATION, THERE ARE GROUPS OF GIRLS…MY GROUP WAS A FEW OF US, 4 OR 5, THAT WERE VERY CLOSE AND DID THINGS TOGETHER…YOU NEVER ALL GET TOGETHER AND ENJOY, UNLESS IT’S A SITUATION WHERE YOU HAVE TO ALL BE TOGETHER. BUT THERE WERE SOME CLASSMATES I DIDN’T FANCY, AND I’M SURE THERE WERE SOME THAT DIDN’T FANCY ME…THAT’S THE WAY LIFE IS, YOU DON’T LIKE EVERYBODY THAT YOU’RE IN A GROUP WITH, FOR SURE. SO THERE WERE 4 OR 5 THAT WERE ALL RIGHT, THAT WE GOT ALONG WELL…WE NEVER BECAME REALLY GOOD FRIENDS. WE WERE TOGETHER FOR 3 YEARS, DOING WHATEVER IT WAS FOR 3 YEARS, BUT AFTER THAT YOU GO YOUR SEPARATE WAYS AND LIVE YOUR LIFE. AND BEING THAT I LEFT SHORTLY AFTER I GRADUATED, I LEFT IN ’66 TO GO TO MONTREAL. BY THE TIME I GOT BACK [THE FRIENDSHIP WAS] GONE.” KIMERY RECALLED THE NUNS AND INSTRUCTORS WHO TAUGHT AT ST. MICHAEL’S SCHOOL OF NURSING, NOTING, “SISTER BEATRICE HAD TO BE THE TOUGHEST SISTER I THINK I‘LL EVER ENCOUNTER…SHE WAS HARD ON YOU ON EVERY PHASE OF YOUR NURSING, WHETHER IT MEANT STANDING IN LINE IN THE MORNING TO CHECK THE WAY YOU LOOKED BEFORE YOU WENT ON DUTY, OR WHETHER IT WAS 9 O’CLOCK AT NIGHT WHEN YOU WERE MAKING TOO DARN MUCH NOISE UPSTAIRS AND YOU SHOULD HAVE BEEN STUDYING. SHE WAS A TOUGH SISTER, BUT I WOULDN’T HAVE TRADED HER FOR ANYONE. AND THERE WAS ANOTHER LITTLE ONE, SISTER PETER MARIE AND SHE USED TO WANDER THE HALLS AND, OH DEAR, IF YOU WEREN’T BEHAVING, YOU WERE IN TROUBLE. NEVER SERIOUS TROUBLE, DON’T GET ME WRONG, BUT THOSE TWO REALLY STICK OUT IN MY MIND BECAUSE THEY WERE THE TWO THAT WERE REALLY LOOKING AFTER US…IN THE FIRST YEAR AND SECOND YEAR.” “[AS TEACHERS, THE SISTERS] WERE FUSSY. YOU HAD TO HAVE IT PERFECT…IF YOU MADE A DRUG ERROR…YOU HAD TO WRITE PAGES AND PAGES AND DO RESEARCH ON THE DRUG THAT YOU’D MADE A MISTAKE ON. THEY…MADE SURE THAT EVERYTHING WAS ‘PERFECT’, THE WAY IT SHOULD BE…IT HAD TO BE PERFECT FOR THE PATIENT. I MEAN, YOU HAD TO BE PERFORMING WELL, BUT YOU HAD TO BE PERFECT FOR THE PATIENT. THAT WAS THE WHOLE THING. YOU WERE LOOKING AFTER PEOPLE. YOU HAD TO MAKE SURE WHAT YOU WERE DOING WAS RIGHT. NO QUESTIONS ASKED ABOUT IT NOT BEING SO.” “[THE SISTERS WOULD] MAKE THE ROUNDS TO THOSE PATIENTS ON THE FLOOR, I DON’T KNOW IF IT WAS HOURLY, BUT OFTEN YOU WOULD SEE…THEY HAD THE LONG SKIRTS…AND YOU’D HEAR THE SWISH, SWISH, AND YOU’D KNOW THAT THEY WERE ABOUT SOMEWHERE—CHECKING…THEY WERE THERE ALL THE TIME—MORNING, EVENING AND EVEN ON NIGHT SHIFT. EVEN WHEN I WORKED THE NIGHT SHIFT AS A STUDENT, THERE WAS ALWAYS A SISTER SOMEWHERE. I PRESUME IF YOU NEEDED THEM OR WERE IN TROUBLE, THEY WOULD HAVE BEEN THERE IMMEDIATELY. IT NEVER HAPPENED BUT I’M SURE THAT’S PART OF THE REASON THERE WAS SOMEBODY AROUND 24-7 NOW THAT I THINK ABOUT IT.” “THE SENIOR NURSES TENDED TO BE A LITTLE TOUGH ON THE SECOND YEAR AND THE FIRST YEAR NURSES…THEY KNOW MORE. THEY’VE BEEN THERE LONGER. THEY DON’T WANT YOU MAKING MISTAKES BECAUSE IT REFLECTS ON THEM…BUT, THAT WAS OKAY TOO. I’D RATHER HAVE SOMEONE TOLD ME THAT SOMETHING WASN’T DONE VERY WELL AT THE TIME…ONE EXAMPLE HERE…[ONE] MORNING, THIRD YEAR NURSE, A PATIENT GOING TO THE O.R. I WENT IN, THOUGHT HE WAS READY. SHE CAME IN AND SAID, ‘DID YOU GIVE HIM MOUTH WASH?’ I SAID, ‘NO.’ [THE SENIOR NURSE ASKED] ‘WHY NOT?’ I DIDN’T HAVE AN ANSWER. I DID IT. I NEVER FORGOT AGAIN. PATIENT GOT MOUTH WASH EVERY DAY…EVERY PATIENT O.R…YOU MADE SURE THEY WERE CLEANED UP IN THE MORNING REGARDLESS…I WAS IN MY FIRST YEAR, I THINK, OR MAYBE SECOND…BUT I STILL REMEMBER THE NURSE…I CAN EVEN REMEMBER HER NAME SO THAT’S THE IMPRESSION IT MAKES ON A STUDENT NURSE TRYING TO LEARN THE HARD WAY. BUT THE HARD WAY’S BETTER THAN NOT AT ALL.” ON HER POST-GRADUATE STUDIES IN NURSING, KIMERY SHARED, “I WENT TO MONTREAL TO THE ROYAL VICTORIA HOSPITAL AND DID A POST GRADUATE COURSE IN OPERATING ROOM TECHNIQUE AND THEN STAYED ON AS STAFF MEMBER THERE…THEN I CAME BACK TO LETHBRIDGE [AND] I WENT BACK TO ST MIKE’S AFTER MY POST GRADUATE…THERE’S LOTS OF CHALLENGES [IN THE OPERATING ROOM]…RIGHT FROM WHEN YOU WENT IN THERE AS A STUDENT…SO MANY THINGS YOU HAD TO KNOW AND DO AND BE AWARE OF AND MAKE SURE YOU’RE RIGHT BECAUSE YOU CAN’T BE WRONG. AND I THOUGHT, ‘YEAH, I CAN DO THIS’. SO I CHOSE TO [WORK IN THE OPERATING ROOM].” “I JUST WANTED TO SEE BIG SURGERY. I WANTED TO SEE HEART SURGERY. I WANTED TO SEE KIDNEY TRANSPLANTS. I WANTED TO SEE BIG STUFF AND I DID…I WAS ON THE KIDNEY TRANSPLANT TEAM. I REPLACED VALVES IN THE CARDIO-VASCULAR…THEY DID BIG SURGERIES, BIG ORTHOPEDIC SURGERIES…BACK IN THE ‘60S TOTAL REPLACEMENTS WERE HUGE...[FOR PEOPLE WHO WANTED MORE, IT WAS] PROBABLY RARE. I MEAN, I WENT ON MY OWN TO MONTREAL. I’D NEVER BEEN OUT OF LETHBRIDGE. I HAD A FRIEND THAT WAS SUPPOSED TO GO AND SHE CANCELLED SO I WENT BY MYSELF…[I WAS] 21.” “[I WAS CONFIDENT GOING TO MONTREAL] BECAUSE I KNEW I CAME FROM A SCHOOL THAT HAD A GOOD O.R., WE HAD ALL THE SPECIALTIES. WE HAD THE OPHTHALMOLOGY, EAR NOSE AND THROAT, PLASTICS AND ORTHOPEDICS, AND UROLOGY AND GENERAL SURGERY ALL HERE IN LETHBRIDGE. SO I KNEW ALL OF THOSE WHEN I WENT THERE. I JUST WANTED MORE. I WANTED BIGGER AND MORE, AND I GOT IT.” “THERE WAS SO MUCH I HAD TO LEARN AND HAD TO DO. [THE EXPERIENCE WORKING AT ST. MICHAEL’S IN LETHBRIDGE] DOESN’T PREPARE YOU WHEN YOU TAKE A JOURNEY LIKE THAT IN YOUR LIFE—A BIG STEP. IT DOESN’T PREPARE YOU. YOU GET THERE AND IT’S A HUGE CITY AND THE RESIDENCE IS HUGE…AND THE HOSPITAL’S HUGE AND THERE’S 15 O.R.’S AND THEY’RE BUSY 24-7 AND YOU’RE NOT PREPARED. YOU CAN’T BE. BUT YOU GET [PREPARED]…I WAS READY. AT FIRST [I WAS] MAYBE A LITTLE SKEPTICAL, I GUESS YOU MIGHT SAY…[THE SCHOOL] FIGURED IT WAS ALL RIGHT FOR ME TO BE THERE [COMING IN FROM A SMALL SCHOOL AND SMALL CITY]…THEY TREATED ME VERY WELL…I HAD SO MANY OPPORTUNITIES…IF IT WAS THERE AND YOU WANTED IT. TAKE IT. SO I DID.” “I DON’T KNOW [WHY THEY ACCEPTED ME INTO THE PROGRAM IN MONTREAL]. I HAVE NO IDEA. I WAS VERY SURPRISED THAT I WAS ACCEPTED ACTUALLY, BECAUSE IF I HADN’T BEEN…I DON’T EVEN KNOW IF I HAD ANOTHER OPTION IN MIND ACTUALLY…THE PROGRAM WAS FINISHED IN ’67 AND I STAYED UNTIL ’69. I CAME [BACK TO LETHBRIDGE] IN ‘70.” “[I FELT LIKE IT WAS A BIG DEAL TO ACCEPT A STUDENT FROM A SMALL CITY LIKE LETHBRIDGE] BASED ON THE OTHER GIRLS THAT WERE IN THE PROGRAM. ONE WAS FROM HALIFAX AND SHE’D BEEN IN NORFOLK, VIRGINIA. THERE WAS ANOTHER ONE THAT WAS FROM THE OTTAWA GENERAL OR SOMEWHERE, AND THERE WAS ONE FROM…SOMEWHERE ABROAD…THE LADIES THAT WERE THERE WERE FAR MORE EXPERIENCED, I GUESS, HAD BEEN IN BIGGER HOSPITALS, DONE BIGGER AND BETTER THINGS THAN I.” “I THINK [THE SCHOOL’S FACULTY] THOUGHT [THE ST. MICHAEL’S PROGRAM] WAS PRETTY…GOOD BECAUSE THE WAY I USED TO SET THE ROOM UP IN THE MORNING, THEY WOULD COME AND JUST SAY, ‘ARE YOU THE ONE FROM ALBERTA, FROM THE SMALL SCHOOL?’ ‘YES, I AM.’ THEY COULD JUST TELL…THAT I WAS FROM A PLACE THAT DID THINGS SPECIAL FOR EVERYBODY ON THE TEAM, FOR THE ANESTHETIST…WE TREATED THEM SPECIAL. SO I TREATED THEM SPECIAL THERE, AND THEY JUST, ‘WHAT IS THIS NOW?’ AND THE DOCTORS, THEY KNEW, THEY COULD TELL JUST BECAUSE THAT’S THE WAY IT WAS IN ST. MICHAEL’S. THIS IS WHY YOU DID IT. THIS IS HOW YOU DID IT AND YOU DID IT EVERY DAY.” ON HER INTEREST IN NURSING AND DECISION TO PURSUE A CAREER IN NURSING, KIMERAY RECALLED, “[I WANTED TO BE A NURSE] BECAUSE I’M JUST REALLY GOOD WITH PEOPLE. PEOPLE ARE WHAT MAKES THE WORLD GO ROUND. I JUST LIKE PEOPLE. I LIKE TO TALK TO THEM. I LIKE TO CARE FOR THEM…YOUNG, MEDIUM AGED OR OLD. ALL GOOD FOR ME. AND WHEN I FIRST WENT THERE, MY FIRST EXPERIENCES WEREN’T THAT EASY BECAUSE I’D REALLY NEVER BEEN LOOKING AFTER ANY KIND OF PEOPLE—[IT WAS] HARD, BUT I JUST LIKE PEOPLE AND I’M EASY WITH PEOPLE…EVEN IN THEIR WORST SITUATIONS, TO THIS DAY, I’M EASY WITH PEOPLE.” “I GUESS MEDICINE WAS FINE BECAUSE THOSE PEOPLE REALLY NEEDED CARE. SURGERY THEY WERE IN DISCOMFORT FOR A WHILE BUT THEN GOT BETTER. MATERNITY I DIDN’T FANCY. PEDIATRICS I DIDN’T FANCY BUT MEDICINE, THEY NEEDED CARE AND SO THAT’S WHY I LIKED IT.” FOR MORE INFORMATION INCLUDING COPIES OF LETHBRIDGE HERALD ARTICLES ABOUT KIMERY AND ST. MICHAEL’S SCHOOL OF NURSING, AND THE FULL INTERVIEW TRANSCRIPTION, PLEASE SEE THE PERMANENT FILE P20190011001-GA.
Catalogue Number
P20190011003
Acquisition Date
2019-06
Collection
Museum
Images
Less detail
Other Name
ST. MICHAEL'S HOSPITAL
Material Type
Artifact
Materials
GOLD, ONYX
Catalogue Number
P20190011004
  2 images  
Material Type
Artifact
Other Name
ST. MICHAEL'S HOSPITAL
Date
1965
Materials
GOLD, ONYX
No. Pieces
1
Height
1.6
Length
2
Width
1.3
Description
GOLD RING WITH RECTANGULAR ONYX RING FACE; RING HAS NARROW BAND AND TEXT ENGRAVED ON THE INSIDE, “10 K, 8”. RING FACE HAS RECTANGULAR ONYX STONE SET IN GOLD FRAME, WITH GOLD LETTERS ON ONYX “S M H”; RING BAND SPLITS INTO TWO PRONGS AT THE SIDES OF THE RING FACE, AND DUAL PRONGS ATTACH TO THE RING FACE. RING HAS MINOR STAINING INSIDE FRONT DUAL PRONGS; OVERALL EXCELLENT CONDITION.
