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Date Range From
1980
Date Range To
1990
Material Type
Artifact
Materials
POLYESTER, WOOL, METAL
Catalogue Number
P20170007001
Material Type
Artifact
Date Range From
1980
Date Range To
1990
Materials
POLYESTER, WOOL, METAL
No. Pieces
1
Length
74
Width
50
Description
PURPLE BLAZER JACKET WITH PURPLE LINING; FRONT LAPELS OF JACKET ARE DECORATED WITH PINS. FRONT LEFT AND RIGHT POCKETS LINED WITH GREY PATTERNED FABRIC; FRONT POCKETS HAVE WHITE AND PURPLE “LETHBRIDGE, NO. 32, OORP” AND “BRANDON, NO. 138, OORP” DIAMOND BADGES SEWN ON, WITH WHITE STAG IN CENTER OF TEXT. INSIDE OF BLAZER HAS BLACK TAG WITH WHITE STITCHED TEXT AT BACK OF COLLAR, “MADE IN / FABRIQUE EN CANADA”. TWO POCKETS SEWN INTO BLAZER LINING WITH WHITE CLOTH LINING; INSIDE RIGHT-WEARING INNER POCKET IS WHITE TAG WITH BILINGUAL (FRENCH AND ENGLISH) TEXT “MADE IN CANADA, CA – 00023, 55% POLYESTER, 45% WOOL DRY CLEAN ONLY”. OUTSIDE OF RIGHT-WEARING INNER POCKET HAS TAG SEWN ON; BLACK WITH WHITE TEXT “VETEMENTS, CLOTHES” AND GOLD-STITCHED TEXT BETWEEN WHITE READING “BILTMORE” AND GOLD AND WHITE LOGO IN UPPER LEFT CORNER “LP”. TWO GOLD CHECKERED BUTTONS DOWN FRONT OF BLAZER AND TWO AT EACH CUFF. BLAZER HAS FADING ON INSIDE OF CUFFS, AND STAINING ON FRONT LEFT-WEARING SIDE; OVERALL VERY GOOD CONDITION. ON FRONT RIGHT-WEARING LAPEL, PINS INCLUDE: GOLD-FINISHED PIN WITH RED AND WHITE CANADA FLAG AND BLUE AND WHITE CROSS FLAG; GOLD-FINISHED FLYING DOVE PIN; RED AND WHITE CANADA FLAG PIN; WHITE PLASTIC NAME TAG WITH SILVER ORDER OF ROYAL PURPLE SEAL AND BLACK TEXT “LETHBRIDGE LODGE NO. 32, DOROTHY TAYLOR”; GOLD-FINISHED PIN GREY, WHITE AND PEACH IMAGE OF WOMAN AND BLACK TEXT ABOVE IMAGE “DEAF DETECTION” AND BLACK TEXT BELOW IMAGE “PHOEBE MCCULLOUGH, 1896-1971”; GOLD-FINISHED PIN OF MAPLE LEAF WITH GOLD ORDER OF ROYAL PURPLE STAG ON A PURPLE BACKGROUND SURROUNDED BY GOLD LETTERS “OORP”; GOLD-FINISHED PIN WITH BAR SHAPED LIKE BOW AND HANGING SEAL OF THE ORDER OF ROYAL PURPLE; GOLD-FINISHED PIN WITH GOLD BORDER AROUND PURPLE AND YELLOW FLOWERS ON GREEN BACKGROUND, WITH ENGRAVED TEXT ON BORDER “MANITOBA ROYAL PURPLE ASSOCIATION”. ON LEFT-WEARING LAPEL IS PURPLE RIBBON WITH GOLD-FINISHED ATTACHMENT TO JACKET AND WHITE FRINGE, ON RIBBON GOLD-FINISHED PINS INCLUDE: TWO GOLD BARS ATTACHED WITH CHAIN AND HANGING ORNATE SEAL OF THE ORDER OF ROYAL PURPLE, TEXT ON TOP BAR READS “BRANDON LODGE NO. 138”, LOWER BAR TEXT READS “1998-1999”; BAR PIN WITH PURPLE TEXT “15 YRS” AND ORDER OF ROYAL PURPLE SEAL IN CENTER; BAR PIN WITH TWO TEXT BANNERS TO THE UPPER LEFT AND LOWER RIGHT OF ORDER OF ROYAL PURPLE SEAL, UPPER BANNER READS “20” AND LOWER BANNER READS “YRS”; OVAL PIN WITH ORDER OF ROYAL PURPLE SEAL IN CENTER AND BOTTOM BANNER READING “LIFE MEMBER”; FLOWER PIN WITH ORDER OF ROYAL PURPLE SEAL IN CENTER AND SIX HANGING BARS THAT READ “25 YEARS”, “30 YEARS”, “35 YEARS”, “40 YEARS”, “45 YEARS”, “50 YEARS”.
Subjects
CLOTHING-OUTERWEAR
Historical Association
ASSOCIATIONS
PERSONAL CARE
History
ON FEBRUARY 22, 2017, COLLECTIONS TECHNICIAN KEVIN MACLEAN INTERVIEWED WILMA WOOD, DAUGHTER OF DOROTHY TAYLOR, ABOUT HER DONATION OF TAYLOR’S ORDER OF ROYAL PURPLE REGALIA. THE REGALIA REPRESENTED TAYLOR’S 50-YEAR INVOLVEMENT WITH THE ORDER OF ROYAL PURPLE FROM BRANDON, MANITOBA TO LETHBRIDGE, ALBERTA. WHEN ASKED ABOUT HER MOTHER’S BLAZER, WOOD RECALLED, “[MY MOTHER WAS WEARING THIS] WITHIN THE [PAST] TWO OR THREE YEARS, AS YOU CAN SEE, SHE HAD IT ON WHEN SHE RECEIVED HER 50 YEAR PIN. I THINK SHE WENT TO ONE MORE ACTIVITY BEFORE SHE COULDN’T ANYMORE BECAUSE SHE’S BEEN WHEELCHAIR BOUND FOR 15 YEARS. IT GOT MORE AND MORE DIFFICULT FOR HER TO GET OUT.” MACLEAN ADDITIONALLY INTERVIEWED ANN MARIE MCDONALD OF THE LETHBRIDGE ORDER OF ROYAL PURPLE ON JUNE 6, 2017. ON THE BLAZER, MCDONALD ELABORATED, “WHEN I JOINED IN ’89, THEY WERE MOVING INTO THE NEW JACKETS…WE USED TO PASS DOWN JACKETS. WE USED TO HAVE A CUPBOARD. IF A LADY PASSED AWAY, YOU’D DRY-CLEAN HER JACKET, AND PUT IT INTO THE CUPBOARD…PROBABLY ABOUT 1985 THEY STARTED REPLACING THE JACKETS. I KNOW [THIS WAS DOROTHY’S JACKET] ORIGINALLY, IT HAD PIPING ON IT, AND…IT HAD BRANDON. SHE WORE THE BRANDON [BADGE] ON IT – THEN, SHE OBVIOUSLY GOT THE NEW JACKET MADE, AND THEN PUT THE [PATCH] ON HER POCKETS. IN THOSE DAYS, BEFORE I JOINED ROYAL PURPLE, YOU HAD A PATCH. YOU ALWAYS WORE THE PATCH OF YOUR LODGE ON YOUR JACKET.” “YOU WEAR WHAT ARE CALLED YOUR JEWELS ON YOUR LEFT SIDE. THIS [RIBBON WITH HER YEARS] WOULD BE A JEWEL.” “SHE WAS HONORABLE ROYAL LADY IN BRANDON, IN, POSSIBLY, 1975-76, THAT’S WHEN SHE WOULD HAVE BEEN IN.” MCDONALD ELABORATED ON THE PINS ON TAYLOR’S BLAZER, NOTING, “EACH YEAR THAT YOU STAY IN LODGE, THEY GIVE YOU A BAR. I’M THINKING MAYBE SHE DIDN’T [A BAR PIN] FROM OUR LODGE, BECAUSE SHE WAS ALREADY AN HONORED ROYAL LADY IN BRANDON. SHE JUST TOOK THE BAR, AND HAD THE BAR PUT ON HER OLD PIN – HER BRANDON PIN.” “BARS WERE [GIVEN] IF, FOR EXAMPLE, YOU WERE ON THE DRILL TEAM. YOU WOULD GET A BAR EVERY YEAR THAT YOU’RE ON THE DRILL TEAM. IF YOU WERE OUR PIANIST, YOU GOT A BAR EVERY YEAR THAT YOU STAYED AS PIANIST. SHE WAS OBVIOUSLY ON THE DRILL TEAM FOR 3 YEARS HERE. EVERY YEAR THEY GIVE YOU 1, UP TO 10. EVERY 5 YEARS YOU GOT A BAR.” “[THE CLASP PIN] IS HER 15TH YEAR BAR, SO WHEN SHE WAS IN OUR LODGE 15 YEARS…ALTHOUGH I’M NOT SURE WITH DOROTHY, IF THEY COMBINED HERS OR NOT. I KNOW THEY COMBINED HERS FOR HER 50TH. YOU WOULD WEAR IT ON [THE] RIBBON. ON THE LEFT HAND SIDE. THE LEFT SIDE IS WHAT WE CONSIDER IS OVER YOUR HEART. YOU WEAR ALL YOUR JEWELS OVER YOUR HEART.” “[THE MAPLE LEAF] IS AN INSTALLATION PIN. WHEN YOU JOIN THE LODGE, THEY GIVE YOU AN INSTALLATION PIN. THEY WANT ACKNOWLEDGE [YOUR INSTALLATION], IT’S NOT SOMETHING YOU EARN. IT’S KIND OF “WELCOME TO THE LODGE”. SHE WOULD WEAR THIS…ON HER REGALIA [LEFT] SIDE.” “NOW [THE PINS ON THE RIGHT SIDE] I DON’T KNOW WHAT [THEY ALL] ARE. DEAF DETECTION…ARE PINS, IN OUR ORGANIZATION THEY PUT OUT TONS OF PINS AND THEN SELL THEM. THERE WAS SOME FUND-RAISER FOR DEAF DETECTION, AND SHE BOUGHT A PIN.” “[THE PURPLE FLORAL PIN] IS A MANITOBA ROYAL PURPLE ASSOCIATION. SHE WOULDN’T HAVE [WORN THIS ON HER REGALIA] BECAUSE…THEY SELL THE PINS AND THEY MAKE MONEY. HER PERFECT ATTENDANCE [PIN], 5 YEARS SHE COULD WEAR ON HER REGALIA PIN. THERE IS A KEEPSAKE [PIN] THAT THEY HAD WHEN THEY HAD THEIR YEAR 2000…[YOU] BOUGHT THE PIN TO SUPPORT THE LODGE. THERE IS A BRANDON PIN. SHE WOULDN’T WEAR IT WITH HER REGALIA THOUGH…IT’S PURCHASED FOR BRANDON. [THERE IS] THE 12TH COLLECTION EDITION OF ROYAL PURPLE. THE BIRD [HAS NO SIGNIFICANCE] WITH OUR LODGE. ON DOROTHY TAYLOR’S INVOLVEMENT IN THE ORDER OF ROYAL PURPLE, MCDONALD RECALLED, “SHE WOULD HAVE BEEN IN OUR LODGE BY [1989]. SHE WAS A DUAL MEMBER OF OUR LODGE. SHE PAID HER DUES TO BRANDON, AND SHE PAID TO US FOR MANY YEARS, BECAUSE SHE LOVED BRANDON, AND HER HEART WAS IN BRANDON. SHE HAD FRIENDS, TOO, LADIES IN BRANDON THAT SHE STAYED REALLY GOOD FRIENDS WITH…WHEN SHE WAS HONORABLE ROYAL LADY, [THE BAR PIN] WASN’T THERE. [THE REST] ARE ALL FUND-RAISERS…[THERE IS ONE FOR] FUND FOR CHILDREN, WHICH WAS OUR NATIONAL CHARITY.” WOOD DISCUSSED HER MOTHER’S TIME IN THE ORDER OF ROYAL PURPLE, STATING, “SHE CONSIDERS [THESE OBJECTS IN ACTIVE USE]. SHE IS VERY MUCH A PERSON WHO VALUES THAT SOCIETY. IT HELPED HER A NUMBER OF TIMES. AS YOU GROW OLDER, ALL OF A SUDDEN YOU DISCOVER THAT YOUR BRAIN ISN’T AS ACTIVE AS IT SHOULD BE AND THE MEMORY IS GOING. SHE WOULD PUT HERSELF INTO POSITIONS WITHIN THE ORGANIZATION INCLUDING BEING PRESIDENT, THREE OR FOUR TIMES. SHE HAD TO BE AN ORGANIZER, SHE HAD TO GET HER BRAIN AND KEEP HER BRAIN FUNCTIONING, WHICH I THOUGHT WAS VERY ADMIRABLE FOR A WOMAN HER AGE BECAUSE…SHE WAS IN HER EIGHTIES. SHE RECEIVED HER 50 YEAR PIN, I THINK IT WAS TWO YEARS AGO OR THREE.” “SHE JOINED [THE ORDER OF ROYAL PURPLE] IN BRANDON, MANITOBA WHERE [MY PARENTS] WERE LIVING AT THE TIME, AND MY DAD RETIRED THERE. THEY MOVED HERE TO LETHBRIDGE BECAUSE MY BROTHER LIVED HERE, AND MY UNCLE ART GOOD…HE LIVED HERE AND THEY WANTED TO BE CLOSER TO FAMILY. THEY MOVED TO LETHBRIDGE AND MY DAD DIED SHORTLY AFTER THAT.” “[SHE JOINED] BECAUSE OF HER FRIENDS. SHE HAD A FRIENDSHIP GROUP AND THEY BELONGED. THEY RECRUITED HER.” “WHEN SHE WAS VERY ACTIVE, SHE WAS A MAJOR RECRUITER. SHE WENT OUT AND FOUND YOUNG WOMEN BUT THEY FELL BY THE WAYSIDE BECAUSE OF LIFE. SHE WAS CERTAINLY VERY ACTIVE IN THEIR PROJECTS, ONE OF WHICH WAS FINDING FINANCES TO EDUCATE YOUNG PEOPLE. WHATEVER THEY WERE [DOING], SHE WAS INTO IT FULL TILT BECAUSE THAT’S THE KIND OF PERSON SHE IS…WHATEVER SHE DOES IS FULL BLAST, FULL BORE. SHE NEVER TOLD ME ANY DETAILS ABOUT THE SOCIETY BECAUSE IT’S ONE OF THOSE SECRET SISTERHOODS. SHE WAS ALWAYS VERY PROUD TO BE A MEMBER OF IT.” “THIS [CHAPTER] DID A LOT OF EDUCATIONAL SUPPORT…SHE TRAVELED WITH THEM BECAUSE IT WAS A CANADIAN ORGANIZATION, SO THEY HAD THEIR ANNUAL GENERAL MEETINGS ALL OVER CANADA. SHE CAME OUT TO VANCOUVER TO A MEETING AND I WENT OVER TO VANCOUVER TO MEET HER AND SAY “HOWDY”. SHE WENT OUT TO THE PREMIER’S, AT THAT TIME WAS VANDER ZALM, AND HE HAD THE BIG GARDENS OUT NEAR STEVESTON. SHE WENT OUT THERE AND SHE MET HIM.” “A YEAR AGO ABOUT THIS TIME, THAT’S WHEN [THE ORDER WAS] FOLDING. THE ALBERTA CLUBS WERE ALL IMPLODING, AND I THINK THERE’S ONLY ONE LEFT IN SOUTHERN ALBERTA. IT WAS THE ISSUE THAT THEY WERE ALL OLD PEOPLE AND YOUNG PEOPLE DID NOT WANT TO JOIN THESE KINDS OF ORGANIZATIONS ANY LONGER…[THIS HAPPENED BECAUSE] I THINK WE HAVE MORE LEGAL SUPPORT. THE GOVERNMENT HAS SET UP HEALTH CARE, COMMUNITIES HAVE SET UP ASSISTANCE FOR WOMEN WHO ARE ABUSED, THERE’S DRUG ASSISTANCE. THERE IS MUCH MORE ASSISTANCE AVAILABLE. IN THE EARLY DAYS ON THE PRAIRIES, IF YOU DIDN’T KNOW YOUR NEXT DOOR NEIGHBOR, WHO MIGHT BE TWENTY MILES AWAY, YOU WERE IN DEEP DOO-DOO IF YOU HAD A BIG PROBLEM. THAT’S WHAT THESE SOCIETIES CAME OUT OF WAS THAT NEED. THE NEED PRETTY WELL HAS BEEN TAKEN CARE OF, I THINK. THERE ARE STILL CLUBS BUT THEY’RE DIFFERENT KINDS OF CLUBS NOW.” WHEN ASKED ABOUT HER MOTIVATION FOR DONATING HER MOTHER’S REGALIA TO THE MUSEUM, WOOD NOTED, “MY MOTHER HAS TURNED 99 YEARS OLD IN JANUARY. SHE HAS DEMENTIA AND SO WE’VE HAD TO MOVE HER FROM HER SENIOR’S LODGE ROOM INTO A MORE SECURE ROOM. CONSEQUENTLY THE LAST OF THE THINGS THAT SHE TREASURED OR VALUED MUST BE DISPERSED. MY BROTHER AND I DECIDED THAT, SINCE THE ELKS AND THE ROYAL PURPLE MEANT SO MUCH TO HER, THAT [THESE WERE] THE [OBJECTS] WE WOULD LIKE TO DONATE TO THE MUSEUM. IT DEPICTS A PERIOD OF TIME WHEN THE WOMEN USED THESE ASSOCIATIONS AS A SUPPORT GROUP FOR THEMSELVES. IT WAS ANOTHER ONE OF THESE SECRET SOCIETIES, WHEN IN FACT THEY WERE SISTERHOODS. THEY WERE MEANT MAINLY FOR THEM TO HAVE PEOPLE TO SUPPORT EACH OTHER. SINCE THIS ORGANIZATION HAS BASICALLY COLLAPSED, I THOUGHT IT WAS SOMETHING THAT THE MUSEUM SHOULD HAVE BECAUSE IT DOES SHOW THAT PERIOD OF TIME IN THE SOCIAL HISTORY OF CANADA.” FOR MORE INFORMATION INCLUDING FULL INTERVIEW TRANSCRIPTIONS, PLEASE SEE THE PERMANENT FILE P20170007001-GA.
Catalogue Number
P20170007001
Acquisition Date
2017-02
Collection
Museum
Less detail
Date Range From
1980
Date Range To
1990
Material Type
Artifact
Materials
COTTON, PLASTIC
Catalogue Number
P20170007002
  2 images  
Material Type
Artifact
Date Range From
1980
Date Range To
1990
Materials
COTTON, PLASTIC
No. Pieces
1
Length
67
Width
44
Description
WHITE LINEN BLOUSE WITH SIX WHITE PLASTIC BUTTONS RUNNING DOWN FRONT, AND ONE AT EACH CUFF. BLOUSE HAS FLORAL-PATTERNED EMBROIDERED LINING OVER BUTTON HOLES DOWN FRONT, AND FLORAL-PATTERNED EMBROIDERY AT COLLAR. INSIDE COLLAR OF BLOUSE HAS WHITE TAG WITH YELLOW AND BLACK TEXT “ELITE, INTERNATIONAL, CA – 00034. INSIDE LEFT-WEARING SIDE OF BLOUSE IS WHITE TAG WITH BLACK TEXT “18” AND TWO WHITE PLASTIC BUTTONS. BLOUSE SHOWS LITTLE SIGNS OF WEAR; OVERALL EXCELLENT CONDITION.
Subjects
CLOTHING-OUTERWEAR
Historical Association
ASSOCIATIONS
PERSONAL CARE
History
ON FEBRUARY 22, 2017, COLLECTIONS TECHNICIAN KEVIN MACLEAN INTERVIEWED WILMA WOOD, DAUGHTER OF DOROTHY TAYLOR, ABOUT HER DONATION OF TAYLOR’S ORDER OF ROYAL PURPLE REGALIA. THE REGALIA REPRESENTED TAYLOR’S 50-YEAR INVOLVEMENT WITH THE ORDER OF ROYAL PURPLE FROM BRANDON, MANITOBA TO LETHBRIDGE, ALBERTA. ON THE PURSE, WOOD NOTED, “THIS WAS THE OFFICIAL OUTFIT. I KNOW THAT SOME OF THEM, DEPENDING ON WHAT POSITION THEY HELD WITHIN THE CLUB, THEY WOULD WEAR ALL WHITE.” WOOD DISCUSSED HER MOTHER’S TIME IN THE ORDER OF ROYAL PURPLE, STATING, “SHE CONSIDERS [THESE OBJECTS IN ACTIVE USE]. SHE IS VERY MUCH A PERSON WHO VALUES THAT SOCIETY. IT HELPED HER A NUMBER OF TIMES. AS YOU GROW OLDER, ALL OF A SUDDEN YOU DISCOVER THAT YOUR BRAIN ISN’T AS ACTIVE AS IT SHOULD BE AND THE MEMORY IS GOING. SHE WOULD PUT HERSELF INTO POSITIONS WITHIN THE ORGANIZATION INCLUDING BEING PRESIDENT, THREE OR FOUR TIMES. SHE HAD TO BE AN ORGANIZER, SHE HAD TO GET HER BRAIN AND KEEP HER BRAIN FUNCTIONING, WHICH I THOUGHT WAS VERY ADMIRABLE FOR A WOMAN HER AGE BECAUSE…SHE WAS IN HER EIGHTIES. SHE RECEIVED HER 50 YEAR PIN, I THINK IT WAS TWO YEARS AGO OR THREE.” “SHE JOINED [THE ORDER OF ROYAL PURPLE] IN BRANDON, MANITOBA WHERE [MY PARENTS] WERE LIVING AT THE TIME, AND MY DAD RETIRED THERE. THEY MOVED HERE TO LETHBRIDGE BECAUSE MY BROTHER LIVED HERE, AND MY UNCLE ART GOOD…HE LIVED HERE AND THEY WANTED TO BE CLOSER TO FAMILY. THEY MOVED TO LETHBRIDGE AND MY DAD DIED SHORTLY AFTER THAT.” “[SHE JOINED] BECAUSE OF HER FRIENDS. SHE HAD A FRIENDSHIP GROUP AND THEY BELONGED. THEY RECRUITED HER.” “WHEN SHE WAS VERY ACTIVE, SHE WAS A MAJOR RECRUITER. SHE WENT OUT AND FOUND YOUNG WOMEN BUT THEY FELL BY THE WAYSIDE BECAUSE OF LIFE. SHE WAS CERTAINLY VERY ACTIVE IN THEIR PROJECTS, ONE OF WHICH WAS FINDING FINANCES TO EDUCATE YOUNG PEOPLE. WHATEVER THEY WERE [DOING], SHE WAS INTO IT FULL TILT BECAUSE THAT’S THE KIND OF PERSON SHE IS…WHATEVER SHE DOES IS FULL BLAST, FULL BORE. SHE NEVER TOLD ME ANY DETAILS ABOUT THE SOCIETY BECAUSE IT’S ONE OF THOSE SECRET SISTERHOODS. SHE WAS ALWAYS VERY PROUD TO BE A MEMBER OF IT.” “THIS [CHAPTER] DID A LOT OF EDUCATIONAL SUPPORT…SHE TRAVELED WITH THEM BECAUSE IT WAS A CANADIAN ORGANIZATION, SO THEY HAD THEIR ANNUAL GENERAL MEETINGS ALL OVER CANADA. SHE CAME OUT TO VANCOUVER TO A MEETING AND I WENT OVER TO VANCOUVER TO MEET HER AND SAY “HOWDY”. SHE WENT OUT TO THE PREMIER’S, AT THAT TIME WAS VANDER ZALM, AND HE HAD THE BIG GARDENS OUT NEAR STEVESTON. SHE WENT OUT THERE AND SHE MET HIM.” “A YEAR AGO ABOUT THIS TIME, THAT’S WHEN [THE ORDER WAS] FOLDING. THE ALBERTA CLUBS WERE ALL IMPLODING, AND I THINK THERE’S ONLY ONE LEFT IN SOUTHERN ALBERTA. IT WAS THE ISSUE THAT THEY WERE ALL OLD PEOPLE AND YOUNG PEOPLE DID NOT WANT TO JOIN THESE KINDS OF ORGANIZATIONS ANY LONGER…[THIS HAPPENED BECAUSE] I THINK WE HAVE MORE LEGAL SUPPORT. THE GOVERNMENT HAS SET UP HEALTH CARE, COMMUNITIES HAVE SET UP ASSISTANCE FOR WOMEN WHO ARE ABUSED, THERE’S DRUG ASSISTANCE. THERE IS MUCH MORE ASSISTANCE AVAILABLE. IN THE EARLY DAYS ON THE PRAIRIES, IF YOU DIDN’T KNOW YOUR NEXT DOOR NEIGHBOR, WHO MIGHT BE TWENTY MILES AWAY, YOU WERE IN DEEP DOO-DOO IF YOU HAD A BIG PROBLEM. THAT’S WHAT THESE SOCIETIES CAME OUT OF WAS THAT NEED. THE NEED PRETTY WELL HAS BEEN TAKEN CARE OF, I THINK. THERE ARE STILL CLUBS BUT THEY’RE DIFFERENT KINDS OF CLUBS NOW.” WHEN ASKED ABOUT HER MOTIVATION FOR DONATING HER MOTHER’S REGALIA TO THE MUSEUM, WOOD NOTED, “MY MOTHER HAS TURNED 99 YEARS OLD IN JANUARY. SHE HAS DEMENTIA AND SO WE’VE HAD TO MOVE HER FROM HER SENIOR’S LODGE ROOM INTO A MORE SECURE ROOM. CONSEQUENTLY THE LAST OF THE THINGS THAT SHE TREASURED OR VALUED MUST BE DISPERSED. MY BROTHER AND I DECIDED THAT, SINCE THE ELKS AND THE ROYAL PURPLE MEANT SO MUCH TO HER, THAT [THESE WERE] THE [OBJECTS] WE WOULD LIKE TO DONATE TO THE MUSEUM. IT DEPICTS A PERIOD OF TIME WHEN THE WOMEN USED THESE ASSOCIATIONS AS A SUPPORT GROUP FOR THEMSELVES. IT WAS ANOTHER ONE OF THESE SECRET SOCIETIES, WHEN IN FACT THEY WERE SISTERHOODS. THEY WERE MEANT MAINLY FOR THEM TO HAVE PEOPLE TO SUPPORT EACH OTHER. SINCE THIS ORGANIZATION HAS BASICALLY COLLAPSED, I THOUGHT IT WAS SOMETHING THAT THE MUSEUM SHOULD HAVE BECAUSE IT DOES SHOW THAT PERIOD OF TIME IN THE SOCIAL HISTORY OF CANADA.” FOR MORE INFORMATION INCLUDING FULL INTERVIEW TRANSCRIPTIONS, PLEASE SEE THE PERMANENT FILE P20170007001-GA.
