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Date Range From
1950
Date Range To
1960
Material Type
Artifact
Materials
IRON, LEATHER, STEEL
Catalogue Number
P20160020000
  1 image  
Material Type
Artifact
Date Range From
1950
Date Range To
1960
Materials
IRON, LEATHER, STEEL
No. Pieces
2
Length
15.5
Width
9.1
Diameter
12.2
Description
METAL COW BELL WITH LEATHER STRAP. BELL IS MADE UP OF 2 PIECES OF METAL FUSED TOGETHER AT SIDES WITH TWO NAILS IN EACH SEAM. TOP IS FOLDED TOGETHER WITH THE ENDS FUSED DOWN THE SIDE IN A TRIANGULAR FOLD. FRONT AND BACK OF BELL ARE RELATIVELY FLAT, COMING OUT SLIGHTLY AT EDGE. WELDING OF BELL IS CRUDE. INSIDE OF THE BELL IS THE CLAPPER WITH A BALL END THAT IS 10.5 CM IN CIRCUMFERENCE. BALL IS ATTACHED TO A ROD THAT IS HOOKED TO THE LOOP INSIDE THE TOP OF BELL. FLAT METAL LOOP AT TOP OF BELL ATTACHING THE BELL TO LEATHER STRAP THAT IS 109.4 CM IN LENGTH AND 2.4 CM IN WIDTH. 9 HOLES PUNCHED IN LEATHER FOR STRAP ADJUSTMENT WITH THE BUCKLE GOING THROUGH THE 10TH HOLE PUNCH. STANDARD METAL BUCKLE WITH LEATHER BELT LOOP FOR THE EXCESS LENGTH OF STRAP. FAIR CONDITION: METAL SEVERELY RUSTED IN COLOUR. AT ONE SEAM NEAR THE BASE, THE METAL HAS OXIDIZED TO A GREEN COLOUR. INSIDE OF BELL METAL SURFACE HAS LOST SHINE AND IS RUSTY. STRAP IS SEVERELY WORN AND HAS SCRATCHES AND LOSS OF FINISH OVERALL. END OF THE STRAP OPPOSITE OF BUCKLE IS TORN OFF.
Subjects
ANIMAL HUSBANDRY T&E
Historical Association
AGRICULTURE
History
ON 14 JULY, 2016, COLLECTIONS TECHNICIAN KEVIN MACLEAN INTERVIEWED THE DONOR, ELLENNOR PORTER, AND HER DAUGHTER, KAREN PORTER AT THE GALT MUSEUM. THE FOLLOWING INFORMATION COMES FROM THAT INTERVIEW. ELLENNOR’S HUSBAND WAS ROBERT MICHAEL “MICK” PORTER. HE FOUND THE BELL AS ELLENNOR REMEMBERS, “[I REMEMBER] HIM BRINGING IT IN THE HOUSE… I DON’T KNOW JUST HOW LONG AGO… [AND SAYING], ‘LOOK WHAT I GOT.’ THEN IT JUST EVERYONE WAS SAYING, ‘WOW,’ AND PLAYING AROUND WITH IT… [AFTER THAT] IT WAS PUT IN THE BASEMENT WITH THE REST OF THE THINGS.” KAREN AND ELLENNOR BELIEVE THE BELL WOULD HAVE BEEN FOUND BY MICK IN THE 1950S OR THE 1960S. ELLENNOR CONTINUED, “[HE FOUND IT ON] THE RANCH. HE WAS OUT VISITING HIS RELATIVES OUT THERE. HE HAD AUNTS AND UNCLES ON THE BURN RANCH. HE’S PROBABLY JUST RE-VISITING THEIR PLACE THAT HAD BEEN SOLD, SO MAYBE IT CAME FROM PINCHER CREEK. IN THAT AREA ANYWAY, LUNDBRECK OR PINCHER CREEK.” “DAD WOULD GO UP SOMETIMES BY HIMSELF,” KAREN ADDED, “I DON’T THINK ANY OF US WERE WITH HIM WHEN HE CAME HOME WITH THAT. I THINK WE WERE AT HOME WHEN HE BROUGHT IT TO THE HOUSE… IT IS ALSO POSSIBLE THAT HIS FATHER AND MOTHER HAD [THE BELL] AT THEIR HOUSE AND GAVE IT TO HIM. THEY WERE FARMERS AT THE WALDRON RANCH – NOW THE WALDRON RANCH – [BUT IT] WAS THE PORTER RANCH. THEN HAD A HOUSE IN PINCHER CREEK, SO THERE IS A POSSIBILITY THAT’S ALSO WHERE HE WOULD HAVE GOTTEN IT.” THINKING BACK TO HER HUSBAND’S DAYS IN THE AREA, ELLENNOR EXPLAINED, “[MICK’S] DAD WAS AT THE PORTER/WALDRON RANCH. IT WAS JUST THE PORTER RANCH AND AFTER HE MOVED TO PINCHER, HE SOLD LIKE HIS INTEREST PART OF IT TO WALDRON, SO IT [BECAME] A PARTNERSHIP… THE WALDRON RANCH IS NEAR BLACK MOUNTAIN ON THAT ROAD, TOWARDS THE BAR-U RANCH.” WHEN ASKED ABOUT THE BELL, ELLENNOR SAID, “[THIS BELL] BRINGS BACK MEMORIES FROM WAY BACK WHEN WE USED TO LOOK FOR CATTLE BACK IN THE BUSH, AND I IMAGINE THAT’S WHAT MY HUSBAND MUST HAVE THOUGHT TOO… [IT WOULD BE] A REMEMBRANCE FROM HIS CHILDHOOD. THEY PROBABLY HAD TO BRING IN THE OLD MILK COW AND SHE WOULD BE WEARING THE BELL. THAT’S WHAT THEY DID. THEY PUT IT ON THE BIG MILK COW, SO THAT WHEN THEY WANTED THEM TO COME IN TO MILK THEY COULD FIND THEM. SOMETIMES THEY’D GO HIDE IN THE BUSH, SO THEY KEPT THE BELL ON THEM SO THEY COULD KEEP TRACK OF WHERE THEY WERE AT.” ELLENNOR FURTHER EXPLAINED, “I HAD NO CONNECTION WITH THAT BELL. WE HAD NO CATTLE. WE WERE GRAIN FARMERS.” KAREN ADDED, “MUM AND DAD ON HAD WHEAT FARMING ON [THE K-LAZY-A-RANCH] THERE WERE CATTLE THERE, BUT MUM DOESN’T REMEMBER THERE BEING CATTLE WITH BELLS ON. THEY WERE IN THE FARM YARD… THERE WERE HARDLY ANY TREES. THAT WAS THE RANCH ORIGINALLY AND LATER BECAME A WHEAT FARM. IF THEY KEPT IT AS A RANCH WITH CATTLE AND HORSES, THAT MEANT THEY COULD NEVER EVER LEAVE AND IT WAS PRETTY ISOLATED, SO OVER THE YEARS DAD TALKED THE OWNER INTO LETTING HIM COVERT IT TO WHEAT.” “THERE WAS NO BUSH [THERE FOR THE COWS] TO HIDE IN. SO NO NEED FOR A BELL!” ELLENNOR REMEMBERED. THE DONOR AND HER DAUGHTER REMEMBERED HOW MICK VALUED OBJECTS AND MEMORIES. “HIS EYES WOULD LIGHT UP [AND HE WOULD SAY], ‘LOOK WHAT WE HAVE HERE,’ [WHEN HE SAW SOMETHING ATTACHED TO A MEMORY]. HE HAD ALL KINDS OF MEMORIES OF HIS GROWING UP. SOME WERE NOT TOO HAPPY, SOME WERE VERY HAPPY, BUT HE ALWAYS REALLY LOVED COWS. IT DIDN’T MATTER WHERE WE WENT TRAVELLING IN THE WORLD…” “[HE ALWAYS] STOPPED AND TOOK SOME PICTURES. ‘OH LOOK AT THE COWS!’ HE’D SAY,” ELLENNOR JUMPED IN, COMPLETING HER DAUGHTER’S SENTENCE. “DAD TOOK THOUSANDS OF PICTURES OF COWS. FOR HIM THERE WAS A REAL CORRELATION,” KAREN FINISHED. “[THE BELL IS A TREASURE] BECAUSE IT HAS BEEN IN OUR HOME FOR SUCH A LONG TIME. WHEN DAD BROUGHT IT HOME, IN HIS PERSPECTIVE, HE WOULD HAVE THE SAME KIND OF MEMORIES MY MUM DOES OF HEARING THE COWS…I CAN REMEMBER THEM WHEN I WAS LITTLE ON THE FARM OUT BY SKIFF HEARING COW BELLS OR BEING OUT AT MY GRANDMOTHER’S FARM BY OLDS HEARING COW BELLS… [THIS BRINGS] THE MEMORY OF DAD BEING EXCITED ABOUT [THE BELL] AND TRYING TO WAKE US UP IN THE MORNING RINGING IT, IF WE WERE SLEEPING IN TOO LONG. THAT’S MORE THE MEMORY FOR US… [BUT] I WAS NEVER ON THE RANCH WHEN MY DAD WOULD HAVE FOUND [THIS SPECIFIC] BELL, SO THOSE MEMORIES AREN’T MY MEMORIES, THEY’RE MORE HIS MEMORIES. HE ALWAYS TREASURED IT, HE ALWAYS WANTED IT KEPT AND WE’D LIKE TO HONOUR THAT,” KAREN ADDED. NOTES FROM AN 2008 INTERVIEW WITH MICKEY AND ELEANOR PORTER STATE THE DONOR’S FATHER-IN-LAW, GEORGE ENGLISH PORTER, WAS BORN 1878 IN ORILLIA, ONTARIO AND DIED ON MARCH 16, 1959. HE CAME WEST FROM ONTARIO IN 1896 AT THE AGE OF SEVENTEEN. GEORGE PORTER’S FAMILY SETTLED 30 MILES NORTH OF LUNDBRECK, ON THE EASTERN SLOPES OF THE ROCKY MOUNTAINS. THE FAMILY SETTLED ON THE BLACK MOUNTAIN RANCH. GEORGE WAS ONE OF FOURTEEN CHILDREN IN THE FAMILY. HER MOTHER-IN-LAW WAS BORN IN EASTERN CANADA BEFORE MOVING TO OREGON. SHE IMMIGRATED TO CANADA WHEN SHE WAS8 YEARS OLD AND WAS RAISED ON THE BURN RANCH NORTH OF LUNDBRECK, ALBERTA. THE NOTES FURTHER STATE THE DONOR, ELLENNOR PORTER, WAS BORN IN 1922. THE OBITUARY FOR ROBERT MICHAEL “MICK” PORTER READS MICK WAS BORN ON MAY 23, 1921 IN COWLEY, ALBERTA. HE ATTENDED SCHOOL IN COWLEY AND GRADUATED HIGH SCHOOL FROM ST. MICHAEL’S CATHOLIC SCHOOL IN PINCHER CREEK. HE JOINED THE RCAF DURING WWII AND UPON AN HONOURABLE DISCHARGE AFTER A HIP INJURY, HE WORKED AS A GRAIN BUYER. HE MARRIED ELLENNOR CHRISTOFFERSEN IN OLDS, ALBERTA. LATER, HE WORKED FOR THE MCINTYRE RANCH FOR 5 YEARS. IN 1953, HE BEGAN FARMING IN THE SKIFF AREA AND RETIRED IN 1984. MICK AND ELLENNOR HAD FIVE CHILDREN: LAWNA ROBART, MICHAEL, RONALD, KAREN PORTER, AND CHRISTOPHER, WHO PASSED AWAY AS AN INFANT. MICK PASSED AWAY IN LETHBRIDGE ON SEPTEMBER 27, 2012 AT THE AGE OF 91 YEARS. AS HISTORY OF THE WALROND CATTLE RANCHE LTD. WAS PUBLISHED IN THE “CANADIAN CATTLEMEN” PUBLICATION IN MARCH OF 1946. IT STATES THE RANCH “COMPRISED ONE HUNDRED THOUSAND ACRES OF LAND SITUATED IN SOUTH-WESTERN ALBERTA. IT WAS SITUATED IN A VALLEY EXTENDING BETWEEN THE PORCUPINE HILLS AND OLD MAN RIVER FOR ABOUT 30 MILES NORTH AND SOUTH AND VARYING FROM THREE TO FIVE MILES IN WIDTH.” THE HISTORY STATES THE WALROND CATTLE RANCHE WAS FORMED IN 1883 BY SIR JOHN WALROND WALROND OF BARONET AND LORD CLINTON OF LONDON – BOTH MEN OF ENGLAND. ON JUNE 26TH, 1884, QUEEN VICTORIA GRANTED THE RANCH AN INDENTURE OF LEASE TO SIR WALROND, BARONET. (THE TEXT OF THAT LEASE AGREEMENT WAS PRODUCED AS PART OF THE CATTLEMEN PUBLICATION AND IS ATTACHED TO THE ARTIFACT’S PERMANENT RECORD.) ACCORDING TO THE ARTICLE, THE FIRST PURCHASE OF CATTLE WAS IN 1883 – 3,125 HEAD FOR $100,000. IN 1897, THE COMPANY WAS INCORPORATED UNDER THE CANADIAN JOINT STOCK COMPANIES ACT, MOVING ITS HEAD OFFICE FROM LONDON, ENGLAND. DUNCAN MCEACHRAN WAS APPOINTED PRESIDENT AND GENERAL MANAGER OF THE RANCH AND DAVID WARNOCK FROM GLASGOW BECAME THE LOCAL MANAGER. AT THE TIME OF THIS TRANSITION, IT IS BELIEVED THE RANCH HAD GROWN TO 12,311, THOUGH THIS WAS A MERE ESTIMATE. MCEACHRAN WAS INVOLVED WITH THE COMPANY FROM ITS BEGINNING IN 1883, WHEN HE STARTED AS THE GENERAL MANAGER. HIS LEADERSHIP GOT THE COMPANY THROUGH “PERIODS OF DEPRESSED CONDITION.” AFTER A HARSH WINTER IN 1906-1907, THE RANCH LOST APPROXIMATELY 5,000 HEAD OF CATTLE DUE TO SEVERE TEMPERATURE CHANGES. AFTER THIS, IN THE SUMMER OF 1908, THE RANCHE “DISPOSED OF ALL ITS CATTLE TO PAT BURNS. FOLLOWING THE SALE, THE LAND OF THE WALDRON RANCHE, EXCLUDING 1,000 ACRES WAS LEASED FIRST TO W. R. HULL, THEN TO PAT BURNS. C. W. BUCHANAN WAS APPOINTED THE PRESIDENT AND GENERAL MANAGER OF THE RANCHE THAT IN 1923. MCEACHRAN PASSED AWAY IN OCTOBER 1924. ANOTHER HISTORY ON THE RANCHE WAS FOUND BY MUSEUM RESEARCHERS IN THE LETHBRIDGE HERALD. PUBLISHED ON 1 MAY 1954, THE ARTICLE READS, “AT ONE TIME THE WALROND LEASE CONSISTED OF BETWEEN 300,000 TO 400,000 ACRES OF LAND, EXTENDING FROM WHAT IS KNOWN AS STOWE TO THE NORTH FORK OF THE OLDMAN RIVER. IN THE NORTH FORK DISTRICT THE LAND WAS DIVIDED INTO FIVE BRANCHES… AT ITS PEAK IN THE SUMMER OF 1906 THE RANCH HAD 20,000 HEAD OF STOCK.” GEORGE PORTER IS LISTED IN THE HISTORY AS ONE OF THE CATTLE MEN EMPLOYED BY THE WALDRON RANCHE FROM 1883 TO 1908. ABOUT HIM, THE ARTICLE STATES, “GEORGE PORTER [WAS] A GOOD STOCKMAN, [WHO] LATER BOUGHT 12 SECTIONS OF THE COMPANY’S FREEHOLD AT ITS NORTHERN END AND ADJOINING LAND ALREADY OWNED BY HIM.” “GEORGE PORTER AND SONS HAVE SOLD THEIR RANCH AND CATTLE TO JOHN FRANCIS MILLER… THE PORTER RANCH IS ABOUT THIRTY MILES NORTH OF LUNDBRECK AND ADJOINS THE 19,000 ACRE WALDRON RANCH WHICH MR. MILLER ALSO OWNS HAVING PURCHASED IT FROM P. BURNS RANCHES LAST FEBRUARY,” THE HISTORY STATES. AN ARTICLE PUBLISHED IN THE 21 AUGUST 1953 LETHBRIDGE HERALD ANNOUNCED, “TWO OF THE LARGEST AND MOST FAMOUS RANCHES IN THE SOUTH-WESTERN ALBERTA FOOTHILLS ARE BEING OFFERED FOR SALE. THEY ARE THE WALROND AND PORTER RANCHERS, NORTH OF LUNDBRECK. THESE PROPERTIES ARE OWNED NOW BY JOHN F. MILLER OF LAS VEGAS, NEVADA… [THEY] HAVE BEEN OPERATED BY MR. MILLER’S SON, WHO TOOK OVER THE JOB SEVERAL YEARS AGO WHEN THE MILLERS BOUGHT THE WALROND FROM THE WALROND RANCHING COMPANY AND THE PORTER RANCH PROPERTY FROM GEORGE PORTER…” THE HISTORY OF GEORGE AND NORA PORTER (NEE BURN)’S MARRIAGE WAS PUBLISHED IN THE LETHBRIDGE HERALD ON JUNE 26, 1954 FOR THEIR 50TH ANNIVERSARY. THE COUPLE WERE MARRIED AT THE BURN RANCH IN JUNE 21 1904. THE COUPLE’S FOURTEEN CHILDREN WERE: MARJORIE ANDERSON, NORMAN PORTER, PHYLLIS ROBBINS, KATHLEEN HAMILTON, WINNIFRED BONERTZ, SANDY PORTER, EILEEN IRONMONGER, JEAN ALCOCK, JOSEPHINE ROBINSON, LILLIAN CHRISTIANSON, ISOBEL SINNOT, MICHAEL PORTER, LAWRENCE PORTER, AND CONNIE PORTER. PLEASE SEE PERMANENT RECORD P20080020001 FOR FURTHER INFORMATION REGARDING THE EARLY HISTORY OF THE PORTER AND BURN FAMILIES.
Catalogue Number
P20160020000
Acquisition Date
2016-07
Collection
Museum
Images
Less detail
Other Name
BLANKET
Date Range From
1920
Date Range To
1990
Material Type
Artifact
Materials
RAW FLAX YARN
Catalogue Number
P20160003007
  2 images  
Material Type
Artifact
Other Name
BLANKET
Date Range From
1920
Date Range To
1990
Materials
RAW FLAX YARN
No. Pieces
1
Length
139
Width
99.5
Description
HAND-WOVEN BLANKET MADE FROM RAW FLAX. THE BLANKET IS COMPOSED OF 2 SECTIONS OF THE SAME SIZE OF MATERIAL THAT ARE JOINED TOGETHER WITH A SEAM AT THE CENTER. ON THE FRONT SIDE (WITH NEAT SIDE OF THE STITCHING AND PATCHES), THERE ARE THREE PATCHES ON THE BLANKET MADE FROM LIGHTER, RAW-COLOURED MATERIAL. ONE SECTION OF THE FABRIC HAS TWO OF THE PATCHES ALIGNED VERTICALLY NEAR THE CENTER SEAM. THE AREA SHOWING ON ONE PATCH IS 3 CM X 5 CM AND THE OTHER IS SHOWING 5 CM X 6 CM. ON THE OPPOSITE SECTION THERE IS ONE PATCH THAT IS 16 CM X 8.5 CM SEWN AT THE EDGE OF THE BLANKET. THE BLANKET IS HEMMED ON BOTH SHORT SIDES. ON THE OPPOSING/BACK SIDE OF THE BLANKET, THE FULL PIECES OF THE FABRIC FOR THE PATCHES ARE SHOWING. THE SMALLER PATCH OF THE TWO ON THE ONE HALF-SECTION OF THE BLANKET IS 8CM X 10 CM AND THE OTHER PATCH ON THAT SIDE IS 14CM X 15CM. THE PATCH ON THE OTHER HALF-SECTION IS THE SAME SIZE AS WHEN VIEWED FROM THE FRONT. THERE IS A SEVERELY FADED BLUE STAMP ON THIS PATCH’S FABRIC. FAIR CONDITION. THERE IS RED STAINING THAT CAN BE SEEN FROM BOTH SIDES OF THE BLANKET AT THE CENTER SEAM, NEAR THE EDGE OF THE BLANKET AT THE SIDE WITH 2 PATCHES (CLOSER TO THE LARGER PATCH), AND NEAR THE SMALL PATCH AT THE END FURTHER FROM THE CENTER. THERE IS A HOLE WITH MANY LOOSE THREADS SURROUNDING NEAR THE CENTER OF THE HALF SECTION WITH ONE PATCH. THERE ARE VARIOUS THREADS COMING LOOSE AT MULTIPLE POINTS OF THE BLANKET.
Subjects
AGRICULTURAL T&E
BEDDING
Historical Association
AGRICULTURE
DOMESTIC
ETHNOGRAPHIC
History
THE KONKINS WERE A RUSSIAN-SPEAKING FAMILY FROM THE TOWN OF SHOULDICE, ALBERTA, NEAR CALGARY. THEY AND MANY OTHER RUSSIAN FAMILIES COMPOSED THAT TOWN’S DOUKHOBOR COLONY. IT WAS THERE WILLIAM KONKIN MARRIED ELIZABETH WISHLOW. IN 1928, THEIR DAUGHTER, ELSIE WAS BORN. THEY LATER MOVED TO A FARM IN VAUXHALL, ALBERTA. THE PRECEDING AND FOLLOWING INFORMATION HAS BEEN EXTRACTED FROM A TWO-PART INTERVIEW WITH DONOR ELSIE MORRIS, WHICH WAS CONDUCTED BY COLLECTIONS TECHNICIAN KEVIN MACLEAN ON FEBRUARY 17, 2016. ADDITIONAL INFORMATION COMES FROM FAMILY HISTORIES AND TEXTS PROVIDED BY THE DONOR. A FULL HISTORY OF THE KONKIN FAMILY CAN BE FOUND WITH THE RECORD P20160003001. ACCORDING TO A NOTE THAT WAS ATTACHED TO THIS LIGHTWEIGHT BLANKET AT THE TIME OF ACQUISITION THE BLANKET IS BELIEVED TO HAVE BEEN MADE C. 1920S. MORRIS SAYS HER MEMORY OF THE BLANKET DATES AS FAR BACK AS SHE CAN REMEMBER: “RIGHT INTO THE ‘30S, ‘40S AND ‘50S BECAUSE MY MOTHER DID THAT RIGHT UP UNTIL NEAR THE END. I USE THAT EVEN IN LETHBRIDGE WHEN I HAD A GARDEN. [THIS TYPE OF BLANKET] WAS USED FOR TWO PURPOSES. IT WAS EITHER PUT ON THE BED UNDERNEATH THE MATTRESS THE LADIES MADE OUT OF WOOL AND OR ELSE IT WAS USED, A DIFFERENT PIECE OF CLOTH WOULD BE USED FOR FLAILING THINGS. [THE] FLAIL ACTUALLY GOES WITH IT AND THEY BANG ON THE SEEDS AND IT WOULD TAKE THE HULLS OFF… IT’S HAND WOVEN AND IT’S MADE OUT OF POOR QUALITY FLAX… IT’S UNBLEACHED, DEFINITELY… RAW LINEN." THIS SPECIFIC BLANKET WAS USED FOR SEEDS MORRIS RECALLS: “…IT HAD TO BE A WINDY DAY… WE WOULD PICK DRIED PEAS OR BEANS OR WHATEVER BEET SEEDS AND WE WOULD BEAT AWAY AND THEN WE WOULD STAND UP, HOLD IT UP AND THE BREEZE WOULD BLOW THE HULLS OFF AND THE SEEDS WOULD GO STRAIGHT DOWN [ONTO THE BLANKET.” THE SEEDS WOULD THEN BE CARRIED ON THE BLANKET AND THEN PUT INTO A PAIL. OF THE BLANKET’S CLEAN STATE, MORRIS EXPLAINS, “THEY’RE ALWAYS WASHED AFTER THEY’RE FINISHED USING THEM.” WHEN SHE LOOKS AT THIS ARTIFACT, MORRIS SAYS: “I FEEL LIKE I’M OUT ON THE FARM, I SEE FIELDS AND FIELDS OF FLAX, BLUE FLAX. BUT THAT’S NOT WHAT SHE USED IT FOR. SHE DID USE IT IF SHE WANTED A LITTLE BIT OF THE FLAX THEN SHE’D POUND THE FLAX, BUT THAT WASN’T OFTEN. IT WAS MOSTLY BEANS AND PEAS.” IT IS UNKNOWN WHO WOVE THIS BLANKET. PLEASE SEE THE PERMANENT FILE FOR MORE INFORMATION INCLUDING FULL INTERVIEW TRANSCRIPTION, OBITUARIES, PHOTOGRAPHS, AND FAMILY HISTORIES.
Catalogue Number
P20160003007
Acquisition Date
2016-02
Collection
Museum
Images
Less detail
Material Type
Artifact
Materials
COTTON
Catalogue Number
P20150016008
  1 image  
Material Type
Artifact
Date
1902
Materials
COTTON
No. Pieces
1
Length
75.5
Width
29.5
Description
CHILD’S BAPTISMAL/CHRISTENING GOWN WITH AN OFF-WHITE COTTON BODY, PLEATED SKIRT WITH EMBROIDERED LEAF AND FLOWER PETAL MOTIF. IT HAS LACE CUFFS AND COLLAR. ADHESIVE MASKING TAPE, “GRANNY SUPINA’S CHRISTENING DRESS 1902, MADE BY GRANNY WOODS”. THERE ARE BUTTONS UP THE BACK TO FASTEN THE DRESS. FAIR TO GOOD CONDITION. SMALL IODINE-COLOURED STAIN ON BACK SKIRT. THERE IS A SMALL STAIN ON THE HEM AND 3 SMALL BURNS ON THE HEM. THERE IS A SMALL HOLE AT THE SIDE OF THE DRESS. THE BOTTOM BUTTON ON THE BACK OF THE DRESS IS MISSING. THERE ARE SMALL TEARS ON THE DRESS’ OPENING ON THE BACK. THERE IS SLIGHT TEARING AND FRAYING AT THE LACE COLLAR.