Subjects
CLOTHING-ACCESSORY
Historical Association
COMMEMORATIVE
HEALTH SERVICES
PERSONAL CARE
History
ON JUNE 20, 2019, COLLECTIONS TECHNICIAN KEVIN MACLEAN INTERVIEWED SHARON KIMERY REGARDING HER DONATION OF MATERIALS FROM HER TIME STUDYING AT THE ST. MICHAEL’S SCHOOL OF NURSING. ON THE ST. MICHAEL’S HOSPITAL RING, KIMERY RECALLED, “THE CUFFLINKS…AND THE RING WITH ‘SMH’… WERE GRADUATING GIFTS…[WHEN I GRADUATED FROM ST. MICHAEL’S SCHOOL OF NURSING IN 1965 AS] SHARON GEORGESON.” “I [WORE THE RING] UNTIL…THE OTHER ONE [THE O.R. RING] WAS MADE…[IN] I’M GOING TO SAY, ‘70 BECAUSE I WAS BACK [IN LETHBRIDGE] THEN.” KIMERY ELABORATED ON HER TIME STUDYING AT ST. MICHAEL’S SCHOOL OF NURSING, NOTING, “THE TRUTH WAS TO GO INTO NURSING AT ST. MICHAEL’S WAS, THERE WAS MINIMAL CHARGE TO MY PARENTS. IT WAS JUST VERY SIMPLE TO GO, WE LIVED IN LETHBRIDGE. MY PARENTS WERE LONG TERM RESIDENTS. INSTEAD OF GOING AWAY TO SCHOOL WAS BECAUSE OF THE PARENTS, I PRESUME. I JUST THOUGHT THE SISTERS WOULD TREAT ME WELL AND GIVE ME A REAL GOOD EDUCATION AS FAR AS LOOKING AFTER PEOPLE WAS CONCERNED WHICH, IN FACT, THEY DID. IT WAS NOT EASY, I’LL TELL YOU, BUT WELL WORTH THE THREE YEARS I SPENT THERE.” “[I CHOSE ST. MICHAEL’S OVER THE GALT SCHOOL OF NURSING BECAUSE] I JUST THOUGHT IT WOULD BE BETTER. THEY WOULD TREAT ME AS I WANTED TO BE TREATED AS A NURSE-IN-TRAINING AND THEN I WOULD EVENTUALLY TREAT MY PATIENTS THE WAY THEY WANTED ME TO TREAT THEM…THERE’S NO REASON, I JUST KNEW. THERE WASN’T EVEN ANY DISCUSSION ABOUT THE GALT—THE GALT SCHOOL OF NURSING.” “[THE PROGRAM] WAS JUST A REAL STEP FOR ME…THERE WERE SO MANY THINGS THAT WERE NEW TO ME, THAT I NEVER IMAGINED, AND EVERYTHING FROM DAY ONE UNTIL PERHAPS THE END OF THE FIRST YEAR, I WAS SORT OF IN AWE OF ALL THE THINGS THAT WERE GOING TO HAPPEN AND I HAD NO IDEA ABOUT, BUT YOU SETTLE IN, AND YOU ALL OF A SUDDEN DECIDE, THIS IS WHAT IT’S ALL ABOUT AND THIS IS WHAT I WANT. AND OF COURSE YOU HAVE YOUR PREFERENCES AS TO WHERE YOU ARE, AND I CERTAINLY DIDN’T LOVE ALL THE SECTIONS OF NURSING, BUT THE OPERATING ROOM WAS MY THING. I JUST THOUGHT IT’S SUCH CHALLENGE AND SO INTERESTING, EVERY DAY WAS DIFFERENT. I MEAN, LOOKING AFTER PATIENTS WITH DIFFERENT TUBES. IT WASN’T THE SAME DIFFERENT. THERE WERE DIFFERENT CONDITIONS, DIFFERENT WAYS AND DIFFERENT THINGS YOU HAD TO DO.” “[I WAS IN AWE OF] JUST THE WAY PEOPLE NEEDED CARE, AND NEEDED ATTENTION, AND NEEDED TO BE LOOKED AFTER. YOU HAD TO HAVE AN EAR AND TO LISTEN WHETHER IT WAS IMPORTANT OR NOT IMPORTANT TO YOU. YOU HAD TO REALIZE ALL THAT…[I WAS EXPOSED TO THE OPERATING ROOM] IT MIGHT HAVE BEEN IN THE…LATE FIRST OR SECOND YEAR FOR SURE…I WAS SO SCARED OF MAKING A MISTAKE. THINGS WERE SO SPECIAL AND THEY HAD TO BE SO PERFECT. EVERYBODY KNEW EXACTLY WHAT THEY WERE DOING ALL THE TIME. THERE WERE NEVER ANY MISTAKES MADE…EVENTUALLY, I TURNED OUT THE SAME WAY. THERE WAS NO WAY I COULD MAKE A MISTAKE, OR WOULD MAKE A MISTAKE, AND DIDN’T MAKE A MISTAKE BECAUSE YOU CAN’T…[IN] NURSING SOMETIMES YOU MAKE A LITTLE MISTAKE IN CHARTING OR EVEN A LITTLE MISTAKE IN GIVING THE RIGHT CARE…IT’S OKAY, BUT IN THE O.R.—NOT OKAY...” “YOU WENT IN THERE AND YOU WERE ASSIGNED TO CASES, AND YOU LOOKED IT UP IN THE EVENING WHAT YOU WERE GOING TO DO, AND YOU WENT IN THERE AND IF THEY SAID, ‘OKAY, YOU’RE GOING TO SCRUB YOUR HANDS AND HELP’, YOU DID. NOW, IF YOU WERE SCARED, TOO BAD, THAT’S WHAT YOU’RE GOING TO DO TODAY. YOU ALWAYS HAD AN R.N. WITH YOU…YOUR COORDINATOR…ONCE I GOT IN THERE AND WAS DOING IT, I WAS FINE. IT WAS JUST GETTING IN THERE AND DOING IT THAT WAS HARD.” “AT TIMES [IT SEEMED QUASI-MILITARY]…WHEN YOU HAD TO STAND UP AND BE CHECKED BEFORE YOU WENT TO SHIFT; IF YOU HAD HAIR ON YOUR COLLAR, OR SCUFFS ON YOUR SHOES, OR WRINKLES IN YOUR COSTUME…YOU WENT BACK AND REMEDIED IT BEFORE YOU WENT TO BREAKFAST. THIS WAS EARLY, LIKE 6, BECAUSE YOU HAD A LITTLE PRAYER SESSION…AND IF YOU WEREN’T PERFECT, YOU WENT BACK TO YOUR ROOM BEFORE BREAKFAST AND YOU WERE CHECKED AGAIN BEFORE…RULES AND REGULATIONS OF RESIDENCES ARE THE SAME EVERYWHERE, I PRESUME. THERE ARE TIMES FOR FUN TIMES, AND TIME FOR STUDY, AND TIME FOR SLEEP. THAT’S HOW IT WAS THERE.” ON HER FRIENDS AND CLASSMATES DURING HER STUDIES AT ST. MICHAEL’S SCHOOL OF NURSING, KIMERY SHARED, “[DURING SCHOOL] I’M LIVING IN THE RESIDENCE THAT ST. MIKE’S HAD ON 13TH STREET THERE AND 9TH AVENUE. FIRST YEAR, YOU SHARED A ROOM; SECOND YEAR, YOU HAD YOUR OWN ROOM; THIRD YEAR THEY MOVED YOU OUT AND THEY PAID FOR A BASEMENT SUITE SOMEWHERE; AND YOU USUALLY HAD A ROOMMATE OR TWO, OR HOWEVER MANY THE LANDLORD WOULD TAKE. I LIVED ON 13TH STREET WITH TWO OTHER GIRLS IN MY THIRD YEAR.” “JUST LIKE IN ANY SITUATION, THERE ARE GROUPS OF GIRLS…MY GROUP WAS A FEW OF US, 4 OR 5, THAT WERE VERY CLOSE AND DID THINGS TOGETHER…YOU NEVER ALL GET TOGETHER AND ENJOY, UNLESS IT’S A SITUATION WHERE YOU HAVE TO ALL BE TOGETHER. BUT THERE WERE SOME CLASSMATES I DIDN’T FANCY, AND I’M SURE THERE WERE SOME THAT DIDN’T FANCY ME…THAT’S THE WAY LIFE IS, YOU DON’T LIKE EVERYBODY THAT YOU’RE IN A GROUP WITH, FOR SURE. SO THERE WERE 4 OR 5 THAT WERE ALL RIGHT, THAT WE GOT ALONG WELL…WE NEVER BECAME REALLY GOOD FRIENDS. WE WERE TOGETHER FOR 3 YEARS, DOING WHATEVER IT WAS FOR 3 YEARS, BUT AFTER THAT YOU GO YOUR SEPARATE WAYS AND LIVE YOUR LIFE. AND BEING THAT I LEFT SHORTLY AFTER I GRADUATED, I LEFT IN ’66 TO GO TO MONTREAL. BY THE TIME I GOT BACK [THE FRIENDSHIP WAS] GONE.” KIMERY RECALLED THE NUNS AND INSTRUCTORS WHO TAUGHT AT ST. MICHAEL’S SCHOOL OF NURSING, NOTING, “SISTER BEATRICE HAD TO BE THE TOUGHEST SISTER I THINK I‘LL EVER ENCOUNTER…SHE WAS HARD ON YOU ON EVERY PHASE OF YOUR NURSING, WHETHER IT MEANT STANDING IN LINE IN THE MORNING TO CHECK THE WAY YOU LOOKED BEFORE YOU WENT ON DUTY, OR WHETHER IT WAS 9 O’CLOCK AT NIGHT WHEN YOU WERE MAKING TOO DARN MUCH NOISE UPSTAIRS AND YOU SHOULD HAVE BEEN STUDYING. SHE WAS A TOUGH SISTER, BUT I WOULDN’T HAVE TRADED HER FOR ANYONE. AND THERE WAS ANOTHER LITTLE ONE, SISTER PETER MARIE AND SHE USED TO WANDER THE HALLS AND, OH DEAR, IF YOU WEREN’T BEHAVING, YOU WERE IN TROUBLE. NEVER SERIOUS TROUBLE, DON’T GET ME WRONG, BUT THOSE TWO REALLY STICK OUT IN MY MIND BECAUSE THEY WERE THE TWO THAT WERE REALLY LOOKING AFTER US…IN THE FIRST YEAR AND SECOND YEAR.” “[AS TEACHERS, THE SISTERS] WERE FUSSY. YOU HAD TO HAVE IT PERFECT…IF YOU MADE A DRUG ERROR…YOU HAD TO WRITE PAGES AND PAGES AND DO RESEARCH ON THE DRUG THAT YOU’D MADE A MISTAKE ON. THEY…MADE SURE THAT EVERYTHING WAS ‘PERFECT’, THE WAY IT SHOULD BE…IT HAD TO BE PERFECT FOR THE PATIENT. I MEAN, YOU HAD TO BE PERFORMING WELL, BUT YOU HAD TO BE PERFECT FOR THE PATIENT. THAT WAS THE WHOLE THING. YOU WERE LOOKING AFTER PEOPLE. YOU HAD TO MAKE SURE WHAT YOU WERE DOING WAS RIGHT. NO QUESTIONS ASKED ABOUT IT NOT BEING SO.” “[THE SISTERS WOULD] MAKE THE ROUNDS TO THOSE PATIENTS ON THE FLOOR, I DON’T KNOW IF IT WAS HOURLY, BUT OFTEN YOU WOULD SEE…THEY HAD THE LONG SKIRTS…AND YOU’D HEAR THE SWISH, SWISH, AND YOU’D KNOW THAT THEY WERE ABOUT SOMEWHERE—CHECKING…THEY WERE THERE ALL THE TIME—MORNING, EVENING AND EVEN ON NIGHT SHIFT. EVEN WHEN I WORKED THE NIGHT SHIFT AS A STUDENT, THERE WAS ALWAYS A SISTER SOMEWHERE. I PRESUME IF YOU NEEDED THEM OR WERE IN TROUBLE, THEY WOULD HAVE BEEN THERE IMMEDIATELY. IT NEVER HAPPENED BUT I’M SURE THAT’S PART OF THE REASON THERE WAS SOMEBODY AROUND 24-7 NOW THAT I THINK ABOUT IT.” “THE SENIOR NURSES TENDED TO BE A LITTLE TOUGH ON THE SECOND YEAR AND THE FIRST YEAR NURSES…THEY KNOW MORE. THEY’VE BEEN THERE LONGER. THEY DON’T WANT YOU MAKING MISTAKES BECAUSE IT REFLECTS ON THEM…BUT, THAT WAS OKAY TOO. I’D RATHER HAVE SOMEONE TOLD ME THAT SOMETHING WASN’T DONE VERY WELL AT THE TIME…ONE EXAMPLE HERE…[ONE] MORNING, THIRD YEAR NURSE, A PATIENT GOING TO THE O.R. I WENT IN, THOUGHT HE WAS READY. SHE CAME IN AND SAID, ‘DID YOU GIVE HIM MOUTH WASH?’ I SAID, ‘NO.’ [THE SENIOR NURSE ASKED] ‘WHY NOT?’ I DIDN’T HAVE AN ANSWER. I DID IT. I NEVER FORGOT AGAIN. PATIENT GOT MOUTH WASH EVERY DAY…EVERY PATIENT O.R…YOU MADE SURE THEY WERE CLEANED UP IN THE MORNING REGARDLESS…I WAS IN MY FIRST YEAR, I THINK, OR MAYBE SECOND…BUT I STILL REMEMBER THE NURSE…I CAN EVEN REMEMBER HER NAME SO THAT’S THE IMPRESSION IT MAKES ON A STUDENT NURSE TRYING TO LEARN THE HARD WAY. BUT THE HARD WAY’S BETTER THAN NOT AT ALL.” ON HER POST-GRADUATE STUDIES IN NURSING, KIMERY SHARED, “I WENT TO MONTREAL TO THE ROYAL VICTORIA HOSPITAL AND DID A POST GRADUATE COURSE IN OPERATING ROOM TECHNIQUE AND THEN STAYED ON AS STAFF MEMBER THERE…THEN I CAME BACK TO LETHBRIDGE [AND] I WENT BACK TO ST MIKE’S AFTER MY POST GRADUATE…THERE’S LOTS OF CHALLENGES [IN THE OPERATING ROOM]…RIGHT FROM WHEN YOU WENT IN THERE AS A STUDENT…SO MANY THINGS YOU HAD TO KNOW AND DO AND BE AWARE OF AND MAKE SURE YOU’RE RIGHT BECAUSE YOU CAN’T BE WRONG. AND I THOUGHT, ‘YEAH, I CAN DO THIS’. SO I CHOSE TO [WORK IN THE OPERATING ROOM].” “I JUST WANTED TO SEE BIG SURGERY. I WANTED TO SEE HEART SURGERY. I WANTED TO SEE KIDNEY TRANSPLANTS. I WANTED TO SEE BIG STUFF AND I DID…I WAS ON THE KIDNEY TRANSPLANT TEAM. I REPLACED VALVES IN THE CARDIO-VASCULAR…THEY DID BIG SURGERIES, BIG ORTHOPEDIC SURGERIES…BACK IN THE ‘60S TOTAL REPLACEMENTS WERE HUGE...[FOR PEOPLE WHO WANTED MORE, IT WAS] PROBABLY RARE. I MEAN, I WENT ON MY OWN TO MONTREAL. I’D NEVER BEEN OUT OF LETHBRIDGE. I HAD A FRIEND THAT WAS SUPPOSED TO GO AND SHE CANCELLED SO I WENT BY MYSELF…[I WAS] 21.” “[I WAS CONFIDENT GOING TO MONTREAL] BECAUSE I KNEW I CAME FROM A SCHOOL THAT HAD A GOOD O.R., WE HAD ALL THE SPECIALTIES. WE HAD THE OPHTHALMOLOGY, EAR NOSE AND THROAT, PLASTICS AND ORTHOPEDICS, AND UROLOGY AND GENERAL SURGERY ALL HERE IN LETHBRIDGE. SO I KNEW ALL OF THOSE WHEN I WENT THERE. I JUST WANTED MORE. I WANTED BIGGER AND MORE, AND I GOT IT.” “THERE WAS SO MUCH I HAD TO LEARN AND HAD TO DO. [THE EXPERIENCE WORKING AT ST. MICHAEL’S IN LETHBRIDGE] DOESN’T PREPARE YOU WHEN YOU TAKE A JOURNEY LIKE THAT IN YOUR LIFE—A BIG STEP. IT DOESN’T PREPARE YOU. YOU GET THERE AND IT’S A HUGE CITY AND THE RESIDENCE IS HUGE…AND THE HOSPITAL’S HUGE AND THERE’S 15 O.R.’S AND THEY’RE BUSY 24-7 AND YOU’RE NOT PREPARED. YOU CAN’T BE. BUT YOU GET [PREPARED]…I WAS READY. AT FIRST [I WAS] MAYBE A LITTLE SKEPTICAL, I GUESS YOU MIGHT SAY…[THE SCHOOL] FIGURED IT WAS ALL RIGHT FOR ME TO BE THERE [COMING IN FROM A SMALL SCHOOL AND SMALL CITY]…THEY TREATED ME VERY WELL…I HAD SO MANY OPPORTUNITIES…IF IT WAS THERE AND YOU WANTED IT. TAKE IT. SO I DID.” “I DON’T KNOW [WHY THEY ACCEPTED ME INTO THE PROGRAM IN MONTREAL]. I HAVE NO IDEA. I WAS VERY SURPRISED THAT I WAS ACCEPTED ACTUALLY, BECAUSE IF I HADN’T BEEN…I DON’T EVEN KNOW IF I HAD ANOTHER OPTION IN MIND ACTUALLY…THE PROGRAM WAS FINISHED IN ’67 AND I STAYED UNTIL ’69. I CAME [BACK TO LETHBRIDGE] IN ‘70.” “[I FELT LIKE IT WAS A BIG DEAL TO ACCEPT A STUDENT FROM A SMALL CITY LIKE LETHBRIDGE] BASED ON THE OTHER GIRLS THAT WERE IN THE PROGRAM. ONE WAS FROM HALIFAX AND SHE’D BEEN IN NORFOLK, VIRGINIA. THERE WAS ANOTHER ONE THAT WAS FROM THE OTTAWA GENERAL OR SOMEWHERE, AND THERE WAS ONE FROM…SOMEWHERE ABROAD…THE LADIES THAT WERE THERE WERE FAR MORE EXPERIENCED, I GUESS, HAD BEEN IN BIGGER HOSPITALS, DONE BIGGER AND BETTER THINGS THAN I.” “I THINK [THE SCHOOL’S FACULTY] THOUGHT [THE ST. MICHAEL’S PROGRAM] WAS PRETTY…GOOD BECAUSE THE WAY I USED TO SET THE ROOM UP IN THE MORNING, THEY WOULD COME AND JUST SAY, ‘ARE YOU THE ONE FROM ALBERTA, FROM THE SMALL SCHOOL?’ ‘YES, I AM.’ THEY COULD JUST TELL…THAT I WAS FROM A PLACE THAT DID THINGS SPECIAL FOR EVERYBODY ON THE TEAM, FOR THE ANESTHETIST…WE TREATED THEM SPECIAL. SO I TREATED THEM SPECIAL THERE, AND THEY JUST, ‘WHAT IS THIS NOW?’ AND THE DOCTORS, THEY KNEW, THEY COULD TELL JUST BECAUSE THAT’S THE WAY IT WAS IN ST. MICHAEL’S. THIS IS WHY YOU DID IT. THIS IS HOW YOU DID IT AND YOU DID IT EVERY DAY.” ON HER INTEREST IN NURSING AND DECISION TO PURSUE A CAREER IN NURSING, KIMERAY RECALLED, “[I WANTED TO BE A NURSE] BECAUSE I’M JUST REALLY GOOD WITH PEOPLE. PEOPLE ARE WHAT MAKES THE WORLD GO ROUND. I JUST LIKE PEOPLE. I LIKE TO TALK TO THEM. I LIKE TO CARE FOR THEM…YOUNG, MEDIUM AGED OR OLD. ALL GOOD FOR ME. AND WHEN I FIRST WENT THERE, MY FIRST EXPERIENCES WEREN’T THAT EASY BECAUSE I’D REALLY NEVER BEEN LOOKING AFTER ANY KIND OF PEOPLE—[IT WAS] HARD, BUT I JUST LIKE PEOPLE AND I’M EASY WITH PEOPLE…EVEN IN THEIR WORST SITUATIONS, TO THIS DAY, I’M EASY WITH PEOPLE.” “I GUESS MEDICINE WAS FINE BECAUSE THOSE PEOPLE REALLY NEEDED CARE. SURGERY THEY WERE IN DISCOMFORT FOR A WHILE BUT THEN GOT BETTER. MATERNITY I DIDN’T FANCY. PEDIATRICS I DIDN’T FANCY BUT MEDICINE, THEY NEEDED CARE AND SO THAT’S WHY I LIKED IT.” FOR MORE INFORMATION INCLUDING COPIES OF LETHBRIDGE HERALD ARTICLES ABOUT KIMERY AND ST. MICHAEL’S SCHOOL OF NURSING, AND THE FULL INTERVIEW TRANSCRIPTION, PLEASE SEE THE PERMANENT FILE P20190011001-GA.
Catalogue Number
P20190011004
Acquisition Date
2019-06
Collection
Museum
Images
Less detail
Date Range From
1965
Date Range To
1967
Material Type
Artifact
Materials
GOLD
Catalogue Number
P20190011005
  2 images  
Material Type
Artifact
Date Range From
1965
Date Range To
1967
Materials
GOLD
No. Pieces
1
Height
1.5
Length
1.8
Width
1.9
Description
GOLD RING WITH TAPERED BANDS AND OVAL FACE; THE RING FACE HAS AN OVAL WITH THE EMBOSSED PROFILE OF A NURSE, AND WIDE BANDS THAT TAPER FROM SIDES OF THE RING FACE. BAND HAS TWO SMALL, ENGRAVED LEAVES ON SIDES OF THE RING FACE. INSIDE RING BAND HAS MINOR STAINING AND WEAR; RING FACE HAS MINOR TARNISHING AROUND THE EMBOSSED PROFILE; OVERALL VERY GOOD CONDITION.