Catalogue Number
P20170007002
Acquisition Date
2017-02
Collection
Museum
Images
Less detail
Date Range From
1980
Date Range To
1990
Material Type
Artifact
Materials
POLYESTER, COTTON
Catalogue Number
P20170007003
  1 image  
Material Type
Artifact
Date Range From
1980
Date Range To
1990
Materials
POLYESTER, COTTON
No. Pieces
1
Length
71.5
Width
40
Description
WHITE PLEATED SKIRT WITH ELASTIC WAIST; INSIDE BACK OF SKIRT HAS GREY TAG WITH BLACK TEXT “TRADITION, SEARS”. WHITE TAG UNDERNEATH HAS BLACK AND RED TEXT “100% POLYESTER, CA – 02945, MODELE/STYLE 207902, LOT, 2 ½, TAILLE/SIZE, 16, FABRIQUE AU/MADE IN CANADA, EXCLUSIVE OF TRIM”. FRONT OF SKIRT IS STAINED ON RIGHT-WEARING AND LEFT-WEARING SIDES; OVERALL VERY GOOD CONDITION.
Subjects
CLOTHING-OUTERWEAR
Historical Association
ASSOCIATIONS
PERSONAL CARE
History
ON FEBRUARY 22, 2017, COLLECTIONS TECHNICIAN KEVIN MACLEAN INTERVIEWED WILMA WOOD, DAUGHTER OF DOROTHY TAYLOR, ABOUT HER DONATION OF TAYLOR’S ORDER OF ROYAL PURPLE REGALIA. THE REGALIA REPRESENTED TAYLOR’S 50-YEAR INVOLVEMENT WITH THE ORDER OF ROYAL PURPLE FROM BRANDON, MANITOBA TO LETHBRIDGE, ALBERTA. ON THE PURSE, WOOD NOTED, “THIS WAS THE OFFICIAL OUTFIT. I KNOW THAT SOME OF THEM, DEPENDING ON WHAT POSITION THEY HELD WITHIN THE CLUB, THEY WOULD WEAR ALL WHITE.” WOOD DISCUSSED HER MOTHER’S TIME IN THE ORDER OF ROYAL PURPLE, STATING, “SHE CONSIDERS [THESE OBJECTS IN ACTIVE USE]. SHE IS VERY MUCH A PERSON WHO VALUES THAT SOCIETY. IT HELPED HER A NUMBER OF TIMES. AS YOU GROW OLDER, ALL OF A SUDDEN YOU DISCOVER THAT YOUR BRAIN ISN’T AS ACTIVE AS IT SHOULD BE AND THE MEMORY IS GOING. SHE WOULD PUT HERSELF INTO POSITIONS WITHIN THE ORGANIZATION INCLUDING BEING PRESIDENT, THREE OR FOUR TIMES. SHE HAD TO BE AN ORGANIZER, SHE HAD TO GET HER BRAIN AND KEEP HER BRAIN FUNCTIONING, WHICH I THOUGHT WAS VERY ADMIRABLE FOR A WOMAN HER AGE BECAUSE…SHE WAS IN HER EIGHTIES. SHE RECEIVED HER 50 YEAR PIN, I THINK IT WAS TWO YEARS AGO OR THREE.” “SHE JOINED [THE ORDER OF ROYAL PURPLE] IN BRANDON, MANITOBA WHERE [MY PARENTS] WERE LIVING AT THE TIME, AND MY DAD RETIRED THERE. THEY MOVED HERE TO LETHBRIDGE BECAUSE MY BROTHER LIVED HERE, AND MY UNCLE ART GOOD…HE LIVED HERE AND THEY WANTED TO BE CLOSER TO FAMILY. THEY MOVED TO LETHBRIDGE AND MY DAD DIED SHORTLY AFTER THAT.” “[SHE JOINED] BECAUSE OF HER FRIENDS. SHE HAD A FRIENDSHIP GROUP AND THEY BELONGED. THEY RECRUITED HER.” “WHEN SHE WAS VERY ACTIVE, SHE WAS A MAJOR RECRUITER. SHE WENT OUT AND FOUND YOUNG WOMEN BUT THEY FELL BY THE WAYSIDE BECAUSE OF LIFE. SHE WAS CERTAINLY VERY ACTIVE IN THEIR PROJECTS, ONE OF WHICH WAS FINDING FINANCES TO EDUCATE YOUNG PEOPLE. WHATEVER THEY WERE [DOING], SHE WAS INTO IT FULL TILT BECAUSE THAT’S THE KIND OF PERSON SHE IS…WHATEVER SHE DOES IS FULL BLAST, FULL BORE. SHE NEVER TOLD ME ANY DETAILS ABOUT THE SOCIETY BECAUSE IT’S ONE OF THOSE SECRET SISTERHOODS. SHE WAS ALWAYS VERY PROUD TO BE A MEMBER OF IT.” “THIS [CHAPTER] DID A LOT OF EDUCATIONAL SUPPORT…SHE TRAVELED WITH THEM BECAUSE IT WAS A CANADIAN ORGANIZATION, SO THEY HAD THEIR ANNUAL GENERAL MEETINGS ALL OVER CANADA. SHE CAME OUT TO VANCOUVER TO A MEETING AND I WENT OVER TO VANCOUVER TO MEET HER AND SAY “HOWDY”. SHE WENT OUT TO THE PREMIER’S, AT THAT TIME WAS VANDER ZALM, AND HE HAD THE BIG GARDENS OUT NEAR STEVESTON. SHE WENT OUT THERE AND SHE MET HIM.” “A YEAR AGO ABOUT THIS TIME, THAT’S WHEN [THE ORDER WAS] FOLDING. THE ALBERTA CLUBS WERE ALL IMPLODING, AND I THINK THERE’S ONLY ONE LEFT IN SOUTHERN ALBERTA. IT WAS THE ISSUE THAT THEY WERE ALL OLD PEOPLE AND YOUNG PEOPLE DID NOT WANT TO JOIN THESE KINDS OF ORGANIZATIONS ANY LONGER…[THIS HAPPENED BECAUSE] I THINK WE HAVE MORE LEGAL SUPPORT. THE GOVERNMENT HAS SET UP HEALTH CARE, COMMUNITIES HAVE SET UP ASSISTANCE FOR WOMEN WHO ARE ABUSED, THERE’S DRUG ASSISTANCE. THERE IS MUCH MORE ASSISTANCE AVAILABLE. IN THE EARLY DAYS ON THE PRAIRIES, IF YOU DIDN’T KNOW YOUR NEXT DOOR NEIGHBOR, WHO MIGHT BE TWENTY MILES AWAY, YOU WERE IN DEEP DOO-DOO IF YOU HAD A BIG PROBLEM. THAT’S WHAT THESE SOCIETIES CAME OUT OF WAS THAT NEED. THE NEED PRETTY WELL HAS BEEN TAKEN CARE OF, I THINK. THERE ARE STILL CLUBS BUT THEY’RE DIFFERENT KINDS OF CLUBS NOW.” WHEN ASKED ABOUT HER MOTIVATION FOR DONATING HER MOTHER’S REGALIA TO THE MUSEUM, WOOD NOTED, “MY MOTHER HAS TURNED 99 YEARS OLD IN JANUARY. SHE HAS DEMENTIA AND SO WE’VE HAD TO MOVE HER FROM HER SENIOR’S LODGE ROOM INTO A MORE SECURE ROOM. CONSEQUENTLY THE LAST OF THE THINGS THAT SHE TREASURED OR VALUED MUST BE DISPERSED. MY BROTHER AND I DECIDED THAT, SINCE THE ELKS AND THE ROYAL PURPLE MEANT SO MUCH TO HER, THAT [THESE WERE] THE [OBJECTS] WE WOULD LIKE TO DONATE TO THE MUSEUM. IT DEPICTS A PERIOD OF TIME WHEN THE WOMEN USED THESE ASSOCIATIONS AS A SUPPORT GROUP FOR THEMSELVES. IT WAS ANOTHER ONE OF THESE SECRET SOCIETIES, WHEN IN FACT THEY WERE SISTERHOODS. THEY WERE MEANT MAINLY FOR THEM TO HAVE PEOPLE TO SUPPORT EACH OTHER. SINCE THIS ORGANIZATION HAS BASICALLY COLLAPSED, I THOUGHT IT WAS SOMETHING THAT THE MUSEUM SHOULD HAVE BECAUSE IT DOES SHOW THAT PERIOD OF TIME IN THE SOCIAL HISTORY OF CANADA.” FOR MORE INFORMATION INCLUDING FULL INTERVIEW TRANSCRIPTIONS, PLEASE SEE THE PERMANENT FILE P20170007001-GA.
Catalogue Number
P20170007003
Acquisition Date
2017-02
Collection
Museum
Images
Less detail
Date Range From
1980
Date Range To
1990
Material Type
Artifact
Materials
COTTON, PLASTIC, METAL
Catalogue Number
P20170007004
  2 images  
Material Type
Artifact
Date Range From
1980
Date Range To
1990
Materials
COTTON, PLASTIC, METAL
No. Pieces
1
Length
71
Width
23
Description
WHITE PURSE WITH GOLD-COLOURED METAL FINISHING AND WHITE SHOULDER STRAP; PURSE CLOSES WITH GOLD-COLOURED BUTTON ON FRONT. FRONT OF PURSE HAS WHITE AND GOLD METAL TRIM ALONG EDGE OF CLOSING FLAP. INSIDE OF PURSE HAS SMALL ZIPPER COMPARTMENT WITH WHITE AND GOLD ZIPPER, AND A WHITE TAG READING “MADE IN CHINA”. FRONT OF INSIDE HAS RED STAIN; INSIDE ON FRONT OF ZIPPER COMPARTMENT IS A SMALL BROWN STAIN. OUTSIDE OF PURSE IS WORN WITH STAINING ON FRONT AND BACK NEAR TOP. OVERALL VERY GOOD CONDITION.
Subjects
PERSONAL GEAR
Historical Association
ASSOCIATIONS
PERSONAL CARE
History
ON FEBRUARY 22, 2017, COLLECTIONS TECHNICIAN KEVIN MACLEAN INTERVIEWED WILMA WOOD, DAUGHTER OF DOROTHY TAYLOR, ABOUT HER DONATION OF TAYLOR’S ORDER OF ROYAL PURPLE REGALIA. THE REGALIA REPRESENTED TAYLOR’S 50-YEAR INVOLVEMENT WITH THE ORDER OF ROYAL PURPLE FROM BRANDON, MANITOBA TO LETHBRIDGE, ALBERTA. ON THE PURSE, WOOD NOTED, “THIS WAS THE OFFICIAL OUTFIT. I KNOW THAT SOME OF THEM, DEPENDING ON WHAT POSITION THEY HELD WITHIN THE CLUB, THEY WOULD WEAR ALL WHITE.” WOOD DISCUSSED HER MOTHER’S TIME IN THE ORDER OF ROYAL PURPLE, STATING, “SHE CONSIDERS [THESE OBJECTS IN ACTIVE USE]. SHE IS VERY MUCH A PERSON WHO VALUES THAT SOCIETY. IT HELPED HER A NUMBER OF TIMES. AS YOU GROW OLDER, ALL OF A SUDDEN YOU DISCOVER THAT YOUR BRAIN ISN’T AS ACTIVE AS IT SHOULD BE AND THE MEMORY IS GOING. SHE WOULD PUT HERSELF INTO POSITIONS WITHIN THE ORGANIZATION INCLUDING BEING PRESIDENT, THREE OR FOUR TIMES. SHE HAD TO BE AN ORGANIZER, SHE HAD TO GET HER BRAIN AND KEEP HER BRAIN FUNCTIONING, WHICH I THOUGHT WAS VERY ADMIRABLE FOR A WOMAN HER AGE BECAUSE…SHE WAS IN HER EIGHTIES. SHE RECEIVED HER 50 YEAR PIN, I THINK IT WAS TWO YEARS AGO OR THREE.” “SHE JOINED [THE ORDER OF ROYAL PURPLE] IN BRANDON, MANITOBA WHERE [MY PARENTS] WERE LIVING AT THE TIME, AND MY DAD RETIRED THERE. THEY MOVED HERE TO LETHBRIDGE BECAUSE MY BROTHER LIVED HERE, AND MY UNCLE ART GOOD…HE LIVED HERE AND THEY WANTED TO BE CLOSER TO FAMILY. THEY MOVED TO LETHBRIDGE AND MY DAD DIED SHORTLY AFTER THAT.” “[SHE JOINED] BECAUSE OF HER FRIENDS. SHE HAD A FRIENDSHIP GROUP AND THEY BELONGED. THEY RECRUITED HER.” “WHEN SHE WAS VERY ACTIVE, SHE WAS A MAJOR RECRUITER. SHE WENT OUT AND FOUND YOUNG WOMEN BUT THEY FELL BY THE WAYSIDE BECAUSE OF LIFE. SHE WAS CERTAINLY VERY ACTIVE IN THEIR PROJECTS, ONE OF WHICH WAS FINDING FINANCES TO EDUCATE YOUNG PEOPLE. WHATEVER THEY WERE [DOING], SHE WAS INTO IT FULL TILT BECAUSE THAT’S THE KIND OF PERSON SHE IS…WHATEVER SHE DOES IS FULL BLAST, FULL BORE. SHE NEVER TOLD ME ANY DETAILS ABOUT THE SOCIETY BECAUSE IT’S ONE OF THOSE SECRET SISTERHOODS. SHE WAS ALWAYS VERY PROUD TO BE A MEMBER OF IT.” “THIS [CHAPTER] DID A LOT OF EDUCATIONAL SUPPORT…SHE TRAVELED WITH THEM BECAUSE IT WAS A CANADIAN ORGANIZATION, SO THEY HAD THEIR ANNUAL GENERAL MEETINGS ALL OVER CANADA. SHE CAME OUT TO VANCOUVER TO A MEETING AND I WENT OVER TO VANCOUVER TO MEET HER AND SAY “HOWDY”. SHE WENT OUT TO THE PREMIER’S, AT THAT TIME WAS VANDER ZALM, AND HE HAD THE BIG GARDENS OUT NEAR STEVESTON. SHE WENT OUT THERE AND SHE MET HIM.” “A YEAR AGO ABOUT THIS TIME, THAT’S WHEN [THE ORDER WAS] FOLDING. THE ALBERTA CLUBS WERE ALL IMPLODING, AND I THINK THERE’S ONLY ONE LEFT IN SOUTHERN ALBERTA. IT WAS THE ISSUE THAT THEY WERE ALL OLD PEOPLE AND YOUNG PEOPLE DID NOT WANT TO JOIN THESE KINDS OF ORGANIZATIONS ANY LONGER…[THIS HAPPENED BECAUSE] I THINK WE HAVE MORE LEGAL SUPPORT. THE GOVERNMENT HAS SET UP HEALTH CARE, COMMUNITIES HAVE SET UP ASSISTANCE FOR WOMEN WHO ARE ABUSED, THERE’S DRUG ASSISTANCE. THERE IS MUCH MORE ASSISTANCE AVAILABLE. IN THE EARLY DAYS ON THE PRAIRIES, IF YOU DIDN’T KNOW YOUR NEXT DOOR NEIGHBOR, WHO MIGHT BE TWENTY MILES AWAY, YOU WERE IN DEEP DOO-DOO IF YOU HAD A BIG PROBLEM. THAT’S WHAT THESE SOCIETIES CAME OUT OF WAS THAT NEED. THE NEED PRETTY WELL HAS BEEN TAKEN CARE OF, I THINK. THERE ARE STILL CLUBS BUT THEY’RE DIFFERENT KINDS OF CLUBS NOW.” WHEN ASKED ABOUT HER MOTIVATION FOR DONATING HER MOTHER’S REGALIA TO THE MUSEUM, WOOD NOTED, “MY MOTHER HAS TURNED 99 YEARS OLD IN JANUARY. SHE HAS DEMENTIA AND SO WE’VE HAD TO MOVE HER FROM HER SENIOR’S LODGE ROOM INTO A MORE SECURE ROOM. CONSEQUENTLY THE LAST OF THE THINGS THAT SHE TREASURED OR VALUED MUST BE DISPERSED. MY BROTHER AND I DECIDED THAT, SINCE THE ELKS AND THE ROYAL PURPLE MEANT SO MUCH TO HER, THAT [THESE WERE] THE [OBJECTS] WE WOULD LIKE TO DONATE TO THE MUSEUM. IT DEPICTS A PERIOD OF TIME WHEN THE WOMEN USED THESE ASSOCIATIONS AS A SUPPORT GROUP FOR THEMSELVES. IT WAS ANOTHER ONE OF THESE SECRET SOCIETIES, WHEN IN FACT THEY WERE SISTERHOODS. THEY WERE MEANT MAINLY FOR THEM TO HAVE PEOPLE TO SUPPORT EACH OTHER. SINCE THIS ORGANIZATION HAS BASICALLY COLLAPSED, I THOUGHT IT WAS SOMETHING THAT THE MUSEUM SHOULD HAVE BECAUSE IT DOES SHOW THAT PERIOD OF TIME IN THE SOCIAL HISTORY OF CANADA.” FOR MORE INFORMATION INCLUDING FULL INTERVIEW TRANSCRIPTIONS, PLEASE SEE THE PERMANENT FILE P20170007001-GA.
Catalogue Number
P20170007004
Acquisition Date
2017-02
Collection
Museum
Images
Less detail
Date Range From
1943
Date Range To
1973
Material Type
Artifact
Materials
SHEET METAL, GLASS, CARDBOARD
Catalogue Number
P20160027000
  1 image  
Material Type
Artifact
Date Range From
1943
Date Range To
1973
Materials
SHEET METAL, GLASS, CARDBOARD
No. Pieces
2
Height
13.7
Length
5.4
Width
1.8
Description
A: THERMOMETER. THE THERMOMETER'S CASING IS METAL. THERE IS A COVER ON THE THERMOMTER THAT HAS 17 HOLES PUNCHED OUT OF THE FRONT (7 ROWS ALTERNATING BETWEEN 3 AND 2 HOLES PER ROW). THERE IS A SHORT BACK TO THE COVER. THE COVER IS ATTACHED TO THE THERMOMETER WITH 2 SMALL NAILS ON EITHER SIDE. THE THERMOMETER GLIDES OUT OF THE COVER AND HINGES BACK TO STAND (SUPPORTED BY BACK OF CASE AND THE 2 NAILS). THE BACKGROUND OF THE THERMOMETER IS WHITE AND IS ATTACHED TO THE METAL CASE. “US PAT 2329685” IS ON THE BOTTOM OF THE THERMOMETER. ON THE LEFT SIDE TEMPERATURE MEASUREMENTS FROM 1 TO 6 ARE ETCHED. THE NUMBERS ARE DIVIDED INTO INCREMENTS OF FOUR. ON THE RIGHT SIDE OF THE THERMOMETER THERE ARE “00” ACROSS FROM EACH NUMBER ON THE LEFT. THE THERMOMETER’S GLASS IS TINTED YELLOW WITH A TRANSLUCENT CENTER. THIS TUBE IS 12.4CM IN LENGTH. TWO SMALL METAL RINGS HOLD THE GLASS THERMOMETER TO THE MEASUREMENT BACKING. THERE IS A SMALL METAL HOOK AT THE TOP OF THE THERMOMETER. ON THE RIGHT SIDE OF THE THERMOMETER IN ITS CLOSED POSITION, "D. CARSE" IS HANDWRITTEN IN BLACK INK. GOOD CONDITION. RUSTING/STAINING OVERALL SURFACE. LOSS OF WHITE BACKING BEHIND THE THERMOMETER (SEVERE ON THE UPPER LEFT CORNER AND SLIGHT ON THE UPPER RIGHT CORNER). B: CARDBOARD CASE WITH OVERALL DIMENSIONS OF 13.9 CM X 6 CM X 2 CM. CARDBOARD BOX WITH GREEN LABEL ON FRONT. THE LABEL SAYS “RUXCO” “NO-600-MO-10” “OVEN TEST THERMOMETER RANGE 100 TO 600°F IN 10° DIVISIONS.” GOOD CONDITION. MISSING LEFT END OF BOX. SCRATCH ON THE SURFACE OF THE LEFT SIDE OF THE LABEL. STAINING IN VARIOUS PLACES.