Subjects
CEREMONIAL ARTIFACT
Historical Association
RELIGION
COMMEMORATIVE
History
EVERAL HORHOZER (NÉE SUPINA) WAS BORN IN LETHBRIDGE IN THE YEAR OF 1927 TO HER PARENTS DONAH (NÉE HILL) AND NICHOLAS SUPINA (OWNER OF SUPINA’S MERCANTILE ON 13TH STREET NORTH, LETHBRIDGE). HORHOZER WAS THE FIRSTBORN OF THE FAMILY AND WAS CHRISTENED IN THIS BAPTISMAL GOWN AT ST. PATRICK’S CHURCH. COLLECTIONS TECHNICIAN KEVIN MACLEAN CONDUCTED A SERIES OF INTERVIEWS (ON APRIL 2, APRIL 16, AND MAY 7, 2015) WITH HORHOZER REGARDING A GROUP OF ARTIFACTS SHE DONATED TO THE MUSEUM. THE INFORMATION BELOW HAS COME FROM THESE INTERVIEWS AND LETHBRIDGE HERALD RESEARCH REGARDING THE HORHOZER FAMILY HISTORY. DONAH HILL MET NICHOLAS SUPINA WHEN HE CAME IN TO DO BUSINESS AT A GROCERY WHOLESALER, SCOTTS, WHERE SHE WORKED. THEY COURTED BEFORE MARRYING ON JUNE 7, 1922. FOR MORE INFORMATION ON THE COUPLE’S WEDDING, PLEASE SEE RECORD P20150016009. DURING THE INTERVIEW, HORHOZER EXPLAINED, “MY MOM WAS NOT CATHOLIC [LIKE MY FATHER WAS], BUT IT’S AMAZING HOW THAT DIDN’T SEEM TO ENTER INTO THEIR MARRIAGE. I THINK THEY MUST HAVE REALLY TALKED IT OVER, PREVIOUS TO THAT, AND MY MOM DIDN’T HAVE A STRONG RELIGION SO THAT HELPED. SHE DIDN’T INTERRUPT IN ANYTHING AT ALL, AND SHE KNEW THAT WE HAD TO BE BROUGHT UP AS CATHOLICS, BUT SHE NEVER ONCE BUTT IN. AND SO MY DAD KNEW MY BROTHER WAS NOT INTERESTED, SO HE JUST SAID TO US KIDS ONE DAY, “WHEN YOU GET OLD ENOUGH, YOU CAN MAKE YOUR OWN DECISION.” MY BROTHER LEFT AND I STAYED WITH MY DAD… MY DAD WAS EXTREMELY STRONG. I WOULD SAY MY HUSBAND TOO, JOE. HE WOULD NEVER MISS CHURCH. AND OF COURSE I WENT TO CHURCH WITH HIM ALL THE TIME AND I BELONGED TO THE CHOIR AND EVERYTHING WHEN I WAS YOUNG. I ALWAYS WENT TO CHURCH AND THAT, BUT, THE CHILDREN DIDN’T. WE WERE STRONG IN THAT WAY THAT WE ATTENDED CHURCH ALL THE TIME BUT, WE WEREN’T - WELL, I DON’T KNOW HOW TO DESCRIBE IT BUT I KNOW SOME PEOPLE KIND OF REALLY LIVED RELIGION AND GO TO CHURCH EVERY MORNING. WELL, NO WE WEREN’T LIKE THAT.” THE GOWN WAS MADE FOR HORHOZER BY HER GRANDMOTHER, DONAH SUPINA’S MOTHER. AFTER HAVING EVERAL, THE SUPINA’S HAD A SON NAMED NICK F. SUPINA. NICHOLAS SUPINA PASSED AWAY AT THE AGE OF 84 ON MARCH 27, 1975. DONAH PASSED AWAY 19 YEARS LATER ON MARCH 8, 1994 AT THE AGE OF 91. NICK PASSED AWAY IN 2012 AND HORHOZER PASSED AWAY IN LETHBRIDGE IN 2016 AT THE AGE OF 88 YEARS OLD. PLEASE SEE THE PERMANENT FILE FOR ADDITIONAL INFORMATION ABOUT SUPINA’S MERCANTILE AND THE LIFE OF EVERAL AND HER FAMILY, WHICH INCLUDES THE FULL INTERVIEW TRANSCRIPT AND LETHBRIDGE HERALD ARTICLES.
Catalogue Number
P20150016008
Acquisition Date
2015-05
Collection
Museum
Images
Less detail
Material Type
Artifact
Materials
TULLE
Catalogue Number
P20150016003
  1 image  
Material Type
Artifact
Date
1949
Materials
TULLE
No. Pieces
1
Length
120
Width
99
Description
WHITE TULLE VEIL WITH WHITE LACE HANDWORK AND TRIM. GOOD CONDITION. THERE ARE SMALL HOLES THROUGHOUT THE TULLE. FOUR SMALL GREEN-COLOURED STAINS. THERE IS SLIGHT FRAYING AT THE EDGES.
Subjects
CEREMONIAL ARTIFACT
Historical Association
PERSONAL CARE
History
EVERAL HORHOZER (NÉE SUPINA) WAS BORN IN LETHBRIDGE IN THE YEAR OF 1927 TO HER PARENTS DONAH (NÉE HILL) AND NICHOLAS SUPINA. SUPINA WAS THE OWNER OF SUPINA’S MERCANTILE ON 13TH STREET NORTH, LETHBRIDGE. COLLECTIONS TECHNICIAN KEVIN MACLEAN CONDUCTED A SERIES OF INTERVIEWS (ON APRIL 2, APRIL 16, AND MAY 7, 2015) WITH HORHOZER REGARDING A GROUP OF ARTIFACTS SHE DONATED TO THE MUSEUM. THE INFORMATION BELOW HAS COME FROM THESE INTERVIEWS AND LETHBRIDGE HERALD RESEARCH REGARDING THE HORHOZER FAMILY HISTORY. THIS WEDDING VEIL WAS WORN BY EVERAL HORHOZER AS SHE MARRIED JOE HORHOZER. EVERAL MET JOE HORHOZER WHEN HE CAME TO SUPINA’S TO WORK. SHE REMEMBERS: “HE WAS HIRED BY MY DAD TO WORK IN THE BUTCHER SHOP [AFTER] HE CAME OFF TOUR. I WORKED IN THE LADIESWEAR. I LIKED THAT VERY MUCH. THE MEAT DEPARTMENT WAS RIGHT ACROSS FROM THE LADIESWEAR. THAT’S KIND OF HOW I MET JOE. HE WORKED IN THE BUTCHER DEPARTMENT. I REMEMBER THE DAY HE WALKED IN THE STORE, I’LL NEVER FORGET [IT], HE HAD THIS RED CARDIGAN SWEATER ON AND I JUST FELL, HEAD OVER RIGHT THEN. HE WAS JUST STARTING WORK AND I THOUGHT, ‘WELL, THAT’S THE GUY I’M GOING TO MARRY.' AND, MY AUNT HAPPENED TO BE VISITING, AND WHEN I WENT HOME FOR LUNCH SHE SAID, ‘OH, HAVE YOU GOT A STEADY BOYFRIEND?’ AND I SAID, ‘NO, BUT I’M GONNA HAVE ONE SOON.’ THAT’S HOW IT ALL HAPPENED. HE DIDN’T HAVE A CAR AT THE TIME AND HE SAYS, ‘I CAN’T TAKE YOU TO THE SHOW OR ANYTHING BECAUSE I DON’T HAVE A CAR,’ BUT, HE SAYS, ‘I’M SAVING FOR ONE, AND AS SOON AS I GET ONE…’ AND HE CAME OVER AND CALLED ON ME. MY DAD WAS THERE, BUT I DON’T THINK MY DAD THOUGHT IT WOULD DEVELOP INTO ANYTHING. MY MOTHER WAS QUITE HAPPY ABOUT HIM AND MY GRANDMA TOO, SHE WAS STAYING WITH US AT THE TIME. SO, ANYWAY THAT’S HOW IT STARTED.” WHEN THEY FIRST ENCOUNTERED EACH OTHER, EVERAL DID NOT KNOW ABOUT JOE’S MUSICAL CAREER: “I THINK IT WAS THAT SAYING, 'LOVE AT FIRST SIGHT,' THAT HAPPENED TO BE IT FOR ME, AND HE SAID IT WAS FOR HIM TOO. THERE MUST HAVE BEEN SOME CHEMISTRY THERE, BUT IT HAD NOTHING TO DO WITH HIM BEING POPULAR OR ANYTHING LIKE THAT. IT TURNED OUT JUST FINE.” HORHOZER GOES ON, “[W]E WENT TOGETHER - WELL IT WAS ABOUT A YEAR BEFORE [GETTING MARRIED]. WE DID BREAK UP FOR A WHILE AND THAT’S WHEN MY [LAUGHS] - THAT WAS KIND OF A CROOKED THING, BUT [MY DAD] WANTED US, OF COURSE, TO BREAK UP, SO IT WAS AROUND VALENTINE’S DAY WE BROKE UP. THEN [MY DAD] TOOK ME TO [MONTREAL]. I SAID, ‘YOU KNOW I’VE ALWAYS WANTED TO GO TO MONTREAL,’ CAUSE THAT’S WHERE HE DID HIS BUYING, SO HE TOOK ME TO MONTREAL. AND WHILE WE’RE IN MONTREAL, JOE’S WRITING TO ME ABOUT EVERY DAY. OTHERWISE I WOULD HAVE NEVER GOT TO GO THERE. SO THEN, I GOT BACK [AND] WE GOT TOGETHER AND THEN THAT’S WHEN WE MARRIED. YES, IT WAS WITHIN THE SAME YEAR, YES.” THE COUPLE MARRIED IN 1949. AS MENTIONED ABOVE THIS VEIL, AS WELL AS A HEADDRESS ALSO DONATED, WAS WORN BY HORHOZER ON THEIR WEDDING DAY. HORHOZER EXPLAINS, “THIS IS WHEN I GOT MARRIED. WE ELOPED, SO I JUST HAD THIS HEADDRESS AND A NICE WHITE SUIT AND THIS VEIL BEHIND IT… I HAD A NICE WHITE SUIT MADE FOR MYSELF; IT WAS VERY NICE. JOE BOUGHT ME AN ORCHID AND IT WAS VERY NICE, BUT NO SUCH THING AS A DRESS OR ANYTHING LIKE THAT… WELL, FOR ONE THING, MY DAD, OF COURSE, WAS TOTALLY AGAINST THE MARRIAGE. I [STILL] WORKED FOR [MY DAD] AND EVERYTHING, BUT HE NEVER SPOKE TO ME FOR FIVE YEARS. HE WAS JUST AGAINST THE MARRIAGE AND SO WE THOUGHT WELL WE’LL SAVE AN AWFUL LOT OF TROUBLE [BY ELOPING]. MY DAD WASN’T ONE YOU COULD TALK TO. PROBABLY IF I WOULD HAVE TALKED TO HIM, I THINK HE WOULD HAVE HAD SOMETHING [LIKE A WEDDING CEREMONY] FOR ME, BUT, I JUST WAS SO KIND OF NERVOUS ABOUT IT. WE JUST THOUGHT THAT WOULD BE THE BEST THING TO DO, WOULD BE TO ELOPE THE THING THAT I FEEL SO BAD ABOUT IS THAT OUR PARENTS WEREN’T THERE. I ALWAYS FELT BAD ABOUT MY MOTHER NOT BEING THERE. JOE AND I WENT TO ST. PATS, AND THAT WAS IN THE BASEMENT, AND WE GOT MARRIED THERE… I HAD TO WAIT. WE WANTED TO GET MARRIED WHEN I WAS 20, BUT THE PRIEST COULDN’T MARRY TILL YOU WERE 21. OF COURSE MY DAD MADE THE PRIEST STICK TO THAT BECAUSE HE WAS FRIENDS WITH FATHER CHRISTIAN, SO WE HAD TO WAIT TILL I WAS 21. [LAUGHS]… THEN ALL WE DID WAS GO TO GREAT FALLS AND THAT WAS THAT. WE DIDN’T HAVE MONEY BECAUSE I DIDN’T GET ANY MONEY AT ALL FROM MY DAD, WE WERE ON OUR OWN SO WE HAD TO BE VERY CAREFUL AT THAT TIME OF WHAT WE SPENT SO WE JUST WENT THERE, AND COME BACK AND STARTED, STARTED OUR LIFE. RENTED A LITTLE PLACE OVER ON THE 3RD AVE. NORTH THERE, AN APARTMENT, SO THAT WAS ABOUT IT.” AFTER THE MARRIAGE, EVERAL’S FATHER DID NOT SPEAK TO NEITHER EVERAL NOR JOE FOR FIVE YEARS. WHEN ASKED WHY HER FATHER WAS AGAINST THE MARRIAGE, HORHOZER REPLIED, “WELL, IT KIND OF SURPRISES ME, BECAUSE HE USED TO HAVE COFFEE WITH JOE ALL THE TIME; THEY WERE GOOD FRIENDS. I GUESS IT’S WAS BECAUSE HIS SISTER MARRIED SOMEBODY THAT WORKED IN THE STORE AND IT TURNED OUT TO BE A COMPLETE DISASTER. HE HAD TO PAY TO GET HER OUT OF THE BIG MESS HE THOUGHT, WELL, THE SAME THING WOULD HAPPEN TO ME. WHEN WE GOT MARRIED THEN [JOE LEFT SUPINA'S], AND HE THEN WORKED FOR EMERSON MOTORS, PLAYING JUST ABOUT EVERY NIGHT. THAT’S WHAT WE BOUGHT OUR HOUSE WITH. HE SAVED US MONEY AND AS SOON AS THE FIRST HOUSES THAT CAME AVAILABLE, THAT YOU COULD PUT A DOWN PAYMENT ON, WE BOUGHT ONE. [MY DAD] CAME TO SEE THE HOUSE, AND THE MINUTE HE SAW THE HOUSE THEN HE WAS HAPPY… HE DID COME ON HIS OWN TO LOOK AT IT. THEN WE INVITED HIM OVER FOR DINNER AND HE CAME. AND THEN MY MOTHER WOULD COME EVERY WEDNESDAY BECAUSE I STARTED WORKING, AND SO SHE’D COME EVERY WEDNESDAY AND MAKE SUPPER AND THAT, AND SO MY DAD WOULD COME. SO FROM THEN ON HE CAME EVERY WEDNESDAY. OH, AT CHRISTMAS OR WHENEVER WE WOULD INVITE HIM… AND HE WAS FINE EVER AFTER THAT.” JOE AND EVERAL HAD TWO CHILDREN TOGETHER: MELODEE MUTCH AND RAE FLANAGAN. JOE HORHOZER PASSED AWAY IN LETHBRIDGE ON OCTOBER 21, 2010 AT THE AGE OF 89 YEARS. HORHOZER WAS THE LAST SURVIVING MEMBER OF THE ALBERTA RANCH BOYS. EVERAL HORHOZER PASSED AWAY IN LETHBRIDGE 6 YEARS LATER ON JUNE 6, 2016 AT THE AGE OF 88 YEARS. PLEASE SEE THE PERMANENT FILE FOR ADDITIONAL INFORMATION INCLUDING FULL INTERVIEW TRANSCRIPTS, LETHBRIDGE HERALD ARTICLES, AND FURTHER PUBLICATIONS.
Catalogue Number
P20150016003
Acquisition Date
2015-05
Collection
Museum
Images
Less detail
Material Type
Artifact
Materials
LATEX
Catalogue Number
P20180006001
  2 images  
Material Type
Artifact
Date
2017
Materials
LATEX
No. Pieces
1
Length
12
Width
4.8
Description
RUBBER RED BALLOON WITH WHITE LOGO “CANADA 150” WITH 2017 CANADA 150 MAPLE LEAF ABOVE TEXT, DEFLATED; ROUND BALLOON WITH CIRCULAR OPENING AT END OF CYLINDRICAL STEM; OPENING HAS RUBBER ROLL AROUND EDGE. BALLOON HAS TEARS AT BACK EDGES AND TOP; BALLOON HAS SOLILING INSIDE OPENING AND AROUND RIM; BALLOON IS FADED ON FRONT; OVERALL VERY GOOD CONDITION.
Subjects
CEREMONIAL ARTIFACT
Historical Association
COMMEMORATIVE
History
ON MARCH 29, 2018, COLLECTIONS TECHNICIAN KEVIN MACLEAN INTERVIWEED LORI HARASEM AND JENNIE SUDO REGARDING THE CITY OF LETHBRIDGE DONATION OF CANADA 150 MEMORABILIA. HARASEM AND SUDO WERE INVOLVED WITH ORGANIZING THE JULY 1, 2017 EVENTS FOR CANADA 150, WITH SUDO ACTING AS CHAIR FOR THE LETHBRIDGE CANADA DAY COMMITTEE WITH THE CITY OF LETHBRIDGE AND HARASEM AS A MEMBER OF THE COMMITTEE. ON THE BALLOON, HARASEM ELABORATED, “THOSE WERE GIVEN OUT AT THE CANADA 150 PAVILION AND THAT WAS SO THAT PEOPLE WOULD COME TO THE PAVILION [WITH THE GLOWSTICKS]…[WE HAD] HELIUM BALLOONS AND GAVE THOSE ALL OUT." “WE PURCHASED THE BALLOONS AND THE GLOW STICKS [THEY’RE COMMERCIAL, MASS-PRODUCED]… FROM TORONTO. I THINK THE COMPANY THAT I ORDERED THEM FROM…WAS BUBBLE-GUM.” HARASEM AND SUDO RECALLED THEIR TIME PLANNING AND ORGANIZING THE 2017 EVENTS, WITH SUDO NOTING ABOUT THE PLANNING COMMITTEE, “THE LETHBRIDGE CANADA-DAY COMMITTEE IS A COMMITTEE THAT’S MADE UP OF CITY OF LETHBRIDGE EMPLOYEES IN PART WITH COMMUNITY VOLUNTEERS. MY POSITION AS THE COORDINATOR OF RECREATION AND CULTURE, I AM AUTOMATICALLY VOLUNTEERED FOR THIS COMMITTEE ALONG WITH OUR RECREATION AND CULTURE TEAM. THE CHAIRING RESPONSIBILITIES FOR THAT COMMITTEE GET ROTATED BETWEEN OUR TEAM MEMBERS EVERY TWO YEARS AND MY YEAR JUST SO HAPPENED TO FALL ON THIS VERY IMPORTANT, NOSTALGIC YEAR FOR CANADA’S 150.” “[THE COMMITTEE IS] ALWAYS IN EXISTENCE. I THINK [THERE] WAS A LOT OF PRESSURE, BUT REALLY GREAT PRESSURE. I WAS VERY PROUD TO BE ABLE TO BE PART OF THE COMMITTEE. AND BEING ABLE TO LEAD THE TEAM FOR MY VERY FIRST TURN AT CHAIRING THE COMMITTEE. I FELT A LOT OF PRIDE TO BE ABLE TO SHOW THAT OUR COMMUNITY CAN COME TOGETHER AND CELEBRATE CANADA’S 150.” “[THE] COMMITTEE [WAS] COMPRISED OF THE RECREATION AND CULTURE TEAM, WHICH WAS TWO MANAGERS, LORI HARASEM AND JASON FREUND, MYSELF AS THE CHAIR FOR [2017]. WE ALSO [HAD] MARLENE LAPOINTE, SARAH BURTON, SCOTT CARPENTER AND ONE OF OUR TEMPORARY EMPLOYEES, ERIC SHARP, [AS] PART OF THE COMMITTEE AS FAR AS THE CITY OF LETHBRIDGE SIDE GOES. WE ALSO HAD THREE PUBLIC VOLUNTEERS FROM THE COMMUNITY. WE HAD ADELLE HARRINGTON, BOBBY MCCALLUM AND DAVID FRITZ WHO ALSO PLAYED A HUGE ROLE IN HELPING COORDINATE SOME OF THE ACTIVITIES THERE.” “AS SOON AS CANADA DAY 2016 ENDED, WE WERE ALREADY THINKING ABOUT WHAT WE WERE GOING TO BRING BACK, WHAT KIND OF BUDGET WE WERE GOING TO NEED, WHAT KIND OF ACTIVITIES WE WERE GOING TO HAVE, HOW WE WERE GOING TO MAKE IT SPECIAL, AND MAKE IT STAND OUT THE NEXT YEAR…FOR THE REST OF THE CANADA DAY [EVENTS], THE ONES THAT AREN’T CANADA 150 OR STAND-OUT, WE WOULD PROBABLY ONLY START [PLANNING] ABOUT SIX MONTHS IN ADVANCE. BUT, THE PLANNING PROCESS FOR CANADA DAY, PERIOD, IS QUITE LONG AND STRENUOUS. WE HAVE TO THINK ABOUT SOME PRETTY TIGHT TIMELINES WHEN WE’RE TALKING ABOUT PLANNING AN EVENT THAT BIG. WE DEFINITELY NEEDED THE FULL YEAR TO PLAN CANADA 150.” “CURRENTLY, THE ONLY SPECIAL EVENT THAT THE CITY OF LETHBRIDGE REALLY HOSTS, AS A CORPORATION, IS THE CANADA DAY EVENT. WE RELY ON OUR COMMUNITY GROUPS TO DO MOST OF OUR OTHER SPECIAL EVENTS. ON THE EVENTS PLANNED, HARASEM RECALLED, “IN ALL HONESTY, FOR THE CANADA DAY ACTIVITIES ITSELF, THOUGH I’M ON THE COMMITTEE, I’M NOT AS INVOLVED WITH THAT AS OTHER THINGS THAT I OVERSAW THAT LASTED FROM JANUARY 1ST TO DECEMBER 31ST. SEEING JENNIE AND THE TEAM AND HOW MUCH THEY WORKED…THEY EVEN CHANGED THE LAYOUT AT HENDERSON LAKE THAT HAD BEEN THE SAME WAY FOREVER AND WE HAD TO GO TO SENIOR LEADERS OF THE CITY AND ASK FOR EXTRA MONEY BECAUSE THE BUDGET FOR CANADA DAY HASN’T CHANGED FOR TWELVE OR FIFTEEN YEARS. TO PUT ON SOMETHING THAT WE KNEW THE PUBLIC EXPECTED A LOT [FROM]…[WAS] MY BIGGEST ROLE WITH THE CANADA DAY. IT WAS A HUGE AMOUNT OF WORK AND IT WAS SO SUCCESSFUL, ESPECIALLY ON THE SOCIAL MEDIA SIDE. AT THE CITY, WE’RE USED TO SEEING A LOT OF NEGATIVE COMMENTS. OUR COMMUNICATIONS TEAM HAS SAID THAT THE MOST POSITIVE COMMENTS THEY’VE EVER HAD ON ANYTHING THAT THEY’VE EVER POSTED ON THEIR FACEBOOK WAS AFTER THE CANADA DAY. I THINK THAT THEIR TEAM, JENNIE’S TEAM, DID AMAZING AT MEETING THE EXPECTATIONS OF THE PUBLIC WHICH WERE VERY HIGH.” “I CAME IN [WITH THE COMMUNITY GROUPS ORGANIZING]. WE HAD A GRANT, ‘CANADA 150’. WE HAD EXTRA FUNDING INJECTED INTO OUR BUDGET FOR 2017 [AT] OUR REQUEST, SO THAT WE COULD HELP LOCAL GROUPS THAT WERE ALREADY DOING EVENTS TO THEME IT AROUND CANADA 150. NORMALLY, THE CITY’S RULES IS YOU CAN ONLY GET ONE GRANT FOR ANY EVENT, EVEN THOUGH THERE’S MULTIPLE GRANTS AVAILABLE. BUT, FOR CANADA 150, WE ALLOWED GROUPS TO GET THEIR NORMAL GRANT, AND WE ALLOWED THEM TO ASK FOR UP TO $750 EXTRA, AND THAT WOULD ALLOW THEM TO THEN THEME THEIR EVENT. WE DIDN’T CARE HOW THEY DID THAT. IF THEY WANTED TO USE $750 TO BUY RED AND WHITE CUPCAKES AND BALLOONS [THEY COULD]. WE HAD [AT THE] JAPANESE GARDEN A HUNDRED AND FIFTY JAPANESE DANCERS PERFORMING AND THEY BOUGHT SPECIAL RED MATCHING JACKETS WITH THE MONEY THEY GOT. IT WAS OUR WAY OF ENCOURAGING THE COMMUNITY TO CELEBRATE CANADA 150 ALL YEAR-ROUND. BECAUSE ALL WE DO IS CANADA DAY, WE HAD TO FIND A WAY TO HELP THE COMMUNITY CELEBRATE CANADA 150 AND TO PUT IT IN THE PUBLIC’S EYES ALL YEAR-ROUND IN ANY WAY WE COULD. WE HAD A LOT OF GROUPS AND A LOT OF EVENTS. THERE WAS THIRTY-EIGHT EVENTS THAT RECEIVED FUNDING OVER THE COURSE OF THE YEAR, SO THERE WAS SOMETHING EVERY MONTH OF THE YEAR.” “DURING, “PRETTY, WITTY AND GAY”, WHICH IS AN EVENT THE LGBTQ COMMUNITY PUTS ON IN FEBRUARY/MARCH, THEY USED THEIR FUNDING TO [HAVE] A BIG BULLETIN BOARD WHERE PEOPLE [COULD] WRITE DOWN THEIR THOUGHTS ABOUT WHAT IT WAS LIKE TO BE GAY IN CANADA. AND TO SHARE THEIR FEELINGS ON [BEING GAY IN CANADA] TO CONNECT BECAUSE, OBVIOUSLY, WE’RE A MORE OPEN-MINDED COUNTRY AROUND THAT THAN MOST OF THE WORLD. THAT, TO ME, WAS A REALLY UNIQUE WAY TO CELEBRATE CANADA’S 150TH.” “WE ALSO HAD A SMALL THEATRE GROUP COME TOGETHER, A COLLECTIVE THAT HAD NEVER EXISTED BEFORE. THEY PUT ON A VERY CONTROVERSIAL PLAY ABOUT FORMER PRIME MINISTER STEPHEN HARPER WHICH I WENT TO SEE AND IT WAS PRETTY SMALL. IT WASN’T THIS HUGE PLAY WHICH IS DONE IN CASA IN THE BLACK BOX [THE COMMUNITY ATB ROOM] BUT IT WAS FUNNY. IT WAS VERY CONTROVERSIAL AND WE DID PUT SOME MONEY BEHIND THAT.” “[THERE WAS] UPPER VICTORIA PARK NEIGHBOURS. I HAD SO MANY NEIGHBOUR DAYS. BUT WITH NEIGHBOUR DAY BEING A VERY POPULAR EVENT IN JUNE, AND WE’VE GOT MORE NEIGHBOURHOOD ASSOCIATIONS FORMING, WE REALLY ENCOURAGED THE NEIGHBOURHOODS TO APPLY FOR THE GRANT. MOST OF THE NEIGHBOURHOOD ASSOCIATIONS, AT THIS POINT, THEIR NEIGHBOUR DAY EVENTS ARE PRETTY SMALL, UNDER A HUNDRED PEOPLE. BUT IT’S THE PERFECT PLACE TO CELEBRATE CANADA DAY AND CELEBRATE YOUR NEIGHBOURS. OF COURSE, UPPER VICTORIA PARK IS THE ‘GO BIG OR GO HOME’ NEIGHBOURHOOD ASSOCIATION FOR NEIGHBOUR DAY. IT’S EXCITING WHENEVER WE’RE ABLE TO SUPPORT THE THEME OF THE EVENT IN ANY WAY BECAUSE WE KNOW THAT PEOPLE FROM EVEN OUTSIDE LETHBRIDGE ATTEND THAT EVENT. WE’RE NOT JUST SUPPORTING THE MEMBERS OF UPPER VICTORIA PARK NEIGHBOURHOOD ASSOCIATION WHEN WE SUPPORT SOMETHING, SO IT WAS NEAT TO BE ABLE TO PUT SOME MONEY THERE.” “OF COURSE, WINTER LIGHTS FESTIVAL AT JAPANESE GARDEN IS A VERY NEW EVENT. THIS WAS ONLY ITS SECOND YEAR, EVER. THOUGH IT IS A TRADITIONAL, JAPANESE, CULTURAL WINTER EVENT, WE WERE ABLE TO GIVE THEM SOME FUNDING, TOO, BECAUSE THEY ACTUALLY [HAD] THE FIRST EVENT IN 2017 BECAUSE THEY START IN EARLY DECEMBER AND GO TILL FEBRUARY. THEY WERE THE LAST EVENT, ‘CAUSE THEY WERE ON NEW YEAR’S EVE IN 2017. THAT FESTIVAL, THE FIRST TWO YEARS OF IT, KICKED OFF THE BEGINNING OF CANADA 150 AND ENDED CANADA 150 FOR US. IT WAS NEAT TO HAVE SUCH AN IMPORTANT CULTURAL GROUP AND ATTRACTION IN LETHBRIDGE…BE THE FOCUS OF THAT. THERE WERE EVENTS OF ALL SIZES. WE EVEN HAD THE DOGS THAT [ON] THE LAST DAY OF OPERATIONS [AT WESTMINSTER POOL] IS JUST FOR DOGS. EVEN THE HUMANE SOCIETY GOT MONEY TO [HAVE] DOG CANDIES THAT WERE RED AND WHITE…DOG TREATS DECORATED WITH RED AND WHITE BALLOONS AND RIBBONS. I WENT TO IT AND IT WAS HILARIOUS. THE DOGS [TOOK] OVER THE POOL AND THEY’RE SO HAPPY, IN CELEBRATION OF CANADA’S 150TH.” “WE ALSO HAD FREE SWIMMING AND SKATING THROUGHOUT THE YEAR THAT THE CITY SPONSORED AS A CELEBRATION. THAT WAS BECAUSE WE OBVIOUSLY WANT PEOPLE TO BE ACTIVE AND WE WANT PEOPLE TO USE OUR FACILITIES, AND WE KNOW THAT COSTS CAN BE A BARRIER. EVERY MONTH WE HAD AT LEAST ONE FREE SWIMMING WHERE THE FIRST HUNDRED AND FIFTY PEOPLE WERE FREE. IN THE SUMMER THAT INCLUDED BOTH OF THE OUTDOOR POOLS, HENDERSON AND WESTMINSTER. HENDERSON WAS REALLY POPULAR ‘CAUSE IT’S ONLY SECOND YEAR OF OPERATIONS…IT’S STILL [A] VERY POPULAR PLACE TO GO. THEN, WE HAD FREE SKATING AT ALL OUR ARENAS, INCLUDING THE NEW ATB CENTRE AND WE HAD THOSE AT LEAST [ONCE] A WEEK THROUGHOUT THE WHOLE YEAR. THOUSANDS OF PEOPLE IN LETHBRIDGE GOT TO PARTICIPATE IN SWIMMING OR SKATING FOR FREE AS [PART OF THE] CELEBRATION. AT SOME OF THOSE, WE HANDED OUT LITTLE CANADA FLAGS OR CANADA TATTOOS OR HAD BALLOONS.” ON THE DONATION OF CANADA 150 MATERIALS TO THE MUSEUM, HARASEM NOTED, “I BELIEVE THAT THIS IS IMPORTANT TO GO TO THE GALT BECAUSE I KNOW THAT WHEN WE FIRST REALIZED WE NEEDED TO DO SOMETHING TO CELEBRATE THE 150TH, THE FIRST THING WE DID WAS LOOK BACK TO SEE WHAT HAPPENED AT THE 100TH AND WHAT WE HAD IN THE MUSEUM AND ELSEWHERE IN LETHBRIDGE FOR CELEBRATIONS THAT OCCURRED AT THAT TIME. [WE WERE LOOKING TO] SEE IF THERE WERE THINGS THAT WE COULD MIMIC OR SHOULD KNOW ABOUT. WE USED A LOT OF PHOTOS THROUGH OUR REC AND CULTURE GUIDE FOR THAT YEAR TO REMIND PEOPLE THAT, FIFTY YEARS AGO WAS THE BIG CENTENNIAL. WE THOUGHT THAT WHEN THE 200TH COMES, THAT PEOPLE WOULD PROBABLY BE WANTING TO LOOK BACK TO 2017 TO SEE WHAT HAD HAPPENED.” SUDO ADDED, “I THINK CANADA’S SESQUICENTENNIAL [150TH ANNIVERSARY] WAS VERY IMPORTANT TO REMEMBER BECAUSE FIFTY YEARS IS A LONG TIME AND A LOT HAPPENS IN FIFTY YEARS. IT’S GREAT TO BE ABLE TO LOOK BACK AT ALL OF THE THINGS THAT WE DID FOR CANADA’S SESQUICENTENNIAL AND REMEMBER ALL OF THE HARD WORK, AND THE COMMUNITY COMING TOGETHER AND SHOWING THEIR CANADIAN PRIDE.” FOR MORE INFORMATION INCLUDING THE FULL INTERVIEW TRANSCRIPTION, PLEASE SEE THE PERMANENT FILE P20180006007-GA.