Subjects
CLOTHING-ACCESSORY
Historical Association
COMMEMORATIVE
HEALTH SERVICES
PERSONAL CARE
History
ON JUNE 20, 2019, COLLECTIONS TECHNICIAN KEVIN MACLEAN INTERVIEWED SHARON KIMERY REGARDING HER DONATION OF MATERIALS FROM HER TIME STUDYING AT THE ST. MICHAEL’S SCHOOL OF NURSING. ON THE O.R. NURSE’S RING, KIMERY RECALLED, “IT WAS JUST MADE BECAUSE WE JUST WANTED PEOPLE TO KNOW THAT WE WERE O.R. NURSES, A SELECT BRAND OF NURSES THAT HAD CHOSEN THIS PATH. AND WE WANTED IT NOT TO BE FOR EVERYONE SO SOMEONE SAID, ‘WELL, LET’S GET SOMETHING DESIGNED.’ SO WE THOUGHT THE BEST DESIGN WOULD BE AN O.R. HEAD WITH THE MASK AND THE TURBAN. SO WE TOOK IT TO FOSTER’S JEWELRY AND THEY MADE THIS UP FOR US. NOW I KNOW THAT PROBABLY EVERY O.R. NURSE AT ST. MIKE’S AT THAT TIME BOUGHT ONE. I’M NOT SO SURE THAT IT WENT TO THE GALT OR ANYWHERE ELSE. I CAN’T VOUCH FOR THAT. I JUST KNOW THAT THE STAFF, AT THAT TIME, WE ALL GOT ONE JUST BECAUSE IT WAS A SIGNATURE OF WHAT WE WERE AND WHAT WE DID.” “[THERE WERE] 15, APPROXIMATELY [MADE]…[THE RING IS] 10 CARAT [GOLD]…I THINK ONE PERSON DESIGNED IT AND SAID, ‘WHAT DO YOU THINK?’ AND WE SAID, ‘GOOD, PERFECT.’ SO SHE WENT AHEAD WITH IT.” “[I WORE THE RING] ALL THE TIME…SOCIALLY, WEAR IT TO WORK, PUT IT ON THE SHELF, PUT IT BACK ON WHEN YOU LEFT WORK, 24-7…WHEN YOU’RE OUT AND ABOUT…WE WORE THEM ALL THE TIME.” “I DON’T KNOW WHEN I STOPPED [WEARING THE RING]. I PRESUME WHEN I WENT TO MONTREAL I STOPPED. AND I PROBABLY WORE IT WHEN I CAME BACK…IT WAS IN A BOX WITH THE OTHER [PIECES FROM MY TIME AT ST. MICHAEL’S SCHOOL OF NURSING].” KIMERY ELABORATED ON HER TIME STUDYING AT ST. MICHAEL’S SCHOOL OF NURSING, NOTING, “THE TRUTH WAS TO GO INTO NURSING AT ST. MICHAEL’S WAS, THERE WAS MINIMAL CHARGE TO MY PARENTS. IT WAS JUST VERY SIMPLE TO GO, WE LIVED IN LETHBRIDGE. MY PARENTS WERE LONG TERM RESIDENTS. INSTEAD OF GOING AWAY TO SCHOOL WAS BECAUSE OF THE PARENTS, I PRESUME. I JUST THOUGHT THE SISTERS WOULD TREAT ME WELL AND GIVE ME A REAL GOOD EDUCATION AS FAR AS LOOKING AFTER PEOPLE WAS CONCERNED WHICH, IN FACT, THEY DID. IT WAS NOT EASY, I’LL TELL YOU, BUT WELL WORTH THE THREE YEARS I SPENT THERE.” “[I CHOSE ST. MICHAEL’S OVER THE GALT SCHOOL OF NURSING BECAUSE] I JUST THOUGHT IT WOULD BE BETTER. THEY WOULD TREAT ME AS I WANTED TO BE TREATED AS A NURSE-IN-TRAINING AND THEN I WOULD EVENTUALLY TREAT MY PATIENTS THE WAY THEY WANTED ME TO TREAT THEM…THERE’S NO REASON, I JUST KNEW. THERE WASN’T EVEN ANY DISCUSSION ABOUT THE GALT—THE GALT SCHOOL OF NURSING.” “[THE PROGRAM] WAS JUST A REAL STEP FOR ME…THERE WERE SO MANY THINGS THAT WERE NEW TO ME, THAT I NEVER IMAGINED, AND EVERYTHING FROM DAY ONE UNTIL PERHAPS THE END OF THE FIRST YEAR, I WAS SORT OF IN AWE OF ALL THE THINGS THAT WERE GOING TO HAPPEN AND I HAD NO IDEA ABOUT, BUT YOU SETTLE IN, AND YOU ALL OF A SUDDEN DECIDE, THIS IS WHAT IT’S ALL ABOUT AND THIS IS WHAT I WANT. AND OF COURSE YOU HAVE YOUR PREFERENCES AS TO WHERE YOU ARE, AND I CERTAINLY DIDN’T LOVE ALL THE SECTIONS OF NURSING, BUT THE OPERATING ROOM WAS MY THING. I JUST THOUGHT IT’S SUCH CHALLENGE AND SO INTERESTING, EVERY DAY WAS DIFFERENT. I MEAN, LOOKING AFTER PATIENTS WITH DIFFERENT TUBES. IT WASN’T THE SAME DIFFERENT. THERE WERE DIFFERENT CONDITIONS, DIFFERENT WAYS AND DIFFERENT THINGS YOU HAD TO DO.” “[I WAS IN AWE OF] JUST THE WAY PEOPLE NEEDED CARE, AND NEEDED ATTENTION, AND NEEDED TO BE LOOKED AFTER. YOU HAD TO HAVE AN EAR AND TO LISTEN WHETHER IT WAS IMPORTANT OR NOT IMPORTANT TO YOU. YOU HAD TO REALIZE ALL THAT…[I WAS EXPOSED TO THE OPERATING ROOM] IT MIGHT HAVE BEEN IN THE…LATE FIRST OR SECOND YEAR FOR SURE…I WAS SO SCARED OF MAKING A MISTAKE. THINGS WERE SO SPECIAL AND THEY HAD TO BE SO PERFECT. EVERYBODY KNEW EXACTLY WHAT THEY WERE DOING ALL THE TIME. THERE WERE NEVER ANY MISTAKES MADE…EVENTUALLY, I TURNED OUT THE SAME WAY. THERE WAS NO WAY I COULD MAKE A MISTAKE, OR WOULD MAKE A MISTAKE, AND DIDN’T MAKE A MISTAKE BECAUSE YOU CAN’T…[IN] NURSING SOMETIMES YOU MAKE A LITTLE MISTAKE IN CHARTING OR EVEN A LITTLE MISTAKE IN GIVING THE RIGHT CARE…IT’S OKAY, BUT IN THE O.R.—NOT OKAY...” “YOU WENT IN THERE AND YOU WERE ASSIGNED TO CASES, AND YOU LOOKED IT UP IN THE EVENING WHAT YOU WERE GOING TO DO, AND YOU WENT IN THERE AND IF THEY SAID, ‘OKAY, YOU’RE GOING TO SCRUB YOUR HANDS AND HELP’, YOU DID. NOW, IF YOU WERE SCARED, TOO BAD, THAT’S WHAT YOU’RE GOING TO DO TODAY. YOU ALWAYS HAD AN R.N. WITH YOU…YOUR COORDINATOR…ONCE I GOT IN THERE AND WAS DOING IT, I WAS FINE. IT WAS JUST GETTING IN THERE AND DOING IT THAT WAS HARD.” “AT TIMES [IT SEEMED QUASI-MILITARY]…WHEN YOU HAD TO STAND UP AND BE CHECKED BEFORE YOU WENT TO SHIFT; IF YOU HAD HAIR ON YOUR COLLAR, OR SCUFFS ON YOUR SHOES, OR WRINKLES IN YOUR COSTUME…YOU WENT BACK AND REMEDIED IT BEFORE YOU WENT TO BREAKFAST. THIS WAS EARLY, LIKE 6, BECAUSE YOU HAD A LITTLE PRAYER SESSION…AND IF YOU WEREN’T PERFECT, YOU WENT BACK TO YOUR ROOM BEFORE BREAKFAST AND YOU WERE CHECKED AGAIN BEFORE…RULES AND REGULATIONS OF RESIDENCES ARE THE SAME EVERYWHERE, I PRESUME. THERE ARE TIMES FOR FUN TIMES, AND TIME FOR STUDY, AND TIME FOR SLEEP. THAT’S HOW IT WAS THERE.” ON HER FRIENDS AND CLASSMATES DURING HER STUDIES AT ST. MICHAEL’S SCHOOL OF NURSING, KIMERY SHARED, “[DURING SCHOOL] I’M LIVING IN THE RESIDENCE THAT ST. MIKE’S HAD ON 13TH STREET THERE AND 9TH AVENUE. FIRST YEAR, YOU SHARED A ROOM; SECOND YEAR, YOU HAD YOUR OWN ROOM; THIRD YEAR THEY MOVED YOU OUT AND THEY PAID FOR A BASEMENT SUITE SOMEWHERE; AND YOU USUALLY HAD A ROOMMATE OR TWO, OR HOWEVER MANY THE LANDLORD WOULD TAKE. I LIVED ON 13TH STREET WITH TWO OTHER GIRLS IN MY THIRD YEAR.” “JUST LIKE IN ANY SITUATION, THERE ARE GROUPS OF GIRLS…MY GROUP WAS A FEW OF US, 4 OR 5, THAT WERE VERY CLOSE AND DID THINGS TOGETHER…YOU NEVER ALL GET TOGETHER AND ENJOY, UNLESS IT’S A SITUATION WHERE YOU HAVE TO ALL BE TOGETHER. BUT THERE WERE SOME CLASSMATES I DIDN’T FANCY, AND I’M SURE THERE WERE SOME THAT DIDN’T FANCY ME…THAT’S THE WAY LIFE IS, YOU DON’T LIKE EVERYBODY THAT YOU’RE IN A GROUP WITH, FOR SURE. SO THERE WERE 4 OR 5 THAT WERE ALL RIGHT, THAT WE GOT ALONG WELL…WE NEVER BECAME REALLY GOOD FRIENDS. WE WERE TOGETHER FOR 3 YEARS, DOING WHATEVER IT WAS FOR 3 YEARS, BUT AFTER THAT YOU GO YOUR SEPARATE WAYS AND LIVE YOUR LIFE. AND BEING THAT I LEFT SHORTLY AFTER I GRADUATED, I LEFT IN ’66 TO GO TO MONTREAL. BY THE TIME I GOT BACK [THE FRIENDSHIP WAS] GONE.” KIMERY RECALLED THE NUNS AND INSTRUCTORS WHO TAUGHT AT ST. MICHAEL’S SCHOOL OF NURSING, NOTING, “SISTER BEATRICE HAD TO BE THE TOUGHEST SISTER I THINK I‘LL EVER ENCOUNTER…SHE WAS HARD ON YOU ON EVERY PHASE OF YOUR NURSING, WHETHER IT MEANT STANDING IN LINE IN THE MORNING TO CHECK THE WAY YOU LOOKED BEFORE YOU WENT ON DUTY, OR WHETHER IT WAS 9 O’CLOCK AT NIGHT WHEN YOU WERE MAKING TOO DARN MUCH NOISE UPSTAIRS AND YOU SHOULD HAVE BEEN STUDYING. SHE WAS A TOUGH SISTER, BUT I WOULDN’T HAVE TRADED HER FOR ANYONE. AND THERE WAS ANOTHER LITTLE ONE, SISTER PETER MARIE AND SHE USED TO WANDER THE HALLS AND, OH DEAR, IF YOU WEREN’T BEHAVING, YOU WERE IN TROUBLE. NEVER SERIOUS TROUBLE, DON’T GET ME WRONG, BUT THOSE TWO REALLY STICK OUT IN MY MIND BECAUSE THEY WERE THE TWO THAT WERE REALLY LOOKING AFTER US…IN THE FIRST YEAR AND SECOND YEAR.” “[AS TEACHERS, THE SISTERS] WERE FUSSY. YOU HAD TO HAVE IT PERFECT…IF YOU MADE A DRUG ERROR…YOU HAD TO WRITE PAGES AND PAGES AND DO RESEARCH ON THE DRUG THAT YOU’D MADE A MISTAKE ON. THEY…MADE SURE THAT EVERYTHING WAS ‘PERFECT’, THE WAY IT SHOULD BE…IT HAD TO BE PERFECT FOR THE PATIENT. I MEAN, YOU HAD TO BE PERFORMING WELL, BUT YOU HAD TO BE PERFECT FOR THE PATIENT. THAT WAS THE WHOLE THING. YOU WERE LOOKING AFTER PEOPLE. YOU HAD TO MAKE SURE WHAT YOU WERE DOING WAS RIGHT. NO QUESTIONS ASKED ABOUT IT NOT BEING SO.” “[THE SISTERS WOULD] MAKE THE ROUNDS TO THOSE PATIENTS ON THE FLOOR, I DON’T KNOW IF IT WAS HOURLY, BUT OFTEN YOU WOULD SEE…THEY HAD THE LONG SKIRTS…AND YOU’D HEAR THE SWISH, SWISH, AND YOU’D KNOW THAT THEY WERE ABOUT SOMEWHERE—CHECKING…THEY WERE THERE ALL THE TIME—MORNING, EVENING AND EVEN ON NIGHT SHIFT. EVEN WHEN I WORKED THE NIGHT SHIFT AS A STUDENT, THERE WAS ALWAYS A SISTER SOMEWHERE. I PRESUME IF YOU NEEDED THEM OR WERE IN TROUBLE, THEY WOULD HAVE BEEN THERE IMMEDIATELY. IT NEVER HAPPENED BUT I’M SURE THAT’S PART OF THE REASON THERE WAS SOMEBODY AROUND 24-7 NOW THAT I THINK ABOUT IT.” “THE SENIOR NURSES TENDED TO BE A LITTLE TOUGH ON THE SECOND YEAR AND THE FIRST YEAR NURSES…THEY KNOW MORE. THEY’VE BEEN THERE LONGER. THEY DON’T WANT YOU MAKING MISTAKES BECAUSE IT REFLECTS ON THEM…BUT, THAT WAS OKAY TOO. I’D RATHER HAVE SOMEONE TOLD ME THAT SOMETHING WASN’T DONE VERY WELL AT THE TIME…ONE EXAMPLE HERE…[ONE] MORNING, THIRD YEAR NURSE, A PATIENT GOING TO THE O.R. I WENT IN, THOUGHT HE WAS READY. SHE CAME IN AND SAID, ‘DID YOU GIVE HIM MOUTH WASH?’ I SAID, ‘NO.’ [THE SENIOR NURSE ASKED] ‘WHY NOT?’ I DIDN’T HAVE AN ANSWER. I DID IT. I NEVER FORGOT AGAIN. PATIENT GOT MOUTH WASH EVERY DAY…EVERY PATIENT O.R…YOU MADE SURE THEY WERE CLEANED UP IN THE MORNING REGARDLESS…I WAS IN MY FIRST YEAR, I THINK, OR MAYBE SECOND…BUT I STILL REMEMBER THE NURSE…I CAN EVEN REMEMBER HER NAME SO THAT’S THE IMPRESSION IT MAKES ON A STUDENT NURSE TRYING TO LEARN THE HARD WAY. BUT THE HARD WAY’S BETTER THAN NOT AT ALL.” ON HER POST-GRADUATE STUDIES IN NURSING, KIMERY SHARED, “I WENT TO MONTREAL TO THE ROYAL VICTORIA HOSPITAL AND DID A POST GRADUATE COURSE IN OPERATING ROOM TECHNIQUE AND THEN STAYED ON AS STAFF MEMBER THERE…THEN I CAME BACK TO LETHBRIDGE [AND] I WENT BACK TO ST MIKE’S AFTER MY POST GRADUATE…THERE’S LOTS OF CHALLENGES [IN THE OPERATING ROOM]…RIGHT FROM WHEN YOU WENT IN THERE AS A STUDENT…SO MANY THINGS YOU HAD TO KNOW AND DO AND BE AWARE OF AND MAKE SURE YOU’RE RIGHT BECAUSE YOU CAN’T BE WRONG. AND I THOUGHT, ‘YEAH, I CAN DO THIS’. SO I CHOSE TO [WORK IN THE OPERATING ROOM].” “I JUST WANTED TO SEE BIG SURGERY. I WANTED TO SEE HEART SURGERY. I WANTED TO SEE KIDNEY TRANSPLANTS. I WANTED TO SEE BIG STUFF AND I DID…I WAS ON THE KIDNEY TRANSPLANT TEAM. I REPLACED VALVES IN THE CARDIO-VASCULAR…THEY DID BIG SURGERIES, BIG ORTHOPEDIC SURGERIES…BACK IN THE ‘60S TOTAL REPLACEMENTS WERE HUGE...[FOR PEOPLE WHO WANTED MORE, IT WAS] PROBABLY RARE. I MEAN, I WENT ON MY OWN TO MONTREAL. I’D NEVER BEEN OUT OF LETHBRIDGE. I HAD A FRIEND THAT WAS SUPPOSED TO GO AND SHE CANCELLED SO I WENT BY MYSELF…[I WAS] 21.” “[I WAS CONFIDENT GOING TO MONTREAL] BECAUSE I KNEW I CAME FROM A SCHOOL THAT HAD A GOOD O.R., WE HAD ALL THE SPECIALTIES. WE HAD THE OPHTHALMOLOGY, EAR NOSE AND THROAT, PLASTICS AND ORTHOPEDICS, AND UROLOGY AND GENERAL SURGERY ALL HERE IN LETHBRIDGE. SO I KNEW ALL OF THOSE WHEN I WENT THERE. I JUST WANTED MORE. I WANTED BIGGER AND MORE, AND I GOT IT.” “THERE WAS SO MUCH I HAD TO LEARN AND HAD TO DO. [THE EXPERIENCE WORKING AT ST. MICHAEL’S IN LETHBRIDGE] DOESN’T PREPARE YOU WHEN YOU TAKE A JOURNEY LIKE THAT IN YOUR LIFE—A BIG STEP. IT DOESN’T PREPARE YOU. YOU GET THERE AND IT’S A HUGE CITY AND THE RESIDENCE IS HUGE…AND THE HOSPITAL’S HUGE AND THERE’S 15 O.R.’S AND THEY’RE BUSY 24-7 AND YOU’RE NOT PREPARED. YOU CAN’T BE. BUT YOU GET [PREPARED]…I WAS READY. AT FIRST [I WAS] MAYBE A LITTLE SKEPTICAL, I GUESS YOU MIGHT SAY…[THE SCHOOL] FIGURED IT WAS ALL RIGHT FOR ME TO BE THERE [COMING IN FROM A SMALL SCHOOL AND SMALL CITY]…THEY TREATED ME VERY WELL…I HAD SO MANY OPPORTUNITIES…IF IT WAS THERE AND YOU WANTED IT. TAKE IT. SO I DID.” “I DON’T KNOW [WHY THEY ACCEPTED ME INTO THE PROGRAM IN MONTREAL]. I HAVE NO IDEA. I WAS VERY SURPRISED THAT I WAS ACCEPTED ACTUALLY, BECAUSE IF I HADN’T BEEN…I DON’T EVEN KNOW IF I HAD ANOTHER OPTION IN MIND ACTUALLY…THE PROGRAM WAS FINISHED IN ’67 AND I STAYED UNTIL ’69. I CAME [BACK TO LETHBRIDGE] IN ‘70.” “[I FELT LIKE IT WAS A BIG DEAL TO ACCEPT A STUDENT FROM A SMALL CITY LIKE LETHBRIDGE] BASED ON THE OTHER GIRLS THAT WERE IN THE PROGRAM. ONE WAS FROM HALIFAX AND SHE’D BEEN IN NORFOLK, VIRGINIA. THERE WAS ANOTHER ONE THAT WAS FROM THE OTTAWA GENERAL OR SOMEWHERE, AND THERE WAS ONE FROM…SOMEWHERE ABROAD…THE LADIES THAT WERE THERE WERE FAR MORE EXPERIENCED, I GUESS, HAD BEEN IN BIGGER HOSPITALS, DONE BIGGER AND BETTER THINGS THAN I.” “I THINK [THE SCHOOL’S FACULTY] THOUGHT [THE ST. MICHAEL’S PROGRAM] WAS PRETTY…GOOD BECAUSE THE WAY I USED TO SET THE ROOM UP IN THE MORNING, THEY WOULD COME AND JUST SAY, ‘ARE YOU THE ONE FROM ALBERTA, FROM THE SMALL SCHOOL?’ ‘YES, I AM.’ THEY COULD JUST TELL…THAT I WAS FROM A PLACE THAT DID THINGS SPECIAL FOR EVERYBODY ON THE TEAM, FOR THE ANESTHETIST…WE TREATED THEM SPECIAL. SO I TREATED THEM SPECIAL THERE, AND THEY JUST, ‘WHAT IS THIS NOW?’ AND THE DOCTORS, THEY KNEW, THEY COULD TELL JUST BECAUSE THAT’S THE WAY IT WAS IN ST. MICHAEL’S. THIS IS WHY YOU DID IT. THIS IS HOW YOU DID IT AND YOU DID IT EVERY DAY.” ON HER INTEREST IN NURSING AND DECISION TO PURSUE A CAREER IN NURSING, KIMERAY RECALLED, “[I WANTED TO BE A NURSE] BECAUSE I’M JUST REALLY GOOD WITH PEOPLE. PEOPLE ARE WHAT MAKES THE WORLD GO ROUND. I JUST LIKE PEOPLE. I LIKE TO TALK TO THEM. I LIKE TO CARE FOR THEM…YOUNG, MEDIUM AGED OR OLD. ALL GOOD FOR ME. AND WHEN I FIRST WENT THERE, MY FIRST EXPERIENCES WEREN’T THAT EASY BECAUSE I’D REALLY NEVER BEEN LOOKING AFTER ANY KIND OF PEOPLE—[IT WAS] HARD, BUT I JUST LIKE PEOPLE AND I’M EASY WITH PEOPLE…EVEN IN THEIR WORST SITUATIONS, TO THIS DAY, I’M EASY WITH PEOPLE.” “I GUESS MEDICINE WAS FINE BECAUSE THOSE PEOPLE REALLY NEEDED CARE. SURGERY THEY WERE IN DISCOMFORT FOR A WHILE BUT THEN GOT BETTER. MATERNITY I DIDN’T FANCY. PEDIATRICS I DIDN’T FANCY BUT MEDICINE, THEY NEEDED CARE AND SO THAT’S WHY I LIKED IT.” FOR MORE INFORMATION INCLUDING COPIES OF LETHBRIDGE HERALD ARTICLES ABOUT KIMERY AND ST. MICHAEL’S SCHOOL OF NURSING, AND THE FULL INTERVIEW TRANSCRIPTION, PLEASE SEE THE PERMANENT FILE P20190011001-GA.