Subjects
FOOD PROCESSING T&E
THERMAL T&E
Historical Association
TRADES
DOMESTIC
History
IN SEPTEMBER 2016, COLLECTIONS TECHNICIAN KEVIN MACLEAN INTERVIEWED IRENE MOCH ABOUT THE HISTORY OF A THERMOMETER SHE DONATED TO THE GALT MUSEUM AND ARCHIVES. THE THERMOMETER BELONGED TO HER FATHER, DAVID ROXBOROUGH CARSE, AND WAS USED BY HIM AS AN EMPLOYEE OF CANADIAN WESTERN NATURAL GAS COMPANY. THE FOLLOWING INFORMATION HAS BEEN EXTRACTED FROM THAT INTERVIEW: “HIS JOB WAS TO GO HOUSE-TO-HOUSE ON SPECIFIED CALLS TO REPAIR AND CHECK GAS APPLIANCES AT VARIOUS HOMES. HE LOVED HIS JOB. IT WAS GREAT PASSION AND HE WOULD SHARE A LOT OF HIS EXPERIENCES AT HOME WITH US. IT BECAME A BIG PART OF OUR FAMILY LIFE. HIS FIRST PASSION WAS HIS FAMILY AND HIS SECOND PASSION WAS HIS WORK. TWENTY- EIGHT YEARS, HE WAS WITH THE GAS COMPANY. HE WOULD BRING VARIOUS LITTLE ITEMS HOME, BUT MOSTLY IT WAS JUST HIS MEMORIES AND OUR MEMORIES OF THE STORIES THAT HE TOLD… MY MOM AND DAD WILLED THEIR HOUSE TO MY HUSBAND, WHO HAD BEEN CARING FOR IT OVER THE YEARS. [THEY] LEFT ALL THEIR TREASURES AS THEY WERE [TO] US BOTH TO DO WHAT WE FELT WAS BEST WITH EVERYTHING. THEY HAVE BEEN GONE SINCE 2000, 2003. SO FINALLY, THIS MOVE HAS FORCED ME TO GO THROUGH SOME OF THE THINGS THAT I HAVE, AND THIS HAS COME UP, AND IT MEANT A LOT. WE ALWAYS HAD GAS STOVE AND GAS RADIANT HEAT AND HE WOULD ALWAYS TEST MY MOTHER’S OVEN WITH THE THERMOMETER TO MAKE SURE THAT IT WAS FUNCTIONING PROPERLY. IT WAS VERY VISIBLE TO ALL OF US. IT WAS VERY IMPORTANT.” MOCH RECALLS THE THERMOMETER IN HER DAD’S WORK TOOLBOX: “… WHEREVER HE WENT, HE WOULD HAVE HIS TOOL BOX, AND THAT WAS THE FIRST THING THAT CAME OUT OF THE TOOL BOX. HE CARRIED IT IN HIS VEHICLE. HE DROVE TO THE HOUSES AND THE FIRST THING THAT CAME OUT OF HIS TOOL BOX WAS THAT.” IT WAS THE JOB AT CANADIAN WESTERN NATURAL GAS COMPANY THAT BROUGHT CARSE AND HIS FAMILY TO LETHBRIDGE: “HE HAD ANDREW’S HARDWARE IN FORT MACLEOD FOR I DON’T KNOW HOW MANY YEARS – QUITE A FEW – AND THEN HE WENT TO THE GAS PLANT IN BURDETT/ BOW ISLAND. AND FAMILY WAS COMING. [HE] NEEDED A STEADY JOB, [SO HE] CAME TO THE CITY [ TO] FIND A STEADY JOB. HE WAS A CERTIFIED PLUMBER AND GAS-FITTER SO HE APPLIED AT THE CANADIAN WESTERN AND NATURAL GAS… THAT WAS HIS WORLD. HE JUST BLOSSOMED. HE WAS A VERY PRIVATE PERSON, BUT HE LOVED TO BE WITH PEOPLE. THERE WAS A LOT OF COMRADERY AND HORSE-PLAY. HE WORKED BY HIMSELF. HE DIDN’T HAVE A PARTNER. AND [HE] WENT PLACE-TO-PLACE – AND IT GREW, AND GREW, AND GREW, AND GREW – 28 YEARS. AND IT WAS NOT UNCOMMON FOR OUR RESIDENCE PHONE AT HOME TO RING FROM VARIOUS PEOPLE, SAYING, ‘DON’T SEND SO-AND-SO; SEND DAVE BACK. DAVE KNOWS WHAT HE’S DONE HERE, AND THAT’S THE PERSON I WANT BACK.’ THAT WAS NOT UNCOMMON AT ALL TO HAPPEN AT OUR HOUSE. HE MADE A GOOD REPUTATION FOR HIMSELF, AND HE LOVED WHAT HE DID, AND IT SHOWED… HE BECAME A KIND OF AN IMAGE AND I THINK HE REVELED IN THAT. HE WAS KING OF HIS WORLD, REALLY. IT WAS VERY NICE.” “… THERE WAS ALWAYS SOMEBODY ON CALL," CONTINUED MOCH, "BUT, IF IT WAS A MAJOR BLIZZARD, OR SOMETHING LIKE THAT, THEN EVERYBODY WAS PRESSED INTO SERVICE. IF IT WAS TURKEY DAY, AND EVERYBODY WANTS TO COOK A TURKEY, AND THE PILOT LIGHT OR THE OVEN DIDN’T WORK, SOMEBODY HAD TO GO. AND THAT WAS THE BIG THING WITH THE GAS COMPANY. GAS COMPANY SERVICEMEN WERE FREE OF CHARGE AND THE ONLY CHARGE WOULD HAVE BEEN FOR A THERMOCOUPLE OR A PART THAT NEEDED TO BE REPLACED. PEOPLE WERE NOT SHY ABOUT CALLING THE GAS COMPANY TO REMEDY THEIR SITUATION. YES, THERE WAS ALWAYS SOMEONE ON CALL, AND HE HAD TO TAKE HIS TURN DOING THAT. BUT, IF THERE WAS A MASS BLIZZARD OR STORM OF SOME SORT, THEN THEY WERE ALL CALLED OUT.” MOCH EXPLAINED THE THERMOMETER WAS OF GREAT IMPORTANCE TO CARSE’S WORK: “MOST OF HIS CALLS WERE [BAKING RELATED]. PEOPLE ALWAYS BAKED IN THOSE DAYS – ALWAYS BAKED AND [IF], ‘THE OVEN WASN’T COOKING RIGHT,’ OR ‘IT WASN’T HOT ENOUGH,’ OR ‘HOW COME THIS FLOPPED?’ ‘WE’D BETTER CALIBRATE THE OVEN PROPERLY.’ AND SO [THEY'D CALL IN], ‘CAN DAVE COME OUT AND CHECK IT OUT AND CHECK THAT OUT FOR US?’ SO YES, THAT [THERMOMETRE] WAS ONE OF THE FIRST THINGS THAT HE BROUGHT OUT… MOM BAKED ALL THE TIME AS WELL, TWICE A WEEK PROBABLY. ON A REGULAR BASIS, HE WOULD JUST DOUBLE CHECK [WITH THE THERMOMETER] TO MAKE SURE THINGS WERE WORKING THE WAY THEY SHOULD. NOT NECESSARILY THAT THERE WAS A PROBLEM, BUT JUST SO THAT THEY STAY THE WAY THEY SHOULD BE. HE EDUCATED US ALL ABOUT THE BLUE FLAME AND HOW THE BLUE FLAME HAD TO HAVE THE LITTLE TIP ON THE END OF THE BLUE FLAME AND THAT MEANS IT’S BURNING CLEAN. IT WAS VERY EDUCATIONAL, TOO.” “[HE] ALWAYS CAME HOME FOR LUNCH. MOM ALWAYS HAD LUNCH READY. WE HAD LUNCH IN THE LIVING ROOM WITH A SANDWICH AND HE HAD A LITTLE SNOOZE. FIVE MINUTES, AND HE WAS OUT THE DOOR. HE WAS NEVER LATE. HE WAS ALWAYS HOME, AND HE WAS NEVER LATE COMING HOME FROM WORK. HE JUST LOVED IT… HE RETIRED IN SEPTEMBER 30, ’73. SO, PROBABLY ’43, ’44 THAT HE CAME TO LETHBRIDGE TO [WORK AT THE] GAS COMPANY.” ACCORDING TO HIS OBITUARY IN THE LETHBRIDGE HERALD, DAVID ROXBOROUGH CARSE PASSED AWAY IN LETHBRIDGE ON 15 NOVEMBER 2000. PLEASE SEE PERMANENT FILE FOR FULL INTERVIEW TRANSCRIPT, LETHBRIDGE HERALD ARTICLES, AND THERMOMETER PATENT.
Catalogue Number
P20160027000
Acquisition Date
2016-09
Collection
Museum
Images
Less detail
Other Name
SHORT SLEEVED, "MARATHON OF HOPE TERRY FOX"
Material Type
Artifact
Materials
COTTON
Catalogue Number
P20160024000
  1 image  
Material Type
Artifact
Other Name
SHORT SLEEVED, "MARATHON OF HOPE TERRY FOX"
Date
1981
Materials
COTTON
No. Pieces
1
Length
64.5
Width
48.5
Description
T-SHIRT MADE OF WHITE COTTON WITH RED TRIM AND PRINT. THE CAPTION READS, “MARATHON OF HOPE TERRY FOX GIVE FOR CANCER RESEARCH CANADIAN CANCER SOCIETY” ; LOGO DEPICTS TERRY FOX RUNNING, IMPOSED ON A MAP OF CANADA AND ENCLOSED BY A MAPLE LEAF. FAIR CONDITION. THE WHITE COTTON IS YELLOWING OVERALL. ON THE FRONT THERE ARE SEVERE BROWN STAINS AT THE RIGHT HIP OF THE SHIRT. SLIGHT RED STAIN AT THE CENTER, BOTTOM OF THE FRONT SIDE. ON THE BACK SIDE, THERE IS SEVERE BROWN STAINING AT THE LEFT HIP AND ON THE UPPER LEFT SHOULDER. SLIGHT DARK BROWN ON THE BOTTOM, LEFT OF CENTER.
Subjects
CLOTHING-OUTERWEAR
Historical Association
COMMEMORATIVE
ASSOCIATIONS
SPORTS
History
THIS T-SHIRT IS AN ARTIFACT THAT WAS DONATED TO THE GALT MUSEUM AND ARCHIVES ARCHIVAL COLLECTION IN NOVEMBER OF 1981 BY PAULINE APPLETON. IN AUGUST 2016, THIS ARTIFACT WAS TRANSFERRED TO COLLECTIONS. THE FOLLOWING INFORMATION HAS BEEN TAKEN FROM THE ORIGINAL ACQUISITION RECORD AND FURTHER RESEARCH INTO THE LIFE OF TERRY FOX: THE SHIRT [WAS USED] TO PROMOTE THE CROSS-CANADA RUN OF TERRY FOX, BEGINNING IN NANAIMO, BRITISH COLUMBIA. FOX, A CANCER PATIENT, JOGGED HALF-WAY ACROSS CANADA IN THE SUMMER OF 1980 TO RAISE FUNDS FOR CANCER RESEARCH. HE RAN 5, 373KM BEFORE HE WAS FORCED TO END HIS RUN BECAUSE HIS CANCER HAD APPEARED IN HIS LUNGS. FOX PASSED AWAY ON JUNE 28, 1981. ACCORDING TO HER LETHBRIDGE HERALD OBITUARY, PAULINE APPLETON (NEE SCHMUNK), PASSED AWAY ON JANUARY 22, 1999. SHE WAS FROM MEDICINE HAT, ALBERTA. SHE WAS BORN IN WINNIPEG, MANITOBA ON NOVEMBER 12, 1915 TO HER PARENTS, DAVID AND ANNA ELIZABETH SCHMUNK. THEY LATER MOVED TO A FARM IN LEADER, SASKATCHEWAN. APPLETON MOVED TO CALGARY WITH HER TWO OLDER SISTERS, WHERE SHE MARRIED ERNEST J. “HAPPY” APPLETON IN 1938. DURING WORLD WAR II, SHE LIVED IN NEW WESTMINSTER, B.C. UNTIL HER HUSBAND COMPLETED HIS MILITARY SERVICES IN EUROPE. FOLLOWING THAT, PAULINE AND ERNEST MOVED TO LETHBRIDGE, ALBERTA WHERE ERNEST WORKED AT MOLSONS BREWERY UNTIL RETIREMENT. PAULINE WORKED AS A CASHIER AND RECEPTIONIST AT A GOLF COURSE IN LETHBRIDGE FOR SEVERAL YEARS. THE COUPLE MOVED TO MEDICINE HAT YEARS AFTER ERNEST’S RETIREMENT. ERNEST PASSED AWAY ON AUGUST 3, 1994. FOR MORE INFORMATION ON INITIAL DONATION AND FULL OBITUARY PLEASE SEE PERMANENT FILE.
Catalogue Number
P20160024000
Acquisition Date
1981-11
Collection
Museum
Images
Less detail
Other Name
STAGE PERFORMANCE BORDER
Date Range From
1918
Date Range To
1950
Material Type
Artifact
Materials
PLYWOOD, PAINT
Catalogue Number
P20110031021
  2 images  
Material Type
Artifact
Other Name
STAGE PERFORMANCE BORDER
Date Range From
1918
Date Range To
1950
Materials
PLYWOOD, PAINT
No. Pieces
5
Height
303.5
Length
114.3
Description
STAGE PERFORMANCE BORDER, IN FIVE PANEL PIECES. .001 TOP CENTRE PANEL. RECTANGULAR. VERY THIN PLYWOOD. GREEN BACKGROUND WITH PINK/RED FLOWERS. TWO FLAGS IN THE CENTRE: THE KUOMINTANG/NATIONAL LEAGUE FLAG IS ON THE LEFT (NAVY BLUE WITH A GOLDEN YELLOW SUN IN THE MIDDLE) AND THE FLAG OF THE REPUBLIC OF CHINA IS ON THE RIGHT (RED BODY, WITH A NAVY BLUE RECTANGLE IN THE TOP LEFT CORNER AND A GOLDEN YELLOW SUN IN THE MIDDLE OF THIS NAVY SECTION). BETWEEN THE FLAGS IS A NAVY BLUE, ROUGHLY OCTAGON SHAPE, WITH ANOTHER GOLDEN YELLOW SUN IN THE CENTRE. ALONG THE BOTTOM IS A REPEATING PATTERN IN RED AND YELLOW OF TWO DOTS, A LINE, AND A DOT. SCREW HOLES ALONG THE TOP AND SIDES FOR MOUNTING. ON THE FAR RIGHT SIDE OF THE PANEL IS A SMALL RECTANGULAR PIECE, ATTACHED WITH WIRE, ROUGHLY 19CM X 7.6CM. PANEL IS 241.6CM X 47.6CM POOR TO FAIR CONDITION. PANEL IS WELL WORN, THE COLOURS ARE FADED, AND THE PAINT IS CHIPPED IN SEVERAL SPOTS. .002 TOP SIDE PANEL. RECTANGULAR. VERY THIN PLYWOOD. ON THE RIGHT SIDE OF THE PANEL ARE THE TOPS OF TWO COLUMNS. A SMALL PINK/RED FLOWER ON A GREEN VINE IS VISIBLE ON THE COLUMN. TO THE LEFT OF THE COLUMNS IS A SECTION OF GREEN WITH PINK/RED FLOWERS. ALONG THE BOTTOM IS A REPEATING PATTERN IN RED AND YELLOW OF TWO DOTS, A LINE, AND A DOT. BELOW THE RED AND YELLOW SECTION IS A NAVY BLUE SECTION, WITH A YELLOW SECTION JUST TO THE RIGHT OF THE COLUMN. SCREW HOLES ALONG THE TOP AND SIDES FOR MOUNTING. PANEL IS 200.7CM X 56.2CM POOR TO FAIR CONDITION. PAINT SCRATCHED OFF, ESPECIALLY ON THE RIGHT SIDE OF THE GREEN FLOWER SECTION. NOT AS FADED OR AS WORN AS .001. TAPE REMNANTS IN THE GREEN SECTION TO THE RIGHT OF COLUMNS. .003 TOP SIDE PANEL. RECTANGULAR. VERY THIN PLYWOOD. ON THE LEFT SIDE OF THE PANEL ARE THE TOPS OF TWO COLUMNS. TO THE LEFT OF THE COLUMNS IS A SECTION OF GREEN WITH PINK/RED FLOWERS. ALONG THE BOTTOM IS A REPEATING PATTERN IN RED AND YELLOW OF TWO DOTS, A LINE, AND A DOT. BELOW THE RED AND YELLOW SECTION IS A NAVY BLUE SECTION, WITH A YELLOW SECTION JUST TO THE RIGHT OF THE COLUMN. SCREW HOLES ALONG THE TOP AND SIDES FOR MOUNTING. PANEL IS 243.2CM X 55.2CM POOR TO FAIR CONDITION. TAN PAINT ALONG THE BOTTOM, OVER THE GREEN SECTION, IN SEVERAL AREAS. THE NAVY BLUE SECTION HAS A LOT OF HAIRLINE CRACKS IN THE PAINT. .004 SIDE PANEL. RECTANGULAR. VERY THIN PLYWOOD. ON THE BOTTOM OF THE PANEL IS A RECTANGLE IN THREE SHADES OF BROWN/TAN. ALONG THE LEFT SIDE OF THE PANEL THERE ARE TWO COLUMNS, WHICH HAVE PINK/RED FLOWERS ON GREEN VINES WRAPPED AROUND THEM. NAVY BLUE CURTAIN TO THE RIGHT OF COLUMNS. THERE IS A VERTICAL RECTANGLE OVER THIS NAVY CURTAIN. THE RECTANGLE HAS A LIGHT BLUE/GREEN BACKGROUND AND HAS SEVEN CHINESE CHARACTERS IN YELLOW. THERE IS ORNAMENTATION AROUND THIS RECTANGLE. THE NAVY CURTAIN IS HELD BACK WITH A GOLDEN YELLOW TIEBACK NEAR THE TOP. ON THE FAR RIGHT SIDE IS A VERTICAL RECTANGLE WITH AN ORANGE BACKGROUND AND SEVEN CHINESE CHARACTERS IN BLACK. SCREW HOLES FOR MOUNTING AROUND EDGE OF PANEL. PANEL IS 303.5CM X 114.3CM POOR TO FAIR CONDITION. IN WORSE CONDITION THAN .005. LOTS OF LITTLE HOLES, ESPECIALLY ON THE NAVY CURTAIN. LOTS OF WALL PAINT FLECKS, ESPECIALLY ON THE COLUMNS. THE BLUE VERTICAL RECTANGLE IS MORE GREEN THAN ON .005 AND THE PAINT IS VERY, VERY WORN. .005 SIDE PANEL. RECTANGULAR. VERY THIN PLYWOOD. ON THE BOTTOM OF THE PANEL IS A RECTANGLE IN THREE SHADES OF BROWN/TAN. ALONG THE RIGHT SIDE OF THE PANEL THERE ARE TWO COLUMNS, WHICH HAVE PINK/RED FLOWERS ON GREEN VINES WRAPPED AROUND THEM. NAVY BLUE CURTAIN TO THE LEFT OF COLUMNS. THERE IS A VERTICAL RECTANGLE OVER THIS NAVY CURTAIN. THE RECTANGLE HAS A LIGHT BLUE/GREEN BACKGROUND AND HAS SEVEN CHINESE CHARACTERS IN YELLOW. THERE IS ORNAMENTATION AROUND THIS RECTANGLE. BELOW THIS BLUE RECTANGLE, ON THE NAVY CURTAIN, ARE SEVERAL CHINESE CHARACTERS ON A DIAGONAL, PAINTED ON IN RED. THE NAVY CURTAIN IS HELD BACK WITH A GOLDEN YELLOW TIEBACK NEAR THE TOP. ON THE FAR LEFT SIDE IS A VERTICAL RECTANGLE WITH AN ORANGE BACKGROUND AND SEVEN CHINESE CHARACTERS IN BLACK. SCREW HOLES FOR MOUNTING AROUND EDGE OF PANEL. PANEL IS 303.5CM X 114.3CM POOR TO FAIR CONDITION. LOTS OF CHIPPED PAINT. PANEL IS FADED/DISCOLOURED. BOTTOM BACK IS IN ESPECIALLY POOR CONDITION AND IS VERY DIRTY.