Catalogue Number
P20180006001
Acquisition Date
2018-03
Collection
Museum
Images
Less detail
Material Type
Artifact
Materials
PLASTIC, DYE
Catalogue Number
P20180006002
Material Type
Artifact
Date
2017
Materials
PLASTIC, DYE
No. Pieces
1
Length
50
Diameter
0.9
Description
WHITE OPAQUE GLOW-STICK TUBE ATTACHED TO TIED RED RIBBON; GLOW-STICK HAS CAP ON END WITH LOOP FOR ATTACHED RIBBON. FRONT OF GLOW-STICK HAS BLACK LOGO “CANADA 150” WITH IMAGE OF 2017 CANADA 150 MAPLE LEAF; GLOW-STICK CONTAINS INTACT LIQUID. GLOW-STICK HAS MINOR BLACK AND BROWN STAINING ON FRONT; OVERALL EXCELLENT CONDITION.
Subjects
CEREMONIAL ARTIFACT
Historical Association
COMMEMORATIVE
History
ON MARCH 29, 2018, COLLECTIONS TECHNICIAN KEVIN MACLEAN INTERVIWEED LORI HARASEM AND JENNIE SUDO REGARDING THE CITY OF LETHBRIDGE DONATION OF CANADA 150 MEMORABILIA. HARASEM AND SUDO WERE INVOLVED WITH ORGANIZING THE JULY 1, 2017 EVENTS FOR CANADA 150, WITH SUDO ACTING AS CHAIR FOR THE LETHBRIDGE CANADA DAY COMMITTEE WITH THE CITY OF LETHBRIDGE AND HARASEM AS A MEMBER OF THE COMMITTEE. ON THE GLOWSTICK, HARASEM ELABORATED, “THOSE WERE GIVEN OUT AT THE CANADA 150 PAVILION SO THAT PEOPLE WOULD COME TO THE PAVILION. THEN WHEN THEY WENT OUTSIDE IN THE EVENING TO GO ON THE RIDES AT WHOOP-UP DAYS, THEY’D HAVE A GLOW STICK TO PROMOTE THE PAVILION. WE HANDED THOSE OUT, AND WE ALSO HAD BALLOONS AND HELIUM BALLOONS AND GAVE THOSE ALL OUT." “[THEY WERE] COMMERCIAL, MASS-PRODUCED…THEY WERE FROM TORONTO. I THINK THE COMPANY THAT I ORDERED THEM FROM…WAS BUBBLE-GUM.” HARASEM AND SUDO RECALLED THEIR TIME PLANNING AND ORGANIZING THE 2017 EVENTS, WITH SUDO NOTING ABOUT THE PLANNING COMMITTEE, “THE LETHBRIDGE CANADA-DAY COMMITTEE IS A COMMITTEE THAT’S MADE UP OF CITY OF LETHBRIDGE EMPLOYEES IN PART WITH COMMUNITY VOLUNTEERS. MY POSITION AS THE COORDINATOR OF RECREATION AND CULTURE, I AM AUTOMATICALLY VOLUNTEERED FOR THIS COMMITTEE ALONG WITH OUR RECREATION AND CULTURE TEAM. THE CHAIRING RESPONSIBILITIES FOR THAT COMMITTEE GET ROTATED BETWEEN OUR TEAM MEMBERS EVERY TWO YEARS AND MY YEAR JUST SO HAPPENED TO FALL ON THIS VERY IMPORTANT, NOSTALGIC YEAR FOR CANADA’S 150.” “[THE COMMITTEE IS] ALWAYS IN EXISTENCE. I THINK [THERE] WAS A LOT OF PRESSURE, BUT REALLY GREAT PRESSURE. I WAS VERY PROUD TO BE ABLE TO BE PART OF THE COMMITTEE. AND BEING ABLE TO LEAD THE TEAM FOR MY VERY FIRST TURN AT CHAIRING THE COMMITTEE. I FELT A LOT OF PRIDE TO BE ABLE TO SHOW THAT OUR COMMUNITY CAN COME TOGETHER AND CELEBRATE CANADA’S 150.” “[THE] COMMITTEE [WAS] COMPRISED OF THE RECREATION AND CULTURE TEAM, WHICH WAS TWO MANAGERS, LORI HARASEM AND JASON FREUND, MYSELF AS THE CHAIR FOR [2017]. WE ALSO [HAD] MARLENE LAPOINTE, SARAH BURTON, SCOTT CARPENTER AND ONE OF OUR TEMPORARY EMPLOYEES, ERIC SHARP, [AS] PART OF THE COMMITTEE AS FAR AS THE CITY OF LETHBRIDGE SIDE GOES. WE ALSO HAD THREE PUBLIC VOLUNTEERS FROM THE COMMUNITY. WE HAD ADELLE HARRINGTON, BOBBY MCCALLUM AND DAVID FRITZ WHO ALSO PLAYED A HUGE ROLE IN HELPING COORDINATE SOME OF THE ACTIVITIES THERE.” “AS SOON AS CANADA DAY 2016 ENDED, WE WERE ALREADY THINKING ABOUT WHAT WE WERE GOING TO BRING BACK, WHAT KIND OF BUDGET WE WERE GOING TO NEED, WHAT KIND OF ACTIVITIES WE WERE GOING TO HAVE, HOW WE WERE GOING TO MAKE IT SPECIAL, AND MAKE IT STAND OUT THE NEXT YEAR…FOR THE REST OF THE CANADA DAY [EVENTS], THE ONES THAT AREN’T CANADA 150 OR STAND-OUT, WE WOULD PROBABLY ONLY START [PLANNING] ABOUT SIX MONTHS IN ADVANCE. BUT, THE PLANNING PROCESS FOR CANADA DAY, PERIOD, IS QUITE LONG AND STRENUOUS. WE HAVE TO THINK ABOUT SOME PRETTY TIGHT TIMELINES WHEN WE’RE TALKING ABOUT PLANNING AN EVENT THAT BIG. WE DEFINITELY NEEDED THE FULL YEAR TO PLAN CANADA 150.” “CURRENTLY, THE ONLY SPECIAL EVENT THAT THE CITY OF LETHBRIDGE REALLY HOSTS, AS A CORPORATION, IS THE CANADA DAY EVENT. WE RELY ON OUR COMMUNITY GROUPS TO DO MOST OF OUR OTHER SPECIAL EVENTS. ON THE EVENTS PLANNED, HARASEM RECALLED, “IN ALL HONESTY, FOR THE CANADA DAY ACTIVITIES ITSELF, THOUGH I’M ON THE COMMITTEE, I’M NOT AS INVOLVED WITH THAT AS OTHER THINGS THAT I OVERSAW THAT LASTED FROM JANUARY 1ST TO DECEMBER 31ST. SEEING JENNIE AND THE TEAM AND HOW MUCH THEY WORKED…THEY EVEN CHANGED THE LAYOUT AT HENDERSON LAKE THAT HAD BEEN THE SAME WAY FOREVER AND WE HAD TO GO TO SENIOR LEADERS OF THE CITY AND ASK FOR EXTRA MONEY BECAUSE THE BUDGET FOR CANADA DAY HASN’T CHANGED FOR TWELVE OR FIFTEEN YEARS. TO PUT ON SOMETHING THAT WE KNEW THE PUBLIC EXPECTED A LOT [FROM]…[WAS] MY BIGGEST ROLE WITH THE CANADA DAY. IT WAS A HUGE AMOUNT OF WORK AND IT WAS SO SUCCESSFUL, ESPECIALLY ON THE SOCIAL MEDIA SIDE. AT THE CITY, WE’RE USED TO SEEING A LOT OF NEGATIVE COMMENTS. OUR COMMUNICATIONS TEAM HAS SAID THAT THE MOST POSITIVE COMMENTS THEY’VE EVER HAD ON ANYTHING THAT THEY’VE EVER POSTED ON THEIR FACEBOOK WAS AFTER THE CANADA DAY. I THINK THAT THEIR TEAM, JENNIE’S TEAM, DID AMAZING AT MEETING THE EXPECTATIONS OF THE PUBLIC WHICH WERE VERY HIGH.” “I CAME IN [WITH THE COMMUNITY GROUPS ORGANIZING]. WE HAD A GRANT, ‘CANADA 150’. WE HAD EXTRA FUNDING INJECTED INTO OUR BUDGET FOR 2017 [AT] OUR REQUEST, SO THAT WE COULD HELP LOCAL GROUPS THAT WERE ALREADY DOING EVENTS TO THEME IT AROUND CANADA 150. NORMALLY, THE CITY’S RULES IS YOU CAN ONLY GET ONE GRANT FOR ANY EVENT, EVEN THOUGH THERE’S MULTIPLE GRANTS AVAILABLE. BUT, FOR CANADA 150, WE ALLOWED GROUPS TO GET THEIR NORMAL GRANT, AND WE ALLOWED THEM TO ASK FOR UP TO $750 EXTRA, AND THAT WOULD ALLOW THEM TO THEN THEME THEIR EVENT. WE DIDN’T CARE HOW THEY DID THAT. IF THEY WANTED TO USE $750 TO BUY RED AND WHITE CUPCAKES AND BALLOONS [THEY COULD]. WE HAD [AT THE] JAPANESE GARDEN A HUNDRED AND FIFTY JAPANESE DANCERS PERFORMING AND THEY BOUGHT SPECIAL RED MATCHING JACKETS WITH THE MONEY THEY GOT. IT WAS OUR WAY OF ENCOURAGING THE COMMUNITY TO CELEBRATE CANADA 150 ALL YEAR-ROUND. BECAUSE ALL WE DO IS CANADA DAY, WE HAD TO FIND A WAY TO HELP THE COMMUNITY CELEBRATE CANADA 150 AND TO PUT IT IN THE PUBLIC’S EYES ALL YEAR-ROUND IN ANY WAY WE COULD. WE HAD A LOT OF GROUPS AND A LOT OF EVENTS. THERE WAS THIRTY-EIGHT EVENTS THAT RECEIVED FUNDING OVER THE COURSE OF THE YEAR, SO THERE WAS SOMETHING EVERY MONTH OF THE YEAR.” “DURING, “PRETTY, WITTY AND GAY”, WHICH IS AN EVENT THE LGBTQ COMMUNITY PUTS ON IN FEBRUARY/MARCH, THEY USED THEIR FUNDING TO [HAVE] A BIG BULLETIN BOARD WHERE PEOPLE [COULD] WRITE DOWN THEIR THOUGHTS ABOUT WHAT IT WAS LIKE TO BE GAY IN CANADA. AND TO SHARE THEIR FEELINGS ON [BEING GAY IN CANADA] TO CONNECT BECAUSE, OBVIOUSLY, WE’RE A MORE OPEN-MINDED COUNTRY AROUND THAT THAN MOST OF THE WORLD. THAT, TO ME, WAS A REALLY UNIQUE WAY TO CELEBRATE CANADA’S 150TH.” “WE ALSO HAD A SMALL THEATRE GROUP COME TOGETHER, A COLLECTIVE THAT HAD NEVER EXISTED BEFORE. THEY PUT ON A VERY CONTROVERSIAL PLAY ABOUT FORMER PRIME MINISTER STEPHEN HARPER WHICH I WENT TO SEE AND IT WAS PRETTY SMALL. IT WASN’T THIS HUGE PLAY WHICH IS DONE IN CASA IN THE BLACK BOX [THE COMMUNITY ATB ROOM] BUT IT WAS FUNNY. IT WAS VERY CONTROVERSIAL AND WE DID PUT SOME MONEY BEHIND THAT.” “[THERE WAS] UPPER VICTORIA PARK NEIGHBOURS. I HAD SO MANY NEIGHBOUR DAYS. BUT WITH NEIGHBOUR DAY BEING A VERY POPULAR EVENT IN JUNE, AND WE’VE GOT MORE NEIGHBOURHOOD ASSOCIATIONS FORMING, WE REALLY ENCOURAGED THE NEIGHBOURHOODS TO APPLY FOR THE GRANT. MOST OF THE NEIGHBOURHOOD ASSOCIATIONS, AT THIS POINT, THEIR NEIGHBOUR DAY EVENTS ARE PRETTY SMALL, UNDER A HUNDRED PEOPLE. BUT IT’S THE PERFECT PLACE TO CELEBRATE CANADA DAY AND CELEBRATE YOUR NEIGHBOURS. OF COURSE, UPPER VICTORIA PARK IS THE ‘GO BIG OR GO HOME’ NEIGHBOURHOOD ASSOCIATION FOR NEIGHBOUR DAY. IT’S EXCITING WHENEVER WE’RE ABLE TO SUPPORT THE THEME OF THE EVENT IN ANY WAY BECAUSE WE KNOW THAT PEOPLE FROM EVEN OUTSIDE LETHBRIDGE ATTEND THAT EVENT. WE’RE NOT JUST SUPPORTING THE MEMBERS OF UPPER VICTORIA PARK NEIGHBOURHOOD ASSOCIATION WHEN WE SUPPORT SOMETHING, SO IT WAS NEAT TO BE ABLE TO PUT SOME MONEY THERE.” “OF COURSE, WINTER LIGHTS FESTIVAL AT JAPANESE GARDEN IS A VERY NEW EVENT. THIS WAS ONLY ITS SECOND YEAR, EVER. THOUGH IT IS A TRADITIONAL, JAPANESE, CULTURAL WINTER EVENT, WE WERE ABLE TO GIVE THEM SOME FUNDING, TOO, BECAUSE THEY ACTUALLY [HAD] THE FIRST EVENT IN 2017 BECAUSE THEY START IN EARLY DECEMBER AND GO TILL FEBRUARY. THEY WERE THE LAST EVENT, ‘CAUSE THEY WERE ON NEW YEAR’S EVE IN 2017. THAT FESTIVAL, THE FIRST TWO YEARS OF IT, KICKED OFF THE BEGINNING OF CANADA 150 AND ENDED CANADA 150 FOR US. IT WAS NEAT TO HAVE SUCH AN IMPORTANT CULTURAL GROUP AND ATTRACTION IN LETHBRIDGE…BE THE FOCUS OF THAT. THERE WERE EVENTS OF ALL SIZES. WE EVEN HAD THE DOGS THAT [ON] THE LAST DAY OF OPERATIONS [AT WESTMINSTER POOL] IS JUST FOR DOGS. EVEN THE HUMANE SOCIETY GOT MONEY TO [HAVE] DOG CANDIES THAT WERE RED AND WHITE…DOG TREATS DECORATED WITH RED AND WHITE BALLOONS AND RIBBONS. I WENT TO IT AND IT WAS HILARIOUS. THE DOGS [TOOK] OVER THE POOL AND THEY’RE SO HAPPY, IN CELEBRATION OF CANADA’S 150TH.” “WE ALSO HAD FREE SWIMMING AND SKATING THROUGHOUT THE YEAR THAT THE CITY SPONSORED AS A CELEBRATION. THAT WAS BECAUSE WE OBVIOUSLY WANT PEOPLE TO BE ACTIVE AND WE WANT PEOPLE TO USE OUR FACILITIES, AND WE KNOW THAT COSTS CAN BE A BARRIER. EVERY MONTH WE HAD AT LEAST ONE FREE SWIMMING WHERE THE FIRST HUNDRED AND FIFTY PEOPLE WERE FREE. IN THE SUMMER THAT INCLUDED BOTH OF THE OUTDOOR POOLS, HENDERSON AND WESTMINSTER. HENDERSON WAS REALLY POPULAR ‘CAUSE IT’S ONLY SECOND YEAR OF OPERATIONS…IT’S STILL [A] VERY POPULAR PLACE TO GO. THEN, WE HAD FREE SKATING AT ALL OUR ARENAS, INCLUDING THE NEW ATB CENTRE AND WE HAD THOSE AT LEAST [ONCE] A WEEK THROUGHOUT THE WHOLE YEAR. THOUSANDS OF PEOPLE IN LETHBRIDGE GOT TO PARTICIPATE IN SWIMMING OR SKATING FOR FREE AS [PART OF THE] CELEBRATION. AT SOME OF THOSE, WE HANDED OUT LITTLE CANADA FLAGS OR CANADA TATTOOS OR HAD BALLOONS.” ON THE DONATION OF CANADA 150 MATERIALS TO THE MUSEUM, HARASEM NOTED, “I BELIEVE THAT THIS IS IMPORTANT TO GO TO THE GALT BECAUSE I KNOW THAT WHEN WE FIRST REALIZED WE NEEDED TO DO SOMETHING TO CELEBRATE THE 150TH, THE FIRST THING WE DID WAS LOOK BACK TO SEE WHAT HAPPENED AT THE 100TH AND WHAT WE HAD IN THE MUSEUM AND ELSEWHERE IN LETHBRIDGE FOR CELEBRATIONS THAT OCCURRED AT THAT TIME. [WE WERE LOOKING TO] SEE IF THERE WERE THINGS THAT WE COULD MIMIC OR SHOULD KNOW ABOUT. WE USED A LOT OF PHOTOS THROUGH OUR REC AND CULTURE GUIDE FOR THAT YEAR TO REMIND PEOPLE THAT, FIFTY YEARS AGO WAS THE BIG CENTENNIAL. WE THOUGHT THAT WHEN THE 200TH COMES, THAT PEOPLE WOULD PROBABLY BE WANTING TO LOOK BACK TO 2017 TO SEE WHAT HAD HAPPENED.” SUDO ADDED, “I THINK CANADA’S SESQUICENTENNIAL [150TH ANNIVERSARY] WAS VERY IMPORTANT TO REMEMBER BECAUSE FIFTY YEARS IS A LONG TIME AND A LOT HAPPENS IN FIFTY YEARS. IT’S GREAT TO BE ABLE TO LOOK BACK AT ALL OF THE THINGS THAT WE DID FOR CANADA’S SESQUICENTENNIAL AND REMEMBER ALL OF THE HARD WORK, AND THE COMMUNITY COMING TOGETHER AND SHOWING THEIR CANADIAN PRIDE.” FOR MORE INFORMATION INCLUDING THE FULL INTERVIEW TRANSCRIPTION, PLEASE SEE THE PERMANENT FILE P20180006007-GA.
Catalogue Number
P20180006002
Acquisition Date
2018-03
Collection
Museum
Less detail
Other Name
"CANADA 150"
Material Type
Artifact
Materials
NYLON, PLASTIC, WOOD
Catalogue Number
P20180006003
Material Type
Artifact
Other Name
"CANADA 150"
Date
2017
Materials
NYLON, PLASTIC, WOOD
No. Pieces
1
Length
131.5
Width
65
Description
WHITE NYLTON FLAG WITH MACHINE-STITCHED EDGES; LEFT EDGE HAS STITCHED LOOP WITH ATTACHED WHITE NYLON CORD KNOTTED AT BOTTOM AND CORD FIXED TO WOODEN HANDLE AT TOP. WOODEN HANDLE HAS WHITE PLASTIC TWIST-TIE ATTACHED. FLAG IS PRINTED SINGLE-SIDED, WITH FRONT SHOWING MULTI-COLOURED 2017 CANADA SESQUICENTENNIAL MAPLE LEAF LOGO PRINTED IN CENTER AND BLUE TEXT BELOW LEAF “CANADA 150”. FRONT HAS MINOR STAINING ON RIGHT SIDE; FLAG IS CREASED AND FOLDED; OVERALL VERY GOOD CONDITION.