Catalogue Number
P20190011005
Acquisition Date
2019-06
Collection
Museum
Images
Less detail
Other Name
"GALT SCHOOL OF NURSING"
Material Type
Artifact
Materials
CERAMIC
Catalogue Number
P20140049006
  1 image  
Material Type
Artifact
Other Name
"GALT SCHOOL OF NURSING"
Date
1979
Materials
CERAMIC
No. Pieces
1
Height
8.5
Length
12
Diameter
8.9
Description
A CREAM-COLOURED CERAMIC MUG. ON ONE SIDE IS THE INSIGNIA OF THE GALT SCHOOL OF NURSING, WHICH IS COLOURED YELLOW, GREEN, AND RED. IN THE CENTER OF THE INSIGNIA IS A RED CROSS. THE TEXT READS “GALT SCHOOL OF NURSING, LETHBRIDGE ALTA”, “FESTINA LENTE”, AND “1910-1979”. AROUND THE LIP OF THE MUG RUNS A GOLD RING. THE BOTTOM OF THE MUG READS “DECORATED IN CANADA BY …EMORE CHINA & GLASS” AND “CREEMORE, ONT”. VERY GOOD CONDITION: SLIGHT WEAR TO GOLD RIM.
Subjects
HOUSEHOLD ACCESSORY
Historical Association
ASSOCIATIONS
HEALTH SERVICES
COMMEMORATIVE
History
UPON DONATION TO THE MUSEUM, COLLECTIONS TECHNICIAN KEVIN MACLEAN ASKED MEMBERS OF THE GALT SCHOOL OF NURSING (GSN) ALUMNAE TO PROVIDE WRITTEN ANSWERS ON QUESTIONS PERTAINING TO EACH ARTIFACT DONATED IN THE COLLECTION. THE FOLLOWING INFORMATION HAS COME FROM THOSE RESPONSES CORRESPONDING TO EACH INDIVIDUAL ARTIFACT. ACCORDING TO THE HISTORY, “THIS IS A COFFEE CUP COMMEMORATING THE CLOSING OF THE NURSING SCHOOL. THE ALUMNAE PURCHASED THEM AND SOLD THEM… [THE MUGS] WERE DESIGNED AND MADE IN 1979.” IT CONTINUES, “[THE] GALT GRADS BOUGHT THESE MUGS… [AS] A MEMENTO OF THE CLOSING OF THE SCHOOL.” THIS ARTIFACT IS AMONG A COLLECTION DONATED NEAR THE END OF 2014, BEING THE SECOND WAVE OF GSN ARTIFACTS ACQUIRED BY THE MUSEUM THAT YEAR. WITH THE FIRST WAVE OF GSN ARTIFACTS COLLECTED IN SUMMER 2014, MACLEAN INTERVIEWED THE PAST ARCHIVISTS OF THE GALT SCHOOL OF NURSING COLLECTION, SHIRLEY HIGA, ELAINE HAMILTON, AND SUE KYLLO, ABOUT THEIR INVOLVEMENT WITH THE GSN ALUMNAE ASSOCIATION AND THE HISTORY OF ARTIFACTS DONATED. FOR THAT INFORMATION, PLEASE REFER TO P20140006001. PLEASE SEE THE PERMANENT FILE FOR MORE INFORMATION.
Catalogue Number
P20140049006
Acquisition Date
2014-11
Collection
Museum
Images
Less detail
Other Name
"HIRSCHE"
Date Range From
1913
Date Range To
1935
Material Type
Artifact
Materials
COTTON
Catalogue Number
P20140049011
  2 images  
Material Type
Artifact
Other Name
"HIRSCHE"
Date Range From
1913
Date Range To
1935
Materials
COTTON
No. Pieces
1
Length
44.5
Width
17.2
Description
A WHITE CLOTH, STARCHED NURSING CAP. THE BACK EDGE IS STAMPED WITH BLACK INK, READING “E1040” AND BELOW THAT “HIRSCHE” . THE WHITE STRING TIES AND THE OPENING ATTACHMENT THEY PULL THROUGH IS FRAYING. VERY GOOD CONDITION: THE HEAVILY STARCHED FRONT FOLD IS CREASED WITH FOLD LINES.
Subjects
CLOTHING-HEADWEAR
Historical Association
HEALTH SERVICES
ASSOCIATIONS
History
UPON DONATION TO THE MUSEUM, COLLECTIONS TECHNICIAN KEVIN MACLEAN ASKED MEMBERS OF THE GALT SCHOOL OF NURSING (GSN) ALUMNAE TO PROVIDE WRITTEN ANSWERS ON QUESTIONS PERTAINING TO EACH ARTIFACT DONATED IN THE COLLECTION. THE FOLLOWING INFORMATION HAS COME FROM THOSE RESPONSES CORRESPONDING TO EACH INDIVIDUAL ARTIFACT. ACCORDING TO THIS NURSING CAP’S HISTORY, IT WOULD HAVE BEEN OF THE FIRST TYPES OF CAPS THAT THE STUDENT NURSES WOULD HAVE WORN. IT WAS WORN “ON THE WARDS” OF THE HOSPITAL FROM 1913 ONWARDS TO AN UNSPECIFIED DATE. THE INSIDE OF THE CAP IS LABELLED “HIRSCHE”. USING THE GSN HISTORY BOOK TITLED “WHITE CAPS AND RED ROSES” RECORDS ONE STUDENT FROM THE CLASS OF 1966 WITH THE MAIDEN NAME HIRSCHE AND THREE STUDENTS FROM CLASSES 1968 TO 1975 MARRIED MEN WITH THE HIRSCHE LAST NAME. THIS ARTIFACT IS AMONG A COLLECTION DONATED NEAR THE END OF 2014, BEING THE SECOND WAVE OF GSN ARTIFACTS ACQUIRED BY THE MUSEUM THAT YEAR. WITH THE FIRST WAVE OF GSN ARTIFACTS COLLECTED IN SUMMER 2014, MACLEAN INTERVIEWED THE PAST ARCHIVISTS OF THE GALT SCHOOL OF NURSING COLLECTION, SHIRLEY HIGA, ELAINE HAMILTON, AND SUE KYLLO, ABOUT THEIR INVOLVEMENT WITH THE GSN ALUMNAE ASSOCIATION AND THE HISTORY OF ARTIFACTS DONATED. FOR THAT INFORMATION, PLEASE REFER TO P20140006001. ON 12 JULY 2018, COLLECTIONS ASSISTANT ELISE PUNDYK MET WITH THREE MEMBERS OF GALT SCHOOL OF NURSING ALUMNI ASSOCIATION – SHARON DEJONG, DONNA KARL, AND SUE KYLLO – TO ESTABLISH FURTHER DETAILS ABOUT VARIOUS ARTIFACTS IN THIS WAVE OF GSN ACQUISITIONS. WHEN VIEWING THE CAP, KYLLO, KARL, AND DEJONG STATED THAT ALL STUDENTS HAD TO WRITE THEIR NAMES IN THEIR UNIFORMS – LIKE “HIRSCHE” IS LABELLED IN THIS CAP – BECAUSE THE UNIFORMS, INCLUDING CAPS, WOULD BE SENT TO THE LAUNDRY AND RETURNED BACK TO THE STUDENTS. ABOUT NURSING CAPS, THE THREE ALUMNI EXPLAINED THAT THEY ALWAYS WORE WHITE CAPS AS STUDENTS. UPON GRADUATION THEY RECEIVED A VELVET BLACK BAND THEY WOULD PIN ON THE CAPS FOR WORK AS GRADUATED NURSES. THIS WAS ONE OF THE INDICATORS USED TO IDENTIFY THE STUDENT NURSES VERSUS THE GRADUATED NURSES. THEY STATED THAT IN THEIR FIRST TWO YEARS OF SCHOOL, THEY WOULD WERE BLACK SHOES AND STOCKINGS (A PRACTICE THAT ENDED IN 1968) AND AFTER THAT THEY WOULD WEAR WHITE SHOES WITH WHITE STOCKINGS TO INDICATE SENIOR NURSES. THESE VARIANCES IN THE STUDENT UNIFORMS HAD IMPLICATIONS FOR THEIR EXPERIENCES ON THE FLOOR. FOR EXAMPLE, THERE WAS ONE DOCTOR WHO HAD A STRICT RULE AGAINST STUDENT NURSES SCRUBBING IN FOR HIS OPERATIONS. THEY AGREED THAT THIS WAS AN EARLY EXAMPLE OF A NURSE’S CAP, USED FROM ESTIMATE DATES OF 1913 TO 1935. REFERENCING THE GSN HISTORY BOOK, “WHITE CAPS…,” THERE IS NO RECORD OF A STUDENT WITH THIS LAST NAME IN THE SPECULATED TIME PERIOD. AS AN ANSWER TO THIS, KYLLO ADDED TO THE CAP’S WRITTEN NOTES, “THIS HAT COULD HAVE BEEN A GALT HOSPITAL STAFF MEMBER AND MAY BE NOT A GALT HAT.” IT CAN ALSO BE NOTED THAT AN ACTIVE MEMBER OF THE GSN ALUMNAE ASSOCIATION INVOLVED IN THE DECISION-MAKING PROCESS OF THE DONATION OF ITEMS TO THE MUSEUM WAS SHARON HIRSCHE (NEE TREIBER) OF THE CLASS OF 1968. PLEASE SEE THE PERMANENT FILE FOR MORE INFORMATION.
Catalogue Number
P20140049011
Acquisition Date
2014-11
Collection
Museum
Images
Less detail
Other Name
"A7 RANCHE 100 ANNIVERSARY"
Material Type
Artifact
Materials
WOOD, PAINT
Catalogue Number
P20140032002
  2 images  
Material Type
Artifact
Other Name
"A7 RANCHE 100 ANNIVERSARY"
Date
1986
Materials
WOOD, PAINT
No. Pieces
1
Height
19.5
Diameter
5.7
Description
BROWN GLASS BEER BOTTLE WITH A LIP FOR A TWIST-OFF CAP (NO CAP). "85" IS IN RAISED LETTERS OF GLASS AT THE BASE OF THE BOTTLE. THERE IS A SEAM VISIBLE DOWN THE CENTER HALVES OF THE BOTTLE WHERE IT HAS BEEN FUSED TOGETHER. CREAM-COLOURED RECTANGULAR LABEL WITH GOLD TRIM PASTED TO ONE SIDE OF THE BOTTLE. LABEL READS "a7" WITHIN A RED DIAGONAL STRIPE RUNNING UP THE WIDTH OF THE LABEL WITH "BEER" PRINTED BELOW. THE BOTTOM OF THE LABEL READS: "BREWED AND BOTTLED IN CARLING O'KEEFE BREWERIES CALGARY, ALBERTA" IN ALTERNATING BLACK AND RED FONT. THERE IS A STAMP THAT STATES "100 YEAR ANNIVERSARY 1886-1986" IN THE UPPER LEFT SECTION OF THE LABEL. CONDITION: SLIGHT WRINKLE VERTICALLY DOWN THE RIGHT SIDE OF THE LABEL. SLIGHT SCUFFING ON THE GLASS OF BOTTLE.
Subjects
FOOD SERVICE T&E
MERCHANDISING T&E
Historical Association
COMMEMORATIVE
INDUSTRY
History
A NOTE ABOUT THIS BOTTLE WAS WRITTEN BY THE DONOR, FRANK LIGHTBOUND, AND PROVIDED TO THE MUSEUM AT THE TIME OF DONATION STATES: “THE SPECIAL LABEL ON THIS BOTTLE IS ONE OF A FEW HUNDRED PRINTED TO HELP CELEBRATE THE 100TH ANNIVERSARY (1886-1986) OF THE A7 RANCHE (OLD SPELLING), THE SOUTHERN PORTION OF WHICH BORDERS THE OLDMAN RIVER NORTH OF LUNDBRECK IN THE MAYCROFT AREA. THE RANCH WAS ESTABLISHED BY A. E. CROSS OF BIG 4 STAMPEDE FAME AND THE FORMER CALGARY BREWING/MALTING CO. (HORSESHOE AND BUFFALO LABEL). THE RANCH IS STILL OWNED BY THE CROSS FAMILY. THE BEER WAS SERVED DURING THE CELEBRATION BAR-B-Q AND THIS BOTTLE WAS GIVEN TO ME BY VAL DENNIS, SOUTH RANCH FOREMAN AT THE TIME.” ON 22 MARCH 2017, GALT COLLECTIONS TECHNICIAN KEVIN MACLEAN INTERVIEWED LIGHTBOUND ABOUT HIS DONATION OF THE 100TH ANNIVERSARY COMMEMORATIVE BOTTLE FROM A7 RANCHE BREWERY. THIS BOTTLE COMMEMORATES THE 100TH ANNIVERSARY OF THE A7 RANCHE. OF THAT, LIGHTBOUND STATES, “WELL, I MUST HAVE ACQUIRED IT SOON AFTER THAT THEN – IN 1986. IT WASN’T GIVEN TO ME DIRECTLY. I KNEW THE FOREMAN OF THE SOUTHERN BRANCH OF THE A7 RANCHE [VAL DENNIS], AND HE HAD SEVERAL OF THEM, AND HE GAVE ME ONE...THE DENNIS FAMILY HAVE A RANCH ON THE OLD MAN RIVER JUST OUTSIDE THE FOREST RESERVE, WHICH IS ACROSS THE ROAD FROM THE A7 RANCHE.” THE BOTTLE WAS GIVEN TO LIGHTBOUND EMPTY. WHEN ASKED WHY HE WAS COMPELLED TO SAVE IT, LIGHTBOUND REPLIED, “WELL, [IT REPRESENTS] AN INTERESTING PART OF THE COUNTRY. I WAS AT THE GAP RANGER STATION FOR FIVE YEARS AND THE DENNIS FAMILY HAD THE FIRST RANCH EAST OF THE FOREST RESERVE, ON THE NORTH SIDE OF THE ROAD, BETWEEN THE ROAD AND THE RIVER. I GOT TO KNOW THE FAMILY BACK AROUND 1965 AND THIS WAS [FROM] 1985. I STILL VISIT WITH THEM AND I HELPED THEM WITH THEIR RANCHING OPERATION...I SAW ALL THE FAMILY GROW UP, ALL THE KIDS GROW UP. VAL WAS ONE. WHEN I FIRST MET HIM, HE WAS A KID IN GRADE SCHOOL, AND NOW I THINK HE’S ABOUT 60 YEARS OLD, AND HE’S NEARING RETIREMENT AS AN RCMP OFFICER. SO A LOT OF YEARS HAVE PASSED. SO, OUT OF THE GOODNESS OF HIS HEART, HE THOUGHT I’D LIKE TO HAVE THAT BOTTLE AND I TOOK IT, AND I HAD IT DISPLAYED—IT WASN’T IN THE LIVING ROOM—BUT IT WAS IN THE CUPBOARD AREA IN THE DINING AREA.” ACCORDING TO THE A7 RANCHE HISTORY PROVIDED ON THEIR WEBSITE (ACCESSED ON 4 MAY 2018), THE RANCH’S FOUNDER – ALFRED ERNEST CROSS – “PICKED THE ‘A7’ BRAND TO SYMBOLIZE HIMSELF AND HIS SIX SIBLINGS. IT IS SAID TO BE THE OLDEST RANCH IN CANADA STILL IN THE HANDS OF THE ORIGINAL OWNERS, RIGHT THROUGH TO PRESENT-DAY OWNER JOHN CROSS.” THE WEBSITE CONTINUES, “A. E. CROSS IS BEST KNOWN FOR BEING ONE OF THE “BIG FOUR” CATTLEMEN WHO FOUNDED THE CALGARY STAMPEDE IN 1912. HOWEVER, HE HAD MANY OTHER BUSINESS, PUBLIC, AND CHARITABLE INTERESTS, LIKE THE CALGARY BREWING AND MALTING COMPANY, OIL AND GAS, AND THE BUDDING MOTION PICTURE INDUSTRY. CROSS ALSO SERVED AS THE MLA FOR EAST CALGARY IN THE LEGISLATIVE ASSEMBLY OF THE NORTH-WEST TERRITORIES...” PLEASE SEE PERMANENT FILE FOR MORE INFORMATION INCLUDING FULL INTERVIEW TRANSCRIPTION, A7 HISTORY AND DONOR’S NOTE.
Catalogue Number
P20140032002
Acquisition Date
2014-08
Collection
Museum
Images
Less detail
Other Name
BASKETBALL TEAM PATCH "LCI CLIPPERS"
Date Range From
1955
Date Range To
1956
Material Type
Artifact
Materials
FELT, THREAD
Catalogue Number
P20160045001
  2 images  
Material Type
Artifact
Other Name
BASKETBALL TEAM PATCH "LCI CLIPPERS"
Date Range From
1955
Date Range To
1956
Materials
FELT, THREAD
No. Pieces
1
Height
12.7
Length
12.6
Width
0.6
Description
GREEN AND YELLOW CIRCULAR TERRY CLOTH AND FELT PATCH THAT READS "LCI CLIPPERS" IN CURSIVE-STYLE FOLLOWED BY "55 56" ALL IN GREEN CHARACTERS. THE PATCH INCLUDES AN IMAGE OF A BASKETBALL NET MADE WITH YELLOW FELT AND BLACK STITCHING. THE IMAGE AND WORDS ARE SUPPORTED BY A GREEN FELT AND PALE YELLOW FELT BASE. A TERRY CLOTH-LIKE YELLOW FILLS THE CIRCLULAR CENTER OF PATCH. BACK SIDE OF STITCHING VISIBLE. GOOD TO VERY GOOD CONDITION: FOUR LOOSE THREADS (ONE ON THE BACK OF THE "C" IN "LCi", ONE ON THE TOP CURVE OF PATCH, AND ONE ON THE BOTTOM CURVE OF THE "C" IN "CLIPPERS"; GENERAL DISCOLORATION AND SURFACE DIRT OVERALL.