Subjects
PUBLIC ENTERTAINMENT DEVICE
Historical Association
ASSOCIATIONS
FINE ARTS
LEISURE
History
THE FOLLOWING INFORMATION ABOUT THIS ARTIFACT COMES FROM INTERVIEWS HELD WITH MAY LEE AND JUDY CHAN, RICHARD LOO, AND HONG WONG AND JANICE WONG. PERSONAL DETAILS ABOUT THE LIVES OF MAY LEE, RICHARD LOO, AND HONG WONG THEIR IMMIGRATION TO CANADA ARE FOUND BELOW THE ARTIFACT DETAILS AND BELOW THE INFORMATION ABOUT THE CHINESE NATIONAL LEAGUE SOCIETY BUILDING. MAY RECALLED THAT THERE WERE OPERAS AT THE SOCIETY BUILDING, BUT THAT THEY DIDN’T COME VERY OFTEN. SHE DIDN’T RECALL ATTENDING MANY OPERAS, BUT DID REMEMBER THAT “HONG WONG WAS SINGING THERE.” RICHARD, MEANWHILE, THOUGHT THAT THE OPERAS WERE FINISHED BEFORE HE ARRIVED IN LETHBRIDGE. HE NEVER SAW AN OPERA PRODUCTION AT THE SOCIETY BUILDING, BUT DID RECALL THAT PROJECTION FILMS WERE SHOWN. RICHARD SUGGESTED “ASK HONG. HE LIKED A LITTLE BIT OF OPERA TOO … HE SANG IN STUFF LIKE THAT.” HONG INDICATED THAT THERE WAS NO OPERAS AT THE SOCIETY BUILDING WHEN HE CAME IN 1951, BUT THAT THE SOCIETY DID STAGE PRODUCTIONS AT THE UNIVERSITY. ASKED WHERE THE COSTUMES CAME FROM, HONG SAID “WE GOT THEM FROM CALGARY AT THAT TIME, WELL, ACTUALLY WE JUST BORROWED THEM. WE DIDN’T HAVE THE MONEY TO BUY THEM.” HONG CONTINUED SAYING THAT THIS STAGE PERFORMANCE BORDER WAS USED IN CONJUNCTION WITH A LARGE MURAL (SEE P20010027000) AND A STAGE. A SERIES OF ARTICLES PUBLISHED IN THE LETHBRIDGE HERALD GIVE BACKGROUND INFORMATION ABOUT THE CHINESE NATIONAL LEAGUE SOCIETY AND ITS BUILDING: THE BUILDING THAT HOUSED THE CHINESE NATIONAL LEAGUE SOCIETY WAS BUILT IN 1909-1910 IN THE 300 BLOCK OF 2 AVENUE SOUTH AND IT WAS ORIGINALLY A RESTAURANT. BY 1915 IT HAD BECOME THE HEADQUARTERS FOR THE LETHBRIDGE BRANCH OF THE KAO MIN TANG (ALTERNATIVE SPELLINGS INCLUDE KUOMINTANG, KUO MIN TANG, GUOMINDANG, AND GUO MIN DANG). THE BUILDING WAS DESIGNATED AS A PROVINCIAL HERITAGE RESOURCE IN 1995 BECAUSE OF ITS VALUE AS A SOCIAL AND CULTURAL CENTRE FOR THE LETHBRIDGE CHINESE COMMUNITY. THE BUILDING WAS USED IN A VARIETY OF WAYS BY THE SOCIETY AND INCLUDED, AT VARIOUS TIMES, A RESTAURANT, A SCHOOL, AND LIVING ACCOMODATIONS. IN FEBRUARY 2011 A SECTION OF THE BRICK FAÇADE FELL OFF THE BUILDING AND CITY INSPECTORS DETERMINED THAT THE TIMBER AND RED BRICK STRUCTURE WAS POTENTIALLY UNSTABLE. THE BUILDING WAS TORN DOWN A SHORT TIME LATER. LETHBRIDGE'S CHINATOWN EMERGED IN 1901, A RESULT OF THE CHINESE POPULATION BEING RELEGATED TO A SECTION OF THE CITY BETWEEN GALT GARDENS AND THE COULEES. IN A JANUARY 7, 2002 ARTICLE ALBERT LEONG EXPLAINS THAT NO ONE REALLY WANTED CHINESE PEOPLE AROUND AND THAT “’ THEY WERE TOLD THAT THE ONLY PLACE THEY COULD START BUSINESSES WAS BETWEEN THE COULEES AT THE PARK, BECAUSE THE CITY DIDN’T WANT ANY COMPETITION FOR THE WHITE BUSINESSMEN … BUT ‘GHETTO-IZED’ OR NOT, THE CHINESE WHO CAME TO LETHBRIDGE FORMED AN IMPORTANT PART OF THE BACKBONE OF THIS CITY, [AND MADE] NOTEWORTHY [CONTRIBUTIONS] TO THE HISTORY OF THIS PLACE.’” BUSINESSES SUCH AS LAUNDRIES, MARKET GARDENS, AND RESTAURANTS WERE OPENED IN CHINATOWN, WITH THE RESIDENTS LIVING IN ROOMS ABOVE THE BUSINESSES. IN 1912 THERE WERE ABOUT 100 PEOPLE LIVING IN CHINATOWN AND BY THE 1930S, IT WAS A BUSTLING COMMUNITY. THE POPULATION OF CHINATOWN DWINDLED FOLLOWING THE SECOND WORLD WAR. JANICE WONG, PRESIDENT OF THE SOCIETY IN 2015, GAVE THE FOLLOWING INFORMATION ABOUT THE SOCIETY IN AN INTERVIEW: AS OF 2015, THE SOCIETY EXISTS MORE AS A SOCIAL CLUB AND THE SOCIETY HOLDS THREE CELEBRATORY DINNERS EACH YEAR, USUALLY HELD AT THE NEW DYNASTY RESTAURANT. THE SOCIETY ALSO VISITS THE CEMETERY ON A YEARLY BASIS “TO HONOUR THE ANCESTORS, CLEAN THE TOMBS, BRING FOOD, DO THE USUAL THINGS THAT WE USED TO DO – EAT ON GRAVES, BURN THE INCENSE. WE DO THAT EVERY YEAR STILL TO HONOUR OUR ANCESTORS. IT IS USUALLY IN THE SPRING … IN APRIL.” JANICE BRIEFLY DISCUSSED THE FUTURE OF THE SOCIETY, INDICATING THAT THERE IS SOME TALK ABOUT RE-BUILDING “BUT THAT INVOLVES A LOT OF PLANNING, AND MONEY, AND FUNDRAISING” AND SHE QUESTIONS WHETHER OR NOT THERE IS ENOUGH OF A MEMBERSHIP BASE TO GO FORWARD WITH RE-BUILDING. SHE ALSO EXPLAINED THAT PREVIOUS CHINESE IMMIGRANTS HAD TENDED TO COME FROM THE SAME GEOGRAPHIC REGION, BUT THAT PRESENTLY IMMIGRANTS ARE COMING FROM ALL OVER CHINA: “THERE’S A LOT OF INFLUX OF PEOPLE FROM CHINA THAT AREN’T FROM THE SAME AREA, BECAUSE TRADITIONALLY, THE PEOPLE WERE ALL FROM THE SAME AREA AND SPOKE THE SAME DIALECT AND HAD THAT SORT OF THING KEEPING THEM TOGETHER AS A COMMUNITY OVERSEAS FROM CHINA.” PERSONAL DETAILS ABOUT THE LIVES OF MAY LEE, RICHARD LOO, AND HONG WONG AND THEIR IMMIGRATION TO CANADA ARE BELOW: MAY LEE: MAY WAS ACTUALLY BORN IN CANADA AND IS KNOWN AS A GOLD MOUNTAIN GIRL, BECAUSE SHE IS A CANADIAN-BORN CHINESE WOMAN. MAY EXPLAINS: “I WAS BORN IN CANADA. I WAS BORN IN NANOOSE BAY. WHEN I WAS 4 YEARS OLD, WE MOVED TO VICTORIA. WHEN I WAS 9 YEARS OLD AND THE WHOLE FAMILY, IN 1930, GO BACK TO CHINA.” DURING THE WAR, THE JAPANESE BOMBED THE GIRLS’ HIGH SCHOOL IN TOCSIN CITY AND MAY’S MOTHER DECIDED TO SEND MAY AND HER BROTHER TO HONG KONG TO START THE PROCESS OF COMING TO CANADA. MAY STARTED ENGLISH SCHOOL IN HONG KONG, BUT OFTEN MISSED CLASSES BECAUSE SHE WAS SICK FROM THE HEAT. SHE SAYS THAT SHE’S LEARNED MOST OF HER ENGLISH FROM HER HUSBAND, HER CHILDREN, GRANDCHILDREN, AND EVEN GREAT-GRANDCHILDREN. SHE WAS MARRIED TO HOM MEN LEE, AKA JIMMY LEE, ON NOVEMBER 16, 1938 IN VICTORIA, BC. JIMMY WAS BORN IN LETHBRIDGE AT THE GALT HOSPITAL, BUT WAS SENT BACK TO CHINA AS A CHILD FOR HIS EDUCATION. JIMMY’S FAMILY HAD COME TO LETHBRIDGE IN 1914 AND OWNED LEE-DUC CLEANERS. THE LEE FAMILY LIVED ABOVE THE SHOP, WHICH WAS ON 13TH STREET NORTH, NEAR HIGA’S JEWELERS. MAY’S MAIN MEMORY OF CHINATOWN: “ALL I REMEMBER IN CHINATOWN, IN SUMMERTIME, LOTS OF OLD GUYS SITTING IN FRONT OF GUOMINDANG. AUNTIE HELEN GREW UP IN CHINATOWN. I THINK SHE KNOWS MORE ABOUT CHINATOWN. IN THE OLDEN DAYS, I HARDLY GO OUT, JUST TO BUY GROCERIES.” JUDY ADDED THAT MAY HAD 8 CHILDREN AND WAS KEPT BUSY AT HOME RAISING THEM. RICHARD LOO: RICHARD ARRIVED IN LETHBRIDGE IN 1953, HAVING LEFT THE MAINLAND OF CHINA IN 1949. RICHARD’S GRANDFATHER HAD MOVED TO CANADA IN EITHER LATE 1800S OR THE EARLY 1900S AND HAD HAD TO PAY THE HEAD TAX. HIS GRANDFATHER WORKED AS A COOK IN RESTAURANTS, EITHER IN LETHBRIDGE OR IN TABER (ACCORDING TO RICHARD, HIS GRANDFATHER WORKED THROUGH THE WAR YEARS IN TABER). RICHARD’S GRANDFATHER HAD PLANNED ON MOVING BACK TO CHINA WHEN HE RETIRED, BUT THEN THE COMMUNISTS TOOK OVER, AND HE ELECTED TO STAY. AT THAT TIME, HE INVITED RICHARD TO MOVE TO LETHBRIDGE AS WELL. RICHARD LEFT HONG KONG, AFTER LIVING THERE FOR 8 MONTHS, ON A FRIDAY AFTERNOON AT 2PM LOCAL TIME. HE FINALLY ARRIVED IN LETHBRIDGE SUNDAY AFTERNOON. HE WAS LUCKY IN THAT HE WAS ABLE TO GET HIS FLIGHTS ON SALE. NORMALLY A TICKET FROM HONG KONG TO VANCOUVER WOULD HAVE COST $700, BUT RICHARD WAS ABLE TO SECURE A FLIGHT FOR ONLY $500. HE ALSO INDICATED THAT HIS FLIGHT TO LETHBRIDGE WAS ONLY $39.95. ON RECALLING HIS FIRST TIME IN LETHBRIDGE, RICHARD RECOUNTED THE FOLLOWING STORY: “SO, BY THE TIME I GOT TO THE AIRPORT, I DIDN’T KNOW HOW TO SAY NOTHING. DIDN’T KNOW – MAYBE COULD SAY ‘GOOD MORNING’ – THAT’S ALL YOU COULD SAY, JUST ANYWAYS HOW TO SAY ‘HELLO’ – SO, ANYWAY, SO IN THE MEANTIME, THE FELLOW AT THE AIRPORT MUST HAVE KNOWN ZEKE, YOU KNOW ZEKE QUAN [OWNER OF] THE LOTUS INN [RESTAURANT], AND HE PHONED HIM UP. HE SAYS, ‘ZEKE.’ I DIDN’T KNOW WHAT HE WAS TALKING ABOUT – NOTHING. AND THEN HE SAYS, ‘HEY, THIS IS A CHINA BOY HERE. WHAT ARE YOU GOING TO DO WITH HIM?’ SO, ZEKE SAYS, ‘OH, JUST TAKE HIM TO CHINATOWN AND DUMP HIM.’ NOW, I DIDN’T KNOW THOSE, NOT UNTIL LATER ON. ZEKE’S SON GO TO SAME SCHOOL I DID – CENTRAL SCHOOL.” RICHARD INITIALLY LIVED IN THE SOCIETY BUILDING FOR SEVERAL YEARS, OCCUPYING A ROOM THAT HAD BEEN RECENTLY VACATED BY ANOTHER MAN NAMED LOO WHO HAD GONE TO WORK IN PICTURE BUTTE. RICHARD RECALLED THAT THE SOCIETY WAS A GOOD PLACE TO FEEL A SENSE OF COMMUNITY AND THAT IT WAS A WELCOMING PLACE FOR NEW CHINESE IMMIGRANTS, A PLACE WHERE THEY WEREN’T DISCRIMINATED AGAINST. HONG WONG: HONG ARRIVED IN LETHBRIDGE IN 1951 AND WAS INVITED TO THE CITY BY HIS UNCLE SHUEY WONG, WHO WAS ALREADY LIVING HERE. UNCLE SHUEY HAD COME TO CANADA SEVERAL YEARS BEFORE AND HAD HAD TO PAY THE $500 HEAD TAX. HONG TRAVELED WITH HIS BROTHER FROM MAINLAND CHINA TO HONG KONG, IN ORDER TO GO TO THE CANADIAN EMBASSY. ON HIS FERRY RIDE TO HONG KONG, HE WAS SHOT BY BANDITS AND WAS REQUIRED TO STAY IN THE HOSPITAL FOR QUITE SOME TIME TO RECOVER. HIS BROTHER ELECTED TO REMAIN IN HONG KONG, AS HIS MOTHER-IN-LAW LIVED IN THE CITY AND GOT HONG’S BROTHER WORK IN A THEATRE. TO GET TO CANADA, HONG FLEW FROM JAPAN TO GUAM, TO VANCOUVER, AND THEN FINALLY TO LETHBRIDGE. HIS FIRST IMPRESSION OF LETHBRIDGE: COLD. HONG SAID: “’WELL, IN HONG KONG IT WAS AROUND MAYBE 20 SOME 30 ABOVE. AND HERE, AT THAT TIME, MAYBE 20 BELOW, OR 20 SOME BELOW. I DIDN’T HAVE THE EAR MUFFS. I SAID, ‘GEE, I’M NOT SO HAPPY HERE, IT SEEMS SO COLD.’” UNCLE SHUEY TOLD HONG THAT IT WAS ONE OF THE COLDEST WINTERS HE COULD REMEMBER. HONG WORKED FOR HIS UNCLE IN HIS SHOP ON 9TH AVENUE, DOING CHORES AROUND THE STORE, UNTIL HIS ENGLISH HAD IMPROVED ENOUGH SO THAT HE COULD SERVE CUSTOMERS. HE JOINED THE CHINESE NATIONALIST LEAGUE SOCIETY ALMOST AS SOON AS HE ARRIVED: “WHEN I CAME HERE, I JOINED IN THE SAME YEAR BECAUSE MY UNCLE WAS A MEMBER. SO THAT’S WHY HE GOT ME IN TO BE A MEMBER. OH, AT THAT TIME, I BET, 95% OF THE CHINESE PEOPLE THEY BELONG TO THE CHINESE NATIONAL LEAGUE, I BELIEVE.” HE CONTINUED, SAYING THAT YOU COULDN’T BE A MEMBER OF BOTH THE SOCIETY AND THE MASONS, AND HE BELIEVES ABOUT 5% OF THE CITY’S CHINESE POPULATION WOULD HAVE BELONGED TO THE MASONS. HE ADDED: “BUT WE ARE STILL FRIENDS, STILL FRIENDS. WE’RE NOT ENEMY OR ANYTHING BUT, IT’S JUST THAT THE ORGANIZATIONS ARE DIFFERENT. THAT’S ALL.” HONG ENJOYED THE CAMARADERIE OF THE SOCIETY. HE SAID: “I REMEMBER, I LIKE IT BECAUSE THEY HAVE THE PARTY AND SO MANY PEOPLE. AND THEN YOU MEET ALL THE CHINESE PEOPLE THERE IN THE ONE GROUP. WELL, ANYWAY, WHEN YOU SEE SO MANY PEOPLE IN ONE PARTY, AND THEN WHEN THEY COME OUT MOSTLY THE PEOPLE THAT PARTY AND IT FEELS LIKE A LOTS OF FRIENDS OR EVEN LIKE THE FAMILY. SO YOU FEEL GOOD, YOU FEEL BETTER, AND THEN, WELL, MY UNCLE BELONGS THERE TOO AND THEN THE OTHERS BELONG THERE TOO, YEAH, EVERYBODY LIKE IN THE BIG FAMILY. YES, NICE, OTHERWISE YOU DON’T HAVE ANY FRIENDS, YOU DON’T MEET ANYBODY, IF YOU NOT BELONG THERE, I THINK NOT SO FRIENDLY TO YOU.” HONG INDICATED THAT WHEN A SPECIAL MEAL WAS HELD AT THE SOCIETY, IT WAS THE MEN WHO DID THE COOKING: “AT THAT TIME JUST ABOUT EVERYBODY KNOWS HOW TO COOK BECAUSE MOSTLY WE WORK IN THE KITCHEN WHEN THEY CAME HERE.” HE SAID THAT DINERS WOULD PAY A SMALL FEE TO EAT AT THE LEAGUE WHEN SPECIAL MEALS WERE PUT ON. SEE PERMANENT FILE FOR COPIES OF LETHBRIDGE HERALD ARTICLES AND FOR INTERVIEW TRANSCRIPTS.
Catalogue Number
P20110031021
Acquisition Date
2011-11
Collection
Museum
Images
Less detail
Other Name
BOXING TROPHY
Date Range From
1950
Date Range To
1960
Material Type
Artifact
Catalogue Number
P20150015000
  1 image  
Material Type
Artifact
Other Name
BOXING TROPHY
Date Range From
1950
Date Range To
1960
No. Pieces
1
Height
35.5
Length
32
Width
8.9
Description
BOXING TROPHY WITH A COPPER-FINISHED BOXER ON A WOODEN PEDESTAL FLANKED BY COPPER GLOVERS ON INDEPENDENT WOOD PEDESTALS. THE TROPHY IS MARKED “COMPETITION IN MEMORY OF F/O (FLIGHT OFFICER) SYD & JACK EMERY RCAF SOUTH ALBERTA ELIMINATIONS”. THERE IS A WOOD BASE WITH FIVE COPPER-FINISHED BADGES ATTACHED IN A ROW ACROSS THE FRONT. THE FIRST TWO READ “1950” AND “1960”. THE LAST THREE ARE BLANK. GOOD – VERY GOOD CONDITION. SLIGHT LOSS OF COPPER FINISH ON THE BOXER AND BOXING GLOVES. SLIGHT LOSS OF WOOD FINISH IN VARIOUS AREAS OVERALL. THE LEFT PEDESTAL IS SLIGHTLY LOOSE AND THE RIGHT IS VERY LOOSE.
Subjects
PERSONAL SYMBOL
Historical Association
COMMEMORATIVE
SPORTS
ASSOCIATIONS
History
THIS BOXING TROPHY THAT WAS GIVEN IN HONOUR OF TWO BROTHERS, SYD AND JACK EMERY, WHO LOST THEIR LIVES IN WORLD WAR II. THE BOYS WERE COMPETITIVE BOXERS IN LETHBRIDGE PRIOR TO THE WAR AND THEIR FATHER, JOHN LIONEL “JACK” EMERY (C. 1890-1976) WAS A LARGE PART OF THE BOXING COMMUNITY IN LETHBRIDGE INCLUDING ACTING AS PRESIDENT OF THE LETHBRIDGE AMATEUR BOXING CLUB BEGINNING IN 1951. ON OCTOBER 9, 2015, COLLECTIONS TECHNICIAN KEVIN MACLEAN CONDUCTED AN INTERVIEW WITH DONOR, DORINDA EMERY, WHO IS THE BIOLOGICAL DAUGHTER OF THE YOUNGER JACK EMERY AND THE STEP DAUGHTER OF THE YOUNGEST EMERY BROTHER, JAMES “JIM” EMERY. THE FOLLOWING INFORMATION HAS BEEN EXTRACTED FROM THAT INTERVIEW: WHEN ASKED ABOUT HOW SHE CAME TO POSSESS THE TROPHY, EMERY STATES: “WELL, IT’S BEEN IN MY PARENTS’ BASEMENT FOR SOME TIME AND WHEN MY LAST PARENT DIED – MY DAD - TWO YEARS AGO. WE WERE PACKING UP THE HOUSE [AND] I FOUND THE TROPHY IN THE BASEMENT… I WAS VERY AWARE [OF THE TROPHY GROWING UP]. IT USED TO BE GIVEN OUT EVERY YEAR, AND THEN I THINK THAT SORT OF DIED OUT IN LETHBRIDGE, AND THEN IT CAME BACK TO THE HOUSE. I DON’T KNOW [FOR SURE], ‘CAUSE I CAN’T REMEMBER. I GOT THE PICTURES OF MY GRANDFATHER AND HE IS THE ALBERTA SPORTS HALL OF FAME AND HE’S IN THE LETHBRIDGE SPORTS HALL OF FAME. DORINDA BELIEVES THIS TROPHY IS A REMINDER “THAT MY FAMILY DID CONTRIBUTE AND DID MAKE SIGNIFICANT CONTRIBUTIONS TO THE DEVELOPMENT OF LETHBRIDGE… MY GRANDFATHER (JOHN LIONEL “JACK” EMERY) WAS A GREAT PROPONENT OF AMATEUR SPORTS AND THOUGHT THAT THE SPORT ELEMENT WAS VERY IMPORTANT FOR KIDS TO PARTICIPATE IN REGARDLESS OF THEIR ATHLETIC LEVELS, BUT ALSO TO ACKNOWLEDGE THOSE WHO EXCELLED.” DORINDA DISCUSSES GROWING UP IN THE EMERY HOUSEHOLD: “I GREW UP WITH [MY GRANDFATHER]. I GREW UP IN A THREE GENERATIONAL HOUSE. SO MY MOTHER BROUGHT ME FROM ENGLAND AND WE LIVED WITH MY FATHER’S PARENTS AND THAT’S JACK… SO I CAME FROM ENGLAND IN 1946 AND WE STAYED IN LETHBRIDGE EVER AFTER… MY MOTHER MARRIED MY REAL FATHER’S BROTHER WHEN I WAS 7. SO JAMES IS ACTUALLY MY UNCLE AND MY DAD…WELL [MY GRANDFATHER] WAS A BIT OF A CURMUDGEON IN A LOT OF WAYS, EX-NAVY. HE HAD BEEN TORPEDOED IN WORLD WAR I, AND THEY CAME TO CANADA RIGHT IN THE DEPRESSION, AND SO THINGS WERE NOT ALWAYS EASY FOR THE FAMILY. MY OLDEST UNCLE, SID, WHO WAS THEIR OLDEST CHILD, WAS BORN IN ENGLAND, BUT THEN JACK OR JOHN – WHO WAS ALSO MY REAL FATHER – AND JIM AND DORIS WERE ALL BORN IN CANADA. THEY CAME TO LETHBRIDGE, WHERE MY DAD WAS BORN AND RAISED. [MY DAD] REMEMBERS THE DAYS WHEN ANYTHING PAST 10TH AVENUE SOUTH IN LETHBRIDGE WAS BALD PRAIRIE AND SPENDING MUCH TIME AS CHILDREN ENTERTAINING THEMSELVES IN THE PRAIRIES AND COULEES.” EMERY GOES ON TO DESCRIBE HER GRANDFATHER’S COMMITMENT TO BOXING IN LETHBRIDGE: “HE FORMED THE ALBERTA AMATEUR SPORTS – AMATEUR BOXING ASSOCIATION. HE WAS VERY HIGH UP IN THE BOXING AND WRESTLING IN ALBERTA BACK IN THE ‘50S. HE WAS ON THE COMMISSION FOR BOXING AND WRESTLING IN ALBERTA. HE’S IN THE SPORTS HALL OF FAME… HE WAS VERY MUCH 'THE MAN’S MAN,' AND I THINK HE FELT IT WAS A GENTLEMEN’S SPORT RATHER THAN A ROUGHIAN’S SPORT. HE FELT THAT THERE WAS AN ART IN A WAY OF DEFENDING YOURSELF.” “KAI YIP WAS STILL ACTIVE IN BOXING WHEN I LEFT LETHBRIDGE 3 YEARS AGO. AND KAI KNEW MY GRANDFATHER EXCEPTIONALLY WELL. IN FACT, I THINK THAT IN LOTS OF CASES, GRANDAD HAD CLOSER RELATIONSHIPS WITH THE YOUNG ONES HE WAS FOSTERING IN BOXING THAN HE DID HIS OWN FAMILY… JUST THE NATURE OF HIM, YOU KNOW. VERY BRITISH, VERY UPRIGHT. IF SOMEONE DIDN’T SHARE HIS PASSION FOR BOXING, THEY WEREN’T QUITE THE SAME IN HIS ESTIMATION… HE ENCOURAGED A LOT OF RECREATIONAL ACTIVITY IN HIS KIDS. MY AUNT DORIS WAS A RUNNER. TO HIM THAT WAS AN IMPORTANT, SPORTS WERE IMPORTANT.” JACK EMERY’S INVOLVEMENT IN BOXING WAS AN ACT OF COMMUNITY SERVICE RATHER THAN PROFESSIONAL. THE TOPIC OF BOXING WAS PREVALENT IN THE EMERY HOUSEHOLD: “IT WOULD BE THE TOPIC OF CONVERSATION. WE ALWAYS HAD FAMILY DINNERS. THAT WAS WHEN FAMILIES ACTUALLY ATE TOGETHER 2 OR 3 TIMES A DAY. AND IT WAS ALWAYS A GREAT TOPIC, WHO WAS DOING WHAT AND WHO HE WAS DEVELOPING OR WHAT WAS GOING ON WITH THE BOXING AND WRESTLING COMMISSION. BUT HE WAS ALSO INTENSELY INTERESTED IN POLITICS. WE WERE A FAMILY WITH GREAT DISCUSSIONS DURING MEALTIMES. PLUS HE WOULD BE OFF AND HE’D END UP AT THE LEGION AND WE’D GO AND PULL HIM [OUT] - THE ARMY AND NAVY WAS HIS FAVORITE HANGOUT. HE [WAS] VERY INVOLVED IN THAT, AS WELL. HE LIKED HIS EX-MILITARY CONNECTIONS. HE LOST TWO SONS TO THE WAR, THE SECOND WORLD WAR. [HE] SAW THAT AS A PATRIOTIC DUTY IN LOTS OF WAYS. WHATEVER HE WAS INTERESTED IN, HE WAS INTENSELY DEVOTED TO IT, BUT HE NEVER EARNED MONEY FROM IT AT ALL.” FROM HER GRANDFATHER, EMERY HAS LEARNED: “WELL PROBABLY JUST MY WILLINGNESS TO TRY AND MAKE A DIFFERENCE IN A COMMUNITY AND CERTAINLY A WILLINGNESS TO DISCUSS ISSUES. TO ME, THE GREATEST THING I LEARNED FROM MY GRANDFATHER WAS DEBATE AND QUESTIONING, AND COMING TO YOUR OWN CONCLUSIONS ABOUT WHAT WAS RIGHT FOR YOU. ‘CAUSE I CAN REMEMBER THE FIRST TIME I EVER WON A REAL, ONE OF OUR LUNCH HOUR DEBATES AND I FELT EXTREMELY VIRTUOUS, AND THEN I FELT ALMOST SORRY BECAUSE HE WAS VERY, VERY GOOD AT HAVING DISCUSSIONS.” REFLECTING ON THE LIFE OF THE EMERY FAMILY, EMERY SAYS, “I THINK THAT, YOU KNOW, THE FAMILY WAS ONE THAT HAD A LOT OF VERY INCREDIBLE CHALLENGES AND A LOT OF GRIEF AND DISAPPOINTMENT, AND YET THEY STILL HAD THE SPIRIT TO TRY AND FIND A WAY TO MAKE THOSE LOSES SIGNIFICANT AND BRING SOME KIND OF LASTING CONTRIBUTION.” THE FOLLOWING INFORMATION HAS BEEN TAKEN FROM THE UNIVERSITY OF LETHBRIDGE’S DIGITIZED COLLECTION TITLED, “LETHBRIDGE CENOTAPH.” JOHN LIONEL (JACK) EMERY WAS BORN IN LETHBRIDGE TO HIS FATHER BEARING THE SAME NAME AND MOTHER, CECILIA EMERY. HE WENT TO FLEETWOOD SCHOOL AND LETHBRIDGE COLLEGIATE INSTITUTE. HE COMPETED IN BOXING AND WORKED AS A JUNIOR CLERK AT THE ROYAL BANK OF CANADA PRIOR TO ENLISTING IN THE ROYAL CANADIAN AIR FORCE (RCAF) IN 1941. HE ARRIVED IN THE UNITED KINGDOM IN 1943 WHERE HE WAS ATTACHED TO THE 405 SQUADRON RCAF. HE SERVED FOR SIXTEEN MONTHS ON A LANCASTER AS A NAVIGATOR AND A BOMB AIMER. ON JUNE 11, 1944, FLYING OFFICER EMERY WAS PART OF AN ALL-CANADIAN CREW IN A LANCASTER DETAILED TO BOMB THE VERSAILLES MARSHALLING YARD. THE AIRCRAFT WAS SHOT DOWN BY ENEMY AIRCRAFT AND HEAVY GROUND FIRE. SIX OF THE EIGHT MEN ON THE AIRCRAFT WERE KILLED, INCLUDING EMERY. HE WAS LAID TO REST IN A COLLECTIVE GRAVE AT AUNEAU COMMUNAL CEMETERY. FURTHER INFORMATION ON “LETHBRIDGE CENOTAPH” DISCUSSES JACK’S OLDER BROTHER, SYDNEY JAMES EMERY. HE WAS BORN IN LETHBRIDGE TO JACK (C.1890-1976) AND CECILIA EMERY, AND WENT TO THE SAME SCHOOLS AS HIS BROTHER, JACK. “HE WAS AN ACCOMPLISHED BOXER, HOLDING THREE ALBERTA CHAMPIONSHIPS AND TWICE CONTENDING FOR THE DOMINION TITLE. AT THE TIME OF ENLISTMENT, HE WAS SINGLE AND TRAINING AS A PILOT FOR TRANS-CANADA AIRLINES. HE ENLISTED FOR SERVICE IN THE RCAF IN 1941, AND AFTER TRAINING IN CANADA TO RECEIVE HIS PILOT’S WINGS AND A PROMOTION TO FLYING OFFICER, HE ARRIVED IN THE UNITED KINGDOM IN 1943. THERE, HE WAS ATTACHED TO THE 177 SQUADRON RCAF. THE SQUADRON WAS DEPLOYED TO A BASE IN INDIA IN NOVEMBER OF 1943... ON OCTOBER 17, 1944, EMERY AND HIS NAVIGATOR WERE FLYING A COMBAT MISSION OVER BURMA WHEN THEIR AIRCRAFT CRASHED INTO A HILLSIDE. THEIR SQUADRON WAS ABLE TO LOCATE THE WRECKAGE AND MARK THE MEN’S GRAVES, HOWEVER, FOLLOWING THE WAR THE GRAVES COULD NOT BE RE-LOCATED. THEY ARE REMEMBERED AT THE SINGAPORE MEMORIAL FOR THE MISSING. JACK (C.1890-1976) AND CECILIA HAD TWO OTHER CHILDREN, JAMES (JIM) FREDRICK AND DORIS EMERY. FOR ADDITIONAL INFORMATION INCLUDING FULL INTERVIEW TRANSCRIPT AND LETHBRIDGE HERALD ARTICLES.