Subjects
CEREMONIAL ARTIFACT
Historical Association
COMMEMORATIVE
History
ON MARCH 29, 2018, COLLECTIONS TECHNICIAN KEVIN MACLEAN INTERVIWEED LORI HARASEM AND JENNIE SUDO REGARDING THE CITY OF LETHBRIDGE DONATION OF CANADA 150 MEMORABILIA. HARASEM AND SUDO WERE INVOLVED WITH ORGANIZING THE JULY 1, 2017 EVENTS FOR CANADA 150, WITH SUDO ACTING AS CHAIR FOR THE LETHBRIDGE CANADA DAY COMMITTEE WITH THE CITY OF LETHBRIDGE AND HARASEM AS A MEMBER OF THE COMMITTEE. ON THE FLAG, HARASEM ELABORATED, “[THE FLAG] WAS ON DISPLAY IN CITY HALL FOR THE WHOLE YEAR, AND IT WAS IN THE FOYER ON OUR…TRIPOD…WE HAVE THE DIFFERENT FLAGS AND THE CANADA 150 FLAG…WE HAD SOME OF THESE OUTSIDE NUMEROUS FACILITIES, CITY FACILITIES, NOT JUST CITY HALL.” SUDO ADDED, “[IT WAS MADE BY] AURORA FLAGS. THAT SAME COMPANY THAT MADE OUR STREET POLE BANNERS UP IN EDMONTON.” HARASEM AND SUDO RECALLED THEIR TIME PLANNING AND ORGANIZING THE 2017 EVENTS, WITH SUDO NOTING ABOUT THE PLANNING COMMITTEE, “THE LETHBRIDGE CANADA-DAY COMMITTEE IS A COMMITTEE THAT’S MADE UP OF CITY OF LETHBRIDGE EMPLOYEES IN PART WITH COMMUNITY VOLUNTEERS. MY POSITION AS THE COORDINATOR OF RECREATION AND CULTURE, I AM AUTOMATICALLY VOLUNTEERED FOR THIS COMMITTEE ALONG WITH OUR RECREATION AND CULTURE TEAM. THE CHAIRING RESPONSIBILITIES FOR THAT COMMITTEE GET ROTATED BETWEEN OUR TEAM MEMBERS EVERY TWO YEARS AND MY YEAR JUST SO HAPPENED TO FALL ON THIS VERY IMPORTANT, NOSTALGIC YEAR FOR CANADA’S 150.” “[THE COMMITTEE IS] ALWAYS IN EXISTENCE. I THINK [THERE] WAS A LOT OF PRESSURE, BUT REALLY GREAT PRESSURE. I WAS VERY PROUD TO BE ABLE TO BE PART OF THE COMMITTEE. AND BEING ABLE TO LEAD THE TEAM FOR MY VERY FIRST TURN AT CHAIRING THE COMMITTEE. I FELT A LOT OF PRIDE TO BE ABLE TO SHOW THAT OUR COMMUNITY CAN COME TOGETHER AND CELEBRATE CANADA’S 150.” “[THE] COMMITTEE [WAS] COMPRISED OF THE RECREATION AND CULTURE TEAM, WHICH WAS TWO MANAGERS, LORI HARASEM AND JASON FREUND, MYSELF AS THE CHAIR FOR [2017]. WE ALSO [HAD] MARLENE LAPOINTE, SARAH BURTON, SCOTT CARPENTER AND ONE OF OUR TEMPORARY EMPLOYEES, ERIC SHARP, [AS] PART OF THE COMMITTEE AS FAR AS THE CITY OF LETHBRIDGE SIDE GOES. WE ALSO HAD THREE PUBLIC VOLUNTEERS FROM THE COMMUNITY. WE HAD ADELLE HARRINGTON, BOBBY MCCALLUM AND DAVID FRITZ WHO ALSO PLAYED A HUGE ROLE IN HELPING COORDINATE SOME OF THE ACTIVITIES THERE.” “AS SOON AS CANADA DAY 2016 ENDED, WE WERE ALREADY THINKING ABOUT WHAT WE WERE GOING TO BRING BACK, WHAT KIND OF BUDGET WE WERE GOING TO NEED, WHAT KIND OF ACTIVITIES WE WERE GOING TO HAVE, HOW WE WERE GOING TO MAKE IT SPECIAL, AND MAKE IT STAND OUT THE NEXT YEAR…FOR THE REST OF THE CANADA DAY [EVENTS], THE ONES THAT AREN’T CANADA 150 OR STAND-OUT, WE WOULD PROBABLY ONLY START [PLANNING] ABOUT SIX MONTHS IN ADVANCE. BUT, THE PLANNING PROCESS FOR CANADA DAY, PERIOD, IS QUITE LONG AND STRENUOUS. WE HAVE TO THINK ABOUT SOME PRETTY TIGHT TIMELINES WHEN WE’RE TALKING ABOUT PLANNING AN EVENT THAT BIG. WE DEFINITELY NEEDED THE FULL YEAR TO PLAN CANADA 150.” “CURRENTLY, THE ONLY SPECIAL EVENT THAT THE CITY OF LETHBRIDGE REALLY HOSTS, AS A CORPORATION, IS THE CANADA DAY EVENT. WE RELY ON OUR COMMUNITY GROUPS TO DO MOST OF OUR OTHER SPECIAL EVENTS. ON THE EVENTS PLANNED, HARASEM RECALLED, “IN ALL HONESTY, FOR THE CANADA DAY ACTIVITIES ITSELF, THOUGH I’M ON THE COMMITTEE, I’M NOT AS INVOLVED WITH THAT AS OTHER THINGS THAT I OVERSAW THAT LASTED FROM JANUARY 1ST TO DECEMBER 31ST. SEEING JENNIE AND THE TEAM AND HOW MUCH THEY WORKED…THEY EVEN CHANGED THE LAYOUT AT HENDERSON LAKE THAT HAD BEEN THE SAME WAY FOREVER AND WE HAD TO GO TO SENIOR LEADERS OF THE CITY AND ASK FOR EXTRA MONEY BECAUSE THE BUDGET FOR CANADA DAY HASN’T CHANGED FOR TWELVE OR FIFTEEN YEARS. TO PUT ON SOMETHING THAT WE KNEW THE PUBLIC EXPECTED A LOT [FROM]…[WAS] MY BIGGEST ROLE WITH THE CANADA DAY. IT WAS A HUGE AMOUNT OF WORK AND IT WAS SO SUCCESSFUL, ESPECIALLY ON THE SOCIAL MEDIA SIDE. AT THE CITY, WE’RE USED TO SEEING A LOT OF NEGATIVE COMMENTS. OUR COMMUNICATIONS TEAM HAS SAID THAT THE MOST POSITIVE COMMENTS THEY’VE EVER HAD ON ANYTHING THAT THEY’VE EVER POSTED ON THEIR FACEBOOK WAS AFTER THE CANADA DAY. I THINK THAT THEIR TEAM, JENNIE’S TEAM, DID AMAZING AT MEETING THE EXPECTATIONS OF THE PUBLIC WHICH WERE VERY HIGH.” “I CAME IN [WITH THE COMMUNITY GROUPS ORGANIZING]. WE HAD A GRANT, ‘CANADA 150’. WE HAD EXTRA FUNDING INJECTED INTO OUR BUDGET FOR 2017 [AT] OUR REQUEST, SO THAT WE COULD HELP LOCAL GROUPS THAT WERE ALREADY DOING EVENTS TO THEME IT AROUND CANADA 150. NORMALLY, THE CITY’S RULES IS YOU CAN ONLY GET ONE GRANT FOR ANY EVENT, EVEN THOUGH THERE’S MULTIPLE GRANTS AVAILABLE. BUT, FOR CANADA 150, WE ALLOWED GROUPS TO GET THEIR NORMAL GRANT, AND WE ALLOWED THEM TO ASK FOR UP TO $750 EXTRA, AND THAT WOULD ALLOW THEM TO THEN THEME THEIR EVENT. WE DIDN’T CARE HOW THEY DID THAT. IF THEY WANTED TO USE $750 TO BUY RED AND WHITE CUPCAKES AND BALLOONS [THEY COULD]. WE HAD [AT THE] JAPANESE GARDEN A HUNDRED AND FIFTY JAPANESE DANCERS PERFORMING AND THEY BOUGHT SPECIAL RED MATCHING JACKETS WITH THE MONEY THEY GOT. IT WAS OUR WAY OF ENCOURAGING THE COMMUNITY TO CELEBRATE CANADA 150 ALL YEAR-ROUND. BECAUSE ALL WE DO IS CANADA DAY, WE HAD TO FIND A WAY TO HELP THE COMMUNITY CELEBRATE CANADA 150 AND TO PUT IT IN THE PUBLIC’S EYES ALL YEAR-ROUND IN ANY WAY WE COULD. WE HAD A LOT OF GROUPS AND A LOT OF EVENTS. THERE WAS THIRTY-EIGHT EVENTS THAT RECEIVED FUNDING OVER THE COURSE OF THE YEAR, SO THERE WAS SOMETHING EVERY MONTH OF THE YEAR.” “DURING, “PRETTY, WITTY AND GAY”, WHICH IS AN EVENT THE LGBTQ COMMUNITY PUTS ON IN FEBRUARY/MARCH, THEY USED THEIR FUNDING TO [HAVE] A BIG BULLETIN BOARD WHERE PEOPLE [COULD] WRITE DOWN THEIR THOUGHTS ABOUT WHAT IT WAS LIKE TO BE GAY IN CANADA. AND TO SHARE THEIR FEELINGS ON [BEING GAY IN CANADA] TO CONNECT BECAUSE, OBVIOUSLY, WE’RE A MORE OPEN-MINDED COUNTRY AROUND THAT THAN MOST OF THE WORLD. THAT, TO ME, WAS A REALLY UNIQUE WAY TO CELEBRATE CANADA’S 150TH.” “WE ALSO HAD A SMALL THEATRE GROUP COME TOGETHER, A COLLECTIVE THAT HAD NEVER EXISTED BEFORE. THEY PUT ON A VERY CONTROVERSIAL PLAY ABOUT FORMER PRIME MINISTER STEPHEN HARPER WHICH I WENT TO SEE AND IT WAS PRETTY SMALL. IT WASN’T THIS HUGE PLAY WHICH IS DONE IN CASA IN THE BLACK BOX [THE COMMUNITY ATB ROOM] BUT IT WAS FUNNY. IT WAS VERY CONTROVERSIAL AND WE DID PUT SOME MONEY BEHIND THAT.” “[THERE WAS] UPPER VICTORIA PARK NEIGHBOURS. I HAD SO MANY NEIGHBOUR DAYS. BUT WITH NEIGHBOUR DAY BEING A VERY POPULAR EVENT IN JUNE, AND WE’VE GOT MORE NEIGHBOURHOOD ASSOCIATIONS FORMING, WE REALLY ENCOURAGED THE NEIGHBOURHOODS TO APPLY FOR THE GRANT. MOST OF THE NEIGHBOURHOOD ASSOCIATIONS, AT THIS POINT, THEIR NEIGHBOUR DAY EVENTS ARE PRETTY SMALL, UNDER A HUNDRED PEOPLE. BUT IT’S THE PERFECT PLACE TO CELEBRATE CANADA DAY AND CELEBRATE YOUR NEIGHBOURS. OF COURSE, UPPER VICTORIA PARK IS THE ‘GO BIG OR GO HOME’ NEIGHBOURHOOD ASSOCIATION FOR NEIGHBOUR DAY. IT’S EXCITING WHENEVER WE’RE ABLE TO SUPPORT THE THEME OF THE EVENT IN ANY WAY BECAUSE WE KNOW THAT PEOPLE FROM EVEN OUTSIDE LETHBRIDGE ATTEND THAT EVENT. WE’RE NOT JUST SUPPORTING THE MEMBERS OF UPPER VICTORIA PARK NEIGHBOURHOOD ASSOCIATION WHEN WE SUPPORT SOMETHING, SO IT WAS NEAT TO BE ABLE TO PUT SOME MONEY THERE.” “OF COURSE, WINTER LIGHTS FESTIVAL AT JAPANESE GARDEN IS A VERY NEW EVENT. THIS WAS ONLY ITS SECOND YEAR, EVER. THOUGH IT IS A TRADITIONAL, JAPANESE, CULTURAL WINTER EVENT, WE WERE ABLE TO GIVE THEM SOME FUNDING, TOO, BECAUSE THEY ACTUALLY [HAD] THE FIRST EVENT IN 2017 BECAUSE THEY START IN EARLY DECEMBER AND GO TILL FEBRUARY. THEY WERE THE LAST EVENT, ‘CAUSE THEY WERE ON NEW YEAR’S EVE IN 2017. THAT FESTIVAL, THE FIRST TWO YEARS OF IT, KICKED OFF THE BEGINNING OF CANADA 150 AND ENDED CANADA 150 FOR US. IT WAS NEAT TO HAVE SUCH AN IMPORTANT CULTURAL GROUP AND ATTRACTION IN LETHBRIDGE…BE THE FOCUS OF THAT. THERE WERE EVENTS OF ALL SIZES. WE EVEN HAD THE DOGS THAT [ON] THE LAST DAY OF OPERATIONS [AT WESTMINSTER POOL] IS JUST FOR DOGS. EVEN THE HUMANE SOCIETY GOT MONEY TO [HAVE] DOG CANDIES THAT WERE RED AND WHITE…DOG TREATS DECORATED WITH RED AND WHITE BALLOONS AND RIBBONS. I WENT TO IT AND IT WAS HILARIOUS. THE DOGS [TOOK] OVER THE POOL AND THEY’RE SO HAPPY, IN CELEBRATION OF CANADA’S 150TH.” “WE ALSO HAD FREE SWIMMING AND SKATING THROUGHOUT THE YEAR THAT THE CITY SPONSORED AS A CELEBRATION. THAT WAS BECAUSE WE OBVIOUSLY WANT PEOPLE TO BE ACTIVE AND WE WANT PEOPLE TO USE OUR FACILITIES, AND WE KNOW THAT COSTS CAN BE A BARRIER. EVERY MONTH WE HAD AT LEAST ONE FREE SWIMMING WHERE THE FIRST HUNDRED AND FIFTY PEOPLE WERE FREE. IN THE SUMMER THAT INCLUDED BOTH OF THE OUTDOOR POOLS, HENDERSON AND WESTMINSTER. HENDERSON WAS REALLY POPULAR ‘CAUSE IT’S ONLY SECOND YEAR OF OPERATIONS…IT’S STILL [A] VERY POPULAR PLACE TO GO. THEN, WE HAD FREE SKATING AT ALL OUR ARENAS, INCLUDING THE NEW ATB CENTRE AND WE HAD THOSE AT LEAST [ONCE] A WEEK THROUGHOUT THE WHOLE YEAR. THOUSANDS OF PEOPLE IN LETHBRIDGE GOT TO PARTICIPATE IN SWIMMING OR SKATING FOR FREE AS [PART OF THE] CELEBRATION. AT SOME OF THOSE, WE HANDED OUT LITTLE CANADA FLAGS OR CANADA TATTOOS OR HAD BALLOONS.” ON THE DONATION OF CANADA 150 MATERIALS TO THE MUSEUM, HARASEM NOTED, “I BELIEVE THAT THIS IS IMPORTANT TO GO TO THE GALT BECAUSE I KNOW THAT WHEN WE FIRST REALIZED WE NEEDED TO DO SOMETHING TO CELEBRATE THE 150TH, THE FIRST THING WE DID WAS LOOK BACK TO SEE WHAT HAPPENED AT THE 100TH AND WHAT WE HAD IN THE MUSEUM AND ELSEWHERE IN LETHBRIDGE FOR CELEBRATIONS THAT OCCURRED AT THAT TIME. [WE WERE LOOKING TO] SEE IF THERE WERE THINGS THAT WE COULD MIMIC OR SHOULD KNOW ABOUT. WE USED A LOT OF PHOTOS THROUGH OUR REC AND CULTURE GUIDE FOR THAT YEAR TO REMIND PEOPLE THAT, FIFTY YEARS AGO WAS THE BIG CENTENNIAL. WE THOUGHT THAT WHEN THE 200TH COMES, THAT PEOPLE WOULD PROBABLY BE WANTING TO LOOK BACK TO 2017 TO SEE WHAT HAD HAPPENED.” SUDO ADDED, “I THINK CANADA’S SESQUICENTENNIAL [150TH ANNIVERSARY] WAS VERY IMPORTANT TO REMEMBER BECAUSE FIFTY YEARS IS A LONG TIME AND A LOT HAPPENS IN FIFTY YEARS. IT’S GREAT TO BE ABLE TO LOOK BACK AT ALL OF THE THINGS THAT WE DID FOR CANADA’S SESQUICENTENNIAL AND REMEMBER ALL OF THE HARD WORK, AND THE COMMUNITY COMING TOGETHER AND SHOWING THEIR CANADIAN PRIDE.” FOR MORE INFORMATION INCLUDING THE FULL INTERVIEW TRANSCRIPTION, PLEASE SEE THE PERMANENT FILE P20180006007-GA.
Catalogue Number
P20180006003
Acquisition Date
2018-03
Collection
Museum
Less detail
Other Name
GHST LETHBRIDGE
Material Type
Artifact
Materials
FELT, THREAD
Catalogue Number
P20140049004
  2 images  
Material Type
Artifact
Other Name
GHST LETHBRIDGE
Date
1913
Materials
FELT, THREAD
No. Pieces
1
Height
25
Length
77
Width
0.3
Description
A YELLOW AND GREEN FELT PENNANT. MACHINE SEWN IN WITH FELT IS THE TEXT “GHTS LETHBRIDGE”. FOUR FELT RIBBONS, TWO GREEN, TWO YELLOW, SIT AS TIES AT THE WIDE END OF THE PENNANT, HAND CUT BUT APPROXIMATELY 17.5 CM LONG AND 1.5 CM WIDE. ATTACHED TO THE BACK IS A PIECE OF MASKING TAPE, ON WHICH IS HANDWRITTEN “MADE BY MRS TAYLOR”. GOOD CONDITION: THE POINT OF THE PENNANT IS FALLING APART AS THE FELT PULLS APART.
Subjects
CEREMONIAL ARTIFACT
Historical Association
COMMEMORATIVE
ASSOCIATIONS
HEALTH SERVICES
History
UPON DONATION TO THE MUSEUM, COLLECTIONS TECHNICIAN KEVIN MACLEAN ASKED MEMBERS OF THE GALT SCHOOL OF NURSING (GSN) ALUMNAE TO PROVIDE WRITTEN ANSWERS ON QUESTIONS PERTAINING TO EACH ARTIFACT DONATED IN THE COLLECTION. THE FOLLOWING INFORMATION HAS COME FROM THOSE RESPONSES CORRESPONDING TO EACH INDIVIDUAL ARTIFACT. THIS BANNER WAS DONATED TO THE GALT SCHOOL OF NURSING ALUMNAE BY ELIZABETH TAYLOR (NEE PATTESON), WHO WAS A PART OF THE FIRST CLASS OF THE GSN. IT WAS OBTAINED BY TAYLOR IN 1913, BUT ITS USE IN THE HOSPITAL IS UNKNOWN. THE WRITER OF THE ARTIFACT’S HISTORY BELIEVES, “[TAYLOR] PROBABLY RECEIVED [THE BANNER] EITHER DURING TRAINING OR WHEN SHE GRADUATED.” ACCORDING TO A PROFILE IN THE DECEMBER 4, 1981 ISSUE OF THE LETHBRIDGE HERALD AND GALT ARCHIVES RECORD 19971065002, ELIZABETH PATTESON WAS BORN IN FORT MACLEOD IN 1891 – HER FATHER, THOMAS EDWARD PATTESON, WAS A STAFF SERGEANT WITH THE NWMP. THE FAMILY MOVED TO LETHBRIDGE IN 1904, AND ELIZABETH BEGAN HER TRAINING AT THE GALT SCHOOL OF NURSING IN 1910. AFTER GRADUATION IN 1913 SHE NURSED IN SOUTHERN ALBERTA BEFORE MOVING TO EDMONTON IN 1914, WHERE SHE MET AND MARRIED LT. ARNOLD TAYLOR. ELIZABETH ENLISTED AND WENT OVERSEAS WITH THE CANADIAN ARMY SERVICE CORPS, WORKING WITH THE BRITISH RED CROSS AND GIVING BIRTH TO A SON, JOHN, IN HASLEMERE, ENGLAND. IN 1919 THE FAMILY RETURNED TO CANADA AND SETTLED IN EDMONTON. IN 1920 TAYLOR JOINED THE OVERSEAS NURSING SISTERS, WHICH SUPPORTED VETERANS IN HOSPITALS, AND WORKED FOR YEARS WITH THE CANADIAN NATIONAL INSTITUTE FOR THE BLIND AND GIRL GUIDES. A 1991 LETHBRIDGE HERALD ARTICLE ABOUT THE CELEBRATION OF THE GALT HOSPITAL CENTENNIAL MENTIONS PATTESON TAYLOR AS EXPECTED TO ATTEND THE CEREMONY AT AGE 99, THE LAST SURVIVING MEMBER OF THE FIRST GALT SCHOOL OF NURSING CLASS. THIS ARTIFACT IS AMONG A COLLECTION DONATED NEAR THE END OF 2014, BEING THE SECOND WAVE OF GSN ARTIFACTS ACQUIRED BY THE MUSEUM THAT YEAR. WITH THE FIRST WAVE OF GSN ARTIFACTS COLLECTED IN SUMMER 2014, MACLEAN INTERVIEWED THE PAST ARCHIVISTS OF THE GALT SCHOOL OF NURSING COLLECTION, SHIRLEY HIGA, ELAINE HAMILTON, AND SUE KYLLO, ABOUT THEIR INVOLVEMENT WITH THE GSN ALUMNAE ASSOCIATION AND THE HISTORY OF ARTIFACTS DONATED. FOR THAT INFORMATION, PLEASE REFER TO P20140006001. PLEASE SEE THE PERMANENT FILE FOR MORE INFORMATION.
Catalogue Number
P20140049004
Acquisition Date
2014-11
Collection
Museum
Images
Less detail
Other Name
FLAIL PADDLE
Date Range From
1920
Date Range To
1990
Material Type
Artifact
Materials
WOOD
Catalogue Number
P20160003001
  1 image  
Material Type
Artifact
Other Name
FLAIL PADDLE
Date Range From
1920
Date Range To
1990
Materials
WOOD
No. Pieces
1
Height
4
Length
41
Width
12
Description
WOODEN FLAIL. ONE END HAS A PADDLE WITH A WIDTH THAT TAPERS FROM 12 CM AT THE TOP TO 10 CM AT THE BASE. THE PADDLE IS WELL WORN IN THE CENTER WITH A HEIGHT OF 4 CM AT THE ENDS AND 2 CM IN THE CENTER. HANDLE IS ATTACHED TO THE PADDLE AND IS 16 CM LONG WITH A CIRCULAR SHAPE AT THE END OF THE HANDLE. ENGRAVED ON THE CIRCLE THE INITIALS OF DONOR’S MATERNAL GRANDMOTHER, ELIZABETH EVANAVNA WISHLOW, “ . . .” GOOD CONDITION. THERE IS SLIGHT SPLITTING OF THE WOOD ON THE PADDLE AND AROUND THE JOINT BETWEEN THE HANDLE AND THE PADDLE. OVERALL WEAR FROM USE.
Subjects
AGRICULTURAL T&E
Historical Association
AGRICULTURE
ETHNOGRAPHIC
History
THE FOLLOWING INFORMATION HAS BEEN EXTRACTED FROM A TWO-PART INTERVIEW WITH DONOR ELSIE MORRIS, WHICH WAS CONDUCTED BY COLLECTIONS TECHNICIAN KEVIN MACLEAN ON FEBRUARY 17, 2016. ADDITIONAL INFORMATION COMES FROM FAMILY HISTORIES AND TEXTS PROVIDED BY THE DONOR. THIS WOODEN DOUKHOBOR TOOL IS CALLED A “FLAIL.” A NOTE WRITTEN BY ELSIE MORRIS THAT WAS ATTACHED TO THE FLAIL AT THE TIME OF DONATION EXPLAINS, “FLAIL USED FOR BEATING OUT SEEDS. BELONGED TO ELIZABETH EVANAVNA WISHLOW, THEN HANDED TO HER DAUGHTER ELIZABETH PETROVNA KONKIN WHO PASSED IT ON TO HER DAUGHTER ELIZABETH W. MORRIS.” ALTERNATELY, IN THE INTERVIEW, MORRIS REMEMBERED HER GRANDMOTHER’S, “… NAME WAS JUSOULNA AND THE MIDDLE INITIAL IS THE DAUGHTER OF YVONNE. YVONNE WAS HER FATHER’S NAME AND WISHLOW WAS HER LAST NAME.” THE FLAIL AND THE BLANKET, ALSO DONATED BY MORRIS, WERE USED TOGETHER AT HARVEST TIME TO EXTRACT AND COLLECT SEEDS FROM GARDEN CROPS. ELSIE RECALLED THAT ON WINDY DAYS, “WE WOULD PICK DRIED PEAS OR BEANS, OR WHATEVER, AND WE WOULD [LAY THEM OUT ON THE BLANKET], BEAT AWAY AND THEN HOLD [THE BLANKET] UP, AND THE BREEZE WOULD BLOW THE HULLS OFF AND THE SEEDS WOULD GO STRAIGHT DOWN.” THE FLAIL CONTINUED TO BE USED BY ELIZABETH “RIGHT UP TO THE END,” POSSIBLY INTO THE 1990S, AND THEREAFTER BY MORRIS. WHEN ASKED WHY SHE STOPPED USING IT HERSELF, MORRIS SAID, “I DON’T GARDEN ANYMORE. FURTHERMORE, PEAS ARE SO INEXPENSIVE THAT YOU DON’T WANT TO GO TO ALL THAT WORK... I DON’T KNOW HOW MANY PEOPLE HARVEST THEIR SEEDS. I THINK WE JUST GO AND BUY THEM IN PACKETS NOW.” THE KONKINS WERE A RUSSIAN-SPEAKING FAMILY FROM THE TOWN OF SHOULDICE, ALBERTA, NEAR CALGARY. THEY AND MANY OTHER RUSSIAN FAMILIES COMPOSED THAT TOWN’S DOUKHOBOR COLONY. DOUKHOBOURS CAME TO CANADA IN FINAL YEARS OF THE 19TH CENTURY TO ESCAPE RELIGIOUS PERSECUTION IN RUSSIA. ELIZABETH KONKIN (NEE WISHLOW) WAS BORN IN CANORA, SK ON JANUARY 22, 1907 TO HER PARENTS, PETER AND ELIZABETH WISHLOW. AT THE AGE OF 6 SHE MOVED WITH HER FAMILY TO A DOUKHOBOR SETTLEMENT AT BRILLIANT, BC, AND THEY LATER MOVED TO THE DOUKHOBOR SETTLEMENT AT SHOULDICE. IT WAS HERE THAT SHE MET AND MARRIED WILLIAM KONKIN. THEIR DAUGHTER, ELSIE MORRIS (NÉE KONKIN), WAS BORN IN SHOULDICE IN 1928. INITIALLY, WILLIAM TRIED TO SUPPORT HIS FAMILY BY GROWING AND PEDDLING VEGETABLES. WHEN THE FAMILY RECOGNIZED THAT GARDENING WOULD NOT PROVIDE THEM WITH THE INCOME THEY NEEDED, WILLIAM VENTURED OUT TO FARM A QUARTER SECTION OF IRRIGATED LAND 120 KM (75 MILES) AWAY IN VAUXHALL. IN 1941, AFTER THREE YEARS OF FARMING REMOTELY, HE AND ELIZABETH DECIDED TO LEAVE THE ALBERTA COLONY AND RELOCATE TO VAUXHALL. MORRIS WAS 12 YEARS OLD AT THE TIME. MORRIS STATED: “… [T]HEY LEFT THE COLONY BECAUSE THERE WERE THINGS GOING ON THAT THEY DID NOT LIKE SO THEY WANTED TO FARM ON THEIR OWN. SO NOW NOBODY HAD MONEY, SO VAUXHALL HAD LAND, YOU KNOW, THAT THEY WANTED TO HAVE THE PEOPLE AND THEY DIDN’T HAVE TO PUT ANY DOWN DEPOSIT THEY JUST WERE GIVEN THE LAND AND THEY HAD TO SIGN A PAPER SAYING THEY WOULD GIVE THEM ONE FOURTH OF THE CROP EVERY YEAR. THAT WAS HOW MY DAD GOT PAID BUT WHAT MY DAD DIDN’T KNOW WAS THAT THE MONEY THAT WENT IN THERE WAS ACTUALLY PAYING OFF THE FARM SO HE WENT TO SEE MR., WHAT WAS HIS LAST NAME, HE WAS THE PERSON IN CHARGE. ANYWAY HE SAID TO HIM “HOW LONG WILL IT BE BEFORE I CAN PAY OFF THIS FARM” AND HE SAYS “YOU’VE BEEN PAYING IT RIGHT ALONG YOU OWE ABOUT TWO HUNDRED AND A FEW DOLLARS”. WELL THAT WAS A REAL SURPRISE FOR THEM SO THEY GAVE THEM THE TWO HUNDRED AND WHATEVER IT WAS THAT HE OWED AND HE BECAME THE OWNER OF THE FARM." MORRIS WENT ON, ”THE DOUKHOBORS ARE AGRARIAN, THEY LIKE TO GROW THINGS THAT’S THEIR CULTURE OF OCCUPATION AND SO THE ONES WHO LIKED FRUIT MOVED TO B.C. LIKE MY UNCLE DID AND MY DAD LIKED FARMING SO HE MOVED TO VAUXHALL AND THERE WERE LET’S SEE, I THINK THERE WERE FOUR OTHER FAMILIES THAT MOVED TO VAUXHALL AND THREE OF THE MEN GOT TOGETHER AND DECIDED THEY WERE GOING TO GET THEIR TOOLS TOGETHER LIKE A TRACTOR AND MACHINERY THEY NEEDED AND THEN THEY WOULD TAKE TURNS…” THE KONKINS RETIRED TO LETHBRIDGE FROM VAUXHALL IN 1968. MORRIS, BY THEN A SCHOOL TEACHER, RELOCATED TO LETHBRIDGE WITH HER OWN FAMILY. WILLIAM KONKIN PASSED AWAY IN LETHBRIDGE ON MARCH 3, 1977 AT THE AGE OF 72 AND 23 YEARS LATER, ON APRIL 8, 2000, ELIZABETH KONKIN PASSED AWAY IN LETHBRIDGE. A NUMBER OF ARTIFACTS PREVIOUSLY BELONGING TO THE FAMILY EXIST IN THE GALT COLLECTION. THE KONKINS RETIRED TO LETHBRIDGE FROM VAUXHALL IN 1968. MORRIS, BY THEN A SCHOOL TEACHER, RELOCATED TO LETHBRIDGE WITH HER OWN FAMILY. WILLIAM KONKIN PASSED AWAY IN LETHBRIDGE ON MARCH 3, 1977 AT THE AGE OF 72 AND 23 YEARS LATER, ON APRIL 8, 2000, ELIZABETH KONKIN PASSED AWAY IN LETHBRIDGE. A NUMBER OF ARTIFACTS PREVIOUSLY BELONGING TO THE FAMILY EXIST IN THE GALT COLLECTION. PLEASE SEE THE PERMANENT FILE FOR MORE INFORMATION INCLUDING FULL INTERVIEW TRANSCRIPTION, OBITUARIES, PHOTOGRAPHS, AND FAMILY HISTORIES.
Catalogue Number
P20160003001
Acquisition Date
2016-02
Collection
Museum
Images
Less detail
Other Name
"1000 PENGO" HUNGARIAN CURRENCY
Material Type
Artifact
Materials
PAPER, INK
Catalogue Number
P20160006001
  2 images  
Material Type
Artifact
Other Name
"1000 PENGO" HUNGARIAN CURRENCY
Date
1945
Materials
PAPER, INK
No. Pieces
1
Length
18.3
Width
8.9
Description
PINK PAPER BANK NOTE WITH BLUE INK DESIGN. FACE: TYPE READS “EZER PENGO” IN LARGE LETTERS WITH FIVE LINES OF TEXT UNDERNEATH IT. THE FIRST LINE BEGINS WITH “BUDAPEST, 1945…”, THE 3RD LINE IS MADE UP OF THREE SIGNATURES, AND THE LAST LINE ENDS IN “A TÖRÉNY BUNTETI”. THE TOP CENTER OF THE BILL READS: “1000” WITH A CREST BELOW. AN IMAGE OF A WOMAN WITH FLOWERS IN HAIR FILLS THE RIGHT SIDE OF THE BILL. AROUND THE TEXT AND IMAGES IS A FLORAL DESIGN. WHITE STAMP WITH PINK DESIGN READING “MAGYAR … BANK” STUCK TO THE RIGHT OF WOMAN’S FACE. BACK: FLORAL DESIGN BORDERING THE BORDER. “1000” IN TOP CENTER AND “EZER PENGO” IN CENTER OF DESIGN” STAMPED “F236” AND “040898” ON EITHER SIDE OF THE BILL. CONDITION: THE COLOUR IS SEVERELY FADED, ESPECIALLY ON THE OUTSIDE EDGES. THERE IS A BROWN STAIN VISIBLE ON THE RIGHT SIDE (WITH WOMAN’S IMAGE) THROUGH TO THE BACK SIDE. STAINING AND SLIGHT WEAR AROUND THE EDGES.