Subjects
PERSONAL SYMBOL
Historical Association
SPORTS
COMMEMORATIVE
History
IN EARLY 2016, LLOYD YAMAGISHI DONATED TWO LETHBRIDGE COLLEGIATE INSTITUTE (L. C. I.) CLIPPERS BADGES TO THE GALT MUSEUM. IN CORRESPONDENCE WITH THE MUSEUM, YAMAGISHI STATED, “I CAME ACROSS THE BADGES A NUMBER OF YEARS AGO WHEN WE MOVED MY NOW DECEASED MOTHER FROM HER HOME TO MARTHA’S HOUSE. I DIDN’T TOSS AWAY THE BADGES THINKING THEY BELONGED TO MY OLDER SISTER, SINCE SHE WAS THE ONLY SIBLING THAT ATTENDED LCI… THE BADGES WERE NOT HERS.” IT IS UNKNOWN WHO THE BADGES BELONGED TO. THEY READ, “LCI CLIPPERS 55 56” AND “PROV. CHAMPS 1956”. IT IS KNOWN THAT THE CLIPPERS WAS THE GIRLS’ BASKETBALL TEAM FOR LCI. THE 1956 LCI YEARBOOK TITLED “SPOTLITE” READS, “ON APRIL 10TH, THE CLIPPER QUEENS, COACHED BY MARGE CLARK, ENDED A TREMENDOUS BASKETBALL SEASON BY WINNING THE PROVINCIAL “A” GIRLS BASKETBALL CROWN. THE QUEENS RECORDED A LONG STRING OF PLAYOFF VICTORIES. THEY KNOCKED OVER THEIR FIRST VICTIMS, NOBLEFORD, TO GAIN THE LETHBRIDGE NORTHERN BASKETBALL LEAGUE TROPHY AND THE RIGHT TO ENTER THE SOUTHERN ALBERTA PLAYOFFS. THEN THE QUEENS SWAMPED VULCAN, WARNER AND TABER IN RAPID ORDER, RACKING UP SOME OF THE MOST ONE-SIDED SCORES EVER SEEN IN THE SOUTH. THE CENTRAL ALBERTA CHAMPIONSHIP TEAM, LACOMBE, WAS THE NEXT VICTIM TO FALL BEFORE THE QUEENS’ STEADY ATTACK, AS THE NORTHERNERS BOWED OUT IN TWO STRAIGHT GAMES. THE CLIPPER QUEENS THEN RETURNED HOME TO DEFEAT THE CAMROSE COMETS 83-24 AND 75-30 IN A TWO-OUT-OF-THREE SERIES. THIS FEAT CROWNED THEM PROVINCIAL CHAMPS OF 1955-56.” THE YEARBOOK LISTS THE PLAYERS OF THAT YEAR’S TEAM AS FOLLOWS: CAROLE PONECH (CAPTAIN), BEV COWARD (FORWARD, BETTY BEIMLER (FORWARD), BERNICE COWARD (GUARD), MAY LEISHMAN (GUARD), MARIANNE SNOWDON (FORWARD), CAROL LARSON (GUARD), SHIRON ERICKSON (CENTRE), JOYCE GOLIA (GUARD), AND DONALDA POZZI (FORWARD). THE BOOKS STATES THE COACH, MISS MARGE CLARK, WAS IN HER SECOND YEAR AS “THE QUEENS’ MENTOR.” THE TEAM MANAGER THAT YEAR WAS MYRNA VOSBURGH. PLEASE SEE PERMANENT FILE FOR MORE INFORMATION, INCLUDING THE DONOR CORRESPONDENCE. THE LCI 1956 YEARBOOK CITED ABOVE IS HOUSED IN THE GALT ARCHIVES (20001046000).
Catalogue Number
P20160045001
Acquisition Date
2016-01
Collection
Museum
Images
Less detail
Other Name
BASKETBALL CHAMPIONSHIP PATCH "LCI CLIPPERS"
Material Type
Artifact
Materials
FELT, THREAD, TERRY CLOTH
Catalogue Number
P20160045002
  2 images  
Material Type
Artifact
Other Name
BASKETBALL CHAMPIONSHIP PATCH "LCI CLIPPERS"
Date
1956
Materials
FELT, THREAD, TERRY CLOTH
No. Pieces
1
Height
15
Length
14.8
Width
0.6
Description
GREEN FELT AND TERRY CLOTH PATCH WITH YELLOW EMBROIDERY THAT READS "PROV. CHAMPS" ON THE TOP OF THE PATCH. GREEN FELT BASE SUPPORTING A GREEN TERRY CLOTH FABRIC. YELLOW-TRIMMED BANNER WITH GREEN INSIDE ON THE BOTTOM THAT READS "LCI CLIPPERS". YELLOW CIRCLE IN THE CENTRE WITH GREEN INSIDE. FEMALE BASKETBALL PLAYER IN CENTRE MADE FROM WHITE AND BLACK STITCHING. SHE IS THROWING A BASKETBALL TOWARDS A NET ABOVE THE CIRCLE. A DIAGONAL "1956" IS IN YELLOW CHARACTERS TO THE PLAYER'S RIGHT. BACK SHOWS BACKSIDE OF STITCHING (ROUGH). VERY GOOD CONDITION: SLIGHT SNAGGING ON FRONT; LOOSE THREADS ON BACK.
Subjects
PERSONAL SYMBOL
Historical Association
SPORTS
COMMEMORATIVE
History
IN EARLY 2016, LLOYD YAMAGISHI DONATED TWO LETHBRIDGE COLLEGIATE INSTITUTE (L. C. I.) CLIPPERS BADGES TO THE GALT MUSEUM. IN CORRESPONDENCE WITH THE MUSEUM, YAMAGISHI STATED, “I CAME ACROSS THE BADGES A NUMBER OF YEARS AGO WHEN WE MOVED MY NOW DECEASED MOTHER FROM HER HOME TO MARTHA’S HOUSE. I DIDN’T TOSS AWAY THE BADGES THINKING THEY BELONGED TO MY OLDER SISTER, SINCE SHE WAS THE ONLY SIBLING THAT ATTENDED LCI… THE BADGES WERE NOT HERS.” IT IS UNKNOWN WHO THE BADGES BELONGED TO. THEY READ, “LCI CLIPPERS 55 56” AND “PROV. CHAMPS 1956”. IT IS KNOWN THAT THE CLIPPERS WAS THE GIRLS’ BASKETBALL TEAM FOR LCI. THE 1956 LCI YEARBOOK TITLED “SPOTLITE” READS, “ON APRIL 10TH, THE CLIPPER QUEENS, COACHED BY MARGE CLARK, ENDED A TREMENDOUS BASKETBALL SEASON BY WINNING THE PROVINCIAL “A” GIRLS BASKETBALL CROWN. THE QUEENS RECORDED A LONG STRING OF PLAYOFF VICTORIES. THEY KNOCKED OVER THEIR FIRST VICTIMS, NOBLEFORD, TO GAIN THE LETHBRIDGE NORTHERN BASKETBALL LEAGUE TROPHY AND THE RIGHT TO ENTER THE SOUTHERN ALBERTA PLAYOFFS. THEN THE QUEENS SWAMPED VULCAN, WARNER AND TABER IN RAPID ORDER, RACKING UP SOME OF THE MOST ONE-SIDED SCORES EVER SEEN IN THE SOUTH. THE CENTRAL ALBERTA CHAMPIONSHIP TEAM, LACOMBE, WAS THE NEXT VICTIM TO FALL BEFORE THE QUEENS’ STEADY ATTACK, AS THE NORTHERNERS BOWED OUT IN TWO STRAIGHT GAMES. THE CLIPPER QUEENS THEN RETURNED HOME TO DEFEAT THE CAMROSE COMETS 83-24 AND 75-30 IN A TWO-OUT-OF-THREE SERIES. THIS FEAT CROWNED THEM PROVINCIAL CHAMPS OF 1955-56.” THE YEARBOOK LISTS THE PLAYERS OF THAT YEAR’S TEAM AS FOLLOWS: CAROLE PONECH (CAPTAIN), BEV COWARD (FORWARD, BETTY BEIMLER (FORWARD), BERNICE COWARD (GUARD), MAY LEISHMAN (GUARD), MARIANNE SNOWDON (FORWARD), CAROL LARSON (GUARD), SHIRON ERICKSON (CENTRE), JOYCE GOLIA (GUARD), AND DONALDA POZZI (FORWARD). THE BOOKS STATES THE COACH, MISS MARGE CLARK, WAS IN HER SECOND YEAR AS “THE QUEENS’ MENTOR.” THE TEAM MANAGER THAT YEAR WAS MYRNA VOSBURGH. PLEASE SEE PERMANENT FILE FOR MORE INFORMATION, INCLUDING THE DONOR CORRESPONDENCE. THE LCI 1956 YEARBOOK CITED ABOVE IS HOUSED IN THE GALT ARCHIVES (20001046000).
Catalogue Number
P20160045002
Acquisition Date
2016-01
Collection
Museum
Images
Less detail
Other Name
WEDGE CAP, "ANDERSON SISTERS"
Date Range From
1940
Date Range To
1970
Material Type
Artifact
Materials
FELT, THREAD, PLASTIC
Catalogue Number
P20160044001
  2 images  
Material Type
Artifact
Other Name
WEDGE CAP, "ANDERSON SISTERS"
Date Range From
1940
Date Range To
1970
Materials
FELT, THREAD, PLASTIC
No. Pieces
1
Height
11
Length
30
Width
1.7
Description
BLACK FELT WEDGE CAP WITH RED ACCENTS STITCHING. TWO RED AND GOLD PLASTIC BEADS ON THE FRONT EDGE. CURSIVE “ANDERSON SISTERS” EMBROIDERED IN RED ON ONE SIDE AND “ALICE” ON THE OTHER. VERY GOOD CONDITION: MAKEUP STAINS PRESENT OF THE INSIDE BRIM OF THE HAT.
Subjects
CLOTHING-HEADWEAR
Historical Association
LEISURE
PERSONAL CARE
History
THE LATE ALICE PEARL HUMMEL (13 JUNE 1922 – 7 APRIL 2016) PERFORMED AS PART OF THE “ANDERSON SISTERS ORCHESTRA” ALONGSIDE HER SISTERS – FLORENCE JEANNETTE MCINTOSH (MAY 1917 – 18 MARCH 1999), MARIE EVELYN POPSON (C.1921 - 8 MARCH 2008) AND RUTH GINZER (C. 1926 - D. 2016). THE FOUR DAUGHTERS WERE BORN TO PARENTS, MARTIN EDWARD ANDERSON AND IDA JOHANNA ANDERSON (NEE JOHNSON). THE BAND WAS A FAMILY AFFAIR THAT SAW GREAT SUCCESS IN THE SOUTHERN ALBERTA REGION. ALICE’S DAUGHTERS, ELEANOR SMITH AND RUTH HUMMEL, HONOURED THEIR MOTHER’S WISHES TO DONATE A NUMBER OF HER EFFECTS FROM HER TIME WITH LETHBRIDGE BAND TO THE MUSEUM. THIS WEDGE CAP WAS A COMPONENT OF THE UNIFORM THE SISTERS WORE WHEN THEY PERFORMED AT PLACES SUCH AS ARMY BASES AND DANCE HALLS. THIS CAP BELONGED TO ALICE, THE SECOND YOUNGEST OF THE SISTERS. IN 16 DECEMBER 2016, COLLECTIONS TECHNICIAN KEVIN MACLEAN INTERVIEWED THE DAUGHTERS ABOUT THE DONATION. THE FOLLOWING INFORMATION HAS BEEN EXTRACTED FROM THAT EXCHANGE: RUTH STATES, “THE HAT WOULD BE AT LEAST FROM 1940 - ’41… ALL OF THE SISTERS HAD [A CAP AND] THEY WERE SPECIAL MADE FOR THEM. ‘ANDERSON SISTERS’ WAS EMBROIDERED ON ONE SIDE AND THEN THEIR NAMES ON THE OTHER. THEY WERE MADE TO GO WITH THESE MILITARY LOOKING DRESSES THAT THEY HAD. THEY TYPICALLY ALWAYS DRESSED ALIKE FOR THE PERFORMANCES. THE HATS WERE MADE TO GO ALONG WITH THEM WHEN THEY WERE DOING PERFORMANCES AT THE MILITARY BASES.” “[THE SISTERS] USUALLY CAME UP WITH [THE UNIFORM] COLLECTIVELY,” RUTH EXPLAINED, “AND THEY WORKED WITH A TAILOR IN TOWN WHO ACTUALLY DID SOME OF THEIR SUITS. THERE MIGHT BE A LABEL THAT I COULD FIND WITH REGARDS TO WHAT THAT COMPANY WAS….THERE WERE USUALLY ALWAYS TAILORS INVOLVED, AND WHEN THEY CAME UP WITH AN IDEA OR CONCEPT, THEY’D HAVE IT DONE AT THE SAME PLACE, BUT I DON’T HAVE THE DETAILS ON THAT.” MANY OF THE ARTIFACTS DONATED TO THE MUSEUM, INCLUDING THIS CAP, WERE KEPT TOGETHER IN ONE OF ALICE’S TRUNKS. WHEN RUTH AND ELEANOR WERE HELPING THEIR MOTHER SORT HER THINGS, SHE EXPLAINED THE ITEMS IN THE TRUNK TO THEM. THE WEDGE CAP CAME TO THE MUSEUM ENCLOSED IN A SHADOW BOX COMPLETE WITH ARTICLE CLIPPINGS AND PHOTOGRAPHS, WHICH WAS ASSEMBLED FOR A COMMUNITY DISPLAY. PERMISSION WAS GRANTED BY THE DONOR TO REMOVE THE CAP FROM THE BOX. SEE PERMANENT FILE FOR PHOTOGRAPH OF THE BOX. THE FOLLOWING IS A BRIEF HISTORY OF THE ANDERSON SISTERS AS TOLD BY DONORS ELEANOR SMITH AND RUTH HUMMEL IN THE 2016 INTERVIEW: “[THE ANDERSON SISTERS ORCHESTRA WAS] THE LONGEST RUNNING GROUP AT WATERTON LAKES PAVILION … [WHERE THEY PLAYED] FOR FIVE YEARS STRAIGHT,” ELEANOR EXPLAINED, “IN ADDITION TO DOING ALL KINDS OF OTHER THINGS, THEY WERE CONSTANTLY TRAVELLING [AND] WE HAVE THE RECORDINGS OF THAT.” RUTH ADDED, “THEY WERE ORIGINALLY FROM MONITOR (SASK). IN THE DIRTY 30S, WHEN THINGS GOT BAD FOR A LOT OF FARMS, THEY FOUND A WAY TO HAVE MUSIC LESSONS AND…PLAY FOR LOCAL DANCES. [ULTIMATELY, THE FAMILY] DECIDED TO LEAVE THE FARM AND HEADED OUT IN THE DIRECTION OF LETHBRIDGE (VIA DRUMHELLER). IT WAS TOUGH TIMES FOR A LOT OF PEOPLE IN THE 30S IN ALBERTA, BUT THE GIRLS, WITH THE TALENT THEY HAD, … HAD A WAY OUT…THEY COULD DO A LOT WHEN THEY STUCK TOGETHER AS A FAMILY. AND THEN THE ORCHESTRA REALLY CAME OUT OF THAT...” THE OBITUARY OF DONORS’ GRANDFATHER, MARTIN ANDERSON, (PUBLISHED IN THE LETHBRIDGE HERALD, 1981) STATES THE FAMILY ARRIVED IN LETHBRIDGE IN 1940. “THEY WERE SERIOUS MUSICIANS - VERY HUMBLE AND VERY QUIET,” RUTH CONTINUED, “[AS FAR AS PROMOTING THE BAND,] THAT WAS MORE GRANDPA’S JOB. WHEN IT CAME TO MUSIC, IT WAS A GIFT THEY PASSED ON - IN THE LATE ‘30S, ‘40S AND INTO THE ‘50S A BIT – [AND] IT WAS SOMETHING THEY FELT REALLY PRIVILEGED TO BE ABLE TO CONTRIBUTE IN THEIR OWN COMMUNITIES. [DURING] THE WAR YEARS, [THEY PLAYED FOR] THE ARMY BASES THAT WERE ALL CLOSE HERE AND [THEY WERE] A PART OF THAT HISTORY.” “[THEY WERE] ON THE ROAD 6 DAYS A WEEK [WITH THEIR CAR AND TRAILER]… PLAYING NOT JUST IN LETHBRIDGE [BUT] FAR REACHING OVER IN B.C., THE NORTHERN STATES, AND QUITE FAR NORTH IN ALBERTA. SO THEY WERE A REAL PART OF THINGS AND WORKED REAL HARD. I THINK IT’S AN IMPORTANT PART OF THE MUSIC HISTORY IN ALBERTA. THEY WERE, AFTER THE ANDERSON SISTERS [BAND WAS FINISHED], PROUD TO TAKE [MUSIC] INTO THE COMMUNITIES WHERE THEY WERE TEACHERS AND STILL PERFORMERS EVEN PAST THE FOUR OF THEM BEING TOGETHER.” WHEN ASKED ABOUT THEIR PERSONAL MEMORIES OF THE SISTERS PERFORMING TOGETHER, RUTH ANSWERED, “WELL ELEANOR WOULD HAVE BEEN A TODDLER, MYSELF AS WELL, THE LAST FEW TIMES THAT THEY PERFORMED AS THE ANDERSON SISTERS IN THAT ERA. BUT GROWING UP THROUGH THE YEARS, THERE WASN’T A TIME WHEN WE GOT TOGETHER AS A FAMILY WHERE WE DIDN’T HAVE A LOT OF MUSIC. THEY WOULD PLAY FOR US [AND] THEY WERE CALLED BACK SOMETIMES TO PERFORM AT COMMUNITY EVENTS… THE LAST ONE THAT I RECALL WAS SOMETHING IN GRANUM FOR AN ELKS 5OTH ANNIVERSARY IN GRANUM…THAT WAS THE LAST TIME PUBLICLY I REMEMBER.” THE FOLLOWING INFORMATION COMES FROM A HISTORY PUBLISHED IN THE LETHBRIDGE HERALD IN 24 MAY 2003 TITLED, “SISTER ACT: SOUTHERN ALBERTA’S SWINGIN’ ANDERSON SISTERS WERE ALL THE RAGE DURING THE SECOND WORLD WAR.” “IT WAS THE ERA OF SWUNG, OF MUSIC WITH MEMORABLE LYRICS, AND OF DANCE. IT WAS ALSO THE TIME OF THE SECOND WORLD WAR AND THE HEYDAY OF THE ANDERSON SISTERS, AND LITERALLY EVERY TOWN IN SOUTHERN ALBERTA WAS SWINGING AND SWAYING TO THE SOUNDS OF FLORENCE, MARIE, ALICE, AND RUTH." "DUBBED THE FOUR MAIDS OF MELODY BY CJOC RADIO…" THE ARTICLE CONTINUED, "[THE SISTERS] WERE THE TOAST OF SOUTHERN ALBERTA’S DANCE HALLS." INTERVIEWED FOR THE ARTICLE WAS ONE OF THE SISTERS, MARIE POPSON. SHE WAS QUOTED, "WE PLAYED THE TRIANON A LOT, THE OLD BUCKET OF BLOOD. THEY CALLED IT THAT BECAUSE IT WAS DURING THE WAR AND THERE WERE A LOT OF FIGHTS. PRIOR TO AND AFTER THE TRIANON WAS OK, BUT IT WAS REAL LIVELY DURING THE WAR… THE CROWDS [THERE] WERE SO LARGE THEY WERE AFRAID THE FLOOR WOULD WEAKEN… THE DANCE FLOOR WAS ON THE SECOND STORY OF THE BUILDING." THE ARTICLE EXPLAINED, "FLORENCE WAS THE ELDEST OF THE ANDERSON SISTERS AND AS SUCH WAS THE BAND’S LEADER. [SHE] PLAYED THE SAXOPHONE AND THE PIANO. MARIE… PLAYED THE PIANO AND ALICE PLAYED THE SAXOPHONE AND CLARINET. RUTH, 'THE BABY,' … PLAYED THE DRUMS, CLARINET AND TRUMPET." THE ARTICLE READS, "'RUTH STARTED PLAYING THE DRUMS AT AGE 11 AND LATER SHE COULD HANDLE THE DRUMMING WITH HER FEET AND PLAY THE TRUMPET AT THE SAME TIME FOR SOME OF OUR NUMBERS,’ SAYS MARIE WITH A TWIRL OF THE HAND. ‘FLO AND ALICE WERE OUR MAIN SINGERS AND I MADE UP THE TRIO SOMETIMES. RUTH DIDN’T SING. WHEN WE SANG AS A TRIO RUTH WOULD PLAY THE PIANO. ALICE WOULD ALSO SING SOLO. WE PLAYED ALL THE POPULAR MUSIC OF THE DAY AND OLD-TIME MUSIC AS WELL… MY SISTERS COULD ALSO PLAY THAT FAST-PACED SQUARE DANCE MUSIC ON THE SAX, AND THAT WAS SOMETHING. WE PLAYED WALTZES, POLKAS AND EVERYTHING… YOU NAME IT, WE PLAYED IT... OUR THEME SONG WAS BREEZING ALONG WITH THE BREEZE BUT MY FAVOURITE HAD TO BE SIDE BY SIDE, WHICH WE WERE AS A GROUP. WE WERE VERY CLOSE.'" THAT ARTICLE STATES THAT MARTIN AND IDA HAD EIGHT DAUGHTERS, IN FACT, BUT ONLY FOUR LIVED TO BECOME TEENAGERS. THE FOUR SURVIVING SISTERS BEGAN THEIR MUSICAL EDUCATION AT AN EARLY AGE, ALL BEGINNING WITH PIANO. THEY BEGAN PLAYING FOR VARIOUS TYPES OF EVENTS NEAR MONITOR, WHERE THEY WERE BORN. WHILE FLORENCE WAS WITH THE ALL GIRLS BAND IN CALGARY, THE THREE YOUNGER SISTERS FORMED THEIR OWN ORCHESTRA, MAKING THEIR DEBUT IN 1937. THE FOLLOWING YEAR, AFTER FLORENCE’S RETURN, THE ANDERSON SISTERS ORCHESTRA WAS FORMED. UPON ARRIVING IN LETHBRIDGE IN 1940, THEY AUDITIONED FOR THE CJOC RADIO STATION. THE ARTICLE STATES, “FOUR DAYS LATER THEY WERE ON THE AIR, LIVE, ON THE CHRISTMAS SHOPPER PROGRAM HEARD THREE TIMES A WEEK. THEY WERE ALSO ON THE AIR MONDAY NIGHTS FROM 9:15 TO 9:30 PM.” A NOTE THAT CAME WITH THE DONATION SAYS THE WEEKLY SHOW WITH CJOC WAS “BROADCAST LIVE ‘FROM HIGH ATOP THE MARQUIS HOTEL.’” BACK IN THE 2016 INTERVIEW AT THE MUSEUM, ALICE’S DAUGHTER ELEANOR COMMENTS ON THE BAND’S LEGACY. “I VOLUNTEER AT THE HOSPITAL [AND PLAY THE PIANO]. I USUALLY HAVE SENIORS INVOLVED THERE… AND WHEN I MENTION MY MOM’S NAME OR MY AUNT’S NAME, THEY REMEMBER DANCING TO THE ANDERSON SISTERS. SO, YOU KNOW, EVEN IN THIS DAY AND AGE, [PEOPLE] REMEMBER HOW MUCH FUN THEY HAD. [IT SHOWS] HOW RESPECTED THEY WERE AND I FIND THAT [BACKGROUND] JUST THRILLING.” “[MUSIC] WAS THEIR LIVELIHOOD,” RUTH ILLUMINATED, “SO [IT] WAS DRIVING THEM [THROUGH] TOUGH TIMES (SUCH AS THE DEPRESSION IN ALBERTA). THE GIRLS TOGETHER [WITH] THE TALENT THEY HAD, HAD A WAY OUT, WHERE A LOT OF OTHER PEOPLE HAD SOME BIGGER STRUGGLES. AND IT WAS THE TALENT IN THEM BEING TOGETHER. THEY COULD DO A LOT WHEN THEY STUCK TOGETHER AS A FAMILY.” PLEASE SEE PERMANENT FILE FOR FURTHER INFORMATION, INCLUDING FULL INTERVIEW TRANSCRIPTION, LETHBRIDGE HERALD ARTICLES AND CLIPPINGS ABOUT THE ANDERSON SISTERS AND THEIR SHOWS, AND FAMILY OBITUARIES.