Catalogue Number
P20150015000
Acquisition Date
2017-04
Collection
Museum
Images
Less detail
Other Name
"BOY SCOUTS"
Date Range From
1950
Date Range To
1960
Material Type
Artifact
Materials
FELT, COTTON, METAL
Catalogue Number
P20180028001
  2 images  
Material Type
Artifact
Other Name
"BOY SCOUTS"
Date Range From
1950
Date Range To
1960
Materials
FELT, COTTON, METAL
No. Pieces
1
Length
20
Width
21.5
Description
GREEN FELT CAP WITH BRIM ON FRONT. CAP HAS GOLD CORD TRIM AROUND EDGE AND ABOVE BRIM, WITH GOLD CORD TRIM STITCHED UP SIDES OF CAP FROM EDGE TO TOP, FORMING SIX SECTIONS. TOP OF CAP HAS GREEN BEAD IN THE CENTER. FRONT SECTION OF THE CAP HAS RED EMBROIDERY OF A WOLF FACE BLACK DETAILING ON THE EYES, NOSE, AND CENTERS OF EARS, AND RED EMBROIDERED TEXT “BOY SCOUTS”. FRONT SECTION HAS TWO METAL SIX-POINT STARS FIXED ON BOTH SIDES OF EMBROIDERED TEXT. INSIDE OF CAP HAS GREEN COTTON LINING, WITH STITCHED GREEN CIRCLE IN THE CENTER AND WHITE COTTON STRIPE ACROSS STITCHED CIRCLE. INSIDE OF CAP HAS TWO METAL BARS TO FIX STARS TO THE FRONT. LINING FABRIC AROUND METAL BARS IS STAINED BROWN AND RED, AND METAL BARS ARE RUSTED. LINING INSIDE IS DISCOLORED AND FADED; CAP IS FOLDED AT BACK. CAP EXTERIOR IS SOILED AND STAINED BROWN ON BRIM AND SIDES. OVERALL VERY GOOD CONDITION.
Subjects
CLOTHING-HEADWEAR
Historical Association
ASSOCIATIONS
History
ON DECEMBER 13, 2018, COLLECTIONS TECHNICIAN KEVIN MACLEAN INTERVIEWED BILL LINGARD REGARDING HIS DONATION OF BOY SCOUTS AND WOLF CUBS REGALIA. LINGARD WAS A MEMBER OF THE LETHBRIDGE WOLF CUB AND BOY SCOUT TROUPES AS A YOUTH. ON THE BOY SCOUTS CAP, LINGARD ELABORATED, “THIS WAS INHERITED FROM WHEN MY MOTHER PASSED AWAY [IN 2007]. THAT’S PROBABLY WHERE IT WAS FIRST SO THAT’S ALL I CAN REMEMBER…[THE] LAST TIME I SAW IT…WAS PROBABLY A NUMBER OF YEARS [AGO].” LINGARD RECALLED HIS TIME IN THE BOY SCOUTS AND WOLF CUBS, “YOU HAD TO BE EIGHT YEARS OLD [TO ENROLL IN WOLF CUBS]. THERE MIGHT HAVE BEEN ONE OR TWO OTHER KIDS THAT I KNEW FROM SCHOOL THAT HAD GOTTEN INTERESTED IN IT. I CAN’T REALLY SAY THERE WAS ONE DEFINING MOMENT THAT I [WANTED TO JOIN]-–I OBVIOUSLY TRIED IT OUT AND LIKED IT BECAUSE I WAS IN IT FOR ABOUT 3 YEARS. [I WAS] ABOUT 10 OR 11 WHEN THEY BOOSTED [ME] UP TO BOY SCOUTS BECAUSE I WENT TO SCOUTS AFTER THAT. WHEN I STARTED OUT, I GOT TO BE A SIXER AND THEN I GOT TO BE WHAT WAS CALLED A SENIOR SIXER, THAT’S LIKE A SERGEANT [WHERE] YOU GET THREE STRIPES. I DID [THE] THINGS YOU DID IN CUBS.” “[I REMEMBER] GOING TO MEETINGS, I JUST WALKED. IT WOULD HAVE BEEN [AT] 14TH STREET AND ST. AUGUSTINE’S CHURCH, ON 11TH AND 4TH AVENUE. IT’S A MATTER OF 6 BLOCKS. YOU WALKED EVERYWHERE THEN. I THINK WE HAD A TRUCK [THEN]. THAT’S ABOUT THE FIRST THING I REMEMBER [ABOUT] JOINING, AND I ENJOYED IT. I KNEW VERA SHIRLEY UP UNTIL THE TIME SHE PASSED AWAY, A NICE LADY.” “[WE MET] TUESDAY OR THURSDAY EVENINGS. IT WAS ABOUT 6:30 OR 7, PROBABLY 6:30 TILL ABOUT 7:30. I REMEMBER IN THE SUMMER TIME WE GENERALLY MET OUTSIDE A LOT ON THE FRONT LAWN OF THE MANSE AT ST. AUGUSTINE’S CHURCH WHICH IS WHERE THE NEW CHURCH SITS. THAT WAS FRONT LAWN THEN AND WE USED TO MEET OUTSIDE A LOT. IN THE WINTER IT WAS DOWN IN THE BASEMENT IN THE CHURCH AND WE USED TO DO [A] CERTAIN AMOUNT OF ACTIVITIES OVER IN THE RCMP GROUNDS.” “WE PROBABLY PLAYED GAMES. IT SEEMS AT A CUB’S MEETING WE HAD AN OPENING AND THEN WE DID…TYING KNOTS. I THINK THERE WERE A CERTAIN NUMBER OF CUB-LIKE ACTIVITIES, TEACHING YOU HOW TO FOLLOW DIRECTIONS AND STUFF LIKE THAT. THERE WAS USUALLY TIME TO BURN OFF A BIT OF ENERGY AND A CLOSING THING. I CAN IMAGINE THAT CUB MEETINGS WERE ABOUT AN HOUR AT THAT AGE. IT SEEMED LIKE A LONG TIME THEN BUT THAT’S PROBABLY [ALL] IT WAS.” “[WE NEVER LEFT THE CITY] WITH CUBS. IN SCOUTS, I WENT TO CAMP ONCE BUT CUBS WAS IN TOWN…IN SCOUTS, THEY HAD A FATHER AND SON BANQUET ONCE A YEAR…IT WAS JUST RIGHT AFTER THE WAR AND THERE WEREN’T A WHOLE LOT OF THINGS THAT WE DID, THAT WERE EXTRACURRICULAR…THAT REQUIRED TRANSPORTATION AND MOVING AROUND A LOT. WE HAD BADGES.” “I’M SURE THERE WERE TROUPES ON THE NORTH SIDE OF THE CITY. PROBABLY AT THE CATHOLIC CHURCH AND PROBABLY AT THE MORMON CHURCH. WHEN I WENT TO SCOUTS, THE SCOUT TROUPE WAS AT SOUTHMINSTER CHURCH BUT I DON’T THINK THEY HAD CUBS AT SOUTHMINSTER. IT WAS AT ST. AUGUSTINE’S. I DON’T THINK THERE WERE THAT MANY CUB TROUPES BECAUSE THERE WERE ONLY ABOUT 15,000 PEOPLE IN LETHBRIDGE RIGHT AFTER THE WAR SO IT WASN’T THAT BIG OF A PLACE…WE WERE NUMBER 4 SO MAYBE THERE WERE 4 OR 5.” “SCOUTS WAS [THE] ADOLESCENT—PRETTY SOON [I WAS] LESS INTERESTED IN SCOUTS AND MORE INTERESTED IN GIRLS. I ENJOYED CUBS VERY MUCH AND VERA SHIRLEY WAS CERTAINLY A VERY POSITIVE PERSON. I WOULD SAY THAT THE OVERALL EFFECT, WHICH I DIDN’T REALLY REALIZE AT THE TIME, SINCE THEN THROUGHOUT MY LIFE, I HAVE BELONGED TO A LOT OF THINGS AND HAVE ENJOYED THEM. I THINK THAT [IT] PROBABLY HELPED TO [INFLUENCE] THAT FROM KIND OF A SHY KID TO BEING ABLE TO DO OTHER THINGS. I FEEL THAT THE CUB EXPERIENCE THERE WITH THAT GROUP OF PEOPLE…WAS POSITIVE.” “ONCE I GOT INTO JUNIOR HIGH AND THEN EVEN TOWARD HIGH SCHOOL THEN IT WAS CURLING AND THINGS LIKE THAT I WAS GETTING INTERESTED IN…I’M NOT SURE THAT I EVEN GOT ANY BADGES IN SCOUTS.” LINGARD EXPRESSED HIS MOTIVES FOR DONATING THE CAP AND JACKET, STATING, “WE’RE DOWNSIZING. I DON’T THINK WE EVEN KNEW THIS EXISTED 2 YEARS AGO, IT WAS PUT AWAY SOMEWHERE. IT WAS [TIME TO DECIDE] WHAT TO DO WITH THIS. WE DIDN’T REQUIRE IT ANYMORE SO I THOUGHT I WOULD CHECK WITH [THE MUSEUM] BEFORE IT WENT ELSEWHERE.” “I’D SAY IT’S VALUED BUT IT WAS A MATTER [OF] ONE DAY THIS IS GOING TO GO. IF IT HAS SOME VALUE [I’D LIKE TO SEE] THAT IT GOES SOMEWHERE WHERE IT CAN BE APPRECIATED, WHERE IT BRINGS BACK SOME MEMORIES.” FOR MORE INFORMATION INCLUDING THE FULL INTERVIEW TRANSCRIPTION AND COPIES OF LETHBRIDGE HERALD ARTICLES, PLEASE SEE THE PERMANENT FILE P20180028001-GA.
Catalogue Number
P20180028001
Acquisition Date
2018-12
Collection
Museum
Images
Less detail
Other Name
"WOLF CUBS CANADA"
Date Range From
1950
Date Range To
1960
Material Type
Artifact
Materials
COTTON, POLYESTER, PLASTIC
Catalogue Number
P20180028002
  2 images  
Material Type
Artifact
Other Name
"WOLF CUBS CANADA"
Date Range From
1950
Date Range To
1960
Materials
COTTON, POLYESTER, PLASTIC
No. Pieces
1
Length
56
Width
36.2
Description
GREEN COTTON-KNIT TURTLENECK SWEATER. SWEATER HAS TWO GREEN PLASTIC BUTTONS AT COLLAR ON RIGHT-WEARING SIDE, WITH BUTTON LOOPS ON LEFT-WEARING SIDE. FRONT OF SWEATER HAS ROUND PATCH SEWN ON LEFT SIDE OF CHEST OF RED WOLF FACE WITH RED EMBROIDERED TEXT BELOW “BOY SCOUTS”. FRONT OF SWEATER HAS PATCH SEWN ON RIGHT SIDE OF CHEST COMPRISED OF GREEN BAR WITH RED EMRBOIDERED TEXT “WOLF CUBS-CANADA” AND LIGHT GREEN SHIELD BELOW WITH EMBROIDERED RED AND GREEN COAT OF ARMS FORMING RED CROSS IN TOP SECTION OF SHIELD AND RED ROSE WITH GREEN STEM AND LEAVES IN BOTTOM SECTION OF SHIELD. LEFT SLEEVE HAS THREE YELLOW BARS SEWN ON, WITH BLACK TRIANGULAR PATCH SEWN ON AT SHOULDER. RIGHT SLEEVES HAS FIVE PATCHES SEWN ON, IN ORDER FROM SHOULDER DOWN: WHITE COTTON BAR WITH RED PRINTED TEXT “LETHBRIDGE”; WHITE COTTON SQUARE PATCH WITH RED PRINTED TEXT “4”; TRIANGULAR PATCH WITH BLUE BACKGROUND, GREEN TRIM AND WHITE EMBROIDERED TEXT “BOY SCOUTS” WITH WHITE EMBROIDERED MAGNIFYING GLASS BELOW; TRIANGULAR PATCH WITH YELLOW BACKGROUND, GREEN TRIM, AND BLACK EMBROIDERED TEXT “BOY SCOUTS” WITH BLACK EMBROIDERED HOUSE BELOW; TRIANGULAR PATCH WITH YELLOW BACKGROUND, BLACK TRIM, AND BLACK EMRBOIDRED TEXT “BOY SCOUTS” WITH BLACK EMBROIDERED PENCIL BELOW. BACK OF RIGHT SLEEVE HAS TRIANGULAR PATCH WITH RED BACKGROUND, BLACK TRIM, AND BLACK EMBROIDERED TEXT “BOY SCOUTS” WITH BLACK EMBROIDERED BROOM BASE BELOW. SLEEVE CUFFS ELASTIC. INSIDE SWEATER COLLAR IS WHITE TAG WITH ORANGE EMBROIDERED TEXT “OFFICIAL DESIGN FROM THE STORES DEPARTMENT, THE BOY SCOUTS ASSOCIATION, OTTAWA, CANADA”. YELLOW BARS ON LEFT SLEEVE ARE FADED; TAG INSIDE COLLAR IS DISCOLORED; OVERALL VERY GOOD CONDITION.
Subjects
CLOTHING-OUTERWEAR
Historical Association
ASSOCIATIONS
History
ON DECEMBER 13, 2018, COLLECTIONS TECHNICIAN KEVIN MACLEAN INTERVIEWED BILL LINGARD REGARDING HIS DONATION OF BOY SCOUTS AND WOLF CUBS REGALIA. LINGARD WAS A MEMBER OF THE LETHBRIDGE WOLF CUB AND BOY SCOUT TROUPES AS A YOUTH. ON THE WOLF CUBS SWEATER, LINGARD ELABORATED, “THIS WAS INHERITED FROM WHEN MY MOTHER PASSED AWAY [IN 2007]. THAT’S PROBABLY WHERE IT WAS FIRST SO THAT’S ALL I CAN REMEMBER…[THE] LAST TIME I SAW IT…WAS PROBABLY A NUMBER OF YEARS [AGO].” “I CAN REMEMBER THINGS ABOUT CUBS. I CAN REMEMBER VERA SHIRLEY, WHO WAS OUR LEADER…THAT’S ABOUT WHAT I REMEMBER ABOUT IT.” LINGARD RECALLED HIS TIME IN THE BOY SCOUTS AND WOLF CUBS, “YOU HAD TO BE EIGHT YEARS OLD [TO ENROLL IN WOLF CUBS]. THERE MIGHT HAVE BEEN ONE OR TWO OTHER KIDS THAT I KNEW FROM SCHOOL THAT HAD GOTTEN INTERESTED IN IT. I CAN’T REALLY SAY THERE WAS ONE DEFINING MOMENT THAT I [WANTED TO JOIN]-–I OBVIOUSLY TRIED IT OUT AND LIKED IT BECAUSE I WAS IN IT FOR ABOUT 3 YEARS. [I WAS] ABOUT 10 OR 11 WHEN THEY BOOSTED [ME] UP TO BOY SCOUTS BECAUSE I WENT TO SCOUTS AFTER THAT. WHEN I STARTED OUT, I GOT TO BE A SIXER AND THEN I GOT TO BE WHAT WAS CALLED A SENIOR SIXER, THAT’S LIKE A SERGEANT [WHERE] YOU GET THREE STRIPES. I DID [THE] THINGS YOU DID IN CUBS.” “[I REMEMBER] GOING TO MEETINGS, I JUST WALKED. IT WOULD HAVE BEEN [AT] 14TH STREET AND ST. AUGUSTINE’S CHURCH, ON 11TH AND 4TH AVENUE. IT’S A MATTER OF 6 BLOCKS. YOU WALKED EVERYWHERE THEN. I THINK WE HAD A TRUCK [THEN]. THAT’S ABOUT THE FIRST THING I REMEMBER [ABOUT] JOINING, AND I ENJOYED IT. I KNEW VERA SHIRLEY UP UNTIL THE TIME SHE PASSED AWAY, A NICE LADY.” “[WE MET] TUESDAY OR THURSDAY EVENINGS. IT WAS ABOUT 6:30 OR 7, PROBABLY 6:30 TILL ABOUT 7:30. I REMEMBER IN THE SUMMER TIME WE GENERALLY MET OUTSIDE A LOT ON THE FRONT LAWN OF THE MANSE AT ST. AUGUSTINE’S CHURCH WHICH IS WHERE THE NEW CHURCH SITS. THAT WAS FRONT LAWN THEN AND WE USED TO MEET OUTSIDE A LOT. IN THE WINTER IT WAS DOWN IN THE BASEMENT IN THE CHURCH AND WE USED TO DO [A] CERTAIN AMOUNT OF ACTIVITIES OVER IN THE RCMP GROUNDS.” “WE PROBABLY PLAYED GAMES. IT SEEMS AT A CUB’S MEETING WE HAD AN OPENING AND THEN WE DID…TYING KNOTS. I THINK THERE WERE A CERTAIN NUMBER OF CUB-LIKE ACTIVITIES, TEACHING YOU HOW TO FOLLOW DIRECTIONS AND STUFF LIKE THAT. THERE WAS USUALLY TIME TO BURN OFF A BIT OF ENERGY AND A CLOSING THING. I CAN IMAGINE THAT CUB MEETINGS WERE ABOUT AN HOUR AT THAT AGE. IT SEEMED LIKE A LONG TIME THEN BUT THAT’S PROBABLY [ALL] IT WAS.” “[WE NEVER LEFT THE CITY] WITH CUBS. IN SCOUTS, I WENT TO CAMP ONCE BUT CUBS WAS IN TOWN…IN SCOUTS, THEY HAD A FATHER AND SON BANQUET ONCE A YEAR…IT WAS JUST RIGHT AFTER THE WAR AND THERE WEREN’T A WHOLE LOT OF THINGS THAT WE DID, THAT WERE EXTRACURRICULAR…THAT REQUIRED TRANSPORTATION AND MOVING AROUND A LOT. WE HAD BADGES.” “I’M SURE THERE WERE TROUPES ON THE NORTH SIDE OF THE CITY. PROBABLY AT THE CATHOLIC CHURCH AND PROBABLY AT THE MORMON CHURCH. WHEN I WENT TO SCOUTS, THE SCOUT TROUPE WAS AT SOUTHMINSTER CHURCH BUT I DON’T THINK THEY HAD CUBS AT SOUTHMINSTER. IT WAS AT ST. AUGUSTINE’S. I DON’T THINK THERE WERE THAT MANY CUB TROUPES BECAUSE THERE WERE ONLY ABOUT 15,000 PEOPLE IN LETHBRIDGE RIGHT AFTER THE WAR SO IT WASN’T THAT BIG OF A PLACE…WE WERE NUMBER 4 SO MAYBE THERE WERE 4 OR 5.” “SCOUTS WAS [THE] ADOLESCENT—PRETTY SOON [I WAS] LESS INTERESTED IN SCOUTS AND MORE INTERESTED IN GIRLS. I ENJOYED CUBS VERY MUCH AND VERA SHIRLEY WAS CERTAINLY A VERY POSITIVE PERSON. I WOULD SAY THAT THE OVERALL EFFECT, WHICH I DIDN’T REALLY REALIZE AT THE TIME, SINCE THEN THROUGHOUT MY LIFE, I HAVE BELONGED TO A LOT OF THINGS AND HAVE ENJOYED THEM. I THINK THAT [IT] PROBABLY HELPED TO [INFLUENCE] THAT FROM KIND OF A SHY KID TO BEING ABLE TO DO OTHER THINGS. I FEEL THAT THE CUB EXPERIENCE THERE WITH THAT GROUP OF PEOPLE…WAS POSITIVE.” “ONCE I GOT INTO JUNIOR HIGH AND THEN EVEN TOWARD HIGH SCHOOL THEN IT WAS CURLING AND THINGS LIKE THAT I WAS GETTING INTERESTED IN…I’M NOT SURE THAT I EVEN GOT ANY BADGES IN SCOUTS.” LINGARD EXPRESSED HIS MOTIVES FOR DONATING THE CAP AND JACKET, STATING, “WE’RE DOWNSIZING. I DON’T THINK WE EVEN KNEW THIS EXISTED 2 YEARS AGO, IT WAS PUT AWAY SOMEWHERE. IT WAS [TIME TO DECIDE] WHAT TO DO WITH THIS. WE DIDN’T REQUIRE IT ANYMORE SO I THOUGHT I WOULD CHECK WITH [THE MUSEUM] BEFORE IT WENT ELSEWHERE.” “I’D SAY IT’S VALUED BUT IT WAS A MATTER [OF] ONE DAY THIS IS GOING TO GO. IF IT HAS SOME VALUE [I’D LIKE TO SEE] THAT IT GOES SOMEWHERE WHERE IT CAN BE APPRECIATED, WHERE IT BRINGS BACK SOME MEMORIES.” FOR MORE INFORMATION INCLUDING THE FULL INTERVIEW TRANSCRIPTION AND COPIES OF LETHBRIDGE HERALD ARTICLES, PLEASE SEE THE PERMANENT FILE P20180028001-GA.