Subjects
EXCHANGE MEDIUM
Historical Association
CURRENCY/MAUNDY
History
THIS ARTIFACT WAS DONATED TO THE GALT MUSEUM & ARCHIVES AFTER BEING FEATURED IN THE GALT’S EXHIBITION CURATED BY WENDY AITKENS TITLED, "CHANGING PLACES: IMMIGRATION & DIVERSITY," WHICH RAN FROM 31 OCTOBER 2015 TO 17 JANUARY 2016. COPIED BELOW IS THE TEXT PANEL ASSOCIATED WITH THE ARTIFACT’S DONOR, ANTHONY (TONY) HORVATH FOR THE “CHANGING PLACES” EXHIBIT: “HORVATH WAS BORN IN AN AREA OF EASTERN EUROPE WHERE COUNTRIES’ BORDERS AND NAMES CHANGED MANY TIME DURING HIS LIFE. TONY FOUND HIMSELF WITHOUT A COUNTRY AFTER THE SECOND WORLD WAR. OF HUNGARIAN ANCESTRY, HE WAS DENIED WORK AND HE REFUSED TO BECOME A SERBIAN CITIZEN SO HE WAS ALLOWED TO LEAVE. HE TRAVELLED TO AUSTRIA AND THEN TO THE BREMERHAVEN DISPLACED PERSONS CAMP IN GERMANY. HE SAILED TO CANADA IN DECEMBER 1951 – FIGHTING SEA SICKNESS ALL THE WAY. HE TOOK THE TRAIN FROM HALIFAX TO MONTREAL AND FROM THERE HE WENT TO A FARM NEAR VERMILION, NORTH OF EDMONTON, WHERE HE CLEANED THE BARN AND FED PIGS. LEARNING THAT LETHBRIDGE HAD A LARGE HUNGARIAN COMMUNITY HE HITCH-HIKED SOUTH. HE HAD A FEW CLOTHES, $15 DOLLARS AND HIS VIOLIN. HIS FIRST JOB WAS IN THE BEET FIELDS NEAR PICTURE BUTTE. LATER HE DROVE HORSES THAT PULLED COAL CARTS IN THE SHAUGHNESSY UNDERGROUND MINE. PLAYING THE VIOLIN BROUGHT HIM MUCH JOY, MANY FRIENDS, AND HIS WIFE ANGELIKA. HE OFTEN WENT TO GALT GARDENS AFTER WORK TO PLAY HIS MUSIC AND SOON MET ANGIE, A YOUNG WOMAN RECENTLY ARRIVED FROM GERMANY. FEARING THE DANGEROUS WORK IN THE MINE, ANGIE DEMANDED THAT TONY FIND SAFER WORK ONCE THEY WERE MARRIED. INITIALLY HE WORKED FOR ELLISON MILLING COMPANY, BUT CANADIAN DRESSED MEAT PACKING HOUSE (BURNS MEATS) OFFERED $.08 MORE AN HOUR, SO HE SWITCHED EMPLOYMENT. HE WORKED THERE UNTIL HE RETIRED 27 YEARS LATER. ANGIE WORKED AT THE HOSPITAL AND THEN AS A TAILOR FOR SIMPSON SEARS DURING THAT SAME TIME PERIOD. TOGETHER THEY RAISED FOUR GIRLS.” THE INFORMATION THAT WAS PRESENTED ON THE TEXT PANEL WAS SOURCED FROM AN ORAL HISTORY INTERVIEW, WHICH WAS CONDUCTED BY AIKENS ON 8 JULY 2015. IN THAT INTERVIEW – STORED AT THE GALT ARCHIVES (20151076) – HORVATH SAID THAT HE WAS BORN IN THE BALKAN PENINSULA. HE SPOKE OF THE UNREST DURING THE SECOND WORLD WAR AND RECALLED SEEING THE BOMBING FROM ALLIES, SAYING “THE GROUND WAS SHAKEN.” HE REMEMBERED THE PUBLIC EXECUTIONS, MASS BURIALS, AND THE WOUNDED PEOPLE IN THE STREETS. IN THE INTERVIEW, HE DESCRIBED HOW THE QUALITY OF LIFE WAS NOT MUCH BETTER FOLLOWING THE WAR, DURING THE YEARS 1945 TO 1950. THERE WERE HARDSHIPS, SUCH AS LONG LINES FOR BREAD, AND THE CONFLICT HAD MADE FINDING GOOD WORK DIFFICULT FOR HORVATH – A HUNGARIAN, AND THEREFORE AN ETHNIC MINORITY IN YUGOSLAVIA. SOON AFTER HE STARTED HIS JOURNEY TO CANADA IN 1951, WHICH HE DESCRIBED TO GREATER DEPTH IN THE INTERVIEW. ON 5 JULY 2013, COLLECTIONS TECHNICIAN KEVIN MACLEAN INTERVIEWED HORVATH IN HIS HOME TO SPEAK ABOUT THE DONATION OF AN ARTIFACT (P20120044000) BY THE MEZEI ORCHESTRA, WHICH HORVATH WAS INVOLVED IN. THE FOLLOWING INFORMATION HAS BEEN EXTRACTED FROM THAT INTERVIEW: "I [WAS] BORN IN [THE 24TH OF JANUARY] 1931 AND THE SERBS OCCUPIED HUNGARY… SO I BORN ACTUALLY IN YUGOSLAVIA, AND THEN, IN 1939, WHEN THE WAR BROKE OUT – THE SECOND WORLD WAR – IN 1940, THE HUNGARIANS TOOK [IT] BACK… FROM SERBIA. AND IT WAS AGAIN HUNGARY UNTIL 1945, TILL THE WAR FINISHED. [ETHNICALLY HUNGARIAN,] I BECAME A NATIONAL MINORITY IN MY OWN COUNTRY… [A] NATIONAL MINORITY IN YUGOSLAVIA, BUT IT’S NOT YUGOSLAVIA ANYMORE. IT FALL APART AND IT’S AGAIN SERBIA.” IN THE INTERVIEW, HORVATH EXPLAINED, “I ENDED UP BACK AT HOME ABOUT 3 MONTHS BEFORE THE END OF THE [SECOND WORLD] WAR, BACK TO SERBIA TO A CITY CALLED SRBOBRAN. THE CIRCUMSTANCES WAS THAT THE LIFE STANDARD WAS POOR… BEFORE I CAME TO CANADA, I GOT A JOB IN ALEXANDERONKOVICH FACTORY, TORPEDO AND BOMBS AND ALL THAT. I WAS 18 MONTHS WORKING THERE, AND THEN I STARTED TO INVESTIGATE HOW COULD I COME OUT FROM THAT COUNTRY… I DECIDED… I [COULD] APPLY OFFICIALLY TO GIVE UP MY CITIZENSHIP – YUGOSLAVIAN CITIZENSHIP – AND [BECOME] OFFICIALLY [AN] ETHNIC MINORITY… I APPLIED TO EMIGRATE FROM SERBIA, AND I ENDED UP IN AUSTRIA AND FROM AUSTRIA TO BREMENHAVEN, A DISPLACED PERSON I [INDICATED I WAS], BUT ACTUALLY I WASN’T. I WAS A REAL IMMIGRANT BECAUSE I CAME WITH LEGAL PAPERS TO CANADA. IN 1951, I CAME TO CANADA, AND ENDED UP IN THE SUGAR BEETS, I EARNED A LIVING AS A LABOURER – CLEANING… COW STALLS, AND SO FORTH. I MET MY WIFE IN ’53. SHE IS FROM GERMANY. WE GOT MARRIED IN ’54, AND FORTUNATELY, WE HAVE 4 GROWN-UP DAUGHTERS BETWEEN US.” HORVATH ELABORATED ON HIS IMMIGRATION EXPERIENCE, “I HAD AUSTRALIAN OPTION. BUT THE CANADIAN CONSUL SENT MOVIES, PICTURES, ADVERTISEMENTS... [AND THEN] IN 1 MONTH, I WAS IN CANADA. FROM AUSTRIA TO BREMERHAVEN, IN GERMANY, IN 2-3 WEEKS, I WAS READY TO COME TO CANADA. [I] ENDED UP IN MONTREAL. THERE [WERE] STILL CAMPS FOR PRISONER OF WARS FROM THE SECOND WORLD WAR, LIKE GERMANS AND ALL THE OTHER, AND I WAS IN THERE FOR ABOUT 6 MONTHS, IN MONTREAL, FROM THERE, SOME FARMERS WERE LOOKING FOR LABOURERS. THEY ASKED ME DID I WANT TO COME TO ALBERTA. I DIDN’T KNOW ALBERTA. BIG DEAL, ALBERTA. I WASN’T SURE AT ALL, BUT WHEN I WAS TRAVELLING DAY AND NIGHT FROM THERE, TO GET TO EDMONTON FIRST, A FARMER WAS WAITING FOR ME, FROM VERMILION. I STILL REMEMBER THE NAME, BOB HOLDEN. HE WAS FROM ENGLAND, I THINK, PREVIOUSLY. HE HAD A FARM THERE AND HE NEEDED A LABOURER. I WAS A LABOURER, BUT WHEN THEY FOUND OUT I CAN PLAY THE MUSIC, FIRST I HAD A BEET SHACK. THEN THEY TOOK ME INTO HIS HOUSE. HE DIDN’T PAY MUCH. THE NEIGHBOUR [IN VERMILION] OVER THERE WAS A HUNGARIAN OLD FARMER. HE SAID TO ME, ‘SON, DON’T STAY HERE, GO TO LETHBRIDGE. THERE IS LOTS OF HUNGARIANS [THERE], AND YOU CAN GO TO THE SUGAR BEETS [FIELDS], AND YOU CAN MEET FRIENDS OVER THERE,’ AND SO ON. I HAD $15.00 IN MY POCKET BECAUSE THE FARMER DEDUCTED MY JEANS, WHAT HE BOUGHT, I CALLED THEM ‘COWBOY JEANS.' AND I ONLY HAD $15.00 LEFT, SO I HITCHHIKED FROM VERMILION ALL THE WAY ‘TIL I GET TO LETHBRIDGE I STILL HAVE SOME MONEY LEFT, AND I ENDED UP IN PICTURE BUTTE, JOE SCHAEFFER’S PLACE, WORKING IN THE SUGAR BEETS.” “IT WAS DIFFICULT AT THE BEGINNING… THE LANGUAGE…,” HORVATH EXPLAINED, “… VERY HARD BECAUSE HUNGARIAN DOESN’T HAVE A SIMILAR WORD WITH ENGLISH; GERMAN IS ABOUT 30%, SO I THANK MY WIFE; SHE LEARNED QUICKER THAN I DID, BUT, NOW, I AM O.K. I CAN GET BY.” WHEN HE FIRST CAME TO CANADA, HORVATH SAID, “I DIDN’T WANT TO BELIEVE [IT]. I THOUGHT IT’S A HEAVEN BECAUSE EVERYONE WAS FRIENDLY, NICE, YOU KNOW. MIND YOU, I WASN’T ASSOCIATING VERY MUCH WITH THE YOUNG MEN, 18-19 YEARS OLD, YOU KNOW.” HE TOLD AITKENS IN 2015 THAT HE DID NOT BRING MUCH ELSE. HE STATES, “[I] ESPECIALLY [DIDN’T BRING] MONEY. NO MONEY… EXCEPT WHAT IS WORTH NOTHING. INFLATION MONEY BY THE HUNDRED THOUSAND, MILLION, TEN MILLION… WHATEVER I HAD I GAVE TO THE OTHER MUSEUM THAT WAS IN THE GALT GARDEN (GURNEY MUSEUM)… INFLATED. THAT’S WHAT WE CALLED IT. THAT WAS INFLATION MONEY. IT WAS SO MANY, PEOPLE DIDN’T KNOW THE NUMBER. THEY JUST SAID, ‘5 YELLOW, 2 GREEN AND…’ YOU KNOW? JUST BY THE COLOUR. THE NUMBER WAS IN MILLIONS AND BILLIONS AND HUNDREDS OF THOUSANDS. PEOPLE DIDN’T KNOW. NO VALUE. YOU COULD USE IT FOR BATHROOM.” INTERNET RESEARCH STATES THAT THE PENGO WAS THE CURRENCY OF HUNGARY FROM 1927 TO 1946 AND EXPERIENCED THE MOST SERIOUS HYPERINFLATION RECORDED (SOURCE ACCESSED 10 MAY 2018). HORVATH REMEMBERED THE BELONGINGS HE BROUGHT WITH HIM IN HIS IMMIGRATION TO CANADA. IN BOTH THE 2015 INTERVIEW WITH AITKENS AND THE 2013 INTERVIEW WITH MACLEAN, HE SPEAKS OF HIS VIOLIN. IN 2013, HE TOLD MACLEAN, “IT WAS A FAMILY VIOLIN. ACTUALLY, MY UNCLE, THE VERY FIRST ONE, I GOT IT FROM HIM, AND, OF COURSE IT WAS LAYING IN THE HOUSE TILL I WAS 8 YEARS OLD, AND THEY DIDN’T WANT ME TO FOOL AROUND WITH IT, TO BREAK IT OR WHATEVER, SO I GOT A SMALLER SIZE OF VIOLIN, HALF A SIZE, AND LATER, I GOT THAT BACK AND I BROUGHT IT WITH ME TO CANADA. THE VIOLIN GAVE ME OPPORTUNITIES NEVER TO BE ALONE. I HAD FRIENDS ON ACCOUNT OF THE VIOLIN; I HAD PARTIES ON ACCOUNT OF THE VIOLIN; I HAD FOOD; I HAD DRINK; AND I HAD GOOD TIME. IT WAS MY BEST PARTNER AND BEST FRIEND. THAT’S HOW I MET MY WIFE, WITH MY VIOLIN CASE UNDER MY ARM, AT LETHBRIDGE GALT GARDEN.” HE REMEMBERED BEING IMMEDIATELY EMBRACED BY THE HUNGARIAN COMMUNITY IN THE AREA: “IN PICTURE BUTTE, JOE SCHAEFFER’S NEIGHBOUR, MR. GABOR GENCSI, HEARD ME PLAYING, [AND] HE TOOK ME OVER. HE SAYS, ‘YOU DON’T WORK THAT HARD IN THE SUGAR BEETS. COME TO ME.’ HE HAD A WIFE BUT THEY HAD NO CHILDREN, AND HE SAYS THAT THEY ARE GOING TO ADOPT ME TO STAY. I SAYS, ‘NO, I CANNOT BE ADOPTED. I HAD MOTHER AND FATHER.’ BUT, WHEN HE HEARD ME PLAYING, I WENT OVER TO HIS PLACE – THE NEIGHBOUR[ING] FARM – HE GAVE ME $100.00 IN ONE BILL. I DIDN’T KNOW HOW MUCH IT WAS WORTH, AND HE SAID YOU ARE GOING TO GET THAT EVERY MONTH, AS LONG AS YOU ARE HERE, BUT YOU HAVE TO PLAY IN THE EVENING TO ME AND TO MY WIFE. THEN I KEPT ON PLAYING EVERY NIGHT. IT WAS A GOOD CHANCE FOR PRACTICE, YOU KNOW. THEY GAVE ME THE FIRST BEDROOM, AND THEY WENT TO THE SMALLER BEDROOM JUST TO TREAT ME WELL, FREE BOARD, FREE ROOM, JUST TO PLAY THE VIOLIN IN THE EVENING. SOMETIMES I WENT OUT AND DROVE THE HORSES WHEN HE WAS THROWING THE BALES ON THE WAGON, SO I HAD A VERY GOOD TREAT, AND A VERY GOOD CHANCE TO PLAY THE VIOLIN.” HORVATH ALSO PLAYED A ROLE IN GETTING HIS PARENTS TO IMMIGRATE TO CANADA, WHERE THEY SET UP A NEW LIFE. HORVATH SAID, “IN 1948, WHEN MY DAD CAME BACK FROM, BECAUSE HE WAS IN THE ARMY, ON THE GERMAN SIDE. HE WAS A PRISONER OF WAR IN RUSSIA, AND HE CAME BACK IN 1948 FROM RUSSIAN PRISONER OF WAR CAMP. I FELT VERY SORRY FOR MY DAD BECAUSE EVERY TIME YOU WANTED TO ASK SOMETHING ABOUT THE WAR IN RUSSIA, HE NEVER WANTED TO TALK ABOUT IT, NEVER, TO NOBODY. I DECIDED HERE, WHEN I WAS IN CANADA, THE BEST THING THEY WOULD COME OUT HERE, NO MATTER HOW OLD THEY ARE. THEY WERE VERY HAPPY… AND IN 1960 WHEN I WAS ALREADY ESTABLISHED HERE, AND MARRIED WITH CHILDREN, [I] BROUGHT MY FAMILY OUT, MY FATHER, MOTHER AND SISTER, WHO IS LIVING NOW IN STIRLING, ALBERTA. AND, THEY [WERE] ALREADY WAS IN THEIR 60’S WHEN I BROUGHT THEM OUT, BUT THEY MANAGED TO ESTABLISH THEMSELVES A GOOD LIFE HERE TOO ON 80 ACRES…” OF HIS IMMIGRATION STORY, HE TOLD AITKENS, “[IT WAS EXCITING TO] ME – TRAVELLING HALF OF EUROPE WITH NO MONEY IN THE POCKET, EXCEPT HAVING THE FIDDLE IN YOUR HAND…” PLEASE SEE PERMANENT FILE FOR MORE INFORMATION, INCLUDING THE TEXT PANEL COPY. FOR INFORMATION REGARDING HORVATH’S INTERVIEW WITH MACLEAN IN 2013, INCLUDING FULL INTERVIEW TRANSCRIPTION, PLEASE SEE PERMANENT FILE P20120044000.
Catalogue Number
P20160006001
Acquisition Date
2016-02
Collection
Museum
Images
Less detail
Other Name
10,000 PENGO, HUNGARIAN CURRENCY
Material Type
Artifact
Materials
PAPER, INK
Catalogue Number
P20160006002
  2 images  
Material Type
Artifact
Other Name
10,000 PENGO, HUNGARIAN CURRENCY
Date
1945
Materials
PAPER, INK
No. Pieces
1
Length
16.9
Width
8.2
Description
OFF-GREEN PAPER BANK NOTE WITH MAROON INK DESIGN. CENTER LEFT OF BILL IS A PINK COLOUR. FACE: TEXT ON LEFT SIDE OF NOTE READS “10000” IN DESIGN ABOVE LARGER OVAL CONTAINING TEXT: “TIZEZER PENGO” IN LARGE LETTERS WITH TWO LINES OF TEXT BENEATH “BUDAPEST 1945…” AND ENDING IN “NEMZETI BANK” WITH THREE SIGNATURES AFTER. BANNER READING “A BANKJEGYHAMISITAST… BUNTETI” BELOW. IMAGE OF WOMAN WEARING TIARA ENCLOSED IN A CIRCLE ON THE RIGHT SIDE OF THE BANK NOTE. CREST BELOW IMAGE. FLORAL DESIGN OVERALL. BACK: FLORAL BORDER AROUND BACK SIDE WITH “10000” ENCLOSED IN A TULIP-SHAPE IN ALL FOUR CORNERS. CENTER READS “TIZEZER 1000 TIZEZER” WITHIN A DECORATIVE OVAL THAT IS SURROUND BY SMALL PRINT TEXT. “L879” AND “027538” STAMPED IN RED ON EITHER SIDE OF NOTE. CONDITION: SEVERELY DISCOLOURED. DARK STAIN ACROSS ENTIRE UPPER EDGE. SLIGHT WEAR TO EDGES.