Catalogue Number
P20160044001
Acquisition Date
2016-12
Collection
Museum
Images
Less detail
Other Name
"ALBERTA GAMES"
Material Type
Artifact
Materials
NYLON, POLYESTER, COTTON
Catalogue Number
P20170011000
  2 images  
Material Type
Artifact
Other Name
"ALBERTA GAMES"
Date
1981
Materials
NYLON, POLYESTER, COTTON
No. Pieces
1
Length
180
Width
87
Description
FLAG WITH RED AND BLUE COLOUR BLOCK BACKGROUND; COLOURS DIVIDED IN CENTER BY WHITE 1981 ALBERTA SUMMER GAMES TORCH LOGO; FLAG HAS WHITE TEXT ALONG LOWER EDGE “ALBERTA GAMES”. FLAG HAS WHITE MACHINE STITCHING ALONG EDGES; LEFT EDGE HAS WHITE BORDER ALONG HOIST, WITH WHITE CORD EXTENDING FROM LOWER CORNER AND WOOD GROMMET ATTACHED TO UPPER CORNER WITH WHITE CORD. FRONT LEFT CORNER HAS TORN WHITE ADHESIVE LABEL, WITH BLACK INK REMNANTS ON LABEL. BACK IS REVERSE-PRINTED. BACK HAS WHITE TAG IN UPPER RIGHT CORNER WITH BLUE TEXT IN ENGLISH AND FRENCH “CANADIANA REG’D.; MISSISSAUGA, ONT.; 100% NYLON; MADE IN CANADA”. BACK UPPER RIGHT CORNER STAMPED IN BLACK INK “ALBERTA GAMES; 3-6”. FLAG IS CREASED AND DISCOLOURED FROM LIGHT DAMAGE; FLAG HAS MINOR THREAD FRAYING ALONG EDGES; OVERALL VERY GOOD CONDITION.
Subjects
VISUAL COMMUNICATION T&E
Historical Association
SPORTS
COMMEMORATIVE
History
IN 2017, THE LETHBRIDGE PUBLIC LIBRARY DONATED A FLAG FROM THE 1981 ALBERTA SUMMER GAMES TO THE GALT MUSEUM. FROM AUGUST 6-8, 1981, LETHBRIDGE HOSTED THE ALBERTA SUMMER GAMES, A PROVINCIAL COMPETITION FOR VARIOUS SPORTS AND AGES THAT INCLUDED TENNIS, HORSESHOES, BASEBALL, SOFTBALL, TRACK AND FIELD, ARCHERY, AND MORE. THE GAMES INCLUDED COMPETITIONS IN MUSIC AND THEATRE AND WERE OPEN TO PARTICIPANTS AGES 13 AND OLDER. IT IS PRESUMED THAT THE LETHBRIDGE PUBLIC LIBRARY COLLECTED THE FLAG FOR DISPLAY DURING THE 1981 ALBERTA SUMMER GAMES. THE LETHBRIDGE PUBLIC LIBRARY HOSTED VARIOUS PROGRAMS DURING THE 1981 GAMES INCLUDING A “COLLECTOR’S DAY”, THEATRE PRODUCTIONS, AND FILM SCREENINGS WITH TIES TO THEMES OF SPORTS AND COMPETITIONS. IN ADDITION TO THE 1981 ALBERTA SUMMER GAMES, LETHBRIDGE HAS HOSTED THE 1971 CANADA WINTER GAMES AND THE 2012 ALBERTA SUMMER GAMES. FOR MORE INFORMATION INCLUDING COPIES OF LETHBRIDGE HERALD ARTICLES ON THE LIBRARY AND ITS PROGRAMS DURING THE 1981 ALBERTA SUMMER GAMES, PLEASE SEE THE PERMANENT FILE P20170011000-GA.
Catalogue Number
P20170011000
Acquisition Date
2017-03
Collection
Museum
Images
Less detail
Date Range From
1970
Date Range To
2015
Material Type
Artifact
Materials
COTTON, POLYESTER, PLASTIC
Catalogue Number
P20170007007
  2 images  
Material Type
Artifact
Date Range From
1970
Date Range To
2015
Materials
COTTON, POLYESTER, PLASTIC
No. Pieces
2
Height
5.5
Diameter
19
Description
A. PURPLE ROUND CAP WITH PURPLE AND WHITE TASSEL ATTACHED TO CENTER BUTTON. INSIDE OF CAP HAS BLACK VELCRO STRIP STAPLED TO BROWN LEATHER LINING, AND BLACK DOUBLE-ELASTIC STRAP ATTACHED. WHITE TAG INSIDE CAP READS “LOT. MEDIUM” WITH HANDWRITTEN INSCRIPTION IN BLUE INK “D. TAYLOR”. HAT HAS TWO PINS ON FRONT, ONE DIAMOND-SHAPED WITH RHINESTONE EDGING AND A STAG WITH PURPLE EYES IN THE CENTER, OVERALL EXCELLENT CONDITION; SECOND PIN COMPRISED OF FOURTEEN RHINESTONES ATTACHED WITH METAL CASINGS WITH TWO PIN ENDS AND PIN BACKINGS ATTACHED, OVERALL VERY GOOD CONDITION. BOTH PINS HAS SILVER-COLOURED FINISHING; RHINESTONE-CHAIN PIN HAS TARNISHING ON PIN ENDS. INSIDE OF CAP HAS STAINS ALONG BACK EDGE AND ON INSIDE LINING; OVERALL VERY GOOD CONDITION. B. HAT BAG, 33CM LONG X 22.5CM WIDE X 6.4CM DEEP, GREY EXTERIOR WITH BLACK, VINYL INTERIOR; HANDLE STITCHED TO TOP OF BAG. TOP FLAP ON BAG SECURES WITH BLACK AND SILVER SNAP BUTTON. INSIDE OF BAG HAS PAPER CARD INSERTED IN PLASTIC SLEEVE THAT READS “NAME DOROTHY TAYLOR, STREET 403 515-6 ST. S, TOWN LETHBRIDGE, PROV. ALTA, PHONE 8-9867, O.O.R.P. LODGE NO. 32”. RIGHT SIDE OF BAG INSIDE HAS GOLD “O.O.R.P.” DIAMOND SEAL WITH ELK IN CENTER. BAG HAS ROUNDED BASE; UPPER FLAP IS CURLED OUT AND BENT, AND TORN AT LOWER RIGHT AND LEFT CORNERS WHERE ATTACHED TO THE BAG; OVERALL VERY GOOD CONDITION.
Subjects
CLOTHING-HEADWEAR
Historical Association
ASSOCIATIONS
PERSONAL CARE
History
ON FEBRUARY 22, 2017, COLLECTIONS TECHNICIAN KEVIN MACLEAN INTERVIEWED WILMA WOOD, DAUGHTER OF DOROTHY TAYLOR, ABOUT HER DONATION OF TAYLOR’S ORDER OF ROYAL PURPLE REGALIA. THE REGALIA REPRESENTED TAYLOR’S 50-YEAR INVOLVEMENT WITH THE ORDER OF ROYAL PURPLE FROM BRANDON, MANITOBA TO LETHBRIDGE, ALBERTA. MACLEAN ADDITIONALLY INTERVIEWED ANN MARIE MCDONALD OF THE LETHBRIDGE ORDER OF ROYAL PURPLE ON JUNE 6, 2017. ON THE HAT AND HAT BAG, MCDONALD ELABORATED, “WHEN YOU JOIN THE LODGE, THIS IS THE HAT YOU GET. THIS IS STANDARD. ALL THE LADIES GET THIS. WHEN YOU JOIN THE LODGE, YOUR TASSEL IS JUST PURPLE. WHEN YOU ARE HONORABLE ROYAL LADY, YOU TAKE YOUR TASSEL OFF, AND YOU PUT THIS [PURPLE AND CREAM] TASSEL ON.” “[THE BAG] MUST BE FROM BRANDON. OUR HAT BOXES ARE WHITE, AND THEY ARE HARD, AND YOU PUT YOUR HAT IN. [THEN] YOU TIP YOUR HAT UP, AND YOU PUT YOUR GLOVES AND ANYTHING THAT YOU WANT TO STORE IN THE HAT BOX. THE HAT BOXES ARE QUITE A BIT BIGGER…THEY HAVE A HANDLE ON THEM SO YOU CAN…CARRY THEM. EVERYBODY USED TO KEEP THEIR GLOVES IN THEIR HAT BOX.” WOOD DISCUSSED HER MOTHER’S TIME IN THE ORDER OF ROYAL PURPLE, STATING, “SHE CONSIDERS [THESE OBJECTS IN ACTIVE USE]. SHE IS VERY MUCH A PERSON WHO VALUES THAT SOCIETY. IT HELPED HER A NUMBER OF TIMES. AS YOU GROW OLDER, ALL OF A SUDDEN YOU DISCOVER THAT YOUR BRAIN ISN’T AS ACTIVE AS IT SHOULD BE AND THE MEMORY IS GOING. SHE WOULD PUT HERSELF INTO POSITIONS WITHIN THE ORGANIZATION INCLUDING BEING PRESIDENT, THREE OR FOUR TIMES. SHE HAD TO BE AN ORGANIZER, SHE HAD TO GET HER BRAIN AND KEEP HER BRAIN FUNCTIONING, WHICH I THOUGHT WAS VERY ADMIRABLE FOR A WOMAN HER AGE BECAUSE…SHE WAS IN HER EIGHTIES. SHE RECEIVED HER 50 YEAR PIN, I THINK IT WAS TWO YEARS AGO OR THREE.” “SHE JOINED [THE ORDER OF ROYAL PURPLE] IN BRANDON, MANITOBA WHERE [MY PARENTS] WERE LIVING AT THE TIME, AND MY DAD RETIRED THERE. THEY MOVED HERE TO LETHBRIDGE BECAUSE MY BROTHER LIVED HERE, AND MY UNCLE ART GOOD…HE LIVED HERE AND THEY WANTED TO BE CLOSER TO FAMILY. THEY MOVED TO LETHBRIDGE AND MY DAD DIED SHORTLY AFTER THAT.” “[SHE JOINED] BECAUSE OF HER FRIENDS. SHE HAD A FRIENDSHIP GROUP AND THEY BELONGED. THEY RECRUITED HER.” “WHEN SHE WAS VERY ACTIVE, SHE WAS A MAJOR RECRUITER. SHE WENT OUT AND FOUND YOUNG WOMEN BUT THEY FELL BY THE WAYSIDE BECAUSE OF LIFE. SHE WAS CERTAINLY VERY ACTIVE IN THEIR PROJECTS, ONE OF WHICH WAS FINDING FINANCES TO EDUCATE YOUNG PEOPLE. WHATEVER THEY WERE [DOING], SHE WAS INTO IT FULL TILT BECAUSE THAT’S THE KIND OF PERSON SHE IS…WHATEVER SHE DOES IS FULL BLAST, FULL BORE. SHE NEVER TOLD ME ANY DETAILS ABOUT THE SOCIETY BECAUSE IT’S ONE OF THOSE SECRET SISTERHOODS. SHE WAS ALWAYS VERY PROUD TO BE A MEMBER OF IT.” “THIS [CHAPTER] DID A LOT OF EDUCATIONAL SUPPORT…SHE TRAVELED WITH THEM BECAUSE IT WAS A CANADIAN ORGANIZATION, SO THEY HAD THEIR ANNUAL GENERAL MEETINGS ALL OVER CANADA. SHE CAME OUT TO VANCOUVER TO A MEETING AND I WENT OVER TO VANCOUVER TO MEET HER AND SAY “HOWDY”. SHE WENT OUT TO THE PREMIER’S, AT THAT TIME WAS VANDER ZALM, AND HE HAD THE BIG GARDENS OUT NEAR STEVESTON. SHE WENT OUT THERE AND SHE MET HIM.” “A YEAR AGO ABOUT THIS TIME, THAT’S WHEN [THE ORDER WAS] FOLDING. THE ALBERTA CLUBS WERE ALL IMPLODING, AND I THINK THERE’S ONLY ONE LEFT IN SOUTHERN ALBERTA. IT WAS THE ISSUE THAT THEY WERE ALL OLD PEOPLE AND YOUNG PEOPLE DID NOT WANT TO JOIN THESE KINDS OF ORGANIZATIONS ANY LONGER…[THIS HAPPENED BECAUSE] I THINK WE HAVE MORE LEGAL SUPPORT. THE GOVERNMENT HAS SET UP HEALTH CARE, COMMUNITIES HAVE SET UP ASSISTANCE FOR WOMEN WHO ARE ABUSED, THERE’S DRUG ASSISTANCE. THERE IS MUCH MORE ASSISTANCE AVAILABLE. IN THE EARLY DAYS ON THE PRAIRIES, IF YOU DIDN’T KNOW YOUR NEXT DOOR NEIGHBOR, WHO MIGHT BE TWENTY MILES AWAY, YOU WERE IN DEEP DOO-DOO IF YOU HAD A BIG PROBLEM. THAT’S WHAT THESE SOCIETIES CAME OUT OF WAS THAT NEED. THE NEED PRETTY WELL HAS BEEN TAKEN CARE OF, I THINK. THERE ARE STILL CLUBS BUT THEY’RE DIFFERENT KINDS OF CLUBS NOW.” WHEN ASKED ABOUT HER MOTIVATION FOR DONATING HER MOTHER’S REGALIA TO THE MUSEUM, WOOD NOTED, “MY MOTHER HAS TURNED 99 YEARS OLD IN JANUARY. SHE HAS DEMENTIA AND SO WE’VE HAD TO MOVE HER FROM HER SENIOR’S LODGE ROOM INTO A MORE SECURE ROOM. CONSEQUENTLY THE LAST OF THE THINGS THAT SHE TREASURED OR VALUED MUST BE DISPERSED. MY BROTHER AND I DECIDED THAT, SINCE THE ELKS AND THE ROYAL PURPLE MEANT SO MUCH TO HER, THAT [THESE WERE] THE [OBJECTS] WE WOULD LIKE TO DONATE TO THE MUSEUM. IT DEPICTS A PERIOD OF TIME WHEN THE WOMEN USED THESE ASSOCIATIONS AS A SUPPORT GROUP FOR THEMSELVES. IT WAS ANOTHER ONE OF THESE SECRET SOCIETIES, WHEN IN FACT THEY WERE SISTERHOODS. THEY WERE MEANT MAINLY FOR THEM TO HAVE PEOPLE TO SUPPORT EACH OTHER. SINCE THIS ORGANIZATION HAS BASICALLY COLLAPSED, I THOUGHT IT WAS SOMETHING THAT THE MUSEUM SHOULD HAVE BECAUSE IT DOES SHOW THAT PERIOD OF TIME IN THE SOCIAL HISTORY OF CANADA.” FOR MORE INFORMATION INCLUDING FULL INTERVIEW TRANSCRIPTIONS, PLEASE SEE THE PERMANENT FILE P20170007001-GA.
Catalogue Number
P20170007007
Acquisition Date
2017-02
Collection
Museum
Images
Less detail
Other Name
BYCOCKET
Date Range From
1960
Date Range To
1970
Material Type
Artifact
Materials
FELT, COTTON, PLASTIC
Catalogue Number
P20120045005
  2 images  
Material Type
Artifact
Other Name
BYCOCKET
Date Range From
1960
Date Range To
1970
Materials
FELT, COTTON, PLASTIC
No. Pieces
1
Height
17
Length
29
Description
GREEN FELT BYCOCKET (ARCHER’S CAP) WITH RED FELT TRIM ALONG BOTTOM AND FOLD BETWEEN RED TRIM AND GREEN CAP; FRONT SIDE OF CAP HAS THREE SYNTHETIC FEATHERS TUCKED INTO FOLD, ONE YELLOW, ONE RED, AND ONE GREEN. FRONT SIDE OF CAP HAS GOLDEN GLITTER-GLUE HANDWRITTEN TEXT “LETHBRIDGE 562”; BACK SIDE OF CAP HAS GOLDEN GLITTER-GLUE HANDWRITTEN TEXT SEWN ONTO GREEN PATCH ON CAP “GINNY”. GLITTER-GLUE IS PEELING IN SPOTS ON FRONT AND BACK TEXT; OVERALL EXCELLENT CONDITION.