Catalogue Number
P20180028002
Acquisition Date
2018-12
Collection
Museum
Images
Less detail

DEVICE, BLOOD PRESSURE

https://collections.galtmuseum.com/en/permalink/artifact13220
Other Name
OSCILLONTONOMETER
Date Range From
1958
Date Range To
1988
Material Type
Artifact
Materials
CARDBOARD, VINYL, METAL
Catalogue Number
P20140049003
  2 images  
Material Type
Artifact
Other Name
OSCILLONTONOMETER
Date Range From
1958
Date Range To
1988
Materials
CARDBOARD, VINYL, METAL
No. Pieces
11
Height
24
Length
31.8
Width
9
Description
1: AN ORANGE-BROWN CASE WITH BRONZE COLOURED HINGES, CLASPS, AND FEET. THERE IS A SINGLE HANDLE AT THE TOP MADE OF THE SAME FAUX LEATHER MATERIAL AS THE CASE ON TWO METAL HINGES. IT SITS ABOVE A GOLD PUSH CLASP. THERE ARE TWO BRONZE COLOURED HINGES THAT THE CASE SWINGS OPEN ON. THE CASE HAS EIGHT BRONZE-COLOURED DOMED FEET, FOUR OF WHICH SIT AT THE BOTTOM WITH THE HINGES AND FOUR OF WHICH ARE ON THE SIDE OF THE CASE. ON THE SAME SIDE SIX SILVER STUDS SIT IRREGULARLY IN THE BODY OF THE CASE. THE INSIDE OF THE CASE HAS A BUILT IN POUCH, ON WHICH A STICKER STATES “LETHBRIDGE MUNICIPAL HOSPITAL 3402041” AND A PIECE OF PAPER READING “OSCOLLOTONOMETER USE FOR BLOOD PRESSURE” IS TAPED ON. AT THE BOTTOM OF THE CASE, BOLTED TO THE CASE WITH SILVER STUDS SITS THE MEASURING MECHANISM OF THE OSCILLONOMETER. THE SILVER CASED MECHANISM HAS A BLACK RUBBER HAND PUMP ATTACHED, ALONG WITH MULTIPLE ATTACHMENT POINTS FOR THE TUBES OF THE PRESSURE CUFFS. TWO DIALS SIT ON ITS FACE, ONE RANGING FROM 7-0-18 AND READING “COMPARATIF”, THE SECOND RANGING FROM 0-300MMHG AND READING “MANOMETER”. NEXT TO IT IS A SILVER COLOURED PLATE HOLDING FOUR SILVER SCREW-IN KNOBS. 2: A CIRCULAR PAPER TAG RIMMED IN A METAL FRAME AND HELD WITH A SAFETY PIN TO THE HANDLE OF THE CASE. ON ONE SIDE THE TAG READS “C.S.R OSCILLOTONOMETER “CAMPARAT”” . THE TAG IS CRUMPLED AND SOME OF THE TEXT IS WORN OFF. H: 0.1 CM, D: 4.7 CM 3: A PIECE OF THE INSIDE LINING OF THE CASE THAT HAS PEELED OFF FROM THE SIDE. ONE SIDE IF THE FAUX LEATHER, THE OTHER A CARDBOARD PAPER COATED IN HARDENED GLUE. H: 0.1 CM, L: 23 CM, W: 5 CM 4: A GREY PRESSURE CUFF ATTACHED TO TWO TUBES, RED, AND BLACK. THE INFLATABLE PART OF THE CUFF MEASURES 46 CM BY 14 CM, WITH THE WRAP AROUND STRAP MEASURING 76 CM BY 4 CM. THE TWO RED AND BLACK TUBES MEASURE 63 CM LONG AND 0.5 CM AROUND. H: 76.5 CM, L: 122.5 CM, W: 14 CM 5: RED TUBING BROKEN OFF FROM ONE OF THE PRESSURE CUFFS. THE TUBING IS CRIMPED AND SNAPPED OFF INTERNALLY NEAR THE BROKEN EDGE OF THE TUBING. L: 47 CM, D: 0.5 CM 6: A GREY PRESSURE CUFF ATTACHED TO TWO TUBES, RED, AND BLACK. THE INFLATABLE PART OF THE CUFF MEASURES 46 CM BY 14 CM, WITH THE WRAP AROUND STRAP MEASURING 76 CM BY 4 CM. THE BLACK TUBE MEASURES 63 CM LONG AND 0.5 CM AROUND. THE RED TUBE MEASURES 18 CM, BROKEN IN HALF. H: 76.5 CM, L: 122.5 CM, W: 14 CM 7: A TYPED NOTE READING “RE OSCILLOMETER. IF ANYONE WISHES TO USE THIS AND IS NOT FAMILIAR WITH THIS MODEL, DR. KING-BROWN HAS SAID THAT HE WOULD HELP. THANK YOU. MIB.” THERE IS ALSO AN “MIB” SIGNED IN BLUE PEN. L: 15.4 CM, W: 10.1 CM 8: A SINGLE PAGE BOOKLET TITLED “SERVICE INSTRUCTIONS FOR THE OSCILLOMETER COMPARATIF”. THE PAPER IS SLIGHTLY WRINKLED WITH A TORN CORNER AND A SLIGHT TEAR IN THE MIDDLE EDGE OF THE PAGES. L: 30 CM, W: 11.7 CM 9: A SINGLE PAGE BOOKLET TITLED “OSCILLOTONOMETERS “COMPARAT” AND “COMPARATIF”” FRONT COVER ALSO HAS AN IMAGE OF A DOCTOR USING THE MACHINE TO MEASURE BLOOD PRESSURE FROM A PATIENT'S ANKLES. THE BACK COVER SHOWCASES AN IMAGE OF THE COMPARATIF AND A DIAGRAM OF BLOOD PRESSURE TUBE CONNECTORS. THE PAGES ARE SLIGHTLY DIMPLED AROUND THE EDGES. L: 30 CM, W: 12.2 CM 10: AN EXAMPLE OF THE FILL-IN FORMS PRINTED WITH FILL-IN EXAMPLES AND GRAPHS IN BLACK INK. WRITTEN IN GERMAN. L: 15 CM, W: 24.7 CM 11: A PAD OF ORANGE INKED FILL-IN FORMS COMPLETE WITH GRAPHING GRIDS. THE FORMS ARE WRITTEN IN GERMAN. THE PAD IS MISSING ONLY A FEW PAGES, WITH SLIGHTLY DIMPLED EDGES AND CURVING CORNERS. H: 0.7 CM, L: 15 CM, W: 24.7 CM
Subjects
MEDICAL & DENTAL T&E
Historical Association
HEALTH SERVICES
ASSOCIATIONS
History
UPON DONATION TO THE MUSEUM, COLLECTIONS TECHNICIAN KEVIN MACLEAN ASKED MEMBERS OF THE GALT SCHOOL OF NURSING (GSN) ALUMNAE TO PROVIDE WRITTEN ANSWERS ON QUESTIONS PERTAINING TO EACH ARTIFACT DONATED IN THE COLLECTION. THE FOLLOWING INFORMATION HAS COME FROM THOSE RESPONSES CORRESPONDING TO EACH INDIVIDUAL ARTIFACT. THIS ARTIFACT IS CALLED AN OSCILLOTONOMETER AND IT WAS USED TO MEASURE THE BLOOD PRESSURE OF THE LEGS. THE OSCILLOTONOMETER WAS USED IN THE OPERATING ROOM (OR), WHERE IT WAS USED BY THE OR STAFF. IT CAME INTO THE POSSESSION OF THE GALT SCHOOL OF NURSING ALUMNAE IN 1988 AFTER ITS USE IN THE OR. THE ALUMNI BELIEVE THAT THIS ARTIFACT IS OF IMPORTANCE BECAME IT IS “SOMETHING NOT SEEN OFTEN BY FLOOR STAFF.” THIS ARTIFACT IS AMONG A COLLECTION DONATED NEAR THE END OF 2014, BEING THE SECOND WAVE OF GSN ARTIFACTS ACQUIRED BY THE MUSEUM THAT YEAR. WITH THE FIRST WAVE OF GSN ARTIFACTS COLLECTED IN SUMMER 2014, MACLEAN INTERVIEWED THE PAST ARCHIVISTS OF THE GALT SCHOOL OF NURSING COLLECTION, SHIRLEY HIGA, ELAINE HAMILTON, AND SUE KYLLO, ABOUT THEIR INVOLVEMENT WITH THE GSN ALUMNAE ASSOCIATION AND THE HISTORY OF ARTIFACTS DONATED. FOR THAT INFORMATION, PLEASE REFER TO P20140006001. ON 12 JULY 2018, COLLECTIONS ASSISTANT ELISE PUNDYK MET WITH THREE MEMBERS OF GALT SCHOOL OF NURSING ALUMNI ASSOCIATION – SHARON DEJONG, DONNA KARL, AND SUE KYLLO – TO ESTABLISH FURTHER DETAILS ABOUT VARIOUS ARTIFACTS IN THIS WAVE OF GSN ACQUISITIONS. ABOUT THIS ARTIFACT, THE ALUMNI STATED THAT THIS WOULD HAVE BEEN USED FROM 1958 TO 1988 (BASED ON THEIR PERSONAL EXPERIENCES DURING THEIR CAREER AND THE CLOSING YEAR OF THE MUNICIPAL HOSPITAL). THEY ALSO ADDED THAT THIS INSTRUMENT WAS NOT OFTEN SEEN BY THE FLOOR STAFF. PLEASE SEE THE PERMANENT FILE FOR MORE INFORMATION.
Catalogue Number
P20140049003
Acquisition Date
2014-11
Collection
Museum
Images
Less detail
Other Name
GHST LETHBRIDGE
Material Type
Artifact
Materials
FELT, THREAD
Catalogue Number
P20140049004
  2 images  
Material Type
Artifact
Other Name
GHST LETHBRIDGE
Date
1913
Materials
FELT, THREAD
No. Pieces
1
Height
25
Length
77
Width
0.3
Description
A YELLOW AND GREEN FELT PENNANT. MACHINE SEWN IN WITH FELT IS THE TEXT “GHTS LETHBRIDGE”. FOUR FELT RIBBONS, TWO GREEN, TWO YELLOW, SIT AS TIES AT THE WIDE END OF THE PENNANT, HAND CUT BUT APPROXIMATELY 17.5 CM LONG AND 1.5 CM WIDE. ATTACHED TO THE BACK IS A PIECE OF MASKING TAPE, ON WHICH IS HANDWRITTEN “MADE BY MRS TAYLOR”. GOOD CONDITION: THE POINT OF THE PENNANT IS FALLING APART AS THE FELT PULLS APART.
Subjects
CEREMONIAL ARTIFACT
Historical Association
COMMEMORATIVE
ASSOCIATIONS
HEALTH SERVICES
History
UPON DONATION TO THE MUSEUM, COLLECTIONS TECHNICIAN KEVIN MACLEAN ASKED MEMBERS OF THE GALT SCHOOL OF NURSING (GSN) ALUMNAE TO PROVIDE WRITTEN ANSWERS ON QUESTIONS PERTAINING TO EACH ARTIFACT DONATED IN THE COLLECTION. THE FOLLOWING INFORMATION HAS COME FROM THOSE RESPONSES CORRESPONDING TO EACH INDIVIDUAL ARTIFACT. THIS BANNER WAS DONATED TO THE GALT SCHOOL OF NURSING ALUMNAE BY ELIZABETH TAYLOR (NEE PATTESON), WHO WAS A PART OF THE FIRST CLASS OF THE GSN. IT WAS OBTAINED BY TAYLOR IN 1913, BUT ITS USE IN THE HOSPITAL IS UNKNOWN. THE WRITER OF THE ARTIFACT’S HISTORY BELIEVES, “[TAYLOR] PROBABLY RECEIVED [THE BANNER] EITHER DURING TRAINING OR WHEN SHE GRADUATED.” ACCORDING TO A PROFILE IN THE DECEMBER 4, 1981 ISSUE OF THE LETHBRIDGE HERALD AND GALT ARCHIVES RECORD 19971065002, ELIZABETH PATTESON WAS BORN IN FORT MACLEOD IN 1891 – HER FATHER, THOMAS EDWARD PATTESON, WAS A STAFF SERGEANT WITH THE NWMP. THE FAMILY MOVED TO LETHBRIDGE IN 1904, AND ELIZABETH BEGAN HER TRAINING AT THE GALT SCHOOL OF NURSING IN 1910. AFTER GRADUATION IN 1913 SHE NURSED IN SOUTHERN ALBERTA BEFORE MOVING TO EDMONTON IN 1914, WHERE SHE MET AND MARRIED LT. ARNOLD TAYLOR. ELIZABETH ENLISTED AND WENT OVERSEAS WITH THE CANADIAN ARMY SERVICE CORPS, WORKING WITH THE BRITISH RED CROSS AND GIVING BIRTH TO A SON, JOHN, IN HASLEMERE, ENGLAND. IN 1919 THE FAMILY RETURNED TO CANADA AND SETTLED IN EDMONTON. IN 1920 TAYLOR JOINED THE OVERSEAS NURSING SISTERS, WHICH SUPPORTED VETERANS IN HOSPITALS, AND WORKED FOR YEARS WITH THE CANADIAN NATIONAL INSTITUTE FOR THE BLIND AND GIRL GUIDES. A 1991 LETHBRIDGE HERALD ARTICLE ABOUT THE CELEBRATION OF THE GALT HOSPITAL CENTENNIAL MENTIONS PATTESON TAYLOR AS EXPECTED TO ATTEND THE CEREMONY AT AGE 99, THE LAST SURVIVING MEMBER OF THE FIRST GALT SCHOOL OF NURSING CLASS. THIS ARTIFACT IS AMONG A COLLECTION DONATED NEAR THE END OF 2014, BEING THE SECOND WAVE OF GSN ARTIFACTS ACQUIRED BY THE MUSEUM THAT YEAR. WITH THE FIRST WAVE OF GSN ARTIFACTS COLLECTED IN SUMMER 2014, MACLEAN INTERVIEWED THE PAST ARCHIVISTS OF THE GALT SCHOOL OF NURSING COLLECTION, SHIRLEY HIGA, ELAINE HAMILTON, AND SUE KYLLO, ABOUT THEIR INVOLVEMENT WITH THE GSN ALUMNAE ASSOCIATION AND THE HISTORY OF ARTIFACTS DONATED. FOR THAT INFORMATION, PLEASE REFER TO P20140006001. PLEASE SEE THE PERMANENT FILE FOR MORE INFORMATION.
Catalogue Number
P20140049004
Acquisition Date
2014-11
Collection
Museum
Images
Less detail
Date Range From
1945
Date Range To
2005
Material Type
Artifact
Materials
STEEL, WOOD
Catalogue Number
P20160029000
  2 images  
Material Type
Artifact
Date Range From
1945
Date Range To
2005
Materials
STEEL, WOOD
No. Pieces
7
Height
30
Diameter
31
Description
A: PRESSURE COOKER POT: STEEL POT WITH TWO BLACK WOODEN HANDLES. HANDLES ARE SCREWED TO LIP OF POT WITH TWO SCREWS EACH. FAIR TO GOOD CONDITION. BLACK RESIDUE, WATER STAINS, AND SCRATCHES ON OVERALL SURFACE OF POT FROM USE. THERE IS A FULL CRACK SEPARATING THE BACK END OF THE RIGHT HANDLE FROM THE POT. B: LID: STEEL LID 31.9CM (D) X 3.8CM (H). LID HAS ONE BLACK WOODEN HANDLE HELD IN PLACE BY TWO SCREWS. BOTH SIDES OF HANDLES HAVE VALVES FOR LETTING OFF/MANAGING PRESSURE. THE CENTER HAS A ROUND GAUGE WHICH READS BOTH PRESSURE (0 TO 20) AND TEMPERATURE IN DEGREES FAHRENHEIT (228° TO 259°). IT READS "WARNING OPEN PETCOCK, EXHAUST STEAM…” GAUGE HAS SINGLE RED NEEDLE. IN FRONT OF GAUGE ON TOP OF LID READS, “IMPROVED KOOK / KWICK STEAM PRESSURE COOKER 22”. LID IS SECURED TO POT WITH REMOVABLE RING THAT IS TIGHTENED BY TURNING A SMALL HANDLE AT THE FRONT. GOOD CONDITION. STAINING ON OVERALL SURFACE OF LID AND BACKGROUND OF GAUGE IS YELLOWED. C: SEALING RING: 36 CM IN DIAMETER UNTIGHTENED. STEEL WITH A RUBBER KNOB AT THE OPENING. HINGE AT THE BACK SIDE OF THE RING. CLAMP AT FRONT IS TIGHTENED BY A METAL HANDLE. GOOD CONDITION. STAINING ON OVERALL SURFACE OF THE STEEL. D: COOKING RACK: 26.5 CM IN DIAMETER. CIRCULAR, METAL RACK WITH A CIRCLE OPENING AT THE CENTER AND A CURVED PATTERN OF TWO ROWS AROUND. THE RACK HAS 6 SECTIONS AROUND. THERE ARE RIDGES ALONG THE VERTICAL LINES ON ONE SIDE. THE OPPOSITE SIDE IS FLAT. THREE OF THE RIDGES HAVE SCREW HOLES ON THE OUTSIDE EDGE. E-G: 3 MASON JAR LID BANDS: ALL 8.5 CM IN DIAMETER. E IS MADE OUT OF A SILVER-COLOURED METAL. F AND G ARE MADE OUT OF GOLD-COLOURED METAL. POOR TO FAIR CONDITION FOR COMPONENTS D THROUGH G. ALL COMPONENTS ARE RUSTING WITH SIGNIFICANT MINERAL BUILD UP ON THEM. THERE IS FURTHER MATERIAL BUILD UP ON COMPONENTS E-G.
Subjects
FOOD PROCESSING T&E
Historical Association
DOMESTIC
History
THE FOLLOWING INFORMATION ABOUT THIS PRESSURE COOKER IS EXTRACTED FROM A SEPTEMBER 2016 INTERVIEW CONDUCTED BY COLLECTIONS TECHNICIAN KEVIN MACLEAN WITH THE ARTIFACT'S DONOR, JEANNETTE HOUTEKAMER: HOUTEKAMER CAME INTO POSSESSION OF THE PRESSURE COOKER FROM HER AUNT, EUGENE SICOTTE: “WELL, FIRST OF ALL, I KNOW IT’S VERY OLD. IT CAME FROM A GREAT AUNT, WHO CAME TO THIS COUNTRY AS A YOUNG GIRL AND WAS LOCATED AROUND THE BEAVER MINE AREA… MUST [HAVE BEEN] LUNDBRECK. SHE WAS THERE WITH HER HUSBAND... SHE ALSO WAS A WONDERFUL COOK, AND SHE COOKED IN A LUMBER CAMP … HER FIRST MARRIED NAME WAS EUGENE (SIC) SICOTTE, MARRIED TO A PETE SICOTTE. [N.B. ALTERNATIVE SPELLING OF FIRST NAME EUGINE OR EUGENIE FROM OBITUARY AND LEGAL NOTICE] … SHE WAS WITH HIM FOR 17 YEARS... HOW SHE MET GEORGE ANDERSON, I’M NOT SURE, BUT HE WAS A FARMER PAST COALDALE - BARNWELL. THEY HAD A FARM UP THERE. AND SHE WAS QUITE A BIT OLDER THAN HIM, BUT THEY MARRIED, AND DID VERY WELL. THEN THEY RETIRED AND MOVED TO THE CITY HERE… I IMAGINE THEY BOUGHT [THE PRESSURE COOKER] DOWN IN GREAT FALLS, BECAUSE HE HAD A SISTER WHO WAS DOWN IN SHELBY. AT THE TIME, IT WAS CONSIDERED MORE EXPENSIVE.” OF THE RELATIONSHIP SHE HAD WITH HER AUNT, HOUTEKAMER STATED: “[W]E WERE VERY CLOSE. THEY HAD NO FAMILY, SO THEY KIND OF ADOPTED MY HUSBAND [MARTIN HOUTEKAMER] AND I... WE DID A LOT OF THINGS FOR THEM WHEN THEY GOT OLDER... SHE WAS A FABULOUS COOK.” HOUTEKAMER’S AUNT’S NAME BECAME EUGENE ANDERSON UNDER HER SECOND MARRIAGE. SOMETIME DURING THE PERIOD AFTER THE EUGENE AND GEORGE ANDERSON MOVED TO LETHBRIDGE AND BEFORE THE PASSING OF MRS. ANDERSON IN 1968, HOUTEKAMER CAME TO ACQUIRE THE PRESSURE COOKER: “WELL, SHE JUST GOT TO THE POINT WHERE SHE WAS GETTING OLDER, AND SHE DIDN’T DO A LOT OF CANNING ANYMORE. SHE HAD DONE A LOT PREVIOUS TO THAT. SHE CANNED EVERYTHING, EVEN MUSHROOMS … [SHE WAS A] FABULOUS COOK … SHE KNEW THAT I DID A LOT OF CANNING, SO SHE THOUGHT [THE PRESSURE COOKER] WOULD HELP." "MY HUSBAND DID A LOT OF FISHING, SO [WE] CANNED FISH, WHICH WAS THE BEST THING FOR IT. WHEN YOU CAN IT IN THERE, IT’S GOING TO BE GOOD… [HE CAUGHT FISH FROM] ALL OVER SOUTHERN ALBERTA. BEAVER MINES WAS ONE OF THE SPECIALS. IN FACT, HIS ASHES ARE IN POLICE LAKE. HE DID A LOT THERE AT POLICE LAKE AND LEE’S CREEK. DEPENDING [ON] HOW MANY FISH YOU HAD TO MAKE IT WORTHWHILE, I WOULD DO A CANNER OF IT. I USED THE SMALL FISH JARS, SO I COULD PACK THEM UP. I DID QUITE A FEW…” PRIOR TO OWNING A PRESSURE COOKER, HOUTEKAMER SAID SHE “USED A BIG CANNER. I HAD ONE THAT HELD 7 OR 8 QUARTS. THAT’S WHAT I DID - MOSTLY FRUIT. I DIDN’T DO A LOT OF VEGETABLES BECAUSE, BY THEN, YOU COULD START FREEZING STUFF. YOU KNOW, IT WAS STARTING TO GET MORE POPULAR.” HOUTEKAMER DID NOT LEARN A GREAT DEAL OF COOKING FROM HER AUNT, “BECAUSE I HAD LEARNED A LOT FROM MY MOTHER. SHE WAS A GOOD COOK. SHE EVEN MADE LEFTOVERS TASTE GOOD. SHE HAD HAD A LOT OF EXPERIENCE… WE DID A LOT OF PRESERVING IN HER DAY. THAT WAS ALL WE HAD AND IT WAS ALWAYS DONE IN A BOILER - A GOOD COPPER BOILER. THAT’S THE WAY YOU LEARNED. … FOR SOME THINGS [THE PRESSURE COOKER WAS BETTER THAN THE COPPER BOILER] BECAUSE MY VEGETABLES TAKE A VERY LONG TIME TO PRESERVE THROUGH BOILING. AND FISH, OH MY GOD, YOU WOULD BE THERE FOREVER TO BOIL, SO THIS [PRESSURE COOKER] IS MUCH BETTER, MUCH FASTER [AND] SAFER, AS WELL. IT WAS HEAVY WORK, MIND YOU. WHEN YOUR COOKER WAS DONE, WHEN YOUR TIME WAS DONE, IF YOU COULD LIFT IT AND TAKE IT OUTDOORS, YOU COULD THROW COLD WATER ON IT AND OPEN IT RIGHT AWAY. THEN YOU WOULD THROW THE CANS IN COLD WATER. FOR JARS, YOU HAD TO WAIT UNTIL IT WENT DOWN BY ITSELF. YOU COULDN’T OPEN IT UNTIL THEN OR ALL THE LIDS WOULD COME OFF.” FOR HOUTEKAMER, CANNING TOOK PLACE MOSTLY DURING THE FALL. SHE WAS ABLE TO PRESERVE A VARIETY OF FOOD WITH THIS PRESSURE COOKER: “I [CANNED] CHICKEN ONE YEAR, AND THAT WAS ENOUGH. WE ALWAYS HAD CHICKEN AROUND [AND] IT WAS BETTER FRESH. MY HUSBAND LOVED HIS FRESH CHICKENS. WE HAD OUR OWN GARDEN, AND SOMETIMES WE WOULD GET SOME CORN IN THE FALL [WHEN THE FARMERS WERE DOING THEIR THRESHING].” OF HER FAVOURITE VEGETABLES TO PRESERVE, HOUTEKAMER SAID, “BEANS, I GUESS. I WOULD GET A LOT OF BEANS. BEETS – I DID SOME – NOT CANNED. [I] DID A LOT OF PICKLES. BEANS WERE THE MAIN THING, AND CHICKEN, AND FISH. AND THAT WAS IT. I DID A LOT OF TOMATOES, BUT THEY WERE SIMPLER TO DO IN THE CANNER, BECAUSE THEY ONLY TAKE ABOUT 20 MINUTES… [THE PRESSURE COOKER] WOULD BE PLACED ON [A] GAS OR ELECTRIC [STOVE]. WHEN THE TIME WAS DONE, YOU JUST SHUT THE STOVE OFF AND LET IT COME DOWN BY ITSELF… I USED TO JUST KNOW WHERE TO PUT THE STOVE AT, THE BURNER, TO KEEP [THE PRESSURE WHERE NEEDED]. YOU HAD TO BE CAREFUL. YOU COULDN’T JUST TURN YOUR BACK ON IT. YOU WOULDN’T WANT THAT. THAT WHOLE THING WOULD COME OFF, AND YOU WOULD HAVE ONE BIG MESS. … NO [THAT NEVER HAPPENED]. I ALWAYS WAS VERY CAREFUL – WATCHED IT CLOSE. I DON’T THINK [MESSES] EVER HAPPENED TO MY AUNT EITHER THAT I’M AWARE OF… MOST OF THE COOKBOOKS IN THOSE DAYS HAD INSTRUCTIONS ABOUT HOW MANY POUNDS TO USE FOR VEGETABLES. I THINK MY FISH WAS 15 POUNDS. FOLLOW THOSE INSTRUCTIONS AND IT WORKED FINE – [IT] DID A VERY GOOD JOB.” HOUTEKAMER WOULD USE THE PRESSURE COOKER AT HER HOME ON THE RESEARCH STATION AND THEN LATER AT HER HOME ON THE NORTH SIDE OF LETHBRIDGE: “… AT THE TIME WE LIVED ON THE RESEARCH STATION FOR TWENTY YEARS. AND I USED IT THERE. MY HUSBAND WORKED THERE, IN POULTRY RESEARCH. WE WERE POOR. WE DID A LOT OF CANNING AND ALWAYS HAD A GARDEN. THAT’S HOW IT CAME ABOUT … WE HAD A PLACE TO LIVE AND OUR OWN GARDEN.” THE PRESSURE COOKER WAS ACTIVELY USED BY HOUTEKAMER UNTIL HER HUSBAND’S DEATH IN 2005: “WELL, I DON’T THINK I’VE USED IT IN THE LAST 10 YEARS BECAUSE I’VE BEEN LIVING IN A CONDO. I JUST HAD IT SITTING AROUND, TOO HEAVY TO MOVE… I DIDN’T DO A LOT OF CANNING ANYMORE…” THIS ARTIFACT BRINGS BACK MEMORIES OF HER LATE HUSBAND: “WE ALWAYS DID A LOT OF FISHING TOGETHER. WHEN HE RETIRED, HE BOUGHT HIS BOAT. WE HAD A CAMPER VAN, SO WE COULD GO OUT AND STAY OVERNIGHT. WE HAD [THE] BOAT, SO WE COULD GO ONTO THE WATER [AND] TRY TO GET SOME FISH. THOSE DAYS, THERE WERE SO MANY FISH... IF YOU WERE LUCKY, YOU HAD A NICE BIG ONE THAT WOULD FILL ABOUT FIVE OR SIX JARS.” CANNING WAS A NECESSITY FOR FOOD PRESERVATION: “WELL, I GUESS IT’S OK IF YOU CAN AFFORD IT, BUT WHEN WE WERE YOUNGER, WE WERE VERY POOR, SO YOU DID WHAT HAD TO DO. KEEP GOING. EAT… MY GIRLS STILL DO SOME, BUT NOW, WITH THE NEW FANCY STOVES, YOU COULD NEVER USE THIS – TOO HEAVY. THE NEW STOVES – THEY JUST CAN’T PUT ANYTHING HEAVY ON THERE. I THINK IT’S KIND OF TOO BAD, BECAUSE A GARDEN IS NOT THAT HARD TO HAVE, AND YOU CAN GET AN AWFUL LOT OF GOOD FOOD OUT OF THERE – NATURAL FOOD, AND VERY HEALTHY FOOD. SOME PEOPLE JUST CAN’T BE BOTHERED. [IT'S] SIMPLER TO GO TO THE STORE… [MY AUNT] COULD HAVE PROBABLY SAID MORE, SHE DID A GREAT DEAL OF CANNING. SHE ALWAYS MADE SURE, WHEN THEY BUILT THEIR HOUSES, THAT THEY HAD A PLACE FOR PUTTING HER CANNED STUFF, WHERE SHE COULD KEEP IT COOLER IN THE SUMMER.” ACCORDING TO HER LETHBRIDGE HERALD OBITUARY, MRS. EUGINE ANDERSON PASSED AWAY IN LETHBRIDGE ON JANUARY 18, 1968 AT THE AGE OF 85. HER SECOND HUSBAND, MR. GEORGE ANDERSON, PASSED AWAY IN CALGARY ON NOVEMBER 26, 1972 AT THE AGE OF 79. MRS. ANDERSON’S FIRST HUSBAND, MR. PETE SICOTTE, PASSED AWAY IN CAMROSE, ALBERTA ON FEBRUARY 15, 1966 AT THE AGE OF 92. A MEMORIAM IN THE LETHBRIDGE HERALD INDICATES THAT THE DONOR’S HUSBAND, MR. MARTIN HOUTEKAMER PASSED AWAY ON APRIL 21, 2005. SEE PERMANENT FILE FOR ADDITIONAL INFORMATION INCLUDING FULL INTERVIEW TRANSCRIPTION AND COPIES OF OBITUARIES.