Subjects
EXCHANGE MEDIUM
Historical Association
CURRENCY/MAUNDY
History
THIS ARTIFACT WAS DONATED TO THE GALT MUSEUM & ARCHIVES AFTER BEING FEATURED IN THE GALT’S EXHIBITION CURATED BY WENDY AITKENS TITLED, "CHANGING PLACES: IMMIGRATION & DIVERSITY," WHICH RAN FROM 31 OCTOBER 2015 TO 17 JANUARY 2016. COPIED BELOW IS THE TEXT PANEL ASSOCIATED WITH THE ARTIFACT’S DONOR, ANTHONY (TONY) HORVATH FOR THE “CHANGING PLACES” EXHIBIT: “HORVATH WAS BORN IN AN AREA OF EASTERN EUROPE WHERE COUNTRIES’ BORDERS AND NAMES CHANGED MANY TIME DURING HIS LIFE. TONY FOUND HIMSELF WITHOUT A COUNTRY AFTER THE SECOND WORLD WAR. OF HUNGARIAN ANCESTRY, HE WAS DENIED WORK AND HE REFUSED TO BECOME A SERBIAN CITIZEN SO HE WAS ALLOWED TO LEAVE. HE TRAVELLED TO AUSTRIA AND THEN TO THE BREMERHAVEN DISPLACED PERSONS CAMP IN GERMANY. HE SAILED TO CANADA IN DECEMBER 1951 – FIGHTING SEA SICKNESS ALL THE WAY. HE TOOK THE TRAIN FROM HALIFAX TO MONTREAL AND FROM THERE HE WENT TO A FARM NEAR VERMILION, NORTH OF EDMONTON, WHERE HE CLEANED THE BARN AND FED PIGS. LEARNING THAT LETHBRIDGE HAD A LARGE HUNGARIAN COMMUNITY HE HITCH-HIKED SOUTH. HE HAD A FEW CLOTHES, $15 DOLLARS AND HIS VIOLIN. HIS FIRST JOB WAS IN THE BEET FIELDS NEAR PICTURE BUTTE. LATER HE DROVE HORSES THAT PULLED COAL CARTS IN THE SHAUGHNESSY UNDERGROUND MINE. PLAYING THE VIOLIN BROUGHT HIM MUCH JOY, MANY FRIENDS, AND HIS WIFE ANGELIKA. HE OFTEN WENT TO GALT GARDENS AFTER WORK TO PLAY HIS MUSIC AND SOON MET ANGIE, A YOUNG WOMAN RECENTLY ARRIVED FROM GERMANY. FEARING THE DANGEROUS WORK IN THE MINE, ANGIE DEMANDED THAT TONY FIND SAFER WORK ONCE THEY WERE MARRIED. INITIALLY HE WORKED FOR ELLISON MILLING COMPANY, BUT CANADIAN DRESSED MEAT PACKING HOUSE (BURNS MEATS) OFFERED $.08 MORE AN HOUR, SO HE SWITCHED EMPLOYMENT. HE WORKED THERE UNTIL HE RETIRED 27 YEARS LATER. ANGIE WORKED AT THE HOSPITAL AND THEN AS A TAILOR FOR SIMPSON SEARS DURING THAT SAME TIME PERIOD. TOGETHER THEY RAISED FOUR GIRLS.” THE INFORMATION THAT WAS PRESENTED ON THE TEXT PANEL WAS SOURCED FROM AN ORAL HISTORY INTERVIEW, WHICH WAS CONDUCTED BY AIKENS ON 8 JULY 2015. IN THAT INTERVIEW – STORED AT THE GALT ARCHIVES (20151076) – HORVATH SAID THAT HE WAS BORN IN THE BALKAN PENINSULA. HE SPOKE OF THE UNREST DURING THE SECOND WORLD WAR AND RECALLED SEEING THE BOMBING FROM ALLIES, SAYING “THE GROUND WAS SHAKEN.” HE REMEMBERED THE PUBLIC EXECUTIONS, MASS BURIALS, AND THE WOUNDED PEOPLE IN THE STREETS. IN THE INTERVIEW, HE DESCRIBED HOW THE QUALITY OF LIFE WAS NOT MUCH BETTER FOLLOWING THE WAR, DURING THE YEARS 1945 TO 1950. THERE WERE HARDSHIPS, SUCH AS LONG LINES FOR BREAD, AND THE CONFLICT HAD MADE FINDING GOOD WORK DIFFICULT FOR HORVATH – A HUNGARIAN, AND THEREFORE AN ETHNIC MINORITY IN YUGOSLAVIA. SOON AFTER HE STARTED HIS JOURNEY TO CANADA IN 1951, WHICH HE DESCRIBED TO GREATER DEPTH IN THE INTERVIEW. ON 5 JULY 2013, COLLECTIONS TECHNICIAN KEVIN MACLEAN INTERVIEWED HORVATH IN HIS HOME TO SPEAK ABOUT THE DONATION OF AN ARTIFACT (P20120044000) BY THE MEZEI ORCHESTRA, WHICH HORVATH WAS INVOLVED IN. THE FOLLOWING INFORMATION HAS BEEN EXTRACTED FROM THAT INTERVIEW: "I [WAS] BORN IN [THE 24TH OF JANUARY] 1931 AND THE SERBS OCCUPIED HUNGARY… SO I BORN ACTUALLY IN YUGOSLAVIA, AND THEN, IN 1939, WHEN THE WAR BROKE OUT – THE SECOND WORLD WAR – IN 1940, THE HUNGARIANS TOOK [IT] BACK… FROM SERBIA. AND IT WAS AGAIN HUNGARY UNTIL 1945, TILL THE WAR FINISHED. [ETHNICALLY HUNGARIAN,] I BECAME A NATIONAL MINORITY IN MY OWN COUNTRY… [A] NATIONAL MINORITY IN YUGOSLAVIA, BUT IT’S NOT YUGOSLAVIA ANYMORE. IT FALL APART AND IT’S AGAIN SERBIA.” IN THE INTERVIEW, HORVATH EXPLAINED, “I ENDED UP BACK AT HOME ABOUT 3 MONTHS BEFORE THE END OF THE [SECOND WORLD] WAR, BACK TO SERBIA TO A CITY CALLED SRBOBRAN. THE CIRCUMSTANCES WAS THAT THE LIFE STANDARD WAS POOR… BEFORE I CAME TO CANADA, I GOT A JOB IN ALEXANDERONKOVICH FACTORY, TORPEDO AND BOMBS AND ALL THAT. I WAS 18 MONTHS WORKING THERE, AND THEN I STARTED TO INVESTIGATE HOW COULD I COME OUT FROM THAT COUNTRY… I DECIDED… I [COULD] APPLY OFFICIALLY TO GIVE UP MY CITIZENSHIP – YUGOSLAVIAN CITIZENSHIP – AND [BECOME] OFFICIALLY [AN] ETHNIC MINORITY… I APPLIED TO EMIGRATE FROM SERBIA, AND I ENDED UP IN AUSTRIA AND FROM AUSTRIA TO BREMENHAVEN, A DISPLACED PERSON I [INDICATED I WAS], BUT ACTUALLY I WASN’T. I WAS A REAL IMMIGRANT BECAUSE I CAME WITH LEGAL PAPERS TO CANADA. IN 1951, I CAME TO CANADA, AND ENDED UP IN THE SUGAR BEETS, I EARNED A LIVING AS A LABOURER – CLEANING… COW STALLS, AND SO FORTH. I MET MY WIFE IN ’53. SHE IS FROM GERMANY. WE GOT MARRIED IN ’54, AND FORTUNATELY, WE HAVE 4 GROWN-UP DAUGHTERS BETWEEN US.” HORVATH ELABORATED ON HIS IMMIGRATION EXPERIENCE, “I HAD AUSTRALIAN OPTION. BUT THE CANADIAN CONSUL SENT MOVIES, PICTURES, ADVERTISEMENTS... [AND THEN] IN 1 MONTH, I WAS IN CANADA. FROM AUSTRIA TO BREMERHAVEN, IN GERMANY, IN 2-3 WEEKS, I WAS READY TO COME TO CANADA. [I] ENDED UP IN MONTREAL. THERE [WERE] STILL CAMPS FOR PRISONER OF WARS FROM THE SECOND WORLD WAR, LIKE GERMANS AND ALL THE OTHER, AND I WAS IN THERE FOR ABOUT 6 MONTHS, IN MONTREAL, FROM THERE, SOME FARMERS WERE LOOKING FOR LABOURERS. THEY ASKED ME DID I WANT TO COME TO ALBERTA. I DIDN’T KNOW ALBERTA. BIG DEAL, ALBERTA. I WASN’T SURE AT ALL, BUT WHEN I WAS TRAVELLING DAY AND NIGHT FROM THERE, TO GET TO EDMONTON FIRST, A FARMER WAS WAITING FOR ME, FROM VERMILION. I STILL REMEMBER THE NAME, BOB HOLDEN. HE WAS FROM ENGLAND, I THINK, PREVIOUSLY. HE HAD A FARM THERE AND HE NEEDED A LABOURER. I WAS A LABOURER, BUT WHEN THEY FOUND OUT I CAN PLAY THE MUSIC, FIRST I HAD A BEET SHACK. THEN THEY TOOK ME INTO HIS HOUSE. HE DIDN’T PAY MUCH. THE NEIGHBOUR [IN VERMILION] OVER THERE WAS A HUNGARIAN OLD FARMER. HE SAID TO ME, ‘SON, DON’T STAY HERE, GO TO LETHBRIDGE. THERE IS LOTS OF HUNGARIANS [THERE], AND YOU CAN GO TO THE SUGAR BEETS [FIELDS], AND YOU CAN MEET FRIENDS OVER THERE,’ AND SO ON. I HAD $15.00 IN MY POCKET BECAUSE THE FARMER DEDUCTED MY JEANS, WHAT HE BOUGHT, I CALLED THEM ‘COWBOY JEANS.' AND I ONLY HAD $15.00 LEFT, SO I HITCHHIKED FROM VERMILION ALL THE WAY ‘TIL I GET TO LETHBRIDGE I STILL HAVE SOME MONEY LEFT, AND I ENDED UP IN PICTURE BUTTE, JOE SCHAEFFER’S PLACE, WORKING IN THE SUGAR BEETS.” “IT WAS DIFFICULT AT THE BEGINNING… THE LANGUAGE…,” HORVATH EXPLAINED, “… VERY HARD BECAUSE HUNGARIAN DOESN’T HAVE A SIMILAR WORD WITH ENGLISH; GERMAN IS ABOUT 30%, SO I THANK MY WIFE; SHE LEARNED QUICKER THAN I DID, BUT, NOW, I AM O.K. I CAN GET BY.” WHEN HE FIRST CAME TO CANADA, HORVATH SAID, “I DIDN’T WANT TO BELIEVE [IT]. I THOUGHT IT’S A HEAVEN BECAUSE EVERYONE WAS FRIENDLY, NICE, YOU KNOW. MIND YOU, I WASN’T ASSOCIATING VERY MUCH WITH THE YOUNG MEN, 18-19 YEARS OLD, YOU KNOW.” HE TOLD AITKENS IN 2015 THAT HE DID NOT BRING MUCH ELSE. HE STATES, “[I] ESPECIALLY [DIDN’T BRING] MONEY. NO MONEY… EXCEPT WHAT IS WORTH NOTHING. INFLATION MONEY BY THE HUNDRED THOUSAND, MILLION, TEN MILLION… WHATEVER I HAD I GAVE TO THE OTHER MUSEUM THAT WAS IN THE GALT GARDEN (GURNEY MUSEUM)… INFLATED. THAT’S WHAT WE CALLED IT. THAT WAS INFLATION MONEY. IT WAS SO MANY, PEOPLE DIDN’T KNOW THE NUMBER. THEY JUST SAID, ‘5 YELLOW, 2 GREEN AND…’ YOU KNOW? JUST BY THE COLOUR. THE NUMBER WAS IN MILLIONS AND BILLIONS AND HUNDREDS OF THOUSANDS. PEOPLE DIDN’T KNOW. NO VALUE. YOU COULD USE IT FOR BATHROOM.” INTERNET RESEARCH STATES THAT THE PENGO WAS THE CURRENCY OF HUNGARY FROM 1927 TO 1946 AND EXPERIENCED THE MOST SERIOUS HYPERINFLATION RECORDED (SOURCE ACCESSED 10 MAY 2018). HORVATH REMEMBERED THE BELONGINGS HE BROUGHT WITH HIM IN HIS IMMIGRATION TO CANADA. IN BOTH THE 2015 INTERVIEW WITH AITKENS AND THE 2013 INTERVIEW WITH MACLEAN, HE SPEAKS OF HIS VIOLIN. IN 2013, HE TOLD MACLEAN, “IT WAS A FAMILY VIOLIN. ACTUALLY, MY UNCLE, THE VERY FIRST ONE, I GOT IT FROM HIM, AND, OF COURSE IT WAS LAYING IN THE HOUSE TILL I WAS 8 YEARS OLD, AND THEY DIDN’T WANT ME TO FOOL AROUND WITH IT, TO BREAK IT OR WHATEVER, SO I GOT A SMALLER SIZE OF VIOLIN, HALF A SIZE, AND LATER, I GOT THAT BACK AND I BROUGHT IT WITH ME TO CANADA. THE VIOLIN GAVE ME OPPORTUNITIES NEVER TO BE ALONE. I HAD FRIENDS ON ACCOUNT OF THE VIOLIN; I HAD PARTIES ON ACCOUNT OF THE VIOLIN; I HAD FOOD; I HAD DRINK; AND I HAD GOOD TIME. IT WAS MY BEST PARTNER AND BEST FRIEND. THAT’S HOW I MET MY WIFE, WITH MY VIOLIN CASE UNDER MY ARM, AT LETHBRIDGE GALT GARDEN.” HE REMEMBERED BEING IMMEDIATELY EMBRACED BY THE HUNGARIAN COMMUNITY IN THE AREA: “IN PICTURE BUTTE, JOE SCHAEFFER’S NEIGHBOUR, MR. GABOR GENCSI, HEARD ME PLAYING, [AND] HE TOOK ME OVER. HE SAYS, ‘YOU DON’T WORK THAT HARD IN THE SUGAR BEETS. COME TO ME.’ HE HAD A WIFE BUT THEY HAD NO CHILDREN, AND HE SAYS THAT THEY ARE GOING TO ADOPT ME TO STAY. I SAYS, ‘NO, I CANNOT BE ADOPTED. I HAD MOTHER AND FATHER.’ BUT, WHEN HE HEARD ME PLAYING, I WENT OVER TO HIS PLACE – THE NEIGHBOUR[ING] FARM – HE GAVE ME $100.00 IN ONE BILL. I DIDN’T KNOW HOW MUCH IT WAS WORTH, AND HE SAID YOU ARE GOING TO GET THAT EVERY MONTH, AS LONG AS YOU ARE HERE, BUT YOU HAVE TO PLAY IN THE EVENING TO ME AND TO MY WIFE. THEN I KEPT ON PLAYING EVERY NIGHT. IT WAS A GOOD CHANCE FOR PRACTICE, YOU KNOW. THEY GAVE ME THE FIRST BEDROOM, AND THEY WENT TO THE SMALLER BEDROOM JUST TO TREAT ME WELL, FREE BOARD, FREE ROOM, JUST TO PLAY THE VIOLIN IN THE EVENING. SOMETIMES I WENT OUT AND DROVE THE HORSES WHEN HE WAS THROWING THE BALES ON THE WAGON, SO I HAD A VERY GOOD TREAT, AND A VERY GOOD CHANCE TO PLAY THE VIOLIN.” HORVATH ALSO PLAYED A ROLE IN GETTING HIS PARENTS TO IMMIGRATE TO CANADA, WHERE THEY SET UP A NEW LIFE. HORVATH SAID, “IN 1948, WHEN MY DAD CAME BACK FROM, BECAUSE HE WAS IN THE ARMY, ON THE GERMAN SIDE. HE WAS A PRISONER OF WAR IN RUSSIA, AND HE CAME BACK IN 1948 FROM RUSSIAN PRISONER OF WAR CAMP. I FELT VERY SORRY FOR MY DAD BECAUSE EVERY TIME YOU WANTED TO ASK SOMETHING ABOUT THE WAR IN RUSSIA, HE NEVER WANTED TO TALK ABOUT IT, NEVER, TO NOBODY. I DECIDED HERE, WHEN I WAS IN CANADA, THE BEST THING THEY WOULD COME OUT HERE, NO MATTER HOW OLD THEY ARE. THEY WERE VERY HAPPY… AND IN 1960 WHEN I WAS ALREADY ESTABLISHED HERE, AND MARRIED WITH CHILDREN, [I] BROUGHT MY FAMILY OUT, MY FATHER, MOTHER AND SISTER, WHO IS LIVING NOW IN STIRLING, ALBERTA. AND, THEY [WERE] ALREADY WAS IN THEIR 60’S WHEN I BROUGHT THEM OUT, BUT THEY MANAGED TO ESTABLISH THEMSELVES A GOOD LIFE HERE TOO ON 80 ACRES…” OF HIS IMMIGRATION STORY, HE TOLD AITKENS, “[IT WAS EXCITING TO] ME – TRAVELLING HALF OF EUROPE WITH NO MONEY IN THE POCKET, EXCEPT HAVING THE FIDDLE IN YOUR HAND…” PLEASE SEE PERMANENT FILE FOR MORE INFORMATION, INCLUDING THE TEXT PANEL COPY. FOR INFORMATION REGARDING HORVATH’S INTERVIEW WITH MACLEAN IN 2013, INCLUDING FULL INTERVIEW TRANSCRIPTION, PLEASE SEE PERMANENT FILE P20120044000.
Catalogue Number
P20160006002
Acquisition Date
2016-02
Collection
Museum
Images
Less detail
Other Name
100,000 PENGO, HUNGARIAN CURRENCY
Material Type
Artifact
Materials
PAPER, INK
Catalogue Number
P20160006003
  2 images  
Material Type
Artifact
Other Name
100,000 PENGO, HUNGARIAN CURRENCY
Date
1945
Materials
PAPER, INK
No. Pieces
1
Length
17.9
Width
8.2
Description
OFF-WHITE AND BLUE PAPER BANK NOTE WITH BROWN INKED DESIGN. FACE: LEFT OF NOTE CONTAINS TEXT BEGINNING IN “100000 SZAZER PENGO”, THEN “BUDAPEST 1945…” ENDING IN “A TURVENY BUNTETI”. IMAGE OF WOMAN WITH PLEATED HAIR ON LEFT SIDE. BROWN FLOWER DESIGN ON BLUE BACKGROUND OVERALL. BORDER IS UNINKED (WHITE). BACK: BROWN ON BLUE DESIGN WITH UNMARKED/UN-INKED BORDER. TOP CENTER READS, “100000” WITH CREST DESIGN IN CENTER OF NOTE AND “SZAZEZER PENGO” ON BOTTOM BORDER. TEXT ALONG TOP OF BILL. A HORN DESIGN ON EITHER SIDE OF BILL IN DARK BLUE INK. “M 284” AND “058914” IN DARK BLUE INK STAMPED ON EITHER SIDE OF THE BILL. CONDITION: SEVERELY DISCOLORED. DARK BROWN STAIN ALONG ENTIRE BOTTOM EDGE. EDGE SLIGHTLY WORN.
Subjects
EXCHANGE MEDIUM
Historical Association
CURRENCY/MAUNDY
History
THIS ARTIFACT WAS DONATED TO THE GALT MUSEUM & ARCHIVES AFTER BEING FEATURED IN THE GALT’S EXHIBITION CURATED BY WENDY AITKENS TITLED, "CHANGING PLACES: IMMIGRATION & DIVERSITY," WHICH RAN FROM 31 OCTOBER 2015 TO 17 JANUARY 2016. COPIED BELOW IS THE TEXT PANEL ASSOCIATED WITH THE ARTIFACT’S DONOR, ANTHONY (TONY) HORVATH FOR THE “CHANGING PLACES” EXHIBIT: “HORVATH WAS BORN IN AN AREA OF EASTERN EUROPE WHERE COUNTRIES’ BORDERS AND NAMES CHANGED MANY TIME DURING HIS LIFE. TONY FOUND HIMSELF WITHOUT A COUNTRY AFTER THE SECOND WORLD WAR. OF HUNGARIAN ANCESTRY, HE WAS DENIED WORK AND HE REFUSED TO BECOME A SERBIAN CITIZEN SO HE WAS ALLOWED TO LEAVE. HE TRAVELLED TO AUSTRIA AND THEN TO THE BREMERHAVEN DISPLACED PERSONS CAMP IN GERMANY. HE SAILED TO CANADA IN DECEMBER 1951 – FIGHTING SEA SICKNESS ALL THE WAY. HE TOOK THE TRAIN FROM HALIFAX TO MONTREAL AND FROM THERE HE WENT TO A FARM NEAR VERMILION, NORTH OF EDMONTON, WHERE HE CLEANED THE BARN AND FED PIGS. LEARNING THAT LETHBRIDGE HAD A LARGE HUNGARIAN COMMUNITY HE HITCH-HIKED SOUTH. HE HAD A FEW CLOTHES, $15 DOLLARS AND HIS VIOLIN. HIS FIRST JOB WAS IN THE BEET FIELDS NEAR PICTURE BUTTE. LATER HE DROVE HORSES THAT PULLED COAL CARTS IN THE SHAUGHNESSY UNDERGROUND MINE. PLAYING THE VIOLIN BROUGHT HIM MUCH JOY, MANY FRIENDS, AND HIS WIFE ANGELIKA. HE OFTEN WENT TO GALT GARDENS AFTER WORK TO PLAY HIS MUSIC AND SOON MET ANGIE, A YOUNG WOMAN RECENTLY ARRIVED FROM GERMANY. FEARING THE DANGEROUS WORK IN THE MINE, ANGIE DEMANDED THAT TONY FIND SAFER WORK ONCE THEY WERE MARRIED. INITIALLY HE WORKED FOR ELLISON MILLING COMPANY, BUT CANADIAN DRESSED MEAT PACKING HOUSE (BURNS MEATS) OFFERED $.08 MORE AN HOUR, SO HE SWITCHED EMPLOYMENT. HE WORKED THERE UNTIL HE RETIRED 27 YEARS LATER. ANGIE WORKED AT THE HOSPITAL AND THEN AS A TAILOR FOR SIMPSON SEARS DURING THAT SAME TIME PERIOD. TOGETHER THEY RAISED FOUR GIRLS.” THE INFORMATION THAT WAS PRESENTED ON THE TEXT PANEL WAS SOURCED FROM AN ORAL HISTORY INTERVIEW, WHICH WAS CONDUCTED BY AIKENS ON 8 JULY 2015. IN THAT INTERVIEW – STORED AT THE GALT ARCHIVES (20151076) – HORVATH SAID THAT HE WAS BORN IN THE BALKAN PENINSULA. HE SPOKE OF THE UNREST DURING THE SECOND WORLD WAR AND RECALLED SEEING THE BOMBING FROM ALLIES, SAYING “THE GROUND WAS SHAKEN.” HE REMEMBERED THE PUBLIC EXECUTIONS, MASS BURIALS, AND THE WOUNDED PEOPLE IN THE STREETS. IN THE INTERVIEW, HE DESCRIBED HOW THE QUALITY OF LIFE WAS NOT MUCH BETTER FOLLOWING THE WAR, DURING THE YEARS 1945 TO 1950. THERE WERE HARDSHIPS, SUCH AS LONG LINES FOR BREAD, AND THE CONFLICT HAD MADE FINDING GOOD WORK DIFFICULT FOR HORVATH – A HUNGARIAN, AND THEREFORE AN ETHNIC MINORITY IN YUGOSLAVIA. SOON AFTER HE STARTED HIS JOURNEY TO CANADA IN 1951, WHICH HE DESCRIBED TO GREATER DEPTH IN THE INTERVIEW. ON 5 JULY 2013, COLLECTIONS TECHNICIAN KEVIN MACLEAN INTERVIEWED HORVATH IN HIS HOME TO SPEAK ABOUT THE DONATION OF AN ARTIFACT (P20120044000) BY THE MEZEI ORCHESTRA, WHICH HORVATH WAS INVOLVED IN. THE FOLLOWING INFORMATION HAS BEEN EXTRACTED FROM THAT INTERVIEW: "I [WAS] BORN IN [THE 24TH OF JANUARY] 1931 AND THE SERBS OCCUPIED HUNGARY… SO I BORN ACTUALLY IN YUGOSLAVIA, AND THEN, IN 1939, WHEN THE WAR BROKE OUT – THE SECOND WORLD WAR – IN 1940, THE HUNGARIANS TOOK [IT] BACK… FROM SERBIA. AND IT WAS AGAIN HUNGARY UNTIL 1945, TILL THE WAR FINISHED. [ETHNICALLY HUNGARIAN,] I BECAME A NATIONAL MINORITY IN MY OWN COUNTRY… [A] NATIONAL MINORITY IN YUGOSLAVIA, BUT IT’S NOT YUGOSLAVIA ANYMORE. IT FALL APART AND IT’S AGAIN SERBIA.” IN THE INTERVIEW, HORVATH EXPLAINED, “I ENDED UP BACK AT HOME ABOUT 3 MONTHS BEFORE THE END OF THE [SECOND WORLD] WAR, BACK TO SERBIA TO A CITY CALLED SRBOBRAN. THE CIRCUMSTANCES WAS THAT THE LIFE STANDARD WAS POOR… BEFORE I CAME TO CANADA, I GOT A JOB IN ALEXANDERONKOVICH FACTORY, TORPEDO AND BOMBS AND ALL THAT. I WAS 18 MONTHS WORKING THERE, AND THEN I STARTED TO INVESTIGATE HOW COULD I COME OUT FROM THAT COUNTRY… I DECIDED… I [COULD] APPLY OFFICIALLY TO GIVE UP MY CITIZENSHIP – YUGOSLAVIAN CITIZENSHIP – AND [BECOME] OFFICIALLY [AN] ETHNIC MINORITY… I APPLIED TO EMIGRATE FROM SERBIA, AND I ENDED UP IN AUSTRIA AND FROM AUSTRIA TO BREMENHAVEN, A DISPLACED PERSON I [INDICATED I WAS], BUT ACTUALLY I WASN’T. I WAS A REAL IMMIGRANT BECAUSE I CAME WITH LEGAL PAPERS TO CANADA. IN 1951, I CAME TO CANADA, AND ENDED UP IN THE SUGAR BEETS, I EARNED A LIVING AS A LABOURER – CLEANING… COW STALLS, AND SO FORTH. I MET MY WIFE IN ’53. SHE IS FROM GERMANY. WE GOT MARRIED IN ’54, AND FORTUNATELY, WE HAVE 4 GROWN-UP DAUGHTERS BETWEEN US.” HORVATH ELABORATED ON HIS IMMIGRATION EXPERIENCE, “I HAD AUSTRALIAN OPTION. BUT THE CANADIAN CONSUL SENT MOVIES, PICTURES, ADVERTISEMENTS... [AND THEN] IN 1 MONTH, I WAS IN CANADA. FROM AUSTRIA TO BREMERHAVEN, IN GERMANY, IN 2-3 WEEKS, I WAS READY TO COME TO CANADA. [I] ENDED UP IN MONTREAL. THERE [WERE] STILL CAMPS FOR PRISONER OF WARS FROM THE SECOND WORLD WAR, LIKE GERMANS AND ALL THE OTHER, AND I WAS IN THERE FOR ABOUT 6 MONTHS, IN MONTREAL, FROM THERE, SOME FARMERS WERE LOOKING FOR LABOURERS. THEY ASKED ME DID I WANT TO COME TO ALBERTA. I DIDN’T KNOW ALBERTA. BIG DEAL, ALBERTA. I WASN’T SURE AT ALL, BUT WHEN I WAS TRAVELLING DAY AND NIGHT FROM THERE, TO GET TO EDMONTON FIRST, A FARMER WAS WAITING FOR ME, FROM VERMILION. I STILL REMEMBER THE NAME, BOB HOLDEN. HE WAS FROM ENGLAND, I THINK, PREVIOUSLY. HE HAD A FARM THERE AND HE NEEDED A LABOURER. I WAS A LABOURER, BUT WHEN THEY FOUND OUT I CAN PLAY THE MUSIC, FIRST I HAD A BEET SHACK. THEN THEY TOOK ME INTO HIS HOUSE. HE DIDN’T PAY MUCH. THE NEIGHBOUR [IN VERMILION] OVER THERE WAS A HUNGARIAN OLD FARMER. HE SAID TO ME, ‘SON, DON’T STAY HERE, GO TO LETHBRIDGE. THERE IS LOTS OF HUNGARIANS [THERE], AND YOU CAN GO TO THE SUGAR BEETS [FIELDS], AND YOU CAN MEET FRIENDS OVER THERE,’ AND SO ON. I HAD $15.00 IN MY POCKET BECAUSE THE FARMER DEDUCTED MY JEANS, WHAT HE BOUGHT, I CALLED THEM ‘COWBOY JEANS.' AND I ONLY HAD $15.00 LEFT, SO I HITCHHIKED FROM VERMILION ALL THE WAY ‘TIL I GET TO LETHBRIDGE I STILL HAVE SOME MONEY LEFT, AND I ENDED UP IN PICTURE BUTTE, JOE SCHAEFFER’S PLACE, WORKING IN THE SUGAR BEETS.” “IT WAS DIFFICULT AT THE BEGINNING… THE LANGUAGE…,” HORVATH EXPLAINED, “… VERY HARD BECAUSE HUNGARIAN DOESN’T HAVE A SIMILAR WORD WITH ENGLISH; GERMAN IS ABOUT 30%, SO I THANK MY WIFE; SHE LEARNED QUICKER THAN I DID, BUT, NOW, I AM O.K. I CAN GET BY.” WHEN HE FIRST CAME TO CANADA, HORVATH SAID, “I DIDN’T WANT TO BELIEVE [IT]. I THOUGHT IT’S A HEAVEN BECAUSE EVERYONE WAS FRIENDLY, NICE, YOU KNOW. MIND YOU, I WASN’T ASSOCIATING VERY MUCH WITH THE YOUNG MEN, 18-19 YEARS OLD, YOU KNOW.” HE TOLD AITKENS IN 2015 THAT HE DID NOT BRING MUCH ELSE. HE STATES, “[I] ESPECIALLY [DIDN’T BRING] MONEY. NO MONEY… EXCEPT WHAT IS WORTH NOTHING. INFLATION MONEY BY THE HUNDRED THOUSAND, MILLION, TEN MILLION… WHATEVER I HAD I GAVE TO THE OTHER MUSEUM THAT WAS IN THE GALT GARDEN (GURNEY MUSEUM)… INFLATED. THAT’S WHAT WE CALLED IT. THAT WAS INFLATION MONEY. IT WAS SO MANY, PEOPLE DIDN’T KNOW THE NUMBER. THEY JUST SAID, ‘5 YELLOW, 2 GREEN AND…’ YOU KNOW? JUST BY THE COLOUR. THE NUMBER WAS IN MILLIONS AND BILLIONS AND HUNDREDS OF THOUSANDS. PEOPLE DIDN’T KNOW. NO VALUE. YOU COULD USE IT FOR BATHROOM.” INTERNET RESEARCH STATES THAT THE PENGO WAS THE CURRENCY OF HUNGARY FROM 1927 TO 1946 AND EXPERIENCED THE MOST SERIOUS HYPERINFLATION RECORDED (SOURCE ACCESSED 10 MAY 2018). HORVATH REMEMBERED THE BELONGINGS HE BROUGHT WITH HIM IN HIS IMMIGRATION TO CANADA. IN BOTH THE 2015 INTERVIEW WITH AITKENS AND THE 2013 INTERVIEW WITH MACLEAN, HE SPEAKS OF HIS VIOLIN. IN 2013, HE TOLD MACLEAN, “IT WAS A FAMILY VIOLIN. ACTUALLY, MY UNCLE, THE VERY FIRST ONE, I GOT IT FROM HIM, AND, OF COURSE IT WAS LAYING IN THE HOUSE TILL I WAS 8 YEARS OLD, AND THEY DIDN’T WANT ME TO FOOL AROUND WITH IT, TO BREAK IT OR WHATEVER, SO I GOT A SMALLER SIZE OF VIOLIN, HALF A SIZE, AND LATER, I GOT THAT BACK AND I BROUGHT IT WITH ME TO CANADA. THE VIOLIN GAVE ME OPPORTUNITIES NEVER TO BE ALONE. I HAD FRIENDS ON ACCOUNT OF THE VIOLIN; I HAD PARTIES ON ACCOUNT OF THE VIOLIN; I HAD FOOD; I HAD DRINK; AND I HAD GOOD TIME. IT WAS MY BEST PARTNER AND BEST FRIEND. THAT’S HOW I MET MY WIFE, WITH MY VIOLIN CASE UNDER MY ARM, AT LETHBRIDGE GALT GARDEN.” HE REMEMBERED BEING IMMEDIATELY EMBRACED BY THE HUNGARIAN COMMUNITY IN THE AREA: “IN PICTURE BUTTE, JOE SCHAEFFER’S NEIGHBOUR, MR. GABOR GENCSI, HEARD ME PLAYING, [AND] HE TOOK ME OVER. HE SAYS, ‘YOU DON’T WORK THAT HARD IN THE SUGAR BEETS. COME TO ME.’ HE HAD A WIFE BUT THEY HAD NO CHILDREN, AND HE SAYS THAT THEY ARE GOING TO ADOPT ME TO STAY. I SAYS, ‘NO, I CANNOT BE ADOPTED. I HAD MOTHER AND FATHER.’ BUT, WHEN HE HEARD ME PLAYING, I WENT OVER TO HIS PLACE – THE NEIGHBOUR[ING] FARM – HE GAVE ME $100.00 IN ONE BILL. I DIDN’T KNOW HOW MUCH IT WAS WORTH, AND HE SAID YOU ARE GOING TO GET THAT EVERY MONTH, AS LONG AS YOU ARE HERE, BUT YOU HAVE TO PLAY IN THE EVENING TO ME AND TO MY WIFE. THEN I KEPT ON PLAYING EVERY NIGHT. IT WAS A GOOD CHANCE FOR PRACTICE, YOU KNOW. THEY GAVE ME THE FIRST BEDROOM, AND THEY WENT TO THE SMALLER BEDROOM JUST TO TREAT ME WELL, FREE BOARD, FREE ROOM, JUST TO PLAY THE VIOLIN IN THE EVENING. SOMETIMES I WENT OUT AND DROVE THE HORSES WHEN HE WAS THROWING THE BALES ON THE WAGON, SO I HAD A VERY GOOD TREAT, AND A VERY GOOD CHANCE TO PLAY THE VIOLIN.” HORVATH ALSO PLAYED A ROLE IN GETTING HIS PARENTS TO IMMIGRATE TO CANADA, WHERE THEY SET UP A NEW LIFE. HORVATH SAID, “IN 1948, WHEN MY DAD CAME BACK FROM, BECAUSE HE WAS IN THE ARMY, ON THE GERMAN SIDE. HE WAS A PRISONER OF WAR IN RUSSIA, AND HE CAME BACK IN 1948 FROM RUSSIAN PRISONER OF WAR CAMP. I FELT VERY SORRY FOR MY DAD BECAUSE EVERY TIME YOU WANTED TO ASK SOMETHING ABOUT THE WAR IN RUSSIA, HE NEVER WANTED TO TALK ABOUT IT, NEVER, TO NOBODY. I DECIDED HERE, WHEN I WAS IN CANADA, THE BEST THING THEY WOULD COME OUT HERE, NO MATTER HOW OLD THEY ARE. THEY WERE VERY HAPPY… AND IN 1960 WHEN I WAS ALREADY ESTABLISHED HERE, AND MARRIED WITH CHILDREN, [I] BROUGHT MY FAMILY OUT, MY FATHER, MOTHER AND SISTER, WHO IS LIVING NOW IN STIRLING, ALBERTA. AND, THEY [WERE] ALREADY WAS IN THEIR 60’S WHEN I BROUGHT THEM OUT, BUT THEY MANAGED TO ESTABLISH THEMSELVES A GOOD LIFE HERE TOO ON 80 ACRES…” OF HIS IMMIGRATION STORY, HE TOLD AITKENS, “[IT WAS EXCITING TO] ME – TRAVELLING HALF OF EUROPE WITH NO MONEY IN THE POCKET, EXCEPT HAVING THE FIDDLE IN YOUR HAND…” PLEASE SEE PERMANENT FILE FOR MORE INFORMATION, INCLUDING THE TEXT PANEL COPY. FOR INFORMATION REGARDING HORVATH’S INTERVIEW WITH MACLEAN IN 2013, INCLUDING FULL INTERVIEW TRANSCRIPTION, PLEASE SEE PERMANENT FILE P20120044000.