Subjects
CLOTHING-HEADWEAR
Historical Association
ASSOCIATIONS
PERSONAL CARE
History
ON AUGUST 21, 2018, COLLECTIONS TECHNICIAN INTERVIEWED LLOYD CAREFOOT REGARDING HIS DONATION OF MEMORABILIA RELATED TO COURT WINDY WEST (#562) LETHBRIDGE CHAPTER OF THE INDEPENDENT ORDER OF FORESTERS. CAREFOOT WAS ACTIVELY INVOLVED WITH THE FORESTERS WHILE HE LIVED IN EDMONTON, ALBERTA, AND CONTINUED HIS INVOLVEMENT FOLLOWING HIS MOVE TO LETHBRIDGE IN 1963. “THAT ONE WAS ALMOST AHEAD OF ME IN THE FORESTERS BECAUSE IT WASN’T REALLY SOMETHING THAT WE USED. IN EARLY DAYS, WHEN THEY HAD SOMETHING OFFICIAL, THEY WORE THE CAP, AND THEY WORE A GOWN. IT ALL GOES BACK TO ROBIN HOOD DAYS BECAUSE THE FORESTERS WERE DEVELOPED IN THAT TIME SPAN OF YEARS.” “[MEMBERS STOPPED USING IT BECAUSE] SOCIETY HAD CHANGED ENOUGH THAT THEY DIDN’T WANT TO BOTHER WITH THAT RITUAL. I SUSPECT THAT’S WHY. [THE RITUALS WERE] KIND OF STRANGE TO ME. BUT I ACCEPTED IT BECAUSE THAT IS PART OF WHAT YOU DID. IF YOU HAD AN OPEN PARTY BEFORE ‘70 AND YOU WERE WEARING ONE OF THOSE…PEOPLE RECOGNIZED YOU AS BEING ONE OF THE WORKERS…OTHER THAN THAT IT WASN’T SOMETHING THAT I REALLY WANTED TO WEAR, PARTICULARLY…THE RITUAL…I’D SAY IT HAS DISAPPEARED. “MY WIFE [RUTH] AND A NEIGHBOUR WHO WAS ALSO A MEMBER [MADE THE HATS]. THEY MADE A GROUP OF THEM FOR US. THIS ONE WAS GINNY; SHE WAS PAST-PRESIDENT…IT’S NOT MINE.” “[THE RITUAL WAS] A SPILL-OVER FROM WHAT WAS HAPPENING IN ENGLAND. THE FORESTERS WERE SUCCESSFUL, [SO] THEY CARRIED ON WITH SOME OF THE ORIGINAL RITUALS. IT’S SOMETHING THAT HAD MADE THEM STRONG OR HELPED TO MAKE THEM STRONG. [THE RITUAL AND REGALIA] ALSO MADE THEM NOTABLE, NOTED.” “THE RITUAL WAS…FROM ENGLAND...IF YOU TALK TO THE PRESIDENT THEN IT WAS ‘THE CHIEF RANGER’ AND THE LANGUAGE THAT WENT WITH THE RITUAL IN THOSE YEARS GONE BY – AND WE USE SOME OF THAT LANGUAGE…AS A PREFERENCE IN STARTING OUR MEETINGS. ESPECIALLY IF IT WAS…A SPECIAL MEETING WHERE WE WERE GOING TO GIVE FIVE THOUSAND DOLLARS TO THIS OR TWO THOUSAND DOLLARS TO THAT. [THE RITUAL WAS PERFORMED IN ADVANCE OF] SOMETHING A LITTLE BIT NOTABLE WITHIN OUR GROUP.” “THE CLOTHES WERE…GIVEN TO US BY THE PREVIOUS MEMBERSHIP. THAT’S HOW WE WOUND UP WITH A HAT AND ONE OF THE CLOAKS THAT WE WORE.” “[THIS HAT] WOULD HAVE BEEN [MADE] ABOUT THE ‘80S…THOSE ARE THE LAST OF THE HATS THAT WE MADE. [WE STOPPED PERFORMING THE RITUAL] BEFORE 1990.” “WE USED THE IOOF HALL [ODD FELLOWS HALL], UPSTAIRS…WE USED THE GYM AT OUR SCHOOL, AT LAKEVIEW SCHOOL. WE RENTED PLACES…FOR OUR MEETINGS AND FOR OUR RITUALS. THE LEGION, WHEN IT WAS OVER FACING THE RAILROAD TRACK IS THE FIRST ONES I REMEMBER.” WHEN ASKED ABOUT HIS TIME SPENT IN THE FORESTERS, CAREFOOT RECALLED, “WE [WIFE RUTH AND LLOYD] WERE INVITED TO [AN] ACTIVITY. [IN THOSE] DAYS THERE [WERE] SOCIAL PARTIES…SOMEBODY THAT I KNEW INVITED ME TO COME AND I HEARD WHAT THEY WERE DOING. IT WAS SOMETHING THAT RUTH AND I THOUGHT…WOULD BE SOMETHING WE’D LIKE TO BE INVOLVED IN…MY FATHER WAS A MEMBER OF THE CANADIAN ORDER OF FORESTERS WHICH WAS A STAGE BEFORE THE INDEPENDENT ORDER OF FORESTERS.” “I BECAME A MEMBER IN EDMONTON… I WAS ONLY AS ASSOCIATE AT THAT TIME. WHEN WE MOVED DOWN HERE, WE BECAME MEMBERS HERE…MY FIRST WORKDAY WAS THE SECOND OF JANUARY, 1963 [IN LETHBRIDGE]. I WAS A FULL-BLOWN MEMBER IN 1966.” “[I JOINED BECAUSE OF] THE SATISFACTION THAT IT’S A STRONG CHARITABLE WAY OF DOING THINGS TO GIVE BACK. THAT’S PART OF MY PHILOSOPHY; JUST GIVE A LITTLE BACK FOR THE GOOD LIFE I’VE HAD.” “I WAS THE PRESIDENT OF THE LEAGUE…OF [THE] LETHBRIDGE CHAPTER. AND [I] WOUND UP WITH [THE TRUNK] AND IN IT [WERE] THESE THINGS. IT PRE-DATES ME.” “MOST OF THOSE THINGS WERE FOR MY PERSONAL USE…EITHER IN EVENTS OR A POSITION I HELD IN THE FORESTERS. I LOOK AT [THE OBJECTS] AND I SMILE.” REGARDING HIS DONATION, CAREFOOT ELABPRATED, “THE FORESTERS IN THE COMMUNITY DID A LOT OF CHARITY WORK AND I THOUGHT IT WAS A WAY OF COVERING FOR THE FUTURE [ABOUT] THE THINGS THAT WE DID, OR STILL DO. THAT WAS, MORE THAN ANYTHING ELSE, MY REASON FOR [DONATING IT] – A WAY OF PASSING IT ALONG SO IT JUST DIDN’T GET SHOVED IN THE JUNK…TO SOMEBODY IN THE FUTURE, IT INDICATES SOMETHING OF WHAT WE DID AND SOME ILLUSTRATION OF THINGS THAT WE DID. FOR MORE INFORMATION INCLUDING THE FULL INTERVIEW TRANSCRIPTION, PLEASE SEE THE PERMANENT FILE P20120045001-GA.
Catalogue Number
P20120045005
Acquisition Date
2012-12
Collection
Museum
Images
Less detail
Date Range From
1950
Date Range To
1960
Material Type
Artifact
Materials
GLASS
Catalogue Number
P20120045011
  2 images  
Material Type
Artifact
Date Range From
1950
Date Range To
1960
Materials
GLASS
No. Pieces
1
Height
3.5
Diameter
7.4
Description
GLASS CANDLE HOLDER IN 8-POINT STAR SHAPE WITH CENTER HOLE FOR CANDLE. STAR POINTS INDENT ON TOP SURFACE, NARROW IN TO BASE. BASE AND LOWER EDGE HAVE WHITE, MELTED WAX RESIDUE THAT IS STAINED; TOP SURFACE HAS WHITE, MELTED WAX RESIDUE AROUND CENTER HOLE AND STAR POINTS. OVERALL IN VERY GOOD CONDITION.
Subjects
LIGHTING DEVICE
Historical Association
ASSOCIATIONS
History
ON AUGUST 21, 2018, COLLECTIONS TECHNICIAN INTERVIEWED LLOYD CAREFOOT REGARDING HIS DONATION OF MEMORABILIA RELATED TO COURT WINDY WEST (#562) LETHBRIDGE CHAPTER OF THE INDEPENDENT ORDER OF FORESTERS. CAREFOOT WAS ACTIVELY INVOLVED WITH THE FORESTERS WHILE HE LIVED IN EDMONTON, ALBERTA, AND CONTINUED HIS INVOLVEMENT FOLLOWING HIS MOVE TO LETHBRIDGE IN 1963. ON THE PURPOSE AND HISTORY OF THE CANDLEHOLDER, CAREFOOT NOTED, “THE TABLE WITH OUR RITUAL THINGS ON IT, HAD CANDLES. [THE CANDLES] WERE TALL, SO THEY WENT FOR THE WHOLE MEETING. I DID USE THEM TO START WITH BUT BY THE TIME I HAD MY LAST PRESIDENCY, I DIDN’T EVEN USE THAT PART.” “[MEMBERS STOPPED USING IT BECAUSE] SOCIETY HAD CHANGED ENOUGH THAT THEY DIDN’T WANT TO BOTHER WITH THAT RITUAL. I SUSPECT THAT’S WHY. [THE RITUALS WERE] KIND OF STRANGE TO ME. BUT I ACCEPTED IT BECAUSE THAT IS PART OF WHAT YOU DID.” WHEN ASKED ABOUT HIS TIME SPENT IN THE FORESTERS, CAREFOOT RECALLED, “WE [WIFE RUTH AND LLOYD] WERE INVITED TO [AN] ACTIVITY. [IN THOSE] DAYS THERE [WERE] SOCIAL PARTIES…SOMEBODY THAT I KNEW INVITED ME TO COME AND I HEARD WHAT THEY WERE DOING. IT WAS SOMETHING THAT RUTH AND I THOUGHT…WOULD BE SOMETHING WE’D LIKE TO BE INVOLVED IN…MY FATHER WAS A MEMBER OF THE CANADIAN ORDER OF FORESTERS WHICH WAS A STAGE BEFORE THE INDEPENDENT ORDER OF FORESTERS.” “I BECAME A MEMBER IN EDMONTON… I WAS ONLY AS ASSOCIATE AT THAT TIME. WHEN WE MOVED DOWN HERE, WE BECAME MEMBERS HERE…MY FIRST WORKDAY WAS THE SECOND OF JANUARY, 1963 [IN LETHBRIDGE]. I WAS A FULL-BLOWN MEMBER IN 1966.” “[I JOINED BECAUSE OF] THE SATISFACTION THAT IT’S A STRONG CHARITABLE WAY OF DOING THINGS TO GIVE BACK. THAT’S PART OF MY PHILOSOPHY; JUST GIVE A LITTLE BACK FOR THE GOOD LIFE I’VE HAD.” “I WAS THE PRESIDENT OF THE LEAGUE…OF [THE] LETHBRIDGE CHAPTER. AND [I] WOUND UP WITH [THE TRUNK] AND IN IT [WERE] THESE THINGS. IT PRE-DATES ME.” “MOST OF THOSE THINGS WERE FOR MY PERSONAL USE…EITHER IN EVENTS OR A POSITION I HELD IN THE FORESTERS. I LOOK AT [THE OBJECTS] AND I SMILE.” REGARDING HIS DONATION, CAREFOOT ELABPRATED, “THE FORESTERS IN THE COMMUNITY DID A LOT OF CHARITY WORK AND I THOUGHT IT WAS A WAY OF COVERING FOR THE FUTURE [ABOUT] THE THINGS THAT WE DID, OR STILL DO. THAT WAS, MORE THAN ANYTHING ELSE, MY REASON FOR [DONATING IT] – A WAY OF PASSING IT ALONG SO IT JUST DIDN’T GET SHOVED IN THE JUNK…TO SOMEBODY IN THE FUTURE, IT INDICATES SOMETHING OF WHAT WE DID AND SOME ILLUSTRATION OF THINGS THAT WE DID. FOR MORE INFORMATION INCLUDING THE FULL INTERVIEW TRANSCRIPTION, PLEASE SEE THE PERMANENT FILE P20120045001-GA.
Catalogue Number
P20120045011
Acquisition Date
2012-12
Collection
Museum
Images
Less detail
Other Name
"QUEEN MARY" BURNER
Date Range From
1952
Date Range To
1959
Material Type
Artifact
Materials
GLASS, BRASS
Catalogue Number
P20160037000
  1 image  
Material Type
Artifact
Other Name
"QUEEN MARY" BURNER
Date Range From
1952
Date Range To
1959
Materials
GLASS, BRASS
No. Pieces
2
Height
29
Diameter
16
Description
A: GLASS KEROSENE LAMP THAT HAS A FROSTED GLASS OIL LAMP BODY, WHICH IS ATTACHED TO A RED BASE. ON OIL LAMP BODY, THERE ARE 10 BLACK SCOTTISH TERRIERS PAINTED AROUND THE DIAMETER OF THE LAMP. THERE IS A METAL COLLAR AND BURNER WITH FOUR PRONGS ATTACHED TO HOLD THE REMOVABLE, GLASS CHIMNEY IN PLACE. THERE IS A USED WICK IN THE BURNER. IT SAYS, “QUEEN MARY” ON THE BURNER. THERE ARE SEAMS CONNECTING THE GLASS AT BOTH SIDES FOR THE LAMP BODY AND THE BASE. THE BODY SEAMS AND THE BASE SEAMS DO NOT MEET. ON THE UNDERSIDE OF THE LAMP THERE IS AN EMBOSSED VINE DESIGN. GOOD CONDITION. REGULAR WEAR AT THE TOP INCLUDING SLIGHT RUSTING AND BURN MARKS. THERE IS A SMALL SCRATCH TO THE LEFT OF GLASS SEAM ON THE BASE. B: GLASS, LAMP CHIMNEY WITH 22 CM IN HEIGHT AND A TOP DIAMETER OF 5 CM AND A BOTTOM DIAMETER OF 7.4 CM. GOOD CONDITION.
Subjects
LIGHTING DEVICE
Historical Association
DOMESTIC
History
ON 26 OCTOBER 2016, COLLECTIONS TECHNICIAN KEVIN MACLEAN CONDUCTED AN INTERVIEW WITH DIANE CÔTÉ (NEE ULLY), WHO DONATED A KEROSENE LAMP THAT HAD BEEN USED THROUGHOUT HER CHILDHOOD. THIS LAMP WAS USED ON THE ULLY FAMILY FARM IN PICTURE BUTTE, AND LATER WHEN THE FAMILY MOVED TO FISHBURN IN THE PINCHER CREEK AREA. IT WAS FINALLY BROUGHT TO THE HOME WHERE CÔTÉ’S PARENTS, FREDRICK CARL ULLY AND SAIMI MARY ULLY, RETIRED IN THE TOWN OF PINCHER CREEK. CÔTÉ RECALLS, “YOU KNOW I DON’T EVEN REMEMBER IF WE HAD POWER AT PICTURE BUTTE, BUT I DON’T THINK WE DID… THE ONLY THING I CAN THINK ABOUT FROM THERE IS WE HAD SEPARATE BEDROOMS IN PICTURE BUTTE. AND I COULD SEE [MY MOM] GOING INTO MOM AND DAD’S BEDROOM WITH [THE LAMP] ONE NIGHT, BUT THAT’S ALL I SEE.” CÔTÉ REMEMBERS THE LAMP’S PRESENCE ON THEIR FARM IN THE PINCHER CREEK AREA AFTER MOVING THERE IN 1952: “I CAN STILL HEAR MY MOTHER SAYING TO ME, ‘YOU DON’T TOUCH THAT LAMP,’ JUST AS PLAIN AS IF IT WAS YESTERDAY. SHE SAID SHE WAS SO WORRIED ABOUT A FIRE. I WAS TEN WHEN WE MOVED [TO FISHBURN. I LATER REALIZED SHE WAS RIGHT; I WAS] PROBABLY NOT RESPONSIBLE ENOUGH TO TOUCH THE LAMP, IN CASE IT DROPPED OR [IF I] BROKE IT. WE ONLY HAD A TWO BEDROOM HOUSE, AND I HAD A BROTHER, SO I SLEPT WITH MY MOTHER AND MY BROTHER SLEPT WITH MY DAD… I REMEMBER MY MOTHER CARRYING [THE LAMP] AROUND A LOT. WHEN I THINK OF HER, I THINK OF THE LAMP TOO. EVERY NIGHT AT BEDTIME, SHE AND I WERE USUALLY THE LAST ONES TO GO TO BED, SO I REMEMBER SHE PICKED UP THE LAMP [OFF THE KITCHEN TABLE] AND WE TROTTED OFF TO BED… WE DID THAT TRIP SO MANY TIMES - EVERY SINGLE NIGHT. THAT’S JUST SOMETHING THAT HAS STUCK WITH ME…” “WHEN WE FIRST MOVED [TO FISHBURN], IT WAS [THE ONLY SOURCE OF LIGHT IN THE HOUSE]. THEN LATER ON, THEY GOT A CAMPING LAMP THAT [HAD] A HANDLE. THE HOUSE WE MOVED [INTO] WAS AN OLD, OLD, OLD LOG HOUSE. I THINK IT WAS 100 YEARS OLD WHEN WE MOVED INTO IT. IT HAD THE ACTUAL LOGS. THEY WEREN’T PLANED; THEY WERE JUST THE ACTUAL LOGS WITH WHITEWASH ON THEM. HE PUT A THING UP THERE, SO THEN WE COULD LIGHT THIS LAMP UP AND HANG IT UP ON THE ROOF. I DON’T REMEMBER WHEN WE GOT POWER. I REMEMBER THEM PUTTING THE POSTS UP IN MY YARD, BUT I DON’T REMEMBER WHEN IT WAS. I WOULD THINK SOMEWHERE IN THE ‘50’S, AFTER THAT, AFTER WE GOT THAT LAMP, THEN THIS ONE WASN’T USED AS MUCH, BUT IT WAS STILL SITTING ON MY DRESSER… THAT WAS NORMAL FOR US, UNTIL DAD GOT THE ONE HE PUT IN THE ROOF. THE ONLY THING THE ONE ON THE ROOF DID WAS GIVE US WAY MORE LIGHT. OUR TABLE WAS HERE AND OUR CUPBOARD WAS WAY OVER [THERE], SO IF [THIS LAMP] WAS THE ONLY LIGHT YOU HAD, AND YOU NEEDED LIGHT, YOU HAD TO TAKE THAT FROM [HERE] TO THE CUPBOARD TO SEE WHAT YOU WERE DOING. THE OTHER LAMP PROVIDED US WITH LIGHT THAT WE DIDN’T HAVE TO MOVE, YOU COULD JUST TURN IT ON AND OFF.” CÔTÉ’S PARENTS THEN MOVED TO PINCHER CREEK, WHERE THE LAMP WAS MOVED WITH THEM. WHEN ASKED WHEN THEY MOVED, COTÉ RESPONDED, “PROBABLY 1970 OR ’71.” CÔTÉ ACQUIRED THE LAMP AFTER THE PASSING OF HER FATHER ON JANUARY 9, 2012. “YOU WOULDN’T BELIEVE THE STUFF THEY HAD IN THEIR HOUSE. THEY GREW UP IN THE DIRTY THIRTIES, SO THEY COLLECTED EVERYTHING… I KNOW, PRIOR TO MY MOM’S PASSING [ON SEPTEMBER 21, 2004], THEY HAD A THREE BEDROOM HOUSE. AND THE SPARE BEDROOM AT THE BACK, [THE LANTERN] WAS SITTING ON THE DRESSER THERE.” PLEASE SEE PERMANENT FILE FOR MORE INFORMATION INCLUDING THE FULL INTERVIEW TRANSCRIPT, THE LETHBRIDGE HERALD OBITUARIES FOR FRED AND SAIMI ULLY, AND FAMILY PHOTOGRAPHS.