Catalogue Number
P20160029000
Acquisition Date
2016-09
Collection
Museum
Images
Less detail
Other Name
CASSEROLE DISH SET
Date Range From
1970
Date Range To
2006
Material Type
Artifact
Materials
CERAMIC
Catalogue Number
P20160001000
  2 images  
Material Type
Artifact
Other Name
CASSEROLE DISH SET
Date Range From
1970
Date Range To
2006
Materials
CERAMIC
No. Pieces
22
Height
22
Length
44
Width
32
Description
BOX OF SUNBURST CASSEROLE DISHES WITH 11 PIECES (5 FULL SETS OF SMALL AND LARGE DISHES AND 1 PARTIAL SET WITH ONE SMALL DISH). THERE ARE 22 PIECES INCLUDING THE STORAGE MATERIALS. A – F: CERAMIC CASSEROLE DISHES. UNGLAZED. “SUNBURST… OVENPROOF” WITH A SUN LOGO STAMPED ON THE BOTTOM. THE DISHES HAVE A RIM AT THE TOP AND A BASE AROUND THE BOTTOM. THERE ARE 2 HANDLES ON OPPOSITE ENDS OF THE TOP OF THE DISHES. A-E HAVE “1.95” WRITTEN ON THE BOTTOMS IN PENCIL. F HAS AN ERASER MARK IN THAT PLACE, AND A WHITE STICKER WITH THE PRICE “$5.00” HANDWRITTEN AND STICKING TO A TOP HANDLE. THE DIAMETERS ARE 19.4 CM, THE LENGTHS INCLUDING THE HANDLES ARE 23.3 CM AND THE DISHES ARE EACH 7.1 CM DEEP. THE CONDITIONS OF DISH A THROUGH D ARE VERY GOOD TO EXCELLENT. THERE IS DUST COATING EACH DISH. B HAS 5 SMALL CHIPS ON THE BASE AND A SLIGHT CRACK (LESS THAN 1 CM LONG) ON THE OUTSIDE OF THE RIM. THE CERAMIC ON C IS ROUGH ON THE INNER RIM. IT ALSO HAS A DARK MARK ON THE OUTSIDE OF THE RIM AND SOME SMALL CHIPS ON THE BASE. D HAS A SCRATCH ON THE BASE. THE CONDITION OF E IS VERY GOOD WITH A SMALL CRACK ON THE SIDE OF THE DISH, A DARK STAIN ON THE EDGE OF THE RIM, AND A SLIGHT SCUFF ON THE BOTTOM. CASSEROLE DISH F IS IN GOOD TO VERY GOOD CONDITION WITH SOME MARKS ALONG THE RIM AND BASE. THERE IS A CHIP IN THE HANDLE. G – K: CERAMIC CASSEROLE DISHES. UNGLAZED. “SUNBURST… OVENPROOF” WITH A SUN LOGO STAMPED ON THE BOTTOM. THE DISHES HAVE A RIM AT THE TOP AND A BASE AROUND THE BOTTOM. THERE ARE 2 HANDLES ON OPPOSITE ENDS OF THE TOP OF THE DISHES. H-J HAVE “2.95” WRITTEN ON THE BOTTOMS IN PENCIL. G HAS AN ERASER MARK IN THAT PLACE, AND A WHITE STICKER WITH THE PRICE “$7.00” HANDWRITTEN AND STICKING TO A TOP HANDLE. THE DIAMETERS ARE 22.6 CM, THE LENGTHS INCLUDING THE HANDLES ARE 27.1 CM AND THE DISHES ARE EACH 8.4 CM DEEP. THE CONDITION OF DISH G IS VERY GOOD WITH DARK IMPURITIES IN THE CLAY, A SCUFF ALONG THE BASE AND A SCRATCH IN THE CLAY ON THE SIDE OF THE DISH. THE CONDITION OF H IS FAIR TO GOOD. THIS DISH HAS A LARGE CHIP IN THE RIM WITH A LENGTH OF APPROXIMATELY 6.1 CM. THERE IS A SCUFF IN THE BOTTOM. DISH I IS IN VERY GOOD CONDITION WITH SOME IMPURITIES IN THE CLAY, AN AIR BUBBLE ON THE SIDE OF THE DISH, A DARK BROWN STAINING ON THE SIDE, AND CHIPS ON THE BOTTOM RIM. DISHES J AND K ARE IN VERY GOOD TO EXCELLENT CONDITION WITH SMALL CHIPS IN THE RIM. L – M: SQUARE PIECES OF CARDBOARD FOR PACKING. THEY ARE BENT TO FOLD AROUND A DISHES WITH A CIRCULAR CREASE IN THE CENTER WITH TWO PARALLEL SLITS (APPROX. 3.5 CM APART) FROM ONE END TO THE CENTER. THE DIMENSIONS OF EACH ARE 21 CM X 21 CM. GOOD CONDITION WITH TEARING IN SOME AREAS (L IS TORN ON ONE SIDE) AND CLAY DUST OVERALL. N – U: RECTANGULAR CARDBOARD SEPARATORS FOR PACKING (THEY ARE PLACED IN BETWEEN THE SMALL AND LARGE DISH IN A SET. THERE ARE 3 SLITS IN EACH SEPARATOR THAT ARE 4.5 CM LONG FROM ONE SHORT END STOPPING AT THE CENTER AND EACH SLIT IS 7.5 CM APART. EACH PIECE IS BENT TO FIT THE SHAPE OF DISHES. FAIR TO GOOD CONDITION WITH REGULAR WEAR (TEARS AND STAINING) OVERALL. V: CARDBOARD BOX WITH ORANGE LETTERING, “SUNBURST CERAMICS” WITH AN ORANGE LOGO ON THE LONG SIDE OF THE BOX. HANDWRITTEN IN BLACK INK ON THE TOP OF THE BOX CAN BE READ “OPICAL EDMONTON ALTA.” ON ONE SHORT SIDE IT SAYS, “6 CASSEROLES 48 OZ…” IN ORANGE PRINT AND THEN IN BLACK HANDWRITING IT READS “6 + 32 OZ 6 – 48 OZ CASS.” THERE ARE 4 LARGE STAPLES HOLDING THE BOTTOM OF THE BOX TOGETHER. THE INSIDE HAS 4 CARDBOARD DIVIDERS (3 LENGTHWISE AND 1 HORIZONTALLY DOWN THE CENTER) THAT FIT TOGETHER THROUGH SLITS IN THE DIVIDERS. THESE MAKE UP 6 SECTIONS IN THE BOX FOR STORING THE SETS OF DISHES. THE OVERALL DIMENSIONS OF THE BOX ARE 32 X 44 X 22 CM. POOR TO FAIR CONDITION. THERE ARE HOLES, BENDS, AND TEARS OVERALL THE WHOLE SURFACE OF THE BOX. ONE CORNER EDGE IS TAPED TOGETHER WITH A BROWN PAPER TAPE. THERE IS A STAPLE LOOSE ON A TOP FLAP. THE BOX IS DIRTY AND STAINED OVERALL.DIRTY AND STAINED OVERALL.
Subjects
FOOD PROCESSING T&E
Historical Association
INDUSTRY
TRADES
DOMESTIC
History
DONOR MIKE MYCHAJLUK ACQUIRED THIS SET OF CERAMIC DISHES WHEN TROPICAL GARDENS IN EDMONTON, ALBERTA WAS CLOSING BETWEEN THE YEARS 2004 AND 2006. THE OWNER OF THAT BUSINESS HELD AN AUCTION AT HIS WAREHOUSE AND PART OF THAT LOT WAS THE SUNBURST CERAMIC SET, WHICH MYCHAJLUK BOUGHT FOR THIRTY-FIVE DOLLARS. THE FOLLOWING INFORMATION ABOUT THIS CERAMIC SET COMES FROM AN INTERVIEW WITH MYCHAJLUK THAT WAS CONDUCTED BY COLLECTIONS TECHNICIAN KEVIN MACLEAN ON JANUARY 22, 2016: “TROPICAL GARDENS WAS GOING OUT OF BUSINESS AND THEY WERE SELLING OFF IN THEIR STORE. A COUPLE OF BOXES THEY HAD ON DISPLAY THEN A COUPLE OF MONTHS LATER HE HAD THE AUCTION AT HIS WAREHOUSE ON HIS ACREAGE. HE HAD BINS - TONS OF STUFF THERE AND THIS [BOX] HAPPENED TO BE IN [THE SALE] WHEN I BOUGHT IT. I HAD TO BUY THE WHOLE LOT… [FIRST], I’M INTERESTED IN ALBERTA POTTERY STUFF AND NUMBER TWO I KNEW OTHER PEOPLE WERE [TOO]. I WAS GOING TO SELL SOME OF IT OFF BUT THERE WAS SO MUCH OF IT. I’LL NEVER SELL [ALL OF IT] IN MY LIFETIME TO COLLECTORS… NOBODY KNOWS MUCH ABOUT [SUNBURST] AND IF I BRING IT MORE TO THE ATTENTION, MORE PEOPLE WOULD BE INTERESTED IN IT. IT’S ONE OF THE LAST POTTERIES THAT WAS IN ALBERTA… THE STUFF IS ORIGINALLY FROM LETHBRIDGE.” ON THE CERAMICS BEING UNGLAZED, MYCHAJLUK STATES: “I THINK THAT’S WHEN [SUNBURST WAS] GOING OUT OF BUSINESS. THEY JUST PACKAGED WHAT WAS LEFT AND SOLD IT OFF OR EVEN AFTER IT COULD BE A DISPERSAL… I’M ASSUMING [TROPICAL GARDENS] BOUGHT IT TO SELL DRY FLORAL ARRANGEMENTS… THE ONLY THOUGHTS WAS HE COULDN’T USE IT FOR LIVE [FLOWERS] WITH WATER BECAUSE IT WOULD COME APART.” ACCORDING TO MYCHAJLUK, WHO IS INTERESTED IN ALBERTA POTTERY, IT IS NOT USUAL TO FIND A LARGE QUANTITY OF UNGLAZED CERAMICS LIKE WHAT HE FOUND AT TROPICAL GARDENS. WHILE MYCHAJLUK WAS BORN IN LETHBRIDGE, HE DID NOT SPEND MUCH TIME LIVING HERE. SUNBURST CERAMICS WAS ESTABLISHED IN 1961 BY RALPH THRALL SR. AND JR. WHEN THEY BOUGHT OUT NEW MEDALTA CERAMICS FROM MALCOM MCARTHUR IN MEDICINE HAT. AFTER OPERATING WITH THOSE KILNS FOR THE COMPANY’S FIRST YEARS, A NECESSITY TO UPGRADE INFLUENCED THE COMPANY TO MOVE THEIR OPERATION TO LETHBRIDGE, WHERE THEY OPENED A PLANT ON 3RD AVENUE NORTH IN 1965. DURING THEIR EXISTENCE, THE PLANT PRODUCED 200 TYPES OF PRODUCTS. IN THE EARLY 1970S, THEY EXPANDED THEIR OPERATION TO PRODUCE GIFTWARE IN ADDITION TO WHAT THEY WERE PRODUCING IN THE MEDALTA STYLE. THE COMPANY DEVELOPED A REPUTATION AS LEADERS IN THE ALBERTAN CERAMIC INDUSTRY, BRINGING IN THE NEWEST TECHNOLOGIES AND EQUIPMENT FROM GERMANY WITH PROVINCIAL SUPPORT. THIS ALLOWED THEM TO ADD DINNERWARE TO THEIR PRODUCTION LINE. SUNBURST CERAMICS CLOSED ITS DOORS IN 1975. THE THRALL FAMILY BOUGHT THE MCINTYRE RANCH FOLLOWING THE DEATH OF BILLY MCINTYRE IN 1947. THE FAMILY CONTINUES TO OPERATE IT AT THE TIME OF DONATION. PLEASE SEE PERMANENT FILE FOR MORE INFORMATION INCLUDING FULL INTERVIEW TRANSCRIPT AND LETHBRIDGE HERALD ARTICLES REGARDING SUNBURST CERAMICS. SEE ALSO FILES FOR ARTIFACTS P19960004001, P19980077001, AND P200000056000 FOR MORE INFORMATION ABOUT SUNBURST CERAMICS.
Catalogue Number
P20160001000
Acquisition Date
2016-01
Collection
Museum
Images
Less detail
Other Name
TEA TOWEL, LETHBRIDGE HANDICRAFT GUILD OF WEAVERS
Material Type
Artifact
Materials
COTTON
Catalogue Number
P20140037000
  1 image  
Material Type
Artifact
Other Name
TEA TOWEL, LETHBRIDGE HANDICRAFT GUILD OF WEAVERS
Date
2014
Materials
COTTON
No. Pieces
1
Length
82
Width
39
Description
PLAID, HANDWOVEN TEA TOWEL MADE UP OF VARIOUS PLAID PATTERNS. THE BASE THROUGHOUT THE TOWEL IS A SYMMETRICAL PATTERN OF BANDS (DARK BLUE, LIGHT BLUE, GREEN, YELLOW, ORANGE, RED, PINK, DARK PURPLE, AND LIGHT PURPLE). THERE IS A CARDBOARD TAG ATTACHED THAT READS, “LETHBRIDGE HANDICRAFT…” PRINTED IN BLACK INK AND “GALT TOWEL… GUILD WEAVERS” HANDWRITTEN IN BLUE INK. THE REVERSE OF THE CARD HAS CARE INSTRUCTIONS. THE TOWEL IS 82 CM BY 39 CM. EXCELLENT CONDITION. CREASED AT THE FOLDS.
Subjects
MAINTENANCE T&E
Historical Association
ASSOCIATIONS
COMMEMORATIVE
DOMESTIC
TRADES
History
AN EXHIBITION AT THE GALT MUSEUM AND ARCHIVES TITLED WOVEN IN TIME CELEBRATING 65 YEARS WITH LETHBRIDGE WEAVERS WAS ORGANIZED BY GALT CURATOR WENDY AITKENS IN PARTNERSHIP WITH THE LETHBRIDGE HANDICRAFT GUILD OF WEAVERS. THIS EXHIBITION RAN FROM JUNE 7 TO SEPTEMBER 1, 2014 AND DISPLAYED THE HISTORY OF THE GUILD WITHIN THE COMMUNITY SINCE ITS RE-ESTABLISHMENT IN 1949. THIS EXHIBITION INCLUDED BOTH HERITAGE AND RECENT WEAVINGS, ARCHIVAL MATERIAL, DEMONSTRATION VIDEOS, AND WEAVERS WHO SAT AT A LOOM IN THE EXHIBIT CREATING 6 COTTON TEA TOWELS. OF THESE TOWELS, ONE WAS CHOSE FOR DONATION TO THE MUSEUM. THIS TEA TOWEL SHOWS SEVERAL DESIGNS CREATED BY THE WEAVERS WHO SAT AT THE LOOM IN THE EXHIBIT. IT WAS CREATED AS A WEAVING DEMONSTRATION WITH AT LEAST SEVEN WEAVERS DESIGNING THE PATTERN AND WORKING ON IT. THE FOLLOWING INFORMATION ABOUT THE LETHBRIDGE HANDICRAFT GUILD OF WEAVERS HAS BEEN TAKEN FROM TEXTS WRITTEN FOR THE EXHIBITION BY AITKENS: “IN THE PAST, FUNCTIONAL HOUSEHOLD ITEMS SUCH AS CLOTHING, BEDDING AND OTHER NECESSITIES WERE WOVEN BY HAND, ON HOMEMADE LOOMS. WITH THE INDUSTRIAL REVOLUTION, MASS PRODUCED WOVEN PRODUCTS EMPLOYED MANY PEOPLE IN FACTORIES MAKING THINGS THAT THEY WOULD HAVE MADE EARLIER AT HOME. AS TIME PASSED THERE WAS A GROWING FEAR THAT THE SKILLS AND KNOWLEDGE REQUIRED TO PRODUCE HANDMADE WOVEN ARTICLES WOULD BE LOST. CONSEQUENTLY, FOLLOWED MOVEMENTS IN BRITAIN, SEVERAL WOMEN IN MONTREAL FORMED THE CANADIAN HANDICRAFTS GUILD [CHG] IN 1905 TO PRESERVE THESE TRADITIONAL ART AND CRAFT SKILLS. … BY THE LATE 1800S, MEN AND WOMEN WERE RECOGNIZED FOR THEIR ADVANCED SKILL IN WEAVING, AND GUILDS WERE ESTABLISHED IN COMMUNITIES ACROSS CANADA, INCLUDING EDMONTON, VANCOUVER, AND WINNIPEG. GUILDS ALSO ENCOURAGED PRODUCTION OF FURNITURE, JEWELRY DESIGN, LEATHER AND IRON WORK, AS WELL AS OTHER ARTISTIC ENDEAVOURS. THE NATIONAL GUILD TRANSFERRED ITS ASSETS TO THE QUEBEC PROVINCIAL BRANCH OF THE CHG IN 1936. THE LETHBRIDGE BRANCH OF THE CHG WAS FOUNDED IN 1935. IT WAS DISCONTINUED DURING WWII BECAUSE RED CROSS PROJECTS, WHICH SUPPORTED SOLDIERS OVERSEAS, WERE THE PRIORITY. AFTER THE WAR IN 1949, ELEVEN LOCAL WOMEN REBUILT THE CHG AND OFFERED COURSES IN NEEDLEWORK, LEATHERWORK, COPPER TOOLING, GLOVE MAKING, POTTERY, ALUMINUM ETCHING, AND OTHER CRAFTS INCLUDING, IN 1951, WEAVING. MEETINGS AND CLASSES WERE HELD IN THE CANADIAN WESTERN NATURAL GAS COMPANY BUILDING [420 – 6 ST. S] AND THE RED CROSS ROOMS [1160 – 7 AVE S] UNTIL 1964 WHEN THE GUILD MOVED TO THE BOWMAN ARTS CENTRE [811 – 5 AVE. S].” “SINCE 1951, WHEN WEAVING BECAME A POPULAR ACTIVITY IN THE LETHBRIDGE HANDICRAFT GUILD, MEMBERS PRACTICED THEIR ART, TAUGHT OTHERS HOW TO WEAVE, AND SHARED THEIR PIECES WITH THE PUBLIC THROUGH SHOWS AND SALES. INITIALLY, 16 BOX LOOMS WERE PURCHASED FROM EATON’S FOR EVERYONE TO USE. IN 1954, GUILD MEMBERS SAVED LABELS FROM SOUP CANS AND WHEN THEY TURNED THEIR LABELS IN TO THE CAMPBELL COMPANY THEY RECEIVED $165 TO PURCHASE A FLOOR LOOM. TODAY, THE GUILD OWNS MANY LOOMS OF VARYING SIZES. THE LETHBRIDGE GUILD HAS ALWAYS OPERATED AS A CO-OPERATIVE. ALL THE LOOMS ARE OWNED BY THE GUILD AND THEY ARE SET UP WITH A COMMON WARP (THE LONG THREADS ON THE LOOM) FOR ALL MEMBERS TO USE. GUILD MEMBERS WORK TOGETHER TO PLAN GROUP PROJECTS SUCH AS A FRIENDSHIP BED COVERLET, TEA TOWELS AND PLACE MATS. MEMBERS USE TRADITIONAL FIBRES SUCH AS COTTON, LINEN AND WOOL BUT THEY ALSO EXPERIMENT WITH YARNS MADE FROM YAK, DOG AND POSSUM HAIR. THEY ALSO USED RIBBONS, ZIPPERS AND VHS TAPES TO CREATE IMAGINATIVE WORKS OF ART. IN THE EARLY 2000S, GUILD MEMBERS ASKED CITY COUNCIL FOR PERMISSION TO DEVELOP AN OFFICIAL TARTAN FOR LETHBRIDGE. MONTHS OF WEAVING SAMPLES, CHOOSING THE PERFECT PATTERN, AND GETTING COUNCIL APPROVAL RESULTED IN A SPECTACULAR TARTAN WHICH WAS UNIQUE IN THE WORLD. THE TARTAN WAS OFFICIALLY CERTIFIED BY THE SCOTTISH TARTAN SOCIETY. KNOWLEDGEABLE LOCAL WEAVERS TAUGHT ADULTS AND CHILDREN THE ART OF WEAVING, SPINNING, AND DYING. MASTER WEAVERS FROM OUTSIDE LETHBRIDGE HAVE BEEN BROUGHT IN TO EXPAND THE TECHNIQUES AND STYLES OF GUILD MEMBERS. THE GUILD RECEIVED INTERNATIONAL RECOGNITION FROM INTERWEAVE PRESS WHEN IT WON THE FIBERHEARTS AWARD IN 2005 FOR ITS UNIQUE MENTORSHIP PROGRAM. THE $500 RECEIVED WITH THE AWARD ALLOWED NOVICE WEAVERS TO LEARN FROM EXPERIENCED WEAVERS.” PLEASE SEE PERMANENT FILE FOR MORE INFORMATION.