Catalogue Number
P20160006003
Acquisition Date
2016-02
Collection
Museum
Images
Less detail
Material Type
Artifact
Materials
PAPER, RIBBON, SEQUINS, FOIL, STYROFOAM, FELT, COTTON, METAL, PLASTIC
Catalogue Number
P20150022004
  1 image  
Material Type
Artifact
Date
1998
Materials
PAPER, RIBBON, SEQUINS, FOIL, STYROFOAM, FELT, COTTON, METAL, PLASTIC
No. Pieces
7
Height
17
Diameter
8
Description
ALL CHRISTMAS ORNAMENTS HAVE A ROUND STYROFOAM CENTRE. A: CHRISTMAS ORNAMENT. GOLD PAPER ON BODY, GATHERED AT THE TOP, WITH NARROW GOLD RIBBON (WITH PURPLE SPOTS PAINTED ON) AND WITH WIDE, FLEXIBLE GOLD RIBBON, WITH SMALL STARS IN THE FABRIC. SMALL SILVER COLOURED BUTTERFLY EARRING AFFIXED ON ONE OF FOUR PIECES OF WIDE GOLD RIBBON. HAND DRAWN MISTLETOE ALL THE WAY AROUND ORNAMENT, BELOW THE RIBBON. METAL WIRE FOR HANGING ORNAMENT. SMALL PAPER TAG ATTACHED READS: "LYNNE GREGSON 'CAN YOU FIND THE BUTTERFLY?'" DESIGNED BY LYNNE GREGSON, AN ARTIST KNOWN FOR HIDING BUTTERFLIES WITHIN HER WORKS. VERY GOOD CONDITION. B: CHRISTMAS ORNAMENT. GOLD SEQUINS ON BODY, WITH BLACK SEQUINS FORMING A JUDO BELT AROUND CENTRE OF ORNAMENT. TOPPED WITH FLEXIBLE GOLD FABRIC RIBBON AND FLEXIBLE GOLD WIRE WITH PLASTIC GOLD COLOURED STARS ATTACHED. CANADIAN OLYMPIC PIN ON GOLD FABRIC RIBBON, ABOVE TIE OF BLACK BELT. METAL WIRE FOR HANGING ORNAMENT. SMALL PAPER TAG ATTACHED READS: "JOE MELI". DESIGNED BY JOE MELI, A FOUR TIME OLYMPIAN. VERY GOOD CONDITION. C: CHRISTMAS ORNAMENT. GOLD AND SILVER COLOURED. BODY PRIMARILY MADE OF SILVER COLOURED STRAIGHT PINS, PUSHED INTO STYROFOAM BALL. VERTICLE STRIPES AROUND BALL: EIGHT STRIPES OF A SILVER/GOLD/BLACK RIBBON, FOUR STRIPES OF SILVER STRAIGHT PINS, AND FOUR STRIPES OF SILVER STRAIGHT PINS, WITH GOLD COLOURED THUMB TACKS. GOLD THREAD WOVEN ALL AROUND BALL. SILVER COLOURED CORDING FOR HANGING ORNAMENT. SMALL PAPER TAG ATTACHED READS: "LESLIE ROBINSON-GREENE '98" DESIGNED BY LESLIE ROBINSON-GREENE, A COSTUMER AT THE UNIVERSITY OF LETHBRIDGE DRAMA DEPARTMENT. VERY GOOD CONDITION. GOLD THREAD LOOSE IN PLACES, BUT IS STILL ATTACHED TO ORNAMENT. D: CHRISTMAS ORNAMENT. GREEN SEQUINS WITH WHITE STRAIGHT PINS PUSHED INTO STYROFOAM BALL. WHITE SATIN ROSETTES AT TOP OF ORNAMENT. METAL WIRE FOR HANGING ATTACHED TO VERY NARROW WHITE SATIN RIBBON. SMALL PAPER TAG ATTACHED READS: "FIRST SNOWFLAKES - DORY ROSSITER" DESIGNED BY DORY ROSSITER, A BROADCASTER WITH CTV NEWS. VERY GOOD CONDITION. E: CHRISTMAS ORNAMENT. BLUE FOIL PAPER BODY. SINGLE PIECE OF NARROW SILVER COLOURED RIBBON VERTICALLY AROUND ORNAMENT. STRAND OF PLASTIC CHRISTMAS LIGHTS VERTICALLY AROUND ORNAMENT, PERPENDICULAR TO SILVER RIBBON. LIGHTS ARE RED, YELLOW, GREEN, BLUE, AND PURPLE. STRAND OF LIGHTS GATHERED AT THE TOP OF ORNAMENT, WITH FIVE METAL BELLS (2 VERY SMALL, 2 SMALL, 1 MEDIUM SIZED), AND TWO PLASTIC, GOLD-COLOURED VIOLINS. SEVENTEEN SILVER COLOURED 16TH-NOTES STUCK ONTO BLUE FOIL. SILVER RIBBON FOR HANGING. SMALL PAPER TAG ATTACHED READS: "MIKE LEBLANC CJOC" DESIGNED BY MIKE LEBLANC, WHO WORKED FOR CJOC. VERY GOOD CONDITION. APPEARS THAT SEVERAL 16TH-NOTES HAVE FALLEN OFF OVER THE YEARS. FOIL IS SILVER WHERE THESE NOTES HAVE FALLEN OFF. SOME GLUE REMAINS IN THESE LOCATIONS. F: CHRISTMAS ORNAMENT. BLUE SPARKLES, WITH GOLD COLOURED "CFCN - CTV" PINS STUCK INTO THE STYROFOAM BALL. SEVERAL ITEMS DEOCRATE THE TOP OF THE ORNAMENT: GOLD COLOURED PINECONE; THREE PLASTIC PINE SPRIGS; GREEN PLASTIC LEAVES WITH SPARKLES; BLUE PLASTIC APPLE WITH SPARKLES; FOUR BLUE BERRIES ON LONG GREEN STEMS; GOLD COLOURED MICROPHONE; AND A SMALL, BLUE, FOIL WRAPPED (WITH GOLD STRING RIBBON) GIFT. NO HANGING SYSTEM. SMALL PAPER TAG ATTACHED READS: "TERRY VOGT, CFCN-TV" DESIGNED BY TERRY VOGT, WHO WORKED AT CFCN. (AS OF 2016, HE REMAINS WITH CTV NEWS) GOOD CONDITION. SPARKLES COME OFF WITH MINIMAL HANDLING. G: CHRISTMAS ORNAMENT. OFF-WHITE COTTON FABRIC, STRAIGHT PINNED ONTO STYROFOAM BALL AT TOP. FABRIC HANGS DOWN, LEAVING STYROFOAM EXPOSED AT BOTTOM OF ORNAMENT. PIECE OF BLACK STRING TIED WITH A SQUARE KNOT, HORIZONTALLY AROUND ORNAMENT. TOPPED WITH A LARGE WHITE POM-POM, ON TOP OF WHICH IS A HAT MADE OF RED FELT, A SMALL WHITE POM-POM, AND WHITE PIPE CLEANER. GIVES THE APPEARANCE OF SANTA WEARING A JUDOGI. WRITTEN ON FRONT OF JUDOGI: "LETHBRIDGE JUDO CLUB" WITH JAPANESE CHARACTERS ON REVERSE. NO PAPER TAG ATTACHED. DESIGNED BY YOSH SENDA, FOUNDER OF THE LETHBRIDGE KYODOKAN JUDO CLUB. FAIR TO GOOD CONDITION: LARGE POM-POM VERY LOOSELY ATTACHED TO MAIN PART OF ORNAMENT.
Subjects
CEREMONIAL ARTIFACT
Historical Association
DOMESTIC
History
THESE CHRISTMAS ORNAMENTS CAME FROM A HOLIDAY ARTISTAN MARKET HELD AT THE SOUTHERN ALBERTA ART GALLERY (SAAG) WHERE THE DONOR WORKED (FROM 1992-2003). IN AN ORAL INTERVIEW WITH THE DONOR, ANINE VONKEMAN, CONDUCTED BY KEVIN MACLEAN IN JUNE 2015, ANINE EXPLAINED THAT THE ORNAMENTS CAME FROM A “CELEBRITY CHRISTMAS TREE RAFFLE … WE WOULD GO INTO THE COMMUNITY AND ASK LOCAL CELEBRITIES … TO DECORATE AN ORNAMENT OF CHOICE ... AND SO THIS PARTICULAR YEAR, IT WAS A STYROFOAM BALL.” THE TREE AND ORNAMENTS WERE RAFFLED OFF AND ANINE’S FATHER, WIM, WON. SHE RECOUNTED THE EVENT SAYING: “MY PARENTS CAME TO THE SALE RELIGIOUSLY EVERY YEAR AND THEY WOULD BUY THEIR RAFFLE TICKET. AND BRIAN GALLANT WAS SANTA, WHO’S A VOLUNTEER FOR SAAG … AND IT WAS HIS JOB TO PULL THE RAFFLE TICKET OUT TO ANNOUNCE THE WINNTER. AND AT THIS PARTICULAR EVENT, MASON [DONOR’S SON] WAS THERE, AND HE WAS JUST LITTLE AND SO SANTA LET MASON PULL THE NAME … AND SANTA GAVE IT TO ME TO ANNOUNCE ON THE MIC TO EVERYBODY WHO WAS THERE WHO HAD WONT THE TREE AND IT WAS MY DAD. SO INSTEAD OF SAYING, ‘AND THE WINNER OF THE TREE IS WIM VONKEMAN’ I SAID ‘THE WINNER OF THE TREE IS’ – AND THEN I LOOKED AT THE PIECE OF PAPER – ‘MY DAD!’ AND I GOT SOME FLACK OVER THAT FROM MY BOSS, JOAN STEBBINS AT THE TIME, BUT WHATEVER, IT WAS LEGITIMATE.” ANINE CONTINUED, SAYING “SO MY PARENTS PUT THE TREE UP IN THEIR HOUSE IN PICTURE BUTTE FOR YEARS AND THEN WHEN MY DAD PASSED AWAY AND MY MOM MOVED INTO LETHBRIDGE IN 2008 SHE NEEDED TO DOWNSIZE SO SHE GAVE ME THE TREE. AND SOME OF THE ORNAMENTS HAD DETERIRORATED AND THEN AT MY HOUSE SOME OF THEM DETERIORATED EVEN FURTHER … THE ONES THAT I SALVAGED ARE OF PEOPLE THAT I THOUGHT WERE OF PARTICULAR IMPORTANCE TO THE COMMUNITY.” ANINE WAS BORN IN HOLLAND IN 1967 AND EMIGRATED TO CANADA WITH HER PARENTS (WIM AND TRUDY) AND TWO BROTHERS (ALWIN AND HERWIN) IN NOVEMBER 1981, FOLLOWING A FAMILY VACATION TO CANADA IN 1979. HER FAMILY SETTLED IN THE PICTURE BUTTE AREA TO FARM. HER FATHER HELPED TO ESTABLISH THE DUTCH-CANADIAN CLUB AND THE GALT 8 MINE SOCIETY. ANINE CAME TO LETHBRIDGE IN 1986 TO ATTEND THE UNIVERSITY OF LETHBRIDGE (U OF L) AND STARTED WORKING AT SAAG IN 1992, TWO WEEKS AFTER GRADUATING FROM THE U OF L. SHE BEGAN AS THE PUBLIC PROGRAMS COORDINATOR AND “WAS DOING MEDIA STUFF, VOLUNTEER COORDINATION, SPECIAL EVENTS COORDINATION AND STARTED THE ART AUCTION.” BY 2004 ANINE WAS WORKING AT THE GALT AS MARKETING/COMMUNICATIONS OFFICER. SEE PERMANENT FILE FOR FULL INTERVIEW TRANSCRIPTS AND SEE P20150005000 FOR ADDITIONAL INFORMATION ON THE VONKEMAN FAMILY.
Catalogue Number
P20150022004
Acquisition Date
2015-06
Collection
Museum
Images
Less detail
Date Range From
1940
Date Range To
1950
Material Type
Artifact
Materials
COTTON
Catalogue Number
P20150013016
  2 images  
Material Type
Artifact
Date Range From
1940
Date Range To
1950
Materials
COTTON
No. Pieces
1
Length
38.5
Width
43
Description
WHITE, SLEEVELESS TODDLER'S SLIP. NECK LINE AND ARM HOLES FINISHED WITH SIMPLE LACE-LIKE EMBROIDERY IN WHITE. HEM IS SCALLOPED LACE, WITH A SIMPLE FLOWER PATTERN. TWO MOTHER-OF-PEARL BUTTONS ON LEFT SHOULDER. SLIGHT DISCOLOURATION/YELLOWING OF FABRIC. YELLOW STAIN ON BACK AT HEM LINE. LOOSE THREADS AT ARM PIT AREA ON BOTH SIDES. SLIGHT PULL IN FABRIC LEFT SIDE WAIST AREA ON FRONT.
Subjects
CLOTHING-UNDERWEAR
Historical Association
PERSONAL CARE
History
THIS SLIP BELONGED TO ROBERT ALLAN SMITH (THE DONOR) AS A CHILD AND WAS SAVED FOR DONATION TO THE MUSEUM BY HIS MOTHER, PHYLLIS SMITH. THE FOLLOWING INFORMATION ON THE SMITH FAMILY WAS PROVIDED BY THE DONOR AT THE TIME OF DONATION. BEGINNING IN THE 1940S, THE SMITH FAMILY RESIDED AT 1254 7 AVENUE SOUTH. PHYLLIS REMAINED IN THE HOUSE UNTIL HER DEATH AT 104 YEARS OF AGE, ON SEPTEMBER 26, 2009. WHILE CLEANING UP HIS MOTHER’S HOUSE, THE DONOR CAME ACROSS SEVERAL BAGS MARKED ‘FOR MUSEUM’. THE ITEMS WERE USED BY THE DONOR FROM AN INFANT UNTIL THE AGE OF APPROXIMATELY 9 YEARS OLD. IN THE INTERVIEW, KEVIN ASKS IF ROBERT FELT HIS CHILDHOOD WAS IDYLLIC. ROBERT RESPONDS, SAYING: “FOR ME IT WAS. I MEAN, I WAS BORN IN WARTIME STILL AND MAYBE IT WASN’T IDYLLIC FOR MY PARENTS, BUT IT WAS FOR ME. AND THE NEIGHBOURHOODS WERE DIFFERENT THEN. YOU WERE JUST LET OUT THE DOOR AND YOU WENT OUT TO PLAY WITH THE NEIGHBOURHOOD KIDS AND THERE WERE NO CONCERNS THAT THE PARENTS HAVE TODAY. YES, A VERY HAPPY TIME, I WOULD SAY.” ROBERT WAS BORN IN OCTOBER 1940 TO PHYLLIS (NEE GROSS) AND ALLAN F. SMITH, AT ST. MICHAEL’S HOSPITAL. PHYLLIS WAS BORN TO FELIX AND MAGDALENA (NEE FETTIG) GROSS IN HARVEY, ND AND MOVED WITH HER FAMILY TO A FARM IN THE GRASSY LAKE AREA. SHE MOVED INTO LETHBRIDGE AND ATTENDED ST. BASIL’S SCHOOL IN THE 1910s. ALLAN WAS BORN IN ECHO BAY, ON, TO REV D.B. AND MRS. SMITH. HIS FATHER WAS A UNITED CHURCH MINISTER AND MOVED THE FAMILY TO EDMONTON. ALLAN WAS OFFERED A JOB AT WESTERN GROCERS IN LETHBRIDGE AND MET PHYLLIS WHILE IN THE CITY. THEY WERE MARRIED ON SEPTEMBER 2, 1939. ROBERT IS AN ONLY CHILD AND SUFFERED FROM RHEUMATIC FEVER AS A CHILD. HE BELIEVES THIS MAY BE PART OF THE REASON HIS MOTHER SAVED THESE ITEMS. HE EXPLAINS, SAYING: “I’M AN ONLY CHILD AND THEY WOULD BE MORE MEANINGFUL AND I WENT THROUGH A CHILDHOOD ILLNESS. I HAD RHEUMATIC FEVER. I MIGHT NOT HAVE SURVIVED. SOME OTHER KIDS DIDN’T SURVIVE, BUT I DID.” HE ALSO DESCRIBES HIS MOTHER AS BEING “A SAVER OF THINGS. HAVING GONE THROUGH THE DEPRESSION … THEY SAVED LOTS OF STUFF … ANYTHING THEY THINK THEY MIGHT USE IN THE FUTURE WAS SAVED.” PHYLLIS WAS ALSO A MEMBER OF THE LETHBRIDGE HISTORICAL SOCIETY IN THE 1970s AND WORKED AT THE GALT MUSEUM AS PART OF THE HISTORICAL SOCIETY. ACCORDING TO THE LETHBRIDGE HERALD, ROBERT RECEIVED MANY AWARDS WHILE IN HIGH SCHOOL AND UNIVERSITY, INCLUDING THE SCHLUMBERGER OF CANADA SCHOLARSHIP FOR PROFICIENCY IN ENGINEERING, A GOLD MEDAL FROM THE ASSOCIATION OF PROFESSIONAL ENGINEERS OF ALBERTA, AND RECEIVED THE HIGHEST GENERAL AVERAGE IN GRADUATION IN ELECTRICAL ENGINEERING AT THE UNIVERSITY OF ALBERTA. SEE PERMANENT FILE FOR FULL INTERVIEW TRANSCRIPTS AND COPIES OF LETHBRIDGE HERALD ARTICLES.
Catalogue Number
P20150013016
Acquisition Date
2015-03
Collection
Museum
Images
Less detail
Other Name
UNDERPANTS, LONG
Date Range From
1940
Date Range To
1950
Material Type
Artifact
Materials
JERSEY
Catalogue Number
P20150013021
  2 images  
Material Type
Artifact
Other Name
UNDERPANTS, LONG
Date Range From
1940
Date Range To
1950
Materials
JERSEY
No. Pieces
1
Length
57
Width
29
Description
OFF-WHITE LONG UNDERWEAR, OVERALL STYLE, WITH ATTACHED TANK-TOP. FLAP OPENING IN BACK CLOSES WITH THREE MOTHER-OF-PEARL BUTTONS. DRAWSTRING FOLLOWS NECKLINE, THROUGH THE SHOULDER STRAPS, AND TIES IN THE FRONT, BELOW THE NECK. SHOULDER STRAPS HAVE A SLIGHTLY SCALLOPED EDGE. TAG INSIDE BACK NECK READS "WATSON'S 20 2-4 YEARS" SLIGHT YELLOWING OF FABRIC. SMALL BROWN COLOURED STAIN FRONT LEFT SIDE, NEAR WAIST.
Subjects
CLOTHING-UNDERWEAR
Historical Association
PERSONAL CARE
History
THESE LONG UNDERPANTS BELONGED TO ROBERT ALLAN SMITH (THE DONOR) AS A CHILD AND WAS SAVED FOR DONATION TO THE MUSEUM BY HIS MOTHER, PHYLLIS SMITH. THE FOLLOWING INFORMATION ON THE SMITH FAMILY WAS PROVIDED BY THE DONOR AT THE TIME OF DONATION. BEGINNING IN THE 1940S, THE SMITH FAMILY RESIDED AT 1254 7 AVENUE SOUTH. PHYLLIS REMAINED IN THE HOUSE UNTIL HER DEATH AT 104 YEARS OF AGE, ON SEPTEMBER 26, 2009. WHILE CLEANING UP HIS MOTHER’S HOUSE, THE DONOR CAME ACROSS SEVERAL BAGS MARKED ‘FOR MUSEUM’. THE ITEMS WERE USED BY THE DONOR FROM AN INFANT UNTIL THE AGE OF APPROXIMATELY 9 YEARS OLD. IN THE INTERVIEW, KEVIN ASKS IF ROBERT FELT HIS CHILDHOOD WAS IDYLLIC. ROBERT RESPONDS, SAYING: “FOR ME IT WAS. I MEAN, I WAS BORN IN WARTIME STILL AND MAYBE IT WASN’T IDYLLIC FOR MY PARENTS, BUT IT WAS FOR ME. AND THE NEIGHBOURHOODS WERE DIFFERENT THEN. YOU WERE JUST LET OUT THE DOOR AND YOU WENT OUT TO PLAY WITH THE NEIGHBOURHOOD KIDS AND THERE WERE NO CONCERNS THAT THE PARENTS HAVE TODAY. YES, A VERY HAPPY TIME, I WOULD SAY.” ROBERT WAS BORN IN OCTOBER 1940 TO PHYLLIS (NEE GROSS) AND ALLAN F. SMITH, AT ST. MICHAEL’S HOSPITAL. PHYLLIS WAS BORN TO FELIX AND MAGDALENA (NEE FETTIG) GROSS IN HARVEY, ND AND MOVED WITH HER FAMILY TO A FARM IN THE GRASSY LAKE AREA. SHE MOVED INTO LETHBRIDGE AND ATTENDED ST. BASIL’S SCHOOL IN THE 1910s. ALLAN WAS BORN IN ECHO BAY, ON, TO REV D.B. AND MRS. SMITH. HIS FATHER WAS A UNITED CHURCH MINISTER AND MOVED THE FAMILY TO EDMONTON. ALLAN WAS OFFERED A JOB AT WESTERN GROCERS IN LETHBRIDGE AND MET PHYLLIS WHILE IN THE CITY. THEY WERE MARRIED ON SEPTEMBER 2, 1939. ROBERT IS AN ONLY CHILD AND SUFFERED FROM RHEUMATIC FEVER AS A CHILD. HE BELIEVES THIS MAY BE PART OF THE REASON HIS MOTHER SAVED THESE ITEMS. HE EXPLAINS, SAYING: “I’M AN ONLY CHILD AND THEY WOULD BE MORE MEANINGFUL AND I WENT THROUGH A CHILDHOOD ILLNESS. I HAD RHEUMATIC FEVER. I MIGHT NOT HAVE SURVIVED. SOME OTHER KIDS DIDN’T SURVIVE, BUT I DID.” HE ALSO DESCRIBES HIS MOTHER AS BEING “A SAVER OF THINGS. HAVING GONE THROUGH THE DEPRESSION … THEY SAVED LOTS OF STUFF … ANYTHING THEY THINK THEY MIGHT USE IN THE FUTURE WAS SAVED.” PHYLLIS WAS ALSO A MEMBER OF THE LETHBRIDGE HISTORICAL SOCIETY IN THE 1970s AND WORKED AT THE GALT MUSEUM AS PART OF THE HISTORICAL SOCIETY. ACCORDING TO THE LETHBRIDGE HERALD, ROBERT RECEIVED MANY AWARDS WHILE IN HIGH SCHOOL AND UNIVERSITY, INCLUDING THE SCHLUMBERGER OF CANADA SCHOLARSHIP FOR PROFICIENCY IN ENGINEERING, A GOLD MEDAL FROM THE ASSOCIATION OF PROFESSIONAL ENGINEERS OF ALBERTA, AND RECEIVED THE HIGHEST GENERAL AVERAGE IN GRADUATION IN ELECTRICAL ENGINEERING AT THE UNIVERSITY OF ALBERTA. SEE PERMANENT FILE FOR FULL INTERVIEW TRANSCRIPTS AND COPIES OF LETHBRIDGE HERALD ARTICLES.
Catalogue Number
P20150013021
Acquisition Date
2015-03
Collection
Museum
Images
Less detail
Other Name
SOAKER
Date Range From
1940
Date Range To
1950
Material Type
Artifact
Materials
WOOL
Catalogue Number
P20150013010
  2 images  
Material Type
Artifact
Other Name
SOAKER
Date Range From
1940
Date Range To
1950
Materials
WOOL
No. Pieces
1
Length
20
Width
28.5
Description
OFF-WHITE KNITTED DIAPER COVER. ALL ONE PIECE, TWO LEG HOLES, WITH DRAWSTRING WAIST. DIAGONAL SEAMS ON THE FRONT MAKE AN INVERTED "V" POINTING UP TOWARDS THE WAIST BAND FROM THE LEG HOLES. YARN APPEARS TO HAVE YELLOWED OVER THE YEARS. SEVERAL HOLES IN THE STITCHING, INCLUDING ON THE DIAGONAL SEAM ABOVE THE RIGHT LEG HOLE, ON THE BACK RIGHT BACK (HOLES ON THE FRONT AND BACK ALMOST LINE UP), AND ON THE WAISTBAND, ESPECIALLY AT THE BACK. DRAWSTRING STILL IN WAISTBAND, BUT IS NOW IN TWO PIECES. DIAGONAL SEAMING ON THE FRONT SHOWS QUITE A LOT OF TENSION/STRESS.