Catalogue Number
P20160037000
Acquisition Date
2016-10
Collection
Museum
Images
Less detail
Other Name
SHORT SLEEVED, "MARATHON OF HOPE TERRY FOX"
Material Type
Artifact
Materials
COTTON
Catalogue Number
P20160024000
  1 image  
Material Type
Artifact
Other Name
SHORT SLEEVED, "MARATHON OF HOPE TERRY FOX"
Date
1981
Materials
COTTON
No. Pieces
1
Length
64.5
Width
48.5
Description
T-SHIRT MADE OF WHITE COTTON WITH RED TRIM AND PRINT. THE CAPTION READS, “MARATHON OF HOPE TERRY FOX GIVE FOR CANCER RESEARCH CANADIAN CANCER SOCIETY” ; LOGO DEPICTS TERRY FOX RUNNING, IMPOSED ON A MAP OF CANADA AND ENCLOSED BY A MAPLE LEAF. FAIR CONDITION. THE WHITE COTTON IS YELLOWING OVERALL. ON THE FRONT THERE ARE SEVERE BROWN STAINS AT THE RIGHT HIP OF THE SHIRT. SLIGHT RED STAIN AT THE CENTER, BOTTOM OF THE FRONT SIDE. ON THE BACK SIDE, THERE IS SEVERE BROWN STAINING AT THE LEFT HIP AND ON THE UPPER LEFT SHOULDER. SLIGHT DARK BROWN ON THE BOTTOM, LEFT OF CENTER.
Subjects
CLOTHING-OUTERWEAR
Historical Association
COMMEMORATIVE
ASSOCIATIONS
SPORTS
History
THIS T-SHIRT IS AN ARTIFACT THAT WAS DONATED TO THE GALT MUSEUM AND ARCHIVES ARCHIVAL COLLECTION IN NOVEMBER OF 1981 BY PAULINE APPLETON. IN AUGUST 2016, THIS ARTIFACT WAS TRANSFERRED TO COLLECTIONS. THE FOLLOWING INFORMATION HAS BEEN TAKEN FROM THE ORIGINAL ACQUISITION RECORD AND FURTHER RESEARCH INTO THE LIFE OF TERRY FOX: THE SHIRT [WAS USED] TO PROMOTE THE CROSS-CANADA RUN OF TERRY FOX, BEGINNING IN NANAIMO, BRITISH COLUMBIA. FOX, A CANCER PATIENT, JOGGED HALF-WAY ACROSS CANADA IN THE SUMMER OF 1980 TO RAISE FUNDS FOR CANCER RESEARCH. HE RAN 5, 373KM BEFORE HE WAS FORCED TO END HIS RUN BECAUSE HIS CANCER HAD APPEARED IN HIS LUNGS. FOX PASSED AWAY ON JUNE 28, 1981. ACCORDING TO HER LETHBRIDGE HERALD OBITUARY, PAULINE APPLETON (NEE SCHMUNK), PASSED AWAY ON JANUARY 22, 1999. SHE WAS FROM MEDICINE HAT, ALBERTA. SHE WAS BORN IN WINNIPEG, MANITOBA ON NOVEMBER 12, 1915 TO HER PARENTS, DAVID AND ANNA ELIZABETH SCHMUNK. THEY LATER MOVED TO A FARM IN LEADER, SASKATCHEWAN. APPLETON MOVED TO CALGARY WITH HER TWO OLDER SISTERS, WHERE SHE MARRIED ERNEST J. “HAPPY” APPLETON IN 1938. DURING WORLD WAR II, SHE LIVED IN NEW WESTMINSTER, B.C. UNTIL HER HUSBAND COMPLETED HIS MILITARY SERVICES IN EUROPE. FOLLOWING THAT, PAULINE AND ERNEST MOVED TO LETHBRIDGE, ALBERTA WHERE ERNEST WORKED AT MOLSONS BREWERY UNTIL RETIREMENT. PAULINE WORKED AS A CASHIER AND RECEPTIONIST AT A GOLF COURSE IN LETHBRIDGE FOR SEVERAL YEARS. THE COUPLE MOVED TO MEDICINE HAT YEARS AFTER ERNEST’S RETIREMENT. ERNEST PASSED AWAY ON AUGUST 3, 1994. FOR MORE INFORMATION ON INITIAL DONATION AND FULL OBITUARY PLEASE SEE PERMANENT FILE.
Catalogue Number
P20160024000
Acquisition Date
1981-11
Collection
Museum
Images
Less detail
Material Type
Artifact
Materials
COTTON
Catalogue Number
P20150016008
  1 image  
Material Type
Artifact
Date
1902
Materials
COTTON
No. Pieces
1
Length
75.5
Width
29.5
Description
CHILD’S BAPTISMAL/CHRISTENING GOWN WITH AN OFF-WHITE COTTON BODY, PLEATED SKIRT WITH EMBROIDERED LEAF AND FLOWER PETAL MOTIF. IT HAS LACE CUFFS AND COLLAR. ADHESIVE MASKING TAPE, “GRANNY SUPINA’S CHRISTENING DRESS 1902, MADE BY GRANNY WOODS”. THERE ARE BUTTONS UP THE BACK TO FASTEN THE DRESS. FAIR TO GOOD CONDITION. SMALL IODINE-COLOURED STAIN ON BACK SKIRT. THERE IS A SMALL STAIN ON THE HEM AND 3 SMALL BURNS ON THE HEM. THERE IS A SMALL HOLE AT THE SIDE OF THE DRESS. THE BOTTOM BUTTON ON THE BACK OF THE DRESS IS MISSING. THERE ARE SMALL TEARS ON THE DRESS’ OPENING ON THE BACK. THERE IS SLIGHT TEARING AND FRAYING AT THE LACE COLLAR.
Subjects
CEREMONIAL ARTIFACT
Historical Association
RELIGION
COMMEMORATIVE
History
EVERAL HORHOZER (NÉE SUPINA) WAS BORN IN LETHBRIDGE IN THE YEAR OF 1927 TO HER PARENTS DONAH (NÉE HILL) AND NICHOLAS SUPINA (OWNER OF SUPINA’S MERCANTILE ON 13TH STREET NORTH, LETHBRIDGE). HORHOZER WAS THE FIRSTBORN OF THE FAMILY AND WAS CHRISTENED IN THIS BAPTISMAL GOWN AT ST. PATRICK’S CHURCH. COLLECTIONS TECHNICIAN KEVIN MACLEAN CONDUCTED A SERIES OF INTERVIEWS (ON APRIL 2, APRIL 16, AND MAY 7, 2015) WITH HORHOZER REGARDING A GROUP OF ARTIFACTS SHE DONATED TO THE MUSEUM. THE INFORMATION BELOW HAS COME FROM THESE INTERVIEWS AND LETHBRIDGE HERALD RESEARCH REGARDING THE HORHOZER FAMILY HISTORY. DONAH HILL MET NICHOLAS SUPINA WHEN HE CAME IN TO DO BUSINESS AT A GROCERY WHOLESALER, SCOTTS, WHERE SHE WORKED. THEY COURTED BEFORE MARRYING ON JUNE 7, 1922. FOR MORE INFORMATION ON THE COUPLE’S WEDDING, PLEASE SEE RECORD P20150016009. DURING THE INTERVIEW, HORHOZER EXPLAINED, “MY MOM WAS NOT CATHOLIC [LIKE MY FATHER WAS], BUT IT’S AMAZING HOW THAT DIDN’T SEEM TO ENTER INTO THEIR MARRIAGE. I THINK THEY MUST HAVE REALLY TALKED IT OVER, PREVIOUS TO THAT, AND MY MOM DIDN’T HAVE A STRONG RELIGION SO THAT HELPED. SHE DIDN’T INTERRUPT IN ANYTHING AT ALL, AND SHE KNEW THAT WE HAD TO BE BROUGHT UP AS CATHOLICS, BUT SHE NEVER ONCE BUTT IN. AND SO MY DAD KNEW MY BROTHER WAS NOT INTERESTED, SO HE JUST SAID TO US KIDS ONE DAY, “WHEN YOU GET OLD ENOUGH, YOU CAN MAKE YOUR OWN DECISION.” MY BROTHER LEFT AND I STAYED WITH MY DAD… MY DAD WAS EXTREMELY STRONG. I WOULD SAY MY HUSBAND TOO, JOE. HE WOULD NEVER MISS CHURCH. AND OF COURSE I WENT TO CHURCH WITH HIM ALL THE TIME AND I BELONGED TO THE CHOIR AND EVERYTHING WHEN I WAS YOUNG. I ALWAYS WENT TO CHURCH AND THAT, BUT, THE CHILDREN DIDN’T. WE WERE STRONG IN THAT WAY THAT WE ATTENDED CHURCH ALL THE TIME BUT, WE WEREN’T - WELL, I DON’T KNOW HOW TO DESCRIBE IT BUT I KNOW SOME PEOPLE KIND OF REALLY LIVED RELIGION AND GO TO CHURCH EVERY MORNING. WELL, NO WE WEREN’T LIKE THAT.” THE GOWN WAS MADE FOR HORHOZER BY HER GRANDMOTHER, DONAH SUPINA’S MOTHER. AFTER HAVING EVERAL, THE SUPINA’S HAD A SON NAMED NICK F. SUPINA. NICHOLAS SUPINA PASSED AWAY AT THE AGE OF 84 ON MARCH 27, 1975. DONAH PASSED AWAY 19 YEARS LATER ON MARCH 8, 1994 AT THE AGE OF 91. NICK PASSED AWAY IN 2012 AND HORHOZER PASSED AWAY IN LETHBRIDGE IN 2016 AT THE AGE OF 88 YEARS OLD. PLEASE SEE THE PERMANENT FILE FOR ADDITIONAL INFORMATION ABOUT SUPINA’S MERCANTILE AND THE LIFE OF EVERAL AND HER FAMILY, WHICH INCLUDES THE FULL INTERVIEW TRANSCRIPT AND LETHBRIDGE HERALD ARTICLES.
Catalogue Number
P20150016008
Acquisition Date
2015-05
Collection
Museum
Images
Less detail
Other Name
WEDDING DRESS
Material Type
Artifact
Materials
CHEESECLOTH, SILK
Catalogue Number
P20150016009
  2 images  
Material Type
Artifact
Other Name
WEDDING DRESS
Date
1922
Materials
CHEESECLOTH, SILK
No. Pieces
1
Length
113
Width
48
Description
WEDDING DRESS MADE FROM OFF-WHITE CHEESECLOTH BODY WITH A SILK BAND, TIES AND FLOWERS AT WAIST. EMBROIDERED STRIPS OF LACE FORM MEDIUM-SIZED TRIANGULAR EMBELLISHMENTS AT BASE OF SKIRT AND ON SHORT SLEEVES. ADHESIVE MASKING TAPE MARKED “GRANNY SUPINA’S WEDDING DRESS 1921, MADE BY GRANNY WOODS”. REPORT OF WEDDING IN THE LETHBRIDGE HERALD FROM 1922 CALLS MATERIAL WHITE SILK VOILE. THE LENGTH IS 113 CM. THE WIDTH ACROSS THE SHOULDERS IS 48 CM AND THE SLEEVES ARE 35.5 CM LONG. FAIR CONDITION. THERE IS A SMALL BROWN STAIN ON THE LEFT SLEEVE. A HOLE ON THE CHEST NEAR THE COLLAR. THERE ARE 2 LARGE, WATERMARK-LIKE STAINS ON THE FRONT OF THE SKIRT. THERE ARE 2 HOLES NEAR THE LACE EMBELLISHMENT AT THE BOTTOM OF THE DRESS (FRONT SIDE). SOME OF THE LACE IS COMING LOOSE AT THE EMBELLISHMENT. ENDS OF THE TIES AT THE WAIST ARE FRAYING. SMALL HOLES AT THE BACK COLLAR. SMALL, DARK BROWN STAIN ON THE BACK OF THE SKIRT. SLIGHT FRAYING AT THE COLLAR AND AT THE HEM. SMALL IODINE STAIN ON THE RIGHT SLEEVE.
Subjects
CLOTHING-OUTERWEAR
Historical Association
PERSONAL CARE
COMMEMORATIVE
History
DONOR EVERAL HORHOZER (NÉE SUPINA) WAS BORN IN LETHBRIDGE IN THE YEAR OF 1927 TO HER PARENTS DONAH (NÉE HILL) AND NICHOLAS SUPINA. SUPINA WAS THE OWNER OF SUPINA’S MERCANTILE ON 13TH STREET NORTH, LETHBRIDGE. THIS WEDDING DRESS BELONGED TO HORHOZER'S MOTHER, DONAH SUPINA, WHO WORE IT ON HER JUNE 7, 1922 WEDDING DAY. COLLECTIONS TECHNICIAN KEVIN MACLEAN CONDUCTED A SERIES OF INTERVIEWS (ON APRIL 2, APRIL 16, AND MAY 7, 2015) WITH HORHOZER REGARDING A GROUP OF ARTIFACTS SHE DONATED TO THE MUSEUM. THE INFORMATION BELOW HAS COME FROM THESE INTERVIEWS AND LETHBRIDGE HERALD RESEARCH REGARDING THE HORHOZER FAMILY HISTORY. "FIRST OF ALL MY MOTHER HAD SAVED [THE WEDDING DRESS] FOR SO MANY YEARS," HORHOZER BEGAN, "SHE GAVE [IT] TO ME SO [IT WAS] VERY IMPORTANT TO HER, AND MORE IMPORTANT TO ME THEN, BECAUSE HER MOTHER MADE THEM BY HAND, [SO IT MEANT] EVEN THAT MUCH MORE TO HER, OF COURSE…” “SHE WAS VERY FRUGAL... HER MOTHER AND [DONAH, MY MOTHER,] WERE LEFT TO FEND FOR THEMSELVES BECAUSE HER FATHER PASSED AWAY. THEY WERE OUT ON THE LEASE; YOU KNOW HOW GOVERNMENT GAVE THEM LEASE LAND; WELL HER MOTHER AND HER LIVED THERE. SHE DID HAVE TWO BROTHERS, BUT THEY WERE MUCH OLDER AND THEY WERE ALREADY IN THE SERVICE, SO THERE WAS JUST HER AND HER MOTHER THAT LIVED OUT THERE. THEY HAD A COOK CAR AND THEY COOKED FOR ALL THE HELP ON THE FARM [IN DEL BONITA]. THEY AT LEAST MADE A LIVING DOING THAT. THAT’S HOW MY MOTHER LEARNED TO - SHE WAS AN EXCELLENT COOK CAUSE SHE WOULD COOK RIGHT ALONG WITH MY GRANDMA. SHE WAS ABOUT THIRTEEN YEARS OLD WHEN SHE WAS BAKING BREAD, DOING ALL THAT SORT OF THING…” THIS HANDMADE WEDDING DRESS WAS WORN BY DONAH ON THE DAY OF HER WEDDING. THE DRESS WAS LATER KEPT WITH GREAT CARE BY DONAH, AND THEN LATER EVERAL. “MY GRANDMA MADE THE [WEDDING] DRESS FOR MY MOTHER. [S]HE WAS SENTIMENTAL BECAUSE HER MOTHER HAD HAND-STITCHED EVERY ONE OF THOSE THINGS. BESIDES COOKING FOR PEOPLE, SHE SEWED FOR PEOPLE, MADE THEIR WEDDING DRESSES AND THINGS LIKE THAT.” HORHOZER TELLS THE STORY OF HER PARENT’S FIRST MEETING: “MY MOTHER, SHE WENT TO GARBUTT’S BUSINESS COLLEGE AND BECAME A SECRETARY AND SHE GOT A JOB AT - IT WAS CALLED SCOTTS - IT WAS A GROCERY WHOLESALE. IT WAS BY WHERE THE INTERNATIONAL WAS, PLUNKETT AND SAVAGE. [MY FATHER, NICHOLAS 'NICK' SUPINA,] WOULD GO THERE TO BUY HIS THINGS, OF COURSE, AND THAT’S WHERE HE MET HER. AND THEN HE ASKED HER TO GO TO THIS DANCE THAT THE KNIGHTS OF COLUMBUS WERE HAVING, AND THAT’S HOW IT STARTED… [THE HILL’S] HAD THIS COOK CAR, AND FUNNY STORY, SHE ALWAYS TELLS ME THAT THEY HAD TO CLEAN OUT THE PIPES ON THE STOVE BECAUSE, THEY GOT FULL OF COAL DUST, SO SHE WAS JUST COVERED IN COAL DUST AND MY DAD DRIVES OUT THERE TO SEE HER, ‘COURSE PAST MAGRATH THERE, AND SHE WAS JUST COVERED AND HE’S ALL DRESSED UP, OF COURSE. BUT, OBVIOUSLY IT DIDN’T MAKE ANY DIFFERENCE. I CAN IMAGINE HOW SHE FELT. BUT, THOSE THINGS HAPPEN. I HAVE NO IDEA HOW LONG THEY COURTED. I DON’T THINK IT WAS A TERRIBLY LONG TIME. PROBABLY, JUST BY GUESSING, I’D SAY 6 MONTHS.” OF THE YOUNG COUPLE’S MARRIAGE, HORHOZER SAID, “WELL, THEY HAD A VERY SMALL WEDDING AND THEY GOT MARRIED IN ST. PAT’S, WHICH OF COURSE WAS JUST A BASEMENT AT THE TIME. THEN THEY HAD WHAT THEY CALL A WEDDING BREAKFAST I THINK, AT HIS MOTHER’S HOUSE. THEY DID NOT HAVE A BIG WEDDING OR ANYTHING, AND THEY JUST HAD ALL THE FAMILY AND A FEW OF THE CLOSE SALE MANAGERS. BUT THEN THEY HAD A BEAUTIFUL HONEYMOON. THEY WENT TO THE STATES AND - IT’S WAY DOWN SOUTH THERE - LOUISIANA AND ALL THROUGH THAT COUNTRY THERE. THEY HAD A BEAUTIFUL HONEYMOON AND THAT’S ABOUT ALL I KNOW ABOUT IT.” HORHOZER SPOKE OF HER GRANDMOTHER’S SKILL AS THE MAKER OF THE WEDDING DRESS: “WELL, SHE HAD SO MANY SKILLS. SHE’S A PAINTER, YOU KNOW, THESE BEAUTIFUL PAINTINGS HERE, SHE PAINTED THOSE. THE MIDDLE ONE (SHE POINTS) IS THEIR HOUSE WITH THEIR GARDEN [IN MAGRATH] AND ALL THAT. SHE JUST WAS TALENTED IN EVERYTHING. SHE MADE LOTS OF MONEY. SHE MADE WEDDING DRESSES FOR PEOPLE THAT REALLY HAD MONEY. AND SO SHE DID WELL ON THAT AND THEY CANNED ALL KINDS OF FOOD. THERE WASN’T REALLY ANYTHING SHE COULDN’T DO; SHE WAS VERY TALENTED… [W]E ALL REALLY LOVED MY GRANDMA; SHE WAS A LOVELY LADY. AND I ALWAYS ENVIED THE FACT THAT I NEVER GOT ANY OF HER TALENT.” THE SUPINA’S REMAINED TOGETHER UNTIL NICHOLAS SUPINA PASSED AWAY AT THE AGE OF 84 ON MARCH 27, 1975. DONAH PASSED AWAY 19 YEARS LATER ON MARCH 8, 1994 AT THE AGE OF 91. HORHOZER PASSED AWAY IN LETHBRIDGE IN 2016 AT THE AGE OF 88 YEARS OLD. PLEASE SEE THE PERMANENT FILE FOR ADDITIONAL INFORMATION ABOUT SUPINA’S MERCANTILE AND THE LIFE OF EVERAL AND HER FAMILY, WHICH INCLUDES THE FULL INTERVIEW TRANSCRIPT AND LETHBRIDGE HERALD ARTICLES.
Catalogue Number
P20150016009
Acquisition Date
2015-05
Collection
Museum
Images
Less detail

44 records – page 1 of 3.