Catalogue Number
P20140037000
Acquisition Date
2014-09
Collection
Museum
Images
Less detail
Other Name
DOCTORAL ROBE, MCGILL UNIVERSITY
Material Type
Artifact
Materials
POLYESTER, VELVET
Catalogue Number
P20150032000
  2 images  
Material Type
Artifact
Other Name
DOCTORAL ROBE, MCGILL UNIVERSITY
Date
1981
Materials
POLYESTER, VELVET
No. Pieces
3
Height
130.5
Width
34.5
Description
DOCTORAL ROBE SET THAT INCLUDES GOWN, HOOD, AND CAP (3 PIECES). A: MCGILL UNIVERSITY DOCTORAL ROBE WITH RED SERGE AND GOLD SATIN LINING. THERE IS TIGHT RUCHING ALONG THE SEAM BETWEEN THE SHOULDER AND SLEEVE AND ALONG THE BACK. THE INSIDE OF THE SLEEVES ARE LINED WITH GOLD SATIN, AND GATHERED WITH A BUTTON APPROXIMATELY HALF THE LENGTH OF THE SLEEVE, SO THAT THE SATIN IS EXPOSED. THE TAG ON THE BACK OF THE INSIDE READS, “CORONATION… BY D. MILNE MONTREAL… ORDER NO. 2814”. VERY GOOD /EXCELLENT CONDITION. THE TAG IS FADING. THERE IS RED DYE SLIGHTLY STAINING THE GOLD SATIN AT THE SEAM OF TOP OF THE FRONT PANELS. B: THE HOOD IS WORN WITH THE GOWN AND IS MADE OUT OF THE SAME RED MATERIAL ON THE OUTSIDE AND LINED WITH THE SAME GOLD SATIN. THERE IS A NECK BAND WHERE IT IS ATTACHED TO THE OUTFIT. FROM THE NECK, THE HOOD EXTENDS TO TWO TAILS – THE TOP TAIL IS CLOSED AND THE BOTTOM TAIL IS OPEN SO THE GOLD SATIN IS EXPOSED. THERE IS A “CORONATION” TAG ON THE NECK BAND. THE HOOD OPENING IS 62 CM. THE TOP TAIL IS 88 CM IN LENGTH AND THE BOTTOM IS 96 CM. VERY GOOD/EXCELLENT CONDITION. C: BLACK VELVET CAP WITH GOLD TASSEL. “CORONATION” TAG ON THE INSIDE. VERY GOOD CONDITION: THERE IS A STAIN ON THE TOP OF THE HAT ON THE END ACROSS FROM THE TASSEL.
Subjects
PERSONAL SYMBOL
Historical Association
ASSOCIATIONS
PROFESSIONS
History
DR. GEORGE EDWARD (TED) ORCHARD PURCHASED HIS DOCTORAL ROBES AROUND 1981 IN ORDER TO WEAR AT THE CONVOCATION CEREMONIES AS A PROFESSOR AT THE UNIVERSITY OF LETHBRIDGE. THE FOLLOWING BIOGRAPHICAL INFORMATION IS TAKEN FROM AN INTERVIEW CONDUCTED BY DR. JIM TAGG FOR THE UNIVERSITY OF LETHBRIDGE AND DR. ORCHARD’S OBITUARY: BORN IN LONDON, ENGLAND IN 1935 DR. ORCHARD RECEIVED A SCHOLARSHIP TO STUDY AT A GRAMMAR SCHOOL AT THE AGE OF 11 AND GRADUATED FROM THERE AT 18 YEARS OLD. HE THEN ENLISTED IN THE NATIONAL SERVICE, WHERE HE STUDIED THE RUSSIAN LANGUAGE AND SPENT TIME MONITORING RUSSIAN SIGNALS. HE WAS ACCEPTED TO OXFORD UNIVERSITY IN 1956 ON FULL SCHOLARSHIP. HE RECEIVING HIS BACHELOR’S AND MASTER’S DEGREES IN HISTORY AND EDUCATION THERE. HE THEN SPENT TIME TEACHING IN NIGERIA BEFORE MOVING TO CANADA IN THE EARLY 1960S TO OBTAIN HIS DOCTORATE DEGREE FROM MCGILL UNIVERSITY. IN 1965, HE WAS OFFERED AN OPPORTUNITY TO BECOME ONE OF THE FOUNDING MEMBERS OF THE HISTORY DEPARTMENT AT THE UNIVERSITY OF LETHBRIDGE. HE MOVED TO LETHBRIDGE IN 1966 AND WAS AN INVOLVED IN THE ESTABLISHMENT OF THE UNIVERSITY IN THE EARLY YEARS. DURING HIS TENURE, DR. ORCHARD TOOK GREAT PRIDE IN TEACHING, TRANSLATION, EDITING, AND RESEARCH. IN ADDITION TO HIS INVOLVEMENT WITH THE UNIVERSITY, DR. ORCHARD WAS PARTOOK IN MANY ASPECTS OF THE CITY OF LETHBRIDGE INCLUDING THE GERMAN MALE CHOIR, GERMAN CLUB, THE PLAYGOERS CLUB OF LETHBRIDGE, AND HE RAN FOR THE NEW DEMOCRATIC PARTY IN LETHBRIDGE RIDING FOR THE FEDERAL ELECTION OF 1968. HE MARRIED ELLEN IN 1979. DR. ORCHARD WORKED AT THE UNIVERSITY OF LETHBRIDGE UNTIL 1993. THE FOLLOWING INFORMATION HAS BEEN EXTRACTED FROM AN INTERVIEW WITH ELLEN ORCHARD CONDUCTED BY COLLECTIONS TECHNICIAN KEVIN MACLEAN ON DECEMBER 3, 2015. BOTH DR. ORCHARD AND ELLEN WERE EMPLOYED BY THE NEW UNIVERSITY WHEN THEY MET EACH OTHER: “… I WAS WORKING IN THE HEALTH SERVICES, AND WE MET IN 1969… I WAS WORKING IN THE NURSING OFFICE WITH MRS. JACOBSON, COORDINATING PLANNING THE HEALTH CLINIC FOR THE NEW CAMPUS… TED WAS WORKING WITH HIS COLLEAGUES IN THE HISTORY DEPARTMENT SETTING UP THE CLASSES AND MEETING ALL THE DIFFERENT PEOPLE, AND JUST GETTING ORGANIZED FOR THE MOVE… AND IT WAS AT THE OLD CAMPUS AT THE COLLEGE IN THOSE YEARS… YOU KNEW EVERYBODY. IT WAS ONLY 853 STUDENTS AND WE KNEW ALL THE PROFS. THEY WERE RIGHT DOWN THE HALL FROM US… WE KNEW EACH OTHER FOR 10 YEARS BEFORE WE GOT MARRIED, AND WE GOT MARRIED IN 1979, IN JUNE, SO WE JUST HAD A COURTSHIP THREE YEARS PRIOR TO THAT… HE WAS A WONDERFUL CONVERSATIONALIST, A VERY INTERESTING PERSON TO BE WITH, VERY KIND, VERY BRILLIANT, AND I JUST ENJOYED HIS COMPANY.” “WE ORDERED [THE ROBES], I THINK THE SECOND YEAR AFTER WE WERE MARRIED SO THAT HE COULD HAVE THEM FOR CONVOCATIONS. GOT THEM FROM MCGILL UNIVERSITY… [IN] ABOUT 1981… HE ENJOYED THE HONOR TO BE IN THE CONVOCATION AND WANTED TO HAVE THE ROBES FOR THAT REASON. IT’S JUST A PRESTIGIOUS HONOR FROM MCGILL TO HAVE THEM… [THE FACULTY] WOULD SIT ON THE STAGE. ALL THE PROFESSORS WOULD MARCH IN TOGETHER AND SIT UP THERE ON THE STAGE AS THE DEGREES WERE HANDED OUT… THE ROBES WERE VERY, VERY HONORABLE TO TED… [TO ME], THEY MEAN THAT I WAS MARRIED TO A BRILLIANT SCHOLAR. I’M VERY PROUD OF HIM AND JUST HONORED TO BE HIS WIFE.” DR. ORCHARD PASSED AWAY IN LETHBRIDGE ON MARCH 1, 2015. PLEASE SEE PERMANENT FILE FOR FURTHER INFORMATION INCLUDING FULL INTERVIEW TRANSCRIPT, UNIVERSITY OF LETHBRIDGE INTERVIEW WITH DR. ORCHARD, AND LETHBRIDGE HERALD ARTICLES.
Catalogue Number
P20150032000
Acquisition Date
2015-12
Collection
Museum
Images
Less detail
Date Range From
1955
Date Range To
1988
Material Type
Artifact
Materials
STEEL
Catalogue Number
P20140049012
  1 image  
Material Type
Artifact
Date Range From
1955
Date Range To
1988
Materials
STEEL
No. Pieces
1
Height
1.2
Length
35.6
Width
9.8
Description
A STEEL PELVIMETER. MADE OF TWO METAL ARMS PINIONED TOGETHER NEAREST THE MEASUREMENT END. THE MEASUREMENT GAGE IS MADE UP OF A HALF CIRCLE GAGE ETCHED WITH TWO RULERS MEASURING INCHES AND CENTIMETERS, AND A TWO PRONGED C-SHAPED POINTED INDICATOR. ON THE OPPOSITE SIDE OF THE HALF CIRCLE GAGE THE LETTERS “O.B.S.” ARE SCRATCHED INTO THE METAL. ON THE FRONT SIDE OF THE TOOL, UNDER THE HARDENED ADHESIVE OF A REMOVED PIECE OF TAPE ARE THE WORDS “ALLEN & HANBURYS LTD ENGLAND. S. S.” ETCHED INTO THE METAL. VERY GOOD CONDITION: MODERATE SCRATCHES ON OVERALL SURFACE.
Subjects
MEDICAL & DENTAL T&E
Historical Association
HEALTH SERVICES
ASSOCIATIONS
History
UPON DONATION TO THE MUSEUM, COLLECTIONS TECHNICIAN KEVIN MACLEAN ASKED MEMBERS OF THE GALT SCHOOL OF NURSING (GSN) ALUMNAE TO PROVIDE WRITTEN ANSWERS ON QUESTIONS PERTAINING TO EACH ARTIFACT DONATED IN THE COLLECTION. THE FOLLOWING INFORMATION HAS COME FROM THOSE RESPONSES CORRESPONDING TO EACH INDIVIDUAL ARTIFACT. THE ALUMNI WROTE THIS INSTRUMENT WAS “USED FOR MEASURING [THE] PELVIS ON [THE] MATERNITY [WARD] TO SEE IF THE BABY COULD PASS THROUGH [THE] BIRTH CANAL… THIS INSTRUMENT WAS USED WHEN THE MUNICIPAL [HOSPITAL] OPENED. PELVIC MEASUREMENT [WAS] NOT USED BEFORE THEN THAT WE KNOW ABOUT.” INFORMATION FROM THE GALT ARCHIVES STATES, “IN JUNE 1955 THE LETHBRIDGE MUNICIPAL HOSPITAL WAS OPENED…” (ARCHIVES ACCESSION NUMBER: 20141073) ACCORDING TO THE HISTORY, THIS INSTRUMENT WAS USED BY THE DOCTORS AND IT “HELPED PATIENTS TO KNOW WHETHER THEY COULD HAVE A NATURAL BIRTH OR [IF THEY] NEEDED A C-SECTION.” THIS ARTIFACT IS AMONG A COLLECTION DONATED NEAR THE END OF 2014, BEING THE SECOND WAVE OF GSN ARTIFACTS ACQUIRED BY THE MUSEUM THAT YEAR. WITH THE FIRST WAVE OF GSN ARTIFACTS COLLECTED IN SUMMER 2014, MACLEAN INTERVIEWED THE PAST ARCHIVISTS OF THE GALT SCHOOL OF NURSING COLLECTION, SHIRLEY HIGA, ELAINE HAMILTON, AND SUE KYLLO, ABOUT THEIR INVOLVEMENT WITH THE GSN ALUMNAE ASSOCIATION AND THE HISTORY OF ARTIFACTS DONATED. FOR THAT INFORMATION, PLEASE REFER TO P20140006001. PLEASE SEE THE PERMANENT FILE FOR MORE INFORMATION.
Catalogue Number
P20140049012
Acquisition Date
2014-11
Collection
Museum
Images
Less detail
Date Range From
1928
Date Range To
1970
Material Type
Artifact
Materials
STEEL
Catalogue Number
P20140049013
  2 images  
Material Type
Artifact
Date Range From
1928
Date Range To
1970
Materials
STEEL
No. Pieces
1
Height
8
Length
43
Width
8.5
Description
A STEEL CAST CUTTER. MADE OF TWO METAL ARMS PINIONED TOGETHER RIGHT AT THE SAW TOOTH CUTTING EDGE. ON ONE SIDE IS A HANDWRITTEN ETCHING READING “EMERG. CAST. EQ.” FAIR TO GOOD CONDITION: THE STEEL AROUND AND BEHIND THE SAW TEETH IS RUSTED AND IN EDGES HAS STUCK ON PLASTER DUST. THE WHOLE TOOL IS SCRATCHED AND DINGED, ALMOST COVERING UP THE ETCHED WORDS.
Subjects
MEDICAL & DENTAL T&E
Historical Association
HEALTH SERVICES
ASSOCIATIONS
History
UPON DONATION TO THE MUSEUM, COLLECTIONS TECHNICIAN KEVIN MACLEAN ASKED MEMBERS OF THE GALT SCHOOL OF NURSING (GSN) ALUMNAE TO PROVIDE WRITTEN ANSWERS ON QUESTIONS PERTAINING TO EACH ARTIFACT DONATED IN THE COLLECTION. THE FOLLOWING INFORMATION HAS COME FROM THOSE RESPONSES CORRESPONDING TO EACH INDIVIDUAL ARTIFACT. THIS CAST SPREADER WAS STATED TO BE USED IN THE CAST ROOM AND IN THE EMERGENCY ROOM BY ORDERLIES, NURSES, AND DOCTORS. IT WAS “USED FOR TAKING OFF PLASTER CASTS BEFORE [THE USE] OF FIBERGLASS CASTS.” THIS ARTIFACT IS AMONG A COLLECTION DONATED NEAR THE END OF 2014, BEING THE SECOND WAVE OF GSN ARTIFACTS ACQUIRED THAT YEAR. WITH THE FIRST WAVE OF GSN ARTIFACTS COLLECTED IN SUMMER 2014, COLLECTIONS TECHNICIAN KEVIN MACLEAN INTERVIEWED THE PAST ARCHIVISTS OF THE GALT SCHOOL OF NURSING COLLECTION, SHIRLEY HIGA, ELAINE HAMILTON, AND SUE KYLLO, ABOUT THEIR INVOLVEMENT WITH THE GSN ALUMNAE ASSOCIATION AND THE HISTORY OF ARTIFACTS DONATED. FOR THAT INFORMATION, PLEASE REFER TO P20140006001. PLEASE SEE THE PERMANENT FILE FOR MORE INFORMATION.
Catalogue Number
P20140049013
Acquisition Date
2014-11
Collection
Museum
Images
Less detail
Other Name
LIFTING FORCEPS
Date Range From
1955
Date Range To
1965
Material Type
Artifact
Materials
STEEL
Catalogue Number
P20140049014
  1 image  
Material Type
Artifact
Other Name
LIFTING FORCEPS
Date Range From
1955
Date Range To
1965
Materials
STEEL
No. Pieces
1
Height
6.1
Length
30
Width
2.8
Description
STEEL FORCEPS. MADE OF TWO METAL ARMS PINIONED TOGETHER IN THE MIDDLE. ONE SIDE HAS A SCISSOR LIKE HANDLE. AT THE OTHER END ONE OF THE ARMS ENDS IN A FLATTENED DOUBLE PRONG, WHILE THE OTHER ENDS IN A FLATTENED SINGLE PRONG THAT FITS BETWEEN THE OTHER TWO. GOOD CONDITION: THE PATINA IS WORN ALL OVER, ESPECIALLY THE ENDS. THERE ARE SMALL SPOTS OF RUST.
Subjects
MEDICAL & DENTAL T&E
Historical Association
HEALTH SERVICES
ASSOCIATIONS
History
UPON DONATION TO THE MUSEUM, COLLECTIONS TECHNICIAN KEVIN MACLEAN ASKED MEMBERS OF THE GALT SCHOOL OF NURSING (GSN) ALUMNAE TO PROVIDE WRITTEN ANSWERS ON QUESTIONS PERTAINING TO EACH ARTIFACT DONATED IN THE COLLECTION. THE FOLLOWING INFORMATION HAS COME FROM THOSE RESPONSES CORRESPONDING TO EACH INDIVIDUAL ARTIFACT. THESE LIFTING FORCEPS WERE USED TO LIFT STERILE DRESSINGS OUT OF CANISTERS. ACCORDING TO THE HISTORY, THESE WERE PROBABLY USED “WHEN THE [MUNICIPAL] HOSPITAL OPENED TO THE MID-SIXTIES WHEN DRESSING PACKAGES WERE USED.” THIS ARTIFACT WOULD HAVE BEEN USED BY THE NURSES IN THE HOSPITAL. FOR YEARS OF USE, INFORMATION FROM THE GALT ARCHIVES STATES, “IN JUNE 1955 THE LETHBRIDGE MUNICIPAL HOSPITAL WAS OPENED…” (ARCHIVES ACCESSION NUMBER: 20141073) THIS ARTIFACT IS AMONG A COLLECTION DONATED NEAR THE END OF 2014, BEING THE SECOND WAVE OF GSN ARTIFACTS ACQUIRED THAT YEAR. WITH THE FIRST WAVE OF GSN ARTIFACTS COLLECTED IN SUMMER 2014, COLLECTIONS TECHNICIAN KEVIN MACLEAN INTERVIEWED THE PAST ARCHIVISTS OF THE GALT SCHOOL OF NURSING COLLECTION, SHIRLEY HIGA, ELAINE HAMILTON, AND SUE KYLLO, ABOUT THEIR INVOLVEMENT WITH THE GSN ALUMNAE ASSOCIATION AND THE HISTORY OF ARTIFACTS DONATED. FOR THAT INFORMATION, PLEASE REFER TO P20140006001. PLEASE SEE THE PERMANENT FILE FOR MORE INFORMATION.
Catalogue Number
P20140049014
Acquisition Date
2014-11
Collection
Museum
Images
Less detail
Material Type
Artifact
Materials
STEEL
Catalogue Number
P20140049015
  2 images  
Material Type
Artifact
Date
1923
Materials
STEEL
No. Pieces
1
Height
0.4
Length
15.4
Width
1.3
Description
A STEEL SCALPEL WITH A HOOKED BLADE. ON ONE SIDE THE HANDLE IS STAMPED “CHANDLER & FISHER LTD.” ON THE OTHER SIDE, IN GREEN HANDWRITTEN INK IT READS “O:R. 1923.” METAL RIDGES ON HANDLE FOR GRIPPING THE TOOL. GOOD CONDITION: THE PATINA IS FADED ON THE BLADE AND SURROUNDING THE GRIP AREA OF HANDLE. THE TIP OF THE HOOKED BLADE HAS BEEN CHIPPED OFF.
Subjects
MEDICAL & DENTAL T&E
Historical Association
HEALTH SERVICES
ASSOCIATIONS
History
UPON DONATION TO THE MUSEUM, COLLECTIONS TECHNICIAN KEVIN MACLEAN ASKED MEMBERS OF THE GALT SCHOOL OF NURSING (GSN) ALUMNAE TO PROVIDE WRITTEN ANSWERS ON QUESTIONS PERTAINING TO EACH ARTIFACT DONATED IN THE COLLECTION. THE FOLLOWING INFORMATION HAS COME FROM THOSE RESPONSES CORRESPONDING TO EACH INDIVIDUAL ARTIFACT. ACCORDING TO THE HISTORY, THIS ARTIFACT IS AN OLDER VERSION OF A SCALPEL WITH THE HANDLE AND THE BLADE IN ONE PIECE. THESE WOULD HAVE BEEN USED PRIOR TO 1955. THE HISTORY STATES, “LATER ON, BLADES WERE SEPARATE.” SCALPELS WERE USED BY DOCTORS. THESE TYPES OF SCALPELS HAD TO BE STERILIZED. THERE ARE UPDATED VERSIONS OF SCALPELS THAT ARE STILL THE TOOL USED TODAY. THIS ARTIFACT IS AMONG A COLLECTION DONATED NEAR THE END OF 2014, BEING THE SECOND WAVE OF GSN ARTIFACTS ACQUIRED THAT YEAR. WITH THE FIRST WAVE OF GSN ARTIFACTS COLLECTED IN SUMMER 2014, COLLECTIONS TECHNICIAN KEVIN MACLEAN INTERVIEWED THE PAST ARCHIVISTS OF THE GALT SCHOOL OF NURSING COLLECTION, SHIRLEY HIGA, ELAINE HAMILTON, AND SUE KYLLO, ABOUT THEIR INVOLVEMENT WITH THE GSN ALUMNAE ASSOCIATION AND THE HISTORY OF ARTIFACTS DONATED. FOR THAT INFORMATION, PLEASE REFER TO P20140006001. PLEASE SEE THE PERMANENT FILE FOR MORE INFORMATION.
Catalogue Number
P20140049015
Acquisition Date
2014-11
Collection
Museum
Images
Less detail

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