Subjects
CLOTHING-UNDERWEAR
Historical Association
PERSONAL CARE
History
THIS DIAPER COVER BELONGED TO ROBERT ALLAN SMITH (THE DONOR) AS A CHILD AND WAS SAVED FOR DONATION TO THE MUSEUM BY HIS MOTHER, PHYLLIS SMITH. THE FOLLOWING INFORMATION ON THE SMITH FAMILY WAS PROVIDED BY THE DONOR AT THE TIME OF DONATION. BEGINNING IN THE 1940S, THE SMITH FAMILY RESIDED AT 1254 7 AVENUE SOUTH. PHYLLIS REMAINED IN THE HOUSE UNTIL HER DEATH AT 104 YEARS OF AGE, ON SEPTEMBER 26, 2009. WHILE CLEANING UP HIS MOTHER’S HOUSE, THE DONOR CAME ACROSS SEVERAL BAGS MARKED ‘FOR MUSEUM’. THE ITEMS WERE USED BY THE DONOR FROM AN INFANT UNTIL THE AGE OF APPROXIMATELY 9 YEARS OLD. IN THE INTERVIEW, KEVIN ASKS IF ROBERT FELT HIS CHILDHOOD WAS IDYLLIC. ROBERT RESPONDS, SAYING: “FOR ME IT WAS. I MEAN, I WAS BORN IN WARTIME STILL AND MAYBE IT WASN’T IDYLLIC FOR MY PARENTS, BUT IT WAS FOR ME. AND THE NEIGHBOURHOODS WERE DIFFERENT THEN. YOU WERE JUST LET OUT THE DOOR AND YOU WENT OUT TO PLAY WITH THE NEIGHBOURHOOD KIDS AND THERE WERE NO CONCERNS THAT THE PARENTS HAVE TODAY. YES, A VERY HAPPY TIME, I WOULD SAY.” ROBERT WAS BORN IN OCTOBER 1940 TO PHYLLIS (NEE GROSS) AND ALLAN F. SMITH, AT ST. MICHAEL’S HOSPITAL. PHYLLIS WAS BORN TO FELIX AND MAGDALENA (NEE FETTIG) GROSS IN HARVEY, ND AND MOVED WITH HER FAMILY TO A FARM IN THE GRASSY LAKE AREA. SHE MOVED INTO LETHBRIDGE AND ATTENDED ST. BASIL’S SCHOOL IN THE 1910s. ALLAN WAS BORN IN ECHO BAY, ON, TO REV D.B. AND MRS. SMITH. HIS FATHER WAS A UNITED CHURCH MINISTER AND MOVED THE FAMILY TO EDMONTON. ALLAN WAS OFFERED A JOB AT WESTERN GROCERS IN LETHBRIDGE AND MET PHYLLIS WHILE IN THE CITY. THEY WERE MARRIED ON SEPTEMBER 2, 1939. ROBERT IS AN ONLY CHILD AND SUFFERED FROM RHEUMATIC FEVER AS A CHILD. HE BELIEVES THIS MAY BE PART OF THE REASON HIS MOTHER SAVED THESE ITEMS. HE EXPLAINS, SAYING: “I’M AN ONLY CHILD AND THEY WOULD BE MORE MEANINGFUL AND I WENT THROUGH A CHILDHOOD ILLNESS. I HAD RHEUMATIC FEVER. I MIGHT NOT HAVE SURVIVED. SOME OTHER KIDS DIDN’T SURVIVE, BUT I DID.” HE ALSO DESCRIBES HIS MOTHER AS BEING “A SAVER OF THINGS. HAVING GONE THROUGH THE DEPRESSION … THEY SAVED LOTS OF STUFF … ANYTHING THEY THINK THEY MIGHT USE IN THE FUTURE WAS SAVED.” PHYLLIS WAS ALSO A MEMBER OF THE LETHBRIDGE HISTORICAL SOCIETY IN THE 1970s AND WORKED AT THE GALT MUSEUM AS PART OF THE HISTORICAL SOCIETY. ACCORDING TO THE LETHBRIDGE HERALD, ROBERT RECEIVED MANY AWARDS WHILE IN HIGH SCHOOL AND UNIVERSITY, INCLUDING THE SCHLUMBERGER OF CANADA SCHOLARSHIP FOR PROFICIENCY IN ENGINEERING, A GOLD MEDAL FROM THE ASSOCIATION OF PROFESSIONAL ENGINEERS OF ALBERTA, AND RECEIVED THE HIGHEST GENERAL AVERAGE IN GRADUATION IN ELECTRICAL ENGINEERING AT THE UNIVERSITY OF ALBERTA. SEE PERMANENT FILE FOR FULL INTERVIEW TRANSCRIPTS AND COPIES OF LETHBRIDGE HERALD ARTICLES.
Catalogue Number
P20150013010
Acquisition Date
2015-03
Collection
Museum
Images
Less detail
Other Name
“CRAFT SMART”
Date Range From
2012
Date Range To
2013
Material Type
Artifact
Materials
STEEL, PLASTIC
Catalogue Number
P20130030001
  1 image  
Material Type
Artifact
Other Name
“CRAFT SMART”
Date Range From
2012
Date Range To
2013
Materials
STEEL, PLASTIC
No. Pieces
1
Height
1
Length
21
Width
7.25
Description
STAINLESS STEEL SCISSORS WITH BLUE PLASTIC HANDLES. ONE BLADE IS STAMPED WITH TEXT READING “STAINLESS STEEL”; THE OTHER WITH TEXT READING “CRAFTSMART”. MINOR SPOTS OF DISCOLOURATION ON BLADES. OVERALL VERY GOOD CONDITION.
Subjects
TEXTILEWORKING T&E
CEREMONIAL ARTIFACT
Historical Association
LEISURE
COMMEMORATIVE
History
THESE SCISSORS WERE USED DURING THE RIBBON CUTTING CEREMONY CELEBRATING THE OPENING OF CASA, LETHBRIDGE’S COMMUNITY ARTS CENTRE, ON MAY 14, 2013, AT 230 8 ST SOUTH. ACCORDING TO CITY OF LETHBRIDGE RECREATION AND CULTURE DEVELOPMENT MANAGER LORI HARASEM, SEVEN REPRESENTATIVES HELPED CUT THE RIBBON: STEPHEN GRAHAM (ROTARY CLUBS OF LETHBRIDGE), KRIS HODGSON (PRESIDENT, ALLIED ARTS COUNCIL), GLENN MILLER (ASSISTANT TO LETHBRIDGE EAST MLA BRIDGET PASTOOR), DR. MIKE MAHON (PRESIDENT, UNIVERSITY OF LETHBRIDGE), MAYOR RAJKO DODIC, GREG WEADICK (LETHBRIDGE WEST MLA), AND JIM HILLYER (LETHBRIDGE MP). IN AN EMAIL TO COLLECTIONS TECHNICIAN KEVIN MACLEAN, HARASEM DESCRIBED THE DAY’S EVENTS, WRITING: “[THE CEREMONY], ORIGINALLY SCHEDULED TO TAKE PLACE ON THE ROTARY PLAZA ON THE EAST SIDE OF THE BUILDING, WAS MOVED INDOORS DUE TO THE STRONG WINDS THAT DAY. ONCE THE SPEECHES WERE DONE, AND THE RIBBON WAS CUT, THE BUILDING WAS OPEN FOR TOURS WITH ALL SPACES BEING UTILIZED BY ARTISANS TO DEMONSTRATE TO THE PUBLIC THE VARIETY OF ACTIVITIES THAT WILL TAKE PLACE IN THE FACILITY… THE RIBBON WAS IN MY POSSESSION AS I WAS PART OF THE PLANNING COMMITTEE [FOR THE OPENING CEREMONY]… ONCE THE RIBBON CUTTING WAS OVER, I ASSISTED WITH MOVING THE STANCHIONS AND RIBBONS OUT OF THE WALKWAY, AND REALIZED THE SIGNIFICANCE OF THE RIBBON… [I] SUGGESTED WE PROVIDE IT TO THE GALT MUSEUM.” THE FOLLOWING INFORMATION ABOUT CASA WAS EXCERPTED FROM THE ALLIED ARTS COUNCIL WEBSITE. CASA IS A COLLABORATIVE INITIATIVE OF THE ALLIED ARTS COUNCIL AND THE CITY OF LETHBRIDGE. THIS UNIQUE FACILITY SETS A NEW STANDARD FOR INTERDISCIPLINARY ARTS CENTRES, AND PROMOTES EXPERIMENTATION, INCUBATION, AND LEARNING. CASA WAS BUILT TO SERVE A MULTI-GENERATIONAL COMMUNITY, WITH VARYING ART SKILL SETS AND INTERESTS IN A VARIETY OF DISCIPLINES. FUNDING FOR THE 42,000 SQUARE FOOT CENTRE WAS PROVIDED BY THE FEDERAL BUILD CANADA FUND, THE ALBERTA MUNICIPAL SUSTAINABILITY INITIATIVE FUND, AND THE CITY OF LETHBRIDGE. IN ADDITION TO PROVIDING EDUCATIONAL ARTS PROGRAMMING, VISUAL ARTS STUDIOS AND TECHNICAL WORKSHOPS, PERFORMING ARTS SPACES, AND AN EXHIBITION GALLERY, CASA ALSO HOUSES THE UNIVERSITY OF LETHBRIDGE’S CONSERVATORY OF MUSIC. ON SEPTEMBER 9, 2015 COLLECTIONS TECHNICIAN KEVIN MACLEAN INTERVIEWED SUZANNE LINT, EXECUTIVE DIRECTOR OF THE ALLIED ARTS COUNCIL, ABOUT THE OPENING OF CASA AND THE FACILITY’S IMPACT ON THE COMMUNITY. LINT SAID: “IT WAS A PRETTY SIGNIFICANT DAY… YOU OPEN YOUR DOORS AND YOU EXPECTED TO HAVE PEOPLE BUT WE HAD THOUSANDS OF PEOPLE. THERE WERE ABOUT 3000 PEOPLE AND AS THAT RIBBON WAS CUT, THERE WERE PEOPLE ON THE STAIRWELLS AND PACKED IN EVERY HALLWAY AND HANGING OVER THE BALCONY LOOKING DOWN INTO THE FOYER WHERE THE ACTUAL RIBBON CUTTING OCCURRED. IT WAS PRETTY AWESOME, A PRETTY EXCITING DAY… IT’S THE FULL BREADTH OF THE ARTS ARE IN THAT BUILDING, AND THAT PRESENCE IS FABULOUS TO HAVE ALL OF THE DISCIPLINES INTERMIXING TOGETHER FOR THE COMMUNITY. IT’S HUGE. SO THAT RATHER INNOCUOUS PIECE OF RED SATIN RIBBON AND A PAIR OF RECEPTIONIST’S SCISSORS DON’T LOOK LIKE MUCH BUT THEY ARE PART OF THE OPENING OF SOMETHING THAT IS PRETTY SIGNIFICANT.” LINT CONTINUED: “WE WAITED A LONG TIME FOR A BUILDING LIKE THAT… A PURPOSE-BUILT CIVIC ARTS CENTRE FOR CREATING ARTWORK IN MANY DISCIPLINES, WHICH IS ALMOST NOT HEARD OF. I DON’T THINK ANYTHING LIKE IT EXISTS OFF A UNIVERSITY OR COLLEGE CAMPUS… IT IS A PROJECT THAT THE ARTS COMMUNITY [IN LETHBRIDGE] HAS WORKED ON FOR 20 – 30 YEARS… WE HAVE ENGAGED A WHOLE NEW COMMUNITY THAT WASN’T REALLY ACTIVE OR PARTICIPATING AT THE BOWMAN ARTS CENTRE… THE BOWMAN, WHICH SERVED THE COMMUNITY AMAZINGLY WELL, [WAS] REALLY BUILT ON A MODEL OF ORGANIZATIONAL PRIORITIES AND SPACES, [WHEREAS CASA] WAS DESIGNED TO BE AN OPEN CONCEPT AND REALLY INCLUSIVE SO THAT INDIVIDUAL ARTISTS AND OTHER DISCIPLINES WOULD HAVE AN OPPORTUNITY TO PARTICIPATE IN THE BUILDING… ANYBODY CAN COME… YOU TAKE YOUR MEMBERSHIP AND YOU CAN COME IN AND WORK… THIS BUILDING IS BUSY, WITH NEW GROUPS AND INDIVIDUAL ARTIST AND IT’S ALSO ATTRACTING PEOPLE FROM AWAY… WE’RE SEEING A DIVERSITY OF PROGRAMMING THAT WE DIDN’T HAVE BEFORE; THE VERY NATURE OF THE BUILDING WE HAVE THE COMMUNITY ROOM WHICH ALLOWS FOR CERTAIN THINGS TO HAPPEN, THERE’S THE DANCE STUDIO, VISUAL ARTS STUDIOS AND ALL THE SPACES FOR MUSIC… WE’RE SEEING PEOPLE WHO WEREN’T ENGAGED IN THE GENERAL COMMUNITY BECOMING ENGAGED. WE’VE GOT A WHOLE BRAND NEW GROUP OF ARTISTS AND MUCH BROADER DEMOGRAPHIC GROUP OF ARTISTS FROM ALL AGES COMING IN… WE’RE OFFERING MORE COMMUNITY DEVELOPMENT OPPORTUNITIES. THE BOWMAN HAD THE CLASSES FOR ADULTS WITH SPECIAL NEEDS BUT WE ARE NOW DOING SOME WORK WITH HOUSING FIRST CLIENTS WHO ARE TRANSITIONING. WE’VE GOT A RELATIONSHIP AND SOME FUNDING FROM ATB THAT IS ALLOWING US TO TRY AND BUILD SOME FIRST NATIONS PROGRAMING… ARTISTS ARE DEVELOPING PROGRAMS AND WE ARE FACILITATING THEM AND DELIVERING THEM. SO IT’S REALLY GRASSROOTS… IT’S A MUCH BIGGER COMMUNITY. NOT JUST THE SIXTY PEOPLE THAT USED TO BE BOWMAN ATTENDERS. [NOW] THERE’S 100,000 PEOPLE [WHO] VISITED THE BUILDING IN ITS FIRST YEAR OF OPERATION.” LINT CONCLUDED: “THAT BUILDING, SEEING IT RISE AND THE NATURE OF WHAT IT IS, IS PROBABLY ONE OF THE MOST IMPORTANT PIECES OF WORK THAT I’VE WORKED ON, BUT IT ALSO REPRESENTS A TIME IN HISTORY WHERE THERE WAS THIS SERENDIPITOUS GROUP OF PEOPLE WHO WORKED TOGETHER AROUND AN IDEA. SO THE COUNCIL WAS RIPE, THE CITY ADMINISTRATION WAS RIPE. WE HAD A FABULOUS BOARD THAT REALLY WENT TO THE WALL AROUND ARTS IN THIS COMMUNITY ENSURING THAT THEY SURVIVED… I THINK THAT’S THE KIND OF COMMUNITY IT IS. I THINK WE’RE ISOLATED ENOUGH THAT WE DO SOME FAIRLY CRAZY AND WILD THINGS. WE CAN BE PRETTY INVENTIVE AND PROGRESSIVE. THERE’S A REAL COMPONENT OF THAT AND A CREATIVE KIND OF COMMUNITY WHICH WE ARE VERY FORTUNATE TO LIVE IN. THE INTERESTING THING IS THAT IT IS SURROUNDED BY THE MOST SOCIALLY CONSERVATIVE PEOPLE. SO IT SOMETIMES FEELS TO ME LIKE A SPLIT COMMUNITY, [BUT] THERE IS THIS REALLY STRONG PROGRESSIVE, CREATIVE, INTUITIVE GROUP OF PEOPLE THAT ARE HERE, LOVE IT, AND CONTINUE TO BE HERE.” ON OCTOBER 8, 2015 MACLEAN INTERVIEWED CAROL THIBERT, FORMER CITY OF LETHBRIDGE COMMUNITY SERVICES PROGRAM CO-ORDINATOR. THIBERT WAS THE CITY LIAISON TO THE ALLIED ARTS COUNCIL DURING THE PLANNING, CONSTRUCTION, AND OPENING OF CASA. THIBERT SAID: “PART OF MY JOB WAS ORGANIZING THE OPENING CEREMONIES… [THE RIBBON CUTTING] WAS EXTREMELY WELL RECEIVED. THE COMMUNITY WAS VERY, VERY EXCITED. IT WAS FULL – THE MEZZANINE, THE MAIN AREA, AND PEOPLE LOOKING DOWN… THE DIFFERENT LEVELS OF GOVERNMENT WERE THERE TO SPEAK, SO IT WAS A GALA AFFAIR… IT WAS A LONG TIME COMING. I WAS ON THE COMMITTEE THAT STARTED LOOKING INTO WHAT A COMMUNITY ARTS CENTRE WOULD LOOK [LIKE]. WE WENT TO CALGARY AND EDMONTON AND DID TOURS OF [THEIR] FACILITIES, AND [CASA] IS ONE OF THE MOST BEAUTIFUL, AMAZING, FORWARD-THINKING COMMUNITY ART CENTRES IN OUR PROVINCE, MAYBE EVEN IN CANADA. SO IT’S SOMETHING TO BE VERY PROUD OF.” SEE PERMANENT FILE FOR FULL INTERVIEW TRANSCRIPTS AND HARDCOPIES OF NEWSPAPER ARTICLES AND PRESS RELEASES ABOUT CASA.
Catalogue Number
P20130030001
Acquisition Date
2013-07
Collection
Museum
Images
Less detail
Other Name
CASA GRAND OPENING RIBBON
Date Range From
2012
Date Range To
2013
Material Type
Artifact
Materials
SILK
Catalogue Number
P20130030002
  1 image  
Material Type
Artifact
Other Name
CASA GRAND OPENING RIBBON
Date Range From
2012
Date Range To
2013
Materials
SILK
No. Pieces
1
Length
228
Width
9.75
Description
LENGTH OF RED SILK RIBBON. HORIZONTAL EDGES ARE FACTORY-FINISHED; VERTICAL EDGES ARE ROUGHLY CUT, WITH FRAYED THREADS. MINOR CREASING THROUGHOUT; OVERALL VERY GOOD CONDITION.
Subjects
CEREMONIAL ARTIFACT
Historical Association
LEISURE
COMMEMORATIVE
History
THIS PIECE OF RIBBON WAS CUT DURING THE CEREMONY CELEBRATING THE OPENING OF CASA, LETHBRIDGE’S COMMUNITY ARTS CENTRE, ON MAY 14, 2013, AT 230 8 ST SOUTH. ACCORDING TO CITY OF LETHBRIDGE RECREATION AND CULTURE DEVELOPMENT MANAGER LORI HARASEM, SEVEN REPRESENTATIVES HELPED CUT THE RIBBON: STEPHEN GRAHAM (ROTARY CLUBS OF LETHBRIDGE), KRIS HODGSON (PRESIDENT, ALLIED ARTS COUNCIL), GLENN MILLER (ASSISTANT TO LETHBRIDGE EAST MLA BRIDGET PASTOOR), DR. MIKE MAHON (PRESIDENT, UNIVERSITY OF LETHBRIDGE), MAYOR RAJKO DODIC, GREG WEADICK (LETHBRIDGE WEST MLA), AND JIM HILLYER (LETHBRIDGE MP). IN AN EMAIL TO COLLECTIONS TECHNICIAN KEVIN MACLEAN, HARASEM DESCRIBED THE DAY’S EVENTS, WRITING: “[THE CEREMONY], ORIGINALLY SCHEDULED TO TAKE PLACE ON THE ROTARY PLAZA ON THE EAST SIDE OF THE BUILDING, WAS MOVED INDOORS DUE TO THE STRONG WINDS THAT DAY. ONCE THE SPEECHES WERE DONE, AND THE RIBBON WAS CUT, THE BUILDING WAS OPEN FOR TOURS WITH ALL SPACES BEING UTILIZED BY ARTISANS TO DEMONSTRATE TO THE PUBLIC THE VARIETY OF ACTIVITIES THAT WILL TAKE PLACE IN THE FACILITY… THE RIBBON WAS IN MY POSSESSION AS I WAS PART OF THE PLANNING COMMITTEE [FOR THE OPENING CEREMONY]… ONCE THE RIBBON CUTTING WAS OVER, I ASSISTED WITH MOVING THE STANCHIONS AND RIBBONS OUT OF THE WALKWAY, AND REALIZED THE SIGNIFICANCE OF THE RIBBON… [I] SUGGESTED WE PROVIDE IT TO THE GALT MUSEUM.” THE FOLLOWING INFORMATION ABOUT CASA WAS EXCERPTED FROM THE ALLIED ARTS COUNCIL WEBSITE. CASA IS A COLLABORATIVE INITIATIVE OF THE ALLIED ARTS COUNCIL AND THE CITY OF LETHBRIDGE. THIS UNIQUE FACILITY SETS A NEW STANDARD FOR INTERDISCIPLINARY ARTS CENTRES, AND PROMOTES EXPERIMENTATION, INCUBATION, AND LEARNING. CASA WAS BUILT TO SERVE A MULTI-GENERATIONAL COMMUNITY, WITH VARYING ART SKILL SETS AND INTERESTS IN A VARIETY OF DISCIPLINES. FUNDING FOR THE 42,000 SQUARE FOOT CENTRE WAS PROVIDED BY THE FEDERAL BUILD CANADA FUND, THE ALBERTA MUNICIPAL SUSTAINABILITY INITIATIVE FUND, AND THE CITY OF LETHBRIDGE. IN ADDITION TO PROVIDING EDUCATIONAL ARTS PROGRAMMING, VISUAL ARTS STUDIOS AND TECHNICAL WORKSHOPS, PERFORMING ARTS SPACES, AND AN EXHIBITION GALLERY, CASA ALSO HOUSES THE UNIVERSITY OF LETHBRIDGE’S CONSERVATORY OF MUSIC. ON SEPTEMBER 9, 2015 COLLECTIONS TECHNICIAN KEVIN MACLEAN INTERVIEWED SUZANNE LINT, EXECUTIVE DIRECTOR OF THE ALLIED ARTS COUNCIL, ABOUT THE OPENING OF CASA AND THE FACILITY’S IMPACT ON THE COMMUNITY. LINT SAID: “IT WAS A PRETTY SIGNIFICANT DAY… YOU OPEN YOUR DOORS AND YOU EXPECTED TO HAVE PEOPLE BUT WE HAD THOUSANDS OF PEOPLE. THERE WERE ABOUT 3000 PEOPLE AND AS THAT RIBBON WAS CUT, THERE WERE PEOPLE ON THE STAIRWELLS AND PACKED IN EVERY HALLWAY AND HANGING OVER THE BALCONY LOOKING DOWN INTO THE FOYER WHERE THE ACTUAL RIBBON CUTTING OCCURRED. IT WAS PRETTY AWESOME, A PRETTY EXCITING DAY… IT’S THE FULL BREADTH OF THE ARTS ARE IN THAT BUILDING, AND THAT PRESENCE IS FABULOUS TO HAVE ALL OF THE DISCIPLINES INTERMIXING TOGETHER FOR THE COMMUNITY. IT’S HUGE. SO THAT RATHER INNOCUOUS PIECE OF RED SATIN RIBBON AND A PAIR OF RECEPTIONIST’S SCISSORS DON’T LOOK LIKE MUCH BUT THEY ARE PART OF THE OPENING OF SOMETHING THAT IS PRETTY SIGNIFICANT.” LINT CONTINUED: “WE WAITED A LONG TIME FOR A BUILDING LIKE THAT… A PURPOSE-BUILT CIVIC ARTS CENTRE FOR CREATING ARTWORK IN MANY DISCIPLINES, WHICH IS ALMOST NOT HEARD OF. I DON’T THINK ANYTHING LIKE IT EXISTS OFF A UNIVERSITY OR COLLEGE CAMPUS… IT IS A PROJECT THAT THE ARTS COMMUNITY [IN LETHBRIDGE] HAS WORKED ON FOR 20 – 30 YEARS… WE HAVE ENGAGED A WHOLE NEW COMMUNITY THAT WASN’T REALLY ACTIVE OR PARTICIPATING AT THE BOWMAN ARTS CENTRE… THE BOWMAN, WHICH SERVED THE COMMUNITY AMAZINGLY WELL, [WAS] REALLY BUILT ON A MODEL OF ORGANIZATIONAL PRIORITIES AND SPACES, [WHEREAS CASA] WAS DESIGNED TO BE AN OPEN CONCEPT AND REALLY INCLUSIVE SO THAT INDIVIDUAL ARTISTS AND OTHER DISCIPLINES WOULD HAVE AN OPPORTUNITY TO PARTICIPATE IN THE BUILDING… ANYBODY CAN COME… YOU TAKE YOUR MEMBERSHIP AND YOU CAN COME IN AND WORK… THIS BUILDING IS BUSY, WITH NEW GROUPS AND INDIVIDUAL ARTIST AND IT’S ALSO ATTRACTING PEOPLE FROM AWAY… WE’RE SEEING A DIVERSITY OF PROGRAMMING THAT WE DIDN’T HAVE BEFORE; THE VERY NATURE OF THE BUILDING WE HAVE THE COMMUNITY ROOM WHICH ALLOWS FOR CERTAIN THINGS TO HAPPEN, THERE’S THE DANCE STUDIO, VISUAL ARTS STUDIOS AND ALL THE SPACES FOR MUSIC… WE’RE SEEING PEOPLE WHO WEREN’T ENGAGED IN THE GENERAL COMMUNITY BECOMING ENGAGED. WE’VE GOT A WHOLE BRAND NEW GROUP OF ARTISTS AND MUCH BROADER DEMOGRAPHIC GROUP OF ARTISTS FROM ALL AGES COMING IN… WE’RE OFFERING MORE COMMUNITY DEVELOPMENT OPPORTUNITIES. THE BOWMAN HAD THE CLASSES FOR ADULTS WITH SPECIAL NEEDS BUT WE ARE NOW DOING SOME WORK WITH HOUSING FIRST CLIENTS WHO ARE TRANSITIONING. WE’VE GOT A RELATIONSHIP AND SOME FUNDING FROM ATB THAT IS ALLOWING US TO TRY AND BUILD SOME FIRST NATIONS PROGRAMING… ARTISTS ARE DEVELOPING PROGRAMS AND WE ARE FACILITATING THEM AND DELIVERING THEM. SO IT’S REALLY GRASSROOTS… IT’S A MUCH BIGGER COMMUNITY. NOT JUST THE SIXTY PEOPLE THAT USED TO BE BOWMAN ATTENDERS. [NOW] THERE’S 100,000 PEOPLE [WHO] VISITED THE BUILDING IN ITS FIRST YEAR OF OPERATION.” LINT CONCLUDED: “THAT BUILDING, SEEING IT RISE AND THE NATURE OF WHAT IT IS, IS PROBABLY ONE OF THE MOST IMPORTANT PIECES OF WORK THAT I’VE WORKED ON, BUT IT ALSO REPRESENTS A TIME IN HISTORY WHERE THERE WAS THIS SERENDIPITOUS GROUP OF PEOPLE WHO WORKED TOGETHER AROUND AN IDEA. SO THE COUNCIL WAS RIPE, THE CITY ADMINISTRATION WAS RIPE. WE HAD A FABULOUS BOARD THAT REALLY WENT TO THE WALL AROUND ARTS IN THIS COMMUNITY ENSURING THAT THEY SURVIVED… I THINK THAT’S THE KIND OF COMMUNITY IT IS. I THINK WE’RE ISOLATED ENOUGH THAT WE DO SOME FAIRLY CRAZY AND WILD THINGS. WE CAN BE PRETTY INVENTIVE AND PROGRESSIVE. THERE’S A REAL COMPONENT OF THAT AND A CREATIVE KIND OF COMMUNITY WHICH WE ARE VERY FORTUNATE TO LIVE IN. THE INTERESTING THING IS THAT IT IS SURROUNDED BY THE MOST SOCIALLY CONSERVATIVE PEOPLE. SO IT SOMETIMES FEELS TO ME LIKE A SPLIT COMMUNITY, [BUT] THERE IS THIS REALLY STRONG PROGRESSIVE, CREATIVE, INTUITIVE GROUP OF PEOPLE THAT ARE HERE, LOVE IT, AND CONTINUE TO BE HERE.” ON OCTOBER 8, 2015 MACLEAN INTERVIEWED CAROL THIBERT, FORMER CITY OF LETHBRIDGE COMMUNITY SERVICES PROGRAM CO-ORDINATOR. THIBERT WAS THE CITY LIAISON TO THE ALLIED ARTS COUNCIL DURING THE PLANNING, CONSTRUCTION, AND OPENING OF CASA. THIBERT SAID: “PART OF MY JOB WAS ORGANIZING THE OPENING CEREMONIES… [THE RIBBON CUTTING] WAS EXTREMELY WELL RECEIVED. THE COMMUNITY WAS VERY, VERY EXCITED. IT WAS FULL – THE MEZZANINE, THE MAIN AREA, AND PEOPLE LOOKING DOWN… THE DIFFERENT LEVELS OF GOVERNMENT WERE THERE TO SPEAK, SO IT WAS A GALA AFFAIR… IT WAS A LONG TIME COMING. I WAS ON THE COMMITTEE THAT STARTED LOOKING INTO WHAT A COMMUNITY ARTS CENTRE WOULD LOOK [LIKE]. WE WENT TO CALGARY AND EDMONTON AND DID TOURS OF [THEIR] FACILITIES, AND [CASA] IS ONE OF THE MOST BEAUTIFUL, AMAZING, FORWARD-THINKING COMMUNITY ART CENTRES IN OUR PROVINCE, MAYBE EVEN IN CANADA. SO IT’S SOMETHING TO BE VERY PROUD OF.” SEE PERMANENT FILE FOR FULL INTERVIEW TRANSCRIPTS AND HARDCOPIES OF NEWSPAPER ARTICLES AND PRESS RELEASES ABOUT CASA.
Catalogue Number
P20130030002
Acquisition Date
2013-07
Collection
Museum
Images
Less detail

18 records – page 1 of 